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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_0899,Mixed,artisan,pies,sale,Knutsford Makers Market,Knutsford,Cheshire,England,UK,Lancashire,pasty,fruited,pork,Siskins,traditional,sausage,roll,food,market,baking,bakery,stall,local,produce,independent,business,British,handmade,savoury,retail,labels,pastry
Description: Tony Smith image Alamy 3ENF28H - Mixed artisan pies for sale at Knutsford Makers Market in Knutsford, Cheshire, England, UK. The close-up display shows individually labelled savoury pies including Lancashire pasty, fruited pie pork, Siskins pie pork, traditional pork pie and traditional sausage roll, presented in a metal tray at a specialist food stall. Knutsford Makers Market is a regular artisan market bringing together independent makers, food producers and small businesses in the town centre, with food ranging from baked goods and pies to specialist street food. The photograph is suitable for editorial coverage of British pies, artisan food, farmers and makers markets, independent food producers, Cheshire food culture, traditional baking, pork pies, sausage rolls, market stalls, local produce, small businesses, food retail and consumer choice. Handwritten and printed product labels provide useful detail about the range on sale and give the scene a strong authentic market character. The image can also illustrate stories about regional food traditions, handmade products, food prices, local shopping and the continuing popularity of traditional savoury bakery products at outdoor markets.
Princess Street, Knutsford WA16 6BW, Cheshire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Lancs,Greater Manchester,town,centre,Market Hall,sweet,stall,sweets,old,history,fashioned,indoor,British,retro,pick n mix,candy,boiled,floss,chocolates,handmade,Lancashire,independent,business,loose,lollipops,fudge,chocolate bars,childrens sweets,sugary,snacks,nostalgic,childhood,memories,covered,working class culture,northern
Description: Tony Smith image Alamy 3EE4MB4 - Traditional Sweeties is photographed inside Wigan Market Hall, a busy indoor market in Wigan town centre, Greater Manchester. The image shows an old fashioned sweet stall packed with jars, tubs, trays and hanging packets of confectionery, with signage advertising traditional sweeties, handmade sweets, candy floss, chocolates, popcorn, cakes and ice cold cans. It captures the colourful detail of a long established British market retail tradition, where sweets are sold loose by weight, displayed in clear containers and chosen from counters rather than supermarket shelving. The stall includes retro sweets, pick and mix, boiled sweets, lollipops, wrapped candy, fudge, chocolate bars, biscuits and children's treats, making it useful for editorial themes around local shopping, town centre markets, independent traders, nostalgia, childhood memories and the continuing appeal of traditional confectionery. The indoor setting, strip lighting, glass display cabinets and dense stock presentation give the photograph a documentary feel, showing the everyday character of Wigan's covered market economy rather than a staged shop interior. It can illustrate stories about high street change, market halls, small businesses, retail regeneration, local food culture, family treats, sugar, childhood consumption, impulse buying and the survival of specialist stalls in northern English towns. The scene also has strong visual keywords for old fashioned sweet shop, retro candy, British sweets, confectionery counter, pick n mix, jars of sweets, market stall, Wigan shopping, Greater Manchester retail, independent trader, local market, indoor market hall and town centre consumer culture. The bright colours and full shelves suggest a working stall open for trade, photographed under artificial indoor lighting with no visible exterior weather, giving a clear sense of a sheltered market environment suitable for year round shopping.
Traditional Sweeties / ACW Retail, New Market Street, Wigan, WN1 1PX
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Black Pudding,classic,original,Chadwick,stall,shop,retail,pudding,history,heritage,historic,famous,award,winning,Bury black pudding,Chadwicks,Bury Black Puddings,Bury Market,stalls,Bury,Market,Hall,traditional,blood,black,artisan,English,England,Lancashire,food,foods,Greater Manchester,market food,British regional cuisine,famous black pudding
Description: Tony Smith image Alamy 3CJDPN3 - A freestanding sign promoting Chadwick's Original Bury Black Puddings at Bury Market Hall in Greater Manchester. The sign advertises both hot and cold black pudding, reflecting the everyday, practical nature of market food retail and the enduring popularity of this traditional Lancashire product.
Bury is nationally synonymous with black pudding, a food deeply rooted in northern English working-class food culture and historic meat-processing traditions. Chadwick's is one of the best-known traders at Bury Market, with a reputation built over decades among local shoppers and visitors alike. The straightforward, functional signage reinforces the stall's emphasis on tradition, familiarity and quality rather than novelty.
The image was taken indoors under artificial market-hall lighting, typical of year-round trading conditions, and captures a small but culturally significant detail of British food heritage. It is well suited for editorial use illustrating regional identity, traditional British cuisine, historic markets, local economies and the persistence of everyday food traditions in modern England.
Bury Market Hall, Bury, Greater Manchester, England, UK , BL9 0BJ
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_5329,Car Accident in Leyland Lancs,Car,Accident,Leyland,Lancs,Lancashire,road,safety,vehicle,damage,insurance,emergency,crash,car crash,UK
Description: Tony Smith image Alamy 3EDKYXR - . Car Accident in Leyland Lancs, Leyland, Lancashire, England, UK. Photographed on 29 June 2024. Within the history of vehicle breakdown, road accidents and damaged vehicles are part of the history of road safety, prompting improvements in vehicle design, seat belts, speed management, emergency response and highway engineering. Against the 2026 backdrop for vehicle breakdown, road safety remains a major policy concern , while modern vehicles add sophisticated driver-assistance systems without eliminating collisions or the need for recovery services. Useful subject and context terms include roadside assistance, breakdown van, vehicle recovery, motoring service, AA, EV breakdown, recovery vehicle, traffic incident, motor vehicle, car crash, emergency roadside, motoring, IMG_5329, insurance, and crash. In relation to traffic incident, historical context shows that roadside assistance grew alongside mass car ownership as motoring organisations developed patrols, recovery vehicles and breakdown services
Branded vans became familiar signs of the support infrastructure behind private motoring. For the story of emergency roadside, it is useful to note that road accidents and damaged vehicles are part of the past of road safety, prompting improvements in vehicle design, seat belts, speed management, emergency response and highway engineering. The historical setting for breakdown van is that motoring services increasingly expanded from mechanical breakdowns to batteries, tyres, diagnostics and recovery as cars became more electronically complex. As of 2026, the position for traffic incident is that breakdown organisations increasingly support electric vehicles as well as petrol and diesel cars, requiring high-voltage awareness, mobile charging options and new diagnostic skills. The image also relates directly to roadside assistance, breakdown van and vehicle recovery. Its wider context brings together vehicle recovery, motoring service and AA.
Leyland, Lancashire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,BB3,Lancashire,England,UK,BB3 1BH,town,centre,vibrant,successful,door,welcome,to,Darwen Market Hall,civic building,local shopping,community market,retail heritage,traditional market hall,market entrance doors,town centre regeneration,British market town,Welcome to Darwen Market sign,Darwen indoor market,market hall entrance,Lancashire market,town centre market,historic market building,public market UK,market signage,Lancs,blue,doors,automatic
Description: Tony Smith image Alamy 2RX181D - This image shows the entrance to Darwen Market Hall, located in the town centre of Darwen, Lancashire, England. The photograph focuses on the market's main doorway, with clearly visible signage reading Welcome to Darwen Market, set beneath the arched architectural detailing of the historic building. The pale blue doors and traditional lettering reflect the civic character of British indoor market halls.
Darwen Market Hall has long served the local community as a centre for retail, trade, and social interaction. Indoor markets such as this have historically played a vital role in Lancashire towns, providing space for independent traders selling fresh food, household goods, and everyday essentials. They remain an important feature of town-centre life, supporting local economies and maintaining continuity with long-established retail traditions.
The image captures themes of local commerce, community identity, and heritage architecture within a British market town. It is suitable for editorial and commercial use relating to markets, town-centre retail, Lancashire heritage, civic buildings, community spaces, and the ongoing role of traditional market halls in England.
Darwen Market Hall, Railway Road / Croft St, , Darwen, Lancashire, BB3 2RJ, England, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Atlas Road,Darwen,Lancashire,England,UK,BB3 0DE,BB3,sign,Out of Order,rail,departures,from,broken,TOC,electronic,rail departures,board,boards,displays,useless,Northern powerhouse,evening,during,rush hour,peak,time,information,no,DWN,grey,digital,not working,poor
Description: Tony Smith image Alamy 2RX181K - Darwen railway station serves Darwen, a town in Lancashire, England. It was opened in 1847 by the Bolton, Blackburn, Clitheroe & West Yorkshire Railway, which was subsequently taken over by the Lancashire and Yorkshire Railway twelve years later. It is now served by Northern Trains services on the Ribble Valley Line from Rochdale/Manchester Victoria to Blackburn and into Clitheroe.
Darwen is set amongst the hills of East Lancashire. Arriving from or departing towards Bolton involves journeying through the long Sough Tunnel, some 2,015 yd (1,843 m) in length.
The station has two platforms. It is one of only two passing points on the otherwise single track Blackburn to Bolton part of the route, but trains normally cross here only in the morning and evening peak periods. The loop was extended in length by a mile (1.6 km) either side of the station during a six-week-long engineering blockade in July & August 2015 to increase capacity on the line and eventually allow a half-hourly service to operate (as specified in the new Northern franchise agreement, due to come into effect in April 2016).
The station is currently unstaffed, with waiting shelters on each platform
step-free access is available to both. Ticket machines are available, along with a long-line P.A system and passenger information screens to convey train running information.
Atlas Road, Darwen, Lancashire, England, UK, BB3 0DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Lancashire,England,Uk,LA1,13-15,UK,LA1 1NZ,egg,cup,foodhub,bank,sign,eggcup.org,volunteering,volunteers,charity,charitable,organisation,organisations,helping,poor,people,foodbanks,banks,food,saved,from,waste,Dr Rachel Marshall,Dr Gregory Myers,Elaine Girvan,Mark Thornton Thomas
Description: Tony Smith image Alamy 2R64TK6 - Eggcup is about food, people and community.
Activities - how the charity spends its money
Intercept surplus food
organise buying cooperative of staple foods
provide training to volunteers
support neighbourhood groups in setting up and running food clubs
provide infrastructure, guidance and support to local food organisations
provide food club services for the benefit of people on low incomes in a manner that support community wellbeing and integration.
Eggcup stops surplus food from going to waste and gets it to people instead. Our low-cost, weekly food scheme helps our members to save money on food, and that makes life more affordable for those in our community on a tight budget.
We have two Community Food Outlets for our members, one in Lancaster and one in the West End of Morecambe. We have a professional 5* food warehouse at our Lancaster base.
Most of the work in our warehouse and outlets is done by volunteers who want to contribute to building a stronger community and making good use of surplus food.
Some of our volunteers are members “ we're all pulling together! We also run a low-cost Buying Cooperative, where we pool our collective buying power to get great discounts. The Buying Cooperative is for Eggcup members and for other community food organisations across the district.
13-15 Chapel St, Lancaster, Lancashire, England, UK, LA1 1NZ
-Strength-Tester-instrument-gauge--and-it-measures-the-tensile-strength-of-cotton-yarn-840-yards-&-QC-2R55JC7.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,strength,of,cotton,yarn,Makers,19 Victoria Street,Manchester,QC,tensile,tester,meter,gauge,dial,instrument,textile,textiles,spinning,weaving,qualitycontrol,manufacturing,industry,industrial,Lancashire,engineering,hankstrength,tensiletesting,yarnquality,cottonindustry,textileindustry,mill,cottonmill
Description: Tony Smith image Alamy 2R55JC7 - it measures:
The force required to break a hank of yarn
A hank is a standardised length of yarn (traditionally 840 yards for cotton). The tester applies increasing tension to the yarn until it breaks, and the dial records the breaking load.
So the meter is measuring yarn strength, usually expressed as:
Pounds-force (lb) or
A related strength index used in mill quality control
Why this mattered in Lancashire mills
In cotton spinning and weaving, yarn strength was critical:
Yarn that was too weak would snap on looms, causing stoppages
Stronger, more consistent yarn meant higher loom speeds and fewer breaks
Strength testing was part of routine quality control before yarn was sent to weaving sheds or customers
Spinners were often paid or penalised based on yarn quality, so these tests had real economic consequences.
How the tester worked
A hank of yarn was mounted on the tester
Tension was applied mechanically
The needle moved as load increased
The final reading showed the breaking strength at failure
The large, easy-to-read dial allowed quick comparison between batches.
The maker
The dial shows Goddard & Co., Makers, 19 Victoria Street, Manchester, a typical Manchester-based engineering firm supplying testing and control equipment to the textile industry.
In short
This meter is not measuring speed, weight or thickness.
It is measuring how strong a standard length of cotton yarn is before it breaks, a fundamental quality metric in Lancashire's cotton industry. historic hank strength tester, an industrial measuring instrument used in Lancashire's cotton textile industry to test the tensile strength of spun yarn. The dial is marked for Goddard & Co., Makers, 19 Victoria Street, Manchester, reflecting the city's role as a global centre for textile engineering and mill instrumentation.
A hank strength tester measured the force required to break a standard length of yarn, known as a hank, traditionally 840 yards for cotton.
