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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,graveyard,of,the,church,with,stone,casket,grave,27-05-1819,feet,yard,distinctive,unique,27th,may,village,8,Church End,Walthamstow,UK,E17 9RJ,cat,cats,Georgian,listed,tomb,tombs,1702,cemetery
Description: Tony Smith image Alamy 2R3Y9N6 - . Graveyard of St Marys Church, Isaac Solly, stone casket grave, 27-05-1819, with sad lions. Photographed on 21 May 2023. The recorded location is St Mary's Church Walthamstow village , 8 Church End, Walthamstow, London, England, UK, E17 9RJ. The tomb of Isaac Solly, St Mary's Churchyard. St Mary's Church is very much at the centre of Walthamstow Village - an Essex village which has been engulfed in the London sprawl. The west tower, aisles and chancel chapels were built during the reign of Henry VIIIth. The church was altered and enlarged in 1818 and again in 1843. On 6th April 1673 Richard Penn and on 4th March 1681 Lady Penn were buried. They were the brother and mother of William Penn, the founder of Pennsylvania. Isaac Solly died on February 4th 1802 aged 77 and he certainly has a very distinctive tomb with the sad lions and the tomb resting on lions' feet. This tomb is in the western half of the churchyard, beyond the path which separates it from the church. The historical setting for architectural conservation is that parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, later chapels, organs, altars, monuments and inscriptions can coexist within a single building, revealing generations of craftsmanship and changing liturgy. Seen through town centre, the earlier context is that place-based photography helps document the relationship between named locations and the people or businesses associated with them, especially where formal architectural records are limited. For monument, the historical context is that memorials and plaques turn personal or collective memory into physical objects
Names, dates and inscriptions can preserve information about war service, civic achievement, local tragedy or family history that may otherwise survive only in archives. The wider story encompasses central, graveyard, church, stone, casket, grave, 27-05-1819, and feet.
St Mary's Church Walthamstow village , 8 Church End, Walthamstow, London, England, UK, E17 9RJ
Description
Keywords: GoTonySmith,HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,memorial,N6,N6 6PJ,tomb,tombstone,tomb stone,&,1943-2011,of,the,acoustic guitarist,and,singer-songwriter,singer,songwriter,Bert Jansch,loren Jansch,lovingly,remembered,by,family,friends,everyone,they,inspired,nee,Auerbach,Glaswegian,Herbert Jansch
Description: Tony Smith image Alamy 2R7A3PF - Herbert Jansch (3 November 1943 “ 5 October 2011) was a Scottish folk musician and founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century.
Jansch was a leading figure in the 1960s British folk revival, touring folk clubs and recording several solo albums, as well as collaborating with other musicians such as John Renbourn and Anne Briggs. In 1968, he co-founded the band Pentangle, touring and recording with them until their break-up in 1972. He then took a few years' break from music, returning in the late 1970s to work on a series of projects with other musicians. He joined a reformed Pentangle in the early 1980s and remained with them as they evolved through various changes of personnel until 1995. Until his death, Jansch continued to work as a solo artist.
Jansch's work influenced many artists, especially Jimmy Page, Mike Oldfield, Paul Simon, Pete Hawkes, Nick Drake, Donovan, and Neil Young. He received two Lifetime Achievement Awards at the BBC Folk Awards: one, in 2001, for his solo achievements and the other, in 2007, as a member of Pentangle.
Pentangle's first major concert was at the Royal Festival Hall in 1967, and their first album, The Pentangle, was released in the following year. Pentangle embarked on a demanding schedule of touring the world and recording and, during this period, Jansch largely gave up solo performances. He did, however, continue to record, releasing Rosemary Lane in 1971. The tracks for this album were recorded on a portable tape recorder by Bill Leader at Jansch's cottage in Ticehurst, Sussex”a process which took several months, with Jansch only working when he was in the right mood.
Pentangle reached their highest point of commercial success with the release of their Basket of Light album in 1969.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,memorial,N6,N6 6PJ,tomb,tombstone,tomb stone,wide panorama,cemetery walkway,quiet reflection,green space London,North London,London,UK,graveyard path,stone crosses,summer,Highgate Cemetery,Victorian cemetery,historic burial ground,trees,path,wide angle,chatting. older. people,stone,cross,crosses
Description: Tony Smith image Alamy 2R7A3WE - This image shows a wide, panoramic view within Highgate Cemetery in North London, with visitors seated beside historic graves along a gently curving path. Stone crosses and memorial monuments line the edge of the walkway, while mature trees and dense greenery frame the scene, reinforcing the cemetery's distinctive woodland character.
Highgate Cemetery is notable not only as a Victorian burial ground but also as a valued green space where remembrance, history, and everyday life intersect. The presence of people sitting quietly together reflects the cemetery's contemporary role as a place for reflection, conversation, and calm, as well as mourning.
The contrast between living visitors and historic memorials highlights the layered nature of the site, where nineteenth-century funerary art coexists with modern use. This balance between preservation and accessibility has helped shape Highgate's reputation as both a heritage landmark and a peaceful urban retreat.
Photographed in soft daylight, the image captures the relaxed, contemplative atmosphere that distinguishes Highgate Cemetery from more formal burial grounds. It is well suited for editorial use illustrating London green spaces, cemetery culture, heritage landscapes, and the human relationship with historic places of remembrance.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,memorial,N6,N6 6PJ,tomb,tombstone,tomb stone,panorama,seated,on,bench,Highgate Cemetery,cemetery landscape,Victorian cemetery,historic burial ground,North London,London,UK,graveyard path,stone crosses,summer,wide panorama,cemetery walkway,seated people,friends sitting,quiet reflection,green space London,assisted dying,bill
Description: Tony Smith image Alamy 2R7A3XX - This image shows a wide, panoramic view within Highgate Cemetery in North London, with visitors seated beside historic graves along a gently curving path. Stone crosses and memorial monuments line the edge of the walkway, while mature trees and dense greenery frame the scene, reinforcing the cemetery's distinctive woodland character.
Highgate Cemetery is notable not only as a Victorian burial ground but also as a valued green space where remembrance, history, and everyday life intersect. The presence of people sitting quietly together reflects the cemetery's contemporary role as a place for reflection, conversation, and calm, as well as mourning.
The contrast between living visitors and historic memorials highlights the layered nature of the site, where nineteenth-century funerary art coexists with modern use. This balance between preservation and accessibility has helped shape Highgate's reputation as both a heritage landmark and a peaceful urban retreat.
Photographed in soft daylight, the image captures the relaxed, contemplative atmosphere that distinguishes Highgate Cemetery from more formal burial grounds. It is well suited for editorial use illustrating London green spaces, cemetery culture, heritage landscapes, and the human relationship with historic places of remembrance.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyards,grave,memorials,tourist,attraction,memorial,N6,N6 6PJ,tomb,tombstone,tomb stone,ivy,Highgate Cemetery,stone crosses,grave markers,funerary sculpture,memorial crosses,North London,London,UK,Christian symbolism,Celtic cross,mourning statue,stone angel,overgrown graves,woodland cemetery,Victorian funerary art,religious memorials,nineteenth century burial ground,gothic cemetery,nature reclaiming graves,remembrance,death
Description: Tony Smith image Alamy 2R7A40A - This photograph shows a group of stone crosses and grave monuments set among lush vegetation in Highgate Cemetery, one of London's most historically significant Victorian burial grounds. The memorials include a variety of cross designs, from simple Latin crosses to more elaborate Celtic forms, reflecting the religious symbolism and artistic styles commonly used in nineteenth-century funerary sculpture.
Highgate Cemetery is renowned for its wooded setting and the way nature has gradually reclaimed many of its monuments. Ivy, wild grasses, and mature trees surround the graves, softening the stonework and creating a distinctive atmosphere that blends memorial art with a natural landscape. This balance between preservation and natural growth contributes to the cemetery's romantic and slightly gothic character.
Stone crosses were widely used in Victorian cemeteries to express Christian faith, hope of resurrection, and remembrance. Their weathered surfaces and varied designs illustrate both personal commemoration and broader cultural attitudes to death during the period of rapid urban and industrial expansion in London.
