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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1327,tiles,map,culture,England,1990s,word,Northern,band,bands,gig,gigs,live,Manc,MadFrit,Mad Frit,mad for it,Oasis,letters,letter,centre,Piccadilly,city,Factory Records,The Haçienda,Peter Hook,Stephen Morris,Happy Mondays,The Stone Roses,Inspiral Carpets,James band,The Charlatans,Joy Division,New Order,Tony Wilson,Ben Kelly,Mike Pickering
Description: Tony Smith image Alamy 3FA7WTY - Conceptual editorial still life spelling MADCHester in cream Scrabble-style letter tiles across a black-and-white AZ street map of central Manchester, England. The simple composition turns the city's famous Madchester nickname into a graphic celebration of Manchester as a music city, linking geography, bands, clubs, record labels, DJs, designers and larger-than-life Mancunian personalities.
Madchester grew from the late-1980s and early-1990s collision of indie rock, acid house, rave and club culture, with Happy Mondays and The Stone Roses at its heart and Inspiral Carpets, James and The Charlatans closely associated with the wider scene. Factory Records and The Haçienda provided much of the cultural backdrop, driven by Tony Wilson, Alan Erasmus and Rob Gretton, with Martin Hannett's production, Peter Saville's graphic design and Ben Kelly's club interiors helping create a distinctive Manchester identity. Joy Division and New Order form the crucial earlier Factory lineage, with Ian Curtis, Bernard Sumner, Peter Hook, Stephen Morris and Gillian Gilbert becoming enduring names in the city's musical story.
The map also invites a broader reading of Manchester music beyond Madchester: Buzzcocks and Howard Devoto from the punk era
The Smiths with Morrissey and Johnny Marr
Shaun Ryder and Bez as instantly recognisable Happy Mondays personalities
Ian Brown, John Squire and Mani from The Stone Roses
and, later, Oasis with Liam and Noel Gallagher carrying Manchester swagger around the world. DJs including Mike Pickering, Graeme Park and Dave Haslam helped define The Haçienda's dancefloor culture. The image can illustrate Madchester nostalgia, Factory Records, Manchester bands, alternative music, Britpop, post-punk, rave, club culture, music tourism, city branding and the enduring idea of Manchester as a place where music, attitude and identity are inseparable, from the Lesser Free Trade Hall mythology through Factory and Madchester to the Britpop generation.
Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_3135,Jesus Saves,Jesus,Saves,street preacher,street,preacher,Christian evangelist,Christian,evangelist,Birmingham,city centre,city,centre,West Midlands,West,Midlands,England,UK,Christianity,religion,religious,faith,evangelism,preaching,message,outreach,mission,missionary,campaigning,public,space,urban,people,person,pedestrian,shopping,culture,society,belief,Bible,church,gospel,witness,protest,speech,editorial
Description: Tony Smith image Alamy 3F51211 - Jesus Saves street preacher or Christian evangelist in Birmingham city centre, West Midlands, England, UK. The photograph records public religious outreach in a busy central urban environment, with a person associated with a prominent Jesus Saves message engaging with or addressing passers-by. Street preaching remains a visible form of Christian evangelism in many British towns and cities, particularly in pedestrianised shopping areas where campaigners, faith groups and individuals can reach a large public audience. Birmingham is one of the UK's largest and most religiously diverse cities, with established Christian, Muslim, Sikh, Hindu, Jewish and other communities contributing to its cultural life. This scene illustrates contemporary Christianity, personal expressions of belief, evangelical outreach, public preaching, religious campaigning and the use of city-centre public space for communicating faith-based messages. It can also support editorial coverage of freedom of expression, urban culture, religion in modern Britain, street activity, public engagement and the relationship between organised faith and everyday city life. The summer street setting and visible commercial surroundings place the religious activity firmly within the ordinary daily environment of central Birmingham rather than inside a formal place of worship.
Birmingham city centre, West Midlands, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Birmingham Rep,Repertory,theatre,Centenary Square,Birmingham,city,art,arts,culture,centre,West Midlands
Description: Tony Smith image Alamy 3F58GC6 - . Birmingham Rep Repertory Theatre, Centenary Square, Birmingham city centre, West Midlands. Photographed on 29 July 2026, this summer editorial image shows the principal frontage of The Rep facing Centenary Square beneath a clear blue sky. The modernist theatre building has a broad curved facade with repeated arched window openings, large areas of glazing and prominent black The Rep lettering high above the entrance. Tall white flagpoles rise through the foreground of the square, while pedestrians and visitors sit, stand and walk across the paved public realm, giving scale to the building and showing the cultural venue in everyday city-centre use. The Birmingham Repertory Theatre, commonly known as Birmingham Rep or The Rep, is a major performing arts venue in Birmingham's civic and cultural quarter, beside the Library of Birmingham and close to other Centenary Square landmarks. The photograph is relevant to Birmingham theatre, repertory theatre, performing arts, drama, culture, entertainment, architecture, public buildings, civic space, urban regeneration, tourism and West Midlands city-centre life. Its distinctive frontage, theatre signage and relationship with the open pedestrian square make the image useful for stories about cultural investment, arts funding, live performance, visitor attractions, public realm design and Birmingham's changing cityscape. The scene also records the appearance of Centenary Square and The Rep in summer 2026, creating documentary value for future comparison if signage, entrances, landscaping, neighbouring development or the theatre itself changes. As a clearly identified contemporary view, it is suitable for editorial features on British theatres, regional arts organisations, Birmingham culture, city tourism, architectural design, cultural regeneration and the role of major arts venues in attracting audiences and supporting activity in city centres.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_3063,lovelocks,love locks,padlocks,Oxford Road,Manchester,England,UK,fence,metal,street,urban,city centre,romance,love,tokens,couples,tradition,public,detail,close-up,texture,city,tourism,culture,travel,landmark,outdoor,graffiti,installation,locks,Oxford Rd
Description: Tony Smith image Alamy 3F3WNE1 - . Lovelocks attached to a city-centre canal bridge Oxford Road in Manchester, England, UK. Photographed on 25 July 2026. The recorded location is Oxford Road, Manchester, England, UK. Lovelocks attached to a metal fence in Manchester, England, UK. The close view shows a dense cluster of padlocks fastened together in a city-centre location, creating an improvised display of love locks and personal tokens. Such displays are associated with couples, declarations of affection and urban folk traditions, and they have become a recognisable feature in many cities. The image captures street detail, everyday urban culture and the texture of public space in central Manchester. Within the history of landmark bridge, major crossings can reshape travel patterns and regional economies by reducing journey times and creating more reliable routes
Older bridges often continue to be alongside newer structures, producing layered transport landscapes. In relation to cycling route, historical context shows that the canal network changed from commercial freight route to recreational and heritage asset during the twentieth century
Surviving warehouses, locks, mileposts and engineering structures preserve evidence of its original industrial purpose. For the story of mural, it is useful to note that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. Against the 2026 backdrop for landmark bridge, large modern crossings also form part of debates about transport capacity, carbon, tolling and the long-term value of major infrastructure investment. As of 2026, the position for cycling route is that the condition and funding of ageing waterway infrastructure remain recurring issues, while canals are valued for navigation, walking, cycling, biodiversity and urban.
Oxford Road, Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,mural,campaign,Jenners,old,building,promotion,2026,advertising,Scotland,soccer,football,giant footballer,portrait,2026 FIFA,national,city,centre,scaffold wrap,advertisement,culture,Trainspotting-inspired marketing,Scotland tournament return,sportswear brand activation,national pride campaign,football advertising takeover,landmark building hoarding,large-format outdoor media,international soccer promotion,heritage regeneration backdrop,urban brand visibility,Scottish sporting identity,celebrity endorsement campaign,World Cup fan excitement,contemporary public artwork,yellow Choose Scotland slogan,dark sunglasses portrait,historic department store facade
Description: Tony Smith image Alamy 3EX1RDG - Giant Adidas Choose Scotland advertising mural featuring Scotland midfielder Scott McTominay covers part of the former Jenners department store on Princes Street in Edinburgh city centre. The footballer is shown wearing dark sunglasses above the bold yellow campaign slogan, while scaffolding, protective sheeting and a construction crane surround the historic building during its major restoration.