Lancashire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,patent,PICKS,counter,cotton weaving,England,UK,manufacturing,manufacture,George Orme,of,Oldham,OL1,Lancashire,OL1 1HD,Greater Manchester,meter,meters,check,checker,device,devices,cotton industry,gauge,gauges,count,fitted,to,a,weaving,machine,Orme,Ormes,Ltd,engineer,engineers,Cottonopolis,thread
Description: Tony Smith image Alamy 2PMF2WY - . George Orme of Oldham, Ormes patent PICKS counter, cotton weaving machines, Burnley, Lancashire, England, UK. Photographed on 6 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Oldham, Lancashire, England, UK, OL1 1HD, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include patent, PICKS, counter, cotton weaving, manufacturing, manufacture, George Orme, Oldham, OL1, Lancashire, OL1 1HD, Greater Manchester, providing natural SEO coverage without losing the specific documentary identity of the photograph. Industrial subject matter gives the image strong relevance to manufacturing, engineering, energy, utilities, machinery, skilled work and Britain's industrial heritage. The photograph can support stories about technological change, preservation, infrastructure, deindustrialisation, redevelopment and the reuse of former working sites for culture, housing, tourism or new commercial purposes. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
Oldham, Lancashire, England, UK, OL1 1HD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,for,in,1955,Mon,10th,October,theatre,prior,to,London,presentation,Shaun ORiordan,Emile Littler,Emile Littlers,Maxwell Wray,yellow,tour,Turned out nice again,star,poster,posters,London Presentation,1950s,comedy,comedies,houses,musichall,music hall
Description: Tony Smith image Alamy 2MKF7BH - . This location-specific image from Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Poster for George Formby, in Too Young To Marry, 1955, Mon 10th October show. Other connected aspects include period detail, public information notice, street-level trading, customer footfall, independent retail, advertising ephemera, contemporary social history, high-street commerce, changing streetscape, brand display, community identity, local character, street-level marketing, and local enterprise. For current editorial use, branding and commercial competition provide additional context, especially through the historical value of ordinary advertising material. Current relevance extends to footfall and consumer spending, particularly through how physical shops adapt to online competition. The archival value lies partly in recording equipment and working practice around Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH before altered transport patterns alters the character of the place. A second descriptive layer includes bricks-and-mortar business, archival record, everyday life, shop display, public realm, commercial streetscape, brand communication, and public-facing notice. Details involving Marry, George, October, Young, and Poster make the image more specific than a generic view and strengthen its local or historical value. The period setting at Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects branding and the speed at which branding and promotional styles change within the real-world context of Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH.
Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,sign,from,famous,history,historic,Tobi Legend,Edwin Starr,Russ Winstanley,discotheque,venue,nightclub,1973,disco,Ian Fishwick,Jackie Wilson,Kev Roberts,Junior Walker,the,original,site,at,dancer,dancing,WCSC,classic,logo,logos
Description: Tony Smith image Alamy 2MKF7BJ - The Wigan Casino was a nightclub in Wigan, England. Operating between 1973 and 1981, it became known as a primary venue for Northern soul music. It carried forward the legacy created by clubs such as the Twisted Wheel in Manchester, the Chateau Impney (Droitwich), the Catacombs (Wolverhampton) and the Golden Torch (Tunstall, Stoke-on-Trent). It remains one of the most famous clubs in Northern England. In 1978, allegedly the American music magazine Billboard voted Wigan Casino The Best Disco in the World, ahead of New York City's Studio 54. Although there is no tangible evidence of this award ever being publicised.
This England, a TV documentary about the Wigan Casino, was filmed in 1977. Russ Winstanley and Dave Nowell wrote a history of the club, Soul Survivors, The Wigan Casino Story, which was published in 1996.
Wigan Casino was the name of the last incarnation of a Wigan ballroom called the Empress. Local DJs Brian Rigby and Alan Cain approached lease owner Gerry Marshall to run all-nighters. Venue manager Mike Walker brought in Russ Winstanley, who had a DJ set at the local rugby club, to the Casino. At 2 am on Sunday 23 September 1973, Wigan Casino started its first-ever Northern soul all-nighter, with Winstanley as the DJ. After Winstanley and his helper Ian Fishwick, Kev Roberts was the third DJ at Casino all-nighters, who was quickly joined by Richard Searling Soul performers that performed there include Jackie Wilson, Edwin Starr and Junior Walker.
Young people from all over the UK regularly attended Wigan Casino to hear the latest northern soul artists and to dance. There were long queues to get in. The second dance floor, Mr M's, stayed open until 6 am and played oldies songs from a variety of DJs including Dave Evison and Steve Whittle. All-nighters generally ended with three songs that became known as the '3 before 8': Time Will Pass You By by Tobi Legend, Long After Tonight Is All Over by Jimmy Radcliffe, and I'm on My Way by Dean Parrish.
Station Road, Wigan, Lancashire, England, UK ,WN1 0SD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,bus,buses,services,service,transport,GM,537 Bolton,Bolton,Ramsbottom,Ainsworth,Bury,route,routes,536,537,timetables,timetable,the,Bee,network,travel transportation,history,1970,1980,1970s,1980s,old,due,stops,here,alighting,only,Manchester,Lancashire,England,UK
Description: Tony Smith image Alamy 2M4K85N - . This dated editorial view of Manchester, Lancashire, England, UK in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The subject captured here is Greater Manchester Transport Bus Stop A, 480 Bury, 484 Ainsworth, 494 Ramsbottom, 536, 537, Bolton. The broader subject matter reaches into changing streetscape, conservation interest, local history, heritage landmark, local character, everyday life, archival record, period building, place identity, historic streetscape, documentary photography, traditional materials, social history, and regional identity. Current relevance extends to embodied carbon and redevelopment pressure, particularly through the balance between conservation and modern commercial use. Future viewers can use this scene from Manchester, Lancashire, England, UK to compare commercial use and occupation with whatever follows after conservation work. The surrounding story also includes changing land use, adaptive reuse, historic townscape, before-and-after reference, architectural character, historical comparison, public realm, and urban fabric. The combination of Manchester, Transport, Ainsworth, Greater, and Bolton anchors the frame to a recognisable activity, place or moment. For Manchester, Lancashire, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for embodied carbon and the balance between conservation and modern commercial use within the specific setting of Manchester, Lancashire, England, UK. Another useful connection is tourism and how historic fabric can support regeneration rather than demolition as part of the longer story of Manchester, Lancashire, England, UK. The scene further reflects tourism and the value of architectural landmarks to local identity when considered against later change at Manchester, Lancashire, England, UK.
Manchester, Lancashire, England, UK
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,of,and,father,son,comedian,entertainer,Manchester Road,Cheshire,England,UK,OBE,06/03/1961,Snr,jnr,jr,marble renovated,society,Warringtonian,the,ukulele,or,banjolele,When Im cleaning windows,George Hoy Booth,Lancashire,Lancs,working class,entertaining,death,died,family,John Willie,turned out nice again,With My Little Stick of Blackpool Rock,Turned out nice again
Description: Tony Smith image Alamy 2K30HBD - George Formby, OBE (born George Hoy Booth
26 May 1904 “ 6 March 1961) was an English actor, singer-songwriter and comedian who became known to a worldwide audience through his films of the 1930s and 1940s. On stage, screen and record he sang light, comical songs, usually playing the ukulele or banjolele, and became the United Kingdom's highest-paid entertainer.
Born in Wigan, Lancashire, he was the son of George Formby Sr, from whom he later took his stage name. After an early career as a stable boy and jockey, Formby took to the music hall stage after the early death of his father in 1921. His early performances were taken exclusively from his father's act, including the same songs, jokes and characters. In 1923 he made two career-changing decisions “ he purchased a ukulele, and married Beryl Ingham, a fellow performer who became his manager and transformed his act. She insisted that he appear on stage formally dressed, and introduced the ukulele to his performance. He started his recording career in 1926 and, from 1934, he increasingly worked in film to develop into a major star by the late 1930s and 1940s, and became the UK's most popular entertainer during those decades. The media historian Brian McFarlane writes that on film, Formby portrayed gormless Lancastrian innocents who would win through against some form of villainy, gaining the affection of an attractive middle-class girl in the process.
Warrington cemetery, Manchester Road, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,stained glass,advert,place,destination,town,city,Lancashire,and,&,Yorkshire,rail,train,network,railway,sign,on,station,Victorian,glass,wrought iron,ironwork,red,black,ornate glass,glasswork,M3,mainline,words,Edwardian,neo-Baroque,style,Sunderland
Description: Tony Smith image Alamy 2JYNWKH - Architecture and features
The original M&LR single-storey offices facing Hunt's Bank Approach were built in the Italianate style in sandstone ashlar with slate roofs in 1844. They were later enlarged and given a second storey. William Dawes built the station's larger extension for the L&YR in 1909. It is at right-angles to the north end of the old station giving the enlarged station an L-shaped plan. Facing Victoria Station Approach, its façade is in the Edwardian neo-Baroque style, four storeys high and 31 bays to the rounded corner at the south-east end. The ground floor windows have rounded heads and those on the floors above are square. The ornate glass and iron canopy along the façade displays the names of destinations that the station served in Art Nouveau lettering. The canopy was damaged by the Provisional IRA's 1996 bomb placed in a street adjacent to the Arndale Centre and was restored four years later.
Heritage features in the concourse were restored during the 2013-15 renovation, they include the café with its glass dome and mosaic lettering which was originally the first-class dining room, the adjacent bookstall, and the original 1909 wood-panelled booking hall. In the entrance is a large, white glazed tiled map showing the former network of the Lancashire and Yorkshire Railway.
Underneath the map is a bronze World War I war memorial with effigies of Saint George and Saint Michael at each end which was installed in 1923. At the south end of the concourse is the 'soldier's gate' which opened to the former fish docks from where thousands of soldiers departed for World War I and where a bronze plaque was erected to commemorate them. The gateway was restored in 2015 and a steel screen inserted featuring a map of World War I Commonwealth grave cemeteries in Northern France and Belgium.
The station received Grade II listed building status in 1988
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,writing,on,a,in,end,Lancashire,England,UK,red,costume,@SecaOneArt,SecaOneArt,festive,December,Dec,fun,writes,badsanta,the,wall,walls,back,of,backstreet,backstreets,white,suit,outfit,fancydress,fancy,dress,Epheria,sack,sac,stolen goods,presents
Description: Tony Smith image Alamy 2JREBK9 - . This location-specific image from 67 Church St, Blackpool, Lancashire, England, UK, FY1 1HU in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The defining feature is Bad Santa by @SecaOneArt , writing on a wall, in Blackpool, graffiti, 67 Church St, Blackpool, Lancashire, England, UK, FY1 1HU. The broader subject matter reaches into religious heritage, local history, devotional artwork, sacred architecture, sacred decoration, everyday life, ecclesiastical craftsmanship, before-and-after reference, community identity, ecclesiastical art, historic church fabric, liturgical art, historical comparison, and heritage worship space. In present-day coverage, the subject reaches into church maintenance and accessibility, not least because of the role of parish churches in local identity and genealogy. For later comparison, the photograph preserves signage and branding at 67 Church St, Blackpool, Lancashire, England, UK, FY1 1HU, details that may look very different after replacement signage. Further associations within the scene are period detail, church interior, changing land use, regional identity, Christian iconography, visual archive, local character, and faith heritage. The recorded references to Blackpool, SecaOneArt, writing, Santa, and Lancashire preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within 67 Church St, Blackpool, Lancashire, England, UK, FY1 1HU, the image preserves more than the headline object or building: it records part of the locality's everyday history. The wider significance includes church maintenance and the role of parish churches in local identity and genealogy when considered against later change at 67 Church St, Blackpool, Lancashire, England, UK, FY1 1HU. The scene captures details of everyday use for future local research.
67 Church St, Blackpool, Lancashire, England, UK, FY1 1HU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,comedy duo statue 2016 in the Winter Gardens,Church street,FY1 1HL,and,British,statue,2016,in the,designed,Graham Ibbeson,by,sculpture,venue,duo,FY1,art,icons,bronzed,has,been,artist,bronze,Morecombe and Wise,artwork,comedy,artists,legends,comedian,comedians
Description: Tony Smith image Alamy 2JRFEPG - Morecambe & Wise Statue
Have you seen the Morecambe & Wise statue in the Winter Gardens, Blackpool? In 2016 it's unveiling celebrated the comedy double-acts 75th anniversary.
Morecambe and Wise are comedy classics, favourites of their time. Eric and Ernie performed in Blackpool more than 1,000 times in their career, first appearing on stage together in 1941.
During their years in Blackpool, the pair entertained hundreds of thousands of people. They played at seven theatres and six summer seasons, also enjoying a starring role in the 1955 Royal Variety Performance at the Winter Gardens.
You can see it on permanent display in the spectacular domed entrance to the Winter Gardens.
97 Church St, Blackpool,lancs, England,UK, FY1 1HL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,bus,to,local,FY1,Transport,Services,Ltd,limited,private,council,company,managed,transport,fares,tickets,cost,value,Blackpool Borough Council,Blackpool,Borough,Council,single,deck,decker,livery,black,yellow,Mercedes-Benz,Citaro,B38F,fleet,no,566
Description: Tony Smith image Alamy 2JRFF4F - Blackpool Transport Services Ltd is a bus and tram operator running within the boroughs of Blackpool and Fylde and into the surrounding area, including Fleetwood, Lytham St Annes, Poulton-le-Fylde, Cleveleys and now Preston with the introduction of the 74 and 75, which were previously operated by Preston Bus. It is owned by Blackpool Borough Council.
Blackpool Transport has a fleet of 132 active vehicles as of September 2018. It is majority double deck and entirely low floor, with the last step entrance vehicles being replaced in July 2016. Most of the vehicles in the fleet were purchased new by Blackpool Transport, however thirteen vehicles in the current fleet were purchased from other operators. In 2016, a five-year plan to renew the majority of the fleet was announced, with the aim of no vehicle in the fleet being older than five years old in 2020
In 2015, Blackpool Transport unveiled a new premium brand, Palladium, on its bus network. All vehicles with Palladium specification are fitted with WiFi, e-leather seating, wood effect flooring and a grey and yellow livery. The first route to be upgraded was the 5, which received a batch of brand new Mercedes-Benz Citaros.
Blackpool,Lancs, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,bus,to,local,FY1,Transport,Services,Ltd,limited,private,council,company,managed,transport,fares,tickets,cost,value,Blackpool Borough Council,Blackpool,Borough,Council,single,deck,decker,livery,black,yellow,Mercedes-Benz,Citaro,B38F,fleet,no,566
Description: Tony Smith image Alamy 2JRFF4K - Blackpool Transport Services Ltd is a bus and tram operator running within the boroughs of Blackpool and Fylde and into the surrounding area, including Fleetwood, Lytham St Annes, Poulton-le-Fylde, Cleveleys and now Preston with the introduction of the 74 and 75, which were previously operated by Preston Bus. It is owned by Blackpool Borough Council.
