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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,West Midlands,England,UK,sunny,summer,view,of,Birmingham,Museum & Art Gallery,museum,art,gallery,square,and the,Big,Brum,clock,tower,with,pedestrians,city,centre
Description: Tony Smith image Alamy 3F5114Y -
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Ozzy Osbourne,and,West Midlands,entrance,music,gallery,Black Sabbath,exhibition,museum,galleries,city,centre,Chamberlain Square,British,English,history,heritage,display,Brummie,Aston,solo,career,signage,sign,promotion,global,icon,born,singer,cultural,tourism,temporary,awards,the,Osbournes,concert,homecoming
Description: Tony Smith image Alamy 3F511BT - Large exterior poster advertising Ozzy Osbourne: Working Class Hero is mounted on the ornate façade of Birmingham Museum & Art Gallery in Chamberlain Square, Birmingham, West Midlands. The vertical banner features a portrait of Birmingham-born rock singer Ozzy Osbourne above his distinctive red and yellow logo and the exhibition title WORKING CLASS HERO. Text on the poster describes the show as celebrating the global achievements of Birmingham rock legend Ozzy Osbourne's solo career, with FREE ENTRY prominently displayed. A red notice records that, due to phenomenal demand, the exhibition has been extended until 27 September 2026. Working Class Hero opened on 25 June 2025 and celebrates Osbourne's solo achievements and global awards alongside album artwork from the original Black Sabbath line-up. The exhibition was originally staged to coincide with Black Sabbath's historic Back to the Beginning homecoming concert at Villa Park on 5 July 2025. Osbourne, born in Aston, Birmingham, in 1948, became internationally famous as the vocalist and frontman of Black Sabbath before establishing a major solo career. His life and music are closely associated with Birmingham's reputation as a birthplace of heavy metal and with the city's working-class industrial heritage. Osbourne died on 22 July 2025 aged 76, after which the exhibition also became a focus for fans celebrating his life and musical legacy. The prominent outdoor banner provides a strong visual link between the historic museum building and Birmingham's internationally significant rock and heavy-metal history. Architectural details of the museum façade, including carved ornament, stonework and upper windows, surround the modern promotional graphic. The photograph was made outside in bright summer daylight
the sky itself is not visible within the composition. The image documents promotion of a major Birmingham cultural exhibition and continuing commemoration of one of the city's best-known musicians
Art Gallery, Chamberlain Square, Birmingham, West Midlands, England, UK, B3 3DH
-3F58GF7.jpg)
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,BMAG,Spotlight on Birmingham,display,at,Birmingham,Museum,&,Art Gallery,second,city,centre
Description: Tony Smith image Alamy 3F58GF7 -
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9998,Union and Victory,union,victory,banner,textile,sign,trade,labour,workers,Britain,UK,politics,history,heritage,movement,campaign,solidarity,protest,fabric,typography,graphic,slogan,organisation,social,working,class,activism,display,museum,historic,unions,socialism
Description: Tony Smith image Alamy 3F4BFXB - Union and Victory banner or textile sign photographed in Britain. The large typographic design carries the words Union and Victory and is suitable for editorial use on trade union history, labour movement heritage, political banners, workers' organisations, protest culture and British social history. The aged fabric texture and simple bold lettering make it a strong illustrative image for union and labour themes.
Britain, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0031,Mick Lynch RMT LGBT+ Socialists poster,Mick,Lynch,RMT,LGBT+,Socialists,poster,supporting,rail,workers,Peoples History Museum,Peoples,History,Museum,Manchester,England,UK,union,trade,labour,railway,strike,solidarity,socialist,politics,political,campaign,campaigning,transport,industrial,relations
Description: Tony Smith image Alamy 3F4BGDX - Mick Lynch RMT LGBT+ Socialists poster supporting rail workers, displayed at People's History Museum in Manchester, England, UK. The black, white and pink political graphic features trade union leader Mick Lynch alongside slogans including Victory to the RMT, LGBT+ Socialists and Support the Rail Workers. It represents contemporary trade union campaigning and solidarity around industrial action on Britain's railways, while also linking labour activism with LGBT+ socialist organisation. The RMT, the National Union of Rail, Maritime and Transport Workers, has been highly visible in disputes over pay, jobs, staffing, pensions and working conditions across the rail industry. This museum display provides editorial imagery for modern trade union politics, rail strikes, public transport, workers' rights, socialist campaigning, LGBT+ activism, political posters, solidarity movements, industrial relations, contemporary protest graphics and the continuing place of organised labour in British political debate.
People's History Museum, Left Bank, Spinningfields, Manchester M3 3ER, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0032,Murdoch is Bad News,Murdoch,Bad,News,boycott,banner,opposing,The Sun,The,Sun,News of the World,of,World,The Times,Times,Sunday Times,Sunday,Peoples History Museum,Peoples,History,Museum,Manchester,UK,Rupert,newspaper,press,media,Wapping,union,trade,industrial
Description: Tony Smith image Alamy 3F4BGDY - Murdoch is Bad News boycott banner opposing The Sun, News of the World, The Times and Sunday Times, displayed at People's History Museum in Manchester, UK. The long horizontal campaign banner urges the public not to buy newspapers owned by Rupert Murdoch and News International, reflecting the bitter industrial conflict surrounding the move of newspaper production to Wapping in east London during the 1980s. The dispute became a major confrontation between News International and print unions, with mass picketing, dismissals and arguments over new technology, union power and changing newspaper production methods. Boycott material targeted the company's major newspaper titles as supporters sought economic pressure through consumer action. This photograph is useful for editorial coverage of the Wapping dispute, Rupert Murdoch, British newspaper history, press ownership, trade unions, industrial relations, boycotts, media power, Thatcher-era labour conflict, political campaigning and protest material preserved in museum collections.
People's History Museum, Left Bank, Spinningfields, Manchester M3 3ER, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0039,Stand Together poster,Stand,Together,poster,Newsreel,Collective,film,Grunwick,strike,Peoples History Museum,Peoples,History,Museum,Manchester,England,UK,trade,union,solidarity,workers,labour,industrial,relations,protest,campaigning,political,documentary,1970s,migration,Asian,women
Description: Tony Smith image Alamy 3F4BGE4 - Stand Together poster for the Newsreel Collective film about the Grunwick strike, displayed at People's History Museum in Manchester, England, UK. The bold red, yellow and green design promotes a film documenting mass trade union solidarity during the long-running Grunwick dispute in north-west London in the 1970s. The strike began among mainly female Asian workers at the Grunwick film-processing business and became a nationally significant confrontation over trade union recognition, workplace conditions, immigration, race, gender and organised labour. Large solidarity pickets brought together trade unionists and supporters from across Britain, making the dispute one of the defining labour conflicts of the decade. This museum poster provides strong editorial imagery for the Grunwick strike, union solidarity, industrial relations, migrant workers, political filmmaking, labour campaigning, protest graphics, 1970s Britain, working-class history and the use of posters and documentary film in political movements.
People's History Museum, Left Bank, Spinningfields, Manchester M3 3ER, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0043,Crush Anti-Union Laws,Crush,Anti-Union,Laws,political,trade,union,poster,Peoples History Museum,Manchester,England,UK,workers,rights,labour,law,industrial,relations,campaign,campaigning,protest,activism,politics,workplace,legislation,solidarity,graphic,design,museum,history,democracy,Edward Heath,Tory,Tories,Conservatives,Kemi Badenoch,rightwing,right-wing
Description: Tony Smith image Alamy 3F4BGG9 - Crush Anti-Union Laws political trade union poster displayed at People's History Museum in Manchester, England, UK. The bold graphic shows an arm and clenched fist beneath large red lettering calling for anti-union laws to be crushed, reflecting campaigns against legislation restricting organised labour and collective action. The poster forms part of the visual history of British trade unionism, workplace politics and protest, using direct slogans and striking imagery intended to mobilise supporters. It is useful for editorial coverage of trade union rights, labour law, industrial relations, political campaigning, workers' organisations, protest art, poster design, organised labour, workplace disputes and the history of opposition to restrictions on union activity in Britain. The museum setting places the object within a wider national collection documenting democracy, working-class movements, political activism and campaigns for social and economic change.
People's History Museum, Left Bank, Spinningfields, Manchester M3 3ER, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,worker,heritage,unions,Victorian,unionism,emblem,artwork,Manchester,museum,British,labour,construction,building,builders,trades,historic,banner,trade union,art,movement,workers rights,nineteenth century,Britain,Industry is the Source of Prosperity,Unity is Strength,In All Labour There is Profit,membership,employee representation,collective organisation,construction industry history,skilled craftsmen,mutual support,friendly society tradition,workplace welfare,worker compensation,industrial relations,iconography
Description: Tony Smith image Alamy 3F4BGGJ - Richly decorated 1869 emblem of the Operative Bricklayers' Society, a historic British trade union representing skilled bricklayers, displayed at the People's History Museum in Manchester. Painted by A. J. Arthur Waudby, the elaborate Victorian composition combines depictions of the bricklaying trade with allegorical female figures representing truth, architecture and science. A wooden scaffold and bricklayers' workshop occupy the central section, while smaller scenes refer to workplace injury and the financial support or compensation provided through organised labour. Prominent slogans include By Industry We Flourish, In All Labour There Is Profit, Unity Is Strength and Industry Is the Source of Prosperity, reflecting Victorian ideas of work, solidarity, mutual assistance and collective advancement. The provenance on the emblem records London 1869. The Operative Bricklayers' Society traced its origins to the London Bricklayers' Society founded in 1818 and developed into an important national craft union during the nineteenth century. It became involved in campaigns over wages and working hours and formed part of the growth of organised building-trade labour in Victorian Britain. In 1921 it merged with other building unions to form the Amalgamated Union of Building Trade Workers. The original emblem was historically displayed at the Bricklayers' head office in London and is now held within the collections of the People's History Museum. The ornate painted imagery, industrial scenes, union mottos and classical symbolism make the object an important surviving example of the visual culture created by early British trade unions. Photographed indoors, the framed artwork provides a striking record of working-class organisation, craft identity, workplace welfare, labour solidarity and the history of organised construction workers in Britain.
England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0082,GCHQ banner,GCHQ,banner,trade union,trade,union,members,dismissed,Peoples History Museum,Peoples,History,Museum,Manchester,England,UK,Sean,Cusack,1992,unions,Sacked,workers,government,Conservative,Thatcher,employment,rights,industrial,relations,protest,campaign,civil
Description: Tony Smith image Alamy 3F4BGGN - GCHQ banner commemorating trade union members dismissed after the union ban, displayed at People's History Museum in Manchester, England, UK. Designed and made by Sean Cusack in 1992, the black banner carries large GCHQ lettering, the words Trade Unions and Sacked, and a central design naming workers affected by the dispute. In 1984 the Conservative government prohibited trade union membership at Government Communications Headquarters on national-security grounds. Some employees refused to surrender their union membership and fourteen workers were eventually dismissed during the long-running dispute. The ban was later removed in 1997. The banner was used as part of the campaign and survives as an important object of modern British labour history. This photograph can illustrate trade union rights, industrial relations, civil service employment, government policy, workplace protest, Thatcher-era politics, GCHQ, political banners, museum collections and campaigns over freedom of association.
People's History Museum, Left Bank, Spinningfields, Manchester M3 3ER, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0094,Clarion Cafe,Clarion,Cafe,stained-glass,window,socialist,movement,Peoples History Museum,Peoples,History,Museum,Manchester,England,UK,socialism,labour,politics,newspaper,Robert,Blatchford,heritage,historic,radical,glass,display,culture,working-class,campaigning,publishing,clubs,cycling,ILP
Description: Tony Smith image Alamy 3F4BGGY - Clarion Cafe stained-glass window linked to the socialist Clarion movement, displayed at People's History Museum in Manchester, England, UK. The glowing decorative glass carries the word Clarion and recalls the network of clubs, cafés, cycling organisations and social activities that developed around Robert Blatchford's socialist newspaper The Clarion. Manchester's Clarion Cafe opened on Market Street in the early twentieth century and became a meeting place associated with socialist culture, fellowship, discussion and recreation. Surviving decorative material connected with the movement offers a vivid visual link to a period when political newspapers could support extensive social networks as well as campaigning and publishing. This photograph is useful for editorial coverage of British socialism, labour history, radical newspapers, Manchester political heritage, stained glass, social clubs, working-class history, museum displays and the history of political movements using culture and leisure to build communities.
People's History Museum, Left Bank, Spinningfields, Manchester M3 3ER, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,V&A Dundee,outdoor,sunny,summer,tourist,tourism,terrace,Scotland,design,Scotlands,museum,Scottish,visitors,relaxation,public seating,people,seated,panoramic,view,landscape,panorama,Tay,Road Bridge,cultural,attraction,exterior,visit,contemporary,architecture,Kengo Kuma,design museum,waterfront regeneration,urban,regeneration,inspirational message,positive slogan,city break
Description: Tony Smith image Alamy 3ENF1NY - Landscape panoramic view of the outdoor terrace at V&A Dundee on Dundee Waterfront, Scotland, showing visitors and tourists relaxing beside the River Tay under dramatic summer cloud and blue sky. The large wall text reads Be open to the joy you deserve , giving the photograph a strong wellbeing, leisure and positive travel message as people sit along the museum's riverside edge. The image combines contemporary architecture, public space, visitor experience and waterside scenery, making it useful for editorial and commercial themes around Scottish tourism, cultural destinations, museum visits, design-led regeneration, waterfront renewal, wellbeing, relaxation, day trips and accessible public realm. V&A Dundee is Scotland's design museum, located at 1 Riverside Esplanade on the city's regenerated waterfront, and was designed by Japanese architect Kengo Kuma. The building has become one of Dundee's most recognisable modern landmarks, close to the River Tay, Dundee railway station, Discovery Point and the central waterfront area. The wide view shows the grey external wall of the museum, sheltered seating area, riverside paving, railings, foreshore, open water, distant Tay Road Bridge and a broad skyscape that adds depth and atmosphere. The scene suggests a calm, mild day, probably in spring or summer, with visitors taking time out to enjoy the view rather than rushing through a formal attraction. It can support stories about museums as civic spaces, the value of free cultural venues, urban design, leisure tourism, Dundee's post-industrial waterfront transformation, Scotland's creative economy and the appeal of open-air spaces attached to major visitor attractions. The inspirational slogan also gives the image potential for features on mental wellbeing, slow travel, personal reflection, inclusive culture, public seating, visitor comfort and the way architecture can frame everyday moments of rest, conversation and looking out across water.
V&A Dundee, 1 Riverside Esplanade, Dundee, DD1 4EZ, Scotland.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0061,V&A Dundee,interior,upper,level,timber,stairs,shop,public,spaces,Dundee,Scotland,UK,museum,architecture,design,contemporary,glass,concrete,visitors,retail,tourism,attraction,regeneration,Scottish,modern,building,waterfront
Description: Tony Smith image Alamy 3ENF1P9 - V&A Dundee interior from an upper level with timber stairs, shop and public spaces in Dundee, Scotland, UK. The elevated viewpoint looks across the museum's dramatic central circulation area, where warm horizontal timber cladding, glass balustrades, concrete columns and sweeping angular forms frame the open floors below. Visitors, retail displays and seating areas provide scale and demonstrate the everyday use of the building. V&A Dundee is Scotland's design museum and its architecture has become a major part of the city's waterfront regeneration and contemporary identity. The photograph is suitable for editorial coverage of V&A Dundee, museum architecture, Scottish design, contemporary interiors, cultural tourism, visitor attractions, public buildings, retail within museums, Dundee regeneration, architectural design and modern civic spaces. The complex geometry and strong contrast between wood, glass and pale structural surfaces create a highly recognisable interior view and illustrate how circulation, exhibition and social spaces are integrated within the museum.
V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_1118,V&A Dundee,Scottish Design Galleries,entrance,D.M. Brown Gallery,Dundee,Scotland,UK,design,museum,gallery,visitors,exhibition,culture,tourism,Scottish,creative,history,architecture,fashion,furniture,engineering,ceramics,products,collections,regeneration,attraction,signage,interior
Description: Tony Smith image Alamy 3ENMR5Y - V&A Dundee Scottish Design Galleries entrance and D.M. Brown Gallery in Dundee, Scotland, UK. Gold lettering identifies the Scottish Design Galleries beside the entrance to the D.M. Brown Gallery, with visitors able to move directly into exhibition spaces celebrating Scotland's contribution to design. V&A Dundee is Scotland's design museum and its permanent Scottish Design Galleries explore hundreds of years of creativity across areas including architecture, fashion, furniture, engineering, ceramics and product design. The photograph is suitable for editorial coverage of V&A Dundee, Scottish design, museums, cultural tourism, gallery interiors, exhibitions, creative industries, design history, Dundee regeneration, public collections and visitor attractions. The clean contemporary signage contrasts with the colourful gallery displays visible beyond the doorway and provides a clear identifying image of one of the museum's principal permanent exhibition areas. It can also illustrate stories about cultural investment, Scottish creativity, museum interpretation, free attractions and Dundee's transformation into a major design and tourism destination.
V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,255A0031,V&A Dundee,interior,timber-clad,walls,staircase,seating,Dundee,Scotland,UK,museum,wooden,ceiling,glass,architecture,contemporary,design,tourism,public,building,visitor,facilities,regeneration,landmark,Scottish,materials,modern
Description: Tony Smith image Alamy 3ERK5W1 - V&A Dundee interior with timber-clad walls, staircase and seating in Dundee, Scotland, UK. The image highlights the museum's distinctive layered wooden surfaces, long angular ceiling lines and glass balustrades, with a quiet seating area positioned beside the main circulation route. The contemporary architecture creates strong diagonal forms and a warm contrast between timber and pale structural surfaces. The photograph is suitable for editorial coverage of V&A Dundee, modern museum architecture, Scottish design, interiors, cultural tourism, public buildings, visitor facilities, Dundee regeneration and landmark architecture. The uncluttered composition focuses attention on materials, spatial design and the character of the museum interior.
V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,255A0040,V&A Dundee,interior,upper,level,timber,stairs,public,spaces,Dundee,Scotland,UK,elevated,perspective,museum,architecture,balconies,glass,visitors,design,cultural,tourism,modern,regeneration,landmark,Scottish,geometry
Description: Tony Smith image Alamy 3ERK5WB - V&A Dundee interior viewed from an upper level with timber stairs and public spaces in Dundee, Scotland, UK. The elevated perspective looks across and down through the museum's dramatic central circulation area, where layered timber cladding, angular balconies, glass balustrades and open voids create a complex contemporary interior. Visitors and furniture are visible below, giving a sense of scale and everyday use. The photograph is suitable for editorial coverage of museum architecture, V&A Dundee, Scottish design, cultural tourism, modern interiors, public buildings, regeneration and landmark attractions. The viewpoint emphasises the museum's sculptural internal geometry.
V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,V&A Dundee,interior,Galleries,design,museum,city,centre,Scottish,Scotland,exhibition,contemporary,hand,architecture,tourist,tourism,attraction,modern,space,gallery display cases,free,building,indoor cultural,world class design museum,free museum gallery Scotland,architecture and design destination,Dundee regeneration landmark,award winning museum building,creative city visitor attraction,design heritage collection,museum exhibition,inside,contemporary gallery installation,public museum interior,international design collection,modern museum lighting,accessible cultural venue,city break
Description: Tony Smith image Alamy 3ERK5Y3 - The interior of V&A Dundee presents a striking contemporary gallery environment devoted to design, creativity and Scotland's material culture. A large green exhibition wall dominates the foreground, carrying a monochrome image of a hand holding a small spherical object between finger and thumb. The oversized graphic creates a dramatic entrance to the display and contrasts with the muted grey, timber and glass finishes elsewhere in the gallery.
Beyond the foreground panel, a broad wooden floor leads through the exhibition space towards illuminated showcases, interpretation displays and tiered timber seating. The open-plan layout gives visitors clear sightlines across the gallery, while ceiling lights and concealed display lighting focus attention on individual objects. Glass cases protect exhibits while allowing them to be viewed from several angles, and the spacious walkway provides an accessible route through the museum.
V&A Dundee is Scotland's design museum and occupies a prominent site beside the River Tay on Dundee's regenerated waterfront. The building was designed by Japanese architect Kengo Kuma, whose sculptural exterior was inspired by Scotland's coastal cliffs. Inside, angular walls, layered surfaces and carefully framed views continue the architectural character of the exterior.
The Scottish Design Galleries explore Scotland's contribution to design across architecture, fashion, furniture, engineering, ceramics, textiles, healthcare, jewellery and videogames. Historic objects are shown alongside modern innovations, demonstrating how design influences everyday life, industry, culture and identity.
This photograph records the calm atmosphere and distinctive visual presentation of a major Scottish visitor attraction. Bold exhibition graphics, timber flooring, modern lighting, glass showcases and contemporary architecture make the interior recognisable as a purpose-built twenty-first-century museum.
V&A Dundee, 1 Riverside Esplanade, Dundee, Scotland, UK, DD1 4EZ
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,255A0058,V&A Dundee,design,gallery,interior,museum,displays,exhibits,Dundee,Scotland,UK,lighting,cases,furniture,objects,exhibition,Scottish,culture,tourism,heritage,visitor,attraction,contemporary,history,interpretation,graphics
Description: Tony Smith image Alamy 3ERK5YB - V&A Dundee design gallery interior with museum displays and exhibits in Dundee, Scotland, UK. Warm directional lighting illuminates display cases, furniture, objects, wall panels and interpretive graphics in a carefully designed exhibition space. The gallery demonstrates the museum's focus on Scottish and international design and provides visitors with an immersive cultural experience. The photograph is suitable for editorial coverage of museum exhibitions, design history, V&A Dundee, Scottish culture, visitor attractions, gallery displays, cultural tourism, heritage interpretation and contemporary museum design. The contrasting dark walls, timber surfaces and brightly lit objects create a polished exhibition atmosphere.
V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,255A0064,V&A Dundee,interior,timber-lined,stairs,glass,walls,visitors,Dundee,Scotland,UK,contemporary,space,timber,architecture,staircases,museum,design,cultural,tourism,public,building,modern,regeneration,attraction,wood,concrete,Scottish
Description: Tony Smith image Alamy 3ERK5YM - V&A Dundee interior with timber-lined stairs, glass walls and visitors in Dundee, Scotland, UK. The striking contemporary space combines warm horizontal timber slats, angular staircases, glazed balustrades and large open circulation areas beneath the museum's dramatic architecture. Visitors move through the public areas and shop or cafe spaces on the lower level. The photograph is suitable for editorial coverage of V&A Dundee, museum architecture, Scottish design, contemporary interiors, cultural tourism, public buildings, modern museums, Dundee regeneration and visitor attractions. The dynamic arrangement of wood, glass and concrete reflects the distinctive interior character of Scotland's design museum.
V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0004,Weathered,industrial,door,pulley,Verdant Works,jute,mill,Dundee,Scotland,UK,blue-grey,timber,number,6,metal,track,stone,brickwork,historic,factory,heritage,architecture,textures,workshop,manufacturing,Scottish,museum,conservation,rust,masonry
Description: Tony Smith image Alamy 3ENF1HN - Weathered industrial door and pulley at Verdant Works former jute mill in Dundee, Scotland, UK. The close architectural detail shows a faded blue-grey timber door marked with a large painted number 6, beneath a simple overhead pulley and metal track fixed to rough historic stone and brickwork. Verdant Works is a restored nineteenth-century mill complex which opened as Scotland's jute museum in 1996 and preserves the buildings, machinery and social history associated with the industry that once dominated Dundee. The photograph is suitable for editorial coverage of industrial heritage, jute mills, old factory doors, historic architecture, weathered textures, pulleys, workshops, manufacturing buildings, Dundee history, Scottish industry, urban archaeology, adaptive reuse and museum conservation. Peeling paint, rust, exposed masonry and the surviving mechanical fitting retain the authentic working character of the former industrial site. The image works particularly well as an abstract or detail view of industrial history, showing how ordinary functional features such as doors, tracks and lifting equipment can survive as evidence of the practical operation of a Victorian factory.
Verdant Works Museum, West Henderson's Wynd, Dundee DD1 5BT, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9986,Steam,beam,engine,High Mill,Verdant Works Museum,Dundee,Scotland,UK,Boulton,Watt,1801,industrial,engineering,jute,mill,machinery,power,textile,factory,mechanical,history,Scottish,museum,heritage,Victorian,industry,pulleys,columns,Verdant,works
Description: Tony Smith image Alamy 3ENF23H - Steam beam engine inside the High Mill at Verdant Works Museum in Dundee, Scotland, UK. The preserved engine is displayed within the lofty restored industrial interior, surrounded by cast-iron columns, timber roof members, railings and jute-mill machinery. Dundee Heritage Trust records that the High Mill now contains a restored Boulton and Watt beam engine dating from 1801 which had previously been used in Dundee. Steam power transformed textile manufacturing by allowing large mills to drive extensive lines of machinery through shafts, belts and pulleys, and engines of this type became central to Britain's Industrial Revolution. The photograph is suitable for editorial coverage of steam engines, Boulton and Watt, industrial engineering, Dundee jute, Victorian mills, power generation, textile factories, mechanical history, Scottish industry, museum collections, engineering heritage and the Industrial Revolution. The elevated viewpoint places the engine within the wider mill environment and helps show how power machinery formed part of a complex multi-storey industrial production system.
Verdant Works Museum, West Henderson's Wynd, Dundee DD1 5BT, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,bales,city,museum,raw,Bengal,textile,industrial,history,heritage,compressed,textile factory,West Hendersons Wynd,DD1,5BT,Scottish,production,British Empire trade,colonial commerce,Bangladesh exports,Indian subcontinent,global commodity trade,factory workers,women mill workers,child labour history,working-class heritage,sustainable material,biodegradable fibre,historic manufacturing,maritime imports,nineteenth-century industry,social history,industrial archaeology,manufacturing process,traditional packaging,environmental materials,educational tourism,cultural attraction
Description: Tony Smith image Alamy 3ENF23P - Compressed bales of raw jute, fibre rolls, a hand trolley and historic handling equipment are displayed inside Verdant Works Museum in Dundee, Scotland. The foreground bales retain rough golden-brown fibres, metal binding and black shipping or trade markings, including a visible reference to Bangla, reflecting the South Asian origins of much of the raw material processed by Dundee's mills. Tall stone walls, timber flooring, industrial columns and archive photographs create the atmosphere of a working nineteenth-century textile factory.
Jute is a strong natural plant fibre traditionally used to manufacture sacks, ropes, carpet backing, packaging, linoleum cloth and industrial products. Dundee became internationally associated with jute after local manufacturers discovered that treating the fibre with whale oil made it easier to process by machine. Raw jute was imported mainly from Bengal, now divided between Bangladesh and India, while finished goods were sold across Britain and overseas. This trade generated employment and wealth in Dundee but was also tied to colonial commerce, difficult mill conditions, low wages and demanding manual labour, particularly for the many women and children employed in the industry.
Verdant Works began operating as a textile mill in 1833 and survives as a rare example of Dundee's industrial architecture. Dundee Heritage Trust acquired the derelict complex in 1991, restored it and opened it as Scotland's jute museum in September 1996. Its displays preserve machinery, products, documents and workers' stories connected with the industry that helped shape the city.
The image is useful for editorial coverage of Scottish industrial heritage, textile manufacture, global commodity trading, Bengal jute imports, colonial economic history, factory employment, women workers, natural fibres, sustainable materials, museum interpretation and Dundee's traditional identity as the city of jute, jam and journalism.
West Henderson's Wynd, Dundee, Scotland, DD1 5BT
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9990,Jute,overhead,sack,sewing,machine,Robertson and Orchar Ltd,Dundee,Scotland,UK,green,gears,wheels,textile,machinery,industrial,manufacturing,bags,coal,factory,equipment,engineering,Scottish,heritage,museum,mechanical,cloth,packaging,production
Description: Tony Smith image Alamy 3ENF25B - Jute overhead sack sewing machine by Robertson and Orchar Ltd displayed at Verdant Works Museum in Dundee, Scotland, UK. The substantial green-painted machine incorporates large gears, wheels, shafts and sewing mechanisms designed for the industrial manufacture of heavy jute sacks. Dundee Heritage Trust records that Robertson and Orchar Ltd of Dundee made overhead sewing machines used to sew jute cloth into sacks, with the overhead stitch particularly useful for strong bags such as coal sacks because it was difficult to unravel. The Dundee engineering company developed from the Wallace Foundry and became a significant supplier of mill and textile machinery. The photograph is suitable for editorial coverage of jute manufacturing, sack production, Dundee engineering, Robertson and Orchar, textile machinery, industrial sewing, factory equipment, Scottish manufacturing, Victorian industry, mechanical engineering and museum collections. The vivid green paint, exposed gear train and heavy cast-metal construction make the machine visually distinctive and show the robust equipment required to turn woven jute cloth into durable industrial packaging.
