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Description
Keywords: GoTonySmith,HotpixUK,green,go,cross,walk,light,signal,Mainzelmännchen,Mainz pedestrian signal,Mainz traffic lights,pedestrian crossing light,German,traffic,Große Bleiche Mainz,Ampel,1960s,cartoon,character,novelty,pedestrian,safety,road,crossing,figure,lights,sightseeing,German television history,Wolf Gerlach cartoons,1960s German television,ZDF advertising separators,German pop culture,Mainz cultural identity,regional,city,branding,broadcasting,west,Lerchenberg,man
Description: Tony Smith image Alamy 3F8BCDF - A close-up editorial photograph of the distinctive green Det Mainzelmännchen pedestrian traffic light in Mainz,Rhineland-Palatinate, Germany, replacing the standard standing pedestrian figure with one of Germany's best-known television cartoon characters.The illuminated LED road crossing signal forms part of a unique series of Mainzelmännchen traffic lights installed by the City of Mainz, celebrating the city's long association with ZDF (Zweites Deutsches Fernsehen), Germany's national public broadcaster, whose headquarters are located in Mainz-Lerchenberg. The six Mainzelmännchen characters, Anton, Berti, Conni, Det, Edi and Fritzchen, were created by illustrator Wolf Gerlach in 1962 and first appeared on German television in 1963. Originally designed as short animated interludes separating television programmes from advertising, they rapidly became cultural icons recognised across Germany and remain an enduring symbol of German broadcasting and popular culture.
The first Mainzelmännchen pedestrian signals were unveiled in Mainz in 2016 near Neubrunnenplatz and Große Bleiche, with Det chosen as the red standing figure instructing pedestrians to stop, while a walking version appears in green to indicate it is safe to cross. Similar to Berlin's famous Ampelmännchen, the Mainz signals have become a popular tourist attraction, frequently photographed by visitors exploring the city's historic centre, Roman heritage, cathedral, museums and riverside. The customised traffic lights combine road safety, public art, urban design and local identity, transforming everyday street furniture into a recognisable landmark reflecting more than sixty years of German television history. This editorial image illustrates German transport infrastructure, pedestrian safety, city branding, tourism, broadcasting heritage, European street culture, urban design, public realm innovation and the unique relationship between Mainz and ZDF, making it suitable for travel, transport, architecture,
Große Bleiche / Neubrunnenplatz, 55116 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,red,stop,dont walk,light,signal,Mainzelmännchen,Mainz pedestrian signal,Mainz traffic lights,pedestrian crossing light,German,traffic,Große Bleiche Mainz,Ampel,1960s,cartoon,character,novelty,pedestrian,safety,road,crossing,figure,lights,sightseeing,German television history,Wolf Gerlach cartoons,1960s German television,ZDF advertising separators,German pop culture,Mainz cultural identity,regional,city,branding,broadcasting,west,Lerchenberg,man
Description: Tony Smith image Alamy 3F8BCDH - A close-up editorial photograph of the distinctive red Det Mainzelmännchen pedestrian traffic light in Mainz, Rhineland-Palatinate, Germany, replacing the standard standing pedestrian figure with one of Germany's best-known television cartoon characters. The illuminated LED road crossing signal forms part of a unique series of Mainzelmännchen traffic lights installed by the City of Mainz, celebrating the city's long association with ZDF (Zweites Deutsches Fernsehen), Germany's national public broadcaster, whose headquarters are located in Mainz-Lerchenberg. The six Mainzelmännchen characters, Anton, Berti, Conni, Det, Edi and Fritzchen, were created by illustrator Wolf Gerlach in 1962 and first appeared on German television in 1963. Originally designed as short animated interludes separating television programmes from advertising, they rapidly became cultural icons recognised across Germany and remain an enduring symbol of German broadcasting and popular culture.
The first Mainzelmännchen pedestrian signals were unveiled in Mainz in 2016 near Neubrunnenplatz and Große Bleiche, with Det chosen as the red standing figure instructing pedestrians to stop, while a walking version appears in green to indicate it is safe to cross. Similar to Berlin's famous Ampelmännchen, the Mainz signals have become a popular tourist attraction, frequently photographed by visitors exploring the city's historic centre, Roman heritage, cathedral, museums and riverside. The customised traffic lights combine road safety, public art, urban design and local identity, transforming everyday street furniture into a recognisable landmark reflecting more than sixty years of German television history. This editorial image illustrates German transport infrastructure, pedestrian safety, city branding, tourism, broadcasting heritage, European street culture, urban design, public realm innovation and the unique relationship between Mainz and ZDF, making it suitable for travel, transport, architecture,
Große Bleiche / Neubrunnenplatz, 55116 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_9722,Manchester,Metrolink,tram,Altrincham,Interchange,Trafford,transport,light,rail,Bee,Network,public,transit,yellow,station,Greater,England
Description: Tony Smith image Alamy 3E5HA5R - Manchester Metrolink tram at Altrincham Interchange, Trafford, Greater Manchester, England, UK. The photograph is a contemporary editorial record of the subject and its surroundings at Altrincham Interchange, Stamford New Road, Altrincham, WA14 1EN, England, UK. Visible signage, lettering, architecture, street furniture, transport infrastructure, public art, commercial branding or landscape details are retained where present, giving the image value both as a description of the immediate scene and as a reference for how the place looked at the time of photography. A yellow Manchester Metrolink tram is shown at Altrincham Interchange. The interchange is a key southern terminus on the Greater Manchester light-rail network and also serves National Rail and buses, illustrating integrated public transport and the role of Metrolink in connecting Trafford with Manchester city centre. The image has wider editorial relevance for local history, heritage, tourism, transport, retail, planning, regeneration, business and social change where those themes apply to the subject. It can support news and feature coverage as well as retrospective comparison if the building, business, artwork, service, route or streetscape is altered, redeveloped, rebranded, closed or otherwise changes in future. The composition also preserves small visual details that are easily lost over time, including materials, signs, logos, road or rail features, shopfront treatment, public-realm design and the relationship of the subject to neighbouring buildings or open space. This makes the photograph useful not only as a straightforward location image but also as a documentary record of everyday urban and cultural life.
Altrincham Interchange, Stamford New Road, Altrincham, WA14 1EN, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,transport,hub,bus,destination,leisure,glass,frontage,modern,architecture,light,twilight,illuminated,shopfront,city,centre,Guild Square,Guild Street,Scotland,UK,Scottish,rail,travel Scotland,interchange,complex,mixed use,development,regeneration,economy,access,concourse,public,urban,nightfall,tourism,gateway,visitor economy,AB11
Description: Tony Smith image Alamy 3EE4MB0 - Union Square shopping centre and Aberdeen railway station entrance at dusk, showing the large glazed frontage, illuminated interior, high roofline and pedestrians moving through the city centre transport and retail area. The image captures the blue hour transition from daylight to evening, with cool sky tones, reflective glass and warm internal lighting giving the building a modern urban feel. Union Square is a major shopping, dining and leisure destination in Aberdeen, located at Guild Square with the central railway and bus stations close by, making it a prominent gateway for shoppers, commuters, tourists and visitors arriving in the Granite City. This documentary exterior photograph can illustrate Scottish retail, city centre regeneration, rail travel, transport interchange design, shopping centre architecture, evening shopping, urban mobility and the relationship between public transport and commercial development. The glass facade and bright internal retail lighting give a clear sense of contemporary mixed-use city architecture, while the people entering and leaving the building add everyday scale and movement. The photograph may be useful for editorial features on Aberdeen city centre, North East Scotland travel, retail property, leisure destinations, transport hubs, public realm planning, rail-linked shopping centres, shopping habits, high street change, hospitality, cinema and restaurant footfall, tourism, local economy and post-work evening activity. The dusk conditions suggest calm weather and a dry paved foreground, with no obvious rain or snow visible, while the deepening blue sky helps place the scene at twilight rather than full night. As an image of a station-linked shopping centre, it also has value for stories about urban connectivity, commuter convenience, regional transport access, retail-led regeneration and the continuing role of city centre destinations in Scotland's changing commercial landscape.
Union Square shopping centre and Aberdeen station entrance at dusk, a major retail and transport hub
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_7762,London,East,Shadwell,DLR,rail,railway,transport,station,UK,IMG,7762,Welcome,Docklands,Light,urban
Description: Tony Smith image Alamy 3FAFD6Y - . An identifiable period record of East London in 2024, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The defining feature is Welcome to London sign at a Docklands Light Railway station, highlighting DLR urban rail transport in East London, England, UK. The frame also records themes of trackside heritage, rail mobility, rail infrastructure, everyday life, contemporary social history, station environment, local character, passenger railway, commuter travel, local history, community identity, integrated transport, social history, and rail corridor. Today's relevance is strengthened by accessibility, decarbonisation and the continuing question of the archival value of railway branding and infrastructure as operators change. The image fixes materials and architectural details within East London at one identifiable point, providing a benchmark against changing commercial priorities. Further associations within the scene are changing land use, public realm, archival record, period detail, historical comparison, public transport network, mass transit, and visual archive. The combination of urban, station, Railway, Welcome, and Docklands anchors the frame to a recognisable activity, place or moment. The wider setting at East London matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is accessibility and the archival value of railway branding and infrastructure as operators change without losing the local specificity of East London. The scene further reflects integrated transport and the reshaping of Britain's passenger railway in the mid-2020s in a form that can be compared with future views of East London. Its period value extends to integrated transport and the role of public transport in reducing congestion and emissions within the real-world context of East London.
Welcome to London signage at a Docklands Light Railway station in East London, photographed beneath
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,north,town,centre,Norfolk,parish,church,exterior,evening,light,historic,history,facade,tower,clock,English,Saturday,Market Place,building,stone,large,outside,evening sun,on,tourism attraction,historic market town,medieval architecture England,place of worship,religion,faith,listed,townscape,churchyard,approach,sacred,notable,fine,sunlit
Description: Tony Smith image Alamy 3F39YWT - King's Lynn Minster, historically known as the Priory and Parish Church of St Margaret, photographed in warm evening light in the centre of King's Lynn, Norfolk, England. The low-angle exterior view shows the imposing west front, twin towers, large traceried windows, Gothic arches, clock face, pinnacles and weathered stonework beneath a dramatic mixture of blue sky and grey cloud.
Although sometimes informally described as King's Lynn Cathedral, the building is not a cathedral. It is a major Church of England parish church and received the honorary title of King's Lynn Minster in 2011. Its grand scale reflects the medieval prosperity and importance of King's Lynn as a port and trading town linked with the Hanseatic League and the River Great Ouse.
The church was founded in the early twelfth century and retains elements representing several periods of rebuilding, alteration and restoration. Its architecture includes Norman origins together with later Gothic and Perpendicular features. The substantial west towers dominate Saturday Market Place and form one of the most distinctive landmarks in the historic town centre. Large windows with elaborate stone tracery admit light into the nave, while buttresses, battlements and slender pinnacles contribute to the building's vertical appearance.
Warm evening sunlight falls across the pale masonry, bringing out variations in the aged stone and contrasting with the darker clouds behind. Railings, a church notice and a narrow pathway are visible in the foreground, placing the historic building within its present-day urban and community setting.
The image is suitable for editorial subjects involving King's Lynn, Norfolk tourism, medieval churches, English ecclesiastical architecture, historic market towns, Christian worship, conservation, East Anglian heritage and notable British parish churches. It also documents the architectural character of a prominent place of worship that has served the local community for centuries
King's Lynn Minster, Saturday Market Place, King's Lynn, Norfolk, England, UK, PE30 5DQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Edinburgh tram network,Newhaven extension,Edinburgh,tram,network,Ocean Terminal Edinburgh,Leith waterfront,new apartments Edinburgh,mixed-use development,regeneration area,sustainable transport,electric tram,street-running tram,housing development,waterfront regeneration,Scottish capital transport,city infrastructure,contemporary urban landscape,documentary photography,route,routes,award-winning,light,rail,award,awards,winner,winning,pay,tap in,tap out,new,flats,newbuild
Description: Tony Smith image Alamy 2REGJD7 - An Edinburgh Trams service passes through the Ocean Terminal stop in Leith, showing a modern low-floor tram manufactured by Construcciones y Auxiliar de Ferrocarriles (CAF). The image captures the tram operating along the Newhaven extension, which reconnects the waterfront districts of north Edinburgh to the city's light-rail network.
The background of newly built apartment blocks highlights the close relationship between transport investment and urban regeneration in Leith, where former docklands and retail areas have been redeveloped for residential and mixed-use purposes. The tram line provides a fixed, electric public-transport link between the waterfront, the city centre and Edinburgh Airport, supporting lower-carbon travel and higher-density urban living.
Photographed in daylight during normal service, the image documents contemporary public transport operating within a changing urban environment. It is suitable for editorial use relating to sustainable transport, housing development, regeneration policy, and modern city infrastructure in Scotland.
Ocean Terminal Tram Stop, Leith, Edinburgh, Scotland, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,city,centre,Northern Ireland,UK,BT14,45-51,Belfast,BT14 6AB,Mater,Infirmorum,outside,Social Care,Trust,HSC,vehicle,parked,van,emergency,paramedic,county,Antrim,parking,blue,light,lights,call,callout,call out,Great Britain,NHS,Mercedes,crew,driver,driving,staff,in,livery,area
Description: Tony Smith image Alamy 2R9J0DM - Northern Ireland Ambulance Service emergency ambulance parked outside the Emergency Department at the Mater Hospital on Crumlin Road in Belfast, Northern Ireland. The modern Mercedes-Benz Sprinter-based vehicle carries the distinctive high-visibility yellow and green livery used by NIAS frontline ambulances, together with emergency markings, reflective panels and prominent service identification.
