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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,LS2,city,centre,LS2 7HN,traditional,classic,retail,cheap,value,history,historic,heritage,facade,façade,English,building,buildings,architecture,ornate,shops,shop,mosaics,white,rose,commerce,successful,logo,tradition,British,historical,town,towns
Description: Tony Smith image Alamy 2T2848F - This stock-photo/gotonysmith-Contemporary.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>contemporary documentary image captures Leeds city Kirkgate markets mosaic , Leeds Kirkgate Market, Kirkgate, Leeds, West Yorkshire, England, UK, LS2 7HN. The image was taken on 7 October 2023, giving it value as a dated visual record as well as a flexible stock photograph. The location is Kirkgate, Leeds, England, LS2 7HN, and the visible subject can be described in plain language as Leeds, Leeds Kirkgate Market, Kirkgate, market, Victorian, markets, shopping, stalls, stall, mosaic. The image is useful not only for the exact captioned subject, but also for broader searches around covered market, food hall, independent retail, traditional shopping, local produce, value shopping, market traders, civic retail heritage, urban footfall, high street resilience, visitor economy, retail regeneration. Leeds Kirkgate Market traces its origins to the nineteenth century and is strongly associated with covered-market retailing in the city. It is also famous as the place where Michael Marks opened his penny bazaar in 1884, the beginning of Marks & Spencer. Current relevance comes from the changing high street, where independent traders, chain brands, food outlets, online shopping, inflation and town-centre regeneration all compete for attention and footfall. It would suit editorial features on traditional markets, independent traders, covered retail, food halls, shopping habits, cost-of-living pressure, local produce, tourist visits, value shopping, urban regeneration and the role of markets in keeping city centres lively. For Alamy and picture-library discovery, useful alternative wording includes Leeds stock photo, documentary image, editorial photography, local economy, public realm, real-world evidence, everyday Britain, regional identity, signage, street scene, visitor economy, urban change and contemporary social history.
Kirkgate, Leeds, England, LS2 7HN

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,world,famous,soul,Kev Roberts,Russ Winstanley,first,all nighter,all-nighter,sew on badge,fabric,badge,1973,23rd,Sept,Sep,Wigan Casino,Soul Club,music,disco,1970s,rose,of,Lancs,yellow,red,black,WCSC,patches
Description: Tony Smith image Alamy 2MKF7H1 - The Wigan Casino was a nightclub in Wigan, England. Operating between 1973 and 1981, it became known as a primary venue for Northern soul music. It carried forward the legacy created by clubs such as the Twisted Wheel in Manchester, the Chateau Impney (Droitwich), the Catacombs (Wolverhampton) and the Golden Torch (Tunstall, Stoke-on-Trent). It remains one of the most famous clubs in Northern England. In 1978, allegedly the American music magazine Billboard voted Wigan Casino The Best Disco in the World, ahead of New York City's Studio 54. Although there is no tangible evidence of this award ever being publicised.
This England, a TV documentary about the Wigan Casino, was filmed in 1977. Russ Winstanley and Dave Nowell wrote a history of the club, Soul Survivors, The Wigan Casino Story, which was published in 1996.
Wigan Casino was the name of the last incarnation of a Wigan ballroom called the Empress. Local DJs Brian Rigby and Alan Cain approached lease owner Gerry Marshall to run all-nighters. Venue manager Mike Walker brought in Russ Winstanley, who had a DJ set at the local rugby club, to the Casino. At 2 am on Sunday 23 September 1973, Wigan Casino started its first-ever Northern soul all-nighter, with Winstanley as the DJ. After Winstanley and his helper Ian Fishwick, Kev Roberts was the third DJ at Casino all-nighters, who was quickly joined by Richard Searling Soul performers that performed there include Jackie Wilson, Edwin Starr and Junior Walker.
Young people from all over the UK regularly attended Wigan Casino to hear the latest northern soul artists and to dance. There were long queues to get in. The second dance floor, Mr M's, stayed open until 6 am and played oldies songs from a variety of DJs including Dave Evison and Steve Whittle. All-nighters generally ended with three songs that became known as the '3 before 8': Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, and I'm on My Way by Dean Parrish.
Station Road, Wigan, Lancashire, England, UK ,WN1 0SD