Photographed in natural daylight, this image captures the quiet, reflective quality of Highgate Cemetery and its role as both a place of remembrance and a significant heritage landscape. It is well suited for editorial use covering Victorian funerary traditions, religious symbolism, London history, and the visual character of historic cemeteries in the UK.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,memorial,N6,N6 6PJ,tomb,tombstone,tomb stone,art,artist,1904-1988,1904,1988,statue,bronze,in,remembrance,Vienna,Austrian,Austria,sculptor,Gustav Mahler,Alma Schindler,model,unique,covering,eyes
Description: Tony Smith image Alamy 2R7A40M - Born in Vienna, Anna Mahler was the second child of the composer Gustav Mahler and his wife Alma Schindler. They nicknamed her 'Gucki' on account of her big blue eyes (gucken is German for 'peek' or 'peep'). Her childhood was spent in the shadow of her mother's love affairs and famous salon. Anna also suffered the loss of her older sister Maria Mahler (1902“1907) who died of scarlet fever when Anna was three”and her father, who died when she was six. The aftermath of both tragedies coincided with her mother's love affair with the German architect Walter Gropius and her stormy relationship with the Austrian Expressionist painter Oskar Kokoschka. Alma Mahler's second marriage to Gropius, however, provided some semblance of family life during Anna's adolescence”as well as a young half-sister, Manon Gropius (1916“1935).
Anna was educated by tutors and also enjoyed the attention of her mother's friends, which included many of the important artistic figures in music, the visual arts, and literature. As the daughter of the legendary Gustav Mahler, Anna was expected to have a musical career. However, this never materialized. Rather than becoming a professional musician, Anna fell in love with one.
Anna Mahler's exposure to the visual arts began early when she would visit Oskar Kokoschka's studio. She was also a model for her mother-in-law, the painter Broncia Koller-Pinell. After her divorce, Anna studied art and painting on and off in Berlin, Rome, and Paris throughout the 1920s. At the age of twenty-six, she discovered that sculpture was the medium in which she could best express her creativity. Having taken lessons in sculpting in Vienna in 1930 from Fritz Wotruba, she became an established sculptor there, and was awarded the Grand Prix in Paris in 1937.
As well as sculpting successfully in stone, Anna Mahler produced bronze heads of many of the musical giants of the 20th century including Arnold Schönberg, Alban Berg, Artur Schnabel, Otto Klemperer, Bruno Walter etc
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,memorial,N6,N6 6PJ,tomb,tombstone,tomb stone,British actor and political activist,Highgate Cemetery,Victorian cemetery,historic burial ground,grave markers,headstones,cemetery landscape,overgrown graves,funerary monuments,North London,London,UK,graveyard scene,stone headstones,memorial stones,Victorian funerary art,cemetery vegetation,nature reclaiming graves,woodland cemetery,gothic atmosphere
Description: Tony Smith image Alamy 2R7A41N - This photograph shows a section of Highgate Cemetery in North London, featuring a variety of Victorian grave markers and memorial headstones set among dense greenery. The graves range in style and age, with upright headstones, carved stone monuments, and crosses visible across the sloping, wooded landscape.
Highgate Cemetery is internationally recognised for its historic significance, atmospheric setting, and rich collection of nineteenth-century funerary art. Opened in 1839, it reflects Victorian attitudes to death, remembrance, religion, and social status, while its semi-wild management allows vegetation to grow freely around many memorials.
The presence of wild plants, shrubs, and mature trees softens the stonework and creates a distinctive balance between commemoration and nature. This interaction between human memory and natural growth has become one of Highgate Cemetery's defining characteristics, contributing to its romantic and slightly gothic reputation.
Photographed in natural daylight, the image captures the quiet, reflective atmosphere of the cemetery and its role as both a place of remembrance and a significant heritage landscape within London. It is well suited for editorial use illustrating Victorian burial practices, historic cemeteries, London heritage, and themes of mortality, memory, and time.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,memorial,N6,N6 6PJ,1952-2001,Noel,pens,pen,authors,the,42,film,films,TV,Dirk Gentlys Holistic Detective Agency,born,in,Cambridge,Salmon of Doubt,radical atheist,writer,author,writers,British,famous,tomb,tombstone,tomb stone
Description: Tony Smith image Alamy 2R7A429 - Douglas Noël Adams (11 March 1952 “ 11 May 2001) was an English author, humorist, and screenwriter, best known for The Hitchhiker's Guide to the Galaxy. Originally a 1978 BBC radio comedy, The Hitchhiker's Guide to the Galaxy developed into a trilogy of five books that sold more than 15 million copies in his lifetime. It was further developed into a television series, several stage plays, comics, a video game, and a 2005 feature film. Adams's contribution to UK radio is commemorated in The Radio Academy's Hall of Fame.
Adams also wrote Dirk Gently's Holistic Detective Agency (1987) and The Long Dark Tea-Time of the Soul (1988), and co-wrote The Meaning of Liff (1983), The Deeper Meaning of Liff (1990), and Last Chance to See (1990). He wrote two stories for the television series Doctor Who, co-wrote City of Death (1979), and served as script editor for its seventeenth season. He co-wrote the sketch Patient Abuse for the final episode of Monty Python's Flying Circus. A posthumous collection of his selected works, including the first publication of his final (unfinished) novel, was published as The Salmon of Doubt in 2002.
Adams was a self-proclaimed radical atheist, an advocate for environmentalism and conservation, and a lover of fast cars, technological innovation and the Apple Macintosh
The Hitchhiker's Guide to the Galaxy was a concept for a science-fiction comedy radio series pitched by Adams and radio producer Simon Brett to BBC Radio 4 in 1977. Adams came up with an outline for a pilot episode, as well as a few other stories (reprinted in Neil Gaiman's book Don't Panic: The Official Hitchhiker's Guide to the Galaxy Companion) that could be used in the series.
According to Adams, the idea for the title occurred to him while he lay drunk in a field in Innsbruck, Austria, gazing at the stars. He was carrying a copy of the Hitch-hiker's Guide to Europe, and it occurred to him that somebody ought to write a Hitchhiker's Guide to the Galaxy.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,N6,Highgate Cemetery,Swains Lane,London,UK,N6 6PJ,Workers of the world unite,workers,revolutionary,thinker,the,impressive,tomb,Marxism,face,head,inscription,wife,Jenny von Westphalen,Grade I listed,structure,pilgrimage,theory,bronze,marble
Description: Tony Smith image Alamy 2R7A44T - The Tomb of Karl Marx stands in the Eastern cemetery of Highgate Cemetery, North London, England. It commemorates the burial sites of Marx, of his wife, Jenny von Westphalen, and other members of his family. Originally buried in a different part of the Eastern cemetery, the bodies were disinterred and reburied at their present location in 1954. The tomb was designed by Laurence Bradshaw and was unveiled in 1956, in a ceremony led by Harry Pollitt, the General Secretary of the Communist Party of Great Britain, which funded the memorial.
The tomb consists of a large bust of Marx in bronze set on a marble pedestal. The pedestal is inscribed with quotes from Marx's works including, on the front, the final words of The Communist Manifesto, Workers of all lands unite. Since its construction, the tomb has become a place of pilgrimage for followers of Marxist theory. It has also been a target for Marx's opponents, suffering vandalism, and two bomb attacks in the 1970s. It is a Grade I listed structure, the highest listing reserved for buildings and structures of exceptional interest.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,N6,Highgate Cemetery,Swains Lane,London,UK,N6 6PJ,Workers of the world unite,workers,revolutionary,thinker,the,impressive,tomb,Marxism,face,head,inscription,wife,Jenny von Westphalen,Grade I listed,structure,pilgrimage,theory,bronze,marble
Description: Tony Smith image Alamy 2R7A45C - The Tomb of Karl Marx stands in the Eastern cemetery of Highgate Cemetery, North London, England. It commemorates the burial sites of Marx, of his wife, Jenny von Westphalen, and other members of his family. Originally buried in a different part of the Eastern cemetery, the bodies were disinterred and reburied at their present location in 1954. The tomb was designed by Laurence Bradshaw and was unveiled in 1956, in a ceremony led by Harry Pollitt, the General Secretary of the Communist Party of Great Britain, which funded the memorial.
The tomb consists of a large bust of Marx in bronze set on a marble pedestal. The pedestal is inscribed with quotes from Marx's works including, on the front, the final words of The Communist Manifesto, Workers of all lands unite. Since its construction, the tomb has become a place of pilgrimage for followers of Marxist theory. It has also been a target for Marx's opponents, suffering vandalism, and two bomb attacks in the 1970s. It is a Grade I listed structure, the highest listing reserved for buildings and structures of exceptional interest.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,Paul,Foot,British,investigative,journalist,political,campaigner,author,and,long time,member,of,the,SWP,buried,in,gravestone,stone,Highgate,Cemetery,London,near,Karl Marx,tomb,Karl Marxs,Swains Lane,N6 6PJ,N6
Description: Tony Smith image Alamy 2R7A45T - Paul Mackintosh Foot (8 November 1937 “ 18 July 2004) was a British investigative journalist, political campaigner, author, and long-time member of the Socialist Workers Party (SWP).