The vehicle is positioned beneath the hospital entrance canopy, close to the doors used for emergency admissions and ambulance arrivals. Its box-style patient compartment provides space for clinical equipment, stretcher access and treatment while patients are being transported to hospital. The side loading door, cab, mirrors, emergency lighting and reinforced bodywork are clearly visible, showing the practical design of a modern road ambulance used for urgent medical response.
The Mater Hospital is a major healthcare facility serving North Belfast and surrounding communities. Its Emergency Department receives patients arriving independently and those brought by ambulance following accidents, sudden illness or other urgent incidents. Ambulance crews assess, stabilise and transport patients while maintaining communication with hospital staff and emergency control centres.
Northern Ireland Ambulance Service provides emergency and non-emergency ambulance services across Northern Ireland. Frontline crews include paramedics, emergency medical technicians and other clinical staff responding to calls ranging from serious road collisions and cardiac emergencies to falls, illness and urgent transfers between healthcare facilities.
The photograph illustrates the close operational relationship between ambulance services and hospital emergency departments. It is suitable for editorial coverage concerning NIAS, NHS healthcare, emergency medicine, paramedics, ambulance response times, hospital pressures, patient transport, public-sector services, healthcare funding, frontline workers
45-51 Crumlin Rd, Belfast, Northern Ireland, UK, BT14 6AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,summer,blue sky,blue skies,dock,landing,light,buoy,E7,cityscape,skyline,maritime,safety,navigation,rusty,channel,England,UK,docks,Mersey estuary,Liverpool waterfront,port of Liverpool,maritime safety,nautical marker,harbour infrastructure,coastal navigation aid,industrial patina,rust texture,shipping and ferries,docklands regeneration,urban waterfront,sea transport,British maritime heritage,editorial photography,documentary image,history,Woodside,ferry
Description: Tony Smith image Alamy 2R64MHX - This image shows the E7 navigation buoy, a weathered green light buoy positioned on the Birkenhead side of the River Mersey, with the modern Liverpool skyline visible across the water in the background. The buoy is heavily rusted, displaying layers of corrosion and patina that reflect long exposure to salt air, tides, and industrial river traffic.
Navigation buoys such as this play a critical role in maritime safety, marking shipping channels and guiding vessels through busy and often confined waterways. The River Mersey remains one of the UK's most significant estuaries, serving the Port of Liverpool and accommodating ferries, commercial shipping, and leisure craft.
The contrast between the industrial, utilitarian buoy in the foreground and the contemporary high-rise buildings of Liverpool behind highlights the changing character of the Mersey waterfront. Birkenhead and Liverpool share a long maritime and industrial history, with navigation aids forming part of the everyday but largely unnoticed infrastructure that underpins port operations.
Photographed in clear daylight under blue skies, the image works well as editorial material illustrating British maritime heritage, port infrastructure, coastal navigation, and the visual relationship between historic working waterways and regenerated urban skylines.
Birkenhead Woodside waterfront, Birkenhead, Merseyside, England, UK Looking across the River Mersey
-railway-station--53-Liverpool-Street--London--England--UK--EC2M-7PR-2R3YB98.jpg)
Description
Keywords: GoTonySmith,HotpixUK,England,London,city,centre,EC2,EC2M 7PR,grade II,red,light,on,top,UK,railway,in,front,vintage,central,people,busy,mainline,rail,eastside,east side,Ericsson,British,1930,1930s,cast-iron,cast iron,metal,Policeman,on the,beat,crime,response,rapid,telephone,sign
Description: Tony Smith image Alamy 2R3YB98 - More at https://rupertharris.com/products/police-call-posts-1
These cast-iron Police Call Posts were manufactured in the early 1930's by British Ericsson and sited throughout the City of London. The posts enabled the public to call the Police station and were also used for the station to contact the Policeman on the beat in that area. The red signal light would flash if the Constable were required to contact the station. The upper hatch opened to give access to the telephone
the middle door opened horizontally to provide a writing surface and lower door opened to a storage cupboard containing first aid kit and other useful items.
All the posts were decommissioned in the 1960's, when radio communication took over, and the majority of their contents were removed at that time.
A number of these posts were sold in the 1980's
The Liverpool Street Call Post had been particularly severely damaged by a vehicle collision. The fragments were painstakingly welded together and replacement cast-iron parts made only where absolutely necessary. All the posts were cleaned and repaired and their surfaces primed and filled where required to improve their surface quality.
Prior to restoration, the condition of the City's collection was in varying condition. Three of the posts, Aldgate, St Martin's le Grand and Walbrook, were in fairly good condition, however the remainder required full repair and replacement of missing parts.
The decision to remove cast-iron objects to the workshop for repair is one that requires careful judgement: as cast-iron is fragile, such objects should always be repaired in situ when possible to limit the risk of damage in transit. However, five of these posts could only be repaired off site, so having acquired consent, their temporary removal was carried out with great care.
53 Liverpool St, London, England, UK, EC2M 7PR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,cold cathode,cold-cathode,lights,lighting,tube,tubes,love,in love,love me,come,and,display,design,lit,light,night,romance,romantic,art,artwork,warmth,warm,couple,couples,happy,day,Valentine,Valentines,lover,celebration,feeling,passion,passionate,dates,dating
Description: Tony Smith image Alamy 2RADT19 - . Love - baby it lights my fire, neon on a red background. Photographed on 21 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. Key searchable subjects associated with the scene include cold cathode, cold-cathode, lights, lighting, tube, tubes, love, in love, love me, come, display, design, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include lit, light, night, romance, romantic, art, broadening discoverability while remaining tied to the supplied subject information. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Conway,Wales,north,UK,port,seaside,harbour,Cymru,evening,at,yacht,and,other,LL28 4NG,LL28,blue,hour,light,lighting,tide,tidal,shore,shoreline,BS20,trawler,trawling,Martina Rose,hull,Cornwall,Beaumaris,registered,vessel,Potter,1980-2021+,Totton,hotpix.org.uk
Description: Tony Smith image Alamy 2PH9MCF - . This location-specific image from Conwy harbour, Conwy County Borough, North Wales, UK, LL28 4NG in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Conwy harbour at dusk, yachts Martina Rose BS20 fishing and other boats, walled market town, Conwy County Borough, North Wales, UK, LL28 4NG. The frame also records themes of local history, local character, working waterway, heritage boating, regional identity, inland boating, changing land use, canal heritage, community identity, blue-green corridor, contemporary social history, public realm, navigation engineering, and waterborne transport. For current editorial use, navigation and volunteering provide additional context, especially through the cost of keeping ageing locks and canal structures operational. Small period details of equipment and working practice at Conwy harbour, Conwy County Borough, North Wales, UK, LL28 4NG may become more significant with time, particularly following changed technology. Other useful contextual ideas include visual archive, inland navigation, changing streetscape, documentary photography, lock flight, canal infrastructure, industrial waterway history, and place identity. Details involving Martina, walled, yachts, fishing, and Conwy make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Conwy harbour, Conwy County Borough, North Wales, UK, LL28 4NG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of navigation and the cost of keeping ageing locks and canal structures operational in a form that can be compared with future views of Conwy harbour, Conwy County Borough, North Wales, UK, LL28 4NG.
Conwy harbour, Conwy County Borough, North Wales, UK, LL28 4NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Surrey,Waverley,GU7 1AB,GU7,inn,coaching,building,lamp,light,lights,B&B,The,pub,bar,pubs,bars,and,at,night,signs,fittings,22-25,GU7 1EB,site,outside,exterior,Georgian,frontage,royalty,Tsar,Peter the Great,Russia,Russian,Friary Brewery,Godalming,wines & spirits,public houses
Description: Tony Smith image Alamy 2PGAYM7 - There has been a building on our site since the 1300s although the first mention of the Kings itself is not until 1639. The Georgian frontage was added in 1753 although the size of the building was reduced in the 1890s when a decline in trade resulted in part of the front being turned into a shop. It wasn't until 1936 that the Kings left private ownership and was bought by the Friary Brewery of Guildford which later became part of Allied Breweries.
We've had a few famous guests over the years including Tsar Peter the Great (who left without paying his bill!) as well as some European royalty who met here in 1814 to discuss post war Europe after the Battle of Trafalgar. Tsar Peter the Great's visit is commemorated by a plaque on the front of the building which was unveiled in 1998 by the Russian Ambassador to commemorate the tricentenary of the visit.
22-25, High Street, Godalming, Surrey, England, UK, GU7 1EB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,light,lighting,of,a,an,switched,on,switch,orange,red,bright,hope,positive,positivity,pleasant,emotions,content,contentment,to,intense,joy,turn,turned,life,satisfaction,well-being,subjective,inner,flourishing,eudaimonia,tungsten,glow,glowing
Description: Tony Smith image Alamy 2P6JKB4 - . An on-location photograph from the recorded location in 2023, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is Filament of an electric lightbulb, reading Happy - pleasant emotions and joy. A broader reading of the photograph includes commercial frontage, archival record, social history, local enterprise, changing land use, everyday life, small business, changing streetscape, independent retail, bricks-and-mortar retail, visual archive, community identity, customer footfall, and specialist shop. Viewed from the mid-2020s, the subject also connects with footfall, store closures and how commercial property costs affect small retailers. The archival value lies partly in recording building condition and alterations around the recorded location before new ownership alters the character of the place. Other useful contextual ideas include street-level business, local character, high-street commerce, contemporary social history, before-and-after reference, shopfront economy, town-centre trading, and specialist retailer. The combination of reading, electric, Happy, Filament, and emotions anchors the frame to a recognisable activity, place or moment. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects footfall and how commercial property costs affect small retailers without losing the local specificity of the recorded location. Its period value extends to town-centre regeneration and how commercial property costs affect small retailers in a form that can be compared with future views of the recorded location. The location additionally provides evidence of footfall and the resilience of specialist shops in an online retail economy within the real-world context of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Germany,German,Rhineland-Palatinate,city,centre,RMV,tramway,tramways,urban,electric,transit,light,rail,unit,outside,HbF,Hechtsheim,Bretzenheim,advertising,promoting,publicising,home,furnishings,furnishing,blue,sky,overhead,cable,lines,cables,trams,public transport,street,routes,route,hotpix.org.uk
Description: Tony Smith image Alamy 2NW527T - . Photographed at Mainz HbF, Bahnhofplatz 1, 55116 Mainz, Germany in 2023, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The frame specifically shows MVG Adtranz GT6M-ZR, Light rail Tram unit 215, outside Mainz HbF - 52 Hechtsheim - Bretzenheim, advertising Segmuller home furnishings. The locality and subject together evoke documentary photography, community identity, social history, period detail, changing land use, public transport network, station environment, archival record, contemporary social history, commuter travel, trackside heritage, rail infrastructure, railway branding, and local character. From a 2025-onward perspective, decarbonisation and reliability are closely linked to this subject, alongside the reshaping of Britain's passenger railway in the mid-2020s. Small period details of local activity and public use at Mainz HbF, Bahnhofplatz 1, 55116 Mainz, Germany may become more significant with time, particularly following new ownership. The photograph additionally reflects rail modernisation, visual archive, regional identity, rail corridor, regional rail, integrated transport, before-and-after reference, and transport interchange. Details involving GT6M-ZR, Hechtsheim, furnishings, Segmuller, and Bretzenheim make the image more specific than a generic view and strengthen its local or historical value. A later view of Mainz HbF, Bahnhofplatz 1, 55116 Mainz, Germany may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects decarbonisation and the role of public transport in reducing congestion and emissions within the real-world context of Mainz HbF, Bahnhofplatz 1, 55116 Mainz, Germany. The view records part of the area's social history as a date-specific reference. The image fixes details of everyday use for later comparison.
Mainz HbF, Bahnhofplatz 1, 55116 Mainz, Germany
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,UK,Warrington,Cheshire,England,showing,on,car,lights,UK - do not,cross,the,signal,signals,pelicon,crossing,PEdestrian LIght CONtrolled,puffin,crossings,call button,for,pedestrians,pedestrian,red,man,light,stop,dont walk,night,evening,dont cross,traffic,busy,stopped
Description: Tony Smith image Alamy 2M3JBHA - . Photographed at Warrington, Cheshire, England, UK, WA4 1NN in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The location is represented through Red Man showing on Pelican crossing, Warrington, Cheshire, England, UK - do not cross signal. The wider scene also brings together period lettering, material sign design, public-facing signage, community identity, changing streetscape, historic sign, street-level message, historical comparison, public realm, everyday visual culture, public information notice, visual archive, urban typography, and local history. In present-day coverage, the subject reaches into advertising change and public communication, not least because of how signs can document commercial, social or regulatory change. The image fixes commercial use and occupation within Warrington, Cheshire, England, UK, WA4 1NN at one identifiable point, providing a benchmark against replacement signage. The location also brings in before-and-after reference, visual communication, instructional wording, place identity, wayfinding detail, archival record, social history, and regional identity. Elements such as signal, crossing, cross, showing, and Pelican add documentary specificity and may become increasingly useful when compared with later records. Around Warrington, Cheshire, England, UK, WA4 1NN, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to advertising change and the way lettering and materials contribute to local visual identity in a form that can be compared with future views of Warrington, Cheshire, England, UK, WA4 1NN. The location additionally provides evidence of accessibility and how signs can document commercial, social or regulatory change within the real-world context of Warrington, Cheshire, England, UK, WA4 1NN.
Warrington, Cheshire, England, UK, WA4 1NN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,prices,price,expensive,light,sign,pub,bar,YO1,Yorkshire,130-134 Micklegate,York,North Yorkshire,England,UK,YO1 6JX,city,centre,Brewdog,Hop nation,York Chapter,red neon sign,Hopnation,hop,company,chain bar,chain,group,Aberdeen,brewerys,beers,beer,Hello,deskdog,experience,remote working,dog pawties,Ellon
Description: Tony Smith image Alamy 2M4W2W1 - BrewDog is a multinational brewery and pub chain based in Ellon, Scotland. With production of over 800,000 hectolitres, BrewDog claims to be the #1 Craft Brewer in Europe. It was founded in 2007 by James Watt and Martin Dickie, who together own 46% of the company.