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,England,UK,and,old,black,of,YO1 7LG,YO1,historic,blue,sky,standard,outside,the,South Transept,main,entrance,British,church,St Peter,Saint Peter,English,Gothic,facade,façade,rose,window,tourist,tourism,famous,stone,religion
Description: Tony Smith image Alamy 2KF7FC7 - . This location-specific image from Minster Yard, York, Yorkshire, England, UK, YO1 7LG in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The photograph centres on York Minster cathedral and old Victorian street lamp, South Transept and main entrance, city of York, Yorkshire, England, UK, YO1 7LG. A broader reading of the photograph includes sacred space, ecclesiastical architecture, local character, visual archive, faith community, before-and-after reference, ecclesiastical art, religious landmark, parish story.htm Target=_Blank>history, documentary photography, social history, Christian heritage, changing streetscape, and heritage worship space. Viewed from the mid-2020s, the subject also connects with community use, accessibility and the importance of church buildings to genealogy and local identity. As a dated visual record of Minster Yard, York, Yorkshire, England, UK, YO1 7LG, the frame retains public access and movement, making it especially useful if replacement signage subsequently changes the scene. The surrounding story also includes contemporary social history, period detail, changing land use, historic church fabric, religious heritage, place identity, everyday life, and local history. The recorded references to Transept, Yorkshire, Minster, Victorian, and cathedral preserve clues about how the subject was presented, used or understood at the time. The wider setting at Minster Yard, York, Yorkshire, England, UK, YO1 7LG matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes community use and the importance of church buildings to genealogy and local identity in a form that can be compared with future views of Minster Yard, York, Yorkshire, England, UK, YO1 7LG. It also preserves evidence of changing use for future local research.
Minster Yard, York, Yorkshire, England, UK, YO1 7LG

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,firing,guns,uniform,white,armour,rose,artist,art,artwork,Runcorn old town,town,WA7 1LR,storm trooper,fires,flower,flowers,peace,StarWars,blaster,gun,Halton,Cheshire,England,UK,black,graffiti,Star Wars,starwars,Banksy Style,stencilled,streetart,on,white wall
Description: Tony Smith image Alamy 2K14187 - . An identifiable period record of Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The frame specifically shows Stormtrooper fires a gun and a red rose comes out, stencil art in Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. Another layer of the photograph includes local history, devotional artwork, sacred architecture, Christian iconography, historical comparison, everyday life, liturgical art, documentary photography, regional identity, historic church fabric, archival record, religious heritage, period detail, and parish church heritage. The modern context includes continuing discussion of historic fabric, church maintenance and how sacred art preserves religious, artistic and community history. The image fixes equipment and working practice within Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR at one identifiable point, providing a benchmark against closure or conversion. The photograph additionally reflects ecclesiastical craftsmanship, church interior, faith heritage, changing streetscape, community identity, contemporary social history, changing land use, and sacred decoration. Details involving comes, Stormtrooper, fires, Church, and Halton make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is historic fabric and the conservation challenge of historic interiors and artwork within the real-world context of Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. The photograph keeps a local visual benchmark before later change alters the scene.
Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,Cheshire,England,UK,June,2022,games,summer,WA4 2SU,local,community,communities,event,events,South Warrington,Thelwall,Rose Queen,poster,posters,rose,queen,queens,cost,ticket,tickets,history,historic,heritage,annual,regular,repeats,each,repeating
Description: Tony Smith image Alamy 2JD0MFX - . An on-location photograph from Grappenhall, Warrington, Cheshire, England, UK, WA4 in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The image documents Thelwall Rose Queen poster 2022, Warrington, Cheshire, England, UK, WA4. The setting additionally reflects period building, city-centre activity, conservation interest, historical comparison, traditional structure, documentary photography, heritage asset, regional identity, townscape record, heritage landmark, community life, architectural character, local character, and everyday street life. For current editorial use, heritage conservation and adaptive reuse provide additional context, especially through the tension between conservation and redevelopment. Current relevance extends to street safety and community use, particularly through how ordinary street scenes become valuable records as businesses and infrastructure change. The image fixes street furniture and boundaries within Grappenhall, Warrington, Cheshire, England, UK, WA4 at one identifiable point, providing a benchmark against closure or conversion. The surrounding story also includes historic frontage, social landscape, pedestrian environment, period streetscape, social history, urban change, archival record, and built heritage. Details involving Thelwall, poster, and Queen make the image more specific than a generic view and strengthen its local or historical value. A later view of Grappenhall, Warrington, Cheshire, England, UK, WA4 may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for heritage conservation and the value of distinctive buildings and street furniture to local identity in a form that can be compared with future views of Grappenhall, Warrington, Cheshire, England, UK, WA4.
Grappenhall, Warrington, Cheshire, England, UK, WA4

