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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4432,Manchester Piccadilly,platform 13,platform 14,Castlefield Corridor,rail bottleneck,Manchester,station,through platforms,rail capacity,Network Rail,Deansgate,Oxford Road,airport trains,public transport,passenger,commuter,rail infrastructure,congestion,MNTP,CS3,England,UK,railway,rail travel,transport,infrastructure,capacity,network
Description: Tony Smith image Alamy 3FD8ETG - . Approach to Manchester Piccadilly platforms 13 and 14, the Castlefield Corridor rail bottleneck. Wayfinding signs and the enclosed passage towards platforms 13 and 14 show the physical separation of the through platforms from Piccadilly's main terminus layout. Manchester Piccadilly's present platforms 13 and 14 evolved from the island platform opened in 1882 for the South Junction route. They are the station's only through platforms and form part of the Castlefield Corridor, the intensively used two-track railway between Piccadilly and Deansgate. Network Rail has described the corridor as a major pinch-point, with local, regional and inter-city services sharing constrained infrastructure. The platforms are particularly useful editorially for illustrating rail capacity, passenger crowding, timetable resilience, airport connectivity and long-running arguments over investment in Manchester's railway network. The location is Manchester Piccadilly station, Manchester, M1 2PB, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. The photograph is particularly useful where a story needs an identifiable real-world example rather than an abstract illustration, because the surrounding details place the subject in an ordinary British or European setting. Commercial and civic landscapes can change quickly, so apparently routine photographs of signs, shopfronts, machines and transport infrastructure often acquire additional documentary value when companies rebrand, premises close or policies change.
Manchester Piccadilly station, Manchester, M1 2PB, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4433,Manchester Piccadilly,departure board,electronic timetable,platform 13,platform 14,train information,railway station,Castlefield Corridor,Manchester,passenger information,rail bottleneck,departures,trains,public transport,Network Rail,rail travel,airport,Oxford Road,Deansgate,station signage,England,UK,railway,transport,passenger,infrastructure,station,commuter
Description: Tony Smith image Alamy 3FD8ETT - . Electronic departure board above Manchester Piccadilly platforms 13 and 14. The amber-on-black electronic board lists departures above the approach to the through platforms, combining passenger information technology with one of Manchester railway's most constrained locations. Manchester Piccadilly's present platforms 13 and 14 evolved from the island platform opened in 1882 for the South Junction route. They are the station's only through platforms and form part of the Castlefield Corridor, the intensively used two-track railway between Piccadilly and Deansgate. Network Rail has described the corridor as a major pinch-point, with local, regional and inter-city services sharing constrained infrastructure. The platforms are particularly useful editorially for illustrating rail capacity, passenger crowding, timetable resilience, airport connectivity and long-running arguments over investment in Manchester's railway network. The location is Manchester Piccadilly station, Manchester, M1 2PB, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. Commercial and civic landscapes can change quickly, so apparently routine photographs of signs, shopfronts, machines and transport infrastructure often acquire additional documentary value when companies rebrand, premises close or policies change. The scene can be read at several levels: as a record of the immediate subject, as evidence of changing consumer or public behaviour, and as a small piece of the wider social and economic history visible in everyday places. For picture researchers, the combination of legible wording and clear environmental context broadens the potential use beyond a simple location shot, allowing the image to support business, heritage, lifestyle and public-policy coverage.
Manchester Piccadilly station, Manchester, M1 2PB, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,centre,sunset,evening,twin,cities,skyline,urban panorama,city,tower,towers,Castlefield,Deansgate,skyscrapers,high-rise,buildings,expansion,development,city centre,living,new,Manchester,post-industrial,urban,landscape,railway corridor,road infrastructure,change,evolution,King of the North,Andy Burnham,property,vibrant,Greater Manchester,growth,modern,urban density,planning and development
Description: Tony Smith image Alamy 3EFHREB - Elevated view looking west from the Liverpool Road and Castlefield side of Manchester towards Salford at dusk, with the city's changing skyline spread beneath a dramatic evening sky. The photograph shows a broad urban panorama of roads, railway corridors, low-rise industrial and commercial buildings, trees, apartment blocks and tall towers, including the modern high-rise development around Deansgate, Castlefield and the neighbouring Salford edge of the city centre. The warm light on the horizon and layered cloud give the scene an atmospheric late-day quality, while the street grid and transport infrastructure below emphasise Manchester's dense urban fabric. Liverpool Road is strongly associated with the city's railway and industrial history, including the former Liverpool Road station, now part of the Science and Industry Museum area, close to Castlefield's canals, warehouses and viaducts. The view works as a useful contrast between the older industrial city and the new Manchester of residential towers, regeneration, urban living, offices, hotels, transport links and expanding city-centre development. It is suitable for editorial use on Manchester regeneration, Salford city growth, city centre living, high-rise apartments, planning, transport infrastructure, post-industrial redevelopment, northern city economies, urban density, housing, architecture and skyline change. The image also has value for travel and location features, showing Manchester as a large regional city with historic infrastructure, new investment and strong visual links between Deansgate, Castlefield, Liverpool Road, Salford and the western approach to the centre. The cloudy dusk sky, soft sunset colour and high viewpoint create a strong cityscape image for stories about modern Manchester, Greater Manchester growth, urban change, development pressure, rail and road corridors, commercial districts and the continuing transformation of former industrial land into mixed-use neighbourhoods.
Manchester skyline looking west from Liverpool Road towards Salford at dusk, with new towers and cit
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,cityscape,skyline,Mancunian,architecture,urban development,city living,apartment towers,city centre regeneration,high-density housing,vertical living,luxury apartments,Manchester property market,urban growth,skyline transformation,post-industrial city,glass architecture,modern residential architecture,real estate investment,placemaking,southern gateway,Deansgate,Castlefield,Mancunian Way,Owen Street,Chester Road,Deansgate-Castlefield,Castlefield Viaduct,railway arches,red brick warehouses,evening light,dramatic sky,golden hour,Andy Burnham,Victorian warehouses,modern towers,cranes on skyline,King of The North
Description: Tony Smith image Alamy 3EJ11RD - Manchester city centre looking south towards the rapidly changing skyline around Deansgate Square, Great Jackson Street, Chester Road and Castlefield. The photograph shows a dense cluster of modern glass residential towers rising above older red-brick warehouses, railway arches, commercial blocks, construction cranes and lower city-centre streets, illustrating the dramatic transformation of Manchester's southern gateway. Deansgate Square, formerly known as Owen Street, is the dominant high-rise group in the centre of the image, with four residential towers designed by SimpsonHaugh and developed as one of the most visible symbols of Manchester's recent vertical growth. SimpsonHaugh describes the scheme as delivering 1,508 homes across four towers, with the tallest standing around 200 metres high, making it a major landmark in the city's apartment-led regeneration. Other nearby towers, including Elizabeth Tower, Blade and Three60, contribute to the wider Great Jackson Street high-rise district, where former industrial and edge-of-centre land has been reshaped into a dense residential quarter close to Deansgate, Castlefield, Oxford Road, transport links, offices, bars and cultural venues. The image is useful for editorial coverage of Manchester property development, city living, urban regeneration, skyline change, build-to-rent, luxury apartments, planning policy, high-density housing, construction, real estate investment and the visual impact of tall buildings on historic cityscapes. The warm low light reflecting from the tower facades, mixed cloud and blue sky create a strong golden-hour atmosphere, while the contrast between Victorian industrial brickwork and reflective contemporary architecture captures the city's shift from manufacturing landscape to service, leisure, residential and knowledge economy. The photograph can support stories about population growth, affordability, gentrification, infrastructure pressure, transport demand, placemaking, architectural deb
Deansgate Square, 9 Owen Street, Manchester, M15 4UA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,route,TransPenine,platform,Castlefield Corridor,congested,railway,crowded,train station,Manchester,bottleneck,Oxford Road,rail,station,corridor,Deansgate,railway station,through,services,platforms,rail passengers,platform congestion,Northern rail,network,city centre,railway capacity,train,boarding,commuter,challenges,crowd,public transport infrastructure,TFGM,transport,railway investment,passenger overcrowding,constraints,delayed rail improvements
Description: Tony Smith image Alamy 3EDKYJJ - Crowded Platforms 13 and 14 at Manchester Piccadilly railway station, showing passengers boarding, waiting with luggage and moving through the narrow island-platform area used by trains continuing west towards Manchester Oxford Road, Deansgate and destinations across the North West. These are Piccadilly's only through platforms, while platforms 1 to 12 are terminus platforms. Their restricted width, heavy passenger flows and intensive service make this one of the clearest pressure points on Manchester's rail network.
The platforms form the eastern end of the Castlefield Corridor, the twin-track route through Oxford Road and Deansgate. It carries local, regional, inter-city and airport services, with delays spreading across a wider network when trains conflict, dwell too long or arrive out of sequence. Crowding occurs when several services call close together, concentrating passengers around stairs, waiting areas and boarding points.
Network Rail has described Manchester Oxford Road as a key bottleneck and has developed remodelling proposals to improve reliability, accessibility, platform capacity, track layout and signalling. Separate work completed on the southern approach to Piccadilly in 2026 renewed track, points and signalling equipment to reduce disruption, although it did not add through platforms. Longer-term ideas for Platforms 13 and 14 include improved passenger circulation and a possible new bridge, but these remain proposals rather than a completed expansion.
