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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,English,British,Warrington,WA1,market,Time Sq,Cheshire,town,centre,retail,new,Sunday,Bolton,charity,pie,pies,pasty,pasties,with,baking,bakers,award,cup,for,curry,2,Time Square,WA1 2NT,Norris St,BL3 5BZ
Description: Tony Smith image Alamy 2T10DPJ - H.M.Pasties was set up by Lee Wakeham, an ex-offender with the aim to bring out the good inside' by employing ex-offenders to make and sell delicious handmade Cornish-style pasties.
Inspired by the success of Bad Boys Bakery, The Barker Baker and the Clink Charity
who now boast a 41% reduction in reoffending for people involved in the bakery, H.M.Pasties was born in 2018 with support from the Big Lottery Fund, Forward Trust and the Santander Foundation.
With over 10.5 million people in the UK holding a criminal record many face huge difficulties in gaining employment post sentence due to the stigma that surrounds it.
H.M.Pasties wants to stop talent and lives from being wasted. They are passionate about helping those who feel left behind to find fulfilling work in order to enhance their wellbeing and help them feel part of a thriving local community. By offering a transitional employment programme which provides training and support ex-offenders can become ready for the world of work, making long term employment a reality.
H.M.Pasties was created to supply high quality, handmade traditional pasties and other baked goods to customers across Greater Manchester and add real social benefit.
This is achieved by not only sourcing ingredients from the Prison Estate but also by employing people with convictions in the manufacture, sales and distribution of the pasties whilst simultaneously offering peer mentoring support to enable them to build new careers and live a life free of crime.
In order to become a truly independent, self sustaining business, HM Pasties is now a stand alone limited company looking to build on our now established brand to create even more social impact.
Dignity, self-respect and a stable income are crucial to preventing reoffending, and securing employment is the key to achieving those goals.
2 Time Square, Warrington, Cheshire, England, UK, WA1 2NT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,English,British,UK,city,centre,Brasserie,finest,Indian,cuisine,restaurant,street,art,flower,flowers,on,lane,ln,67,closed,shutter,painted,painting,Bangla,Bangladesh,Bandladeshi,colour,colourful,curry,curry house,restaurants,of,Audrey Hepburn,Hepburn
Description: Tony Smith image Alamy 2R39XY3 - Brick Lane (Bengali: ব্রিক লেন) is a famous street in the East End of London, in the borough of Tower Hamlets. It runs from Swanfield Street in Bethnal Green in the north, crosses the Bethnal Green Road before reaching the busiest, most commercially active part which runs through Spitalfields, or along its eastern edge. Brick Lane's southern end is connected to Whitechapel High Street by a short extension called Osborn Street.
Today, it is the heart of the country's Bangladeshi community with the vicinity known to some as Banglatown. It is famous for its many curry houses
The street was formerly known as Whitechapel Lane, and wound through fields. It derives its current name from brick and tile manufacture started in the 15th century, which used the local brick earth deposits
In the 19th century, Irish people and Ashkenazi Jews immigrated to the area. Jewish immigration continued into the early 20th century.
In the 20th century the Brick Lane area was important in the second wave of development of Anglo-Indian cuisine, as families from countries such as Bangladesh (mainly the Greater Sylhet region) migrated to London to look for work. Some curry houses of Brick Lane do not sell alcoholic beverages, for most are owned by Muslims. According to EasyJet Traveller magazine, the top three curry houses on Brick Lane in 2021 are Aladin, Sheba and City Spice.
