Search full image library
Enter words, names or reference numbers. This opens Alamy results in a new tab.
Other languages and quick categories
Search HotpixUK images in Spanish, French, German, Italian, or English. Use the dropdown for shortcuts.
Search Face in other languages
Search All in French
FR Face,
Search All German
DE Face,
Search All Italian
IT Face,
Search All Spanish
ES Face,
Back to all images preview
Description
Keywords: GoTonySmith,HotpixUK,England,city,centre,British,the,London,UK,WC1B 3DG,WC1B,history,historic,heritage,artefacts,exhibit,exhibits,institution,inside,interior,rooms,room,entrance,hall,mosaic,multiple,empire,ornate,GB,Rome,corner,face,portrait,preserved,art,artistic
Description: Tony Smith image Alamy 2RW3WXY - Art was essential to Roman life. Whether in public spaces or private homes, people were immersed in depictions of mythology, nature, and life every day. As different art forms developed, practitioners honed their craft and evolved with the times to render breathtaking images.
Mosaics are some of the most enduring pieces of Roman art. These images are composed of hundreds or thousands of carefully placed tiles or stones that formed a larger image. Mosaics were primarily placed on the floor and intended to be art pieces that were walked over. Romans were expected to appreciate the art from every angle.
Roman mosaics were largely influenced by the Hellenistic and Greek mosaics, which focused on scenes from mythology and memorializing historic figures. While mosaics had existed since early Mesopotamia, the Romans took this form of art from the Greeks and transitioned it into a more formal practice. The first mosaics created during the Roman Republic are dated to the second century BC. They involved the use of pebbles and other small stones to create basic scenes or silhouetted portraits
Great Russell Street, Bloomsbury, London, England, UK, WC1B 3DG
Description
Keywords: GoTonySmith,HotpixUK,UK,Edinburgh,Leith,Scotland,head,suckling pig,pigs,roasting,stalls,food,snack,barbeque,BBQ,cooked,snout,delicious,traditional,meat,carved,carnivore,carnivores,spit,roast,British,stand,serving,face,animal rights,piglet,piglets,stuffing,apple,sauce,sauces,rolls,ears,whole,propane gas machine
Description: Tony Smith image Alamy 2RECE42 - A pig roast or hog roast is an event or gathering which involves the barbecuing of a whole pig.
Pig roasts, under a variety of names, are a common traditional celebration event in many places including the Philippines, Puerto Rico and Cuba. It is also popular in the United States, especially in the state of Hawaii (a luau) and in the Southern United States (pig pickin'). In Southeast Asia, a pig roast is a staple among the Buddhist, and Christian communities, notably among Catholic Filipinos and Hindu Balinese people, or Buddhist Chinese people.
In the UK, the tradition of pig roasting, more commonly known in the UK as a hog roast, is popular on many occasions, particularly parties and celebrations. It is usually an outdoor event, and a staple meal at many show events. The tradition is to roast either on a spit, turning the pig under a flame, or in a large oven in a roasting pan
roasting pigs around 130 lbs (60 kg) in weight are common in the UK. The pig is normally roasted in a propane gas machine. The pig's skin is scored with a sharp blade and covered in water and salt to make the crackling. In ancient times, going all the way back to the Saxons, roasting a wild boar was often the centerpiece of a meal at Yuletide, with Yule being Freya's feast. The head was often the greatest delicacy, as evidenced by the survival of the Boar's Head Carol.
Dock Place, Leith, Edinburgh, Scotland, UK, EH6 6LU
Description
Keywords: 2023,July,British,UK,England,GoTonySmith,HotpixUK,@HotpixUK,NN12,at,driver,Silverstone,Towcester,Northamptonshire,NN12 8TL,the,mural,painting,paintings,art,union,flag,union jack,patriotic,English,three current,British drivers,MurWalls x Silverstone,MurWallsxSilverstone,Street Artists,Street Artist,British Grand Prix,Grand Prix,face,faces,Hamilton,Norris,Russell
Description: Tony Smith image Alamy 2RCC5T3 - . Lewis Hamilton, Lando Norris and George Russell, Mural by Murwalls , at Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL. Photographed on 7 July 2023. The recorded location is Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL. Murwalls - Portrait created for British and Belgian racing driver. @LandoNorris. who is competing for McLaren in F1 ðŸŽï¸. This was done in Silverstone ahead of the British Grand Prix last Sunday, where Lando placed second ðŸ. #F1 #LandoNorris #McLaren #Silverstone #britishgrandprix #StreetArt. Silverstone Circuit occupies a former Second World War RAF airfield and hosted the first Formula One World Championship race in 1950. It remains the home of the British Grand Prix and one of the UK's most important motorsport venues, combining historic track heritage with continually upgraded spectator, hospitality and safety infrastructure. In relation to urban culture, historical context shows that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. For the story of motorsport engineering, it is useful to note that motor racing venues combine sport with engineering, hospitality and large-scale event management
Circuit buildings, grandstands and temporary branding can change rapidly as safety standards, sponsorship and commercial expectations evolve. The historical setting for supporter culture is that british sports venues often have histories extending far beyond their present-day appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. Further relevant terminology includes stadium architecture, sports memorabilia, Murwalls, and drivers.
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,east,mask,grave,graves,graveyard,memorials,side,eastside,and,headstone,head,stone,of,face,image,facemask,1946-2010,1946,Swains Lane,N6 6PJ,N6,death,sculpture,tomb,bust,closed eyes,punk,British,music,coffin,historic,figure,McLaran
Description: Tony Smith image Alamy 2RADRMX - Malcolm Robert Andrew McLaren (22 January 1946 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, who combined these activities in an inventive and provocative way. He promoted and managed the bands New York Dolls, the Sex Pistols, and Bow Wow Wow, and recorded music in his own name.
McLaren was brought up by his grandmother after his father, Peter, left the family home, and attended a number of British art colleges and adopted the stance of the social rebel in the style of French revolutionaries the Situationists. McLaren realised that a new protest style was needed for the 1970s,[citation needed] and involved himself in the punk movement, for which he supplied fashions from the Chelsea boutique SEX, which he operated with girlfriend Vivienne Westwood.
After a period advising the New York Dolls in the U.S., McLaren managed the Sex Pistols, for which he recruited the nihilistic frontman Johnny Rotten. The issue of a controversial record, God Save the Queen, satirising the Queen's Jubilee in 1977, was typical of McLaren's shock tactics, and he gained publicity by being arrested after a promotional boat trip outside the Houses of Parliament.
From 1974, McLaren had advised SEX customers Paul Cook and Steve Jones on their musical aspirations, having proposed that one of his shop assistants, Glen Matlock, join them as the bass-player in a group McLaren named Kutie Jones and his Sex Pistols. In the summer of 1975, McLaren ejected the bespectacled guitarist/singer Wally Nightingale from the line-up because he lacked visual appeal.
McLaren's one-time associate Bernie Rhodes (later manager of the Clash) has claimed he spotted a new frontman in another customer, John Lydon, then sporting green hair and torn clothes with the words I hate scribbled on his Pink Floyd T-shirt. Lydon, dubbed Johnny Rotten, joined and McLaren shortened the name to Sex Pistols
Highgate Cemetery eastside, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Greater Manchester,WN3 4BF,redevelopment,area,conservation,industrial,industry,North West,1837-1901,1837,1901,foundation,stone,terracotta,Lancashire Cotton Corporation,Courtaulds,Rina and Helen,next,to,the,Leeds and Liverpool Canal,face,head,1837 to 1901,red brick,red,clay,circle,plate,Charles Gidlow Jackson,Charles,Gidlow,Jackson
Description: Tony Smith image Alamy 2PFKG5X - . A grounded documentary photograph made at Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF in 2023, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through Historic Trencherfield Mill, 1837-1901 Wallgate, Wigan, Lancs, Lancashire, Greater Manchester, WN3 4BF - Wigan Pier redevelopment area. The wider scene also brings together DJ culture, regional music heritage, community identity, changing land use, music memorial, everyday life, before-and-after reference, visual archive, commemorative plaque, public realm, place identity, local history, music-scene memorial, and local character. Today's relevance is strengthened by commemoration, venue closures and the continuing question of how memorials preserve figures from regional music scenes outside formal institutions. Small period details of materials and architectural details at Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF may become more significant with time, particularly following changed technology. The subject also sits alongside documentary photography, club-music history, popular-music heritage, archival record, memorial culture, cultural memory, place-based commemoration, and local remembrance. References to Lancs, 1837-1901, Wallgate, redevelopment, and Greater give the picture a strong period identity and tie it closely to its named subject. A later view of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to commemoration and the importance of documenting club and dance-music history without losing the local specificity of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF. Image 2PFKG5X also remains a dated record of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF.
Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Greater Manchester,WN3 4BF,redevelopment,area,conservation,industrial,industry,North West,face,Lancashire Cotton Corporation,Courtaulds,Rina and Helen,next,to,the,Leeds and Liverpool Canal,art,artist,sculpture,wall,walls,head,faces,window,windows,building,buildings,architecture,bald,balding,box,boxes
Description: Tony Smith image Alamy 2PFKG60 - . This location-specific image from Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Historic Trencherfield Mill & faces, Wallgate, Wigan, Lancs, Lancashire, Greater Manchester, WN3 4BF - Wigan Pier redevelopment area. The surrounding context encompasses contemporary social history, local dining tradition, historical comparison, food-and-drink heritage, place identity, social history, comfort food, food heritage, traditional takeaway, changing land use, community identity, street food culture, public realm, and local character. For current editorial use, nutrition and local business provide additional context, especially through how food signs and shopfronts become part of urban cultural identity. As a dated visual record of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF, the frame retains transport arrangements and footfall, making it especially useful if replacement signage subsequently changes the scene. The subject also sits alongside British food tradition, popular cuisine, everyday life, documentary photography, local history, regional identity, visual archive, and hospitality food service. Details involving redevelopment, Wigan, Lancs, Greater, and Lancashire make the image more specific than a generic view and strengthen its local or historical value. A later view of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is nutrition and how food signs and shopfronts become part of urban cultural identity within the real-world context of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF. The record includes a point of historical comparison before later change alters the scene.
Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA4,WA4 2SU,Ferry Lane,WA4 2SS,C17,pebble-dashed,century,brown,history,local,historic,old hall,farmhouse,heritage,asset,home,detached,restored,garden,stonework,face,outside,exterior,of,the,fabric,Thelwall Conservation Area,conservation,area,buildings
Description: Tony Smith image Alamy 2M9F1T3 - SJ 68 NE GRAPPENHALL C.P. FERRY LANE
(east side), Thelwall
2/15 Thelwall Old Hall
8.1.1970
GV II
House, visible features probably C17. Of sandstone, pebble-dashed to
front, with gabled stone-slate roof. Of 2 storeys and 5 windows with
central 2-storey porch and cross-wing to right. 2 mullioned windows
to upper storey left of porch and that over porch are of 3 lights
only the second from left retains small-pane casements. Lower windows
left of porch and all windows right of porch are altered with late C20
wooden casements. Door of 5 wedge-shaped oak boards on old
wrought-iron hinges.
The interior: (not inspected) is stated to have some oak beams but no major features.
Ferry Lane, Thelwall, Warrington, Cheshire, England, UK, WA4 2SS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Paint Festival,Gloucestershire,England,UK,GL51,GL51 8NJ,237,bin,red,recycling,art,graffiti,spray,stencil,paint festival,and,bins,mixed,race,general waste,street,streetart,roller,rollers,African,Biffa,contrast,contrasts,recycle,female,woman,lady,portrait,face,profile,Hip-Hop,HipHop
Description: Tony Smith image Alamy 2M6YFF5 - . Photographed at 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Koeone, Cheltenham paint festival and Biffa waste bins street art, at 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ. The frame also records themes of street creativity, traditional materials, community art, creative placemaking, adaptive reuse, changing streetscape, contemporary social history, local history, mural culture, temporary artwork, street-level design, visual archive, period detail, and conservation architecture. For current editorial use, public art and gentrification provide additional context, especially through how regeneration can both support and displace urban art. Current relevance extends to energy retrofit and adaptive reuse, particularly through keeping older buildings useful without erasing their character. The archival value lies partly in recording building condition and alterations around 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ before new ownership alters the character of the place. The surrounding story also includes everyday life, visual street culture, architectural character, heritage landmark, regional identity, archival record, period architecture, and historic townscape. The combination of Koeone, Cheltenham, Gloucestershire, festival, and paint anchors the frame to a recognisable activity, place or moment. The wider setting at 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The record includes a trace of local identity before later change alters the scene. The frame retains a local visual benchmark as a date-specific reference.