Blackpool Transport has a fleet of 132 active vehicles as of September 2018. It is majority double deck and entirely low floor, with the last step entrance vehicles being replaced in July 2016. Most of the vehicles in the fleet were purchased new by Blackpool Transport, however thirteen vehicles in the current fleet were purchased from other operators. In 2016, a five-year plan to renew the majority of the fleet was announced, with the aim of no vehicle in the fleet being older than five years old in 2020
In 2015, Blackpool Transport unveiled a new premium brand, Palladium, on its bus network. All vehicles with Palladium specification are fitted with WiFi, e-leather seating, wood effect flooring and a grey and yellow livery. The first route to be upgraded was the 5, which received a batch of brand new Mercedes-Benz Citaros.
Blackpool,Lancs, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,The,FY1 1BN,artspace,windows,portraits,portrait,head,shots,window,subversion,street art,pasted,Blackpools,community,derelict,repurposed,canvas,creativity,expression,buildings,brick,walls,characters,fantasy,people,figures,Colourful,provocative,sunny
Description: Tony Smith image Alamy 2JRFF55 - . This authentic period view of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN - windows, portraits. The wider scene also brings together community identity, social history, commercial redevelopment, adaptive reuse, everyday life, public-realm investment, public realm, urban regeneration, changing streetscape, urban fabric, before-and-after reference, historic townscape, regional identity, and mixed-use redevelopment. For current editorial use, construction costs and heritage conservation provide additional context, especially through the tension between preserving local character and creating modern commercial space. As a dated visual record of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN, the frame retains landscape treatment and surrounding development, making it especially useful if new construction subsequently changes the scene. A second descriptive layer includes local history, period architecture, period detail, place identity, heritage-led regeneration, built heritage, town-centre renewal, and changing land use. The combination of windows, Deansgate, factory, Lancs, and Blackpool anchors the frame to a recognisable activity, place or moment. Around The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is construction costs and how public investment can reshape pedestrian movement and evening activity in a form that can be compared with future views of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN.
The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,Lancashire,England,FY1,79 Abingdon St,FY1 1PP,empty,void,potential,housing,UKhousing,Guesthouse,derelict,Allandale Private hotel,Allandale,Private,hotel,B&B,old,unsuccessful,deprivation,town,centre,building,architecture,downbeat,depressed,depressing,fail,failing,places,fly,posting,posted,vandalised,deprived,area,rundown,run down
Description: Tony Smith image Alamy 2JRFFBF - . A grounded documentary photograph made at 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Derelict Allandale Private hotel, Guesthouse, 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP. The subject also carries associations with food-and-drink business, hospitality economy, customer-facing leisure, local social venue, heritage-led regeneration, casual dining, changing land use, architectural character, changing streetscape, mixed-use redevelopment, hospitality trade, social history, period architecture, and neighbourhood drinking venue. The wider contemporary story combines adaptive reuse, town-centre regeneration and the tension between preserving local character and creating modern commercial space. Viewed from the mid-2020s, the subject also connects with commercial rents, hospitality costs and how branded and independent hospitality compete for changing leisure spending. Future viewers can use this scene from 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP to compare commercial use and occupation with whatever follows after replacement signage. The photograph additionally reflects historical comparison, community pub, urban fabric, licensed trade, documentary photography, licensed hospitality, civic architecture, and local history. The recorded references to Private, Blackpool, Guesthouse, Derelict, and Abingdon preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image fixes details of everyday use within the wider story of 79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP.
79 Abingdon St, Blackpool , Lancashire, England, UK, FY1 1PP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,entrance,closed,pub,bar,nightclub,club,venue,Benidorm,resort,fun,seaside,British,Woody,FunnyBoyz,North Promenade,sport,sports,sportbar,sportsbar,karaoke,free,food,event,events,pubs,bars,wood,get,got,clubbing,night club
Description: Tony Smith image Alamy 2JRFFBP - . This authentic period view of 168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents World famous, Woodys, where Benidorm meets Blackpool, 168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE. Further facets of the scene include music tourism, popular culture, hospitality economy, tribute venue, local character, music-themed hospitality, food-and-drink business, music iconography, changing streetscape, contemporary social history, licensed hospitality, place identity, neighbourhood drinking venue, and local history. For current editorial use, staffing pressure and food inflation provide additional context, especially through the survival of local venues as social meeting places. Current relevance extends to music tourism and creative industries, particularly through how popular music is reused in hospitality and tourism branding. Future viewers can use this scene from 168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE to compare street furniture and boundaries with whatever follows after conservation work. The surrounding story also includes public realm, casual dining, night-time economy, pub heritage, song-inspired design, cultural nostalgia, community pub, and community identity. References to World, where, meets, Lancs, and famous give the picture a strong period identity and tie it closely to its named subject. A later view of 168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is staffing pressure and the survival of local venues as social meeting places as part of the longer story of 168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE.
168 - 170 Promenade, Blackpool , Lancs, England, UK, FY1 1RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,England,UK,FY1,FY1 1HL,art,artwork,and,comedy,duo,icons,statue,Morecombe and Wise,venue,2016,bronzed,bronze,sculpture,has,been,artist,designed,by,Graham Ibbeson,Lancashire,comedy duo statue 2016 in the Winter Gardens,Church street,British,in the,artists,legends,comedian,comedians
Description: Tony Smith image Alamy 2JRG8Y1 - Morecambe & Wise Statue
Have you seen the Morecambe & Wise statue in the Winter Gardens, Blackpool? In 2016 it's unveiling celebrated the comedy double-acts 75th anniversary.
Morecambe and Wise are comedy classics, favourites of their time. Eric and Ernie performed in Blackpool more than 1,000 times in their career, first appearing on stage together in 1941.
During their years in Blackpool, the pair entertained hundreds of thousands of people. They played at seven theatres and six summer seasons, also enjoying a starring role in the 1955 Royal Variety Performance at the Winter Gardens.
You can see it on permanent display in the spectacular domed entrance to the Winter Gardens.
97 Church St, Blackpool,lancs, England,UK, FY1 1HL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,NW,NorthWest,FY1,FY1 4BJ,building,stop,Blackpool Tower Promenade,sunny,weather,holiday,vacation,break,weekend,dirty,seafront,steel,structure,phallic,Victorian,resort,British,Great,Britain,tourist,tourism,attraction,visitor,attractions,central,sightseeing,heritage,Golden Mile,English
Description: Tony Smith image Alamy 2JRJ9W0 - . An on-location photograph from The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The main point of reference is The Blackpool Tower, famous icon, on The promenade, Blackpool north west resort, Lancashire, England, UK, FY1 4BJ. Other connected aspects include farm produce, visual archive, place identity, food supply chain, changing land use, crop production, grain harvest, barley cultivation, mixed-use development.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>redevelopment, period detail, regional identity, British agriculture, local character, and field crop. Viewed from the mid-2020s, the subject also connects with supply chains, crop yields and the importance of domestic grain to food and brewing supply chains. The modern context includes continuing discussion of housing pressure, commercial viability and how regeneration tries to create reasons to visit traditional town centres. Small period details of landscape treatment and surrounding development at The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ may become more significant with time, particularly following changed technology. The subject also sits alongside commercial redevelopment, adaptive reuse, town-centre renewal, summer fieldwork, archival record, local history, grain quality, and arable farming. The recorded references to Blackpool, Tower, Lancashire, famous, and promenade preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ, the image preserves more than the headline object or building: it records part of the locality's everyday history. It also preserves period character as a date-specific reference. The photograph keeps a trace of local identity for later comparison.
The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,and,the,along,shore,beach,amusements,machine,gamble,gambling,summer,holiday,holidaymakers,busy,blue,sky,skies,arcade,pirate-themed,games,rides,casino,Family-friendly,indoor,fun park,Buccaneer,Family,pub,Restaurant,Kids Eat Free,FY1 5DW,Peggys,snack,bar,compliance,regulation
Description: Tony Smith image Alamy 2JRJ9W1 - . Made at The Golden Mile, Central promenade, Blackpool, Lancashire, England, UK, FY1 5DW in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Coral island entertainment and amusement centre, the Golden Mile, Central promenade, Blackpool seaside resort, Lancashire, England, UK, FY1 5DW. The frame also records themes of changing streetscape, night-time economy, casual dining, social history, arable farming, public realm, farm produce, summer fieldwork, community identity, historical comparison, place identity, changing land use, cereal crop, and barley cultivation. Today's relevance is strengthened by hospitality costs, staffing pressure and the continuing question of the survival of local venues as social meeting places. From a 2025-onward perspective, agricultural policy and farm costs are closely linked to this subject, alongside the relationship between rural landscapes and national food security. Future viewers can use this scene from The Golden Mile, Central promenade, Blackpool, Lancashire, England, UK, FY1 5DW to compare signage and branding with whatever follows after refurbishment. The subject also sits alongside field crop, grain quality, street-level dining, archival record, documentary photography, British agriculture, agricultural landscape, and visual archive. Elements such as amusement, Golden, promenade, resort, and centre add documentary specificity and may become increasingly useful when compared with later records. The wider setting at The Golden Mile, Central promenade, Blackpool, Lancashire, England, UK, FY1 5DW matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The period view preserves period character as part of The Golden Mile, Central promenade, Blackpool, Lancashire, England, UK, FY1 5DW's history.
The Golden Mile, Central promenade, Blackpool, Lancashire, England, UK, FY1 5DW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,NW,NorthWest,FY1,FY1 4BJ,building,Spyglass,the,bar,pub,stop,Blackpool Tower Promenade,sunny,weather,holiday,vacation,break,weekend,dirty,seafront,steel,structure,phallic,Victorian,resort,British,Great,Britain,tourist,tourism,attraction,visitor,attractions,central,sightseeing
Description: Tony Smith image Alamy 2JRJ9W2 - . This authentic period view of The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents The Blackpool Tower & Spyglass bar, famous icon, on The promenade, Blackpool north west resort, Lancashire, England, UK, FY1 4BJ. The setting additionally reflects grain quality, field crop, community identity, food supply chain, changing land use, everyday life, summer fieldwork, hospitality economy, local social venue, community pub, visual archive, place identity, regional identity, and documentary photography. In present-day coverage, the subject reaches into staffing pressure and commercial rents, not least because of the pressure on customer-facing businesses in a high-cost economy. Today's relevance is strengthened by climate change, weather extremes and the continuing question of the relationship between rural landscapes and national food security. The archival value lies partly in recording public access and movement around The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ before closure or conversion alters the character of the place. The photograph additionally reflects historical comparison, agricultural landscape, local history, archival record, cereal crop, period detail, street-level dining, and rural economy. References to promenade, Spyglass, Blackpool, Tower, and resort give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene captures evidence of earlier appearance as part of The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ's history.
The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,NW,NorthWest,FY1,FY1 4BJ,building,stop,Blackpool Tower Promenade,sunny,weather,holiday,vacation,break,weekend,dirty,seafront,steel,structure,phallic,Victorian,resort,British,Great,Britain,tourist,tourism,attraction,visitor,attractions,central,sightseeing,heritage,Golden Mile,English
Description: Tony Smith image Alamy 2JRJ9W3 - . Recorded at The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. At the centre of the view is The Blackpool Tower, famous icon, on The promenade, Blackpool north west resort, Lancashire, England, UK, FY1 4BJ. The surrounding context encompasses grain harvest, historical comparison, agricultural landscape, public realm, local character, everyday life, architectural character, grain quality, archival record, public-realm investment, urban fabric, changing land use, social history, and period architecture. Current relevance extends to weather extremes and climate change, particularly through the pressure on farmers from energy, fertiliser and machinery costs. In present-day coverage, the subject reaches into adaptive reuse and planning, not least because of the tension between preserving local character and creating modern commercial space. The archival value lies partly in recording lettering, decoration and surface detail around The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ before redevelopment alters the character of the place. The wider setting retains connections with built heritage, before-and-after reference, historic townscape, arable farming, urban regeneration, place-making, community identity, and regional identity. References to Blackpool, resort, famous, Lancashire, and promenade give the picture a strong period identity and tie it closely to its named subject. Around The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The frame retains part of the area's social history before later change alters the scene.
The Blackpool Tower, The Promenade, Blackpool , Lancashire, England, UK, FY1 4BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancashire,England,UK,holidays,holiday,coast,coastline,hotel,hotels,B&B,examples,277-279,Blackpool,summer,blue,sky,skies,garveys hotel,garveyshotel,North West,Britain,GB,British,hospitality,Great Britain,northern,great,landlady,resort,vacation,vacations,town,centre,sunny,blue skies,blue sky
Description: Tony Smith image Alamy 2JRM394 - . This location-specific image from 277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The photograph centres on Blackpool Promenade Hotel, Rooms by the beach, 277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ. Other connected aspects include changing streetscape, built heritage, changing land use, historic townscape, period architecture, urban fabric, grain harvest, rural economy, place-making, urban regeneration, food supply chain, crop production, cereal crop, and community identity. Viewed from the mid-2020s, the subject also connects with crop yields, soil health and how hotter and wetter weather affects crop reliability. The modern context includes continuing discussion of adaptive reuse, housing pressure and how public investment can reshape pedestrian movement and evening activity. Future viewers can use this scene from 277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ to compare signage and branding with whatever follows after conservation work. A second descriptive layer includes grain quality, farm produce, place identity, town-centre renewal, agricultural landscape, archival record, local character, and local history. The combination of Blackpool, Promenade, 277-279, Lancashire, and Hotel anchors the frame to a recognisable activity, place or moment. By fixing the subject within 277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of crop yields and how hotter and wetter weather affects crop reliability within the specific setting of 277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ.
