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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG,Hatton,telephone,box,red,kiosk,community,library,book,swap,stained,glass,Queen,Elizabeth,II,jubilee,defibrillator,reuse,heritage,K6,village,Cheshire,Warrington,public,realm,editorial,documentary,2026,British,Britain,Europe,travel
Description: Tony Smith image Alamy 3FCG6GE - . A traditional British red telephone kiosk at Hatton has been given a second life as a tiny community book exchange, with decorative stained-glass panels adding a highly local character. The kiosk stands outside the Hatton Arms and local CAMRA information also records a public-access defibrillator at the site. Reuse of redundant phone boxes became widespread as mobile phones reduced demand for payphones, with communities across Britain converting familiar red kiosks into libraries, defibrillator cabinets, information points, galleries and miniature museums. The stained glass seen here includes commemorative imagery linked with Queen Elizabeth II and turns a piece of former telecommunications infrastructure into a small civic landmark. The scene neatly combines twentieth-century street furniture, twenty-first-century community volunteering and the continuing affection for the red phone box as a visual symbol of Britain. It also illustrates how villages can preserve historic-looking features without freezing them in time: the object remains useful, social and visible in everyday public space. For picture researchers, the scene also carries useful context about the changing social and commercial landscape around the subject. Relevant search and editorial concepts include Warrington, Cheshire, North West England, local community, urban fringe, village heritage, transport links, development pressure, public realm, local services. Useful descriptive vocabulary for archive discovery includes Hatton, telephone, box, red, kiosk, community, library, book, swap, stained, glass, Queen, Elizabeth, II, jubilee, defibrillator, reuse, heritage, village, Cheshire, Warrington, public, realm. It also provides a dated reference for future comparison, allowing researchers to see whether the premises, branding, public space or surrounding land use changed after August 2026. The image may be useful to picture editors seeking authentic North West or British context for.
Outside The Hatton Arms, Hatton Lane, Hatton, Warrington, Cheshire, WA4 4DB, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_3789,Historic,stained-glass,window,detail,West,heritage,history,architecture,monument,tourism,conservation,stained,glass,stained glass,Mainz,Germany,bar,pub
Description: Tony Smith image Alamy 3F98AM2 - . Historic stained-glass window detail - Stained Glass Mainz bar - Many a man spends a great deal on hunting, though it brings him little benefit, e. Photographed on 7 August 2026. The recorded location is Mainz city centre, Rhineland-Palatinate, Germany. Mainz stands on the Rhine and has more than two millennia of history, from Roman Mogontiacum through its role as an archiepiscopal city to the birthplace of Johannes Gutenberg. The old town combines reconstructed historic streets, churches, wine culture and post-war urban development, giving street signs and façades strong local-history context. The background to ecclesiastical architecture is that churches combine worship with architecture, local memory and centuries of community history
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family history. Within the history of hostelry, beer culture links agriculture, brewing, distribution and the licensed trade
Cask-conditioned ale, handpumps, brewery branding and pub interiors became especially significant to the real-ale revival from the 1970s onwards, while later craft brewing introduced new styles and independent producers. In relation to urban culture, historical context shows that street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. Current 2026 context around ecclesiastical architecture is that many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places.
Mainz city centre, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,interior,inside,of,St Philips,cathedral,Birmingham,showing,the pipe organ,ornate Georgian architecture and Burne-Jones stained-glass windows,England,UK.,window,windows,the,pipe,organ,ornate,Georgian,architecture,and,Burne-Jones,stained,glass,stained-glass
Description: Tony Smith image Alamy 3F51201 - . Interior of St Philip's Cathedral, Birmingham, showing the pipe organ, ornate Georgian architecture and Burne-Jones stained-glass windows, Birmingham. Photographed on 29 July 2026, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. Key searchable subjects associated with the scene include interior, St Philips, cathedral, Birmingham, the pipe organ, ornate Georgian architecture and Burne-Jones stained-glass windows, window, windows, pipe, organ, ornate, Georgian, providing natural SEO coverage without losing the specific documentary identity of the photograph. The interior viewpoint is useful for recording layout, fixtures, finishes, public access and the character of the space, details that exterior photographs cannot show. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,political heritage window,British labour history,radical Lancashire,socialist institute interior,decorative leaded glass,stained,glass,window,stained-glass,Vernon Street,Lancashire,socialist,emblem,historic,political,heritage,history,working class,politics,British,socialism,Nelson Socialist Institute,Unity Hall,radical,early,Edwardian,education,trade,union,hall,symbolism,monogram,red green,interior,inside,Selina Cooper,womens suffrage
Description: Tony Smith image Alamy 3F4BGH4 - Decorative stained glass associated with the former Independent Labour Party Socialist Institute on Vernon Street in Nelson, Lancashire. The design centres on the letters ILP, initials of the Independent Labour Party, set within a bold red shield-like emblem and surrounded by stylised green foliage, red floral forms, blue glass and flowing leaded lines. The composition reflects the strong visual identity of the early socialist and labour movement and the influence of Arts and Crafts design on political and community buildings of the period. Nelson's Socialist Institute opened in 1907 as a purpose-built centre for working people, providing meeting rooms, a lecture hall, reading room, assembly space and facilities for education, debate and political organisation. It became an important focus for the Independent Labour Party in a Lancashire cotton town noted for trade unionism, radical politics and working-class activism. Suffragist, socialist and campaigner Selina Cooper was closely connected with the institute and Nelson's ILP movement, linking the building with campaigns for women's suffrage, workers' rights and wider social reform. The building later became Unity Hall and is now known as the Unity Wellbeing Centre. Its heritage was restored through the Selina Cooper Project, which reopened the building to the public in 2021 and helped revive interest in Nelson's radical past. The original stained glass windows had been removed during a period of deterioration and replicas were subsequently installed to recreate their historic appearance, while surviving original ILP glass is associated with labour-history collections. This close-up records the distinctive political symbolism, craftsmanship and decorative style connected with one of Lancashire's most significant surviving landmarks of early twentieth-century socialist history. No exterior sky or seasonal detail is visible because the photograph concentrates entirely on the stained glass panel.
Unity Wellbeing Centre, Vernon Street, Nelson, Lancashire, England, BB9 9DE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_1775,Youngers 80 shilling,cask conditioned,beer,stained,glass,window,traditional,Scottish,pub,Scotland,UK,Youngers,80,shilling,McEwan,brewer,Fountain,Brewery,Edinburgh,brewing,ale,heritage,advertising,historic,bar,interior,colourful,decorative,public,house,the,Athletic Arms,Diggers,Grave,graveyard,history
Description: Tony Smith image Alamy 3EX1REF - . Younger's 80 shilling cask conditioned beer stained glass window in a traditional Scottish pub, The Athletic Arms / Diggers, Edinburgh. Photographed on 28 June 2026. The recorded location is Scotland, UK. The colourful decorative panel carries Wm. McEwan brewer lettering, an 80/- emblem and wording referring to Fountain Brewery Edinburgh, linking the design to Scotland's historic brewing industry. Eighty shilling is a traditional Scottish ale designation and brewery branding of this kind was widely used in public houses to promote beer and reinforce brewery identity. Red, green and amber glass creates a distinctive period decorative effect. For community asset, the historical context is that british pubs developed from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, music venues and landmarks
Names, brewery signs, etched glass, tiled interiors and evolving fascias can preserve local history even when ownership or use changes. Looking at ecclesiastical architecture, the longer history is that parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, later chapels, organs, altars, monuments and inscriptions can coexist within a single building, revealing generations of craftsmanship and evolving liturgy. The background to independent business is that commercial premises are part of everyday local history
Even businesses without national fame can become important reference points for residents and researchers once ownership changes or redevelopment alters the street. For community asset, the 2026 context is that in England eligible pubs and live-music venues receive a 15% business-rates relief for the 2026/27 billing year, reflecting continuing concern about operating costs, closures and the role of hospitality in town-centre vitality. The scene also brings together place of worship, architectural conservation, and local history.
Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_0117,The Pieta,Leeds Cathedral,Leeds,West Yorkshire,England,UK,Catholic,Christian,sculpture,religious,art,church,interior,heritage,memorial,sacred,stained,glass,architecture,worship
Description: Tony Smith image Alamy 3EGWM1D - . The Pieta memorial sculpture inside Leeds Cathedral, Leeds, West Yorkshire, England, UK. Photographed on 16 May 2026. The recorded location is Leeds Cathedral, Great George Street, Leeds, West Yorkshire, England, UK. The pale stone religious artwork depicts the traditional Christian subject of the Virgin Mary mourning the dead Christ and is set within an ornate marble architectural recess beneath stained glass. The subdued interior light and richly patterned stonework create a solemn devotional setting, while the stained-glass window above adds colour and historical character. The historical setting for Christian heritage is that ecclesiastical buildings are both active places of worship and repositories of local evidence
Churchyard monuments, carved stone, stained glass and plaques offer material for genealogy, architectural history, religious practice and remembrance. Seen through artwork, the earlier context is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. For public memory, the historical context is that public commemoration changes over time
Statues, plaques, war memorials and graves reveal the values of the people who created them, while later generations may reinterpret, restore or challenge those meanings. In the 2026 discussion of Christian heritage, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places. The 2026 relevance of artwork comes from the fact that contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist.
Leeds Cathedral, Great George Street, Leeds, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Turks Head,pub,bar,Whitelocks,Leeds,stained,glass,window,drinking,IMG_0189,Turks Head Whitelocks,West Yorkshire,England,UK,heritage,decorative,historic,interior,British,real,ale,architecture,traditional,glazing
Description: Tony Smith image Alamy 3EJ11YN - . Turks Head Whitelocks stained glass window in Leeds city centre, West Yorkshire, England, UK. Photographed on 16 May 2026. The recorded location is Whitelocks Ale House, Turks Head Yard, Leeds, West Yorkshire, England, UK. The decorative panels carry the words TURKS HEAD within colourful geometric glazing, providing an attractive surviving detail from one of Leeds' best-known historic pub sites. The craftsmanship and bold colours offer a close record of period pub decoration and can illustrate stories about heritage conservation, traditional public houses, Victorian and Edwardian design, independent hospitality and the preservation of distinctive interiors within long-established city-centre venues. The background to faith community is that churches combine worship with architecture, local memory and centuries of community history
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family history. Within the history of public house, beer culture links agriculture, brewing, distribution and the licensed trade
Cask-conditioned ale, handpumps, brewery branding and pub interiors became especially significant to the real-ale revival from the 1970s onwards, while later craft brewing introduced new styles and independent producers. Current 2026 context around faith community is that many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places. Against the 2026 backdrop for public house, pub survival remains a live issue as energy, staffing, taxation and changing drinking habits affect the licensed trade
Historic and contemporary pub images therefore have relevance to community assets, nightlife, independent brewing.
Whitelocks Ale House, Turks Head Yard, Leeds, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,historic,heritage,stained,glass,window,colour,coloured,union,at,the,Edinburgh,Scotland,UK,Scottish,Arms,before,Scot,Nemo,me,impune,lacessit,crowns,flag,1,Queen St,EH2 1JD,EH2,Scottish royal arms,Lion Rampant,Royal Arms of Scotland,pre Union Scottish arms,Scottish heraldry,stained glass window,Scotland coat of arms,medieval heraldry
Description: Tony Smith image Alamy 2X2CG28 - This image shows a stained glass window depicting the Royal Arms of Scotland, commonly known as the Lion Rampant, representing the historic arms of the Scottish monarchy prior to the 1707 Union with England. The design features a red lion rearing on a gold shield, enclosed within a double red border decorated with fleurs-de-lis, and surmounted by a royal crown. Prominently incorporated into the design is the Latin motto Nemo Me Impune Lacessit, meaning No one provokes me with impunity, traditionally associated with Scotland and the Order of the Thistle.
The Lion Rampant has been used as a symbol of Scottish kings since at least the twelfth century and remains one of the most recognisable emblems of Scotland. Before the Acts of Union in 1707, these arms represented the independent Kingdom of Scotland and were used on royal seals, banners, and official buildings. After the Union, the Scottish arms were combined with those of England and Ireland to form the Royal Arms of the United Kingdom, though the Lion Rampant continues to hold strong cultural and national significance.
The stained glass window is displayed within the National Portrait Gallery in Edinburgh, part of the National Galleries of Scotland, which houses collections relating to Scotland's people, history, and identity. The image reflects themes of national symbolism, monarchy, heraldry, and cultural heritage, and is suitable for editorial and commercial use relating to Scottish history, royal iconography, museums, historic art, and national identity.
