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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,public,services,travelling,street,cheap,cheaper,travel,yellow,Merseyside,at,Royal Court,14A,10814,England,UK,L1 1EP,L1,St,SM66 VBV,SM66VBV,14,Kirby,bus station,route,routes,icon,iconic,atlantic,tower,St Johns,double,deck,decker
Description: Tony Smith image Alamy 2X9BPBE - This documentary stock image shows Transport in Liverpool, Merseyside, public bus service 14A Kirby - United By Music, at Royal Court, Roe St, England, UK, L1 1EP - Stagecoach SM66 VBV. The row metadata places the subject at Roe Street, Liverpool, Merseyside, England, UK, L1 1EP. The spreadsheet date indicates 14 May 2024, so the picture can also work as a time-specific archive record. Plainly, the image is useful because it shows travel, transport, bus, service, buses, United By Music, Liverpool, Kirby, with search-relevant terms including travel, transport, bus, service, buses, United By Music, Liverpool, Kirby, Stagecoach, Roe, public, services, travelling, street. Transport pictures are especially useful because they show the infrastructure and passenger experience behind policy debates about connectivity, reliability and regional investment. Liverpool carries a global identity built from port history, music heritage, football, tourism, nightlife and regeneration. Images from the city centre and Cavern Quarter speak to both Beatles pilgrimage and the everyday economy of bars, visitors, streets and signs. Transport images are useful because they show the lived reality behind policy debates about public transport, reliability, fares, regional connectivity, disabled access, climate goals, commuter patterns and the social value of buses and railways. It has strong value for publishers needing authentic documentary imagery for news pages, blog articles, council reports, social media graphics, presentations, magazine features and local-history explainers. Historically and socially, this kind of image can help connect past and present: older streets, civic institutions, transport systems, shops, signs, political messages or public services are not frozen museum pieces, but part of how people understand modern life, local identity and economic change.
Roe Street, Liverpool, Merseyside, England, UK, L1 1EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,eating,eat,in,indoors,fries,survey,Unit 18-22,Shopping Centre,Liverpool,England,L1 1QR,L1,McDonalds,fastfood,burgers,French fries,large,restaurant,meal,street,window,seating,Merseyside,fatty,unhealthy,retail,junk,food,tax,globalisation,branch,chain,obesity,crisis,drink,soda,fizzy drink
Description: Tony Smith image Alamy 2RJ3YJF - Taken on 19 Aug 2023, this photograph shows McDonalds fast food restaurant McCrispy chicken burger meal, Unit 18-22 Clayton Square Shopping Centre, Church St, Liverpool, England, L1 1QR. The location is Unit 18-22, Clayton Square, Shopping Centre, Church St, Liverpool, England, L1 1QR, L1. The picture is not just a record shot: it contains visible signage, colour, materials, location clues and everyday street detail that make the image more specific than a generic stock photograph. It would suit editorial use on shopping, retail change, independent traders, high-street survival, tourism, local economies, consumer habits and the visual identity of British town and city centres. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Clayton Square, Church St, McCrispy, chicken, burger, fast food, receipt, self-service, tell us how we did, seated, eating, eat, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. The photograph should appeal to buyers looking for a grounded visual that says more than a studio icon, because it ties the subject to a real street, building, object or public setting. Further SEO-friendly usage could include local services, town-centre change, heritage branding, British social history, public infrastructure, consumer habits
Unit 18-22, Clayton Square, Shopping Centre, Church St, Liverpool, England, L1 1QR, L1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,history,historic,building,buildings,L1,35,Merseyside,England,UK,L1 2SF,Grand,by,of,Bolton,Mission,Wesley,the,Methodists,Methodist,Renshaw Street Liverpool,Liverpool city centre,historic building Liverpool,Edwardian architecture,red brick building,terracotta architecture,landmark building,former chapel Liverpool,Grade II listed building,Liverpool architecture,urban streetscape,historic chapel,former Methodist Central Hall,ornate facade,tower building,arched entrance,heritage architecture
Description: Tony Smith image Alamy 2RJ3YJM - A street-level view of Grand Central Hall, located at 35 Renshaw Street, Liverpool, showing its distinctive red brick and terracotta façade with ornate Edwardian architectural detailing. The building features a prominent corner tower, arched main entrance, decorative stonework, and vertical emphasis typical of early twentieth-century nonconformist religious architecture. Pedestrians pass by at street level, providing scale and reinforcing its role within Liverpool's busy city centre streetscape.
Originally constructed as the Methodist Central Hall, the building formed part of a wider movement in the late Victorian and Edwardian periods to create large, multifunctional religious and social spaces within Britain's expanding industrial cities. Over time, Grand Central Hall has been repurposed for cultural, leisure, and entertainment uses, reflecting Liverpool's wider pattern of adaptive reuse of historic buildings.
The image captures the building under bright but lightly clouded daylight conditions, emphasising the contrast between red brickwork, pale stone detailing, and the surrounding urban environment. The photograph is suitable for editorial and commercial use illustrating British architectural heritage, Liverpool landmarks, historic city-centre buildings, and urban regeneration through reuse of former religious structures.
Grand Central Hall, 35 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,known as,by,artist,footy,match,Merseyside,England,UK,GB,Great Britain,at,the,L1 2TR,L1,church,garden,shake,shaking,hand,hands,Christmas,Xmas,truce,British,German,soldier,poppy,poppies,soccer,game,1914,December,remembrance,memorial
Description: Tony Smith image Alamy 2RJ3YJT - . Christmas truce sculpture, known as All Together Now by Andy Edwards, at St Lukes, the Bombed Out Church, Reece St, Liverpool, L1 2TR. Photographed on 19 August 2023. The recorded location is Leece St, Liverpool, Merseyside, England, UK, L1 2TR. Christmas truce sculpture, known as All Together Now by Andy Edwards in the garden, depicting a British and German soldier commencing a football game at Christmas 1914. Andy Edwards' sculpture All Together Now commemorates the unofficial Christmas Truce of 1914, when British and German troops in sectors of the Western Front left their trenches, exchanged greetings and, in some accounts, kicked footballs between the lines. The work uses two soldiers and a football to represent a moment of temporary humanity amid industrialised warfare. Its setting at St Luke's, Liverpool's bomb-damaged 'Bombed Out Church', adds another layer of war memory: the church was devastated by incendiary bombing during the May Blitz of 1941 and survives as a roofless cultural landmark. Looking at the subject's development, art in public and historic settings adds another layer to the built environment
Sculpture, mosaic, painting and street art can interpret heritage, provoke debate, memorialise communities or create landmarks, and photographs preserve works that may later change or disappear. From a heritage perspective, christmas imagery ranges from religious observance to commercial decoration, seasonal entertainment and humour
Cards, shop displays, lights and novelty messages reveal how the festival has been represented in popular culture as well as how retail and public spaces respond to the winter season. Historically, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single building, reflecting generations of worship and local patronage.
Leece St, Liverpool, Merseyside, England, UK, L1 2TR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,known as,by,artist,footy,match,Merseyside,England,UK,GB,Great Britain,at,the,L1 2TR,L1,church,garden,shake,shaking,hand,hands,Christmas,Xmas,truce,British,German,soldier,poppy,poppies,soccer,game,1914,December,remembrance,memorial
Description: Tony Smith image Alamy 2RJ3YK1 - . Christmas truce sculpture, known as All Together Now by Andy Edwards, at St Lukes, the Bombed Out Church, Reece St, Liverpool, L1 2TR. Photographed on 19 August 2023. The recorded location is Leece St, Liverpool, Merseyside, England, UK, L1 2TR. Christmas truce sculpture, known as All Together Now by Andy Edwards in the garden, depicting a British and German soldier commencing a football game at Christmas 1914. Andy Edwards' sculpture All Together Now commemorates the unofficial Christmas Truce of 1914, when British and German troops in sectors of the Western Front left their trenches, exchanged greetings and, in some accounts, kicked footballs between the lines. The work uses two soldiers and a football to represent a moment of temporary humanity amid industrialised warfare. Its setting at St Luke's, Liverpool's bomb-damaged 'Bombed Out Church', adds another layer of war memory: the church was devastated by incendiary bombing during the May Blitz of 1941 and survives as a roofless cultural landmark. From a heritage perspective, murals, sculptures and civic artworks turn public space into a record of community culture
They can commemorate people and events, respond to politics, celebrate industry or simply enliven streets, while the artists' materials and styles place the work within a particular period. In historical terms, seasonal photographs document the mixture of tradition, commerce and community activity surrounding Christmas
Domestic lights, cards, street attractions and anti-Christmas jokes all sit within a broader culture of winter celebration. The wider historical story is that churches combine worship with architecture, community memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, changing liturgy, community benefactors, war remembrance and family history.
Leece St, Liverpool, Merseyside, England, UK, L1 2TR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,known as,by,artist,footy,match,Merseyside,England,UK,GB,Great Britain,at,the,L1 2TR,L1,church,garden,shake,shaking,hand,hands,Christmas,Xmas,truce,British,German,soldier,poppy,poppies,soccer,game,1914,December,remembrance,memorial
Description: Tony Smith image Alamy 2RJ3YK7 - . Christmas truce sculpture, known as All Together Now by Andy Edwards, at St Lukes, the Bombed Out Church, Reece St, Liverpool, L1 2TR. Photographed on 19 August 2023. The recorded location is Leece St, Liverpool, Merseyside, England, UK, L1 2TR. Christmas truce sculpture, known as All Together Now by Andy Edwards in the garden, depicting a British and German soldier commencing a football game at Christmas 1914. Andy Edwards' sculpture All Together Now commemorates the unofficial Christmas Truce of 1914, when British and German troops in sectors of the Western Front left their trenches, exchanged greetings and, in some accounts, kicked footballs between the lines. The work uses two soldiers and a football to represent a moment of temporary humanity amid industrialised warfare. Its setting at St Luke's, Liverpool's bomb-damaged 'Bombed Out Church', adds another layer of war memory: the church was devastated by incendiary bombing during the May Blitz of 1941 and survives as a roofless cultural landmark. In historical terms, public art can become part of the identity of a street or neighbourhood, recording political ideas, local history, humour, memory and changing cultural tastes
Murals, sculpture and decorative art are especially valuable as documentary subjects because they may be altered, moved, weathered or removed. Historically, festive objects and decorations are part of a long tradition of Christmas visual culture, from greetings cards and church imagery to illuminated houses, fairs and satirical 'Bah Humbug' humour
Designs and typography can quickly become associated with a specific decade. As background, ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space.
Leece St, Liverpool, Merseyside, England, UK, L1 2TR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,blue sky,Northwest,North West,tourists,destination,attraction,pink,red,yellow,L1,L1 1LJ,come,visit,and,skyline,promoting,staycation,short,trip,trips,symbols,landmark,landmarks,of,the,city,Visit Liverpool,visiting,Williamson Square,visitors,flag,flags,VisitLiverpool,VisitLiverpool.com,British,English,region
Description: Tony Smith image Alamy 2RJ3YPM - . Symbols of the city, Visit Liverpool banners, St Johns Beacon and cityscape, Liverpool, Merseyside, England, UK, L1 1LJ. Photographed on 19 August 2023. The recorded location is Williamson Square, Liverpool, Merseyside, England, UK, L1 1EL. Welcome to VisitLiverpool.com!. 2023 is a massive year for Liverpool, the Eurovision Song Contest and the 151st Open are two major highlights in the City Region calendar. Explore top attractions from the iconic Royal Liver Building and Royal Albert Dock to green spaces and coastline. Be part of world-class events all year round. Exhibitions, festivals and light trails are just some of the experiences to enjoy in Liverpool. Don't just visit for a day, extend your stay with us by choosing from a perfect mix of hotels, apartments and aparthotels. Seen through civic identity, the earlier context is that civic spaces often accumulate layers of architecture from different periods while retaining a stable role as meeting places and pedestrian routes. For travel photography, the historical context is that travel imagery becomes historical evidence when transport, signage or the visitor economy changes
A familiar destination photographed years earlier can reveal redevelopment, altered businesses and changing patterns of access. The 2026 relevance of civic identity comes from the fact that well-used squares remain important to tourism and local identity, while redesign projects often focus on accessibility, shade, planting and flexible event use. For travel photography, the 2026 context is that tourism businesses continue to balance visitor demand with staffing, transport, environmental impact and pressure on popular places
Images of gateways, attractions and town centres can illustrate both destination appeal and the infrastructure required to support it. Additional subject vocabulary includes public square, public realm, urban design, city centre, courtyard, pedestrian space, public life, and urban heritage.
Williamson Square, Liverpool, Merseyside, England, UK, L1 1EL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,L1,L1 2TR,Leece St,to,WWII,Merseyside,church,known,by,locals,as,the,venue,bar,Sr,Jr,parish,in,Blitzed,shell,1832,doctors church,ashlar sandstone,Perpendicular style,history,historic,sunny,blue sky,blue skies,tree,trees,architecture,building,Grade II,listed building
Description: Tony Smith image Alamy 2RJ6ENB - St Luke's Church, more commonly known by locals as the bombed-out church, is a former Anglican parish church in Liverpool, England. It stands on the corner of Berry Street and Leece Street, at the top of Bold Street.
The church was built between 1811 and 1832, and was designed by John Foster, Sr. and John Foster, Jr., father and son who were successive surveyors for the municipal Corporation of Liverpool. In addition to being a parish church, it was also intended to be used as a venue for ceremonial worship by the corporation and as a concert hall.