Verdant Works Museum, West Henderson's Wynd, Dundee DD1 5BT, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9992,Jute,lapping,machine,J H Riley and Co,Bury,Verdant Works Museum,Dundee,Scotland,UK,textile,machinery,cast-iron,flywheels,gears,rollers,engineering,manufacturing,industrial,factory,equipment,heritage,mechanical,technology,mills,history,museum,fibre,production
Description: Tony Smith image Alamy 3ENF25M - Jute lapping machine by J H Riley and Co of Bury displayed at Verdant Works Museum in Dundee, Scotland, UK. The large cast-iron textile machine has exposed flywheels, gears, rollers and mechanical linkages which demonstrate the heavy engineering involved in preparing jute fibre for later stages of manufacture. Lapping machinery formed part of the sequence of industrial processes used to turn raw jute into a more even material suitable for further drawing, spinning and weaving. Verdant Works preserves working and static machinery associated with Dundee's once dominant jute industry and interprets both the technology and the lives of mill workers. The photograph is suitable for editorial coverage of jute manufacturing, textile machinery, industrial engineering, Victorian technology, factory equipment, Dundee heritage, Bury engineering, mechanical design, mills, manufacturing history, museum collections and the Industrial Revolution. The open framework of the machine reveals belts, wheels and moving components that would normally have operated continuously in a noisy working mill, making this a detailed technical image of historic textile production equipment.
Verdant Works Museum, West Henderson's Wynd, Dundee DD1 5BT, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9997,Dundee,jute,mill,interior,Verdant Works Museum,Scotland,UK,industrial,Victorian,factory,columns,timber,machinery,textile,manufacturing,heritage,workers,labour,engineering,museum,industry,history,architecture,sunlight,pulleys,Scottish,tourism,workplace
Description: Tony Smith image Alamy 3ENF261 - Dundee jute mill interior at Verdant Works Museum in Dundee, Scotland, UK. The preserved industrial space shows tall cast-iron columns, timber roof structures, suspended pulleys and machinery arranged within the restored Victorian mill. Verdant Works occupies an 1833 mill complex and tells the story of Dundee's internationally important jute industry, the machinery used to process the fibre and the lives of the thousands of mill workers whose labour shaped the city. The photograph is suitable for editorial coverage of jute, Dundee industrial heritage, textile manufacturing, Victorian factories, factory architecture, mill machinery, Scottish industry, working-class history, museum interpretation, engineering, labour history and industrial tourism. Strong sunlight entering through the historic windows creates long shadows across the floor and emphasises the repetitive structural grid of the mill. The image provides a useful wide contextual view of the working environment in which jute was prepared, spun and woven, and of the scale of the industrial infrastructure once associated with Dundee's famous 'jute, jam and journalism' economy.
Verdant Works Museum, West Henderson's Wynd, Dundee DD1 5BT, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9999,James Carmichael,statue,study,Verdant Works Museum,Dundee,Scotland,UK,engineer,1776-1853,mechanical,engineering,steam,industrial,heritage,Scottish,sculpture,museum,maquette,plaster,John,Hutchison,inventor,machinery,history,Dundonian,industry,collection
Description: Tony Smith image Alamy 3ENF26A - James Carmichael statue study at Verdant Works Museum in Dundee, Scotland, UK. The seated figure represents Dundee engineer James Carmichael, 1776-1853, a pioneering mechanical engineer associated with the development of steam engineering in the city. Dundee Heritage Trust identifies the museum object as a sculptor's maquette or plaster study for the full-size statue of Carmichael designed by sculptor John Hutchison and installed in Dundee's Albert Square in 1876. Carmichael and his brother Charles were important figures in Dundee engineering and founded the firm J and C Carmichael, which developed machinery and steam engines during the nineteenth century. The photograph is suitable for editorial coverage of Dundee industrial heritage, Scottish engineering, James Carmichael, steam power, inventors, mechanical engineering, public sculpture, museum collections, jute-era industry and local history. Displayed within Verdant Works, the figure helps connect the story of Dundee's textile economy with the engineers and machinery manufacturers who supported its industrial expansion. The warm-toned sculpture, brick backdrop and seated pose create a strong museum portrait of a notable Dundonian engineer.
Verdant Works Museum, West Henderson's Wynd, Dundee DD1 5BT, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A0010,Red Box,art,installation,Verdant Works,jute,museum,Dundee,Scotland,UK,red,cube,historic,mill,industrial,brickwork,machinery,roof,heritage,textile,history,factory,tourism,exhibition,design,interpretation,Scottish,culture,regeneration,interior
Description: Tony Smith image Alamy 3ENMPPB - Red Box art installation inside Verdant Works jute museum in Dundee, Scotland, UK. The vivid red cube stands within the atmospheric interior of the restored former jute mill, surrounded by historic brickwork, industrial columns, machinery and a high glazed roof. The words RED BOX are cut or printed into the front of the contemporary structure, creating a strong visual contrast between modern interpretation and Dundee's surviving industrial architecture. Verdant Works preserves and explains the city's globally important jute industry and the lives of the people who worked in its mills. The photograph is suitable for editorial coverage of Verdant Works, Dundee jute, industrial museums, heritage attractions, contemporary exhibition design, textile history, factory buildings, Scottish tourism, adaptive reuse, interpretation, art installations and cultural regeneration. The bright geometric box draws the eye through the long historic interior and offers a useful image of how museums introduce contemporary visual devices into authentic industrial spaces to engage visitors with social and manufacturing history.
Verdant Works, West Henderson's Wynd, Dundee DD1 5BT, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9995,Historic,Dundee,jute,mill,interior,machinery,industrial,structure,Scotland,UK,textiles,manufacturing,factory,heritage,industry,workers,women,labour,engineering,history,fibre,production,museum,workplace,Scottish,metal,timber,equipment,pano,panorama
Description: Tony Smith image Alamy 3ENMPPR - Historic Dundee jute mill interior with machinery and industrial structure in Dundee, Scotland, UK. The large industrial space contains heavy timber and metal framing, drive equipment, suspended components and surviving mill machinery associated with the production of jute textiles that once dominated Dundee's economy. From the nineteenth century Dundee became internationally known as a centre of jute manufacturing, importing raw fibre and processing it in huge mills that employed tens of thousands of people, particularly women. The industry profoundly shaped the city's population, architecture, labour history and international trading links. The photograph is suitable for editorial coverage of Dundee jute, industrial heritage, textile mills, manufacturing, Scottish industry, factory machinery, labour history, engineering, historic workplaces, women workers, social history, museum interpretation and adaptive reuse of industrial buildings. The surviving machinery and exposed structural framework provide a strong visual impression of the scale and physical environment of traditional textile production and help explain why jute remains central to Dundee's cultural identity alongside jam and journalism.
Dundee, Scotland, UK
Description
Keywords: Gotonysmith,HotpixUK,@HotpixUK,IMG_1049,Speedy Moisture Tester,Thomas Ashworth & Co Ltd,Burnley,historic,measuring,instrument,moisture,tester,scientific,apparatus,balance,equipment,grain,soil,sand,samples,Lancashire,engineering,technology,manufacturing,museum,industrial,testing,portable,brass,metal,jute,fibre,fibres,Dundee
Description: Tony Smith image Alamy 3EW7BX3 - Speedy Moisture Tester made by Thomas Ashworth & Co Ltd of Burnley, displayed as a historic measuring instrument. The apparatus includes a balance mechanism, pan and associated equipment used to determine the moisture content of grain, soils, sand or other samples. Speedy Moisture Testers were manufactured in Lancashire and became portable field-testing devices used in agriculture, construction and materials testing. The photograph is suitable for editorial coverage of scientific instruments, industrial history, engineering equipment, laboratory apparatus, moisture testing, historic technology, British manufacturing and museum collections. The brass and metal components mounted within a box give the object a distinctive early twentieth-century technical appearance.
Dundee, Scotland, United Kingdom
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_1035,A&W Smith & Co Ltd Glasgow,cast,iron,makers,plate,Verdant Works,Dundee,Scotland,UK,industrial,lettering,metal,manufacturer,engineering,foundry,heritage,Glasgow,manufacturing,history,machinery,Scottish,archaeology,factory,museum,collection,rust,craftsmanship,rusty,scale,scales,weight,weighing
Description: Tony Smith image Alamy 3F0K32D - A&W Smith & Co Ltd Glasgow cast iron maker's plate displayed at Verdant Works in Dundee, Scotland, UK. The close-up shows raised industrial lettering, decorative geometric detail and a heavily textured metal surface bearing the manufacturer's name and city. The object reflects Scotland's engineering, foundry and industrial manufacturing heritage and is suitable for editorial coverage of cast iron, Glasgow industry, engineering history, machinery makers, Scottish manufacturing, industrial archaeology, historic factories and museum collections. The strong rust-brown colour and relief lettering emphasise the material quality and craftsmanship of the historic metalwork.
Verdant Works, West Henderson's Wynd, Dundee DD1 5BT, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,jute,mill,museum,pano,panorama,verdant,mills,Scotland
Description: Tony Smith image Alamy 3F4NREX -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9481,Mining,memorial,clock,Wrexham Miners Project,Wrexham,Wales,UK,miners,heritage,coalfield,industrial,history,images,rescue,station,museum,display,community,green,doors,red,brickwork,local,remembrance,art,historic,North,Welsh
Description: Tony Smith image Alamy 3ERX6AR - Mining memorial clock at the Wrexham Miners Project in Wrexham, Wales, UK. The clock face is housed within a dark decorative structure covered with monochrome images of miners and mining scenes and is mounted against green industrial doors and red brickwork at the former Miners Rescue Station. The object forms part of the site's wider interpretation of the North Wales coalfield and the communities shaped by mining. The photograph is suitable for editorial coverage of Wrexham mining heritage, industrial history, miners, coalfield communities, memorial art, rescue services, museum displays, heritage conservation and local history. The close composition highlights the handmade character of the display and the relationship between everyday timekeeping and remembrance.
Wrexham Miners Project, 3 Maesgwyn Road, Wrexham LL11 2AP, Wales, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9487,Close-up,mining,photographs,memorial,clock,Wrexham Miners Project,Wrexham,Wales,UK,miners,rescue,personnel,heritage,display,brick,museum,history,coalfield,community,industrial,historic,images,conservation
Description: Tony Smith image Alamy 3ERX6CM - Close-up of mining photographs and memorial clock at the Wrexham Miners Project in Wrexham, Wales, UK. Black-and-white images of miners and rescue personnel surround the clock face, creating a compact heritage display attached to the red-brick former Miners Rescue Station. The photograph is suitable for editorial coverage of mining history, miners, rescue workers, industrial heritage, memorials, museums, Wrexham, coalfield communities, historic photographs and heritage conservation. The close composition emphasises the faces and documentary character of the display.
Wrexham Miners Project, 3 Maesgwyn Road, Wrexham LL11 2AP, Wales, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9486,Wrexham Miners Project,building,mining,memorial,clock,Wrexham,Wales,UK,red-brick,Miners,Rescue,Station,heritage,museum,community,industrial,coalfield,historic,listed,restoration,green,doors,charity,charitable,Wrecsam
Description: Tony Smith image Alamy 3ERX6D0 - Wrexham Miners Project building and mining memorial clock in Wrexham, Wales, UK. The red-brick former Miners Rescue Station is shown with green industrial doors, heritage signage and the distinctive clock mounted on the exterior wall. The photograph is suitable for editorial coverage of industrial heritage, mining museums, Wrexham history, rescue services, community restoration, listed buildings and coalfield heritage. The building provides an important surviving link to the North Wales mining industry and the history of mine rescue.
Wrexham Miners Project, 3 Maesgwyn Road, Wrexham LL11 2AP, Wales, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9483,Mining-themed,memorial,clock,Wrexham Miners Project,Wrexham,Wales,UK,mining,heritage,miners,brickwork,artwork,museum,rescue,station,industrial,history,coalfield,community,display,historic,coal
Description: Tony Smith image Alamy 3ERX6D8 - Mining-themed memorial clock at the Wrexham Miners Project in Wrexham, Wales, UK. The clock is mounted against brickwork and surrounded by monochrome mining imagery, creating a small public-history artwork within the former Miners Rescue Station complex. The photograph is suitable for editorial coverage of mining heritage, Wrexham history, miners, memorial art, industrial communities, museum displays, coalfield history and heritage conservation. The distinctive object contributes to the wider interpretation of North Wales mining history at the site.
Wrexham Miners Project, 3 Maesgwyn Road, Wrexham LL11 2AP, Wales, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9481,Mining,memorial,clock,Wrexham Miners Project,Wrexham,Wales,UK,miners,heritage,coalfield,industrial,museum,art,rescue,services,history,community,green,doors,red,brickwork,historic,mining,pit,workers,working,class
Description: Tony Smith image Alamy 3ETMYKP - Mining memorial clock at the Wrexham Miners Project in Wrexham, Wales, UK. The clock is set into a decorative dark housing against green doors and red brickwork at the former Miners Rescue Station. The image is suitable for editorial coverage of mining heritage, Wrexham history, miners, coalfield communities, industrial museums, memorial art, rescue services and heritage conservation. The distinctive object contributes to the site's wider interpretation of the North Wales coalfield and local mining history.
Wrexham Miners Project, 3 Maesgwyn Road, Wrexham LL11 2AP, Wales, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9487,Close-up,mining,photographs,memorial,clock,Wrexham Miners Project,Wrexham,Wales,UK,miners,rescue,personnel,heritage,display,brick,museum,history,coalfield,Gresford,disaster,community,industrial,historic,images,conservation
Description: Tony Smith image Alamy 3ETN0T0 - Close-up of mining photographs and memorial clock at the Wrexham Miners Project in Wrexham, Wales, UK. Black-and-white images of miners and rescue personnel surround the clock face, creating a compact heritage display attached to the red-brick former Miners Rescue Station. The project preserves and interprets the history of mine rescue teams and the North Wales coalfield, including the community impact of the 1934 Gresford Colliery disaster. The photograph is suitable for editorial coverage of mining history, miners, rescue workers, industrial heritage, memorials, museums, Wrexham, coalfield communities, historic photographs and heritage conservation.
Wrexham Miners Project, 3 Maesgwyn Road, Wrexham LL11 2AP, Wales, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9486,Wrexham Miners Project,building,mining,memorial,clock,Wrexham,Wales,UK,red-brick,Miners,Rescue,Station,heritage,museum,community,industrial,coalfield,Gresford,disaster,historic,listed,restoration,green,doors,history,charity,welfare
Description: Tony Smith image Alamy 3ETN152 - Wrexham Miners Project building and mining memorial clock in Wrexham, Wales, UK. The red-brick former Miners Rescue Station is shown with green industrial doors, heritage signage and the distinctive clock mounted on the exterior wall. The rescue station was purpose-built following the Coal Mines Act 1911 and opened in 1913 to train mine rescue teams serving the North Wales coalfield. Today the Grade II listed site is being preserved as a museum and community hub interpreting Wrexham's mining history and the legacy of the Gresford Colliery disaster. The photograph is suitable for editorial coverage of industrial heritage, mining museums, Wrexham history, rescue services, community restoration, listed buildings and coalfield heritage.
Wrexham Miners Project, 3 Maesgwyn Road, Wrexham LL11 2AP, Wales, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_0144,Leeds Art Gallery,interior,glazed,roof,paintings,sculpture,Leeds,England,UK,gallery,art,museum,architecture,exhibition,visual,arts,collection,tourism,heritage,cultural,attraction,ceiling,red,walls,visitors,historic,tourist,travel,attarction,half-term
Description: Tony Smith image Alamy 3ETN50R - Leeds Art Gallery interior beneath a glazed roof with paintings and sculpture in Leeds, West Yorkshire, England, UK. The upward-looking composition emphasises the decorative roof lantern and high ceiling above red gallery walls filled with framed artworks, while visitors and a freestanding sculpture are visible below. The image is suitable for editorial coverage of Leeds culture, art galleries, museums, architecture, exhibitions, visual arts, public collections, tourism, heritage and cultural attractions. The unusual vertical perspective gives particular emphasis to the historic gallery architecture as well as the art displayed within the room.
Leeds Art Gallery, The Headrow, Leeds LS1 3AA, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_0142,Leeds Art Gallery,interior,visitors,paintings,sculpture,Leeds,West,Yorkshire,England,UK,gallery,art,museum,exhibition,culture,heritage,tourism,collection,framed,artworks,wooden,floor,ceiling,visual,arts,public,attraction,halfterm,half-term,activity,tourist
Description: Tony Smith image Alamy 3ETN5R3 - Leeds Art Gallery interior with visitors, paintings and sculpture in Leeds, West Yorkshire, England, UK. The gallery room has richly coloured red walls hung with framed artworks, while a freestanding sculpture occupies the polished wooden floor beneath a high glazed ceiling. Visitors move through the exhibition space viewing the collection. The photograph is suitable for editorial coverage of Leeds culture, public art galleries, museums, exhibitions, paintings, sculpture, visual arts, tourism, heritage, free attractions and cultural venues. The strong architectural detailing and dense salon-style display give the room a distinctive historic gallery character.
Leeds Art Gallery, The Headrow, Leeds LS1 3AA, West Yorkshire, England, UK
Description
Keywords: Gotonysmith,HotpixUK,@HotpixUK,centre,Yorkshire,art,interior,art museum,paintings,on display,Victorian,visitors,fine art,museum,red,glass roof,glazed,roof lantern,framed,oil,figurative,sculpture,sculpture on plinth,public,historic,salon-style,display,viewing,cultural attraction,Leeds Museums and Galleries,West Yorkshire,heritage,things to do in Leeds,free cultural attraction,UK museum tourism,Yorkshire arts and culture,city-centre sightseeing,children learning about art,arts education resource,British cultural heritage
Description: Tony Smith image Alamy 3EW4FTK - Wide-angle interior view of the Central Court Gallery at Leeds Art Gallery shows visitors studying a dense salon-style display of paintings beneath the restored Victorian glass roof. The room combines deep crimson walls, warm timber flooring and cream architectural detailing, creating a dramatic setting for historic British and European artworks. Framed oil paintings of different sizes cover the walls in closely arranged groups, including landscapes, portraits, figurative scenes and religious or narrative subjects. In the foreground, a white figurative sculpture of a standing nude woman is displayed on a circular grey plinth, adding a three-dimensional focal point against the richly coloured gallery walls.
The image records the public experience of a major regional art museum, with adults and children moving through the collection, pausing to look closely at individual works and discussing the displays. Track lighting supplements the natural daylight entering through the large glazed roof lantern, while the high ceiling and decorative arches retain the character of the building's Victorian origins. The broad, slightly distorted perspective emphasises the scale of the gallery and the height of the roof.
Leeds Art Gallery opened in 1888 and forms part of Leeds Museums and Galleries. Its collections include nineteenth-century painting, sculpture and a nationally important holding of twentieth-century British art. The Central Court's glass roof was uncovered during refurbishment before the gallery reopened in 2017, restoring daylight to one of the building's principal exhibition spaces. The photograph is suitable for editorial coverage of museums, cultural tourism, public art collections, heritage interiors, arts education, family visits, gallery architecture, Leeds city-centre attractions and access to visual culture in northern England
Leeds Art Gallery, The Headrow, Leeds, West Yorkshire, England, LS1 3AA
Description
Keywords: Gotonysmith,HotpixUK,@HotpixUK,pano,panorama,M Shed,Harbourside,museum,dock,crane,dockside,cargo crane,harbour,boats,wide shot,view,city,centre,historic,maritime,heritage,floating,summer sky,blue sky clouds,quayside,railings,harbour museum,tourism,West Country travel,English harbour city,historic port,urban waterside,heritage vessels,industrial archaeology,dockland regeneration,maritime museum,harbour attractions,scenic cityscape,landmarks,visitor destination
Description: Tony Smith image Alamy 3EW7CMF - Wide panoramic view across Bristol Floating Harbour from the Princes Wharf and M Shed area of Bristol Harbourside. The scene shows the city waterfront under bright blue sky with scattered summer clouds, with moored historic boats in the foreground and the black-hulled MV Balmoral visible on the right side of the harbour. A tall dockside museum crane stands at the right edge of the frame, linking the present-day leisure waterfront with Bristol's working port and industrial past.
M Shed is Bristol's city museum, located in a former dockside transit shed on Princes Wharf beside the Floating Harbour. The museum tells Bristol's story through its people, places, transport, trade and maritime history. Outside the museum are important working exhibits, including the harbour cranes and railway features that reflect the commercial life of the old City Docks. The M Shed cargo cranes were built in 1951 for the L and M transit sheds and are now recognised heritage features on the harbourside.
The image has strong editorial value for Bristol tourism, waterfront regeneration, maritime heritage, city break travel, industrial archaeology and the reuse of historic dock infrastructure. Bristol's harbourside has shifted from commercial port activity to a mixed cultural, leisure and visitor area, with museums, boats, cafés, walkways, public spaces and heritage structures clustered around the water. The panorama format helps show the scale of the harbour basin and the relationship between the boats, quayside, skyline and museum exhibits.
MV Balmoral, a historic passenger vessel, has long been associated with Bristol Harbour and is seen moored near M Shed. The presence of preserved vessels and working dock machinery reinforces the area's identity as a living maritime landscape rather than a purely decorative waterfront. Visible elements include harbour railings, mooring ropes, small boats, the MV Balmoral name on the hull, the museum crane, broad waterway, city buildings, quayside path
M Shed, Princes Wharf, Wapping Road, Bristol, England, UK, BS1 4RN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_2891,An Organ Grinder,framed,painting,displayed,white,gallery,wall,Britain,UK,artwork,museum,exhibition,art,frame,culture,heritage,curation,display,visitor,attraction,historic,picture,label,visual,arts,interior,collection,LS Lowry,Lowry,Manchester,Moseley,Street
Description: Tony Smith image Alamy 3F12E0T - An Organ Grinder framed painting displayed on a white gallery or museum wall in Britain, UK. The artwork shows a detailed urban street scene in a decorative dark frame, accompanied by an interpretation label positioned alongside the picture. The photograph records the presentation of historic or narrative art within a public cultural setting and is suitable for editorial coverage of galleries, museums, exhibitions, paintings, visual arts, framed artworks, cultural heritage, curation and visitor attractions. The oblique viewpoint shows both the physical frame and surrounding white wall, giving useful context for how the work is exhibited rather than reproducing the painting alone.
Manchester, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,CW9,CW9 5DR,history,historic,dark,doorway,before,renovation,original,carved,embossed,and,salt,museum,AD,1909,in,Sir,ornate,doors,Northwich library,entrance,timberframe,timber frame,timber,framed,lamp,lantern,front,outside,subsidence,subject to subsidence
Description: Tony Smith image Alamy 2RE4PDB - The original Northwich Library was established in 1885, with significant financial support from Sir John Brunner, co-founder of the successful chemical company Brunner, Mond and Co. The Brunner Free Library featured a salt museum and art display.
The building was damaged by subsidence and despite renovation work was eventually demolished. A journalist visiting the town in 1907 described that upon entering the library he, experienced sensations usually associated with the deck of a ship in a heavy sea, and, expected every moment to collide with the wall. A new replacement building was provided by Sir John Brunner in 1909.
Witton St, Northwich, Cheshire, England, UK, CW9 5DR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWA - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
William Brown St, Liverpool , Merseyside, England, UK, L3 8EL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWH - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
William Brown St, Liverpool , Merseyside, England, UK, L3 8EL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWM - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
William Brown St, Liverpool , Merseyside, England, UK, L3 8EL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,L2,1-3,L2 8SZ,at,during,the,combined,headquarters,HQ,1941,1945,1941-1945,history,historic,Approach,Western Approaches Museum,museum,was,situated,in,this,building,Commander-in-Chief,Commander,Chief,Derby House,Operations Room
Description: Tony Smith image Alamy 2R6AJ1E - Commander-in-Chief, Western Approaches was the commander of a major operational command of the Royal Navy during World War II. The admiral commanding, and his forces, sometimes informally known as 'Western Approaches Command,' were responsible for the safety of British shipping in the Western Approaches.
History
Admiral Martin Dunbar-Nasmith, who had been Commander-in-Chief, Plymouth, also took over responsibility for the Western Approaches from the start of World War II.
After the fall of France in June 1940, the main North Atlantic convoy routes were diverted around the north of Ireland through the north-western approaches. By late 1940, the location of the Combined Operations headquarters at Plymouth was increasingly awkward and the decision was taken to move the Combined Operations headquarters to Liverpool. On 7 February 1941, the headquarters was established at Derby House, Liverpool, with a secondary control bunker built in Magee College, Derry. Derby House was designated HMS Eaglet
shore establishments were often given ship (stone frigate) names to meet the requirement that their Navy personnel be borne upon the books of a specific ship. The headquarters of No. 15 Group RAF (part of Coastal Command) moved to Liverpool at the same time. On 17 February 1941 Admiral Sir Percy Noble was appointed as the new Commander-in-Chief, Western Approaches Command. The Western Approaches Tactical Unit (WATU) was formed in January 1942 to develop and disseminate new tactics to counter German submarine attacks on trans-Atlantic shipping convoys. WATU took up residency on the top floor of Derby House.
Over the next two years, Admiral Noble built up the bases for the North Atlantic escort groups at Greenock on the Clyde, Derry and Liverpool and set up the training facilities that were the foundations for eventual victory in the Battle of the Atlantic.
On 19 November 1942, Admiral Max Horton replaced Admiral Noble
Horton then was Commander-in-Chief
1-3 Rumford St, Liverpool , Merseyside, England, UK, L2 8SZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,spinningframe,textile,textiles,factory,industrial,industry,manufacturing,machine,yarnproduction,fibre,fibers,spindles,spindle,traveller,rings,twist,bobbins,roving,drafting,spinningprocess,millinterior,historic,heritage,preserved,museum,twentiethcentury,britishindustry,labourhistory,workingclass,mass production,textile history,cottonindustry
Description: Tony Smith image Alamy 2R55J8G - This machine is a cotton ring spinning frame (often shortened to ring frame), as widely used in Lancashire spinning mills from the early 20th century onwards.
How we know:
Long rows of parallel yarn threads running vertically down to spindles
Ring and traveller system at each spindle position
Yarn being twisted and wound simultaneously onto bobbins
Linear, repetitive layout typical of ring spinning rooms
This is not a spinning mule (no moving carriage) and not a drawing or roving frame (those do not insert final twist). Ring frames became dominant in Lancashire for their continuous operation, higher speeds, and suitability for finer yarns. cotton ring spinning frame inside a Lancashire spinning mill, representing one of the most important technological advances in industrial textile production. Ring spinning frames were used to twist and wind cotton fibres into finished yarn in a continuous process, replacing earlier spinning mule systems in many mills during the twentieth century.
Prepared roving from earlier processes such as carding and drawing was fed into the frame, where drafting rollers reduced the fibre thickness before twist was inserted by the rotating spindle and traveller running around a fixed ring. The finished yarn was then wound onto bobbins, ready for use in weaving sheds or for further processing.
Ring spinning offered higher speeds, greater consistency and reduced labour compared with mule spinning, making it especially suited to fine and strong yarns. Lancashire mills adopted ring frames widely as the industry modernised, particularly in large spinning towns such as Oldham and Bolton.
Preserved ring spinning frames are now commonly found in textile museums and heritage mills, illustrating the scale, precision and repetitive nature of industrial cotton production and the working environments that underpinned Britain's global dominance in textiles.
Lancashire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,spinningframe,textile,textiles,factory,industrial,industry,manufacturing,machine,yarnproduction,fibre,fibers,spindles,spindle,traveller,rings,twist,bobbins,roving,drafting,spinningprocess,millinterior,historic,heritage,preserved,museum,twentiethcentury,britishindustry,labourhistory,workingclass,mass production,textile history,cottonindustry
Description: Tony Smith image Alamy 2R55JAW - This machine is a cotton ring spinning frame (often shortened to ring frame), as widely used in Lancashire spinning mills from the early 20th century onwards.