277-279 Promenade Central, Blackpool, Lancashire, England, UK, FY1 6AJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancashire,England,UK,holidays,holiday,coast,coastline,hotel,hotels,B&B,examples,corner,accommodation,Harper Beach Hotel,on,the,Harper,parking,ensuite,en-suite,271,FY1 6AH,FY1,summer,blue,sky,skies,North West,Britain,GB,British,hospitality,Great Britain,northern,great,landlady
Description: Tony Smith image Alamy 2JRM399 - . An identifiable period record of 271 promenade, Blackpool, Lancs, England, UK, FY1 6AH in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The location is represented through Corner hotel, Harper Beach Hotel on the promenade, Blackpool, Lancs, England, UK, FY1 6AH. The image also relates to grain harvest, field crop, traditional hostelry, before-and-after reference, changing land use, contemporary social history, historical comparison, social history, farm produce, summer fieldwork, grain quality, changing streetscape, community pub, and pub heritage. The modern context includes continuing discussion of farm costs, crop yields and the relationship between rural landscapes and national food security. For current editorial use, consumer spending and business rates provide additional context, especially through how branded and independent hospitality compete for changing leisure spending. As a dated visual record of 271 promenade, Blackpool, Lancs, England, UK, FY1 6AH, the frame retains equipment and working practice, making it especially useful if refurbishment subsequently changes the scene. The surrounding story also includes archival record, agricultural landscape, public realm, local character, licensed hospitality, street-level dining, local history, and barley cultivation. Details involving hotel, Blackpool, Lancs, Beach, and promenade make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within 271 promenade, Blackpool, Lancs, England, UK, FY1 6AH, the image preserves more than the headline object or building: it records part of the locality's everyday history. A further contemporary connection is farm costs and the relationship between rural landscapes and national food security when considered against later change at 271 promenade, Blackpool, Lancs, England, UK, FY1 6AH.
271 promenade, Blackpool, Lancs, England, UK, FY1 6AH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,FY1,The,pub,bar,9,FY1 5DE,Liverpool,fab4,Fab 4,John,Paul,George,Ringo,McCartney,Lennon,Harrison,Starr,nostalgia,pop,music,fab,vibe,vibes,1960,1960s,art,artwork,nightclub,club,venue,tribute,to
Description: Tony Smith image Alamy 2JRM3C5 - . An identifiable period record of 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The subject captured here is The yellow Submarine Beatles bar - 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE. The wider scene also brings together local music culture, music-themed venue, popular-music heritage, music tourism, neighbourhood drinking venue, traditional hostelry, archival record, song-inspired design, everyday life, music iconography, licensed hospitality, street-level dining, place identity, and customer-facing leisure. Today's relevance is strengthened by licensing, cultural heritage and the continuing question of the role of music heritage in attracting visitors beyond conventional attractions. From a 2025-onward perspective, hospitality costs and food inflation are closely linked to this subject, alongside how familiar pubs and restaurants shape neighbourhood identity. The image fixes commercial use and occupation within 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE at one identifiable point, providing a benchmark against conservation work. The photograph additionally reflects popular culture, Beatles memorabilia, community identity, local history, cultural branding, casual dining, contemporary social history, and regional identity. References to Blackpool, yellow, Rigby, Beatles, and Lancashire give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for licensing and how memorial benches and themed venues turn music into place-based memory as part of the longer story of 9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE.
9 Rigby Rd, Blackpool , Lancashire, England, UK, FY1 5DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Blackpool,Lancs,Lancashire,England,UK,swear,rude,rock,store,resort,promenade,rudely,on sale,in,sweet,sweets,top shelf,Trading standards,officers,lewd,traders,The stud,my slave,Old Slapper,Fuck off,Fuck you,you slut,up yours,mother fucker,suck my dick,swearing,swearer,lower class,working class,adult
Description: Tony Smith image Alamy 2JRM3Y0 - . A grounded documentary photograph made at Blackpool, Lancashire, England, UK in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Sweary sugar sweet rock, on sale in Blackpool, Lancashire, England, UK. The setting additionally reflects commercial streetscape, consumer retail, visual archive, contemporary social history, high-street commerce, commercial frontage, everyday life, archival record, local enterprise, destination shopping, mixed-use town centre, regional identity, local history, and bricks-and-mortar retail. Today's relevance is strengthened by brand consolidation, consumer spending and the continuing question of how mixed retail, leisure and residential uses are reshaping high streets. Small period details of local activity and public use at Blackpool, Lancashire, England, UK may become more significant with time, particularly following conservation work. The wider setting retains connections with street-level business, independent trading, retail property, before-and-after reference, customer footfall, historical comparison, place identity, and changing streetscape. The recorded references to sugar, Sweary, sweet, Lancashire, and Blackpool preserve clues about how the subject was presented, used or understood at the time. A later view of Blackpool, Lancashire, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes brand consolidation and how mixed retail, leisure and residential uses are reshaping high streets without losing the local specificity of Blackpool, Lancashire, England, UK. Another strand within the photograph is business rates and the role of markets and independent shops in keeping town centres active in a form that can be compared with future views of Blackpool, Lancashire, England, UK.
Blackpool, Lancashire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Blackpool,Lancs,Lancashire,England,UK,swear,rude,rock,store,resort,promenade,rudely,on sale,in,sweet,sweets,top shelf,Trading standards,officers,lewd,traders,You,bitch,cock sucker,such on this,tosser,lazy bastard,asshole,big boy,bite me,suck me,lick me,sex maniac,porno,pornographic,adult
Description: Tony Smith image Alamy 2JRM40F - . This location-specific image from Blackpool, Lancashire, England, UK in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Sweary sugar sweet rock, on sale in Blackpool, Lancashire, England, UK. The image also relates to retail property, social history, shopfront economy, historical comparison, changing streetscape, community identity, town-centre economy, changing land use, customer footfall, public realm, bricks-and-mortar retail, consumer retail, everyday life, and commercial streetscape. For current editorial use, brand consolidation and commercial rents provide additional context, especially through how mixed retail, leisure and residential uses are reshaping high streets. For later comparison, the photograph preserves building condition and alterations at Blackpool, Lancashire, England, UK, details that may look very different after replacement signage. The wider setting retains connections with commercial frontage, destination shopping, street-level business, before-and-after reference, documentary photography, local history, independent trading, and mixed-use town centre. Elements such as Blackpool, sugar, Lancashire, Sweary, and sweet add documentary specificity and may become increasingly useful when compared with later records. Around Blackpool, Lancashire, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is brand consolidation and how mixed retail, leisure and residential uses are reshaping high streets as part of the longer story of Blackpool, Lancashire, England, UK. The wider significance includes brand consolidation and the role of markets and independent shops in keeping town centres active when considered against later change at Blackpool, Lancashire, England, UK.
Blackpool, Lancashire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,Blackpool,Lancs,Lancashire,England,UK,swear,rude,rock,store,resort,promenade,rudely,in,sweet,sweets,top shelf,Trading standards,officers,lewd,traders,My Nympho,Old slapper,Slaphead,wanker,fuck you,lazy bastard,sex maniac,cunt,cock sucker,fat bastard,you plonker,dickhead,dick head,twat,Big Tits,sex bomb,adult,positions
Description: Tony Smith image Alamy 2JRM40W - . An identifiable period record of Blackpool, Lancashire, England, UK in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. At the centre of the view is Sweary sugar sweet rock, on sale in Blackpool, Lancashire, England, UK. The image also relates to regional identity, bricks-and-mortar retail, changing land use, local enterprise, commercial streetscape, destination shopping, community identity, independent trading, commercial frontage, local character, retail property, high-street commerce, mixed-use town centre, and archival record. Current relevance extends to changing footfall and store closures, particularly through how mixed retail, leisure and residential uses are reshaping high streets. Future viewers can use this scene from Blackpool, Lancashire, England, UK to compare materials and architectural details with whatever follows after conservation work. Other useful contextual ideas include contemporary social history, before-and-after reference, period detail, social history, street-level business, everyday life, town-centre economy, and changing streetscape. The combination of sweet, Sweary, Lancashire, sugar, and Blackpool anchors the frame to a recognisable activity, place or moment. The period setting at Blackpool, Lancashire, England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for changing footfall and how mixed retail, leisure and residential uses are reshaping high streets as part of the longer story of Blackpool, Lancashire, England, UK. Another useful connection is online shopping and how mixed retail, leisure and residential uses are reshaping high streets when considered against later change at Blackpool, Lancashire, England, UK. The frame retains details of everyday use before later change alters the scene.
Blackpool, Lancashire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,England,Lancs,Lancashire,Frozen,Foods,food,dairy,product,products,foods,corner,shop,cornershop,off licence,LI Local,local,outside,front,signage,WN7,20,Railway Road,Leigh,UK,WN7 4AX,open,7,seven,days,a,week,all,shops,shelves
Description: Tony Smith image Alamy 2JH06R0 - . This authentic period view of 20 Railway Rd, Leigh, England,UK, WN7 4AX in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents LI Local, Leigh Local Convenience store, Booze, Diary Products, Confectioneries, Frozen Foods, 20 Railway Rd, Leigh, England,UK, WN7 4AX. The locality and subject together evoke local history, physical store, rail corridor, before-and-after reference, town-centre economy, documentary photography, archival record, changing streetscape, transport interchange, railway heritage, commercial frontage, passenger railway, public transport network, and changing land use. In present-day coverage, the subject reaches into brand consolidation and online shopping, not least because of the role of large retailers in town-centre and edge-of-centre economies. Today's relevance is strengthened by reliability, station investment and the continuing question of the continuing importance of rail to regional connectivity. Small period details of equipment and working practice at 20 Railway Rd, Leigh, England,UK, WN7 4AX may become more significant with time, particularly following changed technology. The surrounding story also includes high-street commerce, brand-led retail, rail transport, regional identity, contemporary social history, shopping district, rail mobility, and retail chain. The combination of Railway, Products, Booze, Foods, and Convenience anchors the frame to a recognisable activity, place or moment. For 20 Railway Rd, Leigh, England,UK, WN7 4AX, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate brand consolidation and how physical shops adapt to online competition when considered against later change at 20 Railway Rd, Leigh, England,UK, WN7 4AX.
20 Railway Rd, Leigh, England,UK, WN7 4AX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,Greater Manchester,England,Lancs,Lancashire,WN7 4AX,WN7,integrated,transport,UK,TfGM,buses,service,at,Railway Road,Bee Network,services,route,routes,Transport for Greater Manchester,GM,public,pole,stop,stops,sunny,blue sky,blue skies,bus,bus stop,travel,stand,stands,waiting,place
Description: Tony Smith image Alamy 2JH06R2 - . An on-location photograph from 20A Railway Rd, Leigh, Lancashire, England, UK, WN7 4AX in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The defining feature is Leigh Bus stop , at Railway Road / Bengal St, TfGM bus services 8, 584 , 588, Transport For Greater Manchester, England, UK, WN7 4AX. The frame also records themes of passenger railway, documentary photography, before-and-after reference, everyday street life, rolling stock, railway heritage, social history, street-level documentary, station environment, historical comparison, industrial railway heritage, freight wagon, everyday life, and local identity. For current editorial use, decarbonisation and accessibility provide additional context, especially through the balance between railway heritage and network modernisation. Current relevance extends to footfall and local identity, particularly through how ordinary street scenes become valuable records as businesses and infrastructure change. The archival value lies partly in recording local activity and public use around 20A Railway Rd, Leigh, Lancashire, England, UK, WN7 4AX before refurbishment alters the character of the place. Other useful contextual ideas include public realm, changing streetscape, changing land use, community identity, train operations, social landscape, rail transport, and trackside history. The recorded references to services, Railway, Leigh, Transport, and Bengal preserve clues about how the subject was presented, used or understood at the time. For 20A Railway Rd, Leigh, Lancashire, England, UK, WN7 4AX, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The record includes period character within the wider story of 20A Railway Rd, Leigh, Lancashire, England, UK, WN7 4AX.
20A Railway Rd, Leigh, Lancashire, England, UK, WN7 4AX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,Greater Manchester,England,Lancs,Lancashire,centre,WN7,101,Leigh,UK,WN7 4AD,former,and,red,brick,lion,historic,listed,heritage,old,Victorian,NW,northern,powerhouse,towns,colleges,training,technical,college,schools,municipal colleges,empty,for,sale,rent,rental,development
Description: Tony Smith image Alamy 2JH06R4 - . An identifiable period record of 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Former Free Library and Municipal College - 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD. Another layer of the photograph includes changing streetscape, architectural character, contemporary social history, heritage asset, rail corridor, rail transport, period building, passenger railway, rail infrastructure, public transport network, architectural detailing, rail mobility, period detail, and everyday life. Today's relevance is strengthened by redevelopment pressure, maintenance and the continuing question of keeping older structures useful without erasing their character. From a 2025-onward perspective, public ownership and reliability are closely linked to this subject, alongside the balance between railway heritage and network modernisation. As a dated visual record of 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD, the frame retains public access and movement, making it especially useful if changing commercial priorities subsequently changes the scene. A second descriptive layer includes documentary photography, community identity, conservation architecture, changing land use, transport interchange, archival record, local character, and before-and-after reference. References to Manchester, College, Municipal, Lancs, and Railway give the picture a strong period identity and tie it closely to its named subject. The period setting at 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Image 2JH06R4 also remains a dated record of 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD.
101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,Greater Manchester,England,Lancs,Lancashire,centre,WN7,101,Leigh,UK,WN7 4AD,former,and,red,brick,lion,historic,listed,heritage,old,Victorian,NW,northern,powerhouse,towns,colleges,training,technical,college,schools,municipal colleges,empty,for,sale,rent,rental,development
Description: Tony Smith image Alamy 2JH06R6 - . A grounded documentary photograph made at 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through Former Free Library and Municipal College - 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD. The broader subject matter reaches into place identity, period detail, public realm, heritage asset, urban fabric, period streetscape, architectural character, regional rail, social history, changing land use, contemporary social history, industrial railway heritage, freight wagon, and changing streetscape. Today's relevance is strengthened by heritage conservation, local identity and the continuing question of the tension between conservation and redevelopment. From a 2025-onward perspective, regional connectivity and public ownership are closely linked to this subject, alongside the continuing importance of rail to regional connectivity. The image fixes equipment and working practice within 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD at one identifiable point, providing a benchmark against different community use. The surrounding story also includes transport interchange, passenger railway, rail infrastructure, local landmark, heritage landmark, regional identity, visual archive, and public transport network. Details involving Library, College, Greater, Railway, and Former make the image more specific than a generic view and strengthen its local or historical value. For 101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The period view preserves details of everyday use for future local research.
