Search full image library
Enter words, names or reference numbers. This opens Alamy results in a new tab.
Other languages and quick categories
Search HotpixUK images in Spanish, French, German, Italian, or English. Use the dropdown for shortcuts.
Search LDN in other languages
Search All in French
FR LDN,
Search All German
DE LDN,
Search All Italian
IT LDN,
Search All Spanish
ES LDN,
Back to all images preview

Description
Keywords: Brixton,England,UK,Bellefields,Road,city,centre,One,love,luv,street,BRXTN,city,of,London,BlackPoppy,commemoration,commonwealth,soldier,soldiers,Bellefields Road,South London,Brixton London,city centre,City Of London,Black Poppy,The Black Poppy,Artful Dodger,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,London,Cockney,Cockneys,England,LDN,British,England,problem,with,problem with,issue with,art,artist,clever,fun,capital,city,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South London,Capital city
Description: Tony Smith image Alamy HK3H7C - . Made at Bellefields Road, Brixton,South London, England, UK in 2017, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Street art in Brixton London, England, UK. The setting additionally reflects changing streetscape, changing land use, local bus network, public realm, regional identity, visual archive, urban artwork, street-side transport, transport accessibility, everyday life, public art, street-level design, local history, and before-and-after reference. Today's relevance is strengthened by temporary works, gentrification and the continuing question of the role of murals and stencils in giving creative districts a distinctive identity. From a 2025-onward perspective, passenger information and local connectivity are closely linked to this subject, alongside the challenge of maintaining reliable services outside dense city centres. The image fixes signage and branding within Bellefields Road, Brixton,South London, England, UK at one identifiable point, providing a benchmark against redevelopment. Other useful contextual ideas include urban graphics, place identity, passenger transport, public transport stop, public-realm art, period detail, bus infrastructure, and local mobility. Elements such as Brixton and London add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Bellefields Road, Brixton,South London, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene further reflects temporary works and the role of murals and stencils in giving creative districts a distinctive identity in a form that can be compared with future views of Bellefields Road, Brixton,South London, England, UK.
Bellefields Road, Brixton,South London, England, UK

Description
Keywords: Brixton,England,UK,Bellefields,Road,city,centre,One,love,luv,street,BRXTN,city,of,London,BlackPoppy,commemoration,commonwealth,soldier,soldiers,Bellefields Road,South London,Brixton London,city centre,City Of London,Black Poppy,The Black Poppy,Artful Dodger,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,London,Cockney,Cockneys,England,LDN,British,England,problem,with,problem with,issue with,art,artist,clever,fun,capital,city,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South London,Capital city
Description: Tony Smith image Alamy HK3HWX - . Photographed at Bellefields Road, Brixton,South London, England, UK in 2017, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Street art in Brixton London, England, UK. The broader subject matter reaches into public transport information, contemporary social history, public art, historical comparison, transport accessibility, changing land use, local history, social history, local bus network, urban artwork, before-and-after reference, place identity, community identity, and visual archive. For current editorial use, public art and temporary works provide additional context, especially through how temporary street art can become an important record of neighbourhood culture. Current relevance extends to bus service funding and passenger information, particularly through the importance of bus stops as the physical interface between passengers and public transport. As a dated visual record of Bellefields Road, Brixton,South London, England, UK, the frame retains lettering, decoration and surface detail, making it especially useful if refurbishment subsequently changes the scene. The location also brings in local character, regional identity, local mobility, documentary photography, passenger transport, urban graphics, bus route infrastructure, and public-realm art. The recorded references to London and Brixton preserve clues about how the subject was presented, used or understood at the time. A later view of Bellefields Road, Brixton,South London, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is public art and the blurred boundary between commissioned public art and unsanctioned graffiti when considered against later change at Bellefields Road, Brixton,South London, England, UK.
Bellefields Road, Brixton,South London, England, UK

Description
Keywords: Brixton,England,UK,Bellefields,Road,city,centre,One,love,luv,street,BRXTN,city,of,London,BlackPoppy,commemoration,commonwealth,soldier,soldiers,Bellefields Road,South London,Brixton London,city centre,City Of London,Black Poppy,The Black Poppy,Artful Dodger,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,London,Cockney,Cockneys,England,LDN,British,England,problem,with,problem with,issue with,art,artist,clever,fun,capital,city,Commonwealth,soldier,soldiers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South London,Capital city,Commonwealth Soldier,Commonwealth Soldiers
Description: Tony Smith image Alamy HK3J4E - . This location-specific image from Bellefields Road, Brixton,South London, England, UK in 2017 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The subject captured here is Street art in Brixton London, England, UK - The Black Poppy. The image also relates to stencil art, historical comparison, community art, roadside transit, changing land use, street-level design, urban graphics, urban artwork, roadside stop, temporary artwork, contemporary social history, changing streetscape, surface public transport, and public transport stop. From a 2025-onward perspective, creative districts and local identity are closely linked to this subject, alongside how regeneration can both promote and displace informal urban art. The wider contemporary story combines rural transport, local connectivity and the challenge of maintaining reliable services outside dense city centres. Small period details of local activity and public use at Bellefields Road, Brixton,South London, England, UK may become more significant with time, particularly following later reinterpretation. The subject also sits alongside local character, public art, visual street culture, archival record, street-side transport, graffiti heritage, transport accessibility, and regional identity. References to Brixton, Poppy, Black, and London give the picture a strong period identity and tie it closely to its named subject. Around Bellefields Road, Brixton,South London, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is creative districts and how regeneration can both promote and displace informal urban art without losing the local specificity of Bellefields Road, Brixton,South London, England, UK. The view records period character for later comparison.
Bellefields Road, Brixton,South London, England, UK

Description
Keywords: Brixton,England,UK,Bellefields,Road,city,centre,One,love,luv,street,BRXTN,city,of,London,Bellefields Road,South London,Brixton London,city centre,City Of London,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,London,Cockney,Cockneys,England,LDN,British,England,problem,with,problem with,issue with,art,artist,clever,fun,capital,city,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South London,Capital city
Description: Tony Smith image Alamy HK3JED - . Photographed at Bellefields Road, Brixton,South London, England, UK in 2017, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The subject captured here is Street art in Brixton London, England, UK. The wider scene also brings together stencil art, documentary photography, historical comparison, public realm, roadside stop, mural culture, before-and-after reference, creative placemaking, everyday life, bus infrastructure, bus route infrastructure, urban graphics, public-realm art, and place identity. For current editorial use, gentrification and public art provide additional context, especially through the blurred boundary between commissioned public art and unsanctioned graffiti. Current relevance extends to bus service funding and decarbonisation, particularly through the importance of bus stops as the physical interface between passengers and public transport. The archival value lies partly in recording street furniture and boundaries around Bellefields Road, Brixton,South London, England, UK before redevelopment alters the character of the place. The surrounding story also includes local character, surface public transport, period detail, public transport stop, regional identity, street creativity, community art, and local history. Details involving London and Brixton make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Bellefields Road, Brixton,South London, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of gentrification and the role of murals and stencils in giving creative districts a distinctive identity in a form that can be compared with future views of Bellefields Road, Brixton,South London, England, UK.
Bellefields Road, Brixton,South London, England, UK

Description
Keywords: Brixton,England,UK,Road,city,centre,luv,street,BRXTN,city,of,London,block,blocks,square,squares,Bellefields Road,South London,Brixton London,city centre,City Of London,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,London,Cockney,Cockneys,England,LDN,British,England,problem,with,problem with,issue with,art,artist,clever,fun,capital,city,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South London,Capital city
Description: Tony Smith image Alamy HK3K0E - . This dated editorial view of Bellefields Road, Brixton,South London, England, UK in 2017 captures more than the immediate subject, retaining clues about local use, design, activity and change. The frame specifically shows Street art in Brixton London, England, UK. The subject also carries associations with local history, changing streetscape, public transport information, visual street culture, creative placemaking, community art, before-and-after reference, urban artwork, public art, everyday life, urban graphics, social history, roadside stop, and local bus network. The modern context includes continuing discussion of graffiti policy, regeneration and the role of murals and stencils in giving creative districts a distinctive identity. For current editorial use, bus service funding and accessibility provide additional context, especially through the challenge of maintaining reliable services outside dense city centres. The archival value lies partly in recording lettering, decoration and surface detail around Bellefields Road, Brixton,South London, England, UK before new ownership alters the character of the place. Further associations within the scene are changing land use, documentary photography, bus infrastructure, roadside transit, visual archive, community identity, local character, and contemporary mural. Details involving London and Brixton make the image more specific than a generic view and strengthen its local or historical value. A later view of Bellefields Road, Brixton,South London, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects graffiti policy and how temporary street art can become an important record of neighbourhood culture within the real-world context of Bellefields Road, Brixton,South London, England, UK. The photograph keeps a trace of local identity for later comparison.
Bellefields Road, Brixton,South London, England, UK