How we know:
Long rows of parallel yarn threads running vertically down to spindles
Ring and traveller system at each spindle position
Yarn being twisted and wound simultaneously onto bobbins
Linear, repetitive layout typical of ring spinning rooms
This is not a spinning mule (no moving carriage) and not a drawing or roving frame (those do not insert final twist). Ring frames became dominant in Lancashire for their continuous operation, higher speeds, and suitability for finer yarns. cotton ring spinning frame inside a Lancashire spinning mill, representing one of the most important technological advances in industrial textile production. Ring spinning frames were used to twist and wind cotton fibres into finished yarn in a continuous process, replacing earlier spinning mule systems in many mills during the twentieth century.
Prepared roving from earlier processes such as carding and drawing was fed into the frame, where drafting rollers reduced the fibre thickness before twist was inserted by the rotating spindle and traveller running around a fixed ring. The finished yarn was then wound onto bobbins, ready for use in weaving sheds or for further processing.
Ring spinning offered higher speeds, greater consistency and reduced labour compared with mule spinning, making it especially suited to fine and strong yarns. Lancashire mills adopted ring frames widely as the industry modernised, particularly in large spinning towns such as Oldham and Bolton.
Preserved ring spinning frames are now commonly found in textile museums and heritage mills, illustrating the scale, precision and repetitive nature of industrial cotton production and the working environments that underpinned Britain's global dominance in textiles.
Lancashire, England, UK
-with-sliver-cans--as-used-in-Lancashire-cotton-spinning-mills-2R55JB5.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,English,cotton,spinning,sliver,textiles,cottonmill,industrial,industry,manufacturing,machinery,machine,fibre,fibers,yarnproduction,industrialrevolution,silver,can,cans,drafting,rollers,preparation,spinningprocess,millinterior,historic,heritage,preserved,museum,victorian,edwardian,analogue,mechanical,engineering,history
Description: Tony Smith image Alamy 2R55JB5 - drawing frames (sometimes called draw frames) with sliver cans, as used in Lancashire cotton spinning mills in the late-19th and early-20th century.
What you're seeing
The thick, soft cotton strands looping down into the containers are sliver.
The tall cylindrical containers are sliver cans, used to store and transport the fibre between processes.
Above the cans is the drawing frame, with a line of drafting rollers that pull multiple slivers together and stretch them to improve uniformity.
What the drawing frame did
The drawing frame sat between carding and spinning and had three main jobs:
Combine several carded slivers into one
Draft (stretch) the fibres to make them finer
Straighten and equalise fibre alignment
The output was a smoother, more even sliver ready for:
further drawing stages, or
the roving (speed) frame, and then spinning
How to tell it's not a roving frame
This is a common point of confusion:
Drawing frame: sliver goes into cans (as shown here)
Roving (speed) frame: fibres are twisted and wound onto bobbin spindles, not cans
Because there is no twist and the material is collected loosely in cans, this is clearly a drawing frame.
Why this is classic Lancashire
Drawing frames were standard in mills across Oldham, Bolton, Blackburn, Burnley and Preston
Lancashire mills often used multiple drawing passages to achieve consistency at scale
Uniform sliver was essential for high-speed spinning on mules or ring frames
In short
This image shows cotton drawing frames feeding sliver into cans, a crucial intermediate stage in Lancashire's spinning process, responsible for fibre consistency, quality and productivity. This image shows a row of cotton drawing frames with sliver cans inside a Lancashire spinning mill, illustrating a key intermediate stage in the cotton manufacturing process. Drawing frames were used after carding to improve the uniformity, alignment and consistency of cotton fibres before they were spun into yarn.
Lancashire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,loom,textiles,weavingshed,factory,machinery,machine,yarn,warp,weft,cloth,fabric,production,engineering,mechanical,industrialrevolution,Lancs,loomroom,weavingroom,beltdrive,lineshaft,overheadshafts,steamage,victorian,edwardian,twentiethcentury,millinterior,historic,heritage,preserved,museum
Description: Tony Smith image Alamy 2R55JBA - The large cylindrical beam wrapped with white yarn at the front is the warp beam, supplying thousands of parallel warp threads.
The machines are arranged in long, tightly packed rows, typical of weaving sheds rather than spinning rooms.
Overhead line-shafting and belt drives powered each loom individually.
The overall layout is wide, open and repetitive, designed for one weaver to supervise multiple looms.
This immediately distinguishes it from:
Spinning mules (which have moving carriages)
Ring frames (vertical spindles, no warp beam)
Carding or drawing machines (shorter, bulkier units)
What the loom did
A Lancashire power loom:
Took warp yarn from the beam
Inserted weft yarn across it (by shuttle in older looms)
Interlaced warp and weft to produce woven cloth
Wound the finished fabric onto a cloth roller
This was the final major stage of cotton manufacture, after carding, drawing and spinning.
Why this is classic Lancashire
Power looms dominated towns such as Burnley, Blackburn, Accrington, Chorley and Preston
Lancashire specialised in mass cotton weaving, often more than spinning
Sheds were built with:
North-light roofs for even daylight
Open floors to manage noise, heat and lint
A single weaver, often a woman, might operate four or more looms simultaneously
In short
This image shows Lancashire cotton power looms in a weaving shed, producing woven cloth from spun yarn.
It represents the end stage of the cotton process and one of the most recognisable interiors of Britain's industrial textile past. This image shows a row of historic cotton power looms inside a Lancashire weaving shed, a setting that became synonymous with mass textile production during the late nineteenth and early twentieth centuries. Power looms were used to weave spun cotton yarn into finished cloth by interlacing warp threads, drawn from the large beams visible in the foreground, with weft yarn carried across the loom.
The looms are arranged in long, uniform rows
Lancashire, North West England, United Kingdom
--a-core-piece-of-Lancashire-cotton-mill-machinery-in-a-cotton-mill-2R55JBG.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,cardingmachine,textile,textiles,manufacturing,factory,spinning,fibre,fibers,engineering,mechanical,belt,pulleys,rollers,drums,Lancs,PlattBrothers,Oldham,Bolton,Blackburn,Burnley,Preston,northwestengland,britishindustry,heritage,historic,museum,preserved,victorian,edwardian,steamage,powertransmission,lineshaft,beltdrive
Description: Tony Smith image Alamy 2R55JBG - The large central drum is the main carding cylinder, which rotates at speed.
The multiple small pulleys around the side are part of the belt-driven transmission, typical of Lancashire mills using line-shaft power from overhead shafts.
The wooden casing (often polished hardwood) is characteristic of British carding engines, both for protection and to reduce lint escape.
Surrounding rollers and covers would have worked with:
the licker-in (to open raw cotton),
worker and stripper rollers (to disentangle fibres),
and the doffer (to remove the aligned fibre web).
What it did in the cotton process
This machine sat early in the cotton production line:
Raw cotton arrived compressed and dirty
It was opened and cleaned (blow room machinery)
Carding engine aligned the fibres into a continuous web
The web was condensed into sliver, ready for drawing and spinning
Without carding, spinning simply did not work properly.
Why it's so Lancashire
Carding engines were ubiquitous in Lancashire mills (Oldham, Bolton, Blackburn, Burnley, Preston).
British makers such as Platt Brothers of Oldham dominated this machinery worldwide.
The heavy iron castings, belt drives, and polished woodwork are textbook North-West England mill engineering.
Rossendale, Lancashire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,Walthamstow,historic,Tudor,halftimbered,architecture,museum,street,street scene,British,history,conservation,oldest,house,domestic,property,timber,beams,half,black,white,exterior,gables,roof,tiled,listed,building,streetscene,urban,village,east
Description: Tony Smith image Alamy 2R3WMR1 - This image shows the Vestry House, widely regarded as the oldest surviving domestic building in Walthamstow, East London. Dating from the fifteenth century, the house is a rare example of medieval timber framed architecture in the area and today forms part of the Vestry House Museum, located close to St Mary's Church in Walthamstow Village.
The building features characteristic black and white timber framing, a steeply pitched tiled roof and traditional construction methods associated with Tudor period domestic buildings. Over the centuries, the Vestry House has served a number of civic and community functions, including use as a meeting place for local parish affairs, before being preserved as a museum dedicated to local history.
In the foreground, a bright red Royal Mail pillar box provides a strong visual contrast with the muted tones of the historic structure, highlighting the coexistence of everyday modern street life with London's deep architectural past. The image was taken in daylight under bright but overcast conditions, allowing clear visibility of the building's materials, textures and surrounding streetscape.
The Vestry House remains an important heritage landmark in Walthamstow, offering a tangible link to the area's medieval origins and its gradual transformation from rural village to part of the modern city of London.
Vestry House Museum, Vestry Road, Walthamstow, London, E17 9NH, England, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,England,London,city,centre,central,Unit 12,Ravenswood Industrial Estate,Shernhall St,UK,E17 9HQ,E17,electric,electrical,lighting,advertising,display,displays,and,ad,ads,art,artwork,museum,museums,neons,doorway,door,dream,of,dreams,store,shop,cafe,the,Rolling Scones Cafe,Chris Bracey,cold cathode,Chris Braceys
Description: Tony Smith image Alamy 2R3Y98F - Chris Bracey has been the Neon Man for 37 years creating iconic artpieces for David la chappelle,
Martin Creed etc. With a cult following in London and Los Angeles.
New & used neon fantasies, salvaged signs, reclaimed neon signs, old movie props and retro displays.
Neon art made from found objects, retrieved and renewed waste and lights.
Fairground & circus lighting, architectural sign salvage. Led & cold cathode luxury products.
Designers & makers of all things with light.
Unit 12, Ravenswood Industrial Estate, Shernhall St, Walthamstow, London, E17 9HQ
Description
Keywords: GoTonySmith,HotpixUK,England,London,city,centre,central,E17 9HQ,E17,on,the,exterior,of,front,lighting,and,advertising,museum,unit12,museums,sign,signage,signs,red,orange,neons,neon,God,junk,yard,junkyard,black,white,fonts,different,salvage
Description: Tony Smith image Alamy 2R3Y9BT - Chris Bracey has been the Neon Man for 37 years creating iconic artpieces for David la chappelle,
Martin Creed etc. With a cult following in London and Los Angeles.
New & used neon fantasies, salvaged signs, reclaimed neon signs, old movie props and retro displays.
Neon art made from found objects, retrieved and renewed waste and lights.
Fairground & circus lighting, architectural sign salvage. Led & cold cathode luxury products.
Designers & makers of all things with light.
Unit 12, Ravenswood Industrial Estate, Shernhall St, Walthamstow, London, England, UK, E17 9HQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,monument,era,monuments,socialist,realism,socialist realist,sculpture,Hungarian,post communist Hungary,Cold War,Hungary,Eastern Bloc,public,propaganda,art,political,park,open air,museum,heritage,history,historic,Republic of Councils Monument,Tanácsköztársasági emlékmű,István Kiss,charging sailor statue,Hungarian Fighters in the Spanish International Brigades Memorial,Makrisz Agamemnon,Memos Makris,Spanish Civil War memorial,dictatorship memory,authoritarian propaganda,totalitarian art,removed communist statues,fall of communism,1989 revolution,dark
Description: Tony Smith image Alamy 3E9AN1A - Memento Park in Budapest, Hungary, showing Soviet era and communist period public monuments removed from the city after the fall of the Hungarian People's Republic. The bronze figure on the right is the Republic of Councils Monument, or Tanácsköztársasági emlékmű, by István Kiss, completed in 1969 and based on a dynamic revolutionary sailor image associated with the short-lived Hungarian Soviet Republic of 1919. The foreground relief appears to be the Hungarian Fighters in the Spanish International Brigades Memorial by Makrisz Agamemnon, also known as Memos Makris, made in 1968 to commemorate Hungarian volunteers who fought in the Spanish Civil War. The photograph is valuable for editorial use around Cold War history, communist propaganda, socialist realism, dictatorship memory, post-communist heritage, Eastern Bloc public art, political sculpture, regime change and the contested afterlife of monuments. Memento Park is an open-air museum where Budapest gathered many statues, busts, plaques and memorials that once stood in prominent public locations and carried the official visual language of party power, liberation myth, worker heroism and Soviet friendship. The composition contrasts the flat carved memorial figures with the dramatic running bronze statue, creating a strong visual example of how communist public art used heroic bodies, flags, movement and scale to communicate ideological certainty. The site is not simply nostalgic display: it is a carefully framed museum of authoritarian imagery, useful for understanding how art, architecture and public space were used to legitimise power. The green grass, open sky and park setting soften the scene visually, but the subjects remain linked to repression, censorship, propaganda, revolution, anti-fascist memory, Hungarian communism and the wider political history of Central Europe. The image suits travel guides, history publishing, education, museum features, political commentary, heritage tourism, dark tourism and art
Republic of Councils Monument and Spanish International Brigades memorial at Memento Park, Budapest.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,textile,Lancs,England,UK,English,mills,manufacture,Mill,Burnley,history,tourism,steam,powered,weaving,mill,BB4,BB4 9PX,1082 Burnley Road East,Water,Rossendale,Lancashire,Jones,Textilaties,Ltd,company,business,firm,display,cabinet,museum,Jones Textilaties Limited,red frame,red cabinet,Cottonopolis
Description: Tony Smith image Alamy 2PMKDY1 -
1082 Burnley Road East, Water, Rossendale, Lancashire, England, UK, BB4 9PX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,textile,Lancs,England,UK,English,mills,manufacture,Mill,Burnley,history,tourism,steam,powered,weaving,mill,BB4,BB4 9PX,1082 Burnley Road East,Water,Rossendale,Lancashire,Jones,Textilaties,Ltd,company,business,firm,display,cabinet,museum,Jones Textilaties Limited,red frame,red cabinet
Description: Tony Smith image Alamy 2PMKDY2 -
1082 Burnley Road East, Water, Rossendale, Lancashire, England, UK, BB4 9PX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,the,royal,maritime,port,Mersey,river,historic,ports,built,by,of,Northwich,Liverpool,L3 4AF,L3,The Pumphouse,moored,mooring,boat,ship,boats,ships,Alexandra Towing,Co Ltd,ship-handling,IMO 6420408,museum
Description: Tony Smith image Alamy 2NYNDXP - She is a historic tug from Liverpool.
Name / Owner: BROCKLEBANK
IMO No: 6420408 / ON 306497
Merseyside Maritime Museum.
Flag: United Kingdom (Liverpool).
Comments: July 10, 2004. Moored in Canning Half-tide Dock as a museum ship. Built for Alexandra Towing Co. Ltd., Liverpool, as a ship-handling tug with occasional duties in Heysham, Larne and Barrow. Restoration by the volunteers of the "
Wincham Preservation Society."
Purchased by the Merseyside Maritime Museum in 1989.
Year built / Builder: 1964, W. J. Yarwood &
Sons Ltd., Northwich (yard number: 945)
Details: 172 gt
length o.a. 31.37 m (bp: 28.35 m), 8.26 m beam, 3.81 m depth.
Main engines: 2, two stroke, turbo-charged, 8 cyl Crossley diesel motors developing 970 kW (1,200 bhp) to drive a single prop at a speed of 12 knots.
Static bollard pull: 17 tons
She crossed to Howth from Liverpool 4-5 April 2008.
Graving dry dock, Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,the,royal,maritime,Mersey,river,L3,L3 4AA,3-4,Liverpool,ship,vessel,at,in,riverside,cutter,dry,dock,pilotage,service,number 2,1953,museum,National Historic Ships,Committee,National Core Collection,of,Historic Ships
Description: Tony Smith image Alamy 2P08KF3 - Liverpool pilot cutter number 2, 1953
The largest object in National Museums Liverpool's collections is the Edmund Gardner, a former pilot cutter that can now be found in dry dock opposite the Maritime Museum.
Strong currents, shifting sandbanks, rocks, dangerous weather and two tides a day - with a difference of 11 metres - make the approach to Liverpool by ship a risky business. Marine pilots are seafarers with local knowledge of the River Mersey, who guide ships safely through these various hazards.
The object of a pilot today is the same as it was back in 1766 “ to get a ship, its crew and its cargo safely into port in a timely manner¦ - Geoff Topp, Liverpool Pilot, 1967-2002
During her working life of almost 30 years the Edmund Gardner was essentially a base out in the Irish Sea for the Pilotage Service, providing accommodation for up to 32 pilots at a time. The pilots met all shipping approaching the Mersey and guided them into and out of the docks, to ensure their safety.
The Edmund Gardner's historic importance has been recognized by the National Historic Ships Committee, which has included the vessel in its National Core Collection of Historic Ships. She has also received the World Ship Trust's award as an outstanding example of ship preservation.
More info at https://www.liverpoolmuseums.org.uk/edmund-gardner/pilot-ship
Royal Albert Dock, 3-4 The Colonnades, Liverpool, Merseyside, England, UK, L3 4AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,the,royal,maritime,Mersey,river,L3,L3 4AA,3-4,Liverpool,ship,vessel,at,in,riverside,cutter,dry,dock,pilotage,service,number 2,1953,museum,National Historic Ships,Committee,National Core Collection,of,Historic Ships
Description: Tony Smith image Alamy 2P08KFD - Liverpool pilot cutter number 2, 1953
The largest object in National Museums Liverpool's collections is the Edmund Gardner, a former pilot cutter that can now be found in dry dock opposite the Maritime Museum.
Strong currents, shifting sandbanks, rocks, dangerous weather and two tides a day - with a difference of 11 metres - make the approach to Liverpool by ship a risky business. Marine pilots are seafarers with local knowledge of the River Mersey, who guide ships safely through these various hazards.
The object of a pilot today is the same as it was back in 1766 “ to get a ship, its crew and its cargo safely into port in a timely manner¦ - Geoff Topp, Liverpool Pilot, 1967-2002
During her working life of almost 30 years the Edmund Gardner was essentially a base out in the Irish Sea for the Pilotage Service, providing accommodation for up to 32 pilots at a time. The pilots met all shipping approaching the Mersey and guided them into and out of the docks, to ensure their safety.
The Edmund Gardner's historic importance has been recognized by the National Historic Ships Committee, which has included the vessel in its National Core Collection of Historic Ships. She has also received the World Ship Trust's award as an outstanding example of ship preservation.
More info at https://www.liverpoolmuseums.org.uk/edmund-gardner/pilot-ship
Royal Albert Dock, 3-4 The Colonnades, Liverpool, Merseyside, England, UK, L3 4AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,H43,blue,box,shelves,shelf,storage,the,gallery,Gloucestershire,England,UK,GL50 3JT,museum,and,collection,collections,area,exhibit,exhibits,Cheltenham Art Gallery and Museum,Edward Wilson,explorer,Antarctic,boxes,boxed,artefacts,storeroom,stores,objects,stored,The Wilson,museums,Clarence Street,Cheltenham Art Gallery
Description: Tony Smith image Alamy 2KEBJ2J - The Wilson, formerly known as Cheltenham Art Gallery and Museum, in Cheltenham, Gloucestershire, was opened in 1899. It offers free admission, and has a programme of special exhibitions. It was renamed The Wilson in honour of polar explorer Edward Wilson, a son of Cheltenham, in 2013 after the building was extended. The gallery and museum is managed by The Cheltenham Trust.
The museum is housed in part of a Regency building on Clarence Street (Cheltenham Library currently occupies much of the original building), designed as the Cheltenham Public Library by architect William Hill Knight, who also designed the Cheltenham Synagogue and Montpellier Walk.
In 2007 a national architectural design competition was launched by RIBA Competitions to extend the building, providing more space for the renowned Arts and Crafts collection. Through this process Berman Guedes Stretton were selected by Cheltenham Borough Council and the extension was completed in 2012.
Baron de Ferrieres, a former Mayor and Liberal MP for Cheltenham, gave 43 important paintings, mostly from Belgium and the Netherlands, to the town. He also donated £1,000 towards the building of a gallery in which to display them. The Museum was opened in 1907 in the adjacent former Schools of Art and Science. A major extension to the building by Hugh Casson was opened by the Princess Royal in September 1989, where the main entrance to the gallery is now situated.
The museum is particularly noted for its Arts and Crafts collection of furniture, textiles, ceramics, carvings, silver and jewellery which is recognised as an outstanding collection of international importance for which the Art Gallery & Museum has received Designated status.
Cheltenham's history is well represented, and in addition there are paintings spanning four centuries, oriental collections of pottery and costume, and archaeological treasures from the neighbouring Cotswolds.
The Edward Wilson gallery shows the life of the Antarctic explorer
Clarence St, Cheltenham,Gloucestershire,England, UK, GL50 3JT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,inside,confined,space,a,canal,boat,English,British,history,heritage,historic,decorations,painted,oil,light,area,Cheshire,England,UK,Victorian,barges,narrowboats,Great Britain,tight,small,cramped,plates,fabric,fabrics,living,home,boats,museum
Description: Tony Smith image Alamy 2K1YKWF -
National Waterways Museum, South Pier Rd, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,at,image,picture,traditionally,decorated,barges,barge,decoration,registered,490,Skinners,OC,red,paint,painted,traditional,history,historic,heritage,castle,castles,museum,art,painting,Canal paintings,panel,Pamela,wood,wooden,frame,roof,top,of,the
Description: Tony Smith image Alamy 2K1YKWR -
National Waterways Museum, South Pier Rd, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,renovation,Liverpool,cargo,ship,wood,boat,now,being,sold,to,used,by,of,Abel,&,sons,1860,barge,river,Mersey,Builder,Speakman,William,Chester,named,called,towed,no engine,heritage,olden days,preserved,renovating,museum,boats,ships,the
Description: Tony Smith image Alamy 2K23M6C - Mossdale was built in 1876 by the Shropshire Union Railway & Canal Company, Chester. She is a Mersey Flat and was towed by horses or tugs. Her hull was carvel construction of oak, elm and pitch pine and she traded between Ellesmere Port and Liverpool. Originally known as RUBY, she was renamed MOSSDALE when bought by Abel & Son of Runcorn in the 1930s. They extensively rebuilt and deepened her to obtain maximum load for minimum displacement. She was found abandoned at Ellesmere Port in 1970 and is now preserved on shore at the Boat Museum, Ellesmere Port.
Mossdale's fabric is representative of a typical wooden Mersey flat, being built of oak frames on pitch pine planking doubled where necessary to achieve her shape. Her large foredeck windlass fitted her to work in the tidal Mersey, with a smaller windlass used when warping her into docks. In 1933, Mossdale underwent a major re-build which included lengthening her to 72 feet. Her increased length represents an important period in her working life, marking the development in trade caused by the industrial revolution and the need for her to carry a greater cargo to pay her way. With no means of propulsion, she would generally have been towed by a horse or tug.
Mossdale was never rigged as a sailing flat, but is a good example of a regional river barge from North-West England. She has a substantial rudder, a typical flat bottom, a round bilge and bluff square bows.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,renovation,Liverpool,cargo,ship,wood,boat,now,being,sold,to,used,by,of,Abel,&,sons,1860,barge,river,Mersey,Builder,Speakman,William,Chester,named,called,towed,no engine,heritage,olden days,preserved,renovating,museum,boats,ships,the
Description: Tony Smith image Alamy 2K23M77 - Mossdale was built in 1876 by the Shropshire Union Railway & Canal Company, Chester. She is a Mersey Flat and was towed by horses or tugs. Her hull was carvel construction of oak, elm and pitch pine and she traded between Ellesmere Port and Liverpool. Originally known as RUBY, she was renamed MOSSDALE when bought by Abel & Son of Runcorn in the 1930s. They extensively rebuilt and deepened her to obtain maximum load for minimum displacement. She was found abandoned at Ellesmere Port in 1970 and is now preserved on shore at the Boat Museum, Ellesmere Port.
Mossdale's fabric is representative of a typical wooden Mersey flat, being built of oak frames on pitch pine planking doubled where necessary to achieve her shape. Her large foredeck windlass fitted her to work in the tidal Mersey, with a smaller windlass used when warping her into docks. In 1933, Mossdale underwent a major re-build which included lengthening her to 72 feet. Her increased length represents an important period in her working life, marking the development in trade caused by the industrial revolution and the need for her to carry a greater cargo to pay her way. With no means of propulsion, she would generally have been towed by a horse or tug.
Mossdale was never rigged as a sailing flat, but is a good example of a regional river barge from North-West England. She has a substantial rudder, a typical flat bottom, a round bilge and bluff square bows.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,art,artist,at,the,National,Museum,welded,never had a horse,statue,sculpture,statues,animal,animals,working,canal horse,canal horses,representation,park,vegetation,garden,gardens,history,historic,feature,working horse,horses
Description: Tony Smith image Alamy 2K307WT -
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,canal,and,exhibit,wheel,wheels,geared,gear,gears,winding,spool,machine,cable,cabled,old,museum,interesting,the,past,pastimes,olden days,heritage,history,historic,mechanical,manual,lift,winch
Description: Tony Smith image Alamy 2K307X2 -
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Cheshire,England,UK,CH65 4FW,CH65,driving,boats,boat,National Waterways Museum,British,English,engineered,working,museum,two stroke,marine,engine,2 stroke,L. Gardner and Sons,L,Gardner and Sons,Lawrence,Barton Hall Engine Works,Patricroft,Manchester,history,historic,green,machine,machines,engines,moving,parts,running,boat engine
Description: Tony Smith image Alamy 2K30831 - L. Gardner and Sons Ltd was a British builder of diesel engines for stationary, marine, road and rail applications. The company was founded in Hulme, Manchester, England in 1868. It started building engines around 1895. The firm ceased engine production in the mid-1990s.
About 1868 Lawrence Gardner set up as a sewing machine maker in Upper Duke Street, Stretford Road, Hulme, Manchester. He died in 1890, but the business was continued by his sons under the name L. Gardner & Sons Ltd.
Gas and diesel engines
From about 1895 the company was building gas engines and, in 1899 it moved into Barton Hall Engine Works, Patricroft, Manchester.
Barton Hall Engine Works, Manchester
In 1903 it became a limited company, L Gardner and Sons Ltd. Norris and Henty Ltd, of London, were appointed as sales agents.
Diesel engine production began in around 1903. In 1912 a new sales subsidiary, Norris, Henty and Gardners Ltd, was formed.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Cheshire,England,UK,CH65 4FW,CH65,driving,boats,boat,National Waterways Museum,British,English,engineered,working,museum,two stroke,marine,engine,2 stroke,L. Gardner and Sons,L,Gardner and Sons,Lawrence,Barton Hall Engine Works,Patricroft,Manchester,history,historic,green,machine,machines,engines,moving,parts,running,boat engine
Description: Tony Smith image Alamy 2K30836 - L. Gardner and Sons Ltd was a British builder of diesel engines for stationary, marine, road and rail applications. The company was founded in Hulme, Manchester, England in 1868. It started building engines around 1895. The firm ceased engine production in the mid-1990s.
About 1868 Lawrence Gardner set up as a sewing machine maker in Upper Duke Street, Stretford Road, Hulme, Manchester. He died in 1890, but the business was continued by his sons under the name L. Gardner & Sons Ltd.
Gas and diesel engines
From about 1895 the company was building gas engines and, in 1899 it moved into Barton Hall Engine Works, Patricroft, Manchester.
Barton Hall Engine Works, Manchester
In 1903 it became a limited company, L Gardner and Sons Ltd. Norris and Henty Ltd, of London, were appointed as sales agents.
