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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,English,mainline,stations,concourse,concourses,Lime Street,Liverpool,Merseyside,L1 1JD,dusk,services,service,evening,departure,and,arrival,cancelled,train,trains,TPE,at,sign,signs,boards,Merseyrail,city,centre,mail line,clock,building,architecture,roof,ceiling,railway infrastructure,station signage
Description: Tony Smith image Alamy 2T19PFK - Evening departures and arrivals boards at Liverpool Lime Street station, photographed above the ticket machines sign inside the main concourse. The digital passenger information screens show train times, destinations, platforms, expected times, on-time running and one cancelled service, with visible routes including Blackpool North, London Euston, Manchester Airport, Manchester Oxford Road, Cleethorpes, Newcastle, Wigan North Western, Birmingham New Street and Warrington Central. The image is useful for editorial coverage of rail travel, passenger information, train delays, cancellations, ticket buying, transport signage, railway infrastructure, commuter journeys, intercity services and public transport in Liverpool city centre. Liverpool Lime Street is the main station serving the city centre and is managed by Network Rail. National Rail and Network Rail list the station address as Lime Street, Liverpool, Merseyside, L1 1JD, and Network Rail notes that it has compliant step-free access to all platforms. The visible ironwork, glazed roof, clock, CCTV camera, platform signs and customer service direction boards also connect the photograph to the station's historic railway architecture and modern passenger management systems. Network Rail's filming location information describes the Lime Street train shed as an impressive structure and says the 1867 train shed was the largest in the world when built, with a span of 200 feet. This makes the image relevant not just to current rail operations but also to railway heritage, Victorian engineering, station modernisation and the role of Lime Street as a gateway to Merseyside. The evening time shown on the boards, 19:08, gives the scene a commuter and late-travel atmosphere, while the mix of on-time and cancelled services makes it suitable for features on rail reliability, ticket machines, real-time travel data, station wayfinding and the everyday practicalities of catching trains across the North West, Midlands, Yorkshire and
Liverpool Lime Street station, Lime Street, Liverpool, Merseyside, L1 1JD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NW,North West,UK,England,centre,city,the,with,Liverpool,Playhouse,Theatre,tourist,attraction,Merseyside,L1 1EL,L1,square,skyline,cityscape,tour,tours,signage,signs,sign,people,crowd,crowds,shoppers,shopping,sunny,sky,skies,blue
Description: Tony Smith image Alamy 2RC6H61 - . The Liverpool Playhouse Theatre with Radio City tower, Williamson Square, Liverpool, Merseyside, England, UK, L1 1EL. Photographed on 12 July 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Williamson Square, Liverpool, Merseyside, England, UK, L1 1EL, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include North West, Liverpool, Playhouse, Theatre, tourist, attraction, Merseyside, L1 1EL, square, skyline, cityscape, tour, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
Williamson Square, Liverpool, Merseyside, England, UK, L1 1EL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,Eberle Street,Liverpool,L2 2AG,L2,Ukraine,art,street,gable,end,NCP,Quakers Alley,parking,Ukrainian artist Somari,British artist Neil Keating,part,of,EuroFestival,the,world,cooperation,political,social,cultural,Wall project,wall,artists,with,Ukrainian Institute
Description: Tony Smith image Alamy 2R6AHYX - Sound of Freedom' is a unique work of street art, the result of a collaboration between Ukrainian artist Somari and British artist Neil Keating.
Sound of Freedom focuses on cooperation between Ukraine and the world at all levels: political, social, and cultural. This cooperation starts with artistic interaction, an example of prosperity created by joint efforts.
The artwork explores the cultural identity of the nations through music. It examines the musical background of each country and finds common ground, celebrating diversity, talent, and creativity.
The project is commissioned by the Culture Liverpool, curated by Katya Taylor, and implemented by the Port. agency based in Kyiv, Ukraine.
Liverpool joins The Wall project, created in cooperation with the Ukrainian Institute, with this vibrant Sound of Freedom mural. The city joins Vienna, Berlin, Marseilles, Brussels and Nairobi with a unique work of street art, the result of a collaboration between Ukrainian artist Somari and British artist Neil Keating.
Hackins Hey, Quakers Alley, Eberle St, Liverpool , Merseyside, England, UK, L2 2AG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,GBar Liverpool,1-7,Eberle Street,Liverpool,L2 2AG,outside,bar,pubs,bars,building,rainbow,party,entertainment,DJ,DJs,after hours,late,2pm,license,ents,entertainments,night,LGBTQ,trans,drag,L2,1-7 Eberle Street
Description: Tony Smith image Alamy 2R6AJ0X - . LGBT Entrance to GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG. Photographed on 27 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, sunny, blue sky, GBar Liverpool, 1-7, Eberle Street, Liverpool, L2 2AG, bar, pubs, bars, building, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include rainbow, party, entertainment, DJs, after hours, late, broadening discoverability while remaining tied to the supplied subject information.
GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,GBar Liverpool,1-7,Eberle Street,Liverpool,L2 2AG,outside,bar,pubs,bars,building,rainbow,party,entertainment,DJ,DJs,after hours,late,2pm,license,ents,entertainments,night,LGBTQ,trans,drag,L2,1-7 Eberle Street
Description: Tony Smith image Alamy 2R6AJ15 - . LGBT Entrance to GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG. Photographed on 27 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, sunny, blue sky, GBar Liverpool, 1-7, Eberle Street, Liverpool, L2 2AG, bar, pubs, bars, building, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include rainbow, party, entertainment, DJs, after hours, late, broadening discoverability while remaining tied to the supplied subject information.
GBar Liverpool, 1-7 Eberle St, Liverpool , Merseyside, England, UK, L2 2AG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,electric,route,routes,the,old,underground,rail,railway,L2,18,Water St,Liverpool,L2 8TD,historic,entry,Wirral line,clock,walkway,tunnel,down,train,station,step,steps,lights,lanterns,lantern,journey,to,Birkenhead,public,transport
Description: Tony Smith image Alamy 2R6AJ27 - . The Mersey Railway, New Zealand House, 18 Water St, Liverpool , Merseyside, England, UK, L2 8TD. Photographed on 27 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is James St station, 18 Water St, Liverpool , Merseyside, England, UK, L2 8TD, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, sunny, blue sky, electric, route, routes, old, underground, rail, railway, Water St, Liverpool, providing natural SEO coverage without losing the specific documentary identity of the photograph. Transport context makes the photograph useful for stories about rail travel, passenger journeys, stations and interchanges, public transport investment, regional connectivity and the everyday experience of moving through the UK rail network. Railway architecture, passenger facilities, route identity, signage and operational infrastructure are important documentary themes, particularly as stations and services are modernised or altered over time. The transport setting gives the image wider relevance to mobility, infrastructure, roads and public transport, travel behaviour, local connectivity, logistics and the relationship between vehicles and the built environment. It can illustrate planning, transport policy, accessibility, congestion, public investment and the changing technologies and services used to move people or goods. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
James St station, 18 Water St, Liverpool , Merseyside, England, UK, L2 8TD
-and-pink-hearts--Mann-Island--Liverpool--Merseyside--England--GB--L3-1BP-2R1MF25.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,2023,city,L1,Liverpool,centre,pink,souvenir,purple,song,contest,Eurovision 2023,yellow,blue,and,selfie,memento,L3,L3 1BP,Ukraine,crowd,crowds,busy,tourist,tourists,tourism,visitors,fun,Eurovision2023,lover,Dutch,TV,boycott
Description: Tony Smith image Alamy 2R1MF25 - . Liverpool Eurovision 2023, yellow, blue (Ukraine) and pink hearts, Mann Island, Liverpool, Merseyside, England, GB, L3 1BP. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Mann Island, Liverpool, Merseyside, England, UK, L3 1BP, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, Liverpool, pink, souvenir, purple, song, contest, Eurovision 2023, yellow, blue, selfie, memento, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include L3 1BP, Ukraine, crowd, crowds, busy, tourist, broadening discoverability while remaining tied to the supplied subject information.
Mann Island, Liverpool, Merseyside, England, UK, L3 1BP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,2023,city,L1,Eurovision2023,spot,free,recorded,Liverpool Central,Rail,railway,Station,Ranelagh Street,Liverpool,L1 1JT,weve given this busking spot,to,a,Ukrainian musician,who lost theirs,Sounds of the underground,busker,music,Eurovision,contest,Eurovision song contest,centre,busking,pitch,songs,Ukraine busker,folk,Ukrainian busker
Description: Tony Smith image Alamy 2R1MF26 - Sounds of the underground - read more at https://www.creativemoment.co/this-eurovision-musicians-in-liverpool-donate-their-busking-spots-to-help-fellow-ukrainian-artists
Since the beginning of the war in Ukraine buskers have been robbed of their spots, so their music has had to go underground.
But it's not just their music that has been taken, it is also their livelihoods. So this Eurovision, Ketchum UK has created a campaign for buskers from Liverpool to give up their usual spots along the Merseyrail network to Ukrainian musicians, giving them the chance to perform for audiences and keep the conversation alive about this unjust war.
Travellers going through the four biggest stations
Liverpool Central, Lime Street, Moorfields and James Street will be able to enjoy authentic Ukrainian busking music.
Each busking spot has a speaker streaming the artists music and a QR code for passers-by to scan to find out more about the musicians' story, videos about them and to donate to the cause.
All proceeds raised will go directly to Supplies for Ukraine C.I.C., who are working to provide essential, lifesaving equipment to civilians and volunteers on the front lines in Ukraine.
There is an accompanying outdoor poster campaign across the Merseyrail network and all tracks are streamed as a playlist on Spotify.
Liverpool Central Rail Station , Ranelagh Street, Liverpool, Merseyside, England, GB, L1 1JT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,2023,love,music,united,by,publicity,advert,advertising,dock,docks,harbour,historic,welcome,Welcome to Eurovision,BBC,Hilton,hotel,Royal Albert Dock,Pier Head,Liverpool,L3 4AF,L3,Pierhead,visitor,tourist,attraction,tourism,Dutch,TV,boycott
Description: Tony Smith image Alamy 2R22XJB - . Shine Bright Liverpool - Welcome to Eurovision 2023 at Royal Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Royal Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, love, music, united, publicity, advert, advertising, dock, docks, harbour, historic, welcome, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Royal Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,2023,love,music,united,by,publicity,advert,advertising,dock,docks,harbour,historic,welcome,Welcome to Eurovision,water,waterside,chain,chains,Royal Albert Dock,Pier Head,Liverpool,L3 4AF,L3,Pierhead,visitor,tourist,attraction,tourism
Description: Tony Smith image Alamy 2R22XJC - . Shine Bright Liverpool - Welcome to Eurovision 2023 at Royal Albert Dock, Pier Head, Liverpool, Merseyside, stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England, UK, L3 4AF. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Royal Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, love, music, united, publicity, advert, advertising, dock, docks, harbour, historic, welcome, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. It is a useful stock image for publishers, researchers and picture editors seeking a clearly identified contemporary record of the subject and location.
Royal Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
-1903-at-the-Royal-Albert-Dock--Liverpool--Merseyside--England---GB--L3-4AF-2R22XJE.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,Pier Head,Liverpool,L3 4AF,L3,royal,atmosphere,Manchester,over,the,danny,aboard,doc,summer,blue,sky,waterside,reflection,warehouse,1903,1903 Daniel Adamson Steamship,heritage vessel,unique,heritage,dock,docks,dockside,warehouses,ships,boats
Description: Tony Smith image Alamy 2R22XJE - . Sunset over the Daniel Adamson (Manchester) 1903 at the Royal Albert Dock, Liverpool, Merseyside, stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England , GB, L3 4AF. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, Pier Head, Liverpool, L3 4AF, royal, atmosphere, Manchester, over, danny, aboard, doc, summer, providing natural SEO coverage without losing the specific documentary identity of the photograph. Weather and natural light are part of the visual character of the frame, helping define the season, atmosphere, colour and visibility of architectural or landscape detail. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. It is a useful stock image for publishers, researchers and picture editors seeking a clearly identified contemporary record of the subject and location.
Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,2023,shop,entrance,beacon,Liverpool,L1 8LT,L1,sun,sunny,evening,atmosphere,shops,shopping,retail,crowd,busy,people,stores,vistors,visitor,tourists,crowds,Hilton,hotel,John Lewis,hotels,fans
Description: Tony Smith image Alamy 2R22XJF - . Liverpool One, welcome to Eurovision 2023, publicity, crowd, crowded, fan, fans, lads, Paradise Street, Liverpool, Merseyside, England, UK, L1 8LT. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Liverpool One, Paradise Street, Liverpool, Merseyside, England, UK, L1 8LT, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, shop, entrance, beacon, Liverpool, L1 8LT, sun, sunny, evening, atmosphere, shops, shopping, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include retail, crowd, busy, people, stores, vistors, broadening discoverability while remaining tied to the supplied subject information.