Bengalis in the United Kingdom settled in big cities with industrial employment. In London, many settled in the East End. For centuries the East End has been the first port of call for many immigrants working in the docks and shipping from Chittagong port in Bengal
Brick Lane, London, GB, E1 6QL
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,London,England,UK,inside,of,Eating Area,design,lighting,atmosphere,Indian,bulb,cooling,and,incandescent,light,architype,office,Mumbai,brown,recreated,building,Stable St,group,chain,KingsX,buildings,style,Permit,room,Bombay,India,concept,permit,Kings Cross,curry,created,British
Description: Tony Smith image Alamy 2JKC2C5 - . Made at Kings Cross, Coal Drops Yard, London, England, UK in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Interior of Dishoom Indian restaurant - Eating Area Permit Room, Kings Cross, Coal Drops Yard, London, England, UK. The setting additionally reflects changing land use, post-industrial redevelopment, industrial transport, regional identity, archival record, public-realm design, mixed-use redevelopment, factory heritage, contemporary cityscape, heavy-industry heritage, pedestrian public space, engineering history, working-industry history, and documentary photography. The modern context includes continuing discussion of housing pressure, mixed-use development and how former industrial land is turned into leisure, retail and cultural space. For current editorial use, embodied carbon and manufacturing decline provide additional context, especially through recording the industries and transport systems that shaped British towns. Future viewers can use this scene from Kings Cross, Coal Drops Yard, London, England, UK to compare street furniture and boundaries with whatever follows after changing commercial priorities. Further associations within the scene are adaptive reuse, visual archive, changing streetscape, historical comparison, urban renewal, regenerated railway lands, before-and-after reference, and labour history. References to Dishoom, restaurant, Kings, Indian, and Eating give the picture a strong period identity and tie it closely to its named subject. Around Kings Cross, Coal Drops Yard, London, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The photograph keeps a point of historical comparison for future local research.
Kings Cross, Coal Drops Yard, London, England, UK
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,food,N1C,Coal drops,yard,Stable Street,London,England,UK,N1C 4DQ,experience,Kings Cross,the,cage,mesh,metal,steel,gauze,atmosphere,Indian,bulb,cooling,and,incandescent,light,architype,recreated,design,Permit,room,place,India,British,curry,Stable St,concept,KingsX,buildings
Description: Tony Smith image Alamy 2JKCBGE - . An identifiable period record of Coal drops yard, Stable St, London, England, UK, N1C 4DQ in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The main point of reference is The Permit room, Dishoom Indian restaurant experience, Kings Cross Coal drops yard, Stable St, London, England, UK, N1C 4DQ. The surrounding context encompasses archival record, national emblem, flag culture, residential flag display, before-and-after reference, documentary photography, contemporary social history, regional identity, community identity, period detail, local character, everyday life, public expression of identity, and national symbolism. The modern context includes continuing discussion of national identity, political symbolism and how national flags can signal celebration, sport, identity or political sentiment depending on context. For later comparison, the photograph preserves materials and architectural details at Coal drops yard, Stable St, London, England, UK, N1C 4DQ, details that may look very different after changing commercial priorities. A second descriptive layer includes place identity, local history, English identity, civic identity, St George's Cross, historical comparison, national flag display, and street-level symbolism. Elements such as Permit, experience, drops, Stable, and Indian add documentary specificity and may become increasingly useful when compared with later records. The period setting at Coal drops yard, Stable St, London, England, UK, N1C 4DQ helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is national identity and how national flags can signal celebration, sport, identity or political sentiment depending on context when considered against later change at Coal drops yard, Stable St, London, England, UK, N1C 4DQ.
Coal drops yard, Stable St, London, England, UK, N1C 4DQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Bombay,India,office,eating,place,British,Mumbai,Permit,room,lights,brown,design,style,curry,created,recreated,in,Kings Cross,building,buildings,permit,Stable St,KingsX,concept,Indian,group,chain,chai,atmosphere,bulb,cooling,and,incandescent,light,architype
Description: Tony Smith image Alamy 2M0MBDJ - . A grounded documentary photograph made at 5 Stable St, borough of Camden,London, England, UK, N1C 4AB in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Mumbai Irani café and Permit Room recreated in Dishoom restaurant , London & Edinburgh , UK. The wider scene also brings together contemporary social history, community identity, popular cuisine, traditional takeaway, hospitality food service, classic British meal, metropolitan identity, everyday cuisine, street food culture, place identity, everyday life, local character, regional food culture, and historic London streetscape. The wider contemporary story combines nutrition, changing diets and the enduring appeal of traditional takeaway meals. Viewed from the mid-2020s, the subject also connects with public transport, heritage conservation and the mix of working city infrastructure with heritage tourism. Future viewers can use this scene from 5 Stable St, borough of Camden,London, England, UK, N1C 4AB to compare materials and architectural details with whatever follows after new ownership. The wider setting retains connections with local dining tradition, London visitor economy, period detail, documentary photography, changing streetscape, archival record, food-and-drink heritage, and urban tourism. The combination of Edinburgh, Dishoom, Permit, Irani, and recreated anchors the frame to a recognisable activity, place or moment. By fixing the subject within 5 Stable St, borough of Camden,London, England, UK, N1C 4AB, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is nutrition and how food signs and shopfronts become part of urban cultural identity when considered against later change at 5 Stable St, borough of Camden,London, England, UK, N1C 4AB.