101 Railway Rd, Leigh, Greater Manchester, Lancs, England, UK, WN7 4AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,Greater Manchester,England,Lancs,Lancashire,former,free,and,101,WN7 4AD,erected,reign,the,in,1902,by,of,her Majesty,Queen Victoria,sandstone,education,architecture,red brick,1894,JC Prestwich and JH Stephen,heritage,old,Victorian,NW,northern,powerhouse,towns,colleges,training,technical,college,schools
Description: Tony Smith image Alamy 2JH06R8 - . Former Free Library and Municipal College Gymnasium stone - 101 Railway Rd, Leigh WN7 4AD. Photographed on 13 July 2022. The recorded location is 101 Railway Rd, Leigh, Lancashire, England, UK, WN7 4AD. (1894 J C Prestwich and J H Stephen). Corner tower with complex ogee cap roof and open fretwork lantern, finial and lead roll ribs emphasising the roof shape. To the side the elaborate Dutch gable and also the window with red sandstone details. From a heritage perspective, libraries have continually adapted from reading rooms and reference collections to computers, events, study spaces and digital services
Interior details and staffing images show how the public library functions as both an information service and a community place. Historically, stations and railway infrastructure are both working transport assets and historical records
Their evolving operators, signage, ticketing systems, rolling stock and architecture chart the development of British rail travel from the Victorian era to modern inter-city and commuter services. In historical terms, architecture records the priorities of the period in which a building was designed: materials, ornament, scale and planning can reveal changing technologies, social status and commercial use
Later alterations and changes of tenant add further layers, so a single façade can embody several phases of local history. As of 2026, public libraries remain significant community infrastructure, particularly for people needing free access to information, digital services and shared space
Photographs of earlier staffing and buildings can support coverage of service change and community ownership. In 2026, rail reform gives this type of image extra context
The government is legislating for Great British Railways to coordinate infrastructure, services, fares and timetables, while historical operator liveries and station equipment increasingly become records of the post-privatisation era.
101 Railway Rd, Leigh, Lancashire, England, UK, WN7 4AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,Greater Manchester,England,Lancs,Lancashire,WN7,1,Leigh,UK,WN7 4DZ,gospel,cult,conversion,therapy,vulnerable,young,people,Assemblies of God,pastor,issue,Christian,problem,investigation,community,charismatic,charisma,Britain,British,heritage,old,Victorian,NW,northern,powerhouse,towns
Description: Tony Smith image Alamy 2JH06T5 - . Recorded at 1, Ullswater St ,Leigh, Lancashire, England, UK, WN7 4DZ in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The location is represented through New Life Church, 1, Ullswater St ,Leigh, Lancashire, England, UK, WN7 4DZ. The setting additionally reflects archival record, everyday life, documentary photography, historic streetscape, community identity, local history, historic townscape, local identity, urban social history, pedestrian environment, architectural character, urban fabric, visual archive, and built heritage. Today's relevance is strengthened by energy retrofit, embodied carbon and the continuing question of keeping older structures useful without erasing their character. From a 2025-onward perspective, footfall and community use are closely linked to this subject, alongside the documentary importance of recording everyday urban environments. The archival value lies partly in recording public access and movement around 1, Ullswater St ,Leigh, Lancashire, England, UK, WN7 4DZ before changing commercial priorities alters the character of the place. The location also brings in regional identity, contemporary city life, heritage landmark, period streetscape, city-centre activity, heritage asset, architectural detailing, and place identity. Elements such as Lancashire, Church, Leigh, and Ullswater add documentary specificity and may become increasingly useful when compared with later records. A later view of 1, Ullswater St ,Leigh, Lancashire, England, UK, WN7 4DZ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of energy retrofit and keeping older structures useful without erasing their character in a form that can be compared with future views of 1, Ullswater St ,Leigh, Lancashire, England, UK, WN7 4DZ.
1, Ullswater St ,Leigh, Lancashire, England, UK, WN7 4DZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,Greater Manchester,England,Lancs,former,free,and,101,WN7 4AD,LW,graffiti,erected,by,1902,in,the,reign,of,her Majesty,Queen Victoria,sandstone,Lancashire,heritage,old,Victorian,NW,northern,powerhouse,towns,labels,history,historic,greater Manchester,area
Description: Tony Smith image Alamy 2JH06T8 - . Former Free Library and Municipal College Gymnasium stone - 101 Railway Rd, Leigh WN7 4AD. Photographed on 13 July 2022. The recorded location is 101 Railway Rd, Leigh, Lancashire, England, UK, WN7 4AD. (1894 J C Prestwich and J H Stephen). Corner tower with complex ogee cap roof and open fretwork lantern, finial and lead roll ribs emphasising the roof shape. To the side the elaborate Dutch gable and also the window with red sandstone details. Historically, historic library structures and everyday service scenes document changing ideas about public education and access to knowledge
Even small branches can play an important social role beyond book lending. As background, britain's railways reshaped towns, industry and passenger travel from the nineteenth century onwards, creating a dense network of stations, goods yards, signalling infrastructure and long-distance routes
Surviving buildings, signs and operating equipment now document both railway heritage and continuing public transport. Looking at the subject's development, commemorative plaques, gravestones and monuments transform individual or collective memory into a permanent feature of the landscape
Their wording, materials and location can illuminate genealogy, social history, military service and changing attitudes to public remembrance. In 2026, public libraries remain significant community infrastructure, particularly for people needing free access to information, digital services and shared space
Photographs of earlier staffing and structures can support coverage of service change and community ownership. Against the 2026 backdrop, rail policy is especially topical: the Railways Bill is progressing through Parliament and is intended to establish Great British Railways as the publicly owned directing mind for track, stations, timetables and passenger services
Older branded trains and station scenes therefore gain additional documentary value during another major restructuring of the.
101 Railway Rd, Leigh, Lancashire, England, UK, WN7 4AD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,BL3,Lancashire,town,458 Manchester Rd,Lancs,BL3 2NU,shops,shop,local,baker,sign,window,1938,baked,product,products,store,Bolton town,buildings,building,architecture,old,parts,signs,front,exteriors,stores,units,property,real estate,businesses,business,Boltons,bakery
Description: Tony Smith image Alamy 2K0RC4D - Family run since 1938
We're a family run bakery based in Bolton and we've been baking perfect pasties since 1938, we've grown as a business since we first started but our values stay the same.
It's simple
all we want to do is provide you with delicious, freshly baked products and exceptional customer service.
We're Carrs Pasties, Bolton's finest bakery. Passed down through three generations, Bolton is at the heart of everything we do, it's where we started our business and we're proud to still be supplying pasties to the people of Bolton today. Some of our staff have been with us for over 30 years, serving, baking, producing and delivering our products and it's because of them that we are where we are today.
458 Manchester Rd, Bolton, Lancs, England, UK, BL3 2NU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,Merseyside,town,Sefton Council,80p,per,bar,sugar,candy,cane,canes,15 Nevill St,Southport,PR9 0DE,treats,sweets,tourist,gift,gifts,stick-shaped,stick,sticks,coloured,colours,colors,Southport rock,rock shop,rock,sweet,mint,shelf,cabinet,cabinets
Description: Tony Smith image Alamy 2JHW8AA - . Recorded at 15 Nevill St, Southport, England, UK, PR9 0DE in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is Bars of rock at a Southport seaside rock shop, Sefton, Merseyside, Lancashire, England, UK, PR8. The setting additionally reflects destination retail, retail chain, tourism retail, outdoor retail, seaside souvenir, local story.htm Target=_Blank>history, social history, high-street commerce, commercial frontage, consumer retail, public realm, coastal visitor economy, town-centre economy, and traditional confectionery. The modern context includes continuing discussion of domestic tourism, seasonality and the enduring appeal of traditional British seaside customs. For current editorial use, commercial rents and brand consolidation provide additional context, especially through the role of large retailers in town-centre and edge-of-centre economies. The archival value lies partly in recording commercial use and occupation around 15 Nevill St, Southport, England, UK, PR9 0DE before replacement signage alters the character of the place. The surrounding story also includes visitor attraction, documentary photography, physical store, local character, traditional holiday town, retail property, community identity, and resort heritage. The combination of Southport, seaside, Merseyside, Lancashire, and Sefton anchors the frame to a recognisable activity, place or moment. For 15 Nevill St, Southport, England, UK, PR9 0DE, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes domestic tourism and the vulnerability of resort economies to seasonality and changing visitor habits as part of the longer story of 15 Nevill St, Southport, England, UK, PR9 0DE. The photograph keeps part of the area's social history before later change alters the scene.
15 Nevill St, Southport, England, UK, PR9 0DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,Merseyside,town,Sefton Council,80p,per,bar,sugar,candy,cane,canes,15 Nevill St,Southport,PR9 0DE,treats,sweets,tourist,gift,gifts,stick-shaped,stick,sticks,coloured,colours,colors,Southport rock,rock shop,rock,sweet,mint,shelf,cabinet,cabinets
Description: Tony Smith image Alamy 2JHW8AC - . A grounded documentary photograph made at 15 Nevill St, Southport, England, UK, PR9 0DE in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The scene records Bars of rock at a Southport seaside rock shop, Sefton, Merseyside, Lancashire, England, UK, PR8. The surrounding context encompasses before-and-after reference, local history, public realm, brand-led retail, holiday resort economy, period detail, regional identity, seaside souvenir, commercial frontage, traditional confectionery, visual archive, coastal tourism, day-trip culture, and physical store. The wider contemporary story combines visitor spending, domestic tourism and how nostalgic retail remains part of the seaside experience. Viewed from the mid-2020s, the subject also connects with online shopping, business rates and how physical shops adapt to online competition. Small period details of street furniture and boundaries at 15 Nevill St, Southport, England, UK, PR9 0DE may become more significant with time, particularly following new construction. Other useful contextual ideas include shopfront economy, destination retail, high-street commerce, traditional holiday town, commercial streetscape, contemporary social history, everyday life, and documentary photography. The combination of Merseyside, Sefton, seaside, Lancashire, and Southport anchors the frame to a recognisable activity, place or moment. Around 15 Nevill St, Southport, England, UK, PR9 0DE, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for visitor spending and the enduring appeal of traditional British seaside customs in a form that can be compared with future views of 15 Nevill St, Southport, England, UK, PR9 0DE. The image fixes evidence of changing use for future local research.
15 Nevill St, Southport, England, UK, PR9 0DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Southport,Lancs,Lancashire,Merseyside,seaside,coast,town,England,UK,PR8,art gallery,art,summer,architecture,listed,blue,sky,box office,culture,arts,Art Gallery,and,&,Library,grade II,buildings,sunny,blue sky,blue skies,building,architect,attraction,attractions,tourist,tourism
Description: Tony Smith image Alamy 2JHW8CC - The Atkinson is a building on the east side of Lord Street extending round the corner into Eastbank Street, Southport, Sefton, Merseyside, England. The building is a combination of two former buildings, the original Atkinson Art Gallery and Library that opened in 1878, and the adjacent Manchester and Liverpool District Bank that was built in 1879. These were combined in 1923“24 and the interiors have been integrated. The original building is in Neoclassical style, and the former bank is in Renaissance style.
The art gallery and library has been integrated with the Southport Arts Centre and is now known as The Atkinson.
The two former buildings are each recorded in the National Heritage List for England as designated Grade II listed buildings.
History
The Atkinson was built following a donation of £6,000 in 1875 by William Atkinson, a cotton manufacturer from Knaresborough, North Yorkshire, and a frequent visitor to Southport. The building was designed by Waddington and Son of Burnley, Lancashire and opened in 1878. The total cost, donated by Atkinson, was £15,000. In 1923“24 the building was extended by incorporating an adjacent bank on the corner of Eastbank Street, that had been built for the Manchester and Liverpool District Bank in 1879. The interior of the combined building was remodeled in the late 20th century, and the interiors were internally integrated. As of 2014 the organisation of the library and art gallery is integrated with the Southport Arts Centre and it is known as The Atkinson.
Original building
The original building is constructed in sandstone with a slate roof in Neoclassical style. It is in three storeys and has a symmetrical three-bay front. The central bay projects forward and contains a square-headed doorway above which is a roundel and a band of three panels. It is flanked by pairs of engaged Corinthian columns, above which is an entablature with a frieze inscribed with ATKINSON FREE LIBRARY and a pediment.
Lord Street, Southport, Lancashire, England, UK, PR8 1DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancashire,seaside,coast,town,England,UK,County,steel,grid,manhole,history,historic,street,Lord St,Lord Street,road works,road,works,roadworks,named,cast,rust,rusty,metal,services,drainage,maintenance,urban,man-hole,PR8,Sefton Council,Southport Council,of,stabbings,murders
Description: Tony Smith image Alamy 2JHW8CH - . A grounded documentary photograph made at Southport, Merseyside, England, UK in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. At the centre of the view is County Borough of Southport steel grid, Southport, Merseyside, Lancashire, England, UK. The setting additionally reflects historic freight equipment, resort heritage, industrial material culture, regional identity, traditional confectionery, manufacturing landscape, everyday life, community identity, contemporary social history, coastal leisure, changing land use, seaside retail, British seaside culture, and seaside souvenir. Today's relevance is strengthened by weather dependence, visitor spending and the continuing question of the vulnerability of resort economies to seasonality and changing visitor habits. From a 2025-onward perspective, manufacturing decline and embodied carbon are closely linked to this subject, alongside recording the industries and transport systems that shaped British towns. Future viewers can use this scene from Southport, Merseyside, England, UK to compare local activity and public use with whatever follows after closure or conversion. The location also brings in documentary photography, visitor attraction, coastal visitor economy, before-and-after reference, changing streetscape, factory heritage, engineering history, and production infrastructure. The recorded references to Southport, steel, County, Lancashire, and Borough preserve clues about how the subject was presented, used or understood at the time. A later view of Southport, Merseyside, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes weather dependence and the vulnerability of resort economies to seasonality and changing visitor habits as part of the longer story of Southport, Merseyside, England, UK.
