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Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,255A9775,Manchester,room,let,furnished,notice,housing,rent,poster
Description: Tony Smith image Alamy 3E3P8B8 - . Vintage-style Furnished Room To Let notice. Photographed on 28 June 2025, this summer image stock-photo/gotonysmith-Record.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. Key searchable subjects associated with the scene include Manchester, room, let, furnished, notice, housing, rent, poster, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. It is a useful stock image for publishers, researchers and picture editors seeking a clearly identified contemporary record of the subject and location.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,physical,checks,inspection,working,days,office,workplace,room,availability,corporate,office management,WFH,return to office,policy,in person,collaboration,face to face,meetings,team,idea sharing,employee engagement,office attendance,business meeting,culture,physical workplace,Teams,Google Meet,remote,Zoom video calls,Google Meet conference,cameras off culture,virtual meeting distraction,email multitasking during meetings,digital presenteeism,home working,online,fatigue
Description: Tony Smith image Alamy 3F3F10H - Wall-mounted facilities management sign records whether a physical office meeting room has been checked during the working week. The brushed metal notice lists Monday to Friday above a sliding indicator displaying a prominent green tick. Its purpose is to show that the room has been inspected and is ready for use, covering cleanliness, equipment, safety and presentation.
The image also illustrates debate over how and where staff should meet. Supporters of office attendance argue that people exchange ideas more naturally face to face, build stronger relationships and benefit from informal conversations difficult to schedule online. Remote and hybrid working can offer flexibility, quieter time for concentrated tasks and less commuting. Research indicates that carefully designed hybrid arrangements can maintain productivity while improving employee retention.
Microsoft Teams, Zoom and Google Meet allow distributed employees to collaborate without travelling, but online meetings bring problems. Cameras may remain switched off, participants can feel less visible or included, and email, chat notifications or unrelated tasks can compete for attention. Poorly planned physical meetings can be equally wasteful, especially when staff travel to an office only to join separate video calls from their desks. Microsoft workplace research has identified inefficient meetings and frequent digital interruptions as significant productivity problems.
The sign represents more than routine facilities control. It raises questions about meeting quality, management trust, employee engagement, office purpose and whether organisations are designing work around outcomes rather than attendance. Effective hybrid practice needs clear reasons for gathering in person, inclusive technology for remote participants, focused agendas and protected time for productive work. The photograph suits editorial coverage of return-to-office mandates, workplace culture, facilities management, corporate producti
London, England, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,England,city,centre,British,the,London,UK,WC1B 3DG,WC1B,history,historic,heritage,artefacts,exhibit,exhibits,institution,inside,interior,rooms,room,Tennyson,inscription,2000,quote,quotes,floor,Balzac limestone,extract,from,Two Voices,by,Alfred Lord Tennyson,inner,courtyard,The Two Voices
Description: Tony Smith image Alamy 2RW3WXN - The Two Voices is a poem written by future Poet Laureate of the United Kingdom Alfred, Lord Tennyson between 1833 and 1834. It was included in his 1842 collection of Poems. Tennyson wrote the poem, titled Thoughts of a Suicide in manuscript, after the death of his friend Arthur Henry Hallam in 1833. The poem was autobiographical.
Tennyson explained, When I wrote 'The Two Voices' I was so utterly miserable, a burden to myself and to my family, that I said, 'Is life worth anything?' (Hill, 54). In the poem, one voice urges the other to suicide (There is one remedy for all repeated on lines 201 and 237)
the poet's arguments against it range from vanity to desperation, yet the voice discredits all. The poem's ending delivers no conclusions, and has been widely criticized[according to whom?]”the poet finds no internal affirmation, invoking solace outside himself (Tucker). The Two Voices was published following a ten-year span (1832-1842) in which Tennyson did not publish anything, coinciding with what some call one of the deafening silences of Victorian literary history
Great Russell Street, Bloomsbury, London, England, UK, WC1B 3DG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,High Peak,Derbyshire,England,UK,historic,SK17,SK17 6AY,Saint Ann,well,pumping,pipes,Devonshire,pump,room,rooms,door,doors,entrance,hospital,patient,patients,only,stone,architecture,Victorian,water,waters,arch,arched,outside,seven,Wonders of the Peak,Thomas Hobbes,St Anns Well,St Annes Well,Arnemetia
Description: Tony Smith image Alamy 2RJPXHT - . St Anns Well, pump room , George St, Buxton, High Peak, Derbyshire, England, UK, SK17 6AY. Photographed on 20 August 2023. The Pump Room is well worth a visit alone. The newly-restored, stunning late Victorian building was erected to resolve the overcrowding of the town's thermal baths and provide a place for locals and holidaymakers to 'take the waters', commune and relax. The building is dedicated to Arnemetia, the Romano-British goddess of the sacred grove, referencing Buxton's history as one of Britain's only two Roman bath towns. Aquae Arnemetiae. The background to historic well is that public fountains and wells were once practical infrastructure for drinking water as well as decorative civic features
In many towns their original utility declined after piped domestic water became universal, leaving them as monuments, landmarks or restored street furniture. Within the history of diagnostic imaging, the National Health Service, founded in 1948, created a universal healthcare system whose hospitals, ambulances, clinics and public-information campaigns became familiar features of British life
Medical technology has continually changed the appearance of those services. Current 2026 context around historic well is that public drinking-water provision has renewed relevance because refill schemes seek to reduce single-use plastic bottles, while historical fountains require maintenance if they are to remain functional rather than purely decorative. Against the 2026 backdrop for diagnostic imaging, seasonal vaccination continues to be a major public-health tool , particularly for influenza and respiratory illness among higher-risk groups
Campaign material illustrates how health services encourage uptake through everyday communication. Alternative search wording includes drinking fountain, water supply, civic infrastructure, public realm, heritage feature, water history, town landmark, refill water, public drinking water, and stone fountain.
George St, Buxton, High Peak, Derbyshire, England, UK, SK17 6AY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,High Peak,Derbyshire,England,UK,historic,SK17,SK17 6AY,Saint Ann,well,pumping,pipes,Devonshire,pump,room,rooms,door,doors,entrance,hospital,patient,patients,only,stone,architecture,Victorian,water,waters,arch,arched,outside,seven,Wonders of the Peak,Thomas Hobbes,St Anns Well,St Annes Well,Arnemetia
Description: Tony Smith image Alamy 2RJPXT3 - . St Anns Well, pump room , George St, Buxton, High Peak, Derbyshire, England, UK, SK17 6AY. Photographed on 20 August 2023. The Pump Room is well worth a visit alone. The newly-restored, stunning late Victorian building was erected to resolve the overcrowding of the town's thermal baths and provide a place for locals and holidaymakers to 'take the waters', commune and relax. The building is dedicated to Arnemetia, the Romano-British goddess of the sacred grove, referencing Buxton's history as one of Britain's only two Roman bath towns. Aquae Arnemetiae. Looking at drinking fountain, the longer history is that stone fountains and wells often combine engineering with inscriptions, local donors or commemorative purpose
Their position in market places and crossroads reflects a period when access to clean public water was a significant civic concern. The background to MRI is that diagnostic technologies such as MRI transformed medicine by allowing detailed internal imaging without ionising radiation, while dedicated scanning centres became increasingly common within hospital estates. In 2026, drinking fountain remains relevant because water features also contribute to public realm and heritage tourism, with restoration projects balancing historical fabric, accessibility and modern water-quality standards. Current 2026 context around MRI is that the NHS remains under sustained pressure from waiting lists, workforce shortages, ageing buildings and demand for diagnostics
Images of hospitals, MRI centres and ambulances therefore connect physical infrastructure with wider debate about access and capacity. Other strongly related concepts include public fountain, historic well, water supply, civic infrastructure, street furniture, heritage feature, water history, town landmark, refill water, public drinking water, local history, urban heritage, healthcare, medical services, and diagnostic imaging.
George St, Buxton, High Peak, Derbyshire, England, UK, SK17 6AY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,CofE,architecture,history,historic,religious,religion,interior,inside,embellishment,Giles Gilbert Scott,chapel,chapels,room,building,detail,vault,vaults,vaulted,ceiling,lantern lights,protestant,protestants,gold,golden
Description: Tony Smith image Alamy 2PK2AFW - Lady Chapel
The oldest and perhaps most beautiful part of the Cathedral, the Lady Chapel offers its own organ, much-admired lantern lights, its own private entrance as well as some of the most beautiful stained glass in the Cathedral.
This intimate chapel has wonderful acoustics and is ideally suited to smaller recitals, film showings, theatrical performances and lectures, seating up to 200 guests. It also provides a pre-event reception space for those hiring the Well “ combined with a call to dinner by our world-famous organ, and a candle-lit walk across the main floor, it's a start to the evening no guest will forget!
Celebrating a special wedding anniversary? Why not have a wedding blessing or a renewal of vows in this most beautiful Chapel and complete your special day with a champagne reception and dinner in the Sir Giles Gilbert Scott Suite. (Minimum numbers apply).
Weddings may also be held in the Lady Chapel but are subject to very strict criteria and to Archbishop of Canterbury's licence limitations and conditions
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,full,English,sausage,eggs,bacon,hash brown,tomato,hashbrown,fry,frying,in,a,hotel,the,at,&,Royal,Godalming,Surrey,UK,GU7,22-25,High St,England,GU7 1EB,cup,cups,dining,room,wide,angle,wideangle,traditional,substantial,back,pork,dish,dishes
Description: Tony Smith image Alamy 2PG2JAD - A full breakfast is a substantial cooked breakfast meal, often served in the United Kingdom and Ireland, that typically includes bacon, sausages, eggs, black pudding, baked beans, tomatoes, mushrooms, toast, and a beverage such as coffee or tea. It appears in different regional variants and is referred to by different names depending on the area. While it is colloquially known as a fry-up in most areas of the United Kingdom and Ireland, it is usually referred to as a full English (often full English breakfast), a full Irish, full Scottish, full Welsh, and Ulster fry, in England, the Republic of Ireland, Scotland, Wales, and Northern Ireland, respectively.
On its origin, Country Life magazine states, The idea of the English breakfast as a national dish goes right back to the 13th century and the country houses of the gentry. In the old Anglo-Saxon tradition of hospitality, households would provide hearty breakfasts for visiting friends, relatives and neighbours. The fried breakfast became popular in Great Britain and Ireland during the Victorian era, and appears as one among many suggested breakfasts in home economist Isabella Beeton's Book of Household Management (1861). Its popularity soared post“World War II and became a staple of the working class. The protein-centric full breakfast is often contrasted (e.g. on hotel menus) with the lighter, carbohydrate-based alternative of a continental breakfast.
22-25 High St, Godalming, Surrey, England, UK, GU7 1EB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Surrey,Waverley,GU7 1AB,GU7,history,historic,High,towards,Street,St,the,Pepperpot,whitewashed,GU7 1EL,and,buildings,England,UK,tourist,tourism,visit,quaint,stores,retail,tea,room,cafe,tearoom,tudor,style,Wattle & Daub,independent,retailers,small,businesses
Description: Tony Smith image Alamy 2PGAYJE - . This location-specific image from Church Street, Godalming, Waverley, Surrey, England, UK, GU7 1EL in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later Historical.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>historical comparison. The main point of reference is Historic buildings, shops, dwellings, stores, in Church Street, Godalming, Waverley, Surrey, England, UK, GU7 1EL. Other connected aspects include integrated transport, railway branding, rail modernisation, urban rail transport, changing streetscape, mass transit, station environment, visual archive, passenger railway, regional identity, rail corridor, historical comparison, local character, and commuter travel. From a 2025-onward perspective, integrated transport and public ownership are closely linked to this subject, alongside the role of public transport in reducing congestion and emissions. For later comparison, the photograph preserves landscape treatment and surrounding development at Church Street, Godalming, Waverley, Surrey, England, UK, GU7 1EL, details that may look very different after redevelopment. The wider setting retains connections with changing land use, rail infrastructure, everyday life, regional rail, place identity, before-and-after reference, rail mobility, and social history. Details involving Church, shops, Waverley, Historic, and buildings make the image more specific than a generic view and strengthen its local or historical value. For Church Street, Godalming, Waverley, Surrey, England, UK, GU7 1EL, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of integrated transport and the role of public transport in reducing congestion and emissions without losing the local specificity of Church Street, Godalming, Waverley, Surrey, England, UK, GU7 1EL.
