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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9184,Manchester,Northern,Quarter,Coca-Cola,Cherry,Coke,advertising,mural,branding,street,urban
Description: Tony Smith image Alamy 3E54T89 - . Coca-Cola Cherry Coke advertising mural in Manchester Northern Quarter. Photographed on 21 March 2026. The recorded location is Northern Quarter, Manchester, Greater Manchester, England, UK. For artwork, the historical context is that street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. Looking at consumer culture, the longer history is that everyday objects often become better historical evidence with age because packaging, typography, materials and branding evolution more rapidly than their basic function
Souvenirs, games and household items can therefore date consumer culture very precisely. For artwork, the 2026 context is that public art is closely connected with regeneration, tourism, identity and debate about representation
Murals and sculptures can become visitor landmarks while also prompting discussion about whose history is visible in public space. In 2026, consumer culture remains relevant because sustainability and reuse also give older objects new relevance, encouraging repair, second-hand sales and appreciation of durable material culture. Useful related concepts include statue, urban culture, cultural identity, visual culture, community art, place-making, memorial art, creative industries, public realm, cultural landmark, collectable, consumer object, vintage object, memorabilia, design history, retro, and household object. Useful subject and context terms include collecting, manufactured object, product history, social history, 255A9184, and urban. Within the history of cultural landmark, monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can change the meaning of an apparently permanent object.
Northern Quarter, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9188,Manchester,Northern,Quarter,Coca-Cola,Cherry,Float,advertising,advert,mural,dusk,branding,street,urban
Description: Tony Smith image Alamy 3E54T8C - . Coca-Cola Cherry Float advertising mural at dusk in Manchester Northern Quarter. Photographed on 21 March 2026. The recorded location is Northern Quarter, Manchester, Greater Manchester, England, UK. Seen through statue, the earlier context is that monuments and civic artworks are part of the visual history of place
Their subjects reveal whom a community chose to celebrate, while later reinterpretation or controversy can change the meaning of an apparently permanent object. For design history, the historical context is that collectable items gain meaning through provenance and context
A board game, badge, souvenir or branded package may connect a national event or local place with mass manufacturing and personal memory. The 2026 relevance of statue comes from the fact that contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and place-making. For design history, the 2026 context is that online resale, nostalgia and interest in vintage design have made many ordinary twentieth-century objects active collecting categories rather than disposable goods. Additional subject vocabulary includes public art, sculpture, cultural identity, visual culture, community art, memorial art, public realm, cultural landmark, material culture, consumer object, vintage object, memorabilia, branding, consumer culture, retro, household object, and manufactured object. Relevant alternative phrases include product history, social history, and 255A9188. Looking at place-making, the longer history is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era.
Northern Quarter, Manchester, Greater Manchester, England, UK
Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,255A9712,Manchester,Northern,Quarter,food,booze,cocktails,sign,pub,bar
Description: Tony Smith image Alamy 3E3P83G - . Nice People Proper Food Booze Cocktails sign in Manchester Northern Quarter. Photographed on 28 June 2025. The recorded location is Northern Quarter, Manchester, Greater Manchester, England, UK. Seen through hospitality, the earlier context is that packaging and utensils also matter: corks, bottles and branded labels preserve evidence of production and trade alongside the food or drink itself. For notice, the historical context is that signs are functional pieces of graphic design that organise movement and communicate rules, names or destinations
Lettering, symbols, colours and materials can date public space as clearly as architecture, particularly when organisations rebrand or regulations evolution. Looking at beer culture, the longer history is that beer culture links agriculture, brewing, distribution and the licensed trade
Cask-conditioned ale, handpumps, brewery branding and pub interiors became especially significant to the real-ale revival from the 1970s onwards, while later craft brewing introduced new styles and independent producers. The 2026 relevance of hospitality comes from the fact that hospitality and food retail continue to adapt to higher costs, delivery platforms and changing diets, making older restaurant and product images useful evidence of consumer trends. For notice, the 2026 context is that digital maps and smartphone navigation are ubiquitous, but physical signage remains essential for safety, accessibility, legal restrictions and visitors without reliable connectivity. Other closely matched search terms include food culture, cuisine, street food, home cooking, food photography, regional food, consumer culture, ingredients, meal, culinary tradition, food provenance, eating out, public information, wayfinding, direction sign, street sign, and typography. Closely associated editorial terms include public realm, visitor guidance, information sign, bilingual signage, accessibility sign, and graphic communication.
Northern Quarter, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,english,illumination,illuminated,lit,lighted,up,Oldham St,Oldham Street,in,Manchester,City,Centre,faith,belief,religion,M1 1JR,M1,NQ4,Northern,Quarter,neon lettering,religious message,Christian sign,illuminated sign,blue neon,Manchester city centre,Manchester nightlife,urban signage,faith in public space,spiritual message,city street sign,Christianity,worship,spirituality,evangelical message,God is not dead,Jesus is not dead
Description: Tony Smith image Alamy 2X2CG3J - This image shows a striking illuminated neon sign displaying the words Come and Worship, rendered in bright blue neon tubing and framed by a contrasting green neon border. The sign is located on Oldham Street in Manchester city centre, an area strongly associated with nightlife, independent music venues, bars, and alternative culture within the Northern Quarter.