The church was badly damaged by bombs during the Liverpool Blitz in 1941 and has been a roofless shell ever since, giving rise to its nickname. It now stands as a memorial to those who died in the war, and has also been hired as a venue for exhibitions and events. The church and its surrounding walls, gates, and railings are recorded in the National Heritage List for England as designated Grade II* listed buildings.
Leece St, Liverpool, Merseyside, England, UK, L1 2TR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,L1,L1 2TR,Leece St,to,WWII,Merseyside,church,known,by,locals,as,the,venue,bar,Sr,Jr,parish,in,Blitzed,shell,1832,doctors church,ashlar sandstone,Perpendicular style,history,historic,sunny,blue sky,blue skies,architecture,building,Grade II,listed building
Description: Tony Smith image Alamy 2RJ6ENY - St Luke's Church, more commonly known by locals as the bombed-out church, is a former Anglican parish church in Liverpool, England. It stands on the corner of Berry Street and Leece Street, at the top of Bold Street.
The church was built between 1811 and 1832, and was designed by John Foster, Sr. and John Foster, Jr., father and son who were successive surveyors for the municipal Corporation of Liverpool. In addition to being a parish church, it was also intended to be used as a venue for ceremonial worship by the corporation and as a concert hall.
The church was badly damaged by bombs during the Liverpool Blitz in 1941 and has been a roofless shell ever since, giving rise to its nickname. It now stands as a memorial to those who died in the war, and has also been hired as a venue for exhibitions and events. The church and its surrounding walls, gates, and railings are recorded in the National Heritage List for England as designated Grade II* listed buildings.
Leece St, Liverpool, Merseyside, England, UK, L1 2TR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,Merseyside,England,UK,tourist,summer,sunny,L1,sign,signs,branding,store,shop,stores,chain,shops,profit,performance,51-53,GB,British,L1 1DE,chains,English,retailer,retailers,Maxx Maxx,corner,TK,Maxx,company,losses,parents,turnover
Description: Tony Smith image Alamy 2RJAFFJ - TK Maxx is a subsidiary of the American apparel and home goods company TJX Companies. The stores operate throughout the United Kingdom, Australia, Ireland, Germany, Poland, Austria and the Netherlands, totalling 629 stores in Europe (up from 515 in April 2017) and 56 in Australia in May 2020. In Poland, there are a total of 44 stores. The chain uses a slightly different name from that of the TJ Maxx stores in the United States, to avoid confusion with the British retailer T. J. Hughes
In 1976, TJ Maxx was founded in Framingham, Massachusetts, United States, by Bernard Cammarata. The first international store opened in Bristol, UK, in 1994. The company modified the name to TK Maxx to avoid confusion with the established British retail chain T. J. Hughes (which is not affiliated with TJX).
In 2007, TK Maxx began winding down new store openings within the United Kingdom. Focus was given to revamping older inner city stores, or relocating them. This decision led to the creation of Maxx Maxx, moving from a budget reputation into a large department store format with a wider product range
51-53 Church St, Liverpool , Merseyside, England, UK, L1 1DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,bar,bars,pub,pubs,L1,13,L1 9AS,history,historic,heritage,Victorian,royal,old,renovated,preserved,bakers,the,grey,painted,front,outside,sunny,listed,grade,II,gold,sign,signs,signage
Description: Tony Smith image Alamy 2RJCC49 - Taken on 19 Aug 2023, this photograph shows Kirkland Bros Scotch Confectioners - Scotch Bakery, Fly In The loaf bar, 13 Hardman St, Liverpool , Merseyside, England, UK, L1 9AS. The location is 13 Hardman St, Liverpool , Merseyside, England, UK, L1 9AS. The picture is not just a record shot: it contains public house signs, frontage, street activity or drinking culture details useful for hospitality and heritage features. Value Added Tax is a core UK consumption-tax subject, useful for business, retail, public-finance, household-cost and Making Tax Digital themes. The Fly in the Loaf frontage preserves the memory of Kirkland Brothers' Scotch Bakery, connecting Liverpool pub culture with older commercial lettering and bakery heritage on Hardman Street. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Kirkland, appointment, Hardman Street, Fly In The loaf, Scotch Bakery, Scotch Confectioners, Kirkland Bros, brothers, crest, Liverpool, Merseyside, bar, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes.
13 Hardman St, Liverpool , Merseyside, England, UK, L1 9AS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,pubs,bar,bars,L1,off Hope Street,L1 9BB,the,band,bands,The Dissenters,inside,fixtures,interior,features,feature,plaque,plaques,notice,record,of,Bill Harry,John Lennon,Stuart Sutcliffe,Rod Murray,other,2003,1960,red,round,Famous 100,famous Grouse,tourist,attraction,tourism,attractions,places
Description: Tony Smith image Alamy 2RJCC4G - . Ye Cracke, John Lennon of The Beatles, Dissenters watering hole pub, Rice Street, off Hope Street, Liverpool, Merseyside, England, UK, L1 9BB. Photographed on 19 August 2023. The recorded location is Rice St, off Hope St, Liverpool, Merseyside, England, UK, L1 9BB. The name is in Old English: the Y is a thorn and the e on the end of Cracke is silent, thus the name is correctly pronounced The Crack. Despite the name, Ye Cracke is a 19th-century pub. The War Office is a small room in the pub, which is the oldest part of the pub. It has historical connections with The Beatles because it was frequented by John Lennon and his girlfriend Cynthia when they were at art school, as well as the Dissenters, to whom a plaque hangs in the bar. Thomas Cecil Gray and John Halton conceived the techniques described in their 1946 book A Milestone in Anaesthesia while in the pub. The historical setting for real ale is that british pubs developed from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, music venues and landmarks
Names, brewery signs, etched glass, tiled interiors and evolving fascias can preserve local history even when ownership or use changes. Seen through fan culture, the earlier context is that british popular music has been closely tied to particular cities, independent labels and venues
Manchester and Liverpool in particular developed internationally recognised scenes whose clubs, rehearsal rooms and concert halls became cultural landmarks. For accessibility sign, the historical context is that temporary and permanent notices are valuable social-past evidence because they capture the rules and assumptions of a particular moment, from parking and access to opening times, safety and public-service instructions. In the 2026 discussion of real ale, in England eligible pubs and live-music venues receive a 15% business-rates relief for the 2026/27 billing year, reflecting continuing concern about.
Rice St, off Hope St, Liverpool, Merseyside, England, UK, L1 9BB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,history,historic,heritage,man,Hope Street,L1 9BW,L1,award,awarded,Freedom of the City of Liverpool,the,Anglican,bronze,statue,archbishop,religion,religious,Sheppard-Worlock,memorials,portrait,portraits,former,bishops,bishop,Baron Sheppard of Liverpool,of,West Kirby,street,public,art,Stephen Broadbent,artist,sculptor,2005
Description: Tony Smith image Alamy 2RJCCB4 - David Stuart Sheppard, Baron Sheppard of Liverpool (6 March 1929 “ 5 March 2005) was a Church of England bishop who played cricket for Sussex and England in his youth, before serving as Bishop of Liverpool from 1975 to 1997. Sheppard remains the only ordained minister to have played Test cricket,[2] though others such as Tom Killick were ordained after playing Tests
Sheppard was born in Reigate and brought up in Charlwood, Surrey. His father was a solicitor, and a cousin of Tubby Clayton, founder of Toc H
Sheppard was converted to evangelical Christianity whilst at Cambridge, influenced by Donald Grey Barnhouse, and trained for the ministry at Ridley Hall, Cambridge from 1953 to 1955, where he attended the lectures of Owen Chadwick and Maurice Wiles, and was much impressed by a visiting lecturer, Donald Soper. He was involved with the ministry of E. J. H. Nash. He was ordained in 1955, serving his title as curate at St Mary's Church, Islington, but continued to play Test cricket sporadically until 1963, being the first ordained minister to do so. From 1957, he was warden of the Mayflower Family Centre in Canning Town.
Sheppard worked closely with the Roman Catholic Archbishop of Liverpool, Derek Worlock, on these issues, and was often an outspoken critic of Margaret Thatcher's government. The Queen visited both Liverpool cathedrals in 1978 to celebrate the long-delayed completion of the Anglican cathedral, and Pope John Paul II visited both cathedrals during his tour of England in 1982. The bishops worked together in the aftermath of the 1981 Toxteth riots, the 1985 Heysel stadium disaster and the 1989 Hillsborough Stadium disaster. Sheppard also worked with other church leaders in Liverpool, including the Methodist chairman John Newton. He gave the Dimbleby Lecture in 1984, on The Other Britain. In 1985 he was appointed as a member of the Archbishop of Canterbury's Commission on Urban Priority Areas
Hope St, Liverpool, Merseyside, England, UK, L1 9BW
-L1-1JJ-2R6AHTX.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,statues,bronze,FD,DF,horse,riding,a,horses,1814-1885,of,DG,1870,granite,L1 1JJ,L1,St Georges plateau,St Georges hall,outside,Verdigris,green,summer,Grade I,neoclassical,built,on,horseback,never had a horse
Description: Tony Smith image Alamy 2R6AHTX - Queen Victoria by Thomas Thornycroft (1814-1885)
Dated 1869, unveiled in 1870
Bronze on a granite pedestal
St George's Plateau, Liverpool
This striking sculpture of the young Queen Victoria riding side-saddle was commissioned to match the one of Prince Albert already completed by Thornycroft and unveiled in 1866. The Queen's hat is generously plumed, and, appropriately for this position outside St George's Hall, she bears the St. George's riband as a sash across her breast. The fine detail of the statue is most easily seen from below in the embroidered crown and scrolling, as well as the fringe, of the ceremonial saddle-blanket. In a description from the Art Journal, the horse is seen as full of impatient action, which tells on the sway of the figure
an effect difficult to express well in sculpture (qtd. in Cavanagh 95). The Queen holds what looks like a small sceptre, but is actually the handle of a riding crop, the rest of which has been lost. The drape of her voluminous skirt can be seen in the right-hand profile.
According to Bob Speel, this was the piece that made [Thomas Thornycroft's] name. Compare it with his equestrian statuette of the Queen from 1853.
Bibliography
Cavanagh, Terry. Public Sculpture of Liverpool. Liverpool: Liverpool University Press, 1996.
Speel, Bob. St George's Hall and St John's Gardens, Liverpool.
St Georges plateau, Liverpool, Merseyside, England, UK, L1 1JJ
-and-pink-hearts--Mann-Island--Liverpool--Merseyside--England--GB--L3-1BP-2R1MF25.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,2023,city,L1,Liverpool,centre,pink,souvenir,purple,song,contest,Eurovision 2023,yellow,blue,and,selfie,memento,L3,L3 1BP,Ukraine,crowd,crowds,busy,tourist,tourists,tourism,visitors,fun,Eurovision2023,lover,Dutch,TV,boycott
Description: Tony Smith image Alamy 2R1MF25 - . Liverpool Eurovision 2023, yellow, blue (Ukraine) and pink hearts, Mann Island, Liverpool, Merseyside, England, GB, L3 1BP. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Mann Island, Liverpool, Merseyside, England, UK, L3 1BP, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, Liverpool, pink, souvenir, purple, song, contest, Eurovision 2023, yellow, blue, selfie, memento, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include L3 1BP, Ukraine, crowd, crowds, busy, tourist, broadening discoverability while remaining tied to the supplied subject information.
Mann Island, Liverpool, Merseyside, England, UK, L3 1BP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,2023,city,L1,Eurovision2023,spot,free,recorded,Liverpool Central,Rail,railway,Station,Ranelagh Street,Liverpool,L1 1JT,weve given this busking spot,to,a,Ukrainian musician,who lost theirs,Sounds of the underground,busker,music,Eurovision,contest,Eurovision song contest,centre,busking,pitch,songs,Ukraine busker,folk,Ukrainian busker
Description: Tony Smith image Alamy 2R1MF26 - Sounds of the underground - read more at https://www.creativemoment.co/this-eurovision-musicians-in-liverpool-donate-their-busking-spots-to-help-fellow-ukrainian-artists
Since the beginning of the war in Ukraine buskers have been robbed of their spots, so their music has had to go underground.
But it's not just their music that has been taken, it is also their livelihoods. So this Eurovision, Ketchum UK has created a campaign for buskers from Liverpool to give up their usual spots along the Merseyrail network to Ukrainian musicians, giving them the chance to perform for audiences and keep the conversation alive about this unjust war.
Travellers going through the four biggest stations
Liverpool Central, Lime Street, Moorfields and James Street will be able to enjoy authentic Ukrainian busking music.
Each busking spot has a speaker streaming the artists music and a QR code for passers-by to scan to find out more about the musicians' story, videos about them and to donate to the cause.
All proceeds raised will go directly to Supplies for Ukraine C.I.C., who are working to provide essential, lifesaving equipment to civilians and volunteers on the front lines in Ukraine.
There is an accompanying outdoor poster campaign across the Merseyrail network and all tracks are streamed as a playlist on Spotify.
Liverpool Central Rail Station , Ranelagh Street, Liverpool, Merseyside, England, GB, L1 1JT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,2023,city,L1,Ukraine,united,music,by,2,flag,at,the,L3,L3 4AF,Eurovision2023,Britain with Ukraine,UK with Ukraine,flags,dock,harbour,docks,Union Jack and Ukrainian,Union Jack Ukrainian,Union jacks,union flags,Mann Island,support,supports,sunset,on
Description: Tony Smith image Alamy 2R1MF82 - . Two flags Union Jack and Ukrainian at the Albert Dock, Eurovision song contest, city centre Liverpool, Merseyside, England, UK, L3. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, Ukraine, united, music, flag, L3 4AF, Eurovision2023, Britain with Ukraine, UK with Ukraine, flags, dock, harbour, providing natural SEO coverage without losing the specific documentary identity of the photograph. The political or campaigning content is suitable for neutral editorial coverage of protest, organised labour, elections, public debate, campaigning, civil society and the way political messages are presented in public. Placards, posters, leaflets, slogans and demonstrations are valuable documentary evidence of a particular moment and can support later historical comparison without implying endorsement of the views displayed. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. The scene contributes a specific, place-based record rather than a generic illustration.
Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,2023,city,L1,pun,play,on,words,10,Bold St,Liverpool,L1 4DS,Eurovision2023,Visit Liverpool,visitliverpool,Liverpool.Com,branding,branded,promotions,promoted,promo,publicity,signposts,signposting,visitor,guide,cities,party,parties
Description: Tony Smith image Alamy 2R1MFD8 - . Be Bold, art in Bold Street about Eurovision song contest, city centre Liverpool, Merseyside, England, UK, L1 4DS. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 10 Bold St, Liverpool, Merseyside, England, UK, L1 4DS, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, pun, play, words, Bold St, Liverpool, L1 4DS, Eurovision2023, Visit Liverpool, visitliverpool, Liverpool.Com, branding, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include branded, promotions, promoted, promo, publicity, signposts, broadening discoverability while remaining tied to the supplied subject information.
10 Bold St, Liverpool, Merseyside, England, UK, L1 4DS
-Train-carriage-at-Lime-St-station-platform--Liverpool--Merseyside--England--UK--L1-1JD-2PJHNWB.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,city,centre,L1 1JD,train,company,TOC,platform,passengers,clock,wide,pano,panorama,train carriage,trains,carriages,service,waiting,to,board,depart,DMU,multiple unit,line,tourism,profit,franchise,Abellio East Midlands Limited,transport,group,strike,industrial action,unions,EMT
Description: Tony Smith image Alamy 2PJHNWB - Abellio East Midlands Limited, trading as East Midlands Railway (EMR), is a train operating company in England, owned by Transport UK Group, and is the current operator of the East Midlands franchise
In March 2017, the Department for Transport announced that Arriva, a joint venture between FirstGroup and Trenitalia, and incumbent Stagecoach had been shortlisted to bid for the next East Midlands franchise. Abellio was added in February 2018.
FirstGroup and Trenitalia pulled out of the bidding process in April 2018 to focus on the West Coast Partnership franchise. In April 2019 the franchise was awarded to Abellio, with East Midlands Railway (EMR) to take over the franchise from East Midlands Trains (EMT) on 18 August 2019 for a period of eight years.
In June 2019, Abellio revealed branding and colour scheme using distinct purple and white colours to reflect the heritage of the East Midlands. It also confirmed it would divide the services into three segments:
EMR InterCity for long-distance services from London St Pancras
EMR Regional for services across the East Midlands
EMR Electrics for the outer suburban London St Pancras to Corby service
In April 2021 it was announced that EMR Electrics would be rebranded as EMR Connect.
In February 2023, Transport UK Group concluded a management buyout of Abellio's United Kingdom business, which included EMR
Lime St station platform, Liverpool, Merseyside, England, UK, L1 1JD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,centre,traffic,warden,wardens,keen,caught,parking,inappropriately,badly,parked,vehicle,issued,with,a,notices,fine,fines,under,placed,wiper-blade,in,Lime Street,wiper,wipers,blade,blades,penalty,charge,notice,envelope,offence,offences
Description: Tony Smith image Alamy 2PJHNYC - The Liverpool City Council parking fine is £70 or £50, depending on your offence, and must be paid within 28 days of the Penalty Charge Notice (PCN) being issued. However, if you pay within 14 days it will be reduced by 50% to £35 or £25 respectively.
View the contravention codes to check the offence and related fine.
Please wait 24 hours before paying the fine online or by phone - if you attempt to pay on the day you receive the fine, the PCN may not yet appear in the system.
Pay online
Pay your parking fine online using the button below. Please have the PCN to hand as you will need to fill in the unique reference number on it, as well as your car registration.
If you want to pay more than one fine you will need to complete and submit a new form for each fine.
When you log in to pay you will be able to view photographic evidence of your parking contravention.
We accept Visa Credit, Visa Debit, UK Maestro, International Maestro, MasterCard, Electron and JCB and you must be registered with 3D Secure 2 (also known as verified by Visa and MasterCard SecureCode) for your payment to be authorised.
Lime Street, Liverpool, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,city,centre,81 Lime Street,Liverpool,L1 1JQ,ale,beer,brewery,pub,bar,pubs,bars,Victorian,at,the,Vines,letter,Tetley,Tetley-Walker,history,historic,The Big House,CAMRA,National Inventory,of,Historic Pub Interiors,Albert B Vines,Albert,outside,exterior,front,public houses
Description: Tony Smith image Alamy 2PJHNYF - Why is The Vines on Lime Street known as 'The Big House'?
One of city's oldest and most popular pubs never goes by its real name
Taking up a huge chunk of the corner of Lime Street and Copperas Hill, ˜The Big House' is one of the city's most recognisable boozers.
The Vines - to use its official name - is the sister pub of the Philharmonic and is on CAMRA's National Inventory of Historic Pub Interiors.
The pub was built a whopping 150 years ago by Albert B Vines. In 1907, Walkers took over and rebuilt the pub into an ornate style.
Nowadays, it is known for good beer, live music and karaoke.
But why is it referred to as The Big House?
Echo readers James Parr said: I think it's because it used to be a jail. I remember one of my dad's mates telling me that.
It's been a gin palace and an old billiards room - could it have once been a prison, too?
We spoke to one of the managers at the Vines, Ron Taylor. He said: I'm sorry to disappoint you, but I think it's just called the Big House because it's... big.
81 Lime Street, Liverpool, Merseyside, England, UK, L1 1JQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,centre,Liverpool,L1 1HU,Blob,blobs,Mr,blobby,pub,bar,pubs,bars,in,at,outside,exterior,hot,toddy,100ml,Aussie,Australia,white,Whites,with,sugar,lemon,and,hot water,Yatess Wine Lodge,Yates,wine,lodge,fat
Description: Tony Smith image Alamy 2PJHNYK - Yates is an English pub chain. It was founded as Yates's Wine Lodge in Oldham, Lancashire by Peter and Simon Yates in 1884
Yates is Britain's oldest pub chain. Its motto was moderation is true temperance. The founders, brothers Peter and Simon Yates, were from Preston. Peter (who lived from April 22, 1854“1944) was sent to Spain to learn about wine. Simon went to the US to learn about business methods.
The first Yates Wine Lodge opened in Oldham in 1884
On July 23, 1994, Yates became a public company owned by the Yates Group PLC (Yates Brothers Wine Lodges PLC). The Yates Group also owned Ha! Ha! Bar & Canteen and operated pubs under the Blob Shop and Addison's name. In the late 1990s, its share price rose to reach a high of 550p in 1998.
In June 2001, the Yates Group entered takeover talks with Luminar Group. In July 2001, it withdrew from takeover talks and saying it would instead sell off 25 of its pubs, later putting 18 of them up for sale. On November 1, 2001, the Yates Group sold eight pubs to Morrells for £4 million, with four being in Grantham, Slough, Solihull and Tunbridge Wells.
In October 2003, Yates sold its Aussie White fortified brand to Halewood International for £1 million
Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1HU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,centre,Liverpool,L1 1HU,Blob,blobs,Mr,blobby,pub,bar,pubs,bars,in,at,outside,exterior,hot,toddy,100ml,Aussie,Australia,white,Whites,with,sugar,lemon,and,hot water,Yatess Wine Lodge,Yates,wine,lodge
Description: Tony Smith image Alamy 2PJHNYP - Yates is an English pub chain. It was founded as Yates's Wine Lodge in Oldham, Lancashire by Peter and Simon Yates in 1884
Yates is Britain's oldest pub chain. Its motto was moderation is true temperance. The founders, brothers Peter and Simon Yates, were from Preston. Peter (who lived from April 22, 1854“1944) was sent to Spain to learn about wine. Simon went to the US to learn about business methods.
The first Yates Wine Lodge opened in Oldham in 1884
On July 23, 1994, Yates became a public company owned by the Yates Group PLC (Yates Brothers Wine Lodges PLC). The Yates Group also owned Ha! Ha! Bar & Canteen and operated pubs under the Blob Shop and Addison's name. In the late 1990s, its share price rose to reach a high of 550p in 1998.
In June 2001, the Yates Group entered takeover talks with Luminar Group. In July 2001, it withdrew from takeover talks and saying it would instead sell off 25 of its pubs, later putting 18 of them up for sale. On November 1, 2001, the Yates Group sold eight pubs to Morrells for £4 million, with four being in Grantham, Slough, Solihull and Tunbridge Wells.
In October 2003, Yates sold its Aussie White fortified brand to Halewood International for £1 million
Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1HU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,CofE,architecture,history,historic,religious,religion,interior,inside,embellishment,Giles Gilbert Scott,protestant,chapel,chapels,room,building,detail,vault,vaults,vaulted,ceiling,lantern lights,protestants,gold,golden
Description: Tony Smith image Alamy 2PK2AH8 - Lady Chapel
The oldest and perhaps most beautiful part of the Cathedral, the Lady Chapel offers its own organ, much-admired lantern lights, its own private entrance as well as some of the most beautiful stained glass in the Cathedral.
This intimate chapel has wonderful acoustics and is ideally suited to smaller recitals, film showings, theatrical performances and lectures, seating up to 200 guests. It also provides a pre-event reception space for those hiring the Well “ combined with a call to dinner by our world-famous organ, and a candle-lit walk across the main floor, it's a start to the evening no guest will forget!
Celebrating a special wedding anniversary? Why not have a wedding blessing or a renewal of vows in this most beautiful Chapel and complete your special day with a champagne reception and dinner in the Sir Giles Gilbert Scott Suite. (Minimum numbers apply).
Weddings may also be held in the Lady Chapel but are subject to very strict criteria and to Archbishop of Canterbury's licence limitations and conditions
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Merseyside,England,tourism,L1,L1 7AZ,St James Road,St James Mt,Church of England Cathedral of the Diocese of Liverpool,inside,hardback,hardbound,book,ledger,list,of,Liverpool,the,leather,bound,volume,1939-1945,1939,1945,(Liverpool),history,historic,saint James,mount,red,maroon,books,The Kings,regiment
Description: Tony Smith image Alamy 2PK7X7R - . Directory of the fallen , Kings Regiment Liverpool, in the Anglican Cathedral, St James Mt, St James Road, Liverpool , Merseyside, England, UK, L1 7AZ. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St James Mt, St James Road, Liverpool , Merseyside, England, UK, L1 7AZ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, tourism, L1 7AZ, St James Road, St James Mt, Church of England Cathedral of the Diocese of Liverpool, hardback, hardbound, book, ledger, list, Liverpool, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
St James Mt, St James Road, Liverpool , Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,L1 7AZ,bar,closed,pubs,lost,the,nook,public,brewing,tied,house,history,boozer,old,building,architecture,Liverpool Chinatown,pub,Chinatown,L1 5DW,historic,bars,urban,city centre,public bar,Nook,Chinese,district,area,traditional
Description: Tony Smith image Alamy 2PKA5CT - . Higsons historic boozer, The Nook ,Griffiths St, Nelson Street, Liverpool Chinatown pub, Merseyside, stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England, UK, L1 5DW. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Nelson Street, Liverpool Chinatown pub, Merseyside, England, UK, L1 5DW, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, L1 7AZ, bar, closed, pubs, lost, nook, public, brewing, tied, house, history, providing natural SEO coverage without losing the specific documentary identity of the photograph. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The subject has strong relevance to British pub and beer culture, licensed premises, hospitality, brewing, cask ale, consumer leisure and the continuing role of pubs as social meeting places. It is suitable for coverage of the licensed trade, independent and managed pubs, brewery branding, CAMRA and real-ale culture, hospitality economics, changing drinking habits and the condition of the UK pub sector. Food and drink content broadens the image's relevance to eating out, grocery retail, hospitality, pricing, consumer choice, local food culture and the commercial presentation of meals, ingredients or products. It is a useful stock image for publishers, researchers and picture editors seeking a clearly identified contemporary record of the subject and location.
Nelson Street, Liverpool Chinatown pub, Merseyside, England, UK, L1 5DW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,L1 7AZ,English,1880-1960,the,on,floor,marble,of,city,centre,Liverpool,Anglican,Cathedral,famous,architects,Scotts,new,plans,plan,Gothic,tradition,with,modernism,architecture,popular,landmarks,landmark,Roman Catholic,cathedral,icon,iconic
Description: Tony Smith image Alamy 2PKA5M6 - Sir Giles Gilbert Scott OM RA FRIBA (9 November 1880 “ 8 February 1960) was a British architect He was noted for his blending of Gothic tradition with modernism, making what might otherwise have been functionally designed buildings into popular landmarks.
Born in Hampstead, London, Scott was one of six children and the third son of George Gilbert Scott Jr. and his wife, Ellen King Samson. His father was an architect who had co-founded the architecture and interior design company Watts & Co. in 1874. His paternal grandfather was Sir (George) Gilbert Scott, a more famous architect, known for designing the Albert Memorial and the Midland Grand Hotel at St Pancras Station
In 1901, while Scott was still a pupil in Moore's practice, the diocese of Liverpool announced a competition to select the architect of a new cathedral. Two well-known architects were appointed as assessors for an open competition for architects wishing to be considered. G. F. Bodley was a leading exponent of the Gothic revival style, and a former pupil and relative by marriage of Scott's grandfather
In 1903, the assessors recommended that Scott should be appointed. There was widespread comment at the nomination of a 22-year-old with no existing buildings to his credit.