237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Herefordshire,England,UK,HR1 2NG,entrance,door,doors,entry,listed,grade II,building,gargoyle,stone,carved,carving,HR1,doorway,outside,architecture,arch,arches,Britain,British,Great Britain,history,historic,old,medieval,Christian,face,faces,ornate,detail,gargoyles
Description: Tony Smith image Alamy 2JPB8N1 - . Made at Hereford City Centre, Herefordshire, England, UK, HR1 2NG in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Hereford Cathedral details, Hereford City Centre, Herefordshire, England, UK, HR1 2NG. The surrounding context encompasses cityscape history, architectural character, contemporary social history, heritage worship space, religious heritage, medieval church setting, changing streetscape, community identity, period detail, before-and-after reference, visual archive, local character, religious artwork, and changing land use. Current relevance extends to church maintenance and heritage conservation, particularly through how places of worship combine active religious use with tourism and heritage. In present-day coverage, the subject reaches into embodied carbon and adaptive reuse, not least because of keeping older buildings useful without erasing their distinctive character. For later comparison, the photograph preserves street furniture and boundaries at Hereford City Centre, Herefordshire, England, UK, HR1 2NG, details that may look very different after closure or conversion. A second descriptive layer includes Christian iconography, sacred space, archival record, ecclesiastical decoration, historic townscape, historic streetscape, public realm, and ecclesiastical art. References to Cathedral, details, Herefordshire, and Centre give the picture a strong period identity and tie it closely to its named subject. Around Hereford City Centre, Herefordshire, England, UK, HR1 2NG, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The frame retains a point of historical comparison for later comparison. Image 2JPB8N1 also remains a dated record of Hereford City Centre, Herefordshire, England, UK, HR1 2NG.
Hereford City Centre, Herefordshire, England, UK, HR1 2NG
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Herefordshire,England,UK,HR1 2NG,entrance,door,doors,entry,listed,grade II,building,gargoyle,stone,carved,carving,HR1,doorway,outside,architecture,arch,arches,Britain,British,Great Britain,history,historic,old,medieval,Christian,face,faces,ornate,detail,gargoyles
Description: Tony Smith image Alamy 2JPB8P5 - . This scene at Hereford City Centre, Herefordshire, England, UK, HR1 2NG in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The location is represented through Hereford Cathedral details, Hereford City Centre, Herefordshire, England, UK, HR1 2NG. The surrounding context encompasses cityscape history, religious artwork, period architecture, sacred space, heritage landmark, built heritage, period detail, community identity, heritage asset, historic townscape, social history, changing streetscape, before-and-after reference, and cathedral interior. In present-day coverage, the subject reaches into cultural heritage and historic fabric, not least because of how places of worship combine active religious use with tourism and heritage. Today's relevance is strengthened by embodied carbon, redevelopment pressure and the continuing question of how historic buildings acquire new uses as cities change. Future viewers can use this scene from Hereford City Centre, Herefordshire, England, UK, HR1 2NG to compare building condition and alterations with whatever follows after redevelopment. A second descriptive layer includes everyday life, medieval church setting, church conservation, urban fabric, stained-glass craftsmanship, historic glazing, local character, and contemporary social history. Details involving Herefordshire, details, Centre, and Cathedral make the image more specific than a generic view and strengthen its local or historical value. Around Hereford City Centre, Herefordshire, England, UK, HR1 2NG, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene captures details of everyday use for future local research. The period view preserves evidence of changing use before later change alters the scene.
Hereford City Centre, Herefordshire, England, UK, HR1 2NG
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Herefordshire,England,UK,HR1 2NG,entrance,door,doors,entry,gargoyle,stone,carved,carving,listed,grade II,building,HR1,doorway,outside,architecture,arch,arches,Britain,British,Great Britain,history,historic,old,medieval,Christian,face,faces,ornate,detail,gargoyles
Description: Tony Smith image Alamy 2JPB8P9 - . This location-specific image from Hereford City Centre, Herefordshire, England, UK, HR1 2NG in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Hereford Cathedral details, faces & gargoyle , Hereford City Centre, Herefordshire, England, UK, HR1 2NG. Another layer of the photograph includes place identity, sacred architecture, visual archive, community identity, church conservation, conservation interest, social history, faith heritage, heritage worship space, changing land use, heritage landmark, documentary photography, stained-glass craftsmanship, and adaptive reuse. Viewed from the mid-2020s, the subject also connects with church maintenance, heritage conservation and the role of cathedrals as cultural landmarks beyond their congregations. The modern context includes continuing discussion of embodied carbon, tourism and the balance between conservation, retrofit and modern accessibility. Small period details of commercial use and occupation at Hereford City Centre, Herefordshire, England, UK, HR1 2NG may become more significant with time, particularly following new construction. Other useful contextual ideas include period architecture, changing streetscape, historic glazing, local history, heritage asset, medieval church setting, architectural character, and architectural detail. The recorded references to Herefordshire, Centre, Cathedral, faces, and gargoyle preserve clues about how the subject was presented, used or understood at the time. Around Hereford City Centre, Herefordshire, England, UK, HR1 2NG, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. It also preserves evidence of changing use for later comparison. Image 2JPB8P9 also remains a dated record of Hereford City Centre, Herefordshire, England, UK, HR1 2NG.
Hereford City Centre, Herefordshire, England, UK, HR1 2NG
Description
Keywords: @HotpixUK,HotpixUK,GotonySmith,Warrington,town,Cheshire,England,factory,works,in,ornate,UK,WA1,Bank Quay,4 Liverpool Road,WA5 1AB,maritime,sea,fish,sealife,art,sculpture,of,a,creature,at,outside,factories,J Crossfields,Crossfield,Crossfields,tail,swimming,tails,face,head
Description: Tony Smith image Alamy 2JJM7HT - . An on-location photograph from Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The photograph centres on Crossfields factory in Warrington entrance, stone fish stonework, Liverpool Road, Warrington, Cheshire, England, UK, WA1. The subject also carries associations with changing streetscape, industrial artefact, local history, contemporary city life, historic freight equipment, heavy-industry heritage, manufacturing heritage, period detail, changing land use, social landscape, everyday street life, contemporary social history, everyday life, and pedestrian environment. From a 2025-onward perspective, embodied carbon and manufacturing decline are closely linked to this subject, alongside the reuse of former industrial land and buildings. The wider contemporary story combines commercial change, local identity and how ordinary street scenes become valuable records as businesses and infrastructure change. For later comparison, the photograph preserves equipment and working practice at Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB, details that may look very different after changed technology. The location also brings in urban change, local character, city-centre activity, working-industry history, public realm, documentary photography, community life, and regional identity. References to entrance, stone, stonework, factory, and Crossfields give the picture a strong period identity and tie it closely to its named subject. Around Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The view records evidence of changing use before later change alters the scene.
Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,sign,city,centre,SW1,Big Ben,house,seat,government,time,political,asylum,Palace,central,tourist,attractions,attraction,tourism,Supreme Court,Westminster Abbey,HM Treasury,and,HMRC,HM Revenue and Customs,Portcullis House,Sir,Charles Barry,clockface,face,site,protest,clocktower,Rachel Reeves,Kier Starmer,free vote
Description: Tony Smith image Alamy 2M07A7P - . This location-specific image from Parliament Square, City of Westminster, London, England, UK SW1 in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Parliament Square sign, City of Westminster SW1, Big Ben clock of the UK houses of parliament, London, England, UK SW1. The wider scene also brings together city branding, London cityscape, towpath landscape, local history, inland boating, urban tourism, changing land use, working waterway, iconic London transport, archival record, heritage tourism, heritage boating, visual archive, and local character. In present-day coverage, the subject reaches into flood resilience and biodiversity, not least because of the transition of industrial waterways toward leisure and heritage use. Today's relevance is strengthened by air quality, housing pressure and the continuing question of how familiar London symbols function as global shorthand for Britain. For later comparison, the photograph preserves local activity and public use at Parliament Square, City of Westminster, London, England, UK SW1, details that may look very different after changing commercial priorities. A second descriptive layer includes regional identity, managed navigation, public realm, canal infrastructure, Westminster landmark, blue-green corridor, capital-city heritage, and period detail. The recorded references to houses, Parliament, Westminster, Square, and clock preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Parliament Square, City of Westminster, London, England, UK SW1, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene captures details of everyday use within the wider story of Parliament Square, City of Westminster, London, England, UK SW1.
Parliament Square, City of Westminster, London, England, UK SW1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,BigBen,clock,tower,HOC,HOL,Houses,British,GB,Great,Britain,seat,power,time,face,iconic,London Bus,icons,icon,flags,flag,red,SW1,commonwealth,Victorian,gothic,bong,bongs,evening,flagpole,flagpoles,AndyBurnham,Andy Burnham,Burnham,proportional representation
Description: Tony Smith image Alamy 2M0MBA6 - . Made at Parliament Square, Westminster, London, England, UK, SW1A 0AA in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The photograph centres on Big Ben clock and houses of parliament, square, British seat of government, Westminster, London, England, UK, SW1A 0AA. The setting additionally reflects community identity, towpath landscape, inland navigation, before-and-after reference, public realm, local character, navigation engineering, historic London streetscape, documentary photography, Thames city view, visual archive, archival record, social history, and everyday life. The wider contemporary story combines climate adaptation, public access and the cost of keeping ageing locks and canal structures operational. Viewed from the mid-2020s, the subject also connects with security, visitor economy and how iconic streets and landmarks change while retaining strong visual identity. Small period details of equipment and working practice at Parliament Square, Westminster, London, England, UK, SW1A 0AA may become more significant with time, particularly following altered transport patterns. The location also brings in place identity, heritage boating, urban tourism, metropolitan identity, historical comparison, changing streetscape, capital landmark imagery, and Westminster landmark. Details involving square, Westminster, houses, government, and parliament make the image more specific than a generic view and strengthen its local or historical value. For Parliament Square, Westminster, London, England, UK, SW1A 0AA, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image fixes period character as a date-specific reference. It also preserves a trace of local identity for later comparison.
Parliament Square, Westminster, London, England, UK, SW1A 0AA
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,painting,graffiti,spraying,art,girl,girl painting,pigtail,pigtails,pasted,paste up,various,artworks,street,lane,themes,tolerated,E1 6QL,face,faces,image,images,points,pointing,write,writes,is,life,corner,wall,walls,Victorian,East End
Description: Tony Smith image Alamy 2AE024F - . Photographed at Brick Lane, London, England, GB, E1 6QL in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. The scene shows Art is Life,painting,graffiti,Brick Lane,eastend,London,England,UK, E1. Further facets of the subject include conservation interest, urban fabric, historic frontage, period streetscape, industrial supply chain, heritage asset, changing streetscape, regional identity, traditional building materials, historical comparison, public realm, visual archive, factory history, and industrial artefact. For contemporary context, adaptive reuse and factory closures are closely related themes, especially where the issue becomes the historical importance of everyday manufactured objects and materials. Viewed from the mid-2020s, the subject sits within continuing debate about heritage conservation, planning control and the contrast between preservation and redevelopment. As the area changes, the photograph preserves the way the place functioned before later physical or commercial change within Brick Lane, London, England, GB, E1 6QL. The wider local story also touches on changing land use, local character, historic townscape, period building, production technology, contemporary social history, heritage landmark, and building-material production. References to Brick, graffiti, painting, London, and eastend help fix the photograph to its own subject and period rather than reducing it to a generic view. A later view of Brick Lane, London, England, GB, E1 6QL may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. A further contemporary connection is adaptive reuse and the historical importance of everyday manufactured objects and materials as part of the longer story of Brick Lane, London, England, GB, E1 6QL. The image fixes a local visual benchmark as a date-specific reference.