This documentary image illustrates rail congestion, infrastructure constraints, platform crowding, delayed investment and the challenge of increasing capacity through central Manchester. It suits editorial coverage of public transport policy, Northern rail improvement, station redevelopment, commuter journeys, passenger safety and accessibility. Busy train doors, luggage and tightly arranged platform furniture convey the everyday intensity of this important east-west rail corridor
Piccadilly Station Approach, Manchester, Greater Manchester, UK, M60 7RA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Manchester,Greater Manchester,England,in,homelessness Manchester,homeless tents Manchester,tent encampment UK,Lincoln Square Manchester,urban homelessness,rough sleeping UK,homelessness crisis Britain,city centre Manchester,social issues UK,poverty in cities,temporary shelters,street homelessness,cost of living crisis UK,housing crisis Britain,tents in public square,inner city social problems,Greater Manchester social issues,inequality UK,urban deprivation,protest encampment,vulnerable people UK,on,street,streets,no fixed abode,Deansgate,M2 3GX,M2,Andy Burnham,speech,Burnham,outreach,tents
Description: Tony Smith image Alamy 3CGCJXH - This photograph shows a cluster of tents erected in Lincoln Square in Manchester city centre, used by people experiencing homelessness and rough sleeping. The encampment occupies a prominent civic space surrounded by offices and commercial buildings, with the statue of Abraham Lincoln standing above the scene, creating a striking visual contrast between civic symbolism and contemporary social hardship.
Lincoln Square, located close to Deansgate, is a small but highly visible public space, making it a frequent focal point for demonstrations, memorials, and public gatherings. In this image, brightly coloured tents and tarpaulins fill the square, reflecting the lack of stable accommodation options for some of Manchester's most vulnerable residents.
The scene illustrates wider pressures facing UK cities, including rising housing costs, shortages of affordable accommodation, and the impact of economic uncertainty on low income households. While Manchester has undergone extensive regeneration and commercial development in recent decades, homelessness and rough sleeping remain persistent challenges in the city centre and across Greater Manchester.
Taken in daylight, the photograph documents an unvarnished aspect of urban life, capturing how public spaces are increasingly used as places of last resort. As an editorial image, it provides visual context for reporting and discussion around housing policy, social care provision, inequality, and the human impact of the UK housing and cost of living crisis.
Lincoln Square, Manchester city centre, Greater Manchester, England, UK, M2 3GX
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Greater Manchester,England,Castlefield,footbridge,bridge,walkway,Deansgate,pedestrian,tram,tramstop,to,Northern,BR,connection,access,city,centre walkway,urban,infrastructure,centre,regeneration,cityscape,skyline,blue,sky,sunny,summer,weather,connectivity,sustainable,walking,route,modern
Description: Tony Smith image Alamy 3CGCK21 - An elevated pedestrian walkway at Castlefield, Manchester, providing a direct connection between the Metrolink tram network and National Rail services at Deansgate Station. The image was taken on a warm summer evening, with clear blue skies and strong, low-angle sunlight creating a calm, open atmosphere across the city centre.
Castlefield is widely regarded as the birthplace of the industrial city, home to some of the world's earliest canals, railway infrastructure and surviving Victorian warehouses. Deansgate Station itself, formerly known as Knott Mill, has served rail passengers since the nineteenth century and remains an important gateway between Manchester's historic industrial core and its modern city centre.
The steel-framed walkway represents a contemporary layer in this long transport history, designed to support sustainable urban movement and seamless interchange between tram, rail and pedestrian routes. From the bridge, the view opens towards Manchester's rapidly expanding skyline, where clusters of glass and steel residential towers now dominate the horizon, reflecting the city's shift towards high-density urban living.
The contrast between the heavy industrial heritage of Castlefield, the red-brick railway buildings below, and the modern skyscrapers beyond encapsulates Manchester's continuing evolution. In summer conditions such as these, the walkway functions not only as vital infrastructure but also as a vantage point over a city shaped by transport, regeneration and reinvention. The image is well suited to editorial use covering urban development, public transport integration, regeneration, sustainable mobility and the lived experience of contemporary British cities.
Castlefield / Deansgate, Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,M3,Manchester,Kendal,Milne & Co,Milne & Faulkner,Harrods,Watts,in,autumn,decorated,for,Christmas,Xmas,shoppers,customers,retail,high st,brand,redevelopment,store,Deansgate,M3 2GQ,lights,lit up,closing,closure,Investec,building,St Marys Parsonage,regeneration zone,Frasers,Mike Ashleys Sports Direct chain,site,sites,2022
Description: Tony Smith image Alamy 2KG3Y44 - . This authentic period view of 98-116 Deansgate, Manchester,England,UK, M3 2GQ in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The defining feature is Kendals, House Of Fraser,Deansgate,Manchester,England,UK, M3 2GQ, in autumn,decorated for Christmas. A broader reading of the photograph includes local character, social history, customer footfall, shopfront economy, commercial frontage, before-and-after reference, bricks-and-mortar retail, historical comparison, changing land use, changing streetscape, everyday life, small business, archival record, and contemporary social history. From a 2025-onward perspective, town-centre regeneration and footfall are closely linked to this subject, alongside the contribution of independents to distinctive high streets. The archival value lies partly in recording public access and movement around 98-116 Deansgate, Manchester,England,UK, M3 2GQ before closure or conversion alters the character of the place. The wider setting retains connections with high-street commerce, period detail, independent retail, regional identity, local history, visual archive, community identity, and town-centre trading. The recorded references to House, autumn, Fraser, decorated, and Manchester preserve clues about how the subject was presented, used or understood at the time. A later view of 98-116 Deansgate, Manchester,England,UK, M3 2GQ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of town-centre regeneration and the contribution of independents to distinctive high streets in a form that can be compared with future views of 98-116 Deansgate, Manchester,England,UK, M3 2GQ. The view records part of the area's social history for later comparison. That local specificity strengthens the long-term documentary value of image 2KG3Y44.
98-116 Deansgate, Manchester,England,UK, M3 2GQ
Description
Keywords: Manchester,city,centre,Greater,England,UK,M4 3BG,August,Deansgate,festival,Urbis,Italian,flag,flags,exhibition,museum,national,soccer,football,Itailian flags,Italian flag,cathedral garden,garden,gardens,venue,busy,crowd,crowds,well,attended,well-attended,well attended,tricolour,tricolor,festivals,events,event,Millennium Quarter
Description: Tony Smith image Alamy 2JTD30T - . This authentic period view of Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through Festa Italiana Manchester - Italian food and drink festival, Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG. The setting additionally reflects visual archive, historic church fabric, boat museum collection, industrial waterway history, ecclesiastical art, waterborne freight, church interior, heritage worship space, religious heritage, regional identity, canal transport, sacred architecture, community identity, and period detail. In present-day coverage, the subject reaches into church maintenance and cultural heritage, not least because of the role of parish churches in local identity and genealogy. Today's relevance is strengthened by industrial heritage, biodiversity and the continuing question of the value of canals as both historic infrastructure and blue-green corridors. The image fixes local activity and public use within Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG at one identifiable point, providing a benchmark against redevelopment. Further associations within the scene are historical comparison, parish church heritage, faith heritage, place identity, ecclesiastical craftsmanship, changing streetscape, inland navigation, and working waterway. Details involving festival, Manchester, Italiana, Italian, and drink make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene captures evidence of earlier appearance before later change alters the scene.
Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG
Description
Keywords: Manchester,city,centre,Greater,England,UK,M4 3BG,August,Deansgate,festival,Italian,flag,flags,Millennium Quarter,festivals,well attended,well,attended,busy,venue,cathedral garden,museum,Urbis,exhibition,Itailian flags,Italian flag,garden,gardens,crowd,crowds,well-attended,tricolour,tricolor,event,events,on-stage,on,stage,singing
Description: Tony Smith image Alamy 2JTD30X - . Made at Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The location is represented through Festa Italiana Manchester - Italian food and drink festival, Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG. The wider scene also brings together faith heritage, regional identity, documentary photography, place identity, before-and-after reference, industrial waterway history, working waterway, Christian iconography, visual archive, heritage boating, ecclesiastical art, ecclesiastical craftsmanship, changing land use, and historic narrowboat. The wider contemporary story combines historic fabric, faith communities and the conservation challenge of historic interiors and artwork. Viewed from the mid-2020s, the subject also connects with waterway maintenance, biodiversity and the cost of maintaining ageing locks, boats and canal structures. As a dated visual record of Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG, the frame retains transport arrangements and footfall, making it especially useful if conservation work subsequently changes the scene. The subject also sits alongside inland transport history, historic church fabric, waterborne freight, local character, church interior, industrial navigation, social history, and contemporary social history. The recorded references to Cathedral, festival, August, Manchester, and Festa preserve clues about how the subject was presented, used or understood at the time. The period setting at Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image fixes a trace of local identity for future local research.
Cathedral Gardens, August, Deansgate, Manchester, England, UK, M4 3BG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,The,Deansgate,FY1 1BN,old,rock,factory,art,space,artspace,artist,artists,girl,in,the,eye,decay,subversion,street art,pasted,Blackpools,community,derelict,repurposed,canvas,creativity,expression,buildings,brick,walls
Description: Tony Smith image Alamy 2JRFF51 - . This scene at The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The location is represented through Girl in the door - The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN. The subject also carries associations with place-making, contemporary social history, community identity, mixed-use redevelopment, regional identity, town-centre renewal, documentary photography, local history, historic townscape, social history, commercial redevelopment, archival record, visual archive, and changing land use. From a 2025-onward perspective, housing pressure and town-centre regeneration are closely linked to this subject, alongside the tension between preserving local character and creating modern commercial space. As a dated visual record of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN, the frame retains transport arrangements and footfall, making it especially useful if later reinterpretation subsequently changes the scene. Further associations within the scene are urban fabric, period detail, changing streetscape, built heritage, civic architecture, historical comparison, everyday life, and public-realm investment. The combination of Deansgate, factory, Blackpool, and Lancs anchors the frame to a recognisable activity, place or moment. The period setting at The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes housing pressure and how regeneration tries to create reasons to visit traditional town centres within the real-world context of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN.