5 Stable St, borough of Camden,London, England, UK, N1C 4AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,flag,flags,menu,Cafe,town,centre,green,red,curry,Pad thai,exterior,front,entrance,outside,street,a,the,taste,of,Thailand,at,red curry,green curry,cake,cakes,baked,noodles,Pad Thai,beautiful,food
Description: Tony Smith image Alamy 2JG21YP - . A grounded documentary photograph made at 10 Bold street Warrington, Cheshire, England, UK, WA1 1DR in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The main point of reference is Thai Food Canteen Cafe, a taste of Thailand at 10 Bold street Warrington, Cheshire, England, UK, WA1 1DR. The wider scene also brings together restaurant culture, licensed hospitality, before-and-after reference, destination dining, social history, independent food retail, townscape record, food-and-drink business, public realm, local history, archival record, city-centre activity, pedestrian environment, and local identity. The wider contemporary story combines food inflation, commercial rents and how food and drink help define neighbourhood identity. Viewed from the mid-2020s, the subject also connects with commercial change, community use and the documentary importance of recording everyday urban environments. Small period details of equipment and working practice at 10 Bold street Warrington, Cheshire, England, UK, WA1 1DR may become more significant with time, particularly following changing commercial priorities. The photograph additionally reflects contemporary city life, historical comparison, food tourism, urban change, visual archive, everyday life, commercial hospitality, and casual dining. References to taste, Canteen, and Thailand give the picture a strong period identity and tie it closely to its named subject. The wider setting at 10 Bold street Warrington, Cheshire, England, UK, WA1 1DR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence of food inflation and how food and drink help define neighbourhood identity in a form that can be compared with future views of 10 Bold street Warrington, Cheshire, England, UK, WA1 1DR.
10 Bold street Warrington, Cheshire, England, UK, WA1 1DR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,German Markets,at,Manchester,market,Christmas markets,celebrations,in the,city centre,Xmas,Christmas,December,winter,market stall,trader,traders,festive cheer,Germany,Sehenswürdigkeiten,wooden chalet,Berlin,curry,wurst,sausage,sausages,German sausages,BBQ,grilled,food,snack,Stalls,Manchester Xmas celebrations,Stalls at Manchester Christmas markets,retailing in the city centre
Description: Tony Smith image Alamy 2ADR2BB - If you're looking for some festive cheer, Manchester plays host to one of the biggest and best Christmas Sehenswürdigkeiten outside of Germany, with more than 300 wooden chalets spread across 10 different locations throughout the city.
Originally introduced to the city in 1999, the Christmas markets have grown bigger and better each year, attracting Europe's finest street food vendors and crafters. It's a great place to buy Yuletide gifts, such as fine jewellery, handcrafted leather bags and artisan soaps. Your taste buds will also be tantalised with so many wide ranging food options on offer, including things like German bratwurst, hog roast, Spanish paella and Dutch pancakes. Yum!
Thought Christmas markets were just for December? This year the Christmas Markets will open in November in Manchester city centre, so there's plenty of time to don your best Christmas jumper, drink mulled wine and chow down on pretzels.