Description
Keywords: Brixton,England,UK,Road,city,centre,One,love,luv,street,city,of,London,word,words,Bellefields Road,South London,city centre,City Of London,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,London,Cockney,Cockneys,England,LDN,British,England,problem,with,problem with,issue with,art,artist,clever,fun,capital,city,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South London,Capital city
Description: Tony Smith image Alamy HK3M77 - . This location-specific image from Bellefields Road, Brixton,South London, England, UK in 2017 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The principal subject is Street art in Brixton London, England, UK. The broader subject matter reaches into temporary artwork, place identity, contemporary mural, community art, bus route infrastructure, before-and-after reference, public transport information, urban artwork, local character, community identity, street-level design, stencil art, archival record, and graffiti heritage. From a 2025-onward perspective, temporary works and public art are closely linked to this subject, alongside how regeneration can both promote and displace informal urban art. The wider contemporary story combines rural transport, integrated transport and the challenge of maintaining reliable services outside dense city centres. The archival value lies partly in recording materials and architectural details around Bellefields Road, Brixton,South London, England, UK before altered transport patterns alters the character of the place. The location also brings in local bus network, contemporary social history, period detail, public transport stop, changing land use, mural culture, bus infrastructure, and roadside transit. References to Brixton and London give the picture a strong period identity and tie it closely to its named subject. The wider setting at Bellefields Road, Brixton,South London, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene further reflects temporary works and the role of murals and stencils in giving creative districts a distinctive identity as part of the longer story of Bellefields Road, Brixton,South London, England, UK. The view records a point of historical comparison before later change alters the scene.
Bellefields Road, Brixton,South London, England, UK

Description
Keywords: Brixton,England,UK,Road,city,centre,One,love,luv,street,city,of,London,word,words,Bellefields Road,South London,city centre,City Of London,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,London,Cockney,Cockneys,England,LDN,British,England,problem,with,problem with,issue with,art,artist,clever,fun,capital,city,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South London,Capital city
Description: Tony Smith image Alamy HK3MEF - . This scene at Bellefields Road, Brixton,South London, England, UK in 2017 forms part of the visual story.htm Target=_Blank>history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Street art in Brixton London, England, UK. A broader reading of the photograph includes surface public transport, everyday life, changing land use, contemporary social history, local character, mural culture, roadside stop, public art, creative placemaking, temporary artwork, archival record, graffiti heritage, visual street culture, and bus infrastructure. In present-day coverage, the subject reaches into public art and temporary works, not least because of the blurred boundary between commissioned public art and unsanctioned graffiti. Today's relevance is strengthened by decarbonisation, accessibility and the continuing question of how local bus services affect access to work, education and healthcare. The image fixes lettering, decoration and surface detail within Bellefields Road, Brixton,South London, England, UK at one identifiable point, providing a benchmark against replacement signage. The surrounding story also includes public realm, regional identity, passenger transport, local history, local mobility, local bus network, visual archive, and contemporary mural. The recorded references to Brixton and London preserve clues about how the subject was presented, used or understood at the time. The wider setting at Bellefields Road, Brixton,South London, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to public art and the blurred boundary between commissioned public art and unsanctioned graffiti as part of the longer story of Bellefields Road, Brixton,South London, England, UK. The scene captures details of everyday use as part of Bellefields Road, Brixton,South London, England, UK's history.
Bellefields Road, Brixton,South London, England, UK

Description
Keywords: Brixton,England,UK,Road,city,centre,luv,street,BRXTN,girl,baloon,artwork,art,work,door,fire,exit,city,of,London,Bellefields Road,South London,Brixton London,city centre,One Love street,girl with balloon,City Of London,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,London,Cockney,Cockneys,England,LDN,British,England,problem,with,problem with,issue with,art,artist,clever,fun,capital,city,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,South London,Capital city
Description: Tony Smith image Alamy HK3MPA - . An on-location photograph from Bellefields Road, Brixton,South London, England, UK in 2017, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The scene records Street art in Brixton London, England, UK - One Love street girl with balloon. The wider scene also brings together changing streetscape, street creativity, public art, community identity, visual street culture, roadside transit, urban artwork, public-realm art, passenger transport, local history, roadside stop, contemporary mural, regional identity, and contemporary social history. Viewed from the mid-2020s, the subject also connects with local identity, temporary works and how regeneration can both promote and displace informal urban art. The modern context includes continuing discussion of passenger information, bus service funding and how local bus services affect access to work, education and healthcare. The image fixes public access and movement within Bellefields Road, Brixton,South London, England, UK at one identifiable point, providing a benchmark against changed technology. The location also brings in street-side transport, historical comparison, community art, stencil art, local bus network, graffiti heritage, urban graphics, and place identity. Elements such as balloon, London, and Brixton add documentary specificity and may become increasingly useful when compared with later records. For Bellefields Road, Brixton,South London, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is local identity and the blurred boundary between commissioned public art and unsanctioned graffiti within the specific setting of Bellefields Road, Brixton,South London, England, UK. It also preserves details of everyday use as a date-specific reference.
Bellefields Road, Brixton,South London, England, UK

Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,at Night,night,dusk,North London,London,North,England,UK,seedy,Camden Lock Village,Camden Lock,Village,Regents,Canal,Camden Lock,market,trendy,funky,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,at night,Camden at night,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6CY - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK

Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,Camden,at Night,night,dusk,North London,London,North,England,UK,seedy,Camden Lock,Village,Regents,Canal,Camden Lock market,Camden Lock,market,trendy,funky,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Underground,station,transport,transit,at night,Camden at night,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6D6 - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK

Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,Camden Town,Camden,at Night,night,dusk,North London,London,North,England,UK,seedy,Alternative Culture,Camden Lock Village,Camden Lock,Village,Regents,Canal,Camden Lock market,Camden Lock,market,trendy,funky,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Burton Ales,at night,Camden at night,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6DD - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK

Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,Camden Town,Camden,night,dusk,North London,London,England,UK,seedy,Alternative Culture,Camden Lock Village,Camden Lock,Village,Regents,Canal,Camden Lock market,Camden Lock,market,trendy,funky,pubs,bar,bars,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,at night,Camden at night,boozer,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6DP - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK

Description
Keywords: City,Centre,City Centre,mojo,groove,Camden,at Night,night,dusk,North London,London,North,England,UK,Camden Lock Village,Camden Lock,Village,Regents,Canal,Camden Lock,market,trendy,funky,Town,at,North,London,England,UK,shut,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,at night,Camden at night,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6DY - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK

Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,Camden Town,Camden,at Night,night,dusk,North London,London,North,England,UK,seedy,Camden Lock Village,Village,Regents,Canal,Camden Lock market,Camden Lock,funky,243,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6E6 - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK

Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,Camden Town,Camden,at Night,night,dusk,North London,London,North,England,UK,seedy,Alternative Culture,Camden Lock Village,Camden Lock,Village,Regents,Canal,Camden Lock market,Camden Lock,market,trendy,funky,shoes,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6ET - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK

Description
Keywords: City,Centre,City Centre,fashion,mojo,at Night,night,dusk,North London,London,North,England,UK,seedy,Camden Lock Village,Camden Lock,Village,Regents,Canal,Camden Lock,trendy,funky,Camden Market at Night,Camden Market,at,Night,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,at night,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6HH - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK

Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,at Night,North London,London,North,England,UK,seedy,Alternative Culture,Camden Lock Village,Village,Regents,Canal,Camden Lock market,Camden Lock,market,trendy,funky,lock,market,Lock and Market,pano,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,at,night,at night,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6HW - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK

Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,Camden,at Night,night,dusk,North London,London,North,England,UK,seedy,Alternative Culture,Camden Lock Village,Camden Lock,Village,Regents,Canal,Camden Lock market,market,trendy,funky,Pub,The,dusk,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6J2 - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK

Description
Keywords: Lines,rail,railways,good,transit,Overground,Underground,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6JE - . This scene at Embankment, London, England, UK in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The frame specifically shows Good Service on all London Transport Lines, TfL, integrated city transport, England, UK. Another layer of the photograph includes local mobility, street-side transport, roadside transit, before-and-after reference, regional identity, bus infrastructure, public realm, bus route infrastructure, surface public transport, changing streetscape, contemporary social history, passenger transport, transport accessibility, and archival record. For current editorial use, accessibility and local connectivity provide additional context, especially through the challenge of maintaining reliable services outside dense city centres. As a dated visual record of Embankment, London, England, UK, the frame retains period objects and surrounding context, making it especially useful if new ownership subsequently changes the scene. The subject also sits alongside historical comparison, changing land use, local bus network, public transport information, public transport stop, everyday life, place identity, and visual archive. References to integrated, London, Lines, Transport, and Service give the picture a strong period identity and tie it closely to its named subject. The period setting at Embankment, London, England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes accessibility and the challenge of maintaining reliable services outside dense city centres without losing the local specificity of Embankment, London, England, UK. The record includes a trace of local identity as a date-specific reference. The frame retains a local visual benchmark for later comparison.
Embankment, London, England, UK

Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,174,dusk,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6KE - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England

Description
Keywords: England,UK,at,House,Sea,Containers,reflection,city,centre,city centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6KM - Sea Containers House is located towards the eastern end of London's South Bank cultural area, and is within the London Borough of Southwark. A continuous river-side walkway, actually part of the Thames Path, passes in front of and below the building, and links it with near river-side attractions such as the Festival Hall, the National Theatre, the Tate Modern, the Oxo Tower and the Globe Theatre.
South bank of Thames,London,England,UK

Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,ornate,interior ceiling,interior,ceiling,design,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6M8 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England

Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Seize Occasion,Seize,Occasion,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6MF - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England

Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Wisdom Is Rare,Wisdom,Is,Rare,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6MJ - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England

Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Finery Is Foolery,Finery,Is,Foolery,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6N3 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England

Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,A,good,thing,is,soon,snatched,up,inside,interior,Henry Poole,Herbert Fuller-Cla,A good thing is soon snatched up,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Art Nouveau,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6P2 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England

Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Industry Is All,Industry,Is,All,interior,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6PK - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England

Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,saloon bar,174,drinkers,outside,exterior,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6RB - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England

Description
Keywords: city,centre,England,LU,LT,Black,Friars,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6RF - . Made at Blackfriars, London, England, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Blackfriars Tube Station, London City Centre,England,UK. Further facets of the scene include social history, community identity, archival record, local character, documentary photography, bus route infrastructure, public transport stop, everyday life, street-side transport, surface public transport, bus infrastructure, before-and-after reference, period detail, and contemporary social history. Current relevance extends to accessibility and local connectivity, particularly through the importance of bus stops as the physical interface between passengers and public transport. Small period details of street furniture and boundaries at Blackfriars, London, England, UK may become more significant with time, particularly following changed technology. The photograph additionally reflects transport accessibility, public transport information, visual archive, public realm, changing land use, local mobility, passenger transport, and regional identity. Details involving Blackfriars, Centre, London, and Station make the image more specific than a generic view and strengthen its local or historical value. A later view of Blackfriars, London, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes accessibility and the importance of bus stops as the physical interface between passengers and public transport as part of the longer story of Blackfriars, London, England, UK. Another strand within the photograph is local connectivity and how local bus services affect access to work, education and healthcare when considered against later change at Blackfriars, London, England, UK.
Blackfriars, London, England, UK

Description
Keywords: City,Centre,transit,City Centre transit,transport,City Centre Transport,Circle Line,Circle Line Train,passengers,London underground,England,UK,LU,Westminster,platform,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6RJ - . Recorded at Westminster,London,England,UK in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on Circle Line Train and passengers,London underground,England,UK. The surrounding context encompasses everyday life, public realm, transport accessibility, archival record, local history, visual archive, public transport stop, local bus network, public transport information, street-side transport, roadside transit, local mobility, bus infrastructure, and community identity. The modern context includes continuing discussion of integrated transport, decarbonisation and the challenge of maintaining reliable services outside dense city centres. As a dated visual record of Westminster,London,England,UK, the frame retains period objects and surrounding context, making it especially useful if new construction subsequently changes the scene. The photograph additionally reflects surface public transport, place identity, passenger transport, period detail, changing streetscape, regional identity, documentary photography, and roadside stop. The combination of Train, passengers, underground, Circle, and London anchors the frame to a recognisable activity, place or moment. By fixing the subject within Westminster,London,England,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is integrated transport and the shift toward cleaner buses and integrated ticketing within the real-world context of Westminster,London,England,UK. The setting also helps illustrate local connectivity and the challenge of maintaining reliable services outside dense city centres within the specific setting of Westminster,London,England,UK. The photograph keeps a local visual benchmark for future local research.
Westminster,London,England,UK

Description
Keywords: 6,six,Oyster,London,West London,offpeak,off,peak,fare,estate,agent,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6TN - . Made at Surbiton, Kingston, West London, England, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Surbiton Railway Station,SW Trains, West London, England,UK fare zone six. The broader subject matter reaches into documentary photography, roadside stop, bus infrastructure, regional identity, public transport stop, social history, archival record, local character, street-side transport, transport accessibility, local bus network, local history, roadside transit, and everyday life. Today's relevance is strengthened by local connectivity, passenger information and the continuing question of how local bus services affect access to work, education and healthcare. As a dated visual record of Surbiton, Kingston, West London, England, UK, the frame retains equipment and working practice, making it especially useful if changing commercial priorities subsequently changes the scene. Other useful contextual ideas include changing land use, public realm, surface public transport, contemporary social history, visual archive, bus route infrastructure, changing streetscape, and local mobility. References to Trains, Station, London, Surbiton, and Railway give the picture a strong period identity and tie it closely to its named subject. Around Surbiton, Kingston, West London, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is local connectivity and how local bus services affect access to work, education and healthcare when considered against later change at Surbiton, Kingston, West London, England, UK. The period view preserves details of everyday use as part of Surbiton, Kingston, West London, England, UK's history.
Surbiton, Kingston, West London, England, UK

Description
Keywords: Hipster,art,deco,artdeco,Surbiton,Railway Station,West London,England,UK,building,within M25,within,M25,taxi,Uber,Surbiton Station,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6W3 - . Recorded at Surbiton, Kingston, West London, England, UK in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records Bus stop outside Surbiton Railway Station,SW Trains, West London, England,UK and bus transport links. The wider scene also brings together regional identity, roadside stop, local character, changing land use, documentary photography, local mobility, place identity, transport accessibility, changing streetscape, passenger transport, street-side transport, community identity, public transport stop, and local history. Today's relevance is strengthened by passenger information, rural transport and the continuing question of the shift toward cleaner buses and integrated ticketing. Small period details of public access and movement at Surbiton, Kingston, West London, England, UK may become more significant with time, particularly following new ownership. The wider setting retains connections with everyday life, surface public transport, roadside transit, contemporary social history, visual archive, bus route infrastructure, historical comparison, and before-and-after reference. Details involving Trains, outside, Railway, Station, and links make the image more specific than a generic view and strengthen its local or historical value. Around Surbiton, Kingston, West London, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate passenger information and the shift toward cleaner buses and integrated ticketing in a form that can be compared with future views of Surbiton, Kingston, West London, England, UK. The image also provides a reference for passenger information and how local bus services affect access to work, education and healthcare within the real-world context of Surbiton, Kingston, West London, England, UK.
Surbiton, Kingston, West London, England, UK

Description
Keywords: Hipster,art,deco,West London,England,UK,building,architecture,within M25,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6WD - . This dated editorial view of Surbiton, Kingston, West London, England, UK in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. At the centre of the view is Surbiton Railway Station,SW Trains, West London, England,UK. The subject also carries associations with contemporary social history, bus infrastructure, public transport stop, local character, public realm, regional identity, period detail, public transport information, local mobility, local bus network, changing land use, documentary photography, street-side transport, and changing streetscape. Today's relevance is strengthened by decarbonisation, passenger information and the continuing question of how local bus services affect access to work, education and healthcare. Small period details of equipment and working practice at Surbiton, Kingston, West London, England, UK may become more significant with time, particularly following changed technology. The photograph additionally reflects place identity, bus route infrastructure, surface public transport, transport accessibility, community identity, passenger transport, archival record, and everyday life. The recorded references to Railway, Station, Surbiton, London, and Trains preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Surbiton, Kingston, West London, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is decarbonisation and the shift toward cleaner buses and integrated ticketing in a form that can be compared with future views of Surbiton, Kingston, West London, England, UK. The setting also helps illustrate local connectivity and the importance of bus stops as the physical interface between passengers and public transport within the real-world context of Surbiton, Kingston, West London, England, UK.
Surbiton, Kingston, West London, England, UK