National Portrait Gallery of Scotland, 1 Queen Street, Edinburgh, EH2 1JD, Scotland, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,England,UK,B1,47,West Midlands,B1 1JL,classic,&,and,tiled,tiles,pubs,bars,history,historic,heritage,blue,yellow,building,buildings,CAMRA,listed,Blucher St,old,1838,classical,Victorian,Aston,M&B,WK-B11-5075,stained,glass,window,etched,Campaign for Real Ale
Description: Tony Smith image Alamy 2T20EA1 - . Traditional real ale pub stained glass bar window, The Craven Arms, 47 Upper Gough St, Birmingham, West Midlands, England, UK, B1 1JL. Photographed on 14 October 2023. The Craven Arms is situated on the corner of Blucher Street and Gough Street and retains much of its former splendour. The Craven Arms has maintained its tiled mouldings, blue faience facade and the glazed wall mouldings which remain as rare advertisements for Holder's Ales. Holder's Brewery was based in Aston and was purchased by M&B in 1919. The signage above the Craven Arms on the more recent photograph state that the pub was established in 1838. For real ale, the historical context is that british pubs developed from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, music venues and landmarks
Names, brewery signs, etched glass, tiled interiors and evolving fascias can preserve local history even when ownership or use changes. Looking at commercial history, the longer history is that small businesses have long adapted existing premises to changing consumer demand, adding signs, windows and interiors that make each period visually distinct
Their survival is closely tied to footfall, rents, local competition and the wider fortunes of the town centre. The background to faith community is that ecclesiastical buildings are both active places of worship and repositories of local evidence
Churchyard monuments, carved stone, stained glass and plaques offer material for genealogy, architectural history, religious practice and remembrance. For real ale, the 2026 context is that in England eligible pubs and live-music venues receive a 15% business-rates relief for the 2026/27 billing year, reflecting continuing concern about operating costs, closures and the role of hospitality in town-centre vitality. The scene also brings together high street, commercial premises, independent business, and shopfront.
47 Upper Gough St, Birmingham, West Midlands, England, UK, B1 1JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,Cathedral House,L3 5TQ,L3,Liverpool Metropolitan Cathedral,8th,station,of,Jesus,Christ,religion,Easter,story,resurrection,crucifixion,ladies,Christs,journey,struggle,Good Friday,as,you,carry,your,cross,the,drama,dramatic,stained,glass,windows,window,God is not dead,Jesus is not dead
Description: Tony Smith image Alamy 2RKGHTG - Jesus, as you carry your cross you see a group of women along the road. As you pass by you see they are sad. You stop to spend a moment with them, to offer them some encouragement. Although you have been abandoned by your friends and are in pain, you stop and try to help them.
Click to Watch the Jesus meets the women of Jerusalem videoClick to play video now
Image of Eighth Station: Jesus meets the women of JerusalemLeader: We adore you, O Christ, and we praise you.
All: Because by your holy cross You have redeemed the world.
Jesus, as you carry your cross you see a group of women along the road. As you pass by you see they are sad. You stop to spend a moment with them, to offer them some encouragement. Although you have been abandoned by your friends and are in pain, you stop and try to help them.
As a child, sometimes I think a lot about myself. I think about what I want and would like people to spend their lives pleasing me.
As an adult, sometimes I act like a child. I become so absorbed in myself and what I'd like that I forget about the needs of others. I take them for granted, and often ignore their needs.
Help me think more about others. Help me remember that others have problems, too. Help me respond to them even when I'm busy or preoccupied with my own problems.
My Jesus, Who didst comfort the pious women of Jerusalem who wept to see Thee bruised and torn, comfort my soul with Thy tender pity, for in Thy pity lies my trust. May my heart ever answer Thine.
Our Father.... Hail Mary.... Glory be to the Father....
Cathedral House, Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,CofE,architecture,history,historic,religious,religion,interior,inside,embellishment,Giles Gilbert Scott,Lady Chapel of,of,gothic,architect,stained,glass,screen,ornate,gold,golden,carved,carving,scene,scenes,biblical
Description: Tony Smith image Alamy 2PK2AC1 - . Scotts Lady Chapel, altar, Liverpool Anglican Cathedral, St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, tourist, tourism, attraction, attractions, L1 7AZ, CofE, architecture, history, historic, religious, religion, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest.
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,north,Wales,Cymru,coast,Victorian,architecture,LL30,resort,holiday,&,and,Son,W.H.,Smith,Conwy,North Wales,UK,LL30 2NY,101,stained,glass,at,sign,frontage,entrance,outside,traditional,history,historic,shop,store,newsagent,newsagents,stationers,bookshop,ISBN,book identifier
Description: Tony Smith image Alamy 2PH9M0A - . An identifiable period record of 101 Mostyn St, Llandudno, Conwy, North Wales, UK, LL30 2NY in 2023, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The location is represented through Victorian stained glass at WH Smith & Son, Penrhyn House, 101 Mostyn St, Llandudno, Conwy, North Wales, UK, LL30 2NY. The surrounding context encompasses everyday life, visual archive, community identity, regional identity, mail history, commemorative issue, before-and-after reference, paper communication, postal artefact, documentary photography, local character, historic postage, postal history, and changing land use. Today's relevance is strengthened by postal services, graphic design and the continuing question of how stamps compress art, politics and national identity into small objects. The archival value lies partly in recording public access and movement around 101 Mostyn St, Llandudno, Conwy, North Wales, UK, LL30 2NY before conservation work alters the character of the place. The subject also sits alongside contemporary social history, public realm, place identity, philatelic material, postal graphic design, local history, collectable stamp, and period detail. Details involving Mostyn, Penrhyn, House, glass, and stained make the image more specific than a generic view and strengthen its local or historical value. The wider setting at 101 Mostyn St, Llandudno, Conwy, North Wales, UK, LL30 2NY matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate postal services and how stamps compress art, politics and national identity into small objects within the real-world context of 101 Mostyn St, Llandudno, Conwy, North Wales, UK, LL30 2NY. The period view preserves details of everyday use as a date-specific reference. The view records evidence of changing use for later comparison.
101 Mostyn St, Llandudno, Conwy, North Wales, UK, LL30 2NY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,the,WA1,regigion,building,buildings,architecture,Warrington,Cheshire,England,UK,WA1 1XG,history,historic,Diocese of Liverpool,stained glass,window,stained,glass,colour,coloured,design,designs,Crucifiction,Crucifixion,scene,art,representation,religion,Christian,Christianity,figure,figures,saint,saints,Grade II,listed
Description: Tony Smith image Alamy 2R5PPDT - Holy Trinity Church is in the centre of the town of Warrington, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II listed building. It is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Warrington and the deanery of Warrington.
History
A chapel of ease known as Trinity Chapel was built on the site in 1708 to relieve pressure on the parish church of St Elphin's. It was built as an oratory by Peter Legh of Lyme Park. By the 1750s the chapel was too small for its congregation and in 1758 subscriptions were raised to build a new church, which was consecrated in 1760. The architecture is in the style of James Gibbs, but he was ill at the time the church was built and it is thought it was designed by one of Gibbs' associates. In 1862 a west clock tower was added which was designed by W. P. Coxon, the Borough Surveyor
the tower belongs to the town rather than to the church. In 1974 the south aisle was re-designed to form the Garven Room, a servery, a vestry and toilets. By the 1970s the roof had been damaged by wet and dry rot, woodworm and death watch beetle and was replaced in 197879. By 1990 the pipe organ was beyond repair and it has been replaced by a Makin electronic organ. In 1988 the west end was remodelled, forming a lobby. In 1997 the east end was reordered, adding a room and extending the sanctuary area. In 1999 the clock was refurbished by Warrington Borough Council as a Millennium project.
Architecture
Exterior
The church is built in Georgian style. Its front is constructed in sandstone, and the rear in brick with stone dressings. The stonework at the front is rusticated. The front aspect is in four stages
at the base is a rusticated plinth, above which is a tier of windows with a Doric doorcase at the west of the front. Then comes an upper tier of windows with Ionic pilasters and at the top a cornice and a plain parapet. In the east wall is a Palladian window.
Market Gate, Sankey St, Warrington , Cheshire, England, UK, WA1 1XG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,the,WA1,regigion,building,buildings,architecture,Warrington,Cheshire,England,UK,WA1 1XG,history,historic,Diocese of Liverpool,stained glass,window,stained,glass,colour,coloured,design,designs,Rev EC Earleton,vicar,1878-1917,reverend,EC,Earlton,scene,art,representation,religion,Christian,Christianity,Grade II,listed
Description: Tony Smith image Alamy 2R5PPE1 - Holy Trinity Church is in the centre of the town of Warrington, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II listed building. It is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Warrington and the deanery of Warrington.
History
A chapel of ease known as Trinity Chapel was built on the site in 1708 to relieve pressure on the parish church of St Elphin's. It was built as an oratory by Peter Legh of Lyme Park. By the 1750s the chapel was too small for its congregation and in 1758 subscriptions were raised to build a new church, which was consecrated in 1760. The architecture is in the style of James Gibbs, but he was ill at the time the church was built and it is thought it was designed by one of Gibbs' associates. In 1862 a west clock tower was added which was designed by W. P. Coxon, the Borough Surveyor
the tower belongs to the town rather than to the church. In 1974 the south aisle was re-designed to form the Garven Room, a servery, a vestry and toilets. By the 1970s the roof had been damaged by wet and dry rot, woodworm and death watch beetle and was replaced in 197879. By 1990 the pipe organ was beyond repair and it has been replaced by a Makin electronic organ. In 1988 the west end was remodelled, forming a lobby. In 1997 the east end was reordered, adding a room and extending the sanctuary area. In 1999 the clock was refurbished by Warrington Borough Council as a Millennium project.
Architecture
Exterior
The church is built in Georgian style. Its front is constructed in sandstone, and the rear in brick with stone dressings. The stonework at the front is rusticated. The front aspect is in four stages
at the base is a rusticated plinth, above which is a tier of windows with a Doric doorcase at the west of the front. Then comes an upper tier of windows with Ionic pilasters and at the top a cornice and a plain parapet. In the east wall is a Palladian window.
Market Gate, Sankey St, Warrington , Cheshire, England, UK, WA1 1XG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,Greater Manchester,England,UK,Makinson Arcade Wigan,shop,shops,store,unit,retail,popular,history,historic,town,centre,WN1 1PL,WN1,centre of Wigan town,inside,interior,busy,valued,successful,Wigan town,Mr Allan,Jeweller,Jewellers,ornate,outside,exterior,stained,glass,window,windows
Description: Tony Smith image Alamy 2RH9X6E - Taken on 27 Jan 2023, this photograph shows The Makinson Victorian shopping retail Arcade, in the centre of Wigan town, Greater Manchester, Lancashire, England, UK, WN1 1PL. The location is Wigan town, Greater Manchester, Lancashire, England, UK, WN1 1PL. The picture is not just a record shot: it contains visible signage, colour, materials, location clues and everyday street detail that make the image more specific than a generic stock photograph. Makinson Arcade is a Victorian shopping arcade in Wigan, providing decorative retail architecture and a useful example of how covered passages continue to shape northern town centres. It would suit editorial use on shopping, retail change, independent traders, high-street survival, tourism, local economies, consumer habits and the visual identity of British town and city centres. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Wigan, town, centre, Makinson Arcade, arcade, arcades, Victorian, traditional, stores, units, Lancs, Lancashire, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. This makes the image useful for comparison pieces, then-and-now features, local news, regeneration stories and plain-English explainers aimed at a general audience.
Wigan town, Greater Manchester, Lancashire, England, UK, WN1 1PL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Kirkgate,Yorkshire,England,UK,LS24 9BL,LS24,Christian,the Virgin,commemorates,window,Smith,stained,glass,inside,interior,North Yorkshire,history,historic,heritage,town,centre,religion,Anglican,place,places,of,Yorks,congregation,parish,church,churches,architecture,buildings,building,listed,grade II
Description: Tony Smith image Alamy 2K3K5YK - Taken on 26 Sep 2022, this photograph shows William Smith stained glass window, St Marys church, Kirkgate, Tadcaster, Yorkshire, England, UK, LS24 9BL. The thumbnail shows a close, vertical view of coloured glass, painted figures and decorative lettering, so the description is led by craftsmanship, commemoration, church art and readable detail rather than a generic exterior view. Tadcaster is a long-established Yorkshire brewing town on the River Wharfe, and its streets still carry the visual imprint of beer production, coaching routes, stone buildings, flood risk and local trade.
St Mary's is part of Tadcaster's parish and conservation-area story, where church fabric, memorial windows, graveyards and townscape all carry evidence of local families, faith and civic memory. For stock photography use, the value is in the precise subject: William Smith stained glass window, St Marys church, Kirkgate, Tadcaster, Yorkshire, England, UK, LS24 9BL. It can support articles and publications about parish church history, stained glass research, religious art, genealogy, local families, Anglican heritage, memorial inscriptions, church tourism, architectural detail, conservation, as well as more specific searches using church, St Marys, St mary, Tadcaster, parish church, Anglican, Saint Mary, stained glass, William Smith, commemorative, Kirkgate, Yorkshire, LS24 9BL, LS24, Christian, the Virgin, commemorates, window. The composition also gives space for tighter crops, captions, web thumbnails, report illustrations and social media use, while the Alamy reference 2K3K5YK and the row caption help connect the image to a real place rather than a vague concept. The picture can be used by writers covering heritage, conservation, planning, tourism, retail, transport, public services, nostalgia, local identity, architectural survival, industrial change and the way familiar objects or build
Kirkgate, Tadcaster, Yorkshire, England, UK, LS24 9BL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,Yorkshire,England,UK,coast,coastal,centre,seaside,stained glass window,fishing boat,fisherman,stained,colour,glass,theme,traditional,North Yorks,scene,decorative,door,maritime stained glass,small fishing vessel,lone fisherman,oars boat,rough sea depiction,waves glass art,coloured leaded glass,domestic stained glass,front door window,Edwardian style glass,Victorian seaside influence,coastal heritage,maritime folklore,YO14 9BB,YO14
Description: Tony Smith image Alamy 2RD23Y1 - This image shows a decorative stained glass panel set into a residential front door in Filey, a seaside town on the North Yorkshire coast. The artwork depicts a small fishing boat carrying a lone fisherman on stylised blue waves, with dramatic skies rendered in muted purples and greys, evoking the changing conditions of the North Sea.