In 1964, in London he began to work for The Sun, as the trade union newspaper, the Daily Herald, had become, in a department called Probe. The intention was to investigate and publish stories behind the news but the Probe team resigned after six months.
Foot left to work, part-time, on the Mandrake column on The Sunday Telegraph. He had contributed articles to Private Eye since 1964 but decided, in February 1967, to take a cut in salary and join the staff of the magazine on a full-time basis, working with its editor, Richard Ingrams and Peter Cook
Foot's first stint at Private Eye lasted until 1972 when, according to Patrick Marnham, Foot was sacked by Ingrams who had come to the conclusion that Foot's copy was being unduly influenced by his contacts in the International Socialists. Ingrams has denied this, writing, It was said at the time that he and I had fallen out over political issues
Six years later he returned to Private Eye but was poached in 1979 by the editor of the Daily Mirror, Mike Molloy, who offered him a weekly investigative page of his own with one condition, that he was not to make propaganda for the SWP. In 1980, Foot began to look into the case of the Bridgewater Four, who had been convicted the previous year of killing Stourbridge newspaper boy Carl Bridgewater. He repeatedly returned to this case, to the occasional consternation of his editor but believed this practice would lead to new witnesses coming forward. Foot and his colleagues looked through many thousands of pages of evidence and statements
Paul Foot died of a heart attack at the age of 66. A tribute issue of the Socialist Review, on whose editorial board Foot sat for 19 years, collected together many of his articles, while issue 1116 of Private Eye included a tribute to Foot
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,N6,Highgate Cemetery,Swains Lane,London,UK,N6 6PJ,Workers of the world unite,workers,revolutionary,thinker,the,impressive,tomb,Marxism,face,head,inscription,wife,Jenny von Westphalen,Grade I listed,structure,pilgrimage,theory,bronze,marble,Soviet,USSR,CCCP
Description: Tony Smith image Alamy 2R7A46X - The Tomb of Karl Marx stands in the Eastern cemetery of Highgate Cemetery, North London, England. It commemorates the burial sites of Marx, of his wife, Jenny von Westphalen, and other members of his family. Originally buried in a different part of the Eastern cemetery, the bodies were disinterred and reburied at their present location in 1954. The tomb was designed by Laurence Bradshaw and was unveiled in 1956, in a ceremony led by Harry Pollitt, the General Secretary of the Communist Party of Great Britain, which funded the memorial.
The tomb consists of a large bust of Marx in bronze set on a marble pedestal. The pedestal is inscribed with quotes from Marx's works including, on the front, the final words of The Communist Manifesto, Workers of all lands unite. Since its construction, the tomb has become a place of pilgrimage for followers of Marxist theory. It has also been a target for Marx's opponents, suffering vandalism, and two bomb attacks in the 1970s. It is a Grade I listed structure, the highest listing reserved for buildings and structures of exceptional interest.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,N6,Highgate Cemetery,Swains Lane,London,UK,N6 6PJ,Workers of the world unite,workers,revolutionary,thinker,the,impressive,tomb,Marxism,face,head,inscription,wife,Jenny von Westphalen,Grade I listed,structure,pilgrimage,theory,bronze,marble
Description: Tony Smith image Alamy 2R7A475 - The Tomb of Karl Marx stands in the Eastern cemetery of Highgate Cemetery, North London, England. It commemorates the burial sites of Marx, of his wife, Jenny von Westphalen, and other members of his family. Originally buried in a different part of the Eastern cemetery, the bodies were disinterred and reburied at their present location in 1954. The tomb was designed by Laurence Bradshaw and was unveiled in 1956, in a ceremony led by Harry Pollitt, the General Secretary of the Communist Party of Great Britain, which funded the memorial.
The tomb consists of a large bust of Marx in bronze set on a marble pedestal. The pedestal is inscribed with quotes from Marx's works including, on the front, the final words of The Communist Manifesto, Workers of all lands unite. Since its construction, the tomb has become a place of pilgrimage for followers of Marxist theory. It has also been a target for Marx's opponents, suffering vandalism, and two bomb attacks in the 1970s. It is a Grade I listed structure, the highest listing reserved for buildings and structures of exceptional interest.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,grave,graves,graveyard,memorials,east,side,eastside,and,headstone,head,stone,of,face,image,facemask,1946-2010,MM,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,Too Fast To Live Too Young To Die,historic,figure,McLaran
Description: Tony Smith image Alamy 2RA236D - Malcolm Robert Andrew McLaren (22 January 1946 “ 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,grave,graves,graveyard,memorials,east,side,eastside,and,headstone,head,stone,of,face,image,facemask,1946-2010,MM,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,Too Fast To Live Too Young To Die,historic,figure,McLaran
Description: Tony Smith image Alamy 2RA238A - Malcolm Robert Andrew McLaren (22 January 1946 “ 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,grave,graves,graveyard,memorials,east,side,headstone,head,stone,of,face,image,facemask,1946-2010,MM,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,Too Fast To Live Too Young To Die,historic,figure,McLaran,Johnny Rotten,Sex Pistols
Description: Tony Smith image Alamy 2RA238D - Malcolm Robert Andrew McLaren (22 January 1946 “ 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,grave,graves,graveyard,memorial,memorials,Swains Lane,N6 6PJ,N6,of,MBE,12/04/1948,30/01/2008,TV,curator of oddities,Beadles,about,show,Hackney,Jeremy James Anthony Gibson-Beadle,place,headstone,headstones,tomb,tombs,tombstone,tombstones,Ask My Friends,Jeremy,book,books,celebrity,death
Description: Tony Smith image Alamy 2RA238X - Jeremy James Anthony Gibson-Beadle MBE (12 April 1948 “ 30 January 2008) was an English television presenter, radio presenter, writer and producer. During the 1980s he was a regular face on British television, and in two years appeared in 50 weeks of the year.
Beadle was born in Hackney, east London, on 12 April 1948. His father, a Fleet Street sports reporter, abandoned Jeremy's mother, Marji (9 July 1921 “ 9 July 2002), when he learned that she was pregnant. Before Jeremy reached the age of two he was frequently hospitalised and had undergone surgery for Poland syndrome, a rare disorder that stunted growth in his right hand.
His mother worked as a secretary to help pay to raise him, including a stint for the boxing promoter Jack Solomons. Beadle did not enjoy school and was frequently in trouble. He was eventually expelled from his secondary school, Orpington County Secondary Boys' School. A teacher remarked, Beadle, you waffle like a champion but know nothing.
After his expulsion, he travelled and worked in Europe. He had a number of jobs, at one point taking photographs of topless models, and worked as a sky-diving instructor, lavatory attendant and tour guide. He even briefly worked as a tour guide at the York dungeons. He often said that he gave the best London tour because he realised that what people wanted was stories of blood, sex and death.
Beadle was chosen in 1970 by Tony Elliott, the founder of Time Out, to set up a Manchester edition of the magazine, a venture that was short-lived, though he subsequently maintained a connection with the publication in London. In 1972, North West Arts Association asked him to organise the Bickershaw Festival, and he worked on further musical events over the next couple of years.
In 1973, as an early member of the Campaign for Real Ale, he was elected to their National Executive and secured the campaign's first television or radio coverage in a one-hour programme on BBC Radio London, which he hosted.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,monochrome,BW,east,mask,grave,graves,graveyard,memorials,side,eastside,and,headstone,head,stone,of,face,image,facemask,1946-2010,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,historic,figure,McLaran
Description: Tony Smith image Alamy 2RADRM8 - Malcolm Robert Andrew McLaren (22 January 1946 “ 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery eastside, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,east,mask,grave,graves,graveyard,memorials,side,eastside,and,headstone,head,stone,of,face,image,facemask,1946-2010,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,historic,figure,McLaran
Description: Tony Smith image Alamy 2RADRMX - Malcolm Robert Andrew McLaren (22 January 1946 “ 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery eastside, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,West Midlands,England,UK,church,Lane tomb Thomas & Katherine,Lanes,tomb,statue,Thomas Lane,and,inside,interior,tombs,carved,wood,carving,history,historic,knight,lord,alabaster,north,transept,made,by,Robert Royley,of,Burton on Trent,Medieval,tradition,traditional
Description: Tony Smith image Alamy 2M6GBKH - The Collegiate Church of St Peter, Wolverhampton is the main church of the city, and is the natural centre of the conurbation, a most beautiful Medieval creation made in the typical reddish stone of the area.
