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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,battle,of,Cable Street,Tower Hamlets,mural,brown shirts,fascist,fascists,ReformUK,Restore,Nigel farage,Oswald Moseley,Rupert Lowe,far right,far-right,politics,IMG_7766,London,Cable,Street,Shadwell,pub,UK,IMG,7766,232,Meuxs,famous,stout,ales,West,gin,palace,ex
Description: Tony Smith image Alamy 3FAFDCD - Historic former public house frontage at 232 Cable Street in Shadwell, East London, with surviving glazed tiles and brewery advertising associated with Meux's stout and ales. The closed or converted premises retain architectural clues to the period when corner pubs were a prominent feature of densely populated working-class neighbourhoods around the London docks. Decorative tiles, timber doors, old lettering and the street-corner form create a strong record of pub heritage even after the original licensed use has changed. The image is suitable for editorial coverage of lost pubs, brewery history, changing drinking habits, heritage conservation, the decline and reuse of licensed premises, gentrification and the changing commercial streetscape of Tower Hamlets. Cable Street has a particularly rich social and political history, while nearby Shadwell was shaped by docks, shipping, migration and industry. The photograph illustrates how historic commercial facades can survive as physical traces of earlier everyday life in the East End. The photograph also provides a contemporary documentary record of surviving East London heritage at a time when property values, development.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>redevelopment and changing commercial uses continue to alter the character of inner-city neighbourhoods. Details in the fabric, signage and surrounding streetscape help locate the subject in its real urban setting rather than presenting it as an isolated landmark. It can therefore support features comparing historic London with twenty-first-century development, tourism and conservation policy, as well as archive-style coverage of places whose appearance may change through restoration, conversion or redevelopment.
232 Cable Street, Shadwell, London E1, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_9405,A Tarted Up Boozer,London,England,UK,neon,sign,pub,bar,boozer,red,glowing,window,nightlife,hospitality,drinking,British,urban,humour,interior,beer,alcohol,night,signage,culture,city,the,star,gin,palace
Description: Tony Smith image Alamy 3F3F0YD - . A Tarted Up Boozer neon sign glowing in the window of a Hackney London pub, The Star England, UK. Photographed on 31 October 2023. The recorded location is London, England, UK. The humorous phrase and warm bar reflections make a strong nightlife and hospitality image, suitable for editorial use on British pub culture, drinking, bars, neon signage, urban nightlife, independent hospitality and contemporary pub interiors. For the story of real ale, it is useful to note that british pubs developed from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, music venues and landmarks
Names, brewery signs, etched glass, tiled interiors and changing fascias can preserve local history even when ownership or use changes. The historical setting for visitor guidance is that wayfinding developed from painted names and fingerposts into standardised road, rail and public-information systems
Local signs still retain distinctive typography or bilingual wording even within increasingly consistent national standards. Seen through visual communication, the earlier context is that popular print such as comics and manuals documents everyday reading habits rather than elite culture, making surviving issues useful evidence of humour, hobbies, advertising and consumer interests. For present-day real ale, 2026 is significant because pub survival continues to be a live issue as energy, staffing, taxation and changing drinking habits affect the licensed trade
Historic and contemporary pub images therefore have relevance to community assets, nightlife, independent brewing, high-street change and hospitality economics. In the 2026 discussion of visitor guidance, digital maps and smartphone navigation are ubiquitous, but physical signage remains essential for safety, accessibility, legal restrictions and visitors without reliable connectivity. Closely connected keywords include public house, licensed premises, and hostelry.
London, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,Nags Head pub,London pub,public house,gastropub,traditional pub exterior,green tiled facade,pink frontage,outdoor seating,beer garden,London street scene,bar,pubs,bars,London Borough of Waltham Forest,East London,village high street,historic pub,independent pub,local pub,hospitality industry,food and drink,pub culture,neighbourhood pub,al fresco seating,summer daytime,pastel colours,tiled exterior,architectural detail,signage,bunting,gin,palace
Description: Tony Smith image Alamy 2R3WMR9 - This image shows the exterior of The Nags Head, a well-known public house located at 9 Orford Road in the heart of Walthamstow Village, East London. The pub is instantly recognisable by its distinctive green glazed tile facade, contrasting pink-painted woodwork, and traditional hanging signage, which together give it a strong visual identity within the local streetscape.
Outdoor wooden tables and benches line the pavement outside the pub, creating a popular space for al fresco drinking and dining, particularly during warmer months. The scene reflects the village-like character of Orford Road, which is known for its independent shops, cafés, restaurants, and historic buildings, offering a quieter contrast to the busier parts of Walthamstow further south.
The Nags Head has long been part of Walthamstow's social life, functioning as a neighbourhood pub and community meeting place. The photograph was taken in daylight under an overcast but bright sky, which evenly lights the tiled exterior and architectural details without harsh shadows.
This image is well suited to editorial use covering London pub culture, neighbourhood life, independent hospitality, East London streetscapes, food and drink tourism, and the character of historic village centres within the capital.
The Nags Head, 9 Orford Road, Walthamstow Village, London Borough of Waltham Forest, London, England
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,Hampstead,Highgate,urban,Hampstead pub,North London pub,pubs,bar,Flask Walk NW3,wines and spirits signage,pub exterior London,historic drinking establishment,neighbourhood pub,Victorian pub frontage,hanging lanterns,outdoor seating,pub culture,London social life,heritage pub,residential street pub,conservation area,Georgian buildings,people drinking outside,documentary photography,British pub tradition,NW3 1HE,NW3,character,well known,Fuller,Smith & Turner,Fullers,brewer,gin,palace
Description: Tony Smith image Alamy 2RA23D1 - The exterior of The Flask, a well-known historic public house on Flask Walk in Hampstead, north London. The building features a distinctive deep blue painted frontage with traditional pub signage advertising wines and spirits, lantern-style exterior lighting, and large windows revealing a warmly lit interior.
