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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,UK,politics,party,funding,Green Party,Green politics,environmental party,Green badge,rainbow badge,sterling,twenty pound note,pound coins,political fundraising,party finance,UK politics,political funding,political donations,campaign finance,party funding,donor transparency,election finance,Electoral Commission,political finance reform,donation rules,democracy,election law,financial transparency,political money,British politics,party donors,election campaigning,political accountability,money in politics,2026 politics,Zack Polanski,greens,conference,Jewish,antisemitic,Zionism,race,row,Zionists,racism,resolution,Palestine
Description: Tony Smith image Alamy 3FN66WP - . Green Party badges sit among British banknotes and pound coins in a tightly framed editorial image about the financing of party politics. Unlike a conventional portrait of a politician or campaign event, the photograph reduces the subject to three recognisable elements: party branding, voter affiliation and money. That makes it suited to articles about Green Party donations, membership subscriptions, election expenditure, fundraising appeals and the cost of building an electoral organisation. Smaller parties need resources for deposits, leaflets, digital advertising, data, staff and local campaigning, so financial strength can affect how widely and consistently they are able to compete. Great Britain's regulated donation system requires political parties to carry out permissibility checks and report qualifying donations and loans, creating an audit trail intended to make significant sources of political finance visible. The money in this staged photograph is illustrative and does not represent a documented donation to the party. The green badges also give the image a wider policy relevance: environmental action, climate spending, home insulation, renewable power, public transport and nature protection all involve contested questions about taxation, investment and public priorities. Sterling notes place those arguments firmly within the UK economy. As an editorial concept, the photograph can therefore support coverage of Green Party funding and campaigning as well as broader stories about political transparency, the financial barriers facing smaller parties and the relationship between money, organisation and electoral success. The close crop is deliberately free of politicians, polling stations or election posters, allowing the image to be reused across different election cycles. It is especially suited to financial or analytical coverage where editors need a neutral Green Party concept rather than a photograph tied to one leader or event.
United Kingdom
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,UK,politics,party,funding,255A2673,Green Party,Green Party UK,green politics,environmental politics,Green badge,rainbow badge,sterling banknotes,pound coins,progressive politics,party fundraising,UK politics,political funding,political donations,campaign finance,party funding,donor transparency,election finance,Electoral Commission,political finance reform,donation rules,democracy,election law,financial transparency,political money,British politics,party donors,election campaigning,political accountability,money in politics,2026 politics,Zack Polanski,greens,Jewish,antisemitic,Zionism,race,row,Zionists,racism,resolution,Palestine
Description: Tony Smith image Alamy 3FN66X1 - . Green Party and rainbow campaign badges are arranged on sterling banknotes and coins in a conceptual image about political funding, values and electoral campaigning in Britain. The green I'm voting Green badge places the party at the centre of the photograph, while the rainbow badge adds themes of social liberalism, equality and progressive politics. Cash is used as a deliberate editorial device to represent donations, membership income, election spending and the wider cost of running a political organisation. For the Green Party, finance can be linked to the challenge of converting growing vote share and local support into constituency organisation, candidates, staff, advertising and national campaigning. The photograph is also useful for reporting on who funds political parties, the transparency of large donations and whether smaller parties can compete financially with established national organisations. Under Great Britain's party-finance rules, political parties must check whether donors above the relevant threshold are permissible and must report qualifying donations and loans to the Electoral Commission. The notes and coins should therefore be read as symbolism rather than evidence of a specific payment. Green politics also connects the image with debates over climate policy, renewable energy, public transport, housing, social justice and environmental taxation, all areas where political choices have financial consequences. The combination of money and badges gives picture editors a straightforward visual for stories about Green Party fundraising, election resources, campaign finance, voter support and the economics behind attempts to turn issue-based popularity into parliamentary representation. The rainbow badge adds equality and progressive-campaign themes while the Green badge keeps the party unmistakable. Mixed cash denominations also suggest grassroots fundraising and recurring member contributions.