The stained glass uses coloured and textured panes joined with lead cames, a technique commonly found in late Victorian and Edwardian domestic architecture in British coastal towns. Maritime scenes such as this reflect the historical importance of fishing to communities like Filey, where small boats and inshore fishing once formed a central part of everyday life.
The panel is framed within a shallow arched surround, suggesting it forms part of a traditional front door design rather than a public building. Such decorative glass features were often used to personalise homes while celebrating local identity and coastal heritage.
The image captures a quiet architectural detail that connects domestic life with Filey's maritime past, illustrating how seaside culture and fishing traditions have been embedded into everyday design in historic coastal settlements.
Filey, North Yorkshire, England, United Kingdom YO14 9BB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Yorkshire,destination,destinations,Victorian,journeys,M3 1WY,M3,centre,and,stained,glass,outside,UK,railway,tiles,Northern,service,services,city,northern,cities,design,ornate,exterior,river Aire,West Yorkshire,Lātēnses,Leeds City Region,Enterprise,Zone,A63,Leeds City Council
Description: Tony Smith image Alamy 2JY56JX - Leeds is a city in West Yorkshire, England. It is governed by a metropolitan borough named after the city, the wider county having devolved powers. It is built around the River Aire and is in the eastern foothills of the Pennines.
The city was a small manorial borough in the 13th century and a market town in the 16th century. It expanded by becoming a major production centre, including of carbonated water where it was invented in the 1760s, and trading centre (mainly with wool) for the 17th and 18th centuries. It was a major mill town during the Industrial Revolution. It was also known for its flax industry, iron foundries, engineering and printing, as well as shopping, with several surviving Victorian era arcades, such as Kirkgate Market. City status was awarded in 1893, and a populous urban centre formed in the following century which absorbed surrounding villages and overtook the population of nearby York.
Leeds is about halfway between London and Edinburgh and has multiple motorway links
the M1, M62 and A1(M). The city's railway station is, alongside Manchester Piccadilly, the busiest of its kind in Northern England. It is the county's largest settlement with a population of 516,298, while the larger City of Leeds district has a population of 812,000 (2021 estimate). The city is part of the West Yorkshire Built-up Area, which, with a population of 1.7 million, is the fourth-largest built-up area by population in the United Kingdom
Victoria Railway Station, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,town,centre,village,Church,religion,building,architecture,Methodists,triangle,modern,Ellesmere Rd,Ellesmere Road,churches,congregation,1960s,1970s,architectural,style,sunny,bright,classic,styles,religious,area,district,peak,tower,glass,stained,window,door,doorway
Description: Tony Smith image Alamy 2JRR0A3 - The church was founded in the 1950s as a home worship group in the rapidly expanding village as the village became a residence area to workers in the newly established Atomic Energy industry at Risley by Methodists from the nearby village of Glazebury. The church is part of the Leigh and Hindley Circuit
The church sanctuary is somewhat exceptional in being of a triangular shape (Δ) much like the sweets called Toblerone and being the first modern church since the English reformation in Culcheth. The older village area under its squire was recusant, and thus the Church of England church serving the village was outside the village at Newchurch. The local Roman Catholic church is also outside the village. Culcheth Methodist Church is now home to the old bell from Culcheth Hall chapel, the squire's private Catholic chapel, which has passed through the other churches to Culcheth Methodist Church for safekeeping, and is in regular use as it is rung to announce services and continuation of worship in many forms in the village.
For safety and proof of theft, all metal and equipment within the church is marked with Smartwater for forensic tracing. The bell is no longer hung in the church, but has disappeared in the refurbishment to enlarge the foyer, and the inability of Methodist Organisation to accept risk of it falling or hurting someone if they bumped into it
23 Ellesmere Rd, Culcheth, Warrington, Cheshire, England, UK, WA3 4BP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,SK11 6NG,SK10 1DY,SK10,&,St Michaels,mayors,stained,glass,window,windows,remembrance,remember,memorial,colour,silk,merchant,silk merchant,director,stained glass,architectural,inside,interior,religion,religious,churches,history,historic,heritage,unto my father,and,ascend
Description: Tony Smith image Alamy 2JP0K98 - . An identifiable period record of Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The main point of reference is William Bullock JP Mayor stained glass window, at St Michael & All Angels Church, Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY. The subject also carries associations with community identity, ecclesiastical decoration, local character, public realm, cathedral interior, stained-glass craftsmanship, visual archive, changing land use, before-and-after reference, faith heritage, sacred space, heritage worship space, historic glazing, and historical comparison. Today's relevance is strengthened by heritage conservation, historic fabric and the continuing question of how sacred art preserves local patrons, stories and beliefs. As a dated visual record of Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY, the frame retains building condition and alterations, making it especially useful if redevelopment subsequently changes the scene. Other useful contextual ideas include documentary photography, medieval church setting, local history, ecclesiastical art, everyday life, contemporary social history, social history, and religious artwork. The recorded references to stained, Place, Bullock, Michael, and William preserve clues about how the subject was presented, used or understood at the time. The wider setting at Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene further reflects heritage conservation and how sacred art preserves local patrons, stories and beliefs within the specific setting of Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY. The period view preserves details of everyday use for future local research.
Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,SK11 6NG,SK10 1DY,SK10,&,St Michaels,south,Africa,war,battle,wars,colour,coloured,glass,warrior,memorial,remembrance,remember,Boer,Boers,windows,stained,window,stained glass,architectural,inside,interior,religion,religious,churches,history,historic,heritage
Description: Tony Smith image Alamy 2JP0K9D - . Photographed at Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on South Africa stained glass window at St Michael & All Angels Church, Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY. The frame also records themes of archival record, period detail, church conservation, cathedral interior, faith heritage, changing land use, medieval church setting, documentary photography, Christian iconography, community identity, public realm, local history, place identity, and sacred space. From a 2025-onward perspective, heritage conservation and cultural heritage are closely linked to this subject, alongside the conservation challenge of fragile historic glass and stonework. Small period details of street furniture and boundaries at Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY may become more significant with time, particularly following redevelopment. The surrounding story also includes visual archive, religious artwork, contemporary social history, historical comparison, heritage worship space, historic glazing, stained-glass craftsmanship, and ecclesiastical art. Elements such as Church, Place, window, Market, and Michael add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate heritage conservation and how places of worship combine active religious use with tourism and heritage as part of the longer story of Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY. The view records details of everyday use as a date-specific reference.
Market Place, Macclesfield, Cheshire, England, UK, SK10 1DY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,town,centre,Anglican,church,history,historic,building,listed,grade I,architecture,CW5,CW5 5RQ,colourful,coloured,windows,heritage,Victorian,beautiful,window,stained,glass,churches,grade,I,Grade I,preserved,Christian,parish,inside,interior,impressive,big,high
Description: Tony Smith image Alamy 2JNN58A - St Mary's Church is an Anglican parish church in Nantwich, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I listed building. It has been called the Cathedral of South Cheshire and it is considered by some to be one of the finest medieval churches, not only in Cheshire, but in the whole of England. The architectural writer Raymond Richards described it as one of the great architectural treasures of Cheshire, and Alec Clifton-Taylor included it in his list of outstanding English parish churches.
The building dates from the 14th century, although a number of changes have since been made, particularly a substantial 19th-century restoration by Sir George Gilbert Scott. The church and its octagonal tower are built in red sandstone. Features of the church's interior include the lierne-vaulted ceiling of the choir, the carved stone canopies of the sedilia in the chancel, and the intricately carved wooden canopies over the choirstalls together with the 20 misericords at the back of the stalls. The church is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Nantwich
Church Lane, Nantwich, Cheshire, England, UK, CW5 5RQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,town,centre,Anglican,church,history,historic,building,listed,grade I,architecture,CW5,CW5 5RQ,colourful,coloured,windows,at,main,door,entry,heritage,Victorian,beautiful,window,stained,glass,doors,doorway,doorways,pew,pews
Description: Tony Smith image Alamy 2JNN58X - St Mary's Church is an Anglican parish church in Nantwich, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I listed building. It has been called the Cathedral of South Cheshire and it is considered by some to be one of the finest medieval churches, not only in Cheshire, but in the whole of England. The architectural writer Raymond Richards described it as one of the great architectural treasures of Cheshire, and Alec Clifton-Taylor included it in his list of outstanding English parish churches.
The building dates from the 14th century, although a number of changes have since been made, particularly a substantial 19th-century restoration by Sir George Gilbert Scott. The church and its octagonal tower are built in red sandstone. Features of the church's interior include the lierne-vaulted ceiling of the choir, the carved stone canopies of the sedilia in the chancel, and the intricately carved wooden canopies over the choirstalls together with the 20 misericords at the back of the stalls. The church is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Nantwich
Church Lane, Nantwich, Cheshire, England, UK, CW5 5RQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,centre,England,UK,GL5,GL5 1AA,the,store,shop,local,craft,crafts,made,in,gift,Covent garden of the Cotswolds,independent,artisan,maker,artist,artists,community,planet,ecological,eco,save,independence,books,stained,glass,ceramics,gifts,handmade,incense,candles,MadeInStroud
Description: Tony Smith image Alamy 2JMD5PH - . This dated editorial view of everything, 16, Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The location is represented through The Made In Stroud shop & emporium, local crafts, everything, 16 Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA. The image also relates to street-level business, regional identity, period detail, local trading, shopfront economy, everyday life, changing land use, visual archive, small business, archival record, specialist retailer, bricks-and-mortar retail, place identity, and public realm. The modern context includes continuing discussion of footfall, independent business and how consumer spending and property costs shape local commercial streets. The archival value lies partly in recording signage and branding around everything, 16, Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA before refurbishment alters the character of the place. Further associations within the scene are commercial streetscape, independent retail, retail property, local history, historical comparison, community identity, contemporary social history, and before-and-after reference. The recorded references to Stroud, everything, crafts, emporium, and Kendrick preserve clues about how the subject was presented, used or understood at the time. The period setting at everything, 16, Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is footfall and how consumer spending and property costs shape local commercial streets within the real-world context of everything, 16, Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA. Image 2JMD5PH also remains a dated record of everything, 16, Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA.
everything, 16, Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,centre,England,UK,GL5,GL5 1AA,the,store,shop,local,craft,crafts,made,in,gift,Covent garden of the Cotswolds,independent,artisan,maker,artist,artists,community,planet,ecological,eco,save,independence,books,stained,glass,ceramics,gifts,handmade,incense,candles,MadeInStroud
Description: Tony Smith image Alamy 2JMD5PK - . Photographed at everything, 16, Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The principal subject is The Made In Stroud shop & emporium, local crafts, everything, 16 Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA. The locality and subject together evoke regional identity, period detail, visual archive, changing streetscape, archival record, small business, everyday life, local character, commercial streetscape, specialist retailer, high-street commerce, social history, bricks-and-mortar retail, and community identity. For current editorial use, business rates and town-centre regeneration provide additional context, especially through the resilience of independent shops in an online retail economy. The archival value lies partly in recording street furniture and boundaries around everything, 16, Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA before new ownership alters the character of the place. The photograph additionally reflects historical comparison, street-level business, changing land use, retail property, contemporary social history, customer footfall, documentary photography, and shopfront economy. References to local, emporium, Stroud, everything, and Gloucestershire give the picture a strong period identity and tie it closely to its named subject. For everything, 16, Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of business rates and the resilience of independent shops in an online retail economy in a form that can be compared with future views of everything, 16, Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA.
everything, 16, Kendrick St, Stroud , Gloucestershire, England, UK, GL5 1AA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cotswold,Oxfordshire,England,UK,GL55 6AA,historic,history,stone,listed,building,town,parish,grand,early,stained glass,at,stained,coloured,glass,panel,panels,keys,crossed,cross,architectural,English,architecture,classic,traditional,window,windows,local,scene,scenes
Description: Tony Smith image Alamy 2JNBYA4 - The grand early perpendicular Cotswold wool church, Church of St James, with its medieval altar frontals (c. 1500), cope (c. 1400), and 17th century monuments includes a monument to silk merchant Sir Baptist Hicks and his family. As well, the Grade I listed Church of St James includes a plaque to William Grevel, described as the flower of the wool merchants of all England. His home, the Grade I listed Grevel's House, was built c. 1380. It is not open to visitors. Chipping Campden is a market town in the Cotswold district of Gloucestershire, England. It is notable for its terraced High Street, dating from the 14th century to the 17th century. (Chipping is from Old English cēping, 'market', 'market-place'
the same element is found in other towns such as Chipping Norton, Chipping Sodbury and Chipping (now High) Wycombe.)
A wool trading centre in the Middle Ages, Chipping Campden enjoyed the patronage of wealthy wool merchants, most notably William Greville (d.1401). The High Street is lined with buildings built from locally quarried oolitic limestone known as Cotswold stone, and boasts a wealth of vernacular architecture. Much of the town centre is a conservation area which has helped to preserve the original buildings. The town is an end point of the Cotswold Way, a 102-mile long-distance footpath.
Chipping Campden has hosted its own Olympic Games since 1612.