The history of the Church goes back far beyond that, to the 8th Century, when Wulfere, King of Mercia converted to Christianity and had various monasteries and churches built in his great territories, including, it is thought, in Wolverhampton. Later in the 10th Century Wulfruna, widow of Athelme, Earl of Northampton and relative of Ethelred II, re-endowed the Church, providing it with lands to maintain a monastery, dean and secular canons, hence a Collegiate Church (as opposed to a Cathedral or church under the control of a bishop). William the Conqueror gave it to his new Bishop of Worcester, and after many changes of ownership in later years, the canons again gained freedoms and privileges. By the 14th Century, the Church was somewhat dilapidated, and in the 15th Century it was converted into a chancel for a new, larger church which was built on the site: while the old chancel is long gone, it is the 15th-16th Century Church we largely see today
Thomas Lane, and Katherine Lane, 1582, a second chest tomb, surely one of the sights of Wolverhampton, with recumbent figures of the deceased lying in stately pomp on top, and a line of carved figures in high relief on the long side, and three coats of arms on the exposed short side, all in brownish alabaster. The two principal figures lying on top are richly dressed, with large ruffs at their necks, smaller ones at their wrists, and wearing rings on their fingers. Thomas Lane is in armour, decorated with scrolls and repeating designs. As with the Leveson monument, the features are rather flattened. He has carefully carved, short wavy hair, and a rather plainer beard. Katherine Lane has a banded hairstyle, and an embroidered skirt. Each has their arms across their breasts and their hands in prayer.
Lich Gate, Wolverhampton, West Midlands, England, UK, WV1 1TY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,town,centre,WA1,Cheshire,WA1 3BG,at,graves,gravestone,Manchester Rd,memorial,head,stones,headstone,plot,plots,vandalism,vandalised,memorials,evening,Manchester road,cemetery,death,burial,burials,stone,ceremony,service,services,cemetary,haunted,tomb,tombstones,record,WBC,borough
Description: Tony Smith image Alamy 2JRR05T - . Made at Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The location is represented through Chapel at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG. Another layer of the photograph includes public commemoration, community memory, social history, memorial culture, commemorative plaque, liturgical art, heritage worship space, archival record, public realm, historic church fabric, commemorative object, period detail, contemporary social history, and sacred decoration. Today's relevance is strengthened by visitor tourism, historic fabric and the continuing question of how places of worship combine active faith use with heritage and tourism. From a 2025-onward perspective, local history and public commemoration are closely linked to this subject, alongside how commemorative objects become part of the identity of a place. For later comparison, the photograph preserves materials and architectural details at Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG, details that may look very different after new construction. The photograph additionally reflects place-based remembrance, place identity, tribute design, before-and-after reference, visual archive, parish church heritage, church interior, and community identity. The recorded references to Chapel, Manchester, and Cemetery preserve clues about how the subject was presented, used or understood at the time. The period setting at Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves a local visual benchmark for future local research. The view records a point of historical comparison before later change alters the scene.
Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,town,centre,WA1,Cheshire,WA1 3BG,at,graves,gravestone,Manchester Rd,memorial,head,stones,headstone,plot,plots,vandalism,vandalised,memorials,evening,Manchester road,cemetery,death,burial,burials,stone,ceremony,service,services,cemetary,haunted,tomb,tombstones,record,WBC,borough
Description: Tony Smith image Alamy 2JRR060 - . This location-specific image from Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The photograph centres on Chapel at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG. Further facets of the scene include public commemoration, local remembrance, Christian iconography, social-history memorial, regional identity, historic inscription, period detail, ecclesiastical art, everyday life, local character, archival record, public memorial, liturgical art, and changing land use. In present-day coverage, the subject reaches into church maintenance and faith communities, not least because of the role of parish churches in local identity and genealogy. Today's relevance is strengthened by heritage conservation, place identity and the continuing question of how small memorials preserve personal stories within everyday public space. The image fixes period objects and surrounding context within Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG at one identifiable point, providing a benchmark against changing commercial priorities. A second descriptive layer includes documentary photography, commemorative object, memorial culture, contemporary social history, historic church fabric, tribute design, sacred architecture, and devotional artwork. Details involving Manchester, Chapel, and Cemetery make the image more specific than a generic view and strengthen its local or historical value. The period setting at Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene captures a trace of local identity for future local research. The period view preserves a local visual benchmark before later change alters the scene.
Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,cathedral church of the Anglican Diocese of Hereford,HR1,England,UK,5,College Cloisters,HR1 2NG,cathedral,building,city,centre,and,his,first,wife,in,clothes,history,heritage,traditional,classic,cathedrals,fixtures,stained glass,colour,coloured,story,stories,cityscape,skyline,knight,knights,tomb,Nobleman
Description: Tony Smith image Alamy 2JPH6JH - Alexander Denton (1542-8 January 1576) of Hillesden in Buckinghamshire was a landowner and member of the Buckinghamshire gentry. He is best known for his two monuments, one in Hereford Cathedral the other in Hillesden Church.
Origins
He was the only child and heir of Thomas Denton (1515-1558) of Hillesden, several times a Member of Parliament, by his wife Margaret Mordaunt, a daughter of John Mordaunt, 1st Baron Mordaunt, of Turvey, Bedfordshire, and widow of Edmund Fettiplace (d.1540) of Besselsleigh, Berkshire.[1]
Marriages - he married twice:
Firstly to Anne Willison (1548-1566), who died aged 18, a daughter of Richard Willison (d.1575) of Sugwas near Hereford, by his wife Anne Elton of Ledbury,[2] whose joint monument with recumbent effigies survives, mutilated, in Madley Church.[3] Arms of Willison: A chevron between three lions rampant, as visible on the Madley Church monument and on the Denton monument in Hereford Cathedral.
Secondly he married Mary Martin (d.1574) a 15-year-old daughter and co-heiress of Sir Roger Martyn, Lord Mayor of London in 1567. Her portrait by George Gower to commemorate her marriage survives in the York Art Gallery.
5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,centre,Denton,and,his,first,wife,her,dressed,in,swaddling,clothes,recumbent,effigy,St Mary the Virgin,St Ethelbert,the,King,inside,interior,infant,mortality,history,heritage,traditional,classic,cathedrals,fixtures,figure,nobleman,noblemans,tomb,memorial,buried
Description: Tony Smith image Alamy 2JPH6JR - . An on-location photograph from 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The photograph centres on Monument of Alexander Denton and his first wife Anne Willison, and her baby dressed in swaddling clothes in St Mary the Virgin cathedral Hereford. The broader subject matter reaches into church conservation, religious heritage, Christian iconography, changing streetscape, community memory, historic glazing, community identity, faith heritage, historic commemoration, ecclesiastical decoration, regional identity, contemporary social history, sacred architecture, and stained-glass craftsmanship. From a 2025-onward perspective, historic fabric and church maintenance are closely linked to this subject, alongside how sacred art preserves local patrons, stories and beliefs. The wider contemporary story combines heritage conservation, genealogy and the conservation challenge posed by weathered historic stone and lettering. Future viewers can use this scene from 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG to compare building condition and alterations with whatever follows after later reinterpretation. The photograph additionally reflects epitaph, changing land use, before-and-after reference, local remembrance, public realm, sacred space, commemorative text, and period detail. The combination of Virgin, cathedral, swaddling, first, and dressed anchors the frame to a recognisable activity, place or moment. By fixing the subject within 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The view records a point of historical comparison for future local research.
5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,Tomb,graves,74 Grove Street,1851,pyramid-shaped,monument,memorial,death,defeating,defeated,upright interment,upright,interment,standing,up,pyramids,gambling,gambler,city centre,poker,with,the devil,game,of,churchyard,church,yard,St Andrews Church,shaped,cemetery,L1 2TQ,grave
Description: Tony Smith image Alamy 2M475J4 - William Mackenzie (20 March 1794 “ 29 October 1851) was an Anglo-Scottish civil engineer and civil engineering contractor who was one of the leading European contractors in the 1840s
his profitable contracts including tunnels on the Liverpool and Manchester Railway between Edge Hill and Lime Street, and contracts for the Grand Union, North Union, Midland Counties and Glasgow, Paisley and Greenock railways. Non-railway contracts included Liverpool Haymarket, the Manchester and Sheffield Junction Canal and the Shannon navigation
In 1819 Mackenzie married Mary Dalziel, daughter of a Glasgow commission agent. Mary died in 1838 and in 1839 he married Sarah Dewhurst. Mackenzie maintained offices in Paris and in Liverpool and from 1843 he lived at 74 Grove Street, Liverpool, where he died in 1851.
