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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_1799,McEwans,The Legend In Your Local,etched,mirror,pub,advertising,sign,Scottish,Scotland,UK,beer,brewery,branding,traditional,public,house,memorabilia,brewing,heritage,alcohol,marketing,bar,interior,glass,Edinburgh,drinking,culture,historic,diggers,Athletic,arms,The Diggers
Description: Tony Smith image Alamy 3EX1RFE - . McEwan's The Legend In Your Local etched mirror or pub advertising sign inside a Scottish pub, The Diggers Edinburgh. Photographed on 28 June 2026. The recorded location is Edinburgh , Scotland, UK. The decorative glass carries large McEwan's lettering with the slogan The Legend In Your Local, reflecting the historic visibility of brewery branding in traditional public houses. McEwan's is a long-established Scottish beer name associated with Edinburgh brewing and pub culture. Warm wooden fittings and reflected interior detail give the photograph a strong heritage pub atmosphere. Seen through nightlife, the earlier context is that public houses form a distinctive strand of British social history
Coaching routes, tied brewery estates, Victorian urban growth and twentieth-century leisure each shaped the location and appearance of pubs, many of which later became restaurants, shops, housing or community assets. For street furniture, the historical context is that signs are functional pieces of graphic design that organise movement and communicate rules, names or destinations
Lettering, symbols, colours and materials can date public space as clearly as architecture, particularly when organisations rebrand or regulations evolution. Looking at souvenir, the longer history is that material culture includes the ordinary products people bought, used, collected or displayed
Small manufactured objects can reveal national identity, advertising, technology and popular taste in ways that formal records do not. The 2026 relevance of nightlife comes from the fact that pub survival remains a live issue as energy, staffing, taxation and changing drinking habits affect the licensed trade
Historic and contemporary pub images therefore have relevance to community assets, nightlife, independent brewing, high-street change and hospitality economics. Additional subject language includes souvenir, consumer object, vintage object, and memorabilia.
Edinburgh , Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_1800,Pint,beer,Heriot-Watt University,branded,glass,pub,table,Scotland,UK,university,student,culture,higher,education,campus,social,life,alumni,Scottish,hospitality,golden,ale,drinking,interior,close-up,crest,academic,institution
Description: Tony Smith image Alamy 3F12DMM - . Pint of beer in a Heriot-Watt University branded glass on a pub table in Scotland, UK. Photographed on 28 June 2026. The close view shows the university crest and name on the glass with the surrounding pub interior softly visible in the background. The branded glass provides a clear visual link between an academic institution and an informal social setting, while the warm amber colour of the beer and reflective glass create an attractive close-up. Seen through student experience, the earlier context is that universities and colleges are both educational institutions and major pieces of civic architecture
Graduation ceremonies, historic buildings and campus signs record academic traditions as well as the growth of higher education. For community asset, the historical context is that beer culture links agriculture, brewing, distribution and the licensed trade
Cask-conditioned ale, handpumps, brewery branding and pub interiors became especially important to the real-ale revival from the 1970s onwards, while later craft brewing introduced new styles and independent producers. The 2026 relevance of student experience comes from the fact that higher education remains central to regional economies , particularly in cities where universities support research, employment and cultural life
Campus images therefore connect education with urban development and skills policy. For community asset, the 2026 context is that in England eligible pubs and live-music venues receive a 15% business-rates relief for the 2026/27 billing year, reflecting continuing concern about operating costs, closures and the role of hospitality in town-centre vitality. Relevant synonyms and subject phrases include graduates, students, academic life, learning, university building, degree ceremony, education sector, public house, licensed premises, alehouse, hostelry, bar trade, real ale, cask ale, local pub, historic pub, nightlife, and independent brewery.
Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_1118,V&A Dundee,Scottish Design Galleries,entrance,D.M. Brown Gallery,Dundee,Scotland,UK,design,museum,gallery,visitors,exhibition,culture,tourism,Scottish,creative,history,architecture,fashion,furniture,engineering,ceramics,products,collections,regeneration,attraction,signage,interior
Description: Tony Smith image Alamy 3ENMR5Y - V&A Dundee Scottish Design Galleries entrance and D.M. Brown Gallery in Dundee, Scotland, UK. Gold lettering identifies the Scottish Design Galleries beside the entrance to the D.M. Brown Gallery, with visitors able to move directly into exhibition spaces celebrating Scotland's contribution to design. V&A Dundee is Scotland's design museum and its permanent Scottish Design Galleries explore hundreds of years of creativity across areas including architecture, fashion, furniture, engineering, ceramics and product design. The photograph is suitable for editorial coverage of V&A Dundee, Scottish design, museums, cultural tourism, gallery interiors, exhibitions, creative industries, design history, Dundee regeneration, public collections and visitor attractions. The clean contemporary signage contrasts with the colourful gallery displays visible beyond the doorway and provides a clear identifying image of one of the museum's principal permanent exhibition areas. It can also illustrate stories about cultural investment, Scottish creativity, museum interpretation, free attractions and Dundee's transformation into a major design and tourism destination.
V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Scotlands Jute Museum,city,centre,former,mills,Victorian,textile,factories,factory,industrial,history,industry,heritage,exhibition,space,tourist,visitor,attraction,historic,mill interior,Scottish,contemporary,installation,culture,adaptive,architecture,regeneration,cultural,venue,creative,area,arts and community,projects,manufacturing,building,conservation,converted factory
Description: Tony Smith image Alamy 3ENF1MM - A striking interior view of the Red Box at Verdant Works Museum in Dundee, Scotland, inside a former Victorian jute mill. The vivid red, box-shaped exhibition and event space stands beneath a long glazed roof, its bold contemporary form contrasting with exposed stone walls, timber structures and iron pipework. Sunlight enters through the glass canopy and throws sharp areas of light and shade across the floor and red frontage, while museum objects, artworks and interpretation displays line the passage.
The Red Box is used as a flexible cultural space within Verdant Works, supporting exhibitions, creative projects, workshops and performances. Its modern design demonstrates how historic industrial buildings can be adapted for present-day arts and learning while retaining original character. Dundee's story of design, textiles, manufacturing and social change is visible in both the architecture and museum displays.
Verdant Works began as a flax mill built for merchant and spinner David Lindsay in 1833. It later became part of Dundee's vast jute industry, which transformed the city into an international centre for textile production. By 1864 the works operated thousands of spindles and dozens of power looms, employing hundreds of people. Dundee Heritage Trust acquired the derelict complex in 1991, restored it with sympathetic materials and opened it to the public in 1996 as Scotland's jute museum. The restored High Mill followed in 2015.
This image is suitable for editorial use concerning Dundee tourism, adaptive reuse, museum design, industrial archaeology, cultural regeneration, textile history, arts venues, community engagement, Victorian factories, Scottish heritage and the creative transformation of redundant manufacturing buildings. The Red Box provides a memorable focal point within a rare surviving courtyard mill and connects Dundee's industrial past with its modern cultural identity
Verdant Works Museum, West Henderson's Wynd, Dundee, City of Dundee, Scotland, DD1 5BT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_1018,Hello Dundee,neon,sign,glowing,blue,venue,Dundee,Scotland,UK,tourism,city,branding,nightlife,hospitality,signage,interior,Scottish,travel,urban,identity,light,illuminated,dark,graphic,culture,welcome
Description: Tony Smith image Alamy 3F12DHR - . Hello Dundee neon sign glowing blue inside a venue in Dundee, Scotland, UK. Photographed on 9 June 2026. The simple illuminated wording is accompanied by a small graphic above the text and stands out strongly against a dark background. The intense blue light and compact composition make the sign an eye-catching representation of the city name. Looking at bilingual signage, the longer history is that temporary and permanent notices are valuable social-history evidence because they capture the rules and assumptions of a particular moment, from parking and access to opening times, safety and public-service instructions. The background to social history is that everyday objects often become better historical evidence with age because packaging, typography, materials and branding change more rapidly than their basic function
Souvenirs, games and household items can therefore date consumer culture very precisely. Within the history of poster, graphic design turns practical information into a visual object
Typefaces, layout and printing methods can identify a period or brand, while small paper items preserve prices, slogans and events that may otherwise leave little physical trace. In 2026, bilingual signage remains relevant because current public-realm design increasingly expects signs to be legible, inclusive and consistent, while bilingual and accessibility information reflects wider policy around language and equal access. Current 2026 context around social history is that online resale, nostalgia and interest in vintage design have made many ordinary twentieth-century objects active collecting categories rather than disposable goods. Other useful descriptive phrases include public information, wayfinding, direction sign, street sign, lettering, public realm, visitor guidance, information sign, accessibility sign, graphic communication, street furniture, material culture, collectable, consumer object, and vintage object.