Chipping Camden, Cotswolds, Cotswold, Oxfordshire, England, UK, GL55 6AA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,WA2,at,historic,old,grade II listed,building,window,windows,art,religious,religion,north,Victorian,coloured,colour,elaborate,saint,saints,Golborn Road,Winwick,Golborn Road Winwick,heritage,ornate,relic,relics,inside,interior,Anglican,Christian,WA2 8SZ,Golborne Road,stained glass,stained,glass
Description: Tony Smith image Alamy 2JBXJRE - . This scene at Golborne Rd, Winwick, Warrington, Cheshire,England, WA2 8SZ in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Stained Glass at St Oswald's Church, Golborne Rd, Winwick, Warrington, Cheshire,England, WA2 8SZ. Another layer of the photograph includes visual archive, urban social history, urban fabric, everyday life, community identity, contemporary city life, city-centre activity, before-and-after reference, contemporary social history, local landmark, architectural detailing, heritage asset, local history, and everyday street life. From a 2025-onward perspective, redevelopment pressure and heritage conservation are closely linked to this subject, alongside the tension between conservation and redevelopment. The wider contemporary story combines commercial change, public-realm change and the relationship between public space and local social life. Future viewers can use this scene from Golborne Rd, Winwick, Warrington, Cheshire,England, WA2 8SZ to compare equipment and working practice with whatever follows after redevelopment. A second descriptive layer includes social landscape, public realm, historic streetscape, historic townscape, historic frontage, architectural character, period detail, and archival record. Elements such as Winwick, Stained, Golborne, Oswald's, and Church add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Golborne Rd, Winwick, Warrington, Cheshire,England, WA2 8SZ, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene further reflects redevelopment pressure and keeping older structures useful without erasing their character within the specific setting of Golborne Rd, Winwick, Warrington, Cheshire,England, WA2 8SZ.
Golborne Rd, Winwick, Warrington, Cheshire,England, WA2 8SZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wales,South wales,city,centre,283,Hayes Bridge Rd,Cardiff,CF10,UK,CF10 1GH,Golden Cross,Brains,brewing,SA,Brain,beers,beer,brewer,CAMRA,exterior,history,historic,outside,Victorian,heritage,building,architecture,classic,ornate,stained,glass,window,tiled,tiles,hotpix.org.uk
Description: Tony Smith image Alamy 2JDDNR6 - . An identifiable period record of The Golden Cross, 283 Hayes Bridge Rd, Cardiff, Wales CF10 1GH in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The image documents SA Brain Golden Cross traditional tiled Pub, Cardiff, Wales. The surrounding context encompasses urban fabric, historic streetscape, conservation architecture, before-and-after reference, built heritage, architectural character, community identity, contemporary social history, architectural detailing, licensed hospitality, social history, local dining scene, hospitality venue, and regional identity. Current relevance extends to energy retrofit and local identity, particularly through the value of distinctive buildings and street furniture to local identity. In present-day coverage, the subject reaches into consumer spending and food inflation, not least because of the role of restaurants and bars in visitor-led regeneration. As a dated visual record of The Golden Cross, 283 Hayes Bridge Rd, Cardiff, Wales CF10 1GH, the frame retains equipment and working practice, making it especially useful if closure or conversion subsequently changes the scene. The surrounding story also includes local character, everyday life, food-and-drink business, heritage asset, restaurant culture, historical comparison, place identity, and casual dining. The recorded references to Wales, Golden, Brain, tiled, and Cardiff preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within The Golden Cross, 283 Hayes Bridge Rd, Cardiff, Wales CF10 1GH, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for energy retrofit and the tension between conservation and redevelopment as part of the longer story of The Golden Cross, 283 Hayes Bridge Rd, Cardiff, Wales CF10 1GH.
The Golden Cross, 283 Hayes Bridge Rd, Cardiff, Wales CF10 1GH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,SY13,Wirswell Road,Gothic Revival architecture,English Gothic architecture,grade II listed,religion,Anglican,St Michael and All Angels,St Michael & All Angels,Do this in remembrance,remembrance,parish church,Marbury Parish Church,history,historic,heritage,tourist,attarction,stained,glass,window,windows,colour,colourful,color,colorful,scene,scenes,bible,biblical,village,villages,23 Wirswall Rd,Marbury,Whitchurch,SY13 4LL
Description: Tony Smith image Alamy 2C3K5EB - St Michael's Church, also known as St Michael and All Angels, stands on a small rise overlooking Big Mere in the village of Marbury, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Malpas. Its benefice is combined with those of St Chad, Tushingham, and St Mary, Whitewell
Current church dates from the 15th century, the first incumbent being registered in 1530. The church was a parochial chapel annexed to Whitchurch until 1870, when it became a perpetual curacy. The chancel added in 1822 by Sir Jeffry Wyatville. In 189192, the church was restored by Douglas and Fordham, the organ chamber was added, the plaster roof was replaced with carved oak panelling, and oak furnishings were added. To celebrate the 2000 Millennium a new sundial was added to the south wall of the church
The church is built in red sandstone with a slate roof. The church is built in red sandstone with a slate roof.
23 Wirswall Rd, Marbury, Whitchurch, Cheshire, England, UK, SY13 4LL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,SY13,Wirswell Road,Gothic Revival architecture,English Gothic architecture,grade II listed,religion,Anglican,St Michael and All Angels,St Michael & All Angels,Suffer Little Children,To Come unto me,Suffer Little Children To Come to me,Jesus,children,kids,parish church,Marbury Parish Church,history,historic,heritage,tourist,attarction,stained,glass,window,windows,colour,colourful,color,colorful,scene,scenes,bible,biblical
Description: Tony Smith image Alamy 2C3K5EJ - St Michael's Church, also known as St Michael and All Angels, stands on a small rise overlooking Big Mere in the village of Marbury, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Malpas. Its benefice is combined with those of St Chad, Tushingham, and St Mary, Whitewell
Current church dates from the 15th century, the first incumbent being registered in 1530. The church was a parochial chapel annexed to Whitchurch until 1870, when it became a perpetual curacy. The chancel added in 1822 by Sir Jeffry Wyatville. In 189192, the church was restored by Douglas and Fordham, the organ chamber was added, the plaster roof was replaced with carved oak panelling, and oak furnishings were added. To celebrate the 2000 Millennium a new sundial was added to the south wall of the church
The church is built in red sandstone with a slate roof. The church is built in red sandstone with a slate roof.
23 Wirswall Rd, Marbury, Whitchurch, Cheshire, England, UK, SY13 4LL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,SY13,Wirswell Road,Gothic Revival architecture,English Gothic architecture,grade II listed,religion,Anglican,St Michael and All Angels,St Michael & All Angels,Jesus,Cross,parish church,Marbury Parish Church,history,historic,heritage,tourist,attarction,stained,glass,window,windows,colour,colourful,color,colorful,scene,scenes,bible,biblical,village,villages,23 Wirswall Rd,Marbury,Whitchurch,SY13 4LL
Description: Tony Smith image Alamy 2C3K5ER - St Michael's Church, also known as St Michael and All Angels, stands on a small rise overlooking Big Mere in the village of Marbury, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Malpas. Its benefice is combined with those of St Chad, Tushingham, and St Mary, Whitewell
Current church dates from the 15th century, the first incumbent being registered in 1530. The church was a parochial chapel annexed to Whitchurch until 1870, when it became a perpetual curacy. The chancel added in 1822 by Sir Jeffry Wyatville. In 189192, the church was restored by Douglas and Fordham, the organ chamber was added, the plaster roof was replaced with carved oak panelling, and oak furnishings were added. To celebrate the 2000 Millennium a new sundial was added to the south wall of the church
The church is built in red sandstone with a slate roof. The church is built in red sandstone with a slate roof.
23 Wirswall Rd, Marbury, Whitchurch, Cheshire, England, UK, SY13 4LL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,council,civic,crest,motto,Lancs,County Council crest,stained,glass,window,Manchester,In council wisdom,Manchester Central library Stained Glass Window,Window,Arms,blue,white,red roses,emblem,history,historic,when,part,of Lancashire,colourful,windows,Mancunian,city,cities,centre,libraries,building,interior,inside
Description: Tony Smith image Alamy 2ADE3T3 - Official blazon
Arms : Gules three Piles two issuant from the chief and one in base Or each charged with a Rose of the field barbed and seeded proper.
Crest : On a Wreath of the Colours a Lion passant guardant proper charged on the body with a Mascle Gules and resting the dexter forepaw on an Escocheon of the above said Arms.
Supporters : On either side a Lion proper gorged with a Collar Vair pendent therefrom an Escocheon of the following Arms viz. Gules three Piles two issuant from the chief and one in base Or each charged with a Rose Gules barbed and seeded proper.
Motto: 'IN CONCILIO CONSILIUM' - In council is wisdom
Origin/meaning
The arms were officially granted on August 31, 1903, the supporters were granted on October 26, 1903.
The arms are quite simple, showing the famous red rose of Lancaster in a distinctive design. The red rose appears in most Lancashire towns and districts.
The crest and supporters are derived from the arms of the Ferrers family, earls of Derby. The lions, mascule and vair pattern all feature in tha arms of the family who have been prominent land owners in the county.
The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP
Description
Keywords: GoTonysmith,@HotpixUK,No 1,night time,Edinburgh EH2 2AA,Scotland,UK,window,evening,Guildford Arms Evening,beer,pub,bar,Public House,city centre,Wm Younger & C Pale Ale,Pale Ale lettering,Pale Ale,lettering,window lettering,pub sign,sign,door,doorway,front,frontage,outside,exterior,old,historic,historic pub,history,classic,Victorian,Victorian pub,stained glass,stained,glass,old pub,Campaign for Real Ale
Description: Tony Smith image Alamy MM99RX - . This scene at the recorded location in 2017 forms part of the visual story.htm Target=_Blank>history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is The Guildford Arms, No 1, West Register Street, Edinburgh EH2 2AA, real ale pub, Scotland, UK, at night. The locality and subject together evoke social history, changing streetscape, period detail, medieval church setting, religious heritage, community identity, local character, contemporary social history, heritage worship space, Christian iconography, religious artwork, before-and-after reference, ecclesiastical decoration, and changing land use. For current editorial use, faith communities and energy costs provide additional context, especially through how sacred art preserves local patrons, stories and beliefs. The image fixes street furniture and boundaries within the recorded location at one identifiable point, providing a benchmark against later reinterpretation. The photograph additionally reflects regional identity, archival record, historical comparison, faith heritage, cathedral interior, public realm, visual archive, and church conservation. The recorded references to Register, Guildford, Scotland, night, and Edinburgh preserve clues about how the subject was presented, used or understood at the time. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The location additionally provides evidence of faith communities and how sacred art preserves local patrons, stories and beliefs within the specific setting of the recorded location. A further contemporary connection is faith communities and the conservation challenge of fragile historic glass and stonework as part of the longer story of the recorded location. The record includes part of the area's social history for later comparison.
Description
Keywords: GoTonysmith,@HotpixUK,Guildford Arms,No 1,night time,Edinburgh EH2 2AA,Scotland,UK,window,evening,Guildford Arms Evening,beer,pub,bar,Public House,city centre,Wm Younger & C Pale Ale,Pale Ale lettering,Pale Ale,lettering,window lettering,pub sign,sign,door,doorway,front,frontage,outside,exterior,old,historic,historic pub,history,classic,Victorian,Victorian pub,stained glass,stained,glass,old pub
Description: Tony Smith image Alamy MM99RY - . This scene at the recorded location in 2017 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is The Guildford Arms, No 1, West Register Street, Edinburgh EH2 2AA, real ale pub, Scotland, UK, at night. The surrounding context encompasses medieval church setting, faith heritage, social history, heritage worship space, local character, period detail, historic glazing, community identity, visual archive, stained-glass craftsmanship, contemporary social history, religious artwork, before-and-after reference, and local history. In present-day coverage, the subject reaches into faith communities and visitor tourism, not least because of the conservation challenge of fragile historic glass and stonework. The archival value lies partly in recording building condition and alterations around the recorded location before later reinterpretation alters the character of the place. The surrounding story also includes changing land use, church conservation, sacred architecture, cathedral interior, everyday life, historical comparison, archival record, and changing streetscape. Details involving night, Scotland, Register, Guildford, and Edinburgh make the image more specific than a generic view and strengthen its local or historical value. The documentary value of MM99RY rests in the precise visual record of The Guildford Arms, No 1, West Register Street, Edinburgh EH2 2AA, real ale pub, Scotland,, including small period details that may not survive in later examples. A further contemporary connection is faith communities and the role of cathedrals as cultural landmarks beyond their congregations in a form that can be compared with future views of the recorded location. The wider significance includes faith communities and how sacred art preserves local patrons, stories and beliefs within the real-world context of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT1,Belfast,Antrim,Northern Ireland,BT1 5GS,Donegall Square,city hall,city,centre,color,coloured,colour,windows,harp,crown,North,Northern,Irish,Horse,stained,glass,foyer,WW2,WWII,memorial,war,hotpix.org.uk
Description: Tony Smith image Alamy 2PM626D - . North Irish Horse Regiment, stained glass window, at Belfast City Hall foyer, Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, BT1, Belfast, Antrim, Northern Ireland, BT1 5GS, Donegall Square, city hall, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Bristol,water,waterside,South West England,City Centre,Bristol cathedral,religion,religious,College Green,Bristol City,BS1 5TJ,window,windows,South West,BS1,Church,bible,Newbury,Abbot,with,crook,bibles,coloured,colour,cathedrals,stained,glass,abbot,abbots,history,historic,Cathedral Church of the Holy and Undivided Trinity,Holy and Undivided Trinity
Description: Tony Smith image Alamy RM1TE8 - . A close documentary record documents a moment within College Green, Bristol , BS1 5TJ, in a photograph originating in 2017. The principal recorded subject is Newbury Abbot with crook, bible, Bristol Cathedral, College Green, stained glass windows, Bristol City, South West England, UK, BS1 5TJ. Related ideas embodied by the location include historic townscape, congregational space, architectural heritage, religious heritage, architectural character, local faith community, historic church fabric, townscape identity, historic built environment, sacred interior, urban conservation, and heritage asset. In the mid-2020s, parish life is increasingly discussed through heritage tourism and accessibility, with attention turning to sustainable maintenance. For present-day editorial use, older urban fabric can also illustrate debates about vacancy and adaptive reuse, particularly where these affect sensitive refurbishment. Documentary value is strengthened by the precise setting at College Green, Bristol , BS1 5TJ, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The broader context includes sacred architecture, place of worship, religious building, conservation interest, ecclesiastical architecture, architectural detail. Other local associations include Bristol City Centre, Holy and Undivided Trinity, Cathedral Church of the Holy and Undivided Trinity, art. A more expansive reading adds heritage conservation, historic fabric, period property, period architecture, parish history, heritage streetscape, church conservation, Christian heritage, historic environment, and worship space. Current debate around places of worship often combines changing attendance, heritage tourism and the practical challenge of sustainable maintenance. It remains a grounded period reference to College Green, Bristol , BS1 5TJ, its use, appearance and changing local context.