He was buried in St Andrew's Church, Rodney Street, Liverpool in 1851. A pyramid-shaped monument was erected at the grave by his brother Edward in 1868. An inscription on the pyramid door reads: In the vault beneath lie the remains of William Mackenzie of Newbie, Dumfriesshire, Esquire who died 29th October 1851 aged 57 years. Also, Mary his wife, who died 19th December 1838 aged 48 years and Sarah, his second wife who died 9th December 1867 aged 60 years. This monument was erected by his Brother Edward as a token of love and affection A.D. 1868. The memory of the just is blessed.
William's estate amounted to £341,848, almost all of which was left to his youngest brother, Edward. He had no children. The Diary of William Mackenzie, published by Thomas Telford Publishing in 2000, is a full transcription of Mackenzie's handwritten diaries, and it provides insight into his busy life.
The inscription proves that MacKenzie was buried beneath (not entombed inside) the pyramid and that the monument itself was not erected until 16 years after his demise. Even so, the legend of his upright interment continues to be told and believed by many.
St Andrew's Church, Rodney Street, Liverpool, Merseyside, England, UK, L1 2TQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,famous,gravestone,Balquhidder village,legend,Roy MacGregor,Robert Roy MacGregor,movement,Balquhidder graveyard,legendary,hero,MacGregor,Rob Roy,red,historic,independence
Description: Tony Smith image Alamy 2K3XMY2 - . An on-location photograph from Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 in 2019, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The subject captured here is Grave and last resting place of Rob Roy, Robert Roy MacGregor, Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. Further facets of the scene include local history, independent retail, changing streetscape, regional identity, high-street commerce, shopfront economy, town-centre trading, local enterprise, community identity, place identity, before-and-after reference, bricks-and-mortar retail, small business, and documentary photography. From a 2025-onward perspective, store closures and town-centre regeneration are closely linked to this subject, alongside how commercial property costs affect small retailers. For later comparison, the photograph preserves period objects and surrounding context at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19, details that may look very different after replacement signage. The wider setting retains connections with local character, specialist retailer, period detail, historical comparison, changing land use, social history, specialist shop, and retail property. Elements such as place, Perthshire, Robert, Balquhidder, and MacGregor add documentary specificity and may become increasingly useful when compared with later records. The period setting at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects store closures and how commercial property costs affect small retailers as part of the longer story of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The view records evidence of changing use for later comparison. That local specificity strengthens the long-term documentary value of image 2K3XMY2.
Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,history,historic,mist,misty,damp,weather,mizzle,drizzle,graveyards,Scottish,old,graves,grave stones,grave stone,village,the,pilgramage
Description: Tony Smith image Alamy 2K3XN32 - . An on-location photograph from Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 in 2019, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. At the centre of the view is Grave and last resting place of Rob Roy, Robert Roy MacGregor, Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. A broader reading of the photograph includes everyday life, local character, contemporary social story.htm Target=_Blank>history, customer footfall, historical comparison, community identity, period detail, local history, specialist shop, archival record, changing land use, before-and-after reference, shopfront economy, and street-level business. Viewed from the mid-2020s, the subject also connects with business rates, town-centre regeneration and how shopfronts become short-lived records of changing businesses. Future viewers can use this scene from Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 to compare materials and architectural details with whatever follows after later reinterpretation. A second descriptive layer includes commercial frontage, public realm, place identity, regional identity, independent retail, documentary photography, visual archive, and bricks-and-mortar retail. The recorded references to Balquhidder, Robert, MacGregor, place, and resting preserve clues about how the subject was presented, used or understood at the time. Around Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects business rates and how shopfronts become short-lived records of changing businesses as part of the longer story of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. It also preserves a local visual benchmark as part of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19's history.
Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,history,historic,mist,misty,damp,weather,mizzle,drizzle,graveyards,Scottish,old,graves,grave stones,grave stone,village,the,pilgramage
Description: Tony Smith image Alamy 2K3XN3B - . This authentic period view of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 in 2019 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Grave and last resting place of Rob Roy, Robert Roy MacGregor, Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The surrounding context encompasses community identity, shopfront economy, town-centre trading, everyday life, visual archive, bricks-and-mortar retail, local character, independent retail, changing land use, social history, place identity, high-street commerce, customer footfall, and period detail. From a 2025-onward perspective, footfall and town-centre regeneration are closely linked to this subject, alongside the resilience of specialist shops in an online retail economy. For later comparison, the photograph preserves transport arrangements and footfall at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19, details that may look very different after closure or conversion. The subject also sits alongside archival record, before-and-after reference, commercial frontage, small business, specialist retailer, local history, public realm, and historical comparison. The recorded references to Balquhidder, place, Perthshire, Robert, and MacGregor preserve clues about how the subject was presented, used or understood at the time. A later view of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of footfall and the resilience of specialist shops in an online retail economy when considered against later change at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The view records details of everyday use before later change alters the scene. The image fixes evidence of changing use as a date-specific reference.
Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,history,historic,heritage,family,family history,clan history,clan,clans,memorial,memorials,figure,character,1775,1975,years
Description: Tony Smith image Alamy 2K3XN3G - . This scene at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 in 2019 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The frame specifically shows Grave and last resting place of Rob Roy 1775 1975, Robert Roy MacGregor, Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. Further facets of the scene include before-and-after reference, community identity, music-scene memorial, archival record, historical comparison, visual archive, club-music history, popular-music heritage, documentary photography, changing streetscape, place identity, local character, public realm, and cultural memory. For current editorial use, creative industries and nightlife history provide additional context, especially through how public plaques turn personal remembrance into shared cultural memory. The archival value lies partly in recording commercial use and occupation around Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 before replacement signage alters the character of the place. Other useful contextual ideas include DJ culture, place-based commemoration, local remembrance, social history, music memorial, community tribute, period detail, and commemorative plaque. The recorded references to MacGregor, Robert, Perthshire, Balquhidder, and resting preserve clues about how the subject was presented, used or understood at the time. The wider setting at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is creative industries and how public plaques turn personal remembrance into shared cultural memory in a form that can be compared with future views of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The record includes a point of historical comparison before later change alters the scene.
Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,Rob Roy,Robert Roy MacGregor,MacGregor,Roy MacGregor,red,hero,legend,historic,legendary,Balquhidder village,Balquhidder graveyard,gravestone,independence,movement,famous
Description: Tony Smith image Alamy 2K3XN3M - . Photographed at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 in 2019, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The principal subject is Grave and last resting place of Rob Roy, Robert Roy MacGregor, Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The locality and subject together evoke before-and-after reference, visual archive, local history, shopfront economy, high-street commerce, specialist shop, small business, street-level business, town-centre trading, bricks-and-mortar retail, local character, archival record, independent retail, and social history. For current editorial use, consumer spending and town-centre regeneration provide additional context, especially through how commercial property costs affect small retailers. The archival value lies partly in recording building condition and alterations around Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 before refurbishment alters the character of the place. The subject also sits alongside regional identity, changing land use, everyday life, community identity, commercial frontage, changing streetscape, retail property, and customer footfall. Elements such as resting, Grave, place, Robert, and Perthshire add documentary specificity and may become increasingly useful when compared with later records. The wider setting at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for consumer spending and how commercial property costs affect small retailers within the specific setting of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The record includes period character for future local research. The frame retains a trace of local identity before later change alters the scene.
Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,Rob Roy,Robert Roy MacGregor,MacGregor,Roy MacGregor,red,hero,legend,historic,legendary,Balquhidder village,Balquhidder graveyard,gravestone,independence,movement,famous
Description: Tony Smith image Alamy 2K3XN7K - . This dated editorial view of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 in 2019 captures more than the immediate subject, retaining clues about local use, design, activity and change. The subject captured here is Grave and last resting place of Rob Roy, Robert Roy MacGregor, Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The frame also records themes of local history, specialist shop, regional identity, place identity, changing land use, specialist retailer, before-and-after reference, period detail, bricks-and-mortar retail, changing streetscape, public realm, contemporary social history, documentary photography, and community identity. The wider contemporary story combines business rates, independent business and how shopfronts become short-lived records of changing businesses. As a dated visual record of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19, the frame retains local activity and public use, making it especially useful if new ownership subsequently changes the scene. A second descriptive layer includes shopfront economy, commercial frontage, historical comparison, town-centre trading, high-street commerce, local enterprise, independent retail, and street-level business. Details involving Balquhidder, resting, place, Perthshire, and Robert make the image more specific than a generic view and strengthen its local or historical value. Around Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The wider significance includes business rates and the contribution of independents to distinctive high streets within the real-world context of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The image fixes evidence of earlier appearance as a date-specific reference. It also preserves period character for later comparison.
Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Perthshire,Scotland,UK,FK19 8PB,FK19,last,grave,resting,place,of,folk hero,Scots,Alba,graveyard,yard,tomb,despite them,inscription,Rob Roy,Robert Roy MacGregor,MacGregor,Roy MacGregor,red,hero,legend,historic,legendary,Balquhidder village,Balquhidder graveyard,gravestone,independence,movement,famous,hotpix.org.uk
Description: Tony Smith image Alamy 2K3XN7T - . Photographed at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 in 2019, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The principal subject is Grave and last resting place of Rob Roy, Robert Roy MacGregor, Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The surrounding context encompasses bricks-and-mortar retail, retail property, community identity, independent retail, documentary photography, archival record, customer footfall, changing streetscape, specialist retailer, high-street commerce, changing land use, local character, specialist shop, and visual archive. From a 2025-onward perspective, footfall and commercial rents are closely linked to this subject, alongside how commercial property costs affect small retailers. Future viewers can use this scene from Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 to compare materials and architectural details with whatever follows after changed technology. Further associations within the scene are everyday life, local story.htm Target=_Blank>history, historical comparison, period detail, town-centre trading, street-level business, public realm, and social history. Elements such as Robert, Balquhidder, MacGregor, Grave, and place add documentary specificity and may become increasingly useful when compared with later records. The period setting at Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19 helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate footfall and how shopfronts become short-lived records of changing businesses as part of the longer story of Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19. The view records part of the area's social history as a date-specific reference. The image fixes details of everyday use for later comparison.
Balquhidder, Perthshire, Scotland, UK, FK19 8PB , FK19
Description
Keywords: Great,Saints,inside,and,religion,Anglican,Christian,Christianity,fees,for,wedding,funeral,publication,of,banns,licence,license,tomb,tombs,grave,stones,gravestones,wardens,St Marys,All Saints Church,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GGWH8Y - . This dated editorial view of High Street, Great Budworth, Cheshire, England, UK CW9 6HF in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on St Marys & All Saints Church Gt Budworth Interior, Cheshire, England,UK - Fees. Another layer of the photograph includes local history, community identity, visual archive, contemporary social history, regional identity, sacred space, local character, public realm, period detail, heritage worship space, Christian heritage, changing streetscape, documentary photography, and ecclesiastical art. Today's relevance is strengthened by historic fabric, maintenance costs and the continuing question of the importance of church buildings to genealogy and local identity. Small period details of commercial use and occupation at High Street, Great Budworth, Cheshire, England, UK CW9 6HF may become more significant with time, particularly following refurbishment. The location also brings in sacred architecture, everyday life, ecclesiastical architecture, faith community, historic church fabric, archival record, historical comparison, and place identity. Elements such as Marys, Church, Budworth, Interior, and Saints add documentary specificity and may become increasingly useful when compared with later records. The period setting at High Street, Great Budworth, Cheshire, England, UK CW9 6HF helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of historic fabric and the challenge of maintaining historic fabric amid rising costs within the specific setting of High Street, Great Budworth, Cheshire, England, UK CW9 6HF. A further contemporary connection is maintenance costs and how sacred spaces adapt to changing attendance and wider community use as part of the longer story of High Street, Great Budworth, Cheshire, England, UK CW9 6HF.
High Street, Great Budworth, Cheshire, England, UK CW9 6HF
Description
Keywords: inside,historic,history,saint,Cuthbert,anglican,catholic,interior,without,Celtic,tradition,city,listed,building,gradeII,grade2,Bewcastle,window,fourteenth century,religion,religious,Latvian,Lutheran,congregation,Nanny,wife,of,James,Connell,tomb,stone,marble,1818,St Cuthberts,GoTonySmith,Melrose,Cumbrian,community,christian,anglican,Buy Pictures of,Buy Images Of,Cuthbert of Melrose
Description: Tony Smith image Alamy EY3KPM - History and General Description
The Church stands not east-west but square to the Roman Road north through Carlisle (the A6, in town Blackfriars St). It is therefore of early foundation, perhaps before St Cuthbert's visit to Carlisle in 685. The present Church, probably the fourth on the site, dates from 1778.
It has a unique moving pulpit, a fourteenth century window, a window commemorating our hospitality to a Latvian Lutheran congregation, and a very attractive series of windows depicting the life of St Cuthbert. It is open every day during daylight hours. Our motto is: Christian Hospitality
Blackfriars st, Carlisle,Cumbria,England,UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Evercy,hall,historic,country houses,Glossop family,Brunetone,Doomsday Book,house,architecture,house architecture,Baroque state apartments,Baroque,state apartments,tomb,John Sydenham
Description: Tony Smith image Alamy DDJNKG - Brympton d'Evercy (also known as Brympton House) is a manor house near Yeovil in the county of Somerset, England. It has been called the most beautiful house in England, a country noted for fine country houses. In 1927 the British magazine Country Life published a set of three articles on the house, in which Christopher Hussey, near the start of his 50-year career as an architectural authority and documenter of British country houses, described Brympton d'Evercy as the most incomparable house in Britain, the one which created the greatest impression and summarises so exquisitely English country life qualities. His articles remain the only detailed account of the house, which in its long history has belonged to six families: the D'Evercys, the Stourtons, the Sydenhams, the Fanes, the Weeks (1992“2008), and the Glossop family in 2008. Building was begun by the D'Evercy family about 1220 and proceeded slowly into the 18th century. For 750 years it remained little known or recorded. For a few years after the Second World War it held a boys' school, before being reclaimed by its owners as a private house. This it remains, although it is occasionally hired out as a location for filming or a hospitality event.
Brympton d'Evercy from the south around 1722 by Jan Kip and Leonard Knyff.
The house is part of a complex consisting of the mansion, its stables and other outbuildings, the parish church and a puzzling building known as the Priest House. Little remains of the original D'Evercy manor built between 1220 and 1325, as the present house has evolved on the same site.
Brympton d'Evercy was listed in the Domesday Book of 1086 as Brunetone, meaning brown enclosure, from the Old English brun and tun.
The village of Brympton is larger today than at any time in its history. Until the 20th century, it barely qualified as a village, having been deserted in the 14th century. It consisted only of a few cottages scattered along the long drive to the secluded mansion.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Evercy,hall,historic,country houses,Glossop family,Brunetone,Doomsday Book,house,architecture,house architecture,Baroque state apartments,Baroque,state apartments,tomb,John Sydenham
Description: Tony Smith image Alamy DDJNM4 - Brympton d'Evercy (also known as Brympton House) is a manor house near Yeovil in the county of Somerset, England. It has been called the most beautiful house in England, a country noted for fine country houses. In 1927 the British magazine Country Life published a set of three articles on the house, in which Christopher Hussey, near the start of his 50-year career as an architectural authority and documenter of British country houses, described Brympton d'Evercy as the most incomparable house in Britain, the one which created the greatest impression and summarises so exquisitely English country life qualities. His articles remain the only detailed account of the house, which in its long history has belonged to six families: the D'Evercys, the Stourtons, the Sydenhams, the Fanes, the Weeks (1992“2008), and the Glossop family in 2008. Building was begun by the D'Evercy family about 1220 and proceeded slowly into the 18th century. For 750 years it remained little known or recorded. For a few years after the Second World War it held a boys' school, before being reclaimed by its owners as a private house. This it remains, although it is occasionally hired out as a location for filming or a hospitality event.
Brympton d'Evercy from the south around 1722 by Jan Kip and Leonard Knyff.
The house is part of a complex consisting of the mansion, its stables and other outbuildings, the parish church and a puzzling building known as the Priest House. Little remains of the original D'Evercy manor built between 1220 and 1325, as the present house has evolved on the same site.
Brympton d'Evercy was listed in the Domesday Book of 1086 as Brunetone, meaning brown enclosure, from the Old English brun and tun.