Dundee, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_0961,Panorama,V&A Dundee,RRS Discovery,Dundee Waterfront,Scotland,UK,museum,design,ship,River,Tay,architecture,tourism,regeneration,waterfront,maritime,heritage,city,branding,urban,renewal,culture,Scottish,panoramic,modern,landmark
Description: Tony Smith image Alamy 3ERX6DM - . Panorama of V&A Dundee and the restored RRS Discovery on Dundee Waterfront, Scotland, UK. Photographed on 8 June 2026. The recorded location is V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK. The wide view shows the distinctive angular form of Scotland's design museum beside the historic exploration ship and the regenerated riverside public realm on the River Tay. The panoramic composition shows how the museum, ship and surrounding development combine to create one of Dundee's most recognisable modern cityscapes. V&A Dundee opened in 2018 as Scotland's first dedicated design museum and the first V&A museum outside London. Designed by Kengo Kuma and inspired by Scotland's east-coast cliffs, it became a centrepiece of Dundee's waterfront regeneration beside the restored RRS Discovery. Within the history of cultural institution, public libraries expanded during the nineteenth and twentieth centuries as part of civic education, later adding computers, events and digital services while retaining their role as shared community space. In relation to coastal economy, historical context shows that harbours and ferry ports have shaped coastal communities for centuries, providing sheltered water for fishing, trade and passenger travel
Quays, piers, slipways and terminal buildings record evolving vessel sizes and the transition from cargo handling to modern roll-on roll-off ferry operations. For the story of souvenir, it is useful to note that material culture includes the ordinary products people bought, used, collected or displayed
Small manufactured objects can reveal national identity, advertising, technology and popular taste in ways that formal records do not. Against the 2026 backdrop for cultural institution, digitisation has changed research but has not removed the need for physical archives and collections. institutions increasingly combine online access with conservation of original material and renewed interest in local history.
V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_0961,Panorama,V&A Dundee,RRS Discovery,Dundee Waterfront,Scotland,UK,museum,design,ship,River,Tay,architecture,tourism,regeneration,waterfront,maritime,heritage,city,branding,urban,renewal,culture,Scottish,panoramic,modern,landmark
Description: Tony Smith image Alamy 3ETN30F - . Panorama of V&A Dundee and the restored RRS Discovery on Dundee Waterfront, Scotland, UK. Photographed on 8 June 2026. The recorded location is V&A Dundee, 1 Riverside.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK. The wide view shows the distinctive angular form of Scotland's design museum beside the historic exploration ship and the regenerated riverside public realm on the River Tay. V&A Dundee opened as a major cultural anchor for the city's waterfront transformation and sits immediately beside Discovery Point. The panoramic composition shows how the museum, ship and surrounding development combine to create one of Dundee's most recognisable modern cityscapes. V&A Dundee opened in 2018 as Scotland's first dedicated design museum and the first V&A museum outside London. Designed by Kengo Kuma and inspired by Scotland's east-coast cliffs, it became a centrepiece of Dundee's waterfront regeneration beside the restored RRS Discovery. For digital access, the historical context is that public libraries expanded during the nineteenth and twentieth centuries as part of civic education, later adding computers, events and digital services while retaining their role as shared community space. Looking at maritime transport, the longer history is that harbours and ferry ports have shaped coastal communities for centuries, providing sheltered water for fishing, trade and passenger travel
Quays, piers, slipways and terminal buildings record changing vessel sizes and the transition from cargo handling to modern roll-on roll-off ferry operations. The background to memorabilia is that material culture includes the ordinary products people bought, used, collected or displayed
Small manufactured objects can reveal national identity, advertising, technology and popular taste in ways that formal records do not. The scene also brings together design, ship, River, Tay, architecture, tourism, and regeneration.
V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Asda,ciders,beer,cider,alcohol-free,low-alcohol,wine,gin,alternative,drinks,aisle,retail,display,grocery,retailing,segment,sector,dry,sober curious,mindful,drinking,UK,British,Scottish,moderation,Dry January,health-conscious,shoppers,responsible,drinkers,pricing,brands,changing,habits,culture,trend,wellness
Description: Tony Smith image Alamy 3E8E1H4 - Editorial stock photograph showing an Asda market.htm Target=_Blank>supermarket No and Low Alcohol drinks range displayed beneath a large overhead aisle sign, with shelves stocked with alcohol-free and low-alcohol beers, ciders, wines, sparkling drinks, pre-mixed style cans and spirit alternatives. The image captures a recognisable UK retail scene, showing the expanding supermarket market for reduced alcohol products, sober curious lifestyles, mindful drinking, designated drivers, health-conscious shoppers and customers looking for alternatives to full-strength alcoholic drinks.
The display is useful for stories about changing British drinking habits, alcohol moderation, supermarket retail trends, public health, Dry January, low alcohol beer, alcohol-free gin style drinks, low and no wine, cider alternatives, adult soft drinks, pricing, promotions and the growing commercial value of no and low alcohol ranges. The visible shelf-edge prices, branded bottles, cans and wine-style packaging help show how these products are now merchandised as a mainstream category rather than a small niche. The overhead No and Low Alcohol sign gives the photograph strong editorial clarity, making the subject readable even at thumbnail size.
This image can support articles about alcohol duty, cost of living pressures, younger consumers drinking less, responsible drinking campaigns, supermarket category management, health policy, alcohol substitution, wellness retail, product innovation and the blurring of boundaries between alcohol aisles and adult non-alcoholic drinks. It also suits features on UK grocery chains, Asda store layouts, consumer choice, changing social habits and the wider cultural shift towards moderation. The bright supermarket lighting, metal shelving, price tickets and densely packed products create an authentic documentary view of everyday shopping, useful for newspapers, magazines, blogs, market research, retail reports and public health commentary
Asda supermarket No and Low Alcohol drinks aisle with beer, wine, spirits and cider alternatives on
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A8974,Rangers,Ibrox,Glasgow,football,Scotland,club,flag,RFC,stadium,sport,Scottish,Premiership,supporters,crest,blue,RangersFC,Rangers FC,soccer,Premier League,league,team,teams,Old firm,Protestant teams,1872,Gers,Light Blues,ground,Unionist,community,culture,Shankill,road,Andrew Cavenagh,49ers,Enterprises,classic
Description: Tony Smith image Alamy 3FA7XA6 - . Rangers FC flag flying beside Ibrox Stadium in Glasgow. Photographed on 17 August 2025. The recorded location is Ibrox, Glasgow, Scotland, UK. Rangers FC flag flying against a clear blue sky at Ibrox in Glasgow. The blue club flag and crest provide a simple, recognisable symbol of one of Scotland's major football clubs and its historic stadium. Looking at major event, the longer history is that football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture. In 2026, major event remains relevant because sporting imagery has relevance beyond results, illustrating club identity, fan culture, major-event economics, venue investment and the role of sport in local regeneration. Other strongly related concepts include supporters, matchday, sporting heritage, sports venue, professional sport, football history, sports tourism, supporter culture, stadium architecture, sports memorabilia, 255A8974, RFC, Scottish, and Premiership. The background to stadium architecture is that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. Within the history of stadium, football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture. Against the 2026 backdrop for stadium, sporting imagery has relevance beyond results, illustrating club identity, fan culture, major-event economics, venue investment and the role of sport in local regeneration.