In 1910 Scott realised that he was not happy with the main design, which looked like a traditional Gothic cathedral in the style of the previous century. He persuaded the cathedral committee to let him start all over again (a difficult decision, as some of the stonework had already been erected) and redesigned it as a simpler and more symmetrical building with a single massive central tower instead of the original proposal for twin towers. Scott's new plans provided more interior space. At the same time Scott modified the decorative style, losing much of the Gothic detailing and introducing a more modern, monumental style
Liverpool Anglican Cathedral, St James Mt, Church of England Cathedral of the Diocese of Liverpool,
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,alcohol,drinking,St Johns Lane,Queen Square,Liverpool,L1 1HF,at,DD,MHALG,Mikhail Hotel and Leisure Group,Robert Cain,Cains,Cain,pump,tap,glass,pot,full,Angram,beer,bitter,pumps,top,the,brewery,Dr,Duncans,Eurovision,2023
Description: Tony Smith image Alamy 2MA7MPH - Doctor Duncan's is named after William Henry Duncan, the UK's first Medical Health Officer. Duncan was born and raised in Liverpool before attending Edinburgh University where he qualified as a medical doctor. After moving back to his hometown Doctor Duncan was appointed as Medical Health Officer on 1 st January 1847, the first of this type of Senior Government role in Britain.
The pub, dating back to 1901, was built to house Pearl Insurance and is well known for its elaborately tiled interior. Now, in honour of its namesake, it houses an authentic Victorian pharmacy cabinet.
St John's Ln, Queen Square, Liverpool,Merseyside,England,UK,L1 1HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,alcohol,drinking,St Johns Lane,Queen Square,Liverpool,L1 1HF,at,DD,P,Pearl,insurance,tile,tiled,architecture,tiles,Staffordshire,medical health officer,Mikhail Hotel and Leisure Group,MHALG,fireplace,Victorian,history,historic,insurers,tiling,letter P,inside,interior
Description: Tony Smith image Alamy 2MA7MRK - Doctor Duncan's is named after William Henry Duncan, the UK's first Medical Health Officer. Duncan was born and raised in Liverpool before attending Edinburgh University where he qualified as a medical doctor. After moving back to his hometown Doctor Duncan was appointed as Medical Health Officer on 1 st January 1847, the first of this type of Senior Government role in Britain.
The pub, dating back to 1901, was built to house Pearl Insurance and is well known for its elaborately tiled interior. Now, in honour of its namesake, it houses an authentic Victorian pharmacy cabinet.
St John's Ln, Queen Square, Liverpool,Merseyside,England,UK,L1 1HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,Kung Hei Fat Choy,Chinese,New Year,Year of the rabbit,romance,Master Wok
Description: Tony Smith image Alamy 2MA7MRW - . Photographed at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Kung Hei Fat Choy - Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. The image also relates to period detail, commercial frontage, consumer retail, contemporary social history, customer footfall, brand display, historical comparison, morning meal, healthy eating, local history, small-business culture, bricks-and-mortar business, changing streetscape, and visual archive. Viewed from the mid-2020s, the subject also connects with consumer choice, healthy eating and the continuing debate over what constitutes a healthy everyday breakfast. The modern context includes continuing discussion of consumer spending, town-centre regeneration and the short lifespan of branding, displays and shopfront identities. The archival value lies partly in recording landscape treatment and surrounding development around 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP before closure or conversion alters the character of the place. A second descriptive layer includes nutrient-rich breakfast, healthy breakfast, wholegrain cereal, shopfront economy, regional identity, archival record, fruit-topped cereal, and everyday nutrition. Details involving 85-97, Asian-themed, Renshaw, Market, and Merseyside make the image more specific than a generic view and strengthen its local or historical value. For 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. It also preserves details of everyday use for later comparison. That local specificity strengthens the long-term documentary value of image 2MA7MRW.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,YYDS,Food Market,green,yellow,neons
Description: Tony Smith image Alamy 2MA7MTG - . Made at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The main point of reference is Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. Further facets of the scene include before-and-after reference, shopfront economy, changing streetscape, street-level trading, town-centre economy, consumer retail, place identity, healthy eating, wholegrain cereal, documentary photography, breakfast bowl, dietary fibre, commercial frontage, and everyday nutrition. The wider contemporary story combines consumer choice, dietary fibre and the continuing debate over what constitutes a healthy everyday breakfast. Viewed from the mid-2020s, the subject also connects with business rates, store closures and the role of independent businesses in maintaining active town centres. The image fixes commercial use and occupation within 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP at one identifiable point, providing a benchmark against new ownership. Other useful contextual ideas include historical comparison, fruit-topped cereal, healthy breakfast, customer footfall, community identity, regional identity, visual archive, and breakfast nutrition. The combination of Merseyside, 85-97, Market, Renshaw, and Asian-themed anchors the frame to a recognisable activity, place or moment. By fixing the subject within 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is consumer choice and the continuing debate over what constitutes a healthy everyday breakfast within the specific setting of 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,Asian-themed,themed,food,market,Renshaw,St,Dagu Rice Noodle,Nduo Sushi,Zhengxin Fried Chicken,sign,signs,bright,colourful,signage,Joe,street,85-97,Renshaw Street,Liverpool,L1 2SP,Blade runner,style,cuisine,wok,Authentic,Far East,South east Asia,Master Wok,Chinese,romance
Description: Tony Smith image Alamy 2MA7N05 - . This location-specific image from 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows Food Market neon, 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP- Asian-themed food hall. A broader reading of the photograph includes period detail, balanced breakfast, everyday life, bricks-and-mortar business, changing land use, historical comparison, dietary fibre, small-business culture, consumer retail, changing streetscape, local character, commercial frontage, visual archive, and healthy eating. For current editorial use, cost of living and food prices provide additional context, especially through how fruit and whole grains fit dietary guidance around fibre and micronutrients. Current relevance extends to consumer spending and town-centre regeneration, particularly through how commercial property shifts between retail, leisure and residential use. Small period details of equipment and working practice at 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP may become more significant with time, particularly following new ownership. The subject also sits alongside fruit-topped cereal, documentary photography, town-centre economy, morning meal, brand display, regional identity, fresh fruit breakfast, and breakfast nutrition. Elements such as Asian-themed, 85-97, Market, Liverpool, and Renshaw add documentary specificity and may become increasingly useful when compared with later records. Around 85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The record includes evidence of earlier appearance as a date-specific reference.
85-97 Renshaw Street, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,The,L1 2SP,87,Renshaw Street,old,1970s,at,on,a,history,historic,bars,pubs,St. Jamess Gate Dublin,St Jamess Gate Dublin,ornate,is,good,for,you,tap,dispenser,Irish,stout,Ireland,Eire,the,Black Stuff,St Patricks Day,St Patrick
Description: Tony Smith image Alamy 2MA7NF1 - . Photographed at 87 Renshaw St, Liverpool, Merseyside, England, UK, L1 2SP in 2023, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The defining feature is Old 1970s Guinness pump at The Dispensary, 87 Renshaw St, Liverpool, Merseyside, England, UK, L1 2SP. Other connected aspects include traditional ale house, traditional materials, archival record, licensed trade, local character, documentary photography, conservation interest, historic streetscape, everyday life, traditional pub, place identity, changing streetscape, period architecture, and contemporary social history. In present-day coverage, the subject reaches into consumer spending and business rates, not least because of the survival of local pubs as social meeting places. Today's relevance is strengthened by heritage conservation, adaptive reuse and the continuing question of how historic fabric can support regeneration rather than demolition. Small period details of materials and architectural details at 87 Renshaw St, Liverpool, Merseyside, England, UK, L1 2SP may become more significant with time, particularly following changing commercial priorities. Other useful contextual ideas include period building, changing land use, regional identity, community identity, public-house heritage, built heritage, heritage landmark, and local social venue. Elements such as 1970s, Liverpool, Dispensary, Merseyside, and Guinness add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within 87 Renshaw St, Liverpool, Merseyside, England, UK, L1 2SP, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene captures details of everyday use for future local research. The period view preserves evidence of changing use before later change alters the scene.
87 Renshaw St, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,The,Dispensary,L1 2SP,87,Renshaw Street,Tetley,house,Cains,Cain,Robert,Eurovision,2023,night,evening,nights,evenings,history,historic,the,real ale,boozer,window,windows,interesting,pub co,pub company,owner
Description: Tony Smith image Alamy 2MA7NJN - Most serious drinking pubs in Liverpool have a bit of heritage about them: they are fixtures as familiar as street lamps and go back decades. Somewhat surprisingly, this is not so with The Dispensary. It sprang up just a decade ago from the shell of an old man's boozer, The Grapes, on the corner of Rapid Hardware Street and Oldham Street in an area that is quietly renowned as a real booze and curry lovers' jackpot.
Pharmaceutical items, fixtures and fittings from old chemist shops, Liverpool University and the Liverpool Pharmaceutical Society abound in an effort to give it a traditional pub atmosphere and visually evoke a Victorian dispensary. It certainly did the trick for real-ale lovers CAMRA who voted it English Heritage pub refurbishment of the year 2000 and also Merseyside pub of the year.
Cains tenants Pauline Keady-Williams and husband Dave run The Dispensary, prescribing a cure-all for the world's ills in the shape of medicine on tap from the Upper Stanhope Street brewery, this week finding itself in dire financial straits with administrators being called in this week.
Why go there?
It serves arguably the best beer in town, if they do say so themselves, although Dominic Hornsby, from the nearby Fly In The Loaf, would doubtless disagree.
Who goes there?
The Dispensary's main allure seems to be for chaps, in there to either marvel at their chosen pint in solitude (I come here to hide from the wife, one un-pictured punter told us) or to philosophise in small huddles about the state of the world, occasionally all pausing to marvel at that pint again.
87 Renshaw St, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,train,rail,railway,station,main,platform,platforms,TPE,engine,802203,bi,mode,multiple,unit,blue,new,livery,Merseyside,L1 1JD,L1,transport,public,Northern Powerhouse,NPR,TOC,First,limited,delays,poor,service,services,Matthew Golton,apology,unreliability,unreliable
Description: Tony Smith image Alamy 2MGPE0T - TransPennine Express (TPE), legally First TransPennine Express Limited, is a British train operating company owned by FirstGroup that operates the TransPennine Express franchise. It runs regional and inter-city rail services between the major cities and towns of Northern England and Scotland.
The franchise operates almost all its services to and through Manchester covering three main routes. The service provides rail links for major towns and cities such as Edinburgh, Glasgow, Liverpool, Sheffield, Hull, Leeds, York, Scarborough, Middlesbrough and Newcastle. TPE run trains 24 hours a day, including through New Year's Eve night. TPE trains run between York, Leeds and Manchester Airport at least every three hours every night of the week. The franchise operates across the West Coast Main Line, Huddersfield Line, East Coast Main Line and part of the Tees Valley line.
TransPennine Express was one of several train operators impacted by the 2022 United Kingdom railway strike, which was the first national rail strike in the UK for three decades. Its workers were amongst those who participated in industrial action due to a dispute over pay and working conditions
On 26/01/2023, the boss of under-fire train company Transpennine Express has apologised to passengers and admitted services have not been good enough.
Transpennine, which operates across the North of England and into Scotland, has been cancelling trains on a daily basis for months, disrupting many journeys.
Calls have been made for the company to lose its contract for the service.
Matthew Golton, managing director of Transpennine, told the BBC the operator had a recovery plan to do better.
The government has previously said action will be taken if the company can't be turned round.
Asked about Transpennine cancelling 40% of its services last week, Mr Golton said: It isn't good enough.
Lime Street, Liverpool, Merseyside, England, UK, L1 1JD
Description
Keywords: GoTonySmith,HotpixUK,England,train,rail,railway,station,mainline,main,line,platform,platforms,TPE,engine,802203,bi,mode,multiple,unit,blue,new,livery,Merseyside,L1 1JD,L1,transport,public,Northern Powerhouse,TOC,First,limited,delays,poor,service,services,strikes,cancelling,transportation,worst for train cancellations,Government control
Description: Tony Smith image Alamy 2MGPE4T - TransPennine Express (TPE), legally First TransPennine Express Limited, is a British train operating company owned by FirstGroup that operates the TransPennine Express franchise. It runs regional and inter-city rail services between the major cities and towns of Northern England and Scotland.
The franchise operates almost all its services to and through Manchester covering three main routes. The service provides rail links for major towns and cities such as Edinburgh, Glasgow, Liverpool, Sheffield, Hull, Leeds, York, Scarborough, Middlesbrough and Newcastle. TPE run trains 24 hours a day, including through New Year's Eve night. TPE trains run between York, Leeds and Manchester Airport at least every three hours every night of the week. The franchise operates across the West Coast Main Line, Huddersfield Line, East Coast Main Line and part of the Tees Valley line.
TransPennine Express was one of several train operators impacted by the 2022 United Kingdom railway strike, which was the first national rail strike in the UK for three decades. Its workers were amongst those who participated in industrial action due to a dispute over pay and working conditions
On 26/01/2023, the boss of under-fire train company Transpennine Express has apologised to passengers and admitted services have not been good enough.
Transpennine, which operates across the North of England and into Scotland, has been cancelling trains on a daily basis for months, disrupting many journeys.
Calls have been made for the company to lose its contract for the service.
Matthew Golton, managing director of Transpennine, told the BBC the operator had a recovery plan to do better.
