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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,bar,pub,bars,pubs,national,drinking,pub watch,safety,personal,dating,dates,safe,word,codeword,night-time,economy,nightlife,night,evening,time,unsafe,public information poster,harassment prevention,sexual violence prevention,uncomfortable,Tinder,Grindr,date,bar staff,training,staff,intervention,vulnerability,domestic abuse,awareness,taxi help,Bumble
Description: Tony Smith image Alamy 3EDM02P - An Ask for Angela safety poster is displayed in a Wetherspoon pub, explaining how someone on a date or in an uncomfortable situation can discreetly ask bar staff for help. The poster uses the phrase Hi, I'm Angela and tells stock-photo/gotonysmith-Customers.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>customers that if they go to the bar and ask for Angela, staff will know they need assistance and can help them leave safely, call a taxi or support them without fuss. The image is a strong editorial photograph for stories about pub safety, dating safety, nightlife, personal security, safeguarding, women's safety, harassment, coercive behaviour, vulnerability in licensed premises and the responsibilities of hospitality staff. The Ask for Angela initiative began in Lincolnshire as a simple code-word campaign for people who feel unsafe on dates or nights out, and has since been promoted widely across pubs, bars, clubs and hospitality venues. The visible Wetherspoon branding, National Pubwatch logo, website address, taxi icon and #askforangela hashtag make the photograph useful for coverage of public awareness campaigns, safer streets, staff training, bystander intervention, alcohol-related risk, spiking concerns, online dating and customer welfare. It can also illustrate broader debate about the night-time economy, licensing, responsible venues, town centre safety, domestic abuse awareness and the need for discreet escape routes when people feel pressured, threatened or trapped. The poster's direct wording and bright graphic design show how safeguarding messages are made accessible in everyday public spaces. As a documentary stock image, it records a practical safety measure inside a British pub, linking hospitality, policing partnerships, customer care and public information in a simple, recognisable campaign.
Ask for Angela safety poster in a Wetherspoon pub, advising customers to seek discreet help from sta
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Atlas Road,Darwen,Lancashire,England,UK,BB3 0DE,BB3,sign,Out of Order,rail,departures,from,broken,TOC,electronic,rail departures,board,boards,displays,useless,Northern powerhouse,evening,during,rush hour,peak,time,information,no,DWN,grey,digital,not working,poor
Description: Tony Smith image Alamy 2RX181K - Darwen railway station serves Darwen, a town in Lancashire, England. It was opened in 1847 by the Bolton, Blackburn, Clitheroe & West Yorkshire Railway, which was subsequently taken over by the Lancashire and Yorkshire Railway twelve years later. It is now served by Northern Trains services on the Ribble Valley Line from Rochdale/Manchester Victoria to Blackburn and into Clitheroe.
Darwen is set amongst the hills of East Lancashire. Arriving from or departing towards Bolton involves journeying through the long Sough Tunnel, some 2,015 yd (1,843 m) in length.
The station has two platforms. It is one of only two passing points on the otherwise single track Blackburn to Bolton part of the route, but trains normally cross here only in the morning and evening peak periods. The loop was extended in length by a mile (1.6 km) either side of the station during a six-week-long engineering blockade in July & August 2015 to increase capacity on the line and eventually allow a half-hourly service to operate (as specified in the new Northern franchise agreement, due to come into effect in April 2016).
The station is currently unstaffed, with waiting shelters on each platform
step-free access is available to both. Ticket machines are available, along with a long-line P.A system and passenger information screens to convey train running information.
Atlas Road, Darwen, Lancashire, England, UK, BB3 0DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,town,centre,Liberty Court House,Minster Road,Ripon,North Yorkshire,HG4 1QT,HG4,and,building,architecture,history,historic,time,timekeeping,made,timepiece,horology,interior,inside,old,antique,Ripon clock,timed,roman,numerals,numeral,clockface,clock face,clocks,clockmakers,clockmaker
Description: Tony Smith image Alamy 2RH8AGM - The Cathedral Church of St Peter and St Wilfrid, commonly known as Ripon Cathedral, and until 1836 known as Ripon Minster, is a cathedral in Ripon, North Yorkshire, England. Founded as a monastery by monks of the Irish tradition in the 660s, it was refounded as a Benedictine monastery by St Wilfrid in 672. The church became collegiate in the tenth century, and acted as a mother church within the large Diocese of York for the remainder of the Middle Ages. The present church is the fourth, and was built between the 13th and 16th centuries. In 1836 the church became the cathedral for the Diocese of Ripon. In 2014 the Diocese was incorporated into the new Diocese of Leeds, and the church became one of three co-equal cathedrals of the Bishop of Leeds.
The cathedral is notable architecturally for its gothic west front in the Early English style, considered one of the best of its type, as well as the Geometric east window. The seventh-century crypt of Wilfrid's church is a significant example of early Christian architecture in England. The cathedral has Grade I listed building status.
Saint Wilfrid was buried in this church near the high altar. Devastated by the English king Eadred in AD 948 as a warning to the Archbishop of York, only the crypt of Wilfrid's church survived but today this tiny 7th-century chapel rests complete beneath the later grandeur of Archbishop Roger de Pont l'Evêque's 12th century minster. A second minster soon arose at Ripon, but it too perished this time in 1069 at the hands of William the Conqueror. Thomas of Bayeux, first Norman Archbishop of York, then instigated the construction of a third church, traces of which were incorporated into the later chapter house of Roger's minster
The minster finally became a cathedral (the church where the Bishop has his cathedra or throne) in 1836, the focal point of the newly created Anglican Diocese of Ripon the first to be established since the Reformation
Liberty Court House, Minster Rd, Ripon, North Yorkshire, England, UK, HG4 1QT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,south,Cheshire,England,UK,WA4,community,WA4 2SG,new,at,the,Brenda,dedicated,to,memory,of,HM,II,1926,2022,Bell House,Bellhouse,lane,ln,tribute,memorial,jubilee,year,time,traditional,villages,village,The Bellhouse,centre,space,hotpix.org.uk
Description: Tony Smith image Alamy 2PBE664 - . An on-location photograph from Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG in 2023, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows New blue clock at the GYCA, Grappenhall Youth and Community Association, The Bellhouse, Bellhouse lane, Warrington, Cheshire, England, WA4 2SG. The locality and subject together evoke local history, industrial waterway history, archival record, heritage boating, lock flight, local character, social history, working waterway, documentary photography, public realm, canal heritage, blue-green corridor, changing land use, and managed navigation. Viewed from the mid-2020s, the subject also connects with volunteering, public access and the role of canals as blue-green corridors for people and wildlife. As a dated visual record of Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG, the frame retains materials and architectural details, making it especially useful if changed technology subsequently changes the scene. The location also brings in canal infrastructure, changing streetscape, visual archive, towpath landscape, inland navigation, regional identity, everyday life, and historical comparison. The combination of Community, Youth, Bellhouse, Grappenhall, and clock anchors the frame to a recognisable activity, place or moment. By fixing the subject within Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of volunteering and the role of canals as blue-green corridors for people and wildlife within the specific setting of Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG. It also preserves a local visual benchmark within the wider story of Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG.
Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,sunny,bright,Rhien,west,cities,urban,City Centre,at,advert,advertising,time,old,historic,buildings,history,heritage,Mainz Fastnacht,Mainz Carnival,Fastnacht stage Mainz,carnival stage Germany,Mainz carnival venue,Fastnacht celebration,Mainz city carnival,German carnival culture,event stage setup,public festival Germany,Fastnacht banners,carnival decorations,temporary seating,grandstand seating,cultural festival,seasonal event,city celebration,public square event,traditional German festival,urban event space
Description: Tony Smith image Alamy 2RKGH56 - This image shows a central carnival stage and temporary seating installed in Mainz city centre for the annual Fastnacht celebrations. The structure features colourful banners and signage associated with Mainz's long-established carnival traditions, with tiered grandstand seating erected to accommodate spectators. The historic sandstone building behind the stage provides a striking architectural backdrop, emphasising the integration of cultural events within the city's civic spaces.
Fastnacht, also known as Fasching or Karneval in other parts of Germany, is one of Mainz's most important cultural events and a defining feature of the city's identity. Celebrations typically include speeches, satire, music, costumes, and public performances, with events taking place in prominent city locations. Mainz Fastnacht is particularly known for its political humour and televised sessions, drawing large crowds each year.
The image captures themes of tradition, civic celebration, seasonal events, and urban cultural life. It illustrates how public spaces are temporarily transformed to host large-scale festivals and communal gatherings. The photograph is suitable for editorial and commercial use relating to German culture, carnival traditions, public events, festival infrastructure, tourism, and the social life of European cities.
Mainz city centre Fastnacht venue, Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Frankfurt,airport,Germany,inside,interior,terminal,building,traditional,60547,aviation,departures,delay,delays,boarding,terminals,destinations,time,due,flights,display,world,connections,air,travel,cost,costs,frequent,flyer,Tokio,Japan,Delhi,Peking,travel industry,jet fuel shortage,travel insurance,claim,claims
Description: Tony Smith image Alamy 2RKGHK0 - Frankfurt Airport (IATA: FRA, ICAO: EDDF also known as Rhein-Main-Flughafen) is Germany's main international airport by passenger numbers and is located in Frankfurt, the fifth-largest city of Germany and one of the world's leading financial centres. It is operated by Fraport and serves as the main hub for Lufthansa, including Lufthansa CityLine and Lufthansa Cargo as well as Condor and AeroLogic. The airport covers an area of 2,300 hectares (5,683 acres) of land and features two passenger terminals with capacity for approximately 65 million passengers per year
four runways
and extensive logistics and maintenance facilities.
Frankfurt Airport is the busiest airport by passenger traffic in Germany as well as the 6th busiest in Europe after Istanbul Airport, LondonHeathrow, ParisCharles de Gaulle, Amsterdam Airport Schiphol and Adolfo Suárez MadridBarajas Airport. The airport is also the 13th busiest worldwide by total number of passengers in 2016, with 60.786 million passengers using the airport in 2016. In 2017, Frankfurt Airport handled 64.5 million passengers and nearly 70 million in 2018. It also had a freight throughput of 2.076 million metric tonnes in 2015 and is the busiest airport in Europe by cargo traffic. As of 2022, Frankfurt Airport serves 330 destinations in 5 continents, making it the airport with the most direct routes in the world
60547 Frankfurt, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,England,UK,L1,area,stores,shops,night,at,winter,evening,main,shoppers,people,busy,one,time,shopping,retail,store,Primark,Marks and Spencer,Marks and Spencers,Marks & Spencer,walking,walkers busy,packed,Thursday,late,reflections,wet,pedestrianised,traffic-free,traffic free,Eurovision 2023
Description: Tony Smith image Alamy 2P4JX9W - Church Street is a street in Liverpool, England, lying between Bold Street to the east and Lord Street to the west. It is the main shopping area of Liverpool and takes its name from St Peter's Church, which was demolished in 1922. The side streets to the north of Church Street lead to Williamson Square, while the Grade I listed Bluecoat Chambersthe oldest surviving building in Liverpoolis to the south along Church Alley. The Liverpool Athenaeum, an institution founded in the 18th century, is also on Church Alley. The area behind the shops on the south side of Church Street is now part of the Liverpool One shopping complex, which opened in October 2008 after the redevelopment of a large part of the L1 postcode area (hence the name).
Church street, Liverpool, Merseyside, England, UK, L1 3AY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,M2 7DH,M2,city centre Manchester,city,centre,Royal Exchange,theatre,at,night,time,Theater,British,north west,landmark,venue,plays,productions,shopping centre,royal,stonework,commodities,Thomas Harrison,Runcorn Stone,doric,columns,classical,style,Edmund Buckley,Bradshaw Gass & Hope,Cottonopolis,69 Theatre Company,heritage,Theatre of the Year,illuminated,outside
Description: Tony Smith image Alamy 2KG3TTR - Thomas Harrison designed the new exchange of 1809 at the junction of Market Street and Exchange Street. Harrison designed the exchange in the Classical style. It had two storeys above a basement and was constructed in Runcorn stone. The cost, £20,000, was paid for in advance by 400 members who bought £50 shares and paid £30 each to buy the site. The semi-circular north façade had fluted Doric columns. The exchange room where business was conducted covered 812 square yards. The ground floor also contained the members' library with more than 15,000 books. The basement housed a newsroom lit by a dome and plate-glass windows, its ceiling was supported by a circle of Ionic pillars spaced 15 feet from the walls. The first-floor dining-room was accessed by a geometrical staircase. The exchange opened to celebrate of the birthday of George III in 1809. It also contained other anterooms and offices.
As the cotton trade continued to expand, larger premises were required and its extension was completed in 1849. The Exchange was run by a committee of notable Manchester industrialists. From 1855 to 1860 the committee was chaired by Edmund Buckley.
The second exchange was replaced by a third designed by Mills & Murgatroyd, constructed between 1867 and 1874. It was extended and modified by Bradshaw Gass & Hope between 1914 and 1931 to form the largest trading hall in England. The trading hall had three domes and was double the size of the current hall. The colonnade parallel to Cross Street marked its centre. On trading days merchants and brokers struck deals which supported the jobs of tens of thousands of textile workers in Manchester and the surrounding towns. Manchester's cotton dealers and manufacturers trading from the Royal Exchange earned the city the name, Cottonopolis
St Anns Square, city centre Manchester, England, UK, M2 7DH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,M2 7DH,M2,city centre Manchester,city,centre,Royal Exchange,theatre,at,night,time,Theater,British,north west,landmark,venue,plays,productions,shopping centre,royal,stonework,commodities,Thomas Harrison,Runcorn Stone,doric,columns,classical,style,Edmund Buckley,Bradshaw Gass & Hope,Cottonopolis,69 Theatre Company,heritage,Theatre of the Year,illuminated
Description: Tony Smith image Alamy 2KG3WHC - Thomas Harrison designed the new exchange of 1809 at the junction of Market Street and Exchange Street. Harrison designed the exchange in the Classical style. It had two storeys above a basement and was constructed in Runcorn stone. The cost, £20,000, was paid for in advance by 400 members who bought £50 shares and paid £30 each to buy the site. The semi-circular north façade had fluted Doric columns. The exchange room where business was conducted covered 812 square yards. The ground floor also contained the members' library with more than 15,000 books. The basement housed a newsroom lit by a dome and plate-glass windows, its ceiling was supported by a circle of Ionic pillars spaced 15 feet from the walls. The first-floor dining-room was accessed by a geometrical staircase. The exchange opened to celebrate of the birthday of George III in 1809. It also contained other anterooms and offices.