Ibrox, Glasgow, Scotland, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,V&A Dundee,V&A Dundee building,River Tay Dundee,Scottish design museum,Tayside,harbour,harbourside,Scottish,culture,icon,iconic,design and environment,future of gardening,climate and design,sustainability themes,museum exhibitions UK,culture and ecology,post-industrial waterfront regeneration,design-led cities,public engagement with climate issues,architecture and landscape,modern Scotland identity,museum-led regeneration,V&A Dundee DD1 4EZ,1 Riverside Esplanade Dundee,Dundee Scotland UK,Kengo Kuma architecture,museum exterior,exhibition signage,design exhibition Scotland,cultural tourism Dundee,city landmark
Description: Tony Smith image Alamy 3DCX6EE - The exterior of V&A Dundee, Scotland's national design museum, photographed on the edge of the River Tay at 1 Riverside Esplanade, Dundee DD1 4EZ. The image shows the museum's distinctive layered concrete form alongside riverside water, with a freestanding sign promoting the Garden Futures exhibition visible in the foreground.
Designed by Japanese architect Kengo Kuma, the V&A Dundee building is inspired by Scotland's coastal cliffs and geology, its dramatic horizontal layers projecting out over the river as a symbolic link between land and water. Since opening, the museum has become the centrepiece of Dundee's ambitious waterfront regeneration, repositioning the former industrial port city as a hub for design, culture and innovation.
The Garden Futures exhibition explores the past, present and future of gardens in the context of climate change, sustainability, food production and social wellbeing. By addressing themes such as environmental resilience, biodiversity and the relationship between people and nature, the exhibition reflects the V&A's broader role in connecting design with global challenges.
The juxtaposition of the contemporary museum architecture, the historic River Tay and exhibition signage creates a layered visual narrative linking design, environment and urban renewal. Photographed in clear daylight under blue skies, the image highlights both the sculptural quality of the building and its prominent riverside setting.
The photograph offers strong editorial value for themes including modern architecture, museum exhibitions, climate and design discourse, Scottish cultural identity and waterfront regeneration, making it suitable for travel features, architectural publications, environmental commentary and educational use.
Exterior of V&A Dundee, Scotland's design museum, on the River Tay, featuring signage for the ""Garde
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,lager,beer,centre,special,tap,bar,pub,The Pillars,Salty Dog,lounge,Crichton Street,Scottish,drinking,interior,counter,branding,brand,nightlife,hospitality,real ale,CAMRA,historic,history,heritage,traditional,culture,themed,9 Crichton St,9 Crichton Street,Dundees,oldest,boozer,regulars,tourism,visitors,craft,cask
Description: Tony Smith image Alamy 3EDKYT4 - A Dundee-themed Tennent's beer pump font is pictured on the bar at The Pillars in Crichton Street, Dundee, with a colourful illustrated design showing local stock-photo/gotonysmith-Landmarks.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>landmarks and the city name wrapped around the tall illuminated tap. The image combines Scottish beer branding, pub interior detail, bar counter culture and local civic identity, making it useful for stories about Tennent's lager, Scottish pubs, Dundee nightlife, draught beer, pub design, branded fonts and the way national beer brands adapt their marketing to local places. The Pillars Bar and Salty Dog Lounge is listed by the Food Standards Agency at 9 Crichton Street, Dundee, DD1 3AP, and CAMRA describes The Pillars as dating back to 1864, believed to be the oldest pub in Dundee, with a loyal regular trade and a handpull for real ale. The image is commercially useful for coverage of Dundee hospitality, historic pubs, city-centre drinking, bar interiors, Scottish beer culture, cask ale, CAMRA pubs, local tourism, pub heritage and the survival of traditional bars in changing high streets. The nearby Schehallion Craft Lager pump, back bar bottles, fridges, warm lighting and polished brass handpulls add documentary value, showing a working pub environment rather than a staged product shot. The tall red Tennent's T-shaped font gives the scene strong visual impact and would suit features on beer marketing, lager sales, branded draught equipment, Scottish brewing, pub chains, independent pubs, local identity and the night-time economy. As a stock image, it records a small but distinctive piece of pub culture, where beer branding, local landmarks, regular customers, tourism and Dundee's long drinking history meet at the bar.
Dundee-themed Tennent's beer pump font at The Pillars Bar on Crichton Street, one of Dundee's histor
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,David Rigby,talk,Freemason,Scotland,malt whisky,presentation,2023,speaker,single malt Scotch,tasting,charity,table,Scottish whisky bottles,masonic,social event,public,speaking,whisky education,spirits,indoor community talk,guest,lecture,lecturer,whisky enthusiast,bottled spirits display,appreciation,single malt,club meeting,Scottish,distilling heritage,whisky production history,regional whisky presentation,expert drinks speaker,guided whisky tasting,culture,Britain,connoisseur
Description: Tony Smith image Alamy 3EENJ4N - David Dave Rigby from St Helens stands behind a table displaying an assortment of Scotch whisky bottles during a talk in Warrington, Cheshire, in June 2023. Wearing a dark polo shirt, he addresses an audience in a community or meeting-room setting, with a large television screen and patterned curtains behind him. Branded cartons, whisky packaging and bottles of different shapes and colours are arranged across the wooden table to illustrate the presentation.
The talk focused on malt Scotch whisky, its production, traditions, regional characteristics and the wide variety of flavours created through ingredients, distillation and maturation. Single malt whisky is produced at one distillery using malted barley, while blended products may combine malt and grain whiskies from several producers. The selection shown provides useful visual material for explaining differences in branding, bottle design, age statements, cask influence and distillery identity.
Rigby is identified as a St Helens mason, and the scene reflects the educational and social activities often organised through local lodges, clubs, societies and community groups. Such events combine informal adult education with opportunities for members and guests to share specialist interests, ask questions and learn from an experienced enthusiast or invited speaker.
The photograph captures public speaking, local community activity and whisky appreciation rather than a formal commercial sales event. The rows of bottles and packaging make the subject immediately recognisable, while the informal room, casual clothing and audience viewpoint convey the atmosphere of a local illustrated lecture or tasting session.
The image is suitable for editorial coverage of Scotch whisky, malt whisky production, responsible tasting, Scottish distilling heritage, Freemasonry, masonic social events, adult education, guest speakers, local societies, drinks culture, whisky clubs and community activities in Warrington and NW England
Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Edinburgh,Scotland,UK,Scottish,fast food,unhealthy,fat,fatty,fried,food,white,battered,sign,signs,shop,window,restaurant,cafe,9,EH1 2HE,EH1,chippy,blue,yellow,glow,glowing,glows,electric,electrical,fishy,seafood,British,traditional,culture,tourist,attarction,vintage
Description: Tony Smith image Alamy 2RH9DGM - The British tradition of eating fish battered and fried in oil was introduced to the country by Spanish and Portuguese Jewish immigrants, who spent time in the Netherlands before settling in the UK as early as the 16th century. They prepared fried fish in a manner similar to pescado frito, which is coated in flour then fried in oil. Fish fried for Shabbat for dinner on Friday evenings could be eaten cold the following afternoon for shalosh seudot, palatable this way as liquid vegetable oil was used rather than a hard fat, such as butter. Charles Dickens mentions fried fish warehouses in Oliver Twist (1838)
The modern fish-and-chip shop (chippy in modern British slang) originated in the United Kingdom, although outlets selling fried food occurred commonly throughout Europe. Early fish-and-chip shops had only very basic facilities. Usually these consisted principally of a large cauldron of cooking fat, heated by a coal fire. The fish-and-chip shop later evolved into a fairly standard format, with the food served, in paper wrappings, to queuing customers, over a counter in front of the fryers. As a boy, Alfred Hitchcock lived above a fish and chip shop in London, which was the family business. According to Professor John Walton, author of Fish and Chips and the British Working Class, the British government made safeguarding supplies of fish and chips during the First World War a priority: The cabinet knew it was vital to keep families on the home front in good heart, unlike the German regime that failed to keep its people well fed.