The message presents a deliberate and thought-provoking contrast between religious language and its urban surroundings. Oldham Street is better known for live music, late-night venues, record shops, and street culture than overt expressions of faith, making the presence of a Christian worship message visually and culturally arresting. The glowing neon typography echoes commercial signage styles more commonly associated with entertainment or retail, blending religious invitation with the visual language of the night-time city.
Photographed at night, the sign's illumination stands out sharply against a dark background, emphasising the clarity of the text and the symbolic impact of faith displayed openly in a secular urban environment. The image reflects wider themes in contemporary British cities, including the coexistence of belief systems, the visibility of religion in public spaces, and the use of modern visual forms to communicate traditional spiritual messages.
This photograph has strong editorial relevance for themes of religion, belief, spirituality, urban culture, modern Britain, social commentary, and the interaction between faith and nightlife in city centres.
Oldham Road, Manchester, M1 1JR
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,Northern,Powerhouse,industry,art,music,MarkEsmith,Hit The North,Manchester,Northern quarter,NQ4,Greater Manchester,England,Neon,Hit,The,North,quarter,proud,pub,bar,Punish The North,Northern wasteland,wasteland,M6,North West,NorthWest,North West of England,Lancashire,Lancs,brick,wall,neon sign on wall,white sign,levelling up,Cumbria,village
Description: Tony Smith image Alamy 2AEDHXN - Hit the North is a 1987 song by British post-punk band the Fall. The lyrics were composed by band leader Mark E. Smith with the music written by Simon Rogers and Brix Smith. It was released as a single in October 1987 and reached number 57 on the UK singles chart. According to Tom Doyle of Sound on Sound, the song is a rousing groove“based anthem which is now regarded by many as both their ultimate statement and best single.
The record was part of a conscious approach by Brix Smith and Simon Rogers, both of whom had recently joined the band, in increasing the Fall's popularity and accessibility. Brix Smith said: It was definitely a conscious thing on my part because they were so, so underground and so unappreciated and unknown. I just thought they were such an important band and it needed to be broadcast all over the world. Her husband at the time, Mark E. Smith, disagreed: ..it wasn't a conscious effort. It was just trying to get it a bit more punchy. I always like it very clean and simple. A lot of groups are swamped with sound.
The music was written by Rogers and Brix Smith, and recorded by Rogers on his newly-acquired Sequential Circuits Studio 440 sequencer-sampler. Rogers said literally the first thing I put into it was a bass and a snare just on two pads, a little tiny Indian bell... and a sax note and a bass note from a Gentle Giant record. When Rogers demonstrated the instrument to Mark E. Smith, Smith said: What's that music? I'll have that, just do me a tape. Smith recorded a demo, with the original programmed drums removed
on the final recording they are replaced by samples of Simon Wolstencroft's drumming. The song was recorded in Abbey Road Studios in July 1987, during the sessions for the band's album The Frenz Experiment, with Rogers as producer and Ian Grimble as recording engineer. Guitar and vocal distortions and other effects were added in the studio.
Northern Quarter, Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,NQ4,Northern Quarter,Tib St,Craft Village,M4,art,crafts,City Centre,Oak Street,Lancashire,M4 5JD,F Hodgkinson,Sales office,Manchester Craft Village,Northern Quarter Manchester,F,Sales,office,Frank,New Smithfield Market,Stalls H9,Northern,Quarter,icon,iconic,Fred,Hodgkinson
Description: Tony Smith image Alamy RPGEK9 - . A close documentary record depicts a moment within 17 Oak St, Manchester, UK, M4 5JD, in a view made during 2019. The supplied image information identifies Fish & Poultry, F.Hodgkinson Sales office, Manchester Craft Village, Oak Street, Northern Quarter, Manchester, Lancashire, UK, M4 5JD. Other closely connected aspects of the subject are everyday Britain, changing Britain, local identity, place and memory, social context, modern history, community life, public realm, documentary photography, documentary record, place-based history, and cultural landscape. In the mid-2020s, regional identity is increasingly discussed through shifts in local identity and the passage of time, with attention turning to stronger archival comparison. The date and location give the photograph archival strength: future views of 17 Oak St, Manchester, UK, M4 5JD may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The view also records themes involving visual record, regional identity, everyday infrastructure, local character, contemporary social history, urban and rural change. The scene is further associated with Manchester City Centre, Fish and Poultry, Fresh Fish, Hodgkinson Fresh Fish. Its context additionally embraces social landscape, and community environment. Current debate around regional identity often combines shifts in local identity, the passage of time and the practical challenge of a clearer record of local change. The combination preserved here provides evidence of movement through the area, planning and redevelopment, historic fabric, everyday services, and social change at this precise location. As the location changes, the frame remains a reference for architecture and streetscape, public access, ownership or occupation, transport patterns, and neighbourhood identity within the surrounding area.