College Green, Bristol , BS1 5TJ
Description
Keywords: Humfredo,Chetham,Christian,architecture,inside,interior,religion,cross,religious,easter,altar,stone,church,stone,in,front,infront,of,stained,glass,window,Manchester Cathedral,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4EE2R - Sir Humphrey Chetham (10 July 1580 1653) was an English merchant, responsible for the creation of Chetham's Hospital and Chetham's Library, the oldest public library in the English-speaking world.
Chetham was born in Crumpsall, Lancashire, England, the son of a successful Manchester merchant who lived in Crumpsall Hall. He was educated at Manchester Grammar School, and in 1597 was apprenticed to Samuel Tipping, a Manchester linen draper. Chetham remained with Tipping until 1605, when he moved to London with his brother George and set up a partnership with him trading in various textiles. The business was successful, since the fabric was bought in London and sold for a higher price in Manchester. He acquired Clayton Hall in Manchester as his home, and in 1628 was also able to buy Turton Tower from William Orrell.
In 1631, he was asked to be knighted after his huge wealth became known to the crown, but he refused it, and so was fined. He later became the High Sheriff of Lancashire in 1635, a job he was unable to refuse, and in 1643 he was forced into the position of General Treasurer of Lancashire, which he found very difficult for his age. He also began to obtain debts, and he feared that on his death parliament would take his money. He therefore donated money to form a blue coat school for forty poor boys, which later became Chetham's Hospital and then Chetham's School of Music. He also left money to form the Chetham's Library, which included money to pay for the books. More libraries were constructed later on from this money.
After Chetham's death, at Clayton Hall, in 1653, the school and library opened. His contribution is commemorated by a statue and a window in Manchester Cathedral and by a statue and mural in Manchester Town Hall. By prior arrangement, Clayton Hall was left to the surviving nephew, George.
Victoria St, Manchester , England, UK, M3 1SX
Description
Keywords: Grappenhall,South Warrington,Warrington,Cheshire,WA4,inside,interior,art,history,historic,tourist,landmark,Anglican,GradeI,listed,grade,Norman,building,Architecture,Boydell,Thomas,Anne,Greenall,stained,glass,Window,Greenalls,WA4 3EP,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy GY05T9 - St Wilfrid's Church is in Church Lane, Grappenhall, a village in Warrington, Cheshire, England. It is designated by Historic England as a Grade I listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth
The church is Norman in origin, built probably in the earlier part of the 12th century and completed about 1120. This was a small and simple church, consisting of a nave, chancel and, possibly, an apse. The foundations of this church were discovered during the 187374 restoration.
A chantry chapel was added by the Boydell family in 1334 in a position where the south aisle now stands. From 1529 the church was largely rebuilt in local sandstone. The old church was demolished and a new nave, chancel, north aisle and a west tower were built. In 1539 the south aisle was added, which incorporated the Boydell chapel. The south porch was added in 1641 and at this time the west wall was strengthened. In 1833 the roof of the nave was raised to form a clerestory and in the 1850s the south aisle was further extended, and a vestry was built. There was a more substantial restoration in 187374 by the Lancaster architects Paley and Austin, which included the provision of new floors and roofs, at a cost of about £4,000
Church Lane, Grappenhall, South Warrington, Cheshire, England, WA4 3EP
Description
Keywords: inside,historic,history,saint,Cuthbert,anglican,catholic,interior,without,Celtic,tradition,city,listed,building,gradeII,grade2,Bewcastle,window,fourteenth century,religion,religious,Latvian,Lutheran,congregation,St Cuthberts,God bless Latvia,GoTonySmith,Melrose,Cumbrian,community,christian,anglican,Stained,Glass,gifted,by,Latvian,Community,Latvia,John,Rees,Elders,Walker,and,Millican,Ltd,Buy Pictures of,Buy Images Of,Cuthbert of Melrose,stained Glass
Description: Tony Smith image Alamy EY3KPG - History and General Description
The Church stands not east-west but square to the Roman Road north through Carlisle (the A6, in town Blackfriars St). It is therefore of early foundation, perhaps before St Cuthbert's visit to Carlisle in 685. The present Church, probably the fourth on the site, dates from 1778.
It has a unique moving pulpit, a fourteenth century window, a window commemorating our hospitality to a Latvian Lutheran congregation, and a very attractive series of windows depicting the life of St Cuthbert. It is open every day during daylight hours. Our motto is: Christian Hospitality
Blackfriars st, Carlisle,Cumbria,England,UK
Description
Keywords: inside,historic,history,saint,Cuthbert,anglican,catholic,interior,without,Celtic,tradition,city,listed,building,gradeII,grade2,Bewcastle,window,fourteenth century,religion,religious,Latvian,Lutheran,congregation,stained,Glass,James,French,William,Telford,1939,1945,St Cuthberts,GoTonySmith,Melrose,Cumbrian,community,christian,anglican,Buy Pictures of,Buy Images Of,Cuthbert of Melrose
Description: Tony Smith image Alamy EY3KPH - History and General Description
The Church stands not east-west but square to the Roman Road north through Carlisle (the A6, in town Blackfriars St). It is therefore of early foundation, perhaps before St Cuthbert's visit to Carlisle in 685. The present Church, probably the fourth on the site, dates from 1778.
It has a unique moving pulpit, a fourteenth century window, a window commemorating our hospitality to a Latvian Lutheran congregation, and a very attractive series of windows depicting the life of St Cuthbert. It is open every day during daylight hours. Our motto is: Christian Hospitality
Blackfriars st, Carlisle,Cumbria,England,UK
Description
Keywords: inside,historic,history,saint,Cuthbert,anglican,catholic,interior,without,Celtic,tradition,city,listed,building,gradeII,grade2,Bewcastle,window,fourteenth century,religion,religious,Latvian,Lutheran,congregation,saint,Cuthbert,brown,robe,bible,with,stained,Glass,St Cuthberts,With Bible,GoTonySmith,Melrose,Cumbrian,community,christian,anglican,Buy Pictures of,Buy Images Of,Cuthbert of Melrose
Description: Tony Smith image Alamy EY3KR1 - History and General Description
The Church stands not east-west but square to the Roman Road north through Carlisle (the A6, in town Blackfriars St). It is therefore of early foundation, perhaps before St Cuthbert's visit to Carlisle in 685. The present Church, probably the fourth on the site, dates from 1778.
It has a unique moving pulpit, a fourteenth century window, a window commemorating our hospitality to a Latvian Lutheran congregation, and a very attractive series of windows depicting the life of St Cuthbert. It is open every day during daylight hours. Our motto is: Christian Hospitality
Blackfriars st, Carlisle,Cumbria,England,UK
Description
Keywords: UK,English,Saint,Marys,Church,of,chancel,and,the,bell,tower,2000,new,art,artwork,Norman,stonework,Early,Gothic,chancel,Benefice,middle,window,south,side,of,nave,built,1792,blocked,for,years,and,with,a,new,stained,glass,GoTonySmith
Description: Tony Smith image Alamy ECW4HG - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley with Fewcott civil parish in Oxfordshire, England, UK
Description
Keywords: UK,English,Saint,Marys,Church,of,chancel,and,the,bell,tower,2000,new,art,artwork,Norman,stonework,Early,Gothic,chancel,Benefice,middle,window,south,side,of,nave,built,1792,blocked,for,years,and,with,a,new,stained,glass,GoTonySmith
Description: Tony Smith image Alamy ECW50E - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley, Oxfordshire, England, United Kingdom
Description
Keywords: Diamond Jubilee,Manchester City Centre,England,UK,lit,from,behind,at,night,dusk,ann,anns,annes,religion,religious,christian,catholic,anglican,GoTonySmith,erected,by,history,historic,stained,glass,Queen Victoria,cult,Jubilee,Victorias,to,commemorate,special,her,majesty
Description: Tony Smith image Alamy ED9DMP - . St Annes Church Manchester Stained Glass Window, Diamond Jubilee, Manchester City Centre, England, UK. Photographed at St Annes Square, Manchester, Lancashire, England UK. The photograph was taken on 06 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with Annes, Church, Manchester, Stained, Glass, Window, subscription, Diamond Jubilee, Manchester City Centre and lit, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The view is firmly rooted in a real location rather than a constructed studio setting.
St Annes Square, Manchester, Lancashire, England UK
Description
Keywords: rd,road,WBC,Cheshire,England,UK,WA4 2LE,WA4,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,Banner,window,stained,glass,Horace,Latchford,Cross,Lane,Methodist,Leah,Thomas,Warrington,Independent,gotonysmith summer blue sky social community centre,followers,Without,history,historic,Victorian
Description: Tony Smith image Alamy DDXKGF - . Grappenhall Independent Methodist Church, Knutsford Road, Grappenhall, Warrington, Cheshire, England, UK WA4 2PL. Photographed at Knutsford Road,Warrington,Cheshire, England, UK,WA4 2LE. The photograph was taken on 05 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Grappenhall, Independent, Methodist, Church, Knutsford, Grappenhall Independent Methodist Church, Methodist Church, Knutsford Road, Warrington and Lay, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Knutsford Road,Warrington,Cheshire, England, UK,WA4 2LE
Description
Keywords: dorchester,on-thames,piece,altarpiece,oxford,oxfordshire,jesus,cross,Dorchester,Abbey,church,interior,inside,religious,relic,statues,golden,leaf,of,St,Peter,and,St,Paul,is,the,parish,old,quaint,spiritual,centre,tourist,tourism,pilgrim,pilgrimage,wideshot,wide,shot,stained,glass,window,HDR,Thames,windows gotonysmith relics carving crucifix on,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DA8A8D - . Wide angle shot of main Altar from chapel of St Peter & St Paul, parish church, Dorchester on Thames, England, UK. Photographed on 5 July 2013. The recorded location is High St, Dorchester on Thames, Oxen, England, UK OX10 7HH. Dorchester Abbey, formally the Abbey Church of St Peter and St Paul, stands on a site with Christian associations stretching back to the early medieval period. The present church contains major medieval fabric and later restoration, with monuments, stained glass, chapels and decorative work accumulated over centuries. The village itself developed beside the Thames and the River Thame, giving its churches, old post office and historic street details strong local-history value. The wider historical story is that parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single property, reflecting generations of worship and community patronage. From a heritage perspective, historic interiors combine architecture with material culture
Furniture, clocks, silverware, screens, organs and decorative schemes can show craftsmanship, status and institutional use in ways that a façade alone cannot convey. In the present 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and community identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage structures while keeping them accessible and relevant. As of 2026, restoration projects increasingly emphasise retaining significant interiors as well as façades, making earlier photographs useful evidence when rooms are refurbished, repurposed or opened to visitors. Associated subject terminology includes ecclesiastical architecture, Christian heritage, sacred art, religious symbolism, church interior, and churchyard.
High St, Dorchester on Thames, Oxen, England, UK OX10 7HH
Description
Keywords: dorchester,on-thames,piece,altarpiece,oxford,oxfordshire,jesus,cross,Dorchester,Abbey,church,interior,inside,religious,relic,statues,golden,leaf,of,St,Peter,and,St,Paul,is,the,parish,old,quaint,spiritual,centre,tourist,tourism,pilgrim,pilgrimage,wideshot,wide,shot,stained,glass,window,HDR,Thames,windows gotonysmith relics carving crucifix on,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DA8A8K - . Main Altar from chapel of St Peter & St Paul, parish church, Dorchester on Thames, England, UK. Photographed on 5 July 2013. The recorded location is High St, Dorchester on Thames, Oxen, England, UK OX10 7HH. Dorchester Abbey, formally the Abbey Church of St Peter and St Paul, stands on a site with Christian associations stretching back to the early medieval period. The present church contains major medieval fabric and later restoration, with monuments, stained glass, chapels and decorative work accumulated over centuries. The village itself developed beside the Thames and the River Thame, giving its churches, old post office and historic street details strong local-history value. As background, churches combine worship with architecture, local memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, changing liturgy, local benefactors, war remembrance and family history. In historical terms, room interiors are records of both design and daily activity
Furnishings, lighting, surfaces and specialist fittings can identify a building's function and period, while later refurbishment may erase these smaller details. Against the 2026 backdrop, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses. During 2026, adaptive reuse often changes internal layouts dramatically, so photographs of earlier rooms and fittings have specific conservation and design value. Current 2026 relevance comes from the fact that restoration projects increasingly emphasise retaining significant interiors as well as façades, making earlier photographs useful evidence when rooms are refurbished, repurposed or opened to visitors.