United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9199,Jewish synagogue prayer board,Prayer for the Royal Family,Leeds,West Yorkshire,England,UK,Jewish,synagogue,prayer,Hebrew,religious,heritage,faith,community,Judaism,artefact,history,royal,tradition,worship,synagogue UK,synagogue England,Green party,Zack Polanski,motion,racist,zionist,zionism,activist,activists,religion,text,Jew,people,resolution,is,Israel,IDF,Palestine,old
Description: Tony Smith image Alamy 3EGWJMG - . Jewish synagogue prayer board showing Prayer for the Royal Family in Leeds, West Yorkshire, England, UK. Photographed on 16 May 2026. The ornate black and gold board contains Hebrew and English text beneath a crown motif and forms part of the religious and social history of the city's Jewish community. Such prayers for the monarch and Royal Family have a long history in British Jewish congregations and reflect the relationship between religious practice, citizenship and national institutions. The close documentary image can illustrate stories about Judaism in Britain, synagogue traditions, historic worship, migration, community heritage and preserved religious objects. Seen through local history, the earlier context is that ecclesiastical buildings are both active places of worship and repositories of local evidence
Churchyard monuments, carved stone, stained glass and plaques provide material for genealogy, architectural history, religious practice and remembrance. For modern monarchy, the historical context is that royal events have long generated souvenir objects ranging from ceramics and tins to biscuits, postcards and textiles
Such products combine monarchy, consumer culture and graphic design, often becoming collectables after the event. The 2026 relevance of local history comes from the fact that historic places of worship remain important not only for faith but also for tourism, music, community use and local identity
Images of interiors, memorials and churchyards can support stories about conservation, heritage skills and the continuing reuse of sacred buildings. For modern monarchy, the 2026 context is that king Charles III is established as monarch following the 2023 coronation, while coronation and accession souvenirs already function as recent historical memorabilia rather than current-event merchandise. Other closely matched search terms include ecclesiastical architecture, parish church, Christian heritage, and sacred art.
Leeds, West Yorkshire, England, UK
Description
Keywords: @HotpixUK,Gotonysmith,religion,Jew,Jews,Jewish,Reform,Jacksons Row,Manchester M2 5NH,England,M2,windows,outside,front,door,doorway,M2 5NH,brick,building,community,place of worship,Jewish place of worship,Manchester Rabbi,Rabbi,window,Deansgate Jacksons Row,freedom,religious freedom,built,brick built,brickbuilt,Halliwell Street,Ashkenazi,Sephardi,inclusive,Shule,Rabbi Reuven Silverman,demolition,2023,synagogue UK
Description: Tony Smith image Alamy MNFTDN - A close exterior view of the former Manchester Reform Synagogue on Jackson's Row, showing its red-brick façade, Hebrew tablets above the entrance and Jewish symbols including menorahs and a Star of David incorporated into the glazing. The congregation, originally the Manchester Congregation of British Jews, was founded in 1857 after a division within Manchester's Halliwell Street Orthodox congregation. It became the second Reform congregation established in England and the first outside London. Its first purpose-built synagogue opened at Park Place, Cheetham Hill Road, in March 1858, in a major Jewish district. That building was destroyed during a German air raid on 1 June 1941 in the Manchester Blitz, with records and treasured possessions lost, although worship continued in temporary premises. War Damage Commission compensation enabled the congregation to buy the Jackson's Row site in 1949. The replacement synagogue was designed by architects Peter Cummings and Eric Levy, the site was consecrated in May 1952 and the building formally opened in November 1953. Its stained glass was designed by John Bradshaw and made by Charles Lightfoot, while the complex included a synagogue, banqueting hall and classrooms. The congregation remained here for almost seventy years, making Jackson's Row the last synagogue in Manchester city centre. Members voted in 2021 to sell the property for the St Michael's redevelopment, and the final Sabbath service took place in November 2022. The building was then deconsecrated and demolished in October 2023. This photograph records a lost piece of Manchester's post-war architecture and Jewish social history, associated with Reform Judaism, migration, wartime destruction, religious continuity and a changing city centre. It is relevant to Jewish heritage, synagogue architecture, Hebrew symbolism, Manchester history, urban redevelopment, lost buildings and the long-established Jewish community of Greater Manchester.