The government has previously said action will be taken if the company can't be turned round.
Asked about Transpennine cancelling 40% of its services last week, Mr Golton said: It isn't good enough.
Lime Street, Liverpool, Merseyside, England, UK, L1 1JD
Description
Keywords: GoTonySmith,HotpixUK,Merseyside,England,L1,69,er,69-er,bedroom,sex,position,sexy,provocative,positions,neon,light,sixty,nine,circle,circular,English,number,rude,sixty-nine,summer of,couple,intimacy,Karmasutra,lovers,pair,of,lover,sensuality,pleasure,soixante-neuf,mutual anilingus,double rimming,mutual,Kama Sutra,oral
Description: Tony Smith image Alamy 2NXEM3B - Sixty-nine or 69, also known by its French name soixante-neuf (69), is a group of sex positions in which two people align themselves so that each person's mouth is near the other's genitals, each simultaneously performing oral sex on the other.The participants are thus mutually inverted like the numerals 6 and 9 in the number 69 (69), hence the name. This position can involve any combination of sexes.
Method
Variations of the 69 positions include mutual anilingus or double rimming, and digital penetration of either partner's anus or vagina.
In these positions, the partners are said to experience sexual stimulation simultaneously, but this can also distract those who try to focus solely on pleasuring themselves. The position can also be awkward for partners who are not similar in height.
The term sixty-nine or soixante-neuf for mutual simultaneous oral-genital stimulation is an English translation of the euphemistic French term, soixante-neuf. The term soixante-neuf has not been traced any earlier than the Whore's Catechisms published in the 1790s in France, usually attributed to the early leader of the French Revolution, Mlle. Théroigne de Méricourt.
The Kama Sutra mentions this sex position, albeit by a different name: When a man and woman lie down in an inverted order, i.e. with the head of the one towards the feet of the other and carry on [mouth] congress, it is called the 'congress of a crow'.
Internet meme
In reference to the sex position, 69 has become an internet meme, where users will respond to any occurrence of the number with the word nice and draw specific attention to it. This means to sarcastically imply that the reference to the sex position was intentional. Because of its association with the sex position and resulting meme, 69 has become known as the sex number in these communities
Liverpool, city,centre, Merseyside, England,UK, L1
Description
Keywords: GoTonySmith,HotpixUK,city,centre,Merseyside,England,UK,L1,tourist,attraction,port,the,Mersey,river,royal,historic,ports,stew,hotpot,dish,A-Board,in,advertising,a,lunch,special,Panam,lob,blind,accent,Scousers,lobscouse,recipe,potatoes,carrots,onion,meat,beef,thrift,bowl
Description: Tony Smith image Alamy 2NYNDWN - . An on-location photograph from Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF in 2023, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is A-Board in Liverpool, advertising a lunch special of 'Scouse' Scouse, £9.95 - Liverpudlians are often referred to as Scousers eating this popular stew. The setting additionally reflects everyday cuisine, documentary photography, visual communication, community identity, visual archive, changing streetscape, food heritage, archival record, food-and-drink heritage, place identity, local character, classic British meal, public information notice, and graphic street detail. For current editorial use, public communication and advertising change provide additional context, especially through the way lettering and materials contribute to local visual identity. Current relevance extends to takeaway culture and local business, particularly through how familiar dishes remain cultural shorthand for British food. Future viewers can use this scene from Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF to compare period objects and surrounding context with whatever follows after changing commercial priorities. The subject also sits alongside material sign design, contemporary social history, regional identity, traditional takeaway, before-and-after reference, urban typography, period lettering, and street food culture. Details involving popular, eating, Liverpool, advertising, and Scouse make the image more specific than a generic view and strengthen its local or historical value. A later view of Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Image 2NYNDWN also remains a dated record of Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF.
Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,tourist,attraction,the,maritime,port,Mersey,river,historic,ports,GB,Great Britain,British,history,dock,docks,reflection,reflections,of,and,buildings,window,reflected,cunard,harbour,board,skyline,cityscape
Description: Tony Smith image Alamy 2NYNDWW - . Made at Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF in 2023, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. At the centre of the view is Reflection of the royal Albert Dock and Pier Head Liver buildings, Liverpool in a window, Liverpool, Merseyside, England, GB,. A broader reading of the photograph includes everyday cuisine, hospitality food service, British food tradition, local character, changing streetscape, local dining tradition, traditional takeaway, before-and-after reference, community identity, archival record, food-and-drink heritage, everyday life, food heritage, and period detail. Current relevance extends to tourism and nutrition, particularly through how familiar dishes remain cultural shorthand for British food. Future viewers can use this scene from Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF to compare transport arrangements and footfall with whatever follows after refurbishment. A second descriptive layer includes public realm, visual archive, regional identity, popular cuisine, classic British meal, social story.htm Target=_Blank>history, local history, and historical comparison. The combination of Reflection, Liver, buildings, Liverpool, and Merseyside anchors the frame to a recognisable activity, place or moment. For Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to tourism and how food signs and shopfronts become part of urban cultural identity as part of the longer story of Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF. The frame retains part of the area's social history as a date-specific reference. The scene captures details of everyday use for later comparison.
Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,tourist,attraction,the,royal,maritime,port,Mersey,river,historic,ports,BW,black and white,mooring,tied,up,at,yacht,sailing,vessel,vessels,boardwalk,building,dock,docks,heritage,UNESCO,history
Description: Tony Smith image Alamy 2NYNDX5 - . This scene at Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF in 2023 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. At the centre of the view is Monochrome moored boats at the historic royal Albert Dock, Pier Head, Liverpool, Merseyside, England, Great Britain. The subject also carries associations with local character, regional identity, public realm, local history, classic British meal, community identity, everyday cuisine, food-and-drink heritage, food heritage, visual archive, contemporary social history, hospitality food service, archival record, and place identity. Viewed from the mid-2020s, the subject also connects with tourism, food inflation and how familiar dishes remain cultural shorthand for British food. The image fixes building condition and alterations within Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF at one identifiable point, providing a benchmark against refurbishment. Other useful contextual ideas include comfort food, before-and-after reference, documentary photography, changing land use, local dining tradition, traditional takeaway, popular cuisine, and street food culture. The recorded references to historic, Liverpool, boats, Monochrome, and Albert preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF, the image preserves more than the headline object or building: it records part of the locality's everyday history. Its period value extends to tourism and how familiar dishes remain cultural shorthand for British food when considered against later change at Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF. It also preserves evidence of changing use within the wider story of Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF.
Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,tourist,attraction,the,royal,maritime,port,Mersey,river,L3,L3 4AF,dock,docks,love padlock,fastened,symbolic,symbolise,lovers,lover,litter,or,vandalism,attractions,name,names,partner,girlfriend,boyfriend,romance,heart,locked,river Mersey promenade
Description: Tony Smith image Alamy 2NYNE3D - A love lock or love padlock is a padlock that significant other pairs lock to a bridge, fence, gate, monument, or similar public fixture to symbolize their love. Typically the sweethearts' names or initials, and perhaps the date, are inscribed on the padlock, and its key is thrown away (often into a nearby river) to symbolize unbreakable love.
Since the 2000s, love locks have proliferated at an increasing number of locations worldwide. They are treated by some municipal authorities as litter or vandalism, and there is some cost to their removal. However, there are other authorities who embrace them, and who use them as fundraising projects or tourist attractions.
Love locks are a symbol of everlasting love, a sign of an unbreakable bond and a beautifully significant moment you can share with someone.
The love locks of Liverpool are used by people from all over the world to show their unbreakable love. These locks can be found along the River Mersey, decorating chains along the river with symbols of love.
Many of them have been inscribed with messages and as you walk along, you notice beautiful and intricate padlock designs along with the different dates such as when couples met, were engaged and married.
The actual tradition is believed to have started over 100 years ago during the first world war. Women would write the names of their loved ones on a padlock in the hope it would protect them whilst they were away fighting. The symbols of love have actually developed from heart rendering moments of not knowing if you would ever see your loved one again.
Graving dry dock, Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,dusk,L1,winter,shoppers,shopping,retail,shops,stores,dept,partnership,red,lanterns,lantern,Rolex,Guess,Morphe,store,chain,home furnishings,accessories,electronics,fashion,&,beauty,with,bag,bags,cold,wintery
Description: Tony Smith image Alamy 2P4JTG7 - . This authentic period view of Paradise Street, Liverpool, Merseyside, England, UK, L1 3EU in 2023 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through John Lewis flagship department store at Liverpool One, Winter shoppers, Paradise Street, Liverpool, Merseyside, England, UK, L1 3EU. A broader reading of the photograph includes small business, visual archive, street-level business, commercial frontage, changing streetscape, documentary photography, community identity, historical comparison, local enterprise, period detail, before-and-after reference, contemporary social history, retail property, and shopfront economy. From a 2025-onward perspective, footfall and town-centre regeneration are closely linked to this subject, alongside how commercial property costs affect small retailers. Small period details of materials and architectural details at Paradise Street, Liverpool, Merseyside, England, UK, L1 3EU may become more significant with time, particularly following refurbishment. The location also brings in place identity, everyday life, archival record, high-street commerce, customer footfall, bricks-and-mortar retail, specialist shop, and town-centre trading. Elements such as Merseyside, shoppers, Paradise, Lewis, and Liverpool add documentary specificity and may become increasingly useful when compared with later records. A later view of Paradise Street, Liverpool, Merseyside, England, UK, L1 3EU may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another useful connection is footfall and how commercial property costs affect small retailers as part of the longer story of Paradise Street, Liverpool, Merseyside, England, UK, L1 3EU. The view records evidence of changing use for future local research.
Paradise Street, Liverpool, Merseyside, England, UK, L1 3EU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,dusk,rope walks,big,obese,anorexic,shop,store,retail,L1 4EZ,L1,trainers,designer,branded,training,shoes,shoe,retailer,casual,sportswear,&,accessories,size-ist,sizeist,fat,thin,skinny,size6,size8,size 6,models,model,does size matter
Description: Tony Smith image Alamy 2P4JW2X - . This location-specific image from Bold St, Liverpool, Merseyside, England, UK, L1 4EZ in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The photograph centres on Size? Shoestore, Chain retailer offering designer branded training shoes, casual sportswear & accessories, Bold St, Liverpool, L1 4EZ. Another layer of the photograph includes visual archive, passenger railway, contemporary social history, regional rail, commuter travel, everyday life, rail corridor, social history, rail modernisation, historical comparison, local character, rail infrastructure, archival record, and changing streetscape. Viewed from the mid-2020s, the subject also connects with fares, public ownership and the role of public transport in reducing congestion and emissions. Small period details of signage and branding at Bold St, Liverpool, Merseyside, England, UK, L1 4EZ may become more significant with time, particularly following new construction. The surrounding story also includes changing land use, place identity, integrated transport, before-and-after reference, community identity, railway branding, trackside heritage, and regional identity. Details involving shoes, branded, casual, offering, and sportswear make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Bold St, Liverpool, Merseyside, England, UK, L1 4EZ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is fares and the role of public transport in reducing congestion and emissions within the real-world context of Bold St, Liverpool, Merseyside, England, UK, L1 4EZ. The scene further reflects accessibility and the role of public transport in reducing congestion and emissions within the specific setting of Bold St, Liverpool, Merseyside, England, UK, L1 4EZ.
Bold St, Liverpool, Merseyside, England, UK, L1 4EZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,England,UK,L1,area,stores,shops,night,at,winter,evening,main,shoppers,people,busy,one,time,shopping,retail,store,Primark,Marks and Spencer,Marks and Spencers,Marks & Spencer,walking,walkers busy,packed,Thursday,late,reflections,wet,pedestrianised,traffic-free,traffic free,Eurovision 2023
Description: Tony Smith image Alamy 2P4JX9W - Church Street is a street in Liverpool, England, lying between Bold Street to the east and Lord Street to the west. It is the main shopping area of Liverpool and takes its name from St Peter's Church, which was demolished in 1922. The side streets to the north of Church Street lead to Williamson Square, while the Grade I listed Bluecoat Chambers”the oldest surviving building in Liverpool”is to the south along Church Alley. The Liverpool Athenaeum, an institution founded in the 18th century, is also on Church Alley. The area behind the shops on the south side of Church Street is now part of the Liverpool One shopping complex, which opened in October 2008 after the redevelopment of a large part of the L1 postcode area (hence the name).
Church street, Liverpool, Merseyside, England, UK, L1 3AY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,L1 1QR,night,evening,winter,shoppers,at,signage,door,outside,exterior,mall,B&M,Costa,Quarters,Bon,Boots,McDonalds,Vision Express,The Gym,group,VIP Electronic Cigarettes,retailers,shop,shopping centre,shopping centres,stores,city,centre,shops,main,shopping,area
Description: Tony Smith image Alamy 2P4JXJ1 - . Recorded at Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Dusk shoppers at Clayton Square shopping centre glass roof canopy, Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR. Another layer of the photograph includes changing streetscape, documentary photography, local character, specialist shop, place identity, customer footfall, community identity, period detail, regional identity, contemporary social history, social history, visual archive, shopfront economy, and commercial frontage. Today's relevance is strengthened by footfall, business rates and the continuing question of how commercial property costs affect small retailers. Small period details of period objects and surrounding context at Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR may become more significant with time, particularly following altered transport patterns. The subject also sits alongside before-and-after reference, specialist retailer, high-street commerce, public realm, archival record, local history, small business, and independent retail. The combination of centre, Liverpool, Merseyside, shoppers, and glass anchors the frame to a recognisable activity, place or moment. For Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of footfall and the contribution of independents to distinctive high streets within the real-world context of Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR. The period view preserves period character as a date-specific reference. The view records a trace of local identity for later comparison.