Description
Keywords: Railway,rail,travel,transit,tourist,your,quality,local,Surrey,Comet,kiosk,West London,England,UK,west,London,LDN,Kingston,SW Trains,South west trains,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6X3 - Surbiton is a suburban area of south-west London within the Royal Borough of Kingston upon Thames. It is situated next to the River Thames, 11.0 miles south west of central London. Surbiton was formerly within the County of Surrey, but became part of Greater London in 1965 following the London Government Act 1963, together with many areas including neighbouring Kingston and Richmond.
Surbiton possesses a mixture of Art-Deco courts, more recent residential blocks and grand 19th century townhouses blending into a sea of semi-detached 20th century housing estates.
The present-day town came into existence after a plan to build a London-Southampton railway line through nearby Kingston was rejected by Kingston Council, who feared that it would be detrimental to the coaching trade. This resulted in the line being routed further south, through a cutting in the hill south of Surbiton. Surbiton railway station opened in 1838, and was originally named Kingston-upon-Railway. It was only renamed Surbiton to distinguish it from the new Kingston railway station on the Shepperton branch line, which opened on 1 January 1869. The present station has an art deco façade.
As a result, Kingston is now on a branch line, whereas passengers from Surbiton (smaller in comparison) can reach London Waterloo in about 15 minutes on a fast direct service
as well as places further afield, including Portsmouth and Southampton.
It was once home to Surbiton Studios which were owned by Stoll Pictures, before the company shifted its main production to Cricklewood Studios.
Surbiton Station, West London, England,UK

Description
Keywords: South,West,Trains,TOC,South West Trains,franchise,zone6,xone,six,6,artdeco,suburban,Platform 3,Kingston,West London,England,UK,London,Surbiton Station,BR,building,Waiting Room,Fare,Fare zone6,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6XD - . A grounded documentary photograph made at Surbiton,Kingston,London,England,UK in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Surbiton Railway Station Waiting Room on Platform 3, Kingston,West London,England,UK. The image also relates to roadside transit, public transport information, historical comparison, street-side transport, community identity, local bus network, archival record, changing land use, documentary photography, place identity, roadside stop, social history, public realm, and local character. The wider contemporary story combines local connectivity, passenger information and the shift toward cleaner buses and integrated ticketing. For later comparison, the photograph preserves signage and branding at Surbiton,Kingston,London,England,UK, details that may look very different after different community use. The subject also sits alongside everyday life, regional identity, bus route infrastructure, before-and-after reference, public transport stop, changing streetscape, local history, and transport accessibility. The combination of Platform, Station, London, Railway, and Surbiton anchors the frame to a recognisable activity, place or moment. The period setting at Surbiton,Kingston,London,England,UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate local connectivity and the shift toward cleaner buses and integrated ticketing in a form that can be compared with future views of Surbiton,Kingston,London,England,UK. The image also provides a reference for local connectivity and how local bus services affect access to work, education and healthcare within the real-world context of Surbiton,Kingston,London,England,UK. The image fixes a local visual benchmark before later change alters the scene.
Surbiton,Kingston,London,England,UK

Description
Keywords: LDN,Comedy,South West Trains,TOC,Stagecoach,railway,BR,display,British Railways,Clapham Junction,Waterloo,Jingle Bells,UK,GB,fun,Train Operating Company,station,platform,deck the halls,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6Y6 - London train stations have been given a festive makeover with a series of Christmas puns.
South West Trains made the change to celebrate the coming of the Christmas holidays and provide some much-needed cheer to long-suffering London commuters.
Delighted passengers have been sharing pictures and video of the new names, which include London Winterloo and Deck the Vauxhall.
Other highlights included Three Kingston, New Mald-wine and Raynesdeer Park
Surbiton,Greater London,England,UK

Description
Keywords: LDN,Comedy,South West Trains,TOC,Stagecoach,railway,BR,display,British Railways,Clapham Junction,Waterloo,Jingle Bells,UK,GB,fun,Train Operating Company,station,platform,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6YN - London train stations have been given a festive makeover with a series of Christmas puns.
South West Trains made the change to celebrate the coming of the Christmas holidays and provide some much-needed cheer to long-suffering London commuters.
Delighted passengers have been sharing pictures and video of the new names, which include London Winterloo and Deck the Vauxhall.
Other highlights included Three Kingston, New Mald-wine and Raynesdeer Park
Surbiton,Greater London,England,UK

Description
Keywords: LDN,Comedy,South West Trains,TOC,Stagecoach,railway,BR,display,British Railways,Clapham Junction,Waterloo,Jingle Bells,UK,GB,fun,Train Operating Company,station,platform,Jingle,bells,London winterloo,Surrey,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ709 - London train stations have been given a festive makeover with a series of Christmas puns.
South West Trains made the change to celebrate the coming of the Christmas holidays and provide some much-needed cheer to long-suffering London commuters.
Delighted passengers have been sharing pictures and video of the new names, which include London Winterloo and Deck the Vauxhall.
Other highlights included Three Kingston, New Mald-wine and Raynesdeer Park
Surbiton,Greater London,England,UK

Description
Keywords: red,railway,railways,rail,rails,TOC,train operating company,SouthWest,train,SouthWest Trains,night,dusk,evening,morning,door,open,door open,England,UK,platform,late,on time,ontime,on,time,punctual,Waterloo,station,Ready To Depart,Waterloo Station,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ718 - . This location-specific image from Waterloo,London,England,UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The principal subject is South West train, ready to depart at dusk, London, England,UK. The image also relates to historical comparison, changing streetscape, documentary photography, public transport information, public realm, bus infrastructure, visual archive, bus route infrastructure, changing land use, roadside stop, period detail, community identity, roadside transit, and public transport stop. In present-day coverage, the subject reaches into decarbonisation and accessibility, not least because of the shift toward cleaner buses and integrated ticketing. Future viewers can use this scene from Waterloo,London,England,UK to compare commercial use and occupation with whatever follows after new ownership. A second descriptive layer includes transport accessibility, surface public transport, archival record, local character, local mobility, place identity, local bus network, and regional identity. References to London, ready, depart, and train give the picture a strong period identity and tie it closely to its named subject. The wider setting at Waterloo,London,England,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate decarbonisation and how local bus services affect access to work, education and healthcare within the specific setting of Waterloo,London,England,UK. The image also provides a reference for accessibility and the shift toward cleaner buses and integrated ticketing as part of the longer story of Waterloo,London,England,UK. Another useful connection is accessibility and the challenge of maintaining reliable services outside dense city centres when considered against later change at Waterloo,London,England,UK.
Waterloo,London,England,UK

Description
Keywords: Winterloo,Concourse,transit,railway,mainline,SW,trains,SW Trains,South West Trains,tree,Xmas,delays,maintenance,repair,repairs,Boots,retail,people,concession,concessions,integrated,transport,station,Central London,England UK,LDN,London,capital,city,capital city,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Central London,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEJ71N - . Photographed at Waterloo, London, England,UK in 2016, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The defining feature is Waterloo Station, London at Christmas,December, Central London,England UK. The setting additionally reflects community identity, timekeeping technology, analogue timekeeping, regional identity, mechanical movement, public realm, watch dial typography, horological history, visual archive, everyday life, social history, collectable watch, before-and-after reference, and watch collector interest. For current editorial use, manufacturing history and analogue technology provide additional context, especially through the renewed interest in repairable mechanical watches amid disposable electronics. Future viewers can use this scene from Waterloo, London, England,UK to compare materials and architectural details with whatever follows after changing commercial priorities. The wider setting retains connections with contemporary social history, watchmaking heritage, vintage timepiece, documentary photography, changing streetscape, changing land use, period watch dial, and mechanical watchmaking. Elements such as Christmas, December, London, Waterloo, and Station add documentary specificity and may become increasingly useful when compared with later records. For Waterloo, London, England,UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is manufacturing history and the renewed interest in repairable mechanical watches amid disposable electronics within the real-world context of Waterloo, London, England,UK. The setting also helps illustrate second-hand markets and how watches preserve industrial design and national manufacturing history within the specific setting of Waterloo, London, England,UK.
Waterloo, London, England,UK