Liverpool One, Paradise Street, Liverpool, Merseyside, England, UK, L1 8LT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,2023,Liverpool,L1 8LT,L1,Liverpool Eurofestival,publicity,festivals,visit,visitLiverpool,brand,branding,promotion,Liverpools,attraction,tourism,drawing,tourists,street,road,front,advert,promo,European,festival,event,events,VisitLiverpool
Description: Tony Smith image Alamy 2R22XJH - . Liverpool Eurofestival 2023 publicity, Liverpool One Bus Station, Paradise Street, Liverpool, Merseyside, England, UK, L1 8LT. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Liverpool One Bus Station, Paradise Street, Liverpool, Merseyside, England, UK, L1 8LT, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, Liverpool, L1 8LT, Liverpool Eurofestival, publicity, festivals, visit, visitLiverpool, brand, branding, promotion, Liverpools, providing natural SEO coverage without losing the specific documentary identity of the photograph. Transport context makes the photograph useful for stories about rail travel, passenger journeys, stations and interchanges, public transport investment, regional connectivity and the everyday experience of moving through the UK rail network. Railway architecture, passenger facilities, route identity, signage and operational infrastructure are important documentary themes, particularly as stations and services are modernised or altered over time. The transport setting gives the image wider relevance to mobility, infrastructure, roads and public transport, travel behaviour, local connectivity, logistics and the relationship between vehicles and the built environment. It can illustrate planning, transport policy, accessibility, congestion, public investment and the changing technologies and services used to move people or goods. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Liverpool One Bus Station, Paradise Street, Liverpool, Merseyside, England, UK, L1 8LT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,bright,lit,light,lighting,green neon,sign,word,words,in,at,bars,restaurant,Liverpool,based,Paradise Street,L1 3EU,L1,meat-free,meat free,alternative,health,healthy,five a day,5 a day,five,a,day,guilt free
Description: Tony Smith image Alamy 2R22XJJ - . Green neon sign in Vegetarian restaurant, Liverpool - Plant Based. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Paradise Street, Liverpool, Merseyside, England, UK, L1 3EU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, bright, lit, light, lighting, green neon, sign, word, words, bars, restaurant, Liverpool, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. Food and drink content broadens the image's relevance to eating out, grocery retail, hospitality, pricing, consumer choice, local food culture and the commercial presentation of meals, ingredients or products. It can illustrate changing tastes, inflation and cost-of-living pressures, food retail competition, traditional businesses and the everyday economics of buying food and drink where those themes are relevant. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Paradise Street, Liverpool, Merseyside, England, UK, L1 3EU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,bright,lit,light,lighting,green neon,sign,word,words,in,at,bars,restaurant,Liverpool,whole food,whole,food,good,wholesome,roughage,wholefood,Paradise Street,L1 3EU,L1,meat-free,meat free,alternative,health,healthy
Description: Tony Smith image Alamy 2R22XM0 - . Green neon sign in Vegetarian restaurant, Liverpool - Whole Foods. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Paradise Street, Liverpool, Merseyside, England, UK, L1 3EU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, bright, lit, light, lighting, green neon, sign, word, words, bars, restaurant, Liverpool, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. Food and drink content broadens the image's relevance to eating out, grocery retail, hospitality, pricing, consumer choice, local food culture and the commercial presentation of meals, ingredients or products. It can illustrate changing tastes, inflation and cost-of-living pressures, food retail competition, traditional businesses and the everyday economics of buying food and drink where those themes are relevant. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Paradise Street, Liverpool, Merseyside, England, UK, L1 3EU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,L3 4AF,L3,Royal Albert Dock,Pier Head,Liverpool,port,sail,sailor,sailors,the,dock,docks,America,manhole,cover,at,Tate,art,artwork,Jeon Joonho,News from Nowhere,William Morris,leaves,vine,vines,gallery,covers,rust,rusty,rusting
Description: Tony Smith image Alamy 2R22XM1 - Grid covers
One of these covers was installed over an existing drain at the entrance to Tate Modern in 2019, while another could be found inside the gallery itself. They stood for the thin cover that we place over the dirty and chaotic parts of our world that must exist to allow civilisation to function. The exhibition also demonstrated links between Liverpool and Jeon's home city of Busan in South Korea. Both were powerful ports 100 years ago, but suffered decline in the 20th century, followed by a culture and heritage-fronted resurgence at the 21st century got under way.
The metal grid is embedded in the pavement outside Tate Liverpool at the Albert Dock. It is decorated with intertwining vine-like branches, and in the centre is the phrase My future will reflect a new world . There's a spider's web and a few other things floating round (perhaps berries or pollen grains).
Art at the Dock
The proximity to Tate Liverpool isn't coincidental. This installation is part of a wider collaboration between artists Moon Kyungwon and Jeon Joonho, under the banner ˜News from Nowhere'
News From Nowhere is the name of a novel by the very same William Morris I mentioned in the first paragraph. In the novel, the Victorian protagonist is mysteriously catapulted into the 21st century, and his conversations with the futuristic inhabitants act as a satire and comment on the inequalities and rampant industrialisation of Morris's own time (and there lies the connection with the bookshop).
Moon and Jeon's collaboration arose from conversations between the two artists over art's role in the world. They were fed up [with] wasteful art installations and art production . Part of their News From Nowhere collaboration is a piece of video called El Fin del Mondo (End of the World) which reminds us that the future is no yet written, though we in the present are writing it all the time. Therefore, art can have a very important place in deciding the direction of the world as a whole.
Royal Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,Royal,Pier Head,Liverpool,L3 4AF,L3,Pierhead,ball,nations,countries,tourism,calling,all,reflection,earth,planet,our Earth,marble,planets,floats,floating,still,sphere,orb,nature,cosmos,humankind,our planet
Description: Tony Smith image Alamy 2R22XM3 - As Liverpool prepares itself for the arrival of the spectacular Eurovision Song Contest this year, Royal Albert Dock Liverpool has revealed the first of its celebratory events to mark the occasion, one which promises to dazzle and delight both local and international visitors.
In the run-up to 13 May and the contest's Grand Final, a huge series of events are being rolled out by the dock.
From Ukrainian food and drink, live music events to creative pop-ups, the jewel in dock's programme is the installation of a 10-metre artwork, ˜Floating Earth', which will shine brightly in the dock from 28th April - 18th May.
The piece, by artist Luke Jerram, uses detailed NASA imagery of the Earth's surface, and provides visitors with the opportunity to see our planet floating gently in three dimensions - creating Liverpool's most incredible backdrop.
Floating Earth will be in situ in the dock's inner quay over the early Spring Bank Holiday and Coronation Bank Holiday, as well as throughout all of Eurovision's key dates, including two semi-finals and the Grand Final on Saturday 13 May.
Visitors can view the installation daily from 12-10pm for free, accompanied with a soundscape by BAFTA award-winning composer Dan Jones. Sensory-friendly viewings, without the soundscape, are available on Sundays.
Royal Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,Royal,Pier Head,Liverpool,L3 4AF,L3,Pierhead,ball,nations,countries,tourism,calling,all,reflection,earth,planet,our Earth,marble,planets,floats,floating,still,sphere,orb,nature,cosmos,humankind,our planet
Description: Tony Smith image Alamy 2R22XM4 - As Liverpool prepares itself for the arrival of the spectacular Eurovision Song Contest this year, Royal Albert Dock Liverpool has revealed the first of its celebratory events to mark the occasion, one which promises to dazzle and delight both local and international visitors.
In the run-up to 13 May and the contest's Grand Final, a huge series of events are being rolled out by the dock.
From Ukrainian food and drink, live music events to creative pop-ups, the jewel in dock's programme is the installation of a 10-metre artwork, ˜Floating Earth', which will shine brightly in the dock from 28th April - 18th May.
The piece, by artist Luke Jerram, uses detailed NASA imagery of the Earth's surface, and provides visitors with the opportunity to see our planet floating gently in three dimensions - creating Liverpool's most incredible backdrop.
Floating Earth will be in situ in the dock's inner quay over the early Spring Bank Holiday and Coronation Bank Holiday, as well as throughout all of Eurovision's key dates, including two semi-finals and the Grand Final on Saturday 13 May.
Visitors can view the installation daily from 12-10pm for free, accompanied with a soundscape by BAFTA award-winning composer Dan Jones. Sensory-friendly viewings, without the soundscape, are available on Sundays.
Royal Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,city,centre,81 Lime Street,Liverpool,L1 1JQ,ale,beer,brewery,pub,bar,pubs,bars,Victorian,at,the,Vines,letter,Tetley,Tetley-Walker,history,historic,The Big House,CAMRA,National Inventory,of,Historic Pub Interiors,Albert B Vines,Albert,outside,exterior,front,public houses
Description: Tony Smith image Alamy 2PJHNYF - Why is The Vines on Lime Street known as 'The Big House'?
One of city's oldest and most popular pubs never goes by its real name
Taking up a huge chunk of the corner of Lime Street and Copperas Hill, ˜The Big House' is one of the city's most recognisable boozers.
The Vines - to use its official name - is the sister pub of the Philharmonic and is on CAMRA's National Inventory of Historic Pub Interiors.
The pub was built a whopping 150 years ago by Albert B Vines. In 1907, Walkers took over and rebuilt the pub into an ornate style.
Nowadays, it is known for good beer, live music and karaoke.
But why is it referred to as The Big House?
Echo readers James Parr said: I think it's because it used to be a jail. I remember one of my dad's mates telling me that.
It's been a gin palace and an old billiards room - could it have once been a prison, too?
We spoke to one of the managers at the Vines, Ron Taylor. He said: I'm sorry to disappoint you, but I think it's just called the Big House because it's... big.
81 Lime Street, Liverpool, Merseyside, England, UK, L1 1JQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,city,centre,the,rise,Jesus,bronze,statue,by,at,entrance,to,Liverpool,door,St James Mount,L1 7AZ,sculptor,Dame Elisabeth Jean Frink,history,tourist,tourism,attraction,20th century,1993,British,Elizabeth Frink,Easter,resurrection,artworks,west,statues
Description: Tony Smith image Alamy 2PJHP4C - Dame Elisabeth Jean Frink CH DBE RA (14 November 1930 “ 18 April 1993) was an English sculptor and printmaker. Her Times obituary noted the three essential themes in her work as the nature of Man
the 'horseness' of horses
and the divine in human form
Although she made many drawings and prints, she is best known for her bronze outdoor sculpture, which has a distinctive cut and worked surface. This is created by her adding plaster to an armature, which she then worked back into with a chisel and surform.[10] This process contradicts the very essence of modeling form established in the modeling tradition and defined by Rodin's handling of clay
Frink kept up a hectic pace of sculpting and exhibiting until early 1991, when an operation for cancer of the oesophagus caused an enforced break. However, short weeks later Frink was again creating sculptures and preparing for solo exhibitions. In September, she underwent further surgery. Again, Frink did not let this hold her back, proceeding with a planned trip for exhibitions to New Orleans, Louisiana, and New York City. The exhibitions were a success, but Frink's health was clearly deteriorating. Despite this, she was working on a colossal statue, Risen Christ, for Liverpool Cathedral. This sculpture would prove to be her last
just one week after its installation, Frink died from cancer on 18 April 1993, aged 62, in Blandford Forum, Dorset. Stephen Gardiner, Frink's official biographer, argued that this final sculpture was appropriate: This awesome work, beautiful, clear and commanding, a vivid mirror-image of the artist's mind and spirit, created against fearful odds, was a perfect memorial for a remarkable great individual
St James' Mount, Liverpool , Merseyside,UK,L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,city,centre,Liverpool,L1 7AZ,at,corner,of,the,inside,interior,angel,respect,for,fallen,WWI,WWII,Great,war,wars,metal,bronze,bronzes,angels,wing,wings,history,historic,Great War,books,book
Description: Tony Smith image Alamy 2PJHP4E - . Photographed at St James' Mount, Liverpool , Merseyside,UK, L1 7AZ in 2023, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The principal subject is Respect for the fallen - Bronze soldier, at corner of the book of remembrance Liverpool Anglican Cathedral, St James' Mount, Liverpool , Merseyside,UK. The frame also records themes of faith community, changing streetscape, parish history, regional identity, archival record, community identity, local character, ecclesiastical architecture, documentary photography, religious heritage, sacred architecture, religious landmark, church interior, and historical comparison. From a 2025-onward perspective, tourism and heritage conservation are closely linked to this subject, alongside the challenge of maintaining historic fabric amid rising costs. Small period details of period objects and surrounding context at St James' Mount, Liverpool , Merseyside,UK, L1 7AZ may become more significant with time, particularly following altered transport patterns. Other useful contextual ideas include local history, changing land use, before-and-after reference, visual archive, everyday life, place identity, Christian heritage, and ecclesiastical art. Details involving Mount, Respect, Merseyside, soldier, and Liverpool make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within St James' Mount, Liverpool , Merseyside,UK, L1 7AZ, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is tourism and how churches combine active worship with heritage and community roles within the real-world context of St James' Mount, Liverpool , Merseyside,UK, L1 7AZ. The view records evidence of earlier appearance for future local research.
St James' Mount, Liverpool , Merseyside,UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,city,centre,Eurovision 2023,tourism,tourist,attraction,36,Liverpool,Merseyside,L1 9BX,L1,door,outside,for,brewer,Robert Cain,Art Nouveau,wrought iron,and,copper,gates,gate,H. Bloomfield Bare,Bloomfield Bare,famous,urinals,The Phil,classic,history,historic,public house,gold,golden,design,embellishment
Description: Tony Smith image Alamy 2PJW6R3 - Quite simply this is the most spectacular pub in England - indeed, throughout the whole of the UK and it is only matched by the Crown in Belfast. Situated halfway between Liverpool's Anglican cathedral and Metropolitan catholic cathedral, this is a ˜cathedral' among pubs. It was rebuilt in 1898-1900 to designs by Walter Thomas for Liverpool brewer, Robert Cain. Thomas and Cains went on to build the other prodigy pub of central Liverpool, the Vines. Craftsmen and artists from the then University Department of Architecture & Applied Art worked on it under the superintendence of G. Hall Neale and Arthur Stratton.