The Flask has long been part of Hampstead's village character, serving as a neighbourhood pub for residents and visitors alike. Its location on the narrow pedestrian-friendly Flask Walk reinforces its role as a social meeting point within one of London's most established residential areas, close to Hampstead Heath.
Photographed in natural daylight, the image captures everyday pub life in north London, with customers seated outside and people socialising along the street. It illustrates enduring British pub culture, the importance of local public houses to community life, and the continued presence of historic pubs within London's conservation areas. The Flask in Hampstead is owned by Fuller, Smith & Turner (Fuller's), one of London's best-known historic brewing companies. The pub has origins dating back to the early 18th century, when it began life as a small alehouse serving travellers on the road north out of London, taking its name from the stone flasks once used to carry spa water from nearby Hampstead wells. Over time it evolved into a substantial village public house and became embedded in Hampstead's social and literary life, frequented by writers, artists and local residents drawn to its discreet location and informal atmosphere. Despite rebuilding and refurbishment over the centuries, The Flask has retained its character as a neighbourhood pub rather than a showpiece venue, a continuity reinforced under Fuller's stewardship, which has generally favoured traditional pub identities, cask ale, and long-term community use over aggressive rebranding.
The Flask, 14 Flask Walk, Hampstead, London, England, United Kingdom , NW3 1HE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,Soho,London,pubs,bars,the,Crown,2,two,W1D,Greater,W1D 3SB,corner,west end,city of Westminster,sunny,heritage,traditional,classic,vintage,buildings,walking tour,tours,famous,site,sites,run,entertainments,reason,to,visit,liberal,liberated,area,gin,palace
Description: Tony Smith image Alamy 2JJGB26 - . The Crown and two chairmen, in the heart of Soho, 31-32 Dean St, Greater, London, England, UK, W1D 3SB. Photographed on 24 July 2022. This pub was called the Crown up until 1736. It is said to have been named after Queen Anne's sedan-carriers. The two chair men are meant to have had a drink here as they waited for the queen to have her portrait painted at a nearby studio. The Crown & Two Chairmen is a long-established Soho public house on Dean Street. Its name is traditionally linked with the sedan-chairmen who waited on wealthy patrons in eighteenth-century London, and the premises have traded through successive changes in Soho's social and entertainment life. The pub's history gives a modern street scene links to Georgian transport, portrait-painting society, West End drinking culture and the continuing reinvention of historic licensed premises. Historically, public houses form a distinctive part of British social history, combining licensed drinking, hospitality and community life
Older pubs can reveal evolving fashions in brewing, tied houses, coaching routes, urban development and leisure, while modern bars show how the licensed trade continues to adapt. Looking at the subject's development, city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban change than landmark images alone. In 2026, pub survival is a live issue, with government support including a 15% business-rates relief for eligible pubs and live-music venues in England during 2026/27, alongside wider debate about closures, property costs and the value of pubs as community assets. For the 2026 context, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these.
31-32 Dean St, Greater, London, England, UK, W1D 3SB
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,welcome,to,the,hit,weekend,&,open,until,Til,Late,in,Soho,London,England,UK,lit,lighted,dusk,evening,bars,club,clubs,dancing,dance,pubs,2am,late bar,late drinks,drinking,neon,red,green,bright,gin,palace
Description: Tony Smith image Alamy 2JJPKRW - . Recorded at SOHO, London, England, UK in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is Welcome to the weekend, Fri & Sat, open Til Late, neon sign, in Soho, London, England, UK. Another layer of the photograph includes inclusive night-time venue, before-and-after reference, changing streetscape, queer London, gay hospitality, contemporary social history, Pride culture, place identity, gay bar culture, queer social space, orientation signage, public realm, everyday life, and operational signage. The wider contemporary story combines LGBTQ heritage, gentrification and how Soho remains a symbolic centre of LGBTQ nightlife. Viewed from the mid-2020s, the subject also connects with clear communication, public safety and how small pieces of street furniture can become useful historical evidence. The archival value lies partly in recording local activity and public use around SOHO, London, England, UK before changing commercial priorities alters the character of the place. A second descriptive layer includes Soho nightlife, community safe space, instructional sign, public-facing notice, nightlife heritage, directional marker, regional identity, and local information board. The combination of weekend and Welcome anchors the frame to a recognisable activity, place or moment. For SOHO, London, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate LGBTQ heritage and how Soho remains a symbolic centre of LGBTQ nightlife when considered against later change at SOHO, London, England, UK. The image also provides a reference for clear communication and how small pieces of street furniture can become useful historical evidence without losing the local specificity of SOHO, London, England, UK.