Diesel engine production began in around 1903. In 1912 a new sales subsidiary, Norris, Henty and Gardners Ltd, was formed.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,pennylane,trust,Merseyside,L18,Beatles,a,place,to,remember,I Love,Paul,note,scales,places,there,are,Eurovision,2023,Eurovision2023,shops,stores,gift shop,tourists,inside,museum,cards,poster,posters,Wings,solo,members
Description: Tony Smith image Alamy 2K0KPGX - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the Lennon“McCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Penny Lane, Moseley Hill, South Liverpool, Merseyside, England, UK, L18 1DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,pennylane,gift,souvenirs,fab4,fab 4,fab four,shot,Merseyside,L18 1DE,Inside,interior,souvenir,the,store,shops,stores,gift shop,tourists,inside,museum,cards,poster,posters,Wings,solo,members,tour,tours,book,books,shelves
Description: Tony Smith image Alamy 2K0KPHB - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the Lennon“McCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Penny Lane, Moseley Hill, South Liverpool, Merseyside, England, UK, L18 1DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Penny Lane,pennylane,band,albums,Liverpool,John,Paul,Ringo,George,cup,cups,gift,gifts,tourist,Merseyside,L18 1DE,item,in,a,store,as,fan,from,1960,1960s,shops,stores,gift shop,tourists,inside,museum,mug,mugs
Description: Tony Smith image Alamy 2K0KPHJ - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the Lennon“McCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Penny Lane, Moseley Hill, South Liverpool, Merseyside, England, UK, L18 1DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,pennylane,gift,fab four,souvenirs,fab4,fab 4,shot,Merseyside,L18 1DE,Inside,interior,souvenir,the,store,shops,stores,gift shop,tourists,inside,museum,cards,poster,posters,Wings,solo,members,tour,tours,book,books,shelves
Description: Tony Smith image Alamy 2K0KPKW - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the Lennon“McCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Penny Lane, Moseley Hill, South Liverpool, Merseyside, England, UK, L18 1DE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,signalbox,sign,monochrome,historic,north,box,signals,signalling,age,heritage,centre,Crewe Railway Age,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes
Description: Tony Smith image Alamy 2JWGT63 - Crewe Heritage Centre is a railway museum located in Crewe, England. Managed by the Crewe Heritage Trust, the museum is located between the railway station and the town centre
the site was the location of the 'Old Works' which was demolished in the early 1980s.
History
The centre was established in the old London, Midland and Scottish Railway yard, which was once part of Crewe Works, between the junction to Chester and the West Coast Main Line. It was officially opened by Queen Elizabeth II, accompanied by the Duke of Edinburgh, on 24 July 1987. It was renamed in 1992 as Crewe Railway Age by the owning registered charity but, after the management of the centre was taken over by a new group of volunteers, the museum returned to its original name of Crewe Heritage Centre in early 2008.
Exhibits
The centre has a series of exhibits, ranging from the only surviving APT-P train, miniature railways, three open signal boxes (Crewe Station A, Crewe North Junction and Exeter West) and a varied collection of standard gauge steam, diesel and electric locomotives, as well as occasional visiting locomotives. The Main Exhibition Hall features many artefacts and exhibits associated with Crewe, from its locomotive and carriage construction to its famous junction railway station. Brake Van rides are available to the public during special events.
Advanced Passenger Train
APT No.370 003/006 at Crewe Heritage Centre
Built by British Rail (BR) the 1970s and 1980s, this Class 370 Advanced Passenger Train (APT) is the only surviving APT set. Numbered 370 003/006, it is open at all times with an occasional cafe run from the original buffet car (selected days only). The APT-P museum can be found inside one of the carriages, with photographs on display from the APT project
Crewe,Cheshire,England,UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,signalbox,historic,signalling,age,north,sign,monochrome,box,heritage,centre,signals,Crewe Railway Age,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes
Description: Tony Smith image Alamy 2JWGT65 - Crewe Heritage Centre is a railway museum located in Crewe, England. Managed by the Crewe Heritage Trust, the museum is located between the railway station and the town centre
the site was the location of the 'Old Works' which was demolished in the early 1980s.
History
The centre was established in the old London, Midland and Scottish Railway yard, which was once part of Crewe Works, between the junction to Chester and the West Coast Main Line. It was officially opened by Queen Elizabeth II, accompanied by the Duke of Edinburgh, on 24 July 1987. It was renamed in 1992 as Crewe Railway Age by the owning registered charity but, after the management of the centre was taken over by a new group of volunteers, the museum returned to its original name of Crewe Heritage Centre in early 2008.
Exhibits
The centre has a series of exhibits, ranging from the only surviving APT-P train, miniature railways, three open signal boxes (Crewe Station A, Crewe North Junction and Exeter West) and a varied collection of standard gauge steam, diesel and electric locomotives, as well as occasional visiting locomotives. The Main Exhibition Hall features many artefacts and exhibits associated with Crewe, from its locomotive and carriage construction to its famous junction railway station. Brake Van rides are available to the public during special events.
Advanced Passenger Train
APT No.370 003/006 at Crewe Heritage Centre
Built by British Rail (BR) the 1970s and 1980s, this Class 370 Advanced Passenger Train (APT) is the only surviving APT set. Numbered 370 003/006, it is open at all times with an occasional cafe run from the original buffet car (selected days only). The APT-P museum can be found inside one of the carriages, with photographs on display from the APT project
Crewe,Cheshire,England,UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,Black & White,CW1 2DB,1950,sepia,image,of,and,frame,electric,Edwardian,controls,transport,transportation,heritage,technology,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces
Description: Tony Smith image Alamy 2JWGT9G -
Crewe,Cheshire,England,UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,train,trains,CW1 2DB,preserved,renovated,exterior,of,the,reconstructed,to,rails,track,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes,Victorian
Description: Tony Smith image Alamy 2JWGTC1 - Exeter West Signal Box
Exeter West Signal Box was originally built as a temporary structure by the Great Western Railway in 1913 following the enlargement of Exeter St. David's station It was located to the west of the station, controlling the junction for the London & South Western Railway's line to Waterloo and connections to the goods lines avoiding the station, the engine shed and various yards.
The signal box contained a lever frame of 114 levers, but this was replaced in 1959 by an even larger new frame of 131 levers. The box remained in use until 1985, when colour light signalling controlled electrically from a new signal box at Exeter was brought into use. After closure of Exeter West in 1985, the Exeter West Group moved in and dismantled the signal box, marking each of the hundreds of parts for future reference.
At first, all of the parts were moved to Bristol and a start was made on restoring the box to be a feature at Temple Meads station. However, by summer 1988 it was clear that this project had foundered, but a home was offered at the proposed Swindon Heritage Centre. Everything was moved there, and restoration work continued until 1990. However a seemingly indefinite postponement of the heritage project at Swindon made it necessary to seek another site.
Finally a home was found here at Crewe. Having moved all of the many parts, a start was finally made on the complex task of putting the box back together again in May 1991, the structure was complete and weatherproofed by the end of that year, and the Internal rebuilding continued through 1992. The signal box was formally opened to the public on May Day 1993.
Crewe,Cheshire,England,UK, CW1 2DB
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,Exeter,middle Box,middle,box,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes,preserved,moved,removed,reconstructed,GWR,Great Western Railway
Description: Tony Smith image Alamy 2JWGTC7 -
Crewe,Cheshire,England,UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,rail,railway,train,trains,at,a,red,yellow,big,old,inside,interior,heritage,technology,signal boxes,system,systems,control,mechanical,electromechanical,electro,mechanics,infrastructure,preservation,museum,piece,pieces,remember,past,pastimes,hotpix.org.uk
Description: Tony Smith image Alamy 2JWGTD4 -
Crewe,Cheshire,England,UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,station,train,trains,CW1 2DB,BR,British Rail,class37,heritage,railway,age,centre,engine,museum,preserved,preservation,freight,class,37,37s,railtour,systems,locos,locomotive,brand,branding,depot,in,the,DRS,Simplified Compass livery
Description: Tony Smith image Alamy 2JX2TN2 -
Vernon Way, Crewe, Cheshire,England,UK, CW1 2DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,station,train,trains,the,railway,age,museum,heritage,centre,signage,relay,relays,room,signal,signals,points,control,electronics,switching,Vernon way,CW1 2DB,CW1,north,jcn,door,entrance,Westinghouse,All Electric,Style L,lever frame,Crewe Railway Age
Description: Tony Smith image Alamy 2JX2WFD - Crewe Heritage Centre is a railway museum located in Crewe, England. Managed by the Crewe Heritage Trust, the museum is located between the railway station and the town centre
the site was the location of the 'Old Works' which was demolished in the early 1980s.
History
The centre was established in the old London, Midland and Scottish Railway yard, which was once part of Crewe Works, between the junction to Chester and the West Coast Main Line. It was officially opened by Queen Elizabeth II, accompanied by the Duke of Edinburgh, on 24 July 1987. It was renamed in 1992 as Crewe Railway Age by the owning registered charity but, after the management of the centre was taken over by a new group of volunteers, the museum returned to its original name of Crewe Heritage Centre in early 2008.
Exhibits
The centre has a series of exhibits, ranging from the only surviving APT-P train, miniature railways, three open signal boxes (Crewe Station A, Crewe North Junction and Exeter West) and a varied collection of standard gauge steam, diesel and electric locomotives, as well as occasional visiting locomotives. The Main Exhibition Hall features many artefacts and exhibits associated with Crewe, from its locomotive and carriage construction to its famous junction railway station. Brake Van rides are available to the public during special events.
Advanced Passenger Train
APT No.370 003/006 at Crewe Heritage Centre
Built by British Rail (BR) the 1970s and 1980s, this Class 370 Advanced Passenger Train (APT) is the only surviving APT set. Numbered 370 003/006, it is open at all times with an occasional cafe run from the original buffet car (selected days only). The APT-P museum can be found inside one of the carriages, with photographs on display from the APT project
Vernon way, Cheshire, England, UK, CW1 2DB
Description
Keywords: Manchester,city,centre,Greater,England,UK,M4 3BG,August,Deansgate,festival,Urbis,Italian,flag,flags,exhibition,museum,national,soccer,football,Itailian flags,Italian flag,cathedral garden,garden,gardens,venue,busy,crowd,crowds,well,attended,well-attended,well attended,tricolour,tricolor,festivals,events,event,Millennium Quarter
Description: Tony Smith image Alamy 2JTD30T -
Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG
Description
Keywords: Manchester,city,centre,Greater,England,UK,M4 3BG,August,Deansgate,festival,Italian,flag,flags,Millennium Quarter,festivals,well attended,well,attended,busy,venue,cathedral garden,museum,Urbis,exhibition,Itailian flags,Italian flag,garden,gardens,crowd,crowds,well-attended,tricolour,tricolor,event,events,on-stage,on,stage,singing
Description: Tony Smith image Alamy 2JTD30X -
Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,lamp,light,ironwork,iron,work,wrought,historic,history,4,Cheshire,SK10 1AB,religious,narrow,passageway,red,sandstone,Act of Toleration,1689.,exterior,outside,architectural,landmark,landmarks,town,centre,townscape,museum,office,offices,Sunday school,school,schools,ornate
Description: Tony Smith image Alamy 2JP0KAD -
4 King Edward St, Macclesfield, Cheshire, England, UK, SK10 1AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,SK11,Cheshire,dedicated,to,the,building,museums,The,Grade II* Listed,Building,tourist,attraction,blue sky,blue skies,heritage,architectural,bricks,18th,19th,century,landmark,landmarks,town,centre,townscape,museum,office,offices,Sunday school,school,schools
Description: Tony Smith image Alamy 2JP0KCD - Macclesfield Sunday School is in Roe Street, Macclesfield, Cheshire, England. It started in 1796 as a non-denominational Sunday School in Pickford Street, which catered for 40 children. It was founded by John Whitaker whose objective was to lessen the sum of human wretchedness by diffusing religious knowledge and useful learning among the lower classes of society. Though chapels set up their denominational schools, the Sunday School committee in 1812 elected to erect a purpose-built school on Roe Street. The Big Sunday School had 1,127 boys and 1,324 girls on its books when it opened. The building is now known as The Old Sunday School and is part of Macclesfield Museums.
The role of the Sunday Schools changed with the Education Act 1870. In the 1920s, they promoted sports, and it was common for teams to compete in a Sunday School League. They were social centres hosting amateur dramatics and concert parties. By the 1960s the term Sunday School could refer to the building and not to any education classes, and by the 1970s even the largest Sunday School at Stockport had been demolished. The Macclesfield Large Sunday School was rescued and converted into the Macclesfield Heritage Centre.
The Sunday school closed in September 1973. It had stopped keeping registers in 1967 when average attendance was fourteen. Funds were disbursed to various missionary organisations. Though the fabric of the building was deteriorating it was listed as a Grade II* Listed Building because of its historical significance. Stockport Sunday School had already been lost. A new charitable trust, The Macclesfield Sunday School Heritage Trust, was formed and funds were raised and the building restored. Essential work and fitting out the museum cost £500,000. The building is now known as The Old Sunday School and is managed by Macclesfield Museums. It has multiple uses which include a Museum with Victorian School Room
Roe St, Macclesfield , Cheshire, England, UK, SK11 6UT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,SK11,Cheshire,dedicated,to,the,building,museums,The,Grade II* Listed,Building,tourist,attraction,blue sky,blue skies,heritage,architectural,bricks,18th,19th,century,landmark,landmarks,town,centre,townscape,museum,office,offices,Sunday school,school,schools
Description: Tony Smith image Alamy 2JP0KCJ - Macclesfield Sunday School is in Roe Street, Macclesfield, Cheshire, England. It started in 1796 as a non-denominational Sunday School in Pickford Street, which catered for 40 children. It was founded by John Whitaker whose objective was to lessen the sum of human wretchedness by diffusing religious knowledge and useful learning among the lower classes of society. Though chapels set up their denominational schools, the Sunday School committee in 1812 elected to erect a purpose-built school on Roe Street. The Big Sunday School had 1,127 boys and 1,324 girls on its books when it opened. The building is now known as The Old Sunday School and is part of Macclesfield Museums.
The role of the Sunday Schools changed with the Education Act 1870. In the 1920s, they promoted sports, and it was common for teams to compete in a Sunday School League. They were social centres hosting amateur dramatics and concert parties. By the 1960s the term Sunday School could refer to the building and not to any education classes, and by the 1970s even the largest Sunday School at Stockport had been demolished. The Macclesfield Large Sunday School was rescued and converted into the Macclesfield Heritage Centre.
The Sunday school closed in September 1973. It had stopped keeping registers in 1967 when average attendance was fourteen. Funds were disbursed to various missionary organisations. Though the fabric of the building was deteriorating it was listed as a Grade II* Listed Building because of its historical significance. Stockport Sunday School had already been lost. A new charitable trust, The Macclesfield Sunday School Heritage Trust, was formed and funds were raised and the building restored. Essential work and fitting out the museum cost £500,000. The building is now known as The Old Sunday School and is managed by Macclesfield Museums. It has multiple uses which include a Museum with Victorian School Room
Roe St, Macclesfield , Cheshire, England, UK, SK11 6UT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,SK11,Cheshire,dedicated,to,the,building,museums,The,Grade II* Listed,Building,tourist,attraction,blue sky,blue skies,heritage,architectural,bricks,18th,19th,century,landmark,landmarks,town,centre,townscape,museum,office,offices,Sunday school,school,schools
Description: Tony Smith image Alamy 2JP0KCM - Macclesfield Sunday School is in Roe Street, Macclesfield, Cheshire, England. It started in 1796 as a non-denominational Sunday School in Pickford Street, which catered for 40 children. It was founded by John Whitaker whose objective was to lessen the sum of human wretchedness by diffusing religious knowledge and useful learning among the lower classes of society. Though chapels set up their denominational schools, the Sunday School committee in 1812 elected to erect a purpose-built school on Roe Street. The Big Sunday School had 1,127 boys and 1,324 girls on its books when it opened. The building is now known as The Old Sunday School and is part of Macclesfield Museums.
The role of the Sunday Schools changed with the Education Act 1870. In the 1920s, they promoted sports, and it was common for teams to compete in a Sunday School League. They were social centres hosting amateur dramatics and concert parties. By the 1960s the term Sunday School could refer to the building and not to any education classes, and by the 1970s even the largest Sunday School at Stockport had been demolished. The Macclesfield Large Sunday School was rescued and converted into the Macclesfield Heritage Centre.
The Sunday school closed in September 1973. It had stopped keeping registers in 1967 when average attendance was fourteen. Funds were disbursed to various missionary organisations. Though the fabric of the building was deteriorating it was listed as a Grade II* Listed Building because of its historical significance. Stockport Sunday School had already been lost. A new charitable trust, The Macclesfield Sunday School Heritage Trust, was formed and funds were raised and the building restored. Essential work and fitting out the museum cost £500,000. The building is now known as The Old Sunday School and is managed by Macclesfield Museums. It has multiple uses which include a Museum with Victorian School Room
Roe St, Macclesfield , Cheshire, England, UK, SK11 6UT
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,skeleton,scary,with,device,London clink,hanging,hang,above,the,street,as,Clink Prison,Museum,1 Clink Street London,England,UK,SE1 9DG,SE1,capital,punishment,instrument,of,public,execution,British,Gibbeting,Gibbet,hanging in chains,gallows-type,structure,gallows,display,torture,tortured,criminal,criminals,an
Description: Tony Smith image Alamy 2JKB6GW - A gibbet is any instrument of public execution (including guillotine, executioner's block, impalement stake, hanging gallows, or related scaffold). Gibbeting is the use of a gallows-type structure from which the dead or dying bodies of criminals were hanged on public display to deter other existing or potential criminals. Occasionally, the gibbet was also used as a method of execution, with the criminal being left to die of exposure, thirst and/or starvation. The practice of placing a criminal on display within a gibbet is also called hanging in chains
Gibbeting was a common law punishment, which a judge could impose in addition to execution. This practice was regularized in England by the Murder Act 1751, which empowered judges to impose this for murder. It was most often used for traitors, murderers, highwaymen, pirates, and sheep stealers and was intended to discourage others from committing similar offenses.The structures were therefore often placed next to public highways (frequently at crossroads) and waterways.
1 Clink Street London, England, UK, SE1 9DG
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,skeleton,scary,with,device,London clink,hanging,hang,above,the,street,as,Clink Prison,Museum,1 Clink Street London,England,UK,SE1 9DG,SE1,capital,punishment,instrument,of,public,execution,British,Gibbeting,Gibbet,hanging in chains,gallows-type,structure,gallows,display,torture,tortured,criminal,criminals,an
Description: Tony Smith image Alamy 2JKB6H1 - A gibbet is any instrument of public execution (including guillotine, executioner's block, impalement stake, hanging gallows, or related scaffold). Gibbeting is the use of a gallows-type structure from which the dead or dying bodies of criminals were hanged on public display to deter other existing or potential criminals. Occasionally, the gibbet was also used as a method of execution, with the criminal being left to die of exposure, thirst and/or starvation. The practice of placing a criminal on display within a gibbet is also called hanging in chains
Gibbeting was a common law punishment, which a judge could impose in addition to execution. This practice was regularized in England by the Murder Act 1751, which empowered judges to impose this for murder. It was most often used for traitors, murderers, highwaymen, pirates, and sheep stealers and was intended to discourage others from committing similar offenses.The structures were therefore often placed next to public highways (frequently at crossroads) and waterways.
1 Clink Street London, England, UK, SE1 9DG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,Royal Borough,of,Kensington,Chelsea,dry,spirit,victuals,and,lodgings,pub,bar,home,W11,Notting Hill,W11 1LA,The Distillery,Ginstitute,the,186,historic,171,museum,gin,star,Portobello Star,experience,history,brand,branding,London Spirit
Description: Tony Smith image Alamy 2M0KX43 -
186 Portobello Rd, Notting Hill, RBKC, London, England, UK, W11 1LA
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,RAF,Burtonwood,Warrington,Royal Air Force,Royal,Air,Force,heritage,history war WW2,WA5,Old Hall,Cheshire,England,UK,WA5 9YZ,museum,ex-airbase,old,historic,Living History,GI Brides,USA,American Airmen,Base Air Depot,US servicemen,US,servicemen,entrance,service,men,RAF burtonwood,association,6th Aerial Port Sqn,Skyline club,war,BAD1,USAAF
Description: Tony Smith image Alamy 2JDRMGP - Royal Air Force Burtonwood (or RAF Burtonwood) is a former Royal Air Force and United States Army Air Forces base that was located in Burtonwood, 2 miles (3.2 km) Northwest of Warrington in Cheshire, England. The base was opened in 1940 in response to World War II by the RAF and in 1942 it was transferred to the United States of America for war operations. The base was home to 18,000 American servicemen at the end of the war. In 1946 the base was transferred back to the United Kingdom however United States operations continued. The base officially closed in 1991 and since then the runway and most of the associated buildings have been demolished. RAF Burtonwood Heritage Centre was opened on part of the former base
Burtonwood airfield was opened on 1 January 1940 as a servicing and storage centre for modifying British aircraft. It was operated by No. 37 Maintenance Unit RAF until June 1942
The facility was transferred to the United States Army Air Forces in June 1942 to become a servicing centre for the United States Eighth, Ninth, Twelfth and Fifteenth Air Forces aircraft. Burtonwood was also known as Base Air Depot 1 (BAD 1)
When the Cold War ended, Burtonwood Army Depot was declared excess to NATO requirements and was closed in June 1994
In the Heritage centre, planes exhibited are the B-17 Flying Fortress, P-47 Thunderbolt and the B-29 Super Fortress. There is also a selection of Pratt & Whitney Wasp series engines
RAF Burtonwood Heritage Centre, Gulliver's World, Shackleton Cl, Old Hall, Warrington, Cheshire, Eng
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,RAF,Burtonwood,Warrington,Royal Air Force,Royal,Air,Force,heritage,history war WW2,WA5,Old Hall,Cheshire,England,UK,WA5 9YZ,museum,ex-airbase,old,historic,Living History,GI Brides,USA,American Airmen,Base Air Depot,US servicemen,US,servicemen,entrance,service,men,RAF burtonwood,association,6th Aerial Port Sqn,Skyline club,war,BAD1,USAAF
Description: Tony Smith image Alamy 2JDRMYF - Royal Air Force Burtonwood (or RAF Burtonwood) is a former Royal Air Force and United States Army Air Forces base that was located in Burtonwood, 2 miles (3.2 km) Northwest of Warrington in Cheshire, England. The base was opened in 1940 in response to World War II by the RAF and in 1942 it was transferred to the United States of America for war operations. The base was home to 18,000 American servicemen at the end of the war. In 1946 the base was transferred back to the United Kingdom however United States operations continued. The base officially closed in 1991 and since then the runway and most of the associated buildings have been demolished. RAF Burtonwood Heritage Centre was opened on part of the former base
Burtonwood airfield was opened on 1 January 1940 as a servicing and storage centre for modifying British aircraft. It was operated by No. 37 Maintenance Unit RAF until June 1942
The facility was transferred to the United States Army Air Forces in June 1942 to become a servicing centre for the United States Eighth, Ninth, Twelfth and Fifteenth Air Forces aircraft. Burtonwood was also known as Base Air Depot 1 (BAD 1)
When the Cold War ended, Burtonwood Army Depot was declared excess to NATO requirements and was closed in June 1994
In the Heritage centre, planes exhibited are the B-17 Flying Fortress, P-47 Thunderbolt and the B-29 Super Fortress. There is also a selection of Pratt & Whitney Wasp series engines
RAF Burtonwood Heritage Centre, Gulliver's World, Shackleton Cl, Old Hall, Warrington, Cheshire, Eng
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,RAF,Burtonwood,Warrington,Royal Air Force,Royal,Air,Force,heritage,history war WW2,WA5,Old Hall,Cheshire,England,UK,WA5 9YZ,museum,ex-airbase,old,historic,Living History,GI Brides,USA,American Airmen,Base Air Depot,US servicemen,US,servicemen,entrance,service,men,RAF burtonwood,association,6th Aerial Port Sqn,Skyline club,war,BAD1,USAAF
Description: Tony Smith image Alamy 2JDRMYP - Royal Air Force Burtonwood (or RAF Burtonwood) is a former Royal Air Force and United States Army Air Forces base that was located in Burtonwood, 2 miles (3.2 km) Northwest of Warrington in Cheshire, England. The base was opened in 1940 in response to World War II by the RAF and in 1942 it was transferred to the United States of America for war operations. The base was home to 18,000 American servicemen at the end of the war. In 1946 the base was transferred back to the United Kingdom however United States operations continued. The base officially closed in 1991 and since then the runway and most of the associated buildings have been demolished. RAF Burtonwood Heritage Centre was opened on part of the former base
Burtonwood airfield was opened on 1 January 1940 as a servicing and storage centre for modifying British aircraft. It was operated by No. 37 Maintenance Unit RAF until June 1942
The facility was transferred to the United States Army Air Forces in June 1942 to become a servicing centre for the United States Eighth, Ninth, Twelfth and Fifteenth Air Forces aircraft. Burtonwood was also known as Base Air Depot 1 (BAD 1)
When the Cold War ended, Burtonwood Army Depot was declared excess to NATO requirements and was closed in June 1994
In the Heritage centre, planes exhibited are the B-17 Flying Fortress, P-47 Thunderbolt and the B-29 Super Fortress. There is also a selection of Pratt & Whitney Wasp series engines
RAF Burtonwood Heritage Centre, Gulliver's World, Shackleton Cl, Old Hall, Warrington, Cheshire, Eng
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,RAF,Burtonwood,Warrington,Royal Air Force,Royal,Air,Force,heritage,history war WW2,WA5,Old Hall,Cheshire,England,UK,WA5 9YZ,museum,ex-airbase,old,historic,Living History,GI Brides,USA,American Airmen,Base Air Depot,US servicemen,US,servicemen,entrance,service,men,RAF burtonwood,association,6th Aerial Port Sqn,Skyline club,war,BAD1,USAAF
Description: Tony Smith image Alamy 2JDRMYT - Royal Air Force Burtonwood (or RAF Burtonwood) is a former Royal Air Force and United States Army Air Forces base that was located in Burtonwood, 2 miles (3.2 km) Northwest of Warrington in Cheshire, England. The base was opened in 1940 in response to World War II by the RAF and in 1942 it was transferred to the United States of America for war operations. The base was home to 18,000 American servicemen at the end of the war. In 1946 the base was transferred back to the United Kingdom however United States operations continued. The base officially closed in 1991 and since then the runway and most of the associated buildings have been demolished. RAF Burtonwood Heritage Centre was opened on part of the former base
Burtonwood airfield was opened on 1 January 1940 as a servicing and storage centre for modifying British aircraft. It was operated by No. 37 Maintenance Unit RAF until June 1942
The facility was transferred to the United States Army Air Forces in June 1942 to become a servicing centre for the United States Eighth, Ninth, Twelfth and Fifteenth Air Forces aircraft. Burtonwood was also known as Base Air Depot 1 (BAD 1)
When the Cold War ended, Burtonwood Army Depot was declared excess to NATO requirements and was closed in June 1994
In the Heritage centre, planes exhibited are the B-17 Flying Fortress, P-47 Thunderbolt and the B-29 Super Fortress. There is also a selection of Pratt & Whitney Wasp series engines
RAF Burtonwood Heritage Centre, Gulliver's World, Shackleton Cl, Old Hall, Warrington, Cheshire, Eng
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,welsh,Wales,the,museum,of,SW,Division,nationalised,blue,sign,old,NP4,Blaenafon,Torfaen,Pontypool,South Wales,Cymru,UK,NP4 9XP,history,historic,colliery,collieries,Welsh,worn,weatherworn,signage,notice,entrance,entry,Div,coal,board,staff,hotpix.org.uk
Description: Tony Smith image Alamy 2JAGDAY -
Blaenafon, Torfaen, Pontypool, South Wales, Cymru, UK, , NP4 9XP
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,yellow vest,vest,Hidden,London,by The London Transport Museum,on a tour,Piccadilly Circus tube station,West End,member,underground,museum,museums,service,tourist,tourism,attraction,attractions,capital,city,centre,Hidden London,guides,staff,experience,experiences,sights,sightseeing,in,the,tour,tours
Description: Tony Smith image Alamy 2AE02EH -
Piccadilly Circus tube station,West End, London,England,UK
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,sign,invite,invitation,visit,us,our,museum,building,traditional,advert,advertising,ad,come,in,visitor,and,neon,signage,on,a,architecture,red,white,cream,creme,inside,enter,holiday,vacation,website,Metaverse,Dublin
Description: Tony Smith image Alamy 2M84J6P -
Dublin, Eire, Ireland
Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,tourist,tramways,signs,restored,deck,volunteers,Mersey,charity,Merseyside Tramway,river,terminal,nostalgia,waterfront,ferry,Preservation Society,vintage,sign,museum,historic,heritage,tram,transport,destination,preserved,connection,local authority,traction,commuter,collection,reopening,electric tram,historic tram,travel,New Brighton,Seacombe,Warren Drive,green
Description: Tony Smith image Alamy 3E423NX - Wallasey Corporation Tramways No. 78 stands at Woodside in Birkenhead, displaying stock-photo/gotonysmith-Destination.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>destination blinds for Seacombe, Warren Drive and New Brighton on a preserved heritage electric tram. The cream and green double deck tram, with open balcony and period livery, is one of the best-known vehicles associated with the Wirral Transport Museum and Heritage Tramway. The Merseyside Tramway Preservation Society says car 78 was built as late as 1920 by Brush, but in an old-fashioned design with open upper-deck balconies, and that it was the final tram to survive from Wallasey Corporation Tramways after withdrawal in 1933. Visit Wirral lists the Wirral Tramway and Wirral Transport Museum at 1 Taylor Street, Birkenhead, CH41 1BG, where heritage trams operated to Woodside Ferry. The image is commercially useful for stories about preserved trams, electric tramway heritage, Birkenhead transport history, Wirral tourism, museum volunteers, public transport nostalgia, Woodside Ferry and the wider history of urban transit on Merseyside. It can also illustrate the once-important links between ferry terminals, coastal suburbs and local authority tram systems, with New Brighton, Seacombe and Woodside all part of the historic transport geography of the Wirral. The distinctive destination blinds, polished paintwork, open platform and classic Edwardian-style design make the photograph especially strong for transport, heritage and leisure features. It is also useful for coverage of transport museums, family attractions, volunteer restoration work, route branding, destination displays and the visual appeal of traditional tram design. As a documentary stock image, it records a much-loved preserved tram at Woodside, evoking the era when trams carried passengers between Birkenhead, Wallasey and the seaside at New Brighton, and highlighting the role of preservation groups in keeping that history visible.