Brick Lane, London, England, GB, E1 6QL
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,London,E1,urban,artist,Brexitshambles,agreement,reality,EU,leaving,the,48,48%,Withdrawal Method,pro-EU,pro EU,pro,hard,border,pasted,paste up,various,artworks,street,lane,themes,tolerated,E1 6QL,face,faces,image,images,ReformUK,Nigel Farage
Description: Tony Smith image Alamy 2AE024H - . Recorded at Brick Lane, London, England, GB, E1 6QL in 2019, the image fixes a particular place, use and appearance for later comparison as buildings, businesses, signs and public activity change. At the centre of the frame is Brexit,The Withdrawal Method,Never Works,Brick Lane,East End,London,England,UK, E1. Further facets of the subject include public administration, industrial supply chain, historical comparison, public policy, factory history, place identity, documentary photography, historic manufacturing, changing land use, policy controversy, production technology, visual archive, regional identity, and civic debate. In the mid-2020s, industrial conservation and construction materials keep the subject current, particularly through recording industries that shaped northern towns. The subject remains useful for current coverage of housing and electoral accountability, not least because of comparing earlier political promises with later policy. With the passage of time, the photograph anchors the relationship between the subject and its surroundings at the recorded site in Brick Lane, London, England, GB, E1 6QL. Other useful associations include industrial artefact, before-and-after reference, democratic accountability, government priorities, electoral messaging, production works, historic context, and engineering heritage. Details involving Never, Brexit, Method, Works, and Withdrawal give the scene useful specificity and strengthen its local, cultural or historical identity. The surrounding context at Brick Lane, London, England, GB, E1 6QL matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for industrial conservation and recording industries that shaped northern towns within the specific setting of Brick Lane, London, England, GB, E1 6QL. It also preserves details of everyday use for later comparison.
Brick Lane, London, England, GB, E1 6QL
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,coloured paint,East End,London,E1,poster,silver,female,woman,feminine,sex,body,naked,menstruation,menstruating,blood,sexy,taboo,breasts,breast,art,arty,pasted,paste up,various,artworks,street,lane,themes,tolerated,E1 6QL,face,faces,image,images,hedonism
Description: Tony Smith image Alamy 2AE0276 - . Spitalfield art,model, painted street mannequin, coloured paint, East End, London, England,UK, E1. Photographed on 26 November 2019. The recorded location is Brick Lane,Shoreditch,East End,London,England,UK, E1. In London, art is all around you. This is particularly true in the streets of East London's trendsetting Shoreditch, which are emblazoned with creative street art all year round. The historical context is that public art can become part of the identity of a street or neighbourhood, recording political ideas, local history, humour, memory and changing cultural tastes
Murals, sculpture and decorative art are especially valuable as documentary subjects because they may be altered, moved, weathered or removed. The wider historical story is that town and city centres are continually rewritten by new buildings, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. As background, allotments and farms link household self-sufficiency with the commercial food system
Seed varieties, hand cultivation and large-scale mechanised farming provide a visual history of how people grow food and how agricultural practice changes. The subject remains topical in 2026 because contemporary interest in public art is closely linked to regeneration and cultural tourism. murals and sculpture continue to be used to express identity and animate public space, while redevelopment can make photographic records of earlier works increasingly valuable. In the present 2026 context, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way.
Brick Lane,Shoreditch,East End,London,England,UK, E1
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,paper and spray paint art,London,Uk,E1,paper,paint,artist,Buxton St,stencils,pano,graffiti,stenciled,papered,and,spray,sprayed,paint art,artists,pasted,paste up,various,artworks,street,lane,themes,tolerated,E1 6QL,face,faces,image,images,Hip-Hop,HipHop
Description: Tony Smith image Alamy 2AE028D - . Stencil, paper and spray paint art, Buxton Street,off Brick Lane,Spitalfields,East End,London,England,Uk, E1,panorama. Photographed on 26 November 2019. In London, art is all around you. This is particularly true in the streets of East London's trendsetting Shoreditch, which are emblazoned with creative street art all year round. In the longer view, city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban change than landmark images alone. From a heritage perspective, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a particular moment
Repeated views can later become valuable evidence of development, environmental evolution and shifting patterns of use. In historical terms, beer production links malt, hops, yeast and water with specialist equipment and cellar practice
Images of brewing vessels, casks and handpumps can illustrate both manufacturing and the pub trade that brings cask ale to the customer. Current 2026 relevance comes from the fact that urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way. As of 2026, current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent. As of 2026, current regeneration programmes make older urban photographs particularly valuable
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change.
Buxton Street,off Brick Lane,Spitalfields,East End,London,England,Uk, E1,panorama
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,artist,stencil,stencils,London,E1,BrickLane,face,artists,paint,painting,expression,work,street art,streetart,tags,tagging,derelict,abandoned,can,cans,imagination,comment,comments,on,society,closed,shuttered,empty,unused,building,path,yard,Hip-Hop,HipHop
Description: Tony Smith image Alamy 2AE028X - . Made at Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The principal point of reference is Brick Lane,art and graffiti,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL. The image connects the immediate subject with documentary photography, contemporary social history, factory history, working-industry history, labour history, historical comparison, built heritage, historic frontage, period streetscape, adaptive reuse, traditional masonry, production technology, cityscape history, and regional identity. Viewed from the mid-2020s, the subject sits within continuing debate about industrial conservation, factory closures and the relationship between local geology, manufacturing and the built environment. The present-day relevance extends to embodied carbon and historic townscape, while a wider concern is the role of distinctive architecture in local identity. From an archival perspective, the view leaves evidence of the way the place functioned before later physical or commercial change within the setting of Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL. The setting also brings in architectural character, visual archive, conservation architecture, archival record, historic commercial architecture, changing streetscape, heritage asset, and place identity. Elements such as London, Tower, graffiti, Brick, and Shoreditch add documentary specificity and may become more useful when compared with later records. Around Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear.
Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,High St,Tol booth,1626,mechanism,blue,G1,G1 5ES,at,tower,history,historic,monument,monuments,city,centre,structure,old,oldest,building,buildings,in,the,clock,clockface,face,Steeples,landmark,cityscape,skyline
Description: Tony Smith image Alamy 2ABJGCX - Standing at the foot of High Street is the Tolbooth Steeple, built in 1626 at what was the meeting point of the main streets of Glasgow at that time. The Steeple is all that remains of the original Tolbooth buildings which contained the town hall, court and jail. The Tolbooth housed the Glasgow Council Chambers until 1814, when the council sold the Tolbooth building (later demolished in 1921) and moved to Jail Square in the Saltmarket, before eventually moving to the current City Chambers in George Square. The 126-foot-tall (38-metre) steeple, complete with clock mechanism, was repaired in 2008 after cracks were discovered in the structure, along with masonry, lead and guttering improvements. Along with the nearby Tron Theatre, formerly the Tron Kirk built in 1794, the Tolbooth Steeple is one of the oldest buildings in the city.
Glasgow Cross,High Street,Glasgow Cross,Glasgow,Scotland,UK,G1 5ES
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,art,outside,exterior,gable,end,face,woman,female,Mr Cenz,Mr,Cenz,artist,1F London Rd,1F London Road,blue,L3 8HR,Contrast Mural,fest,festival,girl,women,feminine,ladylike,painting,iF,London Rd,city,centre,impressionistic,street art,street,arts
Description: Tony Smith image Alamy 2M475EA - . This authentic period view of 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR in 2019 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. At the centre of the view is Mr Cenz Street art, on gable end, of Lord Warden, 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR. The wider scene also brings together documentary photography, graffiti heritage, public transport stop, street creativity, place identity, historical comparison, local character, temporary artwork, bus route infrastructure, mural culture, urban artwork, roadside transit, before-and-after reference, and transport accessibility. From a 2025-onward perspective, public art and graffiti policy are closely linked to this subject, alongside how temporary street art becomes an important visual archive. The wider contemporary story combines decarbonisation, integrated transport and the challenge of maintaining reliable local services. Future viewers can use this scene from 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR to compare lettering, decoration and surface detail with whatever follows after replacement signage. A second descriptive layer includes passenger transport, public realm, regional identity, passenger information, surface public transport, period detail, creative placemaking, and social history. The recorded references to Warden, Liverpool, Merseyside, and gable preserve clues about how the subject was presented, used or understood at the time. The wider setting at 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene further reflects public art and how regeneration can support and displace informal culture at the same time within the specific setting of 1F London Road, Liverpool., Merseyside, England, UK, L3 8HR.
1F London Road, Liverpool., Merseyside, England, UK, L3 8HR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,North West England,Manchester,Salford music,icon,icons,band,bands,Salford bands,building,historic,history,Manchester music,Salford,Mark E. Smith Quote,smoking,smoker,Mark E Smith smoking,interview,8 Clifton Road,Prestwich,bury,Prestwich Art Festival,Akse P19,graffiti artist,Guardian newspaper interview,cigarette,in mouth,post-punk bands,cult,music icon,face
Description: Tony Smith image Alamy RK9X6Y - Mark E. Smith mural - 8 Clifton Road, Prestwich
This impressive mural of the mercurial frontman of The Fall was painted by graffiti artist Akse P19 as part of the Prestwich Art Festival in 2018.
The mural was painted 9 months after the underground rock icon died aged 60 after a battle with lung and kidney cancer, and features Smith smoking a cigarette in typically nonchalant fashion, alongside the quote Fear is something I try not to absorb', from an interview he gave to the Guardian newspaper in 2011.
Smith who was born in Broughton, Salford in 1957 founded The Fall were founded in Prestwich in 1976, and lived in the area for most of his life.
The Fall were one of the most prolific and acclaimed post-punk bands to emerge in the UK, and retained a large cult following right until Smith's death. He was the only constant member of the group that notoriously had a high turnover of members. Smith once wittily remarked if it's me and yer granny on bongos, it's the Fall.
The mural is on the side of the fish and chip shop Chips @ No.8 on Clifton Road.
8 Clifton Road, Prestwich, Bury, M25 3HQ, England
Description
Keywords: GoTonySmith,HotpixUK,UK,England,North West England,Manchester,Salford music,icon,icons,band,bands,Salford bands,building,historic,history,chips,chipshop,@,No8,painting,art,artwork,iconic,writer,lyricist,singer,composer,My vibrations will live on,In vibes on vinyl through the years,People will dance to my waves,lyrics,smoking,face,Psykick Dancehall,Psychic,Dancehall,8 Clifton Rd,Prestwich,M25 3HQ,Fear is something I try not to absorb
Description: Tony Smith image Alamy RK9X71 - . This descriptive scene documents the visible identity of 8 Clifton Rd, Prestwich, Manchester, England, UK, M25 3HQ, in this period view from 2019. The principal recorded subject is My vibrations will live on, In vibes on vinyl through the years, People will dance to my waves - Mark E Smith mural, Chips@No8, Psykick Dancehall. Other aspects of the setting include creative streetscape, conservation architecture, townscape identity, heritage streetscape, street creativity, conservation interest, traditional building, heritage asset, illustrated hoarding, urban fabric, period architecture, and built heritage. For present-day editorial use, creative hoardings can also illustrate debates about youth culture and public-realm investment, particularly where these affect art integrated with regeneration. Modern coverage of local landmarks frequently reaches beyond the immediate scene to questions of maintenance cost, conservation of original fabric and heritage-led regeneration. Small period details preserved at 8 Clifton Rd, Prestwich, Manchester, England, UK, M25 3HQ may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. Beyond the immediate subject, the setting involves graphic intervention, city artwork, community art, urban graphics, temporary artwork, historic fabric. The scene is further associated with Manchester bands, Manchester music, Salford, MES, The Fall, chippy. Further aspects present in the subject include period property, community expression, architectural detail, public realm art, historic built environment, creative regeneration, architectural heritage, contemporary mural, public art, and historic environment. The resulting record of 8 Clifton Rd, Prestwich, Manchester, England, UK, M25 3HQ is specific enough to support future before-and-after study of the same site.