17 Oak St, Manchester, UK, M4 5JD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,manchester,city centre,NQ4,Manchester,City Centre,M2 1NL,Emerica,Factory,Works,building,Northern,Quarter,North West,M2,M4,wall,on wall,beak,factory,business,window,windows,industrial,area,birds,painted,industry,warehouse,warehouses,beaks,mouth,graffiti trail
Description: Tony Smith image Alamy RG98D6 - . A place-specific photograph places on record the everyday reality of Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET, in a scene preserved from 2019. Within that setting the photograph concentrates on Emerica Factory Works, Bird Art, Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET. The location also connects ecological value, transport interchange, conservation architecture, nature conservation, ecosystem resilience, architectural detail, urban visual culture, period property, climate impacts, habitat management, mural culture, and heritage streetscape. The wider contemporary story of passenger rail now includes accessible travel alongside fares and affordability, while policy and investment increasingly consider better links with buses and trams. Current debate around creative hoardings often combines regeneration, temporary installations and the practical challenge of art integrated with regeneration. In the mid-2020s, traditional structures is increasingly discussed through adaptive reuse and maintenance cost, with attention turning to heritage-led regeneration. Because this is a time-specific record of Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET, later comparison can reveal changes in signage, ownership, land use, transport, street furniture, building condition and the way the public uses the surrounding space. The view also records themes involving rail heritage, heritage asset, climate adaptation, illustrated hoarding, passenger connectivity, street-level design. Other local associations include Cross Keys Street, Manchester City Centre, Manchester Northern quarter, graffiti. Seen from a 2025-onward perspective, rail accessibility also connects with fares and affordability, reliability and efforts aimed at renewed station districts. It endures as a dated local record.
Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,manchester,city centre,NQ4,Manchester,City Centre,M2 1NL,Emerica,Factory,Works,building,Northern,Quarter,North West,M2,M4,wall,on wall,beak,factory,business,window,windows,industrial,area,Abandoned Factory,birds,painted,industry,warehouse,warehouses,graffiti trail
Description: Tony Smith image Alamy RG98G8 - . This contextual photograph sets out the social and built context of Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET, in a scene preserved from 2019. The principal point of reference is Emerica Factory Works, Bird Art, Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET. Other closely connected aspects of the subject are rail heritage, environmental conservation, architectural detail, visual placemaking, architectural heritage, environmental stewardship, sustainable mobility, architectural character, historic fabric, community expression, train travel, and commuter transport. Modern coverage of integrated public transport frequently reaches beyond the immediate scene to questions of reliability, public ownership and better links with buses and trams. Seen from a 2025-onward perspective, temporary urban art also connects with community participation, graffiti versus commissioned work and efforts aimed at stronger place identity. The wider contemporary story of architectural conservation now includes planning control alongside redevelopment pressure, while policy and investment increasingly consider heritage-led regeneration. The date and location give the photograph archival strength: future views of Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The location additionally reflects traditional building, urban conservation, period architecture, creative streetscape, adaptive reuse, climate impacts. The scene is further associated with Cross Keys Street, Manchester City Centre, Manchester Northern quarter, graffiti. The photograph preserves the surrounding streetscape associated with Emerica Factory Works before further change occurs.
Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,manchester,city centre,NQ4,Manchester,City Centre,M2 1NL,Emerica,Factory,Works,building,Northern,Quarter,North West,M2,M4,wall,on wall,beak,factory,business,window,windows,industrial,area,birds,painted,industry,warehouse,warehouses,beaks,mouth,graffiti trail
Description: Tony Smith image Alamy RG98JA - . This descriptive scene sets out the character of Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET, as recorded during 2019. The image record centres upon Emerica Factory Works, Bird Art, Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET. The wider setting includes street creativity, species protection, ecological value, rail corridor, graphic intervention, heritage streetscape, intercity travel, visual placemaking, sustainable mobility, adaptive reuse, art-led regeneration, and rail modernisation. For present-day editorial use, network modernisation can also illustrate debates about public ownership and ticketing reform, particularly where these affect lower-carbon mobility. Modern coverage of public art frequently reaches beyond the immediate scene to questions of public-realm investment, graffiti versus commissioned work and community-led design. Seen from a 2025-onward perspective, heritage assets also connects with conservation of original fabric, redevelopment pressure and efforts aimed at preserving local character. Small period details preserved at Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The broader context includes period property, environmental conservation, natural habitat, urban artwork, trackside infrastructure, nature recovery. The record also refers to Cross Keys Street, Manchester City Centre, Manchester Northern quarter, graffiti. In the mid-2020s, railway governance is increasingly discussed through town-centre connectivity and reliability, with attention turning to more dependable regional connections. The photograph also fixes the area's visual identity associated with Emerica Factory Works for visual before-and-after study.
Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,manchester,city centre,NQ4,Manchester,City Centre,M2 1NL,Emerica,Factory,Works,building,Northern,Quarter,North West,M2,M4,wall,on wall,beak,factory,business,window,windows,industrial,area,red,purple,bird,birds,runs,running,graffiti trail
Description: Tony Smith image Alamy RG98JB - . An on-location image captures the everyday reality of Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET, in a time-specific record from 2019. The frame is associated with Emerica Factory Works, Bird Art, Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET. Related ideas embodied by the location include architectural heritage, commuter transport, street-level design, ecosystem protection, environmental conservation, historic environment, integrated transport, local landmark, railway operations, mural culture, green infrastructure, and environmental change. In the mid-2020s, station investment is increasingly discussed through reliability and accessible travel, with attention turning to renewed station districts. For present-day editorial use, street-level design can also illustrate debates about local identity and community participation, particularly where these affect recording temporary artwork. Modern coverage of heritage assets frequently reaches beyond the immediate scene to questions of redevelopment pressure, energy retrofit and preserving local character. Because this is a time-specific record of Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET, later comparison can reveal changes in signage, ownership, land use, transport, street furniture, building condition and the way the public uses the surrounding space. The surrounding story includes rail mobility, conservation management, traditional building, passenger railway, public art, visual placemaking. Other local associations include Cross Keys Street, Manchester City Centre, Manchester Northern quarter, graffiti. Further aspects present in the subject include environmental stewardship, community expression, contemporary mural, ecosystem resilience, regional rail, urban fabric, intercity travel, urban graphics, urban artwork, and rail heritage.
Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,manchester,city centre,NQ4,Manchester,City Centre,M2 1NL,Emerica,Factory,Works,building,Northern,Quarter,North West,M2,M4,wall,on wall,beak,factory,business,window,windows,industrial,area,Abandoned Factory,birds,painted,industry,warehouse,warehouses
Description: Tony Smith image Alamy RG98JF - . This contextual photograph shows the social and built context of Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET, in a photograph originating in 2019. The frame is associated with Emerica Factory Works, Bird Art, Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET. Other aspects of the setting include creative streetscape, urban artwork, public realm art, urban graphics, graphic intervention, historic townscape, habitat management, illustrated hoarding, art-led regeneration, traditional building, community art, and local identity. Modern coverage of street-level design frequently reaches beyond the immediate scene to questions of regeneration, public-realm investment and recording temporary artwork. Seen from a 2025-onward perspective, older urban fabric also connects with planning control, adaptive reuse and efforts aimed at sensitive refurbishment. The wider contemporary story of green and blue spaces now includes climate adaptation alongside flood risk, while policy and investment increasingly consider climate-adapted landscapes. Over time, this view of Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET can support local-history and planning research by preserving details of appearance, occupation, signage, public access and everyday use that written records may omit. The location additionally reflects conservation management, ecological value, architectural heritage, climate adaptation, climate resilience, natural environment. Further recorded details include Cross Keys Street, Manchester City Centre, Manchester Northern quarter, graffiti. For present-day editorial use, street-level design can also illustrate debates about youth culture and local identity, particularly where these affect recording temporary artwork. The photograph preserves the surrounding streetscape within the evolving townscape.
Cross Keys St, Northern Quarter, Manchester, City Centre, North West England, UK, M4 5ET
Description
Keywords: stone,brick,Victorian,carved,sculpted,figures,Manchester,city,centre,England,history,historic,feature,features,gate,gated,retail,wholesale,Northern,Quarter,greater,powerhouse,Booth,Mayor,modern,CIS,building,Smithfield Markets,Northern Quarter,Manchester Northern Quarter,Greater Manchester,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,background,contracts,old,new,contrasting,construction,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,old and new
Description: Tony Smith image Alamy GJ7965 - . A grounded documentary photograph made at High St, Manchester, England, UK in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The photograph centres on Smithfield old Markets sculpted figures,Manchester city centre, England,UK, modern CIS building in background. Another layer of the photograph includes creative placemaking, urban graphics, graffiti heritage, changing land use, community identity, public realm, public-realm art, temporary artwork, visual street culture, mural culture, changing streetscape, street creativity, historical comparison, and before-and-after reference. The modern context includes continuing discussion of temporary works, graffiti policy and the blurred line between commissioned public art and unsanctioned graffiti. The archival value lies partly in recording materials and architectural details around High St, Manchester, England, UK before new ownership alters the character of the place. The surrounding story also includes contemporary social history, creative district, regional identity, street-level design, contemporary mural, local history, archival record, and social history. The recorded references to sculpted, Smithfield, background, modern, and Markets preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within High St, Manchester, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another useful connection is temporary works and the blurred line between commissioned public art and unsanctioned graffiti as part of the longer story of High St, Manchester, England, UK. The scene further reflects public art and how temporary street art becomes an important visual archive when considered against later change at High St, Manchester, England, UK.
High St, Manchester, England, UK
Description
Keywords: stone,brick,Victorian,carved,sculpted,figures,Manchester,city,centre,England,history,historic,feature,features,gate,gated,retail,wholesale,Northern,Quarter,greater,powerhouse,Booth,Mayor,fish,boat,boats,nets,Smithfield Markets,Northern Quarter,Manchester Northern Quarter,Greater Manchester,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ7968 - . Recorded at High St, Manchester, England, UK in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The subject captured here is Smithfield old Markets sculpted figures,Manchester city centre, England,UK -Fish &ships. The locality and subject together evoke changing streetscape, temporary artwork, contemporary mural, documentary photography, everyday life, archival record, community identity, public art, street-level design, regional identity, place identity, historical comparison, creative district, and local character. Current relevance extends to creative industries and graffiti policy, particularly through the blurred line between commissioned public art and unsanctioned graffiti. As a dated visual record of High St, Manchester, England, UK, the frame retains commercial use and occupation, making it especially useful if different community use subsequently changes the scene. The location also brings in street creativity, urban graphics, creative placemaking, urban artwork, visual archive, before-and-after reference, graffiti heritage, and contemporary social history. Elements such as ships, Manchester, -Fish, centre, and Markets add documentary specificity and may become increasingly useful when compared with later records. Around High St, Manchester, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects creative industries and the blurred line between commissioned public art and unsanctioned graffiti as part of the longer story of High St, Manchester, England, UK. Its period value extends to public art and the role of murals in defining creative neighbourhoods when considered against later change at High St, Manchester, England, UK. The frame retains evidence of changing use within the wider story of High St, Manchester, England, UK.
