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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,UK,IMG_6668,hendersons,Farmers,Ales,Bradfield,brewery,ale,beer,pub,traditional,Yorkshire,Henderson,relish,table,drinks,advertising,Sheffield,South,Nags,Head,Inn,and,Hendersons,displayed,on,a
Description: Tony Smith image Alamy 3G1386E - . A tabletop pub still life contains two glasses of ale, a bottle of Henderson's Relish and a small framed sign for the Nags Head Inn advertising Farmers Ales. The branding brings together two recognisable South Yorkshire food and drink names: Bradfield Brewery and the Sheffield condiment Henderson's Relish. The glasses and branded bar materials convey a relaxed public-house setting and a local identity rooted in Sheffield and the surrounding countryside. The photograph celebrates a regional combination of real ale, pub culture and a distinctive savoury table sauce. Bradfield Brewery is based near Sheffield and uses the Farmers name across several beers, while Henderson's Relish is another strongly identified South Yorkshire product. The Nags Head Inn name visible in the pub material connects the scene to local drinking culture. The combination of condiment, pint glasses and a decorative pub sign is distinctive because it brings together separate elements of regional identity rather than isolating one retail package. The setup communicates Sheffield-area food and drink associations even to a viewer unfamiliar with the particular venue. British pubs combine hospitality, local identity and a highly visible history of branded advertising. Brewery signs, pump clips, menus, pub names and decorative furnishings tell customers about the drinks available and sometimes retain names or slogans long after a marketing campaign has ended. The setting may be a traditional licensed house, a station bar or a modern social venue, but it is usually shaped by opportunities for people to meet, drink and spend time together. Individual beer styles and strengths can be signalled through the bar fixtures and printed wording, and locally produced products often carry strong regional associations. The Bradfield Brewery Farmers Ales and Henderson's Relish material reflects the overlap of Yorkshire brewing and local food branding.
Bradfield Brewery, South Yorkshire
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,city,centre,urban,with traffic,Equestrian,statue,traffic,head,student,fun,horse,Commonwealth Games
Description: Tony Smith image Alamy HGC7WY - Famous equestrian statue of the Duke of Wellington in Glasgow city centre wears an orange traffic cone, continuing one of Scotland's best-known examples of irreverent urban humour. Sculpted by Italian-born Carlo Marochetti and erected in 1844, the bronze monument depicts Arthur Wellesley, 1st Duke of Wellington, mounted on his horse Copenhagen and stands outside Glasgow's Gallery of Modern Art at Royal Exchange Square. The statue is now Category A listed, but since at least the early 1980s members of the public, frequently associated in popular accounts with students, revellers and Glasgow nightlife, have repeatedly climbed the monument and placed a road cone on Wellington's head. The exact first coning is difficult to prove, so claims that one particular student invented the tradition should be treated cautiously. What began as a prank developed into an unofficial Glasgow institution, celebrated as an expression of the city's cheeky, anti-pomp and distinctly Glaswegian sense of humour. Council staff and police repeatedly removed cones, only for replacements to appear, sometimes within hours. The repeated cycle became expensive and increasingly futile. In 2013 Glasgow City Council proposed spending about £65,000 altering and raising the plinth to make the statue harder to climb, arguing that regular cone removal cost around £100 each time and risked damage to the historic monument. The attempt backfired spectacularly. More than 10,000 people signed an online petition opposing the scheme, while a Save the Cone campaign attracted tens of thousands of supporters. Faced with the public reaction, the council withdrew the proposal. The cone consequently survived official attempts to suppress it and evolved from supposed vandalism into an internationally recognised Glasgow emblem. Banksy later cited the permanently coned Wellington as a reason for choosing GoMA for his 2023 exhibition,while Glasgow Life now describes the self-perpetuating cone as an iconic part of the city
Royal Exchange Square, Queen Street at Ingram Street, Glasgow, Scotland, UK
Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,255A9788,Manchester,Bulls,Head,pub,London,Road,beer,heritage,Bulls Head 84 London Rd Manchester M1 2PN,Bulls Head,84 London Rd,Manchester M1 2PN,84 London Road,Greater Manchester,England,English,84 London Road local history,84 London Road documentary photography,84 London Road public realm,84 London Road urban life,84 London Road place photography,documentary photography,local history,urban life,British culture,place photography,contemporary Britain,public realm,street scene,local identity,social history,everyday life,regional England,city life,town centre,community,built environment,public space,modern Britain,local landmark,urban detail
Description: Tony Smith image Alamy 3E3P8JP - The Bulls Head pub at 84 London Road in Manchester. Photographed on 28 June 2025. The image is centred on Bulls Head, 84 London Rd, Manchester M1 2PN, with enough of the surrounding setting at 84 London Road retained to establish how Bulls Head, 84 London Rd, Manchester M1 2PN appears in everyday life. Visible lettering, materials, neighbouring buildings and street furniture around Bulls Head, 84 London Rd, Manchester M1 2PN add specific physical context rather than reducing the scene to an isolated object. The photograph preserves the appearance of Bulls Head, 84 London Rd, Manchester M1 2PN and its immediate surroundings at one identifiable moment in the recent history of the location. The surrounding physical details help identify Bulls Head, 84 London Rd, Manchester M1 2PN precisely and distinguish the location from a generic urban scene. The composition therefore preserves both Bulls Head, 84 London Rd, Manchester M1 2PN and the immediate environment in which it was encountered. Bulls Head, 84 London Rd, Manchester M1 2PN is closely tied to 84 London Road
the surrounding street, building or public-space details help explain how the subject functioned or was encountered at the time. The setting around Bulls Head, 84 London Rd, Manchester M1 2PN records a recognisable part of everyday life in 84 London Road, retaining local context that can be lost when businesses, buildings or public spaces change.
84 London Road, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,424IMG_3764,Large,stone,sculptural,head,seating,feature,Mainz,Stadtpark,Germany,culture,art,music,museum,design,heritage,creative,tourism
Description: Tony Smith image Alamy 3F9CW95 - . Large stone sculptural head and seating feature in Mainz Stadtpark, Germany. Photographed on 7 August 2026. The recorded location is Mainz Stadtpark, Mainz, Germany. Mainz stands on the Rhine and has more than two millennia of history, from Roman Mogontiacum through its role as an archiepiscopal city to the birthplace of Johannes Gutenberg. The old town combines reconstructed historic streets, churches, wine culture and post-war urban development, giving street signs and façades strong local-history context. Seen through sculpture, the earlier context is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. For heritage attraction, the historical context is that museums turn objects into interpreted history, while archives preserve documents that may have little value until researchers connect them with people, buildings or events
Interiors therefore record both collections and changing curatorial practice. The 2026 relevance of sculpture comes from the fact that contemporary street art continues to blur the line between unofficial expression, commissioned mural and tourist attraction
Images are therefore relevant to urban culture, creative industries, heritage interpretation and place-making. For heritage attraction, the 2026 context is that libraries and museums continue to operate as community hubs, visitor attractions and sources of digital access, while funding pressures encourage partnerships, volunteering and new uses for historic buildings. Relevant synonyms and subject phrases include artwork, cultural identity, visual culture, community art, memorial art, public realm, cultural landmark, public library, reading room, local history, public history, museum display, archive research, and library service.
Mainz Stadtpark, Mainz, Germany
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9159,The Face of Wigan,Rick Kirby,sculpture,Wigan,Greater Manchester,England,UK,public,art,contemporary,metal,lattice,head,landmark,civic,identity,regeneration,2008,artist,town-centre
Description: Tony Smith image Alamy 3EG4B5M - . The Face of Wigan sculpture by Rick Kirby in Wigan, Greater Manchester, England, UK. Photographed on 6 May 2026. The monumental head is constructed from a lattice of metallic strips, creating a transparent three-dimensional face that changes appearance as viewers move around it. Installed in 2008, the work has become a distinctive piece of public art and a recognisable local landmark. The close side view emphasises the layered construction and expressive facial profile and can illustrate stories about public art, place-making, regeneration, local identity and contemporary sculpture in British towns. The background to public art is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. Within the history of streetscape, town and neighbourhood images record the accumulation of ordinary change: road layouts, shop names, signage, public art and building uses
Their value increases when compared over decades because apparently minor details can become the clearest evidence of transformation. Current 2026 context around public art is that public art is closely connected with regeneration, tourism, identity and debate about representation
Murals and sculptures can become visitor landmarks while also prompting discussion about whose past is visible in public space. Against the 2026 backdrop for streetscape, current place-making policy increasingly emphasises distinctive local identity rather than generic development, so small landmarks and community businesses can become important parts of how an area is represented. Relevant alternative phrases include street art, artwork, urban culture, cultural identity, visual culture, community art, memorial art, creative industries, public realm, cultural landmark, local history, and place identity.
Wigan, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,FK2 7ZT,reflection,reflections,Falkirk Kelpies,horse,sculptures,steel,heads,iconic,Scottish,landmark,tourist,attraction,public art monument,equine,visitor,destination,canal side,monumental,artwork,head,dramatic storm clouds,reflection in puddle,giant steel sculptures,modern Scottish icon,family day out,UK short break,Central Belt tourism,travel photography,outdoor sculpture park,heritage and tourism,engineering meets art,horse inspired artwork,weekend trip Scotland,Falkirk attractions,Scottish folklore,mythical water horse
Description: Tony Smith image Alamy 3F3F04F - Atmospheric view of the Kelpies at The Helix near Falkirk and Grangemouth in central Scotland. The pair of monumental horse head sculptures rise above the surrounding parkland under dark, dramatic clouds, while rainwater in the foreground creates a reflective pool that echoes their distinctive outline. The image captures both the scale of the artwork and the shifting Scottish weather, giving the famous landmark an impressive and moody presence.
Designed by sculptor Andy Scott and opened in 2013, the Kelpies stand around 30 metres high and are among Scotland's best-known contemporary public artworks. The sculptures are modelled on Clydesdale horses and were created to celebrate the strength, endurance and contribution of working horses to Scottish industry, agriculture, transport and canal history. Their name comes from the kelpie, the shape-shifting water spirit of Scottish folklore, linking myth with the waterways and wetland setting of The Helix.
Located between Falkirk and Grangemouth, beside the Forth and Clyde Canal, the Kelpies form the centrepiece of a wider regeneration and leisure landscape that includes paths, open green space and visitor facilities. Since opening, they have become a major Scottish tourist attraction, drawing visitors for sightseeing, photography, family days out and short breaks. The close-cropped composition, dark sky and water reflection emphasise the sculptures' steel-clad surfaces, muscular form and striking architectural character. The photograph works well for themes including Scottish tourism, iconic landmarks, public art, engineering-inspired design, horse sculpture, visitor attractions and atmospheric travel imagery. As one of the most recognisable sights in central Scotland, the Kelpies are regularly used to represent Falkirk, modern Scottish culture and successful post-industrial regeneration.
The Kelpies, Helix park, Falkirk, Scotland, FK2 7ZT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Germany,German,Rhineland-Palatinate,city,centre,61,55122,Mainz,stones,gravestones,head,headstone,1926,11th,13th,century,dissolution,and,destruction,community,communities,memorial,Dr,Sali,Levi,SHUM,Speyer,Worms,Shpira,Vermayza,Magentza,Jewry,religion,religious,synod
Description: Tony Smith image Alamy 2NW51KA - This cemetery has been documented since the 13th century, but is thought to have existed since the 11th century. Due to the repeated expulsion of the Jews from Mainz and the subsequent dissolution and destruction of the cemetery, one can no longer speak of an ideal situation that has grown over time. Only through the initiative of the then community rabbi Dr. In 1926, Sali Levi managed to create a memorial cemetery. There, the tombstones found in all parts of Mainz, some of which were used as building material, were brought together. Among the 196 stones, 6 are from the 11th century.
Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany
--NOMA--Corporation-Street--M60-0AB-2K02F42.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,building,coop,Co-op building,Corporation Street,retail,offices,office,space,city,centre,North West,tower,block,redevelopment,area,F.E.L. Harris,FEL Harris,CWS,Cooperative Wholesale Society,New Central Building,Edwardian,Baroque,style,head,fire,damaged,Sheppard Robson,M60,word,gold,letters,Rochdale,movement
Description: Tony Smith image Alamy 2K02F42 - The original building was designed by the Coop's in-house architect F.E.L. Harris. It opened in 1906 as the headquarters of the Cooperative Wholesale Society (CWS) and was called New Central Building. It was designed to look like a headquarters building and still does.
Take a look at that façade. It is pure powerhouse Edwardian, an almost bombastic expression of commercial and national confidence. This was a time when, like it or not, the British Empire was at its peak and the nation felt big.
Hanover is Baroque, a Classical-style formed of big bold elements, nothing is reticent, subtlety is shunned. The base of the exterior walls are of Aberdeen granite, elsewhere there's red brick with Derbyshire sandstone dressings. The most immediately eye-catching elements are the giant order columns at second floor level, then a fiercely heavy cornice, followed by a sweet but strong arcade high in the sky.