The company has been involved in a number of controversies. These have focused on its treatment of employees, use of unethical business practices, and hypocrisy in regards to its anti-establishment branding
BrewDog was founded in Fraserburgh in 2007 by James Watt and Martin Dickie. Dickie had previously worked at Thornbridge Brewery, where he helped develop Jaipur.
In 2009, BrewDog purchased its first bar, in nearby Aberdeen. At the end of 2018, the company and its franchisees operated 78 bars worldwide
In February 2016, BrewDog open-sourced its beer recipes to the public, making them a form of Free Beer.
In January 2020, BrewDog opened its first alcohol-free bar in London. This closed during 2022
In June 2021, a group of over 100 former BrewDog employees published an open letter criticising the firm's business practices and the treatment of its employees. The letter cited a culture of fear and claimed the company was built on a cult of personality, with founder and CEO Watt singled out for particular criticism
In January 2022, an episode of BBC One investigative series Disclosure interviewed former employees who say they found it a miserable and uncomfortable experience, and some loyal customers [who] now say they regret investing their savings in BrewDog. The Guardian later revealed that Watt had hired private investigators to obtain information on people he believed were propagating a smear campaign against him.
In November 2022, BrewDog's announced an anti-sponsorship of the 2022 FIFA World Cup, criticising Qatar
130-134 Micklegate, York, North Yorkshire, England, UK, YO1 6JX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,England,UK,evening,at,in,the,night time,facade,façade,town,centre,GL50 1NW,GL50,street,light,streetlight,Regency,Spa,history,historic,heritage,regal,promenade,style,styled,design,Regency Architecture,flats,apartments,offices,office,rentals
Description: Tony Smith image Alamy 2M6W9GP - Cheltenham owes much to its Regency roots, which were pivotal in assuring its growth from a Medieval Manor village, to the Town it is today. A visit by King George III secured Cheltenham's reputation as a fashionable place to be seen, and this popularity contributed to its rapid growth during the Regency Period. This short and extensive expansion period has given our Town an abundance of Regency buildings, and has earned us our place as Britain's most complete Regency Town.
As a style, Regency Architecture started popping up in the late 1700's, pioneered by Scottish Architect Robert Adam, and continued even after King George IV's untimely death, well into the 1840's. It is strictly attributed to late Georgian architecture and is typified by a renaissance of neoclassicism, which drew inspiration from the Ancient Greeks and Romans, featuring Ionic Porticos and fluted columns galore. Anyone taking a casual stroll around Cheltenham will easily spot these ancient influences, which adorn many buildings in the Town. Regency Style was also used to describe the decorative arts of the interior design including block printed, or striped wallpaper, as well as the fashion of the time including the famous Empire silhouette. Pop along to the Holst Birthplace Museum to see a perfectly preserved interior from the period.
Much of Cheltenham's iconic architecture was built during the Regency and subsequent Reign of King George IV between 1811 and 1830. Unlike many other periods of architecture, Regency was not about strict building rules, and was instead more a set of 'guidelines' for the design of the buildings.
For example, many modern Cheltenham homes reside in plain, elegant Regency buildings, particularly around Tivoli, The Suffolks and Bath Road. These Regency gems often appear flat roofed (but look closely they aren't) and have a flat vertical façade, string course (a horizontal line in relief between floors) and are finished in stucco with multi-paned sash windows.
Cheltenham town, Gloucestershire, England, UK, GL50 1NW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,river,Esk,River Esk,North Yorkshire,Yorkshire,at,opens,bridges,the,YO22 4BG,YO22,and,bridge,Francis Pickernell,red,light,lights,gates,gate,closed,closes,weight limit,J. Mitchell Moncrieff,J Mitchell Moncrieff,weak bridge,cross,crossing,pedestrian,pedestrians,wait,stand,patiently,standing
Description: Tony Smith image Alamy 2RCDXE4 - Whitby Swing Bridge is a pedestrian and road bridge over the River Esk in Whitby, North Yorkshire, England.
The River Esk has been crossed by bridges at this location for centuries. A grant made by King Edward III in 1351 allowed the collection of tolls for the maintenance of a bridge. By the mid 1550s the tolls averaged around £6 per annum (equivalent to £2,421 as of 2021).
In 1629 an agreement was made by the justices in the North Riding to replace a wooden bridge with one which included moving parts. This was later replaced by a drawbridge, built in 1766 at a cost of £3,000 (equivalent to £444,000 in 2021), and later in 1835, the first swing bridge was opened designed by Francis Pickernell
The River Esk has been crossed by bridges at this location for centuries. A grant made by King Edward III in 1351 allowed the collection of tolls for the maintenance of a bridge. By the mid 1550s the tolls averaged around £6 per annum (equivalent to £2,421 as of 2021).
In 1629 an agreement was made by the justices in the North Riding to replace a wooden bridge with one which included moving parts. This was later replaced by a drawbridge, built in 1766 at a cost of £3,000 (equivalent to £444,000 in 2021), and later in 1835, the first swing bridge was opened designed by Francis Pickernell
Current bridge
Bridge during an opening
By the early 20th century the limited 45-foot (14 m) clearance of the 1835 bridge was restricting the size of vessels which could be built up-stream of the bridge. A replacement swing bridge was commissioned by Whitby Urban District Council. It was designed by J. Mitchell Moncrieff, later President of the Institution of Structural Engineers. As work progressed on the west side of the river bank to set a pivot for the bridge to swing, a seam of coal 10 inches (250 mm) thick was struck at 26 feet (7.9 m) below the water level. The foundations had to be sunk to a depth of 32 feet (9.8 m) below the low water mark for a secure foundation.
Bridge Street, Whitby, North Yorkshire YO22 4BG
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England,UK,into the UK,can,cans,ale,USA,Three,light,golden,pale,IPA,style,beers,product,ship,charge,charges,low,high,Mexican,Lager,Winding Path,Keystone State,Evil genius,Beer52,Pineapple Hefeweizen,Shy Bear Brewing,Mexican-Style Lager,Mexican Style Lager,beer,ales,brewery
Description: Tony Smith image Alamy 2JPDJNA - . An identifiable period record of USA in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Three light pale ale IPA style imported beers from the USA, into the UK. Further facets of the scene include community identity, regional drinks industry, regional identity, bottle-filling machinery, bottling technology, local history, historic beverage advertising, changing land use, contemporary social history, factory bottling line, drinks manufacturing, visual archive, documentary photography, and period detail. The modern context includes continuing discussion of manufacturing automation, brand heritage and the relationship between orchard agriculture, regional identity and branded cider. The archival value lies partly in recording street furniture and boundaries around USA before altered transport patterns alters the character of the place. Further associations within the scene are changing streetscape, cider brand history, everyday life, beverage production, Herefordshire cider tradition, cider-making heritage, drinks packaging, and historical comparison. References to Three, imported, style, beers, and light give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within USA, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is manufacturing automation and how historic drinks advertising and machinery become industrial heritage within the real-world context of USA. The setting also helps illustrate manufacturing automation and how bottling technology transformed large-scale drinks manufacturing within the specific setting of USA. The image also provides a reference for packaging and the relationship between orchard agriculture, regional identity and branded cider as part of the longer story of USA.
USA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,wood,timber-framed,timber,frame,framed,at,number,No,12,Bridge St,Bridge street,lamp,light,lantern,Chester,Cheshire,England,UK,CH1 1NQ,Cowper House,undercroft,brown,creme,cream,external,exterior,outside,timber building,timber framed buildings,history,historic,beige,old,ancient,listed
Description: Tony Smith image Alamy 2JN5MN8 - Half timbered Cowper House, situated at 12 Bridge Street, forms part of the famous Chester Rows, the rows consist of covered walkways at the first floor behind which are entrances to shops and other premises. At street level is another set of shops and other premises, many of which are entered by going down a few steps. Cowper House is a grade I listed building.
The house dates back to 1664 and was constructed following the destruction of many buildings in the city during the Civil War. It was built above medieval undercrofts dating from around 1350-75, or possibly earlier.
Alterations have been carried out on the building in the nineteenth and twentieth centuries. The house's original owner, Thomas Cowper, had been mayor of Chester in 1641-42 and a Royalist supporter in the Civil War.
The rear undercroft was excavated in 1839, and it is thought that the front undercroft is older than that in the rear.
The red sandstone and half timbered building now incorporates a modern shop front on the ground floor. Between this and the street is a walkway, a sloping stallboard and a rail with balusters overlooking the street.
Above the Row opening is a carved fascia. In the storey above is a window running almost the whole width of the building. Its frame projects from the wall and is carried on eight corbels. The window has 14 lights, is mullioned and transomed, and contains leaded lights. Below and on each side of the window are timber-framed panels.
The top storey is jettied. At its base is a bressummer carved centrally with .T.C.1664 (the initials are those of Thomas Cowper), on each side of which are carved patterns. The top storey has a ten-light mullioned and transomed casement window containing leaded lights. Below the window are eight panels containing wooden carvings, and two similar panels are on each side of the window. Above the window are quadrant-braced panels. The bargeboard is decorated with carvings and at its peak is a finial.
2 Bridge street, Chester, Cheshire, England, UK, CH1 1NQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,dining,shopping,passengers,interesting,light,at,Camden,N1C 4DQ,lights,lighting,new,entrances,architecture,design,rainbow,red,colour,color,passenger,tunnels,tunnel,passageway,passageways,Google HQ,office,offices,St Pancras Square,office development,developments,improvement,improvements,infrastructure,investment
Description: Tony Smith image Alamy 2M108HH - King's Cross Light Tunnel is shown illuminated in vivid red, pink, blue, purple and green lighting, forming a striking pedestrian route between the King's Cross and St Pancras transport hubs and the redeveloped King's Cross estate around Granary Square and Coal Drops Yard. The image looks along the modern curved tunnel, with a few pedestrians visible in the distance and the coloured light reflected across the wall and ceiling panels.
This distinctive subway is a practical walking route as well as a piece of public realm design, taking people from King's Cross St Pancras Underground Station towards Granary Square, Coal Drops Yard, shops, restaurants, offices, cultural spaces and the canal-side parts of King's Cross. The King's Cross estate describes the tunnel as a route from St Pancras International and King's Cross stations towards Granary Square, Coal Drops Yard and the canal area. The route is widely recognised for its LED lighting and colour-changing visual effect, making it a popular London photo subject as well as a functional commuter and visitor corridor.
Coal Drops Yard and the wider King's Cross regeneration area have become a major central London destination, combining transport, retail, restaurants, public squares, offices, residential development and restored industrial heritage. The tunnel's intense coloured lighting gives the scene a futuristic and immersive appearance, contrasting with the historic railway context nearby. It can illustrate editorial themes including London transport, Underground station access, station regeneration, urban design, public art, night-time city photography, pedestrian infrastructure, tourism, shopping and dining destinations, King's Cross redevelopment, Camden visitor attractions and the reshaping of formerly industrial railway land into a high-profile mixed-use district.
Kings Cross, Camden, London, England, UK, N1C 4DQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Towcester,Northamptonshire,England,UK,NN12 8TL,NN12,electric,move,fun,fair,in a,funfair,at,evening,night,site,amusement,amusements,running,bumber,blurry,light,colourfull,lights,motion,bump,purple,race,leisure,cars,collide,colliding,dodgems,dodgem,car,bumper,bumpercar
Description: Tony Smith image Alamy 2JG2205 - Bumper cars or dodgems are the generic names for a type of flat amusement ride consisting of multiple small electrically powered cars which draw power from the floor and/or ceiling, and which are turned on and off remotely by an operator. Bumper cars were not intended to be bumped, hence the original name Dodgem. They are also known as bumping cars, dodging cars and dashing cars. The first patent for bumper cars was filed in 1921
The cars are commonly powered by one of three methods. The oldest and most common method, the Over Head System (OHS), uses a conductive floor and ceiling with opposing power polarities. Contacts under the vehicle touch the floor while a pole-mounted contact shoe touches the ceiling, forming a complete circuit.
A newer method, the Floor Pick-Up (FPU) system, uses alternating strips of metal across the floor separated by insulating spacers, and no ceiling grid. The strips carry the supply current, and the cars are large enough so that the vehicle covers at least two strips at all times. An array of brushes under each car makes random contact with the strips, and the voltage polarity on each contact is arranged to always provide a correct and complete circuit to operate the vehicle.
A third method is used on Quantum-class cruise ships, where bumper cars run on electric batteries. This avoids the conductive floor/ceiling of the traditional bumper car setup, allowing the SeaPlex venue to be convertible from a bumper-car ride to a multipurpose gym (basketball court). The disadvantage is that these ships' bumper cars take several hours to recharge.
