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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,FK2 7ZT,reflection,reflections,Falkirk Kelpies,horse,sculptures,steel,heads,iconic,Scottish,landmark,tourist,attraction,public art monument,equine,visitor,destination,canal side,monumental,artwork,head,dramatic storm clouds,reflection in puddle,giant steel sculptures,modern Scottish icon,family day out,UK short break,Central Belt tourism,travel photography,outdoor sculpture park,heritage and tourism,engineering meets art,horse inspired artwork,weekend trip Scotland,Falkirk attractions,Scottish folklore,mythical water horse
Description: Tony Smith image Alamy 3F3F04F - Atmospheric view of the Kelpies at The Helix near Falkirk and Grangemouth in central Scotland. The pair of monumental horse head sculptures rise above the surrounding parkland under dark, dramatic clouds, while rainwater in the foreground creates a reflective pool that echoes their distinctive outline. The image captures both the scale of the artwork and the shifting Scottish weather, giving the famous landmark an impressive and moody presence.
Designed by sculptor Andy Scott and opened in 2013, the Kelpies stand around 30 metres high and are among Scotland's best-known contemporary public artworks. The sculptures are modelled on Clydesdale horses and were created to celebrate the strength, endurance and contribution of working horses to Scottish industry, agriculture, transport and canal history. Their name comes from the kelpie, the shape-shifting water spirit of Scottish folklore, linking myth with the waterways and wetland setting of The Helix.
Located between Falkirk and Grangemouth, beside the Forth and Clyde Canal, the Kelpies form the centrepiece of a wider regeneration and leisure landscape that includes paths, open green space and visitor facilities. Since opening, they have become a major Scottish tourist attraction, drawing visitors for sightseeing, photography, family days out and short breaks. The close-cropped composition, dark sky and water reflection emphasise the sculptures' steel-clad surfaces, muscular form and striking architectural character. The photograph works well for themes including Scottish tourism, iconic landmarks, public art, engineering-inspired design, horse sculpture, visitor attractions and atmospheric travel imagery. As one of the most recognisable sights in central Scotland, the Kelpies are regularly used to represent Falkirk, modern Scottish culture and successful post-industrial regeneration.
The Kelpies, Helix park, Falkirk, Scotland, FK2 7ZT
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9159,The Face of Wigan,Rick Kirby,sculpture,Wigan,Greater Manchester,England,UK,public,art,contemporary,metal,lattice,head,landmark,civic,identity,regeneration,2008,artist,town-centre
Description: Tony Smith image Alamy 3EG4B5M - . The Face of Wigan sculpture by Rick Kirby in Wigan, Greater Manchester, England, UK. Photographed on 6 May 2026. The monumental head is constructed from a lattice of metallic strips, creating a transparent three-dimensional face that changes appearance as viewers move around it. Installed in 2008, the work has become a distinctive piece of public art and a recognisable local landmark. The close side view emphasises the layered construction and expressive facial profile and can illustrate stories about public art, place-making, regeneration, local identity and contemporary sculpture in British towns. The background to public art is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. Within the history of streetscape, town and neighbourhood images record the accumulation of ordinary change: road layouts, shop names, signage, public art and building uses
Their value increases when compared over decades because apparently minor details can become the clearest evidence of transformation. Current 2026 context around public art is that public art is closely connected with regeneration, tourism, identity and debate about representation
Murals and sculptures can become visitor landmarks while also prompting discussion about whose past is visible in public space. Against the 2026 backdrop for streetscape, current place-making policy increasingly emphasises distinctive local identity rather than generic development, so small landmarks and community businesses can become important parts of how an area is represented. Relevant alternative phrases include street art, artwork, urban culture, cultural identity, visual culture, community art, memorial art, creative industries, public realm, cultural landmark, local history, and place identity.
Wigan, Greater Manchester, England, UK
Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,255A9788,Manchester,Bulls,Head,pub,London,Road,beer,heritage
Description: Tony Smith image Alamy 3E3P8JP - . The Bulls Head pub at 84 London Road in Manchester. Photographed on 28 June 2025. The recorded location is 84 London Road, Manchester, Greater Manchester, England, UK. For historic pub, the historical context is that beer culture links agriculture, brewing, distribution and the licensed trade
Cask-conditioned ale, handpumps, brewery branding and pub interiors became especially important to the real-ale revival from the 1970s onwards, while later craft brewing introduced new styles and independent producers. For historic pub, the 2026 context is that in England eligible pubs and live-music venues receive a 15% business-rates relief for the 2026/27 billing year, reflecting continuing concern about operating costs, closures and the role of hospitality in town-centre vitality. Further relevant search phrases include public house, licensed premises, alehouse, hostelry, bar trade, real ale, cask ale, local pub, nightlife, community asset, independent brewery, 255A9788, and heritage. Looking at licensed trade, the longer history is that british pubs developed from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, music venues and landmarks
Names, brewery signs, etched glass, tiled interiors and changing fascias can preserve local history even when ownership or use changes. The background to licensed premises is that beer culture links agriculture, brewing, distribution and the licensed trade
Cask-conditioned ale, handpumps, brewery branding and pub interiors became especially important to the real-ale revival from the 1970s onwards, while later craft brewing introduced new styles and independent producers. In 2026, licensed trade remains relevant because in England eligible pubs and live-music venues receive a 15% business-rates relief for the 2026/27 billing year, reflecting continuing concern about operating costs, closures and the role of hospitality in town-centre vitality.
84 London Road, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,history,historic,brigade,service,red,brick,and,building,head,quarters,of,Swinton,Gerrard,and Sons,style,Edwardian Baroque,Woodhouse,Willoughby,Langham,M1 2WR,M1,M12WR,Fire Brigade HQ Manchester,London Road Fire Station,Manchester fire service,Greater Manchester Fire Service history,Piccadilly Manchester,M1 2AE,red brick building,terracotta facade,Edwardian architecture,civic architecture,public services building,historic Manchester
Description: Tony Smith image Alamy 2RG8YF2 - Detail of the former Fire Brigade Headquarters building on London Road in Manchester city centre, postcode M1 2AE. The image focuses on the ornate stone cartouche bearing the carved inscription Fire Brigade Head Quarters, framed by decorative terracotta and red brickwork typical of late Victorian and Edwardian civic architecture.
London Road, now part of the A6 corridor, has long been associated with municipal infrastructure and public services, including transport, utilities, and emergency response. Purpose-built fire stations and headquarters such as this reflected the growing professionalisation of fire services in major industrial cities during the late nineteenth and early twentieth centuries, responding to the risks posed by dense urban development and manufacturing.
The craftsmanship visible in the stone carving and façade detailing illustrates the civic pride invested in public service buildings of the period, which were designed not only for operational use but also to project authority, permanence, and public confidence. The survival of the original inscription provides a direct physical link to Manchester's historic fire brigade and the city's wider industrial and social history.
Photographed in daylight, the image documents an important example of Manchester's architectural heritage and the historic role of emergency services within the evolving city centre landscape.
Fire Brigade Headquarters, 100 Fairfield St, Manchester, M1 2WR
Description
Keywords: GoTonySmith,HotpixUK,UK,Edinburgh,Leith,Scotland,head,suckling pig,pigs,roasting,stalls,food,snack,barbeque,BBQ,cooked,snout,delicious,traditional,meat,carved,carnivore,carnivores,spit,roast,British,stand,serving,face,animal rights,piglet,piglets,stuffing,apple,sauce,sauces,rolls,ears,whole,propane gas machine
Description: Tony Smith image Alamy 2RECE42 - A pig roast or hog roast is an event or gathering which involves the barbecuing of a whole pig.
Pig roasts, under a variety of names, are a common traditional celebration event in many places including the Philippines, Puerto Rico and Cuba. It is also popular in the United States, especially in the state of Hawaii (a luau) and in the Southern United States (pig pickin'). In Southeast Asia, a pig roast is a staple among the Buddhist, and Christian communities, notably among Catholic Filipinos and Hindu Balinese people, or Buddhist Chinese people.
In the UK, the tradition of pig roasting, more commonly known in the UK as a hog roast, is popular on many occasions, particularly parties and celebrations. It is usually an outdoor event, and a staple meal at many show events. The tradition is to roast either on a spit, turning the pig under a flame, or in a large oven in a roasting pan
roasting pigs around 130 lbs (60 kg) in weight are common in the UK. The pig is normally roasted in a propane gas machine. The pig's skin is scored with a sharp blade and covered in water and salt to make the crackling. In ancient times, going all the way back to the Saxons, roasting a wild boar was often the centerpiece of a meal at Yuletide, with Yule being Freya's feast. The head was often the greatest delicacy, as evidenced by the survival of the Boar's Head Carol.
Dock Place, Leith, Edinburgh, Scotland, UK, EH6 6LU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,east,mask,grave,graves,graveyard,memorials,side,eastside,and,headstone,head,stone,of,face,image,facemask,1946-2010,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,historic,figure,McLaran
Description: Tony Smith image Alamy 2RADRMX - Malcolm Robert Andrew McLaren (22 January 1946 “ 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery eastside, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Germany,German,Rhineland-Palatinate,city,centre,61,55122,Mainz,stones,gravestones,head,headstone,1926,11th,13th,century,dissolution,and,destruction,community,communities,memorial,Dr,Sali,Levi,SHUM,Speyer,Worms,Shpira,Vermayza,Magentza,Jewry,religion,religious,synod,hotpix.org.uk
Description: Tony Smith image Alamy 2NW51EN - This cemetery has been documented since the 13th century, but is thought to have existed since the 11th century. Due to the repeated expulsion of the Jews from Mainz and the subsequent dissolution and destruction of the cemetery, one can no longer speak of an ideal situation that has grown over time. Only through the initiative of the then community rabbi Dr. In 1926, Sali Levi managed to create a memorial cemetery. There, the tombstones found in all parts of Mainz, some of which were used as building material, were brought together. Among the 196 stones, 6 are from the 11th century.
Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Germany,German,Rhineland-Palatinate,city,centre,61,55122,Mainz,stones,gravestones,head,headstone,1926,11th,13th,century,dissolution,and,destruction,community,communities,memorial,Dr,Sali,Levi,SHUM,Speyer,Worms,Shpira,Vermayza,Magentza,Jewry,religion,religious,synod
Description: Tony Smith image Alamy 2NW51R4 - This cemetery has been documented since the 13th century, but is thought to have existed since the 11th century. Due to the repeated expulsion of the Jews from Mainz and the subsequent dissolution and destruction of the cemetery, one can no longer speak of an ideal situation that has grown over time. Only through the initiative of the then community rabbi Dr. In 1926, Sali Levi managed to create a memorial cemetery. There, the tombstones found in all parts of Mainz, some of which were used as building material, were brought together. Among the 196 stones, 6 are from the 11th century.
Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Germany,German,Rhineland-Palatinate,city,centre,61,55122,Mainz,stones,gravestones,head,headstone,1926,11th,13th,century,dissolution,and,destruction,community,communities,memorial,Dr,Sali,Levi,SHUM,Speyer,Worms,Shpira,Vermayza,Magentza,Jewry,religion,religious,synod
Description: Tony Smith image Alamy 2NW5249 - This cemetery has been documented since the 13th century, but is thought to have existed since the 11th century. Due to the repeated expulsion of the Jews from Mainz and the subsequent dissolution and destruction of the cemetery, one can no longer speak of an ideal situation that has grown over time. Only through the initiative of the then community rabbi Dr. In 1926, Sali Levi managed to create a memorial cemetery. There, the tombstones found in all parts of Mainz, some of which were used as building material, were brought together. Among the 196 stones, 6 are from the 11th century.
Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Greater Manchester,WN3 4BF,redevelopment,area,conservation,industrial,industry,North West,1837-1901,1837,1901,foundation,stone,terracotta,Lancashire Cotton Corporation,Courtaulds,Rina and Helen,next,to,the,Leeds and Liverpool Canal,face,head,1837 to 1901,red brick,red,clay,circle,plate,Charles Gidlow Jackson,Charles,Gidlow,Jackson
Description: Tony Smith image Alamy 2PFKG5X - . A grounded documentary photograph made at Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF in 2023, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through Historic Trencherfield Mill, 1837-1901 Wallgate, Wigan, Lancs, Lancashire, Greater Manchester, WN3 4BF - Wigan Pier redevelopment area. The wider scene also brings together DJ culture, regional music heritage, community identity, changing land use, music memorial, everyday life, before-and-after reference, visual archive, commemorative plaque, public realm, place identity, local history, music-scene memorial, and local character. Today's relevance is strengthened by commemoration, venue closures and the continuing question of how memorials preserve figures from regional music scenes outside formal institutions. Small period details of materials and architectural details at Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF may become more significant with time, particularly following changed technology. The subject also sits alongside documentary photography, club-music history, popular-music heritage, archival record, memorial culture, cultural memory, place-based commemoration, and local remembrance. References to Lancs, 1837-1901, Wallgate, redevelopment, and Greater give the picture a strong period identity and tie it closely to its named subject. A later view of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to commemoration and the importance of documenting club and dance-music history without losing the local specificity of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF. Image 2PFKG5X also remains a dated record of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF.
Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Greater Manchester,WN3 4BF,redevelopment,area,conservation,industrial,industry,North West,face,Lancashire Cotton Corporation,Courtaulds,Rina and Helen,next,to,the,Leeds and Liverpool Canal,art,artist,sculpture,wall,walls,head,faces,window,windows,building,buildings,architecture,bald,balding,box,boxes
Description: Tony Smith image Alamy 2PFKG60 - . This location-specific image from Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Historic Trencherfield Mill & faces, Wallgate, Wigan, Lancs, Lancashire, Greater Manchester, WN3 4BF - Wigan Pier redevelopment area. The surrounding context encompasses contemporary social history, local dining tradition, historical comparison, food-and-drink heritage, place identity, social history, comfort food, food heritage, traditional takeaway, changing land use, community identity, street food culture, public realm, and local character. For current editorial use, nutrition and local business provide additional context, especially through how food signs and shopfronts become part of urban cultural identity. As a dated visual record of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF, the frame retains transport arrangements and footfall, making it especially useful if replacement signage subsequently changes the scene. The subject also sits alongside British food tradition, popular cuisine, everyday life, documentary photography, local history, regional identity, visual archive, and hospitality food service. Details involving redevelopment, Wigan, Lancs, Greater, and Lancashire make the image more specific than a generic view and strengthen its local or historical value. A later view of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is nutrition and how food signs and shopfronts become part of urban cultural identity within the real-world context of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF. The record includes a point of historical comparison before later change alters the scene.
Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,LS24 9AP,LS24,old,and,Delicatessen,Samuel Smith,columns,doorway,HQ,Headquarters,head,office,offices,eccentric,3,British,GB,Great British,tradition,independent,Taddy,bitter,lager,Yorkshire products,product,proud,digital detx,pub,pubs,bars,Smiths,1758,obituary
Description: Tony Smith image Alamy 2K3JX13 - Taken on 26 Sep 2022, the photograph focuses on Samuel Smiths, old brewery & Deli, 3 High Street, Tadcaster, North Yorkshire, England, UK, LS24 9AP. The thumbnail shows brewery architecture, gates, signs, brick elevations or the edge of the street, anchoring the description in brewing heritage, industrial buildings, commercial identity and the visual character of Tadcaster. Tadcaster is a long-established Yorkshire brewing town on the River Wharfe, and its streets still carry the visual imprint of beer production, coaching routes, stone buildings, flood risk and local trade.
Samuel Smith's Old Brewery is associated with 1758 and remains a distinctive survivor in a brewing landscape where local family firms, pub estates and national beer brands are often discussed together. For stock photography use, the value is in the precise subject: Samuel Smiths, old brewery & Deli, 3 High Street, Tadcaster, North Yorkshire, England, UK, LS24 9AP. It can support articles and publications about British beer heritage, brewery architecture, pub culture, beer branding, industrial employment, hospitality history, Yorkshire brewing, traditional ale, drinks industry commentary, town-centre heritage, as well as more specific searches using Tadcaster, The Old Brewery, building, old brewery, Samuel Smiths, sam Smiths, Sam Smith, brewery, brewing, entrance, Yorkshire, LS24 9AP, LS24, old, and, Delicatessen, Samuel Smith, columns. The composition also gives space for tighter crops, captions, web thumbnails, report illustrations and social media use, while the Alamy reference 2K3JX13 and the row caption help connect the image to a real place rather than a vague concept. The picture can be used by writers covering heritage, conservation, planning, tourism, retail, transport, public services, nostalgia, local identity, architectural survival, industrial change and the way familiar objects
3 High Street, Tadcaster, North Yorkshire, England, UK, LS24 9AP
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,queen,queens,stamp,stamps,head,of,the,colonial,UK,Elizabeth,II,death,passing,colonies,colony,monarch,oppression,exploitation,Australia,Jamaica,countries,united,kingdom,history,historic,postage,collection,Hong Kong,crown,dependency,realm,funeral,coronation,old,post-war,Betty
Description: Tony Smith image Alamy 2K01H25 - The number of states headed by Queen Elizabeth II varied during her 70 years on the throne, altogether seeing her as sovereign of a total of 32 independent countries during this period. In her capacity as Queen of the United Kingdom (including the British overseas territories), she was also monarch of three Crown Dependencies”the Channel Island of Guernsey and Jersey (as the Duke of Normandy), and the Isle of Man (as the Lord of Mann)”and, in her capacity as Queen of New Zealand, she was monarch of two associated states”the Cook Islands and Niue”after they acquired this status in 1965 and 1974, respectively.
Two situations in two countries differ from the others. The government of the unrecognised state of Rhodesia proclaimed its allegiance to Elizabeth II as Queen of Rhodesia from 1965 to 1970. However, she did not accept either the role or the title and it was not accepted or recognised by any other state. Fiji became a republic through a military coup in 1987, after which its Great Council of Chiefs continued to recognise Elizabeth II as queen, or Paramount Chief of Fiji, until the council's de-establishment on 14 March 2012. However, this was only a ceremonial title, with no role in government at all
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,queen,queens,stamp,stamps,head,of,the,colonial,UK,Elizabeth,II,death,passing,colonies,colony,monarchy,monarch,oppression,repression,exploitation,Australia,Jamaica,New Zealand,countries,united,kingdom,historic,postage,collection,Hong Kong,crown,dependency,realm,nation,died,island
Description: Tony Smith image Alamy 2K01H27 - The number of states headed by Queen Elizabeth II varied during her 70 years on the throne, altogether seeing her as sovereign of a total of 32 independent countries during this period. In her capacity as Queen of the United Kingdom (including the British overseas territories), she was also monarch of three Crown Dependencies”the Channel Island of Guernsey and Jersey (as the Duke of Normandy), and the Isle of Man (as the Lord of Mann)”and, in her capacity as Queen of New Zealand, she was monarch of two associated states”the Cook Islands and Niue”after they acquired this status in 1965 and 1974, respectively.
Two situations in two countries differ from the others. The government of the unrecognised state of Rhodesia proclaimed its allegiance to Elizabeth II as Queen of Rhodesia from 1965 to 1970. However, she did not accept either the role or the title and it was not accepted or recognised by any other state. Fiji became a republic through a military coup in 1987, after which its Great Council of Chiefs continued to recognise Elizabeth II as queen, or Paramount Chief of Fiji, until the council's de-establishment on 14 March 2012. However, this was only a ceremonial title, with no role in government at all
Description
Keywords: HotpixUK,GoTonySmith,queen,queens,stamp,stamps,head,of,the,colonial,UK,Elizabeth,II,death,passing,colonies,colony,monarchy,monarch,oppression,repression,exploitation,Australia,Jamaica,countries,history,postage,collection,crown,dependency,Charles succession,calls for reparations,removal of monarch as head of state,reparation,reparations,king,Charles,cancelled,coronation,1952
Description: Tony Smith image Alamy 2K01H4X - The number of states headed by Queen Elizabeth II varied during her 70 years on the throne, altogether seeing her as sovereign of a total of 32 independent countries during this period. In her capacity as Queen of the United Kingdom (including the British overseas territories), she was also monarch of three Crown Dependencies”the Channel Island of Guernsey and Jersey (as the Duke of Normandy), and the Isle of Man (as the Lord of Mann)”and, in her capacity as Queen of New Zealand, she was monarch of two associated states”the Cook Islands and Niue”after they acquired this status in 1965 and 1974, respectively.
Two situations in two countries differ from the others. The government of the unrecognised state of Rhodesia proclaimed its allegiance to Elizabeth II as Queen of Rhodesia from 1965 to 1970. However, she did not accept either the role or the title and it was not accepted or recognised by any other state. Fiji became a republic through a military coup in 1987, after which its Great Council of Chiefs continued to recognise Elizabeth II as queen, or Paramount Chief of Fiji, until the council's de-establishment on 14 March 2012. However, this was only a ceremonial title, with no role in government at all
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,The,FY1 1BN,artspace,windows,portraits,portrait,head,shots,window,subversion,street art,pasted,Blackpools,community,derelict,repurposed,canvas,creativity,expression,buildings,brick,walls,characters,fantasy,people,figures,Colourful,provocative,sunny
Description: Tony Smith image Alamy 2JRFF55 - . This authentic period view of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN - windows, portraits. The wider scene also brings together community identity, social history, commercial redevelopment, adaptive reuse, everyday life, public-realm investment, public realm, urban regeneration, changing streetscape, urban fabric, before-and-after reference, historic townscape, regional identity, and mixed-use redevelopment. For current editorial use, construction costs and heritage conservation provide additional context, especially through the tension between preserving local character and creating modern commercial space. As a dated visual record of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN, the frame retains landscape treatment and surrounding development, making it especially useful if new construction subsequently changes the scene. A second descriptive layer includes local history, period architecture, period detail, place identity, heritage-led regeneration, built heritage, town-centre renewal, and changing land use. The combination of windows, Deansgate, factory, Lancs, and Blackpool anchors the frame to a recognisable activity, place or moment. Around The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is construction costs and how public investment can reshape pedestrian movement and evening activity in a form that can be compared with future views of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN.
The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA1 3BG,dead,memorials,memorial,cemetery,graves,at,evening,Manchester road,centre,town,Manchester Rd,headstone,plot,plots,vandalism,stones,head,WA1,gravestone,death,burial,burials,stone,ceremony,service,services,cemetary,haunted,tomb,tombstones,record,WBC,borough
Description: Tony Smith image Alamy 2JWB52K - . This dated editorial view of Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on Fountain at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG. The surrounding context encompasses local remembrance, adaptive reuse, public-realm investment, changing land use, archival record, urban fabric, mixed-use redevelopment, community memory, local history, everyday life, local character, public memorial, architectural character, and civic architecture. The modern context includes continuing discussion of public commemoration, heritage conservation and how commemorative objects become part of the identity of a place. For current editorial use, heritage conservation and public-realm investment provide additional context, especially through the value of reusing existing buildings rather than wholesale demolition. The archival value lies partly in recording period objects and surrounding context around Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG before replacement signage alters the character of the place. The photograph additionally reflects urban regeneration, historic inscription, period detail, commemorative plaque, built heritage, period architecture, memorial culture, and social history. The recorded references to Fountain, Cemetery, and Manchester preserve clues about how the subject was presented, used or understood at the time. The period setting at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The photograph keeps evidence of changing use as part of Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG's history.
Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA1 3BG,dead,memorials,memorial,cemetery,graves,at,evening,Manchester road,centre,town,Manchester Rd,headstone,plot,plots,vandalism,stones,head,WA1,gravestone,death,burial,burials,stone,ceremony,service,services,cemetary,haunted,tomb,tombstones,record,WBC,borough
Description: Tony Smith image Alamy 2JWB52M - . Made at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The principal subject is Fountain at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG. The frame also records themes of urban fabric, mixed-use redevelopment, period architecture, historic townscape, public commemoration, changing streetscape, place-making, built heritage, place-based remembrance, community memory, civic architecture, visual archive, historical comparison, and architectural character. Today's relevance is strengthened by community memory, cultural memory and the continuing question of the long-term importance of recording memorials before they are altered or lost. From a 2025-onward perspective, heritage conservation and planning are closely linked to this subject, alongside the value of reusing existing buildings rather than wholesale demolition. The image fixes local activity and public use within Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG at one identifiable point, providing a benchmark against closure or conversion. The photograph additionally reflects historic inscription, heritage-led regeneration, memorial inscription, commemorative object, period detail, changing land use, social history, and town-centre renewal. References to Fountain, Manchester, and Cemetery give the picture a strong period identity and tie it closely to its named subject. The period setting at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves part of the area's social history as a date-specific reference.
Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA1 3BG,dead,memorials,memorial,cemetery,graves,evening,centre,town,Manchester road,Manchester Rd,plot,plots,vandalism,head,WA1,gravestone,death,burial,burials,stone,ceremony,service,services,cemetary,haunted,record,WBC,borough,council
Description: Tony Smith image Alamy 2JWB52N - . A grounded documentary photograph made at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The frame specifically shows Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG. The wider scene also brings together period detail, archival record, before-and-after reference, public realm, changing land use, local history, social-history memorial, period architecture, commercial redevelopment, community memory, place identity, public commemoration, tribute design, and urban regeneration. The modern context includes continuing discussion of bereavement, public commemoration and how commemorative objects become part of the identity of a place. For current editorial use, public-realm investment and commercial viability provide additional context, especially through how regeneration tries to create reasons to visit traditional town centres. For later comparison, the photograph preserves period objects and surrounding context at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG, details that may look very different after conservation work. Further associations within the scene are social history, memorial culture, everyday life, visual archive, urban fabric, historic townscape, regional identity, and architectural character. Details involving Cemetery and Manchester make the image more specific than a generic view and strengthen its local or historical value. A later view of Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The photograph keeps evidence of changing use as part of Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG's history.
Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG
Description
Keywords: @HotpixUK,HotpixUK,GotonySmith,Warrington,town,Cheshire,England,factory,works,in,ornate,UK,WA1,Bank Quay,4 Liverpool Road,WA5 1AB,maritime,sea,fish,sealife,art,sculpture,of,a,creature,at,outside,factories,J Crossfields,Crossfield,Crossfields,tail,swimming,tails,face,head
Description: Tony Smith image Alamy 2JJM7HT - . An on-location photograph from Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The photograph centres on Crossfields factory in Warrington entrance, stone fish stonework, Liverpool Road, Warrington, Cheshire, England, UK, WA1. The subject also carries associations with changing streetscape, industrial artefact, local history, contemporary city life, historic freight equipment, heavy-industry heritage, manufacturing heritage, period detail, changing land use, social landscape, everyday street life, contemporary social history, everyday life, and pedestrian environment. From a 2025-onward perspective, embodied carbon and manufacturing decline are closely linked to this subject, alongside the reuse of former industrial land and buildings. The wider contemporary story combines commercial change, local identity and how ordinary street scenes become valuable records as businesses and infrastructure change. For later comparison, the photograph preserves equipment and working practice at Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB, details that may look very different after changed technology. The location also brings in urban change, local character, city-centre activity, working-industry history, public realm, documentary photography, community life, and regional identity. References to entrance, stone, stonework, factory, and Crossfields give the picture a strong period identity and tie it closely to its named subject. Around Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The view records evidence of changing use before later change alters the scene.
Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,London Road,London rd,grave,from,of,head,brewer,for,historic,1909,Royal Victoria Lodge No 1013,St Thomas church,Stockton Heath,Warrington,Cheshire,England,UK,WA4 6HJ,St Thomass,church,defaced,masonic,graves,symbol,history,heritage,architecture,religious,Anglicans,Roberts,family,column,columns
Description: Tony Smith image Alamy 2JEKR7X - William Brittain Roberts' gravestone restored - more at https://freemasonrymatters.co.uk/index.php/william-brittain-roberts-gravestone-restored/
9th December 2017
In October 2016, Vic Charlesworth, Curator of the Warrington Masonic Museum, became aware of the existence of a Mason's grave in the cemetery at St Thomas Church, Stockton Heath, Warrington. Vic visited the grave and discovered that the memorial and gravestones were in a very poor condition
Vic asked Caroline Crook, Archivist at Warrington Masonic Museum, to research the history of William Brittain Roberts, the Mason buried in that grave, and she discovered that William was born in London, worked in Liverpool for a time, where his son was born, and then became head brewer for Greenall Whitley, living in Stockton Heath at Wilderspool House.
At the time of his death in 1909, William lived at Bleak House in Lymm, a village neighbouring Warrington. His only son, Victor George, a medical student, married May Houghton in 1914. Victor was killed in action, in the First World War, in 1918. They had no children and therefore no direct descendants. William's wife, Hilda Marian Roberts, passed away in 1936.
William was initiated into Royal Victoria Lodge No 1013 in Liverpool, on 6 February 1884, resigning in 1890. He later joined Merchants' Lodge No 241, Liverpool, (1886-92 and 1905-07), Lodge of Lights No 148, Warrington, (1887-1909) and Lathom Lodge No 2229, Southport, (1904-1909). In 1903 William was a founder member and the first senior warden of Lodge of Friendship No 2963.
Vic applied to the West Lancashire Freemasons' Charity Communities Grants Committee requesting funding to enable William's memorial and gravestone to be renovated and a grant was made earlier this year. The restoration work has now been completed and is, once again, a fitting tribute to a loyal Mason.
William's memorial is very close to the main entrance to St Thomas's Church
St Thomas church, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6HJ
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,welsh,Cymru,region,regional,leaflet,yellow,pit,pits,leaflets,Welsh,Wales,collieries,colliery,National,Coal,Board,miner,smile,winding,pithead,head,model,South Wales,1970,1970s,NUM,union,mineworkers,mineworker,4,four,poster,history,historic,hotpix.org.uk
Description: Tony Smith image Alamy 2JAGDC8 - . An identifiable period record of South Wales, UK in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The photograph centres on NCB, National Coal Board, South Wales region leaflets - Blaenavon, Markham, Abernant, Nantgarw, Windsor Colliery. The locality and subject together evoke local history, before-and-after reference, industrial archaeology, urban fabric, period detail, contemporary social history, local character, local landmark, historic freight equipment, archival record, period streetscape, working-industry history, architectural detailing, and public realm. The wider contemporary story combines skills heritage, manufacturing decline and how surviving industrial objects become evidence of vanished working practices. Viewed from the mid-2020s, the subject also connects with heritage conservation, planning control and how historic fabric can be retained while places adapt to modern use. The archival value lies partly in recording building condition and alterations around South Wales, UK before different community use alters the character of the place. Further associations within the scene are traditional structure, historical comparison, industrial artefact, production infrastructure, manufacturing heritage, architectural character, conservation interest, and period building. Details involving Wales, region, National, Markham, and Windsor make the image more specific than a generic view and strengthen its local or historical value. Around South Wales, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is skills heritage and the reuse of former industrial land and buildings within the real-world context of South Wales, UK. The image fixes a trace of local identity for future local research.
South Wales, UK
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,main building,Joe Soaps,Cheshire,&,name,Victorian,building,architecture,column,at,front,of,head,office,Unilever,Crossfields,Persil,factory,Bank Quay,4 Liverpool Road,Warrington,WA5 1AB,WA5,sunny,sun,blue sky,blue skies,Great Sankey,Liverpool Rd,employer,employment,closed,shut,soap,chemical manufacturing
Description: Tony Smith image Alamy 2JDJ43F - Joseph Crosfield (5 October 1792 “ 16 February 1844) was a businessman who established a soap and chemical manufacturing business in Warrington, which was in the historic county of Lancashire and is now in the ceremonial county of Cheshire. This business was to become the firm of Joseph Crosfield and Sons.
Early life
Joseph Crosfield was born in Warrington, the fourth son of George Crosfield and his wife Ann née Key. The Crosfield family had been Quakers since the time of George Fox and this tradition was maintained by George and subsequently by Joseph. George Crosfield was a wholesale grocer in Warrington who also had interests in a sugar-refining business in Liverpool. The family moved to Lancaster in 1799 for George to develop a sugar-refining business there, while still keeping an interest in his grocery business in Warrington under the care of his assistant, Joseph Fell. Nothing is known of Joseph's early life in Lancaster. From September 1807, a time close to his 15th birthday, he was apprenticed for 6 years to Anthony Clapham, a druggist and chemist in Newcastle-upon-Tyne. By 1811 Anthony Clapham was also a soap manufacturer.
In 1814, Joseph's apprenticeship having finished, at the age of 21 he decided to establish his own soap making business in Warrington. At this time soap manufacturing was growing rapidly in the Mersey bad recently developed canals and river navigations in the area which allowed for easier transport of the raw materials into the factories and for the distribution of the finished products. A number of new large soaperies had recently been established in the nearby towns of St Helens, Runcorn and Liverpool.
Joseph Crosfield's soapery was established on the north bank of a loop of the river Mersey in an area known as Bank Quay, near to urban Warrington but at that time separated from it by a stretch of fields. Other industrial premises were nearby. The premises occupied that of a failed wire mill were sourced
Bank Quay, 4 Liverpool Road, Warrington, Cheshire, England, UK, WA5 1AB
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,Warrington,Cheshire,Walton,@Hotpixuk,Hotpixuk,in water,water,lake,Spooky doll,drifting in canal,Bridgewater canal,WA4,discarded,litter,toys,dolls hospital,unloved,baby,child,scary,canals,mooring,dolls,spooky,plastic,dolly,kids,childrens,hands,holding,head,mental,health,creepy
Description: Tony Smith image Alamy 2DF7YM7 - . An identifiable period record of the recorded location in 2020, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. At the centre of the view is Spooky doll,drifting in canal,Bridgewater canal,higher Walton,Warrington,Cheshire,England,WA4. The wider scene also brings together place identity, urban change, community identity, care provision, contemporary social history, period detail, patient access, city-centre activity, clinical environment, clinical services, archival record, everyday life, social landscape, and healthcare workforce. Today's relevance is strengthened by estate condition, patient access and the continuing question of how physical estates and clear wayfinding affect patient experience. From a 2025-onward perspective, regeneration and commercial change are closely linked to this subject, alongside the relationship between public space and local social life. As a dated visual record of the recorded location, the frame retains transport arrangements and footfall, making it especially useful if changed technology subsequently changes the scene. The location also brings in changing land use, changing streetscape, hospital estate, patient care, NHS estate, documentary photography, contemporary city life, and community life. The combination of Walton, Spooky, canal, Bridgewater, and higher anchors the frame to a recognisable activity, place or moment. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects estate condition and the connection between building investment and service quality without losing the local specificity of the recorded location. The period view preserves a point of historical comparison for later comparison. The view records part of the area's social history within the wider story of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA1,music,chain,closed,shop,Warrington,Cheshire,England,UK,WA1 1SU,65,head,office,quarters,piano tuner,keyboards,drums,instrument,iconic,retail,store,for,musicians,shutters,shuttered,bankrupt,retailer,owners,owner,Arranged Musical Options,Ltd,Andrew M Oliver,Karen Oliver
Description: Tony Smith image Alamy 2K43P0R - Plans have been submitted for a major conversion of the former Dawson's Music store in Sankey Street, Warrington.
The proposals are to convert the building into four apartments, offices and two smaller retail shops.
Dawson's closed the store in 2019 after trading in Warrington for 121-years.
At the time, it was claimed the store was a victim of online shopping.It has stood empty ever since.
Developers say the proposal will make little difference to the exterior appearance of the three-storey building.
Dawson's was founded in 1898 by piano tuner John Dawson and has had a major presence from its Sankey Street HQ, since 1914.
During the 1970s and 1980s it was the go to store for youngsters buying their first records in Warrington. But later it changed to concentrate on the sale of musical instruments and running a music school.