Hanover Building, NOMA, Corporation Street,Manchester, England, UK, M60 0AB
Description
Keywords: art,tat,tats,tat2,tatoo,religion,religious,sex,sexy,shaved,bald,head,headed,male,bloke,chap,against,up,wall,shutter,selective,selectively,colored,coloured,crucifixion,jesus,artwork,work,ink,skin,flesh,homoerotic,homo,erotic,sexual,in,the,boy,lokking,away,punished,being,ready,to,be,whipped,gotonysmith whip torture tortured,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HF3B - . Naked Man with Cross tattoo on his back. Photographed on 5 March 2011. The recorded location is Manchester, England, UK. Looking at the subject's development, the cross is Christianity's most recognisable symbol, referring to the crucifixion of Jesus while also carrying wider meanings of faith, sacrifice, remembrance and identity
When used in jewellery, tattoos or public art it can be devotional, cultural, commemorative or personal rather than simply decorative. The wider historical story is that body art is both a craft and a form of self-presentation
Improvements in equipment, inks and hygiene helped professional tattooing expand dramatically from the late twentieth century onwards, while conventions created large public spaces for artists and enthusiasts to exchange styles. For the 2026 context, religious symbolism continues to appear in highly personal forms such as tattoos as well as churches, memorials and jewellery
Such imagery can therefore illustrate the overlap between faith, identity, body art and individual expression. In the present 2026 context, tattooing is an established part of British popular culture, with conventions, specialist studios and highly visible styles ranging from traditional flash to realism and extensive facial or body work
Images remain relevant to fashion, identity, subculture, religion and evolving attitudes to appearance. The wider historical story is that religious symbols often move beyond formal places of worship into clothing, body art, memorials and popular culture
Their meaning depends on context, but a cross remains strongly associated with Christian belief and the visual history of Western religion. In the present 2026 context, religious symbolism continues to appear in highly personal forms such as tattoos as well as churches, memorials and jewellery
Such imagery can therefore illustrate the overlap between faith, identity, body art and individual expression.
Manchester, England, UK
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,London Road,London rd,grave,from,of,head,brewer,for,historic,1909,Royal Victoria Lodge No 1013,St Thomas church,Stockton Heath,Warrington,Cheshire,England,UK,WA4 6HJ,St Thomass,church,defaced,masonic,graves,symbol,history,heritage,architecture,religious,Anglicans,Roberts,family,column,columns
Description: Tony Smith image Alamy 2JEKR7X - William Brittain Roberts' gravestone restored - more at https://freemasonrymatters.co.uk/index.php/william-brittain-roberts-gravestone-restored/
9th December 2017
In October 2016, Vic Charlesworth, Curator of the Warrington Masonic Museum, became aware of the existence of a Mason's grave in the cemetery at St Thomas Church, Stockton Heath, Warrington. Vic visited the grave and discovered that the memorial and gravestones were in a very poor condition
Vic asked Caroline Crook, Archivist at Warrington Masonic Museum, to research the history of William Brittain Roberts, the Mason buried in that grave, and she discovered that William was born in London, worked in Liverpool for a time, where his son was born, and then became head brewer for Greenall Whitley, living in Stockton Heath at Wilderspool House.
At the time of his death in 1909, William lived at Bleak House in Lymm, a village neighbouring Warrington. His only son, Victor George, a medical student, married May Houghton in 1914. Victor was killed in action, in the First World War, in 1918. They had no children and therefore no direct descendants. William's wife, Hilda Marian Roberts, passed away in 1936.
William was initiated into Royal Victoria Lodge No 1013 in Liverpool, on 6 February 1884, resigning in 1890. He later joined Merchants' Lodge No 241, Liverpool, (1886-92 and 1905-07), Lodge of Lights No 148, Warrington, (1887-1909) and Lathom Lodge No 2229, Southport, (1904-1909). In 1903 William was a founder member and the first senior warden of Lodge of Friendship No 2963.
Vic applied to the West Lancashire Freemasons' Charity Communities Grants Committee requesting funding to enable William's memorial and gravestone to be renovated and a grant was made earlier this year. The restoration work has now been completed and is, once again, a fitting tribute to a loyal Mason.
William's memorial is very close to the main entrance to St Thomas's Church
St Thomas church, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6HJ
Description
Keywords: @HotpixUK,HotpixUK,GotonySmith,Warrington,town,Cheshire,England,factory,works,in,ornate,UK,WA1,Bank Quay,4 Liverpool Road,WA5 1AB,maritime,sea,fish,sealife,art,sculpture,of,a,creature,at,outside,factories,J Crossfields,Crossfield,Crossfields,tail,swimming,tails,face,head
Description: Tony Smith image Alamy 2JJM7HT - . An on-location photograph from Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The photograph centres on Crossfields factory in Warrington entrance, stone fish stonework, Liverpool Road, Warrington, Cheshire, England, UK, WA1. The subject also carries associations with changing streetscape, industrial artefact, local history, contemporary city life, historic freight equipment, heavy-industry heritage, manufacturing heritage, period detail, changing land use, social landscape, everyday street life, contemporary social history, everyday life, and pedestrian environment. From a 2025-onward perspective, embodied carbon and manufacturing decline are closely linked to this subject, alongside the reuse of former industrial land and buildings. The wider contemporary story combines commercial change, local identity and how ordinary street scenes become valuable records as businesses and infrastructure change. For later comparison, the photograph preserves equipment and working practice at Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB, details that may look very different after changed technology. The location also brings in urban change, local character, city-centre activity, working-industry history, public realm, documentary photography, community life, and regional identity. References to entrance, stone, stonework, factory, and Crossfields give the picture a strong period identity and tie it closely to its named subject. Around Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The view records evidence of changing use before later change alters the scene.
Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,in,the,Marsh,Moreton-In-The-Marsh,Moreton,Cotswold,town,Gloucestershire,England,UK,Evenlode,valley,TC,old,Evenlode Valley,Cotswold District Council,GL56 0LW,building,buildings,architecture,history,historic,ornate,metal,cast iron,iron,outside,exterior,sunny,blue,sky,skies,banking,horses,head,logo
Description: Tony Smith image Alamy 2JNBXNY - 1. 5224 MORETON-IN-THE-MARSH HIGH STREET (east side) White Lion Cottage SP 2032 NE 2/8 25.8.60
II GV
2. Dated 1732. Coursed rubble with Cotswold stone roof. Two storeys, 2 windows, 2 light stone mullioned casements with leaded lights, one 3 light on bottom left. Modern part glazed door in plain chamfered opening to right. Steeply pitched roof. Date inscription above centre 'SW 1732'.
Listing NGR: SP2051232541
Legacy
The contents of this record have been generated from a legacy data system.
Legacy System number:
126698
High St, Moreton-in-Marsh, Evenlode Valley, Cotswold District Council, Gloucestershire, England, UK,
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,queen,queens,stamp,stamps,head,of,the,colonial,UK,Elizabeth,II,passing,colonies,colony,monarchy,monarch,oppression,repression,exploitation,Australia,Jamaica,New Zealand,countries,united,kingdom,history,historic,postage,collection,Hong Kong,crown,dependency,realm,Arnold Machin,royal,mail,Great Britain
Description: Tony Smith image Alamy 2K01H22 - The number of states headed by Queen Elizabeth II varied during her 70 years on the throne, altogether seeing her as sovereign of a total of 32 independent countries during this period. In her capacity as Queen of the United Kingdom (including the British overseas territories), she was also monarch of three Crown Dependencies”the Channel Island of Guernsey and Jersey (as the Duke of Normandy), and the Isle of Man (as the Lord of Mann)”and, in her capacity as Queen of New Zealand, she was monarch of two associated states”the Cook Islands and Niue”after they acquired this status in 1965 and 1974, respectively.
Two situations in two countries differ from the others. The government of the unrecognised state of Rhodesia proclaimed its allegiance to Elizabeth II as Queen of Rhodesia from 1965 to 1970. However, she did not accept either the role or the title and it was not accepted or recognised by any other state. Fiji became a republic through a military coup in 1987, after which its Great Council of Chiefs continued to recognise Elizabeth II as queen, or Paramount Chief of Fiji, until the council's de-establishment on 14 March 2012. However, this was only a ceremonial title, with no role in government at all
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Greater Manchester,WN3 4BF,redevelopment,area,conservation,industrial,industry,North West,face,Lancashire Cotton Corporation,Courtaulds,Rina and Helen,next,to,the,Leeds and Liverpool Canal,art,artist,sculpture,wall,walls,head,faces,window,windows,building,buildings,architecture,bald,balding,box,boxes
Description: Tony Smith image Alamy 2PFKG60 - . This location-specific image from Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Historic Trencherfield Mill & faces, Wallgate, Wigan, Lancs, Lancashire, Greater Manchester, WN3 4BF - Wigan Pier redevelopment area. The surrounding context encompasses contemporary social history, local dining tradition, historical comparison, food-and-drink heritage, place identity, social history, comfort food, food heritage, traditional takeaway, changing land use, community identity, street food culture, public realm, and local character. For current editorial use, nutrition and local business provide additional context, especially through how food signs and shopfronts become part of urban cultural identity. As a dated visual record of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF, the frame retains transport arrangements and footfall, making it especially useful if replacement signage subsequently changes the scene. The subject also sits alongside British food tradition, popular cuisine, everyday life, documentary photography, local history, regional identity, visual archive, and hospitality food service. Details involving redevelopment, Wigan, Lancs, Greater, and Lancashire make the image more specific than a generic view and strengthen its local or historical value. A later view of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is nutrition and how food signs and shopfronts become part of urban cultural identity within the real-world context of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF. The record includes a point of historical comparison before later change alters the scene.
Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,The,FY1 1BN,artspace,windows,portraits,portrait,head,shots,window,subversion,street art,pasted,Blackpools,community,derelict,repurposed,canvas,creativity,expression,buildings,brick,walls,characters,fantasy,people,figures,Colourful,provocative,sunny
Description: Tony Smith image Alamy 2JRFF55 - . This authentic period view of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN - windows, portraits. The wider scene also brings together community identity, social history, commercial redevelopment, adaptive reuse, everyday life, public-realm investment, public realm, urban regeneration, changing streetscape, urban fabric, before-and-after reference, historic townscape, regional identity, and mixed-use redevelopment. For current editorial use, construction costs and heritage conservation provide additional context, especially through the tension between preserving local character and creating modern commercial space. As a dated visual record of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN, the frame retains landscape treatment and surrounding development, making it especially useful if new construction subsequently changes the scene. A second descriptive layer includes local history, period architecture, period detail, place identity, heritage-led regeneration, built heritage, town-centre renewal, and changing land use. The combination of windows, Deansgate, factory, Lancs, and Blackpool anchors the frame to a recognisable activity, place or moment. Around The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is construction costs and how public investment can reshape pedestrian movement and evening activity in a form that can be compared with future views of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN.
The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Germany,German,Rhineland-Palatinate,city,centre,61,55122,Mainz,stones,gravestones,head,headstone,1926,11th,13th,century,dissolution,and,destruction,community,communities,memorial,Dr,Sali,Levi,SHUM,Speyer,Worms,Shpira,Vermayza,Magentza,Jewry,religion,religious,synod,hotpix.org.uk
Description: Tony Smith image Alamy 2NW51EN - This cemetery has been documented since the 13th century, but is thought to have existed since the 11th century. Due to the repeated expulsion of the Jews from Mainz and the subsequent dissolution and destruction of the cemetery, one can no longer speak of an ideal situation that has grown over time. Only through the initiative of the then community rabbi Dr. In 1926, Sali Levi managed to create a memorial cemetery. There, the tombstones found in all parts of Mainz, some of which were used as building material, were brought together. Among the 196 stones, 6 are from the 11th century.
Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Germany,German,Rhineland-Palatinate,city,centre,61,55122,Mainz,stones,gravestones,head,headstone,1926,11th,13th,century,dissolution,and,destruction,community,communities,memorial,Dr,Sali,Levi,SHUM,Speyer,Worms,Shpira,Vermayza,Magentza,Jewry,religion,religious,synod
Description: Tony Smith image Alamy 2NW51R4 - This cemetery has been documented since the 13th century, but is thought to have existed since the 11th century. Due to the repeated expulsion of the Jews from Mainz and the subsequent dissolution and destruction of the cemetery, one can no longer speak of an ideal situation that has grown over time. Only through the initiative of the then community rabbi Dr. In 1926, Sali Levi managed to create a memorial cemetery. There, the tombstones found in all parts of Mainz, some of which were used as building material, were brought together. Among the 196 stones, 6 are from the 11th century.
Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Germany,German,Rhineland-Palatinate,city,centre,61,55122,Mainz,stones,gravestones,head,headstone,1926,11th,13th,century,dissolution,and,destruction,community,communities,memorial,Dr,Sali,Levi,SHUM,Speyer,Worms,Shpira,Vermayza,Magentza,Jewry,religion,religious,synod
Description: Tony Smith image Alamy 2NW5249 - This cemetery has been documented since the 13th century, but is thought to have existed since the 11th century. Due to the repeated expulsion of the Jews from Mainz and the subsequent dissolution and destruction of the cemetery, one can no longer speak of an ideal situation that has grown over time. Only through the initiative of the then community rabbi Dr. In 1926, Sali Levi managed to create a memorial cemetery. There, the tombstones found in all parts of Mainz, some of which were used as building material, were brought together. Among the 196 stones, 6 are from the 11th century.
Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,Hotpixuk,welsh,Cymru,region,regional,leaflet,yellow,pit,pits,leaflets,Welsh,Wales,collieries,colliery,National,Coal,Board,miner,smile,winding,pithead,head,model,South Wales,1970,1970s,NUM,union,mineworkers,mineworker,4,four,poster,history,historic,hotpix.org.uk,coal miners,coal miner,coalmine
Description: Tony Smith image Alamy 2JAGDC8 - . An identifiable period record of South Wales, UK in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The photograph centres on NCB, National Coal Board, South Wales region leaflets - Blaenavon, Markham, Abernant, Nantgarw, Windsor Colliery. The locality and subject together evoke local history, before-and-after reference, industrial archaeology, urban fabric, period detail, contemporary social history, local character, local landmark, historic freight equipment, archival record, period streetscape, working-industry history, architectural detailing, and public realm. The wider contemporary story combines skills heritage, manufacturing decline and how surviving industrial objects become evidence of vanished working practices. Viewed from the mid-2020s, the subject also connects with heritage conservation, planning control and how historic fabric can be retained while places adapt to modern use. The archival value lies partly in recording building condition and alterations around South Wales, UK before different community use alters the character of the place. Further associations within the scene are traditional structure, historical comparison, industrial artefact, production infrastructure, manufacturing heritage, architectural character, conservation interest, and period building. Details involving Wales, region, National, Markham, and Windsor make the image more specific than a generic view and strengthen its local or historical value. Around South Wales, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is skills heritage and the reuse of former industrial land and buildings within the real-world context of South Wales, UK. The image fixes a trace of local identity for future local research.
South Wales, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,LS24 9AP,LS24,old,and,Delicatessen,Samuel Smith,columns,doorway,HQ,Headquarters,head,office,offices,eccentric,3,British,GB,Great British,tradition,independent,Taddy,bitter,lager,Yorkshire products,product,proud,digital detx,pub,pubs,bars,Smiths,1758,obituary
Description: Tony Smith image Alamy 2K3JX13 - Taken on 26 Sep 2022, the photograph focuses on Samuel Smiths, old brewery & Deli, 3 High Street, Tadcaster, North Yorkshire, England, UK, LS24 9AP. The thumbnail shows brewery architecture, gates, signs, brick elevations or the edge of the street, anchoring the description in brewing heritage, industrial buildings, commercial identity and the visual character of Tadcaster. Tadcaster is a long-established Yorkshire brewing town on the River Wharfe, and its streets still carry the visual imprint of beer production, coaching routes, stone buildings, flood risk and local trade.
Samuel Smith's Old Brewery is associated with 1758 and remains a distinctive survivor in a brewing landscape where local family firms, pub estates and national beer brands are often discussed together. For stock photography use, the value is in the precise subject: Samuel Smiths, old brewery & Deli, 3 High Street, Tadcaster, North Yorkshire, England, UK, LS24 9AP. It can support articles and publications about British beer heritage, brewery architecture, pub culture, beer branding, industrial employment, hospitality history, Yorkshire brewing, traditional ale, drinks industry commentary, town-centre heritage, as well as more specific searches using Tadcaster, The Old Brewery, building, old brewery, Samuel Smiths, sam Smiths, Sam Smith, brewery, brewing, entrance, Yorkshire, LS24 9AP, LS24, old, and, Delicatessen, Samuel Smith, columns. The composition also gives space for tighter crops, captions, web thumbnails, report illustrations and social media use, while the Alamy reference 2K3JX13 and the row caption help connect the image to a real place rather than a vague concept. The picture can be used by writers covering heritage, conservation, planning, tourism, retail, transport, public services, nostalgia, local identity, architectural survival, industrial change and the way familiar objects
3 High Street, Tadcaster, North Yorkshire, England, UK, LS24 9AP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA1 3BG,dead,memorials,memorial,cemetery,graves,at,evening,Manchester road,centre,town,Manchester Rd,headstone,plot,plots,vandalism,stones,head,WA1,gravestone,death,burial,burials,stone,ceremony,service,services,cemetary,haunted,tomb,tombstones,record,WBC,borough
Description: Tony Smith image Alamy 2JWB52K - . This dated editorial view of Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on Fountain at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG. The surrounding context encompasses local remembrance, adaptive reuse, public-realm investment, changing land use, archival record, urban fabric, mixed-use redevelopment, community memory, local history, everyday life, local character, public memorial, architectural character, and civic architecture. The modern context includes continuing discussion of public commemoration, heritage conservation and how commemorative objects become part of the identity of a place. For current editorial use, heritage conservation and public-realm investment provide additional context, especially through the value of reusing existing buildings rather than wholesale demolition. The archival value lies partly in recording period objects and surrounding context around Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG before replacement signage alters the character of the place. The photograph additionally reflects urban regeneration, historic inscription, period detail, commemorative plaque, built heritage, period architecture, memorial culture, and social history. The recorded references to Fountain, Cemetery, and Manchester preserve clues about how the subject was presented, used or understood at the time. The period setting at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The photograph keeps evidence of changing use as part of Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG's history.
Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA1 3BG,dead,memorials,memorial,cemetery,graves,at,evening,Manchester road,centre,town,Manchester Rd,headstone,plot,plots,vandalism,stones,head,WA1,gravestone,death,burial,burials,stone,ceremony,service,services,cemetary,haunted,tomb,tombstones,record,WBC,borough
Description: Tony Smith image Alamy 2JWB52M - . Made at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The principal subject is Fountain at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG. The frame also records themes of urban fabric, mixed-use redevelopment, period architecture, historic townscape, public commemoration, changing streetscape, place-making, built heritage, place-based remembrance, community memory, civic architecture, visual archive, historical comparison, and architectural character. Today's relevance is strengthened by community memory, cultural memory and the continuing question of the long-term importance of recording memorials before they are altered or lost. From a 2025-onward perspective, heritage conservation and planning are closely linked to this subject, alongside the value of reusing existing buildings rather than wholesale demolition. The image fixes local activity and public use within Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG at one identifiable point, providing a benchmark against closure or conversion. The photograph additionally reflects historic inscription, heritage-led regeneration, memorial inscription, commemorative object, period detail, changing land use, social history, and town-centre renewal. References to Fountain, Manchester, and Cemetery give the picture a strong period identity and tie it closely to its named subject. The period setting at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves part of the area's social history as a date-specific reference.
Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA1 3BG,dead,memorials,memorial,cemetery,graves,evening,centre,town,Manchester road,Manchester Rd,plot,plots,vandalism,head,WA1,gravestone,death,burial,burials,stone,ceremony,service,services,cemetary,haunted,record,WBC,borough,council
Description: Tony Smith image Alamy 2JWB52N - . A grounded documentary photograph made at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The frame specifically shows Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG. The wider scene also brings together period detail, archival record, before-and-after reference, public realm, changing land use, local history, social-history memorial, period architecture, commercial redevelopment, community memory, place identity, public commemoration, tribute design, and urban regeneration. The modern context includes continuing discussion of bereavement, public commemoration and how commemorative objects become part of the identity of a place. For current editorial use, public-realm investment and commercial viability provide additional context, especially through how regeneration tries to create reasons to visit traditional town centres. For later comparison, the photograph preserves period objects and surrounding context at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG, details that may look very different after conservation work. Further associations within the scene are social history, memorial culture, everyday life, visual archive, urban fabric, historic townscape, regional identity, and architectural character. Details involving Cemetery and Manchester make the image more specific than a generic view and strengthen its local or historical value. A later view of Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The photograph keeps evidence of changing use as part of Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG's history.
Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,queen,queens,stamp,stamps,head,of,the,colonial,UK,Elizabeth,II,death,passing,colonies,colony,monarch,oppression,exploitation,Australia,Jamaica,countries,united,kingdom,history,historic,postage,collection,Hong Kong,crown,dependency,realm,funeral,coronation,old,post-war,Betty
Description: Tony Smith image Alamy 2K01H25 - The number of states headed by Queen Elizabeth II varied during her 70 years on the throne, altogether seeing her as sovereign of a total of 32 independent countries during this period. In her capacity as Queen of the United Kingdom (including the British overseas territories), she was also monarch of three Crown Dependencies”the Channel Island of Guernsey and Jersey (as the Duke of Normandy), and the Isle of Man (as the Lord of Mann)”and, in her capacity as Queen of New Zealand, she was monarch of two associated states”the Cook Islands and Niue”after they acquired this status in 1965 and 1974, respectively.
Two situations in two countries differ from the others. The government of the unrecognised state of Rhodesia proclaimed its allegiance to Elizabeth II as Queen of Rhodesia from 1965 to 1970. However, she did not accept either the role or the title and it was not accepted or recognised by any other state. Fiji became a republic through a military coup in 1987, after which its Great Council of Chiefs continued to recognise Elizabeth II as queen, or Paramount Chief of Fiji, until the council's de-establishment on 14 March 2012. However, this was only a ceremonial title, with no role in government at all
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,queen,queens,stamp,stamps,head,of,the,colonial,UK,Elizabeth,II,death,passing,colonies,colony,monarchy,monarch,oppression,repression,exploitation,Australia,Jamaica,New Zealand,countries,united,kingdom,historic,postage,collection,Hong Kong,crown,dependency,realm,nation,died,island
Description: Tony Smith image Alamy 2K01H27 - The number of states headed by Queen Elizabeth II varied during her 70 years on the throne, altogether seeing her as sovereign of a total of 32 independent countries during this period. In her capacity as Queen of the United Kingdom (including the British overseas territories), she was also monarch of three Crown Dependencies”the Channel Island of Guernsey and Jersey (as the Duke of Normandy), and the Isle of Man (as the Lord of Mann)”and, in her capacity as Queen of New Zealand, she was monarch of two associated states”the Cook Islands and Niue”after they acquired this status in 1965 and 1974, respectively.
Two situations in two countries differ from the others. The government of the unrecognised state of Rhodesia proclaimed its allegiance to Elizabeth II as Queen of Rhodesia from 1965 to 1970. However, she did not accept either the role or the title and it was not accepted or recognised by any other state. Fiji became a republic through a military coup in 1987, after which its Great Council of Chiefs continued to recognise Elizabeth II as queen, or Paramount Chief of Fiji, until the council's de-establishment on 14 March 2012. However, this was only a ceremonial title, with no role in government at all
Description
Keywords: HotpixUK,GoTonySmith,queen,queens,stamp,stamps,head,of,the,colonial,UK,Elizabeth,II,death,passing,colonies,colony,monarchy,monarch,oppression,repression,exploitation,Australia,Jamaica,countries,history,postage,collection,crown,dependency,Charles succession,calls for reparations,removal of monarch as head of state,reparation,reparations,king,Charles,cancelled,coronation,1952
Description: Tony Smith image Alamy 2K01H4X - The number of states headed by Queen Elizabeth II varied during her 70 years on the throne, altogether seeing her as sovereign of a total of 32 independent countries during this period. In her capacity as Queen of the United Kingdom (including the British overseas territories), she was also monarch of three Crown Dependencies”the Channel Island of Guernsey and Jersey (as the Duke of Normandy), and the Isle of Man (as the Lord of Mann)”and, in her capacity as Queen of New Zealand, she was monarch of two associated states”the Cook Islands and Niue”after they acquired this status in 1965 and 1974, respectively.