19 Jackson's Row, Manchester, England, M2 5WD, UK
Description
Keywords: GoTonySmith,HotpixUK,Green Party posters,election posters,campaign posters,grassroots politics,campaign visibility,poster saturation,British political campaigning,public persuasion,urban political landscape,progressive politics,environmental politics,street level campaigning,campaign tactics,neighbourhood identity,everyday Britain,Levenshulme Manchester,south Manchester,Green Party campaign material,British election,poster display,suburb,party activism,urban campaign scene,Zack Polanski,Manchester mayor,water bosses,water company pay rises,Zack Polanski 2026,2026,by-election candidacy,Zionism,race,row,Jewish,Palestine,racism,first past the post,voting system
Description: Tony Smith image Alamy 3DX14AM - A cluster of bright green Vote Green campaign posters displayed on a battered roadside hoarding on Stockport Road in Levenshulme, Manchester, England. The repeated Green Party branding creates a strong visual impression of grassroots campaigning in an everyday urban setting, with the posters appearing as a wall of political messaging aimed at passing motorists, bus passengers and pedestrians on one of south Manchester's main arterial routes. This image works well as an editorial and documentary photograph of local electioneering, street-level democracy and the visual language of British political campaigning. The rough condition of the hoarding, with torn paper remnants and weathered boards, adds realism and a slightly scrappy campaign feel, making the photograph especially suitable for stories about local activism, low-budget visibility tactics, neighbourhood politics and the contest for attention in public space. Levenshulme is a suburb of Manchester on the A6 corridor between the city centre and Stockport, within the M19 postcode district, which gives the image clear geographic relevance for features on south Manchester, local elections, party activism and district-level political identity. Because the posters simply say Vote Green without naming a candidate, the image is also commercially useful beyond one single contest, and can illustrate wider themes such as environmental politics, progressive campaigning, poster-based publicity, grassroots organising, voter persuasion, and the use of repeated branding in UK elections. Suitable for editorial use on Manchester politics, Green Party campaigning, local democracy, British elections, neighbourhood activism, urban political communication and public poster displays
Green Party ""Vote Green"" campaign posters mounted on a roadside hoarding on Stockport Road in Levens
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,terminal,multi,belief,beliefs,religion,religions,prayer room,sign,signs,prayer,prayers,room,Jewish,draw aside,take time out,and,meet with God,Hindu,Hindus,Shia,Sunni,respect,equality,facilities,dedicated,spaces,rooms,area,space,where people can go to pray,Manchester Airport,England,UK,M90 1QX,Fajr Dhuhr Asr Maghrib Isha,woke,praise God
Description: Tony Smith image Alamy 2PYBHA3 - . Multi-faith prayer room sign, for various faiths and religions, Manchester International Airport, terminal2, England, UK, M90 1QX. Photographed on 27 April 2023. The recorded location is Manchester Airport, England, UK, M90 1QX. A Prayer Room is an opportunity to draw aside, take time out and meet with God. It is a dedicated space where people can go to pray and seek God, to intercede and petition. Jesus withdrew to pray (Mt 14:13. Jn 6:14-16), not at the expense of serving the Father but in order to be more effective in that. The key is not about the physical space but about making space for relationship with God who from the beginning of time longs to be with His people and connect with them. We know that God is everywhere and we can meet with God anywhere and everywhere, but a Prayer Room with time and place set aside can be an important part of growing in relationship with God. It's a great addition to be part of continual prayer in local church life and helpful being in a place with no distractions with focuses for prayer. The background to airport apron is that airport infrastructure is highly specialised: aprons, hydrant refuelling, ground vehicles and boarding systems support aircraft turnarounds that passengers rarely see
Photographs of these processes document the industrial side of air travel. Within the history of information sign, temporary and permanent notices are valuable social-history evidence because they capture the rules and assumptions of a particular moment, from parking and access to opening times, safety and public-service instructions. In relation to historic fabric, historical context shows that churches combine worship with architecture, local memory and centuries of community history
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family history.