The mural formed part of Adidas's Trainspotting-inspired campaign celebrating Scotland's return to the FIFA World Cup in 2026 after a 28-year absence. Scott McTominay was a central figure in the national team's qualification and became one of the most prominent faces of the campaign. The wider advertising featured Scottish football, identity, national pride and popular culture under the Choose Scotland message, a deliberate reference to the famous Choose Life monologue associated with Trainspotting.
The display was installed on the Jenners construction site in June 2026 and produced as a large-scale piece of outdoor advertising. Its location gave the campaign exceptional visibility on Princes Street, one of Edinburgh's busiest shopping, tourism and public-transport corridors. Pedestrians, cyclists and city-centre traffic pass below the enormous portrait, contrasting contemporary sports marketing with the richly ornamented sandstone facade of a Category A listed Victorian landmark.
Jenners traded from the site for generations and became one of Scotland's best-known department stores before closing in 2021. The present Renaissance Revival building opened in 1895 and is undergoing redevelopment into a mixed-use destination incorporating retail, hospitality and a hotel. The image records Scottish football culture, World Cup promotion, Adidas branding, urban advertising, heritage regeneration and the temporary transformation of an iconic Edinburgh building
The Jenners Building, 47""52 Princes Street, Edinburgh, Scotland, EH2 2YJ
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_1565,Oxford Road Tap,pub,dusk,Manchester,city,centre,towers,England,UK,nightlife,Oxford,Road,regeneration,high-rise,development,hospitality,urban,change,beer,culture,evening,leisure,modern,skyline,traditional,venue,cityscape,lamps,architecture,railway,station,rail,CAMRA,craft,ale,real
Description: Tony Smith image Alamy 3EX1RC5 - . Oxford Road Tap pub at dusk with Manchester city centre towers behind, Manchester, England, UK. Photographed on 24 June 2026. The recorded location is Oxford Road, Manchester, England, UK. The low traditional-style pub and outdoor seating area contrast sharply with the high-rise residential and commercial buildings that now dominate the surrounding skyline. Deep blue evening light, illuminated street lamps and activity around the pub create an atmospheric urban scene showing the continuing role of traditional hospitality within a rapidly changing cityscape. In relation to high street, historical context shows that small businesses have long adapted existing premises to changing consumer demand, adding signs, windows and interiors that make each period visually distinct
Their survival is closely tied to footfall, rents, local competition and the wider fortunes of the town centre. For the story of bar trade, it is useful to note that public houses form a distinctive strand of British social history
Coaching routes, tied brewery estates, Victorian urban growth and twentieth-century leisure each shaped the location and appearance of pubs, many of which later became restaurants, shops, housing or community assets. The historical setting for affordable housing is that housing photographs document evolving ideas about density, tenure, architecture and neighbourhood design
Tower blocks, suburban estates, converted industrial buildings and private apartment schemes each represent different responses to demand for homes in particular periods. As of 2026, the position for high street is that independent and high-street businesses continue to face pressure from costs, online competition and changing consumer habits, while councils increasingly treat local commerce, food and leisure as part of town-centre regeneration. Further relevant terminology includes station, rail, CAMRA, craft, local business, and high street.
Oxford Road, Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,FC,Hill Dickinson,ground,stadium,tile,tiles,heritage,Liverpool,city,tourist,tourism,football,Toffees,Merseyside,supporter,history,sport,English,fan,plaza,engraved,paving,club,identity,migration,Goodison Park,legacy,Mersey,docklands,regeneration,redevelopment,matchday,culture,commemoration,sporting,60 goals,1927-28 season
Description: Tony Smith image Alamy 3EKNXPY - This photograph shows Dixie Dean memorial tiles at Everton FC's new Hill Dickinson Stadium at Bramley-Moore Dock in Liverpool, a detail linking the club's modern Mersey waterfront home with one of the most famous names in English stock-photo/gotonysmith-Football.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>football history. William Ralph Dixie Dean remains central to Everton identity because of his astonishing 1927-28 league season, when he scored 60 goals in 39 games, a top-flight record that still carries huge cultural weight for football writers, supporters, historians and image buyers. The tiles work as a compact visual symbol of memory, migration and continuity: Everton's men's team has moved from the tight streets and long traditions of Goodison Park to a large new dockside stadium, yet fan culture still depends on names, rituals, inscriptions and local stories being carried forward. The image may suit editorial use around Everton, Premier League football, Liverpool sport, club heritage, supporter commemoration, naming rights, stadium regeneration, dockland redevelopment, football tourism and the emotional geography of leaving an old ground for a new one. It also has value for wider features on how major clubs use public realm, fan plazas, engraved paving and memorial details to preserve identity in highly commercial modern venues. Bramley-Moore Dock sits in the Vauxhall and north docks area beside the River Mersey, a former working dock landscape now tied to debates about regeneration, heritage, transport, matchday crowds and the changing Liverpool waterfront. The spelling Hill Dickinson is important because the stadium name comes from the Liverpool-founded law firm's naming rights deal, while Bramley-Moore Dock remains the place-name many supporters still use. For stock photography, the appeal is in the readable Everton reference, the famous Dixie Dean name, the new stadium setting and the layered story of football memory, local pride, commercial branding, urban change and supporters making a new home feel Evertonian.
Everton Stadium, Bramley-Moore Dock, Regent Road, Liverpool, L3 0AP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Return to,BPW,family,friendly,Wales,pro wrestling poster,wrestling event poster,wrestling flyer,British wrestling,UK wrestling,LL13,live,sports,sport,entertainment,event,weekend,community,centre,events,city,North Wales,local,leisure,tickets,QR code,local event advertising,poster in window,shop window poster,pop culture,fan,culture,affordable,show,Basix 20th anniversary,promotional flyer,event notice
Description: Tony Smith image Alamy 3EGWM71 - Poster for Return to Wrex-Slam , a family friendly Basix Pro Wrestling event advertised in Wrexham, Wales. The colourful promotional flyer shows wrestlers posing around bold black, green and white wrestling-style graphics, with the Basix Pro Wrestling 20th anniversary logo, QR code ticketing, event branding and venue details for Hightown Community Resource stock-photo/gotonysmith-Centre.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Centre on Fusilier Way, Wrexham. The poster promotes a Saturday 13 June 2026 show with doors at 4pm and first bell at 4.30pm, positioning the event as live sports entertainment for adults, children and families. TicketSource lists BPW: Return to Wrex-Slam! at Hightown Community Resource Centre, Wrexham, LL13 7YF, while Basix Pro Wrestling's own social promotion gives the same event name, date, venue and show timing. The photograph is useful for editorial coverage of Welsh independent wrestling, grassroots sports entertainment, family events, local leisure, community centre performances, Wrexham city centre advertising, fan culture and the continuing appeal of live wrestling outside the major televised promotions. Reflections in the window glass, creases in the poster and the shop-window setting give the image a real documentary street feel rather than a clean publicity graphic. It can illustrate stories about local event promotion, QR code ticketing, small entertainment businesses, community venues, affordable weekend activities, children's entertainment, Welsh pop culture and independent wrestling in towns and cities across the UK. The poster's strong typography, dramatic wrestler portraits, family friendly wording and Wrex-Slam title make it visually clear and commercially useful for stock searches connected with pro wrestling, live shows, sports posters, Wrexham events and North Wales community entertainment.
Hightown Community Resource Centre, Fusilier Way, Wrexham, LL13 7YF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9476,Wrexham,football,mural,STŌK Cae Ras,stadium,redevelopment,Wales,UK,portrait,green,red,club,construction,hoardings,Racecourse,Ground,public,art,fan,culture,supporters,regeneration,sports,tourism,Welsh,painting,city,branding,football-themed,AFC,Ryan Reynolds
Description: Tony Smith image Alamy 3ERX6B2 - . Wrexham football mural beside the STÅŒK Cae Ras stadium redevelopment in Wrexham, Wales, UK. Photographed on 17 May 2026. The recorded location is STÅŒK Cae Ras, Mold Road, Wrexham LL11 2AH, Wales, UK. The large painted portrait is set against green and red club colours on construction hoardings near the Racecourse Ground, with stadium works and the distinctive tower structures visible behind. The juxtaposition of portrait art and active construction creates a strong visual record of a city reshaped by renewed international interest in its football club. Wrexham AFC, founded in 1864, is one of the oldest professional football clubs in the world. Its Racecourse Ground, now known as STōK Cae Ras, is recognised as the world's oldest international football stadium still hosting international matches. The club's global profile rose dramatically after its 2021 takeover by actors Ryan Reynolds and Rob McElhenney. Looking at supporters, the longer history is that british sports venues often have histories extending far beyond their current appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. The background to artwork is that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. Within the history of turnstile, industrial cranes transformed ports by mechanising the movement of heavy cargo from ship to quay
As containerisation changed dock work, many traditional cranes disappeared or became preserved landmarks within regenerated waterfronts. In 2026, supporters remains relevant because sporting imagery has relevance beyond results, illustrating club identity, fan culture, major-event economics, venue investment and the role of sport in local.