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,house,property,inflation,cost,of,moving,first time,buyer,Estate agent,Affordable,unaffordable,Real estate,value,price,slump,new,homes,prices,buy to let,stamp duty,PRS,private rented sector,interest rates,ladder,British,English,mortgage,scheme,forecast,crash,market,rose,renters rights act,estate agents
Description: Tony Smith image Alamy 2JBXJJN - . An on-location photograph from the recorded location in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The image documents For Sale, Property Signs, Gascoigne Halman, To Let, Lymm, A56,Warrington, Cheshire, England, UK. Another layer of the photograph includes consumer retail, retail property, urban change, archival record, social history, period detail, public realm, shopfront economy, high-street commerce, documentary photography, commercial frontage, visual archive, commercial streetscape, and town-centre economy. Viewed from the mid-2020s, the subject also connects with business rates, store closures and how consumer spending patterns reshape commercial streets. The modern context includes continuing discussion of footfall, commercial change and the documentary importance of recording everyday urban environments. Future viewers can use this scene from the recorded location to compare public access and movement with whatever follows after changing commercial priorities. The surrounding story also includes outdoor retail, physical store, everyday street life, customer footfall, bricks-and-mortar retail, local identity, shopping district, and before-and-after reference. The recorded references to Signs, Halman, Property, and Gascoigne preserve clues about how the subject was presented, used or understood at the time. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for business rates and how consumer spending patterns reshape commercial streets within the specific setting of the recorded location. Another useful connection is street safety and how ordinary street scenes become valuable records as businesses and infrastructure change as part of the longer story of the recorded location.

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,on,flowers,Let,lit,lighted,signage,red,Slade,good,time,times,optimism,attitude,optimistic,signs,sign,funny,humour,humorous,slogan,light,white,bright,great,fluffy,girly,camp,gay,rose,roses,petal,petals,drinking,eating,enjoy,enjoyment
Description: Tony Smith image Alamy 2K3T3C1 - . This authentic period view of England, Great Britain , UK in 2021 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The principal subject is Let The Good Times Roll, pink neon sign on flowers - optimistic. The frame also records themes of documentary photography, place-making, historical comparison, public realm, local history, adaptive reuse, architectural character, visual archive, public-realm investment, town-centre renewal, place identity, urban fabric, civic architecture, and everyday life. For current editorial use, town-centre regeneration and planning provide additional context, especially through how public investment can reshape pedestrian movement and evening activity. The image fixes landscape treatment and surrounding development within England, Great Britain , UK at one identifiable point, providing a benchmark against refurbishment. Further associations within the scene are local character, contemporary social history, regional identity, changing streetscape, period detail, urban regeneration, archival record, and built heritage. Details involving Times, flowers, and optimistic make the image more specific than a generic view and strengthen its local or historical value. For England, Great Britain , UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects town-centre regeneration and the tension between preserving local character and creating modern commercial space in a form that can be compared with future views of England, Great Britain , UK. Its period value extends to construction costs and how regeneration tries to create reasons to visit traditional town centres within the real-world context of England, Great Britain , UK. The record includes a local visual benchmark as a date-specific reference.
England, Great Britain , UK

Description
Keywords: @Hotpixuk,Hotpixuk,GoTonySmith,beatles,NY,New York,memorial,imagine,words,NYC,rose,roses,Imagine memorial,memorial mosaic,Strawberry Fields NY,Strawberry Fields,Strawberry Fields New York,Bruce Kelly,West 72nd Street,72nd St,Apple Records,musician,composer,song writer,imagine mosaic,mosaic,above us only sky,John Lennon Death,Strawberry Fields Memorial,Lennons,official gravesite,gravesite,rock star,ashes,rockstar,Jacob Wrey Mould,Liverpool,Merseyside
Description: Tony Smith image Alamy 2DGA760 - Strawberry Fields is a 2.5-acre (1.0 ha) landscaped section in New York City's Central Park, designed by the landscape architect Bruce Kelly, that is dedicated to the memory of former Beatles member John Lennon. It is named after the Beatles' song Strawberry Fields Forever, written by Lennon. The song itself is named for the former Strawberry Field children's home in Liverpool, England, located near Lennon's childhood home
In April 1981, after John Lennon was murdered, a patch of land in Central Park near the Dakota was named Strawberry Fields in Lennon's honor. That August, it was announced that Strawberry Fields would be completely renovated and landscaped, since at the time, Strawberry Fields was located in an isolated median between West Drive and two slip roads of 72nd Street. Yoko Ono requested that the rebuilt memorial be a living memorial rather than a statue
according to NYC Parks landscape architect Arne Abramowitz, Ono believed that there are enough statues in Central Park.
The memorial was designed by Bruce Kelly, the chief landscape architect for the Central Park Conservancy. Construction on the project started in April 1984. Strawberry Fields was dedicated on what would have been Lennon's 45th birthday, October 9, 1985, by Ono and mayor Ed Koch.
Terrace Dr, New York, NY 10023, United States