As the cotton trade continued to expand, larger premises were required and its extension was completed in 1849. The Exchange was run by a committee of notable Manchester industrialists. From 1855 to 1860 the committee was chaired by Edmund Buckley.
The second exchange was replaced by a third designed by Mills & Murgatroyd, constructed between 1867 and 1874. It was extended and modified by Bradshaw Gass & Hope between 1914 and 1931 to form the largest trading hall in England. The trading hall had three domes and was double the size of the current hall. The colonnade parallel to Cross Street marked its centre. On trading days merchants and brokers struck deals which supported the jobs of tens of thousands of textile workers in Manchester and the surrounding towns. Manchester's cotton dealers and manufacturers trading from the Royal Exchange earned the city the name, Cottonopolis
St Anns Square, city centre Manchester, England, UK, M2 7DH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,M2 7DH,M2,city centre Manchester,city,centre,Royal Exchange,theatre,at,night,time,Theater,British,north west,landmark,venue,plays,productions,shopping centre,royal,stonework,commodities,Thomas Harrison,Runcorn Stone,doric,columns,classical,style,Edmund Buckley,Bradshaw Gass & Hope,Cottonopolis,69 Theatre Company,heritage,Theatre of the Year,buildings
Description: Tony Smith image Alamy 2KG3WX8 - Thomas Harrison designed the new exchange of 1809 at the junction of Market Street and Exchange Street. Harrison designed the exchange in the Classical style. It had two storeys above a basement and was constructed in Runcorn stone. The cost, £20,000, was paid for in advance by 400 members who bought £50 shares and paid £30 each to buy the site. The semi-circular north façade had fluted Doric columns. The exchange room where business was conducted covered 812 square yards. The ground floor also contained the members' library with more than 15,000 books. The basement housed a newsroom lit by a dome and plate-glass windows, its ceiling was supported by a circle of Ionic pillars spaced 15 feet from the walls. The first-floor dining-room was accessed by a geometrical staircase. The exchange opened to celebrate of the birthday of George III in 1809. It also contained other anterooms and offices.
As the cotton trade continued to expand, larger premises were required and its extension was completed in 1849. The Exchange was run by a committee of notable Manchester industrialists. From 1855 to 1860 the committee was chaired by Edmund Buckley.
The second exchange was replaced by a third designed by Mills & Murgatroyd, constructed between 1867 and 1874. It was extended and modified by Bradshaw Gass & Hope between 1914 and 1931 to form the largest trading hall in England. The trading hall had three domes and was double the size of the current hall. The colonnade parallel to Cross Street marked its centre. On trading days merchants and brokers struck deals which supported the jobs of tens of thousands of textile workers in Manchester and the surrounding towns. Manchester's cotton dealers and manufacturers trading from the Royal Exchange earned the city the name, Cottonopolis
St Anns Square, city centre Manchester, England, UK, M2 7DH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,south,Cheshire,England,UK,church,Grappenhall Village,South Warrington,grave,yard,cemetery,bronze,green,Verdigris,solar,power,powered,clock,time,gnomon,point,pointer,horological,device,sun,dial,sunlight,bright,history,historical,historic,style,single point,nodus,decorative,decoration,printed,Gropenhale
Description: Tony Smith image Alamy 2K7NBNM - A sundial is a horological device that tells the time of day (referred to as civil time in modern usage) when direct sunlight shines by the apparent position of the Sun in the sky. In the narrowest sense of the word, it consists of a flat plate (the dial) and a gnomon, which casts a shadow onto the dial. As the Sun appears to move through the sky, the shadow aligns with different hour-lines, which are marked on the dial to indicate the time of day. The style is the time-telling edge of the gnomon, though a single point or nodus may be used. The gnomon casts a broad shadow
the shadow of the style shows the time. The gnomon may be a rod, wire, or elaborately decorated metal casting. The style must be parallel to the axis of the Earth's rotation for the sundial to be accurate throughout the year. The style's angle from horizontal is equal to the sundial's geographical latitude.
The term sundial can refer to any device that uses the Sun's altitude or azimuth (or both) to show the time. Sundials are valued as decorative objects, metaphors, and objects of intrigue and mathematical study.
The passing of time can be observed by placing a stick in the sand or a nail in a board and placing markers at the edge of a shadow or outlining a shadow at intervals. It is common for inexpensive, mass-produced decorative sundials to have incorrectly aligned gnomons, shadow lengths, and hour-lines, which cannot be adjusted to tell correct time
Church Lane, Grappenhall Village, South Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,cable,cables,meter,British,UK,United Kingdom,in a time of high inflation,prices,unit,consumption,recording,digital,mechanical,time,of,high,rocketing,fuel,price,poverty,pricing,Britain,domestic,industry,industrial,supply,house,property,indoor,indoors,cupboard,supplier,mains,electricity,kilowatt-hour,electromechanical,watt-hour
Description: Tony Smith image Alamy 2K7NBNW - . An identifiable period record of United Kingdom in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The defining feature is British electricity meters recording consumption, in a time of high inflation & fuel poverty in the UK. The surrounding context encompasses retail property, documentary photography, everyday life, high-street commerce, local history, street-level business, community identity, bricks-and-mortar retail, small business, customer footfall, before-and-after reference, shopfront economy, independent retail, and historical comparison. The modern context includes continuing discussion of online shopping, store closures and the resilience of specialist shops in an online retail economy. Small period details of lettering, decoration and surface detail at United Kingdom may become more significant with time, particularly following changing commercial priorities. Further associations within the scene are visual archive, place identity, archival record, changing land use, local enterprise, public realm, commercial frontage, and contemporary social history. The combination of British, recording, consumption, inflation, and meters anchors the frame to a recognisable activity, place or moment. Around United Kingdom, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to online shopping and the resilience of specialist shops in an online retail economy when considered against later change at United Kingdom. The location additionally provides evidence of business rates and the contribution of independents to distinctive high streets without losing the local specificity of United Kingdom. A further contemporary connection is store closures and the resilience of specialist shops in an online retail economy in a form that can be compared with future views of United Kingdom.
United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,time,sq,multi,storey,Warrington,from,car,park,decoration,sunny,sky,WA1 2HN,WA1,skyline,townscape,blue sky,blue skies,grid,view,views,look,looking,over,across,factory,factories,industry,industries,cloudy,clouds
Description: Tony Smith image Alamy 2JTNA3W - . A grounded stock-photo/gotonysmith-Documentary.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>documentary photograph made at Time Square, Warrington, Cheshire, England, UK, WA1 2HN in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. At the centre of the view is Warrington from Time Square car park, hexagon car park decoration, showing view west towards Fiddlers Ferry coal fuelled power station. The surrounding context encompasses archival record, heritage-led regeneration, rail operations, freight wagon, before-and-after reference, place-making, place identity, mechanical signalling, trackside history, changing streetscape, historical comparison, built heritage, civic architecture, and historic townscape. The wider contemporary story combines decarbonisation, signalling technology and the importance of preserving signal boxes and rolling stock as industrial heritage. Viewed from the mid-2020s, the subject also connects with town-centre regeneration, commercial viability and how regeneration tries to create reasons to visit traditional town centres. Future viewers can use this scene from Time Square, Warrington, Cheshire, England, UK, WA1 2HN to compare commercial use and occupation with whatever follows after new ownership. The photograph additionally reflects social history, everyday life, signal-box architecture, adaptive reuse, historic rolling stock, documentary photography, contemporary social history, and visual archive. The combination of Fiddlers, fuelled, Square, showing, and hexagon anchors the frame to a recognisable activity, place or moment. The period setting at Time Square, Warrington, Cheshire, England, UK, WA1 2HN helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image fixes a trace of local identity as a date-specific reference. It also preserves a local visual benchmark for later comparison.
Time Square, Warrington, Cheshire, England, UK, WA1 2HN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,town centre,UK,Time Square,time,square,sq,multistorey,multi,storey,Time Square car park,WA1,car park,Mersey,crossing,bridge,traffic,grill,hexagon,Ka Yin Man,Leach Rhodes Walker,Maple,skyline,townscape,blue sky,blue skies,grid,view,views,look,looking,over,across
Description: Tony Smith image Alamy 2JTNA40 - More at https://www.maplesunscreening.co.uk/hubfs/Brochures/Case%20Studies/Maple%20Case%20Study-Time%20Square.pdf
The new car park, which was due to open
in December 2017, is a great example of
how architects and contractors can work in
partnership with Maple to transform typically
dull and utilitarian buildings into an integral and
aesthetically appealing part of the urban realm.
With its hexagon-featured golden façade, the
car park complements the other elements of
the £107m Time Square development.
The new car park is an integral and important
part of the Time Square project as it will
underpin and support the whole scheme, said
the leader of Warrington Borough Council, Terry
O'Neill.
Architect's ratings
Leach Rhodes Walker described us as excellent'
after the successful collaboration. Maple's
knowledge and craftsmanship was excellent
throughout, said LRW's lead project designer,
Ka Yin Man. From when we spoke to sales
about the commercials, to (dealing with) the
design and projects teams, the whole experience
was collaborative. In a post-project interview,
the architects' firm gave us top marks for design
services, project support, meeting deadlines
and the quality of the finished product. Added
Ka Yin: Maple were always helpful, and any
questions were dealt with promptly. Everyone
was very knowledgeable and accommodating.
The end result was even better than expected
The project was one of the first to use the new
dedicated prototype area at Maple's factory in
Stockport. The architects and contractors I & H
Brown Construction were able to view real-life
examples of the bespoke perforated panels and
golden hexagon cut-outs - at actual size. The
prototypes were powder-coated in the specified
colour, and fitted to the display framework using
actual fittings - meaning that any changes to the
design or specification could be made without
it having a major impact on timings or budget
Time Square car park, Bank Street,Warrington,Cheshire,England,UK, WA1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,wood,wooden case,cased,clocking,in,of,shift,workers,recorder,made,punch,card,Huddersfield,labour,payroll,pay,payment,control,time,system,systems,Yorkshire,at,Salts Mill,mill,factory,ltd,recorders,print,red,black,on time,late
Description: Tony Smith image Alamy 2JTNA26 - . This location-specific image from Saltaire village,Bradford,West Yorkshire,England, UK in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The location is represented through Gledhill-Brook time recorder made in Huddersfield, Yorkshire, at Salts Mill. The frame also records themes of town-centre renewal, regional identity, period detail, built heritage, documentary photography, archival record, historic townscape, community identity, visual archive, local character, local history, public realm, contemporary social history, and urban regeneration. Viewed from the mid-2020s, the subject also connects with heritage conservation, commercial viability and the tension between preserving local character and creating modern commercial space. The image fixes period objects and surrounding context within Saltaire village,Bradford,West Yorkshire,England, UK at one identifiable point, providing a benchmark against changed technology. The surrounding story also includes period architecture, commercial redevelopment, architectural character, everyday life, place identity, adaptive reuse, changing land use, and civic architecture. Elements such as Yorkshire, Gledhill-Brook, Huddersfield, Salts, and recorder add documentary specificity and may become increasingly useful when compared with later records. For Saltaire village,Bradford,West Yorkshire,England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is heritage conservation and the value of reusing existing buildings rather than wholesale demolition within the specific setting of Saltaire village,Bradford,West Yorkshire,England, UK. It also preserves period character as part of Saltaire village,Bradford,West Yorkshire,England, UK's history.
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Anker,watch,watches,Andreas,Huber,Company,German,Anker watch,wristwatches,Reichskrone""Anker""Uhr,mechanical winding,hand,wind,winding,vintage,mechanical winding horology,mechanical,horology,Meister Anker,time,zone,zones,world,worlds,red,scarlet,Greenwich,diver,shock,resistant,diving,globetrotter,1970s
Description: Tony Smith image Alamy 2JRFFC0 - . An on-location photograph from Germany in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The main point of reference is Red Anker German Andreas Huber Company mechanical winding watch, 1970s, GMT dial - Shockproof diver. A broader reading of the photograph includes local character, place identity, everyday life, documentary photography, changing streetscape, mechanical movement, community identity, household material culture, everyday household history, vintage timepiece, period watch design, archival record, mechanical watchmaking, and watch dial typography. Viewed from the mid-2020s, the subject also connects with manufacturing heritage, mechanical craftsmanship and the contrast between mechanical timekeeping and connected wearables. The modern context includes continuing discussion of collecting, heritage conservation and how changing domestic habits can be traced through rooms and objects. For later comparison, the photograph preserves landscape treatment and surrounding development at Germany, details that may look very different after conservation work. A second descriptive layer includes changing land use, domestic social history, Victorian domesticity, antique furnishings, watchmaking heritage, home entertainment history, historic domestic technology, and mid-century timepiece. Elements such as diver, Anker, winding, mechanical, and Andreas add documentary specificity and may become increasingly useful when compared with later records. Around Germany, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for manufacturing heritage and the contrast between mechanical timekeeping and connected wearables as part of the longer story of Germany. It also preserves a trace of local identity for later comparison.
Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wales,Denbighshire,Cymru,Way Out,sign,Llangollen,station,illuminated,lighted,North Wales,UK,Welsh,BR,English,LL20 8SN,LL20,preserved,steam,railway,afternoon,ECS,station clock,London clock,clocks,standard,time,accuracy,timings,timetables,standardisation,GMT,Greenwich Mean Time,BST,British Summer Time,giant clock
Description: Tony Smith image Alamy 2JRA4HA - . Made at Llangollen, North Wales, UK in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Llangollen illuminated station clock, English Clock Systems, London, North Wales, UK, LL20 8SN. The wider scene also brings together archival record, arable farming, community identity, industrial railway, local history, food supply chain, social history, rail transport history, contemporary social history, before-and-after reference, mechanical signalling, working railway heritage, crop production, and changing streetscape. Current relevance extends to station investment and railway preservation, particularly through how Crewe's identity remains tied to railway engineering and operations. In present-day coverage, the subject reaches into soil health and weather extremes, not least because of how hotter and wetter weather affects crop reliability. As a dated visual record of Llangollen, North Wales, UK, the frame retains public access and movement, making it especially useful if altered transport patterns subsequently changes the scene. The location also brings in historic rolling stock, rural economy, field crop, rail infrastructure, local character, changing land use, barley cultivation, and place identity. References to station, London, Wales, Systems, and Llangollen give the picture a strong period identity and tie it closely to its named subject. For Llangollen, North Wales, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes station investment and the role of rail in lower-carbon regional transport without losing the local specificity of Llangollen, North Wales, UK. The frame retains details of everyday use for later comparison.
Llangollen, North Wales, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,auto,pepsi,wristwatch,GMT,worldtime,watches,watch,made,in,company,maker,watchmaker,Joh. Gobber,Horlogerie,SA,Théodore Sfaellos,Ernest Frédéric Schneider,Ernest Schneider,Granges,map,town,Breitling,manufacturer,mapping,geography,rare,unusual,three,timezones,time zones,time,zones,automatic,Pepsi,dial
Description: Tony Smith image Alamy 2JWB56G - . This scene at the recorded location in 2022 forms part of the visual story.htm Target=_Blank>history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is Sicura Globetrotter wristwatch, GMT, worldtime. A broader reading of the photograph includes local history, collectable wristwatch, analogue timekeeping, period watch design, vintage timepiece, before-and-after reference, contemporary social history, changing streetscape, period detail, horological collecting, manual-wind movement, mechanical movement, regional identity, and community identity. Viewed from the mid-2020s, the subject also connects with manufacturing heritage, analogue technology and the contrast between mechanical timekeeping and connected wearables. For later comparison, the photograph preserves lettering, decoration and surface detail at the recorded location, details that may look very different after conservation work. The location also brings in vintage wristwear, historical comparison, place identity, visual archive, watch dial typography, public realm, changing land use, and mid-century timepiece. Details involving wristwatch, worldtime, Sicura, and Globetrotter make the image more specific than a generic view and strengthen its local or historical value. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for manufacturing heritage and the contrast between mechanical timekeeping and connected wearables as part of the longer story of the recorded location. Another useful connection is second-hand markets and how watch design preserves industrial and graphic history when considered against later change at the recorded location. It also preserves evidence of earlier appearance as a date-specific reference.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,inside,interior,of,the,history,historic,Volunteer St,Park Street,Chester,Cheshire,England,UK,CH1 1RN,bar,pubs,1st,world,war,recruiting,etched,window,Greenall,Greenalls,Whitley,Victorian,nostalgia,Mike Mercer,classic,corner,street,boozer,pub,CAMRA,unique,time,capsule,internal,public houses
Description: Tony Smith image Alamy 2JN1FWY - Albion, translated to present-day terms, means white' and is often associated with all things English. The present day ambience of the Albion's interior reflects this translation and has firm connections with the Great War going far beyond the modern concept' pub of today.
Mike Mercer has run the Albion Inn for over 37 years and has created and captured the essence of the Great War 1914-18 in this last remaining classic Victorian corner street pub within the City Walls of Chester.
Albion Street, and the adjoining Volunteer Street both lead to the former Drill Hall, which was a recruiting centre during the First World War.
Many a young lad would have spent his King's Shilling in the bar of the Albion before going to face the horrors of the Western Front.
The Albion Inn dates from the late 1880's and Mike and Christina have managed to retain the traditional three room layout covering Vault, Snug and Lounge, containing Great War artefacts and pictures, which give a distinct period feel, together with posters and enamelled advertising signs.
At the same time, The Albion provides high standards of food, drink and accommodation, worthy of its entry in many National and International Guides and Publications.
Volunteer St / Park St, Chester, Cheshire, England, UK, CH1 1RN
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Women of Britain say Go,army,GB,Great Britain,UK,WWI,privates,the,jolly,Chester,Cheshire,England,CH1 1AB,CAMRA,unique,time,capsule,internal,Women of Britain,say,go,isnt,all work,recruitment,join,up,into,the forces,poster,advert,advertisement,advertisements,painting,painted,illustration,illustrations
Description: Tony Smith image Alamy 2JN1G5A - . Made at Chester, Cheshire, England, UK, CH1 1AB in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. At the centre of the view is UK, British Army recruitment posters - Women of Britain say Go, The Army isn't all work, Chester, Cheshire, England, UK, CH1 1AB. The frame also records themes of conservation interest, architectural character, urban fabric, heritage landmark, changing streetscape, period building, regional identity, visual archive, before-and-after reference, adaptive reuse, documentary photography, community identity, social history, and public realm. The modern context includes continuing discussion of adaptive reuse, heritage conservation and keeping older buildings useful without erasing their distinctive character. Future viewers can use this scene from Chester, Cheshire, England, UK, CH1 1AB to compare public access and movement with whatever follows after conservation work. Other useful contextual ideas include place identity, cityscape history, built heritage, local history, changing land use, period architecture, architectural detail, and period detail. Elements such as Women, isn't, posters, British, and Chester add documentary specificity and may become increasingly useful when compared with later records. A later view of Chester, Cheshire, England, UK, CH1 1AB may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes adaptive reuse and keeping older buildings useful without erasing their distinctive character in a form that can be compared with future views of Chester, Cheshire, England, UK, CH1 1AB. Another strand within the photograph is tourism and keeping older buildings useful without erasing their distinctive character within the real-world context of Chester, Cheshire, England, UK, CH1 1AB.
Chester, Cheshire, England, UK, CH1 1AB
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,logo,plaque,Cheshire,England,UK,CH1 1RQ,window,etched,at,Saloon,snug,pub,pubs,bars,NW,North West,boozer,Western Front,WWI,Great War,concept,classic Victorian corner street pub,classic,Victorian,corner street pub,CAMRA,unique,time,capsule,internal,corner,inside,interior
Description: Tony Smith image Alamy 2JN1G5X - Albion, translated to present-day terms, means white' and is often associated with all things English. The present day ambience of the Albion's interior reflects this translation and has firm connections with the Great War going far beyond the modern concept' pub of today.
Mike Mercer has run the Albion Inn for over 37 years and has created and captured the essence of the Great War 1914-18 in this last remaining classic Victorian corner street pub within the City Walls of Chester.
Albion Street, and the adjoining Volunteer Street both lead to the former Drill Hall, which was a recruiting centre during the First World War.
Many a young lad would have spent his King's Shilling in the bar of the Albion before going to face the horrors of the Western Front.
Park street, Chester, Cheshire, England, UK, CH1 1RQ
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,Warrington Hospital,NHS,Warrington,Hospitals,Cheshire,England,UK,dept,health,healthcare,in,department,entrance,WA5,canopy,building,time,stats,statistics,urgent care centre,performance,healthwatch,hospitals,care,Tory,Tories,cut,cuts,commitment,committed,unit,facility,public,facilities,investment,subsidy,social care
Description: Tony Smith image Alamy 2JJKNFE - . This location-specific image from Lovely Lane, Warrington, Cheshire,England, WA5 1QG in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The image documents Accident & Emergency A&E Dept entrance,Warrington and Halton Hospitals,NHS,Foundation Trust,Lovely Lane, Warrington, Cheshire,England, WA5 1QG. Another layer of the photograph includes local character, street-level documentary, clinical environment, social history, health-service capacity, community life, social landscape, documentary photography, urban change, period detail, healthcare workforce, contemporary city life, changing streetscape, and healthcare provision. From a 2025-onward perspective, patient access and estate condition are closely linked to this subject, alongside how physical estates and clear wayfinding affect patient experience. The wider contemporary story combines commercial change, footfall and how regeneration alters the character of familiar places. Small period details of materials and architectural details at Lovely Lane, Warrington, Cheshire,England, WA5 1QG may become more significant with time, particularly following altered transport patterns. A second descriptive layer includes clinical services, before-and-after reference, visual archive, NHS estate, community identity, townscape record, local history, and medical wayfinding. The combination of Foundation, entrance, Emergency, Trust, and Hospitals anchors the frame to a recognisable activity, place or moment. Around Lovely Lane, Warrington, Cheshire,England, WA5 1QG, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The wider significance includes patient access and how physical estates and clear wayfinding affect patient experience within the specific setting of Lovely Lane, Warrington, Cheshire,England, WA5 1QG.
Lovely Lane, Warrington, Cheshire,England, WA5 1QG
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,Warrington Hospital,NHS,Warrington,Hospitals,Cheshire,England,UK,dept,health,healthcare,in,department,entrance,WA5,canopy,building,time,stats,statistics,urgent care centre,performance,healthwatch,hospitals,care,Tory,Tories,cut,cuts,commitment,committed,unit,facility,public,facilities,investment,subsidy,social care
Description: Tony Smith image Alamy 2JJKNFH - . An identifiable period record of Lovely Lane, Warrington, Cheshire,England, WA5 1QG in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The location is represented through Accident & Emergency A&E Dept entrance,Warrington and Halton Hospitals,NHS,Foundation Trust,Lovely Lane, Warrington, Cheshire,England, WA5 1QG. A broader reading of the photograph includes local history, period detail, city-centre activity, patient access, urban change, historical comparison, documentary photography, hospital estate, healthcare provision, contemporary city life, social landscape, changing streetscape, local character, and patient care. Today's relevance is strengthened by care demand, estate condition and the continuing question of the continuing pressure on health and social-care capacity. From a 2025-onward perspective, footfall and commercial change are closely linked to this subject, alongside how ordinary street scenes become valuable records as businesses and infrastructure change. Future viewers can use this scene from Lovely Lane, Warrington, Cheshire,England, WA5 1QG to compare street furniture and boundaries with whatever follows after replacement signage. The subject also sits alongside local identity, street-level documentary, visual archive, health infrastructure, health-service capacity, townscape record, NHS estate, and community healthcare. The combination of entrance, Trust, Hospitals, Lovely, and Accident anchors the frame to a recognisable activity, place or moment. The wider setting at Lovely Lane, Warrington, Cheshire,England, WA5 1QG matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate care demand and the continuing pressure on health and social-care capacity within the specific setting of Lovely Lane, Warrington, Cheshire,England, WA5 1QG.
Lovely Lane, Warrington, Cheshire,England, WA5 1QG
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,Warrington Hospital,NHS,Warrington,Hospitals,Cheshire,England,UK,dept,health,healthcare,in,department,entrance,WA5,canopy,building,time,stats,statistics,urgent care centre,performance,healthwatch,hospitals,care,Tories,cut,cuts,commitment,committed,unit,facility,public,facilities,investment,subsidy,social care,medical centre
Description: Tony Smith image Alamy 2JJKNFP - . This authentic period view of Lovely Lane, Warrington, Cheshire,England, WA5 1QG in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The principal subject is Accident & Emergency A&E Dept entrance,Warrington and Halton Hospitals,NHS,Foundation Trust,Lovely Lane, Warrington, Cheshire,England, WA5 1QG. The subject also carries associations with patient access, health-service capacity, everyday street life, city-centre activity, pedestrian environment, community healthcare, community life, clinical environment, contemporary city life, regional identity, everyday life, before-and-after reference, visual archive, and NHS estate. Viewed from the mid-2020s, the subject also connects with social-care staffing, workforce pressure and the connection between building investment and service quality. The modern context includes continuing discussion of footfall, community use and the documentary importance of recording everyday urban environments. For later comparison, the photograph preserves landscape treatment and surrounding development at Lovely Lane, Warrington, Cheshire,England, WA5 1QG, details that may look very different after new construction. The surrounding story also includes social landscape, hospital estate, street-level documentary, healthcare provision, historical comparison, contemporary social history, local character, and medical wayfinding. References to Trust, Halton, Emergency, Accident, and Hospitals give the picture a strong period identity and tie it closely to its named subject. Around Lovely Lane, Warrington, Cheshire,England, WA5 1QG, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. It also preserves a trace of local identity as part of Lovely Lane, Warrington, Cheshire,England, WA5 1QG's history.
Lovely Lane, Warrington, Cheshire,England, WA5 1QG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,sign,city,centre,SW1,Big Ben,house,seat,government,time,political,asylum,Palace,central,tourist,attractions,attraction,tourism,Supreme Court,Westminster Abbey,HM Treasury,and,HMRC,HM Revenue and Customs,Portcullis House,Sir,Charles Barry,clockface,face,site,protest,clocktower,Rachel Reeves,Kier Starmer,free vote
Description: Tony Smith image Alamy 2M07A7P - . This location-specific image from Parliament Square, City of Westminster, London, England, UK SW1 in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Parliament Square sign, City of Westminster SW1, Big Ben clock of the UK houses of parliament, London, England, UK SW1. The wider scene also brings together city branding, London cityscape, towpath landscape, local history, inland boating, urban tourism, changing land use, working waterway, iconic London transport, archival record, heritage tourism, heritage boating, visual archive, and local character. In present-day coverage, the subject reaches into flood resilience and biodiversity, not least because of the transition of industrial waterways toward leisure and heritage use. Today's relevance is strengthened by air quality, housing pressure and the continuing question of how familiar London symbols function as global shorthand for Britain. For later comparison, the photograph preserves local activity and public use at Parliament Square, City of Westminster, London, England, UK SW1, details that may look very different after changing commercial priorities. A second descriptive layer includes regional identity, managed navigation, public realm, canal infrastructure, Westminster landmark, blue-green corridor, capital-city heritage, and period detail. The recorded references to houses, Parliament, Westminster, Square, and clock preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Parliament Square, City of Westminster, London, England, UK SW1, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene captures details of everyday use within the wider story of Parliament Square, City of Westminster, London, England, UK SW1.