STŌK Cae Ras, Mold Road, Wrexham LL11 2AH, Wales, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9457,Welcome To Wrexham,mural,construction,new Wrexham AFC Kop stand,Wrexham,Wales,UK,football,stadium,redevelopment,tourism,documentary,media,regeneration,fan,culture,city,branding,cranes,building,sport,Welsh,popular,art,AFC,Ryan Reynolds,club
Description: Tony Smith image Alamy 3ERX6E0 - . Welcome To Wrexham mural beside construction of the new Wrexham AFC Kop stand in Wrexham, Wales, UK. Photographed on 17 May 2026. The recorded location is STōK Cae Ras, Mold Road, Wrexham LL11 2AH, Wales, UK. The colourful wall art references the internationally successful Welcome to Wrexham documentary phenomenon while heavy construction equipment, cranes and the developing stadium structure rise behind it. Wrexham AFC, founded in 1864, is one of the oldest professional football clubs in the world. Its Racecourse Ground, now known as STōK Cae Ras, is recognised as the world's oldest international football stadium still hosting international matches. The club's global profile rose dramatically after its 2021 takeover by actors Ryan Reynolds and Rob McElhenney. The background to major event is that football and major sporting events leave a rich material record through flags, tickets, souvenirs, programmes and venue signage
International tournaments in particular can turn everyday objects into historical evidence of national sporting culture. Within the history of construction safety, construction sites became increasingly controlled environments during the twentieth century, with access gates, turnstiles, personal protective equipment and formal safety management replacing more informal working practices. In relation to mural, historical context shows that public art turns streets and buildings into records of local culture
Murals, statues and memorial sculpture can commemorate people and events, celebrate industry, respond to politics or simply enliven public space, while materials and style often identify a particular era. Current 2026 context around major event is that professional sport remains closely tied to broadcast rights, tourism, sponsorship and stadium redevelopment, while supporter experience, policing, ticket prices and transport continue to shape matchday debate.
STōK Cae Ras, Mold Road, Wrexham LL11 2AH, Wales, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9464,Balch,mural,Wrexham AFC,stadium,redevelopment,works,Wrexham,Wales,UK,football,portrait,club,Welsh,proud,fan,culture,public,art,sports,tourism,city,branding,community,construction,AFC
Description: Tony Smith image Alamy 3ETMWGR - . Balch mural beside Wrexham AFC stadium redevelopment works in Wrexham, Wales, UK. Photographed on 17 May 2026. The recorded location is STōK Cae Ras, Mold Road, Wrexham LL11 2AH, Wales, UK. The striking wall painting includes a large portrait of a football figure, club graphics and the Welsh word Balch, meaning proud, while construction works rise behind the mural. The combination of artwork and construction creates a vivid record of Wrexham's current transformation. Wrexham AFC, founded in 1864, is one of the oldest professional football clubs in the world. Its Racecourse Ground, now known as STōK Cae Ras, is recognised as the world's oldest international football stadium still hosting international matches. The club's global profile rose dramatically after its 2021 takeover by actors Ryan Reynolds and Rob McElhenney. In relation to memorial art, historical context shows that street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. For the story of sports memorabilia, it is useful to note that sporting grounds, club colours and event memorabilia become part of local identity as generations of supporters associate particular streets, gates and stands with matchday ritual
Stadium architecture and branding also change repeatedly as clubs modernise facilities. The historical setting for engineering history is that factories, mills, mines and workshops record the technologies and labour that powered industrial expansion
Machinery, inscriptions and specialist buildings are valuable evidence of engineering practice, working conditions and regional industries. As of 2026, the position for memorial art is that public art is closely connected with regeneration, tourism, identity and debate about representation
Murals and sculptures can become visitor landmarks while also prompting.
STōK Cae Ras, Mold Road, Wrexham LL11 2AH, Wales, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,tattoo expo poster,tattoo convention,body art,traditional tattoo,vintage tattoo poster,city,centre,West Yorkshire,advertising,event,events,column,tickets,on sale,alternative,culture,fashion,tattooing,ink,tattooist,tattoo,studio,design,collectors,convention,independent,artists,body modification,urban,youth,creative industries,entertainment event,live event,style,pin-up art,tattoo flash,visitor attraction
Description: Tony Smith image Alamy 3EGG76R - Street photograph of a Leeds Tattoo Expo poster displayed on an advertising panel on The Headrow in Leeds city centre, West Yorkshire. The poster uses bold vintage tattoo flash styling, red lettering, decorative scrollwork, a female pin-up style portrait, peacock fan imagery and circus or fairground-inspired graphic design to promote tickets for the tattoo convention. It is a strong editorial image for tattoo culture, body art, urban advertising, alternative fashion, creative events, youth culture and the wider growth of tattooing as a mainstream leisure and lifestyle industry. The poster's wording includes Leeds Tattoo Expo, First Direct Arena and tickets on sale now, tying the street promotion to the city's major indoor venue and live events economy. The official Leeds Tattoo Expo information page says the eleventh annual event is being held at First Direct Arena, with over 200 tattoo artists, boutique traders, entertainment and competitions, giving the image relevance for tattoo artists, collectors, independent makers and specialist event marketing. The photograph is also useful for stories about Leeds city centre, The Headrow, public realm advertising, poster art, graphic design, subcultures moving into mainstream venues, city break entertainment and the commercial promotion of weekend events. The weather appears dull or overcast, with soft daylight on the pavement and building façade, suggesting a typical British urban day without strong shadows. The image captures the contrast between ornate tattoo-inspired illustration and the formal stone architecture of central Leeds, helping it work as a stock image for alternative culture within a traditional civic cityscape. It can support features on tattoos, body modification, personal identity, event ticketing, local tourism, creative industries, independent traders, street-level marketing and the way specialist cultural scenes are promoted in busy northern city centres.
The Headrow, Leeds city centre, West Yorkshire, England, UK.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,first,city,luncheon,bar,yard,centre,West Yorkshire,oldest,in,historic,public house,ale house,entrance,painted,door,glass,heritage,signage,Grade II,listed,English,CAMRA,Victorian,interior,signwriting,sign writing,decorative,hospitality,architecture,British,culture,tourism,hidden gem,narrow yard,alleyway,history,licensed premises
Description: Tony Smith image Alamy 3EGG899 - Photograph showing the black painted entrance door and decorative glass sign of Whitelock's First City Luncheon Bar in Turk's Head Yard, just off Briggate in Leeds city centre, West Yorkshire. The visible lettering reads Whitelock's First City Luncheon Bar , with good food and always in splendid condition also picked out on the historic window, giving the image strong editorial value for Leeds pubs, heritage hospitality, real ale, traditional lunch rooms and Victorian bar culture. Whitelock's is widely promoted as the oldest public house in Leeds, with the site first opened in 1715 as the Turk's Head, a history still reflected in the name of the narrow yard where the pub sits. The building is Grade II* listed and Historic England records it as a public house with late seventeenth or early eighteenth century origins, later altered and remodelled, with an important late nineteenth century interior. The dark doorway, painted signwriting, reflective glass, black woodwork and whitewashed wall make this a strong close-up documentary image of a hidden Leeds landmark rather than a broad street scene. It is useful for stock searches around Leeds city centre, Briggate, Turk's Head Yard, historic pubs, CAMRA, real ale culture, traditional English bars, Yorkshire tourism, city heritage, listed buildings, food and drink, pub architecture, lettering, signwriting and hospitality history. The tight composition and subdued light suggest a covered or narrow alley setting, typical of Whitelock's tucked-away location. The image can illustrate articles about the survival of independent pubs, historic interiors, the evening economy, visitor attractions, traditional city-centre drinking culture and the continuing appeal of long-established pubs amid modern retail streets.