SOHO, London, England, UK
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,bar,pubs,bars,45,England,UK,W1D 7PJ,W1D,Soho,London,the,area,central,wood,wooden,beer,beers,spirits,bottle,gin,vodka,inside,interior,optic,optics,Victorian,CAMRA,trad,dark wood,history,historic,traditional,British,palace
Description: Tony Smith image Alamy 2JJYRD2 - . Photographed at 45 Rupert Street, Soho, London, England, UK, W1D 7PJ in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Inside bar area & spirit optics, at The White Horse Sam Smiths pub, Soho, 45 Rupert Street Soho London, England, UK, W1D 7PJ. The broader subject matter reaches into archival record, historical comparison, customer-facing service, social landscape, commercial hospitality, local character, independent food retail, before-and-after reference, licensed hospitality, restaurant culture, food tourism, changing streetscape, public realm, and pedestrian environment. Viewed from the mid-2020s, the subject also connects with tourism, commercial rents and how food and drink help define neighbourhood identity. The modern context includes continuing discussion of local identity, street safety and the relationship between public space and local social life. As a dated visual record of 45 Rupert Street, Soho, London, England, UK, W1D 7PJ, the frame retains landscape treatment and surrounding development, making it especially useful if closure or conversion subsequently changes the scene. The surrounding story also includes community life, changing land use, urban social history, city-centre activity, hospitality trade, townscape record, contemporary social history, and regional identity. The recorded references to Horse, Rupert, White, Inside, and spirit preserve clues about how the subject was presented, used or understood at the time. The period setting at 45 Rupert Street, Soho, London, England, UK, W1D 7PJ helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is tourism and how food and drink help define neighbourhood identity when considered against later change at 45 Rupert Street, Soho, London, England, UK, W1D 7PJ.
45 Rupert Street, Soho, London, England, UK, W1D 7PJ
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,bar,pubs,bars,45,England,UK,W1D 7PJ,W1D,Soho,London,the,area,glass,screen,Victorian,CAMRA,trad,old,building,buildings,capital,central London,Zone One,hospitality,entertainment,entertaining,leisure,fun,theatres,cities,city,streets,features,gin,palace
Description: Tony Smith image Alamy 2JJYRDF - . An on-location photograph from 45 Rupert Street, Soho, London, England, UK, W1D 7PJ in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The main point of reference is Etched glass screen at The White Horse Sam Smiths pub, Soho, 45 Rupert Street Soho London, England, UK, W1D 7PJ. The surrounding context encompasses community life, architectural character, changing streetscape, local character, social landscape, documentary photography, urban social history, local identity, period detail, everyday street life, public realm, conservation interest, local history, and contemporary city life. In present-day coverage, the subject reaches into redevelopment pressure and heritage conservation, not least because of the value of distinctive buildings and street furniture to local identity. Today's relevance is strengthened by local identity, street safety and the continuing question of the documentary importance of recording everyday urban environments. For later comparison, the photograph preserves materials and architectural details at 45 Rupert Street, Soho, London, England, UK, W1D 7PJ, details that may look very different after new construction. The photograph additionally reflects historic frontage, visual archive, before-and-after reference, architectural detailing, regional identity, heritage landmark, everyday life, and community identity. The recorded references to Horse, White, screen, Etched, and glass preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within 45 Rupert Street, Soho, London, England, UK, W1D 7PJ, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene captures details of everyday use for later comparison. Image 2JJYRDF also remains a dated record of 45 Rupert Street, Soho, London, England, UK, W1D 7PJ.
45 Rupert Street, Soho, London, England, UK, W1D 7PJ
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,bar,pubs,bars,45,England,UK,W1D 7PJ,W1D,Soho,London,the,area,central,wood,wooden,beer,beers,spirits,bottle,gin,vodka,inside,interior,Victorian,CAMRA,trad,dark wood,history,historic,traditional,British,reflections,ornate,palace,public houses
Description: Tony Smith image Alamy 2JJYRE1 - . Recorded at 45 Rupert Street, Soho, London, England, UK, W1D 7PJ in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The subject captured here is The White Horse Sam Smiths pub, Soho, 45 Rupert Street Soho London, England, UK, W1D 7PJ. The surrounding context encompasses community life, restaurant culture, destination dining, public realm, local dining scene, visual archive, urban social history, hospitality trade, social landscape, townscape record, everyday life, customer-facing service, contemporary city life, and historical comparison. Today's relevance is strengthened by tourism, commercial rents and the continuing question of the role of restaurants and bars in visitor-led regeneration. From a 2025-onward perspective, street safety and commercial change are closely linked to this subject, alongside how ordinary street scenes become valuable records as businesses and infrastructure change. As a dated visual record of 45 Rupert Street, Soho, London, England, UK, W1D 7PJ, the frame retains commercial use and occupation, making it especially useful if closure or conversion subsequently changes the scene. A second descriptive layer includes pedestrian environment, archival record, street-level documentary, independent food retail, city-centre activity, documentary photography, commercial hospitality, and before-and-after reference. References to Rupert, Horse, Smiths, and White give the picture a strong period identity and tie it closely to its named subject. The wider setting at 45 Rupert Street, Soho, London, England, UK, W1D 7PJ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate tourism and the role of restaurants and bars in visitor-led regeneration without losing the local specificity of 45 Rupert Street, Soho, London, England, UK, W1D 7PJ.