The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,door,entrance,outside,paint,art,artwork,streetart,street,graffiti,handle,and,&,locked,Deansgate,FY1 1BN,subversion,street art,pasted,Blackpools,community,derelict,repurposed,canvas,creativity,expression,buildings,brick,walls,characters,fantasy
Description: Tony Smith image Alamy 2JRFF5D - . An identifiable period record of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The frame specifically shows Old Rock Factory, doorway graffiti and street art, handle & letterbox, Deansgate, Blackpool , Lancs, England, FY1 1BN. The surrounding context encompasses architectural character, place-making, local history, urban fabric, community identity, built heritage, urban regeneration, changing streetscape, contemporary social history, period detail, period architecture, place identity, heritage-led regeneration, and documentary photography. The modern context includes continuing discussion of commercial viability, heritage conservation and how public investment can reshape pedestrian movement and evening activity. For later comparison, the photograph preserves lettering, decoration and surface detail at Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, details that may look very different after replacement signage. A second descriptive layer includes historical comparison, town-centre renewal, public-realm investment, public realm, historic townscape, commercial redevelopment, before-and-after reference, and civic architecture. References to Lancs, Deansgate, Factory, Blackpool, and handle give the picture a strong period identity and tie it closely to its named subject. For Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another strand within the photograph is commercial viability and how public investment can reshape pedestrian movement and evening activity without losing the local specificity of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN. The photograph keeps a trace of local identity as part of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN's history.
Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Blackpool,Lancs,Lancashire,England,UK,street,centre,FY1,paper,back,town,graffiti,Boris Johnson,Boris,has,image,printed,Deansgate,FY1 1BN,resign,resigned,MP,PM,Spaffer,Johnson,BoJo,Alexander Boris de Pfeffel Johnson,Alexander,de,Pfeffel,PartyGate,No10,parties,disgraced,Member of Parliament,Uxbridge and South Ruislip
Description: Tony Smith image Alamy 2JRFF5R - . This scene at Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The principal subject is Boris Johnson has failed pasted image and cat woman, Deansgate, Blackpool , Lancs, England, FY1 1BN. The subject also carries associations with everyday life, built heritage, architectural character, before-and-after reference, urban fabric, archival record, town-centre renewal, regional identity, mixed-use redevelopment, visual archive, heritage-led regeneration, social history, changing streetscape, and period architecture. For current editorial use, adaptive reuse and construction costs provide additional context, especially through how regeneration tries to create reasons to visit traditional town centres. Future viewers can use this scene from Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN to compare street furniture and boundaries with whatever follows after new construction. The photograph additionally reflects place-making, historical comparison, civic architecture, public-realm investment, changing land use, local character, period detail, and commercial redevelopment. The recorded references to pasted, Boris, Lancs, Blackpool, and failed preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of adaptive reuse and how regeneration tries to create reasons to visit traditional town centres within the real-world context of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN. The record includes part of the area's social history within the wider story of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN.
Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,street,paper,back,town,centre,Lancashire,FY1,Lancs,graffiti,Deansgate,FY1 1BN,Pedo,Pete,Docherty,Blackpool,subversion,street art,pasted,Blackpools,community,derelict,repurposed,canvas,creativity,expression,buildings,brick,walls,characters,fantasy,people,figures
Description: Tony Smith image Alamy 2JRFFB0 - . Recorded at Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The location is represented through Pasted poster graffiti, Frankie says Riot!, on brick wall in a back street, Deansgate, Blackpool town centre, Lancashire, England, UK, FY1 1BN. Other connected aspects include local history, urban fabric, local character, community identity, regional identity, place-making, heritage-led regeneration, historical comparison, social history, period architecture, civic architecture, commercial redevelopment, mixed-use redevelopment, and place identity. Current relevance extends to commercial viability and adaptive reuse, particularly through the value of reusing existing buildings rather than wholesale demolition. As a dated visual record of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, the frame retains equipment and working practice, making it especially useful if redevelopment subsequently changes the scene. A second descriptive layer includes everyday life, changing land use, archival record, architectural character, before-and-after reference, contemporary social history, period detail, and documentary photography. The combination of Frankie, graffiti, Deansgate, Pasted, and poster anchors the frame to a recognisable activity, place or moment. The wider setting at Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence of commercial viability and the value of reusing existing buildings rather than wholesale demolition in a form that can be compared with future views of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN. Image 2JRFFB0 also remains a dated record of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN.
Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Blackpool,Lancs,Lancashire,England,UK,street,centre,FY1,paper,back,town,graffiti,Silent Bill Muse,07958-383625,bills,07958 383625,partner,in,crime,artist,if,please,call,contact,if interested please call,goth,woman,female,girl,lady,Deansgate,FY1 1BN,subversion,street art,pasted
Description: Tony Smith image Alamy 2JRFFB3 - . An on-location photograph from Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The image documents Silent Bill Muse, wanted - 07958-383625, Deansgate, Blackpool , Lancs, England, FY1 1BN. Other connected aspects include adaptive reuse, social history, contemporary social history, place-making, archival record, historic townscape, everyday life, local history, before-and-after reference, mixed-use redevelopment, commercial redevelopment, documentary photography, community identity, and public realm. Viewed from the mid-2020s, the subject also connects with commercial viability, adaptive reuse and the tension between preserving local character and creating modern commercial space. The image fixes lettering, decoration and surface detail within Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN at one identifiable point, providing a benchmark against changing commercial priorities. Other useful contextual ideas include historical comparison, town-centre renewal, changing land use, urban fabric, public-realm investment, regional identity, place identity, and urban regeneration. Elements such as Lancs, wanted, Silent, 07958-383625, and Deansgate add documentary specificity and may become increasingly useful when compared with later records. For Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is commercial viability and the tension between preserving local character and creating modern commercial space as part of the longer story of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN. It also preserves details of everyday use as a date-specific reference.
Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,great northerners,wall,display,entertainment,complex,red,brick,railway,warehouse,Northern,Great,Deansgate,Deansgate Manchester,Great Northerners at the Great Northern Warehouse,famous northern faces,235 Deansgate,M3 4EN,M3,Ian Brown,Caroline Aherne,Victoria Wood,Mancunians,icons,artists,sports,faces,Stanley Chow,Liam Gallagher,Forever Manchester,10 Great Northerners,Ten Great Northerners
Description: Tony Smith image Alamy RPGEE6 - 1. Alan Turing (1912 “ 1954)
A highly influential mathematician and inventor in the development of theoretical computer science, credited for decrypting the German Enigma code during World War Two with his creation of the Turing machine. Turing moved to the University of Manchester after the war to work on software for one of the earliest stored-program computers, devising an experiment called the Turing Test addressing the problem of artificial intelligence.
2. Maxine Peake (1974 “ present)
A Bolton-born film and television actress known for her talent and versatility, appearing in popular shows such as Dinnerladies, Shameless, and Three Girls among many others, as well as being a renowned feminist and socialist.
3. Emmeline Pankhurst (1858 “ 1928)
A leading women's rights and political activist, who led the British Suffragettes Movement which famously helped women win the right to vote in 1918.
4. LS Lowry (1887 “ 1976)
Stretford-born Lowry was a highly successful post-war artist famous for painting urban scenes and industrial landscapes chronicling 20th Century city life, and enjoying a grassroots popularity known by few other artists due to his down-to-earth paintings and nature.
5. Ian McKellen (1939 “ present)
An actor famous for his roles in blockbuster films such as Lord of the Rings and X-Men, as well as being a renowned activist continually championing the LGBT social movement worldwide. Born and bred in Manchester, McKellen regularly returns to Bolton School to give talks and Bolton Little Theatre, of which he is now a patron.
6. Victoria Wood (1953 “ 2016)
A comedian, writer and actress, noted for her skills in observing culture and in satirising social classes with her unique and accessible humour hailed as a product of her northern roots.
7. Tony Wilson (1950 “ 2007)
Radio presenter and record label owner who founded the legendary Factory Records, and credited as the man behind some of Manchester's most successful bands including Joy Division
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,great northerners,wall,display,entertainment,complex,red,brick,railway,warehouse,Northern,Great,Deansgate,Deansgate Manchester,Great Northerners at the Great Northern Warehouse,famous northern faces,235 Deansgate,M3 4EN,M3,Ian Brown,Caroline Aherne,Victoria Wood,Mancunians,icons,artists,sports,faces,Stanley Chow,Liam Gallagher,Forever Manchester,10 Great Northerners,Ten Great Northerners
Description: Tony Smith image Alamy RPGEE8 - 1. Alan Turing (1912 “ 1954)
A highly influential mathematician and inventor in the development of theoretical computer science, credited for decrypting the German Enigma code during World War Two with his creation of the Turing machine. Turing moved to the University of Manchester after the war to work on software for one of the earliest stored-program computers, devising an experiment called the Turing Test addressing the problem of artificial intelligence.
2. Maxine Peake (1974 “ present)
A Bolton-born film and television actress known for her talent and versatility, appearing in popular shows such as Dinnerladies, Shameless, and Three Girls among many others, as well as being a renowned feminist and socialist.