8 Clifton Rd, Prestwich, Manchester, England, UK, M25 3HQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,North West England,Manchester music,Salford,icon,Salford bands,history,building,icons,Salford music,bands,historic,band,Manchester,Mark E. Smith Quote,smoking,smoker,Mark E Smith smoking,interview,8 Clifton Road,Prestwich,bury,Prestwich Art Festival,Akse P19,graffiti artist,Guardian newspaper interview,cigarette,in mouth,post-punk bands,cult,music icon,face,The Chippy,Mark E Smith,MES,ME Smith
Description: Tony Smith image Alamy RK9X72 - Mark E. Smith mural - 8 Clifton Road, Prestwich
This impressive mural of the mercurial frontman of The Fall was painted by graffiti artist Akse P19 as part of the Prestwich Art Festival in 2018.
The mural was painted 9 months after the underground rock icon died aged 60 after a battle with lung and kidney cancer, and features Smith smoking a cigarette in typically nonchalant fashion, alongside the quote Fear is something I try not to absorb', from an interview he gave to the Guardian newspaper in 2011.
Smith who was born in Broughton, Salford in 1957 founded The Fall were founded in Prestwich in 1976, and lived in the area for most of his life.
The Fall were one of the most prolific and acclaimed post-punk bands to emerge in the UK, and retained a large cult following right until Smith's death. He was the only constant member of the group that notoriously had a high turnover of members. Smith once wittily remarked if it's me and yer granny on bongos, it's the Fall.
The mural is on the side of the fish and chip shop Chips @ No.8 on Clifton Road.
8 Clifton Road, Prestwich, Bury, M25 3HQ, England
Description
Keywords: Dusk,night,art,Face Of wigan,The Face Of Wigan,Wigan,Town Centre,HousingITguy,Project365,2nd 365,HotpixUK365,Tone Smith,GoTonySmith,365,2365,one a day,Tony Smith,Hotpix,stainless steel,sculpture,face,Rick Kirby,artwork,artist,Greater Manchester,Wigan Council
Description: Tony Smith image Flickr 3991987026 - 'The Face of Wigan, located in the town centre since 2008, is a stainless steel sculpture of a face. Created by sculptor Rick Kirby, The Face stands at 18-foot-tall (5.5 m) and cost \u00a380,000.
If you are on Twitter, do add a follow there and I will follow back in return mobile.twitter.com/HotpixUK
Have a look at my archived photography, from ten years back at www.flickr.com/photos/hotpixuk/
Checkout the rest of this 365 set at www.flickr.com/photos/167831053@N02/albums/72157703214420874
All images (c) Tony Smith - @HotpixUK - No images to be used without express permission',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,Town,dusk,night,at night,nighttime,Face of wigan at Night,stainless steel sculpture of a face,stainless steel,art,artist,sculpture,of a face,sculptor Rick Kirby,sculptor,centre,town centre,nightlife,night life,night image,steel structure,artwork,icon,iconic,Marylebone,Wigan,Marylebone Wigan,sculpture of a face,face,English sculptor,English,public art,WN1,illuminated,statue
Description: Tony Smith image Alamy RG982H - Face of Wigan sculpture, Wigan
The Face of Wigan is a dramatic 5.5m high stainless steel sculpture of a face, which is destined to become another iconic image of the borough.
The piece is a new take on an old favourite as its creator, acclaimed English sculptor Rick Kirby explains: The face is a play on the many portraits and busts of the good and glorious' that adorn the parks and centres of every town and city throughout Britain.
The sculptured portrait is intended to represent not a single celebrity, but all of the inhabitants of the area, the very people of Wigan. These are the people who make the place what it is today, and indeed have the power to determine what will be the future.
The rear of the piece is a highly reflective surface set at different angles which will mirror fragments of people passing as well as the surrounding landscape.
Mr Kirby is known for a vast collection of striking public art works including Continuum' at Alexandra Park Lake in Hastings and Cross the divide' at the South Bank in London.
Funding for the project totalling almost £80,000 was provided by Modus Properties, developers of Wigan's Grand Arcade shopping centre as part of an agreement with Wigan Council to provide a major piece of public art in the town centre.
Louise Pearson, Development Manager for Modus says: We are delighted to have assisted in the delivery of this important piece of public art. Plus, we're happy to see that it is in a prime location to oversee the next phase of regeneration in the town centre.
Consultation about the piece took place with shoppers and visitors to the town centre over the summer of 2007, with people giving their thoughts and suggestions on a number of designs. At the end of the process, The Face of Wigan was the clear winner.
The Face came to its new home at The Wiend in Wigan town centre on Tuesday (December 9).
It will spend up to 18 months in this location before embarking on a tour of different locations in the borough ov
Wigan, England, UK, WN1 1YB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Victorian,Dickens,Festival,Charles Dickens,Day,village,18/12/2018,2018,WA13,The Cross,Cheshire,England,UK,WA13 0HR,Saturday,annual,people,woman,lady,painted,face,faces,costume,dressed,up,for,the,event,accordionist,dancer,WA13 0AG,Dickensian,morris,accordion,18-12-2018,Warrington
Description: Tony Smith image Alamy 2K3XN96 - . Recorded at The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Morris dancer at the Cross, Lymm, Victorian Dickens Festival, 18-12-2018, Warrington, Cheshire, England, UK, WA13 0HR. The surrounding context encompasses visual archive, town-centre trading, specialist retailer, local history, commercial frontage, social history, before-and-after reference, local character, high-street commerce, bricks-and-mortar retail, changing land use, place identity, contemporary social history, and customer footfall. The wider contemporary story combines footfall, store closures and how commercial property costs affect small retailers. As a dated visual record of The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR, the frame retains local activity and public use, making it especially useful if changing commercial priorities subsequently changes the scene. The wider setting retains connections with independent retail, retail property, documentary photography, historical comparison, community identity, street-level business, archival record, and shopfront economy. References to dancer, Victorian, Morris, Cross, and Dickens give the picture a strong period identity and tie it closely to its named subject. The wider setting at The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes footfall and how commercial property costs affect small retailers as part of the longer story of The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR. The image fixes evidence of changing use within the wider story of The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR.
The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,Cheshire,UK,WA13 0AG,Dickensian,morris,dancer,18/12/2018,18-12-2018,village,accordion,accordionist,event,dressed,painted,annual,England,2018,Festival,Charles Dickens,Victorian,WA13,The Cross,WA13 0HR,Saturday,woman,people,face,up,for,faces,the,costume,lady,Day,Dickens
Description: Tony Smith image Alamy 2K3XN9A - . This dated editorial view of 47 Eagle Brow, Lymm, Warrington, Cheshire, UK, WA13 0AG in 2018 captures more than the immediate subject, retaining clues about local use, design, activity and change. The main point of reference is Lymm Victorian Dickens Festival 18-12-2018, Morris Dancers and musicians, Eagle Brow, Warrington, Cheshire, England, UK,. The surrounding context encompasses contemporary social history, social history, bricks-and-mortar retail, high-street commerce, regional identity, customer footfall, local history, shopfront economy, commercial frontage, small business, before-and-after reference, place identity, visual archive, and independent retail. Today's relevance is strengthened by online shopping, commercial rents and the continuing question of how commercial property costs affect small retailers. Small period details of lettering, decoration and surface detail at 47 Eagle Brow, Lymm, Warrington, Cheshire, UK, WA13 0AG may become more significant with time, particularly following changing commercial priorities. A second descriptive layer includes town-centre trading, public realm, archival record, historical comparison, community identity, street-level business, specialist retailer, and local enterprise. References to Eagle, Victorian, Festival, Dancers, and musicians give the picture a strong period identity and tie it closely to its named subject. The wider setting at 47 Eagle Brow, Lymm, Warrington, Cheshire, UK, WA13 0AG matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate online shopping and how shopfronts become short-lived records of changing businesses within the real-world context of 47 Eagle Brow, Lymm, Warrington, Cheshire, UK, WA13 0AG. The period view preserves evidence of earlier appearance for future local research. The view records period character before later change alters the scene.
47 Eagle Brow, Lymm, Warrington, Cheshire, UK, WA13 0AG
Description
Keywords: eco,bin,waste,Flower,dandelion,red,red bins,art,lips,face,blond,blond girl,recycling,recycle,GoTonySmith,Scottish,collections,wheelie bins,wheeliebins,Pano,panorama,woman,female,green,economy,backstreet,blows,into,wind,turbines,turbine,generating,power,electricity,wheelie,bins,7bins,7 bins,Sunak,scrapping
Description: Tony Smith image Alamy HKHWF4 - . This dated editorial view of Glasgow, Scotland, GB, United Kingdom in 2017 captures more than the immediate subject, retaining clues about local use, design, activity and change. The scene records Graffiti in Glasgow backstreet, blond woman blows a dandelion, into wind turbines, generating green power, near wheelie bins. The wider scene also brings together stencil art, period detail, historical comparison, place identity, visual archive, changing land use, street-level design, social history, before-and-after reference, public-realm art, public realm, changing streetscape, regional identity, and archival record. The wider contemporary story combines creative districts, tourism and how regeneration can both promote and displace informal urban art. Small period details of public access and movement at Glasgow, Scotland, GB, United Kingdom may become more significant with time, particularly following new ownership. Further associations within the scene are contemporary mural, temporary artwork, documentary photography, contemporary social history, mural culture, urban artwork, local character, and visual street culture. References to backstreet, generating, dandelion, blows, and power give the picture a strong period identity and tie it closely to its named subject. For Glasgow, Scotland, GB, United Kingdom, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of creative districts and how regeneration can both promote and displace informal urban art within the specific setting of Glasgow, Scotland, GB, United Kingdom. A further contemporary connection is local identity and the blurred boundary between commissioned public art and unsanctioned graffiti as part of the longer story of Glasgow, Scotland, GB, United Kingdom. The image fixes evidence of changing use as a date-specific reference.
Glasgow, Scotland, GB, United Kingdom
Description
Keywords: Street,face,faces,car,park,gun,pipe,drain,drainpipe,wall,gable,end,with,parking,machine,artistic,urban,gun,Street Art,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HMR7 - . An on-location photograph from Smithfield St, Liverpool, England, UK in 2016, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows Graffiti Art Smithfield/Tithebarn St,Liverpool,England,UK - with parking machine. The broader subject matter reaches into graffiti heritage, public art, archival record, public realm, changing land use, visual archive, contemporary mural, stencil art, public-realm art, before-and-after reference, period detail, regional identity, social history, and changing streetscape. From a 2025-onward perspective, local identity and regeneration are closely linked to this subject, alongside how temporary street art can become an important record of neighbourhood culture. Future viewers can use this scene from Smithfield St, Liverpool, England, UK to compare landscape treatment and surrounding development with whatever follows after redevelopment. The photograph additionally reflects local character, community identity, temporary artwork, visual street culture, street creativity, mural culture, urban graphics, and historical comparison. Details involving Smithfield, Graffiti, Liverpool, machine, and Tithebarn make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Smithfield St, Liverpool, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is local identity and how temporary street art can become an important record of neighbourhood culture in a form that can be compared with future views of Smithfield St, Liverpool, England, UK. The scene further reflects regeneration and the blurred boundary between commissioned public art and unsanctioned graffiti within the real-world context of Smithfield St, Liverpool, England, UK.
Smithfield St, Liverpool, England, UK
Description
Keywords: Two comical,with,ivy,comedy,funny,vulgar,plants,spade,hat,fool,foolish,ornament,world,garden Gnomes,Gardeners World,GoTonySmith,Buy Pictures of,Buy Images Of,British,classic,fun,Great Britain,GB,English,traditional,gnomes,daft,twee,face,friends,friendly,faces,overgrown,garden,gardens
Description: Tony Smith image Alamy EY5KEH - . Two comical classic British garden Gnomes with ivy, overgrown garden. Photographed at England, Great Britain , UK. The photograph was taken on 19 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Two, comical, garden, Gnomes, ivy, plant, whimsey, Two comical, comedy and funny, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
England, Great Britain , UK
Description
Keywords: East Ilsley,village,parish,Berkshire,Mary,Saint,Time,fingers,stone,A34,United Kingdom,highest,grade,listed,stone,render,Hildersley,Norman,English,style,chancel,religion,religious,place,of,worship,Clock,face,England,UK,United Kingdom,blue,gold,golden,window,GoTonySmith,Buy Pictures of,Buy Images Of,historic,time
Description: Tony Smith image Alamy EY5KED - . Clockface at St Marys, East Ilsley, Berkshire, England,UK. Photographed on 16 July 2015. The recorded location is Church Road, East Ilsley, Berkshire,England. The church is partly Norman
has an early English style chancel, and an embattled tower
it was enlarged and repaired in 1845 and contains an old monument of one of the Hildesleys, ancient lords of the manor. In the longer view, ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the evolving use of sacred space. Historically, historic objects and places gain meaning through survival
Materials, craftsmanship, inscriptions and later alterations can reveal how a building, machine or everyday item was made, used and valued, while preservation decisions show which parts of the past communities choose to retain. In historical terms, room interiors are records of both design and daily activity
Furnishings, lighting, surfaces and specialist fittings can identify a building's function and period, while later refurbishment may erase these smaller details. Current 2026 relevance comes from the fact that historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant. In 2026, conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it provides about materials, local identity and how places change. Additional discoverability terms include ecclesiastical architecture, parish church, Christian heritage, sacred art, religious symbolism, stained glass, and church interior.
