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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,UK,IMG_9045,Carved,pumpkin,halloween,display,skulls,owl,stars,jackolantern,carving,spooky,October,decorations,autumn,gourds,skull,orange,United,Kingdom,pumpkins,including,a,face,displayed,with,ornamental,the fall,fall
Description: Tony Smith image Alamy 3G1388C - . Several carved orange pumpkins with illuminated-looking facial cut-outs are arranged on steps or stands outside a building. The designs include stylised skulls, large eyes, grinning mouths and a decorative face, accompanied by smaller multicoloured gourds and autumn leaves. The arrangement is a recognisable seasonal Halloween decoration, bringing together traditional jack-o'-lantern imagery and modern elaborate pumpkin carving. The photograph records a festive display associated with 31 October, home decorating, children's celebrations and autumn produce. The largest decorated pumpkins have distinctive facial features, with the carved gaps contrasting against the deep orange skin. Small striped gourds add variation in texture and colour, while scattered leaves reinforce the autumn setting. Carved pumpkins are usually displayed for a relatively short period because exposed cut surfaces deteriorate, giving the subject a temporary seasonal character. The installation represents practical craft as well as decoration, since each face is cut directly into a natural fruit. Halloween in the United Kingdom is commonly marked by carved pumpkins, themed decorations and the sale of novelty seasonal goods during October. The jack-o'-lantern remains one of the most recognisable visual symbols, particularly when a pumpkin has an illuminated cut-out face. Retail displays have expanded this vocabulary to include bats, spiders, witches, skulls, ghosts and bright combinations of orange and black. Carving styles vary from simple triangles and grins to more elaborate faces or designs, giving everyday vegetables an expressive character. The use of autumn leaves, gourds and other produce connects Halloween imagery with the agricultural harvest season. Carved pumpkins shaped into a skull, an owl and stars show several distinct approaches to the Halloween lantern tradition. The different carved faces give the display variety.
United Kingdom
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,UK,IMG_7245,Pudu,Robotics,BellaBot,autonomous,cat,faced,restaurant,serving,robot,at,Belfast,International,Airport,automated,waiter,delivery,shelves,hospitality,face,technology,County,Antrim,Northern,Ireland
Description: Tony Smith image Alamy 3G1386M - . A white and black service robot with animated cat-like facial features stands inside an airport hospitality or dining area. Its rounded display screen forms the 'face', with shelf compartments below for carrying plates, meals or other items. The robot is a BellaBot made by Pudu Robotics, a type of automated food-delivery machine used by restaurants and similar venues. The cat-faced BellaBot at Belfast International Airport presents hospitality automation through a deliberately friendly robot design. Pudu Robotics' BellaBot uses a playful cat-face design as a form of human-machine interaction, with the visual display making the robot feel less industrial than a warehouse vehicle. Its stacked carrying shelves are suited to transporting multiple plates or trays within hospitality premises. Robotics suppliers promote such devices as assistance for repetitive deliveries rather than a replacement for all aspects of personal service. The photo captures the machine's appearance in an airport environment, a place where people are already accustomed to self-service kiosks and other forms of automation. Autonomous service robots are increasingly used in hospitality and other commercial environments to move items between employees and customers. A machine with multiple shelves can carry dishes or supplies, leaving staff available for other tasks such as taking orders or speaking with guests. Sensors, software and programmed navigation help robots move through a space, although the precise capabilities depend on the model and how it is deployed. A deliberately friendly face or animal-like character can make unfamiliar technology seem approachable to the public. Airports are especially visible environments for such systems because travellers from many countries encounter innovative services during short visits. BellaBot's facial screen and rounded styling are intended to make an autonomous trolley more approachable in public spaces.
Belfast International Airport, County Antrim, Northern Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_6336,Bronze,statue,of,Beatles,manager,Brian,Epstein,by,sculptor,Andy,Edwards,unveiled,in,2022,at,Whitechapel,a,music,history,sculpture,close,portrait,depicting,his,face,jacket,upper,body,set,against,UK,Brian Epstein,The Beatles,statues,Beatlecity
Description: Tony Smith image Alamy 3FYF1TT - . A close portrait of the bronze statue of Beatles manager Brian Epstein in Liverpool, depicting his face, jacket and upper body. The sculpture is set against a city centre retail street scene. The bronze sculpture depicts Brian Epstein in a smart jacket with a patterned necktie and a closely modelled face. The camera crops close enough to show the sculptor's treatment of the hair, eyes, lapels and surface finish. Shoppers and brick buildings lie out of focus beyond. The close perspective is the important distinction from the separate full-length picture of this Liverpool Beatles heritage monument. Brian Epstein helped guide the Beatles from local Liverpool performers into an internationally successful group. Sculptor Andy Edwards created this memorial, unveiled in August 2022 near the former NEMS business and the route towards the Cavern Club. The visible bronze portrait brings Liverpool music history into an everyday pedestrian shopping environment. This bronze likeness of Brian Epstein is framed close enough to show facial features, hair, coat lapels and the sculpted folds of his outer garment. The polished bronze surface catches light across the cheeks and forehead, while a Liverpool pedestrian street scene is visible behind him. The portrait emphasises the figure's face and upper body, offering a detailed view of the commemorative work's character and metal finish. The statue's eyes, carefully modelled hair and formal coat are especially clear in the portrait, while the patinated bronze catches changing light across the face and shoulders. The Liverpool setting matters because Epstein's career as a music manager was closely associated with the city and with the Beatles. The artist's representation presents a formally dressed figure whose expression and stance can be studied from this closer viewpoint. The metal finish, seams and garment folds become important details at this scale.
Whitechapel at Button Street, Liverpool
--sugar--canola-oil-and-spices--squirted-on-to-fresh-bread--Swedish-IKEA-Food-RM252E.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,bread,Kaviar,Cod,food,on a plate,snack,Sweden,Abba Seafood,Abba,Seafood,Kalles Kaviar,Swedish West Coast,Lysekil,store,product,products,salted cod roe,gadus morhua,sugar,canola oil,spices,caviar de Lysekil,Öhnbergs Kaviar,Öhnbergs,Boviks kaviar,Boviks,Bovik,Swedish product,Swedish food,tube label,boy,son,face,on tube,Carl Ameln,Kalles Original
Description: Tony Smith image Alamy RM252E - It is manufactured by Abba Seafood. Kalles Kaviar is based on a recipe that is several hundred years old that originates from the Swedish west coast, and in particular from Lysekil. The product is mainly made of salted cod roe (gadus morhua), sugar, canola oil and spices. In French, this type of caviar is sometimes referred to as caviar de Lysekil. Other manufacturers of similar caviar are Öhnbergs Kaviar (often regarded as the connoisseur's alternative, and currently also owned by Abba Seafood) and Boviks kaviar.
Kalles Kaviar has been a commercial success in Sweden ever since its market launch there in 1954. It is internationally recognized as a Swedish product, since many IKEA furniture stores worldwide feature this product in their food markets.
The tube label has maintained the same design from the beginning, and depicts the son of then-CEO of the manufacturing company, Carl Ameln. The tube design is well-recognized in Sweden and in Finland.
The product is also featured prominently in one of Ylvis's musical numbers from their Stories In Norway series on NorgeTV.
Stockholm , Sweden
Description
Keywords: HotpixUK,GoTonySmith,UK,Cheshire,A50,Warrington,Grappenhall,Village,Villages,fast roads,cars,vehicles,MPH,CSW,course,exceeding,speed limits,dangerous driving,undue care and attention,keeping to,Speed Indicator Device,SID,Your Speed,speed guns,volunteers,mobile speed enforcement,cameras,Police Mobile Radar Speed Sign,Speed awareness,equipment,in operation,speed trap,sad face,face,trail,van,vehicle,night,evening,speeding
Description: Tony Smith image Alamy 2ABJGE4 - Community Speed Management
Road Safe
A community-based pledge' that seeks to inform residents about inappropriate driving behaviour and invites them to sign up to a pledge not to exceed speed limits.
Speed Indicator Device (SID) deployment
An informal speed management device operated by volunteers and initiated by an identified community group.
Community Speed Watch
An informal speed management process involving the use of speed guns at the roadside. Volunteers are trained and supported by either the Police, PCSOs or Safety Wardens. Vehicle details of those exceeding the relevant speed limit are recorded with drivers receiving warning letters.
The following options will not normally be carried out unless steps two and three have been carried out by community groups. Options four and five are subject to agreement with Cheshire Police.
Mobile Enforcement
The deployment of mobile speed enforcement cameras
speeding drivers will face prosecution.
Driver Engagement Day
Co-ordinated by the Fire and Rescue Service with Cheshire Police and council staff. Stopped drivers are given an option to participate in education or receive a Fixed Penalty Notice.
Local Highway Scheme
Evidence gathered through this process or evidence of high collision or injury rates may result in development of a local highway scheme to address any issues identified.
Knutsford Road,Grappenhall / Massey Brook, South Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,England,city,centre,British,the,London,UK,WC1B 3DG,WC1B,history,historic,heritage,artefacts,exhibit,exhibits,institution,inside,interior,rooms,room,entrance,hall,mosaic,multiple,empire,ornate,GB,Rome,corner,face,portrait,preserved,art,artistic
Description: Tony Smith image Alamy 2RW3WXY - Art was essential to Roman life. Whether in public spaces or private homes, people were immersed in depictions of mythology, nature, and life every day. As different art forms developed, practitioners honed their craft and evolved with the times to render breathtaking images.
Mosaics are some of the most enduring pieces of Roman art. These images are composed of hundreds or thousands of carefully placed tiles or stones that formed a larger image. Mosaics were primarily placed on the floor and intended to be art pieces that were walked over. Romans were expected to appreciate the art from every angle.
Roman mosaics were largely influenced by the Hellenistic and Greek mosaics, which focused on scenes from mythology and memorializing historic figures. While mosaics had existed since early Mesopotamia, the Romans took this form of art from the Greeks and transitioned it into a more formal practice. The first mosaics created during the Roman Republic are dated to the second century BC. They involved the use of pebbles and other small stones to create basic scenes or silhouetted portraits
Great Russell Street, Bloomsbury, London, England, UK, WC1B 3DG
Description
Keywords: 2023,July,British,UK,England,GoTonySmith,HotpixUK,@HotpixUK,NN12,at,driver,Silverstone,Towcester,Northamptonshire,NN12 8TL,the,mural,painting,paintings,art,union,flag,union jack,patriotic,English,three current,British drivers,MurWalls x Silverstone,Street Artists,Street Artist,British Grand Prix,Grand Prix,face,faces,Hamilton,Norris,Russell,Lewis Hamilton portrait,2026,portrait
Description: Tony Smith image Alamy 2RCC5T3 - . Lewis Hamilton, Lando Norris and George Russell, Mural by Murwalls , at Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL. Photographed on 7 July 2023. The recorded location is Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL. Murwalls - Portrait created for British and Belgian racing driver. @LandoNorris. who is competing for McLaren in F1 ðŸŽï¸. This was done in Silverstone ahead of the British Grand Prix last Sunday, where Lando placed second ðŸ. #F1 #LandoNorris #McLaren #Silverstone #britishgrandprix #StreetArt. Silverstone Circuit occupies a former Second World War RAF airfield and hosted the first Formula One World Championship race in 1950. It remains the home of the British Grand Prix and one of the UK's most important motorsport venues, combining historic track heritage with continually upgraded spectator, hospitality and safety infrastructure. In relation to urban culture, historical context shows that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. For the story of motorsport engineering, it is useful to note that motor racing venues combine sport with engineering, hospitality and large-scale event management
Circuit buildings, grandstands and temporary branding can change rapidly as safety standards, sponsorship and commercial expectations evolve. The historical setting for supporter culture is that british sports venues often have histories extending far beyond their present-day appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. Further relevant terminology includes stadium architecture, sports memorabilia, Murwalls, and drivers.
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL
Description
Keywords: @HotpixUK,HotpixUK,GotonySmith,Warrington,town,Cheshire,England,factory,works,in,ornate,UK,WA1,Bank Quay,4 Liverpool Road,WA5 1AB,maritime,sea,fish,sealife,art,sculpture,of,a,creature,at,outside,factories,J Crossfields,Crossfield,Crossfields,tail,swimming,tails,face,head
Description: Tony Smith image Alamy 2JJM7HT - . An on-location photograph from Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The photograph centres on Crossfields factory in Warrington entrance, stone fish stonework, Liverpool Road, Warrington, Cheshire, England, UK, WA1. The subject also carries associations with changing streetscape, industrial artefact, local history, contemporary city life, historic freight equipment, heavy-industry heritage, manufacturing heritage, period detail, changing land use, social landscape, everyday street life, contemporary social history, everyday life, and pedestrian environment. From a 2025-onward perspective, embodied carbon and manufacturing decline are closely linked to this subject, alongside the reuse of former industrial land and buildings. The wider contemporary story combines commercial change, local identity and how ordinary street scenes become valuable records as businesses and infrastructure change. For later comparison, the photograph preserves equipment and working practice at Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB, details that may look very different after changed technology. The location also brings in urban change, local character, city-centre activity, working-industry history, public realm, documentary photography, community life, and regional identity. References to entrance, stone, stonework, factory, and Crossfields give the picture a strong period identity and tie it closely to its named subject. Around Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The view records evidence of changing use before later change alters the scene.