By 1910, there were over 25,000 fish and chip shops across the UK, a figure that grew to over 35,000 shops by the 1930s.Since then the trend has reversed, and in 2009 there were approximately 10,000 shops
Victoria St, Edinburgh, Scotland, UK, EH1 2HE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,North East,North East Scotland,Scottish,UK,City Centre,The Granite City,Northeast,neon,sign,draft,small batch,small-batch,bar,pub,drinks,yellow neon,neon sign,cocktail,cocktails,alcohol,another bar,Whisky Bar,gayBar,gay bar,winebar,wine bar,public bar,drinking,bartender,bar drink,bar drinks,culture,Bar Culture,Alcohol Misuse,liquor,spirits
Description: Tony Smith image Alamy TRN10A - . An editorial view documents a moment within Aberdeen, Scotland, UK, in a photograph originating in 2019. The supplied image information identifies Bar sign in yellow neon, glasses,drinks, bottles, Aberdeen, Scotland, UK. Related ideas embodied by the location include Scotch whisky industry, hospitality economy, licensed trade, licensed hospitality, pub architecture, malt spirit, distillation equipment, wash still, whisky heritage, British pub trade, night-time economy, and copperwork. Current debate around community pubs often combines competition for household spending, operating costs and the practical challenge of diversifying food and events. In the mid-2020s, social story.htm Target=_Blank>history is increasingly discussed through altered public space and redevelopment, with attention turning to a clearer record of local change. Small period details preserved at Aberdeen, Scotland, UK may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The scene also relates to whisky tourism, copper pot still, visitor distillery, licensed premises, social drinking venue, fermentation and distillation. The scene is further associated with Aberdeen City Centre, Granite City, Aberdeenshire, city, pub, neon sign. Its context additionally embraces beer heritage, traditional hostelry, independent hospitality, maturation tradition, community drinking place, Hebridean whisky, leisure economy, community venue, ale house tradition, and town-centre hospitality. The wider contemporary story of traditional public houses now includes changing drinking habits alongside business rates, while policy and investment increasingly consider diversifying food and events. That gives this view of Aberdeen, Scotland, UK continuing value for local history, retrospective reporting and visual comparison.
Aberdeen, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,pub,bar,sign,door,window,cask,beer,CAMRA,hand,pull,live,well kept,real,brewing,barrel,traditional,traditionally,brewed,British,UK,Great Britain,English,Scottish,brew,live yeast,festival,independent,brewers,glass,cask-conditioned,culture,classic,boozer,hotpix.org.uk,Campaign for Real Ale
Description: Tony Smith image Alamy 2JHBJYB - What is cask-conditioned beer?
For the first thirty years of CAMRA's story, most of the better flavoured beer in the UK were the type of ˜real ale' that is served from a type of barrel called a cask . While stored in a pub's cellar, the beer inside these casks develops its character, or condition , for up to a week, thanks to the presence of live yeast in the beer. It is then served without the injection of carbon dioxide gas.
This additional maturation should add elegance to the beer's character, while the absence of gas injection makes its carbonation gentler.
Major efforts by CAMRA, including publicising the best outlets for such cask-conditioned beers and running hundreds of beer festivals each year that served them, promoted them ahead of the industrial brands that had come to dominate the UK beer trade in the late 20th century.
The term real ale became associated with beer served from a pub's cellar via tall, hand-pulled pumps mounted on the bar, with the make of beer named on a clip attached around the narrowest part of the handle. A few would be served directly from the cask, through a simple tap.
Like any artisan product, a cask-conditioned beer requires special handling and storage to be consumed at its best. The cellar temperature needs to be fairly consistent and neither too hot or too cold
the cask should lie undisturbed and its keeping time respected
and the pipes through which it flows to the bar must be kept thoroughly clean. A cask-conditioned beer served in a British pub remains an essential part of British culture
Kings Arms, 25 Roupell St, London,England,UK, SE1 8TB
Description
Keywords: Buckie,fortified,Wino,winos,ned,neds,culture,ASB,drunk,drunkeness,drunkenness,Xmas,Christmas,market,triangle,Buckfast Triangle,Buckfast wine,alcohol,alcoholic,public,health,crime,abuse,Fortified Wine,Ned Culture,German Market,Hot Mulled,Buckfast Tonic Wine,Hot Mulled Buckfast Tonic Wine,GoTonySmith,Glaswegian,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scots,fast,buck fast,problem,with,problem with,issue with,caffeine,licensed,city,centre,city centre,from,Buckfast Abbey,abbey,in,Devon,hot mulled buckfast,shop,stall,owner,server,badge of pride,East Kilbride,Hamilton,Cambuslang,Coatbridge,Three,small,glasses,a,day,for,good,health,and,lively,blood,Three small glasses a day,brand,brands,units,buck,fast,alcohol,Wreck the Hoose Juice,Commotion Lotion,Cumbernauld Rocket Fuel,Buckie Baracas,Coatbridge Table Wine,table wine,sweet,community,crime,disorder,general,social,deprivation,public health,irresponsible drink,West Scotland,Scottish Executive,Strathclyde,George,Sq,Square,offenders,Buy Pictures of,Buy Images Of,Stock Images,Tony Smith,United Kingdom,Great Britain,Buckfast triangle
Description: Tony Smith image Alamy HE7MF1 - Buckfast Tonic Wine, commonly known as Buckfast or Buckie, is a fortified wine with caffeine, licensed from Buckfast Abbey in Devon and distributed by J. Chandler & Company in the United Kingdom and Grants of Ireland in Ireland.
The drink has become a subject of controversy in Scotland due to its links with ned culture
a senior politician labelled it as a badge of pride amongst those who are involved in antisocial behaviour.
Buckfast is very popular in Scotland, the sales of the product were monitored in 2014 by the Scottish government to see if the Buckfast Triangle still stood. The test showed that the towns and cities where Buckfast was sold highest per capita were, in order, Glasgow and the surrounding areas, East Kilbride, Hamilton, Cambuslang, and Coatbridge, all of which are in the northern areas of Lanarkshire, excepting Glasgow.
Several Scottish politicians and social activists have singled out Buckfast Tonic Wine as being particularly responsible for crime, disorder, and general social deprivation in these communities. Although Buckfast accounts for only 0.5% of alcohol sales in Scotland, the figure is markedly higher in Lanarkshire. Helen Liddell, former Secretary of State for Scotland, called for the wine to be banned. In 2005, Scottish Justice Minister Cathy Jamieson suggested that retailers should stop selling the wine. On a subsequent visit to Auchinleck within her constituency, she was greeted by teenagers chanting, Don't ban Buckie. Jamieson then received correspondence from lawyers acting for Buckfast distributors, J. Chandler & Company, in Andover. A further consequence was that Buckfast sales increased substantially in the months following Jamieson's comments
George Square,Glasgow,Scotland,UK
Description
Keywords: Buckie,fortified,Wino,winos,ned,neds,culture,ASB,drunk,drunkeness,drunkenness,Xmas,Christmas,market,triangle,Buckfast Triangle,Buckfast wine,alcohol,alcoholic,public,health,crime,abuse,Fortified Wine,Ned Culture,German Market,Hot Mulled,Buckfast Tonic Wine,Hot Mulled Buckfast Tonic Wine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scots,fast,buck fast,problem,with,problem with,issue with,caffeine,licensed,city,centre,city centre,from,Buckfast Abbey,abbey,in,Devon,hot mulled buckfast,shop,stall,owner,server,badge of pride,East Kilbride,Hamilton,Cambuslang,Coatbridge,Three,small,glasses,a,day,for,good,health,and,lively,blood,Glaswegian,brand,brands,units,buck,fast,alcohol,Wreck the Hoose Juice,Commotion Lotion,Cumbernauld Rocket Fuel,Buckie Baracas,Coatbridge Table Wine,table wine,sweet,community,crime,disorder,general,social,deprivation,public health,irresponsible drink,West Scotland,Scottish Executive,Strathclyde,George,Sq,Square,offenders,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Buckfast triangle
Description: Tony Smith image Alamy HE7MF2 - Buckfast Tonic Wine, commonly known as Buckfast or Buckie, is a fortified wine with caffeine, licensed from Buckfast Abbey in Devon and distributed by J. Chandler & Company in the United Kingdom and Grants of Ireland in Ireland.
The drink has become a subject of controversy in Scotland due to its links with ned culture
a senior politician labelled it as a badge of pride amongst those who are involved in antisocial behaviour.
Buckfast is very popular in Scotland, the sales of the product were monitored in 2014 by the Scottish government to see if the Buckfast Triangle still stood. The test showed that the towns and cities where Buckfast was sold highest per capita were, in order, Glasgow and the surrounding areas, East Kilbride, Hamilton, Cambuslang, and Coatbridge, all of which are in the northern areas of Lanarkshire, excepting Glasgow.