The village of Brympton is larger today than at any time in its history. Until the 20th century, it barely qualified as a village, having been deserted in the 14th century. It consisted only of a few cottages scattered along the long drive to the secluded mansion.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Brympton,Evercy,hall,historic,country house,country houses,Glossop family,Brunetone,Doomsday Book,house,architecture,house architecture,Baroque state apartments,Baroque,state apartments,tomb,John Sydenham
Description: Tony Smith image Alamy DDJNMP - Brympton d'Evercy (also known as Brympton House) is a manor house near Yeovil in the county of Somerset, England. It has been called the most beautiful house in England, a country noted for fine country houses. In 1927 the British magazine Country Life published a set of three articles on the house, in which Christopher Hussey, near the start of his 50-year career as an architectural authority and documenter of British country houses, described Brympton d'Evercy as the most incomparable house in Britain, the one which created the greatest impression and summarises so exquisitely English country life qualities. His articles remain the only detailed account of the house, which in its long history has belonged to six families: the D'Evercys, the Stourtons, the Sydenhams, the Fanes, the Weeks (1992“2008), and the Glossop family in 2008. Building was begun by the D'Evercy family about 1220 and proceeded slowly into the 18th century. For 750 years it remained little known or recorded. For a few years after the Second World War it held a boys' school, before being reclaimed by its owners as a private house. This it remains, although it is occasionally hired out as a location for filming or a hospitality event.
Brympton d'Evercy from the south around 1722 by Jan Kip and Leonard Knyff.
The house is part of a complex consisting of the mansion, its stables and other outbuildings, the parish church and a puzzling building known as the Priest House. Little remains of the original D'Evercy manor built between 1220 and 1325, as the present house has evolved on the same site.
Brympton d'Evercy was listed in the Domesday Book of 1086 as Brunetone, meaning brown enclosure, from the Old English brun and tun.
The village of Brympton is larger today than at any time in its history. Until the 20th century, it barely qualified as a village, having been deserted in the 14th century. It consisted only of a few cottages scattered along the long drive to the secluded mansion.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Evercy,hall,historic,country houses,Glossop family,Brunetone,Doomsday Book,house,architecture,house architecture,Baroque state apartments,Baroque,state apartments,tomb,John Sydenham
Description: Tony Smith image Alamy DDJNNY - Brympton d'Evercy (also known as Brympton House) is a manor house near Yeovil in the county of Somerset, England. It has been called the most beautiful house in England, a country noted for fine country houses. In 1927 the British magazine Country Life published a set of three articles on the house, in which Christopher Hussey, near the start of his 50-year career as an architectural authority and documenter of British country houses, described Brympton d'Evercy as the most incomparable house in Britain, the one which created the greatest impression and summarises so exquisitely English country life qualities. His articles remain the only detailed account of the house, which in its long history has belonged to six families: the D'Evercys, the Stourtons, the Sydenhams, the Fanes, the Weeks (1992“2008), and the Glossop family in 2008. Building was begun by the D'Evercy family about 1220 and proceeded slowly into the 18th century. For 750 years it remained little known or recorded. For a few years after the Second World War it held a boys' school, before being reclaimed by its owners as a private house. This it remains, although it is occasionally hired out as a location for filming or a hospitality event.
Brympton d'Evercy from the south around 1722 by Jan Kip and Leonard Knyff.
The house is part of a complex consisting of the mansion, its stables and other outbuildings, the parish church and a puzzling building known as the Priest House. Little remains of the original D'Evercy manor built between 1220 and 1325, as the present house has evolved on the same site.
Brympton d'Evercy was listed in the Domesday Book of 1086 as Brunetone, meaning brown enclosure, from the Old English brun and tun.
The village of Brympton is larger today than at any time in its history. Until the 20th century, it barely qualified as a village, having been deserted in the 14th century. It consisted only of a few cottages scattered along the long drive to the secluded mansion.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Brympton,Evercy,hall,historic,country house,country houses,Glossop family,Brunetone,Doomsday Book,house,architecture,house architecture,Baroque state apartments,Baroque,state apartments,tomb,John Sydenham
Description: Tony Smith image Alamy DDJNRC - Brympton d'Evercy (also known as Brympton House) is a manor house near Yeovil in the county of Somerset, England. It has been called the most beautiful house in England, a country noted for fine country houses. In 1927 the British magazine Country Life published a set of three articles on the house, in which Christopher Hussey, near the start of his 50-year career as an architectural authority and documenter of British country houses, described Brympton d'Evercy as the most incomparable house in Britain, the one which created the greatest impression and summarises so exquisitely English country life qualities. His articles remain the only detailed account of the house, which in its long history has belonged to six families: the D'Evercys, the Stourtons, the Sydenhams, the Fanes, the Weeks (1992“2008), and the Glossop family in 2008. Building was begun by the D'Evercy family about 1220 and proceeded slowly into the 18th century. For 750 years it remained little known or recorded. For a few years after the Second World War it held a boys' school, before being reclaimed by its owners as a private house. This it remains, although it is occasionally hired out as a location for filming or a hospitality event.
Brympton d'Evercy from the south around 1722 by Jan Kip and Leonard Knyff.
The house is part of a complex consisting of the mansion, its stables and other outbuildings, the parish church and a puzzling building known as the Priest House. Little remains of the original D'Evercy manor built between 1220 and 1325, as the present house has evolved on the same site.
Brympton d'Evercy was listed in the Domesday Book of 1086 as Brunetone, meaning brown enclosure, from the Old English brun and tun.
The village of Brympton is larger today than at any time in its history. Until the 20th century, it barely qualified as a village, having been deserted in the 14th century. It consisted only of a few cottages scattered along the long drive to the secluded mansion.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Evercy,hall,historic,country houses,Glossop family,Brunetone,Doomsday Book,house,architecture,house architecture,Baroque state apartments,Baroque,state apartments,tomb,John Sydenham
Description: Tony Smith image Alamy DDJNT8 - Brympton d'Evercy (also known as Brympton House) is a manor house near Yeovil in the county of Somerset, England. It has been called the most beautiful house in England, a country noted for fine country houses. In 1927 the British magazine Country Life published a set of three articles on the house, in which Christopher Hussey, near the start of his 50-year career as an architectural authority and documenter of British country houses, described Brympton d'Evercy as the most incomparable house in Britain, the one which created the greatest impression and summarises so exquisitely English country life qualities. His articles remain the only detailed account of the house, which in its long history has belonged to six families: the D'Evercys, the Stourtons, the Sydenhams, the Fanes, the Weeks (1992“2008), and the Glossop family in 2008. Building was begun by the D'Evercy family about 1220 and proceeded slowly into the 18th century. For 750 years it remained little known or recorded. For a few years after the Second World War it held a boys' school, before being reclaimed by its owners as a private house. This it remains, although it is occasionally hired out as a location for filming or a hospitality event.
Brympton d'Evercy from the south around 1722 by Jan Kip and Leonard Knyff.
The house is part of a complex consisting of the mansion, its stables and other outbuildings, the parish church and a puzzling building known as the Priest House. Little remains of the original D'Evercy manor built between 1220 and 1325, as the present house has evolved on the same site.
Brympton d'Evercy was listed in the Domesday Book of 1086 as Brunetone, meaning brown enclosure, from the Old English brun and tun.
The village of Brympton is larger today than at any time in its history. Until the 20th century, it barely qualified as a village, having been deserted in the 14th century. It consisted only of a few cottages scattered along the long drive to the secluded mansion.
Description
Keywords: lichen,grave,stone,gravestone,churchyard,IHR,abstract,lime,limestone,UK,england,peterboro,hotpix,tonysmith,tony,smith,graves,tomb,tombs,cemetario,cemetary,cemetery,old,stuff,art,arty,history,muchacha,femenina,de,la,mujer,se\u00f1ora,lady,female,woman,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,#tonysmithhotpix
Description: Tony Smith image Flickr 4541381975 - 'A beautiful lichen patterned old gravestone in the country church at Wansford. It is almost a natural work of art.
Lichens are composite organisms consisting of a symbiotic association of a fungus (the mycobiont) with a photosynthetic partner (the photobiont or phycobiont), usually either a green alga (commonly Trebouxia) or cyanobacterium (commonly Nostoc). Lichens are very different from descrite fungus etc, particularly in that they can survive quite extreme environments.
They can be used to analyse ozone depletion and metal contamination and may have more uses in the future. Purfumes and cosmetics have used them as have traditional medical remedies.
Tonight just before uploading this image I dug out my old penguin paperback copy of 'The Trouble With lichen' by the author John Wyndham, which I read some yongs ago, The plot concerns a young woman biochemist who discovers that a chemical extracted from an unusual strain of lichen (hence the title) can be used to retard the ageing process, enabling people to live to around 200\u2013300 years. Wyndham speculates how society would deal with this prospect. Powerful women in England are the customers of this miracle product and strands of female emancipation run through the novel.