45 Rupert Street, Soho, London, England, UK, W1D 7PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,RBKC,England,UK,Royal Borough,of,Kensington,Chelsea,pub,bar,outside,exterior,sun,the sun,brightest,in,flower,W11,Notting Hill,W11 3DA,7,splendour,front,Victorian,boozer,boozers,craft,beers,beer house,freehouse,free house,public house,colourful,hanging baskets,Free House,gin,palace
Description: Tony Smith image Alamy 2M0KWH2 - . An on-location photograph from 7 Portobello Road, Notting Hill, RBKC, London, England, UK, W11 3DA in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The location is represented through Sun in Splendour, pub, 7 Portobello Road, Notting Hill, RBKC, London, England, UK, W11 3DA. Other connected aspects include social history, community drinking venue, everyday life, Thames city view, changing land use, historic hostelry, historical comparison, London visitor economy, hospitality economy, traditional ale house, capital landmark imagery, period detail, Westminster landmark, and visitor hospitality. For current editorial use, tourism and beer duty provide additional context, especially through the survival of pubs as both businesses and informal community spaces. Current relevance extends to public transport and security, particularly through how iconic streets and landmarks change while retaining strong visual identity. For later comparison, the photograph preserves commercial use and occupation at 7 Portobello Road, Notting Hill, RBKC, London, England, UK, W11 3DA, details that may look very different after refurbishment. The subject also sits alongside urban tourism, capital-city heritage, community identity, city branding, pub heritage, night-time economy, heritage tourism, and before-and-after reference. Elements such as Portobello, Splendour, and Notting add documentary specificity and may become increasingly useful when compared with later records. Around 7 Portobello Road, Notting Hill, RBKC, London, England, UK, W11 3DA, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The record includes details of everyday use for future local research. The frame retains evidence of changing use before later change alters the scene.
7 Portobello Road, Notting Hill, RBKC, London, England, UK, W11 3DA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,SW1A 2JJ,ststephenstavern,ststephenstavern.co.uk,etched glass,lamp,Victorian,design,architecture,bar,bars,beer,pumps,real ale,CAMRA,barman,publican,cider,ciders,real ales,altar,wood,wooden,carved,mahogany,contactless,spirits,gins,whisky,opposite,Palace of Westminster,gin,palace
Description: Tony Smith image Alamy 2M0MBA3 - . Made at 10 Bridge St, Westminster, London, England, UK, SW1A 2JJ in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The defining feature is Interior of the St Stephens Tavern, opposite Big Ben and the Houses of Parliament, 10 Bridge St, Westminster, London, England, UK, SW1A 2JJ. The locality and subject together evoke local history, Westminster landmark, metropolitan identity, urban tourism, heritage tourism, capital landmark imagery, everyday life, iconic London transport, capital-city heritage, period detail, public realm, contemporary social history, Thames city view, and changing land use. Today's relevance is strengthened by heritage conservation, security and the continuing question of how iconic streets and landmarks change while retaining strong visual identity. The archival value lies partly in recording transport arrangements and footfall around 10 Bridge St, Westminster, London, England, UK, SW1A 2JJ before closure or conversion alters the character of the place. A second descriptive layer includes historic London streetscape, London visitor economy, regional identity, before-and-after reference, archival record, historical comparison, city branding, and visual archive. Details involving opposite, Houses, Parliament, Westminster, and Stephens make the image more specific than a generic view and strengthen its local or historical value. A later view of 10 Bridge St, Westminster, London, England, UK, SW1A 2JJ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects heritage conservation and how iconic streets and landmarks change while retaining strong visual identity as part of the longer story of 10 Bridge St, Westminster, London, England, UK, SW1A 2JJ.
10 Bridge St, Westminster, London, England, UK, SW1A 2JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,hotel,railway,station,bars,pub,bar,London,opulent,expensive,exclusive,NW1 2AR,ambiance,architect,Sir Giles Gilbert Scott,tourist,attraction,hotels,age,sensual,Chambers,former,Midland Grand Hotel,redevelopment,2011,1873,palm,lights,chandelier,atmosphere,Victorian,Booking Office 1869,Booking Office,1869,gin,palace
Description: Tony Smith image Alamy 2K14906 - The St. Pancras Renaissance London Hotel forms the frontispiece of St Pancras railway station in St Pancras, London. The station is one of the main rail termini in London and the final stop for international trains departing to Paris, Brussels, Amsterdam and other destinations in mainland Europe. It opened in 2011, and occupies much of the former Midland Grand Hotel designed by George Gilbert Scott which opened in 1873 and closed in 1935. The hotel is managed by Marriot International.
Planning permission was granted in 2004 for the building to be redeveloped into a new hotel.
The main public rooms of the old Midland Grand were restored, along with some of the bedrooms. The former driveway for taxis entering St. Pancras station, passing under the main tower of the building, was converted into the hotel's lobby. In order to cater for the more modern expectations of guests, a new bedroom wing was constructed on the western side of the Barlow train shed
As redeveloped the hotel contains 244 bedrooms, two restaurants, two bars, a health and leisure centre, a ballroom, and 20 meeting and function rooms. The architects for the redevelopment were Aedas RHWL. At the same time, the upper floors of the original building were redeveloped as 68 apartments by the Manhattan Loft Corporation.
The St. Pancras Renaissance Hotel opened on 14 March 2011 to guests
however, the formal Grand Opening was on 5 May “ exactly 138 years after its original opening in 1873
Euston Road, London, England, UK, NW1 2AR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,EC1A 7AA,The,pub,bar,ale,beer,beers,CAMRA,brewery,Bass,Bass & Co,gold,in bottle,in,bottle,ales,trade mark,in a,frame,Gin palace,Victorian,1865,126,Newgate Street,Holborn,1898""“1900,by,Arthur Dixon,Campaign for Real Ales,National Inventory of Historic Pub Interiors,haunted,gin,palace
Description: Tony Smith image Alamy 2M108AF - The Viaduct Tavern is a Grade II listed public house at 126 Newgate Street, Holborn, London. It was built in 1865 and the interior was remodeled in 1898“1900 by Arthur Dixon. It is on the Campaign for Real Ale's National Inventory of Historic Pub Interiors.