The metal floor is usually set up as a rectangular or oval track, and graphite is sprinkled on the floor to decrease friction. A rubber bumper surrounds each vehicle, and drivers either ram or dodge each other as they travel. The controls are usually an accelerator and a steering wheel. The cars can be made to go backwards by turning the steering wheel far enough in either direction
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M60,the,light,rail,night,evening,England,UK,M60 2DS,new,flats,block,blocks,Metrolink,trams,tramlines,next,to,Victorian,contrast,contrasts,yellow,city,centre,scene,Metrolink network,skyscape,large,tower,towerblocks,Mosley Street,tram,lines,light rail,lightrail,andy burnham,evening commute
Description: Tony Smith image Alamy 2JG5JM0 - Lower Mosley Street in Manchester city centre at dusk, looking south along the Metrolink tramlines beside the illuminated red sandstone facade of The Midland Hotel. The image shows a tram approaching or standing on the street-running light rail route, with the hotel on the right, modern city buildings ahead, overhead power lines, wet-looking road surfaces and the blue-grey evening sky creating a strong urban transport atmosphere. The Midland is one of Manchester's best-known hotels, officially listed at 16 Peter Street, M60 2DS, close to Manchester Central, St Peter's Square, Oxford Road and Deansgate-Castlefield. The view captures a distinctive part of central Manchester where historic railway-age architecture, conference venues, hotels, restaurants, nightlife and modern tram infrastructure meet. This photograph is useful for editorial and commercial themes including Manchester transport, Metrolink, urban regeneration, city centre travel, public transport, tramways, hotels, evening commuting, tourism, hospitality and the changing built environment of the city. Lower Mosley Street is part of the tram corridor linking Deansgate-Castlefield and St Peter's Square, with tracks running past major civic, conference and leisure destinations. The warm exterior lighting on The Midland contrasts with the cooler twilight sky and contemporary glass towers in the distance, making the scene suitable for stories about Manchester's blend of Victorian, Edwardian and modern architecture. The image can also illustrate sustainable urban mobility, event access to Manchester Central, hotel stays, business tourism, conference travel, city breaks and public realm design. The weather appears dull, damp or wet, with evening light, grey cloud and reflective street surfaces adding atmosphere. The photograph works best as a Manchester city centre transport and streetscape image, with clear location cues from the tramlines, The Midland Hotel and the Lower Mosley Street setting.
Lower Mosley Street at dusk, looking south, Metrolink tram, tramlines next to the Midland Hotel, Man
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,UK,city,centre,NW,link,tram,Ashton,under,lyne,tramstop,people,trams,lightrail,light,rail,network,integrated,public,transport,yellow,2,St Peters Square,Manchester,M2 3DF,M2,tramway,tramways,route,routes,commuters,passengers,busy,crowd,crowded
Description: Tony Smith image Alamy 2JGJEF8 - . Photographed at 2 St Peter's Square, Manchester, England, UK, M2 3DF in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The principal subject is Ashton-under-Lyne via Piccadilly Manchester Metrolink tram 3139 , at St Peters Square Manchester, England, UK. The surrounding context encompasses historical comparison, everyday life, visual archive, city-centre activity, social landscape, period detail, pedestrian environment, changing streetscape, local character, contemporary city life, rail mobility, everyday street life, local identity, and rolling stock. From a 2025-onward perspective, accessibility and rail reform are closely linked to this subject, alongside the role of stations and trains in lower-carbon mobility. The wider contemporary story combines footfall, commercial change and the documentary importance of recording everyday urban environments. Small period details of transport arrangements and footfall at 2 St Peter's Square, Manchester, England, UK, M2 3DF may become more significant with time, particularly following changing commercial priorities. The surrounding story also includes industrial railway heritage, archival record, rail infrastructure, public realm, freight wagon, before-and-after reference, trackside history, and community identity. The recorded references to Metrolink, Manchester, Piccadilly, Square, and Ashton-under-Lyne preserve clues about how the subject was presented, used or understood at the time. A later view of 2 St Peter's Square, Manchester, England, UK, M2 3DF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for accessibility and the continuing importance of rail to regional connectivity in a form that can be compared with future views of 2 St Peter's Square, Manchester, England, UK, M2 3DF.
2 St Peter's Square, Manchester, England, UK, M2 3DF
Description
Keywords: Hotpixuk,England,@Hotpixuk,UK,GB,Great Britain,GoTonySmith,Cheshire,Historic lamp at 1A and 3 Lymm Bridge,Bridgewater Canal,Lymm,Warrington,WA13,cottage,light,listed building,historic,1A and 3 Lymm Bridge,1A Lymm bridge,3 Lymm Bridge,bridge cottage,bridge cottages,1733,heritage,1227226,history,the,Lymm village,village,villages,south Warrington,tourist,attraction,attractions,old,ancient,evening
Description: Tony Smith image Alamy 2DCE9WC - SJ 68 NE LYMM C.P. LYMM BRIDGE
2/58 Nos. lA and 3
GV II
2 houses (originally 1) 1733, altered. Brick with stone dressings
grey slate roof, 2 storeys, 3 windows, originally symmetrical. Flush stone plinth. Boarded door in moulded stone case with keystone inscribed JHG 1733 in projecting letters. Projecting stone band at 1st floor, 2-light casements in projecting moulded stone architraves. Middle upper window bricked up with architraves, cill and mullion retained. Ridge chimney and flush gable chimney. Doorway to No.lA inserted immediately left of door to No.3. Left lower window (now to No.lA) replaced by late C20 bow window of similar size. Attached to No.1 Lymm Bridge. Interior not inspected.
Listing NGR: SJ6832787340
Lymm Bridge cottages, Bridgewater Canal, Lymm,Warrington,Cheshire, England,UK,WA13
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Inverclyde,Scotland,Clyde,Clydeside,UK,port,West of Scotland,PA15 1EQ,PA15,Ferry Terminal,Pole Star ship,ship,boat,Pole Star,polestar,Lighthouse Vessel,Buoy Vessel,NLV Pole Star,Northern Lighthouse Board,NLB,Ferguson Shipbuilders,Fingal workboat,Sean Rathbone,lighthouse tender,tender,river Clyde,ships,boats,doc,docked,buoy,light,lighthouse
Description: Tony Smith image Alamy 2AR8C2W - NLV Pole Star is a lighthouse tender operated by the Northern Lighthouse Board (NLB), the body responsible for the operation of lighthouses and marine navigation aids around the coasts of Scotland and the Isle of Man.
Pole Star was completed in 2000 by Ferguson Shipbuilders on the River Clyde. She is the fourth NLB vessel to carry the name and replaced the 37-year-old NLV Fingal. In memory of this vessel, Pole Star has a workboat onboard named Fingal.
Pole Star was joined by a new vessel, NLV Pharos in March 2007, which replaced the previous vessel of the same name. Although the headquarters of the NLB is in Edinburgh, both vessels can be serviced by a workbase in Oban on the west coast.
From March 2008, Sean Rathbone has been Master of the Pole Star
Custom House Quay Ferry Terminal, Greenock , Inverclyde, West of Scotland, Scotland, UK, PA15 1EQ
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Inverclyde,Scotland,Clyde,Clydeside,UK,port,West of Scotland,PA15 1EQ,PA15,Ferry Terminal,Pole Star ship,ship,boat,Pole Star,polestar,Lighthouse Vessel,Buoy Vessel,NLV Pole Star,Northern Lighthouse Board,NLB,Ferguson Shipbuilders,Fingal workboat,Sean Rathbone,lighthouse tender,tender,river Clyde,ships,boats,doc,docked,buoy,light,lighthouse
Description: Tony Smith image Alamy 2AR8C2X - NLV Pole Star is a lighthouse tender operated by the Northern Lighthouse Board (NLB), the body responsible for the operation of lighthouses and marine navigation aids around the coasts of Scotland and the Isle of Man.
Pole Star was completed in 2000 by Ferguson Shipbuilders on the River Clyde. She is the fourth NLB vessel to carry the name and replaced the 37-year-old NLV Fingal. In memory of this vessel, Pole Star has a workboat onboard named Fingal.
Pole Star was joined by a new vessel, NLV Pharos in March 2007, which replaced the previous vessel of the same name. Although the headquarters of the NLB is in Edinburgh, both vessels can be serviced by a workbase in Oban on the west coast.
From March 2008, Sean Rathbone has been Master of the Pole Star
Custom House Quay Ferry Terminal, Greenock , Inverclyde, West of Scotland, Scotland, UK, PA15 1EQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,67,OConnell,St,Street,Upper,North City,Dublin 1,D01 C1Y6,Dublin,city,centre,entertainment,entertainments,leisure,light,lighting,red neon,and,when the fun stops,stop,open,slots,addiction,addict,addicts,building,Leinster,push,or,fold,games,FOBTs,Irish
Description: Tony Smith image Alamy 2MG4022 - . A grounded documentary photograph made at 67 O'Connell Street Upper, North City, Dublin 1, D01 C1Y6, Eire, Ireland in 2019, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through Funland Casino, red neon, Come In and visit, and gamble, 67 O'Connell Street Upper, North City, Dublin 1, D01 C1Y6, Eire, Ireland. The broader subject matter reaches into place identity, period architecture, Trossachs tourism, local history, changing streetscape, local produce retail, adaptive reuse, built heritage, visitor retail, archival record, changing land use, public realm, destination shopping, and everyday life. The modern context includes continuing discussion of embodied carbon, tourism and how historic fabric can support regeneration rather than demolition. For current editorial use, tourism spending and local business provide additional context, especially through the role of gateway towns in national-park visitor economies. The archival value lies partly in recording building condition and alterations around 67 O'Connell Street Upper, North City, Dublin 1, D01 C1Y6, Eire, Ireland before new construction alters the character of the place. The subject also sits alongside architectural detailing, historic townscape, conservation architecture, documentary photography, historical comparison, social history, traditional materials, and historic streetscape. Details involving Funland, gamble, Upper, O'Connell, and Ireland make the image more specific than a generic view and strengthen its local or historical value. For 67 O'Connell Street Upper, North City, Dublin 1, D01 C1Y6, Eire, Ireland, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Image 2MG4022 also remains a dated record of 67 O'Connell Street Upper, North City, Dublin 1, D01 C1Y6, Eire, Ireland.
67 O'Connell Street Upper, North City, Dublin 1, D01 C1Y6, Eire, Ireland
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Somerset,SDC,Sedgemoor,South West England,England,UK,South West,town,TA6,night time,evening,statue,history,TA6 3BU,market,hall,nightlife,life,Prezzo,Italian Restaurant,illuminated,attraction,centre,pizzeria,restaurant,old,tourist,heritage,light,restaurants,building,Victorian,evenings,Prezzo restaurant,lighting,sign
Description: Tony Smith image Alamy 2AFMJTA - . This period scene at Bridgwater Somerset, South West England, UK, TA6 3BU in 2019 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. The principal point of reference is Dusk in Bridgwater,Somerset, town centre, old market hall,Cornhill,South West England, UK,TA6 3BU. The locality and subject together evoke regional food culture, place identity, national food identity, culinary tradition, food-and-drink tradition, ceremonial meal, contemporary social history, documentary photography, archival record, everyday life, cultural gastronomy, seasonal celebration, period detail, and visual archive. Viewed from the mid-2020s, the subject sits within continuing debate about adaptive reuse, historic townscape and reusing existing buildings rather than demolishing them. The present-day relevance extends to traditional celebrations and food prices, while a wider concern is the tourism and cultural value of distinctive local cuisine. As the area changes, the view documents the way the place functioned before later physical or commercial change within Bridgwater Somerset, South West England, UK, TA6 3BU. The wider local story also touches on public realm, local history, conservation interest, historical comparison, food heritage, regional identity, period streetscape, and historic context. Elements such as Cornhill, market, centre, Somerset, and Bridgwater add documentary specificity and may become more useful when compared with later records. For Bridgwater Somerset, South West England, UK, TA6 3BU, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of adaptive reuse and the contrast between preservation and redevelopment as part of the longer story of Bridgwater Somerset, South West England, UK, TA6 3BU.
Bridgwater Somerset, South West England, UK, TA6 3BU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Great Britain,Somerset,South West England,South West,lamp,listed,Elegant,history,historic,victorian,1914-1918,Georgian square,Afghanistan,casualties,IN HONOUR OF THE MEN OF BRIDGWATER WHO GAVE THEIR,Sir George Frampton,grade II,plinth,King Square,Sedgemoor,Bridgwater,SDC,terrace,terraces,town,centre,Victorian,light,lighting,TA6 3AR,TA6
Description: Tony Smith image Alamy 2C9E2RN - . A grounded editorial photograph of King Square, Bridgwater, Somerset, South West England, UK,, capturing details that may acquire greater historical value as the location and its use change. The documented subject is Elegant King Square, Bridgwater, Somerset, South West England, UK, Victorian Lamp, TA6 3AR. The scene can also be read in terms of built environment, community identity, archival record, local history, urban change, historic townscape, conservation interest, period building, social landscape, before-and-after reference, architectural contrast, built heritage, visual archive, and conservation architecture. In the mid-2020s, embodied carbon and maintenance keep this subject current, particularly through using existing buildings rather than demolishing them. As a dated visual record of King Square, Bridgwater, Somerset, South West England, UK,, the frame retains commercial identity and local use, making it useful if changed technology subsequently changes the scene. The setting also brings in traditional masonry, regional identity, local character, public realm, historic streetscape, cityscape history, period detail, and documentary photography. The recorded references to Elegant, Square, Bridgwater, Somerset, and Victorian preserve clues that can help identify how the subject was presented or used at the time. By fixing the subject within King Square, Bridgwater, Somerset, South West England, UK,, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for embodied carbon and using existing buildings rather than demolishing them when considered against later change at King Square, Bridgwater, Somerset, South West England, UK,. The wider significance includes energy retrofit and keeping older buildings useful without erasing their character without losing the local specificity of King Square, Bridgwater, Somerset, South West England, UK,.
King Square, Bridgwater, Somerset, South West England, UK,
Description
Keywords: HousingITguy,Project365,2nd 365,HotpixUK365,Tone Smith,GoTonySmith,365,2365 one a day,Tony Smith,Hotpix,Grappenhall,Warrington,Xmas,Christmas,Light,Lights,decorations,Cheshire,English,England,UK,home,house,domestic,mad,festive
Description: Tony Smith image Flickr 4642894818 - 'Walking distance from me.
If you are on Twitter, do add a follow there and I will follow back in return mobile.twitter.com/HotpixUK
Have a look at my archived photography, from ten years back at www.flickr.com/photos/hotpixuk/
Checkout the rest of this 365 set at www.flickr.com/photos/167831053@N02/albums/72157703214420874
All images (c) Tony Smith - @HotpixUK - No images to be used without express permission',
Description
Keywords: HousingITguy,Project365,2nd 365,HotpixUK365,Tone Smith,GoTonySmith,365,2365 one a day,Tony Smith,Hotpix,Thelwall,Warrington,Xmas,Christmas,Light,Lights,Inflatable Santa,Santa
Description: Tony Smith image Flickr 4642759411 - 'Getting into the inflatable Christmas spirit, Thelwall.