High St, Dorchester on Thames, Oxen, England, UK OX10 7HH
Description
Keywords: dorchester,on-thames,piece,altarpiece,oxford,oxfordshire,jesus,cross,Dorchester,Abbey,church,interior,inside,religious,relic,statues,golden,leaf,of,St,Peter,and,St,Paul,is,the,parish,old,quaint,spiritual,centre,tourist,tourism,pilgrim,pilgrimage,wideshot,wide,shot,stained,glass,window,Thames,windows gotonysmith relics carving crucifix on,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DA8A91 - . Main Altar art from chapel of St Peter & St Paul, parish church, Dorchester on Thames, England, UK. Photographed on 5 July 2013. The recorded location is High St, Dorchester on Thames, Oxen, England, UK OX10 7HH. Dorchester Abbey, formally the Abbey Church of St Peter and St Paul, stands on a site with Christian associations stretching back to the early medieval period. The present church contains major medieval fabric and later restoration, with monuments, stained glass, chapels and decorative work accumulated over centuries. The village itself developed beside the Thames and the River Thame, giving its churches, old post office and historic street details strong local-history value. In the longer view, ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the evolving use of sacred space. Historically, interiors preserve details that exterior photographs cannot show: furniture, fittings, decorative finishes and room layouts reveal how buildings were actually used
Such features are often altered during refurbishment even when the outside remains unchanged. Current 2026 relevance comes from the fact that historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant. In 2026, restoration projects increasingly emphasise retaining significant interiors as well as façades, making earlier photographs useful evidence when rooms are refurbished, repurposed or opened to visitors. Additional discoverability terms include ecclesiastical architecture, Christian heritage, sacred art, religious symbolism, church interior, and place of worship.
High St, Dorchester on Thames, Oxen, England, UK OX10 7HH
Description
Keywords: Stained,Glass,in,Dorchester,On,Thames,Abbey,Church,Oxfordshire,Oxen,Oxford,OX10,7LJ,OX107LJ,gotonysmith,Buy Pictures of,Buy Images Of,England,UK,OX10 7LJ,art,window,windows,John Gill Godwin,John Godwin,Dorchester-On-Thames,building,architecture,to,the,greater,glory of god
Description: Tony Smith image Alamy DA8AJG - . John Gill Godwin, Stained Glass, in the Dorchester On Thames, Abbey Church, Oxfordshire, England, UK , OX10 7LJ. Photographed on 5 July 2013. The recorded location is Dorchester-on-Thames, Oxfordshire, England, UK OX10 7LJ. Dorchester Abbey, formally the Abbey Church of St Peter and St Paul, stands on a site with Christian associations stretching back to the early medieval period. The present church contains major medieval fabric and later restoration, with monuments, stained glass, chapels and decorative work accumulated over centuries. The village itself developed beside the Thames and the River Thame, giving its churches, old post office and historic street details strong local-history value. As background, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single building, reflecting generations of worship and local patronage. In the longer view, historic and modern architecture can be read as a record of investment, planning and evolving urban functions
Civic, commercial, industrial and residential buildings each contribute to the character of a townscape, particularly where older structures are adapted rather than demolished. Against the 2026 backdrop, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses. Current 2026 relevance comes from the fact that current regeneration policy places growing emphasis on reusing established buildings and strengthening town centres. historical façades, redundant offices and converted commercial properties are especially relevant to debates about conservation, viability and adaptive reuse.
Dorchester-on-Thames, Oxfordshire, England, UK OX10 7LJ
Description
Keywords: England,UK,United,Kingdom,NT,national,Trust,house,with,red,Buy Pictures of,Buy Images Of,gotonysmith,Buy Pictures of,Buy Images Of,window,stained glass,stained,glass,from,history,vintage,colour,color,heraldic,Stained glass window,colored,crest,shield,icon,iconic,coat,of,arms
Description: Tony Smith image Alamy DE54R9 - . Stained glass window, from Montecute House, Somerset, England. Photographed at Montecute, Somerset, England, UK. The photograph was taken on 13 June 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Stained glass from Montecute House, Somerset NT, Montecute, stately, home, Somerset, village, crest, lions and national, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Montecute, Somerset, England, UK
Description
Keywords: GB,great,Britain,Grappenhall,Warrington,Cheshire,England,England,UK,Independent,Thomas,Leah,an,Independent,Methodist,follower,followers,Cross,Lane,Latchford,Without,Horace,Banner,window,stained,glass,gotonysmith summer blue sky social community centre,Buy Pictures of,Buy Images Of,Gotonysmith,WA4 2LE,WA4,road,history,historic,Victorian
Description: Tony Smith image Alamy D8DYWG - . Grappenhall Independent Methodist Church Knutsford Rd Grappenhall Warrington Cheshire England England UK. Photographed on 25 May 2013. The recorded location is Cross Lane, Knutsford Rd Grappenhall Warrington Cheshire England England UK. Church with Horace Banner stained glass window - see. The wider historical story is that churches combine worship with architecture, community memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, changing liturgy, community benefactors, war remembrance and family history. From a heritage perspective, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. In the present 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and community identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage structures while keeping them accessible and relevant. As of 2026, conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it offers about materials, local identity and how places change. Looking at the subject's development, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single building, reflecting generations of worship and local patronage. Further subject-specific language includes ecclesiastical architecture, Christian heritage, sacred art, religious symbolism, church interior, and place of worship.
Cross Lane, Knutsford Rd Grappenhall Warrington Cheshire England England UK
Description
Keywords: GB,great,Britain,Grappenhall,Warrington,Cheshire,England,England,UK,Independent,Thomas,Leah,an,Independent,Methodist,follower,followers,Cross,Lane,Latchford,Without,Horace,Banner,window,stained,glass,gotonysmith summer blue sky social community centre,Buy Pictures of,Buy Images Of,Gotonysmith,history,historic,Victorian
Description: Tony Smith image Alamy D8DYWT - . Grappenhall Independent Methodist Church Knutsford Rd Grappenhall Warrington Cheshire England England UK. Photographed on 25 May 2013. The recorded location is Cross Lane, Knutsford Rd Grappenhall Warrington Cheshire England England UK. Church with Horace Banner stained glass window - see. As background, ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space. In historical terms, historic objects and places gain meaning through survival
Materials, craftsmanship, inscriptions and later alterations can reveal how a building, machine or everyday item was made, used and valued, while preservation decisions show which parts of the past communities choose to retain. Against the 2026 backdrop, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses. During 2026, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse. From a heritage perspective, churches combine worship with architecture, local memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, changing liturgy, local benefactors, war remembrance and family history. Against the 2026 backdrop, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse.
Cross Lane, Knutsford Rd Grappenhall Warrington Cheshire England England UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,For who so him in his hart shall find,Which from the prophett springs the virgins boy,WA14,Dunham Massey,NT,Altrincham,Cheshire,England,UK,WA14 4PE,character,characters,history,historic,Sibylla,Europea,stained,glass,the,reading,room,reading room,figure,figures,2,Two,Sybils,yellow,window,pane,Trafford,panes,Flemish
Description: Tony Smith image Alamy 2BKC2F1 - . A detailed documentary view from Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE, preserving the appearance and character of the subject at a particular point in time. The photograph centres on Sibylla Europea Flemish stained glass, the reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE. The picture additionally relates to everyday Britain, documentary photography, period building, historic streetscape, urban change, traditional masonry, archival record, heritage asset, local character, urban fabric, architectural contrast, historical comparison, community identity, and visual archive. Viewed from the mid-2020s, the subject sits within continuing debate about embodied carbon, heritage conservation and using existing buildings rather than demolishing them. As a dated visual record of Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE, the frame retains commercial identity and local use, making it useful if altered transport patterns subsequently changes the scene. The wider local story also touches on contemporary history, social landscape, built environment, public realm, regional identity, place identity, before-and-after reference, and period detail. The recorded references to Sibylla, Europea, stained, reading, and glass preserve clues that can help identify how the subject was presented or used at the time. The surrounding context at Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. That also gives the frame relevance to embodied carbon and keeping older buildings useful without erasing their character within the real-world context of Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE. Another useful connection is energy retrofit and keeping older buildings useful without erasing their character within the specific setting of Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE.
Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Pass through the mountaines high and valleyes low,He shall be poore and in a manger lye,Borne of a virgin riding on an asse,A prince beloud and one that brings to pass,Safety to droping mortalls happly then,Turmoyling,WA14,window,Sibylla Europea,Dunham Massey,NT,Altrincham,Cheshire,England,UK,WA14 4PE,character,characters,history,historic,Sibylla,Europea,stained,glass,the,reading,room,figure,figures,2,Two,Sybils,pane,Trafford,panes
Description: Tony Smith image Alamy 2BKC2F3 - . This scene at reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE documents an everyday subject with wider connections to local identity, social history and changing patterns of use. The location is represented through Stained glass,windows,sibylla samia-sibilla eritraea Eritrea,reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE. Other aspects of the subject include place identity, conservation interest, conservation architecture, regional identity, contemporary history, built environment, architectural character, cityscape history, social landscape, period building, period detail, local history, urban fabric, and changing streetscape. For contemporary context, planning control and historic townscape are closely related themes, especially where the issue becomes the contrast between historic fabric and modern development. The archival value lies partly in recording landscape and surrounding development around reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE before different community use alters the character of the place. A second layer of the scene includes everyday Britain, architectural contrast, traditional masonry, documentary photography, visual archive, before-and-after reference, historical comparison, and archival record. Elements such as eritraea, Altrincham, glass, sibylla, and Dunham add documentary specificity and may become useful when the scene is compared with later records. A later view of reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes planning control and the contrast between historic fabric and modern development as part of the longer story of reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE. The location retains a record of the surrounding environment for retrospective editorial use.
reading room, Dunham, NT, Altrincham, Cheshire, England, UK, WA14 4PE
Description
Keywords: Tony,Smith,tonysmith,hotpix,stained,glass,woman,lady,girl,\u5973\u306e\u5b50\u306e\u5973\u6027\u306e\u8096\u50cf\u753b\u306e\u8868\u9762\u5973\u6027,femelle,de,visage,portrait,femme,fille,face,M\u00e4dchenfrauenportrait,Gesichtsfrau,M\u00e4dchen,Frau,Portraitgesicht,jewellery,eye,eyes,1920,1920's,HDR,sex,sexy,erotic,erotica,tony smith photography,racy,tdktony,tdk,tdktonysmith,#tonysmithhotpix,#tonysmithotpix,MIS,@hotpixUK,ActiveH,housingtechnology
Description: Tony Smith image Flickr 5336262527 - 'Passion Of Lovers - 'Bauhaus' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Bauhaus were an English band from Northampton between 1978 and 1983. The group were Peter Murphy on vox, Daniel Ash on guitar, Kevin Haskins on drums and David J on bass. After break up some members continued as 'Love and Rockets'.
Originally called 'Bauhaus 1919' (a reference to the German Bauhaus art movement of the 1920s, because of its 'stylistic implications and associations'), the date was soon dropped. With the ultimate dark and gloomy sound and image, Bauhaus I think, are generally considered the first proper gothic rock group.
Together for only six weeks, Bauhaus entered the studio for the first time at Beck Studios in Wellingborough to record a seminal demo. Five songs were recorded, one of the tracks from the session, 'Bela Lugosi's Dead', running more than nine minutes, was released as the group's debut single in August 1979 on Small Wonder Records as Bauhaus. It stayed on the British independent charts for two years. The song received crucial airplay on BBC Radio 1 and DJ John Peel's evening show, and Bauhaus was subsequently asked to record a session for Peel's show, which was broadcast on January 3rd, 1980.
This single, 'The Passion of Lovers' peaked at number 56 and came from the second album, 'Mask' (1981). The band employed more keyboards and a variety of other instruments to add to the diversity of the record. In an unconventional move, the group shot a video for the album's title track as a promotional tool for the band as a whole and not any specific song from the record. My original 7' has a lyric sheet if the listener felt they would like to sing along(!).
In my opinion Bauhaus never received the critical regognicion they deserved. To appreciate the band, check out the excellent live cut 'Press the Eject and Give Me the Tape'. Alternatively, track down 'Swing the Heartache: The BBC Sessions'. Oh, and tell 'em I sent you!
------------------------
The story of St George and the Dragon was a legend brought back with the Crusaders and retold with the courtly appurtenances belonging to the genre of Romance. The earliest known depiction of the legend is from early 11th century Cappadocia, (in the iconography of the Eastern Orthodox Church, George had been depicted as a Roman soldier since at least the 7th century)
the earliest known surviving narrative text is an eleventh-century Georgian text.
A dragon or Crocodile creature makes its nest at the spring that provides water for the city of 'Silene' (perhaps modern Cyrene) in Libya or the city of Lydda, depending on the source. Consequently, the citizens have to dislodge the dragon from its nest for a time, to collect water. To do so, each day they offer the dragon at first a sheep, and if no sheep can be found, then a beautiful maiden must go instead of the sheep.
The victim is chosen by drawing lots. One day, this happens to be the princess. The monarch begs for her life to be spared, but to no avail. She is offered to the dragon, but there appears Saint George on his travels. He faces the dragon, protects himself with the sign of the cross, slays the dragon, and rescues the princess. The grateful citizens abandon their ancestral paganism and convert to Christianity.