3. Emmeline Pankhurst (1858 “ 1928)
A leading women's rights and political activist, who led the British Suffragettes Movement which famously helped women win the right to vote in 1918.
4. LS Lowry (1887 “ 1976)
Stretford-born Lowry was a highly successful post-war artist famous for painting urban scenes and industrial landscapes chronicling 20th Century city life, and enjoying a grassroots popularity known by few other artists due to his down-to-earth paintings and nature.
5. Ian McKellen (1939 “ present)
An actor famous for his roles in blockbuster films such as Lord of the Rings and X-Men, as well as being a renowned activist continually championing the LGBT social movement worldwide. Born and bred in Manchester, McKellen regularly returns to Bolton School to give talks and Bolton Little Theatre, of which he is now a patron.
6. Victoria Wood (1953 “ 2016)
A comedian, writer and actress, noted for her skills in observing culture and in satirising social classes with her unique and accessible humour hailed as a product of her northern roots.
7. Tony Wilson (1950 “ 2007)
Radio presenter and record label owner who founded the legendary Factory Records, and credited as the man behind some of Manchester's most successful bands including Joy Division
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,North West England,city centre,Manchester City Centre,City Centre,print,John Rylands Library,Columbian,Library,Mainz,Johannes Gutenberg,history,historic,machine,M3 3EH,M3,150,Deansgate,machines,press,presses,printed,word,printing,Colombia,Latin America,Latin American,ancient,old,invention,media,ornate,printers,printer,Gutenberg
Description: Tony Smith image Alamy RPGEEM - Johannes Gutenberg's work on the printing press began in approximately 1436 when he partnered with Andreas Dritzehn”a man who had previously instructed in gem-cutting”and Andreas Heilmann, owner of a paper mill. However, it was not until a 1439 lawsuit against Gutenberg that an official record existed
witnesses' testimony discussed Gutenberg's types, an inventory of metals (including lead), and his type molds.
Having previously worked as a professional goldsmith, Gutenberg made skillful use of the knowledge of metals he had learned as a craftsman. He was the first to make type from an alloy of lead, tin, and antimony, which was critical for producing durable type that produced high-quality printed books and proved to be much better suited for printing than all other known materials. To create these lead types, Gutenberg used what is considered one of his most ingenious inventions, a special matrix enabling the quick and precise molding of new type blocks from a uniform template. His type case is estimated to have contained around 290 separate letter boxes, most of which were required for special characters, ligatures, punctuation marks, and so forth.
Gutenberg is also credited with the introduction of an oil-based ink which was more durable than the previously used water-based inks. As printing material he used both paper and vellum (high-quality parchment). In the Gutenberg Bible, Gutenberg made a trial of coloured printing for a few of the page headings, present only in some copies. A later work, the Mainz Psalter of 1453, presumably designed by Gutenberg but published under the imprint of his successors Johann Fust and Peter Schöffer, had elaborate red and blue printed initials.
150 Deansgate, Manchester M3 3EH
Description
Keywords: @HotpixUK,Gotonysmith,City,centre,City Games,Manchester City Games,Manchester CityGames,Deansgate,closure,closed,city centre,Road,issues,laying,track,laying track,surface,platform,workers,working,preparation,prepare,event,event set up,event setup,fencing,fenced off,cage,Waste of money,city event,Arcadis,Arcadis City Games,Arcadis CityGames,Road Closed sign,red sign,cones,cone,build,building
Description: Tony Smith image Alamy MNFTBB - . Recorded at the recorded location in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The location is represented through Set up for the great CityGames Manchester, May 2018, Lancashire, England, UK. Another layer of the photograph includes social history, street-side transport, changing streetscape, surface public transport, roadside stop, local character, before-and-after reference, place identity, documentary photography, transport accessibility, public transport stop, local history, bus route infrastructure, and regional identity. Current relevance extends to accessibility and passenger information, particularly through the challenge of maintaining reliable services outside dense city centres. Future viewers can use this scene from the recorded location to compare materials and architectural details with whatever follows after refurbishment. Other useful contextual ideas include everyday life, contemporary social history, public realm, local mobility, archival record, visual archive, passenger transport, and community identity. Elements such as CityGames, Lancashire, and Manchester add documentary specificity and may become increasingly useful when compared with later records. The documentary value of MNFTBB rests in the precise visual record of Set up for the great CityGames Manchester, May 2018, Lancashire, England, UK, including small period details that may not survive in later examples. The wider significance includes accessibility and how local bus services affect access to work, education and healthcare without losing the local specificity of the recorded location. Another strand within the photograph is local connectivity and the shift toward cleaner buses and integrated ticketing in a form that can be compared with future views of the recorded location. The frame retains a local visual benchmark before later change alters the scene.
Description
Keywords: @HotpixUK,Gotonysmith,City,centre,City Games,Manchester City Games,Manchester CityGames,Deansgate,closure,closed,city centre,Road,issues,laying,track,laying track,surface,platform,workers,working,preparation,prepare,event,event set up,event setup,fencing,fenced off,cage,Waste of money,city event,Arcadis,Arcadis City Games,Arcadis CityGames,laying red surface,lay,running track,Great CityGames track on Deansgate,track events
Description: Tony Smith image Alamy MNFTBN - . A grounded documentary photograph made at the recorded location in 2018, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Set up for the great CityGames Manchester, May 2018, Lancashire, England, UK. The wider scene also brings together street-side transport, public transport stop, bus route infrastructure, local character, changing land use, place identity, social history, everyday life, historical comparison, surface public transport, passenger transport, local bus network, before-and-after reference, and public realm. Current relevance extends to rural transport and decarbonisation, particularly through the challenge of maintaining reliable services outside dense city centres. As a dated visual record of the recorded location, the frame retains lettering, decoration and surface detail, making it especially useful if conservation work subsequently changes the scene. The wider setting retains connections with transport accessibility, local history, regional identity, local mobility, documentary photography, roadside stop, period detail, and contemporary social history. Elements such as CityGames, Lancashire, and Manchester add documentary specificity and may become increasingly useful when compared with later records. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is rural transport and the shift toward cleaner buses and integrated ticketing without losing the local specificity of the recorded location. The scene further reflects reliability and the challenge of maintaining reliable services outside dense city centres in a form that can be compared with future views of the recorded location. The frame retains period character within the wider story of the recorded location.
Description
Keywords: @HotpixUK,Gotonysmith,City,centre,City Games,Manchester City Games,Manchester CityGames,Deansgate,closure,closed,city centre,Road,issues,laying,track,laying track,surface,platform,workers,working,preparation,prepare,event,event set up,event setup,fencing,fenced off,cage,Waste of money,city event,Arcadis,Arcadis City Games,Arcadis CityGames,no loading,no parking,city of Manchester,notice,parking notice
Description: Tony Smith image Alamy MNFTBW - . Recorded at the recorded location in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is Set up for the great CityGames Manchester, May 2018, Lancashire, England, UK. The locality and subject together evoke visual archive, bus infrastructure, bus route infrastructure, local mobility, community identity, archival record, public transport stop, place identity, roadside transit, passenger transport, surface public transport, public transport information, contemporary social history, and before-and-after reference. The modern context includes continuing discussion of integrated transport, decarbonisation and how local bus services affect access to work, education and healthcare. For later comparison, the photograph preserves street furniture and boundaries at the recorded location, details that may look very different after refurbishment. The location also brings in transport accessibility, historical comparison, local character, everyday life, changing streetscape, period detail, roadside stop, and local history. The combination of Manchester, Lancashire, and CityGames anchors the frame to a recognisable activity, place or moment. By fixing the subject within the recorded location, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of integrated transport and the shift toward cleaner buses and integrated ticketing within the specific setting of the recorded location. A further contemporary connection is integrated transport and the importance of bus stops as the physical interface between passengers and public transport as part of the longer story of the recorded location. The photograph keeps period character before later change alters the scene. The record includes a trace of local identity as a date-specific reference.
Description
Keywords: @HotpixUK,Gotonysmith,City,centre,City Games,Manchester City Games,Manchester CityGames,Deansgate,closure,closed,city centre,Road,issues,laying,track,laying track,surface,platform,workers,working,preparation,prepare,event,event set up,event setup,fenced off,cage,Waste of money,city event,sign,Parking Suspension sign,traffic sign,traffic suspended,yellow,yellow sign,Great City Games,Arcadis,Arcadis City Games,Arcadis CityGames
Description: Tony Smith image Alamy MNFTCF - . A grounded documentary photograph made at the recorded location in 2018, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The principal subject is Set up for the great CityGames Manchester, May 2018, Lancashire, England, UK. The setting additionally reflects historical comparison, visual archive, public transport stop, place identity, roadside stop, public transport information, transport accessibility, public realm, local story.htm Target=_Blank>history, bus infrastructure, local bus network, bus route infrastructure, contemporary social history, and changing streetscape. The modern context includes continuing discussion of reliability, accessibility and the shift toward cleaner buses and integrated ticketing. As a dated visual record of the recorded location, the frame retains street furniture and boundaries, making it especially useful if new ownership subsequently changes the scene. The surrounding story also includes everyday life, roadside transit, surface public transport, documentary photography, archival record, community identity, regional identity, and before-and-after reference. The recorded references to Manchester, CityGames, and Lancashire preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within the recorded location, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is reliability and how local bus services affect access to work, education and healthcare without losing the local specificity of the recorded location. The setting also helps illustrate reliability and the challenge of maintaining reliable services outside dense city centres in a form that can be compared with future views of the recorded location. The photograph keeps evidence of changing use as part of the recorded location's history.