St Ann's Square, Manchester,England,UK, M2 7DH
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,street,brick,wall,bricks,Bangla,Bangladesh,Bangladeshi,Islam,Muslim,London east,East,melting pot,Street sign in English and Bengali,Bengali,curry,eastern,immigration,integration,mixed,communities,icon,iconic,Brick Lane E1,multiracial,Britain,GB,Great Britain,Raj,Brick Lane,London,E1 6QL,E1,Nigel Farage,ReformUK
Description: Tony Smith image Alamy 2AE02AW - . This location-based editorial photograph from Brick Lane, London, England, GB, E1 6QL in 2019 preserves a recognisable subject together with clues about how the place was used and presented at the time. The subject recorded here is Brick Lane E1 street sign, east end,London,England,UK, E1. The frame also contains themes of factory history, visual regulation, historic context, visitor instruction, regional identity, customer guidance, local history, historical comparison, visual archive, production technology, social history, traditional building materials, historic manufacturing, and changing streetscape. Current discussion around this subject increasingly includes factory closures alongside manufacturing history, with particular attention to recording industries that shaped northern towns. From a 2025-onward perspective, the scene also connects with venue policy, access rules and the importance of clear wording in shared public environments. For place-based research, the frame preserves period details that may disappear after redevelopment or refurbishment within Brick Lane, London, England, GB, E1 6QL. Further connections include safety messaging, before-and-after reference, public information notice, contemporary social history, manufacturing heritage, site information, instructional sign, and local character. Details involving London and Brick give the scene useful specificity and strengthen its local, cultural or historical identity. The period setting at Brick Lane, London, England, GB, E1 6QL helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects factory closures and the historical importance of everyday manufactured objects and materials in a form that can be compared with future views of Brick Lane, London, England, GB, E1 6QL. The view records part of the area's social history before later change alters the scene.
Brick Lane, London, England, GB, E1 6QL
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,neon sign,Brick Lane,London,E1,Welcome,to,red,orange,sign,Bangla,food,Balti,look East,Indian,India,easterneyebricklane,curry house,curry,house,curryhouse,restaurant,Bangladesh,Bangladeshi,eating,place,cafe,typical,east,eastern,hot,cuisine,signs,E1 6QL
Description: Tony Smith image Alamy 2AE02D0 - . Photographed at Brick Lane, London, England, GB, E1 6QL in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. The view centres on Welcome to Eastern Eye,Balti House,neon sign,Brick Lane,East end, London, England,UK, E1 6QL. The surrounding context brings together everyday life, industrial material culture, local history, labour history, historical comparison, documentary photography, traditional building materials, contemporary social history, regional identity, working-industry history, factory history, industrial supply chain, comfort food, and place identity. For contemporary context, cultural identity and regional tourism are closely related themes, especially where the issue becomes the tourism and cultural value of distinctive local cuisine. Viewed from the mid-2020s, the subject sits within continuing debate about labour history, construction materials and the relationship between local geology, manufacturing and the built environment. As a piece of social history, the frame preserves a particular stage in the life of the location at Brick Lane, London, England, GB, E1 6QL. A second layer of the scene includes historic manufacturing, industrial artefact, local character, engineering heritage, before-and-after reference, regional food culture, production works, and visual archive. The recorded references to House, Balti, Brick, London, and Eastern preserve clues about how the subject was presented, used or understood at the time. The period setting at Brick Lane, London, England, GB, E1 6QL helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is cultural identity and the tourism and cultural value of distinctive local cuisine as part of the longer story of Brick Lane, London, England, GB, E1 6QL. The image fixes a local visual benchmark for later comparison.