Two situations in two countries differ from the others. The government of the unrecognised state of Rhodesia proclaimed its allegiance to Elizabeth II as Queen of Rhodesia from 1965 to 1970. However, she did not accept either the role or the title and it was not accepted or recognised by any other state. Fiji became a republic through a military coup in 1987, after which its Great Council of Chiefs continued to recognise Elizabeth II as queen, or Paramount Chief of Fiji, until the council's de-establishment on 14 March 2012. However, this was only a ceremonial title, with no role in government at all
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Northamptonshire,event,entertainment,racing,pop up,Silverstone Woodlands camping site,UK,tents,real ale,Popup,The Petrol Head,camp,camping site,F1,England,GP,British GP,site,Drinkers,drinking,punters,campers bar,staff,alcohol,the,petrol,head,Petrolhead,pub,pubs,bar,bars,inn,real ales,beer,crowded,scene
Description: Tony Smith image Alamy 2JG5JMR - . A grounded documentary photograph made at Silverstone Woodlands , Northamptonshire, England, UK in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The main point of reference is Inside The Petrol Head pub, Silverstone Woodlands camping site, Silverstone British Formula1 Grand Prix, Northamptonshire, England, UK,bar & drinkers. The locality and subject together evoke food tourism, new-build scheme, before-and-after reference, destination dining, site redevelopment, community identity, place identity, changing streetscape, changing land use, licensed hospitality, visual archive, building programme, independent food retail, and social history. Today's relevance is strengthened by consumer spending, commercial rents and the continuing question of how changing discretionary spending affects hospitality venues. From a 2025-onward perspective, care demand and local infrastructure are closely linked to this subject, alongside how new development responds to changing demographic demand. Small period details of public access and movement at Silverstone Woodlands , Northamptonshire, England, UK may become more significant with time, particularly following new ownership. The photograph additionally reflects customer-facing service, everyday life, local history, food-and-drink business, hospitality trade, property development, development pipeline, and visitor economy. Elements such as Woodlands, camping, Northamptonshire, Formula1, and Silverstone add documentary specificity and may become increasingly useful when compared with later records. A later view of Silverstone Woodlands , Northamptonshire, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The period view preserves part of the area's social history before later change alters the scene.
Silverstone Woodlands , Northamptonshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Silverstone Woodlands camping site,Popup,pop up,real ale,The Petrol Head,racing,tents,camp,site,entertainment,camping site,British GP,event,UK,F1,GP,Northamptonshire,England,alcohol,the,petrol,head,Petrolhead,pub,pubs,bar,bars,inn,real ales,beer,beers,old,sign,signage
Description: Tony Smith image Alamy 2JG5JMX - . Recorded at Silverstone Woodlands , Northamptonshire, England, UK in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is The Petrol Head pub, Silverstone Woodlands camping site, Silverstone British Formula1 Grand Prix, Northamptonshire, England, UK. The locality and subject together evoke hospitality venue, street furniture, local dining scene, route marker, night-time economy, navigation aid, commercial hospitality, orientation signage, before-and-after reference, customer-facing service, destination dining, historical comparison, everyday life, and place identity. The wider contemporary story combines hospitality costs, food inflation and the resilience of customer-facing businesses in a high-cost economy. Viewed from the mid-2020s, the subject also connects with local identity, inclusive design and the importance of accessible information in hospitals, stations and public spaces. The image fixes signage and branding within Silverstone Woodlands , Northamptonshire, England, UK at one identifiable point, providing a benchmark against replacement signage. The location also brings in period detail, local character, public-facing notice, licensed hospitality, hospitality trade, independent food retail, operational signage, and changing land use. Elements such as Formula1, Woodlands, camping, Petrol, and Grand add documentary specificity and may become increasingly useful when compared with later records. A later view of Silverstone Woodlands , Northamptonshire, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate hospitality costs and the role of restaurants and bars in visitor-led regeneration in a form that can be compared with future views of Silverstone Woodlands , Northamptonshire, England, UK.
Silverstone Woodlands , Northamptonshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA1,music,chain,closed,shop,Warrington,Cheshire,England,UK,WA1 1SU,65,head,office,quarters,piano tuner,keyboards,drums,instrument,iconic,retail,store,for,musicians,shutters,shuttered,bankrupt,retailer,owners,owner,Arranged Musical Options,Ltd,Andrew M Oliver,Karen Oliver
Description: Tony Smith image Alamy 2K43P0R - Plans have been submitted for a major conversion of the former Dawson's Music store in Sankey Street, Warrington.
The proposals are to convert the building into four apartments, offices and two smaller retail shops.
Dawson's closed the store in 2019 after trading in Warrington for 121-years.
At the time, it was claimed the store was a victim of online shopping.It has stood empty ever since.
Developers say the proposal will make little difference to the exterior appearance of the three-storey building.
Dawson's was founded in 1898 by piano tuner John Dawson and has had a major presence from its Sankey Street HQ, since 1914.
During the 1970s and 1980s it was the go to store for youngsters buying their first records in Warrington. But later it changed to concentrate on the sale of musical instruments and running a music school.
65 Sankey St, Warrington, Cheshire, England, UK, WA1 1SU
Description
Keywords: with,a,head,withahead,beer,Boddington,regional,ale,brewed,in,Mossside,pint,glass,hoppy,widget,draught-style,draught,style,cream,brewing,co,company,whitbread,Anheuser""“Busch,InBev,outside,on,a,bench,table,wood,wooden,cask,conditioned,Pub,barrel,regional,national,Madchester,Gotonysmith,the,of,creamOfManchester,bee,bees,logo,city,product,NW,England,UK,GB,Great,britain,Anheuser,Busch,Hydes,Brewery,in,Moss,Side,Kestrel,kegging,facility,prison,HMP,demolished,blandly,foamy,nitrokeg,travesty,of,the,original,version
Description: Tony Smith image Alamy E6JB64 - A classic regional English ale. Whitbread chief executive Peter Jarvis commented in 1995 that:
It was very fortuitous that the brewery was in Manchester. To outsiders, Manchester is a very attractive place “ known the world over for soccer, art, music and broadcasting. It would be difficult to have a Cream of Wolverhampton even though Banks's beer is very good. People do not aspire to visit Wolverhampton. On the whole they try to by-pass it.
Widnes, Cheshire, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,Warrington,Cheshire,Walton,@Hotpixuk,Hotpixuk,in water,water,lake,Spooky doll,drifting in canal,Bridgewater canal,WA4,discarded,litter,toys,dolls hospital,unloved,baby,child,scary,canals,mooring,dolls,spooky,plastic,dolly,kids,childrens,hands,holding,head,mental,health,creepy
Description: Tony Smith image Alamy 2DF7YM7 - . An identifiable period record of the recorded location in 2020, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. At the centre of the view is Spooky doll,drifting in canal,Bridgewater canal,higher Walton,Warrington,Cheshire,England,WA4. The wider scene also brings together place identity, urban change, community identity, care provision, contemporary social history, period detail, patient access, city-centre activity, clinical environment, clinical services, archival record, everyday life, social landscape, and healthcare workforce. Today's relevance is strengthened by estate condition, patient access and the continuing question of how physical estates and clear wayfinding affect patient experience. From a 2025-onward perspective, regeneration and commercial change are closely linked to this subject, alongside the relationship between public space and local social life. As a dated visual record of the recorded location, the frame retains transport arrangements and footfall, making it especially useful if changed technology subsequently changes the scene. The location also brings in changing land use, changing streetscape, hospital estate, patient care, NHS estate, documentary photography, contemporary city life, and community life. The combination of Walton, Spooky, canal, Bridgewater, and higher anchors the frame to a recognisable activity, place or moment. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects estate condition and the connection between building investment and service quality without losing the local specificity of the recorded location. The period view preserves a point of historical comparison for later comparison. The view records part of the area's social history within the wider story of the recorded location.
Description
Keywords: @HotpixUK,Hotpixuk,GoTonySmith,B5,Graffiti urban street art,in Floodgate St,Bordesley & Highgate,Birmingham,West Midlands,England,UK,B5 5ST,Floodgate St,Graffiti,street,artist,tag,tagged,Deritend,painted,bring,head,face,viking,wall,street art,streetart,artists,Brum,murals,faces,urban,innercity,inner city,spray paint,spray painted
Description: Tony Smith image Alamy 2AERPEG - . Made at Floodgate St,Digbeth, Birmingham,West Midlands,England,UK, B5 5ST in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The subject recorded here is Amon Amarth bring Berserker tour,Graffiti urban street art,in Floodgate St,Digbeth,Bordesley & Highgate,Birmingham,West Midlands,England,UK,B5 5ST. The wider subject matter also includes historic frontage, period detail, community identity, period building, changing land use, contemporary social history, documentary photography, built heritage, everyday life, public realm, local history, place identity, local character, and heritage landmark. In the mid-2020s, energy retrofit and maintenance costs keep the subject current, particularly through reusing existing buildings rather than demolishing them. From an archival perspective, the view leaves evidence of signage, materials, design and everyday use around Floodgate St,Digbeth, Birmingham,West Midlands,England,UK, B5 5ST. The wider local story also touches on period streetscape, cityscape history, regional identity, visual archive, archival record, before-and-after reference, conservation architecture, and architectural character. Elements such as bring, Midlands, Berserker, Bordesley, and Digbeth add documentary specificity and may become more useful when compared with later records. Around Floodgate St,Digbeth, Birmingham,West Midlands,England,UK, B5 5ST, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for energy retrofit and reusing existing buildings rather than demolishing them in a form that can be compared with future views of Floodgate St,Digbeth, Birmingham,West Midlands,England,UK, B5 5ST. It also preserves a point of historical comparison before later change alters the scene.
Floodgate St,Digbeth, Birmingham,West Midlands,England,UK, B5 5ST
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures
Description: Tony Smith image Alamy 2AFK5E1 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures
Description: Tony Smith image Alamy 2AFK5E4 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures
Description: Tony Smith image Alamy 2AFK5E8 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: GoTonySmith,HotpixUK,drinks,drink,alcoholic,pub,bar,pint,bitter,dark,malty,South West England,Drink Moor Beer,bar pump,Somerset,England,UK,angram,pump,beer on a bar,Moor beer glass,glass,pale ale,ale,traditional,Pale Modern Ale,Positive Mental attitude,For those with a,brewer,brewing,pints,head,glasses,clip,beer clip,Days Road,Bristol,BS2,pint of beer,on
Description: Tony Smith image Alamy P4HWM5 - . Made at Somerset,England,UK in 2018, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Moor Beer Company,PMA,Drink Moor Beer,Drink more beer,bar pump,handpull,Somerset,England,UK,Pale Modern Ale. The locality and subject together evoke contemporary social history, fermented drink production, place identity, visual archive, archival record, drinks packaging, period detail, public realm, changing land use, orchard-to-bottle industry, changing streetscape, factory bottling line, bottle-filling machinery, and cider brand history. The wider contemporary story combines energy costs, tourism and Herefordshire's long association with commercial cider production. For later comparison, the photograph preserves equipment and working practice at Somerset,England,UK, details that may look very different after replacement signage. Further associations within the scene are beverage production, drinks manufacturing, before-and-after reference, regional drinks industry, local history, documentary photography, historic beverage advertising, and historical comparison. Elements such as Somerset, Company, Drink, handpull, and Modern add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Somerset,England,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is energy costs and Herefordshire's long association with commercial cider production within the specific setting of Somerset,England,UK. The setting also helps illustrate energy costs and Herefordshire's long association with commercial cider production as part of the longer story of Somerset,England,UK. The image fixes part of the area's social history within the wider story of Somerset,England,UK.
Somerset,England,UK
Description
Keywords: Hotpixuk,@Hotpixuk,GoTonySmith,stamp,postal,franked,frank,used stamps,used franked,used,franked stamp,from envelope,history,historic,old,Italy,Italian,Italia,Italy Stamp,italian stamp,franked Italian stamp,used Italian stamp,Italy stamp,E0.41,800L,f tulli,stamp Italia,4c,800lire,woman,female,EU,Europe,portraits,head,Euro,Euros
Description: Tony Smith image Alamy 2AT9E6D - . A grounded documentary photograph made at Italy in 2015, preserving the main subject alongside smaller details that may become more historically useful with time. The defining feature is Italian stamp, poste Italia used and franked stamp, E0.41 - 800L f tulli ,stamp Italia. The surrounding context brings together changing streetscape, historical comparison, period building, heritage asset, public realm, community identity, visual archive, historic townscape, period detail, built heritage, period streetscape, regional identity, historic commercial architecture, and before-and-after reference. The present-day relevance extends to embodied carbon and redevelopment pressure, while a wider concern is the contrast between preservation and redevelopment. For place-based research, the image retains the combination of built form, activity and local identity at the recorded site in Italy. The surrounding context also covers architectural character, architectural detailing, place identity, local story.htm Target=_Blank>history, everyday life, adaptive reuse, urban fabric, and documentary photography. References to poste, Italian, stamp, Italia, and tulli help fix the photograph to its own subject and period rather than reducing it to a generic view. Around Italy, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to embodied carbon and the contrast between preservation and redevelopment as part of the longer story of Italy. The location additionally provides evidence of redevelopment pressure and reusing existing buildings rather than demolishing them when considered against later change at Italy. A further contemporary connection is heritage conservation and reusing existing buildings rather than demolishing them without losing the local specificity of Italy. The photograph keeps part of the area's social history as part of Italy's history.