Wallasey Corporation Tramways No. 78 at Woodside, Birkenhead, showing New Brighton destination blind
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,hat,health,safety,coal,mine,museum,Geoff Short,Agecroft,mines,rescue,teams,professional,and,&,risk,management,safe,team,NUM,Coal Board,National,NCB,colliery,helmet,green,helmets,rescues,health and safety,health & safety,headgear,gear,equipment,pit,pits,coalface
Description: Tony Smith image Alamy 2K3XNE8 -
Astley Green colliery, Leigh, Greater Manchester, Lancashire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Great Britain,Somerset,South West England,South West,museum,Bath Brick,John Sealey,Colthurst and Symons,John Browne,William Maidment,John Board,Barham Brothers,H J and C Major,W Robins,J B Hammill (previously R Ford),brickyard,brickyards,brickyard workers,TA6,Bath Brick Company,South West Heritage Trust,Tile Museum,building materials,history,industrial,maker,making,kiln,industry,historic
Description: Tony Smith image Alamy 2C9E2PW - Despite its name, Bath Brick was a Bridgwater product. Anywhere the British army went, the Bath Brick went likewise. It started in 1820 when it was discovered that using silt from the river bank, bricks could be made which when scraped would produce a gritty substance suitable for scouring metal. It was a predecessor to Vim and Ajax. The river carries a heavy burden of silt. This is deposited on each tide as a layer of slimy yellow matter. Within a mile of either side of the town bridge, the particle size of the grit, and the algae content, is perfect for making the Bath Bricks. Square pens were constructed on the river bank to trap the silt. After two or three months, this would be ˜harvested', ground by a horse-driven mechanism and shaped into bricks for kiln-firing.
The bricks, some two or three inches across, were patented in 1827 by John Browne and became a world-wide commodity. They were given the name of Bath Brick since the colour after firing closely resembled that of Bath stone. At its peak, 24,000,000 bricks per year were being produced by ten different Bridgwater companies, especially during First World War when they were part of the soldier's standard kit issue. By the start of First World War l, they had been replaced by those tall cans of kitchen scourers.
East Quay Bridgwater, Somerset,England, UK, TA6 4DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Great Britain,Somerset,South West England,South West,museum,Bath Brick,John Sealey,Colthurst and Symons,John Browne,William Maidment,John Board,Barham Brothers,H J and C Major,W Robins,J B Hammill (previously R Ford),brickyard,brickyards,brickyard workers,TA6,bricks,maker,making,industry,industrial,kiln,kilns,Victorian,history,heritage,historic,Bath Brick Company,South West Heritage Trust,Tile Museum,building materials
Description: Tony Smith image Alamy 2C9E2WE - Despite its name, Bath Brick was a Bridgwater product. Anywhere the British army went, the Bath Brick went likewise. It started in 1820 when it was discovered that using silt from the river bank, bricks could be made which when scraped would produce a gritty substance suitable for scouring metal. It was a predecessor to Vim and Ajax. The river carries a heavy burden of silt. This is deposited on each tide as a layer of slimy yellow matter. Within a mile of either side of the town bridge, the particle size of the grit, and the algae content, is perfect for making the Bath Bricks. Square pens were constructed on the river bank to trap the silt. After two or three months, this would be ˜harvested', ground by a horse-driven mechanism and shaped into bricks for kiln-firing.
The bricks, some two or three inches across, were patented in 1827 by John Browne and became a world-wide commodity. They were given the name of Bath Brick since the colour after firing closely resembled that of Bath stone. At its peak, 24,000,000 bricks per year were being produced by ten different Bridgwater companies, especially during First World War when they were part of the soldier's standard kit issue. By the start of First World War l, they had been replaced by those tall cans of kitchen scourers.
East Quay Bridgwater, Somerset,England, UK, TA6 4DB
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,German,Rhine,City Centre,city,Gutenberg,Museum,type,typeface,font,effective,mechanical,printing,inventor,Johannes,museum of printing,museum,building,architecture,architectural,House,Gutenberg-Museum,Museum für Buch-,55116,Mainz,Dr Annette Ludwig,printed word,Type founding,typesetting,founding,fonts,printing press,beautiful,replica,modern exhibition building,König von England,hotpix.org.uk
Description: Tony Smith image Alamy RGKET4 - Gutenberg-Museum, Museum für Buch-, Druck- und Schriftgeschichte, Liebfrauenplatz 5,55116,Mainz
The Gutenberg Museum is one of the oldest museums of printing in the world, located opposite the cathedral in the old part of Mainz, Germany. It is named after Johannes Gutenberg, the inventor of printing from movable metal type in Western Europe. The collections include printing equipment and examples of printed materials from many cultures.
A group of people founded the museum in 1900, 500 years after Johannes Gutenberg's birth, to honor the inventor and present his technical and artistic achievements to the public at large. They also aimed to exhibit the writing and printing of as many different cultures as possible.
Publishers, manufacturers of printing machines and printing houses donated books, apparatus and machines, which formed the basis of the collection. In its first few years the museum was part of the city library, meaning that the most beautiful and characteristic volumes from the library's extensive collection could be requisitioned for the museum. Visitors were thus presented with a survey of almost 500 years of the printed book. In time the museum expanded to include sections on printing techniques, book art, job printing and ex-libris, graphics and posters, paper, the history of writing of all cultures of the world and modern artists' books.
Liebfrauenpl. 5, 55116 Mainz, Germany
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,9/11,water,buildings,skyline,building,wideangle,Freedom Tower,new buildings,looking up,museum,New York Skyline,Manhattan Skyline,sky,skyward,WTC,wide,pool,pools,fountains,fountain,feature,cityscape,city scape,names,victims,victim,sunny,rebuilt
Description: Tony Smith image Alamy 2AFK64X - 9/11 memorial's fountains flow
The fountain, where the north tower of the World Trade Center once stood, was undergoing tests of the massive pumping systems that will blast 26,000 gallons a minute over the 30-foot deep black granite walls.
Daniels, who happened upon the test yesterday, said the sight of the water filling the 1-acre pool was awe-inspiring after years of planning and building.
Construction workers from around the site paused to look and listen during the tests as engineers below the memorial plaza monitored and adjusted the 16 pumps that will circulate 480,000 gallons of recycled water.
During the design phase of the memorial, there were concerns that the fountains might be too loud. But Daniels said the sound of the cascading water yesterday created a nice, peaceful background, like the sound of the ocean.
It's perfect. It's not overwhelming at all, Daniels said.
A second fountain over the footprint of the south tower will be ready for testing later this year. A spokesman for the Port Authority, which is overseeing construction of the $500 million memorial, said yesterday's trial run went very well.
The two fountains together make up the nation's largest manmade waterfalls, and are at the heart of the design of the memorial, called Reflecting Absence.
Paula Berry, a 9/11 family member who served on the 13-member jury that picked the memorial design by Michael Arad, was ecstatic about the test run.
The presence of water is incredibly important at the memorial, said Berry. When you think of the memorial's name, Reflecting Absence, you have to have the means to reflect and the water plays that role.
But Berry said the sound of the water rushing over the sides of the fountains could very well be one of the most lasting impressions visitors take away.
Yesterday's tests lasted a few hours, and will be repeated as needed.
Construction of the memorial remains on schedule for its planned opening next Sept. 11 ” the 10th anniversary
One World Trade Center, Manhattan, New York City, NY, USA, North America
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,9/11,water,buildings,skyline,building,wideangle,Freedom Tower,new buildings,looking up,museum,New York Skyline,Manhattan Skyline,sky,skyward,WTC,wide,memory,memorial,09/11,reflection,ground zero,American,names,name,inscribed
Description: Tony Smith image Alamy 2AFK655 - 9/11 memorial's fountains flow
The fountain, where the north tower of the World Trade Center once stood, was undergoing tests of the massive pumping systems that will blast 26,000 gallons a minute over the 30-foot deep black granite walls.
Daniels, who happened upon the test yesterday, said the sight of the water filling the 1-acre pool was awe-inspiring after years of planning and building.
Construction workers from around the site paused to look and listen during the tests as engineers below the memorial plaza monitored and adjusted the 16 pumps that will circulate 480,000 gallons of recycled water.
During the design phase of the memorial, there were concerns that the fountains might be too loud. But Daniels said the sound of the cascading water yesterday created a nice, peaceful background, like the sound of the ocean.
It's perfect. It's not overwhelming at all, Daniels said.
A second fountain over the footprint of the south tower will be ready for testing later this year. A spokesman for the Port Authority, which is overseeing construction of the $500 million memorial, said yesterday's trial run went very well.
The two fountains together make up the nation's largest manmade waterfalls, and are at the heart of the design of the memorial, called Reflecting Absence.
Paula Berry, a 9/11 family member who served on the 13-member jury that picked the memorial design by Michael Arad, was ecstatic about the test run.
The presence of water is incredibly important at the memorial, said Berry. When you think of the memorial's name, Reflecting Absence, you have to have the means to reflect and the water plays that role.
But Berry said the sound of the water rushing over the sides of the fountains could very well be one of the most lasting impressions visitors take away.
Yesterday's tests lasted a few hours, and will be repeated as needed.
Construction of the memorial remains on schedule for its planned opening next Sept. 11 ” the 10th anniversary
One World Trade Center, Manhattan, New York City, NY, USA, North America
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,09/11,terrorist attack,Memorial,September11,No Day Shall Erase You,From The memory Of Time,The memory Of Time,icon,iconic,history,historic,center,centre,downtown,uptown,national,September 11,memorial,museum,inside,interior,exhibit,exhibits,Virgil,quote
Description: Tony Smith image Alamy 2AFK6B6 -
One World Trade Center, Manhattan, New York City, NY, USA, North America
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,09/11,terrorist attack,Memorial,September11,Ground Zero,original,concrete,original concrete,icon,iconic,history,historic,center,centre,downtown,uptown,national,September 11,memorial,museum,inside,interior,exhibit,exhibits,lower Manhattan
Description: Tony Smith image Alamy 2AFK6BC -
One World Trade Center, Manhattan, New York City, NY, USA, North America
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,Manhattan,USA,city,city centre,US,flag,09/11,Memorial,terrorist attack,the Lower Manhattan Development Corporation launched the World Trade,outside,exterior,entrance,New York,September11,national,September 11,memorial,museum,inside,interior,exhibit,exhibits,US flag,entry,lower Manhattan,glass,window,windows,patriotic,remembrance,anniversary,Sep 11th,9/11
Description: Tony Smith image Alamy 2AFK6BN - Formerly the World Trade Center Memorial Foundation, the National September 11 Memorial & Museum was formed as a 501(c)(3) non-profit corporation to raise funds and manage the memorial's planning and construction. Its board of directors met for the first time on January 4, 2005, and it reached its first-phase capital-fundraising goal ($350 million) in April 2008. This money and additional funds raised will be used to build the memorial and museum and endow the museum.
In 2003, the Lower Manhattan Development Corporation launched the World Trade Center Site Memorial Competition, an international competition to design a memorial at the World Trade Center site to commemorate the lives lost on 9/11. Individuals and teams from around the world submitted design proposals. On November 19, 2003, the thirteen-member jury selected eight finalists. Reflecting Absence, designed by Michael Arad and Peter Walker, was chosen as the winning design on January 6, 2004. It consists of a field of trees interrupted by two large, recessed pools, the footprints of the Twin Towers. The deciduous trees (swamp white oaks) are arranged in rows and form informal clusters, clearings and groves. The park is at street level, above the Memorial Museum. The names of the victims of the attacks (including those from the Pentagon, American Airlines Flight 77, United Airlines Flight 93, and the 1993 World Trade Center bombing) are inscribed on the parapets surrounding the waterfalls in an arrangement of meaningful adjacencies. A portion of the slurry wall originally designed to hold back the Hudson River, about half of what Daniel Libeskind originally wanted to preserve, is maintained in the museum. On January 14, 2004, the final design for the World Trade Center site memorial was unveiled at a press conference in Federal Hall National Memorial
One World Trade Center, Manhattan, New York City, NY, USA, North America
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,Manhattan,USA,city,city centre,US,building,buildings,new buildings,wide,wideangle,Freedom Tower,WTC,looking up,sky,skyward,museum,transportation hub,New York Skyline,Manhattan Skyline,skyline,9/11,World Trade Center Place,sunny,summer,blue sky,blue skies,mirrors,mirror,glass,curves,rebuilt,clouds
Description: Tony Smith image Alamy 2AFK6H3 - The World Trade Center is a mostly completed complex of buildings in Lower Manhattan, New York City, U.S., replacing the original seven buildings on the same site that were destroyed in the September 11 attacks. The site is being rebuilt with up to six new skyscrapers, four of which have been completed
a memorial and museum to those killed in the attacks
the elevated Liberty Park adjacent to the site, containing the St. Nicholas Greek Orthodox Church and Vehicular Security Center
and a transportation hub. The 104-story One World Trade Center, the tallest building in the Western Hemisphere is the lead building for the new complex.
The buildings are among many created by the World Trade Centers Association. The original World Trade Center featured the landmark Twin Towers, which opened in 1973, and were the tallest buildings in the world at the time of their completion. They were destroyed on the morning of September 11, 2001, when al-Qaeda-affiliated hijackers flew two Boeing 767 jets into the complex in a coordinated act of terrorism. The attacks on the World Trade Center killed 2,753 people.
One World Trade Center, Manhattan, New York City, NY, USA, North America
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,Manhattan,USA,city,city centre,US,building,buildings,new buildings,wide,wideangle,Freedom Tower,WTC,looking up,sky,skyward,museum,transportation hub,New York Skyline,Manhattan Skyline,skyline,9/11,World Trade Center Place,sunny,summer,blue sky,blue skies,mirrors,mirror,glass,curves,rebuilt,clouds
Description: Tony Smith image Alamy 2AFK6H9 - The World Trade Center is a mostly completed complex of buildings in Lower Manhattan, New York City, U.S., replacing the original seven buildings on the same site that were destroyed in the September 11 attacks. The site is being rebuilt with up to six new skyscrapers, four of which have been completed
a memorial and museum to those killed in the attacks
the elevated Liberty Park adjacent to the site, containing the St. Nicholas Greek Orthodox Church and Vehicular Security Center
and a transportation hub. The 104-story One World Trade Center, the tallest building in the Western Hemisphere is the lead building for the new complex.
The buildings are among many created by the World Trade Centers Association. The original World Trade Center featured the landmark Twin Towers, which opened in 1973, and were the tallest buildings in the world at the time of their completion. They were destroyed on the morning of September 11, 2001, when al-Qaeda-affiliated hijackers flew two Boeing 767 jets into the complex in a coordinated act of terrorism. The attacks on the World Trade Center killed 2,753 people.
One World Trade Center, Manhattan, New York City, NY, USA, North America
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,Manhattan,USA,city,city centre,US,building,buildings,new buildings,wide,wideangle,Freedom Tower,WTC,looking up,sky,skyward,museum,transportation hub,New York Skyline,Manhattan Skyline,9/11,water,skyline,World Trade Center Place,sunny,summer,blue sky,blue skies,mirrors,mirror,glass,curves
Description: Tony Smith image Alamy 2AFK6HB - The World Trade Center is a mostly completed complex of buildings in Lower Manhattan, New York City, U.S., replacing the original seven buildings on the same site that were destroyed in the September 11 attacks. The site is being rebuilt with up to six new skyscrapers, four of which have been completed
a memorial and museum to those killed in the attacks
the elevated Liberty Park adjacent to the site, containing the St. Nicholas Greek Orthodox Church and Vehicular Security Center
and a transportation hub. The 104-story One World Trade Center, the tallest building in the Western Hemisphere is the lead building for the new complex.
The buildings are among many created by the World Trade Centers Association. The original World Trade Center featured the landmark Twin Towers, which opened in 1973, and were the tallest buildings in the world at the time of their completion. They were destroyed on the morning of September 11, 2001, when al-Qaeda-affiliated hijackers flew two Boeing 767 jets into the complex in a coordinated act of terrorism. The attacks on the World Trade Center killed 2,753 people.
One World Trade Center, Manhattan, New York City, NY, USA, North America
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,WC,New York City,United States,with office blocks in background,World Trade Center Place,New York state,square,Manhattan Skyline,skyline,9/11,New York Skyline,museum,skyward,sky,transportation hub,looking up,WTC,Freedom Tower,new buildings,wide,wideangle,sunny,summer,blue sky,blue skies
Description: Tony Smith image Alamy 2AFK6HE -
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,WC,New York City,United States,with office blocks in background,World Trade Center Place,New York state,square,Manhattan Skyline,skyline,9/11,New York Skyline,museum,skyward,sky,transportation hub,looking up,WTC,Freedom Tower,new buildings,wide,wideangle,sunny,summer,blue sky,blue skies,mirrors,mirror,glass,curves
Description: Tony Smith image Alamy 2AFK6J2 -
Description
Keywords: @Hotpixuk,Bridgewater,Quey,quay,Quayside,river,Quay side,town,Bridgwater Town,SDC,Sedgemoor District Council,UK,GB,dusk,evening,wide shot,eastquay,historic,Somerset Levels,levels,River,Parrett,port,in-land,William Blake,Blake Museum,Museum,tourist,attraction,bridge,arts,centre,town centre,Port of Bridgwater,Bridgwater in the evening,river pilot,Pilotage,North Somerset,West Somerset,GoTonySmith
Description: Tony Smith image Alamy PG69H6 - Bridgwater is a large historic market town and civil parish in Somerset, England. Its population currently stands at around 35,886 as of 2011. Bridgwater is at the edge of the Somerset Levels, in level and well-wooded country. The town lies along both sides of the River Parrett, and has been a major in-land port and trading centre since the industrial revolution. Most of its industrial bases still stand today. Its larger neighbour Taunton, is linked to Bridgwater via a canal, the M5 motorway and the GWR railway line.
Historically, the town had a politically radical tendency. The Battle of Sedgemoor, where the Monmouth Rebellion was finally crushed in 1685, was fought nearby. Notable buildings include the Church of St Mary and the house in Blake Street, largely restored, which was the birthplace of Admiral Blake in 1598, and is now the Blake Museum. The town has an arts centre and plays host to the annual Bridgwater Guy Fawkes Carnival.
2 E Quay, Bridgwater TA6 5AY, UK
Description
Keywords: GoTonySmith,@HotpixUK,Tram,ticket,ticketsTram tickets,being punched,Merseyside,North West England,UK,hands,clip,clipping,clipping ticket,clipping tickets,orange ticket,Green ticket,Cream ticket,Creme Ticket,Liverpool,region,Adult,Concession,tramway,museum,historic,history,Mersey,drivers cab,conductor,trams,transport,transportation,Liverpool Region,Heritage Tramway,heritage,vintage vehicle,vintage,vehicle
Description: Tony Smith image Alamy PCTA6B - Wirral Transport Museum & Heritage Tramway has been preserving Merseysides transport past since the opening of the tramway in 1994 - you can see at our museum our full collection of fully restored working heritage trams - restored vintage buses, classic cars, vintage motorcycles, a huge working model railway and lots lots more
Birkenhead, England
Description
Keywords: GoTonySmith,@HotpixUK,Tram,ticket,ticketsTram tickets,being punched,Merseyside,North West England,UK,hands,clip,clipping,clipping ticket,clipping tickets,orange ticket,Green ticket,Cream ticket,Creme Ticket,Liverpool,region,Adult,Concession,tramway,museum,historic,history,Mersey,drivers cab,conductor,trams,transport,transportation,Liverpool Region,Heritage Tramway,heritage,vintage vehicle,vintage,vehicle,Selective colour,monochrome
Description: Tony Smith image Alamy PCTA6C - Wirral Transport Museum & Heritage Tramway has been preserving Merseysides transport past since the opening of the tramway in 1994 - you can see at our museum our full collection of fully restored working heritage trams - restored vintage buses, classic cars, vintage motorcycles, a huge working model railway and lots lots more
Birkenhead, England
Description
Keywords: GoTonySmith,@HotpixUK,Tram,ticket,ticketsTram tickets,being punched,Merseyside,North West England,UK,hands,clip,clipping,clipping ticket,clipping tickets,orange ticket,Green ticket,Cream ticket,Creme Ticket,Liverpool,region,Adult,Concession,tramway,museum,historic,history,Mersey,drivers cab,conductor,trams,transport,transportation,Liverpool Region,Heritage Tramway,heritage,vintage vehicle,vintage,vehicle,CH41
Description: Tony Smith image Alamy PCTA6D - Wirral Transport Museum & Heritage Tramway has been preserving Merseysides transport past since the opening of the tramway in 1994 - you can see at our museum our full collection of fully restored working heritage trams - restored vintage buses, classic cars, vintage motorcycles, a huge working model railway and lots lots more
Birkenhead, England
Description
Keywords: GoTonySmith,@HotpixUK,brown,Consolidated Micrographics,Microfiche Reader,creme,archive,information,records,data,data archive,1980s,1990s,historic,Microfilm,Microfiche,Microfilm reader,English,England,UK,film,reading,reads,old,images,library,museum,archiving,visual,microfilm,reels,reel,microfiche,flat,sheets,sheet,technology,obsolete,media
Description: Tony Smith image Alamy P9FFMA - A microfilm reader is a device used in projecting and magnifying images stored in microform to readable proportions. Microform includes flat film, microfilm, aperture cards, microfiche, and ultra fiche. Using open reels or cassettes, microfilm is often used as a way to store many documents in a small space. It has become increasingly prevalent in the development of films, as well as storage of archived newspapers. With the invention of microfilm, microfilm readers soon developed. With the increasing popularity of computers, microform has decreased in use. However, many library archives still remain in microform.
England
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,City,Brighton and Hove City Council,city,city centre,shore,arches and coffee shop,West Sussex,Brighton City,City Centre,South East,red,brick,red brick,Kings Road Arches Brighton,Kings Road Arches,English Seaside,British seaside,seaside,coast,coastal,shop,store,shack,Sussex,arch,museum,cafe,café,Kings Road Arches Brighton,East Sussex,BN1 1NB,BN1
Description: Tony Smith image Alamy RM1TFE -
Kings Road Arches Brighton, East Sussex, England, UK, BN1 1NB
Description
Keywords: Pano,panorama,Alba,Scotland,Scottish,UK,office,offices,council,center,night,dawn,Headquarters,entrance,tower,towers,AB10,Architect,Architecture,Archibald,Simpson,Alexander,Marshall,Mackenzie,building,Marischal College,Aberdeen City Council,City Council,AB10 1AB,University of Aberdeen,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,stone,British,granite,Aberdeen,University,office,space,academic,school,learn,learning,education,renovation,museum,Mitchell,Hall,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Aberdeen University,Office Space,Mitchell Hall
Description: Tony Smith image Alamy GMABPT - Marischal College is a large granite building on Broad Street in the centre of Aberdeen in north-east Scotland, and since 2011 has acted as the headquarters of Aberdeen City Council. However, the building was constructed for and is on long-term lease from the University of Aberdeen, which still uses parts of the building to house a museum and for ceremonial events.
Today, it provides corporate office space and public access to council services, adjacent to the Town House, the city's historic seat of local government. Many Aberdonians consider Marischal College to be an icon of the Granite City and to symbolise the zenith of Aberdeen's granite-working industry.
Broad St, Aberdeen AB10 1AB
Description
Keywords: Railway,station,West,Riding,Pub,bar,public House,town,town map,West Yorkshire,England,UK,Yorks,Yorkshire,guide,tourist,rail,transpennine,trans,pennine,ale,trail,famous,townhall,hall,mapping,geography,market,museum,minster,Metropolitan Borough,GoTonySmith,Market,Dewsbury Market,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY5KCW - Dewsbury is a minster town in the Metropolitan Borough of Kirklees, in West Yorkshire, England. It is to the west of Wakefield, east of Huddersfield and south of Leeds. It lies by the River Calder and an arm of the Calder and Hebble Navigation.
Historically a part of the West Riding of Yorkshire, after undergoing a period of major growth in the 19th century as a mill town, Dewsbury went through a period of decline. More recently there has been redevelopment of derelict mills into flats, and regenerating of city areas.
According to the 2011 census the Dewsbury urban sub-area had a population of 62,945. Dewsbury is the largest town in the Heavy Woollen District, a conurbation of small mill towns.
Dewsbury, West Yorkshire, England, UK
Description
Keywords: panorama,Liverpool,Merseyside,England,UK,L3,4AA,L34AA,wide,angle,wide,shot,wideangle,reflect,reflections,reflected,in,the,water,dock,side,dockside,blue,hour,bluehour,city,beatle,beatles,World,Heritage,Maritime,Mercantile,UNESCO,redevelopment,tate,art,gallery,museum,warehouse,system,docking,gotonysmith tourist attraction tourists attractions,scouse,scouser,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXGCM - The Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world.
At the time of its construction the Albert Dock was considered a revolutionary docking system because ships were loaded and unloaded directly from/to the warehouses. Two years after it opened it was modified to feature the world's first hydraulic cranes. Due to its open yet secure design, the Albert Dock became a popular store for valuable cargoes such as brandy, cotton, tea, silk, tobacco, ivory and sugar. However, despite the Albert Dock's advanced design, the rapid development of shipping technology meant that within 50 years, larger, more open docks were required, although it remained a valuable store for cargo.
During the Second World War, the Albert Dock was requisitioned by the Admiralty serving as a base for boats of the British Atlantic Fleet. The complex was damaged during air raids on Liverpool, notably during the May Blitz of 1941. In the aftermath of the war, the financial problems of the owners and the general decline of docking in the city meant that the future of the Albert Dock was uncertain. Numerous plans were developed for the re-use of the buildings but none came to fruition and in 1972 the dock was finally closed. Having lain derelict for nearly ten years, the redevelopment of the dock began in 1981, when the Merseyside Development Corporation was set up, with the Albert Dock being officially re-opened in 1984.
Today the Albert Dock is a major tourist attraction in the city and the most visited multi-use attraction in the United Kingdom, outside of London. It is a vital component of Liverpool's UNESCO designated World Heritage Maritime Mercantile City and the docking complex.
Albert Dock, Liverpool docks Merseyside England UK L3 4AA
Description
Keywords: L3,4AA,L34AA,England,quay,ship,museum,shop,shops,tourist,area,attraction,beatles,beatle,beatlecity,city,history,historic,grade,II,water,front,buildings,architecture,blue,hour,complex,warehouse,sugar,tate,gallery,sign,blue,tower,radio,city,gotonysmith,royal,Merseyside,tourism
Description: Tony Smith image Alamy DDXKRA - The Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world.
At the time of its construction the Albert Dock was considered a revolutionary docking system because ships were loaded and unloaded directly from/to the warehouses. Two years after it opened it was modified to feature the world's first hydraulic cranes. Due to its open yet secure design, the Albert Dock became a popular store for valuable cargoes such as brandy, cotton, tea, silk, tobacco, ivory and sugar. However, despite the Albert Dock's advanced design, the rapid development of shipping technology meant that within 50 years, larger, more open docks were required, although it remained a valuable store for cargo.