If you are on Twitter, do add a follow there and I will follow back in return mobile.twitter.com/HotpixUK
Have a look at my archived photography, from ten years back at www.flickr.com/photos/hotpixuk/
Checkout the rest of this 365 set at www.flickr.com/photos/167831053@N02/albums/72157703214420874
All images (c) Tony Smith - @HotpixUK - No images to be used without express permission',
Description
Keywords: GotonySmith,Hotpixuk,@HotpixUK,UK,For All,signs,doorway,door way,neon sign,electric,sign,drafthouse,terrace,draft house,bar,hotel,pub,restaurant,tank beer,craft beet,craft drinks,gin,black,ivy,black ivy,ale,real ale,Edinburgh,Scotland,neon,light,lighted,lit,EH9,Sctland,EH9 1DU
Description: Tony Smith image Alamy R9GW0X - . A local-history photograph shows the working environment around 4 Alvanley Terrace Edinburgh, Sctland, UK, EH9 1DU, in a time-specific record from 2018. The frame is associated with Black White Local Luxury For All sign, Edinburgh, Scotland, UK. The physical and social setting additionally connects with property maintenance, residential streetscape, catering trade, night-time economy, local neighbourhood, customer service, housing provision, community venue, town-centre hospitality, urban living, place-making, and service economy. Modern coverage of town-centre hospitality frequently reaches beyond the immediate scene to questions of alcohol duty, operating costs and retaining viable community venues. Seen from a 2025-onward perspective, housing quality also connects with tenant rights, repair standards and efforts aimed at stronger tenant accountability. The wider contemporary story of hospitality businesses now includes changing visitor patterns alongside seasonality, while policy and investment increasingly consider adaptable venues. The date and location give the photograph archival strength: future views of 4 Alvanley Terrace Edinburgh, Sctland, UK, EH9 1DU may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The surrounding story includes built environment, licensed trade, hospitality economy, food service, tourism economy, licensed hospitality. The scene is further associated with Bruntsfield, 4 Alvanley Terrace Edinburgh, Alvanley Terrace, 4. A more expansive reading adds beer retail, affordable homes, beer heritage, tourist accommodation, tenure and occupancy, local tourism, hospitality trade, housing affordability, local dining, and domestic architecture. That gives this view of 4 Alvanley Terrace Edinburgh, Sctland, UK, EH9 1DU continuing value for local history, retrospective reporting and visual comparison.
4 Alvanley Terrace Edinburgh, Sctland, UK, EH9 1DU
Description
Keywords: GoTonySmith,@HotpixUK,Transport,tram,trams,Birkenhead,green,cream,creme,north west England,UK,England,public,public trams,public tram,history,historic,electric,Brownlow hill,Pierhead,40,CH41,public transport,light,rail,livery,balloon,double,decker,deck,Taylor Street,service,services,Brownlow Hill,light rail,tramway,tramways,NW,North West
Description: Tony Smith image Alamy PCTA7A - . A close documentary record sets out the physical context of Taylor St, Birkenhead, England, UK, in an image captured in 2018. The principal point of reference is Wirral public Tram, Green Cream Pierhead Brownlow hill tram, Merseyside, North West England, UK. Other aspects of the setting include built heritage, period property, train travel, passenger connectivity, conservation architecture, rail heritage, station environment, regional rail, passenger railway, historic built environment, architectural character, and architectural detail. In the mid-2020s, network modernisation is increasingly discussed through reliability and accessible travel, with attention turning to renewed station districts. For present-day editorial use, local landmarks can also illustrate debates about maintenance cost and adaptive reuse, particularly where these affect lower-carbon reuse rather than demolition. The date and location give the photograph archival strength: future views of Taylor St, Birkenhead, England, UK may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The surrounding context also touches on historic environment, transport interchange, rail mobility, public transport network, integrated transport, period architecture. The record also refers to Wallasey Corporation Transport, Wallasey Corporation, public transport, Wallasey, Corporation, historic transport. A more expansive reading adds intercity travel, historic fabric, sustainable mobility, urban fabric, heritage streetscape, architectural heritage, rail corridor, railway operations, rail modernisation, and rail transport. Current debate around passenger rail often combines public ownership, town-centre connectivity and the practical challenge of renewed station districts. The view of Taylor St, Birkenhead, England, UK also preserves another layer of local identity and period change.
Taylor St, Birkenhead, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,Transport,tram,trams,Birkenhead,green,cream,creme,north west England,UK,England,public,public trams,public tram,history,historic,electric,Pierhead,Brownlow hill,40,CH41,public transport,light,rail,livery,balloon,double,decker,deck,Taylor Street,service,services,Brownlow Hill,light rail,tramway,tramways,NW,North West
Description: Tony Smith image Alamy PCTA7B - . A contemporary documentary view sets out the physical context of Taylor St, Birkenhead, England, UK, as it appeared in 2018. The location is represented through Wirral public Tram, Green Cream Pierhead Brownlow hill tram, Merseyside, North West England, UK. Other closely connected aspects of the subject are rail modernisation, rail corridor, regional rail, rail infrastructure, rail heritage, built heritage, architectural character, public transport network, conservation architecture, integrated transport, historic environment, and period architecture. Current debate around train travel often combines fares and affordability, accessible travel and the practical challenge of a simpler passenger experience. In the mid-2020s, historic buildings is increasingly discussed through adaptive reuse and energy retrofit, with attention turning to heritage-led regeneration. Over time, this view of Taylor St, Birkenhead, England, UK can support local-story.htm Target=_Blank>history and planning research by preserving details of appearance, occupation, signage, public access and everyday use that written records may omit. The surrounding story includes heritage streetscape, local landmark, sustainable mobility, period property, train travel, historic fabric. The scene is further associated with Wallasey Corporation Transport, Wallasey Corporation, public transport, Wallasey, Corporation, historic transport. The same setting also brings together rail mobility, intercity travel, architectural detail, architectural heritage, passenger railway, townscape identity, rail transport, mass transit, historic townscape, and urban conservation. The wider contemporary story of network modernisation now includes ticketing reform alongside reliability, while policy and investment increasingly consider more dependable regional connections. That gives this view of Taylor St, Birkenhead, England, UK continuing value for local history, retrospective reporting and visual comparison.
Taylor St, Birkenhead, England, UK
Description
Keywords: RTA,RTI,Warrington,Cheshire,England,UK,GB,Incident,flowers,traffic,lights,light,danger,fast,speed,speeding,roadside,tribute,bouquets,busy,car,cars,vehicles,child,children,busy,passing,reminder,shrine,memorial,memory,pavement,traffic,victim,death,kill,killed,in,the,dead,Road accident,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of
Description: Tony Smith image Alamy H0N8JG - . This authentic period view of the recorded location in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through Accident at a Pelican Road Crossing, Howley, Warrington, Cheshire, England UK. The wider scene also brings together tribute design, street-side transport, documentary photography, public transport stop, local mobility, memorial inscription, historical comparison, regional identity, community identity, local remembrance, visual archive, contemporary social history, local character, and public memorial. From a 2025-onward perspective, heritage conservation and public commemoration are closely linked to this subject, alongside how small memorials preserve personal stories within everyday public space. The wider contemporary story combines service frequency, accessibility and the shift toward cleaner vehicles and integrated ticketing. Small period details of transport arrangements and footfall at the recorded location may become more significant with time, particularly following new ownership. The wider setting retains connections with memorial culture, surface public transport, public realm, bus infrastructure, commemorative plaque, bus route infrastructure, historic inscription, and commemorative object. The combination of Pelican, Howley, Accident, and Crossing anchors the frame to a recognisable activity, place or moment. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene further reflects heritage conservation and the long-term importance of recording memorials before they are altered or lost in a form that can be compared with future views of the recorded location. The view records part of the area's social history within the wider story of the recorded location.
Description
Keywords: RTA,RTI,Warrington,Cheshire,England,UK,GB,Incident,flowers,traffic,lights,light,danger,fast,speed,speeding,roadside,tribute,bouquets,busy,car,cars,vehicles,child,children,busy,passing,reminder,shrine,memorial,memory,pavement,traffic,victim,death,kill,killed,Road accident,GoTonySmith,@HotpixUK,different,unique,car crash
Description: Tony Smith image Alamy H0N9G9 - . This dated editorial view of the recorded location in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The principal subject is Accident at a Pelican Road Crossing, Howley, Warrington, Cheshire, England UK. The surrounding context encompasses public realm, public transport stop, passenger transport, memorial culture, tribute design, local history, period detail, community identity, changing land use, bus route infrastructure, street-side transport, roadside transit, social history, and local remembrance. Today's relevance is strengthened by memorial maintenance, heritage conservation and the continuing question of the value of inscriptions and motifs for local history. From a 2025-onward perspective, passenger information and service frequency are closely linked to this subject, alongside the shift toward cleaner vehicles and integrated ticketing. Small period details of transport arrangements and footfall at the recorded location may become more significant with time, particularly following new ownership. Other useful contextual ideas include bus infrastructure, commemorative object, place identity, archival record, public commemoration, historic inscription, before-and-after reference, and community memory. The recorded references to Howley, Crossing, Accident, and Pelican preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within the recorded location, the image preserves more than the headline object or building: it records part of the locality's everyday history. Its period value extends to memorial maintenance and the value of inscriptions and motifs for local history when considered against later change at the recorded location. The location additionally provides evidence of reliability and the shift toward cleaner vehicles and integrated ticketing without losing the local specificity of the recorded location.
Description
Keywords: England,UK,road,safety,travel,transport,RTI,car,accident,accidents,dusk,evening,morning,clocks,putting,back,forward,BST,Clock,safe,cross,button,indicator,indicate,signal,std,standard,set,of,traffic,light,lights,Putting Clocks back,Putting Clocks Forward,Road Safety,GoTonySmith,@HotpixUK,Tony,Smith,PEdestrian LIght,CONtrolled,oncoming,vehicle,vehicles,pictogram,PELICON,United,Kingdom,GB,Great,Britain,English,Scottish,British,pedestrian,walk,dont,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,PEdestrian LIght CONtrolled Crossing,Green Cross man,Green Cross Code,Dont Walk
Description: Tony Smith image Alamy H04FYT - A pelican crossing (previously Pelicon Crossing “ PEdestrian LIght CONtrolled Crossing) is a type of pedestrian crossing, which features a pair of poles each with a standard set of traffic lights facing oncoming traffic, a push button and two illuminated, coloured pictograms facing the pedestrian from across the road.
These are a red, stationary person to indicate that it is not safe to cross, and a green, walking person to indicate that it is safe to do so. Pelican crossings also provide non-visual indication that it is safe to cross, such as a beep, vibrating button or tactile rotating cone in order to assist visually impaired pedestrians.
Grappenhall, Warrington, Cheshire, England, UK
Description
Keywords: Yellow,electric,transport,transit,3032,3032a,Manchester,England,UK,GB,United,Kingdom,British,English,Trams,passenger,people,passengers,stop,stopping,stopped,start,starting,move,moving,off,light,rail,English trams,East Didsbury,Metrolink Tram,Light Rail,Bombardier Flexity,Swift M5000s,GoTonySmith,@HotpixUK,TfGM,for,Bombardier,Flexity,Swift,M5000s,M34LG,M3,4LG,Buy Pictures of,Buy Images Of,Images of,Stock Images,Transport for Greater Manchester,Greater Manchester,M3 4LG
Description: Tony Smith image Alamy FDNJR0 - Metrolink (also known as Manchester Metrolink) is a light rail tram system in Greater Manchester, England. The system is owned by Transport for Greater Manchester (TfGM) and operated and maintained under contract by RATP Group. In 2015/16, 34.3 million passenger journeys were made on the system.
The network consists of seven lines which radiate from Manchester city centre to termini at Altrincham, Ashton-under-Lyne, Bury, East Didsbury, Eccles, Manchester Airport and Rochdale. Metrolink has 93 stops along 57 miles (92 km) of standard-gauge track making it the largest light rail system in the United Kingdom. It consists of a mixture of on-street track shared with other traffic
reserved track, segregated from other traffic, often running alongside the roadway or in the central reservation, and converted former railway lines. It is operated by a fleet of Bombardier Flexity Swift M5000s.
A light rail system for Greater Manchester emerged from the failure of the 1970s Picc-Vic tunnel scheme to obtain central government funding. A light-rail scheme was proposed in 1982 as the least expensive rail-based transport solution for Manchester city centre and the surrounding Greater Manchester metropolitan area. Government approval was granted in 1988 and the network began operating services between Bury Interchange and Victoria on 6 April 1992, becoming the United Kingdom's first modern street-running rail system
the 1885-built Blackpool tramway being the only heritage tram system in the UK that had survived up to Metrolink's creation.
Castlefield/Deansgate station, Manchester, England, UK, M3 4LG
Description
Keywords: The Church,bar,restaurant,Chester,night,nighttime,dramatic lighting,dramatic,light,lighting,The,stone,history,bars,terrace,change,of,use,to a bar,to a pub,church became a pub,became,sacred,new use,new uses,function,new,new function,changed,gotonysmith,City Centre,City,Centre,@hotpixUK,England,UK,United Kingdom,Britain,British,cities
Description: Tony Smith image Alamy ECW4GC - . The Church Bar & Restaurant Chester,at dusk, England,UK, was a church, now a pub, CH1 1DE. Photographed at Newgate St, Chester, Cheshire CH1 1DE. The photograph was taken on 13 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with Church Bar & Restaurant Chester, at dusk, pub, conversion, change of use, pubs, Chapel, dusk, The Church and bar, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The view is firmly rooted in a real location rather than a constructed studio setting.