Whitelock's Ale House, Turk's Head Yard, Leeds LS1 6HB.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Oxford Street,theatre,production,dusk,nightlife,nighttime,economy,theatregoers,tickets,musicals,stage,classic,80s,1980,advertising,screen to stage,live,arts,Mancunian,frontage,illuminated,city,centre,culture,Greater Manchester,district,corridor,adaptation,nostalgic,entertainment,family musical,canopy,stage show,West End style,night-time economy,cultural,tourism
Description: Tony Smith image Alamy 3EFHT0M - Evening street photograph of the Palace Theatre on stock-photo/gotonysmith-Oxford.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Oxford Street, Manchester, illuminated in warm red and amber light as posters and digital signage advertise The Karate Kid musical. The image shows the theatre frontage after dusk, with the distinctive Art Deco style façade, pavement activity, bicycles, passing pedestrians and the bright canopy wording promoting The iconic 80s movie, a spectacular new musical . The central vertical poster and repeated pavement posters make the production branding clear, including the title The Karate Kid and the familiar wax on reference associated with the 1984 film. This is a commercially useful editorial image for themes around Manchester theatre, touring musicals, live entertainment, audience culture, city centre nightlife, visitor economy, leisure spending, popular culture nostalgia and screen-to-stage adaptations. The Palace Theatre is one of Manchester's major receiving houses, close to Oxford Road station and the Oxford Road Corridor, an area linked with performance venues, universities, hotels, restaurants and evening footfall. The low light, glowing signage and open foreground give a strong sense of pre-show atmosphere, night-time economy and cultural life in central Manchester. The photograph may also illustrate the appeal of classic 1980s cinema properties being revived for contemporary theatre audiences, alongside broader stories about musical theatre tours, ticketed events, city centre cultural venues and landmark theatres in UK regional arts. The visible Palace Theatre name, Karate Kid posters and bold canopy message provide clear editorial context without needing a crowd scene. The image suits articles, features and stock uses covering Manchester arts, theatre marketing, nostalgic movie brands, Oxford Street nightlife, touring stage productions, theatre-going, urban leisure, live performance, entertainment listings, family shows and cultural tourism in Greater Manchester.
97 Oxford St, Manchester, England M1 6FT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,25IMG_9363,Piazza,IX,Aprile,travel,destination,architecture,city,historic,pano,Italian,history,square,town,tourist,Sicilian,Mediterranean,European,centre,old,Corso Umberto,eastern,attraction,short,break,tour,tours,visit,weekend,culture,cultural,churches,pedestrian,holidaymakers,crowds,sightseeing,wide
Description: Tony Smith image Alamy 3F9CX15 - Wide panoramic view of Piazza IX Aprile in Taormina, Sicily, Italy, with visitors crossing the distinctive black-and-white chequered paving in the heart of the historic hill town. The elegant square is one of Taormina's best-known public spaces and a major stop for tourists exploring the resort on short breaks, cultural holidays and Mediterranean city breaks. At the centre stands the Baroque Church of San Giuseppe, built between the late seventeenth and early eighteenth centuries, with its pale façade and double staircase. Nearby are the historic Clock Tower, or Torre dell'Orologio, and the former Church of Sant'Agostino, while cafés, terraces and old buildings frame the busy pedestrian space. Piazza IX Aprile lies on Corso Umberto, Taormina's principal shopping and walking street, between Porta Messina and Porta Catania. The square functions as a panoramic terrace above the Ionian coast, with celebrated views towards the sea, surrounding hills and Mount Etna in clear weather. Its open-air cafés, street artists, historic architecture and constant flow of international visitors make it one of the focal points of tourism in eastern Sicily. Taormina developed from the ancient settlement of Tauromenion and became an internationally fashionable destination during the nineteenth century, attracting European aristocrats, writers, artists and wealthy travellers. Today its combination of the Ancient Theatre, medieval streets, churches, restaurants, boutique hotels, beaches and nearby Isola Bella makes the town especially popular for sightseeing holidays, cruise excursions, weekend breaks and multi-centre tours of Sicily. This panorama records the lively atmosphere of Piazza IX Aprile as visitors walk, take photographs and admire the architecture, illustrating the continuing importance of tourism and hospitality to Taormina's economy and its enduring appeal as one of Sicily's most recognisable destinations, especially during the spring and summer visitor seasons.
Piazza IX Aprile, 98039 Taormina ME, Sicily, Italy
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,jobs,British,Broadcasting,Corporation,building,offices,cutting,licence,fee,local,radio,TV,media,news,journalism,trusted,broadcaster,urban,streetscape,civic,identity,Scouse,culture,Scousers,branding,communications,College Lane,hub,landmark,regional news,presenter,glass facade,region,regional,streetscene,city,centre
Description: Tony Smith image Alamy 3E8E1HK - Front elevation of BBC Radio Merseyside studios on Hanover Street, Liverpool city centre, with Made of Liverpool' window branding and presenter posters across the glazed facade. Photographed in daylight in an urban streetscape, this image captures the local broadcasting base of the BBC's long established Merseyside radio service in public setting. The building is associated with BBC local radio, regional media, journalism, interviews, live music sessions, community storytelling and public service broadcasting for Liverpool and the wider Merseyside area. The bold Made of Liverpool' slogan gives the picture strong civic identity, reflecting local pride, Scouse culture, creativity, music heritage and the city's media presence. The prominent glass frontage, steel framing, corner architecture and street level entrance make this useful for editorial, documentary and commercial themes around broadcasting, communications, local news, radio production, media buildings, cultural identity and central Liverpool. BBC Radio Merseyside broadcasts from studios on Hanover Street, making the site recognisable to listeners and those interested in regional broadcasting. People standing outside add scale and a natural everyday city feel, reinforcing themes of accessibility, public engagement and the visible presence of media organisations within the heart of the city. Useful search themes include BBC building, Liverpool media hub, local radio station, public broadcaster, modern office facade, city centre architecture, journalism in the North West, civic messaging, regional press, presenter advertising, glass office exterior, Liverpool streetscene and contemporary Britain. The weather appears bright but overcast, typical of a mild day in north west England, with soft light on the exterior and clear signage visible from the street. This is a strong editorial image for stories about local identity, the BBC in the regions, Liverpool culture, media employment and place branding.
BBC Radio Merseyside studios, Hanover Street, Liverpool, with ""Made of Liverpool' branding across th
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,Northern Quarter Manchester,Manchester nightlife,Manchester culture,urban slogan,neon typography,street art Manchester,nightlife message,modern urban culture,N4Q,nightlife,challenges,energy,staff,prices,30-32,Thomas Street,M4 1ER,M4,culture,social commentary,contemporary slogan,nightlife economy,bars and restaurants Manchester,creative quarter,graffiti backdrop,brick wall,evening culture,modern Britain,post-pandemic messaging,high-value,experiences,bar,bars,restaurants
Description: Tony Smith image Alamy 3DCX6GW - A red neon sign displaying the phrase Going Out Is The New Staying In mounted in a window on Thomas Street in Manchester's Northern Quarter, photographed at 3032 Thomas Street, Manchester M4 1ER. The sign is set against a background of layered graffiti and urban textures, reinforcing the area's long-established reputation for independent culture, nightlife and creative expression.
Thomas Street is one of the central arteries of the Northern Quarter, an area closely associated with Manchester's music scene, alternative nightlife, independent bars, cafés and retail. Neon signage of this kind has become a visual motif within the district, often used by venues to convey attitude, humour and social commentary rather than straightforward advertising.
The slogan reflects a wider cultural shift in urban social habits, particularly in the period following the COVID-19 pandemic, where renewed emphasis was placed on socialising outside the home and supporting city-centre hospitality venues. Photographed in close-up, the image highlights the glow of the red neon tubing, the reflective glass surface and the surrounding street-level textures, providing strong editorial context for themes of nightlife, urban culture and contemporary social attitudes in Manchester.