The tavern is also known for reportedly being haunted, and has been the subject of several investigation shows, including BuzzFeed Unsolved
The pub has a large curved frontage, but the interior is surprisingly small. Many of the original features have survived. On one wall, three paintings of wistful maidens represent agriculture, banking and the arts. The ˜arts' was attacked (some say shot, others bayoneted) by a drunken First World War soldier, and she still bears the scar.
There are gilded and silvered mirrors and decorated glass. At the back of the bar is a manager's stall, a sort of office booth, made from beautifully carved hardwood and intricately engraved glass panels. The ornate ceiling is made from beaten copper and is supported by cast iron pillars.
The Viaduct Tavern and the Old Bailey opposite, were NOT built on the site of Newgate Prison, which continued until 1868. The cellars of the Viaduct are therefore NOT the former cells of the prison and despite the tours of them that can be arranged by appointment (they're authentically skanky) they're not cells. Still evocative and stinkily Victorian, though.
126 Newgate St, London, England, UK, EC1A 7AA
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,174,dusk,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6KE - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,ornate,interior ceiling,interior,ceiling,design,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6M8 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Seize Occasion,Seize,Occasion,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6MF - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Wisdom Is Rare,Wisdom,Is,Rare,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6MJ - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Finery Is Foolery,Finery,Is,Foolery,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6N3 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,A,good,thing,is,soon,snatched,up,inside,interior,Henry Poole,Herbert Fuller-Cla,A good thing is soon snatched up,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,Art Nouveau,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6P2 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,Industry Is All,Industry,Is,All,interior,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6PK - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,saloon bar,174,drinkers,outside,exterior,Henry Poole,Herbert Fuller-Clark,Art Nouveau,174 The Black Friar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6R5 - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England
Description
Keywords: City Centre,City,Centre,dusk,pub,pubs,bars,bar,classic,CAMRA,real,ale,realale,real ale,art,deco,artdeco,art-deco,The Black Friar,at,night,dusk,drinking,beer,beers,gin,palace,gin palace,saloon bar,174,drinkers,outside,exterior,Henry Poole,Herbert Fuller-Clark,Art Nouveau,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,London,Greater,problem,with,problem with,issue with,LDN,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater London,British Isles,City Centre,Pubs Of London,must see
Description: Tony Smith image Alamy HEJ6RB - The Black Friar Pub. Post-1903 work by Herbert Fuller-Clark (b.1869, d. after 1912). Original building 1875. Remodelled in several stages beginning 1903, 1914, and 1925. 174 Queen Victoria Street, London EC4. Individual sculptures by Nathaniel Hitch, Frederick Callcott, Henry Poole, and Farmer and Brindley. According to Philip Ward-Jackson,
Hitch was responsible for the stonework grotesques on the exterior, and for a considerable amount of similar work in wood in the interior. Callcott created the pattern for the larger copper relief scenes, representing the day to day activities of the friars. . . . It seems probable that Callcott went on working on those reliefs until shortly before his death in 1925, when the rather more prestigious Henry Poole took over, to produce the relief work in the Small Saloon Bar. One of Callcott's frieze-like panels, entitled Saturday Afternoon, was to be repeated on the screen wall, separating the Luncheon Bar from the Small Saloon Bar, although it looks quite different in its new form, because the figures are much more widely spaced out, and the coloured marbles in the second rendering give it more depth.
Of these artists, Hitch (1841-1935), deserves to be better known. Following an apprenticeship to Farmer and Brindley, he had a very long and distinguished career as a sculptor: his work can be found at Cardiff Castle, suggesting that he was probably a member of William Burges's workforce there, and also in many churches and cathedrals including Truro Cathedral and Westminster Abbey. He was particularly associated with the architects W. D. Caröe and J. L. Pearson.
It is worth noting that the popular London Encyclopaedia disagrees about the dates and artists involved here, stating simply that the building was erected in 1875, the ground floor being remodelled in 1905 by H. Fuller Clark. The outside is covered with mosaics and carved figures by Henry Poole (1903).
174 Queen Victoria Street, Blackfriars, London, England
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,Amelia,wines,brandies,whiskies,beers,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYMC - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
-England-UK-E6JB5C.jpg)
Description
Keywords: United,Kingdom,boozer,beautiful,real,tourist,trail,Mayfair,(off,Piccadilly),England,UK,ornate,gin,palace,cask,ale,ales,stained,glass,etched,window,interior,the,RedLion,commissioned,glasswork,Walter,Gibb,and,Sons,of,Blackfriars,engraving,mirrors,engraved,victorian,gotonysmith,cosy,favorite,public,house,bar,bars,warm,light,lamp,lamps,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see,Pubs Of London,must see
Description: Tony Smith image Alamy E6JB5C - There has been a pub called The Red Lion on this site ever since 1788. The one you see today was constructed in 1821 and, thanks to surviving the Blitz completely intact, has become one of London's rare examples of original ornate Victoriana at its finest.
Uniquely, the pub is full of specially commissioned glasswork, with much of it thought to have been created by the renowned Walter Gibb and Sons of Blackfriars, using some of the most advanced engraving and etching techniques available at the time. While nobody is sure why there are so many mirrors, one theory is that they were deliberately commissioned by a local magistrate at the time in order to reduce the privacy of the pub's snugs, and therefore smiting the activity of local women of the night.
Whatever the reason, it has led to The Red Lion being described as 'a perfect example of the small Victorian gin palace at its best' by Architectural Review, and it really is a window into life in the late 19th century.