Newgate St, Chester, Cheshire CH1 1DE
Description
Keywords: animal,light,lights,old,market,old market,old marketplace,dusk,retail,shopping,shoppers,Xmas,Christmas Decorations in,Golden Square Warrington,Cheshire,England,UK,North west powerhouse,GoTonysmith,North,west,powerhouse,reindeers,place,town,centre,December,Dec,Warringtonians,Buy Pictures of,Buy Images Of,event,events
Description: Tony Smith image Alamy EC2T38 - . Christmas Decorations in Golden Square Warrington,Cheshire,England,UK. Photographed at Golden Square, Warrington, Cheshire, England, UK. The photograph was taken on 22 November 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with Christmas, Decorations, Golden, Square, Warrington, Golden Square, Reindeer, evening, marketplace and animal, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph has strong editorial relevance to public events, festivals, performances, celebrations and the temporary activity that changes the character of a familiar place. It can support coverage of festivals, street entertainment, performers, audiences, tourism, cultural events, city-centre activity and the economic and social impact of organised public gatherings. Costume, temporary signs, crowds, performance areas, street furniture and the surrounding architecture can all help establish the event in a specific place and period. Because events are temporary, a dated documentary photograph has particular archive value, preserving details that disappear as soon as the programme, performers and public activity move on. Search themes include festivals, street performance, live entertainment, cultural events, tourism, crowds, city-centre activity, temporary public space and event heritage. The dated view is valuable for identifying how a particular event, performer or festival presence looked in that year. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Golden Square, Warrington, Cheshire, England, UK
Description
Keywords: set,list,re-union,being,held,at,17/11/2013,reunion,gig,england,UK,United,Kingdom,GB,Great,Britain,Marque,Moon,Guiding,Light,Tom,Verlaine,Venus,fan,fans,after,stage,live,show,Gotonysmith,Prove It,1880,venus,Persia,m Moon,played,Setlist.fm
Description: Tony Smith image Alamy E6HY56 - . Setlist from Television at the Manchester Academy being held at 17/11/2013 reunion gig. Photographed at Academy venue, Manchester, England UK. The photograph was taken on 17 November 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Setlist, Television, Manchester, Academy, set list, songs, listing, set, list and re-union, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The subject has strong relevance to education, school life, pupils, students, classmates, learning and the rituals that mark transitions between stages of childhood and young adulthood. It can support editorial features about schools, the end of term, friendship, uniforms, memories, examinations, moving to a new school, student identity and the social traditions that develop around education. Handwriting, names, clothing, classroom or school-related details can provide authentic visual evidence of personal experience rather than a staged educational concept. The photograph can therefore work for both contemporary education stories and longer-term social-history coverage of how pupils commemorate school years and friendships. Search themes include education, school life, pupils, classmates, school leavers, uniforms, end-of-term traditions, childhood memories and transitions between stages of education. Personal marks, handwriting, clothing or school-related objects give the subject a human documentary quality that is useful for social-history as well as education coverage. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Academy venue, Manchester, England UK
Description
Keywords: night,time,blue,hour,bluehour,England,UK,GB,Great,Britain,british,English,icons,iconic,River,three,graces,reflection,reflections,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,planet,red,boat,light,gotonysmith,Maritime,Mercantile,City,UNESCO,World,Heritage,city,ship,light,ship,lightship,reflection,reflections,reflecting,in,the,water,You,Will,Never,Walk,Alone,Buy Pictures of,Buy Images Of,You Will Never Walk Alone,Youll Never Walk Alone
Description: Tony Smith image Alamy DDXKPR - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Pier Head, Liverpool, England, UK L3 1DL
Description
Keywords: time,blue,hour,bluehour,England,UK,GB,Great,Britain,british,English,icons,iconic,River,three,graces,reflection,reflections,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,iconic,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,sunset,sundown,sun,gotonysmith,Maritime,Mercantile,City,UNESCO,World,Heritage,city,perspective,leading,line,lines,street,light,lights,streetlight,streetlighting,cobbles,cobble,cobbled,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXM0N - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Pier Head, Liverpool, England, UK L3 1DL
Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,pubs,drinking,places,place,old,buildings,street,royalmile,theroyalmile,royalmilepub,clock,outside,exterior,lamp,light,in,doorway,entrance,real,ale,ales,fine,wines,window,world,lager,lagers,Gotonysmith,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED2N9 - . The classic Royal Mile Pub High St , Edinburgh Old Town Scotland. Photographed at Edinburgh Old Town, Lothian, Scotland EH1. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Edinburgh, Scots, Royal, Mile, Pub, bars, bar, Scottish, Scot and independance, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh Old Town, Lothian, Scotland EH1
Description
Keywords: Salford,Quays,Manchester,England,UK,bound,for,eccles,tramlines,lines,line,extension,light,rail,transport,system,RAPT,Group,TfGM,for,greater,on-street,tramway,on,street,rapid,transit,Bombardier,Flexity,Swift,M5000s,LRVs,light,rail,vehicles,vehicle,key,strategy,of,planners,railway,arriving,departing,gotonysmith,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DA6255 - Metrolink is a light rail system in Greater Manchester, England.
The network consists of six lines which radiate from Manchester city centre and terminate at Altrincham, Bury, Didsbury, Droylsden, Eccles, and Rochdale. The system is owned by Transport for Greater Manchester (TfGM) and operated and maintained under contract by RATP Group.
Also referred to as Manchester Metrolink, 25 million passenger journeys were made on the system in 2012/13
Media City Metrolink Station , Salford Quays , Manchester, England UK
Description
Keywords: and,fungus,poisonous,and,psychoactive,basidiomycete,poison,killer,to,kill,magic,psychoactive,basidiomycete,spots,spot,perfect,toadstool,cosmopolitan,species,found,with,deciduous,and,coniferous,trees,muscaria,commonly,known,as,the,fly,agaric,or,fly,amanita,brown,regalis,intoxicant,entheogen,Gotonysmith yellow-orange flavivolvata,guessowii,formosa,and,the,pinkish,persicina.,Genetic,studies,published,in,2006,and,2008,show,several,sharply,delineated,clades,that,may,represent,separate,species,symbol,of,good,luck,in,evening,light,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HW9A - Amanita muscaria, commonly known as the fly agaric or fly amanita, is a poisonous and psychoactive basidiomycete fungus, one of many in the genus Amanita. Native throughout the temperate and boreal regions of the Northern Hemisphere, Amanita muscaria has been unintentionally introduced to many countries in the southern hemisphere, generally as a symbiont with pine plantations, and is now a true cosmopolitan species. It associates with various deciduous and coniferous trees.
The quintessential toadstool, it is a large white-gilled, white-spotted, usually red mushroom, one of the most recognisable and widely encountered in popular culture. Several subspecies with differing cap colour have been recognised, including the brown regalis (considered a separate species), the yellow-orange flavivolvata, guessowii, formosa, and the pinkish persicina. Genetic studies published in 2006 and 2008 show several sharply delineated clades that may represent separate species.
Grappenhall Heys, Cheshire, England UK
Description
Keywords: bluehour,blue,hour,dusk,Scotland,Stornoway,western,isles,Lewis,Harris,UK,GB,great,britain,castle,moon,grounds,wicker,art,woman,tony,smith,hotpix,tonysmithhotpix,tonysmith,CNES,Hebrides,painting,with,light,long,exposure,tripod,HDR
Description: Tony Smith image Flickr 6056544163 - 'Lews Castle (Scottish Gaelic: Caisteal Le\u00f2dhais) is a Victorian era castle located west of the town of Stornoway, Isle of Lewis, Scotland. The name Stornoway (Scottish Gaelic-'Steornabhagh') derives from 'Sjornavagr', the Old Norse for 'steering bay'. Stornoway has been settled since at least Viking times although there is archaeological evidence of Neolithic activity in the near vicinity of the town.
King James VI granted ownership of Lewis to the Mackenzies of Kintail in 1610. By about 1680, Lord Seaforth had established his estate house, Seaforth Lodge, on the Gearraidh Chruaidh, an area of rough sheiling ground on the west side of Stornoway harbour. Parts of this original building can still be seen within the stripped out walls of the mezzanine at the rear of the present Castle.
The castle was built in the years 1847-57 as a country house for Sir James Matheson who had bought the whole island a few years previously with his fortune from the Chinese Opium trade. It was designed by the Glasgow architect Charles Wilson.
In 1918, the Lewis estate including the castle was bought by soap industrialist Lord Leverhulme from the Matheson family. He gifted the castle to the people of Stornoway parish in 1923.
During World War II the Castle was taken over as accommodation for air and ground crew of 700 Naval Air Squadron, who operated a detachment of six Supermarine Walrus aircraft from a slipway at Cuddy Point in the Grounds. The base was referred to as HMS Mentor. It was also used for accommodation for students of Lews Castle College in the 1950s.
Today the building is owned by the local council, Comhairle nan Eilean Siar (CNES) and is category A listed building.
The rather spooky wicker woman in the grounds of the castle (castle green) was created in July 2010 at the time of the Hebridean Celtic Festival.
Many thanks to Dena &
Catriona for providing company and transport 8-)
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\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
() ',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,also known as,the,CH8 9RD,Wales,Talacre Village,paranormal,activity,owner,James McAllister,Trust of the Major,private,property,home,Dee,and the,Mersey,Estuary,dusk,evening,sunset,Welsh,lighthouses,light,beacon,Talacre bay,bay,North West Coast,coastal,UK,history,historic,ladder,village,seashore,shoreline
Description: Tony Smith image Alamy 2K43PXA - The Point of Ayr Lighthouse, also known as the Talacre Lighthouse, is a Grade II listed building situated on the north coast of Wales, on the Point of Ayr, near the village of Talacre.
It was built in 1776 by a Trust of the Major, Recorder and Aldermen of Chester to warn ships entering between the Dee and the Mersey Estuary. It was replaced by a pile light and was decommissioned in 1844. It is now a privately owned property.
The lighthouse was listed on the property market in November 2011 by then owner James McAllister, along with two acres of land, for £100,000. It was eventually sold in April 2012 for £90,000 to a private couple who continue to own the property.
Paranormal activity - Two alleged incidents have been reported by Wales Online
Talacre , north coast of Wales, UK, CH8 9RD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,also known as,the,CH8 9RD,Wales,Talacre Village,paranormal,activity,owner,James McAllister,Trust of the Major,private,property,home,Dee,and the,Mersey,Estuary,dusk,evening,sunset,Welsh,lighthouses,light,beacon,Talacre bay,bay,sun,sunny,silhouette,silhouettes,outline,orange,north Wales coast,history,historic,seashore,shoreline
Description: Tony Smith image Alamy 2K43R0M - The Point of Ayr Lighthouse, also known as the Talacre Lighthouse, is a Grade II listed building situated on the north coast of Wales, on the Point of Ayr, near the village of Talacre.
It was built in 1776 by a Trust of the Major, Recorder and Aldermen of Chester to warn ships entering between the Dee and the Mersey Estuary. It was replaced by a pile light and was decommissioned in 1844. It is now a privately owned property.
The lighthouse was listed on the property market in November 2011 by then owner James McAllister, along with two acres of land, for £100,000. It was eventually sold in April 2012 for £90,000 to a private couple who continue to own the property.
Paranormal activity - Two alleged incidents have been reported by Wales Online
Talacre , north coast of Wales, UK, CH8 9RD
Description
Keywords: band,bands,cheshire,live,stage,gig,concert,rock,rocker,guitar,guitarist,light,lighting,tony,smith,tonysmith,hotpix,tonysmithhotpix,hot,pix,pics,picks,hotpicks,hotpics,spires,spire,rockers,manchester,MIS,@hotpixUK,ActiveH,housingtechnology
Description: Tony Smith image Flickr 5352022412 - 'Spires take traditional heavy metal into the next dimension! These metal lads from Manchester fuse the technical parts of various metal styles be it black, death or even prog together into an excellent blend that is both intelligent as well as lethally heavy. Centred around the brainchild of vocalist, guitarist and producer Paul Sadler who's now assembled a band of equally talented musicians, Spires awe by their ability to roll from acoustics to power riffing to techno death (or even all three) on songs like 'The Infinite Descent', 'Spiral of Ascension' and 'Martyr'.
This Winnington Rec' Banned! gig was shared with AQOE (A Question Of Etiquette), Kensington Arms from Holland.
Good on Nick Hughes and The Banned Network for keeping these gigs on in these dire ConDem times of recession.
NB: Like all the images on this stream, full size images are available, Check my profile for how to contact me.
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(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: salford,queys,quays,night,dusk,shot,image,tripod,golden,blue,hour,lights,evening,pano,panorama,joiner,stitched,stitch,stiching,hdr,tony,smith,tonysmith,hotpix,hotpics,hotpicks,hot,pix,picks,pics,UK,england,GB,great,britain,united,kingdom,nw,northwest,north,west,holiday,inn,express,manchester,ship,canal,company,peel,holdings,twilight,twillight,low,light,lowlight,hand,held,handheld,ColorPhotoAward,tony smith photography,tdktony,tdk,tdktonysmith,#tonysmithhotpix,#tonysmithotpix
Description: Tony Smith image Flickr 5187472619 - 'Arts For Arts sake - '10cc' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
'Art for Art's Sake' is a single from the 'How dare You!' album, by the British Pop/Rock band 10cc. It was released in 1975. The band were Graham Gouldman, Eric Stewart, Kevin Godley and Lol Creme. They were all played multiple instruments and most of the band's albums were recorded at their own Strawberry Studios (North) in Stockport, England. I used to work about 2 minutes walk away from it. Eric Stewart engineered most releases.