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,drink,pub,Rose,Wine,Chase,Chase Provence,Rose Wine,bottles,bottle,en,Provence,glass,ornate,Sellador En Provence,Sellador,En,Maison William Chase,drinks,alcohol,drinkers,duty,VAT,increase,increases,high,higher,cost,inflation,tipple,ladies,female,priced,gift,wrapped,up
Description: Tony Smith image Alamy P4HWNR - . Made at Gloucestershire, England, UK in 2018, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The defining feature is Williams Chase Provence Rose Wine bottles. Further facets of the scene include community identity, before-and-after reference, industrial beverage equipment, regional identity, historic beverage advertising, fermented drink production, regional drinks industry, drinks packaging, local character, social history, changing land use, period detail, bottling technology, and orchard-to-bottle industry. The wider contemporary story combines alcohol duty, manufacturing automation and how historic drinks advertising and machinery become industrial heritage. For later comparison, the photograph preserves period objects and surrounding context at Gloucestershire, England, UK, details that may look very different after new construction. The surrounding story also includes archival record, local history, everyday life, drinks manufacturing, beverage production, public realm, visual archive, and factory bottling line. The recorded references to bottles, Chase, Provence, and Williams preserve clues about how the subject was presented, used or understood at the time. The period setting at Gloucestershire, England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is alcohol duty and how historic drinks advertising and machinery become industrial heritage without losing the local specificity of Gloucestershire, England, UK. The wider significance includes regional food heritage and how historic drinks advertising and machinery become industrial heritage in a form that can be compared with future views of Gloucestershire, England, UK. The image fixes period character as part of Gloucestershire, England, UK's history.
Gloucestershire, England, UK

Description
Keywords: pub,bar,pubs,bars,old,Tadcaster,ale,CAMRA,Yorks,garden,foam,head,measured,white,rose,pot,Old Brewery Bitter,The Old Brewery,Glass empty,Samuel Smith,Pub Garden,weights & measures,weights and measures,white rose,White Rose Of Yorkshire,Pint Pot,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,UK,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy GY1C4T - . This dated editorial view of Yorkshire in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The main point of reference is Glass Empty - Pint Samuel Smith bitter Yorkshire brewery. The wider scene also brings together changing streetscape, community drinking venue, before-and-after reference, pub heritage, traditional pub, night-time economy, licensed hospitality, everyday life, local history, traditional ale house, local character, contemporary social history, period detail, and social history. The wider contemporary story combines beer duty, staffing pressure and pressure on hospitality margins in the mid-2020s. Future viewers can use this scene from Yorkshire to compare equipment and working practice with whatever follows after new construction. Other useful contextual ideas include historical comparison, licensed trade, hospitality economy, local social venue, public realm, cask-beer tradition, visitor hospitality, and regional identity. References to Samuel, Empty, Smith, bitter, and Glass give the picture a strong period identity and tie it closely to its named subject. For Yorkshire, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is beer duty and the continuing appeal of real ale and regional brewing within the real-world context of Yorkshire. The setting also helps illustrate tourism and pressure on hospitality margins in the mid-2020s within the specific setting of Yorkshire. The image also provides a reference for business rates and the continuing appeal of real ale and regional brewing as part of the longer story of Yorkshire. Another useful connection is changing drinking habits and the value of historic pubs to tourism and local identity when considered against later change at Yorkshire.
Yorkshire

Description
Keywords: the corner,rose st,rose street,rose,street,st,seedy,tourist,sign,neon sign,OWO,DFK,LFK,prostitute,hooker,kookers,sex,prostitution,street hookers,brothels,red-light districts,prostitutes,erotic massage parlors,strip clubs,str,Gotonysmith,Buy Pictures of,Buy Images Of,dirty,mac,brigade,stag,night,sexual,services,massage,hand,relief,this way
Description: Tony Smith image Alamy ETRXBT - In the United Kingdom, prostitution itself (the exchange of sexual services for money) is legal but a number of related activities, including soliciting in a public place, kerb crawling, owning or managing a brothel, pimping and pandering, are crimes.
It is illegal to buy sex from a person younger than 18, although the age of consent for non-commercial sex is 16.
In Edinburgh, estimates from Scot-Pep suggest there are about 700 indoor sex workers “ 200 in saunas, 350 independent escorts and 150 agency escorts as well as 80-100 women on the streets over a year.
33 women were arrested for soliciting in Edinburgh in 2010-11, and 21 the following year. Most of these arrest happen at the street and police mostly targets mostly the streetwalkers.
Prostitutes and Sex Workers
Edinburgh is well known for massage and sauna venues where you can find some girls for half an hour or an hour. Over the past years many sauna venues have been closed, but some still stay open, while more massage salons keep opening. Street prostitution is still active in Edinburg, but not nearly as common as in the past, because most streetwalkers have moved indoor and started working as an independent escorts. Edinburgh is well known for massage and sauna venues where you can find some girls for half an hour or an hour. Over the past years many sauna venues have been closed, but some still stay open, while more massage salons keep opening. Street prostitution is still active in Edinburg, but not nearly as common as in the past, because most streetwalkers have moved indoor and started working as an independent escorts.
The sauna and massage parlours of Edinburgh function, in an unofficial way, as licensed bordellos. Punters here do not come just for a massage. They want, for the most part, some kind of sexual services.
87-89 Rose Street Lane, Edinburgh, Scotland, UK