During the Second World War, the Albert Dock was requisitioned by the Admiralty serving as a base for boats of the British Atlantic Fleet. The complex was damaged during air raids on Liverpool, notably during the May Blitz of 1941. In the aftermath of the war, the financial problems of the owners and the general decline of docking in the city meant that the future of the Albert Dock was uncertain. Numerous plans were developed for the re-use of the buildings but none came to fruition and in 1972 the dock was finally closed. Having lain derelict for nearly ten years, the redevelopment of the dock began in 1981, when the Merseyside Development Corporation was set up, with the Albert Dock being officially re-opened in 1984.
Today the Albert Dock is a major tourist attraction in the city and the most visited multi-use attraction in the United Kingdom, outside of London. It is a vital component of Liverpool's UNESCO designated World Heritage Maritime Mercantile City and the docking complex and warehouses also com
Albert Dock Liverpool , Merseyside , England , UK L3 4AA
Description
Keywords: night,time,blue,hour,bluehour,England,UK,GB,River,three,graces,reflection,reflections,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,wide,shot,museum,Beatle,Beatles,gotonysmith,Maritime,Mercantile,City,UNESCO,World,Heritage,city,Great,Britain,british,English,icons,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXM1C - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Pier Head, Liverpool, England, UK L3 1DL
Description
Keywords: night,shot,nightshot,nighttime,evening,architecture,canal,dusk,head,link,lit,Liverpool,museum,night,pier,reflected,reflection,uk,up,waterfront,city,centre,Museum,of,lighted,open,scouser,design,designed,Mann,Island,3XN,Lit up,GoTonySmith,@HotpixUK,museums,Buro,Happold,England,UK,GB,Great,Britain,Buy Pictures of,Buy Images Of,Images of Liverpool,Stock Images,National Museums,National Museums Liverpool,Museum of Liverpool Life,Buro Happold,Great Britain
Description: Tony Smith image Alamy DDXPME - The Museum of Liverpool in Liverpool, England, is the newest addition to the National Museums Liverpool group having opened in 2011 replacing the former Museum of Liverpool Life. National Museums Liverpool intention is for the new venue to tell the story of Liverpool and its people, and reflect the city's global significance. The museum is housed in a new purpose-built building on the Mann Island site at the Pier Head.
The museum, designed by architects 3XN and engineers Buro Happold, was expected to cost £72 million and provide 8,000 square metres of exhibition space, housing more than 6,000 objects. There are also plans to have flexible spaces that regularly change to enable National Museums Liverpool to show more of their collections
Mann Island, Pier Head,Liverpool,Merseyside,England,UK
Description
Keywords: Religious,symbol,in,museum,religion,seat,seated,capital,bronze,metal,material,design,room,large,auditorium,Religious Symbol,Religion Symbol,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,National,of,Scotland,statue,foreground,I cant believe,its not,Buddha,Buda,icon,symbolism
Description: Tony Smith image Alamy DDXH14 -
Chambers St, Edinburgh, Scotland, UK
Description
Keywords: UK,GB,great,Britain,grass,hillock,grassed,lawn,oldtown,wide,angle,shot,museum,on,the,artificial,drained,Nor,Loch,which,forms,todays,Princes,Street,Gardens,construction,of,the,Earthen,summer,2013,sunny,National,Gallery,of,the,Royal,Scottish,Academy,spires,gotonysmith,New,College,General,Assembly,Hall,of,the,Church,of,Churchofscotland,iconic,Scottish,independence,independent,indapendance,cloudy,sky,skies,dark,contrast,contrasty,oldtown,Tour,tourist,tourism,tourist,attraction,Capital,City,Scots,Scottish,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,old town
Description: Tony Smith image Alamy DDXJ8H - The Mound is an artificial hill in central Edinburgh, Scotland, which connects Edinburgh's New Town and Old Town. It was formed by dumping around 1,501,000 cartloads of earth excavated from the foundations of the New Town into the drained Nor Loch which forms today's Princes Street Gardens.
The construction of the Earthen Mound, as it was originally called, was begun in 1781 and it was extended over the years until by 1830 it was macadamised and landscaped so that it appeared more or less complete. When the Edinburgh and Glasgow Railway was extended to Waverley in 1846, tunnels were driven under The Mound to allow access to the west. The Bank of Scotland headquarters on the Mound
Some of Edinburgh's most notable buildings and institutions have their premises on The Mound, including the National Gallery of Scotland, the Royal Scottish Academy, the spires of New College, the General Assembly Hall of the Church of Scotland, the elegant domed Headquarters of the Bank of Scotland, and its museum, Museum on the Mound.
Today The Mound is a busy, if fairly steep, thoroughfare taking traffic to and from Princes Street and the Royal Mile in the Old Town. Due to its raised elevation, the Mound commands expansive views over Princes Street and the New Town of Edinburgh and towards Calton Hill.
The Mound, Old Town, Edinburgh, Lothian, Scotland, UK
Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,pubs,1820,cask,marque,boards,outside,blackboards,with,menu,menus,speccials,food,entertainment,Canongate,Tolbooth,is,a,historic,landmark,of,the,Old,Town,section,of,Edinburgh,Scotland,U.K.,built,in,1591,as,a,courthouse,burgh,Canongate,high,st,Gotonysmith,Council,Chamber,Police,Court,and,Prison,In,1875,the,City,Architect,Robert,Morham,completely,restored,and,remodelled,the,exterior,giving,it,back,its,medieval,look,(based,on,Gordon,of,Rothiemays,map,of,1647,This,work,included,remodelling,the,interior,to,create,museum,spaces,Rothiemays,street,cannongate,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History
Description: Tony Smith image Alamy DED3NW - Canongate Tolbooth is a historic landmark of the Old Town section of Edinburgh, Scotland (U.K.) built in 1591 as a tolbooth, that is, a courthouse, burgh jail and meeting place, for the, then, separate burgh of the Canongate. The building is now occupied by The People's Story Museum and is protected as a category A listed building
In 1875 the City Architect, Robert Morham completely restored and remodeled the exterior giving it back its medieval look (based on Gordon of Rothiemay's map of 1647). This work included remodeling the interior to create museum spaces.
Edinburgh Old Town, Lothian, Scotland EH1
Description
Keywords: Manor,NT,national,trust,nationaltrust,hall,collection,museum,dutch,latin,inscription,two,lovers,in,ribbon,Rothschild,collection,embracing,couple,old,dish,Deruta,1535,6767,Amor,Vincit,Omnia,suficit,gotonysmith,Buy Pictures of,Buy Images Of,having,lust,loving,looks,look,of,love,the
Description: Tony Smith image Alamy DCYX3M - Two lovers eye each other on a dutch plate inscribed Love Conquers All from Waddesdon Manor , Aylesbury, Buckinghamshire UK
Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK HP18 0JH
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South West England,SN15 2LG,stone slated roof,twisted chimney stacks,Grade I,listed,outside,exterior,history,Fox Talbot Museum,Fox Talbot,Museum,tourist,tourism,attraction
Description: Tony Smith image Alamy DDD749 - Lacock Abbey in the village of Lacock, Wiltshire, England, was founded in the early 13th century by Ela, Countess of Salisbury, as a nunnery of the Augustinian order. The abbey remained a nunnery until the suppression of Roman Catholic institutions in England in the 16th century
it was then sold to Sir William Sharington who converted the convent into a residence where he and his family lived. It was fortified and remained loyal to the crown during the English Civil War, but surrendered to the Parliamentary forces once Devizes had fallen in 1645.
The house was built over the old cloisters and its main rooms are on the first floor. It is a stone house with stone slated roofs, twisted chimney stacks and mullioned windows. Throughout the life of the building, many architectural alterations, additions, and renovations have occurred so that the house is a mish-mash of different periods and styles. The Tudor stable courtyard to the north of the house has retained many of its original features including the brewhouse and bakehouse.
The house later passed into the hands of the Talbot family, and during the 19th century was the residence of William Henry Fox Talbot. In 1835 he made what may be the earliest surviving photographic camera negative, an image of one of the windows.
The house and the surrounding village of Lacock were given to the National Trust in 1944. The abbey houses the Fox Talbot Museum, devoted to the pioneering work of William Talbot in the field of photography. The Trust markets the abbey and village together as Lacock Abbey, Fox Talbot Museum & Village. The abbey is a Grade I listed building, having been so designated on 20 December 1960.
Lacock, Chippenham, Wiltshire, SN15 2LG
Description
Keywords: Stoke-on-Trent Staffordshire Potteries,English Midlands,England,GB,stoke,on,trent,StokeOnTrent,last,remaining,building,buildings,museum,famous,pottery,outside,exterior,historic,working,medium,sized,vase,Frederick,Alfred,Rhead,Flushed,with,Pride,Victorian,history,historic,Gladston,gotonysmith,size,ERIH,The,European,Route,of,Industrial,Heritage,Most,Haunted,Buy,Pictures,of,Buy,Images,Of,.,Known,as,a,site,of,paranormal,activity,backstamp,Uttoxeter,Road,ST3,1PQ,ST31PQ,01782-237777,01782237777,,,
Description: Tony Smith image Alamy DBHR9D - Exterior of the Gladstone Pottery Museum is a working museum of a medium sized pottery, typical of those once common in the North Staffordshire area of England from the time of the industrial revolution in the 18th century to the mid 20th century.
It is located in Longton, Staffordshire. It is an Anchor Point of ERIH, The European Route of Industrial Heritage.
Uttoxeter Road, Longton, Stoke-On-Trent, Staffordshire, Uk ST3 1PQ
Description
Keywords: Stoke-on-Trent Staffordshire Potteries,English Midlands,England,GB,stoke,on,trent,StokeOnTrent,last,remaining,building,buildings,museum,famous,pottery,outside,exterior,historic,working,medium,sized,vase,Frederick,Alfred,Rhead,Flushed,with,Pride,Victorian,history,historic,Gladston,monochrome,1970,gotonysmith,size,ERIH,The,European,Route,of,Industrial,Heritage,Most,Haunted,Buy,Pictures,of,Buy,Images,Of,.,Known,as,a,site,of,paranormal,activity,backstamp,Uttoxeter,Road,ST3,1PQ,ST31PQ,01782-237777,01782237777,,,
Description: Tony Smith image Alamy DBHR9R - Exterior of the Gladstone Pottery Museum is a working museum of a medium sized pottery, typical of those once common in the North Staffordshire area of England from the time of the industrial revolution in the 18th century to the mid 20th century.
It is located in Longton, Staffordshire. It is an Anchor Point of ERIH, The European Route of Industrial Heritage.
Uttoxeter Road, Longton, Stoke-On-Trent, Staffordshire, Uk ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,chalk,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRAG - National Society of Pottery Workers notice board from Longton Stoke-On-Trent Great Britain at the Gladstone Pottery Museum
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,jolleying,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,joyering,Jolley,Jiggering,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRB5 - Jiggering and jolleying: These operations are carried out on the potter's wheel and allow the time taken to bring wares to a standardized form to be reduced. Jiggering is the operation of bringing a shaped tool into contact with the plastic clay of a piece under construction, the piece itself being set on a rotating plaster mould on the wheel.
The jigger tool shapes one face while the mould shapes the other. Jiggering is used only in the production of flat wares, such as plates, but a similar operation, jolleying, is used in the production of hollow-wares such as cups.
Jiggering and jolleying have been used in the production of pottery since at least the 18th century. In large-scale factory production, jiggering and jolleying are usually automated, which allows the operations to be carried out by semi-skilled labour.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,bathroom,showrom,made,making,ceramics,fashion,gaffes,gaffe,fail,failure,showroom,green,dark,mistake,mistakes,gold,taps,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRC3 - Fashion gaffe's, the late 1970's avocado bath with gold taps
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,unit,old,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRD8 - Thomas Crapper Sink detail from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRHW - Detail of pottery mosaic from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,factory,Great,Britain,showing,heritage,at,the,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,gladston,bottles,shelves,shelf,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRN5 - Interior view of the historic colour room at Gladstone Pottery Museum in Longton, Stoke-on-Trent, Staffordshire, showing shelves filled with old labelled jars and containers used for ceramic colours, stains, pigments and glaze materials. The black, grey, cream and brown storage pots, worn paper labels and utilitarian wooden shelving give the image a strong documentary feel, recording the practical back-room materials behind Staffordshire pottery decoration. Visible labels appear to include colour names and coded recipes, suggesting the careful organisation needed by decorators, paintresses, gilders and colour room workers in a busy potbank. Gladstone Pottery Museum is a preserved Victorian pottery factory on Uttoxeter Road, Longton, and its displays interpret the industrial processes that made Stoke-on-Trent internationally known as The Potteries. The site is associated with bottle ovens, kilns, workshops, decorating rooms and the everyday labour of ceramic production, from clay preparation and firing to glazing, colour, enamel and gilding. This image is useful for editorial and commercial themes around British ceramics, Staffordshire industry, museum collections, craft skills, heritage conservation, industrial archaeology, social history, factory interiors, material culture, pottery design, ceramic chemistry and traditional trades. The colour room shows that the success of tableware and decorative pottery depended not only on kilns and clay, but on specialist knowledge of colours, oxides, recipes and finishes. The muted indoor light, dusty shelves and ageing jars create an atmospheric visual for articles about Longton heritage, Stoke tourism, manufacturing history, education, preservation and the fragile survival of workshop objects. It can also support features on hand decoration, pottery painting, women's work in ceramics, archives of industrial knowledge and the wider story of how North Staffordshire became a global centre for ceramic manufacture.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,at,the,Gladstone,Museum,GB,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRPN - Close-up detail of an aged paper label on a dark glazed ceramic colour jar in the historic colour room at Gladstone Pottery Museum, Longton, Stoke-on-Trent, Staffordshire. The worn label appears to read Water Green 1025, with the word PASTE partly visible below, suggesting a stored ceramic colour, stain, glaze ingredient or decorating material used in pottery production. The cracked paper, faded stencilled lettering, dark reflective jar surface and subdued indoor light give the image a strong documentary quality, concentrating attention on the everyday workshop records and materials behind Staffordshire ceramics. Gladstone Pottery Museum is a preserved Victorian pottery factory on Uttoxeter Road in Longton, part of the historic Potteries district of Stoke-on-Trent. Its displays interpret the labour, craft and industrial processes behind pottery manufacture, including clay preparation, throwing, moulding, firing, decorating, colour and gilding. This image is commercially useful for editorial features on British ceramics, ceramic pigments, pottery colour chemistry, glaze recipes, industrial heritage, museum collections, craft skills, material culture, factory interiors, conservation, local history and traditional trades. The jar label is a small but telling object, showing how colours and recipes were identified, stored and controlled within a working potbank. It can support stories about ceramic design, hand decoration, pottery painting, paintresses, colour room workers, Clarice Cliff context, Stoke tourism, Longton heritage and the preservation of specialist industrial knowledge. The close crop removes wider context and makes the image suitable as an atmospheric background or detail shot for articles about pigments, historic workshops, archive materials, industrial archaeology and the way North Staffordshire became internationally known for pottery and ceramic manufacture.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Gladston,glaze,pink,1373,label,labelled,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRRJ - Close-up detail of a worn paper label reading Pink 1375 on a ceramic colour jar in the historic colour room at Gladstone Pottery Museum, Longton, Stoke-on-Trent, Staffordshire. The cracked, aged label, black stencilled lettering and dark glazed storage vessel give the photograph a strong documentary feel, showing the practical materials behind pottery decoration rather than the finished ware. The image is useful for editorial and commercial themes around Staffordshire ceramics, The Potteries, colour mixing, ceramic stains, pigments, oxides, glaze ingredients, craft skills, industrial heritage, museum collections, factory interiors and the working culture of a traditional potbank. Gladstone Pottery Museum is a preserved Victorian pottery factory on Uttoxeter Road in Longton, part of Stoke-on-Trent's internationally known ceramics landscape. The museum's displays interpret the processes and supporting rooms that helped make pottery production possible, including throwing, moulding, decorating, firing, colour and gilding. This image concentrates on a small but important object: a labelled colour container, probably once used to identify or store a particular pink ceramic decorating colour or pigment. The torn paper, creases, stains and utilitarian typography suggest repeated workshop use, careful storage and the everyday knowledge of decorators, painters and colour room workers. It can support articles on British manufacturing history, pottery design, ceramic chemistry, women's work in ceramics, Clarice Cliff context, museum conservation, material culture, education, heritage tourism and North Staffordshire industrial archaeology. The close crop, muted indoor light and absence of people make it flexible as an atmospheric background image for stories about colour recipes, factory records, historic craft processes, traditional trades, local identity and the preservation of workshop objects that explain how the Potteries became a global centre for ceramics.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factories,Great,Britain,showing,at,the,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Gladston,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRT7 - Interior detail of the historic colour room at Gladstone Pottery Museum in Longton, Stoke-on-Trent, Staffordshire, showing rows of labelled ceramic colour jars stored on wooden shelving. The black, grey, cream and brown containers, worn paper labels and dusty setting evoke the working world of a Staffordshire potbank, where colours, stains, oxides and decorating materials were part of making and finishing pottery. Visible labels appear to include colour names such as celeste, cobalt blue and pink, linking the image with ceramic decoration, glaze preparation and the specialist materials used by decorators and painters. Gladstone Pottery Museum is a preserved Victorian pottery factory on Uttoxeter Road, Longton, and its displays explain the jobs and rooms that supported production, from clay preparation and throwing to firing, decorating, colour and gilding. This image is useful for editorial and commercial themes around Stoke-on-Trent ceramics, The Potteries, industrial heritage, museum collections, craft skills, British manufacturing, pigment storage, colour chemistry, pottery design, ceramic art, factory interiors, heritage conservation and educational interpretation. The shelves suggest the careful organisation and practical knowledge behind mass-produced tableware, sanitary ware and decorative ceramics, where colour recipes and materials could be vital to a factory's identity and output. The subdued indoor light, utilitarian shelving and aged containers give the photograph a strong documentary feel, suitable for features about Victorian industry, social history, craft labour, museum learning, traditional trades and the cultural legacy of North Staffordshire. It can also support stories about Clarice Cliff, ceramic decoration, colour in design, pottery painting, artisan skills, industrial archaeology, tourism in Stoke-on-Trent and the preservation of workshop objects that help explain how the Potteries became internationally known for ceramics.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,Great,Britain,showing,heritage,at,the,Pottery,Museum,GB,unique,bone,tablewear,tableware,workshops,and,giant,bottle,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,bricks,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHTMD - Portrait view of the historic bottle kilns at Gladstone Pottery Museum in Longton, Stoke-on-Trent, Staffordshire, a preserved Victorian pottery works in the heart of the Potteries. The photograph shows the distinctive cone-shaped brick bottle ovens rising above a cobbled yard, with warm red brick walls, green painted doors, wooden railings, chimney stacks, saggar containers and pottery yard details creating a strong sense of industrial heritage. The sky is dark and overcast, with dramatic cloud and subdued light giving the scene a moody atmosphere suited to heritage, tourism and history features. Gladstone Pottery Museum is housed in a former coal-fired pottery factory and is known for its surviving bottle ovens, which are among the most powerful visual symbols of Stoke-on-Trent's ceramics industry. The museum explains the skills and working conditions behind pottery production, including clay preparation, throwing, moulding, decorating, firing and the use of saggars to protect ware inside kilns. This image is highly relevant for editorial and commercial use on Stoke-on-Trent, Longton, Staffordshire tourism, ceramic manufacturing, industrial archaeology, Victorian factories, working museums, craft skills, heritage conservation, regeneration, local identity and the story of the Six Towns. Bottle kilns once dominated the skyline of North Staffordshire, but surviving examples are now important listed heritage structures. Gladstone is listed by Stoke museums at Uttoxeter Road, Longton, and specialist bottle oven records identify the site as having four updraught bottle ovens and a muffle kiln within the Longton Conservation Area. The vertical composition, strong architectural forms and textured brickwork make the image useful for travel guides, educational publishing, museum promotion, British industrial history, ceramics features, pottery design, kiln technology, craft tourism and stories about preserving the built legacy of the Staffordshire Potteries.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHTPC - Image of the Roslyn works from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Gladston,pouring,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBJFC6 - White pouring jug mould from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: The,historic,history,of,city,Merseyside,libraries,service,classic,new,central,building,erected,by,James,JamesPicton,Grade,II,grade2,2,listed,Sir,circular,inscription,corporation,of,history,historic,dark,wood,crest,city,tourist,attraction,impressive,public,municipal,L3,8EW,L38EW,gotonysmith,This,building,erected,by,the,corporation,of,Liverpoolwas,a,resolution,of,the,council,dated,6th,October,1875,ordered,to,be,named,The,Picton,Reading,Room,in,recognition,of,the,valuable,services,rendered,by,James,Allanson,Picton,Esquire,JP,FSA,in,his,capacity,as,chairman,of,the,Public,Library,Museum,and,gallery,of,Arts,Committee,which,position,he,had,then,occupied,for,a,period,exceeding,a,quarter,of,a,century.,Thomas,Bland,Royden,Mayor attractions Mersey Scouse scouser
Description: Tony Smith image Alamy DB6P25 - The old Plaque in the Picton reading room, Liverpool City Central Library
The inscription reads:
This building erected by the corporation of Liverpoolwas a resolution of the council dated 6th October 1875 ordered to be named The Picton Reading Room in recognition of the valuable services rendered by James Allanson Picton Esquire JP FSA in his capacity as chairman of the Public Library Museum and gallery of Arts Committee, which position he had then occupied for a period exceeding a quarter of a century.
Thomas Bland Royden , Mayor.
Liverpool Central Library , Liverpool , England, UK L3 8EW
Description
Keywords: coal,mine,mining,Manchester,lancs,Lancashire,working,works,vertical,shaft,Green,Museum,Chat,Moss,chatmoss,collieries,village,county,council,saved,by,village,A580,east,3,300,hp,twin,tandem,compound,steam,3300,surviving,headgear,house,gates,wide,shot,HDR,seams,Higher,Green,Lane,Tyldesley,Gotonysmith 3300hp Pilkington Colliery Company,trading as the Clifton and Kersley Coal Company,working,collieries,in,the,Irwell,valley,at,Clifton,Higher,Green,Lane,Astley Green,Tyldesley,Lancashire England,UK M29 7JB M297jb,Buy Pictures of,Buy Images Of,red machines
Description: Tony Smith image Alamy DE9ACA - On the edge of Chat Moss, in an area once full of collieries, lies the picturesque village of Astley Green. In the heart of the village stands Astley Green Colliery Museum which, but for the foresight of Lancashire County Council and several leading figures within the community, would have suffered the same fate as the other collieries in the area, total demolition. It was the uniqueness of the 3,300 hp twin tandem compound steam winding engine that brought the demolition to a halt. As the result of the intervention, the museum houses Lancashire's only surviving headgear and engine house, both of which now have listed building status.
The museum occupies some fifteen acres of the Astley Green Colliery site. To the south lies the Bridgewater Canal and Astley Moss, an important mossland site. The low-lying landscape ensures that the museum's 98ft high lattice steel headgear can be seen for many miles, a fitting memorial to days now past.
Higher Green Lane, Astley Green, Tyldesley, Lancashire England, UK M29 7JB
Description
Keywords: coal,mine,mining,Manchester,lancs,Lancashire,working,works,vertical,shaft,Green,Museum,Chat,Moss,chatmoss,collieries,village,county,council,saved,by,village,A580,east,3,300,hp,twin,tandem,compound,steam,3300,surviving,headgear,house,gates,wide,shot,HDR,seams,Higher,Green,Lane,Tyldesley,Gotonysmith 3300hp Pilkington Colliery Company,trading as the Clifton and Kersley Coal Company,working,collieries,in,the,Irwell,valley,at,Clifton,Higher,Green,Lane,Astley Green,Tyldesley,Lancashire England,UK M29 7JB M297jb
Description: Tony Smith image Alamy DE9AD2 - On the edge of Chat Moss, in an area once full of collieries, lies the picturesque village of Astley Green. In the heart of the village stands Astley Green Colliery Museum which, but for the foresight of Lancashire County Council and several leading figures within the community, would have suffered the same fate as the other collieries in the area, total demolition. It was the uniqueness of the 3,300 hp twin tandem compound steam winding engine that brought the demolition to a halt. As the result of the intervention, the museum houses Lancashire's only surviving headgear and engine house, both of which now have listed building status.
The museum occupies some fifteen acres of the Astley Green Colliery site. To the south lies the Bridgewater Canal and Astley Moss, an important mossland site. The low-lying landscape ensures that the museum's 98ft high lattice steel headgear can be seen for many miles, a fitting memorial to days now past.
Higher Green Lane, Astley Green, Tyldesley, Lancashire England, UK M29 7JB
Description
Keywords: coal,mine,mining,Manchester,lancs,Lancashire,working,works,vertical,shaft,Green,Museum,Chat,Moss,chatmoss,collieries,village,county,council,saved,by,village,A580,east,3,300,hp,twin,tandem,compound,steam,3300,surviving,headgear,house,gates,wide,shot,HDR,seams,Higher,Green,Lane,Tyldesley,Gotonysmith 3300hp Pilkington Colliery Company,trading as the Clifton and Kersley Coal Company,working,collieries,in,the,Irwell,valley,at,Clifton,Higher,Green,Lane,Astley Green,Tyldesley,Lancashire England,UK M29 7JB M297jb,machine,machines,Buy Pictures of,Buy Images Of,Red Machine
Description: Tony Smith image Alamy DE9ADW - On the edge of Chat Moss, in an area once full of collieries, lies the picturesque village of Astley Green. In the heart of the village stands Astley Green Colliery Museum which, but for the foresight of Lancashire County Council and several leading figures within the community, would have suffered the same fate as the other collieries in the area, total demolition. It was the uniqueness of the 3,300 hp twin tandem compound steam winding engine that brought the demolition to a halt. As the result of the intervention, the museum houses Lancashire's only surviving headgear and engine house, both of which now have listed building status.
The museum occupies some fifteen acres of the Astley Green Colliery site. To the south lies the Bridgewater Canal and Astley Moss, an important mossland site. The low-lying landscape ensures that the museum's 98ft high lattice steel headgear can be seen for many miles, a fitting memorial to days now past.
Higher Green Lane, Astley Green, Tyldesley, Lancashire England, UK M29 7JB
Description
Keywords: coal,mine,mining,Manchester,lancs,Lancashire,working,works,vertical,shaft,Green,Museum,Chat,Moss,chatmoss,collieries,village,county,council,saved,by,village,A580,east,3,300,hp,twin,tandem,compound,steam,3300,surviving,headgear,house,gates,wide,shot,HDR,seams,Higher,Green,Lane,Tyldesley,Gotonysmith 3300hp Pilkington Colliery Company,trading as the Clifton and Kersley Coal Company,working,collieries,in,the,Irwell,valley,at,Clifton,Higher,Green,Lane,Astley Green,Tyldesley,Lancashire England,UK M29 7JB M297jb,machine,machines,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DE9AE7 - On the edge of Chat Moss, in an area once full of collieries, lies the picturesque village of Astley Green. In the heart of the village stands Astley Green Colliery Museum which, but for the foresight of Lancashire County Council and several leading figures within the community, would have suffered the same fate as the other collieries in the area, total demolition. It was the uniqueness of the 3,300 hp twin tandem compound steam winding engine that brought the demolition to a halt. As the result of the intervention, the museum houses Lancashire's only surviving headgear and engine house, both of which now have listed building status.
The museum occupies some fifteen acres of the Astley Green Colliery site. To the south lies the Bridgewater Canal and Astley Moss, an important mossland site. The low-lying landscape ensures that the museum's 98ft high lattice steel headgear can be seen for many miles, a fitting memorial to days now past.
Higher Green Lane, Astley Green, Tyldesley, Lancashire England, UK M29 7JB
Description
Keywords: coal,mine,mining,Manchester,lancs,Lancashire,working,works,vertical,shaft,Green,Museum,Chat,Moss,chatmoss,collieries,village,county,council,saved,by,village,A580,east,3,300,hp,twin,tandem,compound,steam,3300,surviving,headgear,house,gates,wide,shot,HDR,seams,Higher,Green,Lane,Tyldesley,Gotonysmith 3300hp Pilkington Colliery Company,trading as the Clifton and Kersley Coal Company,working,collieries,in,the,Irwell,valley,at,Clifton,Higher,Green,Lane,Astley Green,Tyldesley,Lancashire England,UK M29 7JB M297jb,machine,machines,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DE9AEM - On the edge of Chat Moss, in an area once full of collieries, lies the picturesque village of Astley Green. In the heart of the village stands Astley Green Colliery Museum which, but for the foresight of Lancashire County Council and several leading figures within the community, would have suffered the same fate as the other collieries in the area, total demolition. It was the uniqueness of the 3,300 hp twin tandem compound steam winding engine that brought the demolition to a halt. As the result of the intervention, the museum houses Lancashire's only surviving headgear and engine house, both of which now have listed building status.