High St, Manchester, England, UK
Description
Keywords: stone,brick,Victorian,carved,sculpted,figures,Manchester,city,centre,England,history,historic,feature,features,gate,gated,retail,wholesale,Northern,Quarter,greater,powerhouse,Booth,Mayor,fish,gate,gates,fish,Smithfield Markets,Northern Quarter,Manchester Northern Quarter,Greater Manchester,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,fishermen,trade,traders,trader,seller,baskets,basket,rod,rods,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ796C - . This location-specific image from High St, Manchester, England, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The photograph centres on Smithfield old fish Markets sculpted figures,Manchester city centre, England,UK. The image also relates to place identity, contemporary mural, street-level design, visual archive, changing streetscape, temporary artwork, graffiti heritage, visual street culture, changing land use, street creativity, documentary photography, urban graphics, social history, and contemporary social history. For current editorial use, tourism and creative industries provide additional context, especially through how temporary street art becomes an important visual archive. The archival value lies partly in recording building condition and alterations around High St, Manchester, England, UK before changing commercial priorities alters the character of the place. Other useful contextual ideas include mural culture, period detail, local character, local history, public-realm art, before-and-after reference, regional identity, and public art. References to sculpted, Markets, Smithfield, Manchester, and figures give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within High St, Manchester, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene further reflects tourism and how temporary street art becomes an important visual archive as part of the longer story of High St, Manchester, England, UK. Its period value extends to graffiti policy and how regeneration can support and displace informal culture at the same time when considered against later change at High St, Manchester, England, UK. The record includes evidence of earlier appearance within the wider story of High St, Manchester, England, UK.
High St, Manchester, England, UK
Description
Keywords: stone,brick,Victorian,carved,sculpted,figures,Manchester,city,centre,England,history,historic,feature,features,gate,gated,retail,wholesale,Northern,Quarter,greater,powerhouse,Booth,Mayor,fish,gate,gates,fish,Smithfield Markets,Northern Quarter,Manchester Northern Quarter,Greater Manchester,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,fishermen,trade,traders,trader,seller,baskets,basket,rod,rods,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ796F - . This dated editorial view of High St, Manchester, England, UK in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on Smithfield old Markets sculpted figures,Manchester city centre, England,UK -Fish sales. Another layer of the photograph includes contemporary social history, visual street culture, urban artwork, temporary artwork, place identity, changing land use, contemporary mural, regional identity, street-level design, period detail, archival record, visual archive, social history, and public realm. The modern context includes continuing discussion of graffiti policy, temporary works and how temporary street art becomes an important visual archive. Future viewers can use this scene from High St, Manchester, England, UK to compare commercial use and occupation with whatever follows after replacement signage. The subject also sits alongside documentary photography, local history, everyday life, historical comparison, community identity, graffiti heritage, public-realm art, and creative placemaking. The combination of sculpted, -Fish, Manchester, Markets, and sales anchors the frame to a recognisable activity, place or moment. By fixing the subject within High St, Manchester, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. A further contemporary connection is graffiti policy and how temporary street art becomes an important visual archive within the real-world context of High St, Manchester, England, UK. The wider significance includes tourism and how temporary street art becomes an important visual archive within the specific setting of High St, Manchester, England, UK. Another strand within the photograph is graffiti policy and the role of murals in defining creative neighbourhoods as part of the longer story of High St, Manchester, England, UK.
High St, Manchester, England, UK
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,lancs,Lancashire,Afflecks Palace Manchester,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ798T - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,mosaic,history,historic,Afflecks Palace Manchester,Northern Quarter,Manchester Hero,Alan Turing,Rolls Royce,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,Danger,Mouse,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops,Danger Mouse,Historic Manchester
Description: Tony Smith image Alamy GJ7998 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,music,Smiths,Oasis,Noel,Take,That,heroes,Mosaic,Northern Quarter,Mark Kennedy,Manchester Heroes,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,Mosaic,Mosaics,art,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ79A2 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,jokes,Mosaic,Mosaics,art,Afflecks Palace Manchester,Manchester Hero,Manchester Heroes,Joke Shop,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ79A4 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,door,entrance,disablism,Altergphobia,love,peace,red,black,respect,LGTB,village,gay,canal,street,famous,Afflecks Palace Manchester,Northern Quarter,Canal St,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Madchester,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Tib St,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ79A5 - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1981 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period “ when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
52 Church St, Manchester, England, UK M4 1PW
![iPod Shuffle2 - Post War Glamour Girl [ Manchester Northern Quarter Mural , England UK ] 7693458316 art,NQ,Manchester,Cord,Bar,big,breasts,chest,chested,lady,female,woman,red,head,redhead,stilletto,shoes,ble,stockings,french,knickers,pants,french knickers,street,England,Northern,Quarter,mural,pano,panorama,hipstamatic,iphone,joiner,sexy,lips,giant,enormous,hooters,legs,air,ready,punter,Tib,St,TibSt,breasted,milf,BBW](https://live.staticflickr.com/7248/7693458316_a88930a2ce_o.jpg/)
Description
Keywords: art,NQ,Manchester,Cord,Bar,big,breasts,chest,chested,lady,female,woman,red,head,redhead,stilletto,shoes,ble,stockings,french,knickers,pants,french knickers,street,England,Northern,Quarter,mural,pano,panorama,hipstamatic,iphone,joiner,sexy,lips,giant,enormous,hooters,legs,air,ready,punter,Tib,St,TibSt,breasted,milf,BBW
Description: Tony Smith image Flickr 7693458316 - 'Salford lad John Cooper Clarke - 'Post War Glamour Girl' - Play this track here.