Description
Keywords: bar,Rose Street,Rose,City,Scottish,Scots,traditional,names,pub name,Shoogly,Peg,sayings,uncertain,red chairs,red,chairs,seats,seating,ale,ales,CAMRA,lager,lout,drink,drinking,establishment,Gordon Arms,Gordon,Arms,auld,Gotonysmith,Buy Pictures of,Buy Images Of,outdoor
Description: Tony Smith image Alamy ETRXD8 - . The Shoogly Peg pub, Rose St,Edinburgh,Scotland,UK. Photographed on 15 June 2015. The recorded location is 133 Rose Street Edinburgh EH2 4LS, Scotland,UK. Ex Gordon Arms. Looking at the subject's development, british pubs evolved from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, drinking houses, music venues and landmarks within town and village life
Their architecture, signs, interiors and changing names often preserve layers of local commercial and social history. Historically, beer production links malt, hops, yeast and water with specialist equipment and cellar practice
Images of brewing vessels, casks and handpumps can illustrate both manufacturing and the pub trade that brings cask ale to the customer. For the 2026 context, in England the sector remains under pressure from operating costs and business rates, although eligible pubs and live-music venues receive a 15% business-rates relief/27
That makes historic and contemporary pub photographs particularly relevant to coverage of hospitality, community assets and changing town centres. In 2026, beer culture combines traditional cask ale with craft brewing, cans, keg products and lower-alcohol choices
Photographs of older handpumps and brewery equipment help trace that evolution. The wider historical story is that public houses form a distinctive part of British social history, combining licensed drinking, hospitality and community life
Older pubs can reveal changing fashions in brewing, tied houses, coaching routes, urban development and leisure, while modern bars show how the licensed trade continues to adapt. In 2026, pub survival is a live issue, with government support including a 15% business-rates relief for eligible pubs and live-music venues in England during 2026/27, alongside wider debate about closures, property costs and the value of pubs as community assets.
133 Rose Street Edinburgh EH2 4LS, Scotland,UK

Description
Keywords: Pubs,stag,night,hen,nights,location,for,area,EDN,narrow,new,pedestrian,pedestrianised,scottish,shopping,st,street,town,Black,Rose,Tavern,rose street,Rose st,Black Rose Tavern,GoTonySmith,drinking,culture,alcoholism,alcoholics,AA,outside,street,history,historic,Buy Pictures of,Buy Images Of,Edinburgh Pubs,Edinburgh Pub
Description: Tony Smith image Alamy F89P1E - . This authentic period view of Rose st, Edinburgh, Scotland, UK in 2015 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Black Rose Tavern,Pub Rose St,Edinburgh City Centre,Scotland,UK. The broader subject matter reaches into public realm, changing streetscape, local character, period detail, changing land use, real-ale culture, beer-led hospitality, social history, visual archive, licensed hospitality, community identity, local history, local social venue, and pub heritage. For current editorial use, staffing pressure and tourism provide additional context, especially through the continuing appeal of real ale and regional brewing. Future viewers can use this scene from Rose st, Edinburgh, Scotland, UK to compare building condition and alterations with whatever follows after replacement signage. The surrounding story also includes night-time economy, contemporary social history, traditional pub, everyday life, traditional ale house, licensed trade, before-and-after reference, and visitor hospitality. The combination of Centre, Tavern, Edinburgh, and Black anchors the frame to a recognisable activity, place or moment. A later view of Rose st, Edinburgh, Scotland, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of staffing pressure and the continuing appeal of real ale and regional brewing in a form that can be compared with future views of Rose st, Edinburgh, Scotland, UK. A further contemporary connection is tourism and pressure on hospitality margins in the mid-2020s within the real-world context of Rose st, Edinburgh, Scotland, UK. The wider significance includes staffing pressure and pressure on hospitality margins in the mid-2020s within the specific setting of Rose st, Edinburgh, Scotland, UK.
Rose st, Edinburgh, Scotland, UK