Bank Quay, 4 Liverpool Road, Warrington , Cheshire, England, UK, WA5 1AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Greater Manchester,WN3 4BF,redevelopment,area,conservation,industrial,industry,North West,face,Lancashire Cotton Corporation,Courtaulds,Rina and Helen,next,to,the,Leeds and Liverpool Canal,art,artist,sculpture,wall,walls,head,faces,window,windows,building,buildings,architecture,bald,balding,box,boxes
Description: Tony Smith image Alamy 2PFKG60 - . This location-specific image from Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Historic Trencherfield Mill & faces, Wallgate, Wigan, Lancs, Lancashire, Greater Manchester, WN3 4BF - Wigan Pier redevelopment area. The surrounding context encompasses contemporary social history, local dining tradition, historical comparison, food-and-drink heritage, place identity, social history, comfort food, food heritage, traditional takeaway, changing land use, community identity, street food culture, public realm, and local character. For current editorial use, nutrition and local business provide additional context, especially through how food signs and shopfronts become part of urban cultural identity. As a dated visual record of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF, the frame retains transport arrangements and footfall, making it especially useful if replacement signage subsequently changes the scene. The subject also sits alongside British food tradition, popular cuisine, everyday life, documentary photography, local history, regional identity, visual archive, and hospitality food service. Details involving redevelopment, Wigan, Lancs, Greater, and Lancashire make the image more specific than a generic view and strengthen its local or historical value. A later view of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is nutrition and how food signs and shopfronts become part of urban cultural identity within the real-world context of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF. The record includes a point of historical comparison before later change alters the scene.
Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Paint Festival,Gloucestershire,England,UK,GL51,GL51 8NJ,237,bin,red,recycling,art,graffiti,spray,stencil,paint festival,and,bins,mixed,general waste,street,streetart,roller,rollers,African,Biffa,contrast,contrasts,recycle,female,woman,lady,portrait,face,profile,Hip-Hop,HipHop,recycling bin
Description: Tony Smith image Alamy 2M6YFF5 - . Photographed at 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Koeone, Cheltenham paint festival and Biffa waste bins street art, at 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ. The frame also records themes of street creativity, traditional materials, community art, creative placemaking, adaptive reuse, changing streetscape, contemporary social history, local history, mural culture, temporary artwork, street-level design, visual archive, period detail, and conservation architecture. For current editorial use, public art and gentrification provide additional context, especially through how regeneration can both support and displace urban art. Current relevance extends to energy retrofit and adaptive reuse, particularly through keeping older buildings useful without erasing their character. The archival value lies partly in recording building condition and alterations around 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ before new ownership alters the character of the place. The surrounding story also includes everyday life, visual street culture, architectural character, heritage landmark, regional identity, archival record, period architecture, and historic townscape. The combination of Koeone, Cheltenham, Gloucestershire, festival, and paint anchors the frame to a recognisable activity, place or moment. The wider setting at 237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The record includes a trace of local identity before later change alters the scene. The frame retains a local visual benchmark as a date-specific reference.
237 Gloucester Road, Cheltenham, Gloucestershire, England, UK, GL51 8NJ
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Havana,on,Cuban,Cuba,art,design,Bolivar,face,trade mark,cigars,smoking,Royal,Coronas,Corona,cigar,box,package,packaging,marketing,Fidel,Castro,government,works,factory,handmade,hand,made,heritage,past,antiques,relic,relics,curio,curios
Description: Tony Smith image Alamy 2JP9HTB - . Photographed at Havana, Cuba in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The defining feature is Simon Bolivar, on Cuban Habana cigar box - Bolivar Royal Coronas Cuban Cigar. The setting additionally reflects period architecture, architectural detail, heritage landmark, changing streetscape, public realm, local history, historical comparison, period detail, before-and-after reference, conservation architecture, adaptive reuse, visual archive, urban fabric, and local character. For current editorial use, heritage conservation and adaptive reuse provide additional context, especially through how historic buildings acquire new uses as cities change. Future viewers can use this scene from Havana, Cuba to compare materials and architectural details with whatever follows after changing commercial priorities. A second descriptive layer includes everyday life, architectural character, historic townscape, archival record, social history, historic streetscape, regional identity, and contemporary social history. Elements such as Bolivar, Cuban, cigar, Royal, and Coronas add documentary specificity and may become increasingly useful when compared with later records. The period setting at Havana, Cuba helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate heritage conservation and the value of architectural landmarks to local identity and tourism when considered against later change at Havana, Cuba. The image also provides a reference for energy retrofit and the balance between conservation, retrofit and modern accessibility without losing the local specificity of Havana, Cuba. Another useful connection is maintenance and keeping older buildings useful without erasing their distinctive character in a form that can be compared with future views of Havana, Cuba.
Havana, Cuba
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,Warrington,home,to,ground,town,centre,Stadium,sports,sport,League,Club,WA2,WA2 7NE,Oz,Australian,player,professional,Sydney,NSW,New South Wales,hero,icon,iconic,Warringtonians,Jones,footballer,RLFC,face,for,famous,donated,beside,Wires,Wire
Description: Tony Smith image Alamy 2JBXJN2 - . Photographed at Mike Gregory Way, Warrington, Cheshire, England, UK, WA2 7NE in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The subject captured here is The face of Brian Bevan, made of primrose & blue bricks at Warrington Wolves Halliwell Jones Rugby Stadium, Cheshire England,WA2 7NE. Other connected aspects include urban change, regional identity, everyday life, townscape record, place identity, local identity, social landscape, social history, community life, city-centre activity, contemporary city life, public realm, changing streetscape, and visual archive. In present-day coverage, the subject reaches into public-realm change and community use, not least because of how ordinary street scenes become valuable records as businesses and infrastructure change. The image fixes signage and branding within Mike Gregory Way, Warrington, Cheshire, England, UK, WA2 7NE at one identifiable point, providing a benchmark against changed technology. The wider setting retains connections with urban social history, contemporary social history, local character, archival record, changing land use, street-level documentary, local history, and pedestrian environment. Elements such as primrose, Brian, Bevan, bricks, and Wolves add documentary specificity and may become increasingly useful when compared with later records. For Mike Gregory Way, Warrington, Cheshire, England, UK, WA2 7NE, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of public-realm change and how ordinary street scenes become valuable records as businesses and infrastructure change without losing the local specificity of Mike Gregory Way, Warrington, Cheshire, England, UK, WA2 7NE. That local specificity strengthens the long-term documentary value of image 2JBXJN2.
Mike Gregory Way, Warrington, Cheshire, England, UK, WA2 7NE
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Herefordshire,England,UK,HR1 2NG,entrance,door,doors,entry,listed,grade II,building,gargoyle,stone,carved,carving,HR1,doorway,outside,architecture,arch,arches,Britain,British,Great Britain,history,historic,old,medieval,Christian,face,faces,ornate,detail,gargoyles
Description: Tony Smith image Alamy 2JPB8N1 - . Made at Hereford City Centre, Herefordshire, England, UK, HR1 2NG in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Hereford Cathedral details, Hereford City Centre, Herefordshire, England, UK, HR1 2NG. The surrounding context encompasses cityscape history, architectural character, contemporary social history, heritage worship space, religious heritage, medieval church setting, changing streetscape, community identity, period detail, before-and-after reference, visual archive, local character, religious artwork, and changing land use. Current relevance extends to church maintenance and heritage conservation, particularly through how places of worship combine active religious use with tourism and heritage. In present-day coverage, the subject reaches into embodied carbon and adaptive reuse, not least because of keeping older buildings useful without erasing their distinctive character. For later comparison, the photograph preserves street furniture and boundaries at Hereford City Centre, Herefordshire, England, UK, HR1 2NG, details that may look very different after closure or conversion. A second descriptive layer includes Christian iconography, sacred space, archival record, ecclesiastical decoration, historic townscape, historic streetscape, public realm, and ecclesiastical art. References to Cathedral, details, Herefordshire, and Centre give the picture a strong period identity and tie it closely to its named subject. Around Hereford City Centre, Herefordshire, England, UK, HR1 2NG, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The frame retains a point of historical comparison for later comparison. Image 2JPB8N1 also remains a dated record of Hereford City Centre, Herefordshire, England, UK, HR1 2NG.
Hereford City Centre, Herefordshire, England, UK, HR1 2NG
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Herefordshire,England,UK,HR1 2NG,entrance,door,doors,entry,listed,grade II,building,gargoyle,stone,carved,carving,HR1,doorway,outside,architecture,arch,arches,Britain,British,Great Britain,history,historic,old,medieval,Christian,face,faces,ornate,detail,gargoyles
Description: Tony Smith image Alamy 2JPB8P5 - . This scene at Hereford City Centre, Herefordshire, England, UK, HR1 2NG in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The location is represented through Hereford Cathedral details, Hereford City Centre, Herefordshire, England, UK, HR1 2NG. The surrounding context encompasses cityscape history, religious artwork, period architecture, sacred space, heritage landmark, built heritage, period detail, community identity, heritage asset, historic townscape, social history, changing streetscape, before-and-after reference, and cathedral interior. In present-day coverage, the subject reaches into cultural heritage and historic fabric, not least because of how places of worship combine active religious use with tourism and heritage. Today's relevance is strengthened by embodied carbon, redevelopment pressure and the continuing question of how historic buildings acquire new uses as cities change. Future viewers can use this scene from Hereford City Centre, Herefordshire, England, UK, HR1 2NG to compare building condition and alterations with whatever follows after redevelopment. A second descriptive layer includes everyday life, medieval church setting, church conservation, urban fabric, stained-glass craftsmanship, historic glazing, local character, and contemporary social history. Details involving Herefordshire, details, Centre, and Cathedral make the image more specific than a generic view and strengthen its local or historical value. Around Hereford City Centre, Herefordshire, England, UK, HR1 2NG, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene captures details of everyday use for future local research. The period view preserves evidence of changing use before later change alters the scene.
Hereford City Centre, Herefordshire, England, UK, HR1 2NG
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Herefordshire,England,UK,HR1 2NG,entrance,door,doors,entry,gargoyle,stone,carved,carving,listed,grade II,building,HR1,doorway,outside,architecture,arch,arches,Britain,British,Great Britain,history,historic,old,medieval,Christian,face,faces,ornate,detail,gargoyles
Description: Tony Smith image Alamy 2JPB8P9 - . This location-specific image from Hereford City Centre, Herefordshire, England, UK, HR1 2NG in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Hereford Cathedral details, faces & gargoyle , Hereford City Centre, Herefordshire, England, UK, HR1 2NG. Another layer of the photograph includes place identity, sacred architecture, visual archive, community identity, church conservation, conservation interest, social history, faith heritage, heritage worship space, changing land use, heritage landmark, documentary photography, stained-glass craftsmanship, and adaptive reuse. Viewed from the mid-2020s, the subject also connects with church maintenance, heritage conservation and the role of cathedrals as cultural landmarks beyond their congregations. The modern context includes continuing discussion of embodied carbon, tourism and the balance between conservation, retrofit and modern accessibility. Small period details of commercial use and occupation at Hereford City Centre, Herefordshire, England, UK, HR1 2NG may become more significant with time, particularly following new construction. Other useful contextual ideas include period architecture, changing streetscape, historic glazing, local history, heritage asset, medieval church setting, architectural character, and architectural detail. The recorded references to Herefordshire, Centre, Cathedral, faces, and gargoyle preserve clues about how the subject was presented, used or understood at the time. Around Hereford City Centre, Herefordshire, England, UK, HR1 2NG, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. It also preserves evidence of changing use for later comparison. Image 2JPB8P9 also remains a dated record of Hereford City Centre, Herefordshire, England, UK, HR1 2NG.
Hereford City Centre, Herefordshire, England, UK, HR1 2NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,WA4,WA4 2SU,Ferry Lane,WA4 2SS,C17,pebble-dashed,century,brown,history,local,historic,old hall,farmhouse,heritage,asset,home,detached,restored,garden,stonework,face,outside,exterior,of,the,fabric,Thelwall Conservation Area,conservation,area,buildings
Description: Tony Smith image Alamy 2M9F1T3 - SJ 68 NE GRAPPENHALL C.P. FERRY LANE
(east side), Thelwall
2/15 Thelwall Old Hall
8.1.1970
GV II
House, visible features probably C17. Of sandstone, pebble-dashed to
front, with gabled stone-slate roof. Of 2 storeys and 5 windows with
central 2-storey porch and cross-wing to right. 2 mullioned windows
to upper storey left of porch and that over porch are of 3 lights
only the second from left retains small-pane casements. Lower windows
left of porch and all windows right of porch are altered with late C20
wooden casements. Door of 5 wedge-shaped oak boards on old
wrought-iron hinges.
The interior: (not inspected) is stated to have some oak beams but no major features.
Ferry Lane, Thelwall, Warrington, Cheshire, England, UK, WA4 2SS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,D02 NX25,brass,bronze,metal,street,art,embossed,face,memorial,culture,the arts,heritage,history,entertainment,walk of fame,icon,iconic,literary,writer,pavement,sidewalk,portrait,plaque,of,poet,Kavanagh,Twin ironies by which great saints are made,The agonising pincer,jaws of heaven,On Raglan Road,Tarry Flynn
Description: Tony Smith image Alamy 2M8DJE4 - Patrick Kavanagh (21 October 1904 30 November 1967) was an Irish poet and novelist. His best-known works include the novel Tarry Flynn, and the poems On Raglan Road and The Great Hunger. He is known for his accounts of Irish life through reference to the everyday and commonplace
Patrick Kavanagh was born in rural Inniskeen, County Monaghan, in 1904, the fourth of ten children of James Kavanagh and Bridget Quinn
Kavanagh's first published work appeared in 1928[7] in the Dundalk Democrat and the Irish Independent. Kavanagh had encountered a copy of the Irish Statesman, edited by George William Russell, who published under the pen name AE and was a leader of the Irish Literary Revival. Russell at first rejected Kavanagh's work but encouraged him to keep submitting, and he went on to publish verse by Kavanagh in 1929 and 1930. This inspired the farmer to leave home and attempt to further his aspirations. In 1931, he walked 80 miles (abt. 129 kilometres) to meet Russell in Dublin, where Kavanagh's brother was a teacher. Russell gave Kavanagh books, among them works by Fyodor Dostoyevsky, Victor Hugo, Walt Whitman, Ralph Waldo Emerson and Robert Browning, and became Kavanagh's literary adviser. Kavanagh joined Dundalk Library and the first book he borrowed was The Waste Land by T. S. Eliot.