Southport, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,seaside,coast,town,banks,old,bank architecture,Grade II,listed building,buildings,historic,history,Victorian historic bank building,England,UK,PR9,finance,commerce,commercial,Midland Bank,grand,entrance,small,vulnerable,British,banking,bank,Silicon Valley,repeat,repeats,PR8,Sefton Council
Description: Tony Smith image Alamy 2JHW8CJ - . Preston Bank, Victorian historic bank building, Lord Street, Southport, Merseyside, Lancs,England, UK, PR9. Photographed on 10 July 2022. The recorded location is Lord Street, Southport, Merseyside, Preston, England, UK, PR9. Established in 1844. Acquired Limited Liability in 1883. Amalgamated with London & Midland Bank Limited in 1894. Category: English & Welsh Joint Stock Banks
Family: Midland Bank. The wider historical story is that cash, banknotes and banking equipment document the everyday financial system before contactless cards and mobile payments became dominant
Bank buildings, notes, coins, cheques and cash machines also trace the history of regional banking, savings institutions and the changing design of money. The historical context is that buildings are often the most durable evidence of former institutions and businesses
Stonework, brickwork, windows, signs and decorative details can survive changes of ownership and use, allowing photographs to document both architectural style and the evolution of a street. In historical terms, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local history, design, industry and social life across different periods. In the present 2026 context, access to cash remains a live issue despite the growth of cards and mobile payments
FCA rules now require major banks and building societies to protect reasonable local access to cash, so photographs of cashpoints, banknotes and closed branches can help illustrate the tension between digital banking and physical financial services. The subject remains topical in 2026 because the reuse of existing buildings is increasingly discussed alongside conservation, embodied carbon and town-centre regeneration
Images of older façades and converted premises can therefore illustrate both architectural heritage and the practical pressures of adapting.
Lord Street, Southport, Merseyside, Preston, England, UK, PR9
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Britain,Lanc,Lancashire,coast,Sefton,council,summer,Southport,PR9 1RX,in,busy,with,tourist,blue,sky,skies,packed,crowded,popular,seaside,NW,north west,coasts,sand,sea,beach,beaches,short stay,staycation,staycations,vacation,breaks,short,mass knife attack
Description: Tony Smith image Alamy 2R15NGF - . Busy with visitors, Summer in Southport pier, Lancashire, England, UK, PR9 1RX. Photographed on 10 July 2022, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Southport, Lancashire, England, UK, PR9 1RX, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Lanc, Lancashire, coast, Sefton, council, summer, Southport, PR9 1RX, busy, tourist, blue, sky, providing natural SEO coverage without losing the specific documentary identity of the photograph. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. Additional relevant search concepts include skies, packed, crowded, popular, seaside, north west, broadening discoverability while remaining tied to the supplied subject information.
Southport, Lancashire, England, UK, PR9 1RX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Britain,Lanc,Lancashire,coast,Sefton,council,summer,Southport,PR9 1RX,in,long,longest,walk,track,train,NW,north west,coasts,sand,sea,beach,beaches,short stay,staycation,staycations,vacation,breaks,short,to,infinity
Description: Tony Smith image Alamy 2R15NGH - . Summer in Southport pier, Lancashire, England, UK, PR9 1RX. Photographed on 10 July 2022, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Southport, Lancashire, England, UK, PR9 1RX, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Lanc, Lancashire, coast, Sefton, council, summer, Southport, PR9 1RX, long, longest, walk, track, providing natural SEO coverage without losing the specific documentary identity of the photograph. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. Additional relevant search concepts include train, north west, coasts, sand, sea, beach, broadening discoverability while remaining tied to the supplied subject information.
Southport, Lancashire, England, UK, PR9 1RX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,org,The Church of Jesus Christ of Latter Day Saints,England,The Church of Jesus Christ,Church of Jesus Christ,Latter Day Saints,Temple Way,Preston,UK,PR6 7EQ,PR6,Mormon Church,The Mormons,Mormons,church,religion,faith,cult,flowers,book,of,churches,religions,American,US,USA,Lancs,center,centre,Lancashire,entrance,gate,door,drive,driveway,hotpix.org.uk
Description: Tony Smith image Alamy 2K43PND - . Recorded at Temple Way, Hartwood Grn, Chorley, England, PR6 7EQ in 2019, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is Preston England Temple, The Church of Jesus Christ of Latter Day Saints, Mormons in North West England, UK. The wider scene also brings together community identity, social history, period detail, local character, visual archive, documentary photography, ecclesiastical architecture, Christian heritage, public realm, parish history, heritage worship space, religious heritage, religious landmark, and ecclesiastical art. Current relevance extends to energy use and historic fabric, particularly through the importance of church buildings to genealogy and local identity. For later comparison, the photograph preserves transport arrangements and footfall at Temple Way, Hartwood Grn, Chorley, England, PR6 7EQ, details that may look very different after new construction. A second descriptive layer includes faith community, regional identity, sacred space, before-and-after reference, church interior, contemporary social history, historic church fabric, and archival record. Details involving Mormons, Church, Preston, Latter, and Temple make the image more specific than a generic view and strengthen its local or historical value. A later view of Temple Way, Hartwood Grn, Chorley, England, PR6 7EQ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is energy use and the importance of church buildings to genealogy and local identity when considered against later change at Temple Way, Hartwood Grn, Chorley, England, PR6 7EQ. The setting also helps illustrate accessibility and how sacred spaces adapt to changing attendance and wider community use without losing the local specificity of Temple Way, Hartwood Grn, Chorley, England, PR6 7EQ.
Temple Way, Hartwood Grn, Chorley, England, PR6 7EQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancashire,England,UK,Chorley,Town Hall,lancs,Lancastrian Suite,Townhall,council,Italianate,style,1879,large,assembly hall,hall,council chamber,town clerks office,Municipal Borough of Chorley,Seed Architects,clock,tower,clocktower,old,history,historic,heritage,civic,building,buildings,grand,proud,pride,municipal
Description: Tony Smith image Alamy 2K43PNE - The new building, which was designed in the Italianate style by John Ladds and William Henry Powell, was completed in 1879. The design involved a symmetrical main frontage with five bays facing onto Market Street with the end bays slightly projected forward
the central section, which also slightly projected forward, featured a doorway on the ground floor with brackets supporting a pediment containing a carved tympanum with a tall clock tower above
there were sash windows on the first and second floors. The principal rooms were a large assembly hall, which later became known as the Lancastrian Room, the council chamber and town clerk's office.
The town hall became the headquarters of the new Municipal Borough of Chorley in 1881. In the early years the basement was used for a butter market and, in the early 20th century, the assembly room was used as a cinema. Meanwhile the old town hall was demolished in the 1930s. The building remained the local seat of government when the enlarged Borough of Chorley was formed in 1974. In the 1980s, a control centre was established in the basement for the protection of civic leaders in the event of a nuclear attack. Although most council officers and their departments relocated to the Civic Offices in Union Street in the late 20th century, council meetings continued to be held in the town hall.
An extensive programme of refurbishment works at the town hall was completed in 2005. The works, which were designed by Seed Architects, involved re-instatement of the main entrance under the clock tower and the creation of a glass-roofed atrium with glass passenger lifts to facilitate easy movement of customers within the building. After several incidents involving damage to facilities and abuse of staff, the Lancastrian Room, ceased to be available for private hire in 2009
Market Street, Chorley, Lancashire, England, UK , PR7 1DP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,office,offices,hotel,Refuge Building,Oxford rd,Insurance,Victorian,Office,listed building,building,Grade II listed,listed,City Centre,Manchester,Principal Hotel,Refuge Friend in Deed Life Assurance and Sick Fund Friendly,central Manchester,M60 7HA,M60,Lancashire,Commerce,business,company,leisure,dining,rooms,hotels,Landmark,Landmark Hotel,insurance,window,windows,etched,buildings
Description: Tony Smith image Alamy RG98NB - The Refuge Assurance Company Ltd. was a life insurance and pensions company based in England. It was founded by James Proctor and George Robins in Dukinfield, Cheshire in 1858. The company was originally known by the unwieldy name of the Refuge Friend in Deed Life Assurance and Sick Fund Friendly Society.
From 1895 until 1987, its head office was the magnificent Grade II* listed, Refuge Assurance Building on Oxford Street in central Manchester, now used as the Principal Hotel. In 1987, the company decided to move out of the city centre to new, purpose-built, offices in the grounds of Fulshaw Hall in Wilmslow, around 12 miles south of the old Refuge Building. In October 1996, the Refuge Assurance Company merged with United Friendly to form the United Assurance Group (UAG).
After disappointing performances following the merger, the United Assurance Group was first approached by Britannic Assurance in November 1999, and then by Royal London Mutual Insurance Society in February 2000. Following successful talks, Royal London took over UAG for £1.6 billion.
The Refuge Assurance Building, Manchester, on Oxford Road, was the company's head office between 1895 and 1987
Oxford St, Manchester, Lancashire, UK, M60 7HA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,office,offices,hotel,Refuge Building,Oxford rd,Insurance,Victorian,Office,listed building,building,Grade II listed,listed,City Centre,Manchester,Principal Hotel,Refuge Friend in Deed Life Assurance and Sick Fund Friendly,central Manchester,M60 7HA,M60,Lancashire,Commerce,business,company,leisure,dining,rooms,hotels,Landmark,Landmark Hotel,insurance,Refuge Insurance,window,windows,etched
Description: Tony Smith image Alamy RG98NH - The Refuge Assurance Company Ltd. was a life insurance and pensions company based in England. It was founded by James Proctor and George Robins in Dukinfield, Cheshire in 1858. The company was originally known by the unwieldy name of the Refuge Friend in Deed Life Assurance and Sick Fund Friendly Society.
From 1895 until 1987, its head office was the magnificent Grade II* listed, Refuge Assurance Building on Oxford Street in central Manchester, now used as the Principal Hotel. In 1987, the company decided to move out of the city centre to new, purpose-built, offices in the grounds of Fulshaw Hall in Wilmslow, around 12 miles south of the old Refuge Building. In October 1996, the Refuge Assurance Company merged with United Friendly to form the United Assurance Group (UAG).
After disappointing performances following the merger, the United Assurance Group was first approached by Britannic Assurance in November 1999, and then by Royal London Mutual Insurance Society in February 2000. Following successful talks, Royal London took over UAG for £1.6 billion.
The Refuge Assurance Building, Manchester, on Oxford Road, was the company's head office between 1895 and 1987
Oxford St, Manchester, Lancashire, UK, M60 7HA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,office,offices,hotel,Refuge Building,Oxford rd,Insurance,Victorian,Office,listed building,building,Grade II listed,listed,City Centre,Manchester,Principal Hotel,Refuge Friend in Deed Life Assurance and Sick Fund Friendly,central Manchester,M60 7HA,M60,Lancashire,Commerce,business,company,leisure,dining,rooms,hotels,Landmark,Landmark Hotel,insurance,Refuge Insurance,courtyard,outside
Description: Tony Smith image Alamy RG98NT - The Refuge Assurance Company Ltd. was a life insurance and pensions company based in England. It was founded by James Proctor and George Robins in Dukinfield, Cheshire in 1858. The company was originally known by the unwieldy name of the Refuge Friend in Deed Life Assurance and Sick Fund Friendly Society.
From 1895 until 1987, its head office was the magnificent Grade II* listed, Refuge Assurance Building on Oxford Street in central Manchester, now used as the Principal Hotel. In 1987, the company decided to move out of the city centre to new, purpose-built, offices in the grounds of Fulshaw Hall in Wilmslow, around 12 miles south of the old Refuge Building. In October 1996, the Refuge Assurance Company merged with United Friendly to form the United Assurance Group (UAG).
After disappointing performances following the merger, the United Assurance Group was first approached by Britannic Assurance in November 1999, and then by Royal London Mutual Insurance Society in February 2000. Following successful talks, Royal London took over UAG for £1.6 billion.
The Refuge Assurance Building, Manchester, on Oxford Road, was the company's head office between 1895 and 1987
Oxford St, Manchester, Lancashire, UK, M60 7HA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,office,offices,hotel,Refuge Building,Oxford rd,Insurance,Victorian,Office,listed building,building,Grade II listed,listed,City Centre,Manchester,Principal Hotel,Refuge Friend in Deed Life Assurance and Sick Fund Friendly,central Manchester,M60 7HA,M60,Lancashire,Commerce,business,company,leisure,dining,rooms,hotels,Landmark,Landmark Hotel,insurance,Refuge Insurance,Volta Bar Dining Room Winter Garden Den
Description: Tony Smith image Alamy RG98RH - The Refuge Assurance Company Ltd. was a life insurance and pensions company based in England. It was founded by James Proctor and George Robins in Dukinfield, Cheshire in 1858. The company was originally known by the unwieldy name of the Refuge Friend in Deed Life Assurance and Sick Fund Friendly Society.
From 1895 until 1987, its head office was the magnificent Grade II* listed, Refuge Assurance Building on Oxford Street in central Manchester, now used as the Principal Hotel. In 1987, the company decided to move out of the city centre to new, purpose-built, offices in the grounds of Fulshaw Hall in Wilmslow, around 12 miles south of the old Refuge Building. In October 1996, the Refuge Assurance Company merged with United Friendly to form the United Assurance Group (UAG).
After disappointing performances following the merger, the United Assurance Group was first approached by Britannic Assurance in November 1999, and then by Royal London Mutual Insurance Society in February 2000. Following successful talks, Royal London took over UAG for £1.6 billion.