The exterior is a freely-treated Tudor style designed to resemble a Scottish castle with all sorts of odd details including stepped gables
turrets
balustraded parapet, oriel windows and a stone sculpture of musicians and musical instruments in low relief and a marble façade. One of the most stunning features are the entrance gates to Hope Street
they are an amazing display of Art Nouveau wrought iron and copper gates by H. Bloomfield Bare which carry the motto and arms of the original Robert Cain brewery. The interior, which is what everyone comes to experience, has an unusual, complex plan.
Tour of the pub
Beyond the grand gates is a large northern drinking lobby, for stand-up drinking, with a mosaic floor in front of a bar counter also encrusted with mosaic and a wooden top. There are a number of heavily carved and polished mahogany partitions, Corinthian pilasters and columns, and a wonderful intricate plasterwork high ceiling with decorative cornice. To the left is the former off sales that was accessed by a door on the left of the lobby and it has a mosaic floor and tiled walls of cream and green topped with brown strips. There is another mosaic bar front, the original bar back has stained and leaded and decorative stained glass panels, and partitions have deep etched and frosted panels.
36 Hope St, Liverpool, Merseyside, England, UK, L1 9BX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,city,centre,Eurovision 2023,tourism,tourist,attraction,36,Liverpool,Merseyside,L1 9BX,L1,door,outside,for,brewer,Robert Cain,Art Nouveau,wrought iron,and,copper,gates,gate,H. Bloomfield Bare,Bloomfield Bare,The Phil,classic,history,historic,public house,gold,golden,design,embellishment
Description: Tony Smith image Alamy 2PJW6R7 - Quite simply this is the most spectacular pub in England - indeed, throughout the whole of the UK and it is only matched by the Crown in Belfast. Situated halfway between Liverpool's Anglican cathedral and Metropolitan catholic cathedral, this is a ˜cathedral' among pubs. It was rebuilt in 1898-1900 to designs by Walter Thomas for Liverpool brewer, Robert Cain. Thomas and Cains went on to build the other prodigy pub of central Liverpool, the Vines. Craftsmen and artists from the then University Department of Architecture & Applied Art worked on it under the superintendence of G. Hall Neale and Arthur Stratton.
The exterior is a freely-treated Tudor style designed to resemble a Scottish castle with all sorts of odd details including stepped gables
turrets
balustraded parapet, oriel windows and a stone sculpture of musicians and musical instruments in low relief and a marble façade. One of the most stunning features are the entrance gates to Hope Street
they are an amazing display of Art Nouveau wrought iron and copper gates by H. Bloomfield Bare which carry the motto and arms of the original Robert Cain brewery. The interior, which is what everyone comes to experience, has an unusual, complex plan.
Tour of the pub
Beyond the grand gates is a large northern drinking lobby, for stand-up drinking, with a mosaic floor in front of a bar counter also encrusted with mosaic and a wooden top. There are a number of heavily carved and polished mahogany partitions, Corinthian pilasters and columns, and a wonderful intricate plasterwork high ceiling with decorative cornice. To the left is the former off sales that was accessed by a door on the left of the lobby and it has a mosaic floor and tiled walls of cream and green topped with brown strips. There is another mosaic bar front, the original bar back has stained and leaded and decorative stained glass panels, and partitions have deep etched and frosted panels.
36 Hope St, Liverpool, Merseyside, England, UK, L1 9BX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,extended,late,cancelled,delay,delayed,service,services,L1 1JD,mainline station,Liverpool,driver,drivers,cab,union,strike,strikes,London Euston,Runcorn,VT8740,intercity,inter-city,city,centre,390156,at,West,Coast,partnership,carriage,carriages,hotpix.org.uk
Description: Tony Smith image Alamy 2PJHNRA - Avanti West stock-photo/gotonysmith-Coast.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Coast is a train operating company in the United Kingdom owned by FirstGroup (70%) and Trenitalia (30%) that operates the West Coast Partnership.
During November 2016, the Department for Transport (DfT) announced the InterCity West Coast franchise would be replaced by the West Coast Partnership (WCP). In August 2019, the DfT awarded the WCP franchise to the First Trenitalia consortium. On 8 December 2019, Avanti West Coast took over operations from the prior operating company Virgin Trains, which had run the franchise since 1997. Originally, the franchise was initially scheduled to run until March 2030, and had also been set to operate the initial High Speed 2 services from 2026. However, during December 2020, it was announced that First Trenitalia and the DfT had agreed to terminate the WCP franchise at the earlier date of 31 March 2026 as part of the abolition of the franchise system. Since then a number of contract changes have taken place due to COVID-19 and then poor performance by the company. As of March 2023, the company's contract will expire in October 2023.
Avanti West Coast provide the principal long-distance passenger services on the West Coast Main Line between London, the West Midlands, North West England, North Wales and Scotland. Its services connect six of the largest cities in the UK: London, Birmingham, Liverpool, Manchester, Glasgow, and Edinburgh, which have a combined metropolitan population of over 18 million. At the start of the franchise, the rolling stock used for these services consisted of 56 Class 390 Pendolino high speed electric multiple units and 18 Class 221 Super Voyager diesel-electric multiple units
in 2019, it was announced that the Super Voyagers would be replaced by newly built Class 805 bi-mode multiple units and Class 807 electric multiple units. Originally, Avanti West Coast was set to operate the pending high speed train fleet intended for use on High Speed 2, although the contract is set to end prior
Liverpool Lime Street, mainline station, Liverpool, Merseyside, England, UK, L1 1JD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,sign,night,at,in,the,evening,cheap,budget,Liverpool,L1 1JQ,German,retail,food,supermarkets,profit,profits,market,share,deals,&,offers,offer,middle aisle,British,Britain,Brexit,challenges,fresh,produce,inflation,slowdown,city,centre
Description: Tony Smith image Alamy 2PJHNRH - Lidl's slowdown of store openings is set to last until 2026, according to a construction graduate affected by recent property job cuts at the discounter.
The slowdown has also extended to recruitment, with Lidl taking on few new starters other than in areas essential to continued operation such as in stores and logistics.
Lidl, which previously opened about 50 stores a year, in February cut its official projection for 2023 to 25. The discounter has stuck to the figure, though a range of sources have said the number of stores it plans to open this year is closer to 10.
The slowdown led to the redundancy of about 12 construction graduates who were taken on in September last year, only to learn of the construction slowdown in November and job cuts in January.
They went from about 50 sites year to 12 for the financial year 2022-23, said the source. They said it was going to be seven in 2023-24 and that it wouldn't resume until 2026.
The source said Lidl had also basically stopped recruitment other than for stores and logistics roles.
Of 298 job opportunities listed on Lidl's careers page on 16 March, 281 were either in stores or as warehouse operatives. Lidl was also advertising a warehouse recruitment open day at its Exeter RDC on 20 March.
Seven vacancies were listed based at Lidl's head office in Surbiton, London. The number of head office-based roles had fluctuated during the week, having been four on 14 March, when The Grocer first approached Lidl for a comment on the numbers.
In contrast, Aldi is currently recruiting for about 100 job opportunities at its head office in Atherstone, Warwickshire, not including warehouse roles.
Lime Street, Liverpool, Merseyside, England, UK, L1 1JQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,alcohol,drinking,St Johns Lane,Queen Square,Liverpool,L1 1HF,at,DD,P,Pearl,insurance,tile,tiled,architecture,tiles,Staffordshire,medical health officer,Mikhail Hotel and Leisure Group,MHALG,fireplace,Victorian,history,historic,insurers,tiling,letter P,inside,interior
Description: Tony Smith image Alamy 2MA7MRK - Doctor Duncan's is named after William Henry Duncan, the UK's first Medical Health Officer. Duncan was born and raised in Liverpool before attending Edinburgh University where he qualified as a medical doctor. After moving back to his hometown Doctor Duncan was appointed as Medical Health Officer on 1 st January 1847, the first of this type of Senior Government role in Britain.
The pub, dating back to 1901, was built to house Pearl Insurance and is well known for its elaborately tiled interior. Now, in honour of its namesake, it houses an authentic Victorian pharmacy cabinet.
St John's Ln, Queen Square, Liverpool,Merseyside,England,UK,L1 1HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,Kung Hei Fat Choy,Chinese,New Year,Year of the rabbit,romance,Master Wok
Description: Tony Smith image Alamy 2MA7MRW - . Photographed at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Kung Hei Fat Choy - Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. The image also relates to period detail, commercial frontage, consumer retail, contemporary social history, customer footfall, brand display, historical comparison, morning meal, healthy eating, local history, small-business culture, bricks-and-mortar business, changing streetscape, and visual archive. Viewed from the mid-2020s, the subject also connects with consumer choice, healthy eating and the continuing debate over what constitutes a healthy everyday breakfast. The modern context includes continuing discussion of consumer spending, town-centre regeneration and the short lifespan of branding, displays and shopfront identities. The archival value lies partly in recording landscape treatment and surrounding development around 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP before closure or conversion alters the character of the place. A second descriptive layer includes nutrient-rich breakfast, healthy breakfast, wholegrain cereal, shopfront economy, regional identity, archival record, fruit-topped cereal, and everyday nutrition. Details involving 85-97, Asian-themed, Renshaw, Market, and Merseyside make the image more specific than a generic view and strengthen its local or historical value. For 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. It also preserves details of everyday use for later comparison. That local specificity strengthens the long-term documentary value of image 2MA7MRW.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,YYDS,Food Market,green,yellow,neons
Description: Tony Smith image Alamy 2MA7MTG - . Made at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The main point of reference is Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. Further facets of the scene include before-and-after reference, shopfront economy, changing streetscape, street-level trading, town-centre economy, consumer retail, place identity, healthy eating, wholegrain cereal, documentary photography, breakfast bowl, dietary fibre, commercial frontage, and everyday nutrition. The wider contemporary story combines consumer choice, dietary fibre and the continuing debate over what constitutes a healthy everyday breakfast. Viewed from the mid-2020s, the subject also connects with business rates, store closures and the role of independent businesses in maintaining active town centres. The image fixes commercial use and occupation within 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP at one identifiable point, providing a benchmark against new ownership. Other useful contextual ideas include historical comparison, fruit-topped cereal, healthy breakfast, customer footfall, community identity, regional identity, visual archive, and breakfast nutrition. The combination of Merseyside, 85-97, Market, Renshaw, and Asian-themed anchors the frame to a recognisable activity, place or moment. By fixing the subject within 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is consumer choice and the continuing debate over what constitutes a healthy everyday breakfast within the specific setting of 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,Authentic,Far East,South east Asia,Master Wok,Chinese,romance
Description: Tony Smith image Alamy 2MA7N05 - . This location-specific image from 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. A broader reading of the photograph includes period detail, balanced breakfast, everyday life, bricks-and-mortar business, changing land use, historical comparison, dietary fibre, small-business culture, consumer retail, changing streetscape, local character, commercial frontage, visual archive, and healthy eating. For current editorial use, cost of living and food prices provide additional context, especially through how fruit and whole grains fit dietary guidance around fibre and micronutrients. Current relevance extends to consumer spending and town-centre regeneration, particularly through how commercial property shifts between retail, leisure and residential use. Small period details of equipment and working practice at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP may become more significant with time, particularly following new ownership. The subject also sits alongside fruit-topped cereal, documentary photography, town-centre economy, morning meal, brand display, regional identity, fresh fruit breakfast, and breakfast nutrition. Elements such as Asian-themed, 85-97, Market, Liverpool, and Renshaw add documentary specificity and may become increasingly useful when compared with later records. Around 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The record includes evidence of earlier appearance as a date-specific reference.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,Oriental exotic,eternal,romance,tantalise,Chinese,Master Wok
Description: Tony Smith image Alamy 2MA7N5K - . Made at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The defining feature is Oriental exotic Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. A broader reading of the photograph includes public realm, visual archive, dietary fibre, wholegrain cereal, nutrient-rich breakfast, fresh fruit breakfast, customer footfall, shopfront economy, fruit-topped cereal, place identity, breakfast nutrition, small-business culture, high-street commerce, and balanced breakfast. Current relevance extends to nutrition and healthy eating, particularly through how fruit and whole grains fit dietary guidance around fibre and micronutrients. In present-day coverage, the subject reaches into commercial rents and online shopping, not least because of the short lifespan of branding, displays and shopfront identities. Future viewers can use this scene from 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP to compare transport arrangements and footfall with whatever follows after new ownership. The wider setting retains connections with changing land use, historical comparison, social history, contemporary social history, community identity, healthy breakfast, local character, and morning meal. References to 85-97, Renshaw, Oriental, Asian-themed, and Liverpool give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, the image preserves more than the headline object or building: it records part of the locality's everyday history. The frame retains a point of historical comparison within the wider story of 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,Chinese,romance,Master Wok,trader,traders
Description: Tony Smith image Alamy 2MA7NA5 - . This dated editorial view of 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023 captures more than the immediate subject, retaining clues about local use, design, activity and change. The main point of reference is Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. Other connected aspects include street-level trading, high-street commerce, shopfront economy, visual archive, local character, regional identity, wholegrain cereal, documentary photography, healthy breakfast, fresh fruit breakfast, social history, nutrient-rich breakfast, before-and-after reference, and commercial frontage. Current relevance extends to nutrition and ultra-processed foods, particularly through the effect of food prices on healthier choices. In present-day coverage, the subject reaches into commercial rents and online shopping, not least because of how physical shops adapt to online competition. For later comparison, the photograph preserves period objects and surrounding context at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, details that may look very different after closure or conversion. The location also brings in town-centre economy, healthy eating, everyday nutrition, bricks-and-mortar business, customer footfall, brand display, contemporary social history, and place identity. References to Liverpool, Market, Merseyside, 85-97, and Asian-themed give the picture a strong period identity and tie it closely to its named subject. The period setting at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is nutrition and the contrast between minimally processed foods and highly processed breakfast products when considered against later change at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,Blade Runner,Bladerunner,Asian
Description: Tony Smith image Alamy 2MA7NEG - . This scene at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The frame specifically shows Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. The locality and subject together evoke period detail, historical comparison, public realm, fresh fruit breakfast, local enterprise, healthy breakfast, everyday life, small-business culture, social history, documentary photography, archival record, place identity, high-street commerce, and changing land use. From a 2025-onward perspective, healthy eating and food prices are closely linked to this subject, alongside the effect of food prices on healthier choices. The wider contemporary story combines online shopping, business rates and how physical shops adapt to online competition. The archival value lies partly in recording transport arrangements and footfall around 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP before new construction alters the character of the place. The wider setting retains connections with street-level trading, independent retail, breakfast bowl, fruit-topped cereal, community identity, customer footfall, regional identity, and contemporary social history. Elements such as Asian-themed, 85-97, Merseyside, Renshaw, and Liverpool add documentary specificity and may become increasingly useful when compared with later records. Around 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects healthy eating and the continuing debate over what constitutes a healthy everyday breakfast within the specific setting of 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,Liverpool,L1 1JJ,from,Lime Street,1854,building,architecture,listed,law courts,Roman,Greek,sources,Register Office,Coroners Court,English,architect,Harvey Lonsdale Elmes,John Weightman,Robert Rawlinson,historic,heritage,Victorian,built,wrong,way,around,round
Description: Tony Smith image Alamy 2M95NF8 - St George's Hall is a building on St George's Place, opposite Lime Street railway station in the centre of Liverpool, England. Opened in 1854, it is a Neoclassical building which contains concert halls and law courts, and is recorded in the National Heritage List for England as a designated Grade I listed building. On the east side of the hall, between it and the railway station, is St George's Plateau and on the west side are St John's Gardens. The hall is included in the William Brown Street conservation area.