Parliament Square, City of Westminster, London, England, UK SW1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,10,England,UK,W1D,community,Gate,at,night,nighttime,time,dusk,grand,big,entryway,into,Londons,lively,town,area,district,food,tourists,tourism,W1D 6BZ,asia,lucky,lantern,crowds,people,asians,colourful,gate,gates,illuminated
Description: Tony Smith image Alamy 2M07AAB - The Chinatown Gate is a grand entryway into London's lively Chinatown district and a cultural landmark. Boasting a tile roof and red pillars that lead into a vibrant area of red lanterns, noodle shops and street signs with Chinese script, the Chinatown Gate is a must-visit landmark on your way to explore the cultural area.
Each year, roughly 17 million people pass through the Chinatown Gate to visit the cultural enclave and sample delicious Chinese foods. With attractions and dining for families and solo travellers alike, Chinatown is a popular destination for sightseeing and shopping.
London's original Chinatown dates back to the start of the 20th century, but after the Blitz of World War II, many of the shops and restaurants moved to other locations. The current Chinatown, located off Shaftesbury Avenue, was established in the 1970s. The Chinatown Gate was completed in 2016 and stands as one of the largest Chinese gates in the country.
The Chinatown Gate marks the entry into Chinatown and its bustling restaurants and shops. The gate is designed with ornate features done in a traditional Qing Dynasty style that complements the stone lions, contemporary Chinese artwork and other traditional Chinese entrance points to the enclave
Along with seeing the gate itself, you can explore the wonders of Chinatown after stopping at the landmark. Chinatown features many buildings and streets with traditional dragons and lanterns, as well as street signs with English and Chinese writing.
Chinatown is also a haven for art lovers. You'll find contemporary art sculptures, impressive religious sculptures and the iconic stone lions. Chinatown is especially interesting during events, such as Chinese New Year, which features parades with floats, lion dances and live performances. You'll also see hundreds of red lanterns during the New Year celebrations that make for a spectacular sight
10 Wardour St, West End, London W1D 6BZ, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,10,England,UK,W1D,community,Gate,at,night,nighttime,time,dusk,grand,big,entryway,into,Londons,lively,town,area,district,food,tourists,tourism,W1D 6BZ,asia,lucky,lantern,crowds,people,asians,colourful,gate,gates
Description: Tony Smith image Alamy 2M07AAD - The Chinatown Gate is a grand entryway into London's lively Chinatown district and a cultural landmark. Boasting a tile roof and red pillars that lead into a vibrant area of red lanterns, noodle shops and street signs with Chinese script, the Chinatown Gate is a must-visit landmark on your way to explore the cultural area.
Each year, roughly 17 million people pass through the Chinatown Gate to visit the cultural enclave and sample delicious Chinese foods. With attractions and dining for families and solo travellers alike, Chinatown is a popular destination for sightseeing and shopping.
London's original Chinatown dates back to the start of the 20th century, but after the Blitz of World War II, many of the shops and restaurants moved to other locations. The current Chinatown, located off Shaftesbury Avenue, was established in the 1970s. The Chinatown Gate was completed in 2016 and stands as one of the largest Chinese gates in the country.
The Chinatown Gate marks the entry into Chinatown and its bustling restaurants and shops. The gate is designed with ornate features done in a traditional Qing Dynasty style that complements the stone lions, contemporary Chinese artwork and other traditional Chinese entrance points to the enclave
Along with seeing the gate itself, you can explore the wonders of Chinatown after stopping at the landmark. Chinatown features many buildings and streets with traditional dragons and lanterns, as well as street signs with English and Chinese writing.
Chinatown is also a haven for art lovers. You'll find contemporary art sculptures, impressive religious sculptures and the iconic stone lions. Chinatown is especially interesting during events, such as Chinese New Year, which features parades with floats, lion dances and live performances. You'll also see hundreds of red lanterns during the New Year celebrations that make for a spectacular sight
10 Wardour St, West End, London W1D 6BZ, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,resolution,good time,always,its,lts always,a great,time,for cake,its always a good time for love,optimism,optimistic,it is,great,times,nights,night,blue,blue neon,signs,bar,bars,pub,pubs,building,architecture,urban,temping,to,begin,start,a,business,new,project,inspirational,inspire,inspired
Description: Tony Smith image Alamy 2M0F6MA - . A grounded documentary photograph made at London, England, UK in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Its Always a good time, blue neon sign, London, England, UK. The setting additionally reflects changing land use, contemporary social history, printed message, commercial ephemera, period lettering, urban typography, documentary photography, archival record, visual communication, visual archive, everyday visual culture, local history, regional identity, and graphic street detail. Today's relevance is strengthened by local history, visual identity and the continuing question of the way lettering and materials contribute to local visual identity. Small period details of period objects and surrounding context at London, England, UK may become more significant with time, particularly following changed technology. The wider setting retains connections with street-level message, place identity, everyday life, public information notice, before-and-after reference, historic sign, historical comparison, and community identity. The combination of Always anchors the frame to a recognisable activity, place or moment. The wider setting at London, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for local history and how ordinary signs become time-specific evidence of language and design within the specific setting of London, England, UK. Another useful connection is visual identity and how ordinary signs become time-specific evidence of language and design as part of the longer story of London, England, UK. The scene further reflects public communication and how ordinary signs become time-specific evidence of language and design when considered against later change at London, England, UK.
London, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,art,artist,Christs Hospital Memorial Sculpture in London - sculpured by Andrew,City of London,people,children,EC1A,Newgate Street,adolescents,adolescent,verse,Samuel Taylor Coleridge,Tudor uniform,relief,bronze,brass,plaques,history,historic,heritage,sites,site,centre,central,urban,memory,old,time,Victorian,walk,walking,tour
Description: Tony Smith image Alamy 2M108BJ - Erected to commemorate Christ's Hospital School's 350 year presence in the City of London, from 1552 to 1902. The sculpture is designed to curve gently, reflecting the care and support provided to children, who flow from the youngest entering the school to confident adolescents marching boldly into their futures. The back of the sculpture features a verse written about Christ's Hospital by Samuel Taylor Coleridge, who was a pupil from 1781 to 1791, along with a copper plate drawing of the Priory buildings at the time the school first occupied the site in 1552. The sculpture gives life to the essence of the school and its charitable mission to educate children in particular need, regardless of means. The famous Tudor uniform and marching depicted in the piece are synonymous with Christ's Hospital today.
Christchurch, Newgate Street, London, England, UK, EC1A 7AJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,UK,BL1,red,brick,tile,tiled,terracotta,time,at,the,town,centre,BL2 1BE,Victorian,dismantled,rebuilt,1899,demolished,in,1987,demolition,blue,sky,skies,summer,Newport Street,railway,Boltons,train,station,outside,main,entrance
Description: Tony Smith image Alamy 2K0WRHG - The original Victorian station building at Bolton was demolished in 1987 when a new entrance and ticket office was constructed at street level, adjacent to a bus interchange and taxi rank. The clock tower, originally built in 1899, was dismantled and rebuilt alongside.
Bolton, Greater Manchester, Lancashire, England, UK, BL1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,cars,vehicles,Motorway,M1,M25,M4,no air con,no air conditioning,delay,UK,England,Bank holiday,travel,getaway,rush,congestion,wasted,time,fuel,petrol,diesel,electric cars,stranded,vehicle,danger,dangers,of,Delays,delays,smart,motorways,still,wasting fuel,sunny
Description: Tony Smith image Alamy 2JG5JMP - . An identifiable period record of M6 north, Crewe, Cheshire, England, UK in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The photograph centres on Motorway congestion, bank holiday stationary traffic in UK. The broader subject matter reaches into everyday life, urban change, archival record, visual archive, street-level documentary, social landscape, place identity, community identity, pedestrian environment, local character, social history, contemporary social history, local history, and everyday street life. Current relevance extends to transport and commercial change, particularly through how regeneration alters the character of familiar places. The image fixes materials and architectural details within M6 north, Crewe, Cheshire, England, UK at one identifiable point, providing a benchmark against altered transport patterns. Other useful contextual ideas include before-and-after reference, contemporary city life, local identity, changing land use, townscape record, urban social history, city-centre activity, and community life. The combination of stationary, traffic, Motorway, holiday, and congestion anchors the frame to a recognisable activity, place or moment. For M6 north, Crewe, Cheshire, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects transport and how regeneration alters the character of familiar places within the real-world context of M6 north, Crewe, Cheshire, England, UK. Its period value extends to regeneration and how ordinary street scenes become valuable records as businesses and infrastructure change within the specific setting of M6 north, Crewe, Cheshire, England, UK. The frame retains period character within the wider story of M6 north, Crewe, Cheshire, England, UK.
M6 north, Crewe, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,evening,night,time,nighttime,Oxford Rd,Manchester,England,UK,M1 6FU,train,trains,rail,railway,BR,platforms,at,in,the,M1,station,service,services,electric,electrification,driver,drivers,shortage,industrial,action,RMT,union,unions,dispute,disputes,English,Northern Powerhouse,main
Description: Tony Smith image Alamy 2JG5JMD - . An identifiable period record of Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The scene records Northern railway EMU train, at Oxford Road railway station, Manchester, Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU. Further facets of the scene include manufacturing landscape, before-and-after reference, passenger railway, regional identity, manufacturing heritage, local character, former production site, public realm, regional rail, station environment, visual archive, archival record, changing land use, and railway heritage. The wider contemporary story combines public ownership, station investment and the balance between railway heritage and network modernisation. Viewed from the mid-2020s, the subject also connects with manufacturing decline, industrial conservation and the growing value of industrial heritage for tourism and local identity. Future viewers can use this scene from Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU to compare landscape treatment and surrounding development with whatever follows after replacement signage. Other useful contextual ideas include transport interchange, industrial artefact, production infrastructure, labour history, changing streetscape, rail infrastructure, public transport network, and everyday life. The combination of Approach, Manchester, station, Oxford, and train anchors the frame to a recognisable activity, place or moment. The period setting at Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes public ownership and the role of stations and trains in lower-carbon mobility as part of the longer story of Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU.
Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,evening,night,time,nighttime,Oxford Rd,Manchester,England,UK,M1 6FU,train,trains,rail,railway,BR,platforms,at,in,the,M1,station,service,services,electric,electrification,driver,drivers,shortage,industrial,action,RMT,union,unions,dispute,disputes,English,Northern Powerhouse,main
Description: Tony Smith image Alamy 2JG5JMK - . This authentic period view of Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The frame specifically shows Northern railway EMU train, at Oxford Road railway station, Manchester, Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU. The wider scene also brings together visual archive, rail mobility, transport interchange, rail corridor, period detail, local history, heavy-industry heritage, working-industry history, place identity, rail infrastructure, changing land use, manufacturing landscape, former production site, and local character. Viewed from the mid-2020s, the subject also connects with fares, decarbonisation and the balance between railway heritage and network modernisation. The modern context includes continuing discussion of industrial conservation, manufacturing decline and the growing value of industrial heritage for tourism and local identity. The archival value lies partly in recording street furniture and boundaries around Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU before refurbishment alters the character of the place. The subject also sits alongside regional rail, public transport network, industrial artefact, manufacturing heritage, labour history, historic freight equipment, factory heritage, and everyday life. The combination of Approach, Northern, station, Manchester, and train anchors the frame to a recognisable activity, place or moment. The wider setting at Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes fares and the balance between railway heritage and network modernisation within the real-world context of Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU.
Station Approach, Oxford Rd, Manchester, England, UK, M1 6FU
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,house,Grappenhall,WA4 3EH,WA4,village,Cheshire villages,Grappers,clock,time,timing,roman numerals,cricket pavilion clock,cricket,pavilion clock,fascia,Cheshire Cricket League,League,County,County League,Neil Fairbrother,Steve Tichard,Richard Green,Duncan Martindale,Steve Bramhall,white,Gropenhale,overs,game,games,Roman numerals,face,cricket club,clocks,hotpix.org.uk
Description: Tony Smith image Alamy 2JCMKDW - Grappenhall Cricket Club, one of the premier Cheshire cricket clubs in the North-West. played its first game in 1881 on a ground in Bellhouse Lane. The club moved to its current home of Broad Lane in 1892 with a new clubhouse. There have been several new clubhouses built on the existing site with the most recent developments coming in the late 1980's with significant improvements to the facilities in 2011.
In the early days the club played a number of friendly matches. Grappers then played regular fixtures up to the 2nd World War. In 1939, before war broke out, Grappers were founder members of the North Cheshire League but the league was stopped at the start of the war and was never resumed. From the 1960's onwards GCC were members of the Manchester Association which was the prelude to the clubs most successful period.
The 70's & 80's the golden years
In 1981, after a couple of good seasons following promotion to the top division in the late 70's, the 1st XI won the top flight for the first time. One of Grappenhall's best teams, it included some famous Grappers names such as Duncan Martindale, Rick Houghton, Chris Ashton, Neil Titchard, Jim Green, Nick Sharp and a young Neil Fairbrother, only a few years before he headed off for big things with Lancashire and England.
In 1982, the 1st XI went one better, this time winning the league and cup double with the HC Cup Final being one of a number of appearances the club mate at Old Trafford in the 80's. The double was repeated in 1987 with another appearance at Old Trafford, this time with the team including another future Lancashire star and future Grappers captain in Steve Titchard. In the same season, the 2nd XI also tasted success by winning the Worthington Cup. There were a number of other cup successes for the club during this period for the different senior and junior teams, with many a memorable game taking place and the tales still being regaled today.