Most of the band were from Manchester and grew up together as kids. They were originally rejected by The Beatles Apple label. Jonathan King signed the band to his UK Records label in July 1972 and dubbed them 10cc. By his own account, King chose the name after having a dream in which he was standing in front of the Hammersmith Odeon in London where the boarding read '10cc The Best Band in the World'.
A widely repeated claim, disputed by King and Godley, but confirmed in a 1988 interview by Creme, and also on the webpage of Gouldman's current lineup, is that the band name represented a volume of semen that was more than the average amount ejaculated by men, thus emphasising their potency or prowess.
The band had a canon of hits in teh mid 1970's. In February 1975 the band announced they had signed with Mercury Records for US$1 million. The catalyst for the deal was one song \u2013 'I'm Not in Love'.
A compilation album 'Changing Faces - The Very Best of 10cc and Godley &
Creme' is a good intro to the band.
------------------------
The Lowry is a combined theatre and gallery complex situated in Salford Quays, in Salford, England. It is named after the early 20th century painter, L. S. Lowry, known for this paintings of industrial scenes in North West England.
Designed by Michael Wilford and Buro Happold, (Wayfinding System and 'Artworks at the Lowry Gallery' by Reich + Petch) the building was completed in 1999 costing \u00a3120 million.
Funding was helped by \u00a321m of National Lottery grant. The aerofoil canopy at the entrance is clad with perforated steel and illuminated from the inside at night. It was officially opened on 12 October 2000 by Queen Elizabeth II.
When I was a lad the dock complex at the Pomona Salford Docks was very run down and a good place to be picked off by a .22 air rifle pellet. Today the showcase Lowry has been joined by The Imperial War Museum North a shopping complex and MediaCityUK. This is a 200 acre complex, whose The main tenant upon initial completion will be the BBC at its new 12,500m\u00b2 BBC Centre.
When completed, the development will have an unusual feature in that the streets will not bear any names, but will instead be identified by colours alone. The address of the BBC will, for example, be 'Blue'. The BBC have a long history in the city, BBC's very first regional TV studio was also in Manchester \u2013 Studio A at Dickenson Road \u2013 which it had bought from Mancunian Films in 1954. A place where Top of The Pops was originally filmed.
BBC North West will relocate to the site from its current premises in Oxford Road, Manchester.
5 shot joined panorama, original size 14,560 x 4,200 pixels
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(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: HMV,Institute,HMVInstitute,TonySmith,Tony,Hotpix,Smith,Digbeth,H HMV,HotpixUk,Midlands,UK,England,Tour,www.hotpix.org.uk,talk-talk,talk,album,live,gig,concert,concerts,stage,shot,shots,Richard,Butler,hot,pix,pics,picks,band,bands,music,musicians,musician,tim,butlet,indie,hotpicks,brum,westmidlands,west,low,light,mono,monochrome,B/W,sepia,27102010,20101027,gigs,performing,playing
Description: Tony Smith image Flickr 5122633893 - 'For the first time in about five years, the Psychedelic Furs are back in the UK for a mini-tour . They are playing the classic second album 'Talk Talk' in it sentirity followed by classic favourites, like Heartbreak Beat. The band had a wide influence on many artists and the album was their commercial breakthrough.
This is a shot of Richard Butler from the 27th October 2010 gig at The HMV Institute in Birmingham, performing 'High wire days'. The five date tour covered:
Frome (Somerset) 24 Oct Cheese &
Grain
Manchester 26 Oct Manchester Ritz
Birmingham 27 Oct Birmingham Institute
London 28 Oct HMV Forum, London
Glasgow 29 Oct Glasgow ABC 02
...then on to the Ethias Arena in Hasselt, Belguim 31st Oct (Sinner\u2019s Day Festival).
Only two other TalkTalk shows were scheduled. StageOne in Fairfield, CT USA on October 14th, and at the Bearsville Theater in Woodstock, NY on October 15th.
The set at The Temple at the HMV (Digbeth) Institute was as follows:
1. Dumb Waiters
2. Pretty In Pink
3. I Wanna Sleep With You
4. No Tears
5. Mr Jones
6. Into You Like A Train
7. It Goes On
8. So Run Down
9. All Of This And Nothing
10. She Is Mine
...After a short break they continued with
11. Sister Europe
12. Heartbeat
13. Love My way
14. The Ghost in You
15. In My Head
16. Highwire Days
17. Heaven
...Encore
18. India
There were no band introductions, although the current line up is Richard Butler (vox), Tim Butler (bass), Rich Good (guitar), Mars Williams (sax), Amanda Kramer (keyboards), and Paul Garisto (drums).
NB: Like all the images on this stream, full size images are available, do not use my images without express permission. Check my profile for how to contact me.
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(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: light,glass,fitting,grantham,indian,restaurant,world,worlds,hottest,hot,hotest,curry,widow,maker,widowmaker,tonysmith,hotpix,hotpics,pics,pix,tony,smith,Bindi,exclusive,22 London road,22,London,rd,road,ng31,7ej,ng317ej,570777
Description: Tony Smith image Flickr 4756843521 - 'When backpacking around various places in my mis-spent youth I often used the Lonely Planet guides. Great guides, but when travelling you were never alone really as whatever off the beaten track cafe you were eating BBQ guinea pig or whtever, you were always surrounded by other backpackers planning their next meal using that self same guide!
The name Lonely Planet to me conjours up an idea of this packed green and blue rock surrounded by some unimaginable emptyness. There is so much of it that the light-year, ie the time it takes light or an image to be seen a year later away, is the only practical unit of measurement to be used.
To get a feel for these distances, reflected sunlight from the Moon's surface takes 1.2\u20131.3 seconds to travel the distance to the Earth's surface for us to see it. The surface of the moon is roughly 376,300 kilometres from the surface of the Earth, on average. 376,300 km \u00f7 300,000 km/s (roughly the speed of light) \u2248 1.25 seconds).
The most distant space probe, Voyager 1, was about 14 light-hours away from Earth as of 9 March 2007 (2007 -03-09)[update]. It took that space probe 30 years to cover that distance,[17] and will take over 18,000 years to reach one light-year at the same speed.
The nearest known star (other than the Sun), Proxima Centauri, is about 4.22 light-years away. Our galaxy, The Milky Way is about 100,000 light-years across.
So for any intelligent life form in the solar system of Proxima Centauri, excitement must be building for the 2006 world cup, where hopes are pinned on a very young Wayne Rooney to come good for England and for Sven-Goran Eriksson to continue as coach onward to 2010.
Its a funny old world eh? When you consider, this isn't too bad a place after all. Good planets are hard to find, lets look after this one!
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: England,UK,GoTonySmith,HotpixUK,@HotpixUK,John Rylands Library,Research Institute,John Rylands Research Institute and Library,M3,M3 3EH,150,Deansgate,gentlemen,fashioned,toilets,WC,WCs,sink,sinks,marble,library,John Rylands,John Ryland,Ryland,history,historic,pipes,plumbing,toilet,dark,English,indoor,inside,light,water tank,tank,wash hand basin,WHB,out of order,inaccessible
Description: Tony Smith image Alamy 2PP0NK7 - . Victorian urinals, John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH. Photographed on 22 May 2010, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include John Rylands Library, Research Institute, John Rylands Research Institute and Library, M3 3EH, Deansgate, gentlemen, fashioned, toilets, WCs, sink, sinks, marble, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The scene contributes a specific, place-based record rather than a generic illustration.
John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH
Description
Keywords: red,hair,black,portrait,girl,woman,sex,lady,sexy,tat2,tattoo,tattoos,leather,lace,female,tonysmith,hotpix,tony,smith,light,stream,lightstream,Freedance Photographers,sensual,hotpicks,Memory Corner - Portraits,muchacha,femenina,de,la,mujer,se\u00f1ora,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,racy
Description: Tony Smith image Flickr 4624975289 - 'Whats your favourite colour on the roulette wheel?
Roulette is a casino game named after a French diminutive for 'little wheel'. In the game, players may choose to place bets on either a single number or a range of numbers, the colors red or black, or whether the number is odd or even.
A legend tells Fran\u00e7ois Blanc supposedly bargained with the devil to obtain the secrets of roulette. The legend is based on the fact that the sum of all the numbers on the roulette wheel (from 1 to 36) is 666, which is the 'Number of the Beast'.
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
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m=tags\'>portraits from my photostream.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: sopley,winkton,hampshire,christchurch,dorset,ringwood,beer,ales,england,traditional,pub,UK,CAMRA,night,dusk,magic,hour,tripod,low,light,tonysmith,tony,smith,highway,road,12-24,sigma,wide angle lens,wide,favourite,pubs,public,houses,noche,nuit,hotpix!,#tonysmithhotpix
Description: Tony Smith image Flickr 4399167540 - 'An excellent country pub for food near Sopley Mill and church. Here captured at dusk in a cold february.
It is thatched with real fires and has a large garden and dining area. It is a 17th Century building situated between Ringwood and Christchurch about five miles from the famous Ringwood Brewery. It was originally a private house, and became an inn in 1725.
Sopley village was a centre of smuggling. The smugglers boats were heaved up from the River Avon to the Woolpack, where pack horses were waiting to take the goods to the New Forest and onward to the centres of Winchester and London.
The pub name probably originated because the vicar, the Rev. James Willis, was a keen sheep farmer and took a major part in distributing his Merino sheep, of which he had over a thousand throughout the district. These are a small, short-woolled breed, prized for their fine wool. As IOW Ray mentions below too, this pub sign was painted by local Sign Artist, Peter J Oldreive.
If you are in the area, drop in for a satisfying pint.
Another classic pub at dusk www.flickr.com/photos/hotpixuk/4201081728/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Manchester,Academy,December,2009,Porcupine,Tree,countdown,count,down,clock,digital,incident,second,half,prog,rock,stage,gig,live,performance,vintage,electronics,electronic,counter,watch,time,hands,digits,numbers,mecanism,move,movement,uni,univ,university,academy1,academy2,music,musician,city,night,nighttime,light,lighting,roll,indie,tour,touring,UK,GB,britain,england,clocks,hotpics,hotpic,hotpick,hotpicks,hotpix!
Description: Tony Smith image Flickr 4181754581 - 'In true Porcupine Tree fashion they leave a countdown clock so you have time to get to the bar and back before the second half starts. Eight mins, ten seconds on the digital readout here.
Prog Rock for the 21st Century at the Manchester Academy 10th December 2009.
Before starting a US west coast style 'No camers, no recorders in the auditorium, grass up your neighbour' script was played. Shame on you Porcupine Tree.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: A,sparkler,firework,spitting,sparks,bright,surrounded,by,light,flame,flames,night,darkness,spit,spits,bonfire,night,celebration,celebrations,party,birthday.,Barmitzvah,Thanksgiving,Xmas,Christmas,Celebrate,cake,painting,with,light,gotonysmith,Buy Pictures of,Buy Images Of,sparklers,spark,burning,burns
Description: Tony Smith image Alamy CF0MFX - . A burning sparkler firework close-up spitting sparks. Photographed on 28 October 2009. The recorded location is England, Great Britain , UK. Great for Bonfire night or just at a thanksgiving or birthday party. It lights up the dark and sparklers are excellent for painting with light! The wider historical story is that festive objects and decorations are part of a long tradition of Christmas visual culture, from greetings cards and church imagery to illuminated houses, fairs and satirical 'Bah Humbug' humour
Designs and typography can quickly become associated with a particular decade. Historically, fireworks combine chemistry with ritual and spectacle
In Britain their strongest historic association is Guy Fawkes Night, which developed from commemorations of the failed Gunpowder Plot of 1605 and evolved into modern community displays, bonfires and family celebrations. In the present 2026 context, christmas remains a major retail and tourism period, while household energy costs, sustainable decorations and the pressure of seasonal spending often feature alongside more traditional festive themes. In 2026, fireworks continue to be popular but are increasingly debated in relation to noise, animal welfare, air quality and safety, leading some organisers to promote quieter displays or alternative light shows
Close images of sparks can therefore illustrate celebration as well as the wider discussion around pyrotechnics. Looking at the subject's development, seasonal images document the mixture of tradition, commerce and community activity surrounding Christmas
Domestic lights, cards, street attractions and anti-Christmas jokes all sit within a broader culture of winter celebration. For the 2026 context, christmas remains a major retail and tourism period, while household energy costs, sustainable decorations and the pressure of seasonal spending often feature alongside more traditional festive themes.
England, Great Britain , UK
Description
Keywords: Comsat,angels,comsatangels,Sheffield,Manchester,academy,uni,university,live,band,stage,UK,england,indie,veteran,rock,rockers,post,punk,postpunk,steve,fellows,stephen,365days,music,musician,gig,performer,player,event,signed,group,lighting,anbiant,univ,academy1,academy2,city,night,nighttime,time,light,roll,tour,touring,GB,britain,tonysmith,tony,smith,hotpics,hotpic,hotpick,hotpicks,s1500,bands,concert,concerts,musicians,gigs,performing,playing,hotpix!
Description: Tony Smith image Flickr 4051548558 - 'Stephen (steve) Fellows leading the Comsat Angels at the Manchester Academy 3, during the 'Last weekend' mini tour taking in Glasgow and London Academy too. Support was Faker Junior.
Thats the same shirt you wore at the original Sheffield gig back in April 2009. www.flickr.com/photos/hotpixuk/3480530159/
The Comsats were named after the J. G. Ballard short story. Their single 'Eye of the Lens' should be essentiual listening for all photographers.
'Something's coming closer, I can only stare.
The scream of silence fills the air
I was not a victim of the games of all my friends
Now I find myself behind the eye of the lens...'
Yep, we are the watcher, the voyeur, living life through that shutter.......