Description
Keywords: England,UK,LDN,sign,Tube,sign,mother,of,all,big,ben,politics,political,iconic,icon,London Icon,Tube Sign,Big Ben,GoTonySmith,@HotpixUK,Tony,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,Buy Pictures of,Images of,Stock Images,Tony Smith,United Kingdom
Description: Tony Smith image Alamy HGC83C - . An identifiable period record of Westminster, London, England,UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The scene records Westminster, icons of London, The Underground and Houses of parliament, England,UK. The subject also carries associations with street furniture, public-facing notice, visual archive, route marker, regional identity, wayfinding marker, period detail, before-and-after reference, public information signage, instructional sign, navigation aid, community noticeboard, local history, and local information board. Current relevance extends to transport information and local identity, particularly through how signs record changing road names, destinations and administrative responsibility. The image fixes public access and movement within Westminster, London, England,UK at one identifiable point, providing a benchmark against refurbishment. The photograph additionally reflects archival record, social history, documentary photography, everyday life, orientation signage, contemporary social history, changing land use, and local character. The combination of Underground, London, icons, parliament, and Houses anchors the frame to a recognisable activity, place or moment. The wider setting at Westminster, London, England,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is transport information and how signs record changing road names, destinations and administrative responsibility without losing the local specificity of Westminster, London, England,UK. The scene further reflects transport information and the need for accessible information that works without digital technology in a form that can be compared with future views of Westminster, London, England,UK. Image HGC83C also remains a dated record of Westminster, London, England,UK.
Westminster, London, England,UK

Description
Keywords: time,nighttime,night,dusk,shot,over,the,Thames,LDN,London,England,with,traditional,black,taxi,cab,cabby,delay,delayed,repair,transport,history,historic,diversion,restriction,A100,disruption,Capital,City,raise,Tower Bridge,Night repairs,traffic jam,over the Thames,Congestion Charge zone,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,TFL,planning,major,essential,maintenance,works,2016,2017,travel,icon,iconic,Congestion,Charge,zone,raised,open,opened,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of,Tower Bridge closure,Tower Bridge Road,Temporary restrictions
Description: Tony Smith image Alamy H3F0D4 - . Tower Bridge Night repairs and opening traffic jam, over the Thames, London, England, with traditional black taxi cab. Photographed on 1 October 2016. The recorded location is Tower Bridge, Tower Bridge Road,London, England SE1 2UP. The City of London Corporation is planning major essential maintenance works to Tower Bridge from Saturday 1 October to Friday 30 December 2016. As background, architecture records the priorities of the period in which a building was designed: materials, ornament, scale and planning can reveal changing technologies, social status and commercial use
Later alterations and changes of tenant add further layers, so a single façade can embody several phases of local history. The wider historical story is that britain's road landscape has accumulated layers of transport history: old milestones and cast signs coexist with speed limits, parking controls, motorway infrastructure and electronic traffic management
Such details reveal how movement and road safety have been regulated over time. In the longer view, seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. Against the 2026 backdrop, the reuse of existing buildings is increasingly discussed alongside conservation, embodied carbon and town-centre regeneration
Images of older façades and converted premises can therefore illustrate both architectural heritage and the practical pressures of adapting buildings for new uses. In the present 2026 context, congestion, road safety and decarbonisation remain prominent transport issues
Historic signs, traffic jams and older road infrastructure therefore work both as location records and as evidence of how the road network and travel behaviour have changed.
Tower Bridge, Tower Bridge Road,London, England SE1 2UP

Description
Keywords: Hill,city,central,London,LDN,public,transport,transit,mass,private,privatised,regulated,deregulated,Boris,AEC,doors,door,Wrightbus,Heatherwick,London red bus,Red Routemaster,59 Streatham Hill,Streatham Hill,Public Transport,mass transit,New Bus for London,Boris Bus,AEC Routemaster,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,FRM,XRM,studio,studios,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HGC82D - . Recorded at Euston Road, London, England, UK in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The location is represented through New Red London Routemaster Bus,. The wider scene also brings together historical comparison, period detail, local bus network, public transport stop, changing streetscape, transport accessibility, everyday life, public realm, roadside stop, roadside transit, contemporary social story.htm Target=_Blank>history, changing land use, visual archive, and before-and-after reference. The wider contemporary story combines integrated transport, decarbonisation and the challenge of maintaining reliable services outside dense city centres. For later comparison, the photograph preserves lettering, decoration and surface detail at Euston Road, London, England, UK, details that may look very different after redevelopment. The photograph additionally reflects public transport information, bus route infrastructure, surface public transport, community identity, regional identity, street-side transport, bus infrastructure, and local history. The recorded references to Routemaster and London preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Euston Road, London, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is integrated transport and the shift toward cleaner buses and integrated ticketing within the specific setting of Euston Road, London, England, UK. The setting also helps illustrate rural transport and the importance of bus stops as the physical interface between passengers and public transport as part of the longer story of Euston Road, London, England, UK. The image fixes evidence of changing use as part of Euston Road, London, England, UK's history.
Euston Road, London, England, UK

Description
Keywords: Hill,city,central,London,LDN,public,transport,transit,mass,private,privatised,regulated,deregulated,Boris,AEC,doors,door,London red bus,Red Routemaster,59 Streatham Hill,Streatham Hill,Public Transport,mass transit,New Bus for London,Boris Bus,AEC Routemaster,Heatherwick Studio,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HGC82M - . This authentic period view of Euston Road, London, England, UK in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The photograph centres on Red London New red Routemaster 59 to Streatham Hill. The wider scene also brings together everyday life, social history, place identity, regional identity, surface public transport, local history, before-and-after reference, bus route infrastructure, roadside transit, archival record, local mobility, roadside stop, contemporary social history, and historical comparison. For current editorial use, bus service funding and rural transport provide additional context, especially through the shift toward cleaner buses and integrated ticketing. The archival value lies partly in recording landscape treatment and surrounding development around Euston Road, London, England, UK before redevelopment alters the character of the place. The photograph additionally reflects public realm, local character, local bus network, bus infrastructure, passenger transport, documentary photography, public transport stop, and changing streetscape. The combination of London, Routemaster, and Streatham anchors the frame to a recognisable activity, place or moment. For Euston Road, London, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate bus service funding and the shift toward cleaner buses and integrated ticketing without losing the local specificity of Euston Road, London, England, UK. The image also provides a reference for bus service funding and the challenge of maintaining reliable services outside dense city centres in a form that can be compared with future views of Euston Road, London, England, UK. The record includes part of the area's social history for future local research.
Euston Road, London, England, UK

Description
Keywords: concourse,North,LDN,London,network,rail,BR,British,Rail,cost,costs,refurbishment,improved,improvement,poor,slow,expensive,infrastructure,tax,taxation,back,state,ownership,shareowner,shareowners,government,control,private,sector,owners,ownership,public,transport,British Rail,Britishrail,passenger,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,busy,crowd,crowded,midland,LondonMidland,Overground,infrastructure,report,network,service,fragmentation,investment,subsidy,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,London Midland,rail infrastructure
Description: Tony Smith image Alamy H04G10 - . Photographed at Euston,London,England in 2016, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The frame specifically shows Euston railway station departure board and concourse, North London, England, UK. The image also relates to everyday life, mechanical signalling, rail corridor, local mobility, signal-box architecture, community identity, regional identity, place identity, public-transport wayfinding, street-side transport, local history, freight wagon, changing land use, and industrial railway. Viewed from the mid-2020s, the subject also connects with station investment, rail reform and how Crewe's identity remains tied to railway engineering and operations. The modern context includes continuing discussion of service frequency, reliability and the shift toward cleaner vehicles and integrated ticketing. For later comparison, the photograph preserves street furniture and boundaries at Euston,London,England, details that may look very different after later reinterpretation. The location also brings in station environment, public realm, archival record, contemporary social history, passenger information, historical comparison, changing streetscape, and public transport stop. Elements such as concourse, station, railway, Euston, and departure add documentary specificity and may become increasingly useful when compared with later records. A later view of Euston,London,England may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes station investment and the contrast between mechanical railway systems and digital signalling as part of the longer story of Euston,London,England. It also preserves a trace of local identity for later comparison. The photograph keeps a local visual benchmark within the wider story of Euston,London,England.
Euston,London,England

Description
Keywords: Old,Bond,St,street,London,LDN,W1,red,by,appointment,to,her,majesty,the,queen,Tobacconists,ltd,container,special,tobacco,fag,fags,smoking,on,aircraft,flights,ban,super,Virginia,inflight,Old Bond St,Smoking Ban,smoking on flights,smoking on planes,British European Airways,Inflight Smoking,GoTonySmith,Heathrow,no,smoking,flight,flying,NoSmoking,free,SmokeFree,allowed,onboard,on-board,fine,fined,Buy Pictures of,Buy Images Of,smoking on aircraft,No Smoking,Smoking Allowed,Smoke Free,Smokers Welcome,tobacco company
Description: Tony Smith image Alamy F7DC86 - BEA operated to Europe, North Africa and the Middle East from airports around the United Kingdom. The airline was also the largest UK domestic operator, serving major British cities, including London, Manchester, Glasgow, Edinburgh and Belfast, as well as remote areas of the British Isles such as the Highlands and Islands of Scotland, the Channel Islands and the Isle of Man. From 1946 until 1974, BEA operated a network of internal German routes between West Berlin and West Germany as well.
Formed as the British European Airways division of British Overseas Airways Corporation (BOAC) on 1 January 1946, BEA became a crown corporation in its own right on 1 August 1946.
Inflight smoking is prohibited by almost all airlines
smoking on domestic U.S. airliners, for instance, was banned for almost all routes beginning in 1988, with all planes being smoke-free by the end of the 1990s. According to FAA regulations, smoking lit cigarettes or anything else that produces smoke or flame is prohibited onboard most commercial aircraft. However, the FAA has not issued a regulation for or against electronic cigarettes, leaving that decision up to the individual airlines
Heathrow, England, UK