Grappenhall, Warrington, Cheshire,England, UK, WA4 3EH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,uneven,worn,overPronation,Pronation,Underpronation,supination,IT band syndrome,iliotibial band syndrome,stress fractures,Sole Wear Pattern,time,to,replace,shoes,new pair,of shoes,not even,wearing,poor,quality,soles,sole,walk,walking,walks,exercise,wear,brand,example,of,the,left,and,right
Description: Tony Smith image Alamy 2JCR538 - . This scene at England, Great Britain , UK in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. At the centre of the view is Unevenly worn Merrill walking shoes. The wider scene also brings together shopping district, contemporary social history, archival record, consumer retail, place identity, commercial streetscape, commercial frontage, retail chain, before-and-after reference, local history, documentary photography, period detail, regional identity, and retail property. In present-day coverage, the subject reaches into store closures and town-centre regeneration, not least because of how physical shops adapt to online competition. For later comparison, the photograph preserves landscape treatment and surrounding development at England, Great Britain , UK, details that may look very different after refurbishment. Further associations within the scene are high-street commerce, town-centre economy, customer footfall, local character, physical store, historical comparison, community identity, and outdoor retail. The recorded references to walking, Merrill, Unevenly, and shoes preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within England, Great Britain , UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of store closures and how physical shops adapt to online competition within the real-world context of England, Great Britain , UK. A further contemporary connection is town-centre regeneration and the speed at which branding and store formats change within the specific setting of England, Great Britain , UK. The wider significance includes online shopping and the speed at which branding and store formats change as part of the longer story of England, Great Britain , UK.
England, Great Britain , UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,Clock Tower,clock,tower,cog,cogs,wood,wooden,tree,next,to,artistic,street,time,Greater Manchester,WA14 1EN,by,2016,local,artist,gateway,train,tunnel,Altrinchams,industrial,heritage,history,industry,carving,carved,Barrington Road,Stamford Street,project,Trafford Partnership Voluntary Sector Grant,Alty
Description: Tony Smith image Alamy 2JBXJJ7 - . A grounded documentary photograph made at Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through Clock Tower wood sculpture 2016 by Andy Burgess, next to Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN. The wider scene also brings together engineering history, rail mobility, local character, railway heritage, public realm, factory heritage, working-industry history, regional rail, station environment, community identity, regional identity, industrial artefact, rail infrastructure, and historic freight equipment. Current relevance extends to adaptive reuse and industrial conservation, particularly through recording the industries and transport systems that shaped British towns. In present-day coverage, the subject reaches into reliability and regional connectivity, not least because of the role of stations and trains in lower-carbon mobility. As a dated visual record of Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN, the frame retains transport arrangements and footfall, making it especially useful if changing commercial priorities subsequently changes the scene. Other useful contextual ideas include industrial railway heritage, heavy-industry heritage, rail transport, trackside history, train operations, former production site, industrial transport, and transport interchange. Details involving Burgess, Stamford, Altrincham, Tower, and Clock make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN, the image preserves more than the headline object or building: it records part of the locality's everyday history.
Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,on,lamp,post,lamppost,the,Queen,crown,purple,2022,signs,in,town,centre,Greater,Manchester,England,UK,celebrate,royal,monarch,street,jubilee,no,loading,at,any,time,anytime,Elizabeth,QEII,wall,house,walls
Description: Tony Smith image Alamy 2JC410D - . This dated documentary view of Altrincham town centre, Trafford, Greater Manchester, England, UK in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The scene records No Loading at any time - Celebrating the Queens Platinum Jubilee 2022 signs, in Altrincham town centre, Trafford, Greater Manchester, England, UK. The wider scene also brings together documentary photography, social history, public realm, local information board, orientation signage, community life, historical comparison, before-and-after reference, place identity, period detail, visual archive, everyday life, everyday street life, and operational signage. The wider contemporary story combines local identity, accessibility and how clear signs help people navigate complex public places. Viewed from the mid-2020s, the subject also connects with local identity, community use and the relationship between public space and local social life. The archival value lies partly in recording commercial use and occupation around Altrincham town centre, Trafford, Greater Manchester, England, UK before closure or conversion alters the character of the place. Other useful contextual ideas include contemporary social history, community noticeboard, pedestrian environment, regional identity, local history, wayfinding system, navigation aid, and route marker. The recorded references to Altrincham, Greater, Trafford, centre, and signs preserve clues about how the subject was presented, used or understood at the time. The period setting at Altrincham town centre, Trafford, Greater Manchester, England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is local identity and how clear signs help people navigate complex public places without losing the local specificity of Altrincham town centre, Trafford, Greater Manchester, England, UK.
Altrincham town centre, Trafford, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,UK,pointer,Cricklewood,London,patina,minutes,secong,Seconds,distressed,dial,shallow,focus,distressed dial,shallow focus,instrument,old,historic,rust,aged,age,Victorian,history,brown,accurate,time,timing,timings,minute,second,seconds,min
Description: Tony Smith image Alamy 2JGM7B5 - . This authentic period view of Cricklewood, London, England, UK in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The frame specifically shows Seconds - Smiths English Clocks, Cricklewood London, distressed dial ,shallow focus. The frame also records themes of urban social history, local history, historic townscape, visual archive, social history, historic frontage, period building, everyday life, community life, period detail, community identity, contemporary city life, place identity, and conservation architecture. Viewed from the mid-2020s, the subject also connects with heritage conservation, local identity and how historic fabric can be retained while places adapt to modern use. The modern context includes continuing discussion of transport, regeneration and the relationship between public space and local social life. The archival value lies partly in recording local activity and public use around Cricklewood, London, England, UK before altered transport patterns alters the character of the place. The location also brings in conservation interest, city-centre activity, contemporary social history, heritage asset, historical comparison, architectural detailing, urban change, and changing streetscape. Elements such as distressed, Clocks, focus, shallow, and English add documentary specificity and may become increasingly useful when compared with later records. The wider setting at Cricklewood, London, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is heritage conservation and keeping older structures useful without erasing their character within the specific setting of Cricklewood, London, England, UK. It also preserves a local visual benchmark for later comparison.
Cricklewood, London, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,district,clock,Cotswold,Tetbury clock,history,historic,medieval,listed building,5,15,0515,1715,five o clock,five fifteen,centre,blue,sky,skies,stonework,Roman,building,buildings,architecture,Romans,style,feature,features,time,clocks,market clock,market house
Description: Tony Smith image Alamy 2B1YFY4 - Tetbury is a small town and civil parish inside the Cotswold district in England. It lies on the site of an ancient hill fort, on which an Anglo-Saxon monastery was founded, probably by Ine of Wessex, in 681. The population of the parish was 5,250 in the 2001 census, increasing to 5,472 at the 2011 census.
During the Middle Ages, Tetbury became an important market for Cotswold wool and yarn. The Tetbury Woolsack Races, founded 1972, is an annual competition where participants must carry a 60-pound (27 kg) sack of wool up and down a steep hill (Gumstool Hill). The Tetbury Woolsack Races take place on the late May Bank Holiday, the last Monday in May each year.
Notable buildings in the town include the Church House, Market House, built in 1655 and the late-eighteenth century Gothic revival parish church of St Mary the Virgin and St Mary Magdalene and much of the rest of the town centre, dating from the sixteenth and seventeenth centuries. The Market House is a fine example of a Cotswold pillared market house and is still in use as a meeting place and market. Other attractions include the Police Bygones Museum. Chavenage House, Highgrove House and Westonbirt Arboretum lie just outside the town.
Tetbury, Cotswold District, England, UK
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,poster,East End,London,Freedom,Doesnt,Disappear,overnight,It,Gets,Over,Time,resist,erodes,freedoms,taken,away,removed,act,legislation,Tory,Conservative,Shoreditch,E1,people,peoples,rights,right,to,demonstrate,XR,climate change,activists,anti-monarchy
Description: Tony Smith image Alamy 2AE026H - . Made at Shoreditch,East End,London,England,UK,E1 in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The photograph records Freedom,Freedom Doesnt Disappear overnight,It Gets Eroded Over Time,poster,Shoreditch,East End,London,England,UK,E1. The surrounding context brings together contemporary social history, constituency representation, public policy, electoral messaging, period detail, regional identity, social history, before-and-after reference, community identity, political campaigning, place identity, public realm, archival record, and visual archive. In the mid-2020s, cost of living and housing keep the subject current, particularly through showing how national debate reaches local places. For place-based research, the image captures small features of identity that written records may overlook as seen at Shoreditch,East End,London,England,UK,E1. The photograph additionally reflects public administration, party-political communication, civic debate, historical comparison, documentary photography, democratic accountability, changing streetscape, and constituency politics. The combination of Shoreditch, poster, Disappear, London, and Freedom anchors the image to a recognisable activity, place or moment. The surrounding context at Shoreditch,East End,London,England,UK,E1 matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for cost of living and showing how national debate reaches local places as part of the longer story of Shoreditch,East End,London,England,UK,E1. Another useful connection is public spending and comparing earlier political promises with later policy when considered against later change at Shoreditch,East End,London,England,UK,E1. It also preserves details of everyday use for later comparison.
Shoreditch,East End,London,England,UK,E1
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Arley,Village,tower,leaves,time,Stockley Farm,building,hall,Jacobethan,Jacobethan House,wood,wooden,wooden clock tower,Arley Estate,19th Century,19th Century Clock Tower,avenue,entrance,single hand,one handed,one hand,Timber framed,Timber Frame,Grade I,Grade I listed,listed building,The Ride,Tudor barn,history,historic,buildings,architecture,weather vane,weather,vanes,clocktower
Description: Tony Smith image Alamy 2A8EBHY - Arley Hall is a country house in the village of Arley, Cheshire, England, about 4 miles (6 km) south of Lymm and 5 miles (8 km) north of Northwich. It is home to the owner, Thomas Shelby OBE, MP and his family. The house is a Grade II* listed building, as is its adjacent chapel. Formal gardens to the southwest of the hall are also listed at Grade II* on the National Register of Historic Parks and Gardens. In the grounds are more listed buildings, a cruck barn being listed as Grade I, and the other buildings as Grade II.
The hall was built for Rowland Egerton-Warburton between 1832 and 1845, to replace an earlier house on the site. Local architect George Latham designed the house in a style which has become known as Jacobethan, copying elements of Elizabethan architecture. A Gothic Revival chapel designed by Anthony Salvin was subsequently built next to the hall. By the mid-20th century parts of the house were in poor condition and were demolished, to be replaced by five private homes in a matching architectural style.
The present gardens were created in the 1830s, and were developed during the 20th century. The garden's herbaceous border was one of the first of its type in Britain, and remains one of the finest. The house and its gardens have been open to the public since the 1960s, and have also been used as a film location. Stockley Farm, part of the Arley estate, is an additional visitor attraction for children and families.
Arley, Warrington, Cheshire, North West England, UK, CW9 6LZ
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,clock,pub,bar,Mayes pub,18,N,north,D01 T3V8,Mayes Time,MayesTime,side,outside,exterior,advert,advertising,Guinness,pubs,bars,history,historic,time,birds,fun,funny,flag,flags,junction,traffic light,lights,North Rotunda,St Patricks Day
Description: Tony Smith image Alamy 2M84JF5 - . This dated editorial view of 8 Parnell Square N, Rotunda, Dublin, Eire, D01 T3V8, Ireland in 2019 captures more than the immediate subject, retaining clues about local use, design, activity and change. The defining feature is Mayes pub, Mayes Time, 18 Parnell Square N, Rotunda, Dublin, D01 T3V8. The locality and subject together evoke licensed trade, night-time economy, everyday life, visitor hospitality, historic streetscape, community identity, licensed hospitality, visual archive, documentary photography, architectural character, built heritage, beer-led hospitality, heritage landmark, and traditional pub. The wider contemporary story combines food inflation, tourism and pressure on hospitality margins in a high-cost economy. Viewed from the mid-2020s, the subject also connects with planning control, tourism and the balance between conservation and modern commercial use. The image fixes landscape treatment and surrounding development within 8 Parnell Square N, Rotunda, Dublin, Eire, D01 T3V8, Ireland at one identifiable point, providing a benchmark against changed technology. Other useful contextual ideas include period detail, traditional materials, place identity, historic townscape, pub interior heritage, local history, historic hostelry, and conservation interest. The recorded references to Rotunda, Parnell, Dublin, Mayes, and Square preserve clues about how the subject was presented, used or understood at the time. The wider setting at 8 Parnell Square N, Rotunda, Dublin, Eire, D01 T3V8, Ireland matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate food inflation and pressure on hospitality margins in a high-cost economy within the real-world context of 8 Parnell Square N, Rotunda, Dublin, Eire, D01 T3V8, Ireland. The image fixes a local visual benchmark before later change alters the scene.
8 Parnell Square N, Rotunda, Dublin, Eire, D01 T3V8, Ireland
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,England,UK,Cheshire,1897,city centre,ironwork,Eastgate,gateway,wall,city wall,Chester architect John Douglas,Chester,architect,diamond jubilee of Queen Victoria,diamond,jubilee,Queen Victoria,pano,panorama,prominent landmark,tourist,tourism,deva,Eastgate Street,CH1 1LE,CH1,tower,history,heritage,historic,Victorian,tradition,traditional,walled,walls,time
Description: Tony Smith image Alamy 2DDW6CH - Eastgate and Eastgate Clock in Chester, Cheshire, England, stand on the site of the original entrance to the Roman fortress of Deva Victrix. It is a prominent landmark in the city of Chester and is said to be the most photographed clock in England after Big Ben.
The original gate was guarded by a timber tower which was replaced by a stone tower in the 2nd century, and this in turn was replaced probably in the 14th century. The present gateway dates from 1768 and is a three-arched sandstone structure which carries the walkway forming part of Chester city walls. In 1899 a clock was added to the top of the gateway to celebrate the diamond jubilee of Queen Victoria two years earlier. It is carried on openwork iron pylons, has a clock face on all four sides, and a copper ogee cupola. The clock was designed by the Chester architect John Douglas. The whole structure, gateway and clock, was designated as a Grade I listed building on 28 July 1955
Eastgate Street, Chester, Cheshire, England, UK, CH1 1LE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,clocks,clock face,woman,lady,person,clock,summer-time,winding,reset,resetting,time,timepieces,resetting clocks,resetting clocks for daylight saving time,resetting clocks for British Summer Time,clocks fall back,clocks spring forward,GMT,BST,goes,back,forward,go,habit,annually,annual,hardwork,hard work,changes,hassle,of,putting,by,one,hour
Description: Tony Smith image Alamy R9GTHW - . This descriptive scene records the visible identity of Scotland, UK, in documentary coverage dating from 2018. The frame is associated with Woman holding a clock face, Daylight Saving Time / British summer Time , clocks going back or forward an hour. The location can also be described in terms of social context, place-based history, modern history, everyday Britain, local identity, public realm, contemporary social history, community life, changing Britain, place and memory, local character, and documentary record. For present-day editorial use, ordinary infrastructure can also illustrate debates about changing use and business turnover, particularly where these affect preservation of everyday detail. Documentary value is strengthened by the precise setting at Scotland, UK, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. Beyond the immediate subject, the setting involves visual record, social landscape, community environment, regional identity, urban and rural change, everyday infrastructure. The record also refers to clocks going forward, one hour, BST, DST, adult. Further aspects present in the subject include documentary photography, and cultural landscape. In the mid-2020s, social history is increasingly discussed through altered public space and business turnover, with attention turning to preservation of everyday detail. Taken together, these details make the photograph a useful record of social change, movement through the area, everyday services, planning and redevelopment, and historic fabric without relying on a generic or reconstructed view. The combination preserved here provides evidence of public access, neighbourhood identity, transport patterns, ownership or occupation, and architecture and streetscape in a form that can be compared with later photographs. The view of Scotland, UK also preserves another layer of local identity and period change.