In 1969 the architectural historian Nikolaus Pevsner expressed his opinion that it is one of the finest neo-Grecian buildings in the world, although the building is known for its use of Roman sources as well as Greek. In 2004, the hall and its surrounding area were recognised as part of Liverpool's World Heritage Site until its revocation of World Heritage status in 2021. The Liverpool Register Office and Coroner's Court have been based in the hall since 2012.
In 1838 the foundation stone was laid to commemorate the coronation of Queen Victoria.
A competition was announced on 5 March 1839 via an advertisement in The Times to design the hall, first prize was 250 guineas, second prize 150 guineas. By July more than eighty entries had been received, and the competition was won by Harvey Lonsdale Elmes, a London architect aged 25 years, the second prize went to George Alexander of London.
Elmes died in 1847 and the work was continued by John Weightman, Corporation Surveyor, and Robert Rawlinson, structural engineer, until in 1851 Charles Cockerell was appointed architect. Cockerell was largely responsible for the decoration of the interiors. The eventual cost of the building exceeded £300,000[11] (roughly equivalent to £33,000,000 in 2019). During the 2000s a major restoration of the hall took place costing £23m and it was officially reopened on 23 April 2007 by Prince Charles. The magnificent sculpture of the exterior was by William Grinsell Nicholl.
St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,1,Liverpool,L1 1RL,St Johns,radio,station,gallery,viewing,1969,skyline,icon,iconic,concrete,aka,tourist,attraction,tourism,architecture,British,1960s,revolving,studio,English,antenna,telecoms,4G,5G,landmark,aerial,Eurovision,2023
Description: Tony Smith image Alamy 2M95NGR - Radio City Tower (also known as St. John's Beacon) is a radio and observation tower in Liverpool, England, built in 1969 and opened by Queen Elizabeth II. It was designed by James A. Roberts Associates in Birmingham. It is 138 metres tall, and is the second tallest free-standing building in Liverpool and the 32nd tallest in the United Kingdom.[2]
When considering the height of the building, it has a 10m long antenna on the roof, making it the tallest structure in Liverpool (including antennas).
As testament to the importance of its design, which was described by Historic England as embodying the technological bravura and spirit of the space age , the building was listed at Grade II in November 2020.
The tower takes its name from the main radio station that operates from it, Radio City and its sister station Greatest Hits Radio Liverpool & The North West.
At the top of the tower was a luxury 5 star revolving restaurant, the facade and floor of the restaurant revolving as one unit, while the roof of the restaurant was used as an observation platform for visitors. There are 558 stairs up to the top, and two lift shafts with lifts reaching the top in 30 seconds.
The tower is structurally independent of the adjacent shopping centre, with a simple foundation onto sandstone. Originally it was built as a chimney of the heating system of the shopping centre [1].The foundation is 60 feet in diameter, 17 feet deep and begins 40 feet below Houghton Street. It has a tapering shaft that was built using slip-formed concrete. The crows nest structure at the top was then added after the shaft was formed.
The original restaurant closed in 1979 for health and safety issues. It was re-opened, with a reduced capacity and additional fire prevention measures, during the early 1980s. The restaurant was eventually re-fitted as a Buck Rogers space-themed restaurant in 1983, but closed again due to lack of business. After this the observation deck and the restaurant remained closed.
1 Houghton St, Liverpool, Merseyside, England, UK, L1 1RL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,yard,8,Liverpool,L1 3BX,exhibition,space,Bluecoat Chambers,arts,oldest,surviving,building,central,1716,Society of Arts,the,display,contemporary,craft,gallery,clock,single,hand,handed,Liver,bird,Liverbird,rail,railings,wrought,iron,gold
Description: Tony Smith image Alamy 2M95NH3 - Built in 1716“17 as a charity school, Bluecoat Chambers in School Lane is the oldest surviving building in central Liverpool, England. Following the Liverpool Blue Coat School's move to another site in 1906, the building was rented from 1907 onwards by the Sandon Studios Society. Based on the presence of this art society and the subsequent formation of the Bluecoat Society of Arts in 1927, the successor organisation laid claim to being the oldest arts centre in Great Britain, now called the Bluecoat.
The school was founded in 1708 by the Reverend Robert Styth (died 1713), rector of Liverpool, and Bryan Blundell, a sea captain and later twice Mayor of Liverpool (1721“22 and 1728“29). Originally constructed in 1716“17, the building was extended until 1718 to function as a boarding school. By the following year, it had 50 children, with room for 100 more, and construction was finally completed in 1725
On 3 May 1941, during the Liverpool Blitz, the concert hall and adjoining rooms were severely damaged by an incendiary bomb and during the following night the rear wing was destroyed by a bomb blast. Restoration took place after the war, being completed by 1951. It is recorded in the National Heritage List for England as a designated Grade I listed building, having been designated on 28 June 1952.
The Bluecoat Display Centre, a contemporary craft gallery, opened in the rear courtyard in 1959. Being known as the Bluecoat Arts Centre from the 1980s, it is now simply called the Bluecoat. From 2005, the building was further restored and a new wing added. It was reopened in March 2008 to coincide with Liverpool's year as European Capital of Culture.
8 School Lane, Liverpool, Merseyside, England, UK, L1 3BX
Description
Keywords: GoTonySmith,HotpixUK,city,centre,Merseyside,England,UK,L1,tickets,stops,stands,Liverpool,L1 8JX,network,National Express,coach,bay,bays,at,waiting,area,inter-city,close,closure,ticket,office,profitability,carbon,footprint,company,operator,performance,British,NEX,share,price,dividend,debt,strike,Mobico
Description: Tony Smith image Alamy 2M95NMK - . This dated editorial view of Liverpool One bus station, Canning Place, Liverpool, Merseyside, England, UK, L1 8JX in 2023 captures more than the immediate subject, retaining clues about local use, design, activity and change. The defining feature is National Express, coach bays, at Liverpool One bus station, Canning Place, Liverpool, Merseyside, England, UK, L1 8JX. The surrounding context encompasses local character, community identity, urban fabric, conservation interest, period building, period architecture, architectural character, changing land use, place identity, visual archive, architectural detailing, public realm, conservation architecture, and before-and-after reference. The modern context includes continuing discussion of heritage conservation, maintenance and keeping older buildings useful without erasing their character. For later comparison, the photograph preserves signage and branding at Liverpool One bus station, Canning Place, Liverpool, Merseyside, England, UK, L1 8JX, details that may look very different after redevelopment. The surrounding story also includes traditional materials, historical comparison, adaptive reuse, heritage asset, built heritage, period detail, historic streetscape, and historic townscape. References to Liverpool, station, Merseyside, coach, and Place give the picture a strong period identity and tie it closely to its named subject. The period setting at Liverpool One bus station, Canning Place, Liverpool, Merseyside, England, UK, L1 8JX helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects heritage conservation and the balance between conservation and modern commercial use without losing the local specificity of Liverpool One bus station, Canning Place, Liverpool, Merseyside, England, UK, L1 8JX. That local specificity strengthens the long-term documentary value of image 2M95NMK.
Liverpool One bus station, Canning Place, Liverpool, Merseyside, England, UK, L1 8JX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,bar,club,venue,1960,1960s,10,Liverpool,The,Cavern Club,pub,and,other,venues,famous,tourist,attraction,attractions,tourism,draw,history,John,Paul,Ringo,George,John Lennon,statue,bronze,bricks,bands,artists,The Cavern Pub
Description: Tony Smith image Alamy 2M95NT2 - . An identifiable period record of 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE in 2023, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The scene records Sign & John Lennon statue, at Cavern Walks, The Cavern Club, pub and other venues, 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE. The surrounding context encompasses archival record, regional food identity, hospitality economy, licensed hospitality, licensed trade, documentary photography, before-and-after reference, historical comparison, local character, public realm, local produce retail, local speciality shop, changing land use, and period detail. Current relevance extends to hospitality costs and staffing pressure, particularly through the role of historic venues in tourism and neighbourhood identity. In present-day coverage, the subject reaches into cost of living and domestic tourism, not least because of the seasonal pressure faced by tourism-dependent businesses. The archival value lies partly in recording lettering, decoration and surface detail around 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE before conservation work alters the character of the place. The surrounding story also includes destination shopping, Scottish food culture, social history, tourism business, local history, traditional pub, place identity, and contemporary social history. The combination of Walks, statue, Liverpool, Cavern, and Mathew anchors the frame to a recognisable activity, place or moment. The period setting at 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is hospitality costs and pressure on hospitality margins in a high-cost economy in a form that can be compared with future views of 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE.
10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,bar,club,venue,1960,1960s,10,Liverpool,The,Cavern Club,pub,and,other,venues,neon,bright,red,famous,tourist,attraction,attractions,tourism,draw,history,John,Paul,Ringo,George,Eurovision,2023
Description: Tony Smith image Alamy 2M95NTC - . Recorded at 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is Neon sign at Cavern Walks, The Cavern Club, pub and other venues, 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE. The broader subject matter reaches into night-time economy, historical comparison, changing land use, before-and-after reference, regional identity, pub interior heritage, visitor hospitality, local produce retail, documentary photography, Trossachs tourism, visual archive, beer-led hospitality, social history, and traditional ale house. The wider contemporary story combines food inflation, hospitality costs and how food, drink and heritage combine in destination pubs. Viewed from the mid-2020s, the subject also connects with seasonality, domestic tourism and the seasonal pressure faced by tourism-dependent businesses. Future viewers can use this scene from 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE to compare local activity and public use with whatever follows after altered transport patterns. The subject also sits alongside local history, Scottish food culture, local speciality shop, tourism business, traditional pub, Highland gateway retail, Scottish visitor economy, and licensed trade. Details involving Cavern, Merseyside, Walks, Mathew, and venues make the image more specific than a generic view and strengthen its local or historical value. The wider setting at 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is food inflation and the survival of local pubs as social meeting places in a form that can be compared with future views of 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE.
10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,bar,club,venue,1960,1960s,10,Liverpool,The,Cavern Club,pub,and,other,venues,neon,bright,red,famous,tourist,attraction,attractions,tourism,draw,history,John,Paul,Ringo,George,Eurovision,2023,Eurovision2023
Description: Tony Smith image Alamy 2M95NTH - . Made at 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE in 2023, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Neon sign at Cavern Walks, The Cavern Club, pub and other venues, 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE. The locality and subject together evoke Highland gateway retail, changing land use, historical comparison, regional identity, changing streetscape, local social venue, hospitality economy, historic hostelry, community drinking venue, pub interior heritage, local history, traditional ale house, traditional pub, and visitor hospitality. Today's relevance is strengthened by pub closures, consumer spending and the continuing question of how food, drink and heritage combine in destination pubs. From a 2025-onward perspective, tourism spending and rural economy are closely linked to this subject, alongside the role of gateway towns in national-park visitor economies. The archival value lies partly in recording commercial use and occupation around 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE before replacement signage alters the character of the place. A second descriptive layer includes regional branding, Scottish visitor economy, public-house heritage, public realm, beer-led hospitality, contemporary social history, food-and-drink business, and archival record. Elements such as Mathew, other, Cavern, venues, and Liverpool add documentary specificity and may become increasingly useful when compared with later records. The period setting at 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves part of the area's social history as part of 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE's history.