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This is a panorama of four hipstamatic shots taken on an iphone stiched together. It was taken in Manchester's Northern Quarter.
John Cooper Clarke (born 25 January 1949) is an English performance poet who first became famous during the punk rock era of the late 1970s when he became known as a 'punk poet'.[1] He released several albums in the late 1970s and early 1980s, and continues to perform regularly.
His recorded output has mainly centred around musical backing from The Invisible Girls, which featured Martin Hannett, Pete Shelley, Bill Nelson, Paul Burgess and Steve Hopkins.
His first releases were on the independent label Rabid, starting with the EP Innocents in October 1977. He toured with Bill Nelson's band Be-Bop Deluxe in 1978 and was signed by Epic Records, who issued the Nelson-produced debut album Disguise In Love in 1978.
In 1979 he had his only UK top 40 hit with 'Gimmix! (Play Loud)'. Clarke toured with Linton Kwesi Johnson, and has performed on the same bill as bands such as Sex Pistols, The Fall, Joy Division, Buzzcocks, Siouxsie and the Banshees, Elvis Costello, Rockpile, and New Order (including at their May 1984 Music for Miners benefit concert at London's Royal Festival Hall). His set is characterised by lively, rapid-fire renditions of his poems, usually performed a cappella. Often referred to as 'the bard of Salford', he usually refers to himself on stage as 'Johnny Clarke, the name behind the hairstyle'.
This mural which is just on the gable end of Cord bar is just around the corner from Tib St, the old seedy street that used to be home to pet shops and sex shops. These days its more arty bars, nice cafes and music venues. Still a bit seedy, reassuringly!
File under: MNQ , Manchester, Mancunian, Northern Quarter, Mural, Graffitti, naked busty large chested lady, girl female, breats, tight knickers , pants , high heels , silk stockings, french , red shoes , mask , masque, burlesque , show, recline , reclining in the city , Cordbar , Cord bar , street art , Lancashire, England , UK, N4 , NQ, oldham st , tib street enourmous , enormous , bbw , no nipples , hidden , seductive , seduction , temptation , fings not always what they appear!
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: tony,smith,tonysmith,tonysmithhotpix,manchester,northern,quarter,reflection,road,puddle,tib,st,street,UK,England,culture,NQ,N4,sex,shops,pet,xxx,shop,bar,bars,night,dusk,shot
Description: Tony Smith image Flickr 6733303897 - 'The Verve - 'A Northern Soul' - Play this track here.
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A Northern Soul is the second studio album by English alternative rock band The Verve. The album was released in the United States on 20 June 1995 on the Hut label and in the United Kingdom on 3 July 1995 on Vernon Yard Records. The title is a reference to Northern Soul, an integral part of Wigans history in the 1960's and early 1970's, popular dance/music movement.
Following their performance at Lollapalooza in 1994, The Verve returned to their Wigan-based practice room to begin writing and recording songs for their second studio album. Commenting on the effect that working in the 'dank rehearsal room' had on the band's songwriting process, frontman Richard Ashcroft stated: \u201cPractising in a dungeon in Wigan for this record, you're devoid of any kind of fashion, or thought of 'This is what we should be doing'. Like a band that goes into the studio and plays the music they hear in their heads rather than what they read in magazines.\u201d
Initially, the band tried to record the LP inside the rehearsal room itself, so that 'they could record as they had been rehearsing', but, when this approach proved to be impossible, they relocated the recording sessions to rural Wales with producer Owen Morris. Tom Hiney, writing for The Guardian in September 1997, claimed that the band's experience of recording during this period was 'intense and morose, but it produced an album that will still be listened to in 30 years' time. In my opinion, he was right on that one.
The band thought highly of the album, with drummer Peter Salisbury declaring it to be 'one of the best albums in the last 10 or 15 years. As good as Nirvana's or the Roses', and McCabe claiming it contained 'some of the best music I have ever heard by anyone'. The album was a moderate success upon its release, reaching no 13 on the UK album chart. However, in later years the album saw more acclaim, with readers of Q Magazine voting it the 53rd best album of all time in 1998, and NME ranking it as the 28th best album of all time in 2003 and the 13th best British album in 2006.
Locals will recognise this reflection in a road puddle, just down Tib Street Manchester. The Northern Quarter (N4 or NQ) is an area of Manchester City Centre, England, UK, generally marked out between Piccadilly, Victoria and Ancoats, and centred around Oldham Street, just off Piccadilly Gardens.
A centre of alternative and bohemian culture, the area is usually considered to be contained within Newton Street (borders with Piccadilly Basin), Great Ancoats Street (borders with Ancoats), Back Piccadilly (borders with Piccadilly Gardens) and Swan Street/High Street (borders with Shudehill/Arndale). Popular streets include Oldham Street, Tib Street, Newton Street, Lever Street, Dale Street, Hilton Street and Thomas Street.