Manchester Airport, England, UK, M90 1QX
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Jews,Jew,1858,in,Manchester Road,cemetery,Warrington cemetery,Cheshire,England,UK,WA1 3BG,WA1,Jewish gravestone,Jewish,Victorian,minhag,and,mitzvah,ritual,rituals,Bereavement,Judaism,Halachot,buried,burial,funeral,stone,gravestone,gravestones,star,of,David,religion
Description: Tony Smith image Alamy 2K30HG8 - . This scene at Warrington cemetery, Manchester Road, Warrington, Cheshire, England, UK, WA1 3BG in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The defining feature is Jewish gravestone, Elizabeth Johnson,draper of Sankey St,1858 in Warrington Cemetery,Manchester Road. The image also relates to commercial redevelopment, passenger transport, public transport stop, roadside transit, period architecture, adaptive reuse, built heritage, urban fabric, architectural character, bus infrastructure, town-centre renewal, local history, place-making, and transport accessibility. Viewed from the mid-2020s, the subject also connects with town-centre regeneration, commercial viability and how regeneration tries to create reasons to visit traditional town centres. The modern context includes continuing discussion of service frequency, passenger information and the challenge of maintaining reliable services outside dense urban centres. Future viewers can use this scene from Warrington cemetery, Manchester Road, Warrington, Cheshire, England, UK, WA1 3BG to compare transport arrangements and footfall with whatever follows after redevelopment. Further associations within the scene are everyday life, historical comparison, contemporary social history, changing streetscape, social history, regional identity, local character, and visual archive. The combination of draper, Jewish, Cemetery, Elizabeth, and Manchester anchors the frame to a recognisable activity, place or moment. The period setting at Warrington cemetery, Manchester Road, Warrington, Cheshire, England, UK, WA1 3BG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. It also preserves a point of historical comparison for future local research. That local specificity strengthens the long-term documentary value of image 2K30HG8.
Warrington cemetery, Manchester Road, Warrington, Cheshire, England, UK, WA1 3BG
Description
Keywords: Hotpixuk,GoTonySmith,jew,Jewish,Abrahamic religions,Abrahamic,religion,faith,Jewish faith,Jew,identity,Judaism,symbol,Shield of David,hexagram shape,hexagram,shape,synagogue,Jewish communities,Davids David,icon,icons,Hebrew,Stained Glass,star,shield,symbols,religious,stained,glass,window,Israel,Israeli,law,legislation,Gaza,Palestine,Green party,Zack Polanski,Zionism
Description: Tony Smith image Alamy 2BGHCWK - . A detailed documentary view from England, Great Britain , UK, preserving the appearance and character of the subject at a particular point in time. The scene records Jewish star of David, Shield of David, Magen David, in stained glass. The setting additionally reflects period detail, visual archive, traditional masonry, community identity, contemporary history, historic streetscape, place identity, archival record, local history, urban fabric, documentary photography, heritage landmark, built environment, and regional identity. Current discussion around this subject increasingly includes energy retrofit alongside adaptive reuse, with particular attention to using existing buildings rather than demolishing them. The photograph fixes street furniture and boundaries within England, Great Britain , UK at one identifiable point, providing a benchmark against changing public expectations. The surrounding context includes cityscape history, before-and-after reference, social history, historical comparison, conservation architecture, period building, heritage asset, and everyday Britain. The combination of Shield, glass, David, stained, and Magen helps anchor the frame to a recognisable activity, place or period. Around England, Great Britain , UK, apparently routine features can become historically useful once businesses close, buildings change use or familiar street details disappear. That also gives the frame relevance to energy retrofit and the contrast between historic fabric and modern development in a form that can be compared with future views of England, Great Britain , UK. Another useful connection is adaptive reuse and preserving local identity during urban change within the real-world context of England, Great Britain , UK. The scene further reflects redevelopment pressure and keeping older buildings useful without erasing their character within the specific setting of England, Great Britain , UK.