10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L2,Cavern Walks,Liverpool,L2 6RE,Cavern,nightlife,music,rubber,soul,Invest Group,Rubber-Soul,neon,red,sign,outside,exterior,theme,themed,1960s,social,night life,tourist,attraction,travel,destination,pop,rock,Paul,John,George,Ringo,Matthew Street
Description: Tony Smith image Alamy 2M95NWX - . This scene at Cavern Walks, 9 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE in 2023 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. At the centre of the view is The Rubber Soul, Beatles Bar , Cavern Walks, 9 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE. A broader reading of the photograph includes traditional pub, local character, public realm, before-and-after reference, night-time economy, tourism business, place identity, changing land use, community drinking venue, regional food identity, local speciality shop, contemporary social history, changing streetscape, and visual archive. From a 2025-onward perspective, consumer spending and changing drinking habits are closely linked to this subject, alongside pressure on hospitality margins in a high-cost economy. The wider contemporary story combines rural economy, local business and the role of gateway towns in national-park visitor economies. Future viewers can use this scene from Cavern Walks, 9 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE to compare transport arrangements and footfall with whatever follows after conservation work. A second descriptive layer includes community identity, hospitality economy, traditional ale house, everyday life, visitor hospitality, documentary photography, tourist town economy, and visitor retail. Elements such as Cavern, Liverpool, Walks, Merseyside, and Beatles add documentary specificity and may become increasingly useful when compared with later records. For Cavern Walks, 9 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The view records evidence of changing use within the wider story of Cavern Walks, 9 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE.
Cavern Walks, 9 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,yard,8,Liverpool,L1 3BX,exhibition,space,Bluecoat Chambers,arts,oldest,surviving,building,central,1716,Society of Arts,the,display,contemporary,craft,gallery,clock,single,hand,handed,history,historic,architecture,galleries,timepiece,time piece
Description: Tony Smith image Alamy 2M95NX9 - Built in 1716“17 as a charity school, Bluecoat Chambers in School Lane is the oldest surviving building in central Liverpool, England. Following the Liverpool Blue Coat School's move to another site in 1906, the building was rented from 1907 onwards by the Sandon Studios Society. Based on the presence of this art society and the subsequent formation of the Bluecoat Society of Arts in 1927, the successor organisation laid claim to being the oldest arts centre in Great Britain, now called the Bluecoat.
The school was founded in 1708 by the Reverend Robert Styth (died 1713), rector of Liverpool, and Bryan Blundell, a sea captain and later twice Mayor of Liverpool (1721“22 and 1728“29). Originally constructed in 1716“17, the building was extended until 1718 to function as a boarding school. By the following year, it had 50 children, with room for 100 more, and construction was finally completed in 1725
On 3 May 1941, during the Liverpool Blitz, the concert hall and adjoining rooms were severely damaged by an incendiary bomb and during the following night the rear wing was destroyed by a bomb blast. Restoration took place after the war, being completed by 1951. It is recorded in the National Heritage List for England as a designated Grade I listed building, having been designated on 28 June 1952.
The Bluecoat Display Centre, a contemporary craft gallery, opened in the rear courtyard in 1959. Being known as the Bluecoat Arts Centre from the 1980s, it is now simply called the Bluecoat. From 2005, the building was further restored and a new wing added. It was reopened in March 2008 to coincide with Liverpool's year as European Capital of Culture.
8 School Lane, Liverpool, Merseyside, England, UK, L1 3BX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,the,royal,maritime,port,Mersey,river,historic,ports,built,by,of,Northwich,Liverpool,L3 4AF,L3,The Pumphouse,moored,mooring,boat,ship,boats,ships,Alexandra Towing,Co Ltd,ship-handling,IMO 6420408,museum
Description: Tony Smith image Alamy 2NYNDXP - She is a historic tug from Liverpool.
Name / Owner: BROCKLEBANK
IMO No: 6420408 / ON 306497
Merseyside Maritime Museum.
Flag: United Kingdom (Liverpool).
Comments: July 10, 2004. Moored in Canning Half-tide Dock as a museum ship. Built for Alexandra Towing Co. Ltd., Liverpool, as a ship-handling tug with occasional duties in Heysham, Larne and Barrow. Restoration by the volunteers of the "
Wincham Preservation Society."
Purchased by the Merseyside Maritime Museum in 1989.
Year built / Builder: 1964, W. J. Yarwood &
Sons Ltd., Northwich (yard number: 945)
Details: 172 gt
length o.a. 31.37 m (bp: 28.35 m), 8.26 m beam, 3.81 m depth.
Main engines: 2, two stroke, turbo-charged, 8 cyl Crossley diesel motors developing 970 kW (1,200 bhp) to drive a single prop at a speed of 12 knots.
Static bollard pull: 17 tons
She crossed to Howth from Liverpool 4-5 April 2008.
Graving dry dock, Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,the,royal,maritime,port,Mersey,river,L3,L3 4AF,Albert Dock,Liverpool,by,metal,promenade,Ronald Wycherley,musician,actor,hit,singles,single,Wondrous Place,Halfway to Paradise,Jealousy,1960,1960s,Play It Cool in 1962 and Thatll Be the Day,Play It Cool,Thatll Be the Day
Description: Tony Smith image Alamy 2NYNDXT - Ronald Wycherley (17 April 1940 “ 28 January 1983), better known as Billy Fury, was an English musician and actor. An early star of rock and roll, he equalled the Beatles' record of 24 hits in the 1960s and spent 332 weeks on the UK chart. His hit singles include Wondrous Place, Halfway to Paradise and Jealousy. Fury also maintained a film career, notably playing rock performers in Play It Cool in 1962 and That'll Be the Day in 1973.
AllMusic journalist Bruce Eder stated that Fury's mix of rough-hewn good looks and unassuming masculinity, coupled with an underlying vulnerability, all presented with a good voice and some serious musical talent, helped turn [him] into a major rock and roll star in short order. Others have suggested that his rapid rise to prominence was due to his Elvis-influenced hip swivelling and, at times, highly suggestive stage act
Fury concentrated less on rock and roll and more on mainstream ballads, such as Halfway to Paradise and Jealousy (which reached No. 3 and No. 2 respectively in the UK Singles Chart in 1961). Fury confessed to the NME that I wanted people to think of me simply as a singer “ and not, more specifically, as a rock singer. I'm growing up, and I want to broaden my scope. I shall continue to sing rock songs, but at the same time my stage act is not going to be as wild in the future. It was Decca's decision to mould Fury into a teen idol after his last self-penned song, My Christmas Prayer, had failed to chart. The years 1961 through 1963 were Fury's best years chartwise. In 1962, he appeared in his first film, Play It Cool, modelled on the Elvis films. It featured Helen Shapiro, Danny Williams, Shane Fenton and Bobby Vee, who appeared with the Vernons Girls. The hit single from the film was Once Upon a Dream. There were other notable performances by several British actors and performers such as Richard Wattis, Lionel Blair and Dennis Price.
Fury's We Want Billy! (1963) was one of the first live albums
Graving dry dock, Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,the,royal,maritime,port,Mersey,river,L3,L3 4AF,Albert Dock,Liverpool,by,metal,promenade,Ronald Wycherley,musician,actor,hit,singles,single,Wondrous Place,Halfway to Paradise,Jealousy,1960,1960s,Play It Cool in 1962 and Thatll Be the Day,Play It Cool,Thatll Be the Day,Eurovision,2023
Description: Tony Smith image Alamy 2NYNDY9 - Ronald Wycherley (17 April 1940 “ 28 January 1983), better known as Billy Fury, was an English musician and actor. An early star of rock and roll, he equalled the Beatles' record of 24 hits in the 1960s and spent 332 weeks on the UK chart. His hit singles include Wondrous Place, Halfway to Paradise and Jealousy. Fury also maintained a film career, notably playing rock performers in Play It Cool in 1962 and That'll Be the Day in 1973.
AllMusic journalist Bruce Eder stated that Fury's mix of rough-hewn good looks and unassuming masculinity, coupled with an underlying vulnerability, all presented with a good voice and some serious musical talent, helped turn [him] into a major rock and roll star in short order. Others have suggested that his rapid rise to prominence was due to his Elvis-influenced hip swivelling and, at times, highly suggestive stage act
Fury concentrated less on rock and roll and more on mainstream ballads, such as Halfway to Paradise and Jealousy (which reached No. 3 and No. 2 respectively in the UK Singles Chart in 1961). Fury confessed to the NME that I wanted people to think of me simply as a singer “ and not, more specifically, as a rock singer. I'm growing up, and I want to broaden my scope. I shall continue to sing rock songs, but at the same time my stage act is not going to be as wild in the future. It was Decca's decision to mould Fury into a teen idol after his last self-penned song, My Christmas Prayer, had failed to chart. The years 1961 through 1963 were Fury's best years chartwise. In 1962, he appeared in his first film, Play It Cool, modelled on the Elvis films. It featured Helen Shapiro, Danny Williams, Shane Fenton and Bobby Vee, who appeared with the Vernons Girls. The hit single from the film was Once Upon a Dream. There were other notable performances by several British actors and performers such as Richard Wattis, Lionel Blair and Dennis Price.
Fury's We Want Billy! (1963) was one of the first live albums
Graving dry dock, Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,the,royal,maritime,Mersey,river,L3,L3 4AA,3-4,Liverpool,ship,vessel,at,in,riverside,cutter,dry,dock,pilotage,service,number 2,1953,museum,National Historic Ships,Committee,National Core Collection,of,Historic Ships
Description: Tony Smith image Alamy 2P08KFD - Liverpool pilot cutter number 2, 1953
The largest object in National Museums Liverpool's collections is the Edmund Gardner, a former pilot cutter that can now be found in dry dock opposite the Maritime Museum.
Strong currents, shifting sandbanks, rocks, dangerous weather and two tides a day - with a difference of 11 metres - make the approach to Liverpool by ship a risky business. Marine pilots are seafarers with local knowledge of the River Mersey, who guide ships safely through these various hazards.
The object of a pilot today is the same as it was back in 1766 “ to get a ship, its crew and its cargo safely into port in a timely manner¦ - Geoff Topp, Liverpool Pilot, 1967-2002
During her working life of almost 30 years the Edmund Gardner was essentially a base out in the Irish Sea for the Pilotage Service, providing accommodation for up to 32 pilots at a time. The pilots met all shipping approaching the Mersey and guided them into and out of the docks, to ensure their safety.
The Edmund Gardner's historic importance has been recognized by the National Historic Ships Committee, which has included the vessel in its National Core Collection of Historic Ships. She has also received the World Ship Trust's award as an outstanding example of ship preservation.
More info at https://www.liverpoolmuseums.org.uk/edmund-gardner/pilot-ship
Royal Albert Dock, 3-4 The Colonnades, Liverpool, Merseyside, England, UK, L3 4AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,dusk,Eurovision,2023,city,centre,host,Fab4,Fab 4,Fab Four,L2 6RE,statues,statue,of,above,store,retail,fan,John,Paul,Ringo,George,Ringo Starr,tourist,tourism,attraction,souvenir,souvenirs,Matthew Street,shops,stores
Description: Tony Smith image Alamy 2P4JT4K - . An on-location photograph from 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE in 2023, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is Statues of the Fab4 - John, Paul, Ringo, George, above the Beatles Shop, at 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE. The broader subject matter reaches into local history, street-level business, visual archive, independent retail, specialist retailer, local character, archival record, changing land use, regional identity, town-centre trading, contemporary social history, retail property, social history, and high-street commerce. Viewed from the mid-2020s, the subject also connects with commercial rents, consumer spending and the resilience of specialist shops in an online retail economy. Future viewers can use this scene from 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE to compare street furniture and boundaries with whatever follows after refurbishment. The wider setting retains connections with period detail, commercial frontage, bricks-and-mortar retail, documentary photography, everyday life, community identity, public realm, and customer footfall. Details involving above, Mathew, Ringo, Beatles, and Merseyside make the image more specific than a generic view and strengthen its local or historical value. For 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is commercial rents and how commercial property costs affect small retailers when considered against later change at 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE. It also preserves a trace of local identity within the wider story of 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE.
31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,city,centre,at,L1,retail,bar,pub,cafe,cafes,eating,drinking,restaurant,ropewalk,ropewalks,Jonas Bold,tourist,attraction,tourism,crowded,crowd,busy,distance,the,pizza,pasta,food,bars,evening,night
Description: Tony Smith image Alamy 2P4JWWP - Bold Street is a street in Liverpool, England. It is known for its cafés and for the Church of St Luke, which is situated at the top end. The bottom end leads into the area surrounding Clayton Square, which is part of the main retail district of central Liverpool. The bottom end contains more shops which are chain stores. Liverpool Central, a major hub of the Merseyrail rapid transit/commuter rail network, can also be accessed via an entrance on Bold Street next to The Lyceum, a post office which was Europe's first lending library. The middle area contains bars as it leads towards Concert Square, a square containing clubs and bars, and the top end contains more independent shops and cafes. For the most part, Bold Street is pedestrianised and cars do not have access.