65 Sankey St, Warrington, Cheshire, England, UK, WA1 1SU
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures,illuminated
Description: Tony Smith image Alamy 2AFK5DB - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures,never had a horse
Description: Tony Smith image Alamy 2AFK5DJ - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures,Clydesdale horse tribute,modern monumental sculpture
Description: Tony Smith image Alamy 2AFK5DT - One of The Kelpies at dusk, the monumental horse-head sculptures standing within The Helix parkland beside the Forth and Clyde Canal in the Falkirk council area of central Scotland. Rising dramatically above a reflecting pool, the illuminated structure glows against the blue evening sky, with its open lattice-like steel skin revealing the sculpture's internal structure and adding texture, depth and pattern to the landmark's powerful curved form.
Designed by sculptor Andy Scott, The Kelpies are among Scotland's best-known examples of contemporary public art. The pair each stand around 30 metres high and were created as a tribute to the heavy horse heritage of Scotland, particularly the Clydesdale and other working horses that once powered agriculture, industry, canal transport and urban life. Their position beside the canal reinforces those links with movement, trade, engineering and the industrial history of the Falkirk area.
The wider Helix project, often associated with the theme of connecting communities in the Falkirk council area, transformed former industrial land into a major public landscape and visitor destination. Paths, open space, water features and surrounding parkland help integrate the sculpture with the local environment while making it a gateway landmark for both residents and visitors. By day the stainless steel surfaces reflect changing light and weather, while at dusk and after dark the internal lighting gives the monument a striking, almost theatrical presence.
This image is suitable for editorial themes including Scottish tourism, public art, equine sculpture, canal regeneration, placemaking, landmark architecture, industrial heritage, outdoor lighting, community identity and travel photography. It also works well for features on Falkirk, Central Scotland visitor attractions, modern sculpture design and the continuing cultural importance of The Kelpies as a symbol of regional pride and regeneration.
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures
Description: Tony Smith image Alamy 2AFK5E1 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures
Description: Tony Smith image Alamy 2AFK5E4 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures
Description: Tony Smith image Alamy 2AFK5E8 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Kelpie,shape-shifting,water spirit,water,spirit,canal,River Carron,The Helix,Forth,Clyde Canal,Forth Canal,dusk,night,nighttime,blue,horse,horses,UK,hose,head,Andy Scott,Falkirk Kelpies,mythological transforming beasts,Scottish Canals,waterway,waterways,Scottish,canals,Kelpies Hub,Structural Steel,Design Awards,blue hour,complex sculptures,complex,sculptures,illuminated
Description: Tony Smith image Alamy 2AFK5M1 - The Kelpies are 30-metre-high horse-head sculptures depicting kelpies (shape-shifting water spirits), standing next to a new extension to the Forth and Clyde Canal, and near River Carron, in The Helix, a new parkland project built to connect 16 communities in the Falkirk Council Area, Scotland. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. The sculptures form a gateway at the eastern entrance to the Forth and Clyde canal, and the new canal extension built as part of The Helix land transformation project. The Kelpies are a monument to horse-powered heritage across Scotland.
The sculptures were opened to the public in October 2013 . As part of the project, they will have their own visitor centre, and sit beside a newly developed canal turning pool and extension. This canal extension reconnects the Forth and Clyde Canal with the River Forth, and improves navigation between the East and West of Scotland.
The name was chosen by Scottish Canals at the inception of The Helix project, in 2005. The Kelpies name reflected the mythological transforming beasts possessing the strength and endurance of 10 horses
a quality that is analogous with the transformational change and endurance of Scotland's inland waterways. The Kelpies represent the lineage of the heavy horse of Scottish industry and economy, pulling the wagons, ploughs, barges and coalships that shaped the geographical layout of the Falkirk area.
According to sculptor Andy Scott, The original concept of mythical water horses was a valid starting point for the artistic development of the structures. He also said that he took that concept and moved with it towards a more equine and contemporary response, shifting from any mythological references towards a socio-historical monument intended to celebrate the horse's role in industry and agriculture as well as the obvious association with the canals as tow horses .
Visitor Centre The Helix, Falkirk,Scotland, UK, FK2 7ZT
Description
Keywords: GoTonySmith,@HotpixUK,WRC,rowers,row,sport,youth,2018,Howley lane,Cheshire,North West England,UK,river Mersey,Mersey,teamwork,teams,Warrington Rowing,rowing course,learn to row,Warrington learn to row,junior,seniors,boat,skull,skulling,boats,sail,sailing,sailing on the river,men,rowing,team,competition,competitive,vessel,vessels,head,heads,of,the,river
Description: Tony Smith image Alamy PC2G9H - . This contextual photograph sets out a moment within Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN, in a documentary image made in 2018. The principal recorded subject is Trafford Rowing Club mens coxless quads, at Warrington Rowing Club 2018 Summer regatta, Howley lane, Mersey River, Cheshire, North West England, UK. Other aspects of the setting include lock operation, digital technology, civil engineering structure, nautical transport, marine engineering, ferry connectivity, boating infrastructure, digital interface, canal heritage, navigation channel, seafaring heritage, and app-based service. Modern coverage of managed watercourses frequently reaches beyond the immediate scene to questions of safe public access, volunteer involvement and keeping historic infrastructure operational. Seen from a 2025-onward perspective, shipping and ports also connects with crew and passenger safety, cleaner fuels and efforts aimed at stronger coastal economies. The wider contemporary story of digital services now includes rapid software change alongside online identity, while policy and investment increasingly consider more services delivered through phones. The photograph fixes Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. Beyond the immediate subject, the setting involves consumer electronics, networked technology, river management, maritime heritage, software platform, waterway maintenance. Other local associations include Trafford Rowing Club men coxless quads, sailing on the Mersey. In historical comparison, the image can help trace changes of use, public activity, period design, local character, and the appearance of the built environment within the surrounding area.
Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN
Description
Keywords: GoTonySmith,@HotpixUK,WRC,rowers,row,sport,youth,2018,Howley lane,Cheshire,North West England,UK,river Mersey,Mersey,teamwork,teams,Warrington Rowing,rowing course,learn to row,Warrington learn to row,junior,seniors,boat,skull,skulling,boats,sail,sailing,sailing on the river,rowing,team,competition,competitive,vessel,vessels,head,heads,of,the,river
Description: Tony Smith image Alamy PC2GAM - . This contextual photograph sets out the physical context of Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN, in this period view from 2018. The documentary focus is WRC Mens Coxless Quad, at Warrington Rowing Club 2018 Summer regatta, Howley lane, Mersey River, Cheshire, North West England, UK. The location also connects screen-based interaction, networked technology, commercial shipping, nautical transport, hydraulic control, ship handling, waterborne transport, maritime transport, smartphone culture, navigation channel, port economy, and inland boating. Modern coverage of river engineering frequently reaches beyond the immediate scene to questions of flood resilience, safe public access and keeping historic infrastructure operational. Seen from a 2025-onward perspective, harbour activity also connects with regional connectivity, supply-chain resilience and efforts aimed at resilient harbour infrastructure. The wider contemporary story of smartphones and apps now includes reliable connectivity alongside online identity, while policy and investment increasingly consider safer connected systems. Documentary value is strengthened by the precise setting at Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The view also records themes involving coastal shipping, inland navigation, riverine landscape, mobile internet, lock operation, civil engineering structure. The scene is further associated with sailing on the Mersey. Other relevant facets include working waterfront, digital technology, marine engineering, cybersecurity, digital economy, mobile computing, online service, vessel operations, consumer electronics, and coastal infrastructure. The photograph preserves a moment in the site's history for visual before-and-after study.
Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN
Description
Keywords: GoTonySmith,@HotpixUK,WRC,rowers,row,sport,youth,2018,Howley lane,Cheshire,North West England,UK,river Mersey,Mersey,teamwork,teams,Warrington Rowing,rowing course,learn to row,Warrington learn to row,junior,seniors,boat,skull,skulling,boats,sail,sailing,sailing on the river,rowing,team,competition,competitive,vessel,vessels,head,heads,of,the,river
Description: Tony Smith image Alamy PC2GAW - . A grounded editorial photograph documents the social and built context of Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN, as it appeared in 2018. The documentary focus is WRC Mens Coxless Quad, at Warrington Rowing Club 2018 Summer regatta, Howley lane, Mersey River, Cheshire, North West England, UK. Further features of the subject include civil engineering structure, sea travel, digital access, ferry connectivity, managed watercourse, online identity, screen-based interaction, industrial waterway heritage, maritime transport, canal heritage, port infrastructure, and working waterway. Seen from a 2025-onward perspective, inland boating also connects with heritage conservation, safe public access and efforts aimed at protecting blue-green corridors. The wider contemporary story of ferry services now includes cleaner fuels alongside supply-chain resilience, while policy and investment increasingly consider stronger coastal economies. Current debate around digital access often combines digital exclusion, privacy and the practical challenge of accessible online design. Documentary value is strengthened by the precise setting at Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The surrounding story includes inland boating, cybersecurity, port economy, towpath environment, nautical transport, hydraulic control. The scene is further associated with sailing on the Mersey. The same setting also brings together marine engineering, networked technology, digital economy, smartphone culture, ship handling, heritage navigation, online service, digital interface, waterway maintenance, and harbour landscape. That gives this view of Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN continuing value for local history, retrospective reporting and visual comparison.
Howley lane, Mersey River, Cheshire, North West England, UK, WA1 2DN
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,drinks,drink,alcoholic,pub,bar,pint,bitter,dark,malty,South West England,Drink Moor Beer,bar pump,Somerset,England,UK,angram,pump,beer on a bar,Moor beer glass,glass,pale ale,ale,traditional,Pale Modern Ale,Positive Mental attitude,For those with a,brewer,brewing,pints,head,glasses,clip,beer clip,Days Road,Bristol,BS2 0QS,BS2
Description: Tony Smith image Alamy P4HWM5 - . Made at Somerset,England,UK in 2018, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Moor Beer Company,PMA,Drink Moor Beer,Drink more beer,bar pump,handpull,Somerset,England,UK,Pale Modern Ale. The locality and subject together evoke contemporary social history, fermented drink production, place identity, visual archive, archival record, drinks packaging, period detail, public realm, changing land use, orchard-to-bottle industry, changing streetscape, factory bottling line, bottle-filling machinery, and cider brand history. The wider contemporary story combines energy costs, tourism and Herefordshire's long association with commercial cider production. For later comparison, the photograph preserves equipment and working practice at Somerset,England,UK, details that may look very different after replacement signage. Further associations within the scene are beverage production, drinks manufacturing, before-and-after reference, regional drinks industry, local history, documentary photography, historic beverage advertising, and historical comparison. Elements such as Somerset, Company, Drink, handpull, and Modern add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Somerset,England,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is energy costs and Herefordshire's long association with commercial cider production within the specific setting of Somerset,England,UK. The setting also helps illustrate energy costs and Herefordshire's long association with commercial cider production as part of the longer story of Somerset,England,UK. The image fixes part of the area's social history within the wider story of Somerset,England,UK.
Somerset,England,UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,city,centre,urban,with traffic,Equestrian,statue,traffic,head,student,fun,horse
Description: Tony Smith image Alamy HGC7X3 - . This dated editorial view of Glasgow, United Kingdom in 2016 captures more than the immediate subject, retaining clues about local use, design, activity and change. The image documents Equestrian statue of the Duke of Wellington, Glasgow, with traffic cone. Another layer of the photograph includes public transport information, street-side transport, period detail, everyday life, documentary photography, community identity, visual archive, bus route infrastructure, changing land use, roadside stop, roadside transit, archival record, local history, and regional identity. The wider contemporary story combines accessibility, rural transport and the challenge of maintaining reliable services outside dense city centres. Future viewers can use this scene from Glasgow, United Kingdom to compare commercial use and occupation with whatever follows after different community use. The subject also sits alongside passenger transport, social history, historical comparison, transport accessibility, contemporary social history, bus infrastructure, local character, and changing streetscape. Elements such as Wellington, Glasgow, Equestrian, traffic, and statue add documentary specificity and may become increasingly useful when compared with later records. The period setting at Glasgow, United Kingdom helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is accessibility and the challenge of maintaining reliable services outside dense city centres when considered against later change at Glasgow, United Kingdom. The setting also helps illustrate reliability and how local bus services affect access to work, education and healthcare without losing the local specificity of Glasgow, United Kingdom. The image fixes a trace of local identity as a date-specific reference. It also preserves a local visual benchmark for later comparison.