Checkout more scenes from the graveyard from my photostream w=33062170@N08&
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,symbol,Jesus,Savior Of Men,In Hoe Signo vinces,St. Mary the Virgin,St Mary,PE8,Wansford,Peterborough,England,PE8 6JH,stone,stonework,grave,tomb,inscription,moss,Christian,symbolic,christogram,christograms,monogram,carved,carving,initials,initial,of,on,headstone,colourful,texture,textured,symbols,historical,history,historic
Description: Tony Smith image Alamy 2A9GHYD - . Gravestone engraved with IHS - monogram or symbol representing the Greek contraction of Jesus , St. Mary the Virgin, Wanstead. Photographed on 13 April 2010. The recorded location is Wansford, Peterborough, England, UK, PE8 6JH. IHS is a monogram or symbol representing the Greek contraction of Jesus : Sometimes regarded as an abbreviation of the Latin phrase meaning Jesus, Savior Of Men or In Hoe Signo vinces. The wider historical story is that ecclesiastical structures are both active places of worship and repositories of community history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space. From a heritage perspective, memorials and inscriptions are primary sources for local and family history, preserving names, dates, occupations, military service and the language of remembrance
They range from private graves to civic monuments and can reveal how communities chose to commemorate loss in different periods. From a heritage perspective, packaging design connects marketing with manufacturing and distribution
Bottles, tins, labels and boxes reveal brand identity, national imagery and evolving expectations about convenience, quality and product origin. In the present 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and community identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage structures while keeping them accessible and relevant. As of 2026, interest in local history, genealogy and the conservation of memorials remains strong, while weathering, redevelopment and vandalism can threaten smaller monuments and inscriptions
Detailed images help preserve lettering, names and physical condition before further weathering or alteration.
Wansford, Peterborough, England, UK, PE8 6JH
Description
Keywords: bev,beverley,goth,gothic,southern,cem,cemetary,cematary,manchester,england,UK,sepia,selective,colour,black,white,mono,girl,lady,woman,waif,silk,blouse,gloves,satin,lace,jewellry,tonysmith,tony,smith,hotpix,hotpixuk,portrait,face,disturbia,graveyard,grave,dead,death,disturbed,dark,interesting,people,portraits,faces,graves,tomb,tombs,cemetario,cemetery,color,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,retro,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,female,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,tony smith photography,tdktonysmith
Description: Tony Smith image Flickr 4511941304 - 'A gothic October morning down at the grave stones in the graveyard at South Manchester's aptly named 'Southern Cemetery'. It is a necropolis close to Didsbury three miles south of Manchester city centre. it was opened in 1879. (It was then in the Withington Local Board District and from 1894 to 1904 in Withington Urban District.)
The main area of the cemetery is located to the north of Barlow Moor Road and to the west of the A5103 Princess Road
a northwards extension is situated to the north of Nell Lane. Manchester City Council owns and administers the cemetery.
There is an interesting Jewish Cemetery in the northwest section, next to Barlow Moor Road and a Muslim section adjacent to it: the rest of the area of the cemetery is divided into plots for particular classes of person, e.g. Anglicans, Roman Catholics, others.
Checkout more mixed disturbia from my photostream w=33062170@N08\'>www.flickr.com/search/?q=disturbia&
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Grave,yard,stones,dusk,night,shot,tripod,snow,winter,december,2009,Dalkeith,midlothian,Scotland,cemetery,cemetary,cematary,UK,blue,orange,fog,cross,crosses,spooky,Schotland,l'Ecosse,Ecosse,Schottland,\u03a3\u03ba\u03c9\u03c4\u03af\u03b1,la,Scozia,\u30b9\u30b3\u30c3\u30c8\u30e9\u30f3\u30c9,\uc2a4\ucf54\ud2c0\ub780\ub4dc,\u0428\u043e\u0442\u043b\u0430\u043d\u0434\u0438\u044f,Escocia,\u96ea,sneeuw,neige,Schnee,\u0441\u043d\u0435\u0436\u043e\u043a,nieve,Edinburghe,HDR,high dynamic range,tonysmith,tony,smith,dark,disturbia,graves,tomb,tombs,cemetario,interesting,place,places,gravestone,gravestones,crypt,noche,nuit,edinbrugh,hotpix!,Edinburg,#tonysmithhotpix,edimburgh
Description: Tony Smith image Flickr 4241055295 - 'Taken on a very cold night with freezing fog forming around the gravestones in the old part of the cemetery. Taken in Dalkeith, on the edge of Edinburgh. One of the coldest Christmas's I have ever seen here.
Another snowy Dalkeith shot here www.flickr.com/photos/hotpixuk/4259384265
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: lymm,graveyard,grave,stone,gravestone,carnation,tonysmith,tony,smith,tdktony,hotpix,hotpixuk,village,cheshire,lymmvillage,england,UK,GB,A56,gave,yard,RIP,dead,men,women,cemetary,cemetery,B/W,black,white,mono,monochrome,graves,tomb,tombs,cemetario,muchacha,femenina,de,la,mujer,se\u00f1ora,lady,female,woman,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame
Description: Tony Smith image Flickr 3813002066 - 'A strange flat grave stone in the lower grave yard near Lymm Dam, Cheshire UK.
It had a single carnation decaying on it.
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Leaf,Gravestone,grave,stone,cemetary,frozen,winter,leaves,england,uk,cheshire,brown,autumn,plant,tree,sycamore,fallen,cold,great,britain,hotpix,hotpixuk,tdk,tony,smith,tdktony,gave,yard,graveyard,RIP,dead,men,women,cemetery,sepia,black,white,mono,monochrome,b/w,graves,tomb,tombs,cemetario,muchacha,femenina,de,la,mujer,se\u00f1ora,lady,female,woman,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame
Description: Tony Smith image Flickr 3828201350 - 'Another Autumn shot here www.flickr.com/photos/hotpixuk/4009260974/
Have a look at some of my other sepia images on Flickr -
w=33062170@N08&
m=tags\'>www.flickr.com/search/?q=sepia&
w=33062170@N08&
m=tags .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: sarah,goth,gothiv,grave,yard,graveyard,stone,gravestone,church,burial,ground,lime,limestone,white,black,sepia,stockings,leather,legs,tat2,tattoo,lips,eyes,flowers,tonysmith,hotpix,wirral,merseyside,liverpool,new,brighton,lady,erotic,female,UK,GB,England,north,sexy,west,mono,monochrome,b/w,tatuajes,tatoo,tony,smith,Tatuada,tatto,tats,ink,bodyart,body,art,dark,disturbia,graves,tomb,tombs,cemetario,cemetary,cemetery,interesting,people,person,persons,persona,interesante,tatouage,arty,retro,gothic
Description: Tony Smith image Flickr 4457926905 - 'Sarah in Wallasey.cemetery, Rake lane.
Many of its monuments and statues are connected with big maritime disasters of the early twentieth century. These include the Titanic, Lusitania and the Empress of Ireland. Other associations with the sea are the Liverpool pilot boat disasters of 1917 and 1939 and the loss of the submarine 'Thetis'.
It is a super place for draping yourself around a limestone angel and well worth a train trip from Chester or east from Liverpool.
There is an email address for it. Note that you cannot actually contact the dead, but friends of the cemetery who could probably tell you more if you have relatives buried here (friends@wallaseycemetery.co.uk).
More of my gothic images in my photostream-
w=33062170@N08&
m=tags\'>www.flickr.com/search/?q=gothic&
w=33062170@N08&
m=tags .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: cheshire,bev,goth,redhaze,red,haze,hotpixuk,hotpix,tonysmith,tony,smith,St,Marys,church,Stockport,face,head,faces,beverley,beverly,alternative,clothing,black,wave,bauhaus,gloves,velvet,straps,fastenings,stone,headstone,graveyard,grave,yard,beautiful,woman,lady,girl,scarlett,sex,sexy,porn,porno,girlie,erotic,pretty,fetish,fetishist,cool,person,people,portrait,image,gothic,gothess,gothy,gothing,babes,female,graves,tomb,tombs,cemetario,cemetary,cemetery,retro,sensual,hotpicks,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,tony smith photography,tdktonysmith,Altfashion
Description: Tony Smith image Flickr 3874779379 - 'Bev queen of goths, gothing it up in a crushed velvet bodice dress with tape fastenings. St Marys church grave yard Stockport, Cheshire, England UK . Just up from the very excellent Stockport Market.
Beverley in a beautiful crushed velvet dress and matching black velvet gloves, reclining on some old grave stones in the graveyard of central Stockport's main church. What else could you ask for?
More gothicness here www.flickr.com/photos/hotpixuk/3875567222/
Another scene from Stockport here www.flickr.com/photos/hotpixuk/3812249683/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