Description
Keywords: Road,GLC,night,nightshot,lit,bright,architecture,art,attraction,venue,culture,entertainment,show,theatreland,tourist,travel,west,Lambeth,Greater,London,England,UK,LDN,United,Kingdom,cut,the,station,Royal,Coburg,Victoria,Hall,Grade,II*,listed,buildings,GoTonySmith,Buy Images Of,iconic,Artistic director
Description: Tony Smith image Alamy F7DFEA - The Old Vic is a theatre located just south-east of Waterloo Station in London on the corner of The Cut and Waterloo Road. Established in 1818 as the Royal Coburg Theatre, it was taken over by Emma Cons in 1880 when it was known formally as the Royal Victoria Hall. In 1898, a niece of Cons, Lilian Baylis assumed management and began a series of Shakespeare productions in 1914. The building was damaged in 1940 during air raids and it became a Grade II* listed building in 1951 after it reopened.
It was also the name of a repertory company that was based at the theatre and formed the core of the National Theatre of Great Britain on its formation in 1963, under Laurence Olivier. The National Theatre remained at the Old Vic until new premises were constructed on the South Bank, opening in 1976. The Old Vic then became the home of Prospect Theatre Company, at that time a highly successful touring company which staged such acclaimed productions as Derek Jacobi's Hamlet. However, with the withdrawal of funding for the company by the Arts Council of Great Britain in 1980 for breaching its touring obligations, Prospect disbanded in 1981. The theatre underwent complete refurbishment in 1985. In 2003, Kevin Spacey was appointed as new artistic director of the Old Vic Theatre Company which received considerable media attention. In 2015, Matthew Warchus was appointed the new Artistic Director.
On May 26, 2022, Spacey was charged by the Crown Prosecution Service (CPS) in the United Kingdom with four counts of sexual assault against three complainants. The alleged offenses occurred between 2005 and 2013 in London and Gloucestershire. According to the Crown Prosecution Service, it would be possible to formally charge Spacey only if he entered England or Wales, which would entail extradition if Spacey refused to do so voluntarily. Nevertheless, in a statement to Good Morning America on May 31, 2022, Spacey said that he would voluntarily appear in the U.K. as soon as can be arrange
The Cut, London SE1 8NB

Description
Keywords: Road,GLC,night,nightshot,lit,bright,architecture,art,attraction,venue,culture,entertainment,show,theatreland,tourist,travel,west,Lambeth,Greater,London,England,UK,LDN,United,Kingdom,cut,the,station,Royal,Coburg,Victoria,Hall,Grade,II*,listed,buildings,GoTonySmith,Buy Images Of,iconic,Kevin Spacey
Description: Tony Smith image Alamy F7DFFM - The Old Vic is a theatre located just south-east of Waterloo Station in London on the corner of The Cut and Waterloo Road. Established in 1818 as the Royal Coburg Theatre, it was taken over by Emma Cons in 1880 when it was known formally as the Royal Victoria Hall. In 1898, a niece of Cons, Lilian Baylis assumed management and began a series of Shakespeare productions in 1914. The building was damaged in 1940 during air raids and it became a Grade II* listed building in 1951 after it reopened.
It was also the name of a repertory company that was based at the theatre and formed the core of the National Theatre of Great Britain on its formation in 1963, under Laurence Olivier. The National Theatre remained at the Old Vic until new premises were constructed on the South Bank, opening in 1976. The Old Vic then became the home of Prospect Theatre Company, at that time a highly successful touring company which staged such acclaimed productions as Derek Jacobi's Hamlet. However, with the withdrawal of funding for the company by the Arts Council of Great Britain in 1980 for breaching its touring obligations, Prospect disbanded in 1981. The theatre underwent complete refurbishment in 1985. In 2003, Kevin Spacey was appointed as new artistic director of the Old Vic Theatre Company which received considerable media attention. In 2015, Matthew Warchus was appointed the new Artistic Director.
On May 26, 2022, Spacey was charged by the Crown Prosecution Service (CPS) in the United Kingdom with four counts of sexual assault against three complainants. The alleged offenses occurred between 2005 and 2013 in London and Gloucestershire. According to the Crown Prosecution Service, it would be possible to formally charge Spacey only if he entered England or Wales, which would entail extradition if Spacey refused to do so voluntarily. Nevertheless, in a statement to Good Morning America on May 31, 2022, Spacey said that he would voluntarily appear in the U.K. as soon as can be arrange
The Cut, London SE1 8NB

Description
Keywords: man mans 2nd hand second secondhand back front patterned,retro,selection,on,a,shirt,pattern,patterned,weave,weaving,material,fashion,business,office,apparel,US,English,fashionable,fabric,colour,coloured,colored,label,slim,wide,kipper,designer,uniform,school,casual,Savile,Row,tie,Company,London,LDN,gotonysmith close up close-up macro mode moda textile blue accessory,bow,business,businessman,cloth,clothes,clothing,collar,corporate,cravat,cute,design,designer,dress,elegance,elegant,fabric,fashion,fashionable,formal,garments,knot modern ascot tie,bow tie,bolo tie,zipper tie,cravat and clip-on tie
Description: Tony Smith image Alamy ED9EPN - A necktie or simply tie is a long piece of cloth worn for decorative purposes around the neck or shoulders, resting under the shirt collar and knotted at the throat.
Variants include the ascot tie, bow tie, bolo tie, zipper tie, cravat and clip-on tie. The modern necktie, ascot, and bow tie are descended from the cravat. Neck ties are generally unsized, but may be available in a longer size. Men and boys wear neckties as part of regular office attire or formal wear.
Neckties can also be worn as part of a uniform (e.g. military, school and waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. Among younger men, neckties are sometimes worn as a casual item, tied loosely around the neck, with the top shirt button unfastened

Description
Keywords: GB,Great,Britain,United,Kingdom,BR,British,Rail,train,track,empty,lonely,platform,danger,dangerous,LDN,London,England,UK,departure,board,display,shop,clean,still,welcome,to,network,rail,rails,SE,SW,trains,Gotonysmith,SWT,SWtrains,Stagecoarch,greater,dispensing,machine,bench,capital,city,evening,dusk,suburban,town,area,suburbs,River,thames
Description: Tony Smith image Alamy EBFWFN - Richmond is an affluent suburban town in southwest London, 8.2 miles (13.2 km) west-southwest of Charing Cross. The town is on a meander of the River Thames, with a large number of parks and open spaces, including Richmond Park, and many protected conservation areas, which include much of Richmond Hill. A specific Act of Parliament protects the scenic view of the River Thames from Richmond.
Richmond was founded following Henry VII's building of Richmond Palace in the 16th century, from which the town derives its name (the Palace itself was named for Henry's earldom of Richmond, North Yorkshire.) During this era the town and palace were particularly associated with Elizabeth I, who spent her last days here. During the 18th century Richmond Bridge was completed and many Georgian terraces were built, particularly around Richmond Green and on Richmond Hill. These remain well preserved and many have listed building architectural or heritage status. The opening of the railway station in 1846 was a significant event in the absorption of the town into a rapidly expanding London.
Richmond was formerly part of the ancient parish of Kingston upon Thames in the county of Surrey. In 1890 the town became a municipal borough, which was later extended to include Kew, Ham, Petersham and part of Mortlake (North Sheen). The municipal borough was abolished in 1965 when, as a result of boundary changes, Richmond was transferred to Greater London.
Richmond is now part of the London Borough of Richmond upon Thames. It has a significant commercial and retail centre with a developed day and evening economy.
Richmond, London, England, UK