England, Great Britain , UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NOHO NYC,NYC,New York City,St Marks Place,St Marks Place NYC,street,New York Street,USA,America,City Centre,city,centre,center,city center,East Village,Eastvillage,New York Travel Tourism,store,stores,in New York,Jew,bakers,baking,Kosher Baking,Moishes Kosher Bake Shop 115 2nd Ave,Manhattan,New York,shop,retail,Moishes,2nd Ave,Manhattan New York,Best Jewish Bakery,babka,flaky rugelach,doughy challah,jewish
Description: Tony Smith image Alamy RBF060 - . A place-specific photograph preserves the social and built context of 115 2nd Ave, New York, NY, USA, in a time-specific record from 2018. The scene is specifically associated with Moishes Kosher Bake Shop 115 2nd Ave, East Village, Manhattan, New York, NYC, USA. The wider setting includes retail vacancy, shopping habits, retail property, shopping district, town-centre trading, independent retail, retail decline and renewal, storefront culture, bricks-and-mortar retail, commercial frontage, city-centre economy, and commercial streetscape. The wider contemporary story of commercial property now includes operating costs alongside hybrid working, while policy and investment increasingly consider heritage-led regeneration. Small period details preserved at 115 2nd Ave, New York, NY, USA may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The scene also relates to high-street commerce, urban commerce, customer footfall, shopfront economy, chain-store economy, local trading. Further recorded details include Kosher baker, Jewish baking, Jewish bakery, Jewish Immigrants, New York St Marks Place, 115 2nd Avenue. Further aspects present in the subject include consumer retail, and consumer spending. Seen from a 2025-onward perspective, independent trading also connects with vacant premises, brand consolidation and efforts aimed at mixed-use town centres. The combination preserved here provides evidence of period design, the appearance of the built environment, changes of use, local character, and public activity within the surrounding area. As the location changes, the frame remains a reference for local continuity, signage and branding, community life, commercial identity, and physical infrastructure as part of the area's longer social history.
115 2nd Ave, New York, NY, USA
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,City,Centre,street,USA,United states of America,United States,East Village,art,Manhattan,deli,talking,grocery,NewYork,Jew,Jewish,Israel,Israeli,122,St Marks Place,St Marks Pl,fire escapes,fire escape,Modelo,outside,exterior,shop,shops,store,stores,Hebrew,food,provisions
Description: Tony Smith image Alamy RBJ9PB - . A detailed visual record records the visible identity of 122 St Marks Place, East Village, New York, NYC, NY, USA, in a photograph originating in 2018. The described feature is Two men outside Holyland Market, 122 St Marks Place, East Village, New York, NYC, NY, USA. The location also connects visitor economy, storefront culture, retail property, shopping district, consumer leisure, hospitality premises, town-centre trading, shopfront economy, catering trade, local trading, destination economy, and hospitality employment. For present-day editorial use, town-centre commerce can also illustrate debates about vacant premises and brand consolidation, particularly where these affect heritage-led regeneration. Modern coverage of hospitality businesses frequently reaches beyond the immediate scene to questions of commercial rents, delivery-platform competition and distinctive visitor experiences. Documentary value is strengthened by the precise setting at 122 St Marks Place, East Village, New York, NYC, NY, USA, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The surrounding story includes food-and-drink business, local dining, commercial streetscape, customer footfall, customer service, hospitality trade. Other local associations include grocery, Holyland Market deli, New York City, City Centre, Saint Marks Place. The same setting also brings together retail decline and renewal, visitor destination, chain-store economy, tourist accommodation, leisure venue, city-centre economy, tourism economy, commercial frontage, retail vacancy, and bricks-and-mortar retail. In the mid-2020s, independent trading is increasingly discussed through changing footfall and operating costs, with attention turning to bringing empty units back into use. The scene keeps a record of evidence of changing place as a historical reference.