Description
Keywords: capital,city,centre,center,pub,bar,pubs,bars,bunting,summer,drinking,eating,dining,out,eat,party,Rose,of,Midlothian,spit,spittle,mosaic,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,rose,flower,outside,the,Auld Hundred
Description: Tony Smith image Alamy DDXK3N - . Rose Street,Edinburgh,Scotland,UK - Rose mosaic outside the Auld Hundred. Photographed at Rose st, Edinburgh, Lothian,Scotland, UK. The photograph was taken on 31 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Rose, Street, Edinburgh, place, drink, Rose of Midlothian, pedestrianised, capital, center and pub, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors. This particular view is catalogued under Alamy image reference DDXK3N, distinguishing it from other photographs of the same or related subject.
Rose st, Edinburgh, Lothian,Scotland, UK

Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,pubs,bars,drinking,places,in,Rose,street,st,chairs,eating,out,culture,cafe,lager,people,enjoying,drinking,outside,dirtydicks,dirtydick,Gotonysmith,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED2FH - . Dirty Dicks Pub Rose St Edinburgh New Town Scotland. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Edinburgh, Scots, Dirty, Dicks, Pub, bar, Scottish, Scot, independance and independence, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh Old Town, Lothian, Scotland EH1

Description
Keywords: frame,dark,cloud,lancashire,GB,great,Britain,British,Coal,face,coalface,old,disused,abandoned,mine,shaft,mineshaft,mining,UK,United,Kingdom,board,BCB,NCB,national,NUM,union,of,nationalised,industry,mines,Corporation,Astley,Green,Chat,Moss,museum,headgear,head,gear,Tyldesley,M29,7JB,M297JB,Gotonysmith,nationalisation,ChatMoss,historic,history,decline,declining,archeology,coalfield,field,Red,Rose,Steam,Society,Limited,redrose,registered,charity,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DE9B3C - The National Coal Board (NCB) was the statutory corporation created to run the nationalised coal mining industry in the United Kingdom. Set up under the Coal Industry Nationalisation Act 1946, it took over the mines on vesting day, 1 January 1947. In 1987 it was renamed the British Coal Corporation, whose assets were subsequently privatised.
Astley Green, Tyldesley, Manchester, England, UK M29 7JB

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Keywords: frame,dark,cloud,lancashire,GB,great,Britain,British,Coal,face,coalface,old,disused,abandoned,mine,shaft,mineshaft,mining,UK,United,Kingdom,board,BCB,NCB,national,NUM,union,of,nationalised,industry,mines,Corporation,Astley,Green,Chat,Moss,museum,headgear,head,gear,Tyldesley,M29,7JB,M297JB,Gotonysmith,nationalisation,ChatMoss,historic,history,decline,declining,archeology,coalfield,field,Red,Rose,Steam,Society,Limited,redrose,registered,charity,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DE9B3N - The National Coal Board (NCB) was the statutory corporation created to run the nationalised coal mining industry in the United Kingdom. Set up under the Coal Industry Nationalisation Act 1946, it took over the mines on vesting day, 1 January 1947. In 1987 it was renamed the British Coal Corporation, whose assets were subsequently privatised.
Astley Green, Tyldesley, Manchester, England, UK M29 7JB

Description
Keywords: frame,dark,cloud,lancashire,GB,great,Britain,British,Coal,face,coalface,old,disused,abandoned,mine,shaft,mineshaft,mining,UK,United,Kingdom,board,BCB,NCB,national,NUM,union,of,nationalised,industry,mines,Corporation,Astley,Green,Chat,Moss,museum,headgear,head,gear,Tyldesley,M29,7JB,M297JB,Gotonysmith,nationalisation,ChatMoss,historic,history,decline,declining,archeology,coalfield,field,Red,Rose,Steam,Society,Limited,redrose,registered,charity,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DE9B4F - The National Coal Board (NCB) was the statutory corporation created to run the nationalised coal mining industry in the United Kingdom. Set up under the Coal Industry Nationalisation Act 1946, it took over the mines on vesting day, 1 January 1947. In 1987 it was renamed the British Coal Corporation, whose assets were subsequently privatised.
Astley Green, Tyldesley, Manchester, England, UK M29 7JB