Church Street, Godalming, Waverley, Surrey, England, UK, GU7 1EL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,M1,housing student,block of flats,Manchester,M1 6FU,station,rail,railway,flat,icon,iconic,blocks,new,cladding,BR,British Rail,flats,room,rooms,modern,development,Oxford Road station,tower block,secure,expense,availability,Manchester Metropolitan University,Royal Northern College of Music,Parkway Gate,evening,night,student beds uk,student accommodation England,student accommodation UK
Description: Tony Smith image Alamy 2KG413A - . This dated editorial view of Oxford Road station,Manchester, England, UK, M1 6FU in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on Unite students accommodation, block of flats, Oxford Road station,Manchester, England, UK, M1 6FU. Other connected aspects include before-and-after reference, public-transport wayfinding, local bus network, archival record, regional rail, public transport network, historical comparison, rail modernisation, visual archive, transport interchange, documentary photography, local history, passenger railway, and railway branding. The modern context includes continuing discussion of public ownership, integrated transport and the reshaping of Britain's passenger railway in the mid-2020s. For current editorial use, passenger information and integrated transport provide additional context, especially through the importance of buses for access to work, education and healthcare. Future viewers can use this scene from Oxford Road station,Manchester, England, UK, M1 6FU to compare materials and architectural details with whatever follows after closure or conversion. A second descriptive layer includes social history, rail mobility, commuter travel, local character, place identity, street-side transport, surface public transport, and contemporary social history. Elements such as block, students, Oxford, Manchester, and Unite add documentary specificity and may become increasingly useful when compared with later records. The period setting at Oxford Road station,Manchester, England, UK, M1 6FU helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is public ownership and the reshaping of Britain's passenger railway in the mid-2020s in a form that can be compared with future views of Oxford Road station,Manchester, England, UK, M1 6FU.
Oxford Road station,Manchester, England, UK, M1 6FU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,cold,cool,weather,temperature,temperatures,heating,energy,costs,cost,not,switching,on,wooden,industrial,bulb,showing,in,scale,section3,bills,bill,The Energy Saving Trust,60,degrees,18,room,home,wood,30,30f,frozen,factories act,climate change
Description: Tony Smith image Alamy 2K6C9CT - . This location-specific image from England, Great Britain , UK in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The image documents Wooden industrial bulb thermometer, showing cold temperature in Fahrenheit - factory act 1937 Section 3 copyright,. The surrounding context encompasses period detail, before-and-after reference, contemporary social history, independent retail, customer footfall, specialist retailer, small business, visual archive, social history, everyday life, local enterprise, bricks-and-mortar retail, community identity, and specialist shop. From a 2025-onward perspective, footfall and business rates are closely linked to this subject, alongside how commercial property costs affect small retailers. The archival value lies partly in recording equipment and working practice around England, Great Britain , UK before refurbishment alters the character of the place. Further associations within the scene are street-level business, public realm, changing streetscape, documentary photography, regional identity, place identity, archival record, and shopfront economy. References to temperature, Section, industrial, Wooden, and Fahrenheit give the picture a strong period identity and tie it closely to its named subject. The wider setting at England, Great Britain , UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is footfall and the contribution of independents to distinctive high streets without losing the local specificity of England, Great Britain , UK. The scene further reflects independent business and how shopfronts become short-lived records of changing businesses in a form that can be compared with future views of England, Great Britain , UK. The view records a point of historical comparison before later change alters the scene.
England, Great Britain , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,cold,cool,freezing,weather,temperature,temperatures,heating,energy,costs,cost,not,switching,on,wooden,industrial,bulb,showing,in,scale,section3,bills,bill,The Energy Saving Trust,60,degrees,18,room,home,very cold,hypothermia,condition,conditions,traditional,factory,style,measure,of,40f
Description: Tony Smith image Alamy 2K6C9D0 - . An on-location photograph from England, Great Britain , UK in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is Wooden industrial bulb thermometer, showing cold temperature in Fahrenheit - factory act 1937 Section 3 copyright,. The subject also carries associations with documentary photography, commercial frontage, everyday life, specialist retailer, period detail, changing streetscape, street-level business, retail property, historical comparison, local character, shopfront economy, before-and-after reference, bricks-and-mortar retail, and regional identity. From a 2025-onward perspective, online shopping and consumer spending are closely linked to this subject, alongside the contribution of independents to distinctive high streets. The archival value lies partly in recording equipment and working practice around England, Great Britain , UK before conservation work alters the character of the place. The photograph additionally reflects community identity, high-street commerce, place identity, changing land use, town-centre trading, archival record, visual archive, and customer footfall. Elements such as temperature, industrial, showing, copyright, and factory add documentary specificity and may become increasingly useful when compared with later records. The wider setting at England, Great Britain , UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for online shopping and how commercial property costs affect small retailers within the specific setting of England, Great Britain , UK. Another useful connection is town-centre regeneration and the resilience of specialist shops in an online retail economy as part of the longer story of England, Great Britain , UK.
England, Great Britain , UK
Description
Keywords: Wolverhampton,West Midlands,England,UK,GoTonySmith,HotpixUK,@HotpixUK,The,outback,bar,pub,Assembly,added,lion,unicorn,L.,Vulliamy,WV1 1ES,WV1,moot,Wolverhamptons,Rooms,room,in,history,historic,architecture,building,buildings,classic,classical,court,courts,columns,crest,court house,balcony,main court room,judiciary
Description: Tony Smith image Alamy 2K546YC - Originally built by public subscription as a library and newsroom.
The assembly Room on the upper floor was added later. It became the county court building and this is the name by which it is best remembered.
When the county court moved to the new combined courts building, this building was put on the market and became a night club, called Chancellors, and currently goes under the name of Walkabout.
The main court room furniture was given by the purchasers to Wolverhampton Law School, at the University, where it was reassembled as a moot court.
Wolverhampton, West Midlands, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bar,CAMRA,at,the,West Midlands,England,UK,WV1 1DG,Lichfield St,pub,fitting,fittings,history,historic,mirror,bottle,bottles,tiles,tiled,hearth,hearths,wood,wooden,dark,mahogany,pubs,bars,snug,saloon,back,room,flame effect,fire,fires
Description: Tony Smith image Alamy 2K5J0DY - An elegant town-centre pub, built in 1886 on the site of its predecessor, the Noah's Ark
the notable faience frontage dates from a remodelling of 1900 by local architect Fred T. Beck. On the wall of the smoke room are the plans showing the changes made in 1983 (Architects: David Horne Associates) when Allied Breweries converted the pub into one of the earliest of their ˜Holt, Plant & Deakin' pubs “ these did include making an archway through the rear wall to give access to the smoke room and creating a third room at the rear.
It has an excellent ceramic exterior including the wording 'The Posada' on three tiled panels “ one on the fascia and two in vertical lettering on pilasters in each of the external recessed porches which have mosaic floors. Below the small-paned bowed window is a dado of golden yellow glazed brick and tiles. Both porches have a glazed brick and tiled dado in golden yellow with cream glazed brick above up to ceiling height with a dark yellow tiled frieze at the top and mosaic floors. Of the five main lower front windows the central three are now plain, which is not likely to have been the case when the pub was built. The leaded window in the right hand door is a modern replacement.
The public bar is a very special room with its tiled walls in orange-brown on the dado and cream above, original bar fittings including rare snob screens and is little altered since 1900. The left hand door leads into a vestibule that looks modern as does the panelling so it has been added later, possibly in 1983. The bar counter looks like the original 1900 one with panelled frontage “ the only changes being a 1960s/70s slanting piece of timber piece on the left for the present hatch
also, there is a cut right at the front right-hand end where the quadrant becomes straight, facing to the window which is where the hatch was originally.
48 Lichfield St, Wolverhampton, West Midlands, England, UK, WV1 1DG
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,England,UK,with,dark,furniture,Cheshire,coal,fireplaces,chair,seat,seating,bare,rug,carpet,history,historic,English,British,1800,1800s,inside,interior,basic,room,rooms,living room,quarters,clock,ornaments,ornament,fire,fireplace,light,candle
Description: Tony Smith image Alamy 2K244D5 - . Photographed at England, Great Britain , UK in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The main point of reference is Victorian living room, with furniture, coal fire place, candles, Cheshire, England, UK. The setting additionally reflects mid-century timepiece, visual archive, community identity, everyday life, horological collecting, heritage-led regeneration, mechanical watchmaking, documentary photography, collectable wristwatch, historic townscape, mechanical movement, architectural character, public realm, and Swiss horology. Viewed from the mid-2020s, the subject also connects with second-hand markets, mechanical craftsmanship and how watch design preserves industrial and graphic story.htm Target=_Blank>history. The modern context includes continuing discussion of adaptive reuse, housing pressure and how public investment can reshape pedestrian movement and evening activity. The archival value lies partly in recording local activity and public use around England, Great Britain , UK before closure or conversion alters the character of the place. The subject also sits alongside period watch design, watchmaking heritage, changing land use, built heritage, local history, vintage wristwear, contemporary social history, and local character. References to candles, place, furniture, Victorian, and living give the picture a strong period identity and tie it closely to its named subject. The period setting at England, Great Britain , UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is second-hand markets and the contrast between mechanical timekeeping and connected wearables as part of the longer story of England, Great Britain , UK. It also preserves evidence of changing use as part of England, Great Britain , UK's history.
England, Great Britain , UK
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,England,UK,with,dark,furniture,Cheshire,coal,fireplaces,lamp,chair,seat,seating,bare,rug,carpet,history,historic,English,British,1800,1800s,inside,interior,basic,room,rooms,living room,quarters,clock,ornaments,ornament,fire,fireplace,light,candle
Description: Tony Smith image Alamy 2K244DK - . Made at England, Great Britain , UK in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The main point of reference is Victorian living room, with furniture, coal fire place, oil lamps, Cheshire, England, UK. Another layer of the photograph includes period architecture, community identity, analogue timekeeping, collectable wristwatch, local character, visual archive, changing streetscape, social history, manual-wind movement, vintage timepiece, period detail, town-centre renewal, historical comparison, and period watch design. The modern context includes continuing discussion of mechanical craftsmanship, repairability and the collector interest created by original boxes, dials and period movements. For current editorial use, planning and commercial viability provide additional context, especially through how public investment can reshape pedestrian movement and evening activity. The archival value lies partly in recording lettering, decoration and surface detail around England, Great Britain , UK before later reinterpretation alters the character of the place. The wider setting retains connections with built heritage, public realm, heritage-led regeneration, mechanical movement, place identity, civic architecture, everyday life, and urban regeneration. The combination of lamps, furniture, place, Victorian, and living anchors the frame to a recognisable activity, place or moment. Around England, Great Britain , UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is mechanical craftsmanship and how watch design preserves industrial and graphic history as part of the longer story of England, Great Britain , UK. The photograph keeps period character for future local research.
England, Great Britain , UK
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,England,UK,with,dark,furniture,Cheshire,coal,fireplaces,lamp,gas light,gas,gaslight,wallpaper,dog grate,doggrate,history,historic,English,British,1800,1800s,inside,interior,basic,room,rooms,living room,quarters,clock,ornaments,ornament,fire,fireplace,light,candle
Description: Tony Smith image Alamy 2K244E3 - . Photographed at England, Great Britain , UK in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The defining feature is Victorian living room, with furniture, coal fire place, oil lamps, gaslight , wallpaper, Cheshire, England, UK. Another layer of the photograph includes watch dial typography, mechanical watchmaking, local character, town-centre renewal, watchmaking heritage, before-and-after reference, period detail, adaptive reuse, documentary photography, architectural character, historical comparison, archival record, social history, and horological collecting. For current editorial use, collectable watches and second-hand markets provide additional context, especially through the collector interest created by original boxes, dials and period movements. Current relevance extends to public-realm investment and heritage conservation, particularly through how public investment can reshape pedestrian movement and evening activity. As a dated visual record of England, Great Britain , UK, the frame retains lettering, decoration and surface detail, making it especially useful if closure or conversion subsequently changes the scene. The photograph additionally reflects vintage wristwear, analogue timekeeping, mixed-use redevelopment, visual archive, place-making, historic townscape, changing streetscape, and vintage timepiece. The recorded references to place, wallpaper, Victorian, furniture, and living preserve clues about how the subject was presented, used or understood at the time. The wider setting at England, Great Britain , UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The record includes period character as a date-specific reference. The frame retains a trace of local identity for later comparison.