Italy
Description
Keywords: GoTonySmith,@HotpixUK,WRC,rowers,row,sport,2018,Howley lane,Cheshire,North West England,UK,river Mersey,Mersey,teamwork,teams,Warrington Rowing,rowing course,learn to row,Warrington learn to row,junior,seniors,boat,skull,skulling,boats,sail,sailing,sailing on the river,female,woman,at,the,competition,competitions,rows,head,regatta
Description: Tony Smith image Alamy PC2G08 - . A carefully observed scene preserves the social and built context of Howley lane, Mersey River, Cheshire, North West England, UK, in a time-specific record from 2018. The described feature is Runcorn rowing club, single women skulling, at Warrington Rowing Club 2018 Summer regatta, Howley lane, Mersey River, Cheshire, North West England, UK. The physical and social setting additionally connects with consumer electronics, waterway maintenance, mobile computing, digital interface, waterside infrastructure, riparian setting, online identity, lock operation, digital economy, boating infrastructure, technology adoption, and canal heritage. Seen from a 2025-onward perspective, river engineering also connects with safe public access, long-term maintenance funding and efforts aimed at protecting blue-green corridors. The wider contemporary story of digital services now includes artificial intelligence alongside privacy, while policy and investment increasingly consider stronger digital authentication. Because this is a time-specific record of Howley lane, Mersey River, Cheshire, North West England, UK, later comparison can reveal changes in signage, ownership, land use, transport, street furniture, building condition and the way the public uses the surrounding space. Beyond the immediate subject, the setting involves waterborne transport, navigation channel, working waterway, app-based service, networked technology, inland navigation. Associated details include RRC, sailing on the Mersey, crossing, finish, youth. The scene also carries the language of river management, inland boating, mobile internet, information technology, connected society, industrial waterway heritage, civil engineering structure, riverine landscape, software platform, and digital technology. It remains a grounded period reference to Howley lane, Mersey River, Cheshire, North West England, UK, its use, appearance and changing local context.
Howley lane, Mersey River, Cheshire, North West England, UK
Description
Keywords: GoTonySmith,@HotpixUK,WRC,rowers,row,sport,youth,2018,Howley lane,Cheshire,North West England,UK,river Mersey,Mersey,teamwork,teams,Warrington Rowing,rowing course,learn to row,Warrington learn to row,junior,seniors,boat,skull,skulling,boats,sail,sailing,sailing on the river,men,rowing,team,competition,competitive,vessel,vessels,head,heads,of,the,river
Description: Tony Smith image Alamy PC2G9H - . This contextual photograph sets out a moment within Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN, in a documentary image made in 2018. The principal recorded subject is Trafford Rowing Club mens coxless quads, at Warrington Rowing Club 2018 Summer regatta, Howley lane, Mersey River, Cheshire, North West England, UK. Other aspects of the setting include lock operation, digital technology, civil engineering structure, nautical transport, marine engineering, ferry connectivity, boating infrastructure, digital interface, canal heritage, navigation channel, seafaring heritage, and app-based service. Modern coverage of managed watercourses frequently reaches beyond the immediate scene to questions of safe public access, volunteer involvement and keeping historic infrastructure operational. Seen from a 2025-onward perspective, shipping and ports also connects with crew and passenger safety, cleaner fuels and efforts aimed at stronger coastal economies. The wider contemporary story of digital services now includes rapid software change alongside online identity, while policy and investment increasingly consider more services delivered through phones. The photograph fixes Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. Beyond the immediate subject, the setting involves consumer electronics, networked technology, river management, maritime heritage, software platform, waterway maintenance. Other local associations include Trafford Rowing Club men coxless quads, sailing on the Mersey. In historical comparison, the image can help trace changes of use, public activity, period design, local character, and the appearance of the built environment within the surrounding area.
Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN
Description
Keywords: GoTonySmith,@HotpixUK,WRC,rowers,row,sport,youth,2018,Howley lane,Cheshire,North West England,UK,river Mersey,Mersey,teamwork,teams,Warrington Rowing,rowing course,learn to row,Warrington learn to row,junior,seniors,boat,skull,skulling,boats,sail,sailing,sailing on the river,rowing,team,competition,competitive,vessel,vessels,head,heads,of,the,river
Description: Tony Smith image Alamy PC2GEG - . A carefully observed scene sets out the setting around Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN, as photographed in 2018. The location is represented through Tees Rowing Club, coxless quad, at Warrington Rowing Club 2018 Summer regatta, Howley lane, Mersey River, Cheshire, North West England, UK. Further features of the subject include working waterfront, heritage navigation, maritime transport, mobile internet, navigation channel, digital interface, technology adoption, digital economy, information technology, riparian setting, app-based service, and towpath environment. Seen from a 2025-onward perspective, navigation maintenance also connects with long-term maintenance funding, waterside regeneration and efforts aimed at maintaining safe navigation. The wider contemporary story of ferry services now includes supply-chain resilience alongside coastal weather, while policy and investment increasingly consider resilient harbour infrastructure. Current debate around consumer technology often combines cybersecurity, online identity and the practical challenge of greater dependence on mobile platforms. The photograph fixes Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. The scene also relates to consumer electronics, networked technology, inland boating, lock operation, riverine landscape, maritime heritage. The record also refers to Teeside, mens, men, sailing on the Mersey. Other relevant facets include port economy, seafaring heritage, coastal shipping, screen-based interaction, harbour activity, nautical transport, connected device, inland navigation, working waterway, and waterside infrastructure. This image retains everyday use as a historical reference.
Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,city,centre,urban,with traffic,Equestrian,statue,traffic,head,student,fun,horse
Description: Tony Smith image Alamy HGC7X3 - . This dated editorial view of Glasgow, United Kingdom in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The image documents Equestrian statue of the Duke of Wellington, Glasgow, with traffic cone. Another layer of the photograph includes public transport information, street-side transport, period detail, everyday life, documentary photography, community identity, visual archive, bus route infrastructure, changing land use, roadside stop, roadside transit, archival record, local history, and regional identity. The wider contemporary story combines accessibility, rural transport and the challenge of maintaining reliable services outside dense city centres. Future viewers can use this scene from Glasgow, United Kingdom to compare commercial use and occupation with whatever follows after different community use. The subject also sits alongside passenger transport, social history, historical comparison, transport accessibility, contemporary social history, bus infrastructure, local character, and changing streetscape. Elements such as Wellington, Glasgow, Equestrian, traffic, and statue add documentary specificity and may become increasingly useful when compared with later records. The period setting at Glasgow, United Kingdom helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is accessibility and the challenge of maintaining reliable services outside dense city centres when considered against later change at Glasgow, United Kingdom. The setting also helps illustrate reliability and how local bus services affect access to work, education and healthcare without losing the local specificity of Glasgow, United Kingdom. The image fixes a trace of local identity as a date-specific reference. It also preserves a local visual benchmark for later comparison.
Glasgow, United Kingdom
Description
Keywords: pub,bar,pubs,bars,old,Tadcaster,ale,CAMRA,Yorks,garden,foam,head,measured,white,rose,pot,Old Brewery Bitter,The Old Brewery,Glass empty,Samuel Smith,Pub Garden,weights & measures,weights and measures,white rose,White Rose Of Yorkshire,Pint Pot,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,UK,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy GY1C4T - . This dated editorial view of Yorkshire in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The main point of reference is Glass Empty - Pint Samuel Smith bitter Yorkshire brewery. The wider scene also brings together changing streetscape, community drinking venue, before-and-after reference, pub heritage, traditional pub, night-time economy, licensed hospitality, everyday life, local history, traditional ale house, local character, contemporary social history, period detail, and social history. The wider contemporary story combines beer duty, staffing pressure and pressure on hospitality margins in the mid-2020s. Future viewers can use this scene from Yorkshire to compare equipment and working practice with whatever follows after new construction. Other useful contextual ideas include historical comparison, licensed trade, hospitality economy, local social venue, public realm, cask-beer tradition, visitor hospitality, and regional identity. References to Samuel, Empty, Smith, bitter, and Glass give the picture a strong period identity and tie it closely to its named subject. For Yorkshire, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is beer duty and the continuing appeal of real ale and regional brewing within the real-world context of Yorkshire. The setting also helps illustrate tourism and pressure on hospitality margins in the mid-2020s within the specific setting of Yorkshire. The image also provides a reference for business rates and the continuing appeal of real ale and regional brewing as part of the longer story of Yorkshire. Another useful connection is changing drinking habits and the value of historic pubs to tourism and local identity when considered against later change at Yorkshire.
Yorkshire
Description
Keywords: night,shot,nightshot,transport,travel,safety,Greencross,traffic in background,redman,traffic,in,background,road,caution,danger,do,not,cross,pedestrian,push,button,pushbutton,Greencross man,red man,Pelican Crossing,Traffic in Background,Road safety,pedestrian crossing,Push Button,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,Pelicon,lights,lighting,head,lights,headlights,stationary,person,street,furniture,illuminate,illuminated,lighted,up,town,city,cross,accident,accidents,RTA,RTAs,safe,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Pelicon Crossing,street furniture
Description: Tony Smith image Alamy GGWH55 - A pelican crossing (previously Pelicon Crossing “ PEdestrian LIght CONtrolled Crossing) is a type of pedestrian crossing, which features a pair of poles each with a standard set of traffic lights facing oncoming traffic, a push button and two illuminated, coloured pictograms facing the pedestrian from across the road. These are a red, stationary person to indicate that it is not safe to cross, and a green, walking person to indicate that it is safe to do so. Pelican crossings also provide non-visual indication that it is safe to cross, such as a beep, vibrating button or tactile rotating cone in order to assist visually impaired pedestrians.
Grappenhall, Warrington, Cheshire, England, UK
Description
Keywords: beer,CAMRA,ale,Yorkshire,England,UK,in,a,glass,pot,pint,english,1858,taken,yard,garden,official,traditional,drink,pub,bar,head,foam,foamy,Yorkshire,England,UK,northern,GoTonySmith,Buy Pictures of,Buy Images Of,Est 1858,est,local pub drink
Description: Tony Smith image Alamy F0XDAA - . This authentic period view of Yorkshire, England,UK in 2015 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents TT Timothy Taylor Championship Beers glass & ale, Yorkshire, England, UK - Est 1858. The image also relates to historical comparison, historic hostelry, hospitality economy, community identity, night-time economy, beer-led hospitality, everyday life, local history, before-and-after reference, licensed trade, cask-beer tradition, visitor hospitality, archival record, and real-ale culture. In present-day coverage, the subject reaches into energy costs and staffing pressure, not least because of the survival of pubs as both businesses and informal community spaces. Small period details of materials and architectural details at Yorkshire, England,UK may become more significant with time, particularly following changing commercial priorities. The wider setting retains connections with community drinking venue, place identity, traditional ale house, regional identity, changing land use, licensed hospitality, social history, and visual archive. References to Taylor, Timothy, glass, Beers, and Yorkshire give the picture a strong period identity and tie it closely to its named subject. For Yorkshire, England,UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for energy costs and the continuing appeal of real ale and regional brewing as part of the longer story of Yorkshire, England,UK. Another useful connection is consumer spending and the value of historic pubs to tourism and local identity when considered against later change at Yorkshire, England,UK. The scene further reflects consumer spending and the value of historic pubs to tourism and local identity without losing the local specificity of Yorkshire, England,UK.
Yorkshire, England,UK
Description
Keywords: with,a,head,withahead,beer,Boddington,regional,ale,brewed,in,Mossside,pint,glass,boddies,hoppy,widget,draught-style,draught,style,cream,brewing,co,company,Strangeways,whitbread,Anheuser""“Busch,InBev,outside,on,a,bench,table,wood,wooden,cask,conditioned,Pub,barrel,regional,national,Madchester,Gotonysmith,the,of,creamOfManchester,bee,bees,logo,city,product,NW,England,UK,GB,Great,britain,Anheuser,Busch,Hydes,Brewery,in,Moss,Side,Kestrel,kegging,facility,prison,HMP,demolished,blandly,foamy,nitrokeg,travesty,of,the,original,version,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy E6JB66 - A classic regional English ale. Whitbread chief executive Peter Jarvis commented in 1995 that:
It was very fortuitous that the brewery was in Manchester. To outsiders, Manchester is a very attractive place “ known the world over for soccer, art, music and broadcasting. It would be difficult to have a Cream of Wolverhampton even though Banks's beer is very good. People do not aspire to visit Wolverhampton. On the whole they try to by-pass it.