Great Charlotte Street, Liverpool, Merseyside, England, UK, L1 1QR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,dusk,observation,icon,iconic,Eurovision,2023,host,mall,Financial Partners,owned,owners,125,L1 1LY,L1,St Johns Beacon,Viewing,Gallery,beacon,tower,James A. Roberts,Associates,Eurovision2023,retailers,shop,shopping centre,shopping centres,exterior,stores,city,centre,shops,main,shopping,area
Description: Tony Smith image Alamy 2P4JXJ8 - Radio City Tower (also known as St. John's Beacon) is a radio and observation tower in Liverpool, England, built in 1969 and opened by Queen Elizabeth II. It was designed by James A. Roberts Associates in Birmingham. It is 138 metres tall, and is the second tallest free-standing building in Liverpool and the 32nd tallest in the United Kingdom.
When considering the height of the building, it has a 10m long antenna on the roof, making it the tallest structure in Liverpool (including antennas).
As testament to the importance of its design, which was described by Historic England as embodying the technological bravura and spirit of the space age , the building was listed at Grade II in November 2020.
The tower takes its name from the main radio station that operates from it, Radio City and its sister station Greatest Hits Radio Liverpool & The North West
125 St George's Way, Liverpool, Merseyside, England, UK, L1 1LY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,pork,wurst,cook,cooking,food,poisoning,Festive,cooked,meat,meats,L1,St Georges,pl,place,England,UK,L1 1JJ,sign,visit,tourist,tourism,William Brown,st,street,festive,offerings,offering,eating,out,nightlife,trader,traders
Description: Tony Smith image Alamy 2M1F5KA - . This authentic period view of St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through Liverpool German Christmas market swing grill at St Georges hall 2022, St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. The subject also carries associations with specialist retailer, bricks-and-mortar retail, retail property, shopfront economy, local history, high-street commerce, independent retail, archival record, small business, specialist shop, street-level business, local character, town-centre trading, and historical comparison. Viewed from the mid-2020s, the subject also connects with consumer spending, store closures and how commercial property costs affect small retailers. For later comparison, the photograph preserves signage and branding at St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ, details that may look very different after new ownership. Other useful contextual ideas include local enterprise, visual archive, changing streetscape, before-and-after reference, place identity, public realm, social history, and changing land use. Elements such as Georges, George's, Merseyside, swing, and Liverpool add documentary specificity and may become increasingly useful when compared with later records. A later view of St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes consumer spending and how commercial property costs affect small retailers within the specific setting of St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. It also preserves evidence of changing use before later change alters the scene. The photograph keeps evidence of earlier appearance as a date-specific reference.
St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,pork,wurst,cook,cooking,food,poisoning,Festive,cooked,meat,meats,L1,St Georges,pl,place,England,UK,L1 1JJ,piled,up,hygiene,rating,safe,mobile,catering,caterer,outdoor,eating,festive,re-heating,cooling,pest,control,trader,traders
Description: Tony Smith image Alamy 2M1F5KD - . Recorded at St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. At the centre of the view is Liverpool German Christmas market swing grill at St Georges hall 2022, St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. Another layer of the photograph includes period detail, social history, local history, independent retail, regional identity, shopfront economy, documentary photography, local character, small business, place identity, historical comparison, specialist shop, bricks-and-mortar retail, and visual archive. The wider contemporary story combines commercial rents, independent business and the contribution of independents to distinctive high streets. The archival value lies partly in recording building condition and alterations around St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ before altered transport patterns alters the character of the place. The location also brings in high-street commerce, contemporary social history, community identity, customer footfall, before-and-after reference, specialist retailer, retail property, and local enterprise. The recorded references to German, grill, George's, Christmas, and Merseyside preserve clues about how the subject was presented, used or understood at the time. The period setting at St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate commercial rents and how shopfronts become short-lived records of changing businesses within the real-world context of St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. The image fixes details of everyday use as a date-specific reference. It also preserves evidence of changing use for later comparison.
St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,pork,wurst,cook,cooking,food,poisoning,Festive,cooked,meat,meats,L1,St Georges,pl,place,England,UK,L1 1JJ,piled,up,hygiene,rating,safe,mobile,catering,caterer,outdoor,eating,festive,re-heating,cooling,pest,control,traceability
Description: Tony Smith image Alamy 2M1F5KK - . An on-location photograph from St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The location is represented through Liverpool German Christmas market swing grill at St Georges hall 2022, St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. The locality and subject together evoke changing land use, community identity, high-street commerce, changing streetscape, shopfront economy, specialist retailer, bricks-and-mortar retail, social history, archival record, street-level business, customer footfall, everyday life, public realm, and historical comparison. From a 2025-onward perspective, business rates and commercial rents are closely linked to this subject, alongside the contribution of independents to distinctive high streets. For later comparison, the photograph preserves public access and movement at St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ, details that may look very different after refurbishment. The location also brings in regional identity, contemporary social history, place identity, commercial frontage, independent retail, town-centre trading, visual archive, and period detail. Elements such as Merseyside, market, swing, grill, and Georges add documentary specificity and may become increasingly useful when compared with later records. The period setting at St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of business rates and how shopfronts become short-lived records of changing businesses within the specific setting of St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ. The view records a trace of local identity for later comparison.
St George's Pl, Liverpool, Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,Lionel Budden,St Georges Plateau,WWI,WWII,St Georges,military,Grade II,listed building,L1,L1 1JJ,poppy,wreaths,remembrance day,we will,remember,them,drama,dramatic,history,historic,poppies,army,dead,forces,stone,memorial,marching,troop,troops,brigade,a,mighty
Description: Tony Smith image Alamy 2M1F5KP - Liverpool Cenotaph stands on St George's Plateau, to the east of St George's Hall in Liverpool, England. It was erected as a memorial to those who had fallen in the First World War. The dates of the Second World War were subsequently added. The cenotaph consists of a rectangular block of stone on a stone platform, with bronze, low-relief sculptures on the sides depicting marching troops and mourners. It was designed by Lionel Budden, with carving by Herbert Tyson Smith. Initially designated as a Grade II listed building, its status was raised to Grade I in 2013.
Liverpool Cenotaph stands on St George's Plateau, to the east of St George's Hall in Liverpool, England. It was erected as a memorial to those who had fallen in the First World War. The dates of the Second World War were subsequently added. The cenotaph consists of a rectangular block of stone on a stone platform, with bronze, low-relief sculptures on the sides depicting marching troops and mourners. It was designed by Lionel Budden, with carving by Herbert Tyson Smith. Initially designated as a Grade II listed building, its status was raised to Grade I in 2013.
The cenotaph was designated as a Grade II listed building on 28 June 1952. On 8 November 2013, the designation was raised to Grade I. The reasons given for the designation include its design context with its impressive location adjacent to St George's Hall. Also noted is the architectural interest of the cenotaph, with its horizontal lines forming a foil to the vertical columns of the hall. Referring to its sculptural interest, the citation states that the sculptural work is exceptional and is arguably Tyson Smith's finest and most powerful work. The design is considered to have contemporary significance in that rather than using allegory and heroic idealisation, it employs powerful and modern realist portrayals. The quality of its craftsmanship is praised, and it is also to have group value in its location near other listed buildings
Lime Street, Liverpool, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,Lionel Budden,St Georges Plateau,WWI,WWII,Herbert Tyson Smith,St Georges,military,Grade II,listed building,L1,L1 1JJ,poppy,wreaths,remembers,remembrance day,we will,remember,them,drama,dramatic,history,historic,poppies,army,dead,forces,stone,memorial,marching,troop,troops,brigade
Description: Tony Smith image Alamy 2M1F5R0 - Liverpool Cenotaph stands on St George's Plateau, to the east of St George's Hall in Liverpool, England. It was erected as a memorial to those who had fallen in the First World War. The dates of the Second World War were subsequently added. The cenotaph consists of a rectangular block of stone on a stone platform, with bronze, low-relief sculptures on the sides depicting marching troops and mourners. It was designed by Lionel Budden, with carving by Herbert Tyson Smith. Initially designated as a Grade II listed building, its status was raised to Grade I in 2013.
Liverpool Cenotaph stands on St George's Plateau, to the east of St George's Hall in Liverpool, England. It was erected as a memorial to those who had fallen in the First World War. The dates of the Second World War were subsequently added. The cenotaph consists of a rectangular block of stone on a stone platform, with bronze, low-relief sculptures on the sides depicting marching troops and mourners. It was designed by Lionel Budden, with carving by Herbert Tyson Smith. Initially designated as a Grade II listed building, its status was raised to Grade I in 2013.
The cenotaph was designated as a Grade II listed building on 28 June 1952. On 8 November 2013, the designation was raised to Grade I. The reasons given for the designation include its design context with its impressive location adjacent to St George's Hall. Also noted is the architectural interest of the cenotaph, with its horizontal lines forming a foil to the vertical columns of the hall. Referring to its sculptural interest, the citation states that the sculptural work is exceptional and is arguably Tyson Smith's finest and most powerful work. The design is considered to have contemporary significance in that rather than using allegory and heroic idealisation, it employs powerful and modern realist portrayals. The quality of its craftsmanship is praised, and it is also to have group value in its location near other listed buildings
Lime Street, Liverpool, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,St Georges Plateau,WWI,WWII,Herbert Tyson Smith,St Georges,military,Grade II,listed building,L1,L1 1JJ,poppy,wreaths,who,fell,in,the,great,war,shadows,remembrance day,we will,remember,them,drama,dramatic,history,historic,poppies,army,dead,forces
Description: Tony Smith image Alamy 2M1F5R8 - Liverpool Cenotaph stands on St George's Plateau, to the east of St George's Hall in Liverpool, England. It was erected as a memorial to those who had fallen in the First World War. The dates of the Second World War were subsequently added. The cenotaph consists of a rectangular block of stone on a stone platform, with bronze, low-relief sculptures on the sides depicting marching troops and mourners. It was designed by Lionel Budden, with carving by Herbert Tyson Smith. Initially designated as a Grade II listed building, its status was raised to Grade I in 2013.
Liverpool Cenotaph stands on St George's Plateau, to the east of St George's Hall in Liverpool, England. It was erected as a memorial to those who had fallen in the First World War. The dates of the Second World War were subsequently added. The cenotaph consists of a rectangular block of stone on a stone platform, with bronze, low-relief sculptures on the sides depicting marching troops and mourners. It was designed by Lionel Budden, with carving by Herbert Tyson Smith. Initially designated as a Grade II listed building, its status was raised to Grade I in 2013.
The cenotaph was designated as a Grade II listed building on 28 June 1952. On 8 November 2013, the designation was raised to Grade I. The reasons given for the designation include its design context with its impressive location adjacent to St George's Hall. Also noted is the architectural interest of the cenotaph, with its horizontal lines forming a foil to the vertical columns of the hall. Referring to its sculptural interest, the citation states that the sculptural work is exceptional and is arguably Tyson Smith's finest and most powerful work. The design is considered to have contemporary significance in that rather than using allegory and heroic idealisation, it employs powerful and modern realist portrayals. The quality of its craftsmanship is praised, and it is also to have group value in its location near other listed buildings
Lime Street, Liverpool, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,North West,Merseyside,L1,60,England,L1 9DW,bar,pubs,cosy,spirits,tap,taps,summer,wood,wooden,drinker,crisps,real ales,pub,bars,centre,nightlife,economy,food,drink,drinks,heritage,boozers,Public House,fun,attractions,drinkers,haven,in,the
Description: Tony Smith image Alamy 2JHPHJD - . This scene at 60 Roscoe St, Liverpool, Merseyside, England, L1 9DW in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is The Grapes pub interior, 60 Roscoe street , Liverpool, Merseyside, England, UK, L1 9DW. The setting additionally reflects changing streetscape, street-level documentary, night-time economy, local identity, documentary photography, community life, before-and-after reference, food-and-drink business, social history, local dining scene, community identity, pedestrian environment, commercial hospitality, and townscape record. In present-day coverage, the subject reaches into food inflation and business rates, not least because of the resilience of customer-facing businesses in a high-cost economy. Today's relevance is strengthened by footfall, commercial change and the continuing question of how regeneration alters the character of familiar places. Small period details of local activity and public use at 60 Roscoe St, Liverpool, Merseyside, England, L1 9DW may become more significant with time, particularly following redevelopment. Further associations within the scene are historical comparison, hospitality trade, restaurant culture, casual dining, everyday life, destination dining, customer-facing service, and archival record. References to Liverpool, Roscoe, Merseyside, interior, and Grapes give the picture a strong period identity and tie it closely to its named subject. Around 60 Roscoe St, Liverpool, Merseyside, England, L1 9DW, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects food inflation and how changing discretionary spending affects hospitality venues when considered against later change at 60 Roscoe St, Liverpool, Merseyside, England, L1 9DW.
60 Roscoe St, Liverpool, Merseyside, England, L1 9DW
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,pub,bars,portrait,pub sign,sign,Cain,Cains,brewing,1805-1863,1805,1863,Dr Duncan,real,ale,CAMRA,at,Liverpool,England,UK,L1 1HF,L1,William Henry Duncan,picture,Liverpool physician,Doctor Duncans,Liverpool Pubs,signs,historic,medical,physician,landmark,pubs,bar,Lane
Description: Tony Smith image Alamy 2JCW1YJ - Doctor Duncan's is named after William Henry Duncan, the UK's first Medical Health Officer. Duncan was born and raised in Liverpool before attending Edinburgh University where he qualified as a medical doctor. After moving back to his hometown Doctor Duncan was appointed as Medical Health Officer on 1 st January 1847, the first of this type of Senior Government role in Britain.