The Refuge Assurance Building, Manchester, on Oxford Road, was the company's head office between 1895 and 1987
Oxford St, Manchester, Lancashire, UK, M60 7HA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,City Centre,UK,England,English,Christmas markets,pork,Merry Christmas,Lancashire,North West England,crowd,crowds,people,celebration,celebrating,dusk,town hall,Christmas,in Manchester,Santa,Merry Xmas,in the evening,bar,food,serving food,EU,European Market,curry wurst,German Sausage,fun,tradition,illuminated,Madchester,December,Xmas,stalls,Xmas Market,Santa Claus
Description: Tony Smith image Alamy R9GTC2 - . An on-location image sets out the working environment around the recorded location, as photographed in 2018. The frame is associated with German Food, Christmas markets, Albert Square, Manchester, Lancashire, north West England, UK, at dusk. Further features of the subject include customer service, visitor economy, hospitality trade, consumer leisure, destination economy, service economy, local tourism, food service, catering trade, local dining, hospitality premises, and restaurant sector. In the mid-2020s, visitor-economy venues is increasingly discussed through consumer spending and staffing, with attention turning to sustainable tourism. Small period details preserved at the recorded location may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage, specifically in relation to German Food. The surrounding context also touches on leisure venue, food culture, leisure hospitality, tourism economy, food-and-drink business, hospitality employment. The scene is further associated with Manchester Christmas Market, Wurst, Xmas, Manchester Town Hall, festivals, Father Christmas. Other relevant facets include visitor destination, and tourist accommodation. Current debate around hospitality businesses often combines changing visitor patterns, staffing and the practical challenge of adaptable venues. Taken together, these details make the photograph a useful record of community life, commercial identity, local continuity, physical infrastructure, and signage and branding in a form that can be compared with later photographs. The combination preserved here provides evidence of planning and redevelopment, movement through the area, social change, historic fabric, and everyday services as an authentic period reference. It remains a grounded period reference to the recorded location, its use, appearance and changing local context.
Description
Keywords: Rainbow,flag,welcome,gays,Manchesters,Manchesters,sign,poster,historic,bar,bars,pub,pubs,LowTJ,low,TJ,hedonist,hedonism,sexual,freedom,equality,world,famous,queer,Pride,lesbian,trans,transsexual,respect,fun,Mancunian,gays welcome,Canal Street,Manchester Pride,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Manc,Mancs,MancLand,Lancs,Lancashire,Greater,Madchester,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Greater Manchester
Description: Tony Smith image Alamy GJBNFR - . This location-specific image from Princess Street, Manchester, Lancs, England, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Welcome to Manchester's Gay Village sign, Canal St - locations for Tip Toe and Queer As Folk TV shows. Other connected aspects include inland navigation, waterborne transport, blue-green corridor, contemporary social history, visual archive, place identity, social history, documentary photography, canal infrastructure, community identity, towpath landscape, period detail, changing streetscape, and regional identity. Viewed from the mid-2020s, the subject also connects with maintenance funding, flood resilience and the transition of industrial waterways toward leisure and heritage use. The archival value lies partly in recording signage and branding around Princess Street, Manchester, Lancs, England, UK before later reinterpretation alters the character of the place. The location also brings in industrial waterway history, archival record, changing land use, heritage boating, working waterway, local character, navigation engineering, and managed navigation. Elements such as locations, Queer, Welcome, shows, and Canal add documentary specificity and may become increasingly useful when compared with later records. The period setting at Princess Street, Manchester, Lancs, England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects maintenance funding and the role of canals as blue-green corridors for people and wildlife in a form that can be compared with future views of Princess Street, Manchester, Lancs, England, UK. It also preserves a trace of local identity before later change alters the scene. The photograph keeps a local visual benchmark as a date-specific reference.
Princess Street, Manchester, Lancs, England, UK
Description
Keywords: JDuckett,and,&,son,Limited,Burnley,Makers,Manufacturer,Vitreous,Ceramics,China,Urinal,in,the,Sportsman,Pub,Huddersfield,West,Yorkshire,Yorks,trademark,trade,mark,Ducket,Lancs,Lancashire,cistern,antique,Sanitary,ware,sanitaryware,armitage,shanks,Duckett and son,Ducket and son,Armitageshanks,GoTonySmith,Toto,history,historic,Thomas,Crapper,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY5KD2 - . J Duckett & son Ltd Burnley Manufacturers Vitreous Ceramics China Urinal in the Sportsman Pub, Huddersfield, West Yorkshire. Photographed at Huddersfield, West Yorkshire, England, UK. The photograph was taken on 18 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Duckett, son, Ltd, Burnley, Manufacturers, Vitreous, JDuckett, Limited, Makers and Manufacturer, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors. The view is firmly rooted in a real location rather than a constructed studio setting.
Huddersfield, West Yorkshire, England, UK
Description
Keywords: 1876,1934,Lancashire,England,UK,on,wall,mounted,wallmounted,brick,fredwood,forgotten,hero,1907,deaths,local,goods,train,station,wagons,Dukinfield,rail,train,trains,TMB,GoTonySmith,metropolitan,borough,runaway,disaster,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY5KD4 - Fred Wood (1876-1934) In honour of a forgotten hero, who on this day in 1907 undoubtedly prevented the deaths of hundreds of local workers when the couplings broke on a heavily laden goods train as it approached this station. Over 50 laden wagons sped back down the line heading towards Dukinfield Station and an occupied 'workers' train. Turning the points, he forced the runaway train onto a track towards Dukinfield goods yard, narrowly averting a major disaster.
Stalybridge Station, Tameside,Manchester, England, UK
Description
Keywords: Theater,city,centre,tourist,attraction,attractions,GB,United,Kingdom,building,inside,the,interior,play,plays,performance,performances,art,arts,grade2,grade,II,listed,St,Anns,Square,Exchange,Street,Market,Street,Cross,Street,and,Old,Bank,Street,cotton,industry,in,Lancashire,Cottonopolis,Gotonysmith Shopping Centre bombing blitz spun yarn and finished goods,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,English,England,Shakespeare,tourism,tourist,tour,destination,city,centre,Mancunian,Manc,Buy Pictures of,Buy Images Of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy DN6N8T - The Royal Exchange is a grade II listed building in Manchester, England. It is located in the city centre on the land bounded by St Ann's Square, Exchange Street, Market Street, Cross Street and Old Bank Street. The complex includes the Royal Exchange Theatre and the Royal Exchange Shopping Centre.
The Royal Exchange was heavily damaged in the Manchester Blitz and in the 1996 Manchester bombing. The current building is the last of several buildings on the site used for commodities exchange, primarily but not exclusively of cotton and textiles.
The cotton industry in Lancashire was served by the Manchester Royal Exchange which traded in spun yarn and finished goods throughout the world including Africa while the Liverpool Cotton Exchange traded in imported raw cotton. In the 18th century the trade was part of part the slave trade in which African slaves were transported to America where the cotton was grown and then exported to Liverpool where the raw cotton was sold.[2]
The first exchange opened in 1729 but closed by the end of the century. As the cotton industry boomed, the need for a new exchange was recognized. Thomas Harrison designed the new exchange of 1809 at the junction of Market Street and Exchange Street.[2] The expanding cotton industry required a larger building and its extension was completed in 1849. The second exchange was replaced, by a third exchange by Mills & Murgatroyd, constructed between 1867 and 1874. It was extended and modified by Bradshaw Gass & Hope between 1914 and 1931 to form the largest trading hall in England.
The trading hall had three domes and was double the size of the current hall. The colonnade parallel to Cross Street marked the its centre. On trading days merchants and brokers struck deals which supported the jobs of tens of thousands of textile workers in Manchester and the surrounding towns. Manchester's cotton dealers and manufactureres trading from the Royal Exchange earned the city the name, Cottonopolis
Exchange St, Manchester, England, UK
Description
Keywords: coal,mine,mining,Manchester,lancs,Lancashire,working,works,vertical,shaft,Green,Museum,Chat,Moss,chatmoss,collieries,village,county,council,saved,by,village,A580,east,3,300,hp,twin,tandem,compound,steam,3300,surviving,headgear,house,gates,wide,shot,HDR,seams,Higher,Green,Lane,Tyldesley,Gotonysmith 3300hp Pilkington Colliery Company,trading as the Clifton and Kersley Coal Company,working,collieries,in,the,Irwell,valley,at,Clifton,Higher,Green,Lane,Astley Green,Tyldesley,Lancashire England,UK M29 7JB M297jb
Description: Tony Smith image Alamy DE9AD2 - On the edge of Chat Moss, in an area once full of collieries, lies the picturesque village of Astley Green. In the heart of the village stands Astley Green Colliery Museum which, but for the foresight of Lancashire County Council and several leading figures within the community, would have suffered the same fate as the other collieries in the area, total demolition. It was the uniqueness of the 3,300 hp twin tandem compound steam winding engine that brought the demolition to a halt. As the result of the intervention, the museum houses Lancashire's only surviving headgear and engine house, both of which now have listed building status.
The museum occupies some fifteen acres of the Astley Green Colliery site. To the south lies the Bridgewater Canal and Astley Moss, an important mossland site. The low-lying landscape ensures that the museum's 98ft high lattice steel headgear can be seen for many miles, a fitting memorial to days now past.
Higher Green Lane, Astley Green, Tyldesley, Lancashire England, UK M29 7JB
Description
Keywords: coal,mine,mining,Manchester,lancs,Lancashire,working,works,vertical,shaft,Green,Museum,Chat,Moss,chatmoss,collieries,village,county,council,saved,by,village,A580,east,3,300,hp,twin,tandem,compound,steam,3300,surviving,headgear,house,gates,wide,shot,HDR,seams,Higher,Green,Lane,Tyldesley,Gotonysmith 3300hp Pilkington Colliery Company,trading as the Clifton and Kersley Coal Company,working,collieries,in,the,Irwell,valley,at,Clifton,Higher,Green,Lane,Astley Green,Tyldesley,Lancashire England,UK M29 7JB M297jb,machine,machines,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DE9AEM - On the edge of Chat Moss, in an area once full of collieries, lies the picturesque village of Astley Green. In the heart of the village stands Astley Green Colliery Museum which, but for the foresight of Lancashire County Council and several leading figures within the community, would have suffered the same fate as the other collieries in the area, total demolition. It was the uniqueness of the 3,300 hp twin tandem compound steam winding engine that brought the demolition to a halt. As the result of the intervention, the museum houses Lancashire's only surviving headgear and engine house, both of which now have listed building status.
The museum occupies some fifteen acres of the Astley Green Colliery site. To the south lies the Bridgewater Canal and Astley Moss, an important mossland site. The low-lying landscape ensures that the museum's 98ft high lattice steel headgear can be seen for many miles, a fitting memorial to days now past.
Higher Green Lane, Astley Green, Tyldesley, Lancashire England, UK M29 7JB
Description
Keywords: academy,manchester,tonysmith,tony,smith,hotpix,hotpics,hot,pics,picks,pix,tonysmithhotpix,live,gig,stage,shot,john,foxx,maths,UK,England,lancashire,music,photography,pano,panorama,joiner,underpants,underpantz,hotpix.rocketmail.com,hotpixuk.rocketmail.com,contact.tony.smith.gmail.com,tony.smith.gmail.com,tonys@miscs.com,tony.smith@mis-ams.com,MIS,@hotpixUK,ActiveH,housingtechnology
Description: Tony Smith image Flickr 6280475123 - 'John Foxx was born in Chorley, Lancashire, England and probably best known for his early days as lead singer of late 1970's band Ultravox!
The group's style fused punk, glam, electronic, reggae and new wave music. At this early time they were defined by the album 'Systems Of Romance', an album produced by Kraftwerk associate Connie Plank. Its justly regarded as the first synthpop album.
Foxx left Ultravox after a 1980 US tour and was signed to Virgin.He was way ahead of his time with the Metamatic and Garden albums, the singles 'Burning Car' &
'Underpass'. In 1985 he gave up his music career to become a graphic artist. In the 1990's he did re-emerge with a synth-pop sound. A trickle of releases and remixes have followed.
John Foxx And The Maths are touring the UK during October 2011. They will be performing material from their new album Interplay as well as classic songs from early Ultravox and John\u2019s solo career. This includes material from his pioneering debut album, 1980\u2032s Metamatic.
The tour started in Leamington Spa, then Bristol Thekla, I saw them Friday the 21st of October, 2011 at the Manchester Academy 4. Special guest was Tara Busch.
The last album Interplay is a collaboration between Foxx and electronic composer and synthesizer collector, Benge (Ben Edwards). The latter is best known for his 2008 album Twenty Systems, which was described by Brian Eno as a \u2018Brilliant contribution to the archaeology of electronic music.\u2019
The band are from left to right, Hannah Peel (Keyboards / Violin), John Foxx, Benge (Ben Edwards on drums) and Serafina Steer (on Keyboards, Bass).
The Shape Of Things limited edition double CD will also be available at the John Foxx And The Maths shows and then after via the Official John Foxx Store
Checkout more w=33062170@N08\'>bands from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,East Lancs Railway,greater Manchester,England,UK,East,Lancs,Lancashire,train,station,platform,heritage,rail,23A Bolton St,Bolton Street,BL9,pano,BR,British Rail,British railways,history,historic,railways,locomotive,technology,Victorian,old fashioned,old-fashioned,working,preserved,platforms,engine,engines,panorama
Description: Tony Smith image Alamy 2BPCNK1 - . An authentic period record of 23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY, retaining the practical visual detail that later redevelopment, rebranding or altered use can remove. The principal subject is ELR,East Lancs Railway, East Lancashire Railway Bury station, greater Manchester,England,UK - platform panorama. The picture additionally relates to urban change, rail transport, visual archive, passenger connectivity, social history, built environment, contemporary history, period detail, transport interchange, regional rail, local character, railway branding, rail mobility, and archival record. In the mid-2020s, station investment and reliability keep this subject current, particularly through preserving railway heritage while modernising the network. Small period details of transport arrangements and public activity at 23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY may become more significant with time, especially following new construction. The wider local story also touches on public realm, historical comparison, before-and-after reference, commuter travel, local history, changing streetscape, passenger railway, and regional identity. Details involving Manchester, Railway, station, greater, and Lancashire make the image more specific than a generic illustration and strengthen its local or historical value. The period setting at 23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is station investment and preserving railway heritage while modernising the network as part of the longer story of 23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY. The frame therefore remains a dated reference for 23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY and the changing story of the subject shown.