Kavanagh's first collection, Ploughman and Other Poems, was published in 1936. It is notable for its realistic portrayal of Irish country life, free of the romantic sentiment often seen at the time in rural poems, a trait he abhorred. Published by Macmillan in its series on new poets, the book expressed a commitment to colloquial speech and the unvarnished lives of real people, which made him unpopular with the literary establishment. Two years after his first collection was published he had yet to make a significant impression. The Times Literary Supplement described him as a young Irish poet of promise rather than of achievement
Fleet St, Temple Bar, Dublin 2, D02 NX25, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Eire,Irish,Dublin 2,D02 NX25,brass,bronze,metal,street,art,embossed,face,memorial,culture,the arts,heritage,history,entertainment,walk of fame,icon,iconic,literary,writer,pavement,sidewalk,portrait,Kerry,and my heart says the kingdom,Kerryman,sportswriter,sports,journalist,Irish Press,Evening Press,The Sunday Press
Description: Tony Smith image Alamy 2M8DJE9 - Con Houlihan (6 December 1925 4 August 2012) was an Irish sportswriter. Despite only progressing to national journalism at the age of 46, he became the greatest and the best-loved Irish sports journalist of all
Over a lengthy career, Houlihan covered many Irish and international sporting events, from Gaelic football and hurling finals, to soccer and rugby World Cups, the Olympics and numberless race meetings inside and outside Ireland.
He was a journalist with the Irish Press group writing for The Irish Press, Evening Press and sometimes The Sunday Press, until the group's demise in 1995. He wrote the Tributaries column and Evening Press back sports page Con Houlihan column
Houlihan died in the morning of 4 August 2012 in St James's Hospital in Dublin. Often considered one of Ireland's finest writers, he left behind a legacy of immense sports journalism that spanned over 60 years. A minute's silence was observed in his memory ahead of Kerry's All-Ireland Senior Football Championship quarter-final defeat to Donegal at Croke Park the following day. His last column, in which he wished Katie Taylor well, was published the day after his death.[6] His funeral took place on 8 August 2012
A bronze bust of Houlihan was unveiled in his hometown of Castleisland in 2004. In 2011, a bronze plaque was installed outside The Palace bar in Dublin. The sculpture is in the foyer of The Bank pub on College Green. Cons Corner and a Bronze Bust with a quote are in The Palace Bar.
Fleet St, Temple Bar, Dublin 2, D02 NX25, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Victorian,Dickens,Festival,Charles Dickens,Day,village,18/12/2018,2018,WA13,The Cross,Cheshire,England,UK,WA13 0HR,Saturday,annual,people,woman,lady,painted,face,faces,costume,dressed,up,for,the,event,accordionist,dancer,WA13 0AG,Dickensian,morris,accordion,18-12-2018,Warrington
Description: Tony Smith image Alamy 2K3XN96 - . Recorded at The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Morris dancer at the Cross, Lymm, Victorian Dickens Festival, 18-12-2018, Warrington, Cheshire, England, UK, WA13 0HR. The surrounding context encompasses visual archive, town-centre trading, specialist retailer, local history, commercial frontage, social history, before-and-after reference, local character, high-street commerce, bricks-and-mortar retail, changing land use, place identity, contemporary social history, and customer footfall. The wider contemporary story combines footfall, store closures and how commercial property costs affect small retailers. As a dated visual record of The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR, the frame retains local activity and public use, making it especially useful if changing commercial priorities subsequently changes the scene. The wider setting retains connections with independent retail, retail property, documentary photography, historical comparison, community identity, street-level business, archival record, and shopfront economy. References to dancer, Victorian, Morris, Cross, and Dickens give the picture a strong period identity and tie it closely to its named subject. The wider setting at The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes footfall and how commercial property costs affect small retailers as part of the longer story of The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR. The image fixes evidence of changing use within the wider story of The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR.
The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR
Description
Keywords: GoTonySmith,HotpixUK,London,England,UK,sign,city,centre,SW1,Big Ben,house,seat,government,time,political,asylum,Palace,central,tourist,attractions,attraction,tourism,Supreme Court,Westminster Abbey,HM Treasury,and,HMRC,Portcullis House,Sir,Charles Barry,clockface,face,site,protest,clocktower,Rachel Reeves,Kier Starmer,free vote,first past the post,voting system
Description: Tony Smith image Alamy 2M07A7P - . This location-specific image from Parliament Square, City of Westminster, London, England, UK SW1 in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Parliament Square sign, City of Westminster SW1, Big Ben clock of the UK houses of parliament, London, England, UK SW1. The wider scene also brings together city branding, London cityscape, towpath landscape, local history, inland boating, urban tourism, changing land use, working waterway, iconic London transport, archival record, heritage tourism, heritage boating, visual archive, and local character. In present-day coverage, the subject reaches into flood resilience and biodiversity, not least because of the transition of industrial waterways toward leisure and heritage use. Today's relevance is strengthened by air quality, housing pressure and the continuing question of how familiar London symbols function as global shorthand for Britain. For later comparison, the photograph preserves local activity and public use at Parliament Square, City of Westminster, London, England, UK SW1, details that may look very different after changing commercial priorities. A second descriptive layer includes regional identity, managed navigation, public realm, canal infrastructure, Westminster landmark, blue-green corridor, capital-city heritage, and period detail. The recorded references to houses, Parliament, Westminster, Square, and clock preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Parliament Square, City of Westminster, London, England, UK SW1, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene captures details of everyday use within the wider story of Parliament Square, City of Westminster, London, England, UK SW1.
Parliament Square, City of Westminster, London, England, UK SW1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,BigBen,clock,tower,HOC,HOL,Houses,British,GB,Great,Britain,seat,power,time,face,iconic,London Bus,icons,icon,flags,flag,red,SW1,commonwealth,Victorian,gothic,bong,bongs,evening,flagpole,flagpoles,AndyBurnham,Andy Burnham,Burnham,proportional representation
Description: Tony Smith image Alamy 2M0MBA6 - . Made at Parliament Square, Westminster, London, England, UK, SW1A 0AA in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The photograph centres on Big Ben clock and houses of parliament, square, British seat of government, Westminster, London, England, UK, SW1A 0AA. The setting additionally reflects community identity, towpath landscape, inland navigation, before-and-after reference, public realm, local character, navigation engineering, historic London streetscape, documentary photography, Thames city view, visual archive, archival record, social history, and everyday life. The wider contemporary story combines climate adaptation, public access and the cost of keeping ageing locks and canal structures operational. Viewed from the mid-2020s, the subject also connects with security, visitor economy and how iconic streets and landmarks change while retaining strong visual identity. Small period details of equipment and working practice at Parliament Square, Westminster, London, England, UK, SW1A 0AA may become more significant with time, particularly following altered transport patterns. The location also brings in place identity, heritage boating, urban tourism, metropolitan identity, historical comparison, changing streetscape, capital landmark imagery, and Westminster landmark. Details involving square, Westminster, houses, government, and parliament make the image more specific than a generic view and strengthen its local or historical value. For Parliament Square, Westminster, London, England, UK, SW1A 0AA, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image fixes period character as a date-specific reference. It also preserves a trace of local identity for later comparison.
Parliament Square, Westminster, London, England, UK, SW1A 0AA
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,Glasgow,Scotland,City Centre,Strathclyde,High St,Tol booth,1626,mechanism,blue,G1,G1 5ES,at,tower,history,historic,monument,monuments,city,centre,structure,old,oldest,building,buildings,in,the,clock,clockface,face,Steeples,landmark,cityscape,skyline
Description: Tony Smith image Alamy 2ABJGCX - Standing at the foot of High Street is the Tolbooth Steeple, built in 1626 at what was the meeting point of the main streets of Glasgow at that time. The Steeple is all that remains of the original Tolbooth buildings which contained the town hall, court and jail. The Tolbooth housed the Glasgow Council Chambers until 1814, when the council sold the Tolbooth building (later demolished in 1921) and moved to Jail Square in the Saltmarket, before eventually moving to the current City Chambers in George Square. The 126-foot-tall (38-metre) steeple, complete with clock mechanism, was repaired in 2008 after cracks were discovered in the structure, along with masonry, lead and guttering improvements. Along with the nearby Tron Theatre, formerly the Tron Kirk built in 1794, the Tolbooth Steeple is one of the oldest buildings in the city.
Glasgow Cross,High Street,Glasgow Cross,Glasgow,Scotland,UK,G1 5ES
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,painting,graffiti,spraying,art,girl,girl painting,pigtail,pigtails,pasted,paste up,various,artworks,street,lane,themes,tolerated,E1 6QL,face,faces,image,images,points,pointing,write,writes,is,life,corner,wall,walls,Victorian,East End
Description: Tony Smith image Alamy 2AE024F - . Photographed at Brick Lane, London, England, GB, E1 6QL in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. The scene shows Art is Life,painting,graffiti,Brick Lane,eastend,London,England,UK, E1. Further facets of the subject include conservation interest, urban fabric, historic frontage, period streetscape, industrial supply chain, heritage asset, changing streetscape, regional identity, traditional building materials, historical comparison, public realm, visual archive, factory history, and industrial artefact. For contemporary context, adaptive reuse and factory closures are closely related themes, especially where the issue becomes the historical importance of everyday manufactured objects and materials. Viewed from the mid-2020s, the subject sits within continuing debate about heritage conservation, planning control and the contrast between preservation and redevelopment. As the area changes, the photograph preserves the way the place functioned before later physical or commercial change within Brick Lane, London, England, GB, E1 6QL. The wider local story also touches on changing land use, local character, historic townscape, period building, production technology, contemporary social history, heritage landmark, and building-material production. References to Brick, graffiti, painting, London, and eastend help fix the photograph to its own subject and period rather than reducing it to a generic view. A later view of Brick Lane, London, England, GB, E1 6QL may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. A further contemporary connection is adaptive reuse and the historical importance of everyday manufactured objects and materials as part of the longer story of Brick Lane, London, England, GB, E1 6QL. The image fixes a local visual benchmark as a date-specific reference.
Brick Lane, London, England, GB, E1 6QL
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,London,E1,urban,artist,Brexitshambles,agreement,reality,EU,leaving,the,48,48%,Withdrawal Method,pro-EU,pro EU,pro,hard,border,pasted,paste up,various,artworks,street,lane,themes,tolerated,E1 6QL,face,faces,image,images,ReformUK,Nigel Farage,rejoin,2026
Description: Tony Smith image Alamy 2AE024H - . Recorded at Brick Lane, London, England, GB, E1 6QL in 2019, the image fixes a particular place, use and appearance for later comparison as buildings, businesses, signs and public activity change. At the centre of the frame is Brexit,The Withdrawal Method,Never Works,Brick Lane,East End,London,England,UK, E1. Further facets of the subject include public administration, industrial supply chain, historical comparison, public policy, factory history, place identity, documentary photography, historic manufacturing, changing land use, policy controversy, production technology, visual archive, regional identity, and civic debate. In the mid-2020s, industrial conservation and construction materials keep the subject current, particularly through recording industries that shaped northern towns. The subject remains useful for current coverage of housing and electoral accountability, not least because of comparing earlier political promises with later policy. With the passage of time, the photograph anchors the relationship between the subject and its surroundings at the recorded site in Brick Lane, London, England, GB, E1 6QL. Other useful associations include industrial artefact, before-and-after reference, democratic accountability, government priorities, electoral messaging, production works, historic context, and engineering heritage. Details involving Never, Brexit, Method, Works, and Withdrawal give the scene useful specificity and strengthen its local, cultural or historical identity. The surrounding context at Brick Lane, London, England, GB, E1 6QL matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for industrial conservation and recording industries that shaped northern towns within the specific setting of Brick Lane, London, England, GB, E1 6QL. It also preserves details of everyday use for later comparison.
Brick Lane, London, England, GB, E1 6QL
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,coloured paint,East End,London,E1,poster,silver,female,woman,feminine,sex,body,naked,menstruation,menstruating,blood,sexy,taboo,breasts,breast,art,arty,pasted,paste up,various,artworks,street,lane,themes,tolerated,E1 6QL,face,faces,image,images,hedonism
Description: Tony Smith image Alamy 2AE0276 - . Spitalfield art,model, painted street mannequin, coloured paint, East End, London, England,UK, E1. Photographed on 26 November 2019. The recorded location is Brick Lane,Shoreditch,East End,London,England,UK, E1. In London, art is all around you. This is particularly true in the streets of East London's trendsetting Shoreditch, which are emblazoned with creative street art all year round. The historical context is that public art can become part of the identity of a street or neighbourhood, recording political ideas, local history, humour, memory and changing cultural tastes
Murals, sculpture and decorative art are especially valuable as documentary subjects because they may be altered, moved, weathered or removed. The wider historical story is that town and city centres are continually rewritten by new buildings, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. As background, allotments and farms link household self-sufficiency with the commercial food system
Seed varieties, hand cultivation and large-scale mechanised farming provide a visual history of how people grow food and how agricultural practice changes. The subject remains topical in 2026 because contemporary interest in public art is closely linked to regeneration and cultural tourism. murals and sculpture continue to be used to express identity and animate public space, while redevelopment can make photographic records of earlier works increasingly valuable. In the present 2026 context, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way.