England, Great Britain , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,station,train,trains,the,railway,age,museum,heritage,centre,signage,relay,relays,room,signal,signals,points,control,electronics,switching,Vernon way,CW1 2DB,CW1,north,jcn,door,entrance,Westinghouse,All Electric,Style L,lever frame,Crewe Railway Age
Description: Tony Smith image Alamy 2JX2WFD - Crewe Heritage Centre is a railway museum located in Crewe, England. Managed by the Crewe Heritage Trust, the museum is located between the railway station and the town centre
the site was the location of the 'Old Works' which was demolished in the early 1980s.
History
The centre was established in the old London, Midland and Scottish Railway yard, which was once part of Crewe Works, between the junction to Chester and the West Coast Main Line. It was officially opened by Queen Elizabeth II, accompanied by the Duke of Edinburgh, on 24 July 1987. It was renamed in 1992 as Crewe Railway Age by the owning registered charity but, after the management of the centre was taken over by a new group of volunteers, the museum returned to its original name of Crewe Heritage Centre in early 2008.
Exhibits
The centre has a series of exhibits, ranging from the only surviving APT-P train, miniature railways, three open signal boxes (Crewe Station A, Crewe North Junction and Exeter West) and a varied collection of standard gauge steam, diesel and electric locomotives, as well as occasional visiting locomotives. The Main Exhibition Hall features many artefacts and exhibits associated with Crewe, from its locomotive and carriage construction to its famous junction railway station. Brake Van rides are available to the public during special events.
Advanced Passenger Train
APT No.370 003/006 at Crewe Heritage Centre
Built by British Rail (BR) the 1970s and 1980s, this Class 370 Advanced Passenger Train (APT) is the only surviving APT set. Numbered 370 003/006, it is open at all times with an occasional cafe run from the original buffet car (selected days only). The APT-P museum can be found inside one of the carriages, with photographs on display from the APT project
Vernon way, Cheshire, England, UK, CW1 2DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,M3,UK,M3 1WY,rail,Staffordshire tiles,letters,lettering,bookstall,with,arch,arched,arches,window,glass,windows,art,architecture,design,grill,room,rooms,old,feature,features,historic,heritage,train station,train stations,indoors,inside,interior,brickwork
Description: Tony Smith image Alamy 2JY55WY - Architecture and features
The original M&LR single-storey offices facing Hunt's Bank Approach were built in the Italianate style in sandstone ashlar with slate roofs in 1844. They were later enlarged and given a second storey. William Dawes built the station's larger extension for the L&YR in 1909. It is at right-angles to the north end of the old station giving the enlarged station an L-shaped plan. Facing Victoria Station Approach, its façade is in the Edwardian neo-Baroque style, four storeys high and 31 bays to the rounded corner at the south-east end. The ground floor windows have rounded heads and those on the floors above are square. The ornate glass and iron canopy along the façade displays the names of destinations that the station served in Art Nouveau lettering. The canopy was damaged by the Provisional IRA's 1996 bomb placed in a street adjacent to the Arndale Centre and was restored four years later.
Heritage features in the concourse were restored during the 2013-15 renovation, they include the café with its glass dome and mosaic lettering which was originally the first-class dining room, the adjacent bookstall, and the original 1909 wood-panelled booking hall. In the entrance is a large, white glazed tiled map showing the former network of the Lancashire and Yorkshire Railway.
Underneath the map is a bronze World War I war memorial with effigies of Saint George and Saint Michael at each end which was installed in 1923. At the south end of the concourse is the 'soldier's gate' which opened to the former fish docks from where thousands of soldiers departed for World War I and where a bronze plaque was erected to commemorate them. The gateway was restored in 2015 and a steel screen inserted featuring a map of World War I Commonwealth grave cemeteries in Northern France and Belgium.
The station received Grade II listed building status in 1988
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,M3,UK,M3 1WY,rail,Staffordshire tiles,letters,lettering,bookstall,with,arch,arched,arches,window,glass,windows,art,architecture,design,refreshment,room,refreshments,rooms,old,feature,features,historic,heritage,train station,train stations,indoors,inside,interior
Description: Tony Smith image Alamy 2JY5614 - Architecture and features
The original M&LR single-storey offices facing Hunt's Bank Approach were built in the Italianate style in sandstone ashlar with slate roofs in 1844. They were later enlarged and given a second storey. William Dawes built the station's larger extension for the L&YR in 1909. It is at right-angles to the north end of the old station giving the enlarged station an L-shaped plan. Facing Victoria Station Approach, its façade is in the Edwardian neo-Baroque style, four storeys high and 31 bays to the rounded corner at the south-east end. The ground floor windows have rounded heads and those on the floors above are square. The ornate glass and iron canopy along the façade displays the names of destinations that the station served in Art Nouveau lettering. The canopy was damaged by the Provisional IRA's 1996 bomb placed in a street adjacent to the Arndale Centre and was restored four years later.
Heritage features in the concourse were restored during the 2013-15 renovation, they include the café with its glass dome and mosaic lettering which was originally the first-class dining room, the adjacent bookstall, and the original 1909 wood-panelled booking hall. In the entrance is a large, white glazed tiled map showing the former network of the Lancashire and Yorkshire Railway.
Underneath the map is a bronze World War I war memorial with effigies of Saint George and Saint Michael at each end which was installed in 1923. At the south end of the concourse is the 'soldier's gate' which opened to the former fish docks from where thousands of soldiers departed for World War I and where a bronze plaque was erected to commemorate them. The gateway was restored in 2015 and a steel screen inserted featuring a map of World War I Commonwealth grave cemeteries in Northern France and Belgium.
The station received Grade II listed building status in 1988
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Llangollen,Wales,LL20 8SN,UK,the,BR,signs,signage,gender,assigned,toilets,the ladies room,ladies,woman,female,room,toilet,gentlemen,disabled,trans,transsexual,babychange,baby change,LGBT,stations,tourist,tourism,attraction,visitors,unique,heritage,Beeching,cuts,charity
Description: Tony Smith image Alamy 2JR3MNK - . Made at The Station, Abbey Road , Llangollen, Denbighshire, Wales, UK, LL20 8SN in 2022, this photograph stock-photo/gotonysmith-Record.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The photograph centres on Gender assigned toilets, the ladies room, Llangollen railway station, LL20 8SN. The subject also carries associations with roadside transit, historical comparison, everyday life, rail transport history, rail infrastructure, public realm, visual archive, changing streetscape, surface public transport, freight wagon, trackside history, rail corridor, local mobility, and working railway heritage. The modern context includes continuing discussion of signalling technology, regional connectivity and the role of rail in lower-carbon regional transport. For current editorial use, decarbonisation and service frequency provide additional context, especially through the shift toward cleaner vehicles and integrated ticketing. The archival value lies partly in recording signage and branding around The Station, Abbey Road , Llangollen, Denbighshire, Wales, UK, LL20 8SN before refurbishment alters the character of the place. Other useful contextual ideas include signal-box architecture, street-side transport, contemporary social history, historic rolling stock, documentary photography, bus route infrastructure, period detail, and archival record. Details involving station, assigned, Llangollen, Gender, and toilets make the image more specific than a generic view and strengthen its local or historical value. For The Station, Abbey Road , Llangollen, Denbighshire, Wales, UK, LL20 8SN, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The photograph keeps part of the area's social history as a date-specific reference. The record includes details of everyday use for later comparison.
The Station, Abbey Road , Llangollen, Denbighshire, Wales, UK, LL20 8SN
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England,UK,British,Thermometer,London,OfGem,regulator,government,help,assist,assistance,cold,winter,higher bills,poverty,poor,VAT,bill,bills,green levies,quarterly,cap,Ofgem,zone,comfortable,room,temperature,capped,gas,cutoff,cut,off,Fahrenheit,increasing,support,wholesale,prices,Ofgem increases,are,making fuel bills unaffordable
Description: Tony Smith image Alamy 2JPF7ME - . An identifiable period record of England, UK in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The subject captured here is Thermometer showing room temperature outside the 'Comfort Zone'. Ofgem increases are making fuel bills unaffordable in the UK. The frame also records themes of historic streetscape, public realm, conservation interest, architectural character, visual archive, social history, contemporary social history, cityscape history, urban fabric, built heritage, architectural detail, changing streetscape, everyday life, and community identity. The wider contemporary story combines redevelopment pressure, energy retrofit and how historic buildings acquire new uses as cities change. The archival value lies partly in recording commercial use and occupation around England, UK before altered transport patterns alters the character of the place. Further associations within the scene are period building, local history, historic townscape, archival record, regional identity, historical comparison, heritage asset, and heritage landmark. References to outside, making, 'Comfort, temperature, and bills give the picture a strong period identity and tie it closely to its named subject. The period setting at England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes redevelopment pressure and the balance between conservation, retrofit and modern accessibility within the specific setting of England, UK. Another strand within the photograph is embodied carbon and how historic buildings acquire new uses as cities change as part of the longer story of England, UK. The setting also helps illustrate planning control and how historic buildings acquire new uses as cities change when considered against later change at England, UK.
England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,note,apology,apologise,everyone,say,forgive,me,sorry,I am,confession,sorrow,communicate,apologising,label,green,yellow,colour,coloured,square,to,all,workmates,colleagues,friends,room,mates,roommates,accountability after a mistake,taking responsibility,workplace apology,corporate apology concept,crisis communication,reputation management,damage control message,conflict resolution
Description: Tony Smith image Alamy 2JJGB4T - A bright green sticky note lies on a mottled granite or stone surface, carrying the handwritten message Sorry Everyone! in thick black marker pen. The short phrase is simple, direct and emotionally clear, turning an ordinary piece of stationery into a visual symbol of apology, regret and the acceptance of responsibility. Because the wording is addressed to a group rather than an individual, the image works especially well as a concept for collective apology, public embarrassment, workplace mistakes or a need to make amends after an error has affected several people.
The informal style of the note gives the scene a spontaneous and human quality. It does not look like a polished corporate statement or carefully prepared printed message. Instead, it suggests a quick handwritten response left after something has gone wrong, perhaps in an office, home, classroom or shared environment. That makes the image useful for themes such as accountability, communication breakdown, customer service failure, professional remorse, awkward situations, damaged trust, conflict resolution and the first steps towards rebuilding relationships.
The vivid green paper stands out strongly against the neutral speckled background, helping the note dominate the composition. The exclamation mark adds emphasis and can imply urgency, sincerity, panic, humour or a mixture of all four, depending on the editorial context. The close-up view keeps the focus entirely on the message and allows the photograph to work as a flexible conceptual stock image for articles about leadership errors, social media backlash, reputational damage, personal relationships, team dynamics and saying sorry.
No people are visible and no exterior setting, season or sky can be seen. This gives the image broad versatility, allowing it to illustrate both personal and professional situations where a group apology, expression of remorse or admission of fault is required.
England, Great Britain , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,note,apology,apologise,everyone,say,forgive,me,sorry,confession,I am,sorrow,communicate,apologising,postit,post,it,sticky,label,notes,pink,colour,square,to,all,workmates,colleagues,friends,room,mates,roommates,personal,remorse,admission of fault,expressing regret,office communication
Description: Tony Smith image Alamy 2JJGB51 - Bright pink sticky note carries the handwritten words Sorry Everyone! in thick black marker, creating a direct visual statement of apology, regret and collective accountability. The informal handwriting, emphatic exclamation mark and vivid colour give the message an immediate, personal quality, as though it has been left quickly after a mistake, misunderstanding or embarrassing incident. Placed on a mottled stone or granite surface, the simple square note becomes the clear focal point of the image.
The wording is deliberately broad and can represent an individual apologising to colleagues, friends, customers, family members, an online audience or the wider public. It may illustrate taking responsibility after an error, acknowledging that other people have been affected, attempting to repair damaged trust or beginning a difficult conversation. The image also works as a metaphor for public relations problems, workplace conflict, customer service failures, social media controversy, leadership mistakes and the need for organisations or individuals to make amends.