Red neon sign reading ""Going Out Is The New Staying In"" displayed in a window on Thomas Street in Ma
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Denmark,Danish,København,Kobenhavn,The,icon,bronze,statue,sculpture,Edvard Eriksen,Hans Christian Andersen,fairy tale,Andersen,public,art,Carl Jacobsen,Carlsberg,waterside,Scandinavian,travel,Nordic,heritage,storytelling,culture,walk,Langelinie Quay,harbour,literary,tourism,selfie,travel guide,image,city,symbol,on rock,København Ø,skyline
Description: Tony Smith image Alamy 3EBGJG7 - The Little Mermaid statue, known in Danish as Den Lille Havfrue, sits on a waterside rock at Langelinie in Copenhagen harbour, Denmark. This famous bronze sculpture by Edvard Eriksen was unveiled in 1913 and was inspired by Hans Christian Andersen's fairy tale about a mermaid who longs for human life. The statue was commissioned by Carl Jacobsen, the Carlsberg brewer and art patron, after he saw a ballet based on the story at the Royal Theatre in Copenhagen. The image shows the small green-patinated figure seated beside the water, with harbour vessels, cranes and the Copenhagen waterfront in the background, giving useful context for travel, tourism, literary heritage and Danish cultural identity. Although modest in scale, the statue has become one of Copenhagen's best-known landmarks and a powerful city symbol, frequently photographed by visitors walking along Langelinie, touring the harbour, visiting nearby Kastellet, or exploring the waterfront north of the city centre. The photograph has strong editorial value for articles about Copenhagen sightseeing, Denmark travel, Scandinavian city breaks, Hans Christian Andersen, fairy tale tourism, public sculpture, bronze monuments, harbour promenades and the relationship between Copenhagen and the sea. The green bronze surface, rounded rock, calm water and open sky create a classic documentary view of a much visited landmark, while the industrial and maritime background helps avoid a purely postcard reading by placing the sculpture in the working harbour landscape. The Little Mermaid is also useful for wider themes around cultural memory, national icons, literary adaptation, tourist expectations, public access to art and the continuing appeal of understated civic monuments. The scene suits guidebooks, travel features, educational publishing, cultural history, cruise tourism, Nordic destination marketing and stock photography uses needing a recognisable image of Copenhagen and Denmark.
The Little Mermaid, Edvard Eriksen's bronze statue on Langelinie, Copenhagen, inspired by Hans Chris
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_4865,Anglia Television,Anglia,Television,TV,Norwich,Norfolk,England,UK,ITV,broadcasting,broadcast,media,regional,studio,building,facade,signage,historic,heritage,architecture,brick,communications,production,news,culture,city,evening,landmark,British,industry,commercial
Description: Tony Smith image Alamy 3F8YRA3 - . Historic ITV Anglia Television building facade and signage, Norwich, Norfolk, England, UK. Photographed on 8 June 2024. The red-brick frontage carries prominent ANG LIA TELEVISION lettering and represents the regional television company's long association with the city. The building forms part of Britain's broadcasting heritage and can illustrate regional television, ITV history, media architecture, television production, broadcasting, communications and Norwich city history. The evening light and illuminated blue windows add visual contrast to the historic brickwork and classical detailing of the frontage. Seen through notice, the earlier context is that temporary and permanent notices are valuable social-history evidence because they capture the rules and assumptions of a particular moment, from parking and access to opening times, safety and public-service instructions. For family entertainment, the historical context is that commercial entertainment continually reinvents itself through new technologies and formats, from cinemas and video rental to escape rooms, themed attractions and interactive gaming. The 2026 relevance of notice comes from the fact that current public-realm design increasingly expects signs to be legible, inclusive and consistent, while bilingual and accessibility information reflects wider policy around language and equal access. For family entertainment, the 2026 context is that experience-led leisure such as escape rooms and themed attractions competes alongside streaming and gaming for discretionary spending, making town-centre entertainment an important part of the post-retail economy. Other closely matched search terms include public information, wayfinding, direction sign, street sign, typography, public realm, visitor guidance, information sign, bilingual signage, accessibility sign, graphic communication, street furniture, leisure business, and experience economy.
Norwich, Norfolk, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,city,centre,central,historic,architecture,religion,building,exterior,British,history,travel,tourism,parish,medieval,gothic,tower,clock,windows,stone,facade,cemetery,garden,trees,greenery,summer,daylight,peaceful,tranquil,community,local,neighbourhood,East,culture,listed,urban,faith
Description: Tony Smith image Alamy 2R3WMPN - This image shows St Mary's Church, the historic parish church of Walthamstow, located at Church End in East London. The church is set within a landscaped churchyard containing gravestones, flowers and mature trees, creating a calm green space within the surrounding urban area.
St Mary's has medieval origins and has been altered and extended over centuries, resulting in a distinctive exterior that reflects different periods of church architecture. The tower with its clock face forms a prominent local landmark, while the long nave and arched windows emphasise the building's role as a place of worship and community gathering.
The photograph was taken in daylight during the warmer months, with trees in leaf and wildflowers visible in the churchyard, adding seasonal colour and softness to the scene. The combination of historic stonework and greenery makes the location attractive to visitors, walkers and those interested in London's religious and architectural heritage.
St Mary's Church remains an important focal point in Walthamstow Village, illustrating the area's transformation from a rural settlement to part of the modern capital, while preserving a strong sense of continuity, local identity and spiritual history.
St Mary's Church, Church End, Walthamstow, London, E17 9RZ, England, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,city,Mann Island,Liverpool,L3 1BP,shortlisted,artwork,art,in,light,St Georges Pumping House,words,sentence,all the worlds futures,artist,performance,intrigue,landmark,co-commission,commissioned,between,Liverpool Biennial,and,Culture Liverpool,Biennial,Culture,text-based,text,based,sculpture,From Here,All the Worlds Pasts,Walter Benjamin
Description: Tony Smith image Alamy 2R1WX6X - From Here' by Turner Prize shortlisted artist Nathan Coley is a landmark new co-commission between Liverpool Biennial and Culture Liverpool on Liverpool's UNESCO World Heritage Waterfront.
The text-based light sculpture is made up of the words From Here, All the Worlds Futures, From Here, All the Worlds Pasts . Inspired by the writing of German philosopher, Walter Benjamin, and acknowledging the curator, Okwui Enwezor's influential exhibition All The World's Futures at Venice Biennale 2015, Nathan Coley's expansion of the phrase presents a new meaning that reinforces the power of Liverpool as a place, its history and speaks to the hope for the future.
Measuring twenty metres in length, the largest text work made to date by the artist, has been designed specifically to wrap around the four sides of the St. George's Dock Pumping Station, an iconic Victorian red brick building located on Mann Island in the heart of the city, and still used on a daily basis by the building's owners Network Rail.
Nathan Coley lives and works in Glasgow. This will be the first time he has shown in Liverpool since his work was featured in the Turner Prize Exhibition at Tate Liverpool in 2007, for which he was shortlisted.
Recent solo exhibitions have included Parliament Hall, Edinburgh (2019), Parafin, London (2019, 2017)
EAST Gallery, Norwich (2018)
Scottish National Gallery of Modern Art, Edinburgh (2017)
New Art Centre, Roche Court, Salisbury (2016), while notable group exhibitions comprise Utopias, Whitworth Art Gallery, Manchester (2020)
Stories for an Uncertain World, Edinburgh Art Festival (2019)
The Aerodrome, Ikon, Birmingham (2019)
Sculpture In The City, London (2019)
Possibilities For a Non-Alienated Life, Kochi Muziris Biennale (2018)
Arhus2017 European Capital of Culture (2017)
Actions The Image of the World can be Different, Kettle's Yard, Cambridge (2018)
Age of Terror Art since 9/11, Imperial War Museum, London (2018)
St George's Pumping House, Mann Island, Liverpool, L3 1BP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,architecture,building,new,Pierhead,designed,by,architects,architect,and,engineers,iconic,icon,Museum of Liverpool Life,collection,scouse,L3,L3 1DG,Eurovision,2023,Eurovision2023,sunny,blue,sky,skies,display,impressive,culture
Description: Tony Smith image Alamy 2NYNE7N - The Museum of Liverpool in Liverpool, England, tells the story of Liverpool and its people, and reflects the city's global significance. It opened 2011 as newest addition to the National Museums Liverpool group replacing the former Museum of Liverpool Life. The museum is housed in a new purpose-built building on the Mann Island site at the Pier Head.