The Red Lion, 2 Duke of York Street, Mayfair, London, SW1Y 6JP, England, UK
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,traffic,light,lights,clock,summer,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE742 - . This authentic period view of 174 Queen Victoria Street, London, EC4V 4E in 2013 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. At the centre of the view is Stained glass window at the Black Friar pub, Blackfriars, London, England UK EC4V 4E. The setting additionally reflects historic hostelry, local character, before-and-after reference, Thames city view, traditional pub, public realm, historical comparison, visual archive, real-ale culture, visitor hospitality, cask-beer tradition, period detail, urban tourism, and night-time economy. In present-day coverage, the subject reaches into tourism and pub closures, not least because of the continuing appeal of real ale and regional brewing. Today's relevance is strengthened by tourism, air quality and the continuing question of the mix of working city infrastructure with heritage tourism. Small period details of period objects and surrounding context at 174 Queen Victoria Street, London, EC4V 4E may become more significant with time, particularly following conservation work. The photograph additionally reflects capital-city heritage, community identity, community drinking venue, beer-led hospitality, local history, Westminster landmark, iconic London transport, and capital landmark imagery. Details involving Black, Stained, Blackfriars, glass, and Friar make the image more specific than a generic view and strengthen its local or historical value. The wider setting at 174 Queen Victoria Street, London, EC4V 4E matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is tourism and the survival of pubs as both businesses and informal community spaces in a form that can be compared with future views of 174 Queen Victoria Street, London, EC4V 4E. Image DCE742 also remains a dated record of 174 Queen Victoria Street, London, EC4V 4E.
174 Queen Victoria Street, London, EC4V 4E
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,traffic,light,lights,clock,summer,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,building,architecture,victorian,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE749 - . A grounded documentary photograph made at 174 Queen Victoria Street, London, EC4V 4E in 2013, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Black Friar pub, Blackfriars, London, England UK EC4V 4E. A broader reading of the photograph includes historical comparison, local history, social history, beer-led hospitality, changing streetscape, city branding, public realm, contemporary social history, documentary photography, iconic London transport, community identity, community drinking venue, before-and-after reference, and Westminster landmark. The wider contemporary story combines consumer spending, staffing pressure and the value of historic pubs to tourism and local identity. Viewed from the mid-2020s, the subject also connects with heritage conservation, visitor economy and the pressure of visitor economies and housing costs on central neighbourhoods. For later comparison, the photograph preserves period objects and surrounding context at 174 Queen Victoria Street, London, EC4V 4E, details that may look very different after conservation work. The subject also sits alongside Thames city view, urban tourism, licensed hospitality, local social venue, visual archive, place identity, traditional pub, and everyday life. The recorded references to Blackfriars, Black, and Friar preserve clues about how the subject was presented, used or understood at the time. The wider setting at 174 Queen Victoria Street, London, EC4V 4E matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for consumer spending and the continuing appeal of real ale and regional brewing without losing the local specificity of 174 Queen Victoria Street, London, EC4V 4E. The image fixes period character within the wider story of 174 Queen Victoria Street, London, EC4V 4E.
174 Queen Victoria Street, London, EC4V 4E
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,traffic,light,lights,clock,summer,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,sky,2013,public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,perfect,art,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE754 - Unique' is a much overworked word when it comes to describing pubs. But that's exactly what the Black Friar is. There's nothing else anywhere remotely like its fabulous decorative scheme, either in style or content. On a sharply triangular site opposite Blackfriars station, the pub was built in 1871-2, but what makes it so special is a remodelling from about 1905 by the then publican, Alfred Pettitt, and his architect H. Fuller-Clark. Fuller-Clark trained at the Lambeth School of Art and began practice in 1893. His artist was Henry Poole R.A., and both men were committed to the Arts & Crafts Movement which embraced a love of high-quality materials, hand craftsmanship, and often a very free, original approach to design.
Before entering the pub there is much to admire on the exterior. There is a deep mosaic fascia carrying the words Saloon / 174 / The Black Friar / 174 / Brandies on New Bridge Street side. A grand segmental arched entrance on the far left is surmounted by stone carved figures and above it a colourful mosaic of two monks fishing. The exterior lobby itself has walls and ceiling of marble. All along the exterior (well illuminated at night) are beautiful copper signs most featuring one or two friars such as a ˜Worthington Ales in Bottle'
two ˜Worthington Ales on Draught' ones
˜To the Saloon', ˜Booths Gin'
and a couple of ˜Saloon Bar' signs, one of which bears a couple of friars pointing you towards the saloon and helpfully tells you it is 9 yards away. Above the corner door (no longer in use) is a ˜174' in mosaic
a large stone figure of a friar
and a clock with a mosaic face. Above the Queen Victoria Street entrance on the right is a mosaic of a friar with wine in carafes flanked by stone carvings of friars. The fascia on this side has ˜Brandies' in mosaic.
Throughout the pub are friars “ or at least jolly, modern reinvented versions of them “ they appear everywhere in sculptures, mosaics and metal reliefs.
174 Queen Victoria Street, London, EC4V 4E
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,Nicholsons,brewing,history,heritage,brewary,brewery,BlackFriar,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE7J7 - Unique' is a much overworked word when it comes to describing pubs. But that's exactly what the Black Friar is. There's nothing else anywhere remotely like its fabulous decorative scheme, either in style or content. On a sharply triangular site opposite Blackfriars station, the pub was built in 1871-2, but what makes it so special is a remodelling from about 1905 by the then publican, Alfred Pettitt, and his architect H. Fuller-Clark. Fuller-Clark trained at the Lambeth School of Art and began practice in 1893. His artist was Henry Poole R.A., and both men were committed to the Arts & Crafts Movement which embraced a love of high-quality materials, hand craftsmanship, and often a very free, original approach to design.