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Keywords: Edinburgh,Scotland,lothian,lothians,rear,gotonysmith,December,winter,festive,presents,LEcosse,Edimbourg,Schotland,Schottland,La,Scozia,Edimburgo,Escocia,Edimburgo,Dome Club Christmas tree,Edinburgh,Scotland in red,lit,by,lights,Xmas,This,tree,is,at,the,rear,of,the,Dome,and,can,be,viewed,from,Rose,Street,in,Edinburgh.,In,summer,it,is,an,upmarket,outdoor,eating,area,gotonysmith,The Dome is a bar,restaurant,and,conference,complex,and,was,originally,the,long,since,defunct,Commercial,Bank,of,Scotlands,HQ,At,Christmas,the,exterior,on,George,Street,and,the,interior,are,both,lavishly,decorated,As,you,enter,the,building,there,is,a,distinct,whiff,of,cinnamon,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF7D8T - Dome Club Christmas tree, Edinburgh, Scotland in red, lit by lights
This tree is at the rear of the Dome and can be viewed from Rose Street in Edinburgh. In summer it is an upmarket outdoor eating area
The Dome is a bar, restaurant and conference complex and was originally the long since defunct Commercial Bank of Scotland's HQ. At Christmas the exterior on George Street and the interior are both lavishly decorated. As you enter the building there is a distinct whiff of cinnamon.
Rose street, Edinburgh, Scotland, UK

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Keywords: tattoo,girl,ink,arm,rose,edimburgh,MIS,@hotpixUK,ActiveH,housingtechnology
Description: Tony Smith image Flickr 6106795463 - 'The Gang Of Four - I Can't Forget Your Lonely Face - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Me and the Gang Of Four go way back to listening to the late great John Peel 10pm til midnight 1978. They were the thinking mans punk band, playing politically motivated rock &
dub, gloriously mixed up.
The Gang's debut single, 'Damaged Goods' backed with '(Love Like) Anthrax' and 'Armalite Rifle', was recorded in June 1978 and released on 10 December 1978, on Edinburgh's Fast Product label. I still have one in my loft.
It was produced by the Gang of Four and Bob Last and Tim Inman. It was a Number 1 indie chart hit and John Peel radio show favourite. This led to two Peel radio sessions, which, with their incendiary live performances, propelled the band to international attention and sold-out shows across Europe and North America. They were then signed by EMI records.
The group's debut single with this label, 'At Home He's a Tourist', charted in 1979. Invited to appear on top rated BBC music program Top of the Pops, the band walked off the show when the BBC told them that they must sing 'packets' instead of 'rubbers' as per the lyrics of the song, as the original was too subversive for this TV slot. The single was then banned by BBC Radio and TV, which lost the band support at EMI, who began to push another band, Duran Duran, instead. A later single, 'I Love a Man in a Uniform', was banned by the BBC during the Falklands War in 1982.
Fast forward 30 years &
Britain is again in the grip of coalition government &
flaccid opposition. The perfect time to re-emerge.
In January 2011, the band released a new album, Content, which was very well received. Andrew Perry, writing in Britain's Telegraph newspaper, gave it (21 January 2011) a 5-star rating and said that it was 'their best record since the Seventies', an opinion with which I agree.
Jon Pareles, awarding the album 4 stars in a New York Times review of 25 January 2011, declared that [the band] 'have reclaimed, with a vengeance, their old attack', Dan Wilcox of KCRW (17 January 2011) said [of Content]: 'Entertaining, scintillating and dangerous, the band has lost none of its explosive edge over the years.'
In his Pitchfork review of the album, January 26, 2011 Stuart Berman wrote 'If Gang of Four's 2005 reformation proved they could more than hold their own against the upstarts, then Content shows that their chief concerns \u2013 the financial and psychological toll of keeping up with the Joneses \u2013 resonate all the more loudly in an Internet-accelerated era where even those on the vanguard can feel behind the times, and where the lawless, anonymous nature of online exchange threatens to overwhelm our identities. It's thus fitting that the album's most exuberant moment \u2013 the muscular Motown stomp 'Who Am I?' \u2013 is used to soundtrack a modern-day anarchist's existential crisis: 'You can't steal when everything is free'.
'Content' was one of my fave 3 albums of that year, gave me better time-travel than a tardis!
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>tattoed friends from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
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Keywords: man,male,portrait,chap,fella,fellow,suit,case,sepia,hat,victorian,dickens,dickensian,festival,weekend,lymm,cross,cheshire,england,near,manchester,UK,GB,britain,B/W,black,white,period,costume,rose,flower,red,charity,event,winter,december,2009,icy,ice,cold,partial,mixed,color,this photo rocks,selctive,colour,colores,tonysmith,tony,smith,interesting,people,person,persons,persona,interesante,sex,sexy,HOT PIX,retro,hotpicks,@hotpixuk
Description: Tony Smith image Flickr 4331408666 - 'A fine upstanding and entertaining chap from the Lymm village, Cheshire NW England UK winter Dickensian weekend. Here pictured near the lower dam in his fine waistcoat and jacket.
Usually for victorians it was the theatre halls where entertainment was to be had, Doubtful if Lymm had one, although performances were regularly given by theatre troupes, ventriloquists, hypnotists, poets, comedians, choirs and orchestras. Entertainers like this may have travelled in with a circus when it came to town and set up in parks and public places.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',