The museum, which was designed by architects 3XN and engineers Buro Happold and built by Galliford Try at cost of £72 million, provides 8,000 square metres of exhibition space, housing more than 6,000 objects. It has flexible spaces that regularly change to enable National Museums Liverpool to show more of their collections. It was opened to the public on 19 June 2011. in January and February 2017, the museum was closed for two months for essential works
From 10 to 12 December 2021, the museum hosted the G7 summit of foreign ministers
The museum displays are divided into four main themes: The Great Port, Global City, People's Republic, and Wondrous Place, located in four large gallery spaces. On the ground floor, displays look at the city's urban and technological evolution, both local and national, including the Industrial Revolution and the changes in the British Empire, and how these changes have impacted the city's economic development. The upper floor looks at Liverpool's particular and strong identity through examining the social history of the city, from settlement in the area from Neolithic times to the present day, migration, and the various communities and cultures which contribute to the city's diversity
Graving dry dock, Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,architecture,building,new,Pierhead,designed,by,architects,architect,and,engineers,iconic,icon,Museum of Liverpool Life,collection,scouse,L3,L3 1DG,popular,impressive,culture,history,display,sunny,blue,sky,skies
Description: Tony Smith image Alamy 2P08KEX - The Museum of Liverpool in Liverpool, England, tells the story of Liverpool and its people, and reflects the city's global significance. It opened 2011 as newest addition to the National Museums Liverpool group replacing the former Museum of Liverpool Life. The museum is housed in a new purpose-built building on the Mann Island site at the Pier Head.
The museum, which was designed by architects 3XN and engineers Buro Happold and built by Galliford Try at cost of £72 million, provides 8,000 square metres of exhibition space, housing more than 6,000 objects. It has flexible spaces that regularly change to enable National Museums Liverpool to show more of their collections. It was opened to the public on 19 June 2011. in January and February 2017, the museum was closed for two months for essential works
From 10 to 12 December 2021, the museum hosted the G7 summit of foreign ministers
The museum displays are divided into four main themes: The Great Port, Global City, People's Republic, and Wondrous Place, located in four large gallery spaces. On the ground floor, displays look at the city's urban and technological evolution, both local and national, including the Industrial Revolution and the changes in the British Empire, and how these changes have impacted the city's economic development. The upper floor looks at Liverpool's particular and strong identity through examining the social history of the city, from settlement in the area from Neolithic times to the present day, migration, and the various communities and cultures which contribute to the city's diversity
Pier Head, Mann Island, Liverpool, Merseyside, England, UK, L3 1DG
Description
Keywords: Manchester,city,centre,Greater,England,UK,NQ4,shutters,with,an,old,painting,&,256,Ketzo,No Appointment Necessary,Northern Quarter,M1 1JF,Hilton St,M1,Stephenson Square,Stevenson Square,Stevenson Sq,Mancunian,Mancunians,culture,fashioned,1980,1980s,buses,SELNEC,brown,orange,corber,corners,no,appointments,needed,necessary,shops
Description: Tony Smith image Alamy 2JTD2N9 - . Recorded at Hilton St, Northern Quarter, Manchester , England, UK, M1 1JF in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The image documents Shutters with an old Orange & Brown SELNEC bus, The Corner Barber Shop, Hilton St, Northern Quarter, Manchester , England, UK, M1 1JF. The subject also carries associations with period architecture, mixed-use redevelopment, regional identity, visual archive, commercial streetscape, urban regeneration, architectural character, historical comparison, period detail, changing streetscape, changing land use, contemporary social history, built heritage, and before-and-after reference. Today's relevance is strengthened by commercial viability, planning and the continuing question of how public investment can reshape pedestrian movement and evening activity. From a 2025-onward perspective, brand consolidation and changing footfall are closely linked to this subject, alongside the rapid turnover of shopfronts and trading names. Small period details of transport arrangements and footfall at Hilton St, Northern Quarter, Manchester , England, UK, M1 1JF may become more significant with time, particularly following redevelopment. The surrounding story also includes adaptive reuse, customer footfall, place-making, heritage-led regeneration, documentary photography, historic townscape, public-realm investment, and commercial redevelopment. References to Corner, Manchester, Orange, Hilton, and Northern give the picture a strong period identity and tie it closely to its named subject. Around Hilton St, Northern Quarter, Manchester , England, UK, M1 1JF, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The period view preserves a point of historical comparison as a date-specific reference.
Hilton St, Northern Quarter, Manchester , England, UK, M1 1JF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,UK,city,NW,China,M1,59 Faulkner Street,Manchester. England,M1 4FF,traditional,HK,Hong Kong,Restaurant,open,neon,sign,signs,Restaurants,the,Chinatown,eating,shops,stores,Mandarin,Cantonese,culture,food,Asia,Asian,menu,menus,59,Faulkner Street,Faulkner St
Description: Tony Smith image Alamy 2JGJEDN - . Recorded at 59 Faulkner Street, Manchester. England, UK, M1 4FF in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is Chinese Restaurants, Happy Seasons, Manchester Chinatown, 59 Faulkner Street, Manchester. England, UK, M1 4FF. The image also relates to street-level documentary, before-and-after reference, urban social history, hospitality trade, documentary photography, licensed hospitality, archival record, local identity, customer-facing service, historical comparison, visitor economy, local character, contemporary city life, and commercial hospitality. The wider contemporary story combines changing dining habits, staffing pressure and the resilience of customer-facing businesses in a high-cost economy. Viewed from the mid-2020s, the subject also connects with regeneration, local identity and the documentary importance of recording everyday urban environments. The image fixes building condition and alterations within 59 Faulkner Street, Manchester. England, UK, M1 4FF at one identifiable point, providing a benchmark against new construction. The surrounding story also includes community identity, local history, food tourism, leisure spending, everyday life, place identity, changing streetscape, and everyday street life. The combination of Faulkner, Manchester, Chinese, Happy, and Seasons anchors the frame to a recognisable activity, place or moment. For 59 Faulkner Street, Manchester. England, UK, M1 4FF, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects changing dining habits and how food and drink help define neighbourhood identity as part of the longer story of 59 Faulkner Street, Manchester. England, UK, M1 4FF. The image fixes evidence of earlier appearance for later comparison.
59 Faulkner Street, Manchester. England, UK, M1 4FF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,restaurants,shops,bakeries,supermarket,supermarkets,46,Faulkner St,England,UK,M1 4FH,wet,rain,rainy,day,Faulkner Street paifang,Chinese traditional gateway,Chinese Arts Centre,paifang,gateway,Chinese culture,HSBC,archway,City Centre,housing,Great Britain,arch,winter,culture,cultural,history,historic
Description: Tony Smith image Alamy 2K3XNA7 - . A grounded documentary photograph made at Faulkner Street, Manchester, England, UK, M1 in 2018, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Archway in Chinatown Manchester, Faulkner Street, completed 1987 - 46 Faulkner St, Manchester, England, UK, M1 4FH. Another layer of the photograph includes specialist shop, independent retail, shopfront economy, commercial frontage, local history, regional identity, documentary photography, specialist retailer, period detail, social history, public realm, local enterprise, street-level business, and customer footfall. Today's relevance is strengthened by footfall, online shopping and the continuing question of how shopfronts become short-lived records of changing businesses. The archival value lies partly in recording period objects and surrounding context around Faulkner Street, Manchester, England, UK, M1 before replacement signage alters the character of the place. A second descriptive layer includes historical comparison, community identity, bricks-and-mortar retail, retail property, changing land use, visual archive, town-centre trading, and high-street commerce. The combination of Archway, completed, Faulkner, Chinatown, and Manchester anchors the frame to a recognisable activity, place or moment. For Faulkner Street, Manchester, England, UK, M1, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to footfall and the resilience of specialist shops in an online retail economy as part of the longer story of Faulkner Street, Manchester, England, UK, M1. The location additionally provides evidence of store closures and the resilience of specialist shops in an online retail economy when considered against later change at Faulkner Street, Manchester, England, UK, M1.