The museum occupies some fifteen acres of the Astley Green Colliery site. To the south lies the Bridgewater Canal and Astley Moss, an important mossland site. The low-lying landscape ensures that the museum's 98ft high lattice steel headgear can be seen for many miles, a fitting memorial to days now past.
Higher Green Lane, Astley Green, Tyldesley, Lancashire England, UK M29 7JB
Description
Keywords: coal,mine,mining,Manchester,lancs,Lancashire,working,works,vertical,shaft,Green,Museum,Chat,Moss,chatmoss,collieries,village,county,council,saved,by,village,A580,east,3,300,hp,twin,tandem,compound,steam,3300,surviving,headgear,house,gates,wide,shot,HDR,seams,Higher,Green,Lane,Tyldesley,Gotonysmith 3300hp Pilkington Colliery Company,trading as the Clifton and Kersley Coal Company,working,collieries,in,the,Irwell,valley,at,Clifton,Higher,Green,Lane,Astley Green,Tyldesley,Lancashire England,UK M29 7JB M297jb,machine,machines,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DE9AJK - On the edge of Chat Moss, in an area once full of collieries, lies the picturesque village of Astley Green. In the heart of the village stands Astley Green Colliery Museum which, but for the foresight of Lancashire County Council and several leading figures within the community, would have suffered the same fate as the other collieries in the area, total demolition. It was the uniqueness of the 3,300 hp twin tandem compound steam winding engine that brought the demolition to a halt. As the result of the intervention, the museum houses Lancashire's only surviving headgear and engine house, both of which now have listed building status.
The museum occupies some fifteen acres of the Astley Green Colliery site. To the south lies the Bridgewater Canal and Astley Moss, an important mossland site. The low-lying landscape ensures that the museum's 98ft high lattice steel headgear can be seen for many miles, a fitting memorial to days now past.
Higher Green Lane, Astley Green, Tyldesley, Lancashire England, UK M29 7JB
Description
Keywords: coal,mine,mining,Manchester,lancs,Lancashire,working,works,vertical,shaft,Green,Museum,Chat,Moss,chatmoss,collieries,village,county,council,saved,by,village,A580,east,3,300,hp,twin,tandem,compound,steam,3300,surviving,headgear,house,gates,wide,shot,HDR,seams,Higher,Green,Lane,Tyldesley,Gotonysmith 3300hp Pilkington Colliery Company,trading as the Clifton and Kersley Coal Company,working,collieries,in,the,Irwell,valley,at,Clifton,Higher,Green,Lane,Astley Green,Tyldesley,Lancashire England,UK M29 7JB M297jb,machine,machines,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DE9AK3 - On the edge of Chat Moss, in an area once full of collieries, lies the picturesque village of Astley Green. In the heart of the village stands Astley Green Colliery Museum which, but for the foresight of Lancashire County Council and several leading figures within the community, would have suffered the same fate as the other collieries in the area, total demolition. It was the uniqueness of the 3,300 hp twin tandem compound steam winding engine that brought the demolition to a halt. As the result of the intervention, the museum houses Lancashire's only surviving headgear and engine house, both of which now have listed building status.
The museum occupies some fifteen acres of the Astley Green Colliery site. To the south lies the Bridgewater Canal and Astley Moss, an important mossland site. The low-lying landscape ensures that the museum's 98ft high lattice steel headgear can be seen for many miles, a fitting memorial to days now past.
Higher Green Lane, Astley Green, Tyldesley, Lancashire England, UK M29 7JB
Description
Keywords: coal,mine,mining,Manchester,lancs,Lancashire,working,works,vertical,shaft,Green,Museum,Chat,Moss,chatmoss,collieries,village,county,council,saved,by,village,A580,east,3,300,hp,twin,tandem,compound,steam,3300,surviving,headgear,house,gates,wide,shot,HDR,seams,Higher,Green,Lane,Tyldesley,Gotonysmith 3300hp Pilkington Colliery Company,trading as the Clifton and Kersley Coal Company,working,collieries,in,the,Irwell,valley,at,Clifton,Higher,Green,Lane,Astley Green,Tyldesley,Lancashire England,UK M29 7JB M297jb,machine,machines,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DE9AKM - On the edge of Chat Moss, in an area once full of collieries, lies the picturesque village of Astley Green. In the heart of the village stands Astley Green Colliery Museum which, but for the foresight of Lancashire County Council and several leading figures within the community, would have suffered the same fate as the other collieries in the area, total demolition. It was the uniqueness of the 3,300 hp twin tandem compound steam winding engine that brought the demolition to a halt. As the result of the intervention, the museum houses Lancashire's only surviving headgear and engine house, both of which now have listed building status.
The museum occupies some fifteen acres of the Astley Green Colliery site. To the south lies the Bridgewater Canal and Astley Moss, an important mossland site. The low-lying landscape ensures that the museum's 98ft high lattice steel headgear can be seen for many miles, a fitting memorial to days now past.
Higher Green Lane, Astley Green, Tyldesley, Lancashire England, UK M29 7JB
Description
Keywords: going,to,be,an,uplift,and,its,going,to,make,everything,better,wall,label,NWMN,national,war,museum,North,GB,Great,Britain,UK,United,Kingdom,on,red,white,profound,poet,poetry,IWM,IWMN,gotonysmith it doesnt war never makes anything better,Buy Pictures of,Buy Images Of,Trafford Wharf Rd,Trafford Park,Stretford,Manchester,M17 1TZ
Description: Tony Smith image Alamy DA623N - People think they are fighting for something thats going to be an uplift and its going to make everything better it doesn't , war never makes anything better
Trafford Wharf Rd, Trafford Park, Stretford, Manchester, M17 1TZ
Description
Keywords: Old,Maroon,Coal,Mining,Conciliation,Scheme,Guides,gotonysmith,NUM,miners,mineworker,mineworkers,guide,hardback,old,mining,stuff,old,lancs,history,Astley,Green,Colliery,Museum,Manchester,UK,M29,7JB,Astley Green Colliery Museum Manchester UK M29 7JB,coal,schemes,equipment,kit,lamps,lamproom,lamp room,union of miners
Description: Tony Smith image Alamy D8DYD4 - Old Maroon Coal Mining Conciliation Scheme Guides
Astley Green, Tyldesley, Manchester, Lancashire, UK M29 7JB
Description
Keywords: makeup,Germany,democratic,republic,Berlin,beer,graffiti doll,graffiti,doll,hairspray,Action,DDR,hairspray,ale,museum,scary,spooky,toy,toys,1970,1970s,punk,GoTonySmith,Buy Pictures of,Buy Images Of,bottle,bottles,East German,East Germany,product,history,historic,memories,memory,of,the DDR
Description: Tony Smith image Alamy F0G702 - This documentary stock photograph shows Berlin beer graffiti doll Action, DDR hairspray,and make-up,Germany. The image records DDR or East German security equipment and surveillance material, making it useful for editorial features on Cold War memory, state surveillance, the Stasi, civil liberties, museum interpretation and authoritarian control. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and.
Berlin, Germany
Description
Keywords: Ornate,wood,wooden,gold,pulpit,crucifix,history,historic,in,the,inside,interior,marble,Berlin Cathedral,Berliner Dom,built,building,in,1905,by,King Frederick,William IV,protestant,architecture,baroque,basilica,berlin,berliner,capital,cathedral,church,city,cross,dom,dome,europe,european,GoTonySmith,evangelical,facade,german,germany,gold,interior,island,lutheran,mitte,museum,ornate,pulpit,religion,religious,spree,tourism,travel,Colln,Cölln,western,marbled,Luther,Luthur,Evangelical,Church,Supreme,Parish,Collegiate,Deutsche,Deutschland,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F0G7EN - Berlin Cathedral (German: Berliner Dom) is the short name for the Evangelical (i.e. Protestant) Supreme Parish and Collegiate Church (German: Oberpfarr- und Domkirche) in Berlin, Germany. It is located on Museum Island in the Mitte borough. The current building was finished in 1905 and is a main work of Historicist architecture of the Kaiserzeit.
The Dom is the parish church of the congregation Gemeinde der Oberpfarr- und Domkirche zu Berlin, a member of the umbrella organisation Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia. The Berlin Cathedral has never been a cathedral in the actual sense of that term since it has never been the seat of a bishop. The bishop of the Evangelical Church in Berlin-Brandenburg (under this name 1945“2003) is based at St. Mary's Church and Kaiser Wilhelm Memorial Church in Berlin.
Am Lustgarten, 10178 Berlin, Germany
Description
Keywords: inside,art,picture,angle,wonder,from,below,berliner,Berlins,religion,religious,color,colour,cultural,culture,cupola,destination,destinations,dom,dome,europe,european,german,gothic,heritage,historic,Germany,From Below,GoTonySmith,historical,history,landmark,landmarks,looking,low,viewpoint,national,old,ancient,ornate,past,travel,up,view,Supreme,Parish,and,Collegiate,Church,Oberpfarr,und,Domkirche,Evangelical,Mitte,Museum,Island,Historicist architecture,Kaiserzeit,organisation,Evangelical,Church,of,Berlin-Brandenburg-Silesian,Upper,Lusatia,circle,sphere,circular,Buy Pictures of,Buy Images Of,World Travel
Description: Tony Smith image Alamy F0XDWP - Berlin Cathedral (German: Berliner Dom) is the short name for the Evangelical (i.e. Protestant) Supreme Parish and Collegiate Church (German: Oberpfarr- und Domkirche) in Berlin, Germany. It is located on Museum Island in the Mitte borough. The current building was finished in 1905 and is a main work of Historicist architecture of the Kaiserzeit.
The Dom is the parish church of the congregation Gemeinde der Oberpfarr- und Domkirche zu Berlin, a member of the umbrella organisation Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia. The Berlin Cathedral has never been a cathedral in the actual sense of that term since it has never been the seat of a bishop. The bishop of the Evangelical Church in Berlin-Brandenburg (under this name 1945“2003) is based at St. Mary's Church and Kaiser Wilhelm Memorial Church in Berlin. St. Hedwig's Cathedral serves as the seat of Berlin's Roman Catholic metropolitan bishop.
Am Lustgarten, 10178 Berlin, Germany
Description
Keywords: Prussian,pipe,organ,builder,German,Germany,city,religion,religious,his final great masterpiece,Manufactory,Berliner,Dom,Am Lustgarten,10178,Mitte,tall,wide,shot,Supreme,Parish,museum,island,detail,European,evangelical,evangelistic,faith,interior,indoor,Berliner Dom,GoTonySmith,mono.monochrome,black,white,music,musical,nobody,old,older,wood,wooden,instrument,splendor,splendour,supreme,unesco,world,tourist,tourism,fashioned,history,historic,traditional,Buy Pictures of,Buy Images Of,Old Fashioned
Description: Tony Smith image Alamy F0XDX3 - Wilhelm Carl Friedrich Sauer (March 23, 1831 “ April 9, 1916) was a Prussian pipe organ builder. One of the famous organ builders, Sauer and his firm built over 1,100 organs during his lifetime, amongst them the organs at Bremen Cathedral, Jerusalem's Church, and Berlin Cathedral, which is considered to be his final great masterpiece
Am Lustgarten, 10178 Berlin, Germany
Description
Keywords: Prussian,pipe,organ,builder,German,Germany,Friedrich,city,religion,religious,his final great masterpiece,Manufactory,Berliner,Am Lustgarten,10178,Mitte,tall,wide,shot,Supreme,Parish,museum,island,detail,European,evangelical,evangelistic,faith,interior,indoor,Berliner Dom,GoTonySmith,color,colour,music,musical,nobody,old,older,wood,wooden,instrument,splendor,splendour,supreme,unesco,world,tourist,tourism,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F0XDX6 - Wilhelm Carl Friedrich Sauer (March 23, 1831 “ April 9, 1916) was a Prussian pipe organ builder. One of the famous organ builders, Sauer and his firm built over 1,100 organs during his lifetime, amongst them the organs at Bremen Cathedral, Jerusalem's Church, and Berlin Cathedral, which is considered to be his final great masterpiece
Am Lustgarten, 10178 Berlin, Germany
Description
Keywords: 2,TWO,number,numbers,Tony,Smith,TonySmith,hotpix,UK,England,United,Kingdom,TonySmithHotPix,TonySmithHotPixUK,Jackie,Stewert,Stewart,JackieStewart,Racing,Driver,Car,Vehicle,F1,formula,One,FormulaOne,Edinburgh,Museum,dashboard
Description: Tony Smith image Flickr 7116155045 - 'View this whole set here. If you do Twitter add me here.
Two has many properties in mathematics. An integer is called even if it is divisible by 2. For integers written in a numeral system based on an even number, such as decimal and hexadecimal, divisibility by 2 is easily tested by merely looking at the last digit. If it is even, then the whole number is even. In particular, when written in the decimal system, all multiples of 2 will end in 0, 2, 4, 6, or 8.
Two is the smallest and the first prime number, and the only even one (for this reason it is sometimes called 'the oddest prime'). The next prime is three. Two and three are the only two consecutive prime numbers. 2 is the first Sophie Germain prime, the first factorial prime, the first Lucas prime, and the first Smarandache-Wellin prime
Despite being a prime, two is also a highly composite number, because it has more divisors than the number one. Two is the smallest highly composite number. The next highly composite number is four.
Vulgar fractions with 2 or 5 in the denominator do not yield infinite decimal expansions, as is the case with all other primes, because 2 and 5 are factors of ten, the decimal base.
Two is the base of the simplest numeral system in which natural numbers can be written concisely, being the length of the number a logarithm of the value of the number (whereas in base 1 the length of the number is the value of the number itself)
the binary system is used in computers.
The glyph used in the modern Western world to represent the number 2 traces its roots back to the Brahmin Indians, who wrote '2' as two horizontal lines. The modern Chinese and Japanese languages still use this method. The Gupta rotated the two lines 45 degrees, making them diagonal, and sometimes also made the top line shorter and made its bottom end curve towards the center of the bottom line.
Apparently for speed, the Nagari started making the top line more like a curve and connecting to the bottom line. The Ghubar Arabs made the bottom line completely vertical, and now the glyph looks like a dotless closing question mark. Restoring the bottom line to its original horizontal position, but keeping the top line as a curve that connects to the bottom line leads to our modern glyph.
Two is the atomic number of helium. Also the resin identification code used in recycling to identify high-density polyethylene.
Sir Jackie Stewart, who hails from Milton, unveiled this his most successful car, which has been loaned to the National Museum of Scotland for at least three years. It is dark blue with the number two. In the Tyrrell Ford he won eight championships.
Death on TWO legs - enjoy feature=fvst\' rel=\'nofollow\'>www.youtube.com/watch?v=B3JEmBFeD5A&
feature=fvst
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC
',
Description
Keywords: chessmen,chessman,famous,Lewis,Isle,isle of Lewis,bishop,carved,carving,marble,set,chess,man,men,Stornoway,museum,Scotlan,Hebrides,UK,British,Edinburgh,games,game
Description: Tony Smith image Flickr 8346651345 - 'View this whole set of away from home images here. If you do Twitter add me here.
The Lewis Chessmen (or Uig Chessmen, named stock-photo/gotonysmith-After.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>after the bay where they were found) are a group of 78 12th-century chess pieces, most of which are carved in walrus ivory. Discovered in 1831 on the Isle of Lewis in the Outer Hebrides, Scotland, they may constitute some of the few complete, surviving medieval chess sets, although it is not clear if a set as originally made can be assembled from the pieces. They are owned and exhibited by the British Museum in London, which has 67 of the original pieces, and the Museum of Scotland in Edinburgh, which has the remaining 11 pieces.
A bishop is shown here when the pieces came back to Lewis for a short visit. Alex MacDonald, convener of Western Isles Council, Comhairle nan Eilean Siar, welcomed the exhibition, which will ran through summer 2011 until the 12th September.
He said: 'The enigma of the Lewis Chessmen has intrigued and puzzled those who have viewed these inscrutable faces in the last 200 years or so. 'This will give our own community and visitors the opportunity to come face-to-face with faces which are over 800 years old.'
Pieces including a knight, king, queen and bishop were also on display at Uig Museum on 13 September for one day. Curators from National Museums Scotland and the British Museum were present to answer any queries from visitors.
The chessmen are one of the most significant archaeological discoveries ever made in Scotland.
The chessmen were probably made in Norway, perhaps by craftsmen in Trondheim, in the 12th century, although some scholars have suggested other sources in the Nordic countries. During that period the Outer Hebrides, along with other major groups of Scottish islands, were ruled by Norway.
According to Dr. Alex Woolf, director of the Institute for Medieval Studies of the University of St. Andrews, there are a number of reasons for believing the chess pieces probably came from Trondheim: a broken queen piece in a similar style found in an excavation of the archbishop's palace (it appeared the piece was broken as it was being made), the presence of wealthy people in Trondheim able to pay craftsmen for the high-quality pieces, similar carving in Nidaros Cathedral in Trondheim, the excavation in Trondheim of a kite-shaped shield similar to shields on some of the pieces and a king piece of similar design found on Hitra Island, near the mouth of Trondheim Fjord. Woolf has said that the armour worn by the chess figures includes 'perfect' reproductions of armour worn at the time in Norway.
Some historians believe that the Lewis chessmen were hidden (or lost) after some mishap occurred during their carriage from Norway to wealthy Norse towns on the east coast of Ireland, like Dublin. The large number of pieces and their lack of wear may suggest they were the stock of a trader or dealer in such pieces. Along with the chess pieces, there were 14 plain round tablemen for the game of tables and one belt buckle, all made of ivory, making a total of 93 artifacts.
On bishops, The Church of England today has dropped its prohibition on gay clergy in civil partnerships becoming bishops. The announcement, from the Church's House of Bishops, would allow gay clergy to become bishops if they promise to be celibate.
Conservative evangelical Anglicans say they will fight the move in the Church's ruling general synod.
The issue has split the church since 2003 amid a row over gay cleric Jeffrey John becoming Bishop of Reading. Mr John, now Dean of St Albans, was forced to withdraw from the role shortly after having initially accepted it, following protests from traditionalists.
He was also a candidate for Bishop of Southwark in 2010 but was rejected. Evidence emerged that this was because of his sexual orientation. The Church of England has already agreed to allow people in civil partnerships to become clergy, provided they promised they would remain celibate.
I am not so sure that Norsemen had this issue to deal with. It was probably a simpler world back then!
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,Greater Manchester,station,pre,signs,sign,historic,Rose Hill JC,Bradshawgate,junction,Belle Vue,lost,Lancs,Lancashire,rail,rail cuts,museum,old,Beeching,cut,cuts,Pendleton,JC,Hindley,Lever,St,street,Cross Lane,No2,Plodder Lane,Ardwick,No1,red,Victorian
Description: Tony Smith image Alamy 2BN2W1X -
Lancashire & Yorkshire, England, UK
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,Queue Other Side,35,37,plus,city,public transport,public,transport,museum,Salford sign,fare,fares,stage,stages,stops,route,routes,Salford,centre,transportation,Bee Network,North West,North Western,subsidy,subsidised,second,two,bus stops,prices,pricing,affordable,affordability,black,yellow,1970,1970s
Description: Tony Smith image Alamy 2BN2W2B -
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,Saturday,journey,sepia tone,Victorian Train Journeys,museum,holiday,vacation,vacations,works,break,May,bank holiday,bank holidays,lit,by,lamp,light,rail,railway,excursion,excursions,Victorian,awayday,intercity,travel,Lancashire,Bolton,Bury,to,timetable,offer,offers,Lancs
Description: Tony Smith image Alamy 2BN2W2G -
Bolton St, Bury, Lancs, England, UK
Description
Keywords: Orange,white,grey,colour,Orangemen,Orange men,Unionists,Ulster unionists,political,politics,Ulster Volunteers,September,28/12/1912,guard,Violence,clothing,museum,object,community,Shankill,rd,road,City Hall Guard,The Ulster Volunteers,City Hall Guard,Protestant Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Union,Unionism,British,Protestant,Prods,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,day,Ulster,tourist,tourism,history,historic,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Ulster Day,History Of Northern Ireland,Irish History
Description: Tony Smith image Alamy HE7KX5 - The Home Rule Crisis was a political and military crisis in the United Kingdom of Great Britain and Ireland that followed the introduction of the Third Home Rule Bill in the House of Commons of the United Kingdom in 1912.
Ulster unionists, determined to prevent any measure of home rule for Ireland, formed a paramilitary force, the Ulster Volunteers, which threatened to resist by physical force the implementation of the Act and the authority of any Dublin Parliament by force of arms. Irish nationalists responded by setting up the Irish Volunteers to secure the rights and liberties common to all the people of Ireland. Both sides then began importing weapons and ammunition from Germany, in the Larne gun-running and Howth gun-running incidents. The UK government's ability to face down unionist defiance was thrown into question by the Curragh incident, when dozens of British Army officers tendered their resignation rather than secure arms against Ulster loyalist seizure, forcing a climb-down by the government. The crisis was temporarily averted by the outbreak of World War I. The Home Rule Bill was enacted, but its implementation was suspended for the duration of the war.
Shankill Road, Belfast, Northern Ireland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,British canals,canal,network,boat,carrier,man,person,museum,heritage,transport,dock,docks,meets,Manchester Ship Canal,River Mersey,Cheshire,UK,England,North West England,sailor,boater,waterways,British canal system,water transport,United Kingdom,Industrial Revolution,transportation,water,nationwide canal network,nationwide,canal network,working canal boats,canal transport,tourism,CH65,London Midland Scottish Railway Co,Scottish Railway Co
Description: Tony Smith image Alamy 2BEW1C8 -
South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,British canals,canal,network,boat,carrier,man,person,museum,heritage,history,transport,dock,docks,meets,Manchester Ship Canal,River Mersey,Cheshire,UK,England,North West England,waterways,British canal system,water transport,United Kingdom,Industrial Revolution,transportation,water,nationwide canal network,nationwide,canal network,working canal boats,canal transport,tourism,CH65,Collection of barges,many barges,Kangaroo South Midland limited
Description: Tony Smith image Alamy 2BEW1CK -
South Pier Rd, Ellesmere Port,Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,British canals,canal,boat,carrier,man,person,museum,heritage,history,transport,dock,docks,meets,River Mersey,Cheshire,UK,England,North West England,sailor,boater,waterways,British canal system,United Kingdom,Industrial Revolution,transportation,water,nationwide canal network,canal network,working canal boats,canal transport,tourism,CH65,Grand Union Canal Carrying Co Ltd,Phone Royal 5630,Port of London building EC3,Brentwood 526,EC3
Description: Tony Smith image Alamy 2BEW1E9 -
South Pier Rd, Ellesmere Port,Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,British canals,canal,network,boat,carrier,man,person,museum,heritage,history,transport,dock,docks,meets,Manchester Ship Canal,River Mersey,Cheshire,UK,England,North West England,sailor,boater,waterways,British canal system,water transport,United Kingdom,Industrial Revolution,transportation,water,nationwide canal network,nationwide,canal network,working canal boats,canal transport,tourism,CH65,narrowboat boater
Description: Tony Smith image Alamy 2BEW1EG -
South Pier Rd, Ellesmere Port,Cheshire, England, UK, CH65 4FW
Description
Keywords: Exeter,West,signal,box,Crewe,layout,diagram,signalbox,demolition,carefully,dismantled,re-erected,as,a,working,museum,lever,levers,bluehour,blue,sky,traditional,heritage,centre,center,railroad,railway,BR,Britishrail,British,rail,1950,1960,old,signalman,man,old,worker,fish,eye,wide,image,lens,12mm,track,layout,diagram,dogchart,dog,chart,wide gotonysmith working age retired CW12DB CW1 2DB English British,Dog Chart,dog chart,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D96MR5 - Exeter West signal box 'Dog Chart' track layout diagram at dusk (wide angle fisheye lens view)
Exeter West signal box is not at Exeter - it is at Crewe.
Why is this? Because a group of dedicated individuals saved the signalbox from demolition when the signalling in the Exeter area was renewed in 1985, and carefully dismantled it so it could be re-erected as a working museum demonstrating how the larger signal boxes of the past were.
This box is now viewable at Crewe as part of Crewe Heritage Centre display, and signalmen are present most weekends to describe and demonstrate signalling days of the past and answer questions from visitors.
Crewe Railway Station, Crewe, Cheshire, England, UK CW1 2DB
Description
Keywords: Exeter,West,signal,box,Crewe,saved,the,signalbox,from,demolition,carefully,dismantled,re-erected,as,a,working,museum,lever,levers,bluehour,blue,sky,traditional,heritage,centre,center,railroad,railway,BR,Britishrail,British,rail,1950,1960,old,signalman,man,old,worker,gotonysmith working age CW1 2DB,Buy Pictures of,Buy Images Of,Crewe Railway Age
Description: Tony Smith image Alamy D96MTJ - Exeter West signal box in operation at dusk
Exeter West signal box is not at Exeter - it is at Crewe.
Why is this? Because a group of dedicated individuals saved the signalbox from demolition when the signalling in the Exeter area was renewed in 1985, and carefully dismantled it so it could be re-erected as a working museum demonstrating how the larger signal boxes of the past were.
This box is now viewable at Crewe as part of Crewe Heritage Centre display, and signalmen are present most weekends to describe and demonstrate signalling days of the past and answer questions from visitors.
Crewe Railway Station, Crewe, Cheshire, England, UK CW1 2DB
Description
Keywords: Astley,Green,Colliery,Winding,Gear,Panorama,Pano,gotonysmith,historic,Lancs,Lancashire,coal,mining,mine,building,structure,motor,equipment,colliery,east,lancs,road,A580,seam,old,museum,room,joiner,stitcher,Higher,Green,Lane,Astley Green,Tyldesley,Lancashire GB UK,gotonysmith,,Buy Pictures of,On the edge of Chat Moss,in an area once full of collieries,lies,the,picturesque,village,of,Astley,Green.,In,the,heart,of,the,village,stands,Astley,Green,Colliery,Museum,which,but,for,the,foresight,of,Lancashire,County,Council,and,several,leading,figures,within,the,community,would,have,suffered,the,same,fate,as,the,other,collieries,in,the,area,total demolition. It was the uniqueness of the 3,300,hp,twin,tandem,compound,steam,winding,engine,that,brought,the,demolition,to,a,halt.,As,the,result,of,the,intervention,the museum houses Lancashires only surviving headgear and engine house,both,of,which,now,have,listed,building,status.,The,museum,occupies,some,fifteen,acres,of,the,Astley,Green,Colliery,site.,To,the,south,lies,the,Bridgewater,Canal,and,Astley,Moss,an,important,mossland,site.,The,low-lying,landscape,ensures,that,the,museums,98ft
Description: Tony Smith image Alamy CF21T8 - Astley Green Colliery Winding Gear Panorama where machinery has been preserved.
On the edge of Chat Moss, in an area once full of collieries, lies the picturesque village of Astley Green. In the heart of the village stands Astley Green Colliery Museum which, but for the foresight of Lancashire County Council and several leading figures within the community, would have suffered the same fate as the other collieries in the area, total demolition. It was the uniqueness of the 3,300 hp twin tandem compound steam winding engine that brought the demolition to a halt. As the result of the intervention, the museum houses Lancashire's only surviving headgear and engine house, both of which now have listed building status.
The museum occupies some fifteen acres of the Astley Green Colliery site. To the south lies the Bridgewater Canal and Astley Moss, an important mossland site. The low-lying landscape ensures that the museum's 98ft high lattice steel headgear can be seen for many miles, a fitting memorial to days now past.
Apart from the steam winding engine and headgear the museum houses many exhibits, not least of which is the collection of 28 colliery locomotives, the largest collection of its type in the United Kingdom.
The colliery began its life in 1908 to exploit coal reserves in the south Lancashire Coalfield. Had it not been for the increasing demand for coal, at that time, the project would not have been viable. The coal seams at Astley Green are very deep and overlain by 100 feet of wet and unstable ground. These factors made the sinking of the shaft a very expensive proposition. The novelty of many of the requirements tested the ingenuity of the engineers during the construction, so much so that a paper, on the sinking of the shaft, was presented to the Institute of Mining Engineers. The colliery had a lifespan of only 62 years, finally closing its gates in 1970.