Church Road, East Ilsley, Berkshire,England
Description
Keywords: 1860 Sir James Graham by John Tweed,He was an MP,First Lord of the Admiralty,Provincial,Carlisle,Cathedral,United Kingdom,Church,bronze,sculpture,statue,GoTonySmith,7 Abbey St,Carlisle,Cumbria,England,UK - CA3 8TZ,CA3 8TZ,Buy Pictures of,Buy Images Of,CA3,1860,by,at,UK,James Graham,John Tweed,art,artist,portrait,portraits,face,MP
Description: Tony Smith image Alamy EY3KP8 - . 1860, Sir James Graham, by John Tweed, at Carlisle Cathedral, Castle street, Cumbria, England, UK, CA3 8TZ. Photographed on 6 July 2015. The recorded location is 7 Abbey St, Carlisle, Cumbria, England, UK - CA3 8TZ. 1860 Sir James Graham by John Tweed, He was an MP, First Lord of the Admiralty, Home Secretayr. Freemason and Provincial Grandmaster a faithful servant of the state- Carlisle Cathedral. The wider historical story is that churches combine worship with architecture, community memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, changing liturgy, community benefactors, war remembrance and family history. The wider historical story is that town and city centres are continually rewritten by new buildings, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. In the present 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and community identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage structures while keeping them accessible and relevant. In the present 2026 context, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way. For the 2026 context, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses.
7 Abbey St, Carlisle, Cumbria, England, UK - CA3 8TZ
Description
Keywords: Oxfordshire,England,UK,page,of,helpers,faces,images,image,verger,Oxen,chrurch,GoTonySmith,welcome,to,the,West Oxfordshire,England UK,our,people,place,a,face,name,named,names,Welcome to Holy Trinity,churches,Holy Trinity Church,welcoming,Wood Green,Victorian,vicar
Description: Tony Smith image Alamy ECW4H5 - Holy Trinity Church, Wood Green, is a Grade II listed Victorian church in Witney, Oxfordshire.htm Target=_Blank>Oxfordshire.
The Church was built in 18489, on land given by the bishop of Winchester and the duke of Marlborough
the cost was met largely from subscriptions, and a gift from the rector Charles Jerram. The architect was Benjamin Ferrey.
The church of squared and coursed limestone with ashlar quoins and dressings and a gabled stone slate roof. There is a two-bay chancel with pointed moulded doorway and Caernarvon-arched window. The five-bay nave has offset buttresses, lancets and two-light windows in each east bay.
An organ was installed in 1860, and new choir stalls and altar rails were fitted in 1869. In 1887 the vestry was enlarged to designs by Clapton Crabb Rolfe, and in 1895 an organ by Charles Martin of Oxford replaced the earlier one.
A new pulpit was fitted in 1909 in memory of Samuel and Mary Shuffrey. It was created in the Wood Green workshop of their son Leonard Shuffrey, the leading architect and architectural designer, who is buried in the Churchyard. James Allen Shuffrey, the notable watercolour artist, and brother of Leonard Shuffrey, sang in Wood Green Church Choir as a boy.
Woodgreen, Witney, West Oxfordshire, England, UK
Description
Keywords: WS137LD Staffordshire,England,UK,WS13,7LD,church,churches,religion,religious,symbols,ceramic,ceramics,tiled,14th,century,historic,building,magnificent,high,altar,city,cities,English,British,GB,face,person,Elred,curve,curved,brown,blue,Diocese,medieval,GoTonySmith,tourism,tourist,attraction,Oluma
Description: Tony Smith image Alamy ED9DKN - . Tiles on floor at Lichfield cathedral, Staffordshire, England UK WS13 7LD leading to the high altar. Photographed at 19A The Close, Lichfield, Staffordshire, england, UK WS13 7LD. The photograph was taken on 01 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Tiles on floor at Lichfield cathedral, Stafford, medieval, symbols, ceramic, Offa, curve, Mercia, symbolism and 7LD, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
19A The Close, Lichfield, Staffordshire, england, UK WS13 7LD
Description
Keywords: WS137LD Staffordshire,England,UK,WS13,7LD,church,churches,religion,religious,symbols,ceramic,ceramics,tiled,14th,century,historic,building,magnificent,high,altar,city,cities,English,British,GB,curve,curving,Oluma,figure,face,detail,of,Diocese,medieval,GoTonySmith tourism tourist attraction,Buy Pictures of,Buy Images Of,Elred,blue,tourist
Description: Tony Smith image Alamy ED9DKT - . Tiles on floor at Lichfield cathedral, Staffordshire, England UK WS13 7LD leading to the high altar. Photographed at 19A The Close, Lichfield, Staffordshire, england, UK WS13 7LD. The photograph was taken on 01 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Tiles on floor at Lichfield cathedral, Stafford, medieval, symbols, ceramic, Offa, curve, Mercia, symbolism and 7LD, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
19A The Close, Lichfield, Staffordshire, england, UK WS13 7LD
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,village,festival,straw,decoy,face,human,lifelike,scarecrow competition,competition,Cheshire,bench scarecrow,watering can,hat,boots
Description: Tony Smith image Alamy DDJNY4 - . Summer Scarecrow on a bench, England, UK. The photograph was taken on 07 July 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scarecrow, on a, bench, Summer, Englsh, village scarecrows, Scarecrow spotting, Scatter a Scarecrow Week, annual festival and scarecrow festival, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph has strong editorial relevance to public events, festivals, performances, celebrations and the temporary activity that changes the character of a familiar place. It can support coverage of festivals, street entertainment, performers, audiences, tourism, cultural events, city-centre activity and the economic and social impact of organised public gatherings. Costume, temporary signs, crowds, performance areas, street furniture and the surrounding architecture can all help establish the event in a specific place and period. Because events are temporary, a dated documentary photograph has particular archive value, preserving details that disappear as soon as the programme, performers and public activity move on. Search themes include festivals, street performance, live entertainment, cultural events, tourism, crowds, city-centre activity, temporary public space and event heritage. The dated view is valuable for identifying how a particular event, performer or festival presence looked in that year. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Description
Keywords: Festival puppet entertainer with a severed head,August High street,Edinburgh Old Town,Lothian,Scotland UK August High street,Edinburgh Old Town,Lothian,smiling,actor,holding,streetfun,fun,monochrome,spectacle,horror,mono,monochrome,fringefestival,EH11QS,EH1,1QS,gotonysmith black and white,gotonysmith,Buy Pictures of,Buy Images Of,Scotland,attractions,kissing,attraction,Festival puppet entertainer,severed,head,face
Description: Tony Smith image Alamy D8HWP0 - . Festival puppet entertainer with a severed head , August High street, Edinburgh Old Town, Lothian, Scotland UK. Photographed on 22 August 2012. The recorded location is High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS. Historically, community circus and street entertainment sit between amateur participation and professional performance, using portable skills such as juggling and puppetry that can be staged in parks, streets or festivals with minimal infrastructure. Looking at the subject's development, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local history, design, industry and social life across different periods. In historical terms, urban street scenes capture the cumulative effect of planning, architecture, transport, retail and public space
Shopfronts, signs, street furniture and pedestrians can date an image precisely and show how a district changes between periods of investment, decline and regeneration. In 2026, outdoor performance continues to be important to festivals and community events, offering accessible entertainment at a time when arts organisations continue to debate funding, participation and the use of public space. For the 2026 context, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historical fabric creates continuing debate about conservation and reuse. The historical context is that festival entertainers add a temporary layer of performance to public space
Their costumes, props and interaction with passers-by often become part of the identity of recurring civic and arts events. In 2026, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse.
High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS
Description
Keywords: girl,red,gel,gels,bike,skimpy,top,bra,motor,motorbike,skull,skulls,ride,sexy,rubber,lace,fishnet,net,body,suit,bodysuit,fishnets,woman,lady,female,erotic,tony,smith,hotpix,tonysmith,tonysmithhotpix,UK,England,band,dancer,private,tight,clothes,rouge,rojo,color,colour,big,breasts,very,chesty,bouncy,from,where,I,am,standing,live,concert,gig,shot,face,portrait,MIS,@hotpixUK,ActiveH,housingtechnology
Description: Tony Smith image Flickr 6346892333 - 'Alberta Cross - 'Lucy Rider' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
A cracking track from 'The Thief and the Heartbreaker' album.
Alberta Cross is a New York-based band, formed by Petter Ericson Stakee (vocals, guitar) &
Terry Wolfers (bass). Despite their different upbringings - Stakee travelled from an early age between Sweden and England with his singer-songwriter father, whilst Wolfers was brought up in London's East End - they formed what would later become Alberta Cross. After relocating to Brooklyn, New York, Stakee and Wolfers solidified the line-up with the addition of Austin Beede, Alec Higgins and Sam Kearney.
The band's sound has been compared to The Band, Neil Young, The Raconteurs and other blues-influenced rock bands.
'Lucy Rider' is heard in the series premiere of the BBC One series Survivors, as well as episode 3 of Season 1 of Dirty Sexy Money. The album is well worth checking out.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: goth,gothic,face,portrait,lady,woman,female,women,fashion,alternative,alt,black,sexy,teen,teenager,costume,dark,tony,smith,tonysmith,hotpix,tonysmithhotpix,uk,england,english,fetish,cool,hat,lace,whitby,weekend,north,east,yorkshire,Yorks,coast,harbour,port,october,halloween,@hotpixuk
Description: Tony Smith image Flickr 6340727155 - 'Alice Cooper - 'Black Widow' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
This is one of my favourite tracks from 'Welcome to My Nightmare', the eighth album by Alice Cooper, released in 1975. This was Alice Cooper's first solo album (all previous Alice Cooper releases were band efforts). The cover artwork was created by Drew Struzan for Pacific Eye &
Ear. Rolling Stone would later rank it as one of the 'Top 100 Album Covers Of All Time'.
Welcome to My Nightmare is a concept album. The songs, heard in sequence, form a journey through the nightmares of a child named Steven. Welcome to My Nightmare inspired the Alice Cooper: The Nightmare TV special and a worldwide concert tour in 1975, and the Welcome To My Nightmare concert film in 1976.
The song Welcome to my Nightmare is a parody of the 1968 novel 'There's a Nightmare in My Closet' by Mercer Mayer. Famed film actor of the Horror genre Vincent Price provided the introductory monologue in the song 'The Black Widow'. VP can be seen in the video link.
Alice Cooper was born Vincent Damon Furnier in 1948. He is an American rock singer, songwriter and musician whose career spans more than four decades. With a stage show that features guillotines, electric chairs, fake blood, boa constrictors and baby dolls, Cooper has drawn equally from horror movies, vaudeville and garage rock to pioneer a grandly theatrical and violent brand of heavy metal designed to shock. He came decades before the likes of Marilyn Manson and others.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: scream,screaming,girl,female,lady,eye,eyes,portrait,hair,style,contrast,lighting,tony,smith,tonysmith,hotpix,tonysmithhotpix,selective,color,colour,face,creapy,scary,spooky,UK,England,hammer,horrer,horror,distorted,distortion,egg,heads,eggheads,egghead,@hotpixuk
Description: Tony Smith image Flickr 5941042356 - 'Sonic Youth 'Screaming Skull' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Sonic Youth's history began when guitarist Thurston Moore moved to New York City in early 1976. Interested in punk, Moore joined the Coachmen, a guitar-based quartet, after arriving in the city. Lee Ranaldo, an art student at Binghamton University, became a fan of the Coachmen, and he and Moore were soon friends.