The Northern Quarter is part of a larger area of Greater Manchester that is on a tentative list of nominated sites for UNESCO World Heritage Site Status, a position held since 1999. Its a great place to grab some vintage clothing at Aflecks Palace, some Belgian beer, chorizo burgers at Trof or a brilliant piece of cake with custard in 1950's surroundings at Sugar Junction. Did I mention the Night &
Day?
In my youth it was a street of XXX Sex Shops and pet shops. A funny mix. Its a lot less menacing than it was, fewer pet and sex shops, more trendy places &
eateries.
For Dave Haslam (I can read his music books all day if I can), the Northern Quarter became the last refuge of the Manchester music scene in the 1990s: 'A community, of sorts, had developed around music-makers wedded to experimentalism, from Andy Votel to Waiwan, nurtured at club nights such as Graham Massey's Toolshed and Mark Rae's Counter Culture ... In 1992, Frank Schofield and Martin Price (of 808 State) had lamented the fate of the independent record shop, yet within five years there were several new record shops in the Northern Quarter'.
When you next visit Manchester, checkout the Northern Quarter. Proper Manchestor!
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Reflection,of,a,red,XXX,sex,shop,sign,in,a,puddle,Tib,St,Street,Manchester,Northern,Quarter,Lancashire,England,UK,sexshop,licensed,seedy,licenced,low,life,lowlife,gotonysmith,wet,road,pavement,rainy,city,rainycity,N4,NQ,dirty,peepshow,peep,show,Afflecks,Palace,Afflecks,Aflecks,M4,5SG,M45SG,Near,Oldham,St,street,Great,Ancoats,shop,shoppers,pervert,perverts,men,dvd,films,pop,cult,city,imanc,mancunian,way,Manc,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HW77 - . Reflection of a red XXX sex shop sign in a puddle , Tib St Manchester Northern Quarter, Lancashire, England, UK. Photographed on 9 December 2011. The recorded location is Tib St, Manchester Northern Quarter, Lancashire, England UK M4 5SG. The wider historical story is that markets and high-street businesses combine commercial history with everyday social life
Their changing occupiers, branding and uses document local economies, consumer culture, town-centre regeneration and the long shift from traditional retailing towards mixed shopping, food and leisure destinations. In historical terms, signs and notices are ephemeral pieces of design that can become important historical evidence
Lettering, logos, warnings and directions record former businesses, regulations, transport systems and public messages that may disappear long before the surrounding building changes. In the present 2026 context, high streets still change rapidly as retailers respond to online competition, costs and changing footfall
Government support for community assets and town-centre renewal gives photographs of independent shops, markets and former businesses added relevance to stories about regeneration and local economies. During 2026, much public information has moved onto smartphones and digital displays, making earlier fixed signs and printed notices increasingly useful as evidence of how people once navigated places, bought services and followed rules. Looking at the subject's development, shops and markets are a visible record of changing consumer life, from family businesses and specialist traders to chain stores, department stores and regenerated market halls
Fascias, signs and shopfronts can date a street scene as clearly as architecture or vehicles. Useful subject and context terms include retail premises, local business, independent retailer, town centre, commercial property, local economy, shopping district, retail history, business closure, and urban commerce.
Tib St, Manchester Northern Quarter, Lancashire, England UK M4 5SG
Description
Keywords: Thethe,Matt,johnson,man,male,bloke,lad,grafitti,graffiti,graffitti,door,way,doorway,sepia,replay,shirt,clothes,clothing,UK,tonysmith,tony,smith,hotpix,tonysmithhotpix,manchester,england,Northern,quarter,ancoats,north,west,northwest,Concrete,Penguin,Band,@hotpixuk
Description: Tony Smith image Flickr 6139633525 - 'The The - Slow Emotion Replay - Play this track here.
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Forming a soundtrack to much of my 1980's, 'The The' are an English musical and multimedia group that have been active in various forms since 1979, with singer/songwriter Matt Johnson being the only constant band member.
In 1993, the five-piece line-up issued the album Dusk containing this single. It debuted at no 2 in the UK and spun off three Top 40 singles in the UK, led by 'Dogs of Lust'. A world tour followed, the Lonely Planet tour, at which point the band's line-up was reshuffled
Johnny Marr and James Eller left, and were replaced by Atlanta based guitarist Keith Joyner and New York bassist Jared Nickerson, respectively.
Also added was Boston harmonica player Jim Fitting, who auditioned in New York in early 1993. The version of their hit 'This Is The Day' featuring Jim Fitting was often dubbed 'That Was The Day'. Palmer bowed out partway through the tour and was replaced by ex Stabbing Westward drummer Andy Kubiszewski.
A full length film, directed by long time collaborator Tim Pope, was made for this album. From Dusk Til Dawn was shot in New Orleans and New York and along with Johnson and Johnny Marr also featured various characters from the New York underground scene such as sexologist Annie Sprinkle, writer and raconteur Quentin Crisp, Guardian Angels founder Curtis Sliwa, and porn star Rick Savage amongst many other carnival characters.