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Keywords: Masey,Cheshire,deer,park,reflections,Stanford,Stamford,WA14,4SJ,WA144SJ,house,Catherine,Cocks,Warrington,house,water,pool,water,garden,rose,old,buildings,architecture,fine,places,to,visit,tourist,tourism,gotonysmith,Buy Pictures of,Buy Images Of,historic,mill pond,blue,sky
Description: Tony Smith image Alamy D8HCM4 - Set in a magnificent deer park, this Georgian house tells the stories of the owners and servants who lived here. You can discover the salacious scandals of the 7th Earl of Stamford, who married Catherine Cocks, a former bare-back circus rider, and the 2nd Earl of Warrington, so enamoured with his wife that he wrote anonymously on the desirability of divorce. These, and other fascinating stories, are waiting to be uncovered in this treasure-packed house.
Dunham Massey has one of the north's great gardens, including Britain's largest winter garden and our spectacular new rose garden opens in late spring.
Dunham Massey, Altrincham, England, UK WA14 4SJ

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Keywords: GoTonySmith,HotpixUK,@HotpixUK,firing,guns,uniform,white,armour,rose,artist,art,artwork,Runcorn old town,town,WA7 1LR,storm trooper,fires,flower,flowers,peace,StarWars,blaster,gun,Halton,Cheshire,England,UK,black,graffiti,Star Wars,starwars,Banksy Style,stencilled,streetart,on,white wall
Description: Tony Smith image Alamy 2K1418W - . This location-specific image from Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The defining feature is Stormtrooper fires a gun and a red rose comes out, stencil art in Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. The wider scene also brings together parish church heritage, place identity, historic church fabric, changing land use, local history, sacred decoration, devotional artwork, liturgical art, ecclesiastical craftsmanship, Christian iconography, social history, visual archive, church interior, and everyday life. In present-day coverage, the subject reaches into heritage conservation and cultural heritage, not least because of the role of parish churches in local identity and genealogy. Small period details of signage and branding at Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR may become more significant with time, particularly following new ownership. The subject also sits alongside archival record, faith heritage, changing streetscape, ecclesiastical art, sacred architecture, before-and-after reference, public realm, and local character. The combination of stencil, Church, Halton, comes, and fires anchors the frame to a recognisable activity, place or moment. For Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects heritage conservation and how places of worship combine active faith use with heritage and tourism within the real-world context of Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. The scene captures evidence of earlier appearance before later change alters the scene.
Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR

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Keywords: GoTonySmith,HotpixUK,@HotpixUK,of,rose,on,wall,logo,gates,Yorkshire,England,UK,YO1 6GD,centre,roses,white,heraldic rose,White Rose of York,rosa alba,rose argent,argent,symbol,badge,royal,House of York,the,heraldry,flag,coat of arms,petal,sepal,petals,sepals,Yorkist,Yorky,Yorkie,Wars of the Roses,War of the Roses
Description: Tony Smith image Alamy 2K7NBKW - The White Rose of York (Latinised as rosa alba, blazoned as a rose argent) is a white heraldic rose which was adopted in the 14th century as a heraldic badge of the royal House of York. In modern times it is used more broadly as a symbol of Yorkshire.
The symbolism of the white rose has religious connotations as (like the white lily) it represents the purity of the Virgin Mary, one of whose many titles in the Roman Catholic faith is the Mystical Rose of Heaven. In Christian liturgical iconography white is the symbol of light, typifying innocence, purity, joy and glory.
The white rose was first adopted as a heraldic badge by Edmund of Langley, 1st Duke of York (1341“1402), the fourth surviving son of King Edward III of England. One of his elder brothers, John of Gaunt, 1st Duke of Lancaster (1340“1399) adopted a red rose as a heraldic badge, the red rose of Lancaster. Their respective descendants fought for control of the throne of England during several decades of civil warfare, which became known as the Wars of the Roses, after the badges of the two competing cadet royal houses.
The Tudor Rose of England
The Wars of the Roses were ended by King Henry VII of England who, upon marrying Elizabeth of York, symbolically but not politically, united the White and Red Roses to create the Tudor Rose, the symbol of the English Monarchy. In the late 17th century the Jacobites took up the White Rose of York as their emblem, celebrating White Rose Day on 10 June, the anniversary of the birth of The Old Pretender in 1688
In heraldry The Rose of York is blazoned as A rose argent barbed and seeded proper (a white rose with sepals and seeds in their natural colours). According to the College of Heralds, the heraldic rose may be used with either a petal at the top or if slightly rotated with a sepal at the top. Traditionally the rose is displayed with a petal at the top in the North Riding and West Riding but with a sepal at the top in the East Riding of Yorkshire
City of York, Yorkshire, England, UK, YO1 6GD