History
Bold Street was originally laid out as a ropewalk
a long thin area of land used in the manufacture of rope (the area is now known as 'Rope Walks'). They used to measure the rope from the top of Bold Street to the bottom because it was the standard length needed for sailing ships. It was laid out for residences around 1780 and named after Jonas Bold, a noted sugar trader and banker. In 1802 Bold became Mayor of Liverpool.
Merchants that worked on the docks needed houses close by. Therefore, houses were constructed in Hanover Street first, followed by Duke Street and then Bold Street. The fields that were in the area earlier were also developed quickly into houses. Although there had been port-related industrial activity in the area, with roperies occupying the site of what is now Bold Street to supply the sailing ships, this intensified along with a demand for residential properties so that the merchants could be located close to their business interests.
Pavement Art from the Bold Street Festival
Physician Jonathan Binns, an 18th-century abolitionist, was among those building a home on the street
Bold Street, Liverpool, Merseyside, England, UK, L1 4EZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,city,centre,at,L1,retail,bar,pub,cafe,cafes,eating,drinking,restaurant,St Lukes,Church of St Luke,in,the,distance,bombed,out,church,ropewalk,ropewalks,Jonas Bold,tourist,attraction,tourism,Ropewalks,rope walks,retailers,shop
Description: Tony Smith image Alamy 2P4JX6G - Bold Street is a street in Liverpool, England. It is known for its cafés and for the Church of St Luke, which is situated at the top end. The bottom end leads into the area surrounding Clayton Square, which is part of the main retail district of central Liverpool. The bottom end contains more shops which are chain stores. Liverpool Central, a major hub of the Merseyrail rapid transit/commuter rail network, can also be accessed via an entrance on Bold Street next to The Lyceum, a post office which was Europe's first lending library. The middle area contains bars as it leads towards Concert Square, a square containing clubs and bars, and the top end contains more independent shops and cafes. For the most part, Bold Street is pedestrianised and cars do not have access.
History
Bold Street was originally laid out as a ropewalk
a long thin area of land used in the manufacture of rope (the area is now known as 'Rope Walks'). They used to measure the rope from the top of Bold Street to the bottom because it was the standard length needed for sailing ships. It was laid out for residences around 1780 and named after Jonas Bold, a noted sugar trader and banker. In 1802 Bold became Mayor of Liverpool.
Merchants that worked on the docks needed houses close by. Therefore, houses were constructed in Hanover Street first, followed by Duke Street and then Bold Street. The fields that were in the area earlier were also developed quickly into houses. Although there had been port-related industrial activity in the area, with roperies occupying the site of what is now Bold Street to supply the sailing ships, this intensified along with a demand for residential properties so that the merchants could be located close to their business interests.
Pavement Art from the Bold Street Festival
Physician Jonathan Binns, an 18th-century abolitionist, was among those building a home on the street
Bold Street, Liverpool, Merseyside, England, UK, L1 4EZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,L1 1QR,night,evening,winter,shoppers,at,signage,door,outside,exterior,mall,B&M,Costa,Quarters,Bon,Boots,McDonalds,Vision Express,The Gym,group,VIP Electronic Cigarettes,retailers,shop,shopping centre,shopping centres,stores,city,centre,shops,main,shopping,area
Description: Tony Smith image Alamy 2P4JXJ1 - . Recorded at Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Dusk shoppers at Clayton Square shopping centre glass roof canopy, Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR. Another layer of the photograph includes changing streetscape, documentary photography, local character, specialist shop, place identity, customer footfall, community identity, period detail, regional identity, contemporary social history, social history, visual archive, shopfront economy, and commercial frontage. Today's relevance is strengthened by footfall, business rates and the continuing question of how commercial property costs affect small retailers. Small period details of period objects and surrounding context at Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR may become more significant with time, particularly following altered transport patterns. The subject also sits alongside before-and-after reference, specialist retailer, high-street commerce, public realm, archival record, local history, small business, and independent retail. The combination of centre, Liverpool, Merseyside, shoppers, and glass anchors the frame to a recognisable activity, place or moment. For Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of footfall and the contribution of independents to distinctive high streets within the real-world context of Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR. The period view preserves period character as a date-specific reference. The view records a trace of local identity for later comparison.
Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Eurovision,2023,city,centre,host,L2,cavern walks,club,singer,icon,iconic,Scouse,musician,arms,in,the,air,Maria Veronica,1960,sexy,slim,music,television presenter,actress,Cavern Club,Mathew St,Liverpool,Merseyside,L2 6RE,female,artist,full,life,size,life-size
Description: Tony Smith image Alamy 2P6JJEY - Priscilla Maria Veronica White OBE (27 May 1943 “ 1 August 2015), better known as Cilla Black, was an English singer, television presenter and actress.
Championed by her friends the Beatles, Black began her career as a singer in 1963. Her singles Anyone Who Had a Heart and You're My World both reached number one in the UK in 1964. She had 11 top 10 hits on the UK Singles Chart between then and 1971, and an additional eight hits that made the top 40. In May 2010, new research published by BBC Radio 2 showed that her version of Anyone Who Had a Heart was the UK's biggest-selling single by a female artist in the 1960s. You're My World was also a modest hit in the U.S., peaking at No. 26 on the Billboard Hot 100.
Along with a successful recording career in the 1960s and early 1970s, Black hosted her own BBC variety show, Cilla (1968“1976). After a brief time as a comedy actress, she became a prominent television presenter in the 1980s and 1990s, hosting hit entertainment shows such as Blind Date (1985“2003), Surprise Surprise (1984“2001) and The Moment of Truth (1998“2001). In 2013, Black celebrated 50 years in show business. ITV honoured this milestone with a one-off entertainment special which aired on 16 October 2013, The One & Only Cilla Black, featuring Black herself and hosted by Paul O'Grady.
Black died on 1 August 2015 at the age of 72, after a fall in her villa in Estepona. The day after her funeral, the compilation album The Very Best of Cilla Black went to number one on the UK Albums Chart and the New Zealand Albums Chart
it was her first number one album. In 2017, a statue of Black commissioned by her sons was unveiled outside the Cavern Club's original entrance.
Cavern Club, Mathew St, Liverpool, Merseyside, England, UK, L2 6RE BW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Eurovision,2023,city,centre,host,A,Liverpool,John,Paul,Ringo,George,Pete,Stuart,McCartney,Lennon,Matthew Street,Exhibitions,Ltd,trading as,Fab4,Fab,Four,L2,L2 6RE,red,white,Cavern,walks,walk,fans,fanatic,icon
Description: Tony Smith image Alamy 2P6JJWF - . This scene at Mathew Street, Liverpool, England, UK, L2 6RE in 2023 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is A Unique and authentic Beatles Museum, memorabilia at the Liverpool Beatles Museum, Mathew Street, Liverpool, England, UK, L2 6RE. The wider scene also brings together town-centre trading, changing streetscape, bricks-and-mortar retail, small business, local character, local history, changing land use, before-and-after reference, historical comparison, social history, customer footfall, contemporary social history, everyday life, and specialist shop. In present-day coverage, the subject reaches into footfall and online shopping, not least because of how commercial property costs affect small retailers. The image fixes lettering, decoration and surface detail within Mathew Street, Liverpool, England, UK, L2 6RE at one identifiable point, providing a benchmark against redevelopment. The wider setting retains connections with local enterprise, specialist retailer, high-street commerce, documentary photography, commercial frontage, retail property, public realm, and visual archive. The recorded references to authentic, Unique, Liverpool, Mathew, and Beatles preserve clues about how the subject was presented, used or understood at the time. The wider setting at Mathew Street, Liverpool, England, UK, L2 6RE matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene further reflects footfall and the resilience of specialist shops in an online retail economy within the real-world context of Mathew Street, Liverpool, England, UK, L2 6RE. Its period value extends to store closures and the contribution of independents to distinctive high streets within the specific setting of Mathew Street, Liverpool, England, UK, L2 6RE.
Mathew Street, Liverpool, England, UK, L2 6RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,ale,bitter,St Johns Lane,Queen Square,England,UK,L1 1HF,L1,brewery,beer,established,est,1850,Liverpool,at,Duncan,Doctor,bar,real,ales,Xmas,Christmas,Christmas Ale,pump,handpump,hand pump,festive,Robert Cain,Liverpool in a pint,Andrew Mikhail
Description: Tony Smith image Alamy 2M1F5RE - . An on-location photograph from St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. At the centre of the view is Cains Xmas brewery beer, established 1850, Liverpool, at Doctor Duncans bar, St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF. The surrounding context encompasses beer-led hospitality, local history, historical comparison, regional identity, visual archive, cask-beer tradition, community drinking venue, public realm, traditional ale house, period detail, place identity, licensed trade, real-ale culture, and traditional pub. In present-day coverage, the subject reaches into consumer spending and energy costs, not least because of the value of historic pubs to tourism and local identity. For later comparison, the photograph preserves transport arrangements and footfall at St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF, details that may look very different after redevelopment. The subject also sits alongside social history, contemporary social history, changing land use, historic hostelry, changing streetscape, before-and-after reference, local social venue, and documentary photography. References to established, Square, Merseyside, Liverpool, and Duncans give the picture a strong period identity and tie it closely to its named subject. The period setting at St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is consumer spending and the value of historic pubs to tourism and local identity within the real-world context of St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF. That local specificity strengthens the long-term documentary value of image 2M1F5RE.
St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,ale,bitter,St Johns Lane,Queen Square,England,UK,L1 1HF,L1,brewery,beer,established,est,1850,Liverpool,at,Duncan,Doctor,bar,real,ales,glass,half full,half empty,pint,pot,halffull,halfempty,drinking,drinker,Robert Cain,Liverpool in a pint,Andrew Mikhail,ReformUK,5p off a pint
Description: Tony Smith image Alamy 2M1F5RM - . Made at St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Cains brewery beer, established 1850, Liverpool, at Doctor Duncans bar, St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF. Further facets of the scene include beer-led hospitality, traditional pub, visitor hospitality, local social venue, documentary photography, contemporary social history, community drinking venue, changing streetscape, historical comparison, cask-beer tradition, community identity, changing land use, archival record, and social history. Current relevance extends to consumer spending and business rates, particularly through pressure on hospitality margins in the mid-2020s. As a dated visual record of St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF, the frame retains lettering, decoration and surface detail, making it especially useful if refurbishment subsequently changes the scene. A second descriptive layer includes before-and-after reference, local history, local character, place identity, regional identity, real-ale culture, historic hostelry, and hospitality economy. The combination of Cains, Merseyside, Square, Queen, and brewery anchors the frame to a recognisable activity, place or moment. The period setting at St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for consumer spending and pressure on hospitality margins in the mid-2020s when considered against later change at St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF. The frame retains a point of historical comparison before later change alters the scene.
St John's Ln, Queen Square, Liverpool, Merseyside, England, UK, L1 1HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyrail train carriage,yellow livery,Southport underground line,Liverpool South Parkway,Merseyside,England,UK,Liverpool,train,Mersey,rail,railway,carriage,Southport,line,city,region,centre,750V,DC,third rail,electrified,lines,EMU,stations,joint venture,JV,Serco,Abellio,TOC,Train operating company,privatised,fleet,of,trains,British Rail,PR8
Description: Tony Smith image Alamy 2JHPYF0 - Merseyrail is a commuter rail network serving the Liverpool City Region and adjacent areas of Cheshire and Lancashire. Merseyrail operates 68 railway stations across two lines “ the Northern Line and Wirral Line, which are dedicated 750 V DC third rail electrified lines that serve underground stations in the centres of Liverpool and Birkenhead. Merseyrail branding is also applied to stations and 'shared' services on the City Line, which are within the Liverpool City Region but operated by other train operating companies. The City Line services operate on the Liverpool to Manchester Lines and the Liverpool to Wigan Line using a mix of AC electric and diesel trains.
The Merseyrail third rail network has 68 stations and 75 miles (121 km) of track, of which 6.5 miles (10.5 km) are underground. It carries approximately 110,000 passengers each weekday, or 34 million passengers per year
The first part of the urban network was opened in 1977 by merging separate rail lines by constructing new tunnels under Liverpool city centre and Birkenhead. The full 1970s plans for the network were not realised, but the network has been extended on its peripheries with additional extensions proposed. The extensions were created by electrifying existing lines and then transferring the electrified sections into Merseyrail.
Merseyrail is operated for Merseytravel by 50:50 joint venture Serco-Abellio, who superseded Arriva Trains Merseyside in 2003. The 25-year contract expires in 2028.As of 2015, Serco-Abellio operates a fleet of 59 trains and employs 1,200 people
Services on the electrified Merseyrail network are operated by British Rail Class 507 and Class 508 electric multiple unit trains (EMUs). These replaced pre-war Class 502 (originally constructed by the LMS) and similar Class 503 EMUs. There are 57 trains in service on the network.