Widnes, Cheshire, England, UK
Description
Keywords: shop,Duke of York St,Mayfair,London,England,UK,store,old,fashioned,mens,men,male,domain,bastion,shaving,soft,cream,shaved,groom,grooming,razor,razors,hot,shave,Beard,&,Mustache,Waxes,Moustache,Gotonysmith Strong,powerful,sophisticated. No,I'm not setting up a profile on a dating website,I'm merely attempting to describe this cologne,which,I,imagine,was,worn,by,a,decadent,dandy,when,first,stocked,in,the,famous,London,barbers,in,1912.,This was James Bond's favourite scent,mentioned,in,Ian,Fleming's,1956,novel,Diamonds,are,Forever.,Eucris,has,earned,a,permanent,place,on,my,bathroom,shelf.,Whenever,I,douse,myself,in,it,I feel ready for anything. Now,do excuse me,I,must,head,for,the,hills,and,pretend,I'm,a,spy,on,a,secret,mission,with,henchmen,disguised,as,hikers,hot,on,my,heels.old,fashioned,style,lovely,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy E6JB5E - . Geo. F. Trumper Gentleman's barbers and perfumers shop, Duke of York St, Mayfair, London, England UK. Photographed at 1 Duke of York Street,London, England SW1Y 6JP. The photograph was taken on 14 June 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Geo, Trumper, Gentlemans, barbers, perfumers, shop, Duke of York St, Mayfair, London and store, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to digital technology, smartphones, software, online services and the way screens and apps increasingly mediate everyday activity. It can support editorial coverage of mobile applications, consumer technology, digital services, user interfaces, online communication, artificial intelligence, software platforms, data and the changing relationship between people and connected devices. Visible screen text, icons, branding, controls and handset details can give picture buyers a recognisable real-world technology context. As a dated photograph, it is particularly useful for documenting a specific version of an interface, product or digital service before later updates alter its appearance or functionality. Search themes include smartphones, apps, software, digital services, screen interfaces, online platforms, consumer electronics, artificial intelligence and changing technology. A dated screen or device photograph is useful because software interfaces, branding and product designs can alter rapidly through updates and replacement. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
1 Duke of York Street,London, England SW1Y 6JP
Description
Keywords: shop,Duke of York St,Mayfair,London,England,UK,store,old,fashioned,mens,men,male,domain,bastion,shaving,soft,cream,shaved,groom,grooming,razor,razors,hot,shave,Beard,&,Mustache,Waxes,Moustache,Gotonysmith Strong,powerful,sophisticated. No,I'm not setting up a profile on a dating website,I'm merely attempting to describe this cologne,which,I,imagine,was,worn,by,a,decadent,dandy,when,first,stocked,in,the,famous,London,barbers,in,1912.,This,was,James,Bond's,favourite,scent,mentioned,in,Ian,Fleming's,1956,novel,Diamonds,are,Forever.,Eucris,has,earned,a,permanent,place,on,my,bathroom,shelf.,Whenever,I,douse,myself,in,it,I feel ready for anything. Now,do excuse me,I,must,head,for,the,hills,and,pretend,I'm,a,spy,on,a,secret,mission,with,henchmen,disguised,as,hikers,hot,on,my,heels.old,fashioned,style,lovely
Description: Tony Smith image Alamy E6JB5F - . Geo. F. Trumper Gentleman's barbers and perfumers shop, Duke of York St, Mayfair, London, England UK. Photographed at 1 Duke of York Street,London, England SW1Y 6JP. The photograph was taken on 14 June 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Geo, Trumper, Gentlemans, barbers, perfumers, shop, Duke of York St, Mayfair, London and store, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to digital technology, smartphones, software, online services and the way screens and apps increasingly mediate everyday activity. It can support editorial coverage of mobile applications, consumer technology, digital services, user interfaces, online communication, artificial intelligence, software platforms, data and the changing relationship between people and connected devices. Visible screen text, icons, branding, controls and handset details can give picture buyers a recognisable real-world technology context. As a dated photograph, it is particularly useful for documenting a specific version of an interface, product or digital service before later updates alter its appearance or functionality. Search themes include smartphones, apps, software, digital services, screen interfaces, online platforms, consumer electronics, artificial intelligence and changing technology. A dated screen or device photograph is useful because software interfaces, branding and product designs can alter rapidly through updates and replacement. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
1 Duke of York Street,London, England SW1Y 6JP
Description
Keywords: shop,Duke of York St,Mayfair,London,England,UK,store,old,fashioned,mens,men,male,domain,bastion,shaving,soft,cream,shaved,groom,grooming,razor,razors,hot,shave,Beard,&,Mustache,Waxes,Moustache,Gotonysmith Strong,powerful,sophisticated. No,I'm not setting up a profile on a dating website,I'm merely attempting to describe this cologne,which,I,imagine,was,worn,by,a,decadent,dandy,when,first,stocked,in,the,famous,London,barbers,in,1912.,This,was,James,Bond's,favourite,scent,mentioned,in,Ian,Fleming's,1956,novel,Diamonds,are,Forever.,Eucris,has,earned,a,permanent,place,on,my,bathroom,shelf.,Whenever,I,douse,myself,in,it,I feel ready for anything. Now,do excuse me,I,must,head,for,the,hills,and,pretend,I'm,a,spy,on,a,secret,mission,with,henchmen,disguised,as,hikers,hot,on,my,heels.old,fashioned,style,lovely,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy E6JB5G - . Geo. F. Trumper Gentleman's barbers and perfumers shop, Duke of York St, Mayfair, London, England UK. Photographed at 1 Duke of York Street,London, England SW1Y 6JP. The photograph was taken on 14 June 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Geo, Trumper, Gentlemans, barbers, perfumers, shop, Duke of York St, Mayfair, London and store, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to digital technology, smartphones, software, online services and the way screens and apps increasingly mediate everyday activity. It can support editorial coverage of mobile applications, consumer technology, digital services, user interfaces, online communication, artificial intelligence, software platforms, data and the changing relationship between people and connected devices. Visible screen text, icons, branding, controls and handset details can give picture buyers a recognisable real-world technology context. As a dated photograph, it is particularly useful for documenting a specific version of an interface, product or digital service before later updates alter its appearance or functionality. Search themes include smartphones, apps, software, digital services, screen interfaces, online platforms, consumer electronics, artificial intelligence and changing technology. A dated screen or device photograph is useful because software interfaces, branding and product designs can alter rapidly through updates and replacement. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
1 Duke of York Street,London, England SW1Y 6JP
Description
Keywords: night,time,blue,hour,bluehour,England,UK,GB,Great,Britain,british,English,icons,iconic,River,three,graces,reflection,reflections,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,planet,red,boat,light,gotonysmith,Maritime,Mercantile,City,UNESCO,World,Heritage,city,ship,light,ship,lightship,reflection,reflections,reflecting,in,the,water,You,Will,Never,Walk,Alone,Buy Pictures of,Buy Images Of,You Will Never Walk Alone,Youll Never Walk Alone
Description: Tony Smith image Alamy DDXKPR - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Pier Head, Liverpool, England, UK L3 1DL
Description
Keywords: time,blue,hour,bluehour,England,UK,GB,Great,Britain,british,English,icons,iconic,River,three,graces,reflection,reflections,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,iconic,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,sunset,sundown,sun,gotonysmith,Maritime,Mercantile,City,UNESCO,World,Heritage,city,perspective,leading,line,lines,street,light,lights,streetlight,streetlighting,cobbles,cobble,cobbled,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXM0N - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Pier Head, Liverpool, England, UK L3 1DL
Description
Keywords: night,shot,nightshot,nighttime,evening,architecture,canal,dusk,head,link,lit,Liverpool,museum,night,pier,reflected,reflection,uk,up,waterfront,city,centre,Museum,of,lighted,open,scouser,design,designed,Mann,Island,3XN,Lit up,GoTonySmith,@HotpixUK,museums,Buro,Happold,England,UK,GB,Great,Britain,Buy Pictures of,Buy Images Of,Images of Liverpool,Stock Images,National Museums,National Museums Liverpool,Museum of Liverpool Life,Buro Happold,Great Britain
Description: Tony Smith image Alamy DDXPME - The Museum of Liverpool in Liverpool, England, is the newest addition to the National Museums Liverpool group having opened in 2011 replacing the former Museum of Liverpool Life. National Museums Liverpool intention is for the new venue to tell the story of Liverpool and its people, and reflect the city's global significance. The museum is housed in a new purpose-built building on the Mann Island site at the Pier Head.
The museum, designed by architects 3XN and engineers Buro Happold, was expected to cost £72 million and provide 8,000 square metres of exhibition space, housing more than 6,000 objects. There are also plans to have flexible spaces that regularly change to enable National Museums Liverpool to show more of their collections
Mann Island, Pier Head,Liverpool,Merseyside,England,UK
Description
Keywords: Kirklees,council,local,authority,LA,West,Yorkshire,England,English,UK,GB,Great,Britain,British,town,centre,Saturday,13th,July,event,HACCT,office,African-Caribbean,African,Caribbean,Afro,dancer,dancers,Masqueraders,costume,colourful,Hudawi,trust,diversity,diverse,events,leisure,red,activity,Gotonysmith,sun,sunny,day,summer,center,13/07/2013,Greenhead,Park,Afro-Caribbean,costumes,colorful,culture,cultural,streets,parades,jab,jabs,jab-jabs,St,Johns,Rd,from,Willow,Lane,to,John,William,St,Johns,Rd,Market,Place,Cloth,Hall,St,from,Market,Place,to,St,from,Cloth,Hall,St,to,Westgate,from,to,Trinity,St,johns,Yorks,WestYorks,HD11NU,1NU,headdress,head,dress,head-dress,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDJPFB - Now in its 29th year, Carnival is a celebration of African-Caribbean culture showcasing arts, traditions and culture through an amazing array of costumes, sounds, colourful sights, social solidarity, history, achievements and togetherness. Carnival is celebrated over two days and consists of J'Ouvert, Mas Band Parade, Stage Show and after party.
Carnival Parade on Saturday 13th July, 1pm to 4pm
Masqueraders dress in an array of flamboyant costumes and parade through the streets. The procession starts at the Hudawi Cultural Centre and makes its way through the streets of Huddersfield town centre, travelling up Trinity Street and ending in Greenhead Park.
Parade Route
¢ William St from Lower Fitzwilliam St to Beaumont St
¢ The entire length of Beaumont St
¢ Great Northern St from its junction with Lower Fitzwilliam St to its junction with Ray St
From 1pm to 4pm - Closures only in operation as the parade passes through
¢ Great Northern St from Lower Fitzwilliam St to Hillhouse Lane
¢ Hillhouse Lane from Great Northern St to Willow Lane
¢ Willow Lane from Hillhouse Lane to its St John's Rd
¢ St John's Rd from Willow Lane to John William St
¢ John William St from St John's Rd to Market Place
¢ Market Place
¢ Cloth Hall St from Market Place to Market St
¢ Market St from Cloth Hall St to Westgate
¢ Westgate from Market St to Trinity St
¢ Trinity St from Westgate to Westbourne Rd
¢ Gledholt Rd from Trinity St to the entrance to Greenhead Park
Around Greenhead Park
From 8am to 10pm
¢ Park Drive from Trinity St to Gledholt Rd
¢ Vernon Ave from Park Drive to Trinity St
¢ Park Drive South from Gledholt Rd to Park Ave
Market St, Huddersfield, West Yorkshire, England UK HD1 1NU
Description
Keywords: Krishnas,mono,B/W,Black,White,sing,in,the,making,people,ppl,High,St,Edinburgh,Scotland,August,time,message,of,love,shaved,head,heads,capital,city,cities,tat,tattoo,gotonysmith,gotonysmith,Buy Pictures of,Buy Images Of,shout,monk,monks,religion,world,religions
Description: Tony Smith image Alamy D8HWJ9 - . Shout Gouranga meet the Hare Krishna's in The High St Edinburgh, Scotland, August festival time. Photographed on 22 August 2012. The recorded location is High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS. The wider historical story is that monochrome, sepia, selective-colour and infrared treatments belong to a long tradition of photographers using tonal interpretation rather than literal colour
Infrared records wavelengths beyond normal vision, while black-and-white presentation emphasises form, contrast, texture and light. From a heritage perspective, town and city centres are continually rewritten by new buildings, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. In the present 2026 context, these effects can be produced digitally with ease, but their usefulness still depends on the underlying subject and the visual information retained
Older examples also document the aesthetics of an era when strong selective colour and infrared processing were especially popular in creative digital photography. As of 2026, current regeneration programmes make older urban photographs particularly valuable
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change. Looking at the subject's development, alternative photographic processes can make familiar subjects appear unfamiliar
Black-and-white and sepia evoke older photographic traditions, selective colour isolates a chosen detail, and infrared can render foliage and skies with striking tonal separation. Relevant long-tail terms include black and white, infrared photography, creative photography, tonal contrast, high contrast, fine art photography, photographic technique, image treatment, and visual style.