Several Scottish politicians and social activists have singled out Buckfast Tonic Wine as being particularly responsible for crime, disorder, and general social deprivation in these communities. Although Buckfast accounts for only 0.5% of alcohol sales in Scotland, the figure is markedly higher in Lanarkshire. Helen Liddell, former Secretary of State for Scotland, called for the wine to be banned. In 2005, Scottish Justice Minister Cathy Jamieson suggested that retailers should stop selling the wine. On a subsequent visit to Auchinleck within her constituency, she was greeted by teenagers chanting, Don't ban Buckie. Jamieson then received correspondence from lawyers acting for Buckfast distributors, J. Chandler & Company, in Andover. A further consequence was that Buckfast sales increased substantially in the months following Jamieson's comments
George Square,Glasgow,Scotland,UK
Description
Keywords: Buckie,fortified,Wino,winos,ned,neds,culture,ASB,drunk,drunkeness,drunkenness,Xmas,Christmas,market,triangle,abuse,Buckfast wine,alcohol,alcoholic,public,health,crime,buck,Fortified Wine,Ned Culture,German Market,Hot Mulled,Buckfast Tonic Wine,Hot Mulled Buckfast Tonic Wine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scots,fast,buck fast,problem,with,problem with,issue with,caffeine,licensed,city,centre,city centre,from,Buckfast Abbey,abbey,in,Devon,hot mulled buckfast,shop,stall,owner,server,badge of pride,East Kilbride,Hamilton,Cambuslang,Coatbridge,Three,small,glasses,a,day,for,good,health,and,lively,blood,Three small glasses a day,brand,brands,units,buck,fast,alcohol,Wreck the Hoose Juice,Commotion Lotion,Cumbernauld Rocket Fuel,Buckie Baracas,Coatbridge Table Wine,table wine,sweet,community,crime,disorder,general,social,deprivation,public health,irresponsible drink,West Scotland,Scottish Executive,Strathclyde,George,Sq,Square,offenders,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Glaswegian,Great Britain,Buckfast triangle
Description: Tony Smith image Alamy HE7MF4 - Buckfast Tonic Wine, commonly known as Buckfast or Buckie, is a fortified wine with caffeine, licensed from Buckfast Abbey in Devon and distributed by J. Chandler & Company in the United Kingdom and Grants of Ireland in Ireland.
The drink has become a subject of controversy in Scotland due to its links with ned culture
a senior politician labelled it as a badge of pride amongst those who are involved in antisocial behaviour.
Buckfast is very popular in Scotland, the sales of the product were monitored in 2014 by the Scottish government to see if the Buckfast Triangle still stood. The test showed that the towns and cities where Buckfast was sold highest per capita were, in order, Glasgow and the surrounding areas, East Kilbride, Hamilton, Cambuslang, and Coatbridge, all of which are in the northern areas of Lanarkshire, excepting Glasgow.
Several Scottish politicians and social activists have singled out Buckfast Tonic Wine as being particularly responsible for crime, disorder, and general social deprivation in these communities. Although Buckfast accounts for only 0.5% of alcohol sales in Scotland, the figure is markedly higher in Lanarkshire. Helen Liddell, former Secretary of State for Scotland, called for the wine to be banned. In 2005, Scottish Justice Minister Cathy Jamieson suggested that retailers should stop selling the wine. On a subsequent visit to Auchinleck within her constituency, she was greeted by teenagers chanting, Don't ban Buckie. Jamieson then received correspondence from lawyers acting for Buckfast distributors, J. Chandler & Company, in Andover. A further consequence was that Buckfast sales increased substantially in the months following Jamieson's comments
George Square,Glasgow,Scotland,UK
Description
Keywords: City,Centre,art,design,neon,sign,Glasgow,Scotland,UK,culture,architecture,G1,3NU,ln,tourist,tourism,travel,location,destination,designer,green,Neon Sign,The Lighthouse,Mitchell Lane,G1 3NU,Green Neon,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Charles Rennie Mackintosh,Rennie Mackintosh,Glasgow School,The Glasgow School
Description: Tony Smith image Alamy H9PM2X - . Recorded at 11 Mitchell Lane, Glasgow G1 3NU in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The subject captured here is Mackintosh Legacy,The lighthouse art gallery, Glasgow, Scotland,UK. The wider scene also brings together everyday life, adaptive reuse, changing land use, archival record, public realm, built heritage, conservation interest, conservation architecture, changing streetscape, period architecture, social history, period detail, architectural detail, and before-and-after reference. Today's relevance is strengthened by energy retrofit, tourism and the continuing question of the balance between conservation, retrofit and modern accessibility. Future viewers can use this scene from 11 Mitchell Lane, Glasgow G1 3NU to compare equipment and working practice with whatever follows after refurbishment. Other useful contextual ideas include heritage landmark, period building, historic streetscape, visual archive, community identity, historical comparison, place identity, and local character. The recorded references to Mackintosh, lighthouse, Scotland, gallery, and Glasgow preserve clues about how the subject was presented, used or understood at the time. The wider setting at 11 Mitchell Lane, Glasgow G1 3NU matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes energy retrofit and the balance between conservation, retrofit and modern accessibility when considered against later change at 11 Mitchell Lane, Glasgow G1 3NU. Another strand within the photograph is heritage conservation and the value of architectural landmarks to local identity and tourism without losing the local specificity of 11 Mitchell Lane, Glasgow G1 3NU. The period view preserves a point of historical comparison before later change alters the scene.
11 Mitchell Lane, Glasgow G1 3NU
Description
Keywords: City,Centre,art,design,neon,sign,Glasgow,Scotland,UK,culture,architecture,G1,3NU,ln,tourist,tourism,travel,location,destination,designer,looking,up,Neon Sign,The Lighthouse,Mitchell Lane,G1 3NU,looking up,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Charles Rennie Mackintosh,Rennie Mackintosh,Glasgow School,The Glasgow School
Description: Tony Smith image Alamy H9PM2Y - . This authentic period view of 11 Mitchell Lane, Glasgow G1 3NU in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The principal subject is Mackintosh Legacy,The lighthouse art gallery, Glasgow, Scotland,UK - looking up. The broader subject matter reaches into visual archive, local character, architectural detail, regional identity, architectural character, period architecture, archival record, everyday life, historic streetscape, changing streetscape, community identity, documentary photography, public realm, and heritage landmark. Viewed from the mid-2020s, the subject also connects with redevelopment pressure, tourism and the value of architectural landmarks to local identity and tourism. As a dated visual record of 11 Mitchell Lane, Glasgow G1 3NU, the frame retains period objects and surrounding context, making it especially useful if later reinterpretation subsequently changes the scene. Further associations within the scene are conservation interest, place identity, heritage asset, social history, adaptive reuse, historic townscape, conservation architecture, and urban fabric. Elements such as Glasgow, lighthouse, gallery, looking, and Scotland add documentary specificity and may become increasingly useful when compared with later records. The wider setting at 11 Mitchell Lane, Glasgow G1 3NU matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to redevelopment pressure and the value of architectural landmarks to local identity and tourism within the real-world context of 11 Mitchell Lane, Glasgow G1 3NU. The location additionally provides evidence of adaptive reuse and how historic buildings acquire new uses as cities change within the specific setting of 11 Mitchell Lane, Glasgow G1 3NU.
11 Mitchell Lane, Glasgow G1 3NU
Description
Keywords: City,Centre,art,design,neon,sign,Glasgow,Scotland,UK,culture,architecture,G1,3NU,ln,tourist,tourism,travel,location,destination,designer,blue,Neon Sign,The Lighthouse,Mitchell Lane,G1 3NU,blue neon,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Charles Rennie Mackintosh,Rennie Mackintosh,Glasgow School,The Glasgow School
Description: Tony Smith image Alamy H9PM33 - . An on-location photograph from 11 Mitchell Lane, Glasgow G1 3NU in 2016, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The scene records Mackintosh Legacy,The lighthouse art gallery, Glasgow, Scotland,UK. Another layer of the photograph includes before-and-after reference, local story.htm Target=_Blank>history, cityscape history, everyday life, historic townscape, archival record, community identity, period architecture, heritage asset, historical comparison, social history, built heritage, conservation interest, and period building. For current editorial use, maintenance and heritage conservation provide additional context, especially through keeping older buildings useful without erasing their distinctive character. The image fixes local activity and public use within 11 Mitchell Lane, Glasgow G1 3NU at one identifiable point, providing a benchmark against new construction. The location also brings in historic streetscape, visual archive, urban fabric, contemporary social history, changing streetscape, public realm, changing land use, and heritage landmark. The recorded references to lighthouse, Glasgow, Legacy, Mackintosh, and Scotland preserve clues about how the subject was presented, used or understood at the time. The period setting at 11 Mitchell Lane, Glasgow G1 3NU helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to maintenance and keeping older buildings useful without erasing their distinctive character within the specific setting of 11 Mitchell Lane, Glasgow G1 3NU. The location additionally provides evidence of maintenance and the value of architectural landmarks to local identity and tourism as part of the longer story of 11 Mitchell Lane, Glasgow G1 3NU. The record includes a local visual benchmark as part of 11 Mitchell Lane, Glasgow G1 3NU's history.