Faulkner Street, Manchester, England, UK, M1
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,boxing,neon sign,red,orange,window,culture,exercise,ring work,9 BLEECKER STREET,NEW YORK,NY 10012,9 Bleecker St,private training,Overthrow Boxing,gritty,downtown,headquarters,eastside,lower manhattan,gym,sport,boxing sport,boxing clubs,local boxing gym,boxing gym,boxing brand
Description: Tony Smith image Alamy 2AFK6NA - Take a Look Inside Overthrow Boxing, Where Celebs Like Usher and J-Lo Train
There is a crowd gathering outside the door of 9 Bleecker Street, the gritty downtown headquarters of Overthrow Boxing.
Passersby slow their pace and turn their heads towards the pulsating hip-hop that blares out Overthrow's doors and onto the sidewalk. Through its ground floor windows, and past an aggressive neon red sign, a few dozen young women chat excitedly as they wrap their hands before squeezing into boxing gloves.
Further back another class is still in session, with the participants jabbing ferociously at shared punching bags as an instructor screams down from a ring set alongside an exposed brick wall.
On any given night, a peek through these same steamed-up windows could result in a story-worthy sighting of Nina Agdal, Usher, Martha Hunt, Jennifer Lopez, the Fat Jewish or Will Smith.
This is exactly what Overthrow founder Joey Goodwin had in mind when he started the gym two years ago. I wanted to create an atmosphere that drew you in, he says. Everyone on the outside is trying to get a better look, wishing they were a part of the action.
Atisha Paulson
The phenomenon was one that Goodwin observed while on the iconic West 4th basketball courts, where he started balling at the age of 10.
There he was introduced to the sport of boxing through a fellow player.
I think he saw me run my mouth and get beaten up too many times, remembers Goodwin, leaning back in his office on the gym's second floor. He took me to East River Park and taught me a few moves. I was hooked immediately.
Enrolling in a local boxing gym, the street-wise Goodwin immediately spotted an opportunity for growth. The room was filled CEOs, models, editors and entrepreneurs, he says. I began to see the potential that could come with creating a real boxing brand, done in the style of SoulCycle or Barry's Bootcamp.
9 BLEECKER STREET NEW YORK, NY 10012, USA
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,boxing,neon sign,red,orange,window,culture,exercise,ring work,9 BLEECKER STREET,NEW YORK,NY 10012,9 Bleecker St,private training,Overthrow Boxing,gritty,downtown,headquarters,eastside,lower manhattan,gym,sport,boxing sport,boxing clubs,local boxing gym,boxing gym,boxing brand
Description: Tony Smith image Alamy 2AFK6NC - Take a Look Inside Overthrow Boxing, Where Celebs Like Usher and J-Lo Train
There is a crowd gathering outside the door of 9 Bleecker Street, the gritty downtown headquarters of Overthrow Boxing.
Passersby slow their pace and turn their heads towards the pulsating hip-hop that blares out Overthrow's doors and onto the sidewalk. Through its ground floor windows, and past an aggressive neon red sign, a few dozen young women chat excitedly as they wrap their hands before squeezing into boxing gloves.
Further back another class is still in session, with the participants jabbing ferociously at shared punching bags as an instructor screams down from a ring set alongside an exposed brick wall.
On any given night, a peek through these same steamed-up windows could result in a story-worthy sighting of Nina Agdal, Usher, Martha Hunt, Jennifer Lopez, the Fat Jewish or Will Smith.
This is exactly what Overthrow founder Joey Goodwin had in mind when he started the gym two years ago. I wanted to create an atmosphere that drew you in, he says. Everyone on the outside is trying to get a better look, wishing they were a part of the action.
Atisha Paulson
The phenomenon was one that Goodwin observed while on the iconic West 4th basketball courts, where he started balling at the age of 10.
There he was introduced to the sport of boxing through a fellow player.
I think he saw me run my mouth and get beaten up too many times, remembers Goodwin, leaning back in his office on the gym's second floor. He took me to East River Park and taught me a few moves. I was hooked immediately.
Enrolling in a local boxing gym, the street-wise Goodwin immediately spotted an opportunity for growth. The room was filled CEOs, models, editors and entrepreneurs, he says. I began to see the potential that could come with creating a real boxing brand, done in the style of SoulCycle or Barry's Bootcamp.
9 BLEECKER STREET NEW YORK, NY 10012, USA
Description
Keywords: Leopold St,Oxfordshire,South East England,UK,Cowley Rd,art,City,GB,Great Britain,Bookies,Bookmaker,words,house,gable end,gable end art,poem,colours,colourful,color,colorful,wall,walls,urban,shopping,unique,Slowly Slowly Cowley Road,Cowley Road Carnival,poem commissioned by the Cowley Road Carnival,Andrew Manson,Mani,local artist,public walls,public art,culture,culturally vibrant place,culturally vibrant,Johannah Aynsley,Cowley Road Works,Mani Artist,GoTonySmith
Description: Tony Smith image Alamy PBRY44 - The poem on the gable end of the terrace at Leopold St reads:
COWLEY RD. SEE THE PEOPLE CLUTCH CONTROL SAFETY IN THE GREEN CROSS GLOW RESTORE THE CALM. LET CYCLES FLOW SLOWLY ON THE COWLEY ROAD NARCOTIC & ORGANIC MEETS GREENERY & ARTFUL STREETS EAT THE GLOBE IN ONE SQUARE MILE BECOME ANOTHER XENOPHILE STOP A WHILE AND SAY HELLO NAMASTE TO ALL NEPAL CZEŚĆ TO ALL THE POLES WAR & FAMINE IN THE WORLD? HERES YOUR DESTINATION CHILD ASYLYM WELCOME. INDEPENDENTS RAISING ASPIRATIONS !!! ALL ARE WELCOME. ALWAYS HAVE BEEN WORKHOUSE POOR & THOSE AFFLICTED WITH DISEASE. DISSORDERS & ADDICTIONS ON SUPPOSED LOWLY COWLEY RD WHERE GOOD THINGS COME TO THOSE THAT KNOW THIS LEPAR-TOLERANCE ZONE AS HOME
More info at http://www.stevelarkin.com/Slowly_Slowly_Cowley_Road.html
2 Leopold St, Oxford OX4, UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,The,Of,union,unionism,history,culture,community,Berlin wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDF02T - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: KevinKillen,Killen,West,Belfast,art,artist,If Walls Could Talk"" ,project,if,walls,could,talk,elements,representing,Belfasts,heritage,and,culture,tangible,sculptural,forms,landmark,landmarks,Shankill,Falls,industry,Belfast industries,Belfast industry,red face,Kevin Killen red face,Peace wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,unionism,royalists,loyalists,loyalist,republican,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,redfaced,rd,road,sculptural,metal,wall,panel,icon,iconic,city,centre,BT13,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Red faced
Description: Tony Smith image Alamy HDF05N - A sculptural metal wall panel designed by young people from the Greater Shankill was installed on one of Northern Ireland's most famous peace walls today. Funded by the Arts Council led Re-imaging Communities programme, the large scale artwork was officially unveiled by Arts Minister Nelson McCausland.
The artwork, inspired by ideas presented by the local community, depicts a face, made up of dozens of smaller images themed around Belfast's industrial heritage. Created by artist Kevin Killen, The Face' has been installed on one of Belfast's most recognisable landmarks, the peace wall which divides the Shankill Road from the Falls Road at Cupar Way.
Arts Minister, Nelson McCausland said: This sculpture is a good example of how the arts have the power to transform a local area. Projects such as 'The Face' create a more welcoming atmosphere and help develop a community where people are proud to live. 'The Face' is part of the If Walls Could Talk programme which aims to create an outdoor art gallery of world-class art pieces and provide a canvas on which to express the rich history and cultural heritage of the area. Re-imaging art projects have been a key element in facilitating positive social change and I congratulate artist Kevin Killen and the participants from Impact Training and the Greater Shankill Alternatives for what they have achieved.
Artist Kevin Killen explained how the artwork was created: The Face relates to the themes of Belfast industries, working with the young adults in Impact Training, we designed and fabricated the artwork. Being a part of the project was rewarding and insightful to everyone involved. As the group was a part of the process from start to finish they have developed ownership of the artwork, which is an important benefit. I hope that the artwork gives pride to all the participants involved in the project.