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Cheshire,charming,old,olde,peaceful,tourist,place,destination,England,Warrington,UK,Gb,Great,Britain,transport,boat,boats,barges,barge,longboat,butty,gotonysmith,night,shot,nightshot,evening,warm,glow,of,lights,romantic,lit,by,candle,candlelight,light,candles,narrowboat,basin,Bridgewater Canal,canal,basin,narrowboats narrow boats,gotonysmith,canal basin,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEXEHD - Bridgewater canal Lymm Village moorings, Warrington Cheshire, England, UK at Dusk
The name Lymm, of Celtic origins, means a place of running water and is likely derived from an ancient stream that ran through the village centre.
The Bridgewater Canal connects Runcorn, Manchester and Leigh, in North West England. It was commissioned by Francis Egerton, 3rd Duke of Bridgewater, to transport coal from his mines in Worsley to Manchester. It was opened in 1761 from Worsley to Manchester, and later extended from Manchester to Runcorn, and then from Worsley to Leigh.
The canal is connected to the Manchester Ship Canal via a lock at Cornbrook, the Rochdale Canal in Manchester, the Trent and Mersey Canal at Preston Brook, southeast of Runcorn, and to the Leeds and Liverpool Canal at Leigh. It once connected with the River Mersey at Runcorn but has since been cut off by a slip road to the Silver Jubilee Bridge.
Often considered to be the first true canal, it required the construction of an aqueduct to cross the River Irwell, one of the first of its kind. Its success helped inspire a period of intense canal building, known as canal mania.
It later faced intense competition from the Liverpool and Manchester Railway and the Macclesfield Canal. Navigable throughout its history, it is one of the few canals in Britain not to have been nationalised, and remains privately owned. Pleasure craft now use the canal which forms part of the Cheshire Ring network of canals.
Lymm, Cheshire, England, UK, WA13 0HP
Description
Keywords: Slow,traffic,on,the,M42,Motorway,near,Solihull,and,Shirley,Birmingham,UK,breaklight,ford,vauxhaul,GM,car,traffic,jam,trafficjam,slow,stopped,traffic,gotonysmith,junction,5,issue,issues,rush,hour,rushhour,brake,light,brakelight,blue,early,evening,blue,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF0N19 - . Slow traffic on the M42 Motorway near Solihull and Shirley, Birmingham, UK. Photographed on 9 October 2009. The recorded location is M42 Motorway, near Solihull and Shirley, Junction 5, Birmingham, UK. In historical terms, britain's road landscape has accumulated layers of transport history: old milestones and cast signs coexist with speed limits, parking controls, motorway infrastructure and electronic traffic management
Such details reveal how movement and road safety have been regulated over time. The wider historical story is that mobility is shaped by both technology and policy
Images of vehicles and transport infrastructure record changing design, accessibility, fuel use, ownership patterns and the ways towns organise movement. During 2026, congestion, road safety and decarbonisation continue to be prominent transport issues
Historic signs, traffic jams and older road infrastructure therefore work both as location records and as evidence of how the road network and travel behaviour have changed. In the present 2026 context, transport policy increasingly emphasises decarbonisation, integration and reliable public services, while older diesel vehicles and legacy infrastructure offer a visual contrast with electric fleets and changing travel behaviour. In the longer view, street and highway scenes record the practical infrastructure of mobility, including road signs, junctions, bridges, parking controls and changing vehicle use
They also provide a visual history of traffic growth, road engineering and the effort to balance drivers, pedestrians and local communities. As background, road signs, mileposts, traffic systems and street furniture document the development of Britain's highway network from historic turnpikes and coaching roads to motorways and modern traffic management
Even everyday signs can become useful evidence of changing regulations, road design and local geography.
M42 Motorway, near Solihull and Shirley, Junction 5, Birmingham, UK
Description
Keywords: St Wilfrids Church and historic graveyard,South,Warrington,Cheshire,England,United,Kingdom,gotonysmith,at,UK,GB,great,Britain,village,lamp,cobbled,cobbles,grave,yard,graveyards,goth,gothic,cheshire,cat,gotonysmith,Gropenhale,evening,light,blood,blood-red,blood red sky,sky,skies,history,historic
Description: Tony Smith image Alamy CF0N8J - . Light at the gate of St Wilfrids Church and historic graveyard, Grappenhall, South Warrington, Cheshire, England, United Kingdom. Photographed on 21 September 2009. The recorded location is St Wilfrids Church and historic graveyard, Grappenhall, South Warrington, Cheshire, Great Britain. As background, ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space. In historical terms, memorials and inscriptions are primary sources for local and family history, preserving names, dates, occupations, military service and the language of remembrance
They range from private graves to civic monuments and can reveal how communities chose to commemorate loss in different periods. From a heritage perspective, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. Against the 2026 backdrop, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses. During 2026, memorials continue to play an active role in public history, supporting remembrance, genealogy, education and heritage tourism
Images can also record inscriptions before erosion or redevelopment alters the physical object. In the present 2026 context, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse.
St Wilfrids Church and historic graveyard, Grappenhall, South Warrington, Cheshire, Great Britain
Description
Keywords: Gt Budworth,St Marys Church stained glass window. Great Budworth,near Northwich,Cheshire,North west England,UK,old,building,buildings,gotonysmith,scary,atmospheric,streaming,stream,of,light,Gt Budworth,St Marys Church stained glass window. Great Budworth,near Northwich,Cheshire,North west England,UK,old,building,buildings,gotonysmith,scary,atmospheric,streaming,stream,of,light,gotonysmith,Buy Pictures of,Buy Images Of,cast,casting,a
Description: Tony Smith image Alamy CEMWFT - . Gt Budworth, St Marys Church stained glass window. Great Budworth, near Northwich, Cheshire, North west England, UK. Photographed on 19 August 2009. In historical terms, churches combine worship with architecture, local memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, changing liturgy, local benefactors, war remembrance and family history. The historical context is that heritage photography is particularly valuable where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. During 2026, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant. The subject remains topical in 2026 because conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it provides about materials, local identity and how places change. In the longer view, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single building, reflecting generations of worship and local patronage. Against the 2026 backdrop, historic places of worship remain significant not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,St Marys,FOD,lamps,light,stone,bible,religious,bench,wooden,wood,craftsmanship,holy,sacred
Description: Tony Smith image Alamy HGC7T5 - . This dated editorial view of the recorded location in 2009 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on St Marys Linton, Forest Of Dean Church, Gloucestershire, UK. Another layer of the photograph includes changing streetscape, ecclesiastical decoration, sacred space, ecclesiastical art, visual archive, cathedral interior, contemporary social history, sacred architecture, regional identity, medieval church setting, changing land use, historical comparison, historic glazing, and local history. The wider contemporary story combines church maintenance, historic fabric and how sacred art preserves local patrons, stories and beliefs. The archival value lies partly in recording building condition and alterations around the recorded location before conservation work alters the character of the place. The surrounding story also includes local character, Christian iconography, community identity, heritage worship space, stained-glass craftsmanship, everyday life, faith heritage, and religious heritage. The combination of Forest, Gloucestershire, Marys, Linton, and Church anchors the frame to a recognisable activity, place or moment. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate church maintenance and how sacred art preserves local patrons, stories and beliefs without losing the local specificity of the recorded location. The image also provides a reference for historic fabric and the role of cathedrals as cultural landmarks beyond their congregations in a form that can be compared with future views of the recorded location. Another useful connection is historic fabric and the role of cathedrals as cultural landmarks beyond their congregations within the real-world context of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA1,town,centre,night,in,the,1,Warrington town centre,WA1 2NT,office,municipal,civic,lighting,lights,lit,new,fancy,services,expensive,council office,council offices,architecture,building,light,steps,side,outside,exterior,development,developments,times square warrington
Description: Tony Smith image Alamy 2PH9KWD - . An on-location photograph from 1 Time Square, Warrington town centre, Cheshire, England, UK, WA1 2NT in 2023, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The subject captured here is Warrington Borough Council, 1 Time Square, Warrington town centre, Cheshire, England, UK, WA1 2NT, at dusk. Further facets of the scene include local history, shopfront economy, changing land use, documentary photography, specialist shop, contemporary social history, commercial frontage, historical comparison, bricks-and-mortar retail, visual archive, community identity, independent retail, before-and-after reference, and customer footfall. In present-day coverage, the subject reaches into business rates and independent business, not least because of how commercial property costs affect small retailers. The image fixes local activity and public use within 1 Time Square, Warrington town centre, Cheshire, England, UK, WA1 2NT at one identifiable point, providing a benchmark against new construction. The wider setting retains connections with archival record, everyday life, changing streetscape, local enterprise, regional identity, place identity, specialist retailer, and retail property. The combination of Square, Borough, centre, and Council anchors the frame to a recognisable activity, place or moment. The period setting at 1 Time Square, Warrington town centre, Cheshire, England, UK, WA1 2NT helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate business rates and the contribution of independents to distinctive high streets as part of the longer story of 1 Time Square, Warrington town centre, Cheshire, England, UK, WA1 2NT. The scene captures a local visual benchmark before later change alters the scene.
1 Time Square, Warrington town centre, Cheshire, England, UK, WA1 2NT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Stirling John Cowanes Hospital entrance statue and tower,Scotland,UK,St John St,Stirling,lamp,post,history,historic,tourist,tourism,attraction,heritage,memorial,exterior,outside,outdoor,outdoors,view,Scots,attractions,visit,feature,features,ornate,medieval,ancient,light,gas,lamps,windows,window,figure,figures
Description: Tony Smith image Alamy 2DA91J7 - . This period photograph records 49 St John St, Stirling,Scotland,UK, FK8 1ED as an identifiable real-world setting rather than a generic illustration. At the heart of the image is Stirling John Cowanes Hospital entrance statue and tower,Stirlingshire,Scotland,UK. The picture additionally relates to patient outcomes, local history, clinical innovation, changing streetscape, community identity, historical comparison, contemporary history, urban change, period detail, health-service capacity, everyday Britain, clinical services, before-and-after reference, and NHS funding. From a 2025-onward perspective, the scene also connects with workforce capacity, prevention and how quickly patients can access effective treatment. The archival value lies partly in recording street furniture and boundaries around 49 St John St, Stirling,Scotland,UK, FK8 1ED before altered transport patterns alters the character of the place. Other connected aspects are public-health provision, regional identity, social history, documentary photography, diagnostic services, social landscape, public realm, and place identity. Details involving Scotland, Cowanes, Stirling, tower, and Stirlingshire make the image more specific than a generic illustration and strengthen its local or historical value. Around 49 St John St, Stirling,Scotland,UK, FK8 1ED, apparently routine features can become historically useful once businesses close, buildings change use or familiar street details disappear. Another useful connection is workforce capacity and how quickly patients can access effective treatment as part of the longer story of 49 St John St, Stirling,Scotland,UK, FK8 1ED. The scene further reflects NHS funding and pressure on staff and clinical capacity when considered against later change at 49 St John St, Stirling,Scotland,UK, FK8 1ED. The frame therefore remains a dated reference for 49 St John St, Stirling,Scotland,UK, FK8 1ED and the changing story of the subject shown.
49 St John St, Stirling,Scotland,UK, FK8 1ED
Description
Keywords: GB,Great,Britain,Night,time,nighttime,slide,hotel,Balmoral,Hotel,Clock,street,Mall,Princes Mall,Shopping,Festive,Hogmanay,tourist,travel,lit,low,light,Helter,Skelter,fun,entertainment,Scottish,UK,Lothian,Lothians,Midlothian,New Year,Low light,Helter Skelter,GoTonySmith,pavement,walkway,walk,way,reflection,blue,Buy Pictures of,Buy Images Of,Princes Mall
Description: Tony Smith image Alamy F89PT4 - Photo shows Edinburgh Christmas Lights, Princes Mall, Princes St,City Centre, Scotland, UK. The photograph is useful for Christmas, Hogmanay, festive leisure, winter tourism, night-time economy and family entertainment themes. Seasonal images like this can work for travel, shopping, hospitality, energy use, household celebration, public events and wider stories about how towns and cities create atmosphere during darker months. The supplied location evidence places the subject at or near Edinburgh, Scotland, UK, which adds value for buyers searching by town, city, region or postcode. The image is strongly seasonal, with winter or Christmas context visible or implied by the caption. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news. Search relevance is helped by including concise place names, visible brand or wording, functional subject terms, and wider editorial concepts such as public realm, consumer behaviour, heritage, travel, leisure and community life where they genuinely match the picture.
Princes Street,Edinburgh,Scotland,UK
Description
Keywords: gotonysmith,A,man,in,a,tunnel,at,night,tunnelvision,vision,under,ground,lights,shaking,a,sparkler,swimming,with,light,night,dusk,time,book,cover,path,man,person,figure,walk,walking,london,firework,of,light,painting,with,light,Latchford,London Underground,painting with light,Warrington Cheshire A50 road bridge,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEY8TT - . A man in an underground tunnel at night tunnelvision vision, creating a path of light. Photographed on 29 October 2009. The recorded location is Latchford Pedestrian Tunnel, Knutsford Road, Warrington, Cheshire, England, UK WA4 1JR. Man in a pedestrian tunnel having tunnel vision. Latchford A50 near the swingbridge, warrington Cheshire. The historical context is that walking routes, tunnels and footpaths reveal the small-scale infrastructure that connects neighbourhoods away from main roads
Underpasses, canal paths and pedestrian passages can become familiar local shortcuts while also reflecting the planning priorities of the period in which they were built. Historically, town and city centres are continually rewritten by new buildings, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. In the longer view, seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. The subject remains topical in 2026 because walking and active travel are prominent in transport and public-health policy, with continuing attention to safe pedestrian routes, accessibility and connections between neighbourhoods
Older paths and tunnels can illustrate both useful permeability and the design problems associated with underpasses. In 2026, current regeneration programmes make older urban photographs particularly useful
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change. Useful indexing vocabulary includes dog walking, public access, pedestrian infrastructure, and local route.
Latchford Pedestrian Tunnel, Knutsford Road, Warrington, Cheshire, England, UK WA4 1JR