Scotland, UK
Description
Keywords: @HotpixUK,GoTonySmith,barge,longboat,Canal boat,at,Cheshire,North West England,UK,WA4,water,navigation,summer,time,summertime,boat,boating,barging,hire,sail,sailing,reflections,towpath,ward,WA4 2SJ,leisure,sunny,countryside,narrowboat,waterway,waterways,England,WA4 3EP,tranquil,barges,creating,waves,wave,making,sunny day
Description: Tony Smith image Alamy PAN56X - . A contemporary documentary view records the setting around 1 Church Ln, Warrington, Cheshire, England, UK, WA4 3EP, in a view made during 2018. The image record centres upon Canal boat sailing westwards at Grappenhall, South Warrington, Cheshire, North West England, UK, WA4 2SJ. The physical and social setting additionally connects with local faith community, place-making, community worship, lock operation, navigation engineering, religious heritage, worship space, Christian heritage, waterway maintenance, religious building, housing provision, and spiritual landmark. Current debate around towpath use often combines long-term maintenance funding, waterside regeneration and the practical challenge of protecting blue-green corridors. In the mid-2020s, building safety is increasingly discussed through planning pressure and the cost of decent homes, with attention turning to safer and healthier homes. For present-day editorial use, religious buildings can also illustrate debates about community use and accessibility, particularly where these affect accessible worship spaces. Over time, this view of 1 Church Ln, Warrington, Cheshire, England, UK, WA4 3EP can support local-history and planning research by preserving details of appearance, occupation, signage, public access and everyday use that written records may omit. The location additionally reflects affordable homes, homes and neighbourhoods, inland navigation, congregational space, residential development, community infrastructure. The scene is further associated with long boat, house boat, waterway, boat on Bridgewater Canal, Bridgewater, hire boat. Other relevant facets include housing quality, community housing, inland boating, tenure and occupancy, civil engineering structure, industrial waterway heritage, neighbourhood regeneration, architectural heritage, estate environment, and faith heritage. The record also holds everyday use as a historical reference.
1 Church Ln, Warrington, Cheshire, England, UK, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,village,Church,bell ringing,ringers,parish,bells,old,historic,history,clock,Thomas Leyland Prescot,Thomas Leyland,Prescot,maker,works,clockworks,Cheshire,England,UK,WA4 2SJ,time,timekeeper,clockmakers,Gropenhale,clocks,mechanism,mechanics,workings,working,mainspring,1855,Victorian
Description: Tony Smith image Alamy 2JHBJRX - . An identifiable period record of Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP in 2018, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The subject captured here is St Wilfrids Church Belltower clock mechanism, prior to 2019, Grappenhall Village, Warrington,Cheshire,England,UK, WA4 2SJ. The surrounding context encompasses manufacturing heritage, period detail, historic freight equipment, conservation architecture, built heritage, period streetscape, period building, local landmark, labour history, traditional structure, changing streetscape, historical comparison, industrial material culture, and changing land use. Current relevance extends to embodied carbon and redevelopment pressure, particularly through how historic fabric can be retained while places adapt to modern use. In present-day coverage, the subject reaches into embodied carbon and industrial conservation, not least because of the reuse of former industrial land and buildings. Future viewers can use this scene from Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP to compare materials and architectural details with whatever follows after redevelopment. The location also brings in conservation interest, production infrastructure, local history, contemporary social history, architectural character, architectural detailing, public realm, and working-industry history. The combination of prior, Grappenhall, Village, Wilfrids, and clock anchors the frame to a recognisable activity, place or moment. The wider setting at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The frame retains period character within the wider story of Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP.
Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,village,Church,bell ringing,ringers,parish,bells,old,historic,history,clock,Thomas Leyland Prescot,Thomas Leyland,Prescot,maker,works,clockworks,Cheshire,England,UK,WA4 2SJ,time,timekeeper,clockmakers,clocks,mechanism,mechanics,workings,working,mainspring,1855,Victorian,Gropenhale
Description: Tony Smith image Alamy 2JHBJTE - . Made at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP in 2018, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The defining feature is St Wilfrids Church Belltower clock mechanism, prior to 2019, Grappenhall Village, Warrington,Cheshire,England,UK, WA4 2SJ. The surrounding context encompasses documentary photography, changing streetscape, historic streetscape, community identity, conservation interest, historic freight equipment, labour history, heavy-industry heritage, local character, social history, period detail, traditional structure, manufacturing landscape, and period streetscape. The modern context includes continuing discussion of maintenance, heritage conservation and the value of distinctive buildings and street furniture to local identity. For current editorial use, industrial conservation and adaptive reuse provide additional context, especially through recording the industries and transport systems that shaped British towns. Small period details of equipment and working practice at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP may become more significant with time, particularly following new construction. The subject also sits alongside industrial artefact, visual archive, regional identity, built heritage, industrial transport, conservation architecture, public realm, and period building. The combination of Belltower, Grappenhall, mechanism, Church, and prior anchors the frame to a recognisable activity, place or moment. Around Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Image 2JHBJTE also remains a dated record of Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP.
Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP
Description
Keywords: red,railway,railways,rail,rails,TOC,train operating company,SouthWest,train,SouthWest Trains,night,dusk,evening,morning,door,open,door open,England,UK,platform,late,on time,ontime,on,time,punctual,Waterloo,station,Ready To Depart,Waterloo Station,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ718 - . This location-specific image from Waterloo,London,England,UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The principal subject is South West train, ready to depart at dusk, London, England,UK. The image also relates to historical comparison, changing streetscape, documentary photography, public transport information, public realm, bus infrastructure, visual archive, bus route infrastructure, changing land use, roadside stop, period detail, community identity, roadside transit, and public transport stop. In present-day coverage, the subject reaches into decarbonisation and accessibility, not least because of the shift toward cleaner buses and integrated ticketing. Future viewers can use this scene from Waterloo,London,England,UK to compare commercial use and occupation with whatever follows after new ownership. A second descriptive layer includes transport accessibility, surface public transport, archival record, local character, local mobility, place identity, local bus network, and regional identity. References to London, ready, depart, and train give the picture a strong period identity and tie it closely to its named subject. The wider setting at Waterloo,London,England,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate decarbonisation and how local bus services affect access to work, education and healthcare within the specific setting of Waterloo,London,England,UK. The image also provides a reference for accessibility and the shift toward cleaner buses and integrated ticketing as part of the longer story of Waterloo,London,England,UK. Another useful connection is accessibility and the challenge of maintaining reliable services outside dense city centres when considered against later change at Waterloo,London,England,UK.
Waterloo,London,England,UK
Description
Keywords: street,Wilson street,time,night,night time,nighttime,Wilson St,Glasgow,Scotland,UK,city,centre,window,Time And Relative Dimension In Space,city centre,Glasgow City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism
Description: Tony Smith image Alamy HEJ5NC - The TARDIS (UK /ˈtɑːdɪs/
US /ˈtɑːrdɪs/
Time And Relative Dimension In Space) is a fictional time machine and spacecraft that appears in the British science fiction television programme Doctor Who and its various spin-offs.
A TARDIS is a product of the advanced technology of the Time Lords, an extraterrestrial civilisation to which the programme's central character, the Doctor, belongs. A properly maintained and piloted TARDIS can transport its occupants to any point in time and space. The interior of a TARDIS is much larger than its exterior. It can blend in with its surroundings using the ship's chameleon circuit. TARDISes also possess a degree of sapience and provide their users with additional tools and abilities including a universal translation system based on telepathy.
In the series, the Doctor pilots an apparently unreliable, obsolete TARDIS
in the episode Let's Kill Hitler (2011), it is designated TT Type 40, Mark 3. Its chameleon circuit is broken, leaving it stuck in the shape of a 1960s-style London police box after a visit to London in 1963. The Doctor's TARDIS was for most of the series' history said to have been stolen from the Time Lords' home planet, Gallifrey, where it was old, decommissioned and derelict.
The unpredictability of the TARDIS' short-range guidance (relative to the size of the Universe) has often been a plot point in the Doctor's travels. In The Doctor's Wife, the TARDIS reveals that much of this unpredictability was actually intentional on its part in order to get the Doctor where he needed to go as opposed to where he wanted to go.
Doctor Who has become so much a part of British popular culture that the shape of the police box become more immediately associated with the TARDIS than with its real-world inspiration. The name TARDIS is a registered trademark of the British Broadcasting Corporation (BBC)
Wilson st, Glasgow, Scotland, UK
Description
Keywords: canals,seedy,entertainment,bar,bars,LGBT,fun,relaxed,day,time,daytime,pub,pubs,club,clubs,gaycanal,c,anal,homosexual,homosexuality,city,centre,nightlife,people,somerville,life,pride,relax,relaxed,Rembrandt,pub,hotel,bar,Inn,trees,corner,gay city,Manchester Pride,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Gay,village,LGBT,pride,GayPride,CanalSt,CanalStreet,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Gay Village,Canal Street,Canal St
Description: Tony Smith image Alamy H3TP0P - . This dated editorial view of Canal St,Manchester,England,UK in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The image documents The Rembrandt pub,Canal St Gay Village,Manchester,England. A broader reading of the photograph includes historic streetscape, documentary photography, local history, built heritage, before-and-after reference, heritage asset, contemporary social history, social history, place identity, community identity, public realm, historic townscape, visual archive, and everyday life. The wider contemporary story combines redevelopment pressure, heritage conservation and the value of architectural landmarks to local identity and tourism. The image fixes local activity and public use within Canal St,Manchester,England,UK at one identifiable point, providing a benchmark against closure or conversion. The subject also sits alongside conservation interest, period building, conservation architecture, urban fabric, period detail, changing streetscape, adaptive reuse, and architectural character. Details involving Manchester, Canal, Rembrandt, and Village make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Canal St,Manchester,England,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is redevelopment pressure and keeping older buildings useful without erasing their distinctive character within the real-world context of Canal St,Manchester,England,UK. The setting also helps illustrate planning control and the balance between conservation, retrofit and modern accessibility within the specific setting of Canal St,Manchester,England,UK. The image fixes period character as a date-specific reference. It also preserves a trace of local identity for later comparison.
Canal St,Manchester,England,UK
Description
Keywords: Lees,night,time,beer,ale,house,winter,the,south,Cheshire,England,UK,GB,Great,Britain,road,lit,lights,shot,South,Appleton,United Kingdom,GoTonySmith,@HotpixUK,WA45BG,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,WA4 5BG,Pubs Of London,must see
Description: Tony Smith image Alamy FDNMAD - . An identifiable period record of 163 London Road,Appleton, Stockton Heath,Warrington,Cheshire,England,UK WA4 5BG in 2016, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The photograph centres on The London Bridge Pub,Stockton Heath,Warrington, At Night,Cheshire,England,UK. The broader subject matter reaches into contemporary social history, public transport stop, place identity, traditional ale house, beer-led hospitality, bus infrastructure, social history, transport accessibility, traditional pub, historical comparison, community identity, licensed trade, bus route infrastructure, and public-transport wayfinding. Today's relevance is strengthened by pub closures, tourism and the continuing question of the value of historic pubs to tourism and local identity. From a 2025-onward perspective, service frequency and local connectivity are closely linked to this subject, alongside the role of bus stops as the physical interface between passengers and the network. As a dated visual record of 163 London Road,Appleton, Stockton Heath,Warrington,Cheshire,England,UK WA4 5BG, the frame retains transport arrangements and footfall, making it especially useful if changed technology subsequently changes the scene. The surrounding story also includes public realm, visual archive, roadside transit, changing streetscape, period detail, archival record, licensed hospitality, and changing land use. References to Stockton, Night, Bridge, and Heath give the picture a strong period identity and tie it closely to its named subject. Around 163 London Road,Appleton, Stockton Heath,Warrington,Cheshire,England,UK WA4 5BG, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The period view preserves period character for future local research. The view records a trace of local identity before later change alters the scene.
163 London Road,Appleton, Stockton Heath,Warrington,Cheshire,England,UK WA4 5BG
Description
Keywords: GB,Great,Britain,Night,time,nighttime,slide,hotel,Balmoral,Hotel,Clock,street,Mall,Princes Mall,Shopping,Xmas,tourist,travel,lit,low,light,Helter,Skelter,fun,entertainment,Scottish,Scotland,UK,Lothian,Lothians,Midlothian,New Year,Low light,Helter Skelter,GoTonySmith,Buy Pictures of,Buy Images Of,hotpix.org.uk
Description: Tony Smith image Alamy F89PT5 - . This authentic period view of Princes Street,Edinburgh,Scotland,UK in 2015 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Edinburgh Christmas Lights, Princes St,City Centre, Scotland, UK. Another layer of the photograph includes visual archive, historic hostelry, visitor hospitality, public realm, community drinking venue, social history, local character, changing streetscape, traditional pub, historical comparison, before-and-after reference, archival record, contemporary social history, and licensed hospitality. From a 2025-onward perspective, business rates and staffing pressure are closely linked to this subject, alongside the continuing appeal of real ale and regional brewing. For later comparison, the photograph preserves materials and architectural details at Princes Street,Edinburgh,Scotland,UK, details that may look very different after closure or conversion. The subject also sits alongside regional identity, beer-led hospitality, hospitality economy, real-ale culture, local social venue, local history, pub heritage, and licensed trade. Details involving Centre, Edinburgh, Princes, Christmas, and Lights make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Princes Street,Edinburgh,Scotland,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for business rates and the continuing appeal of real ale and regional brewing within the specific setting of Princes Street,Edinburgh,Scotland,UK. Another useful connection is pub closures and the survival of pubs as both businesses and informal community spaces as part of the longer story of Princes Street,Edinburgh,Scotland,UK. Image F89PT5 also remains a dated record of Princes Street,Edinburgh,Scotland,UK.