Unlike a carefully prepared corporate statement, the handwritten note feels spontaneous and human. Its brevity leaves the cause of the apology unstated, making the photograph adaptable to editorial stories and conceptual features about accountability, remorse, forgiveness, reputation management, emotional intelligence and conflict resolution. The message may be sincere, awkward, humorous or ironic depending on the surrounding context.
The close-up composition, everyday stationery and authentic marker writing provide strong visual simplicity with space around the note for editorial use. The bright pink paper contrasts sharply with the neutral patterned background, helping the apology stand out. No people, exterior setting, season or sky are visible, keeping attention entirely on the message and its emotional meaning.
England, Great Britain , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,British,entrance,to,Euston Rd,96,NW1 2DB,books,The,national,Department for Digital Culture Media and Sport,media misrepresentation,becoming an anti-racist organisation,slave trade,statues,artwork,printed,word,Grade I listed building,door,doorway,donations,acquisitions,historical,collections,collection,legal deposit,Copyright Act 1911,reading,room,rooms,front,deposit library,national library of the UK,metal
Description: Tony Smith image Alamy 2M108BX - The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport.
The British Library is a major research library, with items in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library's collections include around 14 million books, along with substantial holdings of manuscripts and items dating as far back as 2000 BC. The library maintains a programme for content acquisition and adds some three million items each year occupying 9.6 kilometres (6 mi) of new shelf space.
Prior to 1973, the Library was part of the British Museum. The Library is now located in a building purpose-built on the disused site of Midland Railway's Somers Town Goods Yard and Potato Market, on the north side of Euston Road in Somers Town, London (between Euston railway station and St Pancras railway station), and has an additional storage building and reading room in the branch library near Boston Spa, in the Leeds district of West Yorkshire. The St Pancras building was officially opened by Queen Elizabeth II on 25 June 1998, and is classified as a Grade I listed building of exceptional interest for its architecture and history
The British Library was created on 1 July 1973 as a result of the British Library Act 1972. Prior to this, the national library was part of the British Museum, which provided the bulk of the holdings of the new library.
96 Euston Rd, London, England, UK, NW1 2DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,2022,GrandPrix,Formula1,GP F1,Silverstone,on,the,doorstep,of,start,new,building,room,price,costs,cost,accommodation,Hamilton Straight,home,British,Motor Sport,circuit,hotels,luxury,Hilton Honors,brand,brands,portfolio,Hilton Garden Inn Silverstone,Hilton Garden Inn,Circuit Silverstone,Towcester,NN12 8TL,development,people,crowd,hospitality
Description: Tony Smith image Alamy 2JFTMPF - Panoramic views of Silverstone
We're located on the Hamilton Straight, home of British Motor Sport. Silverstone's International Conference and Exhibition Centre are walking distance and the Silverstone Interactive Museum is just over a five-minute walk away. We offer an on-site restaurant and views from our rooftop bar. Enjoy free WiFi and work desks with an ergonomic chair.
Hamilton Straight, Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, U
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lymm,Cheshire,Warrington,Lymm Cheshire,village,Lymm village,England,UK,WA13,retail,crafters,monthly,regular,LYCC,Community Centre,Community,centre,room,full,packed,closed,stallholder,stallholders,tourist,tourism,attraction,villages,festival,festivals,Dickens,indoor,interior,store,stores,stalls
Description: Tony Smith image Alamy 2AFFP2K - Lymm Artisan Market is a food & craft market held on ocasional Saturday & 3rd Sunday of the month
Lymm Sunday Market is a FOOD & CRAFT market held on the 3rd Sunday of the month & the occasional Saturday It is located at Lymm Youth Community Centre WA13 0AB, opposite the canal. We are open 10-4 pm Sat & 11-4 pm Sun. There will a combination of food & craft stalls. Refreshments are available, provided by the volunteers of the Centre.
Boat Stage, Lymm,Warrington,Cheshire,England,UK, WA13 0DA
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Hall,058840,South East Asia,spin,prayer,Singapore Tourism Board,traditional,modern,Tang dynasty architecture,Tang dynasty,architecture,Buddhas actual tooth,actual tooth,large Buddha prayer wheel,large,Buddha prayer wheel,Asia,religion,religions,Asian,belief,temple,temples,city,history,historic,room,rooms,covered,ceiling,red,green,gold,288,South Bridge Rd
Description: Tony Smith image Alamy 2DPGJBH - From the outside, the temple still looks like a traditional imperial Chinese building with its slanting bamboo roofs and red wooden beams.
And the prized possession, the temple houses what is believed to be Buddha's actual tooth which was found in 1980 from the wreckage of a collapsed stupa in Myanmar in 1980.
The Buddha Tooth Relic Temple has since become one of Singapore's most popular spiritual hubs for Buddhists due to housing Buddha's left canine tooth. It now attracts over 3.6 million visitors from all religions annually looking to learn more about the history, art and culture of Buddhism.
288 South Bridge Rd, Singapore, 058840
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Germany,German,Mainz,Rhineland,Rhine,City Centre,Deutschland,city,gas,cylinder,heavy,protection,fire,fire protection,security,cloud,cloud server,room,facility,Aareon,Aareal Bank,bank,hosting,headquarters,datacentre,Fire safety,Fire,extinguisher,data center,fire safe,inert,fire detection system,clean agent fire suppression system,red cylinders,INERGEN,Gas Flooding,system
Description: Tony Smith image Alamy RGKETK - One of the most common types of fire protection systems for office buildings are fire sprinkler systems. While fire sprinkler systems are more than capable of suppressing a fire, the water from the sprinkler system can damage sensitive environments like server rooms, telecommunication sites, data centers, control rooms, museums, power plants, and more. For these environments, businesses turn to fire suppression systems that disperse an inert gas or combination of gasses to suppress the fire without causing damage to electronics or permanently losing data.
For buildings that have little or no occupancy, carbon dioxide systems are often used as the key suppressant. However, carbon dioxide (CO2) fire suppression systems create an inherent health risk for people in the area. That is why you won't normally find CO2 fire suppression systems installed in normally occupied buildings and enclosures. Instead, you'll find clean agent fire suppression systems installed to protect sensitive environments. Clean agent fire suppression systems pose a much lower health risk to people when compared to CO2 which can be deadly. When choosing a clean agent fire suppression system, there are three common types:
FM-200 Clean Agent Fire Suppression System
Novec 1230 Clean Agent Fire Suppression System
INERGEN Clean Agent Fire Suppression System
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Germany,German,Mainz,Rhineland,Rhine,City Centre,Deutschland,city,gas,cylinder,heavy,protection,fire,fire protection,security,cloud,cloud server,room,facility,Aareon,Aareal Bank,bank,hosting,headquarters,datacentre,Fire safety,Fire,extinguisher,data center,fire safe,inert,fire detection system,clean agent fire suppression system,red cylinders,INERGEN,Gas Flooding,system
Description: Tony Smith image Alamy RGKETN - One of the most common types of fire protection systems for office buildings are fire sprinkler systems. While fire sprinkler systems are more than capable of suppressing a fire, the water from the sprinkler system can damage sensitive environments like server rooms, telecommunication sites, data centers, control rooms, museums, power plants, and more. For these environments, businesses turn to fire suppression systems that disperse an inert gas or combination of gasses to suppress the fire without causing damage to electronics or permanently losing data.
For buildings that have little or no occupancy, carbon dioxide systems are often used as the key suppressant. However, carbon dioxide (CO2) fire suppression systems create an inherent health risk for people in the area. That is why you won't normally find CO2 fire suppression systems installed in normally occupied buildings and enclosures. Instead, you'll find clean agent fire suppression systems installed to protect sensitive environments. Clean agent fire suppression systems pose a much lower health risk to people when compared to CO2 which can be deadly. When choosing a clean agent fire suppression system, there are three common types:
FM-200 Clean Agent Fire Suppression System
Novec 1230 Clean Agent Fire Suppression System
INERGEN Clean Agent Fire Suppression System
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Germany,German,Mainz,Rhineland,Rhine,City Centre,Deutschland,city,gas,cylinder,heavy,protection,fire,fire protection,security,cloud,cloud server,room,facility,Aareon,Aareal Bank,bank,hosting,headquarters,datacentre,Fire safety,Fire,extinguisher,data center,fire safe,inert,fire detection system,clean agent fire suppression system,red cylinders,INERGEN,Gas Flooding,system
Description: Tony Smith image Alamy RGKEXE - One of the most common types of fire protection systems for office buildings are fire sprinkler systems. While fire sprinkler systems are more than capable of suppressing a fire, the water from the sprinkler system can damage sensitive environments like server rooms, telecommunication sites, data centers, control rooms, museums, power plants, and more. For these environments, businesses turn to fire suppression systems that disperse an inert gas or combination of gasses to suppress the fire without causing damage to electronics or permanently losing data.
For buildings that have little or no occupancy, carbon dioxide systems are often used as the key suppressant. However, carbon dioxide (CO2) fire suppression systems create an inherent health risk for people in the area. That is why you won't normally find CO2 fire suppression systems installed in normally occupied buildings and enclosures. Instead, you'll find clean agent fire suppression systems installed to protect sensitive environments. Clean agent fire suppression systems pose a much lower health risk to people when compared to CO2 which can be deadly. When choosing a clean agent fire suppression system, there are three common types:
FM-200 Clean Agent Fire Suppression System
Novec 1230 Clean Agent Fire Suppression System
INERGEN Clean Agent Fire Suppression System
Description
Keywords: @HotpixUK,GoTonySmith,Doncaster,South,England,UK,night,DN2 6AX,Grand St Leger,Hotel,hotel,history,historic,01302 364111,Crab Moo,building,architecture,outside,room,rooms,Victorian,balcony,balconies,racecourse,roundabout,John Din Limited,lit,illuminated,exterior,1810,Turf Inn,pub,pubs,bar,bars,St. Leger,race
Description: Tony Smith image Alamy P8DCW6 - The original Turf Inn was built in 1810, becoming a private residence until 1854 when it was bought by the county. The building proudly housed the West Yorkshire Regiment of Matilda until 1882 when it again passed to private hands. In 1920 it was converted into accommodation for the stable lads and served the turf until it was purchased and converted into The Grand St. Leger Hotel.
Bennetthorpe, Doncaster, Yorkshire, England, UK, DN2 6AX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,village,Church,ringers,parish,bells,old,historic,history,clock,mechanism,area,rope,ropes,church,tower,Anglican,sign,signs,joke,jokes,yellow,space,for,campanology,campanologist,inside,interior,room,bell,belltower,bellringing,ring of bells,ring,of,ringing
Description: Tony Smith image Alamy 2JHBJR4 - . This scene at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP in 2018 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is St Wilfrids Church Belltower and clock mechanism, prior to 2019, Grappenhall Village, Warrington,Cheshire,England,UK, WA4 2SJ. Further facets of the scene include heritage asset, social landscape, social history, visual archive, urban change, conservation interest, public realm, architectural detailing, local landmark, historic frontage, archival record, everyday life, local identity, and city-centre activity. For current editorial use, maintenance and redevelopment pressure provide additional context, especially through the value of distinctive buildings and street furniture to local identity. Current relevance extends to public-realm change and local identity, particularly through the documentary importance of recording everyday urban environments. The archival value lies partly in recording commercial use and occupation around Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP before new construction alters the character of the place. The photograph additionally reflects before-and-after reference, urban fabric, regional identity, historic townscape, contemporary city life, traditional structure, changing streetscape, and local history. References to clock, mechanism, Wilfrids, Church, and Grappenhall give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP, the image preserves more than the headline object or building: it records part of the locality's everyday history. The record includes a local visual benchmark for later comparison. That local specificity strengthens the long-term documentary value of image 2JHBJR4.
Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Port Sunlight Museum
Description: Tony Smith image Alamy P72CW2 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral, England, UK, CH62 5EQ
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Eurovision,2023
Description: Tony Smith image Alamy P72D9N - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral, England, UK, CH62 5EQ
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,greenwashing
Description: Tony Smith image Alamy P72DH2 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral, England, UK, CH62 5EQ
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72DHA - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral, England, UK, CH62 5EQ
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72DPR - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral, England, UK, CH62 5EQ
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Antinous,Antinous Statue,Statue
Description: Tony Smith image Alamy P72ED0 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral CH62 5EQ
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Antinous,Statue,Antinous Statue
Description: Tony Smith image Alamy P72ED6 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral CH62 5EQ
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,bust,busts,stone,carved
Description: Tony Smith image Alamy P72EMC - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral CH62 5EQ
Description
Keywords: GoTonysmith,@HotpixUK,BIC,Ten Pound Walk,England,UK,GB,Yorkshire,Doncaster BIC,interior,Welcome to,Business park,Innovation,Innovation park,incubator,small,business,startup,start-ups,Small business Innovation,affordable,flexible,office,offices,business space,A1,M18,Donny,Business Location,Room,rooms,Doncaster MBC,Council,Doncaster Council,incentives,tax,break,DBIC,Reception,work
Description: Tony Smith image Alamy MM9A1T - . Made at Ten Pound Walk, Doncaster DN4, UK in 2018, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The location is represented through Doncaster BIC Business Innovation Centre, South Yorkshire, Ten Pound Walk, Doncaster DN4 5HX , England. The wider scene also brings together street-level business, independent retail, customer footfall, town-centre economy, commercial streetscape, specialist retailer, before-and-after reference, retail property, changing land use, commercial frontage, community identity, period detail, archival record, and local history. Current relevance extends to business rates and online shopping, particularly through how consumer spending and property costs shape local commercial streets. The archival value lies partly in recording transport arrangements and footfall around Ten Pound Walk, Doncaster DN4, UK before later reinterpretation alters the character of the place. Other useful contextual ideas include documentary photography, shopfront economy, regional identity, visual archive, high-street commerce, place identity, local trading, and historical comparison. The combination of Doncaster, Innovation, Centre, Business, and Pound anchors the frame to a recognisable activity, place or moment. A later view of Ten Pound Walk, Doncaster DN4, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects business rates and the resilience of independent shops in an online retail economy within the real-world context of Ten Pound Walk, Doncaster DN4, UK. Its period value extends to footfall and the resilience of independent shops in an online retail economy within the specific setting of Ten Pound Walk, Doncaster DN4, UK. The frame retains a trace of local identity as a date-specific reference.
Ten Pound Walk, Doncaster DN4, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Family Area,safe,area,CAMRA,beer festival,drinking,kids,no,no kids,family,families,unaccompanied,children,sign,signage,warning,eating,pub,bar,premises,families only,signs,no children,parents,parent,carer,carers,responsible,adult,adults,room,rooms,special
Description: Tony Smith image Alamy 2BC3987 - . This period scene at Manchester, England, UK, M90 1QX in 2017 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. At the centre of the frame is Family Area, No Unaccompanied Children sign. Other connected aspects include visual archive, British brewing tradition, customer guidance, historical comparison, venue rules, festival bar service, real-ale culture, regional identity, rule enforcement, beer judging, beer appreciation, instructional sign, community identity, and public-facing notice. In the mid-2020s, business rates and hospitality costs keep the subject current, particularly through the economics of beer festivals and licensed venues. The subject remains useful for current coverage of customer management and child safeguarding, not least because of the balance between access, safety and venue responsibility. For local-history research, the view leaves evidence of the way the place functioned before later physical or commercial change at Manchester, England, UK, M90 1QX. Other useful associations include place identity, drinks hospitality, historic context, social drinking culture, beer tourism, licensed trade, public realm, and before-and-after reference. Details involving Family, Unaccompanied, and Children give the scene useful specificity and strengthen its local, cultural or historical identity. Around Manchester, England, UK, M90 1QX, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for business rates and the survival of community pubs as part of the longer story of Manchester, England, UK, M90 1QX. Another useful connection is venue policy and the importance of clear wording in shared public environments when considered against later change at Manchester, England, UK, M90 1QX.
Manchester, England, UK, M90 1QX
Description
Keywords: side View,Scotland,Lodge,Visitors,Centre,DLVC,Trust,Lockerbie,Memorial,Remembrance,Scotland,Victims,Pan,Am,103,bomb,December,1988,attack,crash,dead,site,21/12/1988,270,victims,Scottish,Town,conspiracy,blast,Tundergarth,Room,garden,of,Dryfesdale,Cemetery,New York,GoTonySmith,Lodge,Visitors,Centre,DLVC,Trust,Lockerbie,Memorial,Scotland,Victims,Pan,Am,103,bomb,December,1988,attack,crash,dead,site,21/12/1988,270,victims,Scottish,Town,conspiracy,blast,Tundergarth,Room,garden,of,Dryfesdale,Cemetery,news,Cultural,understanding,remembering,innocent,transatlantic,Frankfurt,Detroit,Libyan,Libya,Colonel Muammar Gaddafi,civil,case,compensation,terrorism,PA103,30,30years,years,Syracuse,University,SU,family,collections,Story,Archive,Archives,40,35,Timeline,saga,disaster,air,Scholars,program,programs,remembrance,Clipper Maid of the Seas,N739PA,Boeing,727,plane,aircraft,Scotland,UK,United Kingdom,GB,Great Britain,resting,place,Buy Pictures of,Buy Images Of,New York,al megrahi,30 Years
Description: Tony Smith image Alamy F1JA7H - Pan Am Flight 103 was a regularly scheduled Pan Am transatlantic flight from Frankfurt to Detroit, via London and New York, that was destroyed by a terrorist bomb on Wednesday, 21 December 1988, killing all 243 passengers and 16 crew on board, in what became known as the Lockerbie bombing. Large sections of the aircraft crashed onto residential areas of Lockerbie, Scotland, killing 11 more people on the ground.
Following a three-year joint investigation by Dumfries and Galloway Constabulary and the US Federal Bureau of Investigation, arrest warrants were issued for two Libyan nationals in November 1991. In 1999, Libyan leader Colonel Muammar Gaddafi handed over the two men for trial at Camp Zeist, Netherlands after protracted negotiations and UN sanctions. In 2001, Libyan intelligence officer Abdelbaset al-Megrahi was jailed for life after being found guilty of 270 counts of murder in connection with the bombing. In August 2009, he was released by the Scottish Government on compassionate grounds after being diagnosed with prostate cancer. He died in May 2012, remaining the only person to be convicted for the attack. He had continually protested his innocence.
In 2003, Gaddafi accepted responsibility for the Lockerbie bombing and paid compensation to the families of the victims, although he maintained that he had never given the order for the attack. During the Libyan Civil War, in 2011, a former government official claimed that the Libyan leader had personally ordered the bombing. Numerous conspiracy theories have developed regarding responsibility for the destruction of Pan Am Flight 103.
Dumfries Road, Lockerbie, Dumfriesshire, Scotland, United Kingdom, DG11 1HZ
Description
Keywords: Steven Lee Butler - Life Is Life Enjoy It,Scotland,Lodge,Visitors,Centre,DLVC,Trust,Lockerbie,Memorial,Scotland,Pan,Am,PanAm,flight,103,bomb,terrorist,December,dead,site,21/12/1988,270,victims,Scottish,Town,conspiracy,blast,Tundergarth,Room,garden,of,New York,GoTonySmith,Lodge,Visitors,Centre,DLVC,Trust,Lockerbie,Memorial,Scotland,Victims,Pan,Am,PanAm,flight,103,bomb,terrorist,December,dead,site,21/12/1988,270,victims,Scottish,Town,conspiracy,blast,Tundergarth,Room,garden,of,Dryfesdale,Cemetery,news,Cultural,understanding,remembering,innocent,transatlantic,Frankfurt,Detroit,Libyan,Libya,Colonel Muammar Gaddafi,civil,case,compensation,terrorism,PA103,30,30years,years,Syracuse,University,SU,family,collections,Story,Archive,Archives,40,35,Timeline,saga,disaster,air,Scholars,program,programs,remembrance,Clipper Maid of the Seas,N739PA,Boeing,727,plane,aircraft,Scotland,UK,United Kingdom,GB,Great Britain,resting,place,Buy Pictures of,Buy Images Of,New York,al megrahi,30 Years
Description: Tony Smith image Alamy F1JAA2 - Pan Am Flight 103 was a regularly scheduled Pan Am transatlantic flight from Frankfurt to Detroit, via London and New York, that was destroyed by a terrorist bomb on Wednesday, 21 December 1988, killing all 243 passengers and 16 crew on board, in what became known as the Lockerbie bombing. Large sections of the aircraft crashed onto residential areas of Lockerbie, Scotland, killing 11 more people on the ground.
Following a three-year joint investigation by Dumfries and Galloway Constabulary and the US Federal Bureau of Investigation, arrest warrants were issued for two Libyan nationals in November 1991. In 1999, Libyan leader Colonel Muammar Gaddafi handed over the two men for trial at Camp Zeist, Netherlands after protracted negotiations and UN sanctions. In 2001, Libyan intelligence officer Abdelbaset al-Megrahi was jailed for life after being found guilty of 270 counts of murder in connection with the bombing. In August 2009, he was released by the Scottish Government on compassionate grounds after being diagnosed with prostate cancer. He died in May 2012, remaining the only person to be convicted for the attack. He had continually protested his innocence.
In 2003, Gaddafi accepted responsibility for the Lockerbie bombing and paid compensation to the families of the victims, although he maintained that he had never given the order for the attack. During the Libyan Civil War, in 2011, a former government official claimed that the Libyan leader had personally ordered the bombing. Numerous conspiracy theories have developed regarding responsibility for the destruction of Pan Am Flight 103.
Dumfries Road, Lockerbie, Dumfriesshire, Scotland, United Kingdom, DG11 1HZ
Description
Keywords: Lodge,Visitors,Centre,DLVC,Trust,Lockerbie,Memorial,Scotland,Victims,Pan,Am,103,bomb,December,1988,attack,crash,dead,site,21/12/1988,270,victims,Scottish,Town,conspiracy,blast,Tundergarth,Room,garden,of,Dryfesdale,Cemetery,news,Cultural,understanding,New York,GoTonySmith,Lodge,Visitors,Centre,DLVC,Trust,Lockerbie,Memorial,Scotland,Victims,Pan,Am,103,bomb,December,1988,attack,crash,dead,site,21/12/1988,270,victims,Scottish,Town,conspiracy,blast,Tundergarth,Room,garden,of,Dryfesdale,Cemetery,news,Cultural,understanding,remembering,innocent,transatlantic,Frankfurt,Detroit,Libyan,Libya,Colonel Muammar Gaddafi,civil,case,compensation,terrorism,PA103,30,30years,years,Syracuse,University,SU,family,collections,Story,Archive,Archives,40,35,Timeline,saga,disaster,air,Scholars,program,programs,remembrance,Clipper Maid of the Seas,N739PA,Boeing,727,plane,aircraft,Scotland,UK,United Kingdom,GB,Great Britain,resting,place,Buy Pictures of,Buy Images Of,New York,al megrahi,30 Years
Description: Tony Smith image Alamy F1JAA8 - Pan Am Flight 103 was a regularly scheduled Pan Am transatlantic flight from Frankfurt to Detroit, via London and New York, that was destroyed by a terrorist bomb on Wednesday, 21 December 1988, killing all 243 passengers and 16 crew on board, in what became known as the Lockerbie bombing. Large sections of the aircraft crashed onto residential areas of Lockerbie, Scotland, killing 11 more people on the ground.
Following a three-year joint investigation by Dumfries and Galloway Constabulary and the US Federal Bureau of Investigation, arrest warrants were issued for two Libyan nationals in November 1991. In 1999, Libyan leader Colonel Muammar Gaddafi handed over the two men for trial at Camp Zeist, Netherlands after protracted negotiations and UN sanctions. In 2001, Libyan intelligence officer Abdelbaset al-Megrahi was jailed for life after being found guilty of 270 counts of murder in connection with the bombing. In August 2009, he was released by the Scottish Government on compassionate grounds after being diagnosed with prostate cancer. He died in May 2012, remaining the only person to be convicted for the attack. He had continually protested his innocence.