Description
Keywords: @HotpixUK,Gotonysmith,City,centre,City Games,Manchester City Games,Manchester CityGames,Deansgate,closure,closed,city centre,Road,issues,laying,track,laying track,surface,platform,workers,working,preparation,prepare,event,event set up,event setup,fencing,fenced off,cage,Waste of money,city event,crane,building,assembling,industrial crane,heavy crane,orange,orange crane,crane lifting into place
Description: Tony Smith image Alamy MNFTCJ - . An identifiable period record of the recorded location in 2018, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The frame specifically shows Set up for the great CityGames Manchester, May 2018, Lancashire, England, UK. The locality and subject together evoke changing streetscape, historical comparison, roadside stop, bus route infrastructure, surface public transport, bus infrastructure, archival record, documentary photography, public transport stop, before-and-after reference, public transport information, contemporary social history, public realm, and period detail. Current relevance extends to integrated transport and local connectivity, particularly through the importance of bus stops as the physical interface between passengers and public transport. As a dated visual record of the recorded location, the frame retains local activity and public use, making it especially useful if refurbishment subsequently changes the scene. The wider setting retains connections with place identity, local mobility, roadside transit, changing land use, everyday life, local history, regional identity, and transport accessibility. Details involving Lancashire, Manchester, and CityGames make the image more specific than a generic view and strengthen its local or historical value. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is integrated transport and the importance of bus stops as the physical interface between passengers and public transport in a form that can be compared with future views of the recorded location. The setting also helps illustrate bus service funding and the challenge of maintaining reliable services outside dense city centres within the real-world context of the recorded location.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Manchester,shop,shops,Xmas,Christmas,lights,Victorian,independent,independent retailers,steel,glass,Deansgate,St Anns Square
Description: Tony Smith image Alamy HAFM1M - . This location-specific image from 2-4 St Anns Square, Manchester M2 7HD, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The image documents Barton Arcade,Manchester retail shopping, Winter,England, UK. The subject also carries associations with archival record, before-and-after reference, social history, local character, local history, changing land use, commercial streetscape, place identity, street-level business, everyday life, regional identity, local enterprise, high-street commerce, and changing streetscape. In present-day coverage, the subject reaches into town-centre regeneration and business rates, not least because of the resilience of independent shops in an online retail economy. The image fixes landscape treatment and surrounding development within 2-4 St Anns Square, Manchester M2 7HD, UK at one identifiable point, providing a benchmark against new construction. The surrounding story also includes shopfront economy, specialist retailer, community identity, contemporary social history, bricks-and-mortar retail, documentary photography, customer footfall, and town-centre economy. The recorded references to shopping, Arcade, Winter, Manchester, and retail preserve clues about how the subject was presented, used or understood at the time. The wider setting at 2-4 St Anns Square, Manchester M2 7HD, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes town-centre regeneration and how shopfronts become short-lived records of changing businesses and branding in a form that can be compared with future views of 2-4 St Anns Square, Manchester M2 7HD, UK. The scene captures a trace of local identity for later comparison. The period view preserves a local visual benchmark within the wider story of 2-4 St Anns Square, Manchester M2 7HD, UK.
2-4 St Anns Square, Manchester M2 7HD, UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Canal,Castlefields,Lancs,waterway,reflection,bridge reflected,towpath,Deansgate,Deansgate Manchester,Skybar,Sky bar,city centre,inner city,barge,canal barge
Description: Tony Smith image Alamy H4EDR9 - Castlefield is an inner city conservation area of Manchester in North West England. The conservation area which bears its name is bounded by the River Irwell, Quay Street, Deansgate and the Chester Road. It was the site of the Roman era fort of Mamucium or Mancunium which gave its name to Manchester. It was the terminus of the Bridgewater Canal, the world's first industrial canal, built in 1764
the oldest canal warehouse opened in 1779. The world's first passenger railway terminated here in 1830, at Liverpool Road railway station[1] and the first railway warehouse opened here in 1831.
The Rochdale Canal met the Bridgewater Canal at Castlefield in 1805 and in the 1830s they were linked with the Mersey and Irwell Navigation by two short cuts. In 1848 the two viaducts of the Manchester, South Junction and Altrincham Railway crossed the area and joined each other, two further viaducts and one mainline station Manchester Central railway station followed. It has a tram station, Deansgate-Castlefield tram stop (formerly G-Mex) providing frequent Manchester Metrolink services to Eccles, Bury, Altrincham, Manchester Piccadilly, East Didsbury and Rochdale.
Castlefield was designated a conservation area in 1980 and the United Kingdom's first designated Urban Heritage Park in 1982
Description
Keywords: Deansgate,England,GB,UK,M3,4LG,brick,city,rail,railway,modern,transport,for,greater,times,timetable,route,RAPT,group,tunnel,transit,transfer,urban,Castlefield station,M3 4LG,Victorian City,RAPT Group,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,integrated transport
Description: Tony Smith image Alamy FDNJAA - . A grounded documentary photograph made at Deansgate, Manchester, England, UK, M3 4LG in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Deansgate-Castlefield station and area in Manchester, England, UK, M3 4LG. The image also relates to community identity, before-and-after reference, station environment, visual archive, commuter travel, local character, contemporary social history, rail infrastructure, period detail, documentary photography, place identity, changing land use, transport interchange, and historical comparison. Current relevance extends to station investment and rail reform, particularly through the role of public transport in reducing congestion and emissions. For later comparison, the photograph preserves street furniture and boundaries at Deansgate, Manchester, England, UK, M3 4LG, details that may look very different after replacement signage. A second descriptive layer includes public transport network, changing streetscape, mass transit, passenger railway, rail corridor, regional identity, railway branding, and regional rail. Elements such as Deansgate-Castlefield, station, and Manchester add documentary specificity and may become increasingly useful when compared with later records. The wider setting at Deansgate, Manchester, England, UK, M3 4LG matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is station investment and the reshaping of Britain's passenger railway in the mid-2020s within the specific setting of Deansgate, Manchester, England, UK, M3 4LG. The setting also helps illustrate rail reform and how rail stations anchor city-centre mobility and regeneration as part of the longer story of Deansgate, Manchester, England, UK, M3 4LG.
Deansgate, Manchester, England, UK, M3 4LG
-statue-FDNKB8.jpg)
Description
Keywords: 150,Deansgate,Manchester,England,UK,book,books,libraries,learn,learning,learned,learned,Victorian,University,of,Enriqueta,(1907) statue,founder,benefactor,sculptor,art,artwork,artworks,M3 3EH,John Cassidy,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,statues,history,historic
Description: Tony Smith image Alamy FDNKB8 - The John Rylands Library is home to one of the world's richest and most unique collections - around 1.4 million items spanning over five thousand years and derived from all corners of the world.
John Cassidy created two matching statues, in white Saravezza marble, of John Rylands and Mrs Rylands, which stand guard over the two ends of the Library's Historic Reading Room. John Rylands (1801 - 1888) occupies a prominent position at one end, and Mrs Rylands presides over the other, near to what used to be the Library's service counter. The picture above dates from 2003.
Although the statues appear as a pair, they were not conceived or commissioned together. 'John Rylands' was commissioned by Mrs Rylands in 1894 as an integral part of the library dedicated to her late husband, and has had pride of place since the building opened in 1900, whilst her own likeness was commissioned by supporters of the Library, and unveiled on 9 December 1907, a few months before her death on 4 February 1908.
150 Deansgate, Manchester,England,UK, M3 3EH
Description
Keywords: 150,Deansgate,Manchester,England,UK,book,books,libraries,learn,learning,learned,learned,Victorian,University,of,close,closeup,up,close-up,wooden,oak,panel,stone,M3 3EH,University Of Manchester,Librarian Door,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,entrance,big cheese
Description: Tony Smith image Alamy FDNM86 - . John Rylands Library Interior,Deansgate,Manchester,England,UK - Close up of Librarians door. Photographed on 20 January 2016. The recorded location is 150 Deansgate, Manchester,England,UK, M3 3EH. The John Rylands Library is home to one of the world's richest and most unique collections - around 1.4 million items spanning over five thousand years and derived from all corners of the world. The John Rylands Library on Deansgate was commissioned by Enriqueta Rylands in memory of her husband, the Manchester industrialist John Rylands, and opened to the public in 1900. Designed by Basil Champneys in a richly detailed neo-Gothic style, it was conceived as a monumental research library and is now part of the University of Manchester. Its stone vaulting, stained glass, reading rooms and carved details make the building one of the city's most important interiors and a major architectural landmark. The wider historical story is that workplace portraits and occupational scenes record skills, uniforms, tools and customer service that can disappear as industries modernise
They are useful social-history evidence because they place individual workers within the everyday economy rather than presenting a property or product in isolation. As background, libraries have continually adapted from reading rooms and reference collections to computers, events, study spaces and digital services
Interior details and staffing images show how the public library functions as both an information service and a community place. The historical context is that historic and modern architecture can be read as a record of investment, planning and changing urban functions
Civic, commercial, industrial and residential buildings each contribute to the character of a townscape, particularly where older structures are adapted rather than demolished. Relevant alternative phrases include people at work, employment, service industry, working life, labour history, and professional role.