122 St Marks Place, East Village, New York, NYC, NY, USA
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,City,Centre,street,USA,United states of America,United States,East Village,art,Manhattan,deli,talking,grocery,NewYork,Jew,Jewish,Israel,Israeli,122,St Marks Place,St Marks Pl,fire escapes,fire escape,Modelo,outside,exterior,shop,shops,store,stores,Hebrew,food,provisions
Description: Tony Smith image Alamy RBJ9PE - . This location-led image sets out a moment within 122 St Marks Place, East Village, New York, NYC, NY, USA, in documentary coverage dating from 2018. The described feature is Two men outside Holyland Market, 122 St Marks Place, East Village, New York, NYC, NY, USA. The location can also be described in terms of visitor destination, customer footfall, retail vacancy, shopping habits, service economy, town-centre trading, urban commerce, hospitality premises, bricks-and-mortar retail, high-street commerce, restaurant sector, and shopfront economy. The wider contemporary story of commercial property now includes online shopping alongside shifts in leisure spending, while policy and investment increasingly consider bringing empty units back into use. Current debate around hospitality businesses often combines staffing, commercial rents and the practical challenge of resilient local hospitality. The photograph fixes 122 St Marks Place, East Village, New York, NYC, NY, USA at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. The scene also relates to local dining, customer service, leisure venue, local trading, food-and-drink business, commercial streetscape. The scene is further associated with grocery, Holyland Market deli, New York City, City Centre, Saint Marks Place. A second layer of description includes consumer leisure, tourist accommodation, destination economy, catering trade, visitor economy, food service, retail decline and renewal, commercial frontage, consumer retail, and tourism economy. Seen from a 2025-onward perspective, commercial property also connects with operating costs, shifts in leisure spending and efforts aimed at bringing empty units back into use. This period image preserves a stage in local change within the evolving townscape.
122 St Marks Place, East Village, New York, NYC, NY, USA
Description
Keywords: Jewish,symbol,Jew,Judaism,in,tin,aluminum,cup,MrKipling,Mr,Kipling,Christmas,tasty,treat,sugar,desert,festive,food,confectionery,at,Xmas,on,a,red,table,fat,fatty,British,fruit-based,mincemeat,season,European,crusaders,mutton,shrid,pie,English,cinnamon,cloves and nutmeg catholic,GoTonySmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ED9ETJ - A mince pie is a small British fruit-based mincemeat sweet pie traditionally served during the Christmas season. Its ingredients are traceable to the 13th century, when returning European crusaders brought with them Middle Eastern recipes containing meats, fruits and spices.
The early mince pie was known by several names, including mutton pie, shrid pie and Christmas pie. Typically its ingredients were a mixture of minced meat, suet, a range of fruits, and spices such as cinnamon, cloves and nutmeg. Served around Christmas, the savoury Christmas pie (as it became known) was associated with supposed Catholic idolatry and during the English Civil War was frowned on by the Puritan authorities. Nevertheless, the tradition of eating Christmas pie in December continued through to the Victorian era, although by then its recipe had become sweeter and its size reduced markedly from the large oblong shape once observed. Today the mince pie remains a popular seasonal treat enjoyed by many across the United Kingdom.
Description
Keywords: Jewish,Hebrew,inscription,gravestone,grave,stone,germany,Jew,Jewry,Isreal,writing,yard,graveyard,poisen,ivy,overgrown,over,grown,toned,black,white,blue,cyan,dead,deceased,synagoge,synagogue,church,Semitic,language,classical,classical Hebrew,Judaism,RIP,rest,peace,memorial,memorium,gave,men,women,cemetary,cemetery,this photo rocks!,B/W,partial,mixed,color,hotpics,hotpic,hotpick,hotpicks,graves,tomb,tombs,cemetario,muchacha,femenina,de,la,mujer,se\u00f1ora,lady,female,woman,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,hotpix!
Description: Tony Smith image Flickr 3813001276 - 'Hebrew Inscription on german grave stone in graveyard.
A special post for International Day for the Elimination of Racial Discrimination - www.un.org/en/events/racialdiscriminationday/
'Overcoming racism compels us to address public policies and private attitudes that perpetuate it. On this International Day, I call on Member States, international and non-governmental organizations, the media, civil society and all individuals to engage meaningfully in the promotion of the International Year for People of African descent \u2013 and to work together against racism whenever and wherever it occurs.'
Secretary-General Ban Ki-moon
Message for the International Day for the
Elimination of Racial Discrimination 2011
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