Liverpool South Parkway interchange, Holly Farm Rd, Garston, Liverpool, Merseyside, England, UK, L1
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Liverpool,Merseyside,City Centre,scouse,L2,31,Water St,England,UK,L20RD,avenue,office,light,lighting,arch,archway,passage,passageway,grade II,listed,Home Office,ineffective,offices,officials,centre,city,government,imperial,colonial,The,L2 0UD,history,historic,heritage
Description: Tony Smith image Alamy 2JCW1XA - . Recorded at 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The subject captured here is India Buildings, 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD. The wider scene also brings together architectural character, historical comparison, urban fabric, historic frontage, visual archive, changing land use, contemporary social history, public realm, before-and-after reference, historic townscape, local character, historic streetscape, community identity, and community life. The modern context includes continuing discussion of local identity, redevelopment pressure and how historic fabric can be retained while places adapt to modern use. For current editorial use, transport and street safety provide additional context, especially through the documentary importance of recording everyday urban environments. For later comparison, the photograph preserves transport arrangements and footfall at 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD, details that may look very different after closure or conversion. The location also brings in urban change, everyday street life, heritage landmark, pedestrian environment, social landscape, period building, townscape record, and traditional structure. References to Merseyside, Buildings, Liverpool, Water, and India give the picture a strong period identity and tie it closely to its named subject. Around 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is local identity and how historic fabric can be retained while places adapt to modern use without losing the local specificity of 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD.
31 Water St, Liverpool, Merseyside, England, UK, L2 0RD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Liverpool,City Centre,scouse,the,around,and,above,Cavern,Quarter,Ropewalks,L2,L2 6RE,outside,of,Hard Days Night,Hotel,Central Buildings,North John St,L2 6RR,Beatles,Beatlemania,music,Merseybeat,tourist,attraction,tourism,home,band,1960,1960s,cool,city,centre
Description: Tony Smith image Alamy 2JCW1XT - George Harrison MBE (25 February 1943 “ 29 November 2001) was an English musician and singer-songwriter who achieved international fame as the lead guitarist of the Beatles. Sometimes called the quiet Beatle, Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles' work. Although the majority of the band's songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group include Taxman, Within You Without You, While My Guitar Gently Weeps, Here Comes the Sun and Something. Harrison's earliest musical influences included George Formby and Django Reinhardt
subsequent influences were Carl Perkins, Chet Atkins and Chuck Berry.
By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan and the Byrds, and towards Indian classical music through his use of Indian instruments, such as the sitar, which he had become acquainted with on the set of the film Help! He played sitar on numerous Beatles songs, starting with Norwegian Wood (This Bird Has Flown). Having initiated the band's embrace of Transcendental Meditation in 1967, he subsequently developed an association with the Hare Krishna movement. After the band's break-up in 1970, Harrison released the triple album All Things Must Pass, a critically acclaimed work that produced his most successful hit single, My Sweet Lord, and introduced his signature sound as a solo artist, the slide guitar. He also organised the 1971 Concert for Bangladesh with Indian musician Ravi Shankar, a precursor to later benefit concerts such as Live Aid. In his role as a music and film producer, Harrison produced acts signed to the Beatles' Apple record label before founding Dark Horse Records in 1974. He co-founded HandMade Films in 1978, initially to produce the Monty Python troupe's
Central Buildings, North John St, Liverpool ,L2 6RR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,Levelling up,Northern Powerhouse,offices,office,block,LCVS,Liverpool Charity and Voluntary Services,L2,Liverpool,city,centre,architecture,icon,iconic,ex,Blackburn,building,Art-Deco,art,deco,ArtDeco,artdeco,history,historic,heritage,sunny,blue sky,blue skies,renovated,redeveloped,maintained,well,flag,flagpole
Description: Tony Smith image Alamy 2JDDR5M - . This scene at 151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is Ex Blackburn Assurance Art-Deco building, 151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH. The subject also carries associations with community life, pedestrian environment, documentary photography, urban social history, contemporary city life, period detail, social history, period building, historical comparison, urban change, heritage landmark, public realm, period streetscape, and everyday life. From a 2025-onward perspective, energy retrofit and adaptive reuse are closely linked to this subject, alongside the value of distinctive buildings and street furniture to local identity. The wider contemporary story combines local identity, footfall and the documentary importance of recording everyday urban environments. The archival value lies partly in recording building condition and alterations around 151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH before replacement signage alters the character of the place. The surrounding story also includes townscape record, city-centre activity, social landscape, archival record, conservation architecture, historic streetscape, architectural detailing, and conservation interest. Elements such as building, Art-Deco, Assurance, Merseyside, and Blackburn add documentary specificity and may become increasingly useful when compared with later records. A later view of 151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The view records a point of historical comparison for later comparison. Image 2JDDR5M also remains a dated record of 151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH.
151 Dale Street, Liverpool, Merseyside, England, UK, L2 2AH
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,BW,monochrome,cafe,history,basement,sandwich,HotpixUK,@HotpixUK,Merseyside,L2 2NZ,L2,closed,traditional,historic,shop,popular,breakfast,lunch,city,centre,heritage,name,catering,Tithebarn St,Northern Powerhouse,city centre,Levelling up,1970,1970s,Reeces,Liverpool,Moorfields,windows,sandwiches,sign
Description: Tony Smith image Alamy 2JDJ4H6 - . Recorded at Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is BW Liverpool Reeces Rendezvous cafe, Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ. Another layer of the photograph includes local identity, social landscape, period streetscape, conservation interest, city-centre activity, architectural character, period detail, historic townscape, historic streetscape, heritage asset, conservation architecture, architectural detailing, urban social history, and contemporary social history. Current relevance extends to adaptive reuse and embodied carbon, particularly through keeping older structures useful without erasing their character. In present-day coverage, the subject reaches into transport and commercial change, not least because of the relationship between public space and local social life. The image fixes landscape treatment and surrounding development within Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ at one identifiable point, providing a benchmark against different community use. The subject also sits alongside place identity, street-level documentary, archival record, local character, regional identity, pedestrian environment, townscape record, and traditional structure. References to Reeces, Merseyside, Tithebarn, Rendezvous, and Liverpool give the picture a strong period identity and tie it closely to its named subject. For Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes adaptive reuse and keeping older structures useful without erasing their character when considered against later change at Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ.
Tithebarn St, Liverpool, Merseyside, England, UK, L2 2NZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Station,Liverpool,Liverpool City Council,city centre,lion mark,lion standard mark,British eggs,Liverpools first woman freeman,first woman freeman,first,woman freeman,Bessie Braddock statue,Tryweryn reservoir,Jack and Bessie Braddock,commemoration,commemorative,heritage,Mersey,Scouse,city,centre,tourist,tourism,attraction,statues,statue,Bessie,Braddock,reform,reformer,politics,Labour,party,Elizabeth Margaret Braddock,softboiled,soft boiled,salmonella
Description: Tony Smith image Alamy 2DA91GD - Elizabeth Margaret Braddock (née Bamber
24 September 1899 “ 13 November 1970) was a British Labour Party politician who served as Member of Parliament (MP) for the Liverpool Exchange division from 1945 to 1970. She was a member of Liverpool County Borough Council from 1930 to 1961. Although she never held office in government, she won a national reputation for her forthright campaigns in connection with housing, public health and other social issues.
Braddock inherited much of her campaigning spirit from her mother, Mary Bamber, an early socialist and trade union activist. After some years in the Independent Labour Party (ILP), Braddock joined the Communist Party of Great Britain (CPGB) on its foundation in 1920, but quickly became disillusioned with the party's dictatorial tendencies. She left the CPGB in 1924 and later joined the Labour Party. Before the Second World War, alongside her husband Jack Braddock she established a reputation as a crusading left-wing councillor, frequently at odds with her party while pursuing an agenda of social reform. During the war she worked in Liverpool's ambulance service, before winning the Exchange division for Labour in the 1945 general election.
Lime street ,Liverpool,Merseyside,England,UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L3,outside,The,bar,listed,Victorian,building,architecture,Walkers Warrington Ales,exterior,Tetley Walker,Ales,history,historic,classic,local,city,centre,Walkers,brewing,brewery,NW,north west,northwest,marble,stone,fronted,external,windows,gold
Description: Tony Smith image Alamy 2M475HM - . This dated editorial view of 14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY in 2019 captures more than the immediate subject, retaining clues about local use, design, activity and change. The defining feature is The Beehive pub, 14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY - Victorian Walkers Warrington Ales exterior. The frame also records themes of period detail, public realm, visitor hospitality, documentary photography, hospitality economy, community identity, everyday life, contemporary social history, cask-beer tradition, historical comparison, real-ale culture, visual archive, place identity, and changing streetscape. The wider contemporary story combines energy costs, changing drinking habits and the continuing appeal of real ale and regional brewing. As a dated visual record of 14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY, the frame retains street furniture and boundaries, making it especially useful if redevelopment subsequently changes the scene. The location also brings in traditional pub, before-and-after reference, local character, local social venue, traditional ale house, licensed hospitality, community drinking venue, and pub heritage. The recorded references to Mount, Walkers, exterior, Victorian, and Liverpool preserve clues about how the subject was presented, used or understood at the time. For 14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for energy costs and the value of historic pubs to tourism and local identity within the real-world context of 14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY. The image fixes evidence of earlier appearance as a date-specific reference. It also preserves period character for later comparison.
14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L3,outside,The,bar,listed,Victorian,building,architecture,Walkers Warrington Ales,exterior,Tetley Walker,Ales,history,historic,classic,local,city,centre,Walkers,brewing,brewery,NW,north west,northwest,marble,stone,fronted,external,windows,gold
Description: Tony Smith image Alamy 2M475HT - . Made at 14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY in 2019, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The defining feature is The Beehive pub, 14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY - Victorian Walkers Warrington Ales exterior. The surrounding context encompasses community identity, traditional pub, period detail, local social venue, before-and-after reference, changing streetscape, documentary photography, place identity, visitor hospitality, real-ale culture, local character, beer-led hospitality, hospitality economy, and social history. The wider contemporary story combines staffing pressure, changing drinking habits and pressure on hospitality margins in the mid-2020s. Future viewers can use this scene from 14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY to compare commercial use and occupation with whatever follows after conservation work. The location also brings in night-time economy, licensed hospitality, licensed trade, changing land use, public realm, historic hostelry, archival record, and cask-beer tradition. References to Mount, exterior, Liverpool, Victorian, and Beehive give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within 14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is staffing pressure and the continuing appeal of real ale and regional brewing as part of the longer story of 14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY. The image fixes evidence of changing use for future local research. It also preserves evidence of earlier appearance before later change alters the scene.
14 Mount Pleasant ,Liverpool, Merseyside, England, UK, L3 5RY
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,Did you know,passenger,commuters,poster,cheapest,train tickets,Liverpool transport,transport,franchise,TOC,Lime Street,Lime St,Merseyrail poster,advert,promotion,subway,underground,Liverpool subway,Merseyside,North West England,cheap,travel,public,city,centre,yellow,MerseyTravel,Mersey Travel,Liverpool,L1 1JD,L1
Description: Tony Smith image Alamy 2AGPHA1 - . A dated documentary view of Lime Street, Liverpool, Merseyside, England, UK, L1 1JD in 2019, recording the subject as it appeared at that point rather than as a generic stock illustration. The principal point of reference is Merseyrail - Buy the cheapest train tickets to anywhere, poster in Lime st station, Liverpool , Merseyside, North West England, UK. The setting also relates to architectural character, rail transport, built heritage, local character, public realm, changing land use, heritage asset, historic townscape, period streetscape, conservation architecture, everyday life, archival record, heritage landmark, and period building. Viewed from the mid-2020s, the subject sits within continuing debate about integrated transport, rail reform and linking trains more effectively with other transport. The present-day relevance extends to historic townscape and heritage conservation, while a wider concern is the contrast between preservation and redevelopment. Looking back from the mid-2020s, the image captures the visual character of the locality at the time in this part of Lime Street, Liverpool, Merseyside, England, UK, L1 1JD. A second layer of the scene includes cityscape history, transport interchange, trackside infrastructure, historical comparison, railway branding, conservation interest, historic context, and regional identity. Details involving tickets, poster, Merseyside, station, and Merseyrail give the scene useful specificity and strengthen its local, cultural or historical identity. Around Lime Street, Liverpool, Merseyside, England, UK, L1 1JD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The location additionally provides evidence of integrated transport and making rail simpler and more dependable when considered against later change at Lime Street, Liverpool, Merseyside, England, UK, L1 1JD.
Lime Street, Liverpool, Merseyside, England, UK, L1 1JD
Description
Keywords: City,Centre,Liverpool,L1,1HF,pubs,bar,bars,Lane,landmark,CAMRA,Scottish,Scotland,Alba,medical,physician,ale,beer,historic,sign,signs,Liverpool Pubs,St Johns Lane,L1 1HF,Doctor Duncans,Saint Johns,William Henry Duncan,Liverpool physician,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HM2C - William Henry Duncan (27 January 1805 “ 23 May 1863), also known as Doctor Duncan, was an English doctor who worked in Liverpool as its first Medical Officer of Health.
Biography
Duncan was born in Liverpool to Scottish parents. He was the nephew of James Currie, an earlier influential Liverpool physician. He was also the nephew of Henry Duncan of Ruthwell and received his early education in Scotland, under Henry Duncan's protection. William Henry Duncan qualified as a medical doctor in Edinburgh, returning to Liverpool to work in general practice. He was appointed Medical Officer of Health on 1 January 1847.
Duncan was one of the celebrated trio of pioneering officers appointed under a private act (the Liverpool Sanatory Act 1846) by the Borough's Health of the Town Committee
the others being James Newlands, Borough Engineer, and Thomas Fresh, Inspector of Nuisances (though it was recently discovered that Fresh had already been in a non-statutory version of the post for several years before this).