150 Deansgate, Manchester,England,UK, M3 3EH
Description
Keywords: 150,Deansgate,Manchester,England,UK,book,books,libraries,learn,learning,learned,learned,Victorian,University,of,wooden,oak,panel,stone,M3 3EH,University Of Manchester,Librarian Door,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,entrance,big cheese,history,historic,staff,only
Description: Tony Smith image Alamy FDNMA0 - . John Rylands Library Interior,Deansgate,Manchester,England,UK - The Librarian Door. Photographed on 20 January 2016. The recorded location is 150 Deansgate, Manchester,England,UK, M3 3EH. The John Rylands Library is home to one of the world's richest and most unique collections - around 1.4 million items spanning over five thousand years and derived from all corners of the world. The John Rylands Library on Deansgate was commissioned by Enriqueta Rylands in memory of her husband, the Manchester industrialist John Rylands, and opened to the public in 1900. Designed by Basil Champneys in a richly detailed neo-Gothic style, it was conceived as a monumental research library and is now part of the University of Manchester. Its stone vaulting, stained glass, reading rooms and carved details make the building one of the city's most important interiors and a major architectural landmark. As background, images of people at work document changing occupations and working practices
Clothing, equipment and surroundings can reveal how service, craft and professional roles were organised at the time the photograph was made. In the longer view, public libraries developed as major civic institutions in the nineteenth and twentieth centuries, combining books, education and free access to information
Their buildings and services often reflect municipal pride, while later community-run models reveal changing patterns of local-government provision. In historical terms, service work is a major part of everyday social history
Waiting staff, librarians, volunteers and other public-facing workers show how institutions function in practice and how occupations change with technology, labour markets and customer expectations. Against the 2026 backdrop, service work remains central to the British economy while recruitment, pay, automation and changing customer expectations continue to reshape many occupations
Historic and contemporary workplace photographs therefore have.
150 Deansgate, Manchester,England,UK, M3 3EH
Description
Keywords: Christmas,Deansgate,and,St Anns Square,st,anns,sq,square,gradeII,listed,building,castiron,cast-iron,glass,iron,shop,shops,Xmas,at,night,with,lights,England,UK,Gotonysmith,Buy Pictures of,Buy Images Of,light,decoration,decorations,history,historic,cast,grade II-listed,Barton Square,front,exterior,outside,buildings
Description: Tony Smith image Alamy ED9DM7 - Barton Arcade is a Victorian shopping arcade in Manchester, England, located between Deansgate and St Ann's Square.
The arcade was listed as a Grade II* listed building on the 25 January 1972. The listing includes the block of shops (Barton's Building) and offices enclosing the arcades. It was constructed by Corbett, Raby and Sawyer in 1871.
Hartwell describes the Barton's Building facade as utterly ignorant.. the ground floor pilasters must be seen to be believed. The arcade, however, is a gorgeous glass and iron shopping arcade with glass domes..., the best example of this type of cast-iron and glass arcade anywhere in the country.
The entrance to the arcade on St Ann's Square incorporates a large, cast iron and glass wall. The two entrances on Deansgate are hidden behind the Barton Building. The building is of four storeys with an attic, a long nine-bay facade to Deansgate, divided in half horizontally by a balustraded balcony. The structure is composed of cast iron and glass. The iron work was supplied by the Macfarlane Saracen Glass Factory in Glasgow. The building was one of the first to be built on the newly widened Deansgate.The arcade was restored in the 1980s. The original shop fronts and decorative floor no longer exist
48 Barton Square, Deansgate, Manchester, England, UK, M3 2BH
Description
Keywords: Christmas,Deansgate,and,St Anns Square,st,anns,sq,square,gradeII,listed,building,castiron,cast-iron,glass,iron,shop,shops,Xmas,at,night,with,lights,England,UK,Gotonysmith,Buy Pictures of,Buy Images Of,light,decoration,decorations,history,historic,cast,grade II-listed,Barton Square,front,exterior,outside
Description: Tony Smith image Alamy ED9DMC - Barton Arcade is a Victorian shopping arcade in Manchester, England, located between Deansgate and St Ann's Square.
The arcade was listed as a Grade II* listed building on the 25 January 1972. The listing includes the block of shops (Barton's Building) and offices enclosing the arcades. It was constructed by Corbett, Raby and Sawyer in 1871.
Hartwell describes the Barton's Building facade as utterly ignorant.. the ground floor pilasters must be seen to be believed. The arcade, however, is a gorgeous glass and iron shopping arcade with glass domes..., the best example of this type of cast-iron and glass arcade anywhere in the country.
The entrance to the arcade on St Ann's Square incorporates a large, cast iron and glass wall. The two entrances on Deansgate are hidden behind the Barton Building. The building is of four storeys with an attic, a long nine-bay facade to Deansgate, divided in half horizontally by a balustraded balcony. The structure is composed of cast iron and glass. The iron work was supplied by the Macfarlane Saracen Glass Factory in Glasgow. The building was one of the first to be built on the newly widened Deansgate.The arcade was restored in the 1980s. The original shop fronts and decorative floor no longer exist
48 Barton Square, Deansgate, Manchester, England, UK, M3 2BH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Haçienda Apartments,The,night club,West,flats,Greater Manchester,England,UK,city,centre,Deansgate,Castlefield,red brick,apartment,building,residential,development,urban,regeneration,construction,cranes,tower,new,skyline,property,former nightclub site,music heritage,Factory Records,Madchester,acid house,rave culture,dance music history,rave scene,post-industrial,1980s,1990s,clubbing
Description: Tony Smith image Alamy DN6N4T - Exterior view of The Haçienda Apartments on Whitworth Street West in Manchester, showing the distinctive red brick residential development built on the site of the legendary FAC51 Haçienda nightclub, with construction cranes and new tower building work rising behind it. The image connects two major Manchester themes in one frame: the city's internationally known music and club culture heritage, and the continuing wave of high-rise residential development reshaping the Deansgate, Castlefield and Oxford Road edges of the city centre. The Haçienda name is inseparable from Factory Records, Tony Wilson, New Order, acid house, rave culture, Madchester, dance music and late twentieth-century Manchester nightlife. The original club opened in 1982, closed in 1997 and was later demolished, with apartments replacing the famous venue while retaining the Haçienda name. The visible cranes add strong editorial value for stories about regeneration, urban densification, housing, property investment, city living, gentrification and the transformation of former cultural and industrial sites into apartments. The photograph is especially useful for features about Manchester's changing skyline, music tourism, cultural memory, heritage loss, apartment-led redevelopment, city centre living, post-industrial regeneration and the commercial afterlife of iconic places. The scene appears to be taken in daylight with clear visibility, allowing the modern apartment façade, street frontage and construction machinery to read clearly. It has broad stock relevance for Manchester property, northern regeneration, crane skylines, the Southern Gateway, Whitworth Street West, former nightclub sites, Factory Records legacy, urban renewal, student and professional accommodation markets, and debates over how much of a city's cultural history survives when landmark venues are replaced by residential blocks.
Haçienda Apartments, 11-15 Whitworth Street West, Manchester, Greater Manchester, M1 5DB.
Description
Keywords: Greater,Manchester,city,free,bus,the,MetroShuttle,is,a,free,city,bus,funded,by,Manchester,City,Council,Transport,for,Greater,Manchester,NCP,and,Allied,London,The,service,links,all,the,city,centre,railway,stations,main,car,parks,and,many,bus,and,Metrolink,tram,TFGM,GM,gotonysmith,outside,a,bus,stop,bustop,Metroshuttle,is,a,free,city,centre,bus,funded,by,Manchester,City,Council,Transport for Greater Manchester,NCP,and,Allied,London.,The,service,links,all,the,city,centre,railway,stations,main,car,parks,and,many,bus,and,Metrolink,tram,stops.,Full,details,of,Metroshuttle,a map of all three routes,stopping,places,and,times,is,available,via,the,Transport,for,Greater,Manchester,website,Metroshuttle,buses,are,low-floor,easy,access,diesel-electric,hybrid,buses,that,you,can,hop,on,and,off,as,often,as,you,wish,Metroshuttles,are,free,buses,linking,the,main,rail,stations,car parks,shopping,areas,and,businesses,in,Manchester,city,centre.,Metroshuttle,buses,run,from,Piccadilly,Salford Central,Victoria,Oxford,Road,and,Deansgate,rail,stations.,There,are,three,circular,routes,covering,the,main,areas,in,the,city
Description: Tony Smith image Alamy DANJJ6 - Metroshuttle is a free city centre bus funded by Manchester City Council, Transport for Greater Manchester, NCP and Allied London. The service links all the city centre railway stations, main car parks and many bus and Metrolink tram stops.
Full details of Metroshuttle, a map of all three routes, stopping places and times is available via the Transport for Greater Manchester website.
Metroshuttle buses are low-floor, easy access, diesel-electric hybrid buses that you can hop on and off as often as you wish.
Piccadilly Station approach , Manchester, England , UK M1 2QF
Description
Keywords: Piccadilly,railway,red,at,bus,stop,shuttle,free,bus,system,that,operates,in,Manchester,city,centre,and,Bolton,and,Stockport,town,centres,all,in,Greater,England,queue,queues,red,silver,MetroShuttle,optare,1,one,deansgate,china,town,freebus,buses,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDJPJ6 - Metroshuttle is a free bus system that operates in Manchester city centre and Bolton and Stockport town centres, all in Greater Manchester, England. Manchester's Metroshuttle consists of three routes (numbered 1, 2 and 3) that traverse the city centre, linking the city's major thoroughfares and stations with its main commercial, financial and cultural districts.