High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS
Description
Keywords: Festival puppet entertainer with a severed head,August High street,Edinburgh Old Town,Lothian,Scotland UK August High street,Edinburgh Old Town,Lothian,smiling,actor,holding,streetfun,fun,monochrome,spectacle,horror,mono,monochrome,fringefestival,EH11QS,EH1,1QS,gotonysmith black and white,gotonysmith,Buy Pictures of,Buy Images Of,Scotland,attractions,kissing,attraction,Festival puppet entertainer,severed,head,face
Description: Tony Smith image Alamy D8HWP0 - . Festival puppet entertainer with a severed head , August High street, Edinburgh Old Town, Lothian, Scotland UK. Photographed on 22 August 2012. The recorded location is High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS. Historically, community circus and street entertainment sit between amateur participation and professional performance, using portable skills such as juggling and puppetry that can be staged in parks, streets or festivals with minimal infrastructure. Looking at the subject's development, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local history, design, industry and social life across different periods. In historical terms, urban street scenes capture the cumulative effect of planning, architecture, transport, retail and public space
Shopfronts, signs, street furniture and pedestrians can date an image precisely and show how a district changes between periods of investment, decline and regeneration. In 2026, outdoor performance continues to be important to festivals and community events, offering accessible entertainment at a time when arts organisations continue to debate funding, participation and the use of public space. For the 2026 context, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historical fabric creates continuing debate about conservation and reuse. The historical context is that festival entertainers add a temporary layer of performance to public space
Their costumes, props and interaction with passers-by often become part of the identity of recurring civic and arts events. In 2026, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse.
High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS
Description
Keywords: seeds,sun,flowers,giant,annual,plant,native,to,the,Americas.,It,possesses,a,large,inflorescence,positive,thoughts,summer,Tournesols,Helianthus,annuus,family,Asteraceae,flower,head,composite,floret,is,oriented,toward,the,next,by,approximately,the,golden,angle,137.5 degrees behind grey,Gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HDKR - The sunflower (Helianthus annuus) is an annual plant native to the Americas. It possesses a large inflorescence (flowering head), and its name is derived from the flower's shape and image, which is often used to capture the sun. The plant has a rough, hairy stem, broad, coarsely toothed, rough leaves, and circular flower heads.
The heads consist of many individual flowers which mature into seeds, often in the hundreds, on a receptacle base. From the Americas, sunflower seeds were brought to Europe in the 16th century, where, along with sunflower oil, they became a widespread cooking ingredient. Leaves of the sunflower can be used as cattle feed, while the stems contain a fibre which may be used in paper production.
Leigh, Lancashire, England, UK
Description
Keywords: Exhibit,A,-,Banned!,on,stage,at,Winnington,Park,Northwich,Cheshire,England,UK,2010-02-26,heavy,metal,band,gotonysmith,guitar,head,banger,banging,face,guitarface,act,ExhibitA,Banned! Northwich 2010-02-26,gotonysmith,Buy Pictures of,Buy Images Of,concert,music,rock,roll,headbanger
Description: Tony Smith image Alamy CF7D9M - . Exhibit A - Banned! live on stage at Winnington Park, Northwich, Cheshire, England UK 2010-02-26 heavy metal band. Photographed on 26 February 2010. The recorded location is Winnington Park, Winnington, Northwich, Cheshire, England, UK. Looking at the subject's development, visitor attractions based on historic houses, industrial sites and specialist collections combine conservation with education
Exhibits can change over time, so photographs also document how institutions presented their collections at a particular date. Looking at the subject's development, live music leaves a material trail through venues, tickets, posters, recording equipment and the buildings associated with bands and labels
These apparently everyday objects become cultural-history evidence as scenes, technologies and venues change or disappear. For the 2026 context, heritage attractions increasingly combine physical collections with digital interpretation and events, but the authenticity of original objects and settings remains central to their appeal. For the 2026 context, the economics of live music remain under scrutiny as independent venues face costs while audiences increasingly discover and consume music digitally
Historic tickets, venue exteriors and recording technology therefore provide a useful contrast with today's streaming-led music economy. The wider historical story is that museums and heritage attractions turn surviving objects and places into interpreted public history
Displays, reconstructed rooms and preserved machinery can place everyday artefacts within broader stories of work, domestic life, conflict, design and technological change. In the present 2026 context, museums and heritage sites continue to balance conservation with accessibility, education, digital interpretation and the cost of maintaining buildings and collections
Older exhibition photographs can therefore record displays that have since been changed or reinterpreted.
Winnington Park, Winnington, Northwich, Cheshire, England, UK
Description
Keywords: Blue Cap historic Pub and drinking place A556 at Dusk,Cheshire,England,United Kingdom gotonysmith Blue Cap,Cheshire,named,after,a,noted,18th,century,foxhound,marked,with,a,dark,patch,on,its,head,night,shot,blue,hour,bluehour,near,road,fast,country,inn,tourist,attraction,Blue,Cap,Pub,A556,Dusk,The,Blue,Cap,in,Cheshire,was,named,after,a,noted,18th,century,foxhound,marked,with,a,dark,patch,on,its,head,ales,CAMRA,public,house,Dark,beer,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF2211 - . Blue Cap historic Pub and drinking place A556 at Dusk , Cheshire , England, United Kingdom. Photographed on 9 February 2010. The recorded location is Blue Cap Hotel, A556, , Sandiway, Cheshire, England, Great Britain. The Blue Cap in Cheshire was named after a noted 18th century foxhound marked with a dark patch on its head. Historically, british pubs evolved from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, drinking houses, music venues and landmarks within town and village life
Their architecture, signs, interiors and evolving names often preserve layers of local commercial and social history. As background, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. Historically, seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. In 2026, in England the sector remains under pressure from operating costs and business rates, although eligible pubs and live-music venues receive a 15% business-rates relief/27
That makes historical and contemporary pub photographs particularly relevant to coverage of hospitality, community assets and evolving town centres. Against the 2026 backdrop, conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it provides about materials, local identity and how places change. Relevant synonyms and subject phrases include public house, licensed premises, hostelry, bar trade, real ale, cask ale, beer culture, and local pub.
Blue Cap Hotel, A556, , Sandiway, Cheshire, England, Great Britain
Description
Keywords: NCB,British,Rail,BR,coal,truck,National,Coal,Board,internal,use,only,No,L22,tare,560,mine,pit,head,pithead,mining,museum,red,railroad,british,UK,united,kingdom,transport,gotonysmith,National,Mining,Museum,Scotland,Lady,Victoria,Colliery,National,Union,Of,Mineworkers,England,Scottish,Newtongrange,The,Scottish,Mining,Museum,Trust,railyard,rail,yard,1950s,1960s,truck,rail,road,railroad,historic,history,old,antique,gotonysmith,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History,Coal History,Coal Mining History,Coal Industry
Description: Tony Smith image Alamy CEY9C3 - . NCB British Rail BR coal truck National Coal Board railyard rail yard. Photographed on 11 August 2009. The recorded location is National Mining Museum Scotland, Lady Victoria Colliery, Newtongrange, Midlothian, EH22 4QN. NCB Coal wagon for internal use only at the . The Scottish Mining Museum Trust is registered in Scotland. Looking at the subject's development, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local story.htm Target=_Blank>history, design, industry and social life across different periods. In the longer view, workplace portraits and occupational scenes record skills, uniforms, tools and customer service that can disappear as industries modernise
They are useful social-history evidence because they place individual workers within the everyday economy rather than presenting a building or product in isolation. For the 2026 context, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historical fabric creates continuing debate about conservation and reuse. Current 2026 relevance comes from the fact that service work remains central to the British economy while recruitment, pay, automation and evolving customer expectations continue to reshape many occupations
Historic and contemporary workplace photographs therefore have relevance to labour, skills and employment as well as the immediate subject. The wider historical story is that historic objects and places gain meaning through survival
Materials, craftsmanship, inscriptions and later alterations can reveal how a building, machine or everyday item was made, used and valued, while preservation decisions show which parts of the past communities choose to retain. Other strongly related concepts include historic environment, period detail, historic fabric, heritage asset, and social history.
National Mining Museum Scotland, Lady Victoria Colliery, Newtongrange, Midlothian, EH22 4QN
![iPod Shuffle2 - Post War Glamour Girl [ Manchester Northern Quarter Mural , England UK ] 7693458316 art,NQ,Manchester,Cord,Bar,big,breasts,chest,chested,lady,female,woman,red,head,redhead,stilletto,shoes,ble,stockings,french,knickers,pants,french knickers,street,England,Northern,Quarter,mural,pano,panorama,hipstamatic,iphone,joiner,sexy,lips,giant,enormous,hooters,legs,air,ready,punter,Tib,St,TibSt,breasted,milf,BBW](https://live.staticflickr.com/7248/7693458316_a88930a2ce_o.jpg/)
Description
Keywords: art,NQ,Manchester,Cord,Bar,big,breasts,chest,chested,lady,female,woman,red,head,redhead,stilletto,shoes,ble,stockings,french,knickers,pants,french knickers,street,England,Northern,Quarter,mural,pano,panorama,hipstamatic,iphone,joiner,sexy,lips,giant,enormous,hooters,legs,air,ready,punter,Tib,St,TibSt,breasted,milf,BBW
Description: Tony Smith image Flickr 7693458316 - 'Salford lad John Cooper Clarke - 'Post War Glamour Girl' - Play this track here.
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This is a panorama of four hipstamatic shots taken on an iphone stiched together. It was taken in Manchester's Northern Quarter.
John Cooper Clarke (born 25 January 1949) is an English performance poet who first became famous during the punk rock era of the late 1970s when he became known as a 'punk poet'.[1] He released several albums in the late 1970s and early 1980s, and continues to perform regularly.
His recorded output has mainly centred around musical backing from The Invisible Girls, which featured Martin Hannett, Pete Shelley, Bill Nelson, Paul Burgess and Steve Hopkins.
His first releases were on the independent label Rabid, starting with the EP Innocents in October 1977. He toured with Bill Nelson's band Be-Bop Deluxe in 1978 and was signed by Epic Records, who issued the Nelson-produced debut album Disguise In Love in 1978.
In 1979 he had his only UK top 40 hit with 'Gimmix! (Play Loud)'. Clarke toured with Linton Kwesi Johnson, and has performed on the same bill as bands such as Sex Pistols, The Fall, Joy Division, Buzzcocks, Siouxsie and the Banshees, Elvis Costello, Rockpile, and New Order (including at their May 1984 Music for Miners benefit concert at London's Royal Festival Hall). His set is characterised by lively, rapid-fire renditions of his poems, usually performed a cappella. Often referred to as 'the bard of Salford', he usually refers to himself on stage as 'Johnny Clarke, the name behind the hairstyle'.
This mural which is just on the gable end of Cord bar is just around the corner from Tib St, the old seedy street that used to be home to pet shops and sex shops. These days its more arty bars, nice cafes and music venues. Still a bit seedy, reassuringly!
File under: MNQ , Manchester, Mancunian, Northern Quarter, Mural, Graffitti, naked busty large chested lady, girl female, breats, tight knickers , pants , high heels , silk stockings, french , red shoes , mask , masque, burlesque , show, recline , reclining in the city , Cordbar , Cord bar , street art , Lancashire, England , UK, N4 , NQ, oldham st , tib street enourmous , enormous , bbw , no nipples , hidden , seductive , seduction , temptation , fings not always what they appear!
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Liverpool,mersey,merseyside,pierhead,pier,head,england,UK,van,GB,great,britain,tony,smith,tonysmith,hotpix,tonysmithhotpix,hotpics,hotpicks,hot,pix,pics,picks,border,screen,frame,framed,platinumphoto,liver,building,liver building,royal,insurance,#tonysmithotpix
Description: Tony Smith image Flickr 5222344476 - 'Ice Cream - 'New Young Pony Club' - Play this track here.
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New Young Pony Club are a five-piece rock band from London, UK. They consist of now London-based vocalist Tahita Bulmer and producer Andy Spence. They shared a love of punk rock and dance music. The founding pair began writing together, originally only for Bulmer to perform.
Spence later assumed a larger role when they decided to form a proper band, so the duo recruited the single-monikered Lou on keyboards, Igor Volk on bass, and Sarah Jones on percussion. The band formed in 2005, and released two limited edition 7' singles ('The Get Go' and this track 'Ice Cream') on indie label Tirk Recordings. Later that year they were discovered by more established Australian label Modular Recordings, and signing a worldwide deal.
The band's name came from lead singer Bulmer's desire to be a part of a club or team at school. Her original idea for the band name was the more concise 'Pony Club', which she describes as 'quirky and kinky and fun'. A pre-existing Irish band had already claimed the name, and the prefix 'New Young' was added to reflect that the band are 'a newer, younger and kinkier Pony Club'. So now we know.
For more, checkout NYPC's debut album, 'Fantastic Playroom'
------------------------
The Pier Head in Liverpool has gone through some transformations over the years. When back in the mid 1980's when I worked in the city centre it was part bus station and ferry terminal. The latter are mostly now for tourists, most locals taking the subway. Its now got a nice water feature and the concrete beefeater is now a swish Chinese eatery. A change for the better. On a sunny day, a nice place to enjoy an ice cream.....