Ranaldo was a member of Glenn Branca's electric guitar ensemble, touring throughout the US and Europe. After the breakup of the Coachmen, Moore began jamming with Stanton Miranda, whose band, CKM, featured local artist Kim Gordon.
The name Sonic Youth came from combining the nickname of MC5's Fred 'Sonic' Smith with the trend of reggae artists, such as Big Youth.
Sonic Youth signed as the first act on Neutral Records. In December 1981 the group recorded five songs in a studio in New York's Radio City Music Hall. The material was released as the Sonic Youth mini-LP that, while largely ignored, was sent to a few key members of the US press that gave it favorable reviews.
During the 1984 tour of Europe, Sonic Youth's disastrous London debut (where the band's equipment malfunctioned and Moore consequently destroyed the equipment onstage in frustration) actually resulted in rave reviews in Sounds and the NME. That was probably I came across them.
In 1986 they moonlighted as Ciccone Youth. Track down the three track 12' - 'Into the Groove(y)' (a cover of Madonna's hit 'Into the Groove', incorporating snippets of her recording) and the short 'Tuff Titty Rap' on the A side (both performed by the Sonic Youth members), and 'Burnin' Up' on the B side.
This track is from the 1994 Experimental Jet Set, Trash and No Star album.
Checkout more w=33062170@N08\' target=\'_blank\'>portraits from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',
Description
Keywords: tagged,face,orange,Spoom tag,grafitti,Belfast City,Northern,Ireland,UK,city,centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,painting,wall,walls,tribute,West,Beal,feirste,fun,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M8F - . Made at Belfast, Northern Ireland, UK in 2011, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Spoom tag grafitti,Belfast,Northern Ireland,UK. The wider scene also brings together street-level design, documentary photography, regional identity, temporary artwork, public art, graffiti heritage, street creativity, archival record, urban graphics, before-and-after reference, creative placemaking, community identity, visual archive, and changing land use. Current relevance extends to gentrification and local identity, particularly through the blurred boundary between commissioned public art and unsanctioned graffiti. Future viewers can use this scene from Belfast, Northern Ireland, UK to compare equipment and working practice with whatever follows after new ownership. The surrounding story also includes place identity, local history, historical comparison, public realm, community art, social history, everyday life, and visual street culture. The combination of Northern, Spoom, Ireland, Belfast, and grafitti anchors the frame to a recognisable activity, place or moment. Around Belfast, Northern Ireland, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate gentrification and how regeneration can both promote and displace informal urban art when considered against later change at Belfast, Northern Ireland, UK. The image also provides a reference for regeneration and the blurred boundary between commissioned public art and unsanctioned graffiti without losing the local specificity of Belfast, Northern Ireland, UK. The frame retains a trace of local identity before later change alters the scene. The scene captures a local visual benchmark as a date-specific reference.
Belfast, Northern Ireland, UK
Description
Keywords: @hotpixuk,Hotpixuk,GoTonySmith,England,UK,North West England,Eastgate,clock,#ChesterTogether,ChesterTogether,Victorian Clock,City Centre,city,hands,clock hands,ancient,East Gate,gates,walls,Queen Victorias,diamond jubilee,wall clock,walled,Deva,Deva Victrix,Chester landmark,landmarks,city of Chester,1899,open work iron pylons,clock face,face,copper ogee cupola,copper,ogee,cupola,John Douglas
Description: Tony Smith image Alamy 2BGHB2H - Eastgate and Eastgate Clock in Chester, Cheshire, England, stand on the site of the original entrance to the Roman fortress of Deva Victrix. It is a prominent landmark in the city of Chester and is said to be the most photographed clock in England after Big Ben.
The original gate was guarded by a timber tower which was replaced by a stone tower in the 2nd century, and this in turn was replaced probably in the 14th century. The present gateway dates from 1768 and is a three-arched sandstone structure which carries the walkway forming part of Chester city walls. In 1899 a clock was added to the top of the gateway to celebrate the diamond jubilee of Queen Victoria two years earlier. It is carried on open work iron pylons, has a clock face on all four sides, and a copper ogee cupola. The clock was designed by the Chester architect John Douglas. The whole structure, gateway and clock, was designated as a Grade I listed building on 28 July 1955.
41-45 Eastgate St, Chester, Cheshire, North West England, UK, CH1 1LE
Description
Keywords: tony,smith,hot,pix,picks,hotpics,hotpicks,soldier,black,white,mono,B/W,sepia,military,poppy,day,poppyday,remembrance,11th,11/11/11,red,portrait,man,men,face,male,Jack,Boyd,hdr,portraits,mywinners,hotpix!,tony smith photography,tdktony,tdk,tdktonysmith,#tonysmith,#tonysmithhotpix,#tonysmithotpix,@hotpixuk
Description: Tony Smith image Flickr 5179408709 - 'Soldier Soldier - 'Spizz Energi' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Spizzenergi was a late 1970s English punk/new wave band led by Kenneth Spiers, known as Spizz. Championed by John Peel, The band changed its name several times using alternate names including Spizzoil and Athletico Spizz 80.
They were the first band to sign to Geoff Travis's Rough Trade Records and the first to top the newly created UK Indie Chart early in 1980. They were perhaps best known for their single 'Where's Captain Kirk?'
SO WHEN I AWOKE FROM THE DANGERS OF SPACE
I LOOKED AND I SAW A FAMILIAR FACE
THE TIME WARP IN SPACE MADE A CHANGE IN ME
FOR I WAS THE CAPTAIN AND THE CAPTAIN WAS ME
After a Siouxsie and the Banshees gig at Birmingham Odeon Cinema Spizz jumped on stage and sang into the microphones, on the back of which was given a recording deal. He was already performing (solo) by 1977. He soon got together with like-minded guitarist Pete Petrol (real name Pete O'Dowd). In 1978 Palmolive, drummer with The Slits, joined what was called Spizzoil for a few gigs.
For more on this band checkout the compilation 'Spizz Not Dead Shock'
------------------------
In Flanders fields the poppies grow
Between the crosses, row on row,
That mark our place
and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie,
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch
be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
NB: Like all the images on this stream, full size images are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>portraits from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: Euston tube Station,Euston,Square,Camden,London,UK,gotonysmith,wide,landscape,image,TFL,LU,transport,for,Underground,I,kill,for,love,poster,platform,passengers,passenger,waiting,woman,face,faces,transport,system,train,trains,interchange,pano,panorama,joiner,joined,images,unique,stitched,stitcher,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF7D94 - . Panorama of Euston tube Station, Euston Square, Camden, London, UK. Photographed on 30 September 2010. From a heritage perspective, britain's railways reshaped towns, industry and passenger travel from the nineteenth century onwards, creating a dense network of stations, goods yards, signalling infrastructure and long-distance routes
Surviving structures, signs and operating equipment now document both railway heritage and continuing public transport. The historical context is that town and city centres are continually rewritten by new buildings, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. In historical terms, seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. As of 2026, rail policy is especially topical: the Railways Bill is progressing through Parliament and is intended to establish Great British Railways as the publicly owned directing mind for track, stations, timetables and passenger services
Older branded trains and station scenes therefore gain additional documentary value during another major restructuring of the industry. The subject remains topical in 2026 because current regeneration programmes make older urban photographs particularly useful
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change. Against the 2026 backdrop, current interest in climate and place-making gives atmospheric landscape images added documentary value, particularly where weather, coastlines or urban development are prominent.
Euston tube Station, Euston Square, Camden, London, UK
Description
Keywords: tat2,tatoo,tattoo,tatto,body,woman,lady,female,sleep,sleeping,ink,skin,beauty,tats,needle,hotpix,tonysmith,sepia,selective,colour,color,colores,B/W,mono,portrait,face,portraits,goth,babe,babes,gothic,porn,porno,pornography,racy,sex,sexy,dirty,texture,hot,textured,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,tony smith photography,tdktony,tdk,tony,tdktonysmith,@hotpixuk
Description: Tony Smith image Flickr 4760947103 - 'The Sleeping Beauty Novels by Anne Rice (writing as A. N. Roquelaure). Best known for her gothic vampire stories and later religious-themed works, Rice is also the creator of a trilogy centered on Sleeping Beauty -- The Claiming of Sleeping Beauty
Beauty's Punishment
and, Beauty's Release.
Rice puts a strong emphasis on human desire and Beauty\u2019s sexual awakening with these erotic, sometimes sadomasochistic, stories.
The Claiming of Sleeping Beauty (1983), Beauty's Punishment (1984), and Beauty's Release (1985) are erotic novels by Anne Rice writing under the pseudonym of A. N. Roquelaure. The trilogy was a bestseller, outearning Interview with the Vampire.
They are lengthy BDSM novels, reminiscent of Story of O, set in a medieval fantasy world based very loosely on the legend of Sleeping Beauty. The novels contain both maledom and femdom scenarios, as well as vivid imageries of bisexuality, ephebophilia and bestiality.
In this alternative racy adult orientated tale, Beauty is awakened from her hundred-year sleep by the Prince, not with a simple kiss, but with a deflowering, initiating her into a Satyricon-like world of sexual adventures. After stripping her naked he takes her to his kingdom, ruled by his mother, the Queen.
There Beauty is trained as a slave and a plaything. The rest of the naked slaves, dozens of them, in the Queen's palace are princes and princesses sent by their royal parents from the surrounding kingdoms as tributes. In this palace they spend several years learning to become obedient and submissive sexual property, accepting being spanked, being publicly displayed, crawling around on their hands and knees, servicing their masters and mistresses, until they return to their own lands 'being enhanced in wisdom'.
In the palace Beauty meets another slave, Prince Alexi, with whom she copulates passionately. After that he tells her the long adventurous journey he had in the palace. Alexi previously had been a stubborn prince who fought back all the attempts to break him, until the Queen sent him to the kitchen to get him tortured by crude kitchen servants.
The punishment Alexi received there was so savage and merciless he began to lose his senses and, after some particularly humiliating training at the hands of a strong stable boy, Alexi became a totally surrendered slave, playing various sexual games at the Queen's commands.
The moral of Alexi's story notwithstanding, Beauty fails to become an obedient plaything, and the book closes with her being sentenced to brutal slavery in the neighboring village along with other failed slaves.
So the moral of all this: 'Dont waste your life waiting for your prince to come'.
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\'>images from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: England,UK,GoTonySmith,HotpixUK,@HotpixUK,18/05/1980,18th,May,80,1980,singer,frontman,memory,anniversary,Control,memorial stone,Macclesfield,Crematorium,Cheshire,Warsaw,SK10 3BU,SK10,cemetary,punk,band,music,Manchester,Mancunian,famous,inhabitant,of,town,English,north west,face,CD,portrait,fan,post card,letter,words,message,messages
Description: Tony Smith image Alamy 2PP0N90 - . Ian Curtis 18-5-80 Love Will Tear Us Apart, memorial stone, Macclesfield Crematorium, Cheshire, England, UK. Photographed on 31 May 2010, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Prestbury Road, Macclesfield, Cheshire, England, UK, SK10 3BU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include 18/05/1980, 18th, May, singer, frontman, memory, anniversary, Control, memorial stone, Macclesfield, Crematorium, Cheshire, providing natural SEO coverage without losing the specific documentary identity of the photograph. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
Prestbury Road, Macclesfield, Cheshire, England, UK, SK10 3BU
Description
Keywords: UK,elections,election,2010,may,6th,06/05/2010,liberal,democrat,c UK,conservative,tory,local,politic,politics,rosette,yellow,blue,standing,people,person,faces,face,vote,voting,station,poll,polling,Ty,Field,Tyrone,sex,sexy,HOT PIX,tony smith photography,tdktony,tdk,tony,tdktonysmith
Description: Tony Smith image Flickr 4601751233 - 'Well you do expect to see the odd parliamentary election doorstep canvasser, but I did look at this trio and joked that they made an unlikely alliance, before I trailed off to do my civic duty!