Brick Lane,Shoreditch,East End,London,England,UK, E1
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,paper and spray paint art,London,Uk,E1,paper,paint,artist,Buxton St,stencils,pano,graffiti,stenciled,papered,and,spray,sprayed,paint art,artists,pasted,paste up,various,artworks,street,lane,themes,tolerated,E1 6QL,face,faces,image,images,Hip-Hop,HipHop,urban,stencil
Description: Tony Smith image Alamy 2AE028D - . Stencil, paper and spray paint art, Buxton Street,off Brick Lane,Spitalfields,East End,London,England,Uk, E1,panorama. Photographed on 26 November 2019. In London, art is all around you. This is particularly true in the streets of East London's trendsetting Shoreditch, which are emblazoned with creative street art all year round. In the longer view, city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban change than landmark images alone. From a heritage perspective, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a particular moment
Repeated views can later become valuable evidence of development, environmental evolution and shifting patterns of use. In historical terms, beer production links malt, hops, yeast and water with specialist equipment and cellar practice
Images of brewing vessels, casks and handpumps can illustrate both manufacturing and the pub trade that brings cask ale to the customer. Current 2026 relevance comes from the fact that urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way. As of 2026, current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent. As of 2026, current regeneration programmes make older urban photographs particularly valuable
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change.
Buxton Street,off Brick Lane,Spitalfields,East End,London,England,Uk, E1,panorama
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,artist,stencil,stencils,London,E1,BrickLane,face,artists,paint,painting,expression,work,street art,streetart,tags,tagging,derelict,abandoned,can,cans,imagination,comment,comments,on,society,closed,shuttered,empty,unused,building,path,yard,Hip-Hop,HipHop
Description: Tony Smith image Alamy 2AE028X - . Made at Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The principal point of reference is Brick Lane,art and graffiti,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL. The image connects the immediate subject with documentary photography, contemporary social history, factory history, working-industry history, labour history, historical comparison, built heritage, historic frontage, period streetscape, adaptive reuse, traditional masonry, production technology, cityscape history, and regional identity. Viewed from the mid-2020s, the subject sits within continuing debate about industrial conservation, factory closures and the relationship between local geology, manufacturing and the built environment. The present-day relevance extends to embodied carbon and historic townscape, while a wider concern is the role of distinctive architecture in local identity. From an archival perspective, the view leaves evidence of the way the place functioned before later physical or commercial change within the setting of Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL. The setting also brings in architectural character, visual archive, conservation architecture, archival record, historic commercial architecture, changing streetscape, heritage asset, and place identity. Elements such as London, Tower, graffiti, Brick, and Shoreditch add documentary specificity and may become more useful when compared with later records. Around Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear.
Brick Lane,Shoreditch,Tower Hamlets,East End,London,South East,England,UK, E1 6QL
Description
Keywords: @HotpixUK,Hotpixuk,GoTonySmith,B5,Graffiti urban street art,in Floodgate St,Bordesley & Highgate,Birmingham,West Midlands,England,UK,B5 5ST,Floodgate St,Graffiti,street,artist,tag,tagged,Deritend,painted,bring,head,face,viking,wall,street art,streetart,artists,Brum,murals,faces,urban,innercity,inner city,spray paint,spray painted
Description: Tony Smith image Alamy 2AERPEG - . Made at Floodgate St,Digbeth, Birmingham,West Midlands,England,UK, B5 5ST in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The subject recorded here is Amon Amarth bring Berserker tour,Graffiti urban street art,in Floodgate St,Digbeth,Bordesley & Highgate,Birmingham,West Midlands,England,UK,B5 5ST. The wider subject matter also includes historic frontage, period detail, community identity, period building, changing land use, contemporary social history, documentary photography, built heritage, everyday life, public realm, local history, place identity, local character, and heritage landmark. In the mid-2020s, energy retrofit and maintenance costs keep the subject current, particularly through reusing existing buildings rather than demolishing them. From an archival perspective, the view leaves evidence of signage, materials, design and everyday use around Floodgate St,Digbeth, Birmingham,West Midlands,England,UK, B5 5ST. The wider local story also touches on period streetscape, cityscape history, regional identity, visual archive, archival record, before-and-after reference, conservation architecture, and architectural character. Elements such as bring, Midlands, Berserker, Bordesley, and Digbeth add documentary specificity and may become more useful when compared with later records. Around Floodgate St,Digbeth, Birmingham,West Midlands,England,UK, B5 5ST, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for energy retrofit and reusing existing buildings rather than demolishing them in a form that can be compared with future views of Floodgate St,Digbeth, Birmingham,West Midlands,England,UK, B5 5ST. It also preserves a point of historical comparison before later change alters the scene.
Floodgate St,Digbeth, Birmingham,West Midlands,England,UK, B5 5ST
Description
Keywords: @hotpixuk,Hotpixuk,GoTonySmith,England,UK,North West England,Eastgate,clock,#ChesterTogether,ChesterTogether,Victorian Clock,City Centre,city,hands,clock hands,ancient,East Gate,gates,walls,Queen Victorias,diamond jubilee,wall clock,walled,Deva,Deva Victrix,Chester landmark,landmarks,city of Chester,1899,open work iron pylons,clock face,face,copper ogee cupola,copper,ogee,cupola,John Douglas
Description: Tony Smith image Alamy 2BGHB2H - Eastgate and Eastgate Clock in Chester, Cheshire, England, stand on the site of the original entrance to the Roman fortress of Deva Victrix. It is a prominent landmark in the city of Chester and is said to be the most photographed clock in England after Big Ben.
The original gate was guarded by a timber tower which was replaced by a stone tower in the 2nd century, and this in turn was replaced probably in the 14th century. The present gateway dates from 1768 and is a three-arched sandstone structure which carries the walkway forming part of Chester city walls. In 1899 a clock was added to the top of the gateway to celebrate the diamond jubilee of Queen Victoria two years earlier. It is carried on open work iron pylons, has a clock face on all four sides, and a copper ogee cupola. The clock was designed by the Chester architect John Douglas. The whole structure, gateway and clock, was designated as a Grade I listed building on 28 July 1955.
41-45 Eastgate St, Chester, Cheshire, North West England, UK, CH1 1LE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,NQ4,Manchester City Centre,City Centre,M4,art,stencil,stencils,street,streetart,artist,cans,pasted,paste up,paste,up,face,faces,cartoon,cartoons,multiple,derelict,unused,door,doorway,entrance,lock,locked,city,centre,trendy
Description: Tony Smith image Alamy RPGEM3 - . This contextual photograph records the character of Manchester Northern Quarter NQ4 art graffiti, Lancashire, North West England, UK, M4, in a 2019 record. The defining subject in the supplied record is Manchester Northern Quarter NQ4 art graffiti, Lancashire, North West England, UK, M4. The photograph carries associations with street-level design, working waterway, canal heritage, heritage navigation, contemporary mural, public realm art, illustrated hoarding, city artwork, street creativity, hydraulic control, lock operation, and temporary artwork. Modern coverage of inland boating frequently reaches beyond the immediate scene to questions of ecology and habitat protection, waterside regeneration and protecting blue-green corridors. Seen from a 2025-onward perspective, urban murals also connects with youth culture, local identity and efforts aimed at community-led design. Documentary value is strengthened by the precise setting at Manchester Northern Quarter NQ4 art graffiti, Lancashire, North West England, UK, M4, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The location additionally reflects river management, urban visual culture, navigation channel, graphic intervention, visual placemaking, towpath environment. Further recorded details include city centre, urban, spray can, paint, artists. The scene also carries the language of navigation engineering, art-led regeneration, boating infrastructure, mural culture, riparian setting, waterside infrastructure, community expression, public art, creative regeneration, and industrial waterway heritage. For present-day editorial use, navigation maintenance can also illustrate debates about volunteer involvement and long-term maintenance funding, particularly where these affect balancing leisure with engineering needs. The photograph preserves evidence of changing place for later comparison.
Manchester Northern Quarter NQ4 art graffiti, Lancashire, North West England, UK, M4
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,NQ4,Manchester City Centre,City Centre,M4,art,stencil,stencils,street,streetart,artist,cans,pasted,paste up,paste,up,face,faces,cartoon,cartoons,multiple,derelict,unused,door,doorway,entrance,lock,locked,city,centre,trendy
Description: Tony Smith image Alamy RPGEM4 - . A carefully observed scene depicts the social and built context of Manchester Northern Quarter NQ4 art graffiti, Lancashire, North West England, UK, M4, in documentary coverage dating from 2019. The defining subject in the supplied record is Manchester Northern Quarter NQ4 art graffiti, Lancashire, North West England, UK, M4. Related ideas embodied by the location include inland boating, towpath environment, local identity, street creativity, boating infrastructure, public realm art, visual placemaking, mural culture, contemporary mural, heritage navigation, industrial waterway heritage, and navigation channel. Seen from a 2025-onward perspective, waterside heritage also connects with volunteer involvement, flood resilience and efforts aimed at balancing leisure with engineering needs. The wider contemporary story of street-level design now includes community participation alongside graffiti versus commissioned work, while policy and investment increasingly consider recording temporary artwork. Over time, this view of Manchester Northern Quarter NQ4 art graffiti, Lancashire, North West England, UK, M4 can support local-history and planning research by preserving details of appearance, occupation, signage, public access and everyday use that written records may omit. The surrounding story includes civil engineering structure, riverine landscape, managed watercourse, waterway maintenance, urban visual culture, public art. The record also refers to city centre, urban, spray can, paint, artists. The same setting also brings together river management, waterside infrastructure, graphic intervention, urban graphics, illustrated hoarding, riparian setting, creative streetscape, inland navigation, lock operation, and city artwork. Modern coverage of managed watercourses frequently reaches beyond the immediate scene to questions of heritage conservation, safe public access and balancing leisure with engineering needs.
Manchester Northern Quarter NQ4 art graffiti, Lancashire, North West England, UK, M4
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,North West England,Manchester,Salford music,icon,icons,band,bands,Salford bands,building,historic,history,Manchester music,Salford,Mark E. Smith Quote,smoking,smoker,Mark E Smith smoking,interview,8 Clifton Road,Prestwich,bury,Prestwich Art Festival,Akse P19,graffiti artist,Guardian newspaper interview,cigarette,in mouth,post-punk bands,cult,music icon,face
Description: Tony Smith image Alamy RK9X6Y - Mark E. Smith mural - 8 Clifton Road, Prestwich
This impressive mural of the mercurial frontman of The Fall was painted by graffiti artist Akse P19 as part of the Prestwich Art Festival in 2018.
The mural was painted 9 months after the underground rock icon died aged 60 after a battle with lung and kidney cancer, and features Smith smoking a cigarette in typically nonchalant fashion, alongside the quote Fear is something I try not to absorb', from an interview he gave to the Guardian newspaper in 2011.
Smith who was born in Broughton, Salford in 1957 founded The Fall were founded in Prestwich in 1976, and lived in the area for most of his life.
The Fall were one of the most prolific and acclaimed post-punk bands to emerge in the UK, and retained a large cult following right until Smith's death. He was the only constant member of the group that notoriously had a high turnover of members. Smith once wittily remarked if it's me and yer granny on bongos, it's the Fall.
The mural is on the side of the fish and chip shop Chips @ No.8 on Clifton Road.
8 Clifton Road, Prestwich, Bury, M25 3HQ, England
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,Town,dusk,night,at night,nighttime,Face of wigan at Night,stainless steel sculpture of a face,stainless steel,art,artist,sculpture,of a face,sculptor Rick Kirby,sculptor,centre,town centre,nightlife,night life,night image,steel structure,artwork,icon,iconic,Marylebone,Wigan,Marylebone Wigan,sculpture of a face,face,English sculptor,English,public art,WN1,illuminated,statue
Description: Tony Smith image Alamy RG982H - Face of Wigan sculpture, Wigan
The Face of Wigan is a dramatic 5.5m high stainless steel sculpture of a face, which is destined to become another iconic image of the borough.
The piece is a new take on an old favourite as its creator, acclaimed English sculptor Rick Kirby explains: The face is a play on the many portraits and busts of the good and glorious' that adorn the parks and centres of every town and city throughout Britain.
The sculptured portrait is intended to represent not a single celebrity, but all of the inhabitants of the area, the very people of Wigan. These are the people who make the place what it is today, and indeed have the power to determine what will be the future.
The rear of the piece is a highly reflective surface set at different angles which will mirror fragments of people passing as well as the surrounding landscape.
Mr Kirby is known for a vast collection of striking public art works including Continuum' at Alexandra Park Lake in Hastings and Cross the divide' at the South Bank in London.
Funding for the project totalling almost £80,000 was provided by Modus Properties, developers of Wigan's Grand Arcade shopping centre as part of an agreement with Wigan Council to provide a major piece of public art in the town centre.
Louise Pearson, Development Manager for Modus says: We are delighted to have assisted in the delivery of this important piece of public art. Plus, we're happy to see that it is in a prime location to oversee the next phase of regeneration in the town centre.
Consultation about the piece took place with shoppers and visitors to the town centre over the summer of 2007, with people giving their thoughts and suggestions on a number of designs. At the end of the process, The Face of Wigan was the clear winner.
The Face came to its new home at The Wiend in Wigan town centre on Tuesday (December 9).