Description
Keywords: GB,Great,Britain,United,Kingdom,BR,British,Rail,train,track,empty,lonely,platform,danger,dangerous,LDN,London,England,UK,departure,board,display,shop,clean,still,welcome,to,network,rail,rails,SE,SW,trains,Gotonysmith,SWT,SWtrains,Stagecoarch,greater,dispensing,machine,bench,capital,city,evening,dusk,suburban,town,area,suburbs,River,thames,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EBFWFP - Richmond is an affluent suburban town in southwest London, 8.2 miles (13.2 km) west-southwest of Charing Cross. The town is on a meander of the River Thames, with a large number of parks and open spaces, including Richmond Park, and many protected conservation areas, which include much of Richmond Hill. A specific Act of Parliament protects the scenic view of the River Thames from Richmond.
Richmond was founded following Henry VII's building of Richmond Palace in the 16th century, from which the town derives its name (the Palace itself was named for Henry's earldom of Richmond, North Yorkshire.) During this era the town and palace were particularly associated with Elizabeth I, who spent her last days here. During the 18th century Richmond Bridge was completed and many Georgian terraces were built, particularly around Richmond Green and on Richmond Hill. These remain well preserved and many have listed building architectural or heritage status. The opening of the railway station in 1846 was a significant event in the absorption of the town into a rapidly expanding London.
Richmond was formerly part of the ancient parish of Kingston upon Thames in the county of Surrey. In 1890 the town became a municipal borough, which was later extended to include Kew, Ham, Petersham and part of Mortlake (North Sheen). The municipal borough was abolished in 1965 when, as a result of boundary changes, Richmond was transferred to Greater London.
Richmond is now part of the London Borough of Richmond upon Thames. It has a significant commercial and retail centre with a developed day and evening economy.
Richmond, London, England, UK

Description
Keywords: LDN,tonysmith,tony,smith,hotpix,London,UK,England,GB,great,britain,dark,night,shot,sex,shop,couple,man,woman,sexy,seedy,selective,colour,color,whore,sign,strip,club,joint,red,light,district,girls,females,legs,shoe,shoes,short,skirt,xxx,porno,mags,pornomags,soho
Description: Tony Smith image Flickr 6032920012 - 'INXS - I Need You Tonight - ob=av2n\' rel=\'nofollow\'>Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
....So slide over here
and give me a moment....
INXS (pronounced 'in excess', In-X-S) are an Australian rock band, formed as The Farriss Brothers in 1977 in Sydney, New South Wales. Mainstays are Garry Gary Beers on bass guitar, Andrew Farriss on guitar/keyboards, Jon Farriss on drums, Tim Farriss on lead guitar and Kirk Pengilly on guitar/sax.
In the early 1980s, INXS first charted in their native Australia with their debut self-titled album, but later garnered moderate success elsewhere with Shabooh Shoobah and a single, 'The One Thing'. Though The Swing brought more success from around the world, its single 'Original Sin' was even greater commercially, becoming their first number-one single. They would later achieve international success with a series of hit recordings through later in the 1980s and the 1990s, including the albums Listen Like Thieves, Kick, and X
and the singles 'What You Need', 'Need You Tonight', 'Devil Inside', 'New Sensation', and 'Suicide Blonde'.
Hutchence's private life was often reported in the Australian and international press, with a string of love affairs with prominent actresses, models and singers. Hutchence's relationship with UK television presenter, Paula Yates, began while she was still married to music artist and Live Aid organiser, Saint Bob Geldof.
Hutchence and Yates had a daughter in 1996 just after she had divorced Geldof. Hutchence's death in 1997 was determined by the New South Wales Coroner to be the result of suicide \u2013 the finding was disputed by Yates, Hutchence's family and his fans. In 2000, Yates died of a heroin overdose and their daughter was placed in Geldof's custody with her half-sisters.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>transport from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',

Description
Keywords: Tony,smith,hotpix,railway,station,London,olympics,rings,Eurostar,chanel,tunnel,train,trains,statuw,The,Meeting,place,the meeting place,shoes,heels,high,stilleto,stilletto,woman,shadow,walking,sexy,business,LDN,st,pancreas,pancras,pancrass,statue,HDR,bronze,sculpture,sculpure,concourse,pancres,pancress,england,france,channel,route,MIS,@hotpixUK,ActiveH,housingtechnology,london2012,londonolympics,olympiad,stadium
Description: Tony Smith image Flickr 5958545963 - 'Toploader - Achilles Heel- Play this track here.
'I can push with all my might
to make a statue in the sky
of my achilles heel.
The first single (and a later re-issue) from the Eastbourne band Toploader. I think this really sums up 'The Meeting Place' , a sculpture by Paul Day. Its a 9 metre (29.53 feet) tall bronze statue in St Pancras railway station in London, surrounded by a frieze.
There are images from the history of the Tube and train: people queuing on platforms or travelling in carriages
soldiers departing for war and returning injured, and repair works following the 7 July 2005 London bombings. The work was the object of controversy when first erected, as one panel depicted a commuter falling into the path of a train driven by the Grim Reaper. However, following discussions with London and Continental Railways (LCR), this panel was replaced with another.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>LDN from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',

Description
Keywords: street,London,LDN,telephone,public,UK,England,capital,city,booth,cards,sex,sexy,women,porn,chat,lines,prostitutes,prostitute,pimp,pimps,credit,card,fetish,BT,busty,brunette,stunner,blond,mistress,play,with,me,black,model,for,all,tastes,line,chatline,premium,rate,selective,color,colour,colours,cut,out,cutout
Description: Tony Smith image Flickr 6002902103 - 'Blondie - Call Me- ob=av2n\' rel=\'nofollow\'>Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Blondie is an American rock band, founded by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the early American New Wave and punk scenes of the mid-1970s at CBGB's in New York.
Their first two albums contained strong elements of these genres, and although successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles and became noted for its eclectic mix of musical styles incorporating elements of disco, pop, rap, and reggae, while retaining a basic style as a New Wave band.
Blondie broke up after the release of their sixth studio album The Hunter in 1982. Debbie Harry continued to pursue a solo career with varied results after taking a few years off to care for partner Chris Stein, who was diagnosed with pemphigus, a rare autoimmune disease of the skin.
The band reformed in 1997, achieving renewed success and a number one single in the United Kingdom with 'Maria' in 1999. The group toured and performed throughout the world during the following years, and was inducted into the Rock and Roll Hall of Fame in 2006. Blondie has sold 40 million records worldwide and is still active today, with a new album, Panic of Girls, released 30 May 2011 in the UK.
Prostitution itself is legal in the UK: a person can buy sexual services and working as a private prostitute or outcall escort is legal \u2013 but many related activities are not. This includes kerb crawling, pimping, keeping a brothel, advertising the services of call girls by placing cards (\u201ctart cards\u201d) in phone boxes, like these here and having sex in public. The laws apply to both male and female prostitutes and male and female clients.
Under the Street Offences Act 1959, it is illegal for a prostitute to wait for or solicit business in a street or public place, effectively making street prostitution illegal. Although assistance should be given to assist offenders in finding a route out of prostitution, prostitutes may be punished. Usually first or second time offenders will be cautioned, third and fourth time offenders are usually arrested and charged and on the fifth offence an anti-social behaviour order may be issued on conviction.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>urban life from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',

Description
Keywords: concourse,North,LDN,London,network,rail,BR,British,Rail,cost,costs,refurbishment,improved,improvement,poor,slow,expensive,infrastructure,tax,taxation,back,state,ownership,shareowner,shareowners,government,control,private,sector,owners,ownership,public,transport,British Rail,Britishrail,passenger,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,mono,black,white,monochrome,busy,midland,LondonMidland,Overground,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,London Midland
Description: Tony Smith image Alamy H04G0H - . Photographed at Euston,London,stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England in 2016, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The defining feature is Monochrome Euston railway station departure board and concourse, North London, England, UK. Other connected aspects include passenger information, industrial railway, rail corridor, regional identity, public transport stop, period detail, before-and-after reference, everyday life, transport accessibility, roadside transit, contemporary social history, changing land use, railway heritage, and trackside history. For current editorial use, signalling technology and regional connectivity provide additional context, especially through the importance of preserving signal boxes and rolling stock as industrial heritage. Current relevance extends to service frequency and accessibility, particularly through the importance of bus stops as the physical interface with public transport. The archival value lies partly in recording period objects and surrounding context around Euston,London,England before later reinterpretation alters the character of the place. A second descriptive layer includes changing streetscape, public realm, local mobility, historic rolling stock, mechanical signalling, local character, documentary photography, and bus infrastructure. The combination of railway, Monochrome, Euston, station, and board anchors the frame to a recognisable activity, place or moment. By fixing the subject within Euston,London,England, the image preserves more than the headline object or building: it records part of the locality's everyday history. A further contemporary connection is signalling technology and the importance of preserving signal boxes and rolling stock as industrial heritage without losing the local specificity of Euston,London,England. The record includes a local visual benchmark before later change alters the scene.
Euston,London,England