The St George's Cross is a white flag with a red cross, he is Englands patron saint and the feast day is on April 23rd. The Barmy Army are keen carriers of the flag, supporters of the England cricket team, who beyond many predictions have retained the Ashes this week. So its quite appropriate I have slipped a little bit of symbolism into this post. If you are one of my Antipodean cousins and have managed to read this far, 'Sorry! see you in a couple of years time...'.
NB: Like all the images on this stream, full size images are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>English stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,G4,G4 0QZ,Castle Street,window,Matthew 25,36-46,You clothed me,I was naked,Glasgow Cathedral,stained glass,windows,i was naked,and,you clothed me,clothed,ye clothed me,dressing,dress,dressed,clothing,stained,glass,solemn,woman,lady,female,Jesus,Christ,Matthew,25,36,25-36
Description: Tony Smith image Alamy 2A9GHRR - Matthew 25:36-46
36 I was naked and ye clothed me. I was sicke and ye visited me. I was in preson and ye came vnto me.
37 Then shall ye righteous answere him sayinge master whe sawe we ye anhongred and feed the? or a thurst and gave ye drinke?
38 when sawe we ye herbourlesse and lodged the? or naked and clothed the?
39 or when sawe we the sicke or in preson and came vnto the?
40 And ye kynge shall answere and saye vnto them: verely I saye vnto you: in as moche as ye have done it vnto one of ye leest of these my brethren ye have done it to me.
41 Then shall the kynge saye vnto them that shalbe on the lyfte hande: departe from me ye coursed into everlastinge fire which is prepared for the devyll and his angels.
42 For I was an hungred and ye gave me no meate. I thursted and ye gave me no drinke.
43 I was herbourlesse and ye lodged me not. I was naked and ye clothed me not. I was sicke and in preson and ye visited me not.
44 Then shall they also answere him sayinge: master when sawe we the an hungred or a thurst or herbourlesse or naked or sicke or in preson and did not ministre vnto the?
45 Then shall he answere the and saye: Verely I saye vnto you in as moche as ye did it not to one of ye leest of these ye did it not to me.
46 And these shall go into everlastinge payne: And the righteous into lyfe eternall.
Castle St, Glasgow, Scotland, UK, G4 0QZ
Description
Keywords: father,munro,fr,catholic,priest,preist,england,ireland,english,i father,irish,roman,catholicism,church,interior,easter,365project,sepia,selective,colour,colores,color,stained,glass,tonysmith,hotpixuk,tony,smith,project365,man,cloth,HDR,photomatix,hotpics,hotpic,hotpick,hotpicks,interesting,people,person,persons,persona,interesante,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,hotpix!
Description: Tony Smith image Flickr 4521907330 - 'Its that busy time of the year, perhaps more so than Christmas.
According to Christian scripture, Jesus was resurrected from the dead on the third day after his crucifixion. Some Christians celebrate this resurrection on Easter Day or Easter Sunday. For the Father here this can often be combined with the sacrament of confirmation with oil, so a very hectic few days of great spiritual significance.
Easter is a moveable feast, meaning it is not fixed in relation to the civil calendar. A quite complex formula is used to work out when it falls based on the first Sunday after the full moon (the Paschal Full Moon) following the northern hemisphere's vernal equinox. Ecclesiastically, the equinox is reckoned to be on March 21 (regardless of the astronomically correct date), and the 'Full Moon' is not necessarily the astronomically correct date. The date of Easter therefore varies between March 22 and April 25 each year.
Easter is linked to the Jewish Passover by much of its symbolism, as well as by its position in the calendar. This reminds us that these religions (as well as Islam) is linked by common texts and traditions. There is more to link these three faiths than is commonly dug up to divide them.
Peace to you and your family, whatever your belief this Easter.
Checkout more churches from my photostream w=33062170@N08\'>www.flickr.com/search/?q=church&
w=33062170@N08
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: horace,eva,banner,stained,glass,colour,colored,window,IM,methodist,independent,church,Grappenhall,A50,knutsford,rd,road,cheshire,warrington,england,UK,britain,missionary,brazil,amazon,position,preacher,interior,inside,hotpics,hotpic,hotpick,hotpicks,hot,pics,pix,picks,hotpix.freeserve.co.uk,building,buildings,built,architecture,sex,sexy,muchacha,femenina,de,la,mujer,se\u00f1ora,lady,female,woman,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,hotpix!
Description: Tony Smith image Flickr 4393219878 - 'This is the Horace and Eva Banner stained glass window in Grappenhall Methodist Church, on the A50 Knutsford Road, Grappenhall, Cheshire.
They were UFM missionaries to the indians of Brazil. Horace lived from 1906 - 1974 and Eva from 1921 - 1998.
The window depicts Smoke Falls, the location of the Kayapo Mission Station, established by Horace Banner. The falls, on the Xingu are 1000 miles up river from its confluence with the Amazon. Eva and Horace were reputed to be the first white couple ever to see Smoke Falls. With children Jessie Mae and James, they lived in a Kayapo village and ministered to the tribe.
The brass inscription at the side of the window names 'Horace Banner as a missionary to the Tembe and Urubu from 1928 and a pioneer missionary to the Kayapo tribe 1936 - 1972. Eva his wife worked with him amongst the Kayapo at Smoke Falls (1947-1972) and undertook further ministry in Brazil 1975 &
1979. May their example inspire us in our witness for Jesus Christ'.
The window is on the south side of the church, which apart from this is in quite a plain style. Wording on the window is 'Go ye therefore and teach all nations. I am with you always even until the end of the world'. (a version of Matthew 28:20 from the bible).
Below is a more elaborate extract from the Grappenhall IM history:
When Horace first arrived in this part of Brazil, he and William Johnson went in search of three missing missionaries who had not been heard of for several months. Those three missionaries are still known to this day as the \u2018Three Freds' : Fred Roberts, Fred Wright and Fred Dawson.
The three Freds had gone to work amongst the Kayapo and had travelled up the Xingo and then it\u2019s tributary, the Rio Zinho. The Kayapo\u2019s only contact with civilisation was through the savage attacks they carried out on the homes of Brazilian settlers often killing the men and carrying off the women back into the rain forest.
It was an 800 mile journey by boat and motor transport before Horace and William reached the edge of hostile Indian territory. They then made two attempts with the assistance of armed guards to follow the route up the Rio Zinho taken by the three Freds. Eventually they penetrated 200 miles into Indian territory to stand below the waterfall known as Smoke Falls to find the sunken motor boat and the clothing remains belonging to the three Freds.
Horace\u2019s party had travelled along the Rio Zinho knowing that they could be ambushed by the Indians at any time. On their return journey to safety, Horace recorded that he had turned to the second chapter of the book of Ezekial and read:-
\u201cand thou, son of man, be not afraid of them\u2026..be not afraid of their words, nor dismayed at their looks\u2026\u2026Thou shalt speak my words unto them.\u201d
Words of scripture that Horace would follow and lead to forty years of ministry to the Kayapo Indians.
Cricket on the green www.flickr.com/photos/hotpixuk/3812187297/ at Grappenhall.
(2010 week 7)
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899
',
Description
Keywords: St,mary,Mary's,church,gt,great,budworth,northwich,cheshire,UK,GB,britain,religion,chapel,inside,internal,candle,lit,bible,stained,glass,view,religious,this photo rocks,HDR,high dynamic range,Chehire,interior,interesting,place,places,hotpix!
Description: Tony Smith image Flickr 4333545672 - 'By its full name it is known as St Mary and All Saints Church, Great Budworth.
Its a grade I listed building opposite the George &
Dragon pub in the centre of Gt Budworth. It receives accolades from many scholars of church architecture, including Clifton-Taylor, Richards &
Pevsner and was mentioned in the Doomsday book..
Its easy to enjoy, built in perpendicular and gothic styles. I often cycle here in summer, partake of a few pints of guest ale at the G&
D before taking a leisurely trip back.
(2010 week 5)
My local church www.flickr.com/photos/hotpixuk/3813282382/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Church,Cheshire,England,UK,HDR,high,dynamic,range,inside,alter,stained,glass,old,historic,olde,city,cite,English,chapel,gradeII,grade,II,listed,building,buildings,Anglican,parish,Richard,Brooke,of,Norton,Priory,drive,rd,road,WA42SX,Bell,lane,ln,WA4,2SX,Gotonysmith Robert Pickering churchyard contains war graves,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HCG1 - . This authentic period view of All Saints Drive, Thelwall, Warrington, Cheshire UK ,WA4 2SX in 2009 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The main point of reference is Golden eagle brass lectern interior All Saints Church Thelwall Warrington Cheshire England UK, WA4 2SX. The frame also records themes of community identity, documentary photography, archival record, local character, sacred architecture, social history, place identity, local history, period detail, religious heritage, contemporary social history, faith community, religious landmark, and historic church fabric. For current editorial use, tourism and maintenance costs provide additional context, especially through how churches combine active worship with heritage and community roles. For later comparison, the photograph preserves period objects and surrounding context at All Saints Drive, Thelwall, Warrington, Cheshire UK ,WA4 2SX, details that may look very different after replacement signage. Other useful contextual ideas include before-and-after reference, historical comparison, everyday life, ecclesiastical architecture, changing land use, public realm, changing streetscape, and parish history. The combination of Thelwall, Church, interior, Saints, and brass anchors the frame to a recognisable activity, place or moment. The wider setting at All Saints Drive, Thelwall, Warrington, Cheshire UK ,WA4 2SX matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene further reflects tourism and the challenge of maintaining historic fabric amid rising costs within the real-world context of All Saints Drive, Thelwall, Warrington, Cheshire UK ,WA4 2SX. The record includes evidence of earlier appearance within the wider story of All Saints Drive, Thelwall, Warrington, Cheshire UK ,WA4 2SX.
All Saints Drive, Thelwall, Warrington, Cheshire UK ,WA4 2SX
Description
Keywords: Church,Cheshire,England,UK,gotonysmith,blue,sky,saint,john,johns,the,evangelists,English,Heritage,Grade,II,listed,building,gradeii,grade2,two,private,estate,anglican,tower,spire,diocese,of,Liverpool,Sir,Gilbert,Greenall,Paley,and,Austin,Greenalls,Greenall,family,brewers,and,distillers,sandstone,octagonal,north,west,stair,turret,stained,glass,window,south,transept,dated,1929,by,Morris,and,Co,Shrigley,and,Hunt,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF0NMT - St John the Evangelist's Church, Warrington is in Walton, Warrington, Cheshire, England. It has been designated by English Heritage as a Grade II* listed building.
It was built as a private estate church towards the end of the 19th century but is now an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Chester and the deanery of Great Budworth.
The church was built in 1885 to serve the Walton Hall estate of the Greenall family, brewers and distillers. It was built at the expense of Sir Gilbert Greenall and designed by Paley and Austin.
The stained glass includes a window in the south transept dated 1929 by Morris and Co. and elsewhere by Shrigley and Hunt.
St Johns Church, Walton, Warrington, Cheshire, England, UK
Description
Keywords: Manchester,UK,england,english,building,buildings,listed,purple,c Manchester,colours,stained,glass,city,centre,beautiful,architecture,interior,inside,theatre,theater,culture,play,plays,performance,performances,Royal Exchange,Royal exchange manchester,Manchester Royal exchange,town,lancs,lancashire,cotton,king,photo,image,photograph,print,SuperShot,wide,angle,wideangle,lens,sigma,12-24mm,10-20mm,hotpix!
Description: Tony Smith image Flickr 4631607472 - 'When I am in Manchester, I usually take a short cut through this fabulous place, which you can do unless a performance is in progress. Many moons ago I used to go to meetings of the junior chamber of commerce here, in one of the side rooms. On this day it was spookily deserted. I stopped to check a text message while my camera with on my shoulder and below me a solitary man, dressed in black crossed the room without sound.
It has a great feeling of history (the last trading values still remain on the trading board for cotton etc) from 1968 and is very modern with its central circular 'pod' of a theatre at its heart. Its great to see events here and I have seen Shakespeare plays as well as the veritable John Shuttleworth (AKA Jilted John).
The Royal Exchange is a grade II listed Victorian building bounded by St Ann\u2019s Square, Market Street and Cross Street. The complex includes the Royal Exchange Theatre, and the Royal Exchange shopping centre.
The current building is the last of several buildings on the site used for commodities exchange, primarily but not exclusively of cotton and textiles.
The first exchange was built near to the present site in 1792. The first exchange was replaced by a second, larger, exchange that was constructed between 1806 and 1809. The second exchange was enlarged between 1847 and 1849. The second exchange was in turn replaced, by a third exchange by 'Mills &
Murgatroyd', constructed between 1867 and 1874. The building was then extended and modified by 'Bradshaw Gass &
Hope' between 1914 and 1931 to form the largest trading room in England. Thus was the importance of Manchester at this time.
The theatre's unique design was conceived by Richard Negri of Wimbledon School of Art, and was intended to create an unusually vivid and immediate relationship between actors and audiences. As the floor of the Exchange would not be able to take the great weight of the theatre and its audience, the module is suspended from four columns that also carry the hall's central dome. Only the stage area and ground-level seating rest on the floor of the hall itself.
The theatre can seat up to 700 people on three levels, making it the largest theatre in the round in Britain. There are 400 seats at ground level in a raked configuration, above which lie two galleries, each with 150 seats set in two rows. Every seat has a clear view of the stage.