The pub, dating back to 1901, was built to house Pearl Insurance and is well known for its elaborately tiled interior. Now, in honour of its namesake, it houses an authentic Victorian pharmacy cabinet.
St John's Lane, Queen Square, Liverpool, Merseyside, England, UK , L1 1HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city centre,England,UK,Levelling up,Northern Powerhouse,Lime Street,Liverpool Lime St,rail,railway,RMT Union,strike,striking,transport,infrastructure,L1,at,mainline station,Eurovision,2023,NW,northwest,network,routes,investment,subsidy,platform,platforms,blue,city,station,WCML,mainline,main line,L1 1JD
Description: Tony Smith image Alamy 2JDDPPK - . This scene at Lime Street, Liverpool, Merseyside, stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England, UK, L1 1JD in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The principal subject is Liverpool Lime street Sign at mainline station, city centre, Merseyside, England, UK, L1 1JD. The wider scene also brings together public transport network, social history, community life, regional identity, social landscape, public realm, local character, pedestrian environment, rail mobility, rolling stock, industrial railway heritage, documentary photography, contemporary social history, and street-level documentary. Viewed from the mid-2020s, the subject also connects with rail reform, fares and the continuing importance of rail to regional connectivity. The modern context includes continuing discussion of public-realm change, transport and how regeneration alters the character of familiar places. The image fixes transport arrangements and footfall within Lime Street, Liverpool, Merseyside, England, UK, L1 1JD at one identifiable point, providing a benchmark against changing commercial priorities. The photograph additionally reflects urban change, trackside history, visual archive, everyday street life, transport interchange, period detail, community identity, and passenger railway. Details involving Merseyside, mainline, station, centre, and Liverpool make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Lime Street, Liverpool, Merseyside, England, UK, L1 1JD, the image preserves more than the headline object or building: it records part of the locality's everyday history. Its period value extends to rail reform and how historic rolling stock documents the industrial railway without losing the local specificity of Lime Street, Liverpool, Merseyside, England, UK, L1 1JD.
Lime Street, Liverpool, Merseyside, England, UK, L1 1JD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,art,outside,exterior,gable,end,face,woman,female,Mr Cenz,Mr,Cenz,artist,1F London Rd,1F London Road,blue,L3 8HR,Contrast Mural,fest,festival,girl,women,feminine,ladylike,painting,iF,London Rd,city,centre,impressionistic,street art,street,arts
Description: Tony Smith image Alamy 2M475EA - . This authentic period view of 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR in 2019 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. At the centre of the view is Mr Cenz Street art, on gable end, of Lord Warden, 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR. The wider scene also brings together documentary photography, graffiti heritage, public transport stop, street creativity, place identity, historical comparison, local character, temporary artwork, bus route infrastructure, mural culture, urban artwork, roadside transit, before-and-after reference, and transport accessibility. From a 2025-onward perspective, public art and graffiti policy are closely linked to this subject, alongside how temporary street art becomes an important visual archive. The wider contemporary story combines decarbonisation, integrated transport and the challenge of maintaining reliable local services. Future viewers can use this scene from 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR to compare lettering, decoration and surface detail with whatever follows after replacement signage. A second descriptive layer includes passenger transport, public realm, regional identity, passenger information, surface public transport, period detail, creative placemaking, and social history. The recorded references to Warden, Liverpool, Merseyside, and gable preserve clues about how the subject was presented, used or understood at the time. The wider setting at 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene further reflects public art and how regeneration can support and displace informal culture at the same time within the specific setting of 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR.
1F London Road, Liverpool., Merseyside, England, UK, L3 8HR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,art,trumpet,music,musician,legacy,jazz,player,artist,artistic,1960,1960s,monochrome,mono,BW,Black & White,Black and White,history,heritage,old,olden,days,years,ago,urban,environment,street,road,lane,lanes,built,architecture
Description: Tony Smith image Alamy 2M475F4 - . This dated editorial view of London Road, Liverpool, Merseyside, England, UK in 2019 captures more than the immediate subject, retaining clues about local use, design, activity and change. At the centre of the view is Trumpet Player art, London Road, Liverpool, Merseyside, England, UK. Other connected aspects include street-side transport, local bus network, social history, archival record, historical comparison, regional identity, before-and-after reference, period detail, contemporary social history, roadside transit, local mobility, public-transport wayfinding, local history, and bus infrastructure. Current relevance extends to decarbonisation and local connectivity, particularly through the role of bus stops as the physical interface between passengers and the network. The archival value lies partly in recording landscape treatment and surrounding development around London Road, Liverpool, Merseyside, England, UK before changing commercial priorities alters the character of the place. The wider setting retains connections with public realm, transport accessibility, local character, place identity, public transport stop, everyday life, surface public transport, and passenger transport. The recorded references to Liverpool, Player, Trumpet, and Merseyside preserve clues about how the subject was presented, used or understood at the time. For London Road, Liverpool, Merseyside, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is decarbonisation and the role of bus stops as the physical interface between passengers and the network in a form that can be compared with future views of London Road, Liverpool, Merseyside, England, UK. The frame retains period character for later comparison. The scene captures a trace of local identity within the wider story of London Road, Liverpool, Merseyside, England, UK.
London Road, Liverpool, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,Tomb,graves,74 Grove Street,1851,pyramid-shaped,monument,memorial,death,defeating,defeated,upright interment,upright,interment,standing,up,pyramids,gambling,gambler,city centre,poker,with,the devil,game,of,churchyard,church,yard,St Andrews Church,shaped,cemetery,L1 2TQ,grave
Description: Tony Smith image Alamy 2M475J4 - William Mackenzie (20 March 1794 “ 29 October 1851) was an Anglo-Scottish civil engineer and civil engineering contractor who was one of the leading European contractors in the 1840s
his profitable contracts including tunnels on the Liverpool and Manchester Railway between Edge Hill and Lime Street, and contracts for the Grand Union, North Union, Midland Counties and Glasgow, Paisley and Greenock railways. Non-railway contracts included Liverpool Haymarket, the Manchester and Sheffield Junction Canal and the Shannon navigation
In 1819 Mackenzie married Mary Dalziel, daughter of a Glasgow commission agent. Mary died in 1838 and in 1839 he married Sarah Dewhurst. Mackenzie maintained offices in Paris and in Liverpool and from 1843 he lived at 74 Grove Street, Liverpool, where he died in 1851.
He was buried in St Andrew's Church, Rodney Street, Liverpool in 1851. A pyramid-shaped monument was erected at the grave by his brother Edward in 1868. An inscription on the pyramid door reads: In the vault beneath lie the remains of William Mackenzie of Newbie, Dumfriesshire, Esquire who died 29th October 1851 aged 57 years. Also, Mary his wife, who died 19th December 1838 aged 48 years and Sarah, his second wife who died 9th December 1867 aged 60 years. This monument was erected by his Brother Edward as a token of love and affection A.D. 1868. The memory of the just is blessed.
William's estate amounted to £341,848, almost all of which was left to his youngest brother, Edward. He had no children. The Diary of William Mackenzie, published by Thomas Telford Publishing in 2000, is a full transcription of Mackenzie's handwritten diaries, and it provides insight into his busy life.
The inscription proves that MacKenzie was buried beneath (not entombed inside) the pyramid and that the monument itself was not erected until 16 years after his demise. Even so, the legend of his upright interment continues to be told and believed by many.
St Andrew's Church, Rodney Street, Liverpool, Merseyside, England, UK, L1 2TQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,131 Mount Pleasant,L3 5TF,building,science,office,one,liverpoolsciencepark,education,knowledge,research,offices,space,modern,quarter,city,centre,rental,agency,real estate,sciontec,park,Grade A,laboratory,laboratories,facility,tech,technology,innovation,centres,British,GB,Great Britain
Description: Tony Smith image Alamy 2M475J7 - . This location-specific image from 131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF in 2019 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Liverpool science park , 131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF. The broader subject matter reaches into contemporary social history, place identity, social history, before-and-after reference, local history, small business, independent retail, period detail, everyday life, regional identity, street-level business, retail property, specialist retailer, and customer footfall. For current editorial use, online shopping and store closures provide additional context, especially through how shopfronts become short-lived records of changing businesses. The image fixes transport arrangements and footfall within 131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF at one identifiable point, providing a benchmark against changing commercial priorities. Other useful contextual ideas include town-centre trading, local enterprise, community identity, visual archive, high-street commerce, changing streetscape, commercial frontage, and public realm. Details involving Mount, science, Pleasant, Merseyside, and Liverpool make the image more specific than a generic view and strengthen its local or historical value. For 131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to online shopping and how shopfronts become short-lived records of changing businesses within the specific setting of 131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF. The record includes a point of historical comparison for future local research.
131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,Roscoe Gardens,Mount Pleasant,1208379,block,with,surrounded,by,8,column,Records the Renshaw Street chapel which stood nearby,Records the Renshaw Street chapel,which stood nearby,Roscoe,garden,history,heritage,old,olden,days,years,ago,urban,environment,street,road,lane,lanes,built,architecture,cupola,roof,columns
Description: Tony Smith image Alamy 2M475N1 - . Renshaw St, Chapel memorial, Roscoe Gardens, Mount Pleasant, Liverpool, Merseyside, England, UK. Photographed on 11 April 2019. Monument. Square stone centre block with inscription, surrounded by 8 Doric columns, with octagonal entablature, set on 3 steps and surmounted by ogee tiled dome with cross finial (missing, 1984). Records the Renshaw Street chapel which stood nearby. From a heritage perspective, churches combine worship with architecture, local memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, changing liturgy, local benefactors, war remembrance and family history. In the longer view, commemorative plaques, gravestones and monuments transform individual or collective memory into a permanent feature of the landscape
Their wording, materials and location can illuminate genealogy, social history, military service and changing attitudes to public remembrance. In the longer view, public wording is part of the visual landscape
Direction signs, warning notices, painted advertisements and engraved plaques show how authorities and businesses communicated before digital screens and app-based information became widespread. As of 2026, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses. Current 2026 relevance comes from the fact that memorials continue to play an active role in public history, supporting remembrance, genealogy, education and heritage tourism
Images can also record inscriptions before erosion or redevelopment alters the physical object. Relevant long-tail terms include ecclesiastical architecture, parish church, Christian heritage, sacred art, religious symbolism, and church interior.
Roscoe Gardens, Mount Pleasant, Liverpool, Merseyside, England, UK,
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,L1,Shunthesun,the,here,ban,on,media,Hillsborough,disaster,lie,lies,LFC,shame,enquiry,shameful,dont sell,dont buy,justice,for,campaign,96,shunthesun,@ShunTheS_n,boycotts,boycott,The Truth,falsehood,falsehoods,supporters,accident,death,deaths,Kelvin MacKenzie,football club,free zone
Description: Tony Smith image Alamy 2M475N6 - A campaign poster displayed in a window in Liverpool city centre declares that The Sun newspaper is not welcome here . The design carries the slogan The truth was proved, they printed lies and replaces part of the newspaper's name with a large black cross. It promotes the Shun the S*n campaign and reflects Liverpool's continuing rejection of the tabloid following its false reporting about the Hillsborough disaster.
On 15 April 1989, 97 Liverpool supporters were ultimately recognised as having been unlawfully killed as a result of the Hillsborough stadium disaster. Four days later, The Sun published a notorious front page headed The Truth , containing allegations against supporters that were subsequently discredited. The reporting caused profound anger across Liverpool and Merseyside and led to a sustained boycott in which many residents refused to buy the newspaper and numerous retailers stopped stocking it.
The poster is a strong example of grassroots campaigning, public protest and collective consumer action. Its homemade appearance, bold black and red lettering, crossed-out logo and direct language communicate the depth of local feeling. The small campaign emblem and social-media details at the bottom encourage others to support the boycott and spread its message.
Photographed in a Liverpool shop window, the notice illustrates how memories of Hillsborough remain visible in the everyday streetscape rather than being confined to football grounds or formal memorials. It may be used editorially to illustrate press ethics, media accountability, misinformation, newspaper boycotts, freedom of expression, community solidarity, Scouse identity and campaigns for justice for the 97 victims.
The image also records a distinctive aspect of Liverpool's modern social history: a citywide protest sustained across generations through personal purchasing choices, shopkeeper participation, supporter activism and highly recognisable public signs.
Liverpool, Merseyside, England, UK, L1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,North West England,at Liverpool Lime Street mainline railway station,Merseyside,L1 1JD,Joyce clock,Whitchurch,Liverpool Lime Street,L1,Joyce,time,Liverpool,mainline,railway,JB Joyce & Co,company,JB Joyce & Company,JB Joyce,rail,analogue,hands,clockmakers,clocks,station clock,station clocks,history,historic,vintage,Joyce clockmaker,Roman,numerals,J. B. Joyce & Co,& Co,timepiece,time piece
Description: Tony Smith image Alamy RK9X6X - J. B. Joyce & Co, clockmakers, were founded in Shropshire in England. The company claim to be the oldest clock manufacturer in the world, originally established in 1690, and have been part of the Smith of Derby Group since 1965. The claim is challenged by another English firm of clockmakers, Thwaites & Reed, who claim to have been in continuous manufacture since before 1740, with antecedents to 1610.