Brick Lane, London, England, GB, E1 6QL
Description
Keywords: Joseph,P.,Curry,US,Army,Special,Forces,William,D.,Giebler,JR,Lodge,Visitors,Centre,DLVC,Trust,Lockerbie,Memorial,Remembrance,Scotland,Victims,Pan,Am,PanAm,flight,103,bomb,December,1988,attack,crash,dead,site,21/12/1988,270,Scottish,Town,conspiracy,blast,New York,GoTonySmith,Lodge,Visitors,Centre,DLVC,Trust,Lockerbie,Memorial,Scotland,Victims,Pan,Am,PanAm,flight,103,bomb,December,1988,attack,crash,dead,site,21/12/1988,270,Scottish,Town,conspiracy,blast,Tundergarth,Room,garden,of,Dryfesdale,Cemetery,news,Cultural,understanding,remembering,innocent,transatlantic,Frankfurt,Detroit,Libyan,Libya,Colonel Muammar Gaddafi,civil,case,compensation,terrorism,PA103,30,30years,years,Syracuse,University,SU,family,collections,Story,Archive,Archives,40,35,Timeline,saga,disaster,air,Scholars,program,programs,remembrance,Clipper Maid of the Seas,N739PA,Boeing,727,plane,aircraft,Scotland,UK,United Kingdom,GB,Great Britain,resting,place,Buy Pictures of,Buy Images Of,New York,al megrahi,30 Years
Description: Tony Smith image Alamy F1JA8C - Pan Am Flight 103 was a regularly scheduled Pan Am transatlantic flight from Frankfurt to Detroit, via London and New York, that was destroyed by a terrorist bomb on Wednesday, 21 December 1988, killing all 243 passengers and 16 crew on board, in what became known as the Lockerbie bombing. Large sections of the aircraft crashed onto residential areas of Lockerbie, Scotland, killing 11 more people on the ground.
Following a three-year joint investigation by Dumfries and Galloway Constabulary and the US Federal Bureau of Investigation, arrest warrants were issued for two Libyan nationals in November 1991. In 1999, Libyan leader Colonel Muammar Gaddafi handed over the two men for trial at Camp Zeist, Netherlands after protracted negotiations and UN sanctions. In 2001, Libyan intelligence officer Abdelbaset al-Megrahi was jailed for life after being found guilty of 270 counts of murder in connection with the bombing. In August 2009, he was released by the Scottish Government on compassionate grounds after being diagnosed with prostate cancer. He died in May 2012, remaining the only person to be convicted for the attack. He had continually protested his innocence.
In 2003, Gaddafi accepted responsibility for the Lockerbie bombing and paid compensation to the families of the victims, although he maintained that he had never given the order for the attack. During the Libyan Civil War, in 2011, a former government official claimed that the Libyan leader had personally ordered the bombing. Numerous conspiracy theories have developed regarding responsibility for the destruction of Pan Am Flight 103.
Dumfries Road, Lockerbie, Dumfriesshire, Scotland, United Kingdom, DG11 1HZ
Description
Keywords: light,glass,fitting,grantham,indian,restaurant,world,worlds,hottest,hot,hotest,curry,widow,maker,widowmaker,tonysmith,hotpix,hotpics,pics,pix,tony,smith,Bindi,exclusive,22 London road,22,London,rd,road,ng31,7ej,ng317ej,570777
Description: Tony Smith image Flickr 4756843521 - 'When backpacking around various places in my mis-spent youth I often used the Lonely Planet guides. Great guides, but when travelling you were never alone really as whatever off the beaten track cafe you were eating BBQ guinea pig or whtever, you were always surrounded by other backpackers planning their next meal using that self same guide!
The name Lonely Planet to me conjours up an idea of this packed green and blue rock surrounded by some unimaginable emptyness. There is so much of it that the light-year, ie the time it takes light or an image to be seen a year later away, is the only practical unit of measurement to be used.
To get a feel for these distances, reflected sunlight from the Moon's surface takes 1.2\u20131.3 seconds to travel the distance to the Earth's surface for us to see it. The surface of the moon is roughly 376,300 kilometres from the surface of the Earth, on average. 376,300 km \u00f7 300,000 km/s (roughly the speed of light) \u2248 1.25 seconds).
The most distant space probe, Voyager 1, was about 14 light-hours away from Earth as of 9 March 2007 (2007 -03-09)[update]. It took that space probe 30 years to cover that distance,[17] and will take over 18,000 years to reach one light-year at the same speed.
The nearest known star (other than the Sun), Proxima Centauri, is about 4.22 light-years away. Our galaxy, The Milky Way is about 100,000 light-years across.
So for any intelligent life form in the solar system of Proxima Centauri, excitement must be building for the 2006 world cup, where hopes are pinned on a very young Wayne Rooney to come good for England and for Sven-Goran Eriksson to continue as coach onward to 2010.
Its a funny old world eh? When you consider, this isn't too bad a place after all. Good planets are hard to find, lets look after this one!
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