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Checkout more w=33062170@N08\' target=\'_blank\'>faces in places from my photostream.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',
Description
Keywords: Afflecks,Palace,Manchester,Northern,Quarter,Oldham,St,Street,Market,Dept,Mark,Kennedy,art,hero,heroes,Factory Records,Tony Wilson,mosaic,Martin,Hannett,Alan,Erasmus,Peter,Saville,rob,Gretton,Manchester Hero,Manchester Heroes,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Afflecks,Palace,store,on,Oldham,Street,market,shops,stalls,Tib,Dale,department,tourist,attraction,retail,cool,Church,boutiques,building,victorian,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Afflecks Palace,Affleck & Browns,Church St,independent stalls,small shops
Description: Tony Smith image Alamy GJ7990 - From the Ben Robinson interview,Afflecks Palace In Pieces Once More
SELF-made Manchester mosaicist Mark Kennedy has had seven mosaic art pieces installed on Tib Street along the wall of Affleck's Palace. The colourful and cracked pieces feature the likes of Eric Cantona, Colin Bell, Karl Marx, Morrissey, Ian Brown, Emmeline Pankhurst, Bet Lynch and many other 'legends' associated with Manchester.
In total Kennedy has spent almost 20 years crafting the two sets of mosaics amongst other on-going work. The theme on Affleck's is Manchester heroes, with a nod given the shopping bazaar's rock'n'roll past. Thus among the great figures of Manchester depicted there are musicians, actors, media and radical politicians.
He also couldn't help including something from his own Manchester memories of Tib Street.
When I was a little kid I used to go to Tib Street all the time to get my ferrets and buy mice from a little pet shop and that's where we all used to go. Next door was Tib Street Joke Shop that used to sell masks and stink bombs so there's one piece that represents all that.
You have to have a closer look at some of the new mosaics to fully appreciate them with some of them holding a few hidden surprises. Kennedy's take on Joy Division's classic Unknown Pleasures album cover features several tiny coloured tile fragments to set it apart from the now iconic original.
52 Church St, Manchester, England, UK M4 1PW
Description
Keywords: Manchester city view panorama towards Arndale shopping centre,lancs,England,UK,Northern,Quarter,MN4,MNQ,from,car,park,high,up,aerial,building,cityscape,gotonysmith,tony,smith,street,road,bus,station,printworks,dark,rainy,sky,grey,gray,gotonysmith,Buy Pictures of,Buy Images Of,The,Northern,Quarter,(,N4,or,NQ,),is,an,area,of,Manchester,England,generally marked out between Piccadilly,Victoria and Ancoats,and centred around Oldham Street,just off Piccadilly Gardens,Mancester A centre of alternative and bohemian culture,the,area,is,usually,considered,to,be,contained,within,Newton,Street,(borders,with,Piccadilly,Basin),Great Ancoats Street (borders with Ancoats),Back,Piccadilly,(borders,with,Piccadilly,Gardens),and,Swan,Street/High,Street,(borders,with,Shudehill/Arndale).,Popular,streets,include,Oldham,Street,Newton Street,Lever Street,Dale Street,Hilton,Street,and,Thomas,Street.,The,Northern,Quarter,nominated,sites,for,UNESCO,World,Heritage,Site,Status
Description: Tony Smith image Alamy CEMX8F - View of the Northern Quarter of Manchester City Centre from eight floors up, near the CIS building.
The image shows Shudehill, High Street, bus/tram interchange, looking towards high street and the Arndale shopping centre. The Manchester wheel is visible as is the Piccadilly area, including hotel and commercial offices.
The Northern Quarter (N4[1] or NQ[2]) is an area of Manchester City Centre, England, generally marked out between Piccadilly, Victoria and Ancoats, and centred around Oldham Street, just off Piccadilly Gardens.
A centre of alternative and bohemian culture, the area is usually considered to be contained within Newton Street (borders with Piccadilly Basin), Great Ancoats Street (borders with Ancoats), Back Piccadilly (borders with Piccadilly Gardens) and Swan Street/High Street (borders with Shudehill/Arndale). Popular streets include Oldham Street, Tib Street, Newton Street, Lever Street, Dale Street, Hilton Street and Thomas Street.
The Northern Quarter is part of a larger area of Greater Manchester that is on a tentative list of nominated sites for UNESCO World Heritage Site Status, a position held since 1999.
Shudehill/Swan Street, Manchester City Centre, GMC, Lancashire, NorthWest England, UK
Description
Keywords: The,Peninsula,Office,Block,Cheetham,Hill,road,England,UK,M4,4AA,at,night,M44AA,dusk,shot,nightshot,pano,panorama,wide,image,glass,fronted,building,car,night,trails,NQ,NQ4,nORTHERN,qUARTER,green,commercial,high,rise,high-rise,gotonysmith,near,opposite,the,Manchester,Arena,and,Manchester,Victoria,station,clad,in,glass,distinctive,elliptical,plan,Peninsula,Business,Services,laterooms.com,gotonysmith,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HF4P - The Peninsula Building is a commercial high-rise building in Manchester, England. The building is part of Manchester's Green Quarter, a regeneration project north-west of Manchester city centre.
Peninsula lies on the fringe of the city centre, opposite the Manchester Arena and Manchester Victoria station. Construction of the building began in 2007 and it opened in 2009. The Peninsula has a distinctive elliptical plan, and is clad in a glass and granite rainscreen. The building has a BREEAM rating of 'very good' and has on-site parking for up to 200 cars.
The building is commercial, and is head office for Peninsula Business Services who occupy the first six floors, and LateRooms.com who occupy the top four floors, employing 300 people at the building
Cheetham Hill road, Manchester, England, UK M4 4AA