Before entering the pub there is much to admire on the exterior. There is a deep mosaic fascia carrying the words Saloon / 174 / The Black Friar / 174 / Brandies on New Bridge Street side. A grand segmental arched entrance on the far left is surmounted by stone carved figures and above it a colourful mosaic of two monks fishing. The exterior lobby itself has walls and ceiling of marble. All along the exterior (well illuminated at night) are beautiful copper signs most featuring one or two friars such as a ˜Worthington Ales in Bottle'
two ˜Worthington Ales on Draught' ones
˜To the Saloon', ˜Booths Gin'
and a couple of ˜Saloon Bar' signs, one of which bears a couple of friars pointing you towards the saloon and helpfully tells you it is 9 yards away. Above the corner door (no longer in use) is a ˜174' in mosaic
a large stone figure of a friar
and a clock with a mosaic face. Above the Queen Victoria Street entrance on the right is a mosaic of a friar with wine in carafes flanked by stone carvings of friars. The fascia on this side has ˜Brandies' in mosaic.
Throughout the pub are friars “ or at least jolly, modern reinvented versions of them “ they appear everywhere in sculptures, mosaics and metal reliefs.
174 Queen Victoria Street, London, EC4V 4E
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,London,city,centre,South East England,capital,bar,8 Bedale St,SE1 9AL,SE1,door,etched,glass,Borough,Southwark,Globe,inn,beer,1872,listed building,grade,Globe Tavern,Victorian architect,Victorian,architect,Luke Hawkins,gastropub,food,ale,CAMRA,bachelorette pad,Bridget Jones Diary.,gin,palace
Description: Tony Smith image Alamy RM9ATE - Built in 1872 and designed by renowned Victorian architect Henry Jarvis, The Globe Tavern is set in a distinctive Gothic-style building. Following extensive refurbishment in 2015, the interior is modern, with an extensive array of lagers, real and craft ales. Upstairs head chef Luke Hawkins serves up adventurous, seasonal British fare with a carefully curated wine list to match. Film fan? Our first floor flats are home to the iconic bachelorette pad featured in Bridget Jones Diary.
8 Bedale St, London, England, UK, SE1 9AL
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,outside,dusk,night shot,shot,dusk shot,Irish Pub,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18AW - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,looking,down,Robnson,streetview,Irish Pub,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE18B2 - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,door,doors,etched,glass,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18F0 - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,ppl,people,punters,Irish Pub,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18F4 - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MAT - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,mirror,bonders,of,old,high,class,whiskies,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MB4 - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,ppl,people,punters,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MEY - . An on-location photograph from the recorded location in 2011, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The subject captured here is Drinkers in the Famous Crown Bar,Gt Victoria St,Belfast. The frame also records themes of factory bottling line, before-and-after reference, cider-making heritage, drinks packaging, fermented drink production, local character, local history, period detail, place identity, drinks manufacturing, everyday life, community identity, historic beverage advertising, and changing streetscape. In present-day coverage, the subject reaches into packaging and tourism, not least because of how bottling technology transformed large-scale drinks manufacturing. Small period details of landscape treatment and surrounding development at the recorded location may become more significant with time, particularly following different community use. The wider setting retains connections with cider brand history, contemporary social history, beverage production, industrial beverage equipment, visual archive, public realm, bottle-filling machinery, and archival record. References to Drinkers, Victoria, Belfast, Crown, and Famous give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within the recorded location, the image preserves more than the headline object or building: it records part of the locality's everyday history. The wider significance includes packaging and how bottling technology transformed large-scale drinks manufacturing in a form that can be compared with future views of the recorded location. Another strand within the photograph is manufacturing automation and how bottling technology transformed large-scale drinks manufacturing within the real-world context of the recorded location. The scene captures a trace of local identity as a date-specific reference.
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,ppl,people,punters,lager,ale,realale,CAMRA,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MF0 - . An on-location photograph from Great Victoria St, Belfast, NI, UK in 2011, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows Drinkers in the Famous Crown Bar,Gt Victoria St,Belfast. Further facets of the scene include bottling technology, orchard-to-bottle industry, bottle-filling machinery, regional identity, industrial beverage equipment, period detail, changing land use, historic beverage advertising, documentary photography, local history, drinks manufacturing, archival record, cider-making heritage, and changing streetscape. For current editorial use, tourism and responsible drinking provide additional context, especially through how bottling technology transformed large-scale drinks manufacturing. Small period details of commercial use and occupation at Great Victoria St, Belfast, NI, UK may become more significant with time, particularly following new ownership. The location also brings in historical comparison, Herefordshire cider tradition, regional drinks industry, factory bottling line, cider brand history, before-and-after reference, contemporary social history, and beverage production. Elements such as Belfast, Drinkers, Crown, Famous, and Victoria add documentary specificity and may become increasingly useful when compared with later records. The wider setting at Great Victoria St, Belfast, NI, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes tourism and how bottling technology transformed large-scale drinks manufacturing as part of the longer story of Great Victoria St, Belfast, NI, UK. Another strand within the photograph is manufacturing automation and the relationship between orchard agriculture, regional identity and branded cider when considered against later change at Great Victoria St, Belfast, NI, UK.