Princes Street,Edinburgh,Scotland,UK
Description
Keywords: christmas,xmas,lighted,light,bulb,tungsten,waving,waves,plastic,novelty,friendly,fun,orange,at,night,dusk,dawn,blue,sky,behind,December,novel,indoor,Static,lighting,effect,yellow,bulb,type,fun,time,with,this,acrylic,festive,cheer,in,the,home,house,decoration,GoTonySmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ECW532 - . An electric snowman on a window, lit up for Christmas. The photograph was taken on 15 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with electric, snowman, window, lit, Christ, christmas, xmas, lighted, light and bulb, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. This particular view is catalogued under Alamy image reference ECW532, distinguishing it from other photographs of the same or related subject.
Description
Keywords: England,UK,GB,Great,Britain,tourist,tourism,in,tourists,traditional,afternoon,Grade,Two,Listed,Grade2,GradeII,Tithe,Store,of,the,Earl,of,Shrewsbury,90,-,92,City Centre,Centre,@hotpixUK,GoTonySmith,located,within,the,of,this,Historic,City,of,Chester.,The,Three,Kings,Tea,Rooms,are,housed,in,a,Listed,Building,which,dates,from,the,mid,17th,Century,CH1,1RU,building,is,constructed,CH11RU,Throughout,the,premises,the,timber,frames,and,roof,trusses,are,exposed,with,many,of,the,panels,retaining,their,original,infill.,One,of,the,Stairwell,timbers,has,recently,been,dated,as,early,12th,Century,making,it,the,oldest,to date,located,in,Chester.,The,Building,was,originally,thought,to,have,been,the,Tithe,Store,of,the,Earl,of,Shrewsbury,who,at,one,time,owned,the,entire,block,in,which,this,property,stands.,He,held,the,title,of,with,the,right,to,tak,Grade Two,wattle and daub,Sergeant of Bridgegate
Description: Tony Smith image Alamy ECW4F2 - located within the Roman Walls of this Historic City of Chester. The Three Kings Tea Rooms are housed in a 'Grade Two' Listed Building which dates from the mid 17th Century.
The building is constructed around a massive inner oak frame which incorporates a thirty foot cross beam and vertical house tree over eighteen feet six inches high.
Throughout the premises the timber frames and roof trusses are exposed with many of the panels retaining their original 'wattle and daub' infill.
One of the Stairwell timbers has recently been dated as early 12th Century making it the oldest, to date, located in Chester.
The Building was originally thought to have been the Tithe Store of the Earl of Shrewsbury who at one time owned the entire block in which this property stands.
He held the title of 'Sergeant of Bridgegate' with the right to take a toll from carts using the Old Dee Bridge, the toll being three coins of the period, which bore the Kings Head, hence the buildings present name.
A recent survey suggests that Chester's famous 'Rows' might have extended to this part of the City, but the earliest documented evidence is an engraving by Bateman of 1816 showing the property with twin gables.
Over the door is a sign which reads 'Dealers in Tea and Coffee'. The Georgian facade was added at the beginning of the 19th Century after which it was sold by the Shrewsbury Estate under the 'Act of 1862'.
Since then the building has been put to various uses from a Private Dwelling to a Wine Merchants, Refreshment Rooms, Bespoke Tailors and now, rather appropriately as 'The Three Kings Tea Rooms'.
90 - 92 Lower Bridge Street, Chester, England, UK CH1 1RU
Description
Keywords: Townhall,B3 3DQ,B33DQ,nighttime,time,winter,autumn,fun,tourism,tourist,west midland,west midlands,council,virgin,train,trains,virgin trains,newstreet,New street,WCML,council house,Dhruva Mistry,The river,Gotonysmith,hotpixuk,@hotpixuk,City,centre,tourist,tourism,travel,Birmingham City,Birmingham city Centre,at,city
Description: Tony Smith image Alamy ED8PP1 - Victoria Square is a pedestrianised public square in Birmingham, England. It is home to both the Town Hall and the Council House, and directly adjacent to Chamberlain Square.
The square is often considered to be the centre of Birmingham, and is the point from where local road sign distances are measured. It is a short walk from St. Philip's Cathedral on Colmore Row and is on the main pedestrian route between the Bull Ring and Brindleyplace areas. Three major roads, Colmore Row, New Street and Paradise Street meet there.
Victoria Square, Birmingham, England, UK, B3 3DQ
Description
Keywords: Townhall,B3 3DQ,B33DQ,nighttime,time,winter,autumn,fun,tourism,tourist,west midland,west midlands,council,virgin,train,trains,virgin trains,newstreet,New street,WCML,council house,Dhruva Mistry,The river,Gotonysmith,hotpixuk,@hotpixuk,City,centre,tourist,tourism,travel,Birmingham City,Birmingham city Centre,at,city
Description: Tony Smith image Alamy ED8PP4 - Victoria Square is a pedestrianised public square in Birmingham, England. It is home to both the Town Hall and the Council House, and directly adjacent to Chamberlain Square.
The square is often considered to be the centre of Birmingham, and is the point from where local road sign distances are measured. It is a short walk from St. Philip's Cathedral on Colmore Row and is on the main pedestrian route between the Bull Ring and Brindleyplace areas. Three major roads, Colmore Row, New Street and Paradise Street meet there.
Victoria Square, Birmingham, England, UK, B3 3DQ
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,tree,trees,autumn,harvst,time,pick,conference,orchard,farm,garden,hard fruit,fruit tree,fruit trees
Description: Tony Smith image Alamy DCYCBM - . This scene at the recorded location in 2013 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The defining feature is Pears on tree, autumn, ready for harvest, England, UK. Other connected aspects include specialist shop, place identity, public realm, local character, regional identity, street-level business, visual archive, independent retail, before-and-after reference, community identity, period detail, contemporary social history, documentary photography, and retail property. In present-day coverage, the subject reaches into commercial rents and online shopping, not least because of the contribution of independents to distinctive high streets. The archival value lies partly in recording period objects and surrounding context around the recorded location before changed technology alters the character of the place. The photograph additionally reflects local enterprise, specialist retailer, everyday life, archival record, historical comparison, small business, town-centre trading, and local history. References to ready, Pears, autumn, and harvest give the picture a strong period identity and tie it closely to its named subject. The dated record from the recorded location makes the broader context more tangible. A further contemporary connection is commercial rents and the resilience of specialist shops in an online retail economy when considered against later change at the recorded location. The wider significance includes business rates and how commercial property costs affect small retailers without losing the local specificity of the recorded location. Another strand within the photograph is consumer spending and how shopfronts become short-lived records of changing businesses in a form that can be compared with future views of the recorded location. Image DCYCBM also preserves another period-specific detail for later comparison.
Description
Keywords: refreshment,rooms,West,Yorks,England,UK,old,station,bar,public,house,clocks,wood,bottles,on,a,shelf,ale,train,aletrain,trail,inside,the,a,clockmakers,maker,WF13,1HF,WF131HF,old,antique,time,timepiece,piece,CAMRA,real,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDJPKG - . Potts Leeds clock at Dewsbury West Riding pub refreshment rooms, West Yorks, stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England, UK. Photographed at Station rd, Dewsbury, West Riding, England, UK WF13 1HF. The photograph was taken on 13 July 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The interior viewpoint records fittings, surfaces, decoration and spatial details that help show how the premises or public space was arranged when photographed. The scene is closely associated with Potts, Leeds, clock, Dewsbury, Riding, pub, aletrail, clockmaker, refreshment and rooms, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene has strong relevance to railway travel, public transport, passenger infrastructure and the everyday operation of Britain's rail network. It can illustrate editorial stories about stations, train journeys, commuting, regional connectivity, rail investment, rolling stock, freight, signals, platforms, accessibility and the relationship between railways and the places they serve. Visible railway furniture, signs, tracks, platforms, trains, signals or station buildings help place the photograph firmly in the practical environment experienced by passengers and railway staff. As a dated documentary image it also offers a useful record of transport infrastructure, branding and passenger facilities at the time the photograph was made. Search themes include British rail travel, railway stations, passenger journeys, tracks, platforms, signals, rolling stock, freight, regional connectivity and transport infrastructure. The scene is particularly useful for illustrating how railway facilities, signs and operational surroundings looked at a known point in time. The view is firmly rooted in a real location rather than a constructed studio setting.
Station rd, Dewsbury, West Riding, England, UK WF13 1HF
![iPod Shuffle2 - Ride On Time [Widnes Scooter Club run out to Great Budworth, Northwich, Cheshire England, UK] 7672054084 ride,time,rideontime,scooter,widnes,club,budworth,gt,great,great budworth,gt Budworth,george,dragon,Georgeanddragon,inn,pub,cheshire,northwich,england,uk,gb,tony,smith,tonysmith,hotpix,nma,794t,nma794t,Vespa,miror,mirrors](https://live.staticflickr.com/8009/7672054084_c32caf406a_o.jpg/)
Description
Keywords: ride,time,rideontime,scooter,widnes,club,budworth,gt,great,great budworth,gt Budworth,george,dragon,Georgeanddragon,inn,pub,cheshire,northwich,england,uk,gb,tony,smith,tonysmith,hotpix,nma,794t,nma794t,Vespa,miror,mirrors
Description: Tony Smith image Flickr 7672054084 - 'Black Box - 'Ride On Time' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
'You just walk right in, just walk right in'...
I remember hearing and dancing to this one drunken night at the State Ballroom in Liverpool. I met an angel that night, who should have in retrospect changed my life. Sorry dear, I messed up not you. Funny thing fate and life.
'Ride on Time' is a 1989 song recorded by band Black Box. It was later released on their debut LP Dreamland. The song was a chart success in many countries and a number-one hit in the UK and Ireland.
The song was written and produced by the Italian production team Groove Groove Melody, consisting of DJ Daniele Davoli, programmer Mirko Limoni and musician Valerio Semplici. The team worked with French model Katrin Quinol, who was the face and image for the group Black Box. In the video and in live performances Quinol lip-synced to the original vocals.
The song sampled Loleatta Holloway's 1980 disco hit 'Love Sensation' and attracted some controversy for the uncredited use of Holloway's vocals from that song. Holloway's counsel engaged in a press attack on Black Box, successfully securing a settlement that paid the singer an undisclosed sum
the group had legally cleared the samples with Salsoul Records, who had released the original track, but Holloway was in arrears for advances from the label and thus was not recompensed by Salsoul. The song would be sampled 22 years later in the 2011 song 'Still Speedin'' by Sway.
For the re-release of the song, Heather Small re-recorded the vocals.
The song's title derives from a sample of Holloway singing the lyrics 'Thank you baby, 'cause you're right on time'. Daniele Davoli explained in Channel 4 documentary Pump Up The Volume that because of his limited knowledge of English at the time, he thought that Loleatta Holloway sang 'ride on time' instead of 'right on time'.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: GoTonySmith,HotpixUK,Mobile dental Surgery sign,the way forward for NHS dentists and improving dental,Mobile dental Surgery,van,vehicle,the,a,way,forward,alternative,alternatives,for,NHS,dentists,health,healthy,and,improving,fear,fearing,afraid,of,dentist,war,time,wartime,army,forces,healthcare,budget,budgets,deficit,dental,care,NHS Dentist,patient,patients
Description: Tony Smith image Alamy 2K43P0H - . An identifiable period record of Great Britain, UK in 2011, retaining practical detail and local context that distinguish documentary photography from a generic illustration. At the centre of the view is Mobile dental Surgery sign, the way forward for NHS dentists and improving dental care?. The surrounding context encompasses social history, period lettering, local character, community identity, urban typography, graphic street detail, visual communication, visual archive, before-and-after reference, public realm, historical comparison, historic sign, archival record, and documentary photography. Current relevance extends to local history and public communication, particularly through the way lettering and materials contribute to local visual identity. The image fixes transport arrangements and footfall within Great Britain, UK at one identifiable point, providing a benchmark against closure or conversion. The surrounding story also includes material sign design, street-level message, instructional wording, commercial ephemera, everyday life, public-facing signage, everyday visual culture, and changing streetscape. The combination of Surgery, forward, improving, dental, and dentists anchors the frame to a recognisable activity, place or moment. The wider setting at Great Britain, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes local history and the way lettering and materials contribute to local visual identity within the specific setting of Great Britain, UK. Another strand within the photograph is local history and how signs can document commercial, social or regulatory change as part of the longer story of Great Britain, UK. The setting also helps illustrate advertising change and the survival of physical messages in an increasingly digital environment when considered against later change at Great Britain, UK.
Great Britain, UK
Description
Keywords: national,time,recorder,recorders,wooden,clock,hotpix,tony,smith national,smith,tonysmith,hot,pix,pics,picks,hotpicks,ipod,music,#tonysmithhotpix,#tonysmithotpix
Description: Tony Smith image Flickr 4890787386 - 'Shipbuilding - 'Elvis Costello / Robert Wyatt' - Play this track here or here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
This image reminded me of a track from the early 1980's. These machines would be used when anyone at factories or yards were coming in or out. To record their time. Now almost all of these have gone as has most of the industry too, shipped, off-shore.