In 2003, Gaddafi accepted responsibility for the Lockerbie bombing and paid compensation to the families of the victims, although he maintained that he had never given the order for the attack. During the Libyan Civil War, in 2011, a former government official claimed that the Libyan leader had personally ordered the bombing. Numerous conspiracy theories have developed regarding responsibility for the destruction of Pan Am Flight 103.
Dumfries Road, Lockerbie, Dumfriesshire, Scotland, United Kingdom, DG11 1HZ
Description
Keywords: Pubs,stag,night,hen,nights,location,for,area,EDN,narrow,new,pedestrian,pedestrianised,scottish,shopping,st,street,town,dining,room,stone,rose street,Rose st,Auld Hundred,Pub & Dining Room,Pub and Dining Room,GoTonySmith,drinking,culture,alcoholism,alcoholics,AA,outside,street,history,historic,Buy Pictures of,Buy Images Of,Edinburgh Pubs,Edinburgh Pub
Description: Tony Smith image Alamy F89P1A - . An identifiable period record of Rose st, Edinburgh, Scotland, UK in 2015, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The principal subject is Auld Hundred Pub & dining Room, Rose St,Edinburgh City Centre,Scotland,UK. The wider scene also brings together place identity, public realm, archival record, changing streetscape, traditional ale house, night-time economy, everyday life, visual archive, cask-beer tradition, licensed trade, beer-led hospitality, changing land use, local social venue, and local history. The modern context includes continuing discussion of beer duty, energy costs and the value of historic pubs to tourism and local identity. Small period details of lettering, decoration and surface detail at Rose st, Edinburgh, Scotland, UK may become more significant with time, particularly following new ownership. Other useful contextual ideas include social history, before-and-after reference, historic hostelry, real-ale culture, contemporary social history, regional identity, community identity, and local character. Elements such as dining, Centre, Edinburgh, and Hundred add documentary specificity and may become increasingly useful when compared with later records. The wider setting at Rose st, Edinburgh, Scotland, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes beer duty and the value of historic pubs to tourism and local identity without losing the local specificity of Rose st, Edinburgh, Scotland, UK. Another strand within the photograph is business rates and the value of historic pubs to tourism and local identity in a form that can be compared with future views of Rose st, Edinburgh, Scotland, UK. The photograph keeps period character as a date-specific reference. The record includes a trace of local identity for later comparison.
Rose st, Edinburgh, Scotland, UK
Description
Keywords: England UK,Formally Globetrotters,bar,boozer,pub,street,dark,night,dusk,drink,drinks,drinking,beer,house,hotel,room,rooms,market town,73 South Street,Gotonysmith,the,inn,formally,Globetrotters,Globetrotter,at,in,evening,Somerset,BA20 1QF,BA20,outside,front
Description: Tony Smith image Alamy ED9D47 - Located in the market town of Yeovil, on the southern borders of Somerset, The Globe & Crown is ideally located for exploring Somerset and Devon.
The traditional English bar serves beverages and snacks, and there is also a peaceful canopied garden area. The restaurant offers a varied menu and hearty cooked breakfasts.
73 South Street, Yeovil, Somerset BA20 1QF, England, UK
Description
Keywords: cathedral Staffordshire,England UK church Xmas Christmas festival celebration,inside indoors indoor manger sheep shepherds shepherd,Gotonysmith,WS13,Lichfield cathedral,Staffordshire,England UK,WS13 7LD,festive,Manger,and,Christmas,nativity,scene,at,England,UK,church,religious,religion,Christians,Christianity,Xmas Christmas festival celebration,inside,indoors,room,the,INN,indoor,animals,manger,sheep,shepherds,shepherd,nativity scene
Description: Tony Smith image Alamy ED9DKE - . Manger and Christmas nativity scene, at Lichfield cathedral, 19A The Close, Lichfield, Staffordshire, England UK, WS13 7LD. The photograph was taken on 01 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The interior viewpoint records fittings, surfaces, decoration and spatial details that help show how the premises or public space was arranged when photographed. The scene is closely associated with Manger, Christmas, nativity, scene, Lichfield, 19A The Close, Xmas, cathedral, cathedral Staffordshire and England UK church Xmas Christmas festival celebration, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph has strong editorial relevance to public events, festivals, performances, celebrations and the temporary activity that changes the character of a familiar place. It can support coverage of festivals, street entertainment, performers, audiences, tourism, cultural events, city-centre activity and the economic and social impact of organised public gatherings. Costume, temporary signs, crowds, performance areas, street furniture and the surrounding architecture can all help establish the event in a specific place and period. Because events are temporary, a dated documentary photograph has particular archive value, preserving details that disappear as soon as the programme, performers and public activity move on. Search themes include festivals, street performance, live entertainment, cultural events, tourism, crowds, city-centre activity, temporary public space and event heritage. The dated view is valuable for identifying how a particular event, performer or festival presence looked in that year. This particular view is catalogued under Alamy image reference ED9DKE, distinguishing it from other photographs of the same or related subject.
19A The Close, Lichfield, Staffordshire, England UK, WS13 7LD
Description
Keywords: cathedral Staffordshire,England UK church Xmas Christmas festival celebration,inside indoors indoor manger sheep shepherds shepherd,Gotonysmith,WS13,Lichfield cathedral,Staffordshire,England UK,WS13 7LD,festive,Manger,and,Christmas,nativity,scene,at,England,UK,church,religious,religion,Christians,Christianity,Xmas Christmas festival celebration,inside,indoors,room,the,INN,indoor,animals,manger,sheep,shepherds,shepherd,nativity scene
Description: Tony Smith image Alamy ED9DKG - . Manger and Christmas nativity scene, at Lichfield cathedral, 19A The Close, Lichfield, Staffordshire, England UK, WS13 7LD. The photograph was taken on 01 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The interior viewpoint records fittings, surfaces, decoration and spatial details that help show how the premises or public space was arranged when photographed. The scene is closely associated with Manger, Christmas, nativity, scene, Lichfield, 19A The Close, Xmas, cathedral, cathedral Staffordshire and England UK church Xmas Christmas festival celebration, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph has strong editorial relevance to public events, festivals, performances, celebrations and the temporary activity that changes the character of a familiar place. It can support coverage of festivals, street entertainment, performers, audiences, tourism, cultural events, city-centre activity and the economic and social impact of organised public gatherings. Costume, temporary signs, crowds, performance areas, street furniture and the surrounding architecture can all help establish the event in a specific place and period. Because events are temporary, a dated documentary photograph has particular archive value, preserving details that disappear as soon as the programme, performers and public activity move on. Search themes include festivals, street performance, live entertainment, cultural events, tourism, crowds, city-centre activity, temporary public space and event heritage. The dated view is valuable for identifying how a particular event, performer or festival presence looked in that year. This particular view is catalogued under Alamy image reference ED9DKG, distinguishing it from other photographs of the same or related subject.
19A The Close, Lichfield, Staffordshire, England UK, WS13 7LD
Description
Keywords: number,integer,numbers,integers,square,72,seventy,two,seventytwo,room,key,hotel,hipstamatic
Description: Tony Smith image Flickr 1433539480 - 'View this whole set here. If you do Twitter add me here.
Seventy-two is the sum of four consecutive primes (13 + 17 + 19 + 23), as well as the sum of six consecutive primes (5 + 7 + 11 + 13 + 17 + 19). The product of 8 and 9, 72 is a pronic number. The sum of the eighth row of Lozani\u0107's triangle is 72. In a plane, the exterior angles of a regular pentagon measure 72 degrees each.
72 is the atomic number of hafnium and the life duration of the ovule in 72 hours. In degrees Fahrenheit considered to be room temperature and the average number of heartbeats per minute for a resting adult. The number of languages spoken at the Tower of Babylon according to the bible, number of warriors on the Muslim side at the Battle of Badr, also the number of people martyred along with Imam Hussain at the Battle of Karbala. 72 stupas comprise Borobudur, the world\u2019s largest Buddhist temple, in Magelang, Central Java, Indonesia.
A Persian classical santur, a hammered dulcimer, has 72 strings in 24 triple-stringed courses.
In typography, point sizes are measured in 1/72 of an inch, 72-point characters are 1 inch tall. Hence 72dpi as a basic display screen resolution. Its the ASCII code for 'H'
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',
Description
Keywords: designed,by,internationally,renowned,architect,Charles,Rennie,Mackintosh,Glasgows,tearooms,cafe,Margaret,MacDonald,UK,front,exterior,smiles,better,smilesbetter,Argyle,Street,st,The,Room,Deluxe,facade,external,Scottish,tourism,tourist,destinations,independence,identity,art,style,Henderson,the,gotonysmith,Buchanan,Street,Miss,Cranston,Mackintoshs,redesigned,external,facade,was,a,carefully,considered,asymmetric,abstractly,modelled,composition,with,shallow,curves,on,some,areas,of,the,surface,and,varying,depths,of,recesses,to,windows,and,the,main,entrance.,The,composition,respected,the,urban,context,of,the,neighbouring,buildings,matching the major cornice lines and heights of adjoining buildings,whilst,still,exploring,emerging,ideas,of,Art,Nouveau,and,the,modern,movement.,The,ground,floor,entrance,door,is,placed,far,to,the,left,of,a,wide,band,of,fenestration,both of which are recessed below the first-floor level,the,location,of,the,Room,de,Luxe.,To,emphasise,the,importance,of,this,room,Mackintosh designed a full width bay window,projecting the facade outwards with a gentle curve. jewelers,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG39NX - Early in his career, in 1896, Mackintosh met Catherine Cranston (widely known as Kate Cranston or simply Miss Cranston), an entrepreneurial local business woman who was the daughter of a Glasgow tea merchant and a strong believer in temperance.
The temperance movement was becoming increasingly popular in Glasgow at the turn of the century and Miss Cranston had conceived the idea of a series of art tearooms, venues where people could meet to relax and enjoy non-alcoholic refreshments in a variety of different rooms within the same building. This proved to be the start of a long working relationship between Miss Cranston and Mackintosh. Between 1896 and 1917 he designed and re-styled interiors in all four of her Glasgow tearooms, often in collaboration with his wife Margaret MacDonald.
Mackintosh's redesigned external facade was a carefully considered asymmetric, abstractly modelled composition with shallow curves on some areas of the surface, and varying depths of recesses to windows and the main entrance. The composition respected the urban context of the neighbouring buildings, matching the major cornice lines and heights of adjoining buildings, whilst still exploring emerging ideas of Art Nouveau and the modern movement.
The ground floor entrance door is placed far to the left of a wide band of fenestration, both of which are recessed below the first-floor level, the location of the Room de Luxe. To emphasise the importance of this room, Mackintosh designed a full width bay window, projecting the facade outwards with a gentle curve. The two storeys above this featured a more regular pattern of fenestration with three individual windows per floor, recessed to different degrees. The asymmetry of the composition was continued by widening the left side windows and creating another gentle curve in this part of the facade, extending through both storeys. This repeated the curved form of the first floor and emphasised the heavily recessed entrance to the building
217 Sauchiehall Street, Glasgow, Scotland UK
Description
Keywords: English,British,stately,homes,houses,national,trust,tourist,tourism,travel,class,system,upper,twit,Rothschild,Rothschilds,Catalan,great,Britain,british,installation,2013,napkin,and,linen,folding,blue,room,art,craft,Gotonysmith Waddesdon Manor,Bicester Rd,Aylesbury,Buckinghamshire,England,UK HP18 0JH hp180jh,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DCYRYB - . Folded beauty Joan Sallas at Waddesdon Manor Bucks England GB. Photographed on 8 August 2013. The recorded location is Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK HP18 0JH. Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England, UK. The house was built in the Neo-Renaissance style of a French château between 1874 and 1889 for Baron Ferdinand de Rothschild. Waddesdon Manor was built from 1874 for Baron Ferdinand de Rothschild in the style of a French Renaissance château and is now managed by the National Trust on behalf of the Rothschild Foundation. Its collections bring together French decorative arts, furniture, clocks, ceramics, paintings, textiles and sculpture assembled through the Rothschild family's collecting networks. Close-up photographs of individual objects therefore sit within a broader story of nineteenth-century wealth, collecting and European craftsmanship. Historically, folded-paper art sits between craft, mathematics and sculpture
Creases control structure and volume, allowing artists to create elaborate forms from lightweight material while making the construction process visible in the finished object. In 2026, paper art and origami continue to appear in galleries, design education and museum programming, valued for their combination of low-tech material, mathematical precision and visual complexity
They also connect with wider interest in craft, making and sustainable materials. The historical context is that paper folding transforms a simple sheet into sculpture through geometry rather than cutting or adhesive
Although origami is strongly associated with Japan, European traditions of napkin and paper folding also developed over centuries, and contemporary artists use the technique for complex figurative and abstract work. Additional discoverability terms include paper sculpture, folded paper, geometric design, sculptural paper, paper craft, and museum display.
Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK HP18 0JH
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,HotpixUK,shot,angle,Baron,Ferdinand,Rothschild,Neo-Renaissance style,country house,Grade I listed,Aylesbury,The red drawing room,red drawing room,room,red
Description: Tony Smith image Alamy DD4JEK - Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. It is located in the Aylesbury Vale, 6.6 miles (10.6 km) west of Aylesbury. The Grade I listed house was built in the Neo-Renaissance style of a French château between 1874 and 1889 for Baron Ferdinand de Rothschild (1839“1898) as a weekend residence for grand entertaining and as a setting for his collection. The last member of the Rothschild family to own Waddesdon was James de Rothschild (1878“1957). He bequeathed the house and its contents to the National Trust. It is now managed by the Rothschild Foundation chaired by Jacob Rothschild, 4th Baron Rothschild. It is one of the National Trust's most visited properties, with over 466,000 visitors in 2018, Waddesdon Manor won Visit England's Large Visitor Attraction of the Year category in 2017
Waddesdon, Aylesbury, England, UK, HP18 0JH
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,HotpixUK,stately home,country house,country manor,room,inside,internal,Aylesbury Vale,Aylesbury,Vale,billiard room,games room
Description: Tony Smith image Alamy DDD6G6 - Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. It is located in the Aylesbury Vale, 6.6 miles (10.6 km) west of Aylesbury. The Grade I listed house was built in the Neo-Renaissance style of a French château between 1874 and 1889 for Baron Ferdinand de Rothschild (1839“1898) as a weekend residence for grand entertaining and as a setting for his collection. The last member of the Rothschild family to own Waddesdon was James de Rothschild (1878“1957). He bequeathed the house and its contents to the National Trust. It is now managed by the Rothschild Foundation chaired by Jacob Rothschild, 4th Baron Rothschild. It is one of the National Trust's most visited properties, with over 466,000 visitors in 2018, Waddesdon Manor won Visit England's Large Visitor Attraction of the Year category in 2017
Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK HP18 0JH
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,HotpixUK,stately home,country house,country manor,room,inside,internal,Aylesbury Vale,Aylesbury,Vale,interior
Description: Tony Smith image Alamy DDD7GG - Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. It is located in the Aylesbury Vale, 6.6 miles (10.6 km) west of Aylesbury. The Grade I listed house was built in the Neo-Renaissance style of a French château between 1874 and 1889 for Baron Ferdinand de Rothschild (1839“1898) as a weekend residence for grand entertaining and as a setting for his collection. The last member of the Rothschild family to own Waddesdon was James de Rothschild (1878“1957). He bequeathed the house and its contents to the National Trust. It is now managed by the Rothschild Foundation chaired by Jacob Rothschild, 4th Baron Rothschild. It is one of the National Trust's most visited properties, with over 466,000 visitors in 2018, Waddesdon Manor won Visit England's Large Visitor Attraction of the Year category in 2017
Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK HP18 0JH
Description
Keywords: joiner,hockney,hockneyesque,pano,panorama,sepia,interior,inside,room,halifax,yorkshire,england,ts,tony,smith,tonysmith,hotpix,tonysmithhotpix,hot,pix,pics,picks,hotpics,hotpicks,UK,GB,great,britain,europe,europa,ifone,apple,iphone,#tonysmithotpix
Description: Tony Smith image Flickr 5356706533 - 'In A Room - 'Dodgy' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
I had the pleasure of photographing Dodgy at a festival in the late 1990's. What a sound bunch of lads.
The band's cracking debut album was produced by The Lightning Seeds' Ian Broudie. During the 1990s the band gained much popularity for their live performances. The band concerned themselves with social issues by supporting The Serious Road Trip, War Child, the Liverpool Dockers' Strike, Charter 88 and youth democracy campaigns. The band became the second UK act, after China Drum, to play in Sarajevo after the lifting of the siege, giving a concert at Kuk club in August 1996. They returned to Bosnia in 1997, to film a programme with Kate Thornton in Mostar.
The original line up of the band, Clark, Miller, and Priest, returned with a live album, So Far On 3 Wheels - Dodgy On The Radio, in October 2007. In the summer of 2007, the band announced a reunion tour, featuring the entire original line up. These plans were abandoned however, when Miller fell out of bed, chipping a bone in his arm in the process. The rescheduled tour took place in March 2008.
Dodgy are best known for their hits 'Staying Out For The Summer', 'If You're Thinking Of Me', and 'Good Enough'. Check these out if this has whetted your appetite. Oh and tell 'em I sent you.
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Art Deco is an eclectic artistic and design style which had its origins in Paris in the first decades of the 20th century. The style originated in the 1920s and continued to be employed until after World War II. The term 'art deco' first saw wide use after an exhibition in 1966, referring to the 1925 Exposition Internationale des Arts D\u00e9coratifs et Industriels Modernes that was the culmination of high-end style moderne in Paris.
Led by the best designers in the decorative arts such as fashion, and interior design, Art Deco affected all areas of design throughout the 1920s and 1930s, including architecture and industrial design, as well as the visual arts such as painting, the graphic arts and film. At the time, this style was seen as elegant, glamorous, functional and modern.
In London, the former Arsenal Stadium boasts the famous East Stand facade. It remains at the football club's old home at Highbury, London Borough of Islington, which was vacated in the summer of 2006. Opened in October 1936, the structure now has Grade II listed status and has been converted into flats. William Bennie, the man behind the project, famously used the Art Deco style in the final design which was seen as one of the most opulent and impressive stands in world football. The London Underground is also famous for many examples of Art Deco architecture.
This joiner from over 20 iphone images is taken in Le Metropolitain in central Halifax, West Yorks. Its a lively cafe bar and brasserie with Art Deco-style design, housed in an elegant Georgian Listed building. There is a courtyard for al fresco dining. My lunch unexpectedly came in a Yorkshire Pudding, which after I had got my head around it was really good. Thanks to Jim for introducing the place to me!
Eclectic and vibrant with leapard print seats, the decor at Le Metro features Thai bronzed figures, walls adorned with Art-Deco posters and tin ceilings from New York. With a bold orange and black colour scheme, the unique interior has a warm, lively ambience.
NB: Like all the images on this stream, full size images are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>Architecture from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,HotpixUK,Manchester,Library,Historic,Reading Room,room,building,Grade I listed status,status,Grade I,statue,statues,M3,buildings
Description: Tony Smith image Alamy D8HD4R - The John Rylands Library is a late-Victorian neo-Gothic building on Deansgate in Manchester, England. The library, which opened to the public in 1900, was founded by Enriqueta Augustina Rylands in memory of her husband, John Rylands. The John Rylands Library and the library of the University of Manchester merged in July 1972 into the John Rylands University Library of Manchester
today it is part of The University of Manchester Library.
Special collections built up by both libraries were progressively concentrated in the Deansgate building. The special collections, believed to be among the largest in the United Kingdom, include medieval illuminated manuscripts and examples of early European printing, including a Gutenberg Bible, the second largest collection of printing by William Caxton, and the most extensive collection of the editions of the Aldine Press of Venice. The Rylands Library Papyrus P52 has a claim to be the earliest extant New Testament text. The library holds personal papers and letters of notable figures, among them Elizabeth Gaskell and John Dalton.
The architectural style is primarily neo-Gothic with elements of Arts and Crafts Movement in the ornate and imposing gatehouse facing Deansgate which dominates the surrounding streetscape. The library, granted Grade I listed status in 1994, is maintained by the University of Manchester and open for library readers and visitors.
150 Deansgate, Manchester, England, UK, M3 3EH
Description
Keywords: patch,panel,wolverhampton,england,computer,room,IT,PC,server,wire,cable,blue,cabinet,cool,refridgeration,cooling,rack,rackmounted,hardware,citrix,san,virtualised,virtualized,nerdy,west,midlands,uk,britain,GB,europe,english,hotpix!
Description: Tony Smith image Flickr 4438862036 - 'This is by far the neatest patch panel I have ever seen and encompasses over 312 individual cables. Anyone who know what I am talking about will probably have experience of twisted pair spaghetti, as does occur as a computer or equipment room matures.
If you are not a techie you may want to have a look at this instead www.flickr.com/photos/hotpixuk/3804831303/ . If you have patch panel envy, read on....
This patch bay was designed and built by Martin Donnison of fordway.com. It supports over five sites and upwards of 1,000 users.
Rackmounted panels, house cable connections. One short patch cable generally plugs into the front side, whereas the back holds the connection of a much longer and more permanent cable. Hardware assemblies are arranged so that a number of circuits or network connections can be supported. They were invented or evolved for early telephone exchanges.
Tidyness is next to god-lyness I guess and can save you money. See tonysmiththathousingitguy.blogspot.co.uk/2012/04/brass-in... from my alta-ego tonysmiththathousingitguy
Here, this is all housed in a neat wiring closet adjacent to a SAN and a number of virtualized servers.
More things to do with computers www.flickr.com/photos/hotpixuk/4206625887/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899
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Description
Keywords: United,Kingdom.,The,in,the,city,St.,gotonysmith,Manchesters,second,smallest,boozer,with,room,for,approximately,twenty,people,including,the,feisty,bar,maid.,The,kind,of,venue,where,the,music,would,stop,when,you,walked,in,gotonysmith,Buy Pictu,Circus Tavern Manchester 11 Dubliners Manchesters second smallest boozer,with,room,for,approximately,twenty,people,including,the,feisty,bar,maid.,The,kind,of,venue,where,the,music,would,stop,when,you,walked,in,-,thats,if,they,had,room,for,speakers,-,but,within,half,an,hour,youd,be,on,first,name,terms,with,the,regulars.,Not,exactly,a,vast,array,of,cocktails,(This,is,more,for,the,beer,and,G&T,lovers),this,is,a,bar,that,you,hope,will,stay,in,Manchester,for,ever.,In,fact,its,central,location,makes,it,even,more,surprising,that,this,hasnt,been,turned,into,apartments.,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF23PH - Circus Tavern, Manchester, United Kingdom. The smallest pub in the city.
Manchesters second smallest boozer, with room for approximately twenty people including the feisty bar maid. The kind of venue where the music would stop when you walked in - that's if they had room for speakers - but within half an hour you'd be on first name terms with the regulars.
Not exactly a vast array of cocktails (This is more for the beer drinkers and G&T lovers) this is a bar that you hope will stay in Manchester for ever. In fact it's central location, on the busy Portland Street near Manchesters china town, makes it even more surprising that this hasn't been turned into apartments.
The Circus Tavern, Portland Street, Manchester, Lancashire, UK
Description
Keywords: Simla,Blandford,Forum,kitchen,chefs,engine,room,cafe,eatery,restaurant,Blandford Forum,Dorset,UK,England,south,southern,hotpix!
Description: Tony Smith image Flickr 4271657007 - 'A shot from the engine room of Blandford Forums premier Indian eatery.
Quickly taken away from the business of preparing peshwari nans, roti's and some specialist dals and curries.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
-CEMX6P.jpg)
Description
Keywords: cheshire,village,Cheshire,cat,cobbled,preservation,England,church,Rams,head,parr,Arms,The,big,room,St,Wilfrids,Church,School,CofE,of,special,gotonysmith,Sunset,Sun,set,rise,Sunrise,summer,autumn,low,late,early,morning,evening,in,Cheshire scenes scene,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEMX6P - Grappenhall is a suburban village in Warrington, Cheshire, England. It is situated along the Bridgewater Canal, and forms one of the principal settlements of Grappenhall and Thelwall civil parish. According to the 2001 UK census, the population of the entire civil parish was 9,377.[1]
Grappenhall is mentioned in the Domesday Book with the name Gropenhale and a with a valuation of five shillings.
St Wilfrid's Church has a carving of a cat on the west face of the tower, just beyond this location. This is believed to be Lewis Carroll's inspiration for the grinning Cheshire Cat in Alice's Adventures in Wonderland. The church itself was first constructed in 1120, though was rebuilt 400 years later. The church was also, at a time, in the possession of the Boidelle (Boydell) family.
Along with the church, the centre of the village contains two pubs - The Parr Arms and The Ram's Head, Grappenhall Hall residential School and St. Wilfrids Primary School. Bradshaw Community Primary School is located north of the village centre.
Parts of the Case-Book of Sherlock Holmes were filmed in the centre of Grappenhall. It is also the birthplace of actor Tim Curry. The village name appears in the title of the song Grappenhall Rag by Darwen singer/songwriter Bryn Haworth.
Church lane, Grappenhall Village, South Warrington, Cheshire UK
Description
Keywords: Conflict,Resolution,Counciller,Warrington,Peace,Centre,UK,employment,people,work,working,class,room,classroom,whiteboard,white,board,african,IRA,irish,bombing,building,bridge,st,street,bomb,terrorist,atrocity,positive,images,black,men,ethnic,hotpix!
Description: Tony Smith image Flickr 3812467275 - 'A counciller at work in meeting room at Warrington Peace Centre, Cheshire UK.
On 20 March 1993, the Provisional Irish Republican Army (IRA) detonated two bombs in Warrington town centre. The blasts killed two children: three year old Jonathan Ball died instantly, and twelve year old Tim Parry died five days later in hospital. Around 56 other people were injured - 4 seriously. Their deaths provoked widespread condemnation of the organisation responsible. The blast followed a failed bomb attack a few weeks earlier on a gas storage plant in Warrington.
Tim Parry's father Colin Parry founded The Peace Centre (formerly the Tim Parry Jonathan Ball Peace Centre) as part of a campaign to reconcile communities in conflict. The centre opened on the seventh anniversary of the bombing in 2000.
He and his family still live in Warrington.
Another type of work not often seen, more a vocation www.flickr.com/photos/hotpixuk/4306593793/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Example of a 1950's sitting room,complete,with,405,line,television,TV,405line,1950,1950s,fifties,austerity,old,how,we,used,to,live,gotonysmith,selective,colour,color,classic,british,britain,UK,english,living,room,front,Selective color,selective colour,front room,sitting room,fireplace,fire,place,gotonysmith,fire place,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF0MDK - . Example of a 1950's sitting room, complete with 405 line television. Photographed on 16 May 2009. The recorded location is Ellesmere Port, Cheshire, England, UK. In the longer view, technology objects become historical remarkably quickly
Telephones, calculators, cameras, valves, televisions and workplace machines chart successive shifts from mechanical and analogue systems to electronics, digital processing, smartphones and cloud-connected services. Looking at the subject's development, fashion is often best understood through small details such as buttons, cuts, textiles and finishes
These elements show how garments are constructed and can distinguish bespoke tailoring, formalwear, uniforms or the distinctive styles of a particular decade. In the longer view, older structures and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand community history, design, industry and social life across different periods. Current 2026 relevance comes from the fact that technology is dominated by connected devices, cloud services and rapid product cycles
Historic hardware therefore provides a useful counterpoint to contemporary debates about electronic waste, right-to-repair, data dependence and the speed with which once-common devices become obsolete. For the 2026 context, fashion coverage increasingly includes durability, repair, resale and the environmental cost of fast fashion, giving well-made garments and traditional tailoring renewed relevance. In historical terms, everyday technology offers a compact history of design and changing behaviour
Rotary dials, thermionic valves, mechanical keypads, film cameras and early televisions were once ordinary equipment but now illustrate obsolete standards, manufacturing methods and patterns of work or communication. Associated keywords and synonyms include technology history, vintage technology, and digital technology.
Ellesmere Port, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,WC,in,a,mess,toilets,low,quality,bad,poor,messy,or,cleaned,on,regular,basis,disability,rest,room,people,with,physical,disabilities,persons,person,reduced,mobility,access,bowl,paper,roll,damaged,damage,vandalised,toilet inspection regime cleaning contractor performance,respect and inclusion failure everyday ableism example
Description: Tony Smith image Alamy 2PJNEXF - Neglected accessible toilet cubicle in the United Kingdom, with loose and used toilet tissue scattered across the tiled floor around a raised white lavatory fitted with a dark contrasting seat. The untidy and apparently unhygienic condition suggests that the facility has not been inspected, cleaned or replenished frequently enough. For a disabled visitor who may depend upon this specially adapted space, such poor maintenance can turn an essential public facility into an unpleasant, undignified and potentially unsafe environment.
The cubicle includes several features intended to support wheelchair users and people with limited mobility. Horizontal blue grab rails run along the tiled walls, while a padded fold-down support rail is positioned behind the toilet. A stainless steel flushing panel is mounted above the WC, and a large circular toilet-paper dispenser is fixed to the adjacent wall. However, the dispenser appears open or incomplete and several cardboard tubes remain exposed, while torn paper and debris are visible on the floor. Accessibility equipment alone does not provide genuine inclusion when basic cleanliness, consumable supplies and routine supervision are missing.
Accessible toilets can be crucial to a person's ability to travel, work, shop, attend appointments and participate independently in everyday public life. Their condition therefore concerns more than ordinary housekeeping. A dirty or unusable disabled lavatory may create additional barriers for wheelchair users, older people, carers and anyone requiring extra space or support. It can also communicate that their comfort, health and dignity have been treated as a lower priority.
UK workplace guidance requires sanitary facilities to be maintained in a clean and orderly condition, while organisations providing services must consider reasonable adjustments and equal access for disabled people. Regular inspection records, responsive cleaning arrangements, replenished supplies and prompt reporting
United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,73,bar,dusk,evening,public house,Grade II listed,interior,Victorian,tiled ceiling,traditional,boozer,real ale,drinkers,crowded,room,Marble Brewery,customers,nightlife,ceramic frieze,glazed brick walls,heritage,British,drinking culture,Mancunian,hospitality,independent,craft beer,venue,CAMRA heritage,authentic local tavern,socialising indoors,after-work gathering,hospitality trade,licensed premises,urban leisure,city-centre entertainment,unique
Description: Tony Smith image Alamy 2KG3PMF - Customers drink, dine and socialise during a busy evening inside the Marble Arch Inn at 73 Rochdale Road, Manchester, one of the city's best-known historic public houses. Warm artificial light from hanging chandeliers illuminates the long room, while deep red curtains frame the tall windows and groups of patrons occupy tables on both sides of the narrow interior. The scene conveys the lively, relaxed character of a traditional Manchester boozer, with real ale drinkers talking over pints in a convivial setting at dusk.
The elaborate interior is a defining feature of the Grade II listed building. Glazed brick walls, a richly decorated ceramic frieze and the distinctive barrel-vaulted tiled ceiling create an unusually ornate drinking space. Decorative brackets, patterned surfaces, framed pictures, timber fittings and upholstered seating add to the preserved Victorian character. The pub is also renowned for its sloping mosaic floor, which descends towards the bar and forms part of the building's celebrated historic fabric.
Constructed in 1888 to designs by Manchester architects Darbyshire and Smith, the premises originally served as a show-house associated with McKenna's Brewery. The building was formally listed in 1988 in recognition of its architectural and historic interest. Its surviving tiled scheme is regarded as an important example of late nineteenth-century public-house design and helps make the venue a destination for architectural enthusiasts, real ale drinkers and visitors exploring Manchester's pub heritage.
The Marble Arch later became closely associated with Marble Brewery, founded at the rear of the premises in 1997. Brewing subsequently moved to larger facilities in Salford, although the Rochdale Road pub remains the spiritual home and flagship venue for Marble beers. The photograph documents a busy evening within a much-loved independent establishment where preserved Victorian craftsmanship, craft brewing culture, food and everyday Mancunian social
73 Rochdale Rd, Manchester,England,UK, M4 4HY
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72E1B - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral, England, UK, CH62 5EQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,train,England,UK,rail,public,CW2 6HR,CW2,Nantwich Road,Crewe,the,innovation,waiting,room,hidden,disabilities,disability,a,safe,and,calm,environment,station,dementia,Megan Hughes,Aspergers Syndrome,Alzheimers Society,London Northwestern Railway,first,1st,JAM card,Just a Minute,for,people,passengers,with
Description: Tony Smith image Alamy 2R8T9G4 - Passengers at Crewe station now have access to a new waiting room, specifically designed to offer those with hidden disabilities a safe and calm environment.
The Calm Corner is the first of its kind on the rail network. It features the use of grey and green colours in order to give a calming effect, a living wall and plants to complement the colour scheme, specially designed furniture for comfort and relaxation, a child's play table, LED rope lighting that can change brightness to suit all.
It also has screens with old images of Crewe station and town centre to help trigger memories for those suffering from dementia and has a rail point Totem offering helpful advice (EG train and station layout).
It was brought to life through the work of train operators at the station, Network Rail and advice from a number of partner charities.
The idea was first suggested by work experience student, Megan Hughes, who used her own experience of living with Aspergers Syndrome as inspiration for the project.
Passengers using the waiting room can have access to the same support and passenger information they would get elsewhere on the station. However, it will be with the addition of a special totem screen, offering helpful advice such as train times, onward travel information and station layout.
Through ongoing work with Alzheimer's Society, London Northwestern Railway is committed to improving the experience for passengers living with dementia, to help support independent living through the use of the rail network.
The train operator is now working on initiatives to improve staff training as well as implementing small changes at stations that will make a big difference to the experience for passengers.
The ˜memory corner' has been designed to help trigger memories for those who have used Crewe station for many years using a collection of historic photos of the station.
It is hoped this collection can grow, with contributions from passengers, families and other supporters.
Nantwich Road, Crewe, Cheshire, England, UK, CW2 6HR
Description
Keywords: citizens,public,stazi,Germans,Berlin,unified,united,screen,camera,film,filming,videoing,secret,service,spy,spying,Berliner,room,office,1980,communist,communism,democratic,deutsch,deutschland,restored,reunification,russia,secret,socialism,socialist,East Germany,Secret Service,GoTonySmith,Stasi,tablelamp,table,lamp,room,recording,tap,deck,machines,machinery,blue,black,white,sepia,historic,history,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F0G705 - This documentary stock photograph shows DDR East German security equipment for spying on citizens in Berlin. The image records DDR or East German security equipment and surveillance material, making it useful for editorial features on Cold War memory, state surveillance, the Stasi, civil liberties, museum interpretation and authoritarian control. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and.
Berlin, Germany
Description
Keywords: West Midlands,England,UK,GoTonySmith,HotpixUK,@HotpixUK,Wolverhamptons,Assembly,Rooms,room,in,added,L.,Vulliamy,moot,lion,unicorn,WV1 1ES,WV1,Wolverhampton,bar,outback,The,pub,history,historic,architecture,building,buildings,classic,classical,court,courts,columns,crest,court house,Abuse,enquiry,grooming gangs,law
Description: Tony Smith image Alamy 2K546YD - Originally built by public subscription as a library and newsroom.
The assembly Room on the upper floor was added later. It became the county court building and this is the name by which it is best remembered.
When the county court moved to the new combined courts building, this building was put on the market and became a night club, called Chancellors, and currently goes under the name of Walkabout.
The main court room furniture was given by the purchasers to Wolverhampton Law School, at the University, where it was reassembled as a moot court.
Wolverhampton, West Midlands, England, UK
Description
Keywords: Altrincham,Cheshire,England,UK,WA14,4SJ,book,volume,volumes,NT,property,national,trust,deer,park,billy,fitted,oak,bookcases,He,filled,the,room,with,scientific,instruments,and,works,of,art,such,as,the,carving,above,the,fireplace,by,Grinling,Gibbons,Dalrymples,memoirs,gotonysmith Dalrymple memoir volume history,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DHGY0M - The library room at Dunham is one of the least changed of the early 18th century interiors. The 2nd Earl of Warrington installed the fitted oak bookcases. He filled the room with scientific instruments and works of art, such as the carving above the fireplace by Grinling Gibbons.
Dunham Massey, Near Altrincham, Cheshire England UK