11 Mitchell Lane, Glasgow G1 3NU
Description
Keywords: City,Centre,art,design,neon,sign,Glasgow,Scotland,UK,culture,architecture,G1,3NU,ln,tourist,tourism,travel,location,destination,designer,blue,Glaswegian,Neon Sign,The Lighthouse,Mitchell Lane,G1 3NU,blue neon,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Charles Rennie Mackintosh,Rennie Mackintosh,Glasgow School,The Glasgow School
Description: Tony Smith image Alamy H9PM34 - . Made at 11 Mitchell Lane, Glasgow G1 3NU in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Mackintosh Legacy,The lighthouse art gallery, Glasgow, Scotland,UK. The locality and subject together evoke architectural character, heritage landmark, conservation architecture, period detail, local character, documentary photography, changing land use, historic townscape, everyday life, contemporary social history, built heritage, conservation interest, place identity, and changing streetscape. Today's relevance is strengthened by adaptive reuse, maintenance and the continuing question of how historic buildings acquire new uses as cities change. For later comparison, the photograph preserves public access and movement at 11 Mitchell Lane, Glasgow G1 3NU, details that may look very different after changed technology. The surrounding story also includes architectural detail, period building, regional identity, before-and-after reference, archival record, local history, community identity, and urban fabric. Elements such as Mackintosh, Glasgow, Legacy, Scotland, and gallery add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within 11 Mitchell Lane, Glasgow G1 3NU, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for adaptive reuse and how historic buildings acquire new uses as cities change when considered against later change at 11 Mitchell Lane, Glasgow G1 3NU. Another useful connection is heritage conservation and how historic buildings acquire new uses as cities change without losing the local specificity of 11 Mitchell Lane, Glasgow G1 3NU. Image H9PM34 also remains a dated record of 11 Mitchell Lane, Glasgow G1 3NU.
11 Mitchell Lane, Glasgow G1 3NU
Description
Keywords: night,blue,hour,historic,tourist,tourism,travel,square,castle,trail,culture,Scottish,Alba,building,night,shot,nightshot,local,city,centre,destination,Blue Hour,Castle Trail,Scottish Culture,Local Landmark,City Centre,Travel Destination,Castle Square,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,terrace,lit,lighted,tower,Dee,Don,rivers,river,statue,castlegate,gate,Mercat,Cross,hub,historical,area,cobbled,scenic,view,buildings,building,granite,Architecturally,union,st,street,sculptures,ancient,Market,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Castle Terrace,Mercat Cross,Compare the Mercat,Historical Area,scenic view,The Mercat Cross,Ancient Market Cross,Market Cross
Description: Tony Smith image Alamy H6ETRF - . A grounded documentary photograph made at Castle terrace,Aberdeen,Scotland,UK in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Castle Square, Aberdeen Scotland at dusk. The wider scene also brings together heritage landmark, historic material culture, built heritage, heritage asset, conservation architecture, social history, decorative metalwork, period building, changing land use, historic streetscape, conservation interest, historic artefact, changing streetscape, and commemorative object. The wider contemporary story combines local history, collecting and how everyday objects can survive as evidence of earlier work and domestic life. Viewed from the mid-2020s, the subject also connects with maintenance, heritage conservation and keeping older buildings useful without erasing their distinctive character. Future viewers can use this scene from Castle terrace,Aberdeen,Scotland,UK to compare signage and branding with whatever follows after changed technology. The location also brings in commemorative plaque, museum object, collectable heritage item, historic townscape, architectural character, period detail, place identity, and visual archive. The combination of Scotland, Castle, Square, and Aberdeen anchors the frame to a recognisable activity, place or moment. By fixing the subject within Castle terrace,Aberdeen,Scotland,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of local history and how everyday objects can survive as evidence of earlier work and domestic life without losing the local specificity of Castle terrace,Aberdeen,Scotland,UK. The image fixes evidence of changing use before later change alters the scene. It also preserves evidence of earlier appearance as a date-specific reference.
Castle terrace,Aberdeen,Scotland,UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,statue,Glasgow,traffic cone,traffic,cone,horse,Arthur Wellesley,Royal Exchange,Square,Gallery,of,Modern Art,GoMA,landmark,icon,Glaswegian,humour,Scottish,city,centre,Scotland,public art,bronze,Carlo Marochetti,Victorian,sculpture,listed,monument,tourist,attraction,sightseeing,image,quirky,culture,urban,local,street
Description: Tony Smith image Alamy HGC7XD - The equestrian statue of the Duke of Wellington in Glasgow city centre is shown with the famous orange traffic cone balanced on the rider's head, a mischievous local tradition that has become one of the best-known visual symbols of the city. The bronze monument stands outside the Gallery of Modern Art, commonly known as GoMA, in Royal Exchange Square, close to Buchanan Street, George Square and the busy retail and cultural heart of Glasgow. The sculpture depicts Arthur Wellesley, 1st Duke of Wellington, on horseback and was created by Italian-born sculptor Carlo Marochetti, with the statue erected in 1844. Although intended as a formal Victorian memorial connected with Wellington's military reputation and the end of the Napoleonic Wars, its modern fame is now inseparable from the traffic cone, widely seen as an expression of Glaswegian humour, irreverence and civic character. The image shows the contrast clearly: a grand equestrian monument, neoclassical columns, museum frontage and heritage architecture, undercut by an everyday road cone turned into unofficial public art. The scene is valuable for editorial use about Glasgow tourism, Scottish culture, urban identity, public sculpture, listed monuments, heritage conservation, city branding, street humour, visitor attractions and the way communities reinterpret formal civic monuments. The traffic cone tradition is often dated to at least the 1980s and has survived repeated removal, becoming a near-permanent and much-loved feature for residents, students, tourists and photographers. The picture also works for stories about public art, alternative heritage, local protest, playful vandalism, council debates about conservation costs, travel features on unusual British landmarks and wider discussion of how statues gain new meanings over time. The overcast light, blue sky breaks, red-windowed buildings and GoMA exhibition banner add a strong urban context, placing the quirky monument firmly in the everyday streetscape of c
Gallery of Modern Art, Royal Exchange Square, Glasgow, Scotland, G1 3AG.
Description
Keywords: Street,Scotland,UK,word,culture,city,capital,taking,to,the,people,scots,scottish,sir,walter,scott,writer,writers,motives,papercuts,paper,cuts,a,project,by,Astrid Jaekel,Astrid,Jeckel,commission,by,Essential,princes,foundation,Gotonysmith,Unesco City of Literature,Unesco,of,Literature,New Town,New,town,Totem signs,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ETRXNF - This Project came about as a result of a commission by Essential Edinburgh and was kindly supported by the Prince's Foundation, Edinburgh Unesco City of Literature and the Roxburghe Hotel.
Rose Street is located in Edinburgh's New Town and is a vibrant pedestrianised zone well known for its shops and many pubs which hosted the 'Rose Street Poets' during the 1950's and 1960's.
The poetry displayed within the frame is by poets associated with Rose Street or Edinburgh and will be rotating with the seasons. All motives are papercuts, cut by hand and then enlarged for print onto large vinyl sheets, printed and fitted to the walls by Totem Signs.