It will spend up to 18 months in this location before embarking on a tour of different locations in the borough ov
Wigan, England, UK, WN1 1YB
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,City,Centre,City Centre,street,USA,United States,Brooklyn,beach,resort,Borough Of Brooklyn,peninsular,leisure,entertainment,tourist,destination,run down,rundown,seaside resort,seaside,US,Fred Trump,Fred,Trump,Thor Equities,parks,NYC Parks,woman,face,Thunderbolt,ride
Description: Tony Smith image Alamy RBJ9TG - Coney Island is a peninsular residential neighborhood, beach, and leisure/entertainment destination of Long Island on the Coney Island Channel, which is part of the Lower Bay in the southwestern part of the borough of Brooklyn in New York City. Coney Island was formerly the westernmost of the Outer Barrier islands on Long Island's southern shore, but in the early 20th century it became connected to the rest of Long Island by land fill. The residential portion of the peninsula is a community of 60,000 people in its western part, with Sea Gate to its west, Brighton Beach and Manhattan Beach to its east, the Lower Bay to the south, and Gravesend to the north.
Coney Island was originally part of the colonial town of Gravesend. By the mid-19th century, it became a seaside resort, and by the late 19th century, amusement parks were also built at the location. The attractions reached a historical peak during the first half of the 20th century, declining in popularity after World War II and following years of neglect. The area was revitalized with the opening of the MCU Park in 2001 and several amusement rides in the 2010s.
Stillwell Ave, Coney Island, Brooklyn,New York, NY, USA
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,NYC,New York,City,Centre,City Centre,street,USA,United States,Brooklyn,beach,resort,Borough Of Brooklyn,peninsular,leisure,entertainment,tourist,destination,run down,rundown,seaside resort,seaside,US,Fred Trump,Fred,Trump,Thor Equities,parks,NYC Parks,woman,face,Thunderbolt,ride
Description: Tony Smith image Alamy RBJ9TN - Coney Island is a peninsular residential neighborhood, beach, and leisure/entertainment destination of Long Island on the Coney Island Channel, which is part of the Lower Bay in the southwestern part of the borough of Brooklyn in New York City. Coney Island was formerly the westernmost of the Outer Barrier islands on Long Island's southern shore, but in the early 20th century it became connected to the rest of Long Island by land fill. The residential portion of the peninsula is a community of 60,000 people in its western part, with Sea Gate to its west, Brighton Beach and Manhattan Beach to its east, the Lower Bay to the south, and Gravesend to the north.
Coney Island was originally part of the colonial town of Gravesend. By the mid-19th century, it became a seaside resort, and by the late 19th century, amusement parks were also built at the location. The attractions reached a historical peak during the first half of the 20th century, declining in popularity after World War II and following years of neglect. The area was revitalized with the opening of the MCU Park in 2001 and several amusement rides in the 2010s.
Stillwell Ave, Coney Island, Brooklyn,New York, NY, USA
Description
Keywords: GoTonySmith,@HotpixUK,subway,railway,city centre,train,transport,passenger,passengers,orange,rolling stock,Metro Cammell,Glasgow District Subway,narrow guage,Outer Circle,Inner Circle,integrated,electric,branding,corporate identity,on the subway,people,travelling,busy,busy train,busy trains,commuters,commuter,adverts,confined space,orange creme,cream,creme,face,faces,travellers
Description: Tony Smith image Alamy P53BTR - The Glasgow Subway is an underground metro line in Glasgow, Scotland. Opened on 14 December 1896, it is the third-oldest underground metro system in the world after the London Underground and the Budapest Metro. It is the only heavy rail underground metro system in the United Kingdom outside London, and also the only one in the United Kingdom which operates completely underground. It is also one of the very few railways in the world with a track running gauge of 4 ft (1,219 mm). Formerly a cable railway, the Subway was later electrified, but its twin circular lines were never expanded. The line was originally known as the Glasgow District Subway, but was later renamed Glasgow Subway Railway. It was so called when taken over by the Glasgow Corporation who renamed it the Glasgow Underground in 1936. Despite this rebranding, many Glaswegians continued to refer to the network as the Subway. In 2003 the name Subway was officially readopted by its operator, the Strathclyde Partnership for Transport (SPT). A £40,000 study examining the feasibility of an expansion into the city's south side is in progress.
The system is not the oldest underground railway in Glasgow
that distinction belongs to a 3.1 mi (5.0 km) section of the Glasgow City and District Railway opened in 1863, now part of the North Clyde Line of the suburban railway network, which runs in a sub-surface tunnel under the city centre between High Street and west of Charing Cross. Another major section of underground suburban railway line in Glasgow is the Argyle Line, which was formerly part of the Glasgow Central Railway.
The Subway runs from 06:30 to 23:40 Monday to Saturday and 10:00 to 18:12 on Sunday.
Glasgow, UK
Description
Keywords: eco,bin,waste,Flower,dandelion,red,red bins,art,lips,face,blond,blond girl,recycling,recycle,GoTonySmith,Scottish,collections,wheelie bins,wheeliebins,Pano,panorama,woman,female,green,economy,backstreet,blows,into,wind,turbines,turbine,generating,power,electricity,wheelie,bins,7bins,7 bins,scrapping,recycling bin
Description: Tony Smith image Alamy HKHWF4 - . This dated editorial view of Glasgow, Scotland, GB, United Kingdom in 2017 captures more than the immediate subject, retaining clues about local use, design, activity and change. The scene records Graffiti in Glasgow backstreet, blond woman blows a dandelion, into wind turbines, generating green power, near wheelie bins. The wider scene also brings together stencil art, period detail, historical comparison, place identity, visual archive, changing land use, street-level design, social history, before-and-after reference, public-realm art, public realm, changing streetscape, regional identity, and archival record. The wider contemporary story combines creative districts, tourism and how regeneration can both promote and displace informal urban art. Small period details of public access and movement at Glasgow, Scotland, GB, United Kingdom may become more significant with time, particularly following new ownership. Further associations within the scene are contemporary mural, temporary artwork, documentary photography, contemporary social history, mural culture, urban artwork, local character, and visual street culture. References to backstreet, generating, dandelion, blows, and power give the picture a strong period identity and tie it closely to its named subject. For Glasgow, Scotland, GB, United Kingdom, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of creative districts and how regeneration can both promote and displace informal urban art within the specific setting of Glasgow, Scotland, GB, United Kingdom. A further contemporary connection is local identity and the blurred boundary between commissioned public art and unsanctioned graffiti as part of the longer story of Glasgow, Scotland, GB, United Kingdom. The image fixes evidence of changing use as a date-specific reference.
Glasgow, Scotland, GB, United Kingdom
Description
Keywords: waste,Flower,dandelion,red,red bins,art,urban art,lips,face,blond,blond girl,recycling,recycle,Glasgow City Council,GoTonySmith,Scottish,collections,wheelie bins,wheeliebins,Pano,panorama,Glasgow,city,centre,gotonysmith,stairs,arts,artscentre,center,green,economy,blows,blowing,the,seeds,from a
Description: Tony Smith image Alamy HKHWGE - . An on-location photograph from Glasgow, United Kingdom in 2017, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The scene records Blond woman blowing the seeds from a dandelion clock, above waste bins, Glasgow, Scotland, UK. The image also relates to local character, visual street culture, contemporary social history, timekeeping technology, local history, analogue timekeeping, watch collector interest, watchmaking heritage, visual archive, place identity, before-and-after reference, mechanical movement, creative placemaking, and social history. From a 2025-onward perspective, gentrification and public art are closely linked to this subject, alongside how temporary street art can become an important record of neighbourhood culture. The wider contemporary story combines heritage brands, vintage design and the renewed interest in repairable mechanical watches amid disposable electronics. Future viewers can use this scene from Glasgow, United Kingdom to compare public access and movement with whatever follows after later reinterpretation. Further associations within the scene are street-level design, period watch dial, changing streetscape, wristwatch design, watch dial typography, community art, public-realm art, and regional identity. Details involving waste, seeds, woman, Blond, and above make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Glasgow, United Kingdom, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is gentrification and the role of murals and stencils in giving creative districts a distinctive identity as part of the longer story of Glasgow, United Kingdom. The view records evidence of changing use before later change alters the scene.
Glasgow, United Kingdom
Description
Keywords: Street,face,faces,car,park,gun,pipe,drain,drainpipe,wall,gable,end,with,parking,machine,artistic,urban,gun,Street Art,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HMR7 - . An on-location photograph from Smithfield St, Liverpool, England, UK in 2016, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows Graffiti Art Smithfield/Tithebarn St,Liverpool,England,UK - with parking machine. The broader subject matter reaches into graffiti heritage, public art, archival record, public realm, changing land use, visual archive, contemporary mural, stencil art, public-realm art, before-and-after reference, period detail, regional identity, social history, and changing streetscape. From a 2025-onward perspective, local identity and regeneration are closely linked to this subject, alongside how temporary street art can become an important record of neighbourhood culture. Future viewers can use this scene from Smithfield St, Liverpool, England, UK to compare landscape treatment and surrounding development with whatever follows after redevelopment. The photograph additionally reflects local character, community identity, temporary artwork, visual street culture, street creativity, mural culture, urban graphics, and historical comparison. Details involving Smithfield, Graffiti, Liverpool, machine, and Tithebarn make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Smithfield St, Liverpool, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is local identity and how temporary street art can become an important record of neighbourhood culture in a form that can be compared with future views of Smithfield St, Liverpool, England, UK. The scene further reflects regeneration and the blurred boundary between commissioned public art and unsanctioned graffiti within the real-world context of Smithfield St, Liverpool, England, UK.
Smithfield St, Liverpool, England, UK
Description
Keywords: Two comical,with,ivy,comedy,funny,vulgar,plants,spade,hat,fool,foolish,ornament,world,garden Gnomes,Gardeners World,GoTonySmith,Buy Pictures of,Buy Images Of,British,classic,fun,Great Britain,GB,English,traditional,gnomes,daft,twee,face,friends,friendly,faces,overgrown,garden,gardens
Description: Tony Smith image Alamy EY5KEH - . Two comical classic British garden Gnomes with ivy, overgrown garden. Photographed at England, Great Britain , UK. The photograph was taken on 19 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Two, comical, garden, Gnomes, ivy, plant, whimsey, Two comical, comedy and funny, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
England, Great Britain , UK
Description
Keywords: East Ilsley,village,parish,Berkshire,Mary,Saint,Time,fingers,stone,A34,United Kingdom,highest,grade,listed,stone,render,Hildersley,Norman,English,style,chancel,religion,religious,place,of,worship,Clock,face,England,UK,United Kingdom,blue,gold,golden,window,GoTonySmith,Buy Pictures of,Buy Images Of,historic,time
Description: Tony Smith image Alamy EY5KED - . Clockface at St Marys, East Ilsley, Berkshire, England,UK. Photographed on 16 July 2015. The recorded location is Church Road, East Ilsley, Berkshire,England. The church is partly Norman
has an early English style chancel, and an embattled tower
it was enlarged and repaired in 1845 and contains an old monument of one of the Hildesleys, ancient lords of the manor. In the longer view, ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the evolving use of sacred space. Historically, historic objects and places gain meaning through survival
Materials, craftsmanship, inscriptions and later alterations can reveal how a building, machine or everyday item was made, used and valued, while preservation decisions show which parts of the past communities choose to retain. In historical terms, room interiors are records of both design and daily activity
Furnishings, lighting, surfaces and specialist fittings can identify a building's function and period, while later refurbishment may erase these smaller details. Current 2026 relevance comes from the fact that historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant. In 2026, conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it provides about materials, local identity and how places change. Additional discoverability terms include ecclesiastical architecture, parish church, Christian heritage, sacred art, religious symbolism, stained glass, and church interior.
Church Road, East Ilsley, Berkshire,England
Description
Keywords: 1860 Sir James Graham by John Tweed,He was an MP,First Lord of the Admiralty,Provincial,Carlisle,Cathedral,United Kingdom,Church,bronze,sculpture,statue,GoTonySmith,7 Abbey St,Carlisle,Cumbria,England,UK - CA3 8TZ,CA3 8TZ,Buy Pictures of,Buy Images Of,CA3,1860,by,at,UK,James Graham,John Tweed,art,artist,portrait,portraits,face,MP
Description: Tony Smith image Alamy EY3KP8 - . 1860, Sir James Graham, by John Tweed, at Carlisle Cathedral, Castle street, Cumbria, England, UK, CA3 8TZ. Photographed on 6 July 2015. The recorded location is 7 Abbey St, Carlisle, Cumbria, England, UK - CA3 8TZ. 1860 Sir James Graham by John Tweed, He was an MP, First Lord of the Admiralty, Home Secretayr. Freemason and Provincial Grandmaster a faithful servant of the state- Carlisle Cathedral. The wider historical story is that churches combine worship with architecture, community memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, changing liturgy, community benefactors, war remembrance and family history. The wider historical story is that town and city centres are continually rewritten by new buildings, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. In the present 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and community identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage structures while keeping them accessible and relevant. In the present 2026 context, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way. For the 2026 context, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Images of their interiors and memorials therefore serve architectural, heritage and social-history uses.
7 Abbey St, Carlisle, Cumbria, England, UK - CA3 8TZ
Description
Keywords: Oxfordshire,England,UK,page,of,helpers,faces,images,image,verger,Oxen,chrurch,GoTonySmith,welcome,to,the,West Oxfordshire,England UK,our,people,place,a,face,name,named,names,Welcome to Holy Trinity,churches,Holy Trinity Church,welcoming,Wood Green,Victorian,vicar
Description: Tony Smith image Alamy ECW4H5 - Holy Trinity Church, Wood Green, is a Grade II listed Victorian church in Witney, Oxfordshire.htm Target=_Blank>Oxfordshire.