The Bolton Metroshuttle (numbered 500) links Bolton Bus Station, Bolton railway station with the town's shops and attractions. The Stockport Metroshuttle (numbered 300) is the re-branded Stockport Shuttle bus, which links Stockport Bus Station, Stockport railway station and the Tesco Extra store with the town's shops and attractions. The Oldham Metroshuttle (numbered 400) provides a connection with Oldham Mumps Metrolink station with the town centre and bus station.
Piccadilly, Manchester, England, UK
Description
Keywords: Manchester,Great,Northern,Railway,Warehouse,entertainment,complex,at,dusk,night,shot,nightshot,NW,England,UK,tripod,evening,in,the,inthe,gotonysmith,gradeII,grade,II,grade2,listed,Deansgate,peter,st,street,red,blue,brick,Great,Northern,Railway,Companys,Goods,Warehouse,wide,angle,blue,hour,bluehour,development,Capital,&,Regional,and,as,of,March,2013,comprises,an,AMC,cinema,a,casino,a,bowling,alley,bars,a,Lifestyle,Fitness,gym,and,a,multi-storey,car,park,operated,by,National,Car,Parks,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D96MPA - The Great Northern Warehouse is the former railway goods warehouse of the Great Northern Railway in Manchester city centre, England. It has been redeveloped as a car park and leisure complex
The Great Northern Warehouse is the former railway goods warehouse of the Great Northern Railway in Manchester city centre, England. It has been redeveloped as a car park and leisure complex. The building is located at the junction of Deansgate and Peter Street in the city centre. It was granted Grade II* listed building status on 3 October 1974.
The warehouse is a hugely impressive block, of blue brick below (and) red brick with blue brick dressings above. It was built to be fireproof with a steel frame, and built on a rectangular plan, 267 feet long by 217 feet wide and five storeys high, with 27 windows on the east and west sides and 17 windows on the north and south ends. All four sides have friezes lettered in white brick reading Great Northern Railway Company's Goods Warehouse. The warehouse was built above the Manchester and Salford Junction Canal, and a dock beneath was constructed to allow goods to be transferred to and from canal barges via shafts and a complex system of haulage using hydraulic power.[2] It is a unique survival of a three-way railway goods exchange station, serving the railway, canal and road networks of the Manchester region.
The development is owned by Capital & Regional and as of March 2013 comprises an AMC cinema, a casino, a bowling alley, bars, a Lifestyle Fitness gym, and a multi-storey car park operated by National Car Parks.
235 Deansgate, Manchester, England, UK M3 4EN
Description
Keywords: manchester,deans,gate,deansgate,A56,road,station,railway,castlefield,knott,bar,knottmill,mill,tony,smith,hotpix,tonysmith,tonysmithhotpix,dusk,magic,blue,hour,ice,snow,canal,winter,dukes,92,dukes92,reflection,reflections,night,street,light,lighting,england,UK,GB,north,west,northwest,europe
Description: Tony Smith image Flickr 5890756904 - 'The road is named after the lost River Dene, which may have flowed along the Hanging Ditch connecting the River Irk to the River Irwell, at the northern end of Deansgate. ('gate' derives from the Norse gata, meaning way).
It begins now at Victoria Street but that street was a 19th-century creation: at the time the east side of Deansgate was occupied by Victoria Buildings (built by Manchester Corporation in 1876 but ruined during a bomb raid in December 1940 during the Second World War) on a triangular site (later a statue of Oliver Cromwell was placed at the northern corner commemorating Manchester's support for Parliament in the English Civil War). The statue was a gift to the city by Mrs. Abel Heywood in memory of her first husband Thomas Goadsby
it was the first large statue of Cromwell to be raised in the open anywhere in England.
At the northern end of Deansgate it becomes Victoria Street, on which lies Manchester Cathedral, and at the southern end is Deansgate railway station. At this point Deansgate connects with Bridgewater Viaduct and Chester Road (Whitworth Street West also meets it at this point). The section to the south of Peter Street was until the end of the 18th century known as Aldport Street (Aldport being the former name of the Castlefield area once separate from medieval Manchester).
The northern end of the street used to adjoin a retail area known as The Shambles. This was badly damaged in the IRA bombing in 1996. The area was eventually redeveloped and is home to several new buildings, including No. 1 Deansgate and the Manchester branch of Harvey Nichols.
Other recent additions to the Deansgate area include the Royal Bank of Scotland building, the Beetham Tower, and the redevelopment of the Great Northern Warehouse. These stand in contrast with historic buildings, such as the John Rylands Library and the Barton Arcade shopping mall. The disused Manchester and Salford Junction canal runs directly underneath Deansgate and below the Great Northern Warehouse.
Checkout more w=33062170@N08\' target=\'_blank\'>Manchester stuff from my photostream.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
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Description
Keywords: Castlefield,Manchester,Dusk,Night,Blue,Hour,Canal,canalas,railway,bridges,bridge,tram,metro,link,metrolink,orange,sodium,vapour,light,tony,smith,hotpix,tonysmith,tonysmithhotpix,UK,England,North,West,Deansgate,tripod,HDR,wide,lens,canals,waterway,waterways
Description: Tony Smith image Flickr 5917135398 - 'The Cult 'My Bridges Burn' - Play this track here.
These bridges at Castlefield Manchester do indeed look like they have been just cast from molton iron as they cross the canal basin. Anyone familiar with the climate around here will know we were not facing weather extremes, just some sodium vapour lamps at dusk!
This track is from 'Beyond Good and Evil' (2001) the seventh studio album by English rock band The Cult.
The title of the record is a reference to Friedrich Nietzsche's 1886 book of the same title, and it briefly had the mock working title of Bring Me the Head of Dave Grohl, referencing the frontman of Foo Fighters, Probot and Them Crooked Vultures, and also the former drummer of Nirvana. In 2006, singer Ian Astbury claimed via the band's website that his preferred choice for the record's title was Demon Process.
'My Bridges Burn' was originally titled 'Save Me'
'Breathe' originally had the slightly longer title 'Breathe (You Bastard)' along with an overdub of keyboards after the guitar solo which was later removed
and 'Speed of Light' went through several different titles: originally titled 'Black California,' then 'Who Plays the Devil' before the band decided on its final title.
Whenever I walk through here, the track 'Another bridge' by EBTG also comes to mind. Some 1980's indulgence - www.youtube.com/watch?v=ZuLYmzhdEFc
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>cool stuff from my photostream.
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\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',
Description
Keywords: SLAG,Gay,village,naked,men,man,studs,studded,bands,clothing,clothes,street,party,gayfest,fest,parade,august,annual,gay,pride,festival,city,canal,street,st,wristband,for,entry,fringe,arts,music,and,cultural,events,August,bank,holiday,weekend,LGBT,lesbian,gay,bisexual,and,transgender,transvestite,2005,gotonysmith,charity,council,led,events,event,Deansgate,icon,iconic,Europride,manchesterpride.com,Diversity,manchesterpride,M15LH,M1,5LH,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HDMB - Manchester Pride is an annual gay pride festival and parade held each summer in the city of Manchester, England. It is one of the longest running in the country and attracts thousands of visitors to the city's Gay Village, centred around Canal Street, each year. The festival's events that take place within the Village require a paid-for Pride wristband for entry, while other events, such as the parade, can be watched by any spectator.
The current ten day festival includes a Pride Fringe with a series of arts, music and cultural events all over the city as well as community events including poetry readings, quizzes and film showings, culminating in The Big Weekend, a 72-hour party during the August bank holiday weekend in Canal Street and the surrounding area, with a parade through the streets of Manchester.
Deansgate, Manchester, England, UK M1 5LH
Description
Keywords: England,UK,GoTonySmith,HotpixUK,@HotpixUK,John Rylands Library,Research Institute,John Rylands Research Institute and Library,M3,M3 3EH,150,Deansgate,building,architecture,student,students,loan,debt,loans,teenager,in,UCAS,courses,study,login,English,company,payments,repay,support,balance,expense,expensive,qualification,course,universities,history,historic,student bank accounts,student bank account
Description: Tony Smith image Alamy 2PP0N93 - The Russell Group is a self-selected association of twenty-four public research universities in the United Kingdom. The group is headquartered in Cambridge and was established in 1994 to represent its members' interests, principally to government and Parliament. It was incorporated in 2007. Its members are often perceived as being the UK's best universities, but this has been disputed.
As of 2017, Russell Group members receive over three-quarters of all university research grant and contract income in the United Kingdom. Russell Group members award 60% of all doctorates gained in the United Kingdom. In the 2021 Research Excellence Framework, Russell Group universities accounted for 65% of all world-leading (4*) research conducted in the UK, and 91% of the Russell Group's research was judged to be world-leading (4*) or internationally excellent (3*). Of the 21 Russell Group universities that have entered the Teaching Excellence and Student Outcomes Framework (TEF), 10 hold gold awards (48%), 10 silver (48%) and one bronze (5%), compared to proportions across all 274 higher education providers with full awards of 28% gold, 50% silver and 22% bronze, and proportions across 139 universities and alternative providers with university status of 40% gold, 50% silver and 10% bronze. Their graduates hold 61% of all UK jobs that require a university degree, despite being only 17% of all higher education graduates.