Glasgow, United Kingdom
Description
Keywords: Yorkshire,brewery,bitter,hand,pull,handpull,NT,National,Trust,Garden,Dunham,Altrincham,Cheshire,England,UK,head,foam,north,northern,Tadcaster,traditional,beer,bar,pub,idea,optimism,pessimism,liquid,concept,presentation,Glass Half Full,balanced view,business optimism,business pessimism,GoTonySmith,@HotpixUK,Tony,Smith,pints,blurred,background,beverage,booze,fluid,British,english,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,blurred background
Description: Tony Smith image Alamy GY1CG6 - . Recorded at Dunham Town, Altrincham, Cheshire, England, UK in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. At the centre of the view is Glass Half Full,Samuel Smith pint glass, Vine Inn, Dunham, Altrincham,Cheshire,England,UK. The locality and subject together evoke changing streetscape, cask-beer tradition, documentary photography, visual archive, local history, historical comparison, hospitality economy, pub heritage, night-time economy, local character, place identity, period detail, public realm, and licensed trade. The wider contemporary story combines changing drinking habits, energy costs and the survival of pubs as both businesses and informal community spaces. Future viewers can use this scene from Dunham Town, Altrincham, Cheshire, England, UK to compare lettering, decoration and surface detail with whatever follows after different community use. The wider setting retains connections with before-and-after reference, social history, historic hostelry, beer-led hospitality, traditional ale house, everyday life, licensed hospitality, and real-ale culture. References to Altrincham, Dunham, Smith, Samuel, and Glass give the picture a strong period identity and tie it closely to its named subject. For Dunham Town, Altrincham, Cheshire, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to changing drinking habits and the value of historic pubs to tourism and local identity within the real-world context of Dunham Town, Altrincham, Cheshire, England, UK. The location additionally provides evidence of staffing pressure and pressure on hospitality margins in the mid-2020s within the specific setting of Dunham Town, Altrincham, Cheshire, England, UK. That local specificity strengthens the long-term documentary value of image GY1CG6.
Dunham Town, Altrincham, Cheshire, England, UK
Description
Keywords: beer,CAMRA,Kent,strong,head,pour,poured,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,this,ales,beers,bitter,traditional,brew,breweries,glass,half
Description: Tony Smith image Alamy GXYXN3 - . This scene at Kent, England, UK in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Glass of Bishops Finger Ale. Another layer of the photograph includes real-ale culture, contemporary social history, place identity, hospitality economy, everyday life, visual archive, community identity, social history, changing streetscape, cask-beer tradition, pub heritage, beer-led hospitality, archival record, and local history. For current editorial use, consumer spending and business rates provide additional context, especially through pressure on hospitality margins in the mid-2020s. The archival value lies partly in recording signage and branding around Kent, England, UK before altered transport patterns alters the character of the place. The surrounding story also includes public realm, licensed hospitality, changing land use, visitor hospitality, community drinking venue, local social venue, period detail, and traditional pub. Details involving Finger, Glass, and Bishops make the image more specific than a generic view and strengthen its local or historical value. For Kent, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for consumer spending and pressure on hospitality margins in the mid-2020s in a form that can be compared with future views of Kent, England, UK. Another useful connection is changing drinking habits and the survival of pubs as both businesses and informal community spaces within the real-world context of Kent, England, UK. The scene further reflects tourism and pressure on hospitality margins in the mid-2020s within the specific setting of Kent, England, UK. The record includes period character within the wider story of Kent, England, UK.
Kent, England, UK
Description
Keywords: Gotonysmith,@Hotpixuk,Hotpixuk,rare old stamps,used stamps,Postal,letters,letter,communication,print,analogue,historic stamps,Used Red,1942-44,Fine Used,2.5d,2.5,red postage stamp,GVI issue,collect,collector,rare,rarity,old,history,historic,used,George,king sovereign,royal,head,of,state,20th,century,c20
Description: Tony Smith image Alamy PF56NG - . This contextual photograph places on record the working environment around Australia, in an image captured in 2015. The location is represented through Used Red - Australia 1942-44 Early Issue Fine Used 2.5d. Further features of the subject include urban fabric, historic fabric, built heritage, heritage asset, local landmark, townscape identity, architectural character, urban conservation, period architecture, historic built environment, traditional building, and historic townscape. Modern coverage of historic buildings frequently reaches beyond the immediate scene to questions of planning control, energy retrofit and keeping older buildings useful. Over time, this view of Australia can support local-history and planning research by preserving details of appearance, occupation, signage, public access and everyday use that written records may omit. The broader context includes architectural detail, conservation architecture, architectural heritage, conservation interest, period property, heritage streetscape. The record also refers to historic stamp, Rare postage stamps, old stamps, old stamp, used postage stamps, used postage stamp. Further aspects present in the subject include historic environment, and adaptive reuse. For present-day editorial use, older urban fabric can also illustrate debates about conservation of original fabric and adaptive reuse, particularly where these affect keeping older buildings useful. The lasting documentary value lies in its record of the appearance of the built environment, changes of use, local character, period design, and public activity in a form that can be compared with later photographs. For future comparison, the scene preserves signage and branding, commercial identity, physical infrastructure, community life, and local continuity as an authentic period reference. The photograph preserves the surrounding streetscape at Australia for future editorial context.
Australia
Description
Keywords: beer,CAMRA,ale,Yorkshire,England,UK,in,a,glass,pot,pint,english,1858,taken,yard,garden,official,traditional,drink,pub,bar,head,foam,foamy,Yorkshire,England,UK,northern,GoTonySmith,Buy Pictures of,Buy Images Of,Est 1858,est
Description: Tony Smith image Alamy F0XDAA - . This authentic period view of Yorkshire, England,UK in 2015 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents TT Timothy Taylor Championship Beers glass & ale, Yorkshire, England, UK - Est 1858. The image also relates to historical comparison, historic hostelry, hospitality economy, community identity, night-time economy, beer-led hospitality, everyday life, local history, before-and-after reference, licensed trade, cask-beer tradition, visitor hospitality, archival record, and real-ale culture. In present-day coverage, the subject reaches into energy costs and staffing pressure, not least because of the survival of pubs as both businesses and informal community spaces. Small period details of materials and architectural details at Yorkshire, England,UK may become more significant with time, particularly following changing commercial priorities. The wider setting retains connections with community drinking venue, place identity, traditional ale house, regional identity, changing land use, licensed hospitality, social history, and visual archive. References to Taylor, Timothy, glass, Beers, and Yorkshire give the picture a strong period identity and tie it closely to its named subject. For Yorkshire, England,UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for energy costs and the continuing appeal of real ale and regional brewing as part of the longer story of Yorkshire, England,UK. Another useful connection is consumer spending and the value of historic pubs to tourism and local identity when considered against later change at Yorkshire, England,UK. The scene further reflects consumer spending and the value of historic pubs to tourism and local identity without losing the local specificity of Yorkshire, England,UK.
Yorkshire, England,UK
Description
Keywords: with,a,head,withahead,beer,Boddington,regional,ale,brewed,in,Mossside,pint,glass,boddies,hoppy,widget,draught-style,draught,style,cream,brewing,co,company,Strangeways,whitbread,Anheuser""“Busch,InBev,outside,on,a,bench,table,wood,wooden,cask,conditioned,Pub,barrel,regional,national,Madchester,Gotonysmith,the,of,creamOfManchester,bee,bees,logo,city,product,NW,England,UK,GB,Great,britain,Anheuser,Busch,Hydes,Brewery,in,Moss,Side,Kestrel,kegging,facility,prison,HMP,demolished,blandly,foamy,nitrokeg,travesty,of,the,original,version,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy E6JB66 - A classic regional English ale. Whitbread chief executive Peter Jarvis commented in 1995 that:
It was very fortuitous that the brewery was in Manchester. To outsiders, Manchester is a very attractive place “ known the world over for soccer, art, music and broadcasting. It would be difficult to have a Cream of Wolverhampton even though Banks's beer is very good. People do not aspire to visit Wolverhampton. On the whole they try to by-pass it.
Widnes, Cheshire, England, UK
Description
Keywords: shop,Duke of York St,Mayfair,London,England,UK,store,old,fashioned,mens,men,male,domain,bastion,shaving,soft,cream,shaved,groom,grooming,razor,razors,hot,shave,Beard,&,Mustache,Waxes,Moustache,Gotonysmith Strong,powerful,sophisticated. No,I'm not setting up a profile on a dating website,I'm merely attempting to describe this cologne,which,I,imagine,was,worn,by,a,decadent,dandy,when,first,stocked,in,the,famous,London,barbers,in,1912.,This was James Bond's favourite scent,mentioned,in,Ian,Fleming's,1956,novel,Diamonds,are,Forever.,Eucris,has,earned,a,permanent,place,on,my,bathroom,shelf.,Whenever,I,douse,myself,in,it,I feel ready for anything. Now,do excuse me,I,must,head,for,the,hills,and,pretend,I'm,a,spy,on,a,secret,mission,with,henchmen,disguised,as,hikers,hot,on,my,heels.old,fashioned,style,lovely,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy E6JB5E - . Geo. F. Trumper Gentleman's barbers and perfumers shop, Duke of York St, Mayfair, London, England UK. Photographed at 1 Duke of York Street,London, England SW1Y 6JP. The photograph was taken on 14 June 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Geo, Trumper, Gentlemans, barbers, perfumers, shop, Duke of York St, Mayfair, London and store, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to digital technology, smartphones, software, online services and the way screens and apps increasingly mediate everyday activity. It can support editorial coverage of mobile applications, consumer technology, digital services, user interfaces, online communication, artificial intelligence, software platforms, data and the changing relationship between people and connected devices. Visible screen text, icons, branding, controls and handset details can give picture buyers a recognisable real-world technology context. As a dated photograph, it is particularly useful for documenting a specific version of an interface, product or digital service before later updates alter its appearance or functionality. Search themes include smartphones, apps, software, digital services, screen interfaces, online platforms, consumer electronics, artificial intelligence and changing technology. A dated screen or device photograph is useful because software interfaces, branding and product designs can alter rapidly through updates and replacement. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
1 Duke of York Street,London, England SW1Y 6JP
Description
Keywords: shop,Duke of York St,Mayfair,London,England,UK,store,old,fashioned,mens,men,male,domain,bastion,shaving,soft,cream,shaved,groom,grooming,razor,razors,hot,shave,Beard,&,Mustache,Waxes,Moustache,Gotonysmith Strong,powerful,sophisticated. No,I'm not setting up a profile on a dating website,I'm merely attempting to describe this cologne,which,I,imagine,was,worn,by,a,decadent,dandy,when,first,stocked,in,the,famous,London,barbers,in,1912.,This,was,James,Bond's,favourite,scent,mentioned,in,Ian,Fleming's,1956,novel,Diamonds,are,Forever.,Eucris,has,earned,a,permanent,place,on,my,bathroom,shelf.,Whenever,I,douse,myself,in,it,I feel ready for anything. Now,do excuse me,I,must,head,for,the,hills,and,pretend,I'm,a,spy,on,a,secret,mission,with,henchmen,disguised,as,hikers,hot,on,my,heels.old,fashioned,style,lovely
Description: Tony Smith image Alamy E6JB5F - . Geo. F. Trumper Gentleman's barbers and perfumers shop, Duke of York St, Mayfair, London, England UK. Photographed at 1 Duke of York Street,London, England SW1Y 6JP. The photograph was taken on 14 June 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Geo, Trumper, Gentlemans, barbers, perfumers, shop, Duke of York St, Mayfair, London and store, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to digital technology, smartphones, software, online services and the way screens and apps increasingly mediate everyday activity. It can support editorial coverage of mobile applications, consumer technology, digital services, user interfaces, online communication, artificial intelligence, software platforms, data and the changing relationship between people and connected devices. Visible screen text, icons, branding, controls and handset details can give picture buyers a recognisable real-world technology context. As a dated photograph, it is particularly useful for documenting a specific version of an interface, product or digital service before later updates alter its appearance or functionality. Search themes include smartphones, apps, software, digital services, screen interfaces, online platforms, consumer electronics, artificial intelligence and changing technology. A dated screen or device photograph is useful because software interfaces, branding and product designs can alter rapidly through updates and replacement. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
1 Duke of York Street,London, England SW1Y 6JP
Description
Keywords: shop,Duke of York St,Mayfair,London,England,UK,store,old,fashioned,mens,men,male,domain,bastion,shaving,soft,cream,shaved,groom,grooming,razor,razors,hot,shave,Beard,&,Mustache,Waxes,Moustache,Gotonysmith Strong,powerful,sophisticated. No,I'm not setting up a profile on a dating website,I'm merely attempting to describe this cologne,which,I,imagine,was,worn,by,a,decadent,dandy,when,first,stocked,in,the,famous,London,barbers,in,1912.,This,was,James,Bond's,favourite,scent,mentioned,in,Ian,Fleming's,1956,novel,Diamonds,are,Forever.,Eucris,has,earned,a,permanent,place,on,my,bathroom,shelf.,Whenever,I,douse,myself,in,it,I feel ready for anything. Now,do excuse me,I,must,head,for,the,hills,and,pretend,I'm,a,spy,on,a,secret,mission,with,henchmen,disguised,as,hikers,hot,on,my,heels.old,fashioned,style,lovely,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy E6JB5G - . Geo. F. Trumper Gentleman's barbers and perfumers shop, Duke of York St, Mayfair, London, England UK. Photographed at 1 Duke of York Street,London, England SW1Y 6JP. The photograph was taken on 14 June 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Geo, Trumper, Gentlemans, barbers, perfumers, shop, Duke of York St, Mayfair, London and store, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to digital technology, smartphones, software, online services and the way screens and apps increasingly mediate everyday activity. It can support editorial coverage of mobile applications, consumer technology, digital services, user interfaces, online communication, artificial intelligence, software platforms, data and the changing relationship between people and connected devices. Visible screen text, icons, branding, controls and handset details can give picture buyers a recognisable real-world technology context. As a dated photograph, it is particularly useful for documenting a specific version of an interface, product or digital service before later updates alter its appearance or functionality. Search themes include smartphones, apps, software, digital services, screen interfaces, online platforms, consumer electronics, artificial intelligence and changing technology. A dated screen or device photograph is useful because software interfaces, branding and product designs can alter rapidly through updates and replacement. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
1 Duke of York Street,London, England SW1Y 6JP
Description
Keywords: pounds,moneys,cash,English,England,Wales,monies,spell,spelling,out,the,word,official,currency,finance,financial,i,promise,to,pay,the,bearer,penny,pennies,traded,trading,exchange,bank,of,London,denominated,banknotes,banknote,inscription,embossed,reserve,global,quid,GBP,spelled,queen,gotonysmith,curency,market,markets,officialcurrency,inscriptions,ISO,4217,ISO4217,wholesale,sign,printed,forge,forged,counterfeit,counterfeited,decimal,coinage,100,100pence,denomination,denominations,polymer,rate,rates,reserve,reserves,queens,head,heads,or,tails,5pound,£5,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED4A4 - . British Sterling Pound coins stacked spelling economy. Photographed in England, UK. The photograph was taken on 14 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Sterling, Pound, coins, stacked, economy, stack, money, coin, pounds and moneys, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
England, UK
Description
Keywords: night,time,blue,hour,bluehour,England,UK,GB,Great,Britain,british,English,icons,iconic,River,three,graces,reflection,reflections,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,planet,red,boat,light,gotonysmith,Maritime,Mercantile,City,UNESCO,World,Heritage,city,ship,light,ship,lightship,reflection,reflections,reflecting,in,the,water,You,Will,Never,Walk,Alone,Buy Pictures of,Buy Images Of,You Will Never Walk Alone,Youll Never Walk Alone
Description: Tony Smith image Alamy DDXKPR - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Pier Head, Liverpool, England, UK L3 1DL
Description
Keywords: time,blue,hour,bluehour,England,UK,GB,Great,Britain,british,English,icons,iconic,River,three,graces,reflection,reflections,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,iconic,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,sunset,sundown,sun,gotonysmith,Maritime,Mercantile,City,UNESCO,World,Heritage,city,perspective,leading,line,lines,street,light,lights,streetlight,streetlighting,cobbles,cobble,cobbled,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXM0N - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Pier Head, Liverpool, England, UK L3 1DL
Description
Keywords: night,shot,nightshot,nighttime,evening,architecture,canal,dusk,head,link,lit,Liverpool,museum,night,pier,reflected,reflection,uk,up,waterfront,city,centre,Museum,of,lighted,open,scouser,design,designed,Mann,Island,3XN,Lit up,GoTonySmith,@HotpixUK,museums,Buro,Happold,England,UK,GB,Great,Britain,Buy Pictures of,Buy Images Of,Images of Liverpool,Stock Images,National Museums,National Museums Liverpool,Museum of Liverpool Life,Buro Happold,Great Britain
Description: Tony Smith image Alamy DDXPME - The Museum of Liverpool in Liverpool, England, is the newest addition to the National Museums Liverpool group having opened in 2011 replacing the former Museum of Liverpool Life. National Museums Liverpool intention is for the new venue to tell the story of Liverpool and its people, and reflect the city's global significance. The museum is housed in a new purpose-built building on the Mann Island site at the Pier Head.
The museum, designed by architects 3XN and engineers Buro Happold, was expected to cost £72 million and provide 8,000 square metres of exhibition space, housing more than 6,000 objects. There are also plans to have flexible spaces that regularly change to enable National Museums Liverpool to show more of their collections
Mann Island, Pier Head,Liverpool,Merseyside,England,UK
Description
Keywords: Krishnas,mono,B/W,Black,White,sing,in,the,making,people,ppl,High,St,Edinburgh,Scotland,August,time,message,of,love,shaved,head,heads,capital,city,cities,tat,tattoo,gotonysmith,gotonysmith,Buy Pictures of,Buy Images Of,shout,monk,monks,religion,world,religions
Description: Tony Smith image Alamy D8HWJ9 - . Shout Gouranga meet the Hare Krishna's in The High St Edinburgh, Scotland, August festival time. Photographed on 22 August 2012. The recorded location is High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS. The wider historical story is that monochrome, sepia, selective-colour and infrared treatments belong to a long tradition of photographers using tonal interpretation rather than literal colour
Infrared records wavelengths beyond normal vision, while black-and-white presentation emphasises form, contrast, texture and light. From a heritage perspective, town and city centres are continually rewritten by new buildings, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. In the present 2026 context, these effects can be produced digitally with ease, but their usefulness still depends on the underlying subject and the visual information retained
Older examples also document the aesthetics of an era when strong selective colour and infrared processing were especially popular in creative digital photography. As of 2026, current regeneration programmes make older urban photographs particularly valuable
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change. Looking at the subject's development, alternative photographic processes can make familiar subjects appear unfamiliar
Black-and-white and sepia evoke older photographic traditions, selective colour isolates a chosen detail, and infrared can render foliage and skies with striking tonal separation. Relevant long-tail terms include black and white, infrared photography, creative photography, tonal contrast, high contrast, fine art photography, photographic technique, image treatment, and visual style.
High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS
Description
Keywords: Festival puppet entertainer with a severed head,August High street,Edinburgh Old Town,Lothian,Scotland UK August High street,Edinburgh Old Town,Lothian,smiling,actor,holding,streetfun,fun,monochrome,spectacle,horror,mono,monochrome,fringefestival,EH11QS,EH1,1QS,gotonysmith black and white,gotonysmith,Buy Pictures of,Buy Images Of,Scotland,attractions,kissing,attraction,Festival puppet entertainer,severed,head,face
Description: Tony Smith image Alamy D8HWP0 - . Festival puppet entertainer with a severed head , August High street, Edinburgh Old Town, Lothian, Scotland UK. Photographed on 22 August 2012. The recorded location is High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS. Historically, community circus and street entertainment sit between amateur participation and professional performance, using portable skills such as juggling and puppetry that can be staged in parks, streets or festivals with minimal infrastructure. Looking at the subject's development, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local history, design, industry and social life across different periods. In historical terms, urban street scenes capture the cumulative effect of planning, architecture, transport, retail and public space
Shopfronts, signs, street furniture and pedestrians can date an image precisely and show how a district changes between periods of investment, decline and regeneration. In 2026, outdoor performance continues to be important to festivals and community events, offering accessible entertainment at a time when arts organisations continue to debate funding, participation and the use of public space. For the 2026 context, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historical fabric creates continuing debate about conservation and reuse. The historical context is that festival entertainers add a temporary layer of performance to public space
Their costumes, props and interaction with passers-by often become part of the identity of recurring civic and arts events. In 2026, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse.
High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS
![iPod Shuffle2 - Post War Glamour Girl [ Manchester Northern Quarter Mural , England UK ] 7693458316 art,NQ,Manchester,Cord,Bar,big,breasts,chest,chested,lady,female,woman,red,head,redhead,stilletto,shoes,ble,stockings,french,knickers,pants,french knickers,street,England,Northern,Quarter,mural,pano,panorama,hipstamatic,iphone,joiner,sexy,lips,giant,enormous,hooters,legs,air,ready,punter,Tib,St,TibSt,breasted,milf,BBW](https://live.staticflickr.com/7248/7693458316_a88930a2ce_o.jpg/)
Description
Keywords: art,NQ,Manchester,Cord,Bar,big,breasts,chest,chested,lady,female,woman,red,head,redhead,stilletto,shoes,ble,stockings,french,knickers,pants,french knickers,street,England,Northern,Quarter,mural,pano,panorama,hipstamatic,iphone,joiner,sexy,lips,giant,enormous,hooters,legs,air,ready,punter,Tib,St,TibSt,breasted,milf,BBW
Description: Tony Smith image Flickr 7693458316 - 'Salford lad John Cooper Clarke - 'Post War Glamour Girl' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
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This is a panorama of four hipstamatic shots taken on an iphone stiched together. It was taken in Manchester's Northern Quarter.
John Cooper Clarke (born 25 January 1949) is an English performance poet who first became famous during the punk rock era of the late 1970s when he became known as a 'punk poet'.[1] He released several albums in the late 1970s and early 1980s, and continues to perform regularly.
His recorded output has mainly centred around musical backing from The Invisible Girls, which featured Martin Hannett, Pete Shelley, Bill Nelson, Paul Burgess and Steve Hopkins.
His first releases were on the independent label Rabid, starting with the EP Innocents in October 1977. He toured with Bill Nelson's band Be-Bop Deluxe in 1978 and was signed by Epic Records, who issued the Nelson-produced debut album Disguise In Love in 1978.
In 1979 he had his only UK top 40 hit with 'Gimmix! (Play Loud)'. Clarke toured with Linton Kwesi Johnson, and has performed on the same bill as bands such as Sex Pistols, The Fall, Joy Division, Buzzcocks, Siouxsie and the Banshees, Elvis Costello, Rockpile, and New Order (including at their May 1984 Music for Miners benefit concert at London's Royal Festival Hall). His set is characterised by lively, rapid-fire renditions of his poems, usually performed a cappella. Often referred to as 'the bard of Salford', he usually refers to himself on stage as 'Johnny Clarke, the name behind the hairstyle'.
This mural which is just on the gable end of Cord bar is just around the corner from Tib St, the old seedy street that used to be home to pet shops and sex shops. These days its more arty bars, nice cafes and music venues. Still a bit seedy, reassuringly!
File under: MNQ , Manchester, Mancunian, Northern Quarter, Mural, Graffitti, naked busty large chested lady, girl female, breats, tight knickers , pants , high heels , silk stockings, french , red shoes , mask , masque, burlesque , show, recline , reclining in the city , Cordbar , Cord bar , street art , Lancashire, England , UK, N4 , NQ, oldham st , tib street enourmous , enormous , bbw , no nipples , hidden , seductive , seduction , temptation , fings not always what they appear!
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Liverpool,mersey,merseyside,pierhead,pier,head,england,UK,van,GB,great,britain,tony,smith,tonysmith,hotpix,tonysmithhotpix,hotpics,hotpicks,hot,pix,pics,picks,border,screen,frame,framed,platinumphoto,liver,building,liver building,royal,insurance,#tonysmithotpix
Description: Tony Smith image Flickr 5222344476 - 'Ice Cream - 'New Young Pony Club' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
New Young Pony Club are a five-piece rock band from London, UK. They consist of now London-based vocalist Tahita Bulmer and producer Andy Spence. They shared a love of punk rock and dance music. The founding pair began writing together, originally only for Bulmer to perform.
Spence later assumed a larger role when they decided to form a proper band, so the duo recruited the single-monikered Lou on keyboards, Igor Volk on bass, and Sarah Jones on percussion. The band formed in 2005, and released two limited edition 7' singles ('The Get Go' and this track 'Ice Cream') on indie label Tirk Recordings. Later that year they were discovered by more established Australian label Modular Recordings, and signing a worldwide deal.
The band's name came from lead singer Bulmer's desire to be a part of a club or team at school. Her original idea for the band name was the more concise 'Pony Club', which she describes as 'quirky and kinky and fun'. A pre-existing Irish band had already claimed the name, and the prefix 'New Young' was added to reflect that the band are 'a newer, younger and kinkier Pony Club'. So now we know.
For more, checkout NYPC's debut album, 'Fantastic Playroom'
------------------------
The Pier Head in Liverpool has gone through some transformations over the years. When back in the mid 1980's when I worked in the city centre it was part bus station and ferry terminal. The latter are mostly now for tourists, most locals taking the subway. Its now got a nice water feature and the concrete beefeater is now a swish Chinese eatery. A change for the better. On a sunny day, a nice place to enjoy an ice cream.....
NB: Like all the images on this stream, full size images are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>Liverpool from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: Blue Cap historic Pub and drinking place A556 at Dusk,Cheshire,England,United Kingdom gotonysmith Blue Cap,Cheshire,named,after,a,noted,18th,century,foxhound,marked,with,a,dark,patch,on,its,head,night,shot,blue,hour,bluehour,near,road,fast,country,inn,tourist,attraction,Blue,Cap,Pub,A556,Dusk,The,Blue,Cap,in,Cheshire,was,named,after,a,noted,18th,century,foxhound,marked,with,a,dark,patch,on,its,head,ales,CAMRA,public,house,Dark,beer,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF2211 - . Blue Cap historic Pub and drinking place A556 at Dusk , Cheshire , England, United Kingdom. Photographed on 9 February 2010. The recorded location is Blue Cap Hotel, A556, , Sandiway, Cheshire, England, Great Britain. The Blue Cap in Cheshire was named after a noted 18th century foxhound marked with a dark patch on its head. Historically, british pubs evolved from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, drinking houses, music venues and landmarks within town and village life
Their architecture, signs, interiors and evolving names often preserve layers of local commercial and social history. As background, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. Historically, seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. In 2026, in England the sector remains under pressure from operating costs and business rates, although eligible pubs and live-music venues receive a 15% business-rates relief/27
That makes historical and contemporary pub photographs particularly relevant to coverage of hospitality, community assets and evolving town centres. Against the 2026 backdrop, conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it provides about materials, local identity and how places change. Relevant synonyms and subject phrases include public house, licensed premises, hostelry, bar trade, real ale, cask ale, beer culture, and local pub.
Blue Cap Hotel, A556, , Sandiway, Cheshire, England, Great Britain
Description
Keywords: hat,chinese,hand,coloured,colored,handcolored,handcoloured,hotpixuk,hotpix,tonysmith,tony,smith,vietnam,south,asia,face,head,faces,portrait,good,she,is,pretty,female,lady,woman,selected,selective,colour,color,b/w,black,white,monochrome,mono,asian,vietnamese,partial,mixed,this photo rocks,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,tony smith photography,tdktony,tdk,tdktonysmith,BME,minority,ethnic
Description: Tony Smith image Flickr 3874777659 - 'Sepia toned and hand coloured print
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Liverpool,three,graces,dock,side,dockside,peir,pier,head,pierhead,bus,merseybus,mersey,panorama,joiner,hockney,david,hotpix,hotpixuk,tony,smith,tonysmith,England,UK,GB,britain,beatles,the beatles,liver,building,city,town,hotpics,hotpic,hotpick,hotpicks,hot,pics,pix,picks,highway,road,hotpix.freeserve.co.uk,buildings,built,architecture,merseyside,pano,stitched,join,joined,images,widescreen,wide,\u043f\u0430\u043d\u043e\u0440\u0430\u043c\u0430,\u30d1\u30ce\u30e9\u30de,\u5168\u666f,\ud55c\uad6d\uc5b4
Description: Tony Smith image Flickr 4281002771 - 'Here is an old joiner.
The image was assembled from about 15 prints taken from different viewpoints one autumn afternoon, in the style of a David Hockney joiner. The Liverpool waterfront is an iconic cityscape and here is shown in the warm afternoon setting sunlight.
A 80mm or shallower lens will have been used here. To get the whole of these really impressive listed buildings (national treasures some would say) in would take a 14mm or wider, and cause much distortion).
An old merseybus double decker adds a bit of an every day feel to it. Although not as iconic as a red routemaster London bus, for a long time it was a mode of transport that marked Liverpool out.
While I lived there, if a bus had not arrived by the time seven taxi's had passed, that was time to take the eigth taxi. (Even if you had already paid \u00a34.10 for your MerseyTravel card).
Some fireworks at night in Liverpool here www.flickr.com/photos/hotpixuk/3827213307/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: grim,reaper,happy,halloween,fancy,dress,shop,witton,st,street,cheshire,UK,England,ghoul,ghoulish,bargain,skull,day,dead,witton street,face,head,faces,365days,this photo rocks,hotpix!,tony smith photography,tdktony,tdk,tony,tdktonysmith
Description: Tony Smith image Flickr 4059544490 - 'Fancy dress shop front in Northwich, Cheshire, England UK. A bargain at \u00a332. When its gone, its gone (and all that....)
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: veteran,medal,medals,wr,old,soldier,pier,head,liverpool,mersey,merseyside,day,rememberence,rememberance,celebration,cenataph,england,english,UK,British,britain,great,royal,air,force,association,GB,november,11,11/11,11th,liver,building,cunard
Description: Tony Smith image Flickr 6333779781 - 'Manic Street Preachers - 'If You Tolerate This Your Children Will Be Next' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
Well what else could you post on 11/11?
The Manic Street Preachers are a Welsh alternative rock band, formed in 1986. They are James Dean Bradfield, Nicky Wire, Richey Edwards and Sean Moore. The band are part of the Cardiff music scene, and were at their most prominent during the 1990s. They are colloquially known as 'The Manics' or 'Manics'.
The band were originally a quartet: main lyricist and guitarist Richey Edwards vanished on 1 February 1995. In November 2008, thirteen years after his disappearance, he was officially declared presumed deceased.
The Manics released their debut album, Generation Terrorists in 1992. Their combination of androgynous glam punk imagery, outspoken invective and songs about 'culture, alienation, boredom and despair' soon gained them a loyal following and cult status. The band's later albums retained a leftist politicisation and intellectual lyrical style, while adopting a broader alternative rock sound.
Enigmatic lyricist Richey Edwards gained early notoriety by cutting the words '4REAL' into his arm with a razor blade (narrowly missing an artery and requiring seventeen stitches) in response to the suggestion that the band were less than authentic. The dark nature of 1994's The Holy Bible reflected the culmination of Edwards' instability.
'If You Tolerate This Your Children Will Be Next' is one of the best known tracks by the Manic Street Preachers, released as the first single from their fifth studio album, This Is My Truth Tell Me Yours, with lyrics written by Nicky Wire (credited as Nick Jones), and music written by James Dean Bradfield and Sean Moore.
It was released on 24 August 1998 and became the first of the band's two number one singles in the United Kingdom to date. The song is in the Guinness World Records as the number one single with the longest title without brackets. The song was voted no 20 on Channel 4's 100 Greatest Number One Singles, is the group's biggest success on the Irish singles chart (where it reached no 3), and is the only Manic Street Preachers track ever to be released as a single in the United States.
Various works on the Spanish Civil War were the inspiration for this song, most notably George Orwell's first-hand account, 'Homage to Catalonia.' (one of my favourite authors). Wire has acknowledged that he was also inspired by a song by The Clash, 'Spanish Bombs', which has a similar subject.
In March 2009, it was discovered that the song was used on the website of the British National Party as the soundtrack of an article describing 'the violence, hatred, fragmentation and despair' wrought on London by the 'great multicultural experiment'. The choice of this song was considered ironic by many, considering the song contains lyrics such as 'So if I can shoot rabbits/Then I can shoot fascists'. Record company Sony were successfully able to have the song removed from the site on the grounds of unauthorised use.
The BNP later released a press statement claiming that 'the song had mistakenly been automatically streamed on to its site and had nothing to do with the official party' and that 'you can interpret the lyrics any way you want'.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: three,men,3,3men,kissing,kissingmen,monkeys,drunk,mates,friends,pals,drinkers,gay,straight,married,face,head,faces,365days,male,boyfriends,boy,amigo,amigos,Queer,pink,homosexual,proud,out,coming,stonewall,tonysmith,tony,smith,HOT PIX,tony smith photography,tdktony,tdk,tdktonysmith,andy,andrew,cooper,joe,parkin,phil,hughes,philip
Description: Tony Smith image Flickr 4002697978 - '
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: malcolm,harradine,tv,television,chef,cook,shop,cookshop,Bratts,department,store,QVC,Mr,Silicone,cheshire,UK,Northwich,town,centre,fruit,crumble,smilling,smile,demo,demonstration,cookery,mrsilicone,recipe,chronicle,mid,midcheshire,Tim,Gray,demonstrations,outside,st,face,head,faces,365days,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photographic,photography,SLR,DSLR,group,GYCA,Bellhouse,bellhouse Club,tonysmith,tony,smith,HOT PIX,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 3959757223 - 'Not what I expected walking down to the bank in Northwich, Malcolm Harradine, Mr Silicone of QVC and other television appearances.
Shown here, showing off his skills at Bratts cookshop in Witten street with a fruit crumble, one of his favourite demo dishes. He had offers on the latest cookware from induction hobs to knife sets.
Another chap in Northwich, Cheshire here www.flickr.com/photos/hotpixuk/3998786439/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: NCB,British,Rail,BR,coal,truck,National,Coal,Board,internal,use,only,No,L22,tare,560,mine,pit,head,pithead,mining,museum,red,railroad,british,UK,united,kingdom,transport,gotonysmith,National,Mining,Museum,Scotland,Lady,Victoria,Colliery,National,Union,Of,Mineworkers,England,Scottish,Newtongrange,The,Scottish,Mining,Museum,Trust,railyard,rail,yard,1950s,1960s,truck,rail,road,railroad,historic,history,old,antique,gotonysmith,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History,Coal History,Coal Mining History,Coal Industry
Description: Tony Smith image Alamy CEY9C3 - . NCB British Rail BR coal truck National Coal Board railyard rail yard. Photographed on 11 August 2009. The recorded location is National Mining Museum Scotland, Lady Victoria Colliery, Newtongrange, Midlothian, EH22 4QN. NCB Coal wagon for internal use only at the . The Scottish Mining Museum Trust is registered in Scotland. Looking at the subject's development, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local story.htm Target=_Blank>history, design, industry and social life across different periods. In the longer view, workplace portraits and occupational scenes record skills, uniforms, tools and customer service that can disappear as industries modernise
They are useful social-history evidence because they place individual workers within the everyday economy rather than presenting a building or product in isolation. For the 2026 context, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historical fabric creates continuing debate about conservation and reuse. Current 2026 relevance comes from the fact that service work remains central to the British economy while recruitment, pay, automation and evolving customer expectations continue to reshape many occupations
Historic and contemporary workplace photographs therefore have relevance to labour, skills and employment as well as the immediate subject. The wider historical story is that historic objects and places gain meaning through survival
Materials, craftsmanship, inscriptions and later alterations can reveal how a building, machine or everyday item was made, used and valued, while preservation decisions show which parts of the past communities choose to retain. Other strongly related concepts include historic environment, period detail, historic fabric, heritage asset, and social history.