The Church was built in 18489, on land given by the bishop of Winchester and the duke of Marlborough
the cost was met largely from subscriptions, and a gift from the rector Charles Jerram. The architect was Benjamin Ferrey.
The church of squared and coursed limestone with ashlar quoins and dressings and a gabled stone slate roof. There is a two-bay chancel with pointed moulded doorway and Caernarvon-arched window. The five-bay nave has offset buttresses, lancets and two-light windows in each east bay.
An organ was installed in 1860, and new choir stalls and altar rails were fitted in 1869. In 1887 the vestry was enlarged to designs by Clapton Crabb Rolfe, and in 1895 an organ by Charles Martin of Oxford replaced the earlier one.
A new pulpit was fitted in 1909 in memory of Samuel and Mary Shuffrey. It was created in the Wood Green workshop of their son Leonard Shuffrey, the leading architect and architectural designer, who is buried in the Churchyard. James Allen Shuffrey, the notable watercolour artist, and brother of Leonard Shuffrey, sang in Wood Green Church Choir as a boy.
Woodgreen, Witney, West Oxfordshire, England, UK
Description
Keywords: WS137LD Staffordshire,England,UK,WS13,7LD,church,churches,religion,religious,symbols,ceramic,ceramics,tiled,14th,century,historic,building,magnificent,high,altar,city,cities,English,British,GB,face,person,Elred,curve,curved,brown,blue,Diocese,medieval,GoTonySmith,tourism,tourist,attraction,Oluma
Description: Tony Smith image Alamy ED9DKN - . Tiles on floor at Lichfield cathedral, Staffordshire, England UK WS13 7LD leading to the high altar. Photographed at 19A The Close, Lichfield, Staffordshire, england, UK WS13 7LD. The photograph was taken on 01 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Tiles on floor at Lichfield cathedral, Stafford, medieval, symbols, ceramic, Offa, curve, Mercia, symbolism and 7LD, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
19A The Close, Lichfield, Staffordshire, england, UK WS13 7LD
Description
Keywords: WS137LD Staffordshire,England,UK,WS13,7LD,church,churches,religion,religious,symbols,ceramic,ceramics,tiled,14th,century,historic,building,magnificent,high,altar,city,cities,English,British,GB,curve,curving,Oluma,figure,face,detail,of,Diocese,medieval,GoTonySmith tourism tourist attraction,Buy Pictures of,Buy Images Of,Elred,blue,tourist
Description: Tony Smith image Alamy ED9DKT - . Tiles on floor at Lichfield cathedral, Staffordshire, England UK WS13 7LD leading to the high altar. Photographed at 19A The Close, Lichfield, Staffordshire, england, UK WS13 7LD. The photograph was taken on 01 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Tiles on floor at Lichfield cathedral, Stafford, medieval, symbols, ceramic, Offa, curve, Mercia, symbolism and 7LD, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
19A The Close, Lichfield, Staffordshire, england, UK WS13 7LD
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,village,festival,straw,decoy,face,human,lifelike,scarecrow competition,competition,Cheshire,bench scarecrow,watering can,hat,boots
Description: Tony Smith image Alamy DDJNY4 - . Summer Scarecrow on a bench, England, UK. The photograph was taken on 07 July 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scarecrow, on a, bench, Summer, Englsh, village scarecrows, Scarecrow spotting, Scatter a Scarecrow Week, annual festival and scarecrow festival, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph has strong editorial relevance to public events, festivals, performances, celebrations and the temporary activity that changes the character of a familiar place. It can support coverage of festivals, street entertainment, performers, audiences, tourism, cultural events, city-centre activity and the economic and social impact of organised public gatherings. Costume, temporary signs, crowds, performance areas, street furniture and the surrounding architecture can all help establish the event in a specific place and period. Because events are temporary, a dated documentary photograph has particular archive value, preserving details that disappear as soon as the programme, performers and public activity move on. Search themes include festivals, street performance, live entertainment, cultural events, tourism, crowds, city-centre activity, temporary public space and event heritage. The dated view is valuable for identifying how a particular event, performer or festival presence looked in that year. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Description
Keywords: Festival puppet entertainer with a severed head,August High street,Edinburgh Old Town,Lothian,Scotland UK August High street,Edinburgh Old Town,Lothian,smiling,actor,holding,streetfun,fun,monochrome,spectacle,horror,mono,monochrome,fringefestival,EH11QS,EH1,1QS,gotonysmith black and white,gotonysmith,Buy Pictures of,Buy Images Of,Scotland,attractions,kissing,attraction,Festival puppet entertainer,severed,head,face
Description: Tony Smith image Alamy D8HWP0 - . Festival puppet entertainer with a severed head , August High street, Edinburgh Old Town, Lothian, Scotland UK. Photographed on 22 August 2012. The recorded location is High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS. Historically, community circus and street entertainment sit between amateur participation and professional performance, using portable skills such as juggling and puppetry that can be staged in parks, streets or festivals with minimal infrastructure. Looking at the subject's development, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local history, design, industry and social life across different periods. In historical terms, urban street scenes capture the cumulative effect of planning, architecture, transport, retail and public space
Shopfronts, signs, street furniture and pedestrians can date an image precisely and show how a district changes between periods of investment, decline and regeneration. In 2026, outdoor performance continues to be important to festivals and community events, offering accessible entertainment at a time when arts organisations continue to debate funding, participation and the use of public space. For the 2026 context, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historical fabric creates continuing debate about conservation and reuse. The historical context is that festival entertainers add a temporary layer of performance to public space
Their costumes, props and interaction with passers-by often become part of the identity of recurring civic and arts events. In 2026, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse.
High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS
Description
Keywords: tagged,face,orange,Spoom tag,grafitti,Belfast City,Northern,Ireland,UK,city,centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,painting,wall,walls,tribute,West,Beal,feirste,fun,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M8F - . Made at Belfast, Northern Ireland, UK in 2011, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Spoom tag grafitti,Belfast,Northern Ireland,UK. The wider scene also brings together street-level design, documentary photography, regional identity, temporary artwork, public art, graffiti heritage, street creativity, archival record, urban graphics, before-and-after reference, creative placemaking, community identity, visual archive, and changing land use. Current relevance extends to gentrification and local identity, particularly through the blurred boundary between commissioned public art and unsanctioned graffiti. Future viewers can use this scene from Belfast, Northern Ireland, UK to compare equipment and working practice with whatever follows after new ownership. The surrounding story also includes place identity, local history, historical comparison, public realm, community art, social history, everyday life, and visual street culture. The combination of Northern, Spoom, Ireland, Belfast, and grafitti anchors the frame to a recognisable activity, place or moment. Around Belfast, Northern Ireland, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate gentrification and how regeneration can both promote and displace informal urban art when considered against later change at Belfast, Northern Ireland, UK. The image also provides a reference for regeneration and the blurred boundary between commissioned public art and unsanctioned graffiti without losing the local specificity of Belfast, Northern Ireland, UK. The frame retains a trace of local identity before later change alters the scene. The scene captures a local visual benchmark as a date-specific reference.
Belfast, Northern Ireland, UK
Description
Keywords: Exhibit,A,-,Banned!,on,stage,at,Winnington,Park,Northwich,Cheshire,England,UK,2010-02-26,heavy,metal,band,gotonysmith,guitar,head,banger,banging,face,guitarface,act,ExhibitA,Banned! Northwich 2010-02-26,gotonysmith,Buy Pictures of,Buy Images Of,concert,music,rock,roll,headbanger
Description: Tony Smith image Alamy CF7D9M - . Exhibit A - Banned! live on stage at Winnington Park, Northwich, Cheshire, England UK 2010-02-26 heavy metal band. Photographed on 26 February 2010. The recorded location is Winnington Park, Winnington, Northwich, Cheshire, England, UK. Looking at the subject's development, visitor attractions based on historic houses, industrial sites and specialist collections combine conservation with education
Exhibits can change over time, so photographs also document how institutions presented their collections at a particular date. Looking at the subject's development, live music leaves a material trail through venues, tickets, posters, recording equipment and the buildings associated with bands and labels
These apparently everyday objects become cultural-history evidence as scenes, technologies and venues change or disappear. For the 2026 context, heritage attractions increasingly combine physical collections with digital interpretation and events, but the authenticity of original objects and settings remains central to their appeal. For the 2026 context, the economics of live music remain under scrutiny as independent venues face costs while audiences increasingly discover and consume music digitally
Historic tickets, venue exteriors and recording technology therefore provide a useful contrast with today's streaming-led music economy. The wider historical story is that museums and heritage attractions turn surviving objects and places into interpreted public history
Displays, reconstructed rooms and preserved machinery can place everyday artefacts within broader stories of work, domestic life, conflict, design and technological change. In the present 2026 context, museums and heritage sites continue to balance conservation with accessibility, education, digital interpretation and the cost of maintaining buildings and collections
Older exhibition photographs can therefore record displays that have since been changed or reinterpreted.
Winnington Park, Winnington, Northwich, Cheshire, England, UK
Description
Keywords: English,UK,signature,Gotonysmith,Buy Pictures of,Buy Images Of,image,foreign office,stamp,stamps London,woman,wife,female,ID card,ID,personal,details,information,nationality,history,historic,expired,old,open,face,portrait,portraits,bearer,granny,lady,girl,foreign,office,British Passport,photo,photograph,passport control,immigration
Description: Tony Smith image Alamy D8HCR0 - . This location-specific image from Great Britain, UK in 2009 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows Old lady's expired British subject passport photograph. The surrounding context encompasses postal graphic design, paper communication, community identity, visual archive, commemorative issue, used postage stamp, documentary photography, everyday life, regional identity, changing land use, public realm, philatelic material, historic postage, and postal history. Viewed from the mid-2020s, the subject also connects with collecting, graphic design and the collector interest created by discontinued currencies, states and designs. For later comparison, the photograph preserves lettering, decoration and surface detail at Great Britain, UK, details that may look very different after new construction. The surrounding story also includes before-and-after reference, collectable stamp, postal artefact, social history, local character, postal ephemera, mail history, and contemporary social history. Details involving British, subject, photograph, passport, and expired make the image more specific than a generic view and strengthen its local or historical value. Around Great Britain, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for collecting and the collector interest created by discontinued currencies, states and designs without losing the local specificity of Great Britain, UK. Another useful connection is collecting and the contrast between physical postal culture and digital communication in a form that can be compared with future views of Great Britain, UK. It also preserves evidence of earlier appearance within the wider story of Great Britain, UK.
Great Britain, UK
Description
Keywords: Orange,Halloween,Pumpkin,with,sparkler,for,hair,gotonysmith,carved,face,eyes,nose,mouth,pumpkin,all,hallows,allhalows,allhallows,carviing,ideas,decorating,Punkin,Attractive,craft,jack-o'-lantern,jack-o-lantern,jack-o,lantern,jacko,carving ideas,Pumpkin Carving Ideas,ignis,fatuus,or,will-o'-the-wisp,in,English,folklore,used,especially,in,East,Anglia,firework,sparkling,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEYAAJ - Orange Halloween Pumpkin with a creative firework sparkler for hair.
A modern jack-o'-lantern is a carved pumpkin, although originally large turnips were carved. It is associated chiefly with the holiday of Samhain and Halloween and was named after the phenomenon of strange light flickering over peat bogs, called ignis fatuus or jack-o'-lantern. In a jack-o'-lantern, the top is cut off, and the inside flesh then scooped out
an image, usually a monstrous face, is carved out, and the lid replaced. It is typically seen during Halloween.
Scotland, United Kingdom
Description
Keywords: Port,of,tourist,attractions,tourism,enjoy,merseyside,NW,England,UK,GB,Great,Britain,insurance,building,Mersey,city,of,culture,RoyalLiverBuilding,B/W,Monochrome,Ir,infrared,infra-red,grade,I,listed,buildings,in,UNESCO,designated,World,Heritage,Maritime,Mercantile,City,Three,Graces,3,clock,face,L31HT,gotonysmith,3graces,scouse,scouser,scousers,Royal,Liver,Assurance,group,liver,birds,liverbirds,calendar,shot,Royal,Liver,Group,Atop,each,tower,stand,the,mythical,designed,by,Carl,Bernard,Bartels,different,view,of,the,L3,1HT,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HTT4 - The Royal Liver Building is a Grade I listed building located in Liverpool, England. It is sited at the Pier Head and along with the neighbouring Cunard Building and Port of Liverpool Building is one of Liverpool's Three Graces, which line the city's waterfront. It is also part of Liverpool's UNESCO designated World Heritage Maritime Mercantile City.
Opened in 1911, the building is the purpose-built home of the Royal Liver Assurance group, which had been set up in the city in 1850 to provide locals with assistance related to losing a wage-earning relative. One of the first buildings in the world to be built using reinforced concrete, the Royal Liver Building stands at 90 m (300 ft) tall.
It was the tallest storied building in Europe from completion until 1934 and the tallest in the United Kingdom until 1961. The Royal Liver Building is now however only the joint-fourth tallest structure in the City of Liverpool, having been overtaken in height by West Tower, Radio City Tower and Liverpool Cathedral.
Today the Royal Liver Building is one of the most recognisable landmarks in the city of Liverpool and is home to two fabled Liver Birds that watch over the city and the sea. Legend has it that were these two birds to fly away, then the city would cease to exist.