38 Charlotte Square, Edinburgh EH2 4HQ, Scotland, UK
Description
Keywords: Pubs,stag,night,hen,nights,location,for,area,EDN,narrow,new,pedestrian,pedestrianised,scottish,shopping,st,street,town,Kenilworth,Nicholson,Nicholsons,rose street,Rose st,The Kenilworth,GoTonySmith,drinking,culture,alcoholism,alcoholics,AA,outside,street,history,historic,Buy Pictures of,Buy Images Of,Edinburgh Pubs,Edinburgh Pub
Description: Tony Smith image Alamy F89P16 - . Photographed at Rose st, Edinburgh, Scotland, UK in 2015, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The frame specifically shows The Kenilworth,Pub Rose St,Edinburgh City Centre,Scotland,UK. Another layer of the photograph includes visual archive, documentary photography, local social venue, hospitality economy, cask-beer tradition, community identity, archival record, contemporary social history, before-and-after reference, traditional pub, historic hostelry, social history, historical comparison, and visitor hospitality. In present-day coverage, the subject reaches into energy costs and tourism, not least because of the survival of pubs as both businesses and informal community spaces. For later comparison, the photograph preserves transport arrangements and footfall at Rose st, Edinburgh, Scotland, UK, details that may look very different after altered transport patterns. Further associations within the scene are real-ale culture, local history, changing land use, licensed hospitality, community drinking venue, everyday life, regional identity, and period detail. Elements such as Edinburgh, Centre, and Kenilworth add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Rose st, Edinburgh, Scotland, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is energy costs and the survival of pubs as both businesses and informal community spaces as part of the longer story of Rose st, Edinburgh, Scotland, UK. The setting also helps illustrate changing drinking habits and the continuing appeal of real ale and regional brewing when considered against later change at Rose st, Edinburgh, Scotland, UK. Image F89P16 also remains a dated record of Rose st, Edinburgh, Scotland, UK.
Rose st, Edinburgh, Scotland, UK
Description
Keywords: Pubs,stag,night,hen,nights,location,for,area,EDN,narrow,new,pedestrian,pedestrianised,scottish,shopping,st,street,town,dining,room,stone,rose street,Rose st,Auld Hundred,Pub & Dining Room,Pub and Dining Room,GoTonySmith,drinking,culture,alcoholism,alcoholics,AA,outside,street,history,historic,Buy Pictures of,Buy Images Of,Edinburgh Pubs,Edinburgh Pub
Description: Tony Smith image Alamy F89P1A - . An identifiable period record of Rose st, Edinburgh, Scotland, UK in 2015, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The principal subject is Auld Hundred Pub & dining Room, Rose St,Edinburgh City Centre,Scotland,UK. The wider scene also brings together place identity, public realm, archival record, changing streetscape, traditional ale house, night-time economy, everyday life, visual archive, cask-beer tradition, licensed trade, beer-led hospitality, changing land use, local social venue, and local history. The modern context includes continuing discussion of beer duty, energy costs and the value of historic pubs to tourism and local identity. Small period details of lettering, decoration and surface detail at Rose st, Edinburgh, Scotland, UK may become more significant with time, particularly following new ownership. Other useful contextual ideas include social history, before-and-after reference, historic hostelry, real-ale culture, contemporary social history, regional identity, community identity, and local character. Elements such as dining, Centre, Edinburgh, and Hundred add documentary specificity and may become increasingly useful when compared with later records. The wider setting at Rose st, Edinburgh, Scotland, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes beer duty and the value of historic pubs to tourism and local identity without losing the local specificity of Rose st, Edinburgh, Scotland, UK. Another strand within the photograph is business rates and the value of historic pubs to tourism and local identity in a form that can be compared with future views of Rose st, Edinburgh, Scotland, UK. The photograph keeps period character as a date-specific reference. The record includes a trace of local identity for later comparison.
Rose st, Edinburgh, Scotland, UK
Description
Keywords: Pubs,stag,night,hen,nights,location,for,area,EDN,narrow,new,pedestrian,pedestrianised,scottish,shopping,st,street,town,Black,Rose,Tavern,rose street,Rose st,Black Rose Tavern,GoTonySmith,drinking,culture,alcoholism,alcoholics,AA,outside,street,history,historic,Buy Pictures of,Buy Images Of,Edinburgh Pubs,Edinburgh Pub
Description: Tony Smith image Alamy F89P1E - . This authentic period view of Rose st, Edinburgh, Scotland, UK in 2015 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Black Rose Tavern,Pub Rose St,Edinburgh City Centre,Scotland,UK. The broader subject matter reaches into public realm, changing streetscape, local character, period detail, changing land use, real-ale culture, beer-led hospitality, social history, visual archive, licensed hospitality, community identity, local history, local social venue, and pub heritage. For current editorial use, staffing pressure and tourism provide additional context, especially through the continuing appeal of real ale and regional brewing. Future viewers can use this scene from Rose st, Edinburgh, Scotland, UK to compare building condition and alterations with whatever follows after replacement signage. The surrounding story also includes night-time economy, contemporary social history, traditional pub, everyday life, traditional ale house, licensed trade, before-and-after reference, and visitor hospitality. The combination of Centre, Tavern, Edinburgh, and Black anchors the frame to a recognisable activity, place or moment. A later view of Rose st, Edinburgh, Scotland, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of staffing pressure and the continuing appeal of real ale and regional brewing in a form that can be compared with future views of Rose st, Edinburgh, Scotland, UK. A further contemporary connection is tourism and pressure on hospitality margins in the mid-2020s within the real-world context of Rose st, Edinburgh, Scotland, UK. The wider significance includes staffing pressure and pressure on hospitality margins in the mid-2020s within the specific setting of Rose st, Edinburgh, Scotland, UK.
Rose st, Edinburgh, Scotland, UK
Description
Keywords: Pubs,stag,night,hen,nights,location,for,area,EDN,narrow,new,pedestrian,pedestrianised,scottish,shopping,st,street,town,Robertsons,Pub,37bar,rose street,Rose st,37 Bar,GoTonySmith,drinking,culture,alcoholism,alcoholics,AA,outside,street,history,historic,Buy Pictures of,Buy Images Of,Edinburgh Pubs,Edinburgh Pub
Description: Tony Smith image Alamy F89P1G - . An on-location photograph from Rose st, Edinburgh, Scotland, UK in 2015, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The scene records Robertsons Pub 37 bar,Rose St,Edinburgh City Centre,Scotland,UK. A broader reading of the photograph includes contemporary social history, everyday life, beer-led hospitality, night-time economy, before-and-after reference, period detail, documentary photography, public realm, visual archive, local history, hospitality economy, cask-beer tradition, licensed trade, and social history. For current editorial use, pub closures and changing drinking habits provide additional context, especially through the continuing appeal of real ale and regional brewing. The image fixes period objects and surrounding context within Rose st, Edinburgh, Scotland, UK at one identifiable point, providing a benchmark against replacement signage. The wider setting retains connections with changing land use, regional identity, real-ale culture, traditional pub, traditional ale house, changing streetscape, community drinking venue, and visitor hospitality. References to Edinburgh, Centre, and Robertsons give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Rose st, Edinburgh, Scotland, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate pub closures and the survival of pubs as both businesses and informal community spaces within the specific setting of Rose st, Edinburgh, Scotland, UK. The image also provides a reference for pub closures and the value of historic pubs to tourism and local identity as part of the longer story of Rose st, Edinburgh, Scotland, UK. The record includes evidence of earlier appearance before later change alters the scene.