Repairs after the IRA bombing adjacent in Corporation Street took over two years to complete and cost \u00a332 million, a sum provided by the National Lottery.
The Royal Exchange building and the theatre itself are reputed to be haunted. One of the ghosts is reputed to be that of the actor and founding artistic director, James Maxwell. Another is that of a maternal Victorian lady, well dressed and with 'a passion for drink'.
In 2006, the building was the subject of a paranormal investigation by the Most Haunted programme on Living TV.
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Description
Keywords: Inside,Corn,cornexchange,cotton,king,kingcotton,cottonopolis,drama,comedy,show,shows,gradeII,grade2,anns,stained,glass,dome,domed,domes,Mills,&,Murgatroyd,pod,Lancs,building,St Anns Square Manchester Lancashire England UK Purple,Gotonysmith St Anns Square,Exchange Street,Market Street,Cross Street and Old Bank Street,Mancester,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,English,England,Shakespeare,tourism,tourist,tour,destination,city,centre,Mancunian,Manc,Buy Pictures of,Buy Images Of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Manchester City Centre
Description: Tony Smith image Alamy D8HCM5 - The Royal Exchange is a grade II listed building in Manchester, England. It is located in the city centre on the land bounded by St Ann's Square, Exchange Street, Market Street, Cross Street and Old Bank Street. The complex includes the Royal Exchange Theatre and the Royal Exchange Shopping Centre.
The Royal Exchange was heavily damaged in the Manchester Blitz and in the 1996 Manchester bombing. The current building is the last of several buildings on the site used for commodities exchange, primarily but not exclusively of cotton and textiles.
Exchange St, Manchester, England, UK
Description
Keywords: England,United,Kingdom,gotonysmith,wilfreds,wilfrids,inside,view,lane,of,England,stone,history,cobbled,cobbles,wood,wooden,roof,eaves,pillar,pillars,holy,religious,place,warm,stained,glass,red,carpet,St,Wilfreds,Altar,best,really,good,better,old,Norman,olde,features,cat,carved,designated,by,English,Heritage,holy,Christ,12th,century,and,completed,about,1120,local,sandstone,sand,chapel,Paley,and,Austin,medieval,glass,gotonysmith,Warringtonian,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF0N03 - . St Wilfrids Church Interior and altar, Grappenhall Village South Warrington Cheshire WA4, England United Kingdom. Photographed on 6 June 2009. The recorded location is Church Lane, Grappenhall, Warrington, Cheshire, England, UK. The wider historical story is that ecclesiastical structures are both active places of worship and repositories of community history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space. From a heritage perspective, interiors preserve details that exterior photographs cannot show: furniture, fittings, decorative finishes and room layouts reveal how structures were actually used
Such features are often altered during refurbishment even when the outside remains unchanged. Looking at the subject's development, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. In the present 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and community identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage structures while keeping them accessible and relevant. As of 2026, restoration projects increasingly emphasise retaining significant interiors as well as façades, making earlier photographs useful evidence when rooms are refurbished, repurposed or opened to visitors. For the 2026 context, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses.
Church Lane, Grappenhall, Warrington, Cheshire, England, UK
Description
Keywords: England,United,Kingdom,gotonysmith,wilfreds,wilfrids,lane,of,England,stone,historic,history,cobbled,cobbles,wood,wooden,roof,eaves,pillar,pillars,holy,religious,place,warm,stained,glass,red,carpet,St,Wilfreds,Interior,gradeI,listed,gradeII,monument,two,one,town,community,centre,Altar,gotonysmith,Warringtonian,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF0N0B - . St Wilfrids Church Interior Grappenhall Village, South Warrington, Cheshire, WA4, England, United Kingdom. Photographed on 6 June 2009. The recorded location is Church Lane, Grappenhall Village, South Warrington, Cheshire, England, United kingdom. Historically, room interiors are records of both design and daily activity
Furnishings, lighting, surfaces and specialist fittings can identify a building's function and period, while later refurbishment may erase these smaller details. The wider historical story is that ecclesiastical structures are both active places of worship and repositories of community history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space. In 2026, restoration projects increasingly emphasise retaining significant interiors as well as façades, making earlier photographs useful evidence when rooms are refurbished, repurposed or opened to visitors. In the present 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and community identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage structures while keeping them accessible and relevant. The historical context is that historic interiors combine architecture with material culture
Furniture, clocks, silverware, screens, organs and decorative schemes can show craftsmanship, status and institutional use in ways that a façade alone cannot convey. In the longer view, interiors preserve details that exterior photographs cannot show: furniture, fittings, decorative finishes and room layouts reveal how buildings were actually used
Such features are often altered during refurbishment even when the outside remains unchanged. Useful related concepts include interior design, decorative detail, period interior, and architectural interior.
Church Lane, Grappenhall Village, South Warrington, Cheshire, England, United kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA16,the,commandment,stained,glass,depicting,window,at,Lower Peover,Crown Lane,Knutsford,Cheshire,England,UK,WA16 9PY,stone,tablets,tablet,numbers,numerals,village,Anglican,two,figures,men,beard,bearded,male,males,rules,Judaism,and,Christianity.,commandments,10,ten,Decalogue
Description: Tony Smith image Alamy 2R59XBH - . Stained glass depicting the ten commandments, at St Oswald's Church, Lower Peover, Crown Lane, Knutsford, Cheshire, England, UK, WA16 9PY. Photographed on 5 November 2010. It is recorded in the National Heritage List for England as a designated Grade I listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Knutsford. Its benefice is combined with that of St Lawrence, Over Peover.[2]. History. A church has been on this site since at least 1269, when it was a chapel of ease to Great Budworth. The west tower dates from 1582, the mason being John Bowden. A south chapel was added around 1610, and the north chapel in 1624. The aisles were altered and re-roofed in 1852 by Anthony Salvin and there have been subsequent restorations. Within the history of churchyard, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, later chapels, organs, altars, monuments and inscriptions can coexist within a single building, revealing generations of craftsmanship and evolving liturgy. In relation to public realm, historical context shows that place-based photography helps document the relationship between named locations and the people or businesses associated with them, especially where formal architectural records are limited. For the story of plastic toy, it is useful to note that post-war plastic toys became mass-market consumer products, often tied to television and science-fiction franchises
Packaging, moulding and character design now make many examples collectible objects. Against the 2026 backdrop for churchyard, historic places of worship remain important not only for faith but also for tourism, music, community use and local identity
Images of interiors, memorials and churchyards can support stories about conservation, heritage skills and the continuing reuse of sacred buildings.
St Oswald's Church, Lower Peover, Crown Lane, Knutsford, Cheshire, England, UK, WA16 9PY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,pub,stained,glass,window,stained glass window,bars,North Yorkshire,England,UK,traditional,British,tap room signage,sign,room,etched,leaded,historic pub,British pub culture,vintage typography,pub architecture,interior exterior detail,hospitality heritage,drinking culture,licensed premises,traditional signage,old pub window,heritage building detail,city of York,editorial,photography,documentary image,history,heritage,old,fashioned,drinking rooms
Description: Tony Smith image Alamy 2R59X1F - Stained glass window detail with Tap Room stock-photo/gotonysmith-Lettering.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>lettering at a traditional public house in York, North Yorkshire, showing classic pub signage, leaded glass, metal lettering and historic interior character. The close-up composition focuses on the words set into the window, with white-painted framing, warm red interior tones and a glimpse of the room beyond, creating a strong documentary image of British pub heritage. A tap room was traditionally one of the simpler drinking rooms in an inn or public house, often associated with beer drawn from the tap, everyday drinkers, conversation, local community and the social life of working towns and cities. Historic pub layouts could include separate spaces such as a public bar, saloon bar, snug, parlour and tap room, each reflecting different customs, prices, class expectations and patterns of sociability. This York image is useful for editorial and commercial searches about English pubs, pub interiors, pub windows, stained glass signage, leaded glass, etched lettering, real ale, cask beer, CAMRA, beer tourism, pub preservation, hospitality venues, licensed premises, drinking culture, local history and architectural detail. York's long-established inn and pub culture, linked to tourism, railway travel, medieval streets, historic coaching inns and city centre leisure, gives the picture added relevance for travel guides, beer trails, pub walks and heritage features. The photograph can illustrate articles on traditional British pubs, Yorkshire tourism, historic interiors, pub design, conservation, brewery heritage, social history, everyday architecture, typography, signwriting, bar-room terminology and the changing role of pubs as community meeting places. With no people visible, the image remains flexible for reports, websites, guidebooks, blogs, magazines and stock photo buyers needing a clean detail shot that evokes old pub atmosphere, traditional hospitality, real ale culture and the enduring appeal of the public house.
Stained glass window with ""Tap Room"" lettering at a traditional public house in York, showing classi
Description
Keywords: @hotpixuk,Hotpixuk,GoTonySmith,Magen David,jew,Jewish,Abrahamic religions,Abrahamic,religion,faith,Jewish faith,Jew,identity,Judaism,symbol,Shield of David,hexagram shape,hexagram,shape,synagogue,Jewish communities,Davids David,icon,icons,Hebrew,Stained Glass,star,shield,symbols,religious,stained,glass,window,Israel,Israeli,law,legislation,Gaza,Palestine,Hezbollah
Description: Tony Smith image Alamy 2BGHCWK - . A detailed documentary view from England, Great Britain , UK, preserving the appearance and character of the subject at a particular point in time. The scene records Jewish star of David, Shield of David, Magen David, in stained glass. The setting additionally reflects period detail, visual archive, traditional masonry, community identity, contemporary history, historic streetscape, place identity, archival record, local history, urban fabric, documentary photography, heritage landmark, built environment, and regional identity. Current discussion around this subject increasingly includes energy retrofit alongside adaptive reuse, with particular attention to using existing buildings rather than demolishing them. The photograph fixes street furniture and boundaries within England, Great Britain , UK at one identifiable point, providing a benchmark against changing public expectations. The surrounding context includes cityscape history, before-and-after reference, social history, historical comparison, conservation architecture, period building, heritage asset, and everyday Britain. The combination of Shield, glass, David, stained, and Magen helps anchor the frame to a recognisable activity, place or period. Around England, Great Britain , UK, apparently routine features can become historically useful once businesses close, buildings change use or familiar street details disappear. That also gives the frame relevance to energy retrofit and the contrast between historic fabric and modern development in a form that can be compared with future views of England, Great Britain , UK. Another useful connection is adaptive reuse and preserving local identity during urban change within the real-world context of England, Great Britain , UK. The scene further reflects redevelopment pressure and keeping older buildings useful without erasing their character within the specific setting of England, Great Britain , UK.
England, Great Britain , UK
Description
Keywords: pano,wide,shot,warwickshire,St,Michaels,Bishop,Diocese,West,Midlands,Right,Revd,Christopher,Cocksworth,Dean,is,Very,reverend,John,Witcombe,saint,marys,modern,concrete,construction,Basil,Spence,and,Arup,built,by,John,Laing,design,large,tapestry,of,Christ,gotonysmith,wideshot,bombing,blitz,second,world,war,II,Father,Forgive,Grade,I,GradeI,grade1,Graham,Sutherland,emotive,sculpture,of,the,Mater,Dolorosa,by,John,Bridgeman,in,the,East,end,and,the,Baptistry,window,by,John,Piper,of,abstract,design,that,occupies,the,full,height,of,the,bowed,baptistery,which,comprises,195,panes,ranging,from,white,to,deep,colours,The,stained,glass,windows,in,the,Nave,by,Lawrence,Lee,Keith,New,and,Geoffrey,Clarke,John,Hutton,Ralph,Beyer,CV15AB,CV1,5AB,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8FBDM - Coventry Cathedral, also known as St Michael's Cathedral, is the seat of the Bishop of Coventry and the Diocese of Coventry, in Coventry, West Midlands, England. The current (9th) bishop is the Right Revd Christopher Cocksworth and the current Dean is The Very Revd John Witcombe .
The city has had three cathedrals. The first was St. Mary's, a monastic building, only a few ruins of which remain. The second was St Michael's, a 14th-century Gothic church later designated Cathedral, that remains a ruined shell after its bombing during the Second World War. The third is the new St Michael's Cathedral, built after the destruction of the former and a celebration of 20th-century architecture.
Coventry Cathedral, 1 Hill Top, Coventry, England, UK CV1 5AB
Description
Keywords: inside,historic,history,saint,Cuthbert,anglican,catholic,interior,without,tradition,city,listed,building,gradeII,grade2,window,fourteenth century,religion,religious,Latvian,Lutheran,congregation,Saint,Cuthbert,in,a,circle,of,stained,glass,stainedglass,St Cuthberts,GoTonySmith,Melrose,Cumbrian,community,christian,anglican,Buy Pictures of,Buy Images Of,Cuthbert of Melrose
Description: Tony Smith image Alamy EY3KPY - History and General Description
The Church stands not east-west but square to the Roman Road north through Carlisle (the A6, in town Blackfriars St). It is therefore of early foundation, perhaps before St Cuthbert's visit to Carlisle in 685. The present Church, probably the fourth on the site, dates from 1778.
It has a unique moving pulpit, a fourteenth century window, a window commemorating our hospitality to a Latvian Lutheran congregation, and a very attractive series of windows depicting the life of St Cuthbert. It is open every day during daylight hours. Our motto is: Christian Hospitality
Blackfriars st, Carlisle,Cumbria,England,UK