Pier Head, Liverpool, UK L3 1HT
Description
Keywords: Dusk,night,art,Face Of wigan,The Face Of Wigan,Wigan,Town Centre,HousingITguy,Project365,2nd 365,HotpixUK365,Tone Smith,GoTonySmith,365,2365,one a day,Tony Smith,Hotpix,stainless steel,sculpture,face,Rick Kirby,artwork,artist,Greater Manchester,Wigan Council
Description: Tony Smith image Flickr 3991987026 - 'The Face of Wigan, located in the town centre since 2008, is a stainless steel sculpture of a face. Created by sculptor Rick Kirby, The Face stands at 18-foot-tall (5.5 m) and cost \u00a380,000.
If you are on Twitter, do add a follow there and I will follow back in return mobile.twitter.com/HotpixUK
Have a look at my archived photography, from ten years back at www.flickr.com/photos/hotpixuk/
Checkout the rest of this 365 set at www.flickr.com/photos/167831053@N02/albums/72157703214420874
All images (c) Tony Smith - @HotpixUK - No images to be used without express permission',
Description
Keywords: fringe,2012,fringe2012,horror,lady,woman,girl,scary,edinburgh,tattoo,performer,performers,jack,ripper,tale,different,device,theatre,co,company,scotland,actor,actors,b/w,black,white,blackandwhite,tonysmith,HDR,portrait,face,eyes,look,thelook,mono,monochrome,@hotpixuk
Description: Tony Smith image Flickr 8035509582 - 'View a whole set of Fringe 2012 madness from Edinburgh Scotland here. If you do Twitter add me here.
How do you take your horror? August, always a mad busy crazy time in Edinburgh, during the festival and fringe, which seems to have grown even bigger than the tattoo and festival. There's no shortage of victorian scaryness here!.
At Paradise in the Vault (venue 29) between the 21st &
27th August 2012 at 22:00 each day, Jack: A Rippers Tale walks you through a London autumn of terror.
As the blurb says:
Every new turn of this bewildering labyrinth reveals some fresh depth of social blackness, some strange and repulsive curiosity of human nature. What are we to do? Where are we to turn? These are the nightmares that haunt every citizen of Whitechapel and chill the spine of all London. With the police no closer to catching the culprit and no sign of the deparavity ceasing, the question is, who can we trust?
Different Device Theatre re-tell the disturbing ledgend that echos through the streets of Whitechapel history. Be thrown into the horror and misery that ruled the every day lives of London citizens during the Rippers Auumn of Terror.
The Edinburgh Festival Fringe (The Fringe) is the world's largest arts festival, with the 2012 event spanning 25 days totalling over 2,695 shows from 47 countries in 279 venues. Established in 1947 as an alternative to the Edinburgh International Festival, it takes place annually in Scotland's capital, in the month of August. The Fringe is a showcase for the performing arts, particularly theatre and comedy (which has seen substantial growth in recent years), although dance and music are also represented. In 2012, 36% of shows were comedy and 28% theatrical productions. Theatrical productions range from the classics of ancient Greece to William Shakespeare, Samuel Beckett and contemporary works. In 2012, 1,418 shows were having their world premiere.
The Fringe is an unjuried festival \u2013 with no selection committee, and therefore any type of performance may participate. The Fringe has often showcased experimental works that might not be invited to a more conservative arts festival. In addition to ticketed, programmed events, the Festival has included a street fair, located primarily on the Royal Mile. The Festival is organized by the Festival Fringe Society, which publishes the programme, sells tickets, and offers advice to performers. Their offices are on the Royal Mile.
File under: street fringe fring2012 fringe2012 comedy show 2012fringe shows actors performers entertainers in Edinburgh dance free artists grainy gritty mono girl lady woman great long hair scary spooky
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: girl,red,gel,gels,bike,skimpy,top,bra,motor,motorbike,skull,skulls,ride,sexy,rubber,lace,fishnet,net,body,suit,bodysuit,fishnets,woman,lady,female,erotic,tony,smith,hotpix,tonysmith,tonysmithhotpix,UK,England,band,dancer,private,tight,clothes,rouge,rojo,color,colour,big,breasts,very,chesty,bouncy,from,where,I,am,standing,live,concert,gig,shot,face,portrait,MIS,@hotpixUK,ActiveH,housingtechnology
Description: Tony Smith image Flickr 6346892333 - 'Alberta Cross - 'Lucy Rider' - Play this track here.
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\u00bfWhats this iPod Shuffle set all about? Read about it here
A cracking track from 'The Thief and the Heartbreaker' album.
Alberta Cross is a New York-based band, formed by Petter Ericson Stakee (vocals, guitar) &
Terry Wolfers (bass). Despite their different upbringings - Stakee travelled from an early age between Sweden and England with his singer-songwriter father, whilst Wolfers was brought up in London's East End - they formed what would later become Alberta Cross. After relocating to Brooklyn, New York, Stakee and Wolfers solidified the line-up with the addition of Austin Beede, Alec Higgins and Sam Kearney.
The band's sound has been compared to The Band, Neil Young, The Raconteurs and other blues-influenced rock bands.
'Lucy Rider' is heard in the series premiere of the BBC One series Survivors, as well as episode 3 of Season 1 of Dirty Sexy Money. The album is well worth checking out.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
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\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: goth,gothic,face,portrait,lady,woman,female,women,fashion,alternative,alt,black,sexy,teen,teenager,costume,dark,tony,smith,tonysmith,hotpix,tonysmithhotpix,uk,england,english,fetish,cool,hat,lace,whitby,weekend,north,east,yorkshire,Yorks,coast,harbour,port,october,halloween,@hotpixuk
Description: Tony Smith image Flickr 6340727155 - 'Alice Cooper - 'Black Widow' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
This is one of my favourite tracks from 'Welcome to My Nightmare', the eighth album by Alice Cooper, released in 1975. This was Alice Cooper's first solo album (all previous Alice Cooper releases were band efforts). The cover artwork was created by Drew Struzan for Pacific Eye &
Ear. Rolling Stone would later rank it as one of the 'Top 100 Album Covers Of All Time'.
Welcome to My Nightmare is a concept album. The songs, heard in sequence, form a journey through the nightmares of a child named Steven. Welcome to My Nightmare inspired the Alice Cooper: The Nightmare TV special and a worldwide concert tour in 1975, and the Welcome To My Nightmare concert film in 1976.
The song Welcome to my Nightmare is a parody of the 1968 novel 'There's a Nightmare in My Closet' by Mercer Mayer. Famed film actor of the Horror genre Vincent Price provided the introductory monologue in the song 'The Black Widow'. VP can be seen in the video link.
Alice Cooper was born Vincent Damon Furnier in 1948. He is an American rock singer, songwriter and musician whose career spans more than four decades. With a stage show that features guillotines, electric chairs, fake blood, boa constrictors and baby dolls, Cooper has drawn equally from horror movies, vaudeville and garage rock to pioneer a grandly theatrical and violent brand of heavy metal designed to shock. He came decades before the likes of Marilyn Manson and others.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: scream,screaming,girl,female,lady,eye,eyes,portrait,hair,style,contrast,lighting,tony,smith,tonysmith,hotpix,tonysmithhotpix,selective,color,colour,face,creapy,scary,spooky,UK,England,hammer,horrer,horror,distorted,distortion,egg,heads,eggheads,egghead,@hotpixuk
Description: Tony Smith image Flickr 5941042356 - 'Sonic Youth 'Screaming Skull' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Sonic Youth's history began when guitarist Thurston Moore moved to New York City in early 1976. Interested in punk, Moore joined the Coachmen, a guitar-based quartet, after arriving in the city. Lee Ranaldo, an art student at Binghamton University, became a fan of the Coachmen, and he and Moore were soon friends.
Ranaldo was a member of Glenn Branca's electric guitar ensemble, touring throughout the US and Europe. After the breakup of the Coachmen, Moore began jamming with Stanton Miranda, whose band, CKM, featured local artist Kim Gordon.
The name Sonic Youth came from combining the nickname of MC5's Fred 'Sonic' Smith with the trend of reggae artists, such as Big Youth.
Sonic Youth signed as the first act on Neutral Records. In December 1981 the group recorded five songs in a studio in New York's Radio City Music Hall. The material was released as the Sonic Youth mini-LP that, while largely ignored, was sent to a few key members of the US press that gave it favorable reviews.
During the 1984 tour of Europe, Sonic Youth's disastrous London debut (where the band's equipment malfunctioned and Moore consequently destroyed the equipment onstage in frustration) actually resulted in rave reviews in Sounds and the NME. That was probably I came across them.
In 1986 they moonlighted as Ciccone Youth. Track down the three track 12' - 'Into the Groove(y)' (a cover of Madonna's hit 'Into the Groove', incorporating snippets of her recording) and the short 'Tuff Titty Rap' on the A side (both performed by the Sonic Youth members), and 'Burnin' Up' on the B side.
This track is from the 1994 Experimental Jet Set, Trash and No Star album.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',
Description
Keywords: tony,smith,hot,pix,picks,hotpics,hotpicks,soldier,black,white,mono,B/W,sepia,military,poppy,day,poppyday,remembrance,11th,11/11/11,red,portrait,man,men,face,male,Jack,Boyd,hdr,portraits,mywinners,hotpix!,tony smith photography,tdktony,tdk,tdktonysmith,#tonysmith,#tonysmithhotpix,#tonysmithotpix,@hotpixuk
Description: Tony Smith image Flickr 5179408709 - 'Soldier Soldier - 'Spizz Energi' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Spizzenergi was a late 1970s English punk/new wave band led by Kenneth Spiers, known as Spizz. Championed by John Peel, The band changed its name several times using alternate names including Spizzoil and Athletico Spizz 80.
They were the first band to sign to Geoff Travis's Rough Trade Records and the first to top the newly created UK Indie Chart early in 1980. They were perhaps best known for their single 'Where's Captain Kirk?'
SO WHEN I AWOKE FROM THE DANGERS OF SPACE
I LOOKED AND I SAW A FAMILIAR FACE
THE TIME WARP IN SPACE MADE A CHANGE IN ME
FOR I WAS THE CAPTAIN AND THE CAPTAIN WAS ME
After a Siouxsie and the Banshees gig at Birmingham Odeon Cinema Spizz jumped on stage and sang into the microphones, on the back of which was given a recording deal. He was already performing (solo) by 1977. He soon got together with like-minded guitarist Pete Petrol (real name Pete O'Dowd). In 1978 Palmolive, drummer with The Slits, joined what was called Spizzoil for a few gigs.
For more on this band checkout the compilation 'Spizz Not Dead Shock'
------------------------
In Flanders fields the poppies grow
Between the crosses, row on row,
That mark our place
and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie,
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch
be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
NB: Like all the images on this stream, full size images are available, Check my profile for how to contact me.
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(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: band,bands,live,concert,concerts,gig,gigs,tony,smith,tonysmith,hotpix,tonysmithhotpix,hotpics,hotpicks,hot,pix,pics,picks,rock,metal,UK,hardcore,hard,core,red,guitar,face,mywinners,stage,music,musicians,musician,performing,playing,tony smith photography,tdktony,tdk,tdktonysmith,MIS,@hotpixUK,ActiveH,housingtechnology
Description: Tony Smith image Flickr 5151969435 - 'Solitary are a Lancashire based rock/metal band. They are Richard Sherrington (original member) on vox &
guitars, Roy Miller on drums, Andy Mellor on lead guitar and Mike Park on Bass. They are caught here at the Winnington Halloween gig in some more than usual fancy dress.
Solitary formed in Preston 1994 and signed to UK label Holier Than Thou Records in 1997, they made their first appearance on the HTT compilation \u201cGenetically Fresh\u201d which attracted interest from the JMG Agency who lined up support slots with Kill 2 This, Reign and Deranged from Sweden. May the following year Solitary record \u201cNothing Changes\u201d Solitary then embarked on two UK tours to promote the album, which was released in November 1998.
In 2008 a new album \u201cRequiem\u201d, over a four-year period fraught with personal highs and lows the band created a 'Thrash Metal Monster', which was hailed as a must for the fans of Testament, God Forbid, Slayer or The Haunted. Influenced by the aforementioned bands and the 80\u2019s Bay Area bands.
\u201cRequiem\u201d contains a guest vocal appearance from Chris Astley of 80\u2019s Thrashers Xentrix on the track \u201cHatred\u201d the CD also has cover of Testament\u2019s \u201cInto the Pit\u201d. When writing the album Solitary used inspirational albums such as \u201cSlaughter of the Soul\u201d, \u201c The Gathering\u201d, \u201c A New Darkness Upon Us\u201d and \u201cGone Forever\u201d as reference points to help them create the same feeling as those albums generated when they first heard them whether or not they\u2019ve done that remains to be seen.
The artwork created by bassist Michael Park uses the original cover of a book published in 1736. The band are also shooting a video for \u201cKeep Your Enemies Closer\u201d in early September as well as having tracks on the CD cover mounts on Metal Hammer and Terrorizer in the UK.
If you have chance, catch a gig. See whats coming up at www.solitary.org.uk
Good on Nick Hughes and The Banned Network for keeping these gigs on in these dire ConDem times of recession.
NB: Like all the images on this stream, full size images are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>live bands from my photostream.
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(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: tat2,tatoo,tattoo,tatto,body,woman,lady,female,sleep,sleeping,ink,skin,beauty,tats,needle,hotpix,tonysmith,sepia,selective,colour,color,colores,B/W,mono,portrait,face,portraits,goth,babe,babes,gothic,porn,porno,pornography,racy,sex,sexy,dirty,texture,hot,textured,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,tony smith photography,tdktony,tdk,tony,tdktonysmith,@hotpixuk
Description: Tony Smith image Flickr 4760947103 - 'The Sleeping Beauty Novels by Anne Rice (writing as A. N. Roquelaure). Best known for her gothic vampire stories and later religious-themed works, Rice is also the creator of a trilogy centered on Sleeping Beauty -- The Claiming of Sleeping Beauty
Beauty's Punishment
and, Beauty's Release.