A pub in Liverpool called Doctor Duncan's is named in his honour. One of the buildings of the Faculty of Medicine at the University of Liverpool is named after William Henry Duncan, The William Henry Duncan Building, whose entrance is off West Derby Street. The building houses the Institute of Ageing and Chronic Disease (link), research groups from the Institute of Translational Medicine and the Liverpool Biobank. Part funded by the EDRF the building also houses the Liverpool BioInnovation Hub
St Johns Lane,City Centre,Liverpool,L1 1HF
Description
Keywords: City,Centre,Liverpool,L1,1HF,pubs,bar,bars,Lane,landmark,CAMRA,Scottish,Scotland,Alba,medical,physician,ale,beer,historic,sign,signs,Liverpool Pubs,St Johns Lane,L1 1HF,Doctor Duncans,Saint Johns,William Henry Duncan,Liverpool physician,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HM39 - William Henry Duncan (27 January 1805 “ 23 May 1863), also known as Doctor Duncan, was an English doctor who worked in Liverpool as its first Medical Officer of Health.
Biography
Duncan was born in Liverpool to Scottish parents. He was the nephew of James Currie, an earlier influential Liverpool physician. He was also the nephew of Henry Duncan of Ruthwell and received his early education in Scotland, under Henry Duncan's protection. William Henry Duncan qualified as a medical doctor in Edinburgh, returning to Liverpool to work in general practice. He was appointed Medical Officer of Health on 1 January 1847.
Duncan was one of the celebrated trio of pioneering officers appointed under a private act (the Liverpool Sanatory Act 1846) by the Borough's Health of the Town Committee
the others being James Newlands, Borough Engineer, and Thomas Fresh, Inspector of Nuisances (though it was recently discovered that Fresh had already been in a non-statutory version of the post for several years before this).
A pub in Liverpool called Doctor Duncan's is named in his honour. One of the buildings of the Faculty of Medicine at the University of Liverpool is named after William Henry Duncan, The William Henry Duncan Building, whose entrance is off West Derby Street. The building houses the Institute of Ageing and Chronic Disease (link), research groups from the Institute of Translational Medicine and the Liverpool Biobank. Part funded by the EDRF the building also houses the Liverpool BioInnovation Hub
St Johns Lane,City Centre,Liverpool,L1 1HF
Description
Keywords: 92,City,Centre,Lancs,Lancashire,Castlefields,water,British,Leeds,Liverpool,M3,industry,industrial,workshop,of,the,world,Lock 92,City Centre,British Waterways,Leeds Liverpool Canal,M3 4LZ,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4EDN1 - . This scene at 18-25 Castle St, Manchester M3 4LZ in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The image documents Lock92,Rochdale Canal,Castlefield,Manchester City Centre,Lancs,England,UK. A broader reading of the photograph includes conservation architecture, before-and-after reference, social-history object, historic townscape, museum object, architectural detail, historic material culture, material culture, contemporary social history, built heritage, heritage interpretation, public realm, architectural character, and urban fabric. In present-day coverage, the subject reaches into provenance and local history, not least because of the importance of provenance and inscriptions in understanding historic artefacts. Today's relevance is strengthened by heritage conservation, embodied carbon and the continuing question of keeping older buildings useful without erasing their distinctive character. The archival value lies partly in recording commercial use and occupation around 18-25 Castle St, Manchester M3 4LZ before conservation work alters the character of the place. A second descriptive layer includes local-history evidence, period architecture, decorative metalwork, commemorative plaque, historical comparison, community identity, changing land use, and adaptive reuse. Elements such as Manchester, Centre, Lock92, Castlefield, and Rochdale add documentary specificity and may become increasingly useful when compared with later records. Around 18-25 Castle St, Manchester M3 4LZ, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The location additionally provides evidence of provenance and the importance of provenance and inscriptions in understanding historic artefacts when considered against later change at 18-25 Castle St, Manchester M3 4LZ.
18-25 Castle St, Manchester M3 4LZ
Description
Keywords: building,new,architecture,material,materials,Office,Leeds,West Yorkshire,England,UK,GB,Great Britain,financial,investment,Liverpool,canal,United Kingdom,Skyscraper,block,tower,towering,glass,financial,development,redevelopment,Dalek,residential,tallest,skyline,GoTonySmith,Architects,Landmark,Development,Projects,and,St James,saint,james,st,Securities,with,Bovis,Lend,Lease,tenants include Eversheds,Ernst & Young,ghd,BDO Stoy Hayward,and DWF LLP,Retail tenants,include,Tesco,Starbucks,Panini Shack,Philpotts,prestigious,city,centre,address,evening,low,light,Carbuncle,Cup,shortlist,ugly,dusk,night,evening,lighting,old,new,Buy Pictures of,Buy Images Of,Aedas Architects,low light,Carbuncle Cup,ugly architecture,old and new,newand old
Description: Tony Smith image Alamy EY7XFM - Bridgewater Place, nicknamed The Dalek, is an office and residential skyscraper development in Leeds, West Yorkshire, England. It is the tallest building in Yorkshire, and has held this record since being topped out in September 2005. It is visible at up to 25 miles (40 km) from certain areas.
The development has been designed by Aedas Architects with the developer being Landmark Development Projects and St James Securities with Bovis Lend Lease being the contractor. The developer of the residential element of Bridgewater Place is KW Linfoot.
It was first announced in 2000 and, following several redesigns and delays with the construction process, construction of the building began in 2004 and was completed in 2007. It became the tallest building in Leeds, by a significant margin, and Yorkshire (although this does not take into account structures such as Emley Moor). Bridgewater Place has a height of 112 metres (367 ft) to roof level. Originally the tower was to have a spire which would have extended the height of the building to 137 metres (449 ft), however this was never built.
Bridgewater Place has 32 storeys, of which two are used for car parking, ten for offices and twenty for residential purposes. There is 40,000 square metres / 430,560 square feet of floor space in the building with 200 flats and 400 underground car parking spaces serving both the residential and commercial areas of the building.
Current office tenants include Eversheds, Ernst & Young, ghd, BDO Stoy Hayward and DWF LLP. Retail tenants include Tesco, Starbucks, Panini Shack and Philpotts. The residential element of the development has proved to be a prestigious city centre address.
The major part of the building's construction was completed by late December 2006.[citation needed] The completion of the entire building was commemorated on Thursday 26 April 2007. A special episode of Look North, the BBC's local regional news programme was produced to commemorate the opening of the tower.
Bridgewater Place,Leeds,Yorkshire, England,UK
Description
Keywords: Liverpool,Winston,Churchill,Luftwaffe,Great Britain,news,GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,war,time,raid,assorted,Nazi,bombed,bombing,reliable,print,history,RAF,world,two,II,Britain,HP sauce,old,Hitler,vintage,WW2,first lord,air,raids,Daily Mail,Nigel Farage,ReformUK
Description: Tony Smith image Alamy 2R8T9GF - The Daily Sketch was a British national tabloid newspaper, founded in Manchester in 1909 by Sir Edward Hulton, 1st Baronet.
In 1920, Lord Rothermere's Daily Mirror Newspapers bought the Daily Sketch. In 1925 Rothermere, sold it to William and Gomer Berry (later Viscount Camrose and Viscount Kemsley).
It was owned by a subsidiary of the Berrys' Allied Newspapers from 1928 (renamed Kemsley Newspapers in 1937 when Camrose withdrew to concentrate his efforts on The Daily Telegraph). In 1946, it was merged with the Daily Graphic. In 1952, Kemsley decided to sell the paper to Associated Newspapers, the owner of the Daily Mail, who promptly revived the Daily Sketch name in 1953. The paper struggled through the 1950s and 1960s, never managing to compete successfully with the Daily Mirror, and in 1971 it was closed and merged with the Daily Mail.
In 1954, an infamous cartoon titled Family Portrait? was published in the paper which mocked Billy Strachan, a black British civil rights leader, for his anti-colonial and anti-imperialist beliefs. The cartoon depicted him with devil horns representing the Caribbean Labour Congress. He also posed with Hewlett Johnson and Paul Robeson, all of whom stood underneath a portrait of the then recently deceased Soviet dictator Joseph Stalin.
The Sketch was Conservative in its politics and populist in its tone during its existence through all its changes of ownership. In some ways, much of the more populist element of today's Daily Mail was inherited from the Sketch: before the merger, the more serious Mail, previously a broadsheet, also espoused right-wing politics. The Sketch notably launched a moral panic over Daniel Farson's 1960 television documentary Living for Kicks, a portrait of British teenage life at the time, which led to a war of words between the Sketch and the Daily Mirror. It also participated in the press campaign against the screening of the BBC film The War Game
London, England, UK
Description
Keywords: Liverpool,Old Haymarket,LFC,Anfield,St Johns Gardens,remembrance,GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,L1,L1 6ER,disaster,bronze,artwork,football,club,soccer,relief,the,dead,tragedy,deaths,we will,remember,them,frieze,names,of,memory,stadium,match,Scousers,crest
Description: Tony Smith image Alamy 2RJ3YPF - The Hillsborough Monument Memorial - Sculptor's Notes more at https://liverpoolsculptures.co.uk/the-hillsborough-monument-memorial/
The Hillsborough monument was comissioned by the Hillsborough Justice Campaign and sculpted by Tom Murphy.
Background: A young girl asked her Father, where is the Hillsborough Memorial? She was told: ˜There is one in Anfield.' She said: ˜Why can't we have one in the city centre for everyone to see.' This simple question was the catalyst for this monument
The monument is circular with a raised design in low relief. The imagery shows an imaginary place,which is meant to guide our thoughts of remembrance and all that has happened since the tragedy
The people depicted in the design are ˜the guardians of the memory', or ˜people like us' Their purpose is symbolic and other figures represent justice, hope and loss. The setting is a beautiful and quiet place, which may help us to think about the characters and individual personalities of those who died. The people who passed away are represented by the birds who fly freely throughout the work.
We reflect and empathise with those who died while considering the people they were, and might have been, were it not for the disaster
Description of the raised relief on the maquette
The design begins with two large tablets that list the names those who died. A dedication and information plaque is situated between the tablets of names with a poem, written especially for the moument, by David Charters (journalist and author). Immediately above the central dedication is a wreath of spring flowers. This reminds us of the season and number of victims who died. A Liver Bird stands guard. Below the information plaque is a rail of football scarves from differing clubs signifying the way football fans responded nationally in the days after the disaster. Around the top rim of the monument is the proclamation: ˜HILLSBOROUGH DISASTER. WE WILL REMEMBER THEM.'.
St John's Gardens,, Old Haymarket, Liverpool , Merseyside, England, UK, L1 6ER
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NW,North West,UK,England,centre,city,L1,St Georges Pl,Liverpool,Merseyside,L1 1JJ,at,Music,the,groups,poster,words,2023,building,architecture,history,heritage,listed,grade,Neoclassical,Victorian,Grade I,concert hall,William Brown Street,conservation area,architect,Harvey Lonsdale Elmes,John Weightman,Robert Rawlinson
Description: Tony Smith image Alamy 2RC6H5Y - . Liverpool Music City at St Georges Hall, St George's Pl, Liverpool , Merseyside, England, UK, L1 1JJ. Photographed on 12 July 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St George's Place, Liverpool , Merseyside, England, UK, L1 1JJ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include North West, St Georges Pl, Liverpool, Merseyside, L1 1JJ, Music, groups, poster, words, building, architecture, history, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The music context makes the image useful for editorial coverage of performers, venues, concerts, popular culture, local music heritage, audiences, nightlife and the creative industries. Such scenes can become important cultural records as bands, venues, festivals and city music districts change, linking contemporary entertainment with wider stories about tourism, identity and regeneration. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
St George's Place, Liverpool , Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,I feel fine,the,Mainzer,FC,manager,sketch,art,soccer,football,Im in love with her and I feel fine,Jurgen,Mainz 05,Mainz05,FIFA,Coach,of the,Year,award,English,Premier League,UEFA,Champions,League,LFC,Liverpool FC,Anfield,managers,hotpix.org.uk,Liverpool,German,football team coach
Description: Tony Smith image Alamy 2R22XM5 - Jürgen Norbert Klopp (born 16 June 1967) is a German professional football manager and former player who is the manager of Premier League club Liverpool. He is widely regarded as one of the best managers in the world.
Klopp spent most of his playing career at Mainz 05. He was initially deployed as a striker, but was later moved to defence. Upon retiring in 2001, Klopp became the club's manager, and secured Bundesliga promotion in 2004. After suffering relegation in the 2006“07 season and unable to achieve promotion, Klopp resigned in 2008 as the club's longest-serving manager. He then became manager of Borussia Dortmund, guiding them to the Bundesliga title in 2010“11, before winning Dortmund's first-ever domestic double during a record-breaking season. Klopp also guided Dortmund to a runner-up finish in the 2012“13 UEFA Champions League before leaving in 2015 as their longest-serving manager.
Klopp was appointed manager of Liverpool in 2015. He has guided the club to UEFA Champions League finals in 2018 and 2022, and won the trophy in 2019 to secure his first “ and Liverpool's sixth “ title in the competition. Klopp's side finished second in the 2018“19 Premier League, registering 97 points
the then third-highest total in the history of the English top division, and the most by a team without winning the title. The following season, Klopp won the UEFA Super Cup and Liverpool's first FIFA Club World Cup, before delivering Liverpool's first Premier League title, amassing a club record 99 points and breaking a number of top-flight records. These achievements won him back-to-back FIFA Coach of the Year awards in 2019 and 2020.
Liverpool, England, UK L3 8EW