'Shipbuilding' is a song written by singer/songwriter Elvis Costello and producer Clive Langer. Written during the Falklands War of 1982, Costello's lyrics discuss the contradiction of the war bringing back prosperity to traditional shipbuilding areas of Merseyside (Cammell Laird), North East England (Swan Hunter) and Belfast (Harland and Wolff)[1] to build new ships to replace those being sunk in the war, whilst also sending off the sons of these areas to fight and, potentially, lose their lives in those same ships.
According to Clive Langer, he'd written the tune for Robert Wyatt but wasn't happy with the lyrics that he had written himself. Langer played the tune to Costello at a party hosted by Nick Lowe, and within days Costello had written lyrics he described as 'the best lyrics I've ever written.
Robert Wyatt was a founding member of the influential Canterbury scene band Soft Machine. In June 1973, during an alcohol-fueled party for Gong's Gilli Smyth and June Campbell Cramer an inebriated Wyatt fell from a fourth floor window. He was paralysed from the waist down and consequently uses a wheelchair.
If you like bands and music, m=tags&
w=33062170@N08&
s=int\'>checkout my band pix.
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A time clock, sometimes known as a clock card machine, clocking in machine, punch clock or time recorder, is a mechanical (or electronic) timepiece used to assist in tracking the hours an employee of a company worked.
In regards to mechanical time clocks this was accomplished by inserting a heavy paper card, called a time card, into a slot on the time clock. When the time card hit a contact at the rear of the slot, the machine would print day and time information on the card. This allowed a timekeeper to have an official record of the hours an employee worked to calculate and pay an employee. I used one of these for about a year in my first employment. A long queue would form at about 4:59 ready to stamp your card right on the turn of five PM!
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>cool stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',
Description
Keywords: extreme,macro,extrememacro,bellows,lens,tubes,close,up,closeup,time,clocks,horloge,reloj,orologio,Taktgeber,hotpics,hotpic,hotpick,hotpicks,stillife,stilllife,still,life,hotpix!
Description: Tony Smith image Flickr 4377158432 - 'An extreme macro of a digital time display ( four ) from a DVD player recorder. You can see the green in the display.
Olympus OM 20mm macro lens on canon adapter
Another macro www.flickr.com/photos/hotpixuk/3664445817/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: NitinSawhney,electricproms,electric,proms,Nitin,Sawhney,manchester,academy,academy2,manchesteracademy,live,tour,2008,27102008,20081027,London,Undersound,music,musician,gig,stage,performer,player,event,signed,band,group,lighting,anbiant,uni,univ,university,academy1,city,night,nighttime,time,light,rock,roll,indie,touring,UK,GB,britain,england,tonysmith,tony,smith,hotpics,hotpic,hotpick,hotpicks,hotpix!,#HotpixUK,#TonySmithHotpix
Description: Tony Smith image Flickr 3078664938 - 'Nitin Sawhney at the Manchester Academy2 27th Oct 2008.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
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Keywords: Lymm,Cross,Sundial,Save,Time,savetime,cheshire,village,canon,D50,D500,D400,D450,SLR,DSLR,tonysmith,tony,smith,tdktony,hotpix,hotpixuk,lymmvillage,england,UK,GB,A56,Shadow,contrast,texture,stone,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photographic,photography,group,GYCA,Bellhouse,bellhouse Club,B/W,black,white,mono,monochrome,clocks,horloge,reloj,orologio,Taktgeber,hotpics,hotpic,hotpick,hotpicks,tony smith photography,tdk,tdktonysmith
Description: Tony Smith image Flickr 3873478277 - 'Apart from 'Save Time' there is also 'Think of the Last' and 'We are a Shadow'. There are three sundials on the West, South and East faces.
Lymm Cross at Christmas with tree and lights can be found here www.flickr.com/photos/hotpixuk/4164402348/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC. Used as part of the Warrington District Camera Club photographic treasure hunt around Lymm. ',
Description
Keywords: Liverpool,Winston,Churchill,Luftwaffe,Great Britain,news,GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,war,time,raid,assorted,Nazi,bombed,bombing,reliable,print,history,RAF,world,two,II,Britain,HP sauce,old,Hitler,vintage,WW2,first lord,air,raids,Daily Mail,Nigel Farage,ReformUK
Description: Tony Smith image Alamy 2R8T9GF - The Daily Sketch was a British national tabloid newspaper, founded in Manchester in 1909 by Sir Edward Hulton, 1st Baronet.
In 1920, Lord Rothermere's Daily Mirror Newspapers bought the Daily Sketch. In 1925 Rothermere, sold it to William and Gomer Berry (later Viscount Camrose and Viscount Kemsley).
It was owned by a subsidiary of the Berrys' Allied Newspapers from 1928 (renamed Kemsley Newspapers in 1937 when Camrose withdrew to concentrate his efforts on The Daily Telegraph). In 1946, it was merged with the Daily Graphic. In 1952, Kemsley decided to sell the paper to Associated Newspapers, the owner of the Daily Mail, who promptly revived the Daily Sketch name in 1953. The paper struggled through the 1950s and 1960s, never managing to compete successfully with the Daily Mirror, and in 1971 it was closed and merged with the Daily Mail.
In 1954, an infamous cartoon titled Family Portrait? was published in the paper which mocked Billy Strachan, a black British civil rights leader, for his anti-colonial and anti-imperialist beliefs. The cartoon depicted him with devil horns representing the Caribbean Labour Congress. He also posed with Hewlett Johnson and Paul Robeson, all of whom stood underneath a portrait of the then recently deceased Soviet dictator Joseph Stalin.
The Sketch was Conservative in its politics and populist in its tone during its existence through all its changes of ownership. In some ways, much of the more populist element of today's Daily Mail was inherited from the Sketch: before the merger, the more serious Mail, previously a broadsheet, also espoused right-wing politics. The Sketch notably launched a moral panic over Daniel Farson's 1960 television documentary Living for Kicks, a portrait of British teenage life at the time, which led to a war of words between the Sketch and the Daily Mirror. It also participated in the press campaign against the screening of the BBC film The War Game
London, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Old UK Royal mail stamps - time running out for,2nd,1st,class,changes,refund,send,post,posted,UK,time running out for the old versions to be,time,running,out,for,the,old,versions,to,be,barcode,barcoding,converted,version,technology,non-barcoded,of,stamp,stamps,books,lost,opportunity,refunded,too late,missed
Description: Tony Smith image Alamy 2R8T9GG - . Old UK Royal mail stamps - time running out for the old versions to be converted to Barcoded versions. Photographed on 7 June 2023. The recorded location is Britain , UK. In February 2022 new barcoded definitive design stamps were introduced. The rectangular (matrix) codes, unique to each stamp, use a trademarked coding designed to prevent counterfeiting and to enable tracking of letters, and to enable correspondents to link digital content to their stamps. Until 2022 any 1st and 2nd class and decimal currency postage stamps could be used. old Machin and country definitive design stamps without barcodes are no longer valid from 31st July 2023, with old ones exchangeable for barcoded ones indefinitely through a process which Royal Mail calls the Stamp Swap Out scheme. Special Stamps with pictures and Christmas Stamps without a barcode continued to be valid Stamps are exchanged like-for-like: a 1st class stamp will be replaced by a 1st class one, not 95p. In relation to design story.htm Target=_Blank>history, historical context shows that material culture includes the ordinary products people bought, used, collected or displayed
Small manufactured objects can reveal national identity, advertising, technology and popular taste in ways that formal records do not. For the story of packaging waste, it is useful to note that packaging waste illustrates the practical side of environmental policy
Products combining plastic, foil, paper or food residue can be difficult to process and reveal the limits of systems designed around simpler material streams. The historical setting for collectable is that printed and graphic ephemera are highly effective dating evidence
Tickets, stamps, posters, comics, manuals and vouchers combine wording, typography, colour and branding in forms that are often discarded after use. As of 2026, the position for design history is that online resale, nostalgia and interest in vintage design have made many ordinary twentieth-century objects active.
Britain , UK
Description
Keywords: @HotpixUK,GoTonySmith,post,parcel,collection,at a,Milner St,Warrington,Cheshire,UK,sorting,office,people,outside,long,postbox,pillar,box,royal,mail,slow,inefficient,wasted,time,wasting time,weekend,week day,weekday,delay,delays,International Distributions Services plc,queues,queue,welcome,RoyalMail,customer service point,parcels,collections,hotpix.org.uk
Description: Tony Smith image Alamy PAN56K - Queue at a Royal Mail Sorting Office, Milner St , Warrington, Cheshire, North West England, UK works as a grounded stock photograph because the subject is specific, legible and connected to wider social, economic or cultural themes. A queue at a Royal Mail sorting office captures a familiar pre-Christmas and missed-parcel ritual, where online shopping and delivery systems still end with people waiting at a local counter. The scene is useful for stories about postal delays, e-commerce, parcel volumes, public service, industrial relations, consumer expectations and the pressure on delivery networks. The location detail, Warrington, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. Relevant editorial themes include office building, head office, workplace, corporate premises, railway station, passenger rail, train travel and public transport, with each theme rooted in the visible subject, place or activity. The scene has practical value for features needing authentic British or international street-level evidence, especially where policy, culture, business, tourism or social change is easier to explain through one clear example.
28-32 Milner St, Warrington WA5 1AD, UK
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Keywords: GoTonySmith,@HotpixUK,Scotland,Railway,passengers,TOC,Class158,Waverley Route,Waverley,Busy,rail,Class 158,interior,reopened,single track,problems,Borders Rail,Abellio,Border Counties Railway,Scottish Borders,journey,time,Galashiels,public,transport,fund,integrated transport,late,delay,delayed,packed,packed trains,passenger,services,project,Eskbank,Season Ticket,Scotrail season ticket,crowded,crowded train
Description: Tony Smith image Alamy P2X7YN - The Borders Railway connects the city of Edinburgh with Galashiels and Tweedbank in the Scottish Borders. The railway follows most of the alignment of the northern part of the Waverley Route, a former double-track line in southern Scotland and northern England that ran between Edinburgh and Carlisle. That line was controversially closed in 1969, as part of the Beeching cuts, leaving the Borders region without any access to the National Rail network. Following the closure, a campaign to revive the Waverley Route emerged. Discussion on reopening the northern part of the line came to a head during the early 2000s. Following deliberations in the Scottish Parliament, the Waverley Railway (Scotland) Act 2006 received Royal Assent in June 2006. The project was renamed the Borders Railway in August 2008, and building works began in November 2012. Passenger service on the line began on 6 September 2015, whilst an official opening by Queen Elizabeth II took place on 9 September.
The railway was rebuilt as a non-electrified, largely single-track line. Several surviving Waverley Route structures, including viaducts and tunnels, were rehabilitated and reused for the reopened railway. Passenger services run half-hourly on weekdays until 20:00, and hourly until 23:54 and on Sundays. The timetable also allows charter train promoters to run special excursion services, and for the weeks following the line opening scheduled steam trains were run.
Eskbank, Dalkeith, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,daylight saving time,watch adjustment,time change UK,seasonal clock change,analogue watch,wristwatch close up,timekeeping concept,clock change,time,change,routine,lifestyle,punctuality,deadlines,productivity,modern life,technology and tradition,analogue vs digital,everyday rituals,mindfulness,seasonal change,work life balance,editorial concepts,symbolic imagery,OCD,watch hands,turning the crown,manual watch,time adjustment,clock going forward,clock going back,end of winter time,start of summer time,black and white image,selective colour,human hands,turning hands
Description: Tony Smith image Alamy CEYABR - A monochrome close-up image showing a pair of hands carefully resetting a wristwatch by turning the crown, illustrating the seasonal clock change associated with daylight saving time in the United Kingdom. The watch face is sharply in focus, with the minute and hour hands clearly visible, while the surrounding hands and strap fall into softer tones. Selective colour highlights a small detail on the dial, drawing attention to the precise mechanism of timekeeping within an otherwise subdued black-and-white composition.
In the UK, clocks are adjusted twice each year, moving forward by one hour in March to begin British Summer Time and moving back again in October to return to Greenwich Mean Time. This simple domestic action is a familiar ritual for millions of people, marking the transition between darker winter mornings and longer summer evenings, and later the return to shorter days. The act of manually adjusting a watch reinforces the persistence of analogue habits in an increasingly automated and digital world.
The image conveys themes of routine, seasonal change and human interaction with time. The close framing emphasises touch, precision and concentration, transforming a mundane task into a symbolic moment that reflects wider social rhythms governed by clocks and calendars. The contrast between old-fashioned mechanical adjustment and contemporary life adds conceptual depth, making the photograph suitable for illustrating articles about time change, productivity, sleep patterns, work schedules and the impact of daylight saving on daily life.
This photograph is well suited for editorial use covering daylight saving time, British Summer Time, seasonal routines, time management and lifestyle topics, as well as commercial applications requiring conceptual imagery about time, change, schedules, organisation and the human relationship with clocks and timekeeping.
Manchester, North West England, UK
Description
Keywords: stem,four,pillars,and,surmounted,by,gables,finials,bearing,the,legends,Save,Time,and,We,a,Shadow'.,There,also,three,on,the,West,South,and,East,faces.,square,Warrington,England,UK,remaining,historic,heart,of,Gotonysmith the village mystery,grade I,listed,GoTonySmith
Description: Tony Smith image Alamy D8HCNH - The stem of Lymm Cross is supported by four pillars and surmounted by gables and finials bearing the legends Save Time', Think of the Last' and We are a Shadow'. There are also three sundials on the West, South and East faces.
Crosses were originally there to remind people of their commitment to God - with the name and sometimes the shape of the structures clearly a reference to Christ's crucifixion.
They have also had many practical uses such as road and boundary markers, memorials and preaching places.
However, the purpose of the one at Lymm is a mystery. Many have commented that it resembles a market cross in a market square but there is no evidence that there has ever been a market there.
Others have suggested it used to be a place of worship before the village had its own church.
Joe added: It is a focal point of the village where everything happens. It is where the town crier does his proclamations and it is a common meeting point.
I recently did some history talks for local schools and all the children knew The Cross and had all played on The Cross.
It gives Lymm a sense of identity and is a prominent landmark for people to associate with.
The Cross, Lymm Village, Warrington, Cheshire, England UK