The Russell Group is named after the location of the first informal meetings of the Group, which took place at the Hotel Russell in Russell Square, London
John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH
Description
Keywords: England,UK,GoTonySmith,HotpixUK,@HotpixUK,John Rylands Library,Research Institute,John Rylands Research Institute and Library,M3,M3 3EH,150,Deansgate,gentlemen,fashioned,toilets,WC,WCs,sink,sinks,marble,library,John Rylands,John Ryland,Ryland,history,historic,pipes,plumbing,toilet,dark,English,indoor,inside,light,water tank,tank,wash hand basin,WHB,out of order,inaccessible
Description: Tony Smith image Alamy 2PP0NK7 - . Victorian urinals, John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH. Photographed on 22 May 2010, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include John Rylands Library, Research Institute, John Rylands Research Institute and Library, M3 3EH, Deansgate, gentlemen, fashioned, toilets, WCs, sink, sinks, marble, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The scene contributes a specific, place-based record rather than a generic illustration.
John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH
Description
Keywords: England,UK,GoTonySmith,HotpixUK,@HotpixUK,Research Institute,M3,M3 3EH,history,historic,Columbian,Gutenberg,machine,printer,printers,ornate,old,Latin America,printed,machines,Johannes Gutenberg,John Rylands Library,Manchester City Centre,North West England,City Centre,Library,150,press,word,media,invention,Latin American,ancient,Colombia,printing,presses,Deansgate,Mainz,print,GB
Description: Tony Smith image Alamy 2PP0NNG - . Historic Columbian Gutenberg printing press, John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH. Photographed on 22 May 2010, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Research Institute, M3 3EH, history, historic, Columbian, Gutenberg, machine, printer, printers, ornate, old, Latin America, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH
Description
Keywords: England,UK,GoTonySmith,HotpixUK,@HotpixUK,John Rylands Library,Research Institute,John Rylands Research Institute and Library,M3,M3 3EH,150,Deansgate,electric,lighting,John Rylands,Historic Library,English,gothic,learn,learning,Enriqueta,Augustina,read,reading,inside,history,Manchester,centre,up,looking,Lancashire,city,Victorian,building,Lancs,architecture,British,stone,buildings
Description: Tony Smith image Alamy 2PP0NP4 - . Victorian Electric lights, building architecture, John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH. Photographed on 22 May 2010, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include John Rylands Library, Research Institute, John Rylands Research Institute and Library, M3 3EH, Deansgate, electric, lighting, John Rylands, Historic Library, gothic, learn, learning, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature.
John Rylands Research Institute and Library, 150 Deansgate, Manchester, England, UK, M3 3EH
Description
Keywords: Manchester,Mardi,Gras,collector,pierced,tattoo,tattood,tattoos,tat2,leather,erotic,studs,socialist,alliance,tin,collection,deansgate,england,UK,gay,fest,gayfest,festival,august,bank,holiday,fish,net,fishnet,big,chest,breasts,show,showing,dirty,woman,women,wimmin,femme,lesbian,transgender,transexual,sexual,bi,trans,transvestite,ladyboy,lady,boy,gtreater,mancunia,mancunian,nw,britain,rocks,bare,nipple,slightly,pornographic,rude,porno,fithy,Queer,pink,homosexual,proud,out,coming,stonewall,tatoo,city,tatouage,pride,manchesterpride,racy
Description: Tony Smith image Flickr 4318167727 - 'A charity collector in the main carnival parade collecting for the Mardi Gras festival charities. The gayfest carnival finishes in Canal Street.
A collection of Manchester Mardigras shots can be found at:
www.flickr.com/photos/hotpixuk/4318905746/
www.flickr.com/photos/hotpixuk/4318167727/in/photostream/
www.flickr.com/photos/hotpixuk/4318020799/in/photostream/
www.flickr.com/photos/hotpixuk/3813064826/
More piercings and tatoos www.flickr.com/photos/hotpixuk/4407631870/
Have a look at some of my other Manchester images on Flickr - w=33062170@N08\'>www.flickr.com/search/?q=Manchester&
w=33062170@N08 .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC ',
Description
Keywords: Manchester,Great,Northern,Railway,Warehouse,entertainment,complex,at,dusk,night,shot,nightshot,NW,England,UK,tripod,evening,in,the,inthe,gotonysmith,gradeII,grade,II,grade2,listed,Deansgate,peter,st,street,red,blue,brick,Great,Northern,Railway,Companys,Goods,Warehouse,wide,angle,blue,hour,bluehour,development,Capital,&,Regional,and,as,of,March,2013,comprises,an,AMC,cinema,a,casino,a,bowling,alley,bars,a,Lifestyle,Fitness,gym,and,a,multi-storey,car,park,operated,by,National,Car,Parks,Wide,pano,panorama,shot,landscape,Manc,iManc,Mancunian,Mancunians,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D96MND - The Great Northern Warehouse is the former railway goods warehouse of the Great Northern Railway in Manchester city centre, England. It has been redeveloped as a car park and leisure complex
The Great Northern Warehouse is the former railway goods warehouse of the Great Northern Railway in Manchester city centre, England. It has been redeveloped as a car park and leisure complex. The building is located at the junction of Deansgate and Peter Street in the city centre. It was granted Grade II* listed building status on 3 October 1974.
The warehouse is a hugely impressive block, of blue brick below (and) red brick with blue brick dressings above. It was built to be fireproof with a steel frame, and built on a rectangular plan, 267 feet long by 217 feet wide and five storeys high, with 27 windows on the east and west sides and 17 windows on the north and south ends. All four sides have friezes lettered in white brick reading Great Northern Railway Company's Goods Warehouse. The warehouse was built above the Manchester and Salford Junction Canal, and a dock beneath was constructed to allow goods to be transferred to and from canal barges via shafts and a complex system of haulage using hydraulic power.[2] It is a unique survival of a three-way railway goods exchange station, serving the railway, canal and road networks of the Manchester region.
The development is owned by Capital & Regional and as of March 2013 comprises an AMC cinema, a casino, a bowling alley, bars, a Lifestyle Fitness gym, and a multi-storey car park operated by National Car Parks.
235 Deansgate, Manchester, England, UK M3 4EN
-statue-Mono-FDNKXE.jpg)
Description
Keywords: 150,Deansgate,Manchester,England,UK,book,books,libraries,learn,learning,learned,learned,Victorian,University,of,Enriqueta,(1907) statue,founder,benefactor,sculptor,art,artwork,artworks,M3 3EH,John Cassidy,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,statues,history,historic,ornamental wall clock medieval style architecture,historic portrait sculpture,standing marble woman,philanthropist commemoration,tourist attraction,Enriqueta Rylands 1843 1908
Description: Tony Smith image Alamy FDNKXE - Monochrome interior view of the John Rylands Library on Deansgate in Manchester city centre, showing the life-size white marble statue of Enriqueta Augustina Rylands in the Historic Reading Room. The standing figure is portrayed with her hands clasped, wearing an elaborate period dress with lace and layered fabric details. Behind the sculpture are stone walls, carved Gothic tracery, a wall-mounted clock, decorative niches and one of the smaller historic figures positioned around the room.
Enriqueta Rylands founded the library as a memorial to her husband, the wealthy Manchester textile manufacturer and philanthropist John Rylands. Designed by architect Basil Champneys in an elaborate late-Victorian Gothic Revival style, the library opened to the public in 1900. Its cathedral-like reading room contains portrait statues of John and Enriqueta Rylands facing one another at opposite ends, alongside figures associated with literature, religion, philosophy, printing and science.
The Enriqueta Rylands statue was created by Manchester-based sculptor John Cassidy from white Seravezza marble and unveiled on 9 December 1907. It was commissioned by supporters of the library in recognition of the founder whose vision, funding and determination created one of Manchester's most distinctive cultural institutions. The pale sculpture stands out dramatically against the dark stone architecture, an effect heightened by the black and white treatment.
The photograph documents women's philanthropy, public sculpture, Manchester history and the ornate interior of a Grade I listed building. The clock and architectural details provide context for the statue's prominent position, while the low viewpoint gives the founder commanding presence. The scene is suitable for editorial subjects including historic libraries, women benefactors, Victorian and Edwardian culture, Gothic Revival architecture, University of Manchester collections, sculpture, tourism and British cultural heritage.
150 Deansgate, Manchester,England,UK, M3 3EH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Blackpool,Lancs,Lancashire,England,UK,street,centre,FY1,paper,back,town,graffiti,1947-2016,1947,2016,1970,1970s,telephone,box,boxes,red,blue,newspaper,cutting,cuttings,Aladdin Sane,aladdinsane,Deansgate,FY1 1BN,subversion,street art,pasted,Blackpools,community
Description: Tony Smith image Alamy 2JRFFAT - . Photographed at Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The location is represented through Equality has no gender, David Bowie, 1947-2016, 01606, red telephone box, blue telephone box, Deansgate, Blackpool , Lancs, England, FY1 1BN. The setting additionally reflects place identity, documentary photography, heritage-led regeneration, period architecture, social history, public-realm investment, regional identity, commercial redevelopment, historical comparison, changing streetscape, historic townscape, built heritage, place-making, and local character. For current editorial use, adaptive reuse and public-realm investment provide additional context, especially through how regeneration tries to create reasons to visit traditional town centres. For later comparison, the photograph preserves landscape treatment and surrounding development at Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, details that may look very different after conservation work. Other useful contextual ideas include before-and-after reference, public realm, changing land use, everyday life, period detail, visual archive, civic architecture, and local history. The combination of 01606, Deansgate, Blackpool, telephone, and Bowie anchors the frame to a recognisable activity, place or moment. Around Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for adaptive reuse and how regeneration tries to create reasons to visit traditional town centres within the specific setting of Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN. The record includes a point of historical comparison for later comparison.
Deansgate, Blackpool, Lancashire, England, UK, FY1 1BN