What a difference five days make eh?
A lot of people mistakenly regard the Liberals as the new kids on the block these days, while in reality at core they were the old guard with the Tories back in the late victorian era. When the left wing Labour party arrived, quite soon ping pong between Tory and Labour administrations have ensued.
While many councils are liberal led, however the first past the post system is an unfortunate barrier to seeing a majority liberal party prime minister at Westminster. One which the two main parties may be reluctant to dismantle if a hung parliament results tonight and Nick Clegg assumes his role as 'Kingmaker'.
A view from inside the ballot booth: www.flickr.com/photos/hotpixuk/4608926442/
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08&
m=tags\'>Interesting Stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: rick,dave,face,science,fiction,cool,people,image,tattoo,tat2,musician,muso,b/w,black,white,mono,sepia,hat,headset,eyes,hotpix,hotpixuk,tonysmith,tony,smith,male,men,boys,lads,couple,two,pair,movie,film,set,Tatuada,tatoo,tatto,tats,ink,bodyart,body,art,dark,disturbia,Hotpicks,hotpics,interesting,person,persons,persona,interesante,tatouage,retro,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 4446315490 - 'You Give Me Friction
But I Dig Friction
You Know I'm Crazy About Friction
Warrington artists and musicians Rick Hagan and Crazy Dave. They would not look out of place in a science fiction space opera.
They could be on a distant planet, or maybe just popped out of Sigourney Weaver's air conditioning duct (or maybe the Spar on Thelwall New Road). I remember reading a few Edward E (Doc) Smith books in my wasted youth, from his Skylark and Lensman series. Rick or Dave could drop out of any of these, straight off the page.
In the Mos Eisley Cantina watering hole maybe you might find them in a booth, Rick with a mug of white tea (as he doesn't normally drink) and Dave with a two bottles (double round) of Colt 45s with Lando.
More classic sepia and black and white www.flickr.com/photos/hotpixuk/3828011848/
Have a look at some of my other cool people images on Flickr -
w=33062170@N08&
m=tags\'>www.flickr.com/search/?q=cool+people&
w=33062170@N08&
m=tags .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: emily,alterations,northwich,portrait,face,person,peope,image,small,shop,store,cheshire,UK,england,interesting,people,persons,persona,interesante,dress,maker,dressmaker,leaning,counter,hotpicks,lady,female,woman,girl,hotpix!,tony smith photography,tdktony,tdk,tony,tdktonysmith,@hotpixuk
Description: Tony Smith image Flickr 4425688874 - 'Alterations above Focus 10 Clothing Co. 17 Witton Street, Northwich, Cheshire.
Emily has over 50 years experience in dress making and alterations and is still doing it in her 80th year.
She has turned up and adjusted quite a bit of stuff for me. Her shop is one of the oldest on the pedestranised Witton street and comes highly recommended ! She and her husband Arthur are bound to give you a friendly welcome.
Tel 01606 43988 to book your alteration.
A scene from another local shop www.flickr.com/photos/hotpixuk/3690681811/
View my photostream here
Add me as a contact here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: red,lamp,lady,girl,woman,projection,slide,portrait,strange,bizarre,interesting,face,image,visage,special,effect,sex,sexy,porn,porno,girlie,this photo rocks,rot-rosso-rouge-rood,erotic,pretty,fetish,fetishist,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,female,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,hotpix!,tony smith photography,tdktony,tdk,tony,tdktonysmith,howles,wales,welsh,pontlottyn,Caerphilly,bargoed,newtredegar,new,tredegar,@hotpixuk
Description: Tony Smith image Flickr 4316820876 - 'Karen simply projected onto a table lamp. The red velvet comes up well on black and the porcelane lamp holder has had an unexpected effect on her chest.
(No Photoshop editing)
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC ',
Description
Keywords: hat,chinese,hand,coloured,colored,handcolored,handcoloured,hotpixuk,hotpix,tonysmith,tony,smith,vietnam,south,asia,face,head,faces,portrait,good,she,is,pretty,female,lady,woman,selected,selective,colour,color,b/w,black,white,monochrome,mono,asian,vietnamese,partial,mixed,this photo rocks,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,tony smith photography,tdktony,tdk,tdktonysmith,BME,minority,ethnic
Description: Tony Smith image Flickr 3874777659 - 'Sepia toned and hand coloured print
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: English,UK,signature,Gotonysmith,Buy Pictures of,Buy Images Of,image,foreign office,stamp,stamps London,woman,wife,female,ID card,ID,personal,details,information,nationality,history,historic,expired,old,open,face,portrait,portraits,bearer,granny,lady,girl,foreign,office,British Passport,photo,photograph,passport control,immigration
Description: Tony Smith image Alamy D8HCR0 - . This location-specific image from Great Britain, UK in 2009 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows Old lady's expired British subject passport photograph. The surrounding context encompasses postal graphic design, paper communication, community identity, visual archive, commemorative issue, used postage stamp, documentary photography, everyday life, regional identity, changing land use, public realm, philatelic material, historic postage, and postal history. Viewed from the mid-2020s, the subject also connects with collecting, graphic design and the collector interest created by discontinued currencies, states and designs. For later comparison, the photograph preserves lettering, decoration and surface detail at Great Britain, UK, details that may look very different after new construction. The surrounding story also includes before-and-after reference, collectable stamp, postal artefact, social history, local character, postal ephemera, mail history, and contemporary social history. Details involving British, subject, photograph, passport, and expired make the image more specific than a generic view and strengthen its local or historical value. Around Great Britain, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for collecting and the collector interest created by discontinued currencies, states and designs without losing the local specificity of Great Britain, UK. Another useful connection is collecting and the contrast between physical postal culture and digital communication in a form that can be compared with future views of Great Britain, UK. It also preserves evidence of earlier appearance within the wider story of Great Britain, UK.
Great Britain, UK
Description
Keywords: Pumpkin,punpkin,halloween,sparkler,cut,faces,face,yellow,orange,party,celebration,sparks,glow,ambiant,low,light,fire,work,firework,HotpixOrgUK,head,365days,festival,fetes,dark,disturbia,hotpix!,Quotidiae,tony smith photography,tdktony,tdk,tony,tdktonysmith,Jack,o,lantern,jack-o-lantern,Lanten
Description: Tony Smith image Flickr 4083459935 - 'A carved orange pumpkin (Squash) ready for use at the festival of Halloween as a lantern. Lighting provided by a sparker to produce yellow hair.
Pumpkins are commonly carved into decorative lanterns called jack-o'-lanterns for the Halloween season in North America. Throughout Britain and Ireland, there is a long tradition of carving lanterns from vegetables, particularly the turnip, mangelwurzel, or swede.
Not until 1837, however, does jack-o'-lantern appear as a term for a carved vegetable lantern, and the carved lantern does not become associated specifically with Halloween until 1866.
Although every modern chronicle of the holiday repeats the claim that vegetable lanterns were a time-honored component of Halloween celebrations in the British Isles, none gives any primary documentation. In fact, none of the major nineteenth-century chronicles of British holidays and folk customs makes any mention whatsoever of carved lanterns in connection with Halloween. Neither do any of the standard works of the early twentieth century.
In the US, the carved pumpkin was first associated with the harvest season in general, long before it became an emblem of Halloween
Another use of a sparkler here www.flickr.com/photos/hotpixuk/4059561024/
More festival things in my photostream-
w=33062170@N08&
m=tags\'>www.flickr.com/search/?q=festival&
w=33062170@N08&
m=tags .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899 ',
Description
Keywords: Orange,Halloween,Pumpkin,with,sparkler,for,hair,gotonysmith,carved,face,eyes,nose,mouth,pumpkin,all,hallows,allhalows,allhallows,carviing,ideas,decorating,Punkin,Attractive,craft,jack-o'-lantern,jack-o-lantern,jack-o,lantern,jacko,carving ideas,Pumpkin Carving Ideas,ignis,fatuus,or,will-o'-the-wisp,in,English,folklore,used,especially,in,East,Anglia,firework,sparkling,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEYAAJ - Orange Halloween Pumpkin with a creative firework sparkler for hair.
A modern jack-o'-lantern is a carved pumpkin, although originally large turnips were carved. It is associated chiefly with the holiday of Samhain and Halloween and was named after the phenomenon of strange light flickering over peat bogs, called ignis fatuus or jack-o'-lantern. In a jack-o'-lantern, the top is cut off, and the inside flesh then scooped out
an image, usually a monstrous face, is carved out, and the lid replaced. It is typically seen during Halloween.
Scotland, United Kingdom
Description
Keywords: grim,reaper,happy,halloween,fancy,dress,shop,witton,st,street,cheshire,UK,England,ghoul,ghoulish,bargain,skull,day,dead,witton street,face,head,faces,365days,this photo rocks,hotpix!,tony smith photography,tdktony,tdk,tony,tdktonysmith
Description: Tony Smith image Flickr 4059544490 - 'Fancy dress shop front in Northwich, Cheshire, England UK. A bargain at \u00a332. When its gone, its gone (and all that....)
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Port,of,tourist,attractions,tourism,enjoy,merseyside,NW,England,UK,GB,Great,Britain,insurance,building,Mersey,city,of,culture,RoyalLiverBuilding,B/W,Monochrome,Ir,infrared,infra-red,grade,I,listed,buildings,in,UNESCO,designated,World,Heritage,Maritime,Mercantile,City,Three,Graces,3,clock,face,L31HT,gotonysmith,3graces,scouse,scouser,scousers,Royal,Liver,Assurance,group,liver,birds,liverbirds,calendar,shot,Royal,Liver,Group,Atop,each,tower,stand,the,mythical,designed,by,Carl,Bernard,Bartels,different,view,of,the,L3,1HT,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HTT4 - The Royal Liver Building is a Grade I listed building located in Liverpool, England. It is sited at the Pier Head and along with the neighbouring Cunard Building and Port of Liverpool Building is one of Liverpool's Three Graces, which line the city's waterfront. It is also part of Liverpool's UNESCO designated World Heritage Maritime Mercantile City.
Opened in 1911, the building is the purpose-built home of the Royal Liver Assurance group, which had been set up in the city in 1850 to provide locals with assistance related to losing a wage-earning relative. One of the first buildings in the world to be built using reinforced concrete, the Royal Liver Building stands at 90 m (300 ft) tall.
It was the tallest storied building in Europe from completion until 1934 and the tallest in the United Kingdom until 1961. The Royal Liver Building is now however only the joint-fourth tallest structure in the City of Liverpool, having been overtaken in height by West Tower, Radio City Tower and Liverpool Cathedral.
Today the Royal Liver Building is one of the most recognisable landmarks in the city of Liverpool and is home to two fabled Liver Birds that watch over the city and the sea. Legend has it that were these two birds to fly away, then the city would cease to exist.
Pier Head, Liverpool, UK L3 1HT
Description
Keywords: three,men,3,3men,kissing,kissingmen,monkeys,drunk,mates,friends,pals,drinkers,gay,straight,married,face,head,faces,365days,male,boyfriends,boy,amigo,amigos,Queer,pink,homosexual,proud,out,coming,stonewall,tonysmith,tony,smith,HOT PIX,tony smith photography,tdktony,tdk,tdktonysmith,andy,andrew,cooper,joe,parkin,phil,hughes,philip
Description: Tony Smith image Flickr 4002697978 - '
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: boy,child,barbers,first,visit,trip,cut,trim,barber,hair,haircut,face,head,faces,365days,tonysmith,tony,smith,hotpics,hotpic,hotpick,hotpicks,HOT PIX,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 3960530592 - 'Always a right of passage, that first trip to the proper barbers.
Have a look at some of my other hair images on Flickr -
w=33062170@N08\'>www.flickr.com/search/?q=hair&
w=33062170@N08 .
Keep in touch, add me as a contact
www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899 ',
Description
Keywords: malcolm,harradine,tv,television,chef,cook,shop,cookshop,Bratts,department,store,QVC,Mr,Silicone,cheshire,UK,Northwich,town,centre,fruit,crumble,smilling,smile,demo,demonstration,cookery,mrsilicone,recipe,chronicle,mid,midcheshire,Tim,Gray,demonstrations,outside,st,face,head,faces,365days,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photographic,photography,SLR,DSLR,group,GYCA,Bellhouse,bellhouse Club,tonysmith,tony,smith,HOT PIX,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 3959757223 - 'Not what I expected walking down to the bank in Northwich, Malcolm Harradine, Mr Silicone of QVC and other television appearances.