NB: Like all the images on this stream, full size images are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>Liverpool from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: hat,chinese,hand,coloured,colored,handcolored,handcoloured,hotpixuk,hotpix,tonysmith,tony,smith,vietnam,south,asia,face,head,faces,portrait,good,she,is,pretty,female,lady,woman,selected,selective,colour,color,b/w,black,white,monochrome,mono,asian,vietnamese,partial,mixed,this photo rocks,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,tony smith photography,tdktony,tdk,tdktonysmith,BME,minority,ethnic
Description: Tony Smith image Flickr 3874777659 - 'Sepia toned and hand coloured print
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Liverpool,three,graces,dock,side,dockside,peir,pier,head,pierhead,bus,merseybus,mersey,panorama,joiner,hockney,david,hotpix,hotpixuk,tony,smith,tonysmith,England,UK,GB,britain,beatles,the beatles,liver,building,city,town,hotpics,hotpic,hotpick,hotpicks,hot,pics,pix,picks,highway,road,hotpix.freeserve.co.uk,buildings,built,architecture,merseyside,pano,stitched,join,joined,images,widescreen,wide,\u043f\u0430\u043d\u043e\u0440\u0430\u043c\u0430,\u30d1\u30ce\u30e9\u30de,\u5168\u666f,\ud55c\uad6d\uc5b4
Description: Tony Smith image Flickr 4281002771 - 'Here is an old joiner.
The image was assembled from about 15 prints taken from different viewpoints one autumn afternoon, in the style of a David Hockney joiner. The Liverpool waterfront is an iconic cityscape and here is shown in the warm afternoon setting sunlight.
A 80mm or shallower lens will have been used here. To get the whole of these really impressive listed buildings (national treasures some would say) in would take a 14mm or wider, and cause much distortion).
An old merseybus double decker adds a bit of an every day feel to it. Although not as iconic as a red routemaster London bus, for a long time it was a mode of transport that marked Liverpool out.
While I lived there, if a bus had not arrived by the time seven taxi's had passed, that was time to take the eigth taxi. (Even if you had already paid \u00a34.10 for your MerseyTravel card).
Some fireworks at night in Liverpool here www.flickr.com/photos/hotpixuk/3827213307/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Skin,SA,Skunk,Anansie,Anansi,Wolverhampton,Civic,Hall,West,Midlands,body,surf,surfing,head,gig,live,compilation,tour,Smashes,Trashes,crowd,365days,photo,photos,photography,photographer,hotpix.org.uk,www.hotpix.org.uk,music,musician,stage,performer,player,event,signed,band,group,lighting,anbiant,cool,person,people,portrait,image,england,uk,britain,GB,europe,english,tonysmith,tony,smith,s1500,bands,concert,concerts,musicians,hotpicks,gigs,performing,playing,hotpix!,@hotpixuk
Description: Tony Smith image Flickr 4140925063 - 'Skin of the late 1990's rock band Skunk Anansie, back together to plug their latest 15 cut compilation 'Smashes and Trashes'.
Skin has done some solo stuff but not really hit the peaks of Stoosh and Paranoid and Sunburnt.
SA were on top form tonight at the Wolverhampton Civic. Coincidentally the city xmas lights were switched on this night too, with fireworks.
However the best show was in the Civic with Skin body surfing down to the bottom of the hall &
back, then doing a lap of the circle. A brilliant performance and two new tracks chucked in to boot!
Another shot from the gig here together with full setlist www.flickr.com/photos/hotpixuk/4141033347/in/photostream/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: grim,reaper,happy,halloween,fancy,dress,shop,witton,st,street,cheshire,UK,England,ghoul,ghoulish,bargain,skull,day,dead,witton street,face,head,faces,365days,this photo rocks,hotpix!,tony smith photography,tdktony,tdk,tony,tdktonysmith
Description: Tony Smith image Flickr 4059544490 - 'Fancy dress shop front in Northwich, Cheshire, England UK. A bargain at \u00a332. When its gone, its gone (and all that....)
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: veteran,medal,medals,wr,old,soldier,pier,head,liverpool,mersey,merseyside,day,rememberence,rememberance,celebration,cenataph,england,english,UK,British,britain,great,royal,air,force,association,GB,november,11,11/11,11th,liver,building,cunard
Description: Tony Smith image Flickr 6333779781 - 'Manic Street Preachers - 'If You Tolerate This Your Children Will Be Next' - Play this track here.
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Well what else could you post on 11/11?
The Manic Street Preachers are a Welsh alternative rock band, formed in 1986. They are James Dean Bradfield, Nicky Wire, Richey Edwards and Sean Moore. The band are part of the Cardiff music scene, and were at their most prominent during the 1990s. They are colloquially known as 'The Manics' or 'Manics'.
The band were originally a quartet: main lyricist and guitarist Richey Edwards vanished on 1 February 1995. In November 2008, thirteen years after his disappearance, he was officially declared presumed deceased.
The Manics released their debut album, Generation Terrorists in 1992. Their combination of androgynous glam punk imagery, outspoken invective and songs about 'culture, alienation, boredom and despair' soon gained them a loyal following and cult status. The band's later albums retained a leftist politicisation and intellectual lyrical style, while adopting a broader alternative rock sound.
Enigmatic lyricist Richey Edwards gained early notoriety by cutting the words '4REAL' into his arm with a razor blade (narrowly missing an artery and requiring seventeen stitches) in response to the suggestion that the band were less than authentic. The dark nature of 1994's The Holy Bible reflected the culmination of Edwards' instability.
'If You Tolerate This Your Children Will Be Next' is one of the best known tracks by the Manic Street Preachers, released as the first single from their fifth studio album, This Is My Truth Tell Me Yours, with lyrics written by Nicky Wire (credited as Nick Jones), and music written by James Dean Bradfield and Sean Moore.
It was released on 24 August 1998 and became the first of the band's two number one singles in the United Kingdom to date. The song is in the Guinness World Records as the number one single with the longest title without brackets. The song was voted no 20 on Channel 4's 100 Greatest Number One Singles, is the group's biggest success on the Irish singles chart (where it reached no 3), and is the only Manic Street Preachers track ever to be released as a single in the United States.
Various works on the Spanish Civil War were the inspiration for this song, most notably George Orwell's first-hand account, 'Homage to Catalonia.' (one of my favourite authors). Wire has acknowledged that he was also inspired by a song by The Clash, 'Spanish Bombs', which has a similar subject.
In March 2009, it was discovered that the song was used on the website of the British National Party as the soundtrack of an article describing 'the violence, hatred, fragmentation and despair' wrought on London by the 'great multicultural experiment'. The choice of this song was considered ironic by many, considering the song contains lyrics such as 'So if I can shoot rabbits/Then I can shoot fascists'. Record company Sony were successfully able to have the song removed from the site on the grounds of unauthorised use.
The BNP later released a press statement claiming that 'the song had mistakenly been automatically streamed on to its site and had nothing to do with the official party' and that 'you can interpret the lyrics any way you want'.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
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\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
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Keywords: three,men,3,3men,kissing,kissingmen,monkeys,drunk,mates,friends,pals,drinkers,gay,straight,married,face,head,faces,365days,male,boyfriends,boy,amigo,amigos,Queer,pink,homosexual,proud,out,coming,stonewall,tonysmith,tony,smith,HOT PIX,tony smith photography,tdktony,tdk,tdktonysmith,andy,andrew,cooper,joe,parkin,phil,hughes,philip
Description: Tony Smith image Flickr 4002697978 - '
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
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Keywords: malcolm,harradine,tv,television,chef,cook,shop,cookshop,Bratts,department,store,QVC,Mr,Silicone,cheshire,UK,Northwich,town,centre,fruit,crumble,smilling,smile,demo,demonstration,cookery,mrsilicone,recipe,chronicle,mid,midcheshire,Tim,Gray,demonstrations,outside,st,face,head,faces,365days,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photographic,photography,SLR,DSLR,group,GYCA,Bellhouse,bellhouse Club,tonysmith,tony,smith,HOT PIX,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 3959757223 - 'Not what I expected walking down to the bank in Northwich, Malcolm Harradine, Mr Silicone of QVC and other television appearances.
Shown here, showing off his skills at Bratts cookshop in Witten street with a fruit crumble, one of his favourite demo dishes. He had offers on the latest cookware from induction hobs to knife sets.
Another chap in Northwich, Cheshire here www.flickr.com/photos/hotpixuk/3998786439/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
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Keywords: Danny,Trish,Manchester,Town,hall,albert,square,hotpixuk,hotpix,tonysmith,tony,smith,face,head,faces,toned,mono,monochrome,b/w,black,white,blue,wedding,marriage,flowers,ceremony,dress,suit,window,shadow,victorian,building,tdktony,nature,natural,history,world,life,You are not complete until you'r married, then you are finished!,tony smith photography,tdk,tdktonysmith,wwedding
Description: Tony Smith image Flickr 3875567348 - 'A wedding image in blue toned black and white monochrome within the great neogothic town hall in Manchester, which is a designated site for marriage ceremonies.
Designed by architect Alfred Waterhouse in 1877 as a town hall for a prosperous emerging city, the building features imposing murals by the artist Ford Madox Brown depicting important events in the history of the city. The Town Hall was rated by English Heritage as a Grade I listed building in 1952 and the Town Hall Extension, completed in 1938, was Grade II* listed in 1974.
The choice of Albert Square as location was influenced by a desire to provide a central, accessible, but relatively quiet site in a respectable district, close to Manchester's banks and municipal offices, next to a large open area, suitable for the display of a fine building.
The foundation stone of the new Town Hall was laid on 26th October 1868 by the Lord Mayor of Manchester, Robert Neill. The Town Hall was opened by Lord Mayor Abel Heywood, on 13 September 1877, after Queen Victoria's snubbed the city and refusal to attend the opening.
As you enter on the floor is a mosaic depicting the bee, the symbol of Manchester's being a hive of industry during the 19th century. The bee also used be on the Boddingtons beer logo. A history going back to 1778 was ended when last family chairman Ewart Boddington sold the Strangeways brewery and the Boddingtons brand to Whitbread for \u00a350.7 million. In May 2000, the Whitbread Beer Company was acquired by brewing conglomerate Interbrew. In 2004 brewing was moved from the original site next to Manchester's main victorian prison. Cask Boddingtons is still brewed in Manchester however, at teh former Kestral Lager brewary at Moss Side.
Reasuringly the town hall tower is still topped by a golden cotton seed ball, the original source of the city's wealth. That will not go the way of Strangeways brewery.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
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Keywords: historic,Warrington,Cheshire,England,UK,Rams,Head,Inn,Pub,bar,town,summer,public,house,WA4,classic,sunny,Cheshire church,Cheshire life,Cheshire Pub,Cheshire Pubs,Cheshire public house,Grappenhall Pub,GoTonySmith,Buy Pictures of,Buy Images Of,Gropenhale,WA4 2SG,church and pub,and,churches,pubs,bars,pub,sign,signs
Description: Tony Smith image Alamy F89PH8 - Photo shows Rams Head inn sign & St Wilfrids Church tower,Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG. The image is useful for illustrating British and Irish pub culture, real ale, traditional bars, hospitality, visitor economy stories and the continued importance of pubs as social places. Where a named pub, brewery, beer pump, pint glass or drinking street is visible, it can support articles on licensed premises, cask ale, CAMRA interest, tourism, nightlife, local character and changing high streets. The supplied location evidence places the subject at or near Warrington, Cheshire, Grappenhall, England, UK, WA4 2SG, which adds value for buyers searching by town, city, region or postcode. Visible wording, branding or signage noted in the supplied caption should be kept as search evidence because it helps buyers looking for specific editorial concepts, public messages, commercial streets, transport detail or local identity. Weather and season may be visible outside or through the setting
the subject has clear hospitality and leisure value. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news.
Church Lane, Grappenhall, Warrington, Cheshire,England, UK
Description
Keywords: with,a,head,withahead,beer,Boddington,regional,ale,brewed,in,Mossside,pint,glass,boddies,hoppy,widget,draught-style,draught,style,cream,brewing,co,company,whitbread,Anheuser""“Busch,outside,on,a,bench,table,wood,wooden,cask,conditioned,Pub,barrel,regional,national,Madchester,Gotonysmith,the,of,creamOfManchester,bee,bees,logo,city,product,NW,England,UK,GB,Great,britain,Anheuser,Busch,Hydes,Brewery,in,Moss,Side,Kestrel,kegging,facility,prison,HMP,demolished,blandly,foamy,nitrokeg,travesty,of,the,original,version,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy E6JB65 - A classic regional English ale. Whitbread chief executive Peter Jarvis commented in 1995 that:
It was very fortuitous that the brewery was in Manchester. To outsiders, Manchester is a very attractive place “ known the world over for soccer, art, music and broadcasting. It would be difficult to have a Cream of Wolverhampton even though Banks's beer is very good. People do not aspire to visit Wolverhampton. On the whole they try to by-pass it.
Widnes, Cheshire, England, UK