Higher Green Lane, Astley Green, Tyldesley, Lancashire GB UK, United Kingdom
Description
Keywords: The Victorian industrial mill Owner,close to Manchester,Cheshire,England,United,Kingdom,gotonysmith,sepia,black,white,b/w,mono,glasses,hat,stick,in,hand,suit,jacket,cravat,NT,national,trust,Quarry Bank Mill in Cheshire,England,is,one,of,the,best,preserved,textile,mills,of,the,Industrial,Revolution,and,is,now,a,museum,of,the,cotton,industry.,It,is,a,Grade,II,listed,building,and,is,now,in,the,care,of,the,National,Trust.,The,mill,was,founded,by,Samuel,Greg,(who,is,represented,here),in,1784,in,the,village,of,Styal,on,the,River,Bollin.,Its,original,iron,water,wheel,was,designed,by,Thomas,Hewes,and,built,between,1816,and,1820.,The,Hewes,wheel,finally,broke,in,1904.,After,that,the,River,Bollin,continued,to,power,the,mill,through,two,water,turbines.,Today,the,Mill,is,home,to,the,most,powerful,working,waterwheel,in,Europe,an,iron,water,wheel,which,was,originally,at,Glasshouses,Mill,at,Patley,Bridge.,This,wheel,was,designed,by,Sir,William,Fairbairn,the,Scottish,engineer,who,had,been,an,apprentice,of,Thomas,Hewes.,The,estate,surrou
Description: Tony Smith image Alamy CF23TD - Quarry Bank Mill in Cheshire, England, is one of the best preserved textile mills of the Industrial Revolution and is now a museum of the cotton industry. It is a Grade II listed building and is now in the care of the National Trust.
The mill was founded by Samuel Greg (who is represented here), in 1784 in the village of Styal on the River Bollin. Its original iron water wheel was designed by Thomas Hewes and built between 1816 and 1820.
The Hewes wheel finally broke in 1904. After that the River Bollin continued to power the mill, through two water turbines. Today the Mill is home to the most powerful working waterwheel in Europe, an iron water wheel which was originally at Glasshouses Mill at Patley Bridge. This wheel was designed by Sir William Fairbairn, the Scottish engineer who had been an apprentice of Thomas Hewes.
The estate surrounding the mill, also developed by Greg, is the most complete and least altered factory colony of the Industrial Revolution. The estate and mill were donated to the National Trust in 1939 by Alexander Carlton Greg and are open to the public. The mill continued in commercial production until 1959.
The Greg family were Unitarians and built Norcliffe Chapel in Styal village. Their non-conformist religious beliefs provided the Gregs with important business contacts as many of the major Manchester Industrialists were Unitarian. Methodist workers at the mill later sought a place of worship, and the Gregs converted a grain store in Styal village into a Chapel for their use.
In Britain, a cotton mill is a factory that houses spinning and weaving machinery. Typically built between 1775 and 1930, mills spun cotton which was an important product during the Industrial Revolution.
Cotton mills, and the mechanisation of the spinning process, were instrumental in the growth of the machine tool industry, enabling the construction of larger cotton mills. The requirement for water helped stimulate the construction of the canal system too.
Quarry Bank Mill, Styal, Wilmslow, Cheshire, England, United Kingdom
Description
Keywords: at,Dusk,gotonysmith,hotpixuk,night,dusk,shot,avon,gotonysmith,Buy Pictures of,Buy Images Of,Bath,Pump,Room,and,Abbey,at,Dusk,Avon,Bristol,City,of,Bath,Pump,Room,and,Abbey,at,Dusk,The,Roman,Baths,complex,is,a,site,of,historical,interest,in,the,English,city,of,Bath.,The,house,is,a,well-preserved,Roman,site,for,public,bathing.,The,Roman,Baths,themselves,are,below,the,modern,street,level.,There,are,four,main,features,the Sacred Spring,the Roman Temple,the,Roman,Bath,House,and,the,Museum,holding,finds,from,Roman,Bath.,The,buildings,above,street,level,date,from,the,19th,century.,The,Baths,are,a,major,tourist,attraction,and,together with the Grand Pump Room,receive more than one million visitors a year,with 1,037,518,people,during,2009.,It,was,featured,on,the,2005,TV,program,Seven,Natural,Wonders,as,one,of,the,wonders,of,the,West,Country.,Visitors,can,see,the,Baths,and,Museum,but,cannot,enter,the,water.,An,audio,guide,is,available
Description: Tony Smith image Alamy CF21XR - City of Bath, Pump Room and Abbey at Dusk
The Roman Baths complex is a site of historical interest in the English city of Bath. The house is a well-preserved Roman site for public bathing.
The Roman Baths themselves are below the modern street level. There are four main features: the Sacred Spring, the Roman Temple, the Roman Bath House and the Museum holding finds from Roman Bath. The buildings above street level date from the 19th century.
The Baths are a major tourist attraction and, together with the Grand Pump Room, receive more than one million visitors a year, with 1,037,518 people during 2009. It was featured on the 2005 TV program Seven Natural Wonders as one of the wonders of the West Country. Visitors can see the Baths and Museum but cannot enter the water. An audio guide is available in several languages.
In 2009 a grant of £90,000 was made to Bath and North East Somerset Council to contribute towards the cost of re-developing displays and improving access to the Roman Baths, by the Department for Culture, Media and Sport/Wolfson Fund, which was established to promote improvements in Museums and Galleries in England.
Description
Keywords: color,colored,coloured,colores,lapiz,pencils,green,red,blue,orange,yellow,paper,macro,extreme,close,up,closeup,tubes,bellows,still,life,stillife,stilllife,wood,wooden,cumberland,museum,cumbria,england,uk,unlimited photos,hotpix!
Description: Tony Smith image Flickr 4351682047 - 'A group of the little fella's coloured cumberland pencils that have just been used to colour in some boats. Hence thay are not sharpened to a point (a bit like a natural pencil, rather than ones just purchased for a photo like this :-)
He asked me to take a photo 'And make it a good one daddy' he said, 'Nothing bog standard like this one www.flickr.com/photos/hotpixuk/4349292119/ , ' he said.
Canon macro tubes used.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Warrington,Cheshire,town,england,english,museum,library,bold,st,street,fossils,egypt,cabinets,this photo rocks,HDR,high dynamic range,hotpics,hotpic,hotpick,hotpicks,interesting,place,places,12-24,sigma,wide angle lens,wide,sex,sexy,hotpix!
Description: Tony Smith image Flickr 4334926783 - 'Quite an unassuming place Warrington Museum, Cheshire seems, when looked at while being dragged around at high speed by a young child.
The museum is one of the oldest municipal museums in the UK and reflects something of the important local Victorians around at the time (1848), their interests and travels. It is a grade II listed building and houses fossils, Egyptian artefacts as well as relics of the old Warrington industries such as steel (particularly wire), clocks, textiles, brewing, tanning and chemicals are on display.
Since designation as new town, it is hard to see the old history beyond the shopping sites and new roads and buildings.
It can be regarded as a dormitory town for manchester or Liverpool and to wait on central station for the 08:13 sort of confirms that stereotype, particularly the stand in the corridor until Birchwood. Slightly shamefully hat was how I came to live in Warrington many years ago.
If you have time, spend a quarter of an hour in this little municipal jewel box. Slide out some fossil draws and check out how it used to be.
Another Warrington gem www.flickr.com/photos/hotpixuk/4009707938/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Liverpool,Albert,Dock,Dockside,UK,beatles,city,mersey,merseyside,river,pump,house,pumphouse,wet,rain,dusk,night,low,light,shot,hotpix,hotpixuk,tonysmith,tony,smith,blue,sky,warm,cobbles,stones,cobble,tate,gallery,maritime,museum,this photo rocks,HDR,high dynamic range,town,building,buildings,built,architecture,noche,nuit,sex,sexy
Description: Tony Smith image Flickr 4309650135 - 'A shot of the Pump House at the Albert Dock, Mersey Quayside, City of Liverpool. It has been a pub for may decades now, an old brick building. Here at dusk during heavy rain. Nice reflections on the cobbles and the wheel in the distance, near the new Liverpool One shopping centre.
The original building dates from 1878 when dockside cranes were converted to hydraulic use. However by 1920 due to the Albert dock being too small for the size of many cargo ships in use, it was mainly utilised for storage.
Regeneration started in 1981.
(2010 week 4)
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC ',
-near-Manchester-Airport--Lancashire---Cheshire-at-dusk--CF0N86.jpg)
Description
Keywords: Styal,Cotton,Mill,NT,(,National,Trust,),near,Manchester,Airport,Lancashire,Cheshire,at,dusk,gotonysmith,Gregs,Quarry,Bank,Mill,preserved,textile,mills,of,the,Industrial,Revolution,cotton,industry,Samuel,Greg,River,Bollin,Sir,William,Fairbairn,Apprentice,House,Norcliffe,Chapel,in,Styal,village,Magical,iconic,the,best,image,of,industrial,museum,revolution,textile,textiles,gotonysmith,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF0N86 - Styal Cotton Mill NT ( National Trust ) near Manchester Airport, Lancashire / Cheshire at dusk.
Quarry Bank Mill, Styal, South Manchester, Lancashire, England, United Kingdom
Description
Keywords: Old,Leyland,Wirral,double,decker,Buses,in,Blue,and,Yellow,Birkenhead,New,Brighton,Merseyside,Liverpool,passenger,transport,merseytravel,depot,museum,via,Seabank,road,twerlies,scouse,scousers,transport,bus,corporation,Birkenhead,Corporation,and,Wallasey,Corporation,motor,buses,Wirral,Transport,Museum,1951,Leyland,PD2/1,AHF,850,(54).,Preserver,Cedric,Greenwood,(1973).,Funding,purchased,New,Wallasey,1BG Project GCM 152E,a 1967 Leyland PD2/37 (152). Restored with Hamilton Quarter funding,Wirral,Museums,/,201,&,1BG,Project,AHF850,and,GCM152E,Birkenhead,Corporation,and,Wallasey,Corporation,motor,buses,gotonysmith,Wirral Transport Museum,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEY9GT - Old Leyland Wirral double decker Buses in Blue and Yellow Birkenhead New Brighton AHF 850 and GCM 152E
Birkenhead Corporation and Wallasey Corporation motor buses
Birkenhead, Wirral, Merseyside, United Kingdom, CH41 1FE
Description
Keywords: Old,Woodside,Birkenhead,Wirral,Merseyside,NW,England,UK,way,gotonysmith,man,holding,lever,wood,wooden,1920,1920s,no,20,no20,museum,Birkenhead,had,the,first,street,tramway,in,Europe.,Opened,on,29,August,1860,the,first,line,ran,from,Woodside,(adjoining,the,terminal,of,the,Ferry),to,Birkenhead,Park.,This,early,system,was,horse-drawn,and,was,the,brainchild,of,flamboyant,American,George,Francis,Train.,A,preserved,tram,was,on,display,in,the,Woodside,ferry,terminal,booking,hall.,The,system,was,later,electrified,and,operated,from,1901,as,Birkenhead,Corporation,Tramways.,Two,replica,trams,imported from Hong Kong,have,been,brought,into,service,as,part,of,a,heritage,tramway,between,Woodside,and,Wirral,Transport,Museum,and,Birkenhead,Corporation,Tramways,Car,No.20,is,preserved,on,this,line,and,shown,here.,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF0NPP - Old tram with driver, Woodside, Birkenhead, Wirral, Merseyside, NW England, UK
Birkenhead had the first street tramway in Europe. Opened on 29 August 1860 the first line ran from Woodside (adjoining the terminal of the Mersey Ferry) to Birkenhead Park. This early system was horse-drawn and was the brainchild of flamboyant American, George Francis Train. A preserved tram was on display in the Woodside ferry terminal booking hall.
The system was later electrified and operated from 1901 as Birkenhead Corporation Tramways. Two replica trams, imported from Hong Kong, have been brought into service as part of a heritage tramway between Woodside and Wirral Transport Museum, and Birkenhead Corporation Tramways Car No.20 is preserved on this line and shown here.
Woodside, Birkenhead, Wirral, Merseyside, NW England, UK
-Midlothian-Mining-Museum--UK-CEMWN5.jpg)
Description
Keywords: Coal Mine Grant,Company,Winding,engine,(largest,in,Scotland),Midlothian,Mining,Museum,UK gotonysmith,gotonysmith,Buy Pictures of,Buy Images Of,mine,Scotland,lift,machinery,colliery,coal,Grant,Ritchie,and Company,preserved,restored,industry,engineering,British,Scottish,Newtongrange,inside,interior,NCB,National Coal Board,NUM,National Union of Miners
Description: Tony Smith image Alamy CEMWN5 - Coal Mine Grant, Ritchie and Company Winding engine (largest in Scotland) Midlothian Mining Museum, UK
Lady Victoria Colliery at Newtongrange, Midlothian, Scotland
Description
Keywords: NCB,British,Rail,BR,coal,truck,National,Coal,Board,internal,use,only,No,L22,tare,560,mine,pit,head,pithead,mining,museum,red,railroad,british,UK,united,kingdom,transport,gotonysmith,National,Mining,Museum,Scotland,Lady,Victoria,Colliery,National,Union,Of,Mineworkers,England,Scottish,Newtongrange,The,Scottish,Mining,Museum,Trust,railyard,rail,yard,1950s,1960s,truck,rail,road,railroad,historic,history,old,antique,gotonysmith,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History,Coal History,Coal Mining History,Coal Industry
Description: Tony Smith image Alamy CEY9C3 - NCB Coal wagon for internal use only at the National Mining Museum Scotland, Lady Victoria Colliery, Newtongrange, Midlothian, EH22 4QN
The Scottish Mining Museum Trust is registered in Scotland
National Mining Museum Scotland, Lady Victoria Colliery, Newtongrange, Midlothian, EH22 4QN
Description
Keywords: Imperial,War,Museum,North,Abstract,Salford,Quay,Manchester,sky,dramatic,clouds,looking,upwards,up,Berlin,based,architect,Daniel,Libeskind,gotonysmith,Quays,England,UK,United,Kingdom,GB,Great,Britain,gotonysmith,Buy Pictures of,Buy Images Of,IWMN,brutal,brutalism,drama,sunny
Description: Tony Smith image Alamy CET17D - Imperial War Museum North (sometimes referred to as IWM North) is a museum in the Metropolitan Borough of Trafford in Greater Manchester, England. One of five branches of the Imperial War Museum, it explores the impact of modern conflicts on people and society. It is the first branch of the Imperial War Museum to be located in the north of England.
The museum occupies a site overlooking the Manchester Ship Canal in Trafford Park, an area which during the Second World War was a key industrial centre and consequently heavily bombed during the Manchester Blitz in 1940. The area is now home to the Lowry cultural centre and the MediaCityUK development, which stand opposite the museum at Salford Quays.
The museum building was designed by architect Daniel Libeskind and opened in July 2002, receiving 470,000 visitors in its first year of opening. It was recognised with awards or prize nominations for its architecture, but has also been criticised for poor energy efficiency. The museum features a permanent exhibition of chronological and thematic displays, supported by hourly audiovisual presentations which are projected throughout the gallery space.
The museum also hosts a programme of temporary exhibitions in a separate gallery. Since opening, the museum has operated a successful volunteer programme, which since January 2007 has been run in partnership with Manchester Museum. As part of a national museum, Imperial War Museum North is financed by the Department for Culture, Media and Sport and by self-generated income.
Imperial War Museum North,The Quays Trafford Wharf Rd, Manchester, England UK M17 1TZ
Description
Keywords: Merope,decaying,British,canal,boat,red,Ellesmere,Port,Cheshire,Great,Britain,British,Bridgewater,canal,museum,England,UK,United,Kingdom,interesting,decayed,disrepair,gotonysmith,Buy Pictures of,Buy Images Of,being,restored,barges,industrial,derelict,window,port hole,boats
Description: Tony Smith image Alamy CEY90T - Merope a cute decaying British canal boat in red
Ellesmere Port, Cheshire, England, UK
Description
Keywords: British,Regulate,The,Feed,sign,from,a,canal,dock,steam,engine,industrial,machine,power,industry,gotonysmith,Ellesmere,Port,canalside,museum,brass,black,shiny,gotonysmith,Buy Pictures of,Buy Images Of,engines,mechanics,history,historic,Victorian,old,traditional,technology
Description: Tony Smith image Alamy CEYAB8 - Regulate The Feed sign from a canal dock steam engine
Ellesmere Port, Wirral, Cheshire UK
Description
Keywords: The,Falkirk,Wheel,canal,Lift,Scotland,UK,rotating,rotates,gotonysmith,Forth,and,Clyde,Canal,with,the,Union,Canals,regenerate,central,Scotlands,reconnect,Glasgow,with,Edinburgh,British,Waterways,barge,narrowboat,museum,narrow,Enterprise,Network,historic,lock,flight,lockflight,proud,icon,iconic,sepia,monochrome,cafe,exhibition,centre,Rough,Castle,Fort,village,Tamfourhill,Golden,Jubilee,celebrations,Tony,Kettle,designs,by,Nicoll,Russell,Studios,design,engineers,Binnie,Black,&,Veatch,engineer,Aqueduct,central,scottish,independance,independence,home,rule,devolution,parliament,SNP,national,party,@Hotpixuk,Government,2014,Scots,vote,voting,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CET0YF - The Falkirk Wheel canal Lift, Scotland, UK
Falkirk Wheel Lift, Lime Rd Tamfourhill, Falkirk FK1 4RS
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,lonton,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHTHK - A pottery mould room from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,public,depot,shed,heritage,engineering,Lancashire,Fylde Coast,North West England,FY1 5DD,museum,transport,historic,maintenance,storage,tracks,infrastructure,red brick,fleet,electric,enthusiasts,tours,tourism,coastal,operational,visitor attraction,wires,catenary,operator,vehicles,preservation,seaside,urban infrastructure,sunny weather,municipal depot,1930s depot,interwar architecture,industrial architecture
Description: Tony Smith image Alamy 2JRM3AT - Rigby Road Depot and Tramtown in Blackpool, Lancashire, photographed in bright sunshine with blue sky, overhead tram wires, tram poles, security fencing, tram tracks and the red brick engineering buildings of Blackpool Transport visible behind the depot gates. The scene shows the working heritage tram environment associated with Blackpool's famous tramway, one of Britain's best known seaside public transport systems and a major part of the resort's identity on the Fylde Coast. The depot is strongly linked with Blackpool Heritage Trams, tram maintenance, engineering work, vehicle storage, restoration, preservation and public depot tours. Rigby Road has long been associated with Blackpool Transport operations, and the site is recognised for housing and maintaining buses and heritage trams, while newer modern tram fleet operations use the Starr Gate depot. The image is useful for editorial and commercial themes around British tramways, public transport heritage, municipal transport, light rail history, seaside tourism, transport infrastructure, industrial architecture, depot engineering, tram preservation and visitor attractions in Blackpool. The visible overhead line equipment, trackwork, depot entrance, fencing and large covered shed provide clear visual evidence of a working transport site rather than a general museum interior. The red brick buildings and practical engineering yard also make the photograph relevant to urban infrastructure, operational depots, railway and tram enthusiast interest, local authority transport history, sustainable electric transport and the continued popularity of vintage trams in a modern coastal town. The bright spring or summer-like conditions, hard sunlight and clear shadows give the image an optimistic, open-air feel, contrasting with the industrial depot setting. It can illustrate Blackpool tourism, Lancashire heritage, Fylde Coast travel, historic vehicles, electric tram engineering, public transport investment, transport museums
Depot, Rigby Road / Blundell Street, Blackpool, Lancashire, FY1 5DD
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,factory,factories,Great,Britain,showing,heritage,at,the,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Gladsto,Gladston,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRJW - A room full of molds from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: pano,spikeisland,docks,side,England,UK,United,Kingdom,GB,Great,Britain,reflection,reflections,spring,hot,day,lock,leisure,are,wide,shot,wideshot,Mersey,Sankey,borough,of,Cheshire,Catalyst,Museum,science,The,Stone,Roses,in,May,1990,Runcorn,Bridge,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6NHM - Spike Island is an island in the estuary of the River Mersey, in North West England, flanked by the Sankey Canal. It is a reclaimed toxic waste site, considered a birthplace of the British chemical industry, and forms a part of Widnes in the Halton borough of Cheshire.
Its maze of abandoned chemical factories, rail lines, canal and industrial dockage, and industrial pollution, which had declined into a rust belt toxic wilderness, was reclaimed as woodland, wetlands and green space between 1975 and 1982. A surviving warehouse is now the home of the Catalyst Museum, the only science museum in the UK solely devoted to chemistry.
Spike Island was the site of a famous outdoor concert by The Stone Roses in May 1990. A film about the concert was released in 2013, and is called Spike Island.
Spike Island, Sankey Canal, Widnes, England UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,S3,Kelham Island,Kellham Island,Yorkshire,Kelam Island,England,UK,S3 8RD,city,centre,steel,manufacture,the,pink,signs,forging,furnace,furnaces,forge,museum,lit,lighting,symbol,area,river Don,quarter,glow,craft,culture,heritage,history,historic,product,products,metalworking,brownfield
Description: Tony Smith image Alamy 2T0WE16 - Taken on 28 Jan 2023, this photograph shows Made in Sheffield, red neon sign, Kelam Island, Sheffield, South Yorkshire, England, UK, S3 8RD. The location is Kelam Island, Sheffield, South Yorkshire, England, UK, S3 8RD. The picture is not just a record shot: it contains readable commercial or civic signage, colour, typography and street context. Sheffield's name is internationally linked with steel, cutlery, engineering and industrial skill, so the neon wording works as a shorthand for civic identity, manufacturing heritage and northern regeneration. It can be used in editorial features, business reports, local-history writing, travel guides, public-policy explainers, educational material and SEO-led stock-photo searches needing a specific real-world image. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include South Yorkshire, Sheffield, Made in Sheffield, red, neon, sign, made, making, manufacturing, industry, Kelham Island, Kellham Island, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. This makes the image useful for comparison pieces, then-and-now features, local news, regeneration stories and plain-English explainers aimed at a general audience.
Kelam Island, Sheffield, South Yorkshire, England, UK, S3 8RD
Description
Keywords: Longton,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRHC - Circular pottery mosaic from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,09/11,terrorist attack,Memorial,September11,original,concrete,original concrete,terrorists,muslamic,islamic,bombers,suicide,tragedy,GroundZero,icon,iconic,history,historic,center,centre,downtown,uptown,national,September 11,memorial,museum,dark tourism ethics,terrorism memorialisation,New York visitor economy
Description: Tony Smith image Alamy 2AFK6BF - 09/11 - 0911 - National September 11 Memorial Museum,One World Trade Center,Lower Manhattan,New York City, NY, USA - Ground Zero has the strength of a real-world scene: ordinary enough to be believable, but specific enough to support precise editorial use. The National September 11 Memorial and Museum at Ground Zero is one of the most emotionally charged public sites in New York, built around loss, remembrance, security and national trauma. The subject can illustrate memorial culture, terrorism, Lower Manhattan, urban recovery, museum interpretation, public grief, anniversary coverage and the continuing global significance of 9/11. The location detail, New York, Manhattan, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. Relevant editorial themes include memorial, public memory, commemoration and historic site, with each theme rooted in the visible subject, place or activity. It can work both as a straightforward location record and as a wider editorial illustration of the habits, services, buildings, symbols and small commercial details that shape everyday life.
One World Trade Center, Manhattan, New York City, NY, USA, North America
Description
Keywords: Exeter,West,signal,saved,the,signalbox,from,demolition,carefully,dismantled,re-erected,as,a,working,museum,lever,levers,bluehour,blue,sky,traditional,heritage,centre,center,railroad,railway,Britishrail,British,rail,1950,1960,old,signalman,man,old,gotonysmith working age retired CW1 2DB CW12DB,Buy Pictures of,Buy Images Of,Crewe Railway Age
Description: Tony Smith image Alamy D96MT5 - Exeter West Signal Box
Exeter West Signal Box was originally built as a temporary structure by the Great Western Railway in 1913 following the enlargement of Exeter St. David's station It was located to the west of the station, controlling the junction for the London & South Western Railway's line to Waterloo and connections to the goods lines avoiding the station, the engine shed and various yards.
The signal box contained a lever frame of 114 levers, but this was replaced in 1959 by an even larger new frame of 131 levers. The box remained in use until 1985, when colour light signalling controlled electrically from a new signal box at Exeter was brought into use. After closure of Exeter West in 1985, the Exeter West Group moved in and dismantled the signal box, marking each of the hundreds of parts for future reference.
At first, all of the parts were moved to Bristol and a start was made on restoring the box to be a feature at Temple Meads station. However, by summer 1988 it was clear that this project had foundered, but a home was offered at the proposed Swindon Heritage Centre. Everything was moved there, and restoration work continued until 1990. However a seemingly indefinite postponement of the heritage project at Swindon made it necessary to seek another site.
Finally a home was found here at Crewe. Having moved all of the many parts, a start was finally made on the complex task of putting the box back together again in May 1991, the structure was complete and weatherproofed by the end of that year, and the Internal rebuilding continued through 1992. The signal box was formally opened to the public on May Day 1993.
Crewe Railway Station, Crewe, Cheshire, England, UK CW1 2DB
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,1980,1980s,mistake,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRBJ - Exciting 1980's bathroom suite toilet & pedestal sink unit
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: dock,front,at,the,Pier,Head,docks,Mersey,harbour,co,company,Merseyside,Lancs,England,NW,north,west,english,night,blue,hour,bluehour,city,centre,liver,building,Cunard,architecture,museum,of,nightshot,famous,historic,landmarks,river,riverside,Maritime,Mercantile,City,UNESCO,World,Heritage,gotonysmith,interesting,image,landmark,site,wide,pano,shot,landscape,tourist,visit,visitor,tourism,travel,Royal,Liver,Friendly,Society,Line,shipping,company,by,clock,selective,color,colour,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HD7N - Dusk/night image of the Royal Liver Building on the Liverpool dock front at the Pier Head
Pier Head, Liverpool, England, UK L3 1DL
Description
Keywords: Heritage,History,historic,craft,industry,horse,leather,manufacture,making,last,sign,labour,fashioned,heritage,museum,town,hundred,British,Great,Britain,GB,Walsall Made,English Riding Saddle,The Stables,old fashioned,Leather Museum,Town of a hundred trades,GoTonySmith,crafted,crafts,craftsmen,made,maker,makers,manufacturing,old,order,pride,products,quality,rack,ready,Black,Country,Buy Pictures of,Buy Images Of,Black Country,Walsall Black Country
Description: Tony Smith image Alamy F89PHY - The Industrial Revolution changed Walsall from a village of 2,000 people in the 16th century to a town of over 86,000 in approximately 200 years. The town manufactured a wide range of products including saddles, chains, buckles and plated ware. Nearby, limestone quarrying provided the town with much prosperity.
Walsall is usually remembered as the centre of an extensive leatherworking industry, but in reality there was much more. It used to be known as ˜The town of a hundred trades', which included all kinds of metalworking, tube making, iron and brass founding, electrical engineering, car and motor scooter making, chain making, lock making, and much more.
Walsall became a wealthy Black Country town because of its many industries that flourished, thanks to the hard-working, and skilled labour force.
Ablewell, Walsall, West Midlands, England, UK
Description
Keywords: Exeter,West,saved,the,signalbox,from,demolition,carefully,dismantled,re-erected,as,a,working,museum,lever,levers,bluehour,blue,sky,traditional,heritage,centre,center,railroad,railway,BR,Britishrail,British,rail,1950,1960,old,signalman,man,old,worker,fish,eye,wide,image,lens,12mm,10mm gotonysmith working age retired CW12DB CW1 2DB,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D96MRE - Exeter West signal box in operation at dusk (wide angle fisheye lens view)
Exeter West signal box is not at Exeter - it is at Crewe.
Why is this? Because a group of dedicated individuals saved the signalbox from demolition when the signalling in the Exeter area was renewed in 1985, and carefully dismantled it so it could be re-erected as a working museum demonstrating how the larger signal boxes of the past were.
This box is now viewable at Crewe as part of Crewe Heritage Centre display, and signalmen are present most weekends to describe and demonstrate signalling days of the past and answer questions from visitors.
Crewe Railway Station, Crewe, Cheshire, England, UK CW1 2DB