Shown here, showing off his skills at Bratts cookshop in Witten street with a fruit crumble, one of his favourite demo dishes. He had offers on the latest cookware from induction hobs to knife sets.
Another chap in Northwich, Cheshire here www.flickr.com/photos/hotpixuk/3998786439/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Long,mousey,hair,big,bighair,hotpixuk,hotpix,tonysmith,tony,smith,face,head,faces,portrait,picture,facial,expression,hotpicks,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 3874778799 - 'Another portrait here www.flickr.com/photos/hotpixuk/3804964715/in/set-72157621...
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: wedding,couple,white,dress,eveningware,hair,up,bun,hotpixuk,hotpix,tonysmith,tony,smith,face,head,faces,tony smith photography,tdktony,tdk,tdktonysmith,wwedding
Description: Tony Smith image Flickr 3874778963 - '(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Bev,Goth,Beverley,Graveyard,Walton,Sepia,Warrington,cold,wet,Cross,gravestone,grave,yard,hotpixuk,hotpix,tonysmith,tony,smith,gave,stone,RIP,dead,men,women,cemetary,cemetery,face,head,faces,B/W,black,white,mono,monochrome,erotic,goths,gothic,girls,lady,woman,femme,baby,princess,queen,brown,toned,october,autumn,sex,sexy,porn,porno,girlie,this photo rocks,girl,pretty,fetish,fetishist,cool,person,people,portrait,image,gothess,gothy,gothing,babes,female,graves,tomb,tombs,cemetario,sensual,hotpicks,tdktonysmith
Description: Tony Smith image Flickr 3875568806 - 'Beverley being dark &
gothic among the graveyard stones in a cold October.
Her soft long hair contrasts with the hard stone crosses of the graves here at the church in Walton, Warrington Cheshire.
More of Bev here www.flickr.com/photos/hotpixuk/3874779379/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: manchester,mardi,gras,mardigras,gay,fest,festival,gayfest,parde,carnival,dress,butterfly,blue,silver,shiny,hetro,homo,erotic,TV,TS,girls,men,boys,theatre,theatrical,england,lancs,lancashire,cultur,cultural,UK,GB,britain,portrait,face,pink,pound,sex,sexy,porn,porno,lady,woman,girlie,this photo rocks,Queer,homosexual,proud,out,coming,stonewall,girl,pretty,fetish,fetishist,city,crossdress,crossdressing,tgirl,t-girls,salford,hotpicks,pride,manchesterpride,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,de,femme,dame,hotpix!,tony smith photography,tdktonysmith
Description: Tony Smith image Flickr 4318905746 - 'A shot of a blue butterfly Canal St festival taken in Deansgate.
A collection of Manchester Mardigras shots can be found at:
www.flickr.com/photos/hotpixuk/4318905746/
www.flickr.com/photos/hotpixuk/4318167727/in/photostream/
www.flickr.com/photos/hotpixuk/4318020799/in/photostream/
www.flickr.com/photos/hotpixuk/3813064826/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC ',
Description
Keywords: Mechelle,Ivy,Northwich,Goth,hotpixuk,hotpix,tonysmith,tony,smith,face,head,faces,velvet,blur,blurred,lace,b/w,black,white,portrait,monochrome,sepia,mono,cool,person,people,image,gothic,gothess,gothy,gothing,babes,lady,female,girl,woman,retro,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 3875567222 - 'Mechelle in velvet and lace on location in Northwich, Cheshire UK. Her hair is up and scrunched.
Black and white printed with fine paper between enlarger and multigrade paper.
More goths www.flickr.com/photos/hotpixuk/3875567112/in/photostream/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
--sugar--canola-oil-and-spices--squirted-on-to-fresh-bread--Swedish-IKEA-Food-RM252E.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,bread,Kaviar,Cod,food,on a plate,snack,Sweden,Abba Seafood,Abba,Seafood,Kalles Kaviar,Swedish West Coast,Lysekil,store,product,products,salted cod roe,gadus morhua,sugar,canola oil,spices,caviar de Lysekil,Öhnbergs Kaviar,Öhnbergs,Boviks kaviar,Boviks,Bovik,Swedish product,Swedish food,tube label,boy,son,face,on tube,Carl Ameln,Kalles Original
Description: Tony Smith image Alamy RM252E - It is manufactured by Abba Seafood. Kalles Kaviar is based on a recipe that is several hundred years old that originates from the Swedish west coast, and in particular from Lysekil. The product is mainly made of salted cod roe (gadus morhua), sugar, canola oil and spices. In French, this type of caviar is sometimes referred to as caviar de Lysekil. Other manufacturers of similar caviar are Öhnbergs Kaviar (often regarded as the connoisseur's alternative, and currently also owned by Abba Seafood) and Boviks kaviar.
Kalles Kaviar has been a commercial success in Sweden ever since its market launch there in 1954. It is internationally recognized as a Swedish product, since many IKEA furniture stores worldwide feature this product in their food markets.
The tube label has maintained the same design from the beginning, and depicts the son of then-CEO of the manufacturing company, Carl Ameln. The tube design is well-recognized in Sweden and in Finland.
The product is also featured prominently in one of Ylvis's musical numbers from their Stories In Norway series on NorgeTV.
Stockholm , Sweden
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Cheshire,A50,Warrington,Grappenhall,Village,Villages,fast roads,cars,vehicles,MPH,CSW,course,exceeding,speed limits,dangerous driving,undue care and attention,keeping to,Speed Indicator Device,SID,Your Speed,speed guns,volunteers,mobile speed enforcement,cameras,Police Mobile Radar Speed Sign,Speed awareness,equipment,in operation,speed trap,sad face,face,trail,van,vehicle,night,evening
Description: Tony Smith image Alamy 2ABJGE4 - Community Speed Management
Road Safe
A community-based pledge' that seeks to inform residents about inappropriate driving behaviour and invites them to sign up to a pledge not to exceed speed limits.
Speed Indicator Device (SID) deployment
An informal speed management device operated by volunteers and initiated by an identified community group.
Community Speed Watch
An informal speed management process involving the use of speed guns at the roadside. Volunteers are trained and supported by either the Police, PCSOs or Safety Wardens. Vehicle details of those exceeding the relevant speed limit are recorded with drivers receiving warning letters.
The following options will not normally be carried out unless steps two and three have been carried out by community groups. Options four and five are subject to agreement with Cheshire Police.
Mobile Enforcement
The deployment of mobile speed enforcement cameras
speeding drivers will face prosecution.
Driver Engagement Day
Co-ordinated by the Fire and Rescue Service with Cheshire Police and council staff. Stopped drivers are given an option to participate in education or receive a Fixed Penalty Notice.
Local Highway Scheme
Evidence gathered through this process or evidence of high collision or injury rates may result in development of a local highway scheme to address any issues identified.
Knutsford Road,Grappenhall / Massey Brook, South Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,North West England,Manchester,Salford music,icon,icons,band,bands,Salford bands,building,historic,history,Manchester music,Salford,Mark E. Smith Quote,smoking,smoker,Mark E Smith smoking,interview,8 Clifton Road,Prestwich,bury,Prestwich Art Festival,Akse P19,graffiti artist,Guardian newspaper interview,cigarette,in mouth,post-punk bands,cult,music icon,face
Description: Tony Smith image Alamy RK9X70 - Mark E. Smith mural - 8 Clifton Road, Prestwich
This impressive mural of the mercurial frontman of The Fall was painted by graffiti artist Akse P19 as part of the Prestwich Art Festival in 2018.
The mural was painted 9 months after the underground rock icon died aged 60 after a battle with lung and kidney cancer, and features Smith smoking a cigarette in typically nonchalant fashion, alongside the quote Fear is something I try not to absorb', from an interview he gave to the Guardian newspaper in 2011.
Smith who was born in Broughton, Salford in 1957 founded The Fall were founded in Prestwich in 1976, and lived in the area for most of his life.
The Fall were one of the most prolific and acclaimed post-punk bands to emerge in the UK, and retained a large cult following right until Smith's death. He was the only constant member of the group that notoriously had a high turnover of members. Smith once wittily remarked if it's me and yer granny on bongos, it's the Fall.
The mural is on the side of the fish and chip shop Chips @ No.8 on Clifton Road.
8 Clifton Road, Prestwich, Bury, M25 3HQ, England
Description
Keywords: Montecute,England,UK,Somerset,stone,Messy,Ham stone,Hamstone,ashlar,Welsh,slate,roof,Early,English,style,Geometric rose window,Geometric rose,window,under,trefoil,gable,vent,quasi-turret,quasiturret,arched door,Baptist Church,gotonysmith,quasi,turret,arched,doorway,clockface,clock,face,Foundation,stone,Foundation stone,traditional,history,historic,old,tourist,NT,National Trust,arched doorway,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DE54BF - Baptist Church. 1879. Ham stone ashlar
Welsh slate roof between coped gables. In an Early English style, with gable ends to road. Plinth: main gable features a Geometric rose window under trefoil gable vent, with a cusped label in pointed segmental-arched recess below left: on south-west corner a quasi-turret with gable end having segmental- arched doorway flanked by Gothic foliated capital shafts under label roll, above which is a rather wide cusped lancet and a clock-face in the gable
across main gable and in angle formed by projecting turret, leading to first floor of same, an open covered stair with pitched Welsh slate roof and arches and pillars to match doorway: cast iron finials to both gables. C20 chimney stack to north-west corner. Foundation stone with date and architect's name on front wall. South side elevation has 4 pairs pointed segmental-arched windows under continuous label. Attached to rear a 7 bay schoolroom block, sash windows below and semi-circular arched casements above under continuous arched label. Further extension to east. Interior not seen. About 10 metres west the front boundary wall, ashlar with plinth and angled coping, with square piers having frieze bands and bell- hip caps: railings with taper points to middle and top rails, fleur-de-lys tops to arch-braced standards, matching gates, adding to setting of Church
Montecute, South Somerset, England, United Kingdom
--western-Scotland-UK---the-reliable-Royal-Main-rural-postman-emptying-remote-red-post-box-CF137H.jpg)
Description
Keywords: Postie,postman,western,UK,gotonysmith,country,round,van,royal,mail,post,office,red,box,pillar,pillarbox,grass,collect,letters,empty,emptying,smile,face,smiling,man,woman,gotonysmith,Buy Pictures of,Buy Images Of,The Isle of Mull or simply Mull (Scottish Gaelic Muile,pronounced,) is the second largest island of the Inner Hebrides,off,the,west,coast,of,Scotland,in,the,council,area,of,Argyll,and,Bute.,With,an,area,of,875.35,square,kilometres,(337.97,sq,mi),Mull,is,the,fourth,largest,Scottish,island,and,the,fourth,largest,island,surrounding,Great,Britain.,In,the,2001,census,the,usual,resident,population,of,Mull,was,2,667,in,the,summer,this,is,supplemented,by,many,tourists.,Much,of,the,population,lives,in,Tobermory,the only burgh on the island until 1973,and,its,capital.,Tobermory,is,also,home,to,Mulls,only,single,malt,Scotch,whisky,distillery,Tobermory (formerly Ledaig),ˈmulə
Description: Tony Smith image Alamy CF137H - Alastair, Isle Of Mull Postie (postman), western Scotland UK , emptying red post box.
The Isle of Mull or simply Mull (Scottish Gaelic Muile) is the second largest island of the Inner Hebrides, off the west coast of Scotland in the council area of Argyll and Bute.
With an area of 875.35 square kilometres (337.97 sq mi) Mull is the fourth largest Scottish island and the fourth largest island surrounding Great Britain. In the 2001 census the usual resident population of Mull was 2,667
in the summer this is supplemented by many tourists. Much of the population lives in Tobermory, the only burgh on the island until 1973, and its capital.
Tobermory is also home to Mull's only single malt Scotch whisky distillery, Tobermory (formerly Ledaig)
Isle of Mull, West of Scotland, UK