23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,East Lancashire Railway Bury station,greater Manchester,England,UK,East,Lancs,Lancashire,Railway,train,station,platform,rail,railway,23A Bolton St,Bury BL9 0EY,Bolton St,BL9,steaming up,in steam,loco,British Railways,history,historic,railways,locomotive,technology,Victorian,old fashioned,old-fashioned,working,preserved,platforms,engine,engines
Description: Tony Smith image Alamy 2BPCNK6 - . A location-based documentary photograph from 23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY, useful both for its immediate subject and for the smaller period details around it. At the heart of the image is ELR,East Lancs Railway, East Lancashire Railway Bury station, greater Manchester,England,UK - 80080 steaming up platform. A wider reading of the photograph includes rail mobility, urban change, rail transport, passenger railway, archival record, regional rail, visual archive, social history, transport interchange, before-and-after reference, rail corridor, period detail, mass transit, and community identity. Today's wider story includes decarbonisation, fares and the practical question of reducing congestion and car dependency. Future viewers can use this scene from 23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY to compare ownership and occupation with whatever follows after changing public expectations. The photograph additionally reflects regional identity, station environment, place identity, social landscape, railway branding, public realm, contemporary history, and documentary photography. Details involving steaming, Manchester, platform, station, and greater make the image more specific than a generic illustration and strengthen its local or historical value. The surrounding context at 23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence for decarbonisation and linking trains more effectively with buses and trams when considered against later change at 23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY. The frame therefore remains a dated reference for 23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY and the changing story of the subject shown.
23A Bolton St, Bury,Greater Manchester,North West England,UK, BL9 0EY
Description
Keywords: tony,smith,train,man,worker,employee,british,rail,railway,railways,BR,cap,beard,ELR,way,east,lancs,lancashire,england,english,heritage,europe,europ,pocket,watch,time,travel,photo
Description: Tony Smith image Flickr 5849443717 - 'The Clash 'Train In Vain' - Play this track here.
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'Train in Vain' is a song by the British punk rock band The Clash. It was released as the third and final single from their third album, London Calling. The song was not originally listed on the album's track listing, appearing as a secret track at the end of the album.
This was because the track was added to the record at the last minute, when the sleeve was already in production. It was the first Clash song to crack the United States Top 30 charts and in 2004, the song was ranked number 292 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
In the US, the song's title is expanded to 'Train in Vain (Stand by Me)', the words 'stand by me' dominate the chorus. It was titled 'Train in Vain' in part to avoid confusion with Ben E. King's signature song 'Stand by Me'.
'Train in Vain' was added after the deal for The Clash to write a song for an NME flexi disc fell through, and as Mick Jones commented, 'The real story on 'Train in Vain' is that originally we needed a song to give to the NME for a flexi disk that NME was going to do. And then it was decided that it didn't work out or decided the flexi disk didn't work out so we had this spare track we had done as a giveaway.
So we put it on London Calling but there wasn't time because the sleeves were already done.' The result of its late addition was that it was the only song without lyrics printed on the insert, and was not listed as a track, although its presence is announced as the title and position on the original vinyl record was scratched into the vinyl in the needle run-off area on the fourth side of the album.
'Train In Vain' sums up the 1960's British Beeching report.
The 'Beeching Axe' is an informal name for the British Government's attempt in the 1960s to reduce the cost of running British Railways, the nationalised railway system in the United Kingdom. The name is that of the main author of The Reshaping of British Railways, Dr Richard Beeching. Although this report also proposed new modes of freight service and the modernisation of trunk passenger routes, it is remembered for recommending wholesale closure of what it considered little-used and unprofitable railway lines, the removal of stopping passenger trains and closure of local stations on other lines which remained open.
The report was a reaction to significant losses which had begun in the 1950s as the expansion in road transport began to attract passengers and goods from the railways
losses which continued to bedevil British Railways despite the introduction of the railway Modernisation Plan of 1955.
Beeching proposed that only drastic action would save the railways from increasing losses in the future.
Successive governments were more keen on the cost-saving elements of the report rather than those requiring investment. More than 4,000 miles (6,400 km) of railway and 3,000 stations closed in the decade following the report, a reduction of 25 per cent of route miles and 50 per cent of stations. To this day, Beeching's name is unfavourably synonymous with mass closure of railways and loss of many local services. This is particularly so in parts of the country which suffered most from cuts.
Bury Bolton Street station was originally on the line from manchester Victoria to Accrington. Lines were closed between 1966 &
1980.
Bolton Street Station, with its original features, was rescued from demolition and placed in the care of the East Lancashire Railway, a preservation group. The line to Ramsbottom and Rawtenstall was re-opened as a heritage railway, under the name East Lancashire Railway in 1987 and has since been extended to Heywood. The line and station have since become a leading tourist attraction in the area.
Checkout more w=33062170@N08\'>cool stuff from my photostream.
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These are my 2008-2015 images, view my most recent images at @HotpixUK-2019 - www.flickr.com/people/167831053@N02/ including my second 365 one a day project
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cotton,Manchester,industry,factory,mill,history,machines,cloth,manufacture,Lancashire,factory system,Victorian,mass production,Industrial Revolution,Textile manufacturing,brown,label,labeled,Oldham,cotton canister,tube,Noton Oldham,S Noton,S.Moton Ltd Oldham Eng,Eng,tall,can,canister,textile bin,textile,S.Noton of Oldham,S. Noton and Sons,Noton and Sons,Fibre and Metal Works,Goddard Street
Description: Tony Smith image Alamy 2BM3JMD - . A location-based documentary photograph from Manchester, Lancashire, England, UK, useful both for its immediate subject and for the smaller period details around it. The view specifically shows S. Noton Limited, Oldham, canister for holding cotton,textile bin, Manchester cotton mill,Lancashire, England, UK. Other aspects of the subject include visual archive, period detail, labour history, industrial material culture, archival record, documentary photography, historic workplace, local character, changing streetscape, engineering history, manufacturing infrastructure, social landscape, production technology, and production machinery. Current discussion around this subject increasingly includes embodied carbon alongside factory closures, with particular attention to understanding the industries that shaped northern towns. Future viewers can use this scene from Manchester, Lancashire, England, UK to compare public access and movement with whatever follows after closure or conversion. The wider local story also touches on working-industry history, everyday Britain, factory equipment, before-and-after reference, industrial archaeology, mill heritage, factory-floor equipment, and manufacturing heritage. Details involving cotton, Oldham, holding, Manchester, and canister make the image more specific than a generic illustration and strengthen its local or historical value. For Manchester, Lancashire, England, UK, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence for embodied carbon and understanding the industries that shaped northern towns in a form that can be compared with future views of Manchester, Lancashire, England, UK. A further contemporary connection is factory closures and finding new uses for substantial older industrial buildings within the real-world context of Manchester, Lancashire, England, UK.
Manchester, Lancashire, England, UK
Description
Keywords: bellevue,bele,belle,vue,aces,motor,bike,motorbike,team,manchester,hyde,rd,road,lancs,lancashire,old,forgotton,red,best,speedway,1988,1987,kirkmanshuilme,lane,levenshulme,53,bus,gorton,88,87,city,motorsport,hotpics,hotpic,hotpick,hotpicks,stuff,interesting,place,places,building,buildings,built,architecture,sex,sexy,history,hotpix!
Description: Tony Smith image Flickr 4404609984 - 'This is an old slide I came across last week taken in early 1988 when the Aces original stadium on Hyde Road was being demolished. Travelling to work at my first job at GEC Higher openshaw (The Go Easy Club as it was known by some), I used to catch a 53 bus by it every morning. At the time it appeared to have an uncertain future, similar to the fate of the Belle Vue zoo &
amusement park. I remember passing the two giant giraffes on the 125 SELNEC bus as a very small kid. The giraffes ended up at a caravan park west of Glossop in Brookfield, quite close to where I grew up. I cannot say I have been past for some time so could not really say on the giraffe condition.
Racing started in 1928 at the Belle Vue greyhound stadium before moving the following year to a specially built stadium nearby on Hyde Road. The club raced there until 1987 when the stadium was sold and demolished.
The club moved to a just a short distance away to a new track and is still there today. Manchesters Aces moved back to the Greyhound Stadium, under the promotion of Peter Collins, John Perrin and Don Bowes. On the opening meeting of the new chapter of the the Aces history was held 1st April 1988. The Aces took on Bradford Dukes in the Frank Varey Northern Trophy. Unfortunately because of a waterlogged track the match was abandoned after just two heats. The Aces finished leading the match.
If you have the chance nip down on a Monday night and breath in over 80 years of racing history.
This image has been sepia toned and selectively coloured.
Some other Manchester racing on two wheels www.flickr.com/photos/hotpixuk/3874780587/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899
',
Description
Keywords: NHS,van,ashton,wigan,lancs,lancashire,north,west,england,britain,red,blue,wnow,ice,winter,cold,vehicle,grappenhall,weaste,lane,ln,cheshire,warrington,UK,january,2010,big,freeze,britains,Yikker,HDR,high dynamic range,rot-rosso-rouge-rood,Hotpicks,hotpics,hot,pics,pix,picks,highway,road,hotpix.freeserve.co.uk,hotpix!
Description: Tony Smith image Flickr 4294320497 - 'NHS Ashton, Leigh, Wigan Van parked (or abandoned) in Weaste Lane, Grappenhall, just off the iced up A50 (Knutsford Road). leading up to the M6 motorway junction 20.
The trust are responsible for hospitals, clinics and doctor surgeries across this Lancashire region.
A more classic vehicle rather than an advertising bill board one here www.flickr.com/photos/hotpixuk/4009572514/
(2010 week 2)
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC ',
Description
Keywords: M6,Lancaster,Services,southbound,motorway,UK,lancashire,Moto,M&S,justfood,just,food,tower,Pennine Tower,pennine,five,star,loo,award,top,crapper,365days,building,buildings,built,architecture,sex,sexy,hotpix!
Description: Tony Smith image Flickr 3838285938 - 'A classic services built from stout 1965's concrete, an iconic landmark on britains first motorway, M6 Preston Bypass.
It used to be Rank, then Granada, was Forton, then Lancaster, then Lancaster (Forton).
The tower is called 'The Pennine Tower', and when it opened it had a restaurant with a panoramic view. However, the tower fell short of the Health and Safety regulations for the number of emergency exits required in a public building, so it had to be closed. It's now only used for staff training and offices.
The tower is unique to the services, but Rank built slightly smaller versions at other services of theirs such as Hilton Park,which has suffered exactly the same fate. Although the one here is the 'daddy' (as they say).
In 2008 the services won a five star loo award, one more than in 2006. Worth sharing that with you, in case you might consider holding on until Knutsford.
Rumours that the cafe used to revolve inside like 'Piz Gloria' in Switzerland where the famous James Bond was filmed'on her Majesty's Secret Service are untrue. (apparently).
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,Lancs,WN1 3RT,WN1,to,poppy,poppys,WWI,remembrance,coal,mine,mines,colliery,collieries,Pte,Woodcock Walk,Irish Guards,VC tablet,VC,1917,1918,hero,heroes,remembered,Tom Woodcock,Thomas,Woodcock,mosaic,mosaics
Description: Tony Smith image Alamy 2MKF7PG - Thomas Woodcock VC (19 March 1888 “ 27 March 1918) was an English recipient of the Victoria Cross, the highest and most prestigious award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces.
Details
Woodcock was 29 years old, and a private in the 2nd Battalion, Irish Guards, British Army during the First World War when the following deed took place for which he was awarded the VC.
On 12/13 September 1917 north of Broenbeek, Belgium, when an advanced post had held out for 96 hours and was finally forced to retire, the lance-sergeant (John Moyney) in charge of the party and Private Woodcock covered the retirement. After crossing the stream themselves, Private Woodcock heard cries for help behind him - he returned and waded into the stream amid a shower of bombs and rescued another member of the party whom he carried across open ground in daylight towards our front line, regardless of machine-gun fire.
He was killed in action at Bullecourt, France, on 27 March 1918.
Further information
He later achieved the rank of corporal. He is buried at Douchy-les-Ayette British Cemetery, France. 8m SW of Arras. Plot IV. row F. Grave 3.
Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cotton,Manchester,industry,factory,mill,history,machines,cloth,manufacture,Lancashire,factory system,Victorian,wooden,wood,toilet seat,W.C.,WC,Water Closet,with toilet paper,toilet paper,toilet,privy,number one,number two,waste,personal hygiene,hygiene,sewage,Thomas Crapper,Crapper,crap,Non-flushing,water closets,unsanitary conditions,bowl,seat,poverty
Description: Tony Smith image Alamy 2BM3JP6 - Non-flushing water closets”portable pieces of furniture with removable containers for waste”became the standard in pre-Victorian Britain, though many households continued to rely on the backyard privy. The problem of waste disposal”whether from a chamber pot or from an overused hole in the ground”remained.
The Victorians made the connection between unsanitary conditions and disease that the Elizabethans hadn't and developed municipal sewer systems to try to keep their cities cleaner. The problem was that they didn't have a good way of connecting individual households to the system. Non-flushing water closets could be dressed up, but their contents couldn't be taken out. In the late 18th and early 19th centuries (about the same time the sewers were built), English patents were granted for several different types of water-closet valves, but their flushing actions were pretty inefficient. The wall mounted cistern that became popular in the 1870s vastly improved the situation because it provided a large volume of water under more pressure. Water-closet bowls remained a problem, though, because their rudimentary traps didn't do a very good job of either letting waste go down the drain or keeping sewer gases out of the building. At first these bowls were made of earthenware and glazed with sometimes-elaborate designs. In 1885, Thomas Twyford built the first vitreous china toilet, inspiring competition from other notable English potteries such as Wedgwood and Doulton
it wasn't long before vitreous china became the standard for the fledgling industry.
American inventors were also seeking solutions to the problem of building a sanitary water closet. As early as 1875, James Henry and William Campbell patented a plunger-type water closet
over the next 50 or so years more than 350 applications for patents for various types of water-closet designs were received by the U.S. patent office. In 1907
Manchester, Lancashire, England, UK