William Joyce began in the North Shropshire village of Cockshutt making longcase clocks. The family business was handed down from father to son and in 1790 moved to High Street, Whitchurch, Shropshire. In 1834 Thomas Joyce made large clocks for local churches and public buildings. In 1849 the company copied the Big Ben escapement designed by Lord Grimthorpe. J. B. Joyce also installed synchronous electric clocks in a number of railway stations, including Liverpool's Lime Street Station, Aberystwyth in Wales, and Carnforth in Lancashire. In 1904 J. B. Joyce moved to Station Road, Whitchurch. John Edgar Howard Smith (1907“1983), a former managing director of Smith of Derby Group, designed the first and subsequent synchronous electric movements for J. B. Joyce, and their associated electro-mechanical bell striking units.
In 1964, Norman Joyce, the last member of the Joyce family, retired and sold the company to Smith of Derby. During the 1970s, many of the mechanical clocks were changed to use the electric motors made by the Smith parent company.
Liverpool Lime Street station, Lime Street, Liverpool, Merseyside, L1 1JD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,Did you know,passenger,commuters,poster,cheapest,train tickets,Liverpool transport,transport,franchise,TOC,Lime Street,Lime St,Merseyrail poster,advert,promotion,subway,underground,Liverpool subway,Merseyside,North West England,cheap,travel,public,city,centre,yellow,MerseyTravel,Mersey Travel,Liverpool,L1 1JD,L1
Description: Tony Smith image Alamy 2AGPHA1 - . A dated documentary view of Lime Street, Liverpool, Merseyside, England, UK, L1 1JD in 2019, recording the subject as it appeared at that point rather than as a generic stock illustration. The principal point of reference is Merseyrail - Buy the cheapest train tickets to anywhere, poster in Lime st station, Liverpool , Merseyside, North West England, UK. The setting also relates to architectural character, rail transport, built heritage, local character, public realm, changing land use, heritage asset, historic townscape, period streetscape, conservation architecture, everyday life, archival record, heritage landmark, and period building. Viewed from the mid-2020s, the subject sits within continuing debate about integrated transport, rail reform and linking trains more effectively with other transport. The present-day relevance extends to historic townscape and heritage conservation, while a wider concern is the contrast between preservation and redevelopment. Looking back from the mid-2020s, the image captures the visual character of the locality at the time in this part of Lime Street, Liverpool, Merseyside, England, UK, L1 1JD. A second layer of the scene includes cityscape history, transport interchange, trackside infrastructure, historical comparison, railway branding, conservation interest, historic context, and regional identity. Details involving tickets, poster, Merseyside, station, and Merseyrail give the scene useful specificity and strengthen its local, cultural or historical identity. Around Lime Street, Liverpool, Merseyside, England, UK, L1 1JD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The location additionally provides evidence of integrated transport and making rail simpler and more dependable when considered against later change at Lime Street, Liverpool, Merseyside, England, UK, L1 1JD.
Lime Street, Liverpool, Merseyside, England, UK, L1 1JD
Description
Keywords: Pano,rail,train,bus,buses,Arriva,halls,of,residence,wide,saint,Merseyside,road,Mainline,Railway,Station,including,student,accommodation,summer,blue,sky,Arriva Bus,Lime Street,St Georges Hall,Mainline Railway Station,Railway Station,North Western Hall,GoTonySmith,@HotpixUK,Tony,Smith,L1,1JD,scouse,BR,travel,history,historic,tourist,tourism,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,L1 1JD
Description: Tony Smith image Alamy GY1G1P - . This scene at Lime St,Liverpool,Merseyside, England, UK L1 1JD in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The location is represented through Lime Street Panorama, including St Georges Hall, Mainline Railway Station. The frame also records themes of historic rolling stock, field crop, trackside history, rural economy, mechanical signalling, regional identity, cereal crop, farm produce, industrial railway, grain harvest, visual archive, everyday life, period detail, and station environment. From a 2025-onward perspective, station investment and railway preservation are closely linked to this subject, alongside the role of rail in lower-carbon regional transport. The wider contemporary story combines weather extremes, crop yields and the relationship between rural landscapes and national food security. The image fixes local activity and public use within Lime St,Liverpool,Merseyside, England, UK L1 1JD at one identifiable point, providing a benchmark against later reinterpretation. Other useful contextual ideas include local character, rail infrastructure, crop production, historical comparison, British agriculture, changing streetscape, arable farming, and before-and-after reference. The recorded references to Railway, Georges, Panorama, Station, and including preserve clues about how the subject was presented, used or understood at the time. A later view of Lime St,Liverpool,Merseyside, England, UK L1 1JD may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects station investment and the role of rail in lower-carbon regional transport within the specific setting of Lime St,Liverpool,Merseyside, England, UK L1 1JD. The view records details of everyday use for future local research.
Lime St,Liverpool,Merseyside, England, UK L1 1JD
Description
Keywords: Detail,from,the,7,foot,high,circular,bronze,memorial,in,the,Old,Haymarket,district,of,Liverpool,(Erected,in,April,2013).,This,memorial,is,inscribed,with,the,words,and,displays,the,names,of,the,96,who,died,respect,city,of,England,Merseyside,gotonysmith,LFC,football,club,kop,the,safety,stadium,verdict,15,April,1989,15th,L1,6RA,L16RA,Never Walk Alone,@hotpixUK,LiverpoolFC,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DB6NKK - Detail from the 7 foot high circular bronze memorial in the Old Haymarket district of Liverpool (Erected in April 2013). This memorial is inscribed with the words: Hillsborough Disaster - we will remember them, and displays the names of the 96 victims who died
St John's Gardens,, Old Haymarket, Liverpool , Merseyside, England, UK, L1 6ER
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,movie,in,city,centre,Merseyside,England,UK,a,L1 1JD,L1,ALQ227A,Natalie Portman,John Krasinski,location,locations,St Georges Hall,vehicle,car,cars,classic,adapted,camera,mount,mounted,history,historic,heritage,AC Cobra,ALQ 227A,Apple TV filming,behind the scenes,entertainment industry,period car,blue sports car,Apple TV Plus,Guy Ritchie
Description: Tony Smith image Alamy 2X9BPBA - A classic AC Cobra sports car, registration number ALQ 227A, pictured during location filming for an Apple TV+ production on Mill Lane in Liverpool city centre, England, in May 2024. The blue roadster with white racing stripes is seen navigating a narrow cobbled street while film crew members and onlookers watch nearby.
The vehicle was used as part of filming for Fountain of Youth, an Apple Original Films production directed by Guy Ritchie and starring John Krasinski and Natalie Portman. Liverpool has become a popular filming location for international film and television productions, with its historic architecture and adaptable city streets frequently standing in for locations worldwide.
The presence of spectators, temporary traffic control, and production staff highlights the disruption and excitement that accompanies major film shoots in urban environments. The AC Cobra, an iconic British sports car first produced in the 1960s, adds a strong visual element to the scene, combining automotive heritage with contemporary film production.
This image is suitable for editorial use illustrating film and television production in the UK, Apple TV+ projects, classic cars in modern settings, Liverpool as a filming location, behind-the-scenes entertainment photography, and the use of historic vehicles in contemporary cinema.
Mill Lane, Liverpool City Centre, L3 8EL
Description
Keywords: Liverpool,Old Haymarket,LFC,Anfield,St Johns Gardens,remembrance,GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,L1,L1 6ER,disaster,bronze,artwork,football,club,soccer,relief,the,dead,tragedy,deaths,we will,remember,them,frieze,names,of,memory,stadium,match,Scousers,crest
Description: Tony Smith image Alamy 2RJ3YPF - The Hillsborough Monument Memorial - Sculptor's Notes more at https://liverpoolsculptures.co.uk/the-hillsborough-monument-memorial/
The Hillsborough monument was comissioned by the Hillsborough Justice Campaign and sculpted by Tom Murphy.
Background: A young girl asked her Father, where is the Hillsborough Memorial? She was told: ˜There is one in Anfield.' She said: ˜Why can't we have one in the city centre for everyone to see.' This simple question was the catalyst for this monument
The monument is circular with a raised design in low relief. The imagery shows an imaginary place,which is meant to guide our thoughts of remembrance and all that has happened since the tragedy
The people depicted in the design are ˜the guardians of the memory', or ˜people like us' Their purpose is symbolic and other figures represent justice, hope and loss. The setting is a beautiful and quiet place, which may help us to think about the characters and individual personalities of those who died. The people who passed away are represented by the birds who fly freely throughout the work.
We reflect and empathise with those who died while considering the people they were, and might have been, were it not for the disaster
Description of the raised relief on the maquette
The design begins with two large tablets that list the names those who died. A dedication and information plaque is situated between the tablets of names with a poem, written especially for the moument, by David Charters (journalist and author). Immediately above the central dedication is a wreath of spring flowers. This reminds us of the season and number of victims who died. A Liver Bird stands guard. Below the information plaque is a rail of football scarves from differing clubs signifying the way football fans responded nationally in the days after the disaster. Around the top rim of the monument is the proclamation: ˜HILLSBOROUGH DISASTER. WE WILL REMEMBER THEM.'.
St John's Gardens,, Old Haymarket, Liverpool , Merseyside, England, UK, L1 6ER
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NW,North West,UK,England,centre,city,L1,St Georges Pl,Liverpool,Merseyside,L1 1JJ,at,Music,the,groups,poster,words,2023,building,architecture,history,heritage,listed,grade,Neoclassical,Victorian,Grade I,concert hall,William Brown Street,conservation area,architect,Harvey Lonsdale Elmes,John Weightman,Robert Rawlinson
Description: Tony Smith image Alamy 2RC6H5Y - . Liverpool Music City at St Georges Hall, St George's Pl, Liverpool , Merseyside, England, UK, L1 1JJ. Photographed on 12 July 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St George's Place, Liverpool , Merseyside, England, UK, L1 1JJ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include North West, St Georges Pl, Liverpool, Merseyside, L1 1JJ, Music, groups, poster, words, building, architecture, history, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The music context makes the image useful for editorial coverage of performers, venues, concerts, popular culture, local music heritage, audiences, nightlife and the creative industries. Such scenes can become important cultural records as bands, venues, festivals and city music districts change, linking contemporary entertainment with wider stories about tourism, identity and regeneration. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
St George's Place, Liverpool , Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,L1 7AZ,an,player,at,the,T-shirt,musician,music,stops,Anglican,St James Mount,St James Road,Cathedral of the Anglican Diocese of Liverpool,Cathedral Church of the Risen Christ,Easter,Lent,art,holy week,foot pedals,foot pedal,plays,playing,organ,keyboard,keys,Passion Play,2023,sit,sits sitting
Description: Tony Smith image Alamy 2PKA5M9 - . Organ player, at the Liverpool Passion Plays 2023, at Anglican Cathedral, St James Mt, St James Rd, Liverpool, Merseyside, England, UK, L1 7AZ. Photographed on 1 April 2023. The recorded location is Liverpool Anglican Cathedral, St James Mt, Church of England Cathedral of the Diocese of Liverpool. The Liverpool Passion Plays tell the story of the Passion of Christ, including Jesus' arrest, trial and crucifixion. Using the Cathedral's architecture and artwork as a backdrop, the audience watch the story of Jesus unfold, starting as a young boy, and witnessing his entry into Jerusalem, his betrayal by Judas, and his trial and crucifixion. The performance will use the vast central space of Liverpool Cathedral as a backdrop with the crucifixion scene taking place on our very own Calvary, high above the audience, on the Dulverton Bridge. The performance combines music, script and liturgy to demonstrate what Christ's suffering and resurrection means for us today. The performance has been put together by cast, crew and musicians who are volunteers from the cathedral's congregations, choirs and young peoples' groups, and the public.'. Within the history of parish church, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, later chapels, organs, altars, monuments and inscriptions can coexist within a single building, revealing generations of craftsmanship and evolving liturgy. In relation to performer, historical context shows that concert culture changed with amplification, arena touring, festivals and digital promotion, yet the basic relationship between performer, venue and audience remains central
Older gig photographs can gain significance as bands, buildings and local scenes evolution. For the story of food branding, it is useful to note that chocolate Easter eggs developed from nineteenth-century confectionery innovations and became a major part of British seasonal retail
Branded.
Liverpool Anglican Cathedral, St James Mt, Church of England Cathedral of the Diocese of Liverpool,
Description
Keywords: LFC,EFC,Everton,FC,towels,scarf,scarves,red,blue,stall,Square,market,markets,selling,retail,vibrant,tourist,tourism,travel,landmark,concrete,1960s,sunny,summer,city,centre,attraction,Liverpool FC,Everton FC,The Toffees,TheReds,Radio City Tower,Williamson Square,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,L1,1RL,Houghton,You,Will,Never,Walk,Alone,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,1 Houghton St,L1 1RL,You Will Never Walk Alone,Youll Never Walk Alone
Description: Tony Smith image Alamy H4HKRD - . An identifiable period record of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Williamson Square,Liverpool and Radio City Tower. A broader reading of the photograph includes town-centre economy, place identity, local enterprise, documentary photography, street-level business, retail property, commercial streetscape, contemporary social history, visual archive, bricks-and-mortar retail, local character, archival record, social history, and independent retail. Current relevance extends to business rates and store closures, particularly through the resilience of independent shops in an online retail economy. Small period details of local activity and public use at Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK may become more significant with time, particularly following refurbishment. A second descriptive layer includes specialist retailer, customer footfall, local history, public realm, commercial frontage, everyday life, changing streetscape, and high-street commerce. The combination of Radio, Liverpool, Square, Williamson, and Tower anchors the frame to a recognisable activity, place or moment. The wider setting at Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to business rates and the resilience of independent shops in an online retail economy in a form that can be compared with future views of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK. The location additionally provides evidence of store closures and the role of small retailers in maintaining active town centres within the real-world context of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK.
Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK
