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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,G1,artist,Strathclyde,Fire and Rescue,monumental,civic sculpture,Gordon Street,in front of,Grand Central,Central,Hotel,Glasgow,Scotland,by,Glasgow central,city centre,commemorating,2001,a,tribute,artistic,bronze,sculpture,in,uniform,history,historical,remember,remembering,remembrance,statue,tributes,went,on fire,duty
Description: Tony Smith image Alamy 2ADE464 - Kenny Hunter was born in Edinburgh 1962 and studied at Glasgow School of Art from 1983 - 1987. After graduating in sculpture, Kenny has gone on to practice in both the field of public and gallery based art becoming one of the UK's foremost artists with works in collections all over the world, including Paris, New York and Hamburg. These are his thoughts on Citizen Firefighter.
Citizen Firefighter was conceived primarily to celebrate the fire service. But it is also an attempt, through a recognition of their work, to reclaim the political and civic space associated with the historical form of the public statue. While maintaining the clear, formal language of the past, the content and narrative of this new work differs in many ways from the historical tradition, and it is precisely through this rupture between Citizen Firefighter and what is generally understood to be the impact of historical works that we can begin to assess what kind of relationship now exists between citizen and resident, between statue and sculpture. The space opened up in this way creates the possibility of a dialogue of historical and sociological change.
Through the work's symbolism, Citizen Firefighter appears to rekindle the onlooker's reflexes when faced with a nineteenth-century public monument. It differs, however, by both the neutrality of its stance and by the prominence given to the breathing apparatus, which has a democratising effect on human identity. The generic or quotidian aspect of the figure is further accentuated by a reductive treatment of form, in which all naturalist or realist traits have been suppressed. Subtraction peels away pathos, creating enough critical distance to enable the viewer to consider the complex charge inherent in the way the subject is presented. In this way the meaning of the monument itself is left partially open, thus creating a space that can be reinvested by the onlooker
99 Gordon St, Glasgow,Scotland, G1 3SF
Description
Keywords: GotonySmith,UK,Scotland,city,city centre,HotpixUK,@HotpixUK,stall,G1 5DX,Calton,G1,The Barras,East End,signs,seedy,Glaswegian,covered markets,notorious,Glasgow,red,red sign,world,famous,Scottish,market,markets,history,historic,area,stalls,bargains,bargain,retail,entrance,outside,gate,gates,entrances,hotpix.org.uk,trader
Description: Tony Smith image Alamy 2AAEHT4 - . Made at 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The principal point of reference is The Barras, Gallowgate, East End, Glasgow, Scotland, UK, G1 5DX. The surrounding context brings together venue rules, visual archive, social history, commercial streetscape, commercial frontage, high-street commerce, access-control notice, urban commerce, public realm, period detail, town-centre economy, changing streetscape, place identity, and contemporary social history. Current discussion around this subject increasingly includes consumer spending alongside hybrid working, with particular attention to the rapid turnover of shopfronts and trading names. From a 2025-onward perspective, the scene also connects with customer management, child safeguarding and how public spaces communicate rules quickly and visibly. With the passage of time, the frame records a particular stage in the life of the location at 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX. Other useful associations include regional identity, bricks-and-mortar retail, operational signage, public information notice, local trading, changing land use, site information, and community identity. Elements such as Scotland, Barras, Glasgow, and Gallowgate add documentary specificity and may become more useful when compared with later records. By fixing the subject within 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene further reflects consumer spending and the rapid turnover of shopfronts and trading names in a form that can be compared with future views of 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX. The view records evidence of earlier appearance as a date-specific reference.
242 Gallowgate, Glasgow, Scotland, UK, G1 5DX
Description
Keywords: GotonySmith,UK,Scotland,city,city centre,HotpixUK,@HotpixUK,stall,G1 5DX,Calton,G1,The Barras,East End,signs,seedy,Glaswegian,covered markets,notorious,Glasgow,green sign,green,signage,world,famous,Scottish,market,markets,history,historic,area,stalls,bargains,bargain,retail,entrance,outside,hotpix.org.uk,trader,traders
Description: Tony Smith image Alamy 2AAEHW0 - . A grounded documentary photograph made at 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX in 2019, preserving the main subject alongside smaller details that may become more historically useful with time. The image documents Green Barras Sign, The Barras, Gallowgate, East End, Glasgow, Scotland, UK, G1 5DX. The scene additionally carries associations with everyday life, changing streetscape, independent trading, compliance notice, rule enforcement, local trading, shopfront economy, local character, regional identity, archival record, contemporary social history, consumer retail, retail property, and safety messaging. For contemporary context, business rates and town-centre regeneration are closely related themes, especially where the issue becomes how high streets adapt when traditional retail contracts. Viewed from the mid-2020s, the subject sits within continuing debate about access rules, public safety and the balance between access, safety and venue responsibility. Looking back from the mid-2020s, the view documents small features of identity that written records may overlook in this part of 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX. The subject sits alongside visitor instruction, public information notice, customer footfall, commercial streetscape, customer guidance, urban commerce, historic context, and public realm. The combination of Glasgow, Scotland, Green, Gallowgate, and Barras anchors the image to a recognisable activity, place or moment. The period setting at 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is business rates and bringing underused premises back into productive use in a form that can be compared with future views of 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX. The image fixes part of the area's social history as a date-specific reference.
242 Gallowgate, Glasgow, Scotland, UK, G1 5DX
Description
Keywords: GotonySmith,UK,Scotland,city,city centre,HotpixUK,@HotpixUK,stall,G1 5DX,Calton,G1,The Barras,East End,signs,seedy,Glaswegian,covered markets,notorious,Glasgow,green sign,green,signage,Welcome To The Barras,Welcome To Glasgow,Glasgow Barrowland market,world,famous,Scottish,market,markets,history,historic,area,stalls,bargains,bargain,retail,trader,traders
Description: Tony Smith image Alamy 2AAEHW5 - . An on-location image from 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX in 2019, useful both for the specific subject shown and for the evidence it retains about local identity, design, use and everyday life. The principal point of reference is Welcome To The Barras sign, Gallowgate, East End, Glasgow, Scotland, UK, G1 5DX. Further facets of the subject include operational signage, commercial frontage, visual regulation, independent trading, high-street commerce, social history, shopfront economy, rule enforcement, town-centre economy, place identity, before-and-after reference, customer footfall, changing land use, and urban commerce. The present-day relevance extends to consumer spending and town-centre regeneration, while a wider concern is bringing underused premises back into productive use. Current discussion around this subject increasingly includes public safety alongside clear communication, with particular attention to the importance of clear wording in shared public environments. For local-history research, the view leaves evidence of a particular stage in the life of the location at 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX. The subject sits alongside local trading, bricks-and-mortar retail, changing streetscape, documentary photography, archival record, commercial streetscape, historical comparison, and visual archive. The recorded references to Barras, Gallowgate, Scotland, Welcome, and Glasgow preserve clues about how the subject was presented, used or understood at the time. The period setting at 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to consumer spending and bringing underused premises back into productive use in a form that can be compared with future views of 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX.
242 Gallowgate, Glasgow, Scotland, UK, G1 5DX
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,HotpixUK,@HotpixUK,Glaswegian,notorious,seedy,signs,East End,G1 5DX,Calton,G1,The Barras,Margaret Maggie McIver,Glasgow Barrowland market,Barrowland building,neon sign,stars,Bible John Murders,world,famous,Scottish,market,markets,history,historic,area,stalls,bargains,bargain,retail,ballroom,ballrooms,concert,hall,halls
Description: Tony Smith image Alamy 2AAEHWE - Glasgow Barrowland Ballroom (also known as Barrowlands) is a dance hall and music venue located in Glasgow, Scotland.
The original building opened in 1934 in a mercantile area east of Glasgow's city centre, built by Margaret Maggie McIver (née Russell) (1879“1958), The Barras Queen. The Barras street market (more properly Glasgow Barrowland market), after which the area and the ballroom are named, continues until the present day. The building was largely destroyed by fire in 1958, leading to a complete rebuild. The rebuilt ballroom opened on Christmas Eve 1960. The Barrowland building includes large street-level halls used for the weekend markets, with a sizeable weatherproof hall above. The front of the building is decorated with an animated neon sign. The sign is believed to be the biggest of its kind in the UK, although this cannot be confirmed as the original order documents detailing the specifications of the sign have been lost.
In more recent years the ballroom has become a major concert venue with a capacity of around 2,100 people, known for its acoustics and its sprung dance floor. Simple Minds filmed the video for their 1983 hit single, Waterfront, at Barrowlands. Oasis, U2, The Stranglers, The Clash, The Smiths, Big Country, Muse, Foo Fighters, The Vatersay Boys, Skipinnish and Marillion have all played at the hall. Adjacent to the ballroom itself is the Barrowland Park, where there is a pathway which features the names of many artists who have played at the venue over the decades. Northern Ireland punk band Stiff Little Fingers have played to a sold-out crowd every St Patrick's day since 1992, and recorded their Best served Loud album there in 2016 to celebrate 25 years at Barrowland.
Between 1968 and 1969, three young women (Patricia Docker, Jemima McDonald and Helen Puttock) were found brutally murdered after nights out at the Barrowland. All three murders were attributed to a man dubbed Bible John by police.
242 Gallowgate, Glasgow, Scotland, UK, G1 5DX
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,city centre,HotpixUK,@HotpixUK,G1,seedy,notorious,signage,Glaswegian,green sign,The Barras,stall,green,covered markets,East End,G1 5DX,Calton,signs,Estd 1921,Established,1921,sign,Estd 1921 Barras sign,Estd 1921 sign,world,famous,Scottish,market,markets,history,historic,area,stalls,bargains,bargain,retail
Description: Tony Smith image Alamy 2AAEHY2 - . This period scene at the recorded location in 2019 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. The main subject is Estd 1921, Barras sign, Gallowgate, East End, Glasgow, Scotland, UK, G1 5DX. The frame also contains themes of community identity, safety messaging, commercial streetscape, retail property, shopfront economy, before-and-after reference, venue rules, place identity, local history, customer guidance, visitor instruction, independent trading, visual regulation, and public information notice. In the mid-2020s, commercial rents and consumer spending keep the subject current, particularly through how high streets adapt when traditional retail contracts. The subject remains useful for current coverage of venue policy and public safety, not least because of the balance between access, safety and venue responsibility. For local-history research, the view documents the way the place functioned before later physical or commercial change at the recorded location. The subject sits alongside local character, public realm, changing streetscape, rule enforcement, town-centre economy, changing land use, regional identity, and behavioural signage. The recorded references to Scotland, Gallowgate, Glasgow, and Barras preserve clues about how the subject was presented, used or understood at the time. The surrounding context at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for commercial rents and how high streets adapt when traditional retail contracts when considered against later change at the recorded location. Another useful connection is customer management and the balance between access, safety and venue responsibility without losing the local specificity of the recorded location.
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,city centre,HotpixUK,@HotpixUK,red,neon,get down,down,arrow,pointing,points,lash,clash,bar,pub,bars,pubs,basement,dive,divebar,G1 3SL,to,the,music,dancing,GetDown,below,steps,club,on it,G1,point
Description: Tony Smith image Alamy 2AAEJ0E - . Photographed at Glasgow, Scotland, UK, ,G1 3SL in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. The defining feature is Red Neon Sign, Get Down with an arrow. The photograph also reflects historic context, hand-pulled beer, British brewing tradition, live music, beer festival scene, performance culture, social drinking culture, changing land use, local character, historical comparison, cultural identity, independent brewing, popular-music history, and regional identity. The present-day relevance extends to independent brewing and business rates, while a wider concern is the cultural role of real ale and regional brewing. Current discussion around this subject increasingly includes regional culture alongside audience behaviour, with particular attention to the role of small venues in developing performers. As a piece of social history, the image retains a particular stage in the life of the location at Glasgow, Scotland, UK, ,G1 3SL. The surrounding context also covers changing streetscape, venue culture, place identity, regional music scene, brewing heritage, visual archive, licensed hospitality, and beer tourism. Elements such as arrow add documentary specificity and may become more useful when compared with later records. For Glasgow, Scotland, UK, ,G1 3SL, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to independent brewing and the cultural role of real ale and regional brewing within the real-world context of Glasgow, Scotland, UK, ,G1 3SL. The location additionally provides evidence of rising costs and the way music contributes to a city's identity within the specific setting of Glasgow, Scotland, UK, ,G1 3SL. The photograph keeps part of the area's social history for future local research.
Glasgow, Scotland, UK, ,G1 3SL
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,city centre,HotpixUK,@HotpixUK,Love life love vodka sign,Heart,drink,drinking,spirits,vodka,heart,red heart,Vodka is love,Vodka is life,I love vodka revs,vodka cocktails,Love & Vodka,Love and Vodka,Vodka Love,drunk,on,drinking vodka,craft vodka,craze,brands,The new gin,new gin,artisan,makers,small batch,forget,to,your troubles,84 Mitchell St,G1 3NA,G1
Description: Tony Smith image Alamy 2AAEJ13 - . This documentary view of 84 Mitchell St, Glasgow, Scotland, UK, G1 3NA in 2019 captures the subject within its actual surroundings, preserving a dated piece of visual history rather than an isolated object study. The principal point of reference is Heart neon sign, Love life love vodka sign in red and white, Revolution Glasgow,Scotland - craft vodka. The scene additionally carries associations with compliance notice, beverage branding, changing land use, rule enforcement, visitor instruction, historical comparison, everyday life, changing streetscape, contemporary social history, wine label design, spirits heritage, distilling culture, Portuguese wine tradition, and luxury drinks market. The present-day relevance extends to tourism and premium drinks markets, while a wider concern is the role of provenance and age statements in drinks retail. Current discussion around this subject increasingly includes customer management alongside regulation, with particular attention to the role of signs in shaping behaviour without staff intervention. From an archival perspective, the scene keeps a record of a particular stage in the life of the location in the immediate surroundings of 84 Mitchell St, Glasgow, Scotland, UK, G1 3NA. The setting also brings in archival record, local history, venue rules, safety messaging, place identity, site information, public information notice, and wine collecting. The recorded references to craft, Glasgow, Revolution, Scotland, and Heart preserve clues about how the subject was presented, used or understood at the time. A later view of 84 Mitchell St, Glasgow, Scotland, UK, G1 3NA may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to tourism and the balance between cultural tradition and responsible alcohol consumption within the specific setting of 84 Mitchell St, Glasgow, Scotland, UK, G1 3NA.
84 Mitchell St, Glasgow, Scotland, UK, G1 3NA
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,HotpixUK,@HotpixUK,Art Deco,Cocktail Bar,sign,outside,exterior,design,architecture,lettering,1935,G1 3AN,Exchange Place,G1,Oyster Bar,bar,pub,venue,famous,history,historic,cafe,seafood,sea food,meals,logo,oysters,Scottish,Scots,sourced,crab,lobster,fish,restaurant,artdeco
Description: Tony Smith image Alamy 2AAEJ1F - In 1935, as the great Cunard liner 'Queen Mary' took shape on the Clyde, a restaurant was refitted in the same Art Deco style and a Glasgow legend was born.
With its unique 1930's ambience, Rogano is the oldest surviving restaurant in Glasgow. For over seventy five years its chefs have dedicated themselves to the delicate art of cooking and serving the finest fish and seafood in the world from Scottish waters.
For all its inimitable style, and its local clientele, Rogano is a friendly place, with a special welcome for the traveller, being perfectly situated with close proximity to the city's most elegant shops and many of its leading cultural venues.
The Rogano Oyster and Cocktail Bar has been a bastion of Glasgow's bar scene since 1935, our customers enjoy drinks in original art deco surrounding with soft jazz filtering throughout the bar to create a truly unique bar experience.
Rogano customers are spoiled for choice from a variety of house wines, champagne (by the glass) and an extensive cocktail list all of which are served with the upmost standard of service from our bar waiting staff.
Food is served from the bar menu which includes a selection of seafood, light meals and sandwiches. Food is best enjoyed in one of our highly coveted booths which provide customers with a little world of their own within a bustling bar.
The Oyster Bar opens at 11.00 am until midnight, every day except Sunday when it opens at 12.00 noon. The Bar Menu is available throughout the day until 10.00pm. The Oyster and Cocktail bar operates a no reservation policy.
11 Exchange Place, Glasgow, Scotland, UK, G1 3AN
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,HotpixUK,@HotpixUK,Art Deco,Cocktail Bar,sign,outside,exterior,design,architecture,lettering,1935,G1 3AN,Exchange Place,G1,Oyster Bar,bar,pub,venue,famous,history,historic,cafe,seafood,sea food,meals,logo,oysters,Scottish,Scots,sourced,crab,lobster,fish,restaurant,artdeco
Description: Tony Smith image Alamy 2AAEJ1R - In 1935, as the great Cunard liner 'Queen Mary' took shape on the Clyde, a restaurant was refitted in the same Art Deco style and a Glasgow legend was born.
With its unique 1930's ambience, Rogano is the oldest surviving restaurant in Glasgow. For over seventy five years its chefs have dedicated themselves to the delicate art of cooking and serving the finest fish and seafood in the world from Scottish waters.
For all its inimitable style, and its local clientele, Rogano is a friendly place, with a special welcome for the traveller, being perfectly situated with close proximity to the city's most elegant shops and many of its leading cultural venues.
The Rogano Oyster and Cocktail Bar has been a bastion of Glasgow's bar scene since 1935, our customers enjoy drinks in original art deco surrounding with soft jazz filtering throughout the bar to create a truly unique bar experience.
Rogano customers are spoiled for choice from a variety of house wines, champagne (by the glass) and an extensive cocktail list all of which are served with the upmost standard of service from our bar waiting staff.
Food is served from the bar menu which includes a selection of seafood, light meals and sandwiches. Food is best enjoyed in one of our highly coveted booths which provide customers with a little world of their own within a bustling bar.
The Oyster Bar opens at 11.00 am until midnight, every day except Sunday when it opens at 12.00 noon. The Bar Menu is available throughout the day until 10.00pm. The Oyster and Cocktail bar operates a no reservation policy.
11 Exchange Place, Glasgow, Scotland, UK, G1 3AN
Description
Keywords: GotonySmith,UK,city,city centre,HotpixUK,@HotpixUK,sign,red,neon sign,G1,Pizzeria,Cocktail Bar,Miller St,City Centre,Glasgow,Scotland,G1 1DT,SoHo,pub,Bar,Soho,City,Centre,night,evening,bar,bars,pubs,entertainment,entertainments,night time economy,drinks,drinking,dance,dancing,pizza,pizzeria,centre
Description: Tony Smith image Alamy 2AAEJ22 - . This documentary view of 84 Miller St, City Centre, Glasgow, Scotland, UK, G1 1DT in 2019 captures the subject within its actual surroundings, preserving a dated piece of visual history rather than an isolated object study. The photograph records SoHo Bar, Soho Pizzeria & Cocktail Bar, red neon sign, 84 Miller St, City Centre, Glasgow, Scotland, UK, G1 1DT. A broader reading of the scene brings in contemporary social history, changing land use, local character, everyday life, real-ale culture, visual regulation, festival bar service, place identity, public-facing notice, independent brewing, changing streetscape, archival record, visual archive, and rule enforcement. From a 2025-onward perspective, the scene also connects with beer duty, hospitality costs and the cultural role of real ale and regional brewing. In the mid-2020s, customer management and access rules keep the subject current, particularly through how public spaces communicate rules quickly and visibly. For retrospective editorial use, the image retains evidence of how the subject fitted into ordinary life in the immediate surroundings of 84 Miller St, City Centre, Glasgow, Scotland, UK, G1 1DT. A second layer of the scene includes instructional sign, beer tourism, regional identity, before-and-after reference, licensed hospitality, beer appreciation, period detail, and behavioural signage. Details involving Scotland, Centre, Glasgow, Pizzeria, and Cocktail give the scene useful specificity and strengthen its local, cultural or historical identity. The surrounding context at 84 Miller St, City Centre, Glasgow, Scotland, UK, G1 1DT matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is beer duty and the survival of community pubs as part of the longer story of 84 Miller St, City Centre, Glasgow, Scotland, UK, G1 1DT.
84 Miller St, City Centre, Glasgow, Scotland, UK, G1 1DT
Description
Keywords: GotonySmith,UK,Scotland,city,city centre,HotpixUK,@HotpixUK,stall,G1 5DX,Calton,G1,The Barras,East End,signs,seedy,Glaswegian,covered markets,notorious,Glasgow,red,red sign,world,famous,Scottish,market,markets,history,historic,area,stalls,bargains,bargain,retail,entrance,outside,gate,gates,entrances,trader
Description: Tony Smith image Alamy 2AAEJ60 - . Recorded at 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX in 2019, the image fixes a particular place, use and appearance for later comparison as buildings, businesses, signs and public activity change. The location is represented through The Barras, Gallowgate, East End, Glasgow, Scotland, UK, G1 5DX. Other connected aspects include visual regulation, everyday life, town-centre economy, documentary photography, high-street commerce, historical comparison, changing land use, retail vacancy, public realm, bricks-and-mortar retail, retail property, customer footfall, before-and-after reference, and compliance notice. Today's wider story includes commercial rents, consumer spending and the practical question of the rapid turnover of shopfronts and trading names. For contemporary context, venue policy and liability are closely related themes, especially where the issue becomes the balance between access, safety and venue responsibility. For place-based research, the image retains the relationship between the subject and its surroundings within 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX. The photograph additionally reflects local character, public-facing notice, archival record, period detail, consumer retail, behavioural signage, historic context, and urban commerce. Details involving Scotland, Gallowgate, Glasgow, and Barras give the scene useful specificity and strengthen its local, cultural or historical identity. For 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes commercial rents and the rapid turnover of shopfronts and trading names in a form that can be compared with future views of 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX. The record includes part of the area's social history for later comparison.
242 Gallowgate, Glasgow, Scotland, UK, G1 5DX
Description
Keywords: GotonySmith,UK,Scotland,city,city centre,HotpixUK,@HotpixUK,stall,G1 5DX,Calton,G1,The Barras,East End,signs,seedy,Glaswegian,covered markets,notorious,Glasgow,green sign,green,signage,World Famous,World Famous Sign,World Famous Barras,sign,world,famous,Scottish,market,markets,history,historic,area,stalls,bargains,bargain,retail,trader,traders
Description: Tony Smith image Alamy 2AAEJ8H - . Made at 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The photograph records World Famous Sign,The Barras, Gallowgate, East End, Glasgow, Scotland, UK, G1 5DX. The frame also contains themes of everyday life, public-facing notice, bricks-and-mortar retail, rule enforcement, place identity, changing land use, retail property, archival record, consumer retail, period detail, local history, commercial frontage, commercial streetscape, and changing streetscape. In the mid-2020s, vacant units and changing footfall keep the subject current, particularly through the shift toward mixed retail, leisure, service and residential centres. The subject remains useful for current coverage of access rules and public safety, not least because of the importance of clear wording in shared public environments. As a piece of social history, the photograph preserves the way the place functioned before later physical or commercial change within the setting of 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX. The surrounding context also covers retail vacancy, before-and-after reference, behavioural signage, historical comparison, site information, operational signage, independent trading, and safety messaging. References to Famous, Scotland, Gallowgate, Glasgow, and World help fix the photograph to its own subject and period rather than reducing it to a generic view. Around 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for vacant units and the rapid turnover of shopfronts and trading names within the real-world context of 242 Gallowgate, Glasgow, Scotland, UK, G1 5DX.
242 Gallowgate, Glasgow, Scotland, UK, G1 5DX
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,The Barras,Markets,G1,G1 5DX,Calton,brick,five story,building,1877,buildings,architecture,city,centre,urban,office,offices,Victorian,history,historic,classic,iconic,built,built 1877,sunny,blue sky,blue skies,windows,window,taxi
Description: Tony Smith image Alamy 2ABJGBC - The Barras is a major street and indoor weekend market in the East End of Glasgow, Scotland. The term barra is Glaswegian dialect for barrow, relating to the market's early years, where traders sold their wares from handcarts. Barrowland is sometimes used to describe the district itself where the market is located, which is actually officially known as Calton.
Because of its location on Gallowgate “ the main thoroughfare from the city centre to Parkhead and Celtic Park, Barrowlands is also notable for its large concentration of public houses and shops devoted to fans of Celtic Football Club. Baird's Bar was one of the best known Celtic-oriented pubs next door to the Barrowland Ballroom building, the bar has since closed down due to violent incidents that have occurred in the premises. The bar is to be reopened as a furniture store.
Glasgow Antiques and Randalls Antique and vintage Center, the Cartwheel and the Square Yard can all be found next to the Squirrel Bar.
242 Gallowgate, Glasgow, Scotland,UK, G1 5DX
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,The Barras,Markets,Gallowgate,G1,G1 5DX,Calton,pub,bar,Sky Sports,sports,football,soccer,green,white,supporters,buildings,architecture,city,centre,urban,pubs,bars,the,Squirrel,celtic,live,sport,music,FC,club
Description: Tony Smith image Alamy 2ABJGBG - The Barras is a major street and indoor weekend market in the East End of Glasgow, Scotland. The term barra is Glaswegian dialect for barrow, relating to the market's early years, where traders sold their wares from handcarts. Barrowland is sometimes used to describe the district itself where the market is located, which is actually officially known as Calton.
Because of its location on Gallowgate “ the main thoroughfare from the city centre to Parkhead and Celtic Park, Barrowlands is also notable for its large concentration of public houses and shops devoted to fans of Celtic Football Club. Baird's Bar was one of the best known Celtic-oriented pubs next door to the Barrowland Ballroom building, the bar has since closed down due to violent incidents that have occurred in the premises. The bar is to be reopened as a furniture store.
Glasgow Antiques and Randalls Antique and vintage Center, the Cartwheel and the Square Yard can all be found next to the Squirrel Bar.
242 Gallowgate, Glasgow, Scotland,UK, G1 5DX
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,The Barras,Markets,Gallowgate,G1,G1 5DX,Calton,bar,pub,supporters,green,white,football,soccer,sports,Catholic,sectarian,live,sport,music,Mick,Paddy,&,and,city,centre,popular,local,Celticbars.com,Celticbars,FC
Description: Tony Smith image Alamy 2ABJGC0 - The Barras is a major street and indoor weekend market in the East End of Glasgow, Scotland. The term barra is Glaswegian dialect for barrow, relating to the market's early years, where traders sold their wares from handcarts. Barrowland is sometimes used to describe the district itself where the market is located, which is actually officially known as Calton.
Because of its location on Gallowgate “ the main thoroughfare from the city centre to Parkhead and Celtic Park, Barrowlands is also notable for its large concentration of public houses and shops devoted to fans of Celtic Football Club. Baird's Bar was one of the best known Celtic-oriented pubs next door to the Barrowland Ballroom building, the bar has since closed down due to violent incidents that have occurred in the premises. The bar is to be reopened as a furniture store.
Glasgow Antiques and Randalls Antique and vintage Center, the Cartwheel and the Square Yard can all be found next to the Squirrel Bar.
242 Gallowgate, Glasgow, Scotland,UK, G1 5DX
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,High St,Tol booth,1626,mechanism,blue,G1,G1 5ES,at,tower,history,historic,monument,monuments,city,centre,structure,old,oldest,building,buildings,in,the,clock,clockface,face,Steeples,landmark,cityscape,skyline
Description: Tony Smith image Alamy 2ABJGCX - Standing at the foot of High Street is the Tolbooth Steeple, built in 1626 at what was the meeting point of the main streets of Glasgow at that time. The Steeple is all that remains of the original Tolbooth buildings which contained the town hall, court and jail. The Tolbooth housed the Glasgow Council Chambers until 1814, when the council sold the Tolbooth building (later demolished in 1921) and moved to Jail Square in the Saltmarket, before eventually moving to the current City Chambers in George Square. The 126-foot-tall (38-metre) steeple, complete with clock mechanism, was repaired in 2008 after cracks were discovered in the structure, along with masonry, lead and guttering improvements. Along with the nearby Tron Theatre, formerly the Tron Kirk built in 1794, the Tolbooth Steeple is one of the oldest buildings in the city.
Glasgow Cross,High Street,Glasgow Cross,Glasgow,Scotland,UK,G1 5ES
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,clock,tower,Protestant church,church,G1,G1 5HB,history,historic,Tron Gate,clocks,of,Our Lady,and,St Anne,Saint Anne,Tron Kirk,Steeple,Tron,city,centre,sunny,blue sky,blue skies,winter,gate,icon,iconic,tourist,tourism,attraction,clocktower
Description: Tony Smith image Alamy 2ABJGDK - The Trongate was one of the areas which was affected by a large fire on 17 June 1652 which destroyed a third of the town and left around 1,000 families homeless. The fire also affected the areas of Saltmarket and Gallowgate.
The Tron church was founded as the Collegiate Church of Our Lady and St Anne in 1525 by James Houston. It became a Protestant church after the Reformation and the tower was added in the late 16th century. The steeple was added in 1628. Most of the building was destroyed by a fire in 1793, only the tower surviving.The current church was built in 1794, separately from the tower. It was substantially redeveloped in the 1980s as the Tron Theatre.
Trongate,Glasgow,Scotland,UK, G1 5HB
Description
Keywords: @HotpixUK,Hotpixuk,GoTonySmith,pano,Scotland,UK,G1 4RJ,clyde river,Broomielaw,G1,roulette,Grosvenor,Casino,boat,waterside,County Clubs,poker,UK Gambling Commission,Loyalty card,When the fun stops,stop,pub,pubs,bar,bars,night,evening,reflection,new,history,historic,incident,gamble,61 Broomielaw,Glasgow,wide,view,image
Description: Tony Smith image Alamy 2AERR5W - . An authentic period view of 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ in 2019, showing a subject whose value extends beyond the immediate scene into local history and changing social context. The view centres on Grosvenor Casino panorama, Glasgow Riverboat,Clyde river, 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ,at dusk,evening. The scene additionally carries associations with local character, towpath landscape, before-and-after reference, community drinking venue, contemporary social history, changing land use, festival bar service, local history, public realm, place identity, historical comparison, inland navigation, boating network, and changing streetscape. From a 2025-onward perspective, the scene also connects with changing drinking habits, pub closures and the survival of community pubs. In the mid-2020s, biodiversity and towpath access keep the subject current, particularly through balancing leisure, ecology and engineering needs. Looking back from the mid-2020s, the frame records the relationship between the subject and its surroundings in the immediate surroundings of 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ. The photograph additionally reflects everyday life, real-ale culture, drinks hospitality, period detail, independent brewing, blue-green infrastructure, community identity, and industrial waterway history. Elements such as Broomielaw, Riverboat, Glasgow, Clyde, and evening add documentary specificity and may become more useful when compared with later records. The surrounding context at 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is changing drinking habits and the economics of beer festivals and licensed venues within the real-world context of 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ. Image 2AERR5W also remains a dated record of 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ.
61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ
Description
Keywords: @HotpixUK,Hotpixuk,GoTonySmith,G1,gambling,roulette,Grosvenor,Casino,61 Broomielaw,Glasgow,Scotland,UK,Riverboat,river boat,boat,waterside,reflections,County Clubs,Grosvenor Clubs,blackjack,poker,UK Gambling Commission,Loyalty card,When the fun stops,stop,illuminated,pub,pubs,bar,bars,night,evening,reflection,new,history,historic,incident,gamble,compliance,regulation
Description: Tony Smith image Alamy 2AERR62 - . An on-location image from 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ in 2019, useful both for the specific subject shown and for the evidence it retains about local identity, design, use and everyday life. The image documents Grosvenor Casino, Glasgow Riverboat,Clyde river, 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ,at dusk,evening. Another layer of the scene includes changing land use, everyday life, brewing heritage, social drinking culture, blue-green infrastructure, managed navigation, community drinking venue, archival record, navigation engineering, beer judging, licensed trade, social history, pub trade, and industrial waterway history. The subject remains useful for current coverage of consumer spending and changing drinking habits, not least because of the tension between heritage drinking culture and changing consumer habits. Today's wider story includes waterside regeneration, flood resilience and the practical question of keeping historic infrastructure safe and operational. For future researchers, the view documents the combination of built form, activity and local identity in the immediate surroundings of 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ. The wider local story also touches on public realm, local character, working waterway, lock-side environment, historical comparison, towpath landscape, British brewing tradition, and before-and-after reference. The combination of Glasgow, Casino, Grosvenor, river, and Scotland anchors the image to a recognisable activity, place or moment. Around 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is consumer spending and the tension between heritage drinking culture and changing consumer habits as part of the longer story of 61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ.
61 Broomielaw, Glasgow, Scotland,UK, G1 4RJ
Description
Keywords: GoTonySmith @HotpixUK,GoTonySmith,@HotpixUK,cafe,UK,wooden,wood,G1,wooden sign,Tinderbox,Glasgow,Scotland,city centre,sign,signs,Hitherto,wooden wood,Tinder,Box,Rwanda,poster,painting,woodwork,pointing,pointer,popular,Tony Smith,Image,problem,issue,issues,with,problems,inside,interior,character
Description: Tony Smith image Alamy PE1J33 - . This descriptive scene preserves the working environment around 120 Ingram St, Glasgow G1 1EJ, UK, as it appeared in 2018. Within that setting the photograph concentrates on Hitherto sign, at Tinderbox, 118 Ingram St, Glasgow, Scotland, UK. The location can also be described in terms of food service, destination economy, food-and-drink business, food culture, hospitality premises, customer service, local tourism, consumer leisure, leisure hospitality, service economy, tourist accommodation, and visitor destination. For present-day editorial use, restaurants and hotels can also illustrate debates about consumer spending and delivery-platform competition, particularly where these affect sustainable tourism. The photograph fixes 120 Ingram St, Glasgow G1 1EJ, UK at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. Beyond the immediate subject, the setting involves visitor economy, leisure venue, local dining, hospitality trade, hospitality employment, tourism economy. The record also refers to Tinderbox coffee, Hitherto sign at Tinderbox. The scene also carries the language of restaurant sector, and catering trade. In the mid-2020s, restaurants and hotels is increasingly discussed through changing visitor patterns and staffing, with attention turning to distinctive visitor experiences. In historical comparison, the image can help trace everyday services, social change, historic fabric, planning and redevelopment, and movement through the area within the surrounding area. The lasting documentary value lies in its record of public access, architecture and streetscape, transport patterns, neighbourhood identity, and ownership or occupation as part of the area's longer social history. The photograph also fixes the character of the setting for retrospective use.
120 Ingram St, Glasgow G1 1EJ, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,ArtDeco,Art-Deco,G1,city,centre,The,Oyster,Bar,11,Pl,1920,traditional,historic,Glasgow,Scotland,UK,G1 3AN,artdeco,olden,days,times,history,heritage,memories,ornate,People Make Glasgow,slogan,stone,buildings,building,classic,classical,proud,imperial
Description: Tony Smith image Alamy 2NWJYDR - . This scene at Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN in 2018 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The image documents The Art Deco Rogano Oyster Bar - Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN. The frame also records themes of traditional ale house, night-time economy, changing land use, public realm, social history, period detail, before-and-after reference, real-ale culture, hospitality economy, beer-led hospitality, licensed hospitality, cask-beer tradition, traditional pub, and documentary photography. From a 2025-onward perspective, consumer spending and pub closures are closely linked to this subject, alongside the continuing appeal of real ale and regional brewing. Future viewers can use this scene from Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN to compare materials and architectural details with whatever follows after new construction. The location also brings in historical comparison, everyday life, visual archive, community drinking venue, contemporary social history, local social venue, changing streetscape, and licensed trade. References to Oyster, Glasgow, Square, Rogano, and Royal give the picture a strong period identity and tie it closely to its named subject. For Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to consumer spending and the survival of pubs as both businesses and informal community spaces without losing the local specificity of Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN.
Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,ArtDeco,Art-Deco,G1,city,centre,The,Oyster,Bar,11,Pl,1920,traditional,historic,Glasgow,Scotland,UK,G1 3AN,artdeco,olden,days,times,history,heritage,memories,ornate,People Make Glasgow,slogan,stone,buildings,building,classic,classical,proud,imperial
Description: Tony Smith image Alamy 2NWJYHA - . Photographed at Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN in 2018, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The frame specifically shows The Art Deco Rogano Oyster Bar - Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN. A broader reading of the photograph includes historical comparison, traditional pub, cask-beer tradition, contemporary social history, beer-led hospitality, changing streetscape, archival record, period detail, regional identity, everyday life, night-time economy, local history, visitor hospitality, and community identity. From a 2025-onward perspective, tourism and business rates are closely linked to this subject, alongside the value of historic pubs to tourism and local identity. For later comparison, the photograph preserves signage and branding at Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN, details that may look very different after refurbishment. The surrounding story also includes local social venue, visual archive, traditional ale house, pub heritage, licensed trade, place identity, licensed hospitality, and local character. The recorded references to Merchant, Place, Exchange, Square, and Rogano preserve clues about how the subject was presented, used or understood at the time. For Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of tourism and pressure on hospitality margins in the mid-2020s as part of the longer story of Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN.
Royal Exchange Square, Merchant City, 11 Exchange Place, Glasgow, Scotland, UK, G1 3AN
Description
Keywords: HotpixUK,GoTonySmith,Glasgow,UK,G1,pink,building,Glaswegian,People Make Glasgow in pink,Strathclyde University,in pink,Glasgow City,Brand,City of Glasgow College building,Met Tower,City of Glasgow,College building,Met,Tower,City of Glasgow College,cityscape,skyline,concrete,buildings,architecture,people,make,slogan,brand,name,brand name,strapline,logo,city,urban,centre,landmark,scottish,strathclyde,university
Description: Tony Smith image Alamy P72D36 - Vivid pink facade of Glasgow's Met Tower carries the enormous People Make Glasgow slogan above the city centre. Photographed beneath a clear blue sky, the grid of dark window panels and magenta cladding creates one of the most recognisable contemporary views on the Glasgow skyline. Rooftop telecommunications equipment, concrete service structures and weathered upper elevations reveal the practical postwar character of the high-rise building.
Standing at 60 North Hanover Street, close to George Square and the University of Strathclyde campus, the tower was completed in 1964 for the former Glasgow College of Building and Printing. It later formed part of Glasgow Metropolitan College and became widely known as the Met Tower. The 14-storey modernist building is Category B listed, reflecting the architectural quality of its design, construction and surviving original features.
The giant People Make Glasgow building wrap was installed in connection with Glasgow's hosting of the 2014 Commonwealth Games. The slogan emerged from a crowd-sourced city-branding exercise intended to express the friendliness, confidence and character of Scotland's largest city. Its simple wording and striking pink presentation became closely associated with Glasgow tourism, civic identity and international promotion.
After the college moved into the City of Glasgow College's newer campus, the tower stood vacant and became the subject of several regeneration proposals. Vita Group acquired the landmark in August 2025 and announced plans to introduce its Union co-living concept, proposing flexible residential accommodation as part of wider efforts to increase the city-cententre population. The photograph records both an important example of Glasgow's mid-century educational architecture and a highly visible piece of civic advertising. Its bold facade links the city's industrial and academic past with modern tourism, redevelopment and the continuing reinvention of central Glasgow
Glasgow Cross,High Street,Glasgow Cross,Glasgow,Scotland,UK,G1 5ES
Description
Keywords: HotpixUK,GoTonySmith,police box,blue,Police,Scotland,City Centre,area,British Broadcasting Corporation,Public Call Box,Glasgow,Merchant City,UK,box,Police box,blue police box,miniature police station,telephone,light,on top,top,light on top,Glasgow police box,Glasgow police boxes,boxes,Civil Defence & Emergency Service Preservation Trust and the Glasgow,Glasgow Building Preservation Trust,Civil Defence & Emergency Service Preservation Trust,architectural heritage,Strathclyde Police,shed,kiosks,kiosk,door,window,public police telephone,Gilbert MacKenzie Trench,G1,blue box,Scottish
Description: Tony Smith image Alamy P72DBN - A police box is a public telephone kiosk or callbox for the use of members of the police, or for members of the public to contact the police. It was used in the United Kingdom throughout the 20th century from the early 1920s. Unlike an ordinary callbox, its telephone was located behind a hinged door so it could be used from the outside, and the interior of the box was, in effect, a miniature police station for use by police officers to read and fill in reports, take meal breaks and even temporarily hold detainees until the arrival of transport.
The TARDIS Time And Relative Dimension In Space is a fictional time machine and spacecraft that appears in the British science fiction television series Doctor Who and its various spin-offs.
The TV show Doctor Who mainly features a single TARDIS used by the central character the Doctor. However, in the series other TARDISes are sometimes seen or used. The Doctor's TARDIS has a number of features peculiar to it, notably due to its age and personality. While other TARDISes have the ability to change their appearance in order to blend in with their surroundings, the chameleon circuit in the Doctor's TARDIS is broken, and it always resembles a police box. However, in the new series, a perception filter is used to blend in with the surroundings so it is often ignored by passersby. While the exterior is of limited size, the TARDIS is much bigger on the inside, containing an apparently infinite number of rooms, corridors and storage spaces within.
Doctor Who has become so much a part of British popular culture that the shape of the police box has become associated with the TARDIS rather than with its real-world inspiration. The name TARDIS is a registered trademark of the British Broadcasting Corporation (BBC). The police box design has also been registered as a trademark by the BBC, despite the design having been created by the Metropolitan Police. The word TARDIS is listed in the Oxford English Dictionary.
Brunswick St, Glasgow, Scotland, UK, G1 1HD
Description
Keywords: HotpixUK,GoTonySmith,police box,blue,Police,Scotland,City Centre,area,British Broadcasting Corporation,Public Call Box,Glasgow,Merchant City,UK,box,Police box,blue police box,miniature police station,telephone,light,on top,top,light on top,Glasgow police box,Glasgow police boxes,boxes,Civil Defence & Emergency Service Preservation Trust and the Glasgow,Glasgow Building Preservation Trust,Civil Defence & Emergency Service Preservation Trust,architectural heritage,Strathclyde Police,shed,kiosks,kiosk,door,window,public police telephone,Gilbert MacKenzie Trench,G1,blue box,Scottish
Description: Tony Smith image Alamy P72DBX - A police box is a public telephone kiosk or callbox for the use of members of the police, or for members of the public to contact the police. It was used in the United Kingdom throughout the 20th century from the early 1920s. Unlike an ordinary callbox, its telephone was located behind a hinged door so it could be used from the outside, and the interior of the box was, in effect, a miniature police station for use by police officers to read and fill in reports, take meal breaks and even temporarily hold detainees until the arrival of transport.
The TARDIS Time And Relative Dimension In Space is a fictional time machine and spacecraft that appears in the British science fiction television series Doctor Who and its various spin-offs.
The TV show Doctor Who mainly features a single TARDIS used by the central character the Doctor. However, in the series other TARDISes are sometimes seen or used. The Doctor's TARDIS has a number of features peculiar to it, notably due to its age and personality. While other TARDISes have the ability to change their appearance in order to blend in with their surroundings, the chameleon circuit in the Doctor's TARDIS is broken, and it always resembles a police box. However, in the new series, a perception filter is used to blend in with the surroundings so it is often ignored by passersby. While the exterior is of limited size, the TARDIS is much bigger on the inside, containing an apparently infinite number of rooms, corridors and storage spaces within.
Doctor Who has become so much a part of British popular culture that the shape of the police box has become associated with the TARDIS rather than with its real-world inspiration. The name TARDIS is a registered trademark of the British Broadcasting Corporation (BBC). The police box design has also been registered as a trademark by the BBC, despite the design having been created by the Metropolitan Police. The word TARDIS is listed in the Oxford English Dictionary.
Brunswick St, Glasgow, Scotland, UK, G1 1HD
Description
Keywords: HotpixUK,GoTonySmith,police box,blue,Police,Scotland,City Centre,area,British Broadcasting Corporation,Public Call Box,Glasgow,Merchant City,UK,box,Police box,blue police box,miniature police station,telephone,light,on top,top,light on top,Glasgow police box,Glasgow police boxes,boxes,Civil Defence & Emergency Service Preservation Trust and the Glasgow,Glasgow Building Preservation Trust,Civil Defence & Emergency Service Preservation Trust,architectural heritage,Strathclyde Police,shed,kiosks,kiosk,door,window,public police telephone,Gilbert MacKenzie Trench,G1,blue box,Scottish
Description: Tony Smith image Alamy P72DHC - A police box is a public telephone kiosk or callbox for the use of members of the police, or for members of the public to contact the police. It was used in the United Kingdom throughout the 20th century from the early 1920s. Unlike an ordinary callbox, its telephone was located behind a hinged door so it could be used from the outside, and the interior of the box was, in effect, a miniature police station for use by police officers to read and fill in reports, take meal breaks and even temporarily hold detainees until the arrival of transport.
The TARDIS Time And Relative Dimension In Space is a fictional time machine and spacecraft that appears in the British science fiction television series Doctor Who and its various spin-offs.
The TV show Doctor Who mainly features a single TARDIS used by the central character the Doctor. However, in the series other TARDISes are sometimes seen or used. The Doctor's TARDIS has a number of features peculiar to it, notably due to its age and personality. While other TARDISes have the ability to change their appearance in order to blend in with their surroundings, the chameleon circuit in the Doctor's TARDIS is broken, and it always resembles a police box. However, in the new series, a perception filter is used to blend in with the surroundings so it is often ignored by passersby. While the exterior is of limited size, the TARDIS is much bigger on the inside, containing an apparently infinite number of rooms, corridors and storage spaces within.
Doctor Who has become so much a part of British popular culture that the shape of the police box has become associated with the TARDIS rather than with its real-world inspiration. The name TARDIS is a registered trademark of the British Broadcasting Corporation (BBC). The police box design has also been registered as a trademark by the BBC, despite the design having been created by the Metropolitan Police. The word TARDIS is listed in the Oxford English Dictionary.
Brunswick St, Glasgow, Scotland, UK, G1 1HD
Description
Keywords: style,Glasgow Queen St,Scotland,gotonysmith,grafitti,art,vandelism,UK,walking,walks,a,dog street art,Banksy,G1,Queen Street,Glasgow,G1 3DD,yard,alley,alleyway,back entry,boy,dog,stencil,stencils,walk,pasteup,paste up,hoodie,youth,young,adolescent,adolescents,threat,threatening,stencilled
Description: Tony Smith image Alamy HKHW5J - . Photographed at Queen Street, Glasgow, Scotland, UK, G1 3DD in 2017, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The image documents Boy walking his dog stencil, Queen Street, Glasgow, Scotland, UK, G1 3DD. The image also relates to documentary photography, archival record, public art, community art, community identity, street-level design, everyday life, local character, public realm, regional identity, before-and-after reference, visual archive, local history, and period detail. For current editorial use, tourism and regeneration provide additional context, especially through the role of murals and stencils in giving creative districts a distinctive identity. The archival value lies partly in recording landscape treatment and surrounding development around Queen Street, Glasgow, Scotland, UK, G1 3DD before conservation work alters the character of the place. The wider setting retains connections with urban graphics, contemporary mural, public-realm art, contemporary social history, graffiti heritage, changing streetscape, place identity, and social history. References to Queen, walking, stencil, Scotland, and Glasgow give the picture a strong period identity and tie it closely to its named subject. The wider setting at Queen Street, Glasgow, Scotland, UK, G1 3DD matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is tourism and how temporary street art can become an important record of neighbourhood culture within the real-world context of Queen Street, Glasgow, Scotland, UK, G1 3DD. The scene further reflects regeneration and how temporary street art can become an important record of neighbourhood culture within the specific setting of Queen Street, Glasgow, Scotland, UK, G1 3DD.
Queen Street, Glasgow, Scotland, UK, G1 3DD
Description
Keywords: style,Glasgow Queen St,Scotland,gotonysmith,grafitti,art,vandelism,UK,walking,walks,a,dog street art,Banksy,G1,Queen Street,Glasgow,G1 3DD,yard,alley,alleyway,back entry,boy,dog,stencil,stencils,walk,pasteup,paste up,hoodie,youth,young,adolescent,adolescents,threat,threatening,stencilled,Hip-Hop,HipHop
Description: Tony Smith image Alamy HKHW64 - . Made at Queen Street, Glasgow, Scotland, UK, G1 3DD in 2017, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Boy walking his dog stencil, Queen Street, Glasgow, Scotland, UK, G1 3DD. Another layer of the photograph includes local history, visual archive, everyday life, temporary artwork, street creativity, visual street culture, changing land use, local character, public art, period detail, mural culture, street-level design, documentary photography, and community art. The wider contemporary story combines local identity, temporary works and the role of murals and stencils in giving creative districts a distinctive identity. For later comparison, the photograph preserves equipment and working practice at Queen Street, Glasgow, Scotland, UK, G1 3DD, details that may look very different after replacement signage. Further associations within the scene are community identity, archival record, public realm, social history, before-and-after reference, graffiti heritage, regional identity, and historical comparison. The combination of Scotland, walking, stencil, Queen, and Glasgow anchors the frame to a recognisable activity, place or moment. Around Queen Street, Glasgow, Scotland, UK, G1 3DD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is local identity and the blurred boundary between commissioned public art and unsanctioned graffiti as part of the longer story of Queen Street, Glasgow, Scotland, UK, G1 3DD. The setting also helps illustrate regeneration and the role of murals and stencils in giving creative districts a distinctive identity when considered against later change at Queen Street, Glasgow, Scotland, UK, G1 3DD.
Queen Street, Glasgow, Scotland, UK, G1 3DD
Description
Keywords: gotonysmith,window,Pandas,front,painting,hoarding,Empty,Empty shop,shops,Empty Shops,UK,shop,street art,streetart,high street,retail,retailing,interesting,high streets,Queen St,Glasgow,Scotland,G1 3EF,Queen Street,empty,unit,store,G1,eating,eats,bamboo,monkey,cafe,restaurant,painted,art
Description: Tony Smith image Alamy HKHW6F - . This dated editorial view of Queen St, Glasgow, Scotland, UK, G1 3EF in 2017 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on Panda and monkey eating, drawn on shop front, Queen Street, Glasgow, Scotland, UK, G1 3EF. Other connected aspects include contemporary social history, shopfront economy, high-street commerce, archival record, changing streetscape, regional identity, everyday life, independent retail, community identity, specialist retailer, place identity, historical comparison, customer footfall, and local enterprise. The modern context includes continuing discussion of store closures, consumer spending and how consumer spending and property costs shape local commercial streets. Future viewers can use this scene from Queen St, Glasgow, Scotland, UK, G1 3EF to compare period objects and surrounding context with whatever follows after refurbishment. The location also brings in changing land use, town-centre economy, documentary photography, local trading, before-and-after reference, retail property, street-level business, and commercial frontage. The recorded references to monkey, drawn, Glasgow, Panda, and Queen preserve clues about how the subject was presented, used or understood at the time. The wider setting at Queen St, Glasgow, Scotland, UK, G1 3EF matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is store closures and how consumer spending and property costs shape local commercial streets in a form that can be compared with future views of Queen St, Glasgow, Scotland, UK, G1 3EF. The setting also helps illustrate town-centre regeneration and how consumer spending and property costs shape local commercial streets within the real-world context of Queen St, Glasgow, Scotland, UK, G1 3EF.
Queen St, Glasgow, Scotland, UK, G1 3EF
Description
Keywords: gotonysmith,window,Pandas,front,painting,hoarding,Empty,Empty shop,shops,Empty Shops,UK,shop,street art,streetart,high street,retail,retailing,interesting,high streets,Queen St,Glasgow,Scotland,G1 3EF,Queen Street,empty,unit,store,G1,eating,eats,bamboo,monkey,cafe,restaurant,painted,art
Description: Tony Smith image Alamy HKHW6W - . This scene at Queen St, Glasgow, Scotland, UK, G1 3EF in 2017 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is Panda and monkey eating, drawn on shop front, Queen Street, Glasgow, Scotland, UK, G1 3EF. The wider scene also brings together changing streetscape, period detail, bricks-and-mortar retail, small business, local character, commercial streetscape, local trading, local enterprise, documentary photography, shopfront economy, customer footfall, historical comparison, independent retail, and public realm. From a 2025-onward perspective, independent business and commercial rents are closely linked to this subject, alongside the role of small retailers in maintaining active town centres. As a dated visual record of Queen St, Glasgow, Scotland, UK, G1 3EF, the frame retains street furniture and boundaries, making it especially useful if refurbishment subsequently changes the scene. Further associations within the scene are community identity, street-level business, visual archive, retail property, town-centre economy, high-street commerce, everyday life, and place identity. The combination of Glasgow, front, Queen, Panda, and drawn anchors the frame to a recognisable activity, place or moment. By fixing the subject within Queen St, Glasgow, Scotland, UK, G1 3EF, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of independent business and the role of small retailers in maintaining active town centres in a form that can be compared with future views of Queen St, Glasgow, Scotland, UK, G1 3EF. A further contemporary connection is commercial rents and the role of small retailers in maintaining active town centres within the real-world context of Queen St, Glasgow, Scotland, UK, G1 3EF.
Queen St, Glasgow, Scotland, UK, G1 3EF
Description
Keywords: Scotland,gotonysmith,hair,super,hands,retails,city centre,traditional,traditional barbers,barbers art,graffiti,entrance,door,doorway,distinctive,Queen Street,Queen St,trim,shave,shaving,shaves,window,windows,front,exterior,outside,Super,Hands,5 Miller Street,Glasgow,G1 1EA,G1,5,Miller St,hand,finger,fingers,image
Description: Tony Smith image Alamy HKHW74 - . This location-specific image from the recorded location in 2017 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The location is represented through Superhands Barber Shop, Queen St,Glasgow, Scotland / 5 Miller St, Glasgow G1 1EA. The subject also carries associations with local character, bricks-and-mortar retail, period detail, street-level business, everyday life, public realm, commercial streetscape, local history, changing streetscape, contemporary social history, retail property, specialist retailer, before-and-after reference, and historical comparison. In present-day coverage, the subject reaches into online shopping and independent business, not least because of how shopfronts become short-lived records of changing businesses and branding. The archival value lies partly in recording transport arrangements and footfall around the recorded location before later reinterpretation alters the character of the place. The subject also sits alongside changing land use, place identity, small business, regional identity, local enterprise, archival record, commercial frontage, and independent retail. The combination of Glasgow, Miller, Scotland, Queen, and Barber anchors the frame to a recognisable activity, place or moment. Even without a fuller street location, image HKHW74 preserves the period presentation of Superhands Barber Shop, Queen St,Glasgow, Scotland / 5 Miller St, Glasgow G1 1EA, giving later viewers a fixed documentary point for comparison. Its period value extends to online shopping and the resilience of independent shops in an online retail economy within the specific setting of the recorded location. The location additionally provides evidence of footfall and how consumer spending and property costs shape local commercial streets as part of the longer story of the recorded location. The scene captures evidence of changing use for later comparison.
Description
Keywords: Glasgow,city,centre,gotonysmith,stairs,arts,artscentre,center,11,Mitchell Ln,Scotland,UK,G1 3NU,G1,the,building,architecture,stair,spiral,Glasgow City Council,GCG,Centre for Design and Architecture,Scotlands,offices,Glasgow Herald newspaper.,trust,Mackintosh Tower,tower,helical,tourist,attraction,tourism,view,viewpoint,1895,architect Charles Rennie Mackintosh
Description: Tony Smith image Alamy HKHWCP - The Lighthouse in Glasgow is Scotland's Centre for Design and Architecture. It was opened as part of Glasgow's status as the UK City of Architecture and Design in 1999.
The Lighthouse is the renamed conversion of the former offices of the Glasgow Herald newspaper. Completed in 1895, it was designed by the architect Charles Rennie Mackintosh. The centre's vision is to develop the links between design, architecture, and the creative industries, seeing these as interconnected social, educational, economic and cultural issues of concern to everyone.
The Lighthouse today
The Lighthouse Trust went into administration in August 2009. At its peak the Lighthouse Trust employed around 90 staff. Its directors moved on: Nick Barley became director of the Edinburgh International Book Festival. Following a substantial redundancy programme the remaining staff were transferred to Architecture and Design Scotland (A+DS) and Glasgow City Council (GCC). The Lighthouse building remains in the ownership of Glasgow City Council, which has made financial provision to meet the costs of operating the centre, re-establishing it as Scotland's National Centre for Architecture and Design
11 Mitchell Ln, Glasgow, Scotland, UK, G1 3NU
Description
Keywords: Glasgow,city,centre,gotonysmith,stairs,arts,artscentre,center,11,Mitchell Ln,Scotland,UK,G1 3NU,G1,the,building,architecture,stair,spiral,Glasgow City Council,GCG,Centre for Design and Architecture,Scotlands,offices,Glasgow Herald newspaper.,trust,Mackintosh Tower,tower,helical,tourist,attraction,tourism,view,viewpoint,1895,architect Charles Rennie Mackintosh
Description: Tony Smith image Alamy HKHWDA - The Lighthouse in Glasgow is Scotland's Centre for Design and Architecture. It was opened as part of Glasgow's status as the UK City of Architecture and Design in 1999.
The Lighthouse is the renamed conversion of the former offices of the Glasgow Herald newspaper. Completed in 1895, it was designed by the architect Charles Rennie Mackintosh. The centre's vision is to develop the links between design, architecture, and the creative industries, seeing these as interconnected social, educational, economic and cultural issues of concern to everyone.
The Lighthouse today
The Lighthouse Trust went into administration in August 2009. At its peak the Lighthouse Trust employed around 90 staff. Its directors moved on: Nick Barley became director of the Edinburgh International Book Festival. Following a substantial redundancy programme the remaining staff were transferred to Architecture and Design Scotland (A+DS) and Glasgow City Council (GCC). The Lighthouse building remains in the ownership of Glasgow City Council, which has made financial provision to meet the costs of operating the centre, re-establishing it as Scotland's National Centre for Architecture and Design
11 Mitchell Ln, Glasgow, Scotland, UK, G1 3NU
Description
Keywords: Glasgow,city,centre,gotonysmith,stairs,arts,artscentre,center,11,Mitchell Ln,Scotland,UK,G1 3NU,G1,the,building,architecture,stair,spiral,Glasgow City Council,GCG,Centre for Design and Architecture,Scotlands,offices,Glasgow Herald newspaper.,trust,Mackintosh Tower,tower,helical,tourist,attraction,tourism,view,viewpoint,1895,architect Charles Rennie Mackintosh
Description: Tony Smith image Alamy HKHWDN - The Lighthouse in Glasgow is Scotland's Centre for Design and Architecture. It was opened as part of Glasgow's status as the UK City of Architecture and Design in 1999.
The Lighthouse is the renamed conversion of the former offices of the Glasgow Herald newspaper. Completed in 1895, it was designed by the architect Charles Rennie Mackintosh. The centre's vision is to develop the links between design, architecture, and the creative industries, seeing these as interconnected social, educational, economic and cultural issues of concern to everyone.
The Lighthouse today
The Lighthouse Trust went into administration in August 2009. At its peak the Lighthouse Trust employed around 90 staff. Its directors moved on: Nick Barley became director of the Edinburgh International Book Festival. Following a substantial redundancy programme the remaining staff were transferred to Architecture and Design Scotland (A+DS) and Glasgow City Council (GCC). The Lighthouse building remains in the ownership of Glasgow City Council, which has made financial provision to meet the costs of operating the centre, re-establishing it as Scotland's National Centre for Architecture and Design
11 Mitchell Ln, Glasgow, Scotland, UK, G1 3NU
Description
Keywords: kilts,clothing,wedding,Scottish Wedding,tourist,retail,shop,tourism,wear,wearing,sign,shop,G1,wearing a kilt,Buchanan St,Buchanan Street,Scottish Clothing,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ666 - . Photographed at 110 Buchanan St, Glasgow,Scotland,UK G1 2RN in 2016, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The defining feature is Hector Russell Kiltmaker, 110 Buchanan St, Glasgow,Scotland,UK G1 2RN. The subject also carries associations with documentary photography, place identity, bus route infrastructure, bus infrastructure, passenger transport, public transport stop, street-side transport, roadside transit, visual archive, changing streetscape, public realm, roadside stop, before-and-after reference, and archival record. From a 2025-onward perspective, local connectivity and passenger information are closely linked to this subject, alongside the challenge of maintaining reliable services outside dense city centres. The image fixes signage and branding within 110 Buchanan St, Glasgow,Scotland,UK G1 2RN at one identifiable point, providing a benchmark against changed technology. The surrounding story also includes historical comparison, surface public transport, public transport information, contemporary social history, regional identity, community identity, changing land use, and social history. References to Kiltmaker, Hector, Scotland, Russell, and Glasgow give the picture a strong period identity and tie it closely to its named subject. Around 110 Buchanan St, Glasgow,Scotland,UK G1 2RN, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The location additionally provides evidence of local connectivity and the challenge of maintaining reliable services outside dense city centres when considered against later change at 110 Buchanan St, Glasgow,Scotland,UK G1 2RN. A further contemporary connection is local connectivity and the shift toward cleaner buses and integrated ticketing without losing the local specificity of 110 Buchanan St, Glasgow,Scotland,UK G1 2RN.
110 Buchanan St, Glasgow,Scotland,UK G1 2RN
Description
Keywords: Caledonian,railway,Caledonian railway,names,to the honoured memory of the men,served,the railways,in memoriam,sacrificed,their,lives,Glasgow Central,Great War,Glaswegian,Glaswegians,G1,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ66C - Inscription:
To the honoured memory of the men of the Caledonian Railway who gave their lives for their country in the Great War 1914 - 1918
Adam, Harry Alexander, David Alexander, John Allan, Matthew Allison, George Anderson, John Anderson, John Anderson, Thomas Anderson, Thomas Anderson, William Archibald, Geo. Archibald, John Archibald, Robert Baillie, John Baird, William Bairden, Andrew Ballantyne W. G. Ballentine, Jas. Barclay, Geo. Barclay, Robert Barker, Herbert R. Barnes, Douglas Barnes, John Barnes, John Barr, William Barron, John Bateman, Henry Beaton, John Begg, William Pollock Bell, John W. Bell, Robert Bell, Thomas Black, Francis A. Black, Henry Blair, Jas. McLay Blair, John A. Blythman, Charles Borland, Henry Borthwick, Hugh Boyd, Hugh Boyd, Robert S. Boyle, John Boyle, John Boyle, Patrick Boyle, Peter Boyles, Charles Braid, George Briggs, Wiliam C. Brodie, Thomas R. Brodie, William Brooks, Robert Brough, Alfred Brown, Charles Brown, Donald Brown, George Brown, Hugh Brown, James Brown, James Brown, Thomas Brown, Thomas Brown, William Brown, William J. Brownlie, John Bruce, Robert Buchanan, Jas. Buchanan, John Buchanan, Lauchlan Budd, James Buick, William Burnett, Geo. Burnett, Gladstone Burns, David Burrell, Adam Butchart, William Cairney, William Cairns, William Calderwood, William Cameron, Peter Cameron, Robert Cameron, Roderick Campbell, Jas. Campbell, Jas. Campbell, John Campbell, John Campbell, John Campbell, John K. Campbell, Matthew J. Campbell, Samuel Campbell, William Campbell, William S. Cargill, Daniel Cartner, John Casey, Bernard Cation, Thomas Chalmers, Archibald Chapman, John Cherry, Thomas Chilcott, Edward Christie, Jas. Church, Robert Clapperton, John Clark, Alexander Clark, James Clark, John B. Clark, Robert Cleghorn, Herbert S. Clink, John Cloughley, David Coates, Alexander Cogan, John Colquhoun, Archibald Colvin, James Connell, Hugh Connor, John J. Cooper, Hubert Couper, Thomas S. Cowan, Alexander Cowan, and others....
Glasgow Central Station, Gordon Street, Glasgow, G1 3SL, Scotland,UK
Description
Keywords: Caledonian,railway,Caledonian railway,names,to the honoured memory of the men,served,the railways,in memoriam,sacrificed,their,lives,Glasgow Central,Great War,Glaswegian,Glaswegians,G1,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ66R - Inscription:
To the honoured memory of the men of the Caledonian Railway who gave their lives for their country in the Great War 1914 - 1918
Adam, Harry Alexander, David Alexander, John Allan, Matthew Allison, George Anderson, John Anderson, John Anderson, Thomas Anderson, Thomas Anderson, William Archibald, Geo. Archibald, John Archibald, Robert Baillie, John Baird, William Bairden, Andrew Ballantyne W. G. Ballentine, Jas. Barclay, Geo. Barclay, Robert Barker, Herbert R. Barnes, Douglas Barnes, John Barnes, John Barr, William Barron, John Bateman, Henry Beaton, John Begg, William Pollock Bell, John W. Bell, Robert Bell, Thomas Black, Francis A. Black, Henry Blair, Jas. McLay Blair, John A. Blythman, Charles Borland, Henry Borthwick, Hugh Boyd, Hugh Boyd, Robert S. Boyle, John Boyle, John Boyle, Patrick Boyle, Peter Boyles, Charles Braid, George Briggs, Wiliam C. Brodie, Thomas R. Brodie, William Brooks, Robert Brough, Alfred Brown, Charles Brown, Donald Brown, George Brown, Hugh Brown, James Brown, James Brown, Thomas Brown, Thomas Brown, William Brown, William J. Brownlie, John Bruce, Robert Buchanan, Jas. Buchanan, John Buchanan, Lauchlan Budd, James Buick, William Burnett, Geo. Burnett, Gladstone Burns, David Burrell, Adam Butchart, William Cairney, William Cairns, William Calderwood, William Cameron, Peter Cameron, Robert Cameron, Roderick Campbell, Jas. Campbell, Jas. Campbell, John Campbell, John Campbell, John Campbell, John K. Campbell, Matthew J. Campbell, Samuel Campbell, William Campbell, William S. Cargill, Daniel Cartner, John Casey, Bernard Cation, Thomas Chalmers, Archibald Chapman, John Cherry, Thomas Chilcott, Edward Christie, Jas. Church, Robert Clapperton, John Clark, Alexander Clark, James Clark, John B. Clark, Robert Cleghorn, Herbert S. Clink, John Cloughley, David Coates, Alexander Cogan, John Colquhoun, Archibald Colvin, James Connell, Hugh Connor, John J. Cooper, Hubert Couper, Thomas S. Cowan, Alexander Cowan, and others....
Glasgow Central Station, Gordon Street, Glasgow, G1 3SL, Scotland,UK
Description
Keywords: dusk,T,Tennant,Tennant sign,redT,Tennent,Tennents,pub,pubs,bars,dark,dingy,dangerous,Scotland,UK,Glasgow,city,centre,city centre,G1,Glassford,St,red T,The Steps Bar,Steps Bar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ5PH - . A grounded documentary photograph made at 62 Glassford St, Glasgow, Scotland, UK G1 1UP in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The principal subject is The steps Bar at night,Glasgow city centre,Scotland,UK. The frame also records themes of passenger transport, local character, bus infrastructure, everyday life, street-side transport, changing land use, local bus network, bus route infrastructure, before-and-after reference, roadside transit, historical comparison, social history, roadside stop, and local history. Today's relevance is strengthened by integrated transport, local connectivity and the continuing question of the challenge of maintaining reliable services outside dense city centres. As a dated visual record of 62 Glassford St, Glasgow, Scotland, UK G1 1UP, the frame retains commercial use and occupation, making it especially useful if refurbishment subsequently changes the scene. The surrounding story also includes public transport information, community identity, period detail, changing streetscape, visual archive, documentary photography, local mobility, and regional identity. Elements such as steps, Glasgow, centre, Scotland, and night add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within 62 Glassford St, Glasgow, Scotland, UK G1 1UP, the image preserves more than the headline object or building: it records part of the locality's everyday history. A further contemporary connection is integrated transport and the challenge of maintaining reliable services outside dense city centres without losing the local specificity of 62 Glassford St, Glasgow, Scotland, UK G1 1UP. The period view preserves a point of historical comparison for later comparison. The view records part of the area's social history within the wider story of 62 Glassford St, Glasgow, Scotland, UK G1 1UP.
62 Glassford St, Glasgow, Scotland, UK G1 1UP
Description
Keywords: City Centre,office,building,architecture,G1,30,St Vincent,Pl,place,Victorian,old,Bank,Chambers,chamber,PLC,headquarter,office,banking,money,licence,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ5Y2 - . This location-specific image from 30 St Vincent Pl, Glasgow, Glasgow, Scotland G1 2HL in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The image documents Clydesdale Bank Chambers at Night,Glasgow,near George Square, Scotland, UK. The wider scene also brings together changing land use, social history, local mobility, historical comparison, place identity, passenger transport, documentary photography, visual archive, roadside transit, public transport stop, transport accessibility, bus infrastructure, everyday life, and public realm. Viewed from the mid-2020s, the subject also connects with decarbonisation, reliability and the shift toward cleaner buses and integrated ticketing. Small period details of local activity and public use at 30 St Vincent Pl, Glasgow, Glasgow, Scotland G1 2HL may become more significant with time, particularly following conservation work. Further associations within the scene are regional identity, surface public transport, local history, street-side transport, local character, changing streetscape, contemporary social history, and roadside stop. References to Night, George, Clydesdale, Glasgow, and Scotland give the picture a strong period identity and tie it closely to its named subject. A later view of 30 St Vincent Pl, Glasgow, Glasgow, Scotland G1 2HL may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to decarbonisation and the challenge of maintaining reliable services outside dense city centres as part of the longer story of 30 St Vincent Pl, Glasgow, Glasgow, Scotland G1 2HL. The location additionally provides evidence of rural transport and the shift toward cleaner buses and integrated ticketing when considered against later change at 30 St Vincent Pl, Glasgow, Glasgow, Scotland G1 2HL.
30 St Vincent Pl, Glasgow, Glasgow, Scotland G1 2HL
Description
Keywords: City,Centre,art,design,neon,sign,Glasgow,Scotland,UK,culture,architecture,G1,3NU,ln,tourist,tourism,travel,location,destination,designer,green,Neon Sign,The Lighthouse,Mitchell Lane,G1 3NU,Green Neon,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Charles Rennie Mackintosh,Rennie Mackintosh,Glasgow School,The Glasgow School
Description: Tony Smith image Alamy H9PM2X - . Recorded at 11 Mitchell Lane, Glasgow G1 3NU in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The subject captured here is Mackintosh Legacy,The lighthouse art gallery, Glasgow, Scotland,UK. The wider scene also brings together everyday life, adaptive reuse, changing land use, archival record, public realm, built heritage, conservation interest, conservation architecture, changing streetscape, period architecture, social history, period detail, architectural detail, and before-and-after reference. Today's relevance is strengthened by energy retrofit, tourism and the continuing question of the balance between conservation, retrofit and modern accessibility. Future viewers can use this scene from 11 Mitchell Lane, Glasgow G1 3NU to compare equipment and working practice with whatever follows after refurbishment. Other useful contextual ideas include heritage landmark, period building, historic streetscape, visual archive, community identity, historical comparison, place identity, and local character. The recorded references to Mackintosh, lighthouse, Scotland, gallery, and Glasgow preserve clues about how the subject was presented, used or understood at the time. The wider setting at 11 Mitchell Lane, Glasgow G1 3NU matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes energy retrofit and the balance between conservation, retrofit and modern accessibility when considered against later change at 11 Mitchell Lane, Glasgow G1 3NU. Another strand within the photograph is heritage conservation and the value of architectural landmarks to local identity and tourism without losing the local specificity of 11 Mitchell Lane, Glasgow G1 3NU. The period view preserves a point of historical comparison before later change alters the scene.
11 Mitchell Lane, Glasgow G1 3NU
Description
Keywords: City,Centre,art,design,neon,sign,Glasgow,Scotland,UK,culture,architecture,G1,3NU,ln,tourist,tourism,travel,location,destination,designer,looking,up,Neon Sign,The Lighthouse,Mitchell Lane,G1 3NU,looking up,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Charles Rennie Mackintosh,Rennie Mackintosh,Glasgow School,The Glasgow School
Description: Tony Smith image Alamy H9PM2Y - . This authentic period view of 11 Mitchell Lane, Glasgow G1 3NU in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The principal subject is Mackintosh Legacy,The lighthouse art gallery, Glasgow, Scotland,UK - looking up. The broader subject matter reaches into visual archive, local character, architectural detail, regional identity, architectural character, period architecture, archival record, everyday life, historic streetscape, changing streetscape, community identity, documentary photography, public realm, and heritage landmark. Viewed from the mid-2020s, the subject also connects with redevelopment pressure, tourism and the value of architectural landmarks to local identity and tourism. As a dated visual record of 11 Mitchell Lane, Glasgow G1 3NU, the frame retains period objects and surrounding context, making it especially useful if later reinterpretation subsequently changes the scene. Further associations within the scene are conservation interest, place identity, heritage asset, social history, adaptive reuse, historic townscape, conservation architecture, and urban fabric. Elements such as Glasgow, lighthouse, gallery, looking, and Scotland add documentary specificity and may become increasingly useful when compared with later records. The wider setting at 11 Mitchell Lane, Glasgow G1 3NU matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to redevelopment pressure and the value of architectural landmarks to local identity and tourism within the real-world context of 11 Mitchell Lane, Glasgow G1 3NU. The location additionally provides evidence of adaptive reuse and how historic buildings acquire new uses as cities change within the specific setting of 11 Mitchell Lane, Glasgow G1 3NU.
11 Mitchell Lane, Glasgow G1 3NU
Description
Keywords: City,Centre,art,design,neon,sign,Glasgow,Scotland,UK,culture,architecture,G1,3NU,ln,tourist,tourism,travel,location,destination,designer,blue,Neon Sign,The Lighthouse,Mitchell Lane,G1 3NU,blue neon,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Charles Rennie Mackintosh,Rennie Mackintosh,Glasgow School,The Glasgow School
Description: Tony Smith image Alamy H9PM33 - . An on-location photograph from 11 Mitchell Lane, Glasgow G1 3NU in 2016, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The scene records Mackintosh Legacy,The lighthouse art gallery, Glasgow, Scotland,UK. Another layer of the photograph includes before-and-after reference, local story.htm Target=_Blank>history, cityscape history, everyday life, historic townscape, archival record, community identity, period architecture, heritage asset, historical comparison, social history, built heritage, conservation interest, and period building. For current editorial use, maintenance and heritage conservation provide additional context, especially through keeping older buildings useful without erasing their distinctive character. The image fixes local activity and public use within 11 Mitchell Lane, Glasgow G1 3NU at one identifiable point, providing a benchmark against new construction. The location also brings in historic streetscape, visual archive, urban fabric, contemporary social history, changing streetscape, public realm, changing land use, and heritage landmark. The recorded references to lighthouse, Glasgow, Legacy, Mackintosh, and Scotland preserve clues about how the subject was presented, used or understood at the time. The period setting at 11 Mitchell Lane, Glasgow G1 3NU helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to maintenance and keeping older buildings useful without erasing their distinctive character within the specific setting of 11 Mitchell Lane, Glasgow G1 3NU. The location additionally provides evidence of maintenance and the value of architectural landmarks to local identity and tourism as part of the longer story of 11 Mitchell Lane, Glasgow G1 3NU. The record includes a local visual benchmark as part of 11 Mitchell Lane, Glasgow G1 3NU's history.
11 Mitchell Lane, Glasgow G1 3NU
Description
Keywords: City,Centre,art,design,neon,sign,Glasgow,Scotland,UK,culture,architecture,G1,3NU,ln,tourist,tourism,travel,location,destination,designer,blue,Glaswegian,Neon Sign,The Lighthouse,Mitchell Lane,G1 3NU,blue neon,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Charles Rennie Mackintosh,Rennie Mackintosh,Glasgow School,The Glasgow School
Description: Tony Smith image Alamy H9PM34 - . Made at 11 Mitchell Lane, Glasgow G1 3NU in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Mackintosh Legacy,The lighthouse art gallery, Glasgow, Scotland,UK. The locality and subject together evoke architectural character, heritage landmark, conservation architecture, period detail, local character, documentary photography, changing land use, historic townscape, everyday life, contemporary social history, built heritage, conservation interest, place identity, and changing streetscape. Today's relevance is strengthened by adaptive reuse, maintenance and the continuing question of how historic buildings acquire new uses as cities change. For later comparison, the photograph preserves public access and movement at 11 Mitchell Lane, Glasgow G1 3NU, details that may look very different after changed technology. The surrounding story also includes architectural detail, period building, regional identity, before-and-after reference, archival record, local history, community identity, and urban fabric. Elements such as Mackintosh, Glasgow, Legacy, Scotland, and gallery add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within 11 Mitchell Lane, Glasgow G1 3NU, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for adaptive reuse and how historic buildings acquire new uses as cities change when considered against later change at 11 Mitchell Lane, Glasgow G1 3NU. Another useful connection is heritage conservation and how historic buildings acquire new uses as cities change without losing the local specificity of 11 Mitchell Lane, Glasgow G1 3NU. Image H9PM34 also remains a dated record of 11 Mitchell Lane, Glasgow G1 3NU.
11 Mitchell Lane, Glasgow G1 3NU
Description
Keywords: trains,traveler,journey,traveller,travelers,infrasructure,infrastructure,Network,transit,TOC,privatised,public,ownership,public,building,Victorian,platform,Scotrail,City,Centre,Glasgow Central,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scotland,Street,Glasgow,G1,3SL,at,dusk,evening,red,lights,dawn,travel,tourism,delay,Virgin,trains,WCML,Virgin,trains,WCML,West,Coast,Main,Line,Intercity,Inter-City,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Gordon St,G1 3SL,Gordon Street,Gordon St,Platform passengers,In The Evening,On the platform,Dawn Train,Network Rail,Virgin Trains,Virgin Trains,Main Line
Description: Tony Smith image Alamy H9PM3E - . This authentic period view of Gordon St, Glasgow G1 3SL in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The frame specifically shows Glasgow Central Station - Passengers waiting on concourse. A broader reading of the photograph includes local mobility, changing land use, before-and-after reference, street-side transport, community identity, transport accessibility, public transport information, social history, place identity, visual archive, local history, contemporary social history, regional identity, and local character. For current editorial use, reliability and rural transport provide additional context, especially through the importance of bus stops as the physical interface between passengers and public transport. Future viewers can use this scene from Gordon St, Glasgow G1 3SL to compare street furniture and boundaries with whatever follows after changing commercial priorities. The surrounding story also includes archival record, public transport stop, period detail, changing streetscape, bus route infrastructure, everyday life, local bus network, and surface public transport. The combination of concourse, waiting, Central, Glasgow, and Passengers anchors the frame to a recognisable activity, place or moment. By fixing the subject within Gordon St, Glasgow G1 3SL, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate reliability and the importance of bus stops as the physical interface between passengers and public transport within the specific setting of Gordon St, Glasgow G1 3SL. The image also provides a reference for rural transport and how local bus services affect access to work, education and healthcare as part of the longer story of Gordon St, Glasgow G1 3SL. Image H9PM3E also remains a dated record of Gordon St, Glasgow G1 3SL.
Gordon St, Glasgow G1 3SL
Description
Keywords: Princes,sq,Square,Glasgow,City,Scotland,UK,old,building,buildings,stone,architecture,retail,shopping,shops,november,Buy Pictures of,Buy Images Of,GoTonySmith,restaurant,buzzys,banners,glasswork,inside,frontage,Street,Sq,Sq.,40-48,Buchanan,Strathclyde,3JX,G1,to,Queen,glass,facade,interior,space
Description: Tony Smith image Alamy DG38WF - . Princes Square, Glasgow City, Scotland, UK. Photographed at Princes Square, Glasgow, Scotland, UK. The photograph was taken on 29 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The interior viewpoint records fittings, surfaces, decoration and spatial details that help show how the premises or public space was arranged when photographed. The scene is closely associated with Princes Square, Glasgow City, shop, Princes, Shopping, Glasgow, Interior, Square, buildings and stone, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is useful for editorial coverage of eating out, restaurant culture, food presentation, hospitality and the way international cuisine has become part of everyday dining in British cities. Food, crockery, tableware, menus, serving dishes and restaurant surroundings can provide strong visual cues for features about cuisine, ingredients, dining habits, tourism, leisure spending and the hospitality economy. The image is documentary rather than studio food photography, giving it relevance to real-world restaurant reviews, travel features, local food guides and stories about consumer choice. It also records the appearance and presentation of a meal at a particular time and place, useful for archive, lifestyle and social-history contexts. Search themes include restaurant dining, cuisine, food presentation, hospitality, eating out, table settings, tourism, consumer lifestyle and the local food economy. Because this is a real meal in a real venue rather than a studio arrangement, it has particular value for travel, dining and social-history features. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Princes Square, Glasgow, Scotland, UK
Description
Keywords: sq,sq.,centre,center,green,bronze,naked,man,Statue,outside,Princes,Square,shopping,Mall,48,Buchanan,Street,in,central,Glasgow,Scotland,UK,G1,3JN,As,proud,As,art,artist,work,works,full,length,gotonysmith,parts,dick,Shona,Kinloch,willy,Private Parts,penis,private,Glaswegian
Description: Tony Smith image Alamy DG3910 - Shona Kinloch Born Glasgow, she studied sculpture at GSA , 1980-85, and was the winner of the Millie and Benno Schotz Award, 1985, and a Saltire Society Award, 1992.
Specialising in animal and figure sculptures, she has received several commissions for public sculpture in Glasgow:
Seven Glasgow Dogs, a popular though temporary feature of the 1988 Glasgow Garden Festival, As the Crow Flies, West Princes Street (1993), Chookie Burdies, on lampposts in Garnethill (1993), Thinking of Bella, Italian Centre, 179-180 Ingram Street (1994), In Pursuit of..., on the west wall of the Chancellor's Hall, University of Strathclyde (1996), and As Proud As..., Princes Square, Glasgow (2000).
She has also received commissions for work in Edinburgh, Kilmarnock, Loughborough (The Sock, 1998), East Kilbride and Hamilton (The Square Stars, 1998).
She has exhibited regularly throughout the UK since 1984, including at the RGIFA : showing Man With a Dog on His Shoulder, 1985, and Fish With a Dog Under Its Nose, 1987.
Her work is represented in numerous public collections including Pecking Hen, at the Lillie Art Gallery, Milngavie.
A number of her small-scale works form part of the Dr Helen Cargill Thomson Collection which was the subject of an exhibition at the Collins Gallery in 2000, for which the sculptor donated her sketches for In Pursuit of....
Further example's of Shona's small-scale, animal and figurative bronzes were exhibited at Ewan Mundy Fine Art, 221 West George Street, Glasgow, in April, 2002, and these will be shown again at The Scottish Gallery, Edinburgh from 8th June, 2002, including The Three Fancy Pigeons (Together) (2001).
She currently lives in East Kilbride
48 Buchanan Street, Glasgow Scotland UK G1 3JN
Description
Keywords: sq,sq.,centre,center,green,bronze,naked,man,Statue,outside,Princes,Square,shopping,Mall,48,Buchanan,Street,in,central,Glasgow,Scotland,UK,G1,3JN,As,proud,As,art,artist,work,works,gotonysmith,parts,dick,Shona,Kinloch,willy,Private Parts,penis,private,Glaswegian,wanger
Description: Tony Smith image Alamy DG391X - Shona Kinloch Born Glasgow, she studied sculpture at GSA , 1980-85, and was the winner of the Millie and Benno Schotz Award, 1985, and a Saltire Society Award, 1992.
Specialising in animal and figure sculptures, she has received several commissions for public sculpture in Glasgow:
Seven Glasgow Dogs, a popular though temporary feature of the 1988 Glasgow Garden Festival, As the Crow Flies, West Princes Street (1993), Chookie Burdies, on lampposts in Garnethill (1993), Thinking of Bella, Italian Centre, 179-180 Ingram Street (1994), In Pursuit of..., on the west wall of the Chancellor's Hall, University of Strathclyde (1996), and As Proud As..., Princes Square, Glasgow (2000).
She has also received commissions for work in Edinburgh, Kilmarnock, Loughborough (The Sock, 1998), East Kilbride and Hamilton (The Square Stars, 1998).
She has exhibited regularly throughout the UK since 1984, including at the RGIFA : showing Man With a Dog on His Shoulder, 1985, and Fish With a Dog Under Its Nose, 1987.
Her work is represented in numerous public collections including Pecking Hen, at the Lillie Art Gallery, Milngavie.
A number of her small-scale works form part of the Dr Helen Cargill Thomson Collection which was the subject of an exhibition at the Collins Gallery in 2000, for which the sculptor donated her sketches for In Pursuit of....
Further example's of Shona's small-scale, animal and figurative bronzes were exhibited at Ewan Mundy Fine Art, 221 West George Street, Glasgow, in April, 2002, and these will be shown again at The Scottish Gallery, Edinburgh from 8th June, 2002, including The Three Fancy Pigeons (Together) (2001).
She currently lives in East Kilbride
48 Buchanan Street, Glasgow Scotland UK G1 3JN
Description
Keywords: sq,sq.,centre,center,green,bronze,naked,man,Statue,outside,Princes,Square,shopping,Mall,48,Buchanan,Street,in,central,Glasgow,Scotland,UK,G1,3JN,Shona,Kinloch,As,proud,As,art,artist,work,works,Glaswegian,dick,willy,penis,private,parts,Private Parts,gotonysmith,langer
Description: Tony Smith image Alamy DG392W - Shona Kinloch Born Glasgow, she studied sculpture at GSA , 1980-85, and was the winner of the Millie and Benno Schotz Award, 1985, and a Saltire Society Award, 1992.
Specialising in animal and figure sculptures, she has received several commissions for public sculpture in Glasgow:
Seven Glasgow Dogs, a popular though temporary feature of the 1988 Glasgow Garden Festival, As the Crow Flies, West Princes Street (1993), Chookie Burdies, on lampposts in Garnethill (1993), Thinking of Bella, Italian Centre, 179-180 Ingram Street (1994), In Pursuit of..., on the west wall of the Chancellor's Hall, University of Strathclyde (1996), and As Proud As..., Princes Square, Glasgow (2000).
She has also received commissions for work in Edinburgh, Kilmarnock, Loughborough (The Sock, 1998), East Kilbride and Hamilton (The Square Stars, 1998).
She has exhibited regularly throughout the UK since 1984, including at the RGIFA : showing Man With a Dog on His Shoulder, 1985, and Fish With a Dog Under Its Nose, 1987.
Her work is represented in numerous public collections including Pecking Hen, at the Lillie Art Gallery, Milngavie.
A number of her small-scale works form part of the Dr Helen Cargill Thomson Collection which was the subject of an exhibition at the Collins Gallery in 2000, for which the sculptor donated her sketches for In Pursuit of....
Further example's of Shona's small-scale, animal and figurative bronzes were exhibited at Ewan Mundy Fine Art, 221 West George Street, Glasgow, in April, 2002, and these will be shown again at The Scottish Gallery, Edinburgh from 8th June, 2002, including The Three Fancy Pigeons (Together) (2001).
She currently lives in East Kilbride
48 Buchanan Street, Glasgow Scotland UK G1 3JN
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,critics,architecture,eco,eco-friendly,largest,glass-covered,enclosed,area,in,Europe,Greenhouse,Scott,Lithgow,Gotonysmith,eco,ecoroof,inside,detail,canopy
Description: Tony Smith image Alamy DG3950 - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,critics,architecture,eco,eco-friendly,largest,glass-covered,enclosed,area,in,Europe,Greenhouse,Scott,Lithgow,Roof,and,arty,Gotonysmith,lighting,lights,inside,interior,teal,colourful,colorful,shoppingmall,shoppingmalls
Description: Tony Smith image Alamy DG395F - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,critics,architecture,eco,eco-friendly,largest,glass-covered,enclosed,area,in,Europe,Greenhouse,Scott,Lithgow,Gotonysmith,inside,interior,space,art,lamps,lights,art,arty,design,innovation,innovative,ceailing,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG3968 - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,critics,architecture,eco,eco-friendly,largest,glass-covered,enclosed,area,in,Europe,Greenhouse,Scott,Lithgow,Gotonysmith,inside,interior,space,art,lamps,lights,firstforfamilies,first,for,families
Description: Tony Smith image Alamy DG39AE - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,critics,architecture,eco,eco-friendly,largest,glass-covered,enclosed,area,in,Europe,Greenhouse,Scott,Lithgow,Gotonysmith interior inside spacious,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG39BP - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,architecture,glass,roof,eco,largest,glass-covered,enclosed,Europe,Greenhouse,Scott,Lithgow,dept,Gotonysmith,department,store,space,wifi,hotspot,hot,Arcadia
Description: Tony Smith image Alamy DG39CJ - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: Bulmers,beer,drinking,alcohol,40 Howard St,Glasgow,Glasgow City G1 4EE,Scotland,Scots,Hootenanny,boozer,outside,exterior,seats,seating,cider,lager,traditional,Scottish,bars,pubs,old,building,tenement,food,drink,GoTonySmith,G1,G1 4EE,Glasgow Hootenanny,the,music,live,entertainment
Description: Tony Smith image Alamy DG39E4 - . The Hootenanny Bar, Howard street, Glasgow, Scotland, UK, G1 4EE. Photographed at 40 Howard St, Glasgow, Glasgow City , G1 4EE, Scotland. The photograph was taken on 29 August 2013. The image metadata records 2 people in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Hootenanny Bar, Howard st, Glasgow, Howard, Street, pub, Bulmers, beer, drinking and alcohol, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors. The view is firmly rooted in a real location rather than a constructed studio setting.
40 Howard St, Glasgow, Glasgow City , G1 4EE, Scotland
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,architectural,critics,architecture,glass,roof,eco,eco-friendly,ecofriendly,largest,glass-covered,enclosed,area,in,Europe,Scott,Lithgow,Gotonysmith,close,up,closeup,close-up
Description: Tony Smith image Alamy DG39FN - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: 55 St Enoch Square,Glasgow,Scotland,UK,G1,4EQ,G14EQ,saint,shop,shops,mall,GMW,Architects,Sir,Robert,McAlpine,station,Argyle,Street,architectural,critics,architecture,eco,eco-friendly,largest,glass-covered,enclosed,area,in,Europe,Greenhouse,Scott,Lithgow,Gotonysmith stenoch stenochs canopy entrance conservatory,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG39GJ - The St. Enoch Centre is a shopping mall located in the central area of Glasgow, the largest city in Scotland. The Architects were the GMW Architects. The construction, undertaken by Sir Robert McAlpine, began in 1986, and the building was opened to the public in May 1989. It was officially opened by the then-Prime Minister Margaret Thatcher, in February of the following year.
Located on the site of the former St Enoch Station, the building is just off Glasgow's famous shopping thoroughfare, Argyle Street and overlooks the historic St. Enoch Square and the original Subway station building (on the right of the photograph). The present St Enoch subway station is now accessible by escalators.
Whilst the target of many architectural critics, the building is notable for its massive glass roof, which makes it the largest glass-covered enclosed area in Europe. Not only does this substantially reduce heating and lighting loads - the mall area is lit entirely by natural daylight in summer, whilst the solar heat generated by the roof means that mechanical heating is only required for a week on average per year - it also earned the building its affectionate nickname The Glasgow Greenhouse. The roof's steel framework was fabricated by the shipbuilders Scott Lithgow.
The glass roofed element surrounds a seven storey car park, and when originally opened, an ice rink. This was closed in 1999 when a refurbishment programme (initiated to compete with the newer Buchanan Galleries), saw it being replaced by more shops and an enlarged restaurant area.
55 St Enoch Square, Glasgow , Scotland, UK G1 4EQ
Description
Keywords: GotonySmith,UK,Scotland,Glasgow,city,HotpixUK,@HotpixUK,Art Deco,Cocktail Bar,sign,outside,exterior,design,architecture,lettering,1935,G1 3AN,Exchange Place,G1,Oyster Bar,bar,pub,venue,famous,history,historic,cafe,seafood,sea food,meals,logo,oysters,Scottish,Scots,sourced,crab,lobster,fish,restaurant,artdeco
Description: Tony Smith image Alamy 2AAEJ1K - In 1935, as the great Cunard liner 'Queen Mary' took shape on the Clyde, a restaurant was refitted in the same Art Deco style and a Glasgow legend was born.
With its unique 1930's ambience, Rogano is the oldest surviving restaurant in Glasgow. For over seventy five years its chefs have dedicated themselves to the delicate art of cooking and serving the finest fish and seafood in the world from Scottish waters.
For all its inimitable style, and its local clientele, Rogano is a friendly place, with a special welcome for the traveller, being perfectly situated with close proximity to the city's most elegant shops and many of its leading cultural venues.
The Rogano Oyster and Cocktail Bar has been a bastion of Glasgow's bar scene since 1935, our customers enjoy drinks in original art deco surrounding with soft jazz filtering throughout the bar to create a truly unique bar experience.
Rogano customers are spoiled for choice from a variety of house wines, champagne (by the glass) and an extensive cocktail list all of which are served with the upmost standard of service from our bar waiting staff.
Food is served from the bar menu which includes a selection of seafood, light meals and sandwiches. Food is best enjoyed in one of our highly coveted booths which provide customers with a little world of their own within a bustling bar.
The Oyster Bar opens at 11.00 am until midnight, every day except Sunday when it opens at 12.00 noon. The Bar Menu is available throughout the day until 10.00pm. The Oyster and Cocktail bar operates a no reservation policy.
11 Exchange Place, Glasgow, Scotland, UK, G1 3AN
Description
Keywords: HotpixUK,GoTonySmith,Glasgow,UK,G1,pink,building,Glaswegian,People Make Glasgow in pink,Strathclyde University,in pink,Glasgow City,City of Glasgow College building,Met Tower,City of Glasgow,College building,Met,Tower,City of Glasgow College,cityscape,skyline,concrete,buildings,architecture,people,make,slogan,brand,name,brand name,strapline,logo,city,urban,centre,Commonwealth Games,venue,sport,2026,iconic
Description: Tony Smith image Alamy P72CWA - The giant pink People Make Glasgow city-branding slogan covers the façade of the Met Tower beside George Square in Glasgow city centre, Scotland. Photographed in bright daylight beneath a blue sky, the landmark modernist high-rise rises behind surrounding commercial buildings, city traffic, pedestrians and the Walter Scott Monument. The colourful display has become one of Glasgow's most recognisable urban images and expresses the civic pride, character and international outlook associated with Scotland's largest city.
The slogan was originally installed on the former Glasgow College of Building and Printing tower for the Glasgow 2014 Commonwealth Games. The prominent Category B listed building, subsequently known as the Met Tower, overlooks George Square from North Hanover Street and remains closely connected visually with Glasgow's identity as a major sporting and cultural destination.
The photograph has renewed editorial relevance as Glasgow hosts the Commonwealth Games again from 23 July to 2 August 2026. The eleven-day event brings approximately 3,000 athletes from 74 Commonwealth nations and territories to compete in ten sports, including six Para sports. Competition takes place across four principal venue groups: Scotstoun Stadium, the Scottish Event Campus, Tollcross International Swimming Centre and the Sir Chris Hoy Velodrome and Arena.
The Met Tower itself is not a competition venue for Glasgow 2026. Instead, the image provides a strong host-city illustration, linking the enduring People Make Glasgow campaign with the city's return to the international sporting stage. It can illustrate Commonwealth Games coverage, Glasgow tourism, city branding, sporting legacy, major-event economics, Scottish civic identity, urban regeneration and the role of international sport in promoting a destination to visitors worldwide.
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Description: Tony Smith image Alamy HKHW7C - family run business who have been trading from the same premises in the city centre of Glasgow for over 100 years (since 1886!), the world's oldest family-run magic and joke shop and winners of the Glasgow's Favourite Business Award.
We hope you are able to visit us in Glasgow, in the meantime you can browse a selection of our most popular products here.
Thanks for visiting!
Roy, Jean, Julia and Sarah - read more at https://tamshepherds.com/pages/about
33 Queen St, Glasgow, Scotland, UK, G1 3EF