Great Victoria St, Belfast, NI, UK
Description
Keywords: Great,Street,bars,beer,pub,public,house,interior,exterior,historic,history,gin,palace,Victoriana,Liquor,Saloon,Liquor Saloon,National Trust,great,lounge,famous,Crown Bar,unique,BT2,Felix OHanlon,Tavern,tile,facade,open,sign,vaults,tiles,column,front,Irish Pub,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,boozer,Real Ale,Real,Ale,CAMRA,beer,beers,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HEEGB2 - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
Keywords: 36 Hope St Liverpool,Merseyside,L1,9BP,L19BP,fish,eye,fisheye,shot,unique,wide,english,pub,gin,palace,sinks,gents,gentlemen,gentlemen,WC,toilet,01517072837,England,UK,Hope,Street,and,Hardman,Street,Phil,public,house,gotonysmith,exuberant,free,style,of,architecture,high,quality,of,the,gentlemens,urinals,constructed,in,a,particularly,attractive,roseate,marble,buildings,of,travel,tourist,tourism,brochure,guide,leaflet,bar,bars,boozer,pub,pubs,bars,bar,hotpixuk,@hotpixuk,@hotpixuk,Phillharmonic,Philharmonic pub liverpool pub,Liverpool Pubs,pubs,bars,bar,history,historic,Buy Pictures of,Buy Images Of,Liverpool Pub,Liverpool Pubs
Description: Tony Smith image Alamy D8HDAC - The Philharmonic Dining Rooms is the name of a public house at the corner of Hope Street and Hardman Street in Liverpool, Merseyside, England, and stands diagonally opposite the Liverpool Philharmonic Hall.
It is commonly known as The Phil. The public house has been designated by English Heritage as a Grade II* listed building
36 Hope St Liverpool, Merseyside L1 9BP
Description
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Description: Tony Smith image Flickr 3804831303 - 'Today a proper old gin palace, following a boozy theme from yesterday ( www.flickr.com/photos/hotpixuk/3805649308/in/photostream/ ).
The Philharmonic Dining Rooms in Liverpool, England is situated on the junction of Hope Street and Hardman Street, diagonally opposite the Liverpool Philharmonic Hall. It appears in numerous CAMRA guides.
I have always referred to as the Philharmonic Pub or simply the Phil. It was originally designed by Walter Aubrey Thomas for the brewers Robert Cain &
Company and opened in 1898. The exterior is in the Art Nouveau style.
The interior has dark wood-panelled walls with copper reliefs, Art Deco lighting and mosaic floor and bar. The main bar is highly decorated with glass grapes and a nearly life-sized golden eagle. As well as the main bar area, the pub also has the spacious Grande Lounge at the rear of the building, and two smaller drinking snugs named Brahms and Liszt. The Grande Lounge has just been restored to the way it was meant to be when the pub was first opened. The current dining room is located on the first floor.
The men's toilets are famous for their original, ornate marble urinals, Women are permitted to visit as part of organised tours. The building is a Grade II listed.
I had a few nice pints here a while ago when I spent a few years working at Littlewoods in Liverpool. I always try to drop in now whenever I have the chance :-)
Another classic historic pub here www.flickr.com/photos/hotpixuk/3828202662/
Have a look at some of my other Liverpool images on Flickr - w=33062170@N08\'>www.flickr.com/search/?q=Liverpool&
w=33062170@N08 .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
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Description: Tony Smith image Alamy HEEGB3 - Opened by Felix O'Hanlon as The Railway Tavern, the pub was then bought by Michael Fanigan. Fanigan's son Patrick renamed and renovated the pub in 1885.
The Crown owes its elaborate tiling, stained glass and woodwork to the Italian craftsmen whom Fanigan persuaded to work on the pub after hours. These craftsmen were brought to Ireland to work on the many new churches being built in Belfast at the time. It was this high standard of work that gave the Crown the reputation of being one of the finest Victorian Gin Palaces of its time.
In 1978, the National Trust, following persuasion by people including Sir John Betjeman, purchased the property and three years later completed a £400,000 renovation to restore the bar to its original Victorian state. Further restoration by the National Trust was done in 2007 at a cost of £500,000. This work is the subject of a BBC Northern Ireland documentary, The Crown Jewel, screened in 2008.
A recognisable landmark of Belfast, the pub has featured as a location in numerous film and television productions, such as David Caffrey's Divorcing Jack (1998) and Carol Reed's classic 1947 film Odd Man Out.
The Crown has been given a Grade A Listed Building status by the Environment and Heritage Service.
46 Great Victoria Street,Belfast,County Antrim, Northern Ireland, UK BT2 7BA
Description
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Description: Tony Smith image Alamy DCE764 - Wooden Bar clock Princess Louise Pub Holborn London City England
The Princess Louise is a public house on High Holborn, London, famous for its remarkable interior, with wood panelling and a series of 'booths' around an island bar. It is a tied house, being owned by the Samuel Smith Brewery of Tadcaster, Yorkshire.
The building is protected by its Grade II listing[1] and has what has been described as a rich example of a Victorian public house interior, by William B Simpson and Sons
who contracted out the work. As it is considered so historically significant even the men's toilets, with their marble urinals, are listed. The pub, which is also listed on CAMRA's national inventory of historic pub interiors, was refurbished in 2007.
Being located near Bloomsbury, the British Museum and the University of London, it is patronised by professors and other educationalists.
In June 2009, the pub was joint winner of the best refurbishment class of the 2008 Pub Design Awards awarded annually by CAMRA.[4] Author Peter Haydon included the Princess Louise in his book The Best Pubs in London and rated it No. 5 in the capital, saying it had possibly the best preserved Victorian pub interior in London.
The Princess Louise is also notable for having been the venue for a number of influential folk clubs run by Ewan MacColl and others, which played an important part in the British folk revival of the late 1950s and early 1960s
208 High Holborn, London WC1V 7EP United Kingdom