Rice puts a strong emphasis on human desire and Beauty\u2019s sexual awakening with these erotic, sometimes sadomasochistic, stories.
The Claiming of Sleeping Beauty (1983), Beauty's Punishment (1984), and Beauty's Release (1985) are erotic novels by Anne Rice writing under the pseudonym of A. N. Roquelaure. The trilogy was a bestseller, outearning Interview with the Vampire.
They are lengthy BDSM novels, reminiscent of Story of O, set in a medieval fantasy world based very loosely on the legend of Sleeping Beauty. The novels contain both maledom and femdom scenarios, as well as vivid imageries of bisexuality, ephebophilia and bestiality.
In this alternative racy adult orientated tale, Beauty is awakened from her hundred-year sleep by the Prince, not with a simple kiss, but with a deflowering, initiating her into a Satyricon-like world of sexual adventures. After stripping her naked he takes her to his kingdom, ruled by his mother, the Queen.
There Beauty is trained as a slave and a plaything. The rest of the naked slaves, dozens of them, in the Queen's palace are princes and princesses sent by their royal parents from the surrounding kingdoms as tributes. In this palace they spend several years learning to become obedient and submissive sexual property, accepting being spanked, being publicly displayed, crawling around on their hands and knees, servicing their masters and mistresses, until they return to their own lands 'being enhanced in wisdom'.
In the palace Beauty meets another slave, Prince Alexi, with whom she copulates passionately. After that he tells her the long adventurous journey he had in the palace. Alexi previously had been a stubborn prince who fought back all the attempts to break him, until the Queen sent him to the kitchen to get him tortured by crude kitchen servants.
The punishment Alexi received there was so savage and merciless he began to lose his senses and, after some particularly humiliating training at the hands of a strong stable boy, Alexi became a totally surrendered slave, playing various sexual games at the Queen's commands.
The moral of Alexi's story notwithstanding, Beauty fails to become an obedient plaything, and the book closes with her being sentenced to brutal slavery in the neighboring village along with other failed slaves.
So the moral of all this: 'Dont waste your life waiting for your prince to come'.
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: rick,dave,face,science,fiction,cool,people,image,tattoo,tat2,musician,muso,b/w,black,white,mono,sepia,hat,headset,eyes,hotpix,hotpixuk,tonysmith,tony,smith,male,men,boys,lads,couple,two,pair,movie,film,set,Tatuada,tatoo,tatto,tats,ink,bodyart,body,art,dark,disturbia,Hotpicks,hotpics,interesting,person,persons,persona,interesante,tatouage,retro,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 4446315490 - 'You Give Me Friction
But I Dig Friction
You Know I'm Crazy About Friction
Warrington artists and musicians Rick Hagan and Crazy Dave. They would not look out of place in a science fiction space opera.
They could be on a distant planet, or maybe just popped out of Sigourney Weaver's air conditioning duct (or maybe the Spar on Thelwall New Road). I remember reading a few Edward E (Doc) Smith books in my wasted youth, from his Skylark and Lensman series. Rick or Dave could drop out of any of these, straight off the page.
In the Mos Eisley Cantina watering hole maybe you might find them in a booth, Rick with a mug of white tea (as he doesn't normally drink) and Dave with a two bottles (double round) of Colt 45s with Lando.
More classic sepia and black and white www.flickr.com/photos/hotpixuk/3828011848/
Have a look at some of my other cool people images on Flickr -
w=33062170@N08&
m=tags\'>www.flickr.com/search/?q=cool+people&
w=33062170@N08&
m=tags .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: hat,chinese,hand,coloured,colored,handcolored,handcoloured,hotpixuk,hotpix,tonysmith,tony,smith,vietnam,south,asia,face,head,faces,portrait,good,she,is,pretty,female,lady,woman,selected,selective,colour,color,b/w,black,white,monochrome,mono,asian,vietnamese,partial,mixed,this photo rocks,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,hotpicks,muchacha,femenina,de,la,mujer,se\u00f1ora,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,tony smith photography,tdktony,tdk,tdktonysmith,BME,minority,ethnic
Description: Tony Smith image Flickr 3874777659 - 'Sepia toned and hand coloured print
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: grim,reaper,happy,halloween,fancy,dress,shop,witton,st,street,cheshire,UK,England,ghoul,ghoulish,bargain,skull,day,dead,witton street,face,head,faces,365days,this photo rocks,hotpix!,tony smith photography,tdktony,tdk,tony,tdktonysmith
Description: Tony Smith image Flickr 4059544490 - 'Fancy dress shop front in Northwich, Cheshire, England UK. A bargain at \u00a332. When its gone, its gone (and all that....)
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: three,men,3,3men,kissing,kissingmen,monkeys,drunk,mates,friends,pals,drinkers,gay,straight,married,face,head,faces,365days,male,boyfriends,boy,amigo,amigos,Queer,pink,homosexual,proud,out,coming,stonewall,tonysmith,tony,smith,HOT PIX,tony smith photography,tdktony,tdk,tdktonysmith,andy,andrew,cooper,joe,parkin,phil,hughes,philip
Description: Tony Smith image Flickr 4002697978 - '
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: malcolm,harradine,tv,television,chef,cook,shop,cookshop,Bratts,department,store,QVC,Mr,Silicone,cheshire,UK,Northwich,town,centre,fruit,crumble,smilling,smile,demo,demonstration,cookery,mrsilicone,recipe,chronicle,mid,midcheshire,Tim,Gray,demonstrations,outside,st,face,head,faces,365days,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photographic,photography,SLR,DSLR,group,GYCA,Bellhouse,bellhouse Club,tonysmith,tony,smith,HOT PIX,tony smith photography,tdktony,tdk,tdktonysmith
Description: Tony Smith image Flickr 3959757223 - 'Not what I expected walking down to the bank in Northwich, Malcolm Harradine, Mr Silicone of QVC and other television appearances.
Shown here, showing off his skills at Bratts cookshop in Witten street with a fruit crumble, one of his favourite demo dishes. He had offers on the latest cookware from induction hobs to knife sets.
Another chap in Northwich, Cheshire here www.flickr.com/photos/hotpixuk/3998786439/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Danny,Trish,Manchester,Town,hall,albert,square,hotpixuk,hotpix,tonysmith,tony,smith,face,head,faces,toned,mono,monochrome,b/w,black,white,blue,wedding,marriage,flowers,ceremony,dress,suit,window,shadow,victorian,building,tdktony,nature,natural,history,world,life,You are not complete until you'r married, then you are finished!,tony smith photography,tdk,tdktonysmith,wwedding
Description: Tony Smith image Flickr 3875567348 - 'A wedding image in blue toned black and white monochrome within the great neogothic town hall in Manchester, which is a designated site for marriage ceremonies.
Designed by architect Alfred Waterhouse in 1877 as a town hall for a prosperous emerging city, the building features imposing murals by the artist Ford Madox Brown depicting important events in the history of the city. The Town Hall was rated by English Heritage as a Grade I listed building in 1952 and the Town Hall Extension, completed in 1938, was Grade II* listed in 1974.
The choice of Albert Square as location was influenced by a desire to provide a central, accessible, but relatively quiet site in a respectable district, close to Manchester's banks and municipal offices, next to a large open area, suitable for the display of a fine building.
The foundation stone of the new Town Hall was laid on 26th October 1868 by the Lord Mayor of Manchester, Robert Neill. The Town Hall was opened by Lord Mayor Abel Heywood, on 13 September 1877, after Queen Victoria's snubbed the city and refusal to attend the opening.
As you enter on the floor is a mosaic depicting the bee, the symbol of Manchester's being a hive of industry during the 19th century. The bee also used be on the Boddingtons beer logo. A history going back to 1778 was ended when last family chairman Ewart Boddington sold the Strangeways brewery and the Boddingtons brand to Whitbread for \u00a350.7 million. In May 2000, the Whitbread Beer Company was acquired by brewing conglomerate Interbrew. In 2004 brewing was moved from the original site next to Manchester's main victorian prison. Cask Boddingtons is still brewed in Manchester however, at teh former Kestral Lager brewary at Moss Side.
Reasuringly the town hall tower is still topped by a golden cotton seed ball, the original source of the city's wealth. That will not go the way of Strangeways brewery.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Bev,Goth,Beverley,Graveyard,Walton,Sepia,Warrington,cold,wet,Cross,gravestone,grave,yard,hotpixuk,hotpix,tonysmith,tony,smith,gave,stone,RIP,dead,men,women,cemetary,cemetery,face,head,faces,B/W,black,white,mono,monochrome,erotic,goths,gothic,girls,lady,woman,femme,baby,princess,queen,brown,toned,october,autumn,sex,sexy,porn,porno,girlie,this photo rocks,girl,pretty,fetish,fetishist,cool,person,people,portrait,image,gothess,gothy,gothing,babes,female,graves,tomb,tombs,cemetario,sensual,hotpicks,tdktonysmith
Description: Tony Smith image Flickr 3875568806 - 'Beverley being dark &
gothic among the graveyard stones in a cold October.
Her soft long hair contrasts with the hard stone crosses of the graves here at the church in Walton, Warrington Cheshire.
More of Bev here www.flickr.com/photos/hotpixuk/3874779379/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: NCB,Coal,coalface,face,cutting,machine,mine,mining,CoalSeam,deep,deepmine,scots,scargill,arthur,365days,Dalkeith,museum,shaft,pit,midlothian,welfare,struggle,thatcher,government,dad,would,turn,his,grave,industry,energy,unlimited photos,Edinburghe,HDR,high dynamic range,tonysmith,tony,smith,interesting,place,places,hotpix!,Edinburg,tony smith photography,tdktony,tdk,tdktonysmith,#tonysmithhotpix,edimburgh
Description: Tony Smith image Flickr 3834522449 - 'Pit face coal cutting machine.
The Midlothian area of Scotland was once the heart of a large coal mining area. After the decline and defeat of Arthur Scargill, the man who was described as mad for suggesting that 20,000 miners jobs in the UK may go. The true figure was in excess of 40,000. He may have been militant, but he was not mad.
Shame the victors get to write the history eh?
Midlothian is left with some towns and villages with remnents of those heady days. One is Dalkeith:
www.flickr.com/photos/hotpixuk/4241055295/ worth a visit if you are in Edinburgh.
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: manchester,mardi,gras,mardigras,gay,fest,festival,gayfest,parde,carnival,dress,butterfly,blue,silver,shiny,hetro,homo,erotic,TV,TS,girls,men,boys,theatre,theatrical,england,lancs,lancashire,cultur,cultural,UK,GB,britain,portrait,face,pink,pound,sex,sexy,porn,porno,lady,woman,girlie,this photo rocks,Queer,homosexual,proud,out,coming,stonewall,girl,pretty,fetish,fetishist,city,crossdress,crossdressing,tgirl,t-girls,salford,hotpicks,pride,manchesterpride,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,de,femme,dame,hotpix!,tony smith photography,tdktonysmith
Description: Tony Smith image Flickr 4318905746 - 'A shot of a blue butterfly Canal St festival taken in Deansgate.
A collection of Manchester Mardigras shots can be found at:
www.flickr.com/photos/hotpixuk/4318905746/
www.flickr.com/photos/hotpixuk/4318167727/in/photostream/
www.flickr.com/photos/hotpixuk/4318020799/in/photostream/
www.flickr.com/photos/hotpixuk/3813064826/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC ',
Description
Keywords: Autumn,Fall,at,Lymm,Cross,Lymmvillage,Cheshire,England,UK,WA13,0HP,WA130HP,autumn,cold,scenes,lights,gotonysmith,dusk,night,shot,blue,hour,bluehour,october,evening,LymmCross,scene,picturesque,Lloyds,bank,branch,sub-branch,sub,gotonysmith,Buy Pictures of,Buy Images Of,Lymm Cross is in the village of Lymm,Cheshire,England.,It,has,been,designated,by,English,as,a,Grade,I,listed,building.,charming,villages,tourism,The,cross,dates,from,the,early,to,the,middle,17th,century,and,it,was,restored,in,1897.,It,is,constructed,of,sandstone,and,stands,on,an,artificially,stepped,natural,outcrop,of,red,sandstone.,Its,shaft,stands,in,a,square,pavilion,of,red,sandstone,with,square,corner,pillars.,It,has,a,stone,roof,with,a,pedimented,gable,to,each,face,and,ball,finials.,Above,the,cross,is,an,extension,which,carries,a,stone,ball,and,an,ornate,weather,vane.,On,the,east,south,and,west,gables,are,bronze,sundials,of,1897,carrying,the,inscriptions,and,We are a Shadow,Save Time,Think of the Last
Description: Tony Smith image Alamy CEXEHW - Autumn scene at Lymm Cross, Lymm village, Cheshire, England, UK
Lymm Cross is in the village of Lymm, Cheshire, England. It has been designated by English Heritage as a Grade I listed building.
The cross dates from the early to the middle 17th century and it was restored in 1897. It is constructed of sandstone and stands on an artificially stepped natural outcrop of red sandstone. Its shaft stands in a square pavilion of red sandstone with square corner pillars. It has a stone roof with a pedimented gable to each face and ball finials.
Above the cross is an extension which carries a stone ball and an ornate weather vane. On the east, south and west gables are bronze sundials of 1897 carrying the inscriptions We are a Shadow, Save Time and Think of the Last
Lymm Cross, Lymm village, Cheshire, England, UK WA13 0HP