National Mining Museum Scotland, Lady Victoria Colliery, Newtongrange, Midlothian, EH22 4QN
Description
Keywords: indian,turban,watcher,old,man,Edinburghe,this photo rocks,two,people,portrait,couples,pair,faces,head,shoulders,beard,oap,third,age,U3A,retire,edinburgh,scotland,scotia,escocia,jock,tartan,castle,cool,person,image,tonysmith,tony,smith,HOT PIX,hotpicks,edinbrugh,Edinburg,tony smith photography,tdktony,tdk,tdktonysmith,#tonysmithhotpix,edimburgh,@hotpixuk
Description: Tony Smith image Flickr 3813000608 - 'Indian theatre and musical group seen in high street, Edinburgh festival scotland.
I had the impression it was father and son. Both had turbans and beards / facial hair.
More festival fun www.flickr.com/photos/hotpixuk/3834522123/ and another type of event www.flickr.com/photos/hotpixuk/4318167727/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Mechelle,Ivy,Northwich,Goth,hotpixuk,hotpix,tonysmith,tony,smith,face,head,faces,velvet,blur,blurred,lace,b/w,black,white,portrait,monochrome,sepia,mono,cool,person,people,image,gothic,gothess,gothy,gothing,babes,lady,female,girl,woman,retro,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 3875567222 - 'Mechelle in velvet and lace on location in Northwich, Cheshire UK. Her hair is up and scrunched.
Black and white printed with fine paper between enlarger and multigrade paper.
More goths www.flickr.com/photos/hotpixuk/3875567112/in/photostream/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
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Keywords: GoTonySmith,HotpixUK,@HotpixUK,Germany,German,Rhineland-Palatinate,city,centre,61,55122,Mainz,stones,gravestones,head,headstone,1926,11th,13th,century,dissolution,and,destruction,community,communities,memorial,Dr,Sali,Levi,SHUM,Speyer,Worms,Shpira,Vermayza,Magentza,Jewry,religion,religious,synod
Description: Tony Smith image Alamy 2NW51KA - This cemetery has been documented since the 13th century, but is thought to have existed since the 11th century. Due to the repeated expulsion of the Jews from Mainz and the subsequent dissolution and destruction of the cemetery, one can no longer speak of an ideal situation that has grown over time. Only through the initiative of the then community rabbi Dr. In 1926, Sali Levi managed to create a memorial cemetery. There, the tombstones found in all parts of Mainz, some of which were used as building material, were brought together. Among the 196 stones, 6 are from the 11th century.
Mombacher Strasse. 61, 55122 Mainz, Rhineland-Palatinate, Germany
--NOMA--Corporation-Street--M60-0AB-2K02F42.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,building,coop,Co-op building,Corporation Street,retail,offices,office,space,city,centre,North West,tower,block,redevelopment,area,F.E.L. Harris,FEL Harris,CWS,Cooperative Wholesale Society,New Central Building,Edwardian,Baroque,style,head,fire,damaged,Sheppard Robson,M60,word,gold,letters
Description: Tony Smith image Alamy 2K02F42 - The original building was designed by the Coop's in-house architect F.E.L. Harris. It opened in 1906 as the headquarters of the Cooperative Wholesale Society (CWS) and was called New Central Building. It was designed to look like a headquarters building and still does.
Take a look at that façade. It is pure powerhouse Edwardian, an almost bombastic expression of commercial and national confidence. This was a time when, like it or not, the British Empire was at its peak and the nation felt big.
Hanover is Baroque, a Classical-style formed of big bold elements, nothing is reticent, subtlety is shunned. The base of the exterior walls are of Aberdeen granite, elsewhere there's red brick with Derbyshire sandstone dressings. The most immediately eye-catching elements are the giant order columns at second floor level, then a fiercely heavy cornice, followed by a sweet but strong arcade high in the sky.
Hanover Building, NOMA, Corporation Street,Manchester, England, UK, M60 0AB
Description
Keywords: art,tat,tats,tat2,tatoo,religion,religious,catholic,sex,sexy,shaved,bald,head,headed,male,bloke,chap,against,up,wall,shutter,selective,selectively,colored,coloured,crucifixion,jesus,artwork,work,ink,skin,flesh,homoerotic,homo,erotic,sexual,in,the,boy,lokking,away,punished,being,ready,to,be,whipped,gotonysmith whip torture tortured,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HF3B - . Naked Man with Cross tattoo on his back. Photographed on 5 March 2011. The recorded location is Manchester, England, UK. Looking at the subject's development, the cross is Christianity's most recognisable symbol, referring to the crucifixion of Jesus while also carrying wider meanings of faith, sacrifice, remembrance and identity
When used in jewellery, tattoos or public art it can be devotional, cultural, commemorative or personal rather than simply decorative. The wider historical story is that body art is both a craft and a form of self-presentation
Improvements in equipment, inks and hygiene helped professional tattooing expand dramatically from the late twentieth century onwards, while conventions created large public spaces for artists and enthusiasts to exchange styles. For the 2026 context, religious symbolism continues to appear in highly personal forms such as tattoos as well as churches, memorials and jewellery
Such imagery can therefore illustrate the overlap between faith, identity, body art and individual expression. In the present 2026 context, tattooing is an established part of British popular culture, with conventions, specialist studios and highly visible styles ranging from traditional flash to realism and extensive facial or body work
Images remain relevant to fashion, identity, subculture, religion and evolving attitudes to appearance. The wider historical story is that religious symbols often move beyond formal places of worship into clothing, body art, memorials and popular culture
Their meaning depends on context, but a cross remains strongly associated with Christian belief and the visual history of Western religion. In the present 2026 context, religious symbolism continues to appear in highly personal forms such as tattoos as well as churches, memorials and jewellery
Such imagery can therefore illustrate the overlap between faith, identity, body art and individual expression.
Manchester, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,queen,queens,stamp,stamps,head,of,the,colonial,UK,Elizabeth,II,passing,colonies,colony,monarchy,monarch,oppression,repression,exploitation,Australia,Jamaica,New Zealand,countries,united,kingdom,history,historic,postage,collection,Hong Kong,crown,dependency,realm,Arnold Machin,royal,mail,Great Britain
Description: Tony Smith image Alamy 2K01H22 - The number of states headed by Queen Elizabeth II varied during her 70 years on the throne, altogether seeing her as sovereign of a total of 32 independent countries during this period. In her capacity as Queen of the United Kingdom (including the British overseas territories), she was also monarch of three Crown Dependencies”the Channel Island of Guernsey and Jersey (as the Duke of Normandy), and the Isle of Man (as the Lord of Mann)”and, in her capacity as Queen of New Zealand, she was monarch of two associated states”the Cook Islands and Niue”after they acquired this status in 1965 and 1974, respectively.
Two situations in two countries differ from the others. The government of the unrecognised state of Rhodesia proclaimed its allegiance to Elizabeth II as Queen of Rhodesia from 1965 to 1970. However, she did not accept either the role or the title and it was not accepted or recognised by any other state. Fiji became a republic through a military coup in 1987, after which its Great Council of Chiefs continued to recognise Elizabeth II as queen, or Paramount Chief of Fiji, until the council's de-establishment on 14 March 2012. However, this was only a ceremonial title, with no role in government at all
Description
Keywords: with,a,head,withahead,beer,Boddington,regional,ale,brewed,in,Mossside,pint,glass,hoppy,widget,draught-style,draught,style,cream,brewing,co,company,whitbread,Anheuser""“Busch,InBev,outside,on,a,bench,table,wood,wooden,cask,conditioned,Pub,barrel,regional,national,Madchester,Gotonysmith,the,of,creamOfManchester,bee,bees,logo,city,product,NW,England,UK,GB,Great,britain,Anheuser,Busch,Hydes,Brewery,in,Moss,Side,Kestrel,kegging,facility,prison,HMP,demolished,blandly,foamy,nitrokeg,travesty,of,the,original,version
Description: Tony Smith image Alamy E6JB64 - A classic regional English ale. Whitbread chief executive Peter Jarvis commented in 1995 that:
It was very fortuitous that the brewery was in Manchester. To outsiders, Manchester is a very attractive place “ known the world over for soccer, art, music and broadcasting. It would be difficult to have a Cream of Wolverhampton even though Banks's beer is very good. People do not aspire to visit Wolverhampton. On the whole they try to by-pass it.
Widnes, Cheshire, England, UK
Description
Keywords: dock,front,at,the,Pier,Head,docks,Mersey,harbour,co,company,Merseyside,Lancs,England,NW,north,west,english,night,blue,hour,bluehour,city,centre,liver,building,Cunard,architecture,museum,of,nightshot,famous,historic,landmarks,river,riverside,Maritime,Mercantile,City,UNESCO,World,Heritage,gotonysmith,interesting,image,landmark,site,wide,pano,shot,landscape,tourist,visit,visitor,tourism,travel,Royal,Liver,Friendly,Society,Line,shipping,company,by,clock,selective,color,colour,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HD7N - . Dusk image of the Royal Liver Building, on the Liverpool dock front, Merseyside,England, at the Pier Head. Photographed on 19 February 2010. The recorded location is Pier Head, Liverpool, England, UK L3 1DL. The wider historical story is that panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. Looking at the subject's development, historic and modern architecture can be read as a record of investment, planning and changing urban functions
Civic, commercial, industrial and residential buildings each contribute to the character of a townscape, particularly where older structures are adapted rather than demolished. Historically, ports and vessels are central to Britain's maritime history, linking coastal communities and inland industry with fishing, trade, passenger travel and international shipping
Harbours, docks and working craft also reflect changing technology, from traditional fishing fleets to high-speed workboats and modern freight logistics. In the present 2026 context, landscape imagery is increasingly used alongside discussion of climate, resilience, tourism and development
Older panoramas can show how skylines, waterfronts and vegetation have changed over a comparatively short period. For the 2026 context, current regeneration policy places growing emphasis on reusing established buildings and strengthening town centres. historic façades, redundant offices and converted commercial properties are especially relevant to debates about conservation, viability and adaptive reuse. For the 2026 context, landscape imagery is increasingly used alongside discussion of climate, resilience, tourism and development
Older panoramas can show how skylines, waterfronts and vegetation have changed over a comparatively short period.
Pier Head, Liverpool, England, UK L3 1DL
Description
Keywords: with,a,head,withahead,beer,Boddington,regional,ale,brewed,in,Mossside,pint,glass,boddies,hoppy,widget,draught-style,draught,style,cream,brewing,co,company,whitbread,Anheuser""“Busch,outside,on,a,bench,table,wood,wooden,cask,conditioned,Pub,barrel,regional,national,Madchester,Gotonysmith,the,of,creamOfManchester,bee,bees,logo,city,product,NW,England,UK,GB,Great,britain,Anheuser,Busch,Hydes,Brewery,in,Moss,Side,Kestrel,kegging,facility,prison,HMP,demolished,blandly,foamy,nitrokeg,travesty,of,the,original,version,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy E6JB65 - A classic regional English ale. Whitbread chief executive Peter Jarvis commented in 1995 that:
It was very fortuitous that the brewery was in Manchester. To outsiders, Manchester is a very attractive place “ known the world over for soccer, art, music and broadcasting. It would be difficult to have a Cream of Wolverhampton even though Banks's beer is very good. People do not aspire to visit Wolverhampton. On the whole they try to by-pass it.
Widnes, Cheshire, England, UK