Description
Keywords: South,West,Trains,TOC,South West Trains,franchise,zone6,xone,six,6,artdeco,suburban,Platform 3,Kingston,West London,England,UK,London,Surbiton Station,BR,building,Waiting Room,Fare,Fare zone6,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6Y2 - . An identifiable period record of Surbiton,Kingston,London,England,UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The scene records Surbiton Railway Station Waiting Room on Platform 3, Kingston,West London,England,UK. The setting additionally reflects changing land use, everyday life, local history, street-side transport, passenger transport, contemporary social history, roadside stop, before-and-after reference, changing streetscape, regional identity, roadside transit, visual archive, documentary photography, and period detail. The wider contemporary story combines decarbonisation, integrated transport and the challenge of maintaining reliable services outside dense city centres. Future viewers can use this scene from Surbiton,Kingston,London,England,UK to compare local activity and public use with whatever follows after closure or conversion. Further associations within the scene are transport accessibility, public transport information, bus infrastructure, local character, community identity, local mobility, public transport stop, and historical comparison. Elements such as London, Station, Waiting, Kingston, and Railway add documentary specificity and may become increasingly useful when compared with later records. For Surbiton,Kingston,London,England,UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes decarbonisation and the challenge of maintaining reliable services outside dense city centres within the specific setting of Surbiton,Kingston,London,England,UK. Another strand within the photograph is reliability and the importance of bus stops as the physical interface between passengers and public transport as part of the longer story of Surbiton,Kingston,London,England,UK.
Surbiton,Kingston,London,England,UK

Description
Keywords: Busy,Victoria,TFL,Tube,line,carriage,full,of,people,train,in,London,LDN,transport,for,public,lines,bored,travel,travelers,workers,journey,English,city,metro,capital,integrated,expense,Oyster,card,Oyster Card,gotonysmith,Buy Pictures of,Buy Images Of,infrastructure,passenger journeys,station scene,urban mobility,transport network,ticketing
Description: Tony Smith image Alamy EC2T2H - Photo shows Busy Victoria Tube line metro train, on London Underground, capital city centre, Greater London, England, UK. The image can support editorial features on public transport, commuting, passenger information, ticketing, rail and bus infrastructure, regional connectivity, station environments and sustainable travel. Transport images like this are especially useful where operator branding, vehicle type, platform or street context is visible, because they locate policy themes in a real everyday setting rather than an abstract transport graphic. The supplied location evidence places the subject at or near London, England, UK, which adds value for buyers searching by town, city, region or postcode. Lighting, passenger density and weather should be checked from the image, but the subject is clearly a live transport or travel setting. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news. Search relevance is helped by including concise place names, visible brand or wording, functional subject terms, and wider editorial concepts such as public realm, consumer behaviour, heritage, travel, leisure and community life where they genuinely match the picture.
Waltham,London,England, UK

Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,Camden,at Night,night,North London,London,North,England,UK,seedy,Camden Lock,Village,Regents,Canal,Camden Lock market,Camden Lock,market,trendy,funky,Camden Lock,bridge,railway,rail,viaduct,pano,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attractions,at night,Camden at night,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre
Description: Tony Smith image Alamy HEJ6JA - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK, NW1 8AF

Description
Keywords: Road,GLC,night,nightshot,lit,bright,art,venue,building,entertainment,show,travel,west,Lambeth,Greater,London,England,UK,LDN,United,Kingdom,cut,the,station,Royal,Coburg,Victoria,Hall,Grade,II*,listed,building,buildings,GoTonySmith,Buy Images Of,dusk,evening,Kevin Spacey,Artistic director
Description: Tony Smith image Alamy F7DFF2 - The Old Vic is a theatre located just south-east of Waterloo Station in London on the corner of The Cut and Waterloo Road. Established in 1818 as the Royal Coburg Theatre, it was taken over by Emma Cons in 1880 when it was known formally as the Royal Victoria Hall. In 1898, a niece of Cons, Lilian Baylis assumed management and began a series of Shakespeare productions in 1914. The building was damaged in 1940 during air raids and it became a Grade II* listed building in 1951 after it reopened.
It was also the name of a repertory company that was based at the theatre and formed the core of the National Theatre of Great Britain on its formation in 1963, under Laurence Olivier. The National Theatre remained at the Old Vic until new premises were constructed on the South Bank, opening in 1976. The Old Vic then became the home of Prospect Theatre Company, at that time a highly successful touring company which staged such acclaimed productions as Derek Jacobi's Hamlet. However, with the withdrawal of funding for the company by the Arts Council of Great Britain in 1980 for breaching its touring obligations, Prospect disbanded in 1981. The theatre underwent complete refurbishment in 1985. In 2003, Kevin Spacey was appointed as new artistic director of the Old Vic Theatre Company which received considerable media attention. In 2015, Matthew Warchus was appointed the new Artistic Director.
On May 26, 2022, Spacey was charged by the Crown Prosecution Service (CPS) in the United Kingdom with four counts of sexual assault against three complainants. The alleged offenses occurred between 2005 and 2013 in London and Gloucestershire. According to the Crown Prosecution Service, it would be possible to formally charge Spacey only if he entered England or Wales, which would entail extradition if Spacey refused to do so voluntarily. Nevertheless, in a statement to Good Morning America on May 31, 2022, Spacey said that he would voluntarily appear in the U.K. as soon as can be arrange
The Cut, London SE1 8NB

Description
Keywords: City,Centre,City Centre,fashion,mojo,groove,Camden Town,Camden,at Night,dusk,North London,London,North,England,UK,seedy,Village,Regents,Canal,Camden Lock market,Camden Lock,market,trendy,funky,224,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,The,Elephants Head,pub,Elephant,head,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6HC - Camden Town often shortened to Camden (ambiguously also used for the much larger London Borough of Camden of which it is the central neighbourhood), is an inner city district of northwest London, 2.4 miles (3.9 km) north of the centre of London. It is one of the 35 major centres identified in the London Plan.
Laid out as a residential district from 1791 and originally part of the manor of Kentish Town and the parish of St Pancras, London, Camden Town became an important location during the early development of the railways, which reinforced its position on the London canal network. The area's industrial economic base has been replaced by service industries such as retail, tourism and entertainment. The area now hosts street markets and music venues which are strongly associated with alternative culture.
Camden Lock, North London, England, UK

Description
Keywords: gaz,supplier,LDN,greater,thames,on,on-thames,Marketing,&,Trading,Retail,distribution,pipe,pipeline,company,PAO,extraction,production,transport,office,Moscow,Soviet,Ministry,of,Industry,sign,logo,price,prices,GoTonySmith,Ukraine,war,invasion,Nord Stream gas pipeline,Germany,60 Marina Place,Gas,Fossil fuel,Ukraine War,sanctions
Description: Tony Smith image Alamy F7DE1H - Editorial stock photograph of the raised metal Gazprom House sign on a pale stone or rendered building frontage in Kingston upon Thames, London, associated with the Russian state-linked energy giant Gazprom and its former UK trading and retail presence. The close-up view shows large grey three-dimensional letters spelling GAZPROM HOUSE, with dappled sunlight, shadow, a window edge and an urban office exterior giving the image a documentary corporate headquarters feel. The photograph is suitable for news, business, energy, politics and sanctions coverage relating to Russia's invasion of Ukraine, European dependence on Russian gas, the weaponisation of energy supply, gas trading, fossil fuel geopolitics, security of supply, sanctions compliance and the reputational impact on Russian-linked companies in Britain. Gazprom became one of the best-known symbols of Russian energy power, and its brand was closely scrutinised after the full-scale invasion of Ukraine in February 2022, when the UK, EU and allies expanded sanctions against Russian individuals, banks, energy interests, shipping, trade and financial services. Former UK Gazprom businesses were later rebranded under the SEFE name, while public records show historic Gazprom House addresses at 60 Marina Place, Hampton Wick, Kingston upon Thames, KT1 4BH, and later London offices at 20 Triton Street. The image can illustrate stories about sanctions, divestment, nationalisation, supply-chain risk, procurement due diligence, corporate governance, energy security, gas markets, LNG, European winter supply pressures, oil and gas trading, Russian state influence, public-sector supplier checks and the wider economic fallout from the Ukraine war. The tight composition, stark lettering and absence of people make it a strong concept image for a once-normal commercial presence becoming politically charged, legally sensitive and reputationally toxic after Russia's aggression in Ukraine.
Gazprom House, 60 Marina Place, Hampton Wick, Kingston upon Thames, Greater London KT1 4BH