Rose st, Edinburgh, Scotland, UK
Description
Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED8PRD - . Scenes outside The Edinburgh Playhouse Theatre for the production of Wicked, Scotland, UK. Photographed at Edinburgh, Scotland, UK. The photograph was taken on 27 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scenes, outside, Edinburgh, Playhouse, Theatre, Wicked, production, Arts, movement and entertainment, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh, Scotland, UK
Description
Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED8PRE - . Scenes outside The Edinburgh Playhouse Theatre for the production of Wicked, Scotland, UK. Photographed at Edinburgh, Scotland, UK. The photograph was taken on 27 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scenes, outside, Edinburgh, Playhouse, Theatre, Wicked, production, Arts, movement and entertainment, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh, Scotland, UK
Description
Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED9D41 - . Scenes outside The Edinburgh Playhouse Theatre for the production of Wicked, Scotland, UK. Photographed at Edinburgh, Scotland, UK. The photograph was taken on 27 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scenes, outside, Edinburgh, Playhouse, Theatre, Wicked, production, Arts, movement and entertainment, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh, Scotland, UK
Description
Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Buy Pictures of,Buy Images Of,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED9D42 - . Scenes outside The Edinburgh Playhouse Theatre for the production of Wicked, Scotland, UK. Photographed at Edinburgh, Scotland, UK. The photograph was taken on 27 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scenes, outside, Edinburgh, Playhouse, Theatre, Wicked, production, Arts, movement and entertainment, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh, Scotland, UK
Description
Keywords: lamp,old,new,town,princess,st,street,princes,on,the,mound,central,tourist,tourism,attraction,visit,visitor,visitors,neoclassical,building,William,Henry,Playfair,Art,culture,cultural,collection,of,reference-only,Research,Library,reference,only,Scottish,Scots,Scot,nationalistic,independance,wide,gotonysmith,independance,painting,paintings,Royal,Scottish,Academy,Building,archival,material,relating,to,the,collections,exhibitions,history,EH22EL,EH2,2EL,free,admission,gates,gate,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJP6 - The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859.
The gallery houses the Scottish national collection of fine art, including Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
The Mound, Edinburgh, Scotland, UK EH2 2EL
Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,pubs,bars,drinking,places,in,Rose,street,st,chairs,eating,out,culture,cafe,lager,people,enjoying,drinking,outside,dirtydicks,dirtydick,Gotonysmith,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED2FH - . Dirty Dicks Pub Rose St Edinburgh New Town Scotland. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Edinburgh, Scots, Dirty, Dicks, Pub, bar, Scottish, Scot, independance and independence, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh Old Town, Lothian, Scotland EH1
Description
Keywords: Inverlochlarig Beg,Balquhidder,Sterling,Scotland,UK,Inverlochlarig,Beg,Robert,RobRoy,Raibeart,Ruadh,MacGriogair,countryside,rural,grave,burial,place,burial place,cross,Scotlands History,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,tourist,tour,travel,visit,famous,hero,martyr,tourism,beautiful,SNP,Scottish National Party,independance,independent,independence,wild,culture,Scots,Scots Culture,Scottish Culture,Historic,history,Historic Scotland,stone,stones,bones,Balquidder,film,Scottish,SNP,independance party,independence,indyref,referendum,2nd,second,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism
Description: Tony Smith image Alamy HG6T31 - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 “ died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair. Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother. In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: Inverlochlarig Beg,Balquhidder,Sterling,Scotland,UK,Beg,Robert,Raibeart,Ruadh,MacGriogair,countryside,rural,grave,burial,place,burial place,chapel,Scotlands History,Scotlands History,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,tourist,tour,travel,visit,famous,hero,martyr,tourism,beautiful,SNP,Scottish National Party,independance,independent,independence,wild,culture,Scots,Scots Culture,Scottish Culture,Historic,history,Historic Scotland,stone,stones,bones,Balquidder,film,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism
Description: Tony Smith image Alamy HG6T3E - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 “ died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair. Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother. In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: Inverlochlarig Beg,Balquhidder,Sterling,Scotland,UK,Inverlochlarig,Beg,RobRoy,MacGregor,Raibeart,Ruadh,MacGriogair,countryside,rural,grave,burial,place,burial place,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,tourist,tour,travel,visit,famous,hero,martyr,tourism,beautiful,SNP,Scottish National Party,independance,independent,independence,wild,culture,Scots,Scots Culture,Scottish Culture,Historic,history,Historic Scotland,stone,stones,bones,Balquidder,film,Scottish,SNP,independance party,independence,indyref,referendum,2nd,second,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism
Description: Tony Smith image Alamy HG6T3T - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 “ died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair. Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother. In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: Inverlochlarig Beg,Balquhidder,Sterling,Scotland,UK,Inverlochlarig,Beg,Robert,Roy,RobRoy,countryside,rural,grave,burial,place,burial place,Scotlands History,Scotlands History,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,tourist,tour,travel,visit,famous,hero,martyr,tourism,beautiful,SNP,Scottish National Party,independance,independent,independence,wild,culture,Scots,Scots Culture,Scottish Culture,Historic,history,Historic Scotland,stone,stones,bones,Balquidder,film,Scottish,SNP,independance party,independence,indyref,referendum,2nd,second,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism
Description: Tony Smith image Alamy HG6T4A - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 “ died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair. Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother. In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: Sterling,Scotland,UK,Inverlochlarig,Beg,Robert,Rob,Roy,RobRoy,Raibeart,Ruadh,MacGriogair,countryside,rural,grave,burial,place,burial place,Despite Them,Despite,them,son,brave,heart,cross,pilgrim,pilgrimage,coin,coins,money,donation,donations,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,tourist,tour,travel,visit,famous,tourism,beautiful,SNP,Scottish National Party,independance,independent,independence,wild,culture,Scots,Historic,history,Historic Scotland,stone,stones,bones,Balquidder,film,moments,Scottish,SNP,independance party,independence,indyref,referendum,2nd,second,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HG6T4T - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 “ died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair. Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother. In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: Inverlochlarig Beg,Balquhidder,Sterling,Scotland,UK,Inverlochlarig,Beg,Robert,Roy,MacGriogair,countryside,rural,grave,burial,place,burial place,pano,panorama,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,tourist,tour,travel,visit,famous,hero,martyr,tourism,beautiful,SNP,Scottish National Party,independance,independent,independence,wild,culture,Scots,Scots Culture,Scottish Culture,Historic,history,Historic Scotland,stone,stones,bones,Balquidder,film,Scottish,SNP,independance party,independence,indyref,referendum,2nd,second,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism
Description: Tony Smith image Alamy HG6T89 - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 “ died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair. Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother. In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: Inverlochlarig Beg,Balquhidder,Sterling,Scotland,UK,Inverlochlarig,Beg,Robert,Rob,Roy,countryside,rural,grave,burial,place,burial place,mountains,landscape,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,tourist,tour,travel,visit,famous,hero,martyr,tourism,beautiful,SNP,Scottish National Party,independance,independent,independence,wild,culture,Scots,Scots Culture,Scottish Culture,Historic,history,Historic Scotland,stone,stones,bones,Balquidder,film,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism
Description: Tony Smith image Alamy HG6TC7 - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 “ died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair. Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother. In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: Pubs,stag,night,hen,nights,location,for,area,EDN,narrow,new,pedestrian,pedestrianised,scottish,shopping,st,street,town,center,rose street,Rose st,GoTonySmith,drinking,culture,alcoholism,alcoholics,AA,street,history,historic,Buy Pictures of,Buy Images Of,Edinburgh Pubs,Edinburgh Pub,Kopparberg,seats,seating,in,front
Description: Tony Smith image Alamy F89P1B - . This location-specific image from Rose st, Edinburgh, Scotland, UK in 2015 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Rose St Brewery No 57,Pub Rose St, Edinburgh City Centre, Scotland, UK. Further facets of the scene include documentary photography, contemporary social history, traditional ale house, archival record, local history, historic hostelry, visual archive, before-and-after reference, community drinking venue, visitor hospitality, changing streetscape, licensed trade, regional identity, and traditional pub. For current editorial use, changing drinking habits and tourism provide additional context, especially through the continuing appeal of real ale and regional brewing. The archival value lies partly in recording materials and architectural details around Rose st, Edinburgh, Scotland, UK before different community use alters the character of the place. The photograph additionally reflects everyday life, cask-beer tradition, community identity, licensed hospitality, real-ale culture, night-time economy, beer-led hospitality, and local social venue. The recorded references to Edinburgh, Centre, and Brewery preserve clues about how the subject was presented, used or understood at the time. The wider setting at Rose st, Edinburgh, Scotland, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is changing drinking habits and the continuing appeal of real ale and regional brewing in a form that can be compared with future views of Rose st, Edinburgh, Scotland, UK. The scene further reflects changing drinking habits and pressure on hospitality margins in the mid-2020s within the real-world context of Rose st, Edinburgh, Scotland, UK. The record includes evidence of earlier appearance before later change alters the scene.
Rose st, Edinburgh, Scotland, UK