Cupar Way, West Belfast, Northern Ireland, UK BT13
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,JayEegoArtist,Jay_Eego_Artist,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791C - . This location-specific image from Stevenson Square, Manchester, England, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The main point of reference is Northern Quarter Art in Stevenson Square Manchester, UK - Wall Graffiti August2016 OUTHOUSEMCR. The frame also records themes of street-level design, public-realm art, graffiti heritage, visual archive, before-and-after reference, community identity, period detail, contemporary mural, visual street culture, local history, temporary artwork, changing streetscape, urban artwork, and urban graphics. For current editorial use, public art and local identity provide additional context, especially through how temporary street art becomes an important visual archive. The image fixes landscape treatment and surrounding development within Stevenson Square, Manchester, England, UK at one identifiable point, providing a benchmark against closure or conversion. The surrounding story also includes creative district, local character, everyday life, changing land use, public realm, mural culture, contemporary social history, and regional identity. Elements such as August2016, Stevenson, Graffiti, OUTHOUSEMCR, and Manchester add documentary specificity and may become increasingly useful when compared with later records. The period setting at Stevenson Square, Manchester, England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is public art and the blurred line between commissioned public art and unsanctioned graffiti as part of the longer story of Stevenson Square, Manchester, England, UK. The wider significance includes graffiti policy and the blurred line between commissioned public art and unsanctioned graffiti when considered against later change at Stevenson Square, Manchester, England, UK.
Stevenson Square, Manchester, England, UK
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,JayEegoArtist,Jay_Eego_Artist,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791D - . A grounded documentary photograph made at Stevenson Square, Manchester, England, UK in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The frame specifically shows Northern Quarter Art in Stevenson Square Manchester, UK - Wall Graffiti August2016 OUTHOUSEMCR. A broader reading of the photograph includes period detail, urban artwork, social history, urban graphics, community identity, changing land use, place identity, public realm, everyday life, local history, archival record, public-realm art, mural culture, and creative district. The wider contemporary story combines gentrification, tourism and how regeneration can support and displace informal culture at the same time. Future viewers can use this scene from Stevenson Square, Manchester, England, UK to compare public access and movement with whatever follows after redevelopment. Other useful contextual ideas include historical comparison, changing streetscape, visual archive, creative placemaking, before-and-after reference, contemporary mural, public art, and street-level design. Elements such as Quarter, Stevenson, Manchester, August2016, and Graffiti add documentary specificity and may become increasingly useful when compared with later records. The period setting at Stevenson Square, Manchester, England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of gentrification and how regeneration can support and displace informal culture at the same time without losing the local specificity of Stevenson Square, Manchester, England, UK. A further contemporary connection is creative industries and the role of murals in defining creative neighbourhoods in a form that can be compared with future views of Stevenson Square, Manchester, England, UK.
Stevenson Square, Manchester, England, UK
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,#outhousemcr,Jay,eego,artist,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,JayEegoArtist,Jay_Eego_Artist,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791E - . Photographed at Stevenson Square, Manchester, England, UK in 2016, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The subject captured here is Northern Quarter Art in Stevenson Square Manchester, UK - Wall Graffiti August2016 OUTHOUSEMCR. Further facets of the scene include public art, changing streetscape, public realm, archival record, community identity, creative district, creative placemaking, before-and-after reference, visual street culture, graffiti heritage, urban artwork, place identity, documentary photography, and street-level design. In present-day coverage, the subject reaches into local identity and public art, not least because of the blurred line between commissioned public art and unsanctioned graffiti. For later comparison, the photograph preserves equipment and working practice at Stevenson Square, Manchester, England, UK, details that may look very different after replacement signage. The photograph additionally reflects period detail, street creativity, contemporary social history, historical comparison, visual archive, local character, public-realm art, and regional identity. Details involving Manchester, Square, Stevenson, August2016, and Graffiti make the image more specific than a generic view and strengthen its local or historical value. Around Stevenson Square, Manchester, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects local identity and how regeneration can support and displace informal culture at the same time when considered against later change at Stevenson Square, Manchester, England, UK. Its period value extends to local identity and the blurred line between commissioned public art and unsanctioned graffiti without losing the local specificity of Stevenson Square, Manchester, England, UK.
Stevenson Square, Manchester, England, UK
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,Art World,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,ArtWorld,Artist,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791F - . This location-specific image from Stevenson Square, Manchester, England, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The photograph centres on Northern Quarter Art in Stevenson Square Manchester, UK - Wall Graffiti August2016 OUTHOUSEMCR. Further facets of the scene include creative placemaking, everyday life, changing streetscape, historical comparison, visual street culture, contemporary mural, temporary artwork, local character, urban graphics, social history, local history, public-realm art, visual archive, and street creativity. Viewed from the mid-2020s, the subject also connects with tourism, creative industries and the blurred line between commissioned public art and unsanctioned graffiti. The archival value lies partly in recording commercial use and occupation around Stevenson Square, Manchester, England, UK before new construction alters the character of the place. Other useful contextual ideas include archival record, public realm, urban artwork, changing land use, period detail, regional identity, community identity, and place identity. References to Stevenson, Manchester, August2016, Quarter, and Northern give the picture a strong period identity and tie it closely to its named subject. For Stevenson Square, Manchester, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects tourism and the blurred line between commissioned public art and unsanctioned graffiti without losing the local specificity of Stevenson Square, Manchester, England, UK. Its period value extends to creative industries and the blurred line between commissioned public art and unsanctioned graffiti in a form that can be compared with future views of Stevenson Square, Manchester, England, UK.
Stevenson Square, Manchester, England, UK
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,#outhousemcr,smile,face,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,laugh,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791G - . An on-location photograph from Stevenson Square, Manchester, England, UK in 2016, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The defining feature is Northern Quarter Art in Stevenson Square Manchester, UK - Wall Graffiti August2016 OUTHOUSEMCR. The broader subject matter reaches into local character, social history, historical comparison, contemporary mural, documentary photography, creative district, street-level design, mural culture, regional identity, temporary artwork, contemporary social history, community identity, everyday life, and changing streetscape. For current editorial use, regeneration and temporary works provide additional context, especially through how regeneration can support and displace informal culture at the same time. Future viewers can use this scene from Stevenson Square, Manchester, England, UK to compare signage and branding with whatever follows after new construction. The photograph additionally reflects visual archive, archival record, public art, before-and-after reference, street creativity, changing land use, place identity, and urban graphics. The recorded references to Manchester, Square, Graffiti, August2016, and Northern preserve clues about how the subject was presented, used or understood at the time. For Stevenson Square, Manchester, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another useful connection is regeneration and how regeneration can support and displace informal culture at the same time as part of the longer story of Stevenson Square, Manchester, England, UK. The scene further reflects public art and the role of murals in defining creative neighbourhoods when considered against later change at Stevenson Square, Manchester, England, UK.
Stevenson Square, Manchester, England, UK
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,smoking,smoker,#outhousemcr,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,city,centre,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791K - . A grounded documentary photograph made at Stevenson Square, Manchester, England, UK in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The frame specifically shows Northern Quarter Art in Stevenson Square Manchester, UK - Wall Graffiti August2016 OUTHOUSEMCR. The frame also records themes of contemporary social history, before-and-after reference, graffiti heritage, historical comparison, street creativity, documentary photography, local character, public art, contemporary mural, place identity, local history, public-realm art, mural culture, and creative placemaking. Today's relevance is strengthened by graffiti policy, temporary works and the continuing question of how regeneration can support and displace informal culture at the same time. For later comparison, the photograph preserves public access and movement at Stevenson Square, Manchester, England, UK, details that may look very different after new ownership. Other useful contextual ideas include regional identity, urban artwork, archival record, visual street culture, changing land use, street-level design, urban graphics, and everyday life. Details involving Quarter, August2016, Square, Graffiti, and Northern make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Stevenson Square, Manchester, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is graffiti policy and how regeneration can support and displace informal culture at the same time within the specific setting of Stevenson Square, Manchester, England, UK. The wider significance includes public art and the role of murals in defining creative neighbourhoods as part of the longer story of Stevenson Square, Manchester, England, UK.
Stevenson Square, Manchester, England, UK
Description
Keywords: Beer,ale,pils,pilsner,advert,advertise,advertisement,German,Germany,brew,capital,city,break,tourist,tourism,travel,culture,euro,europe,european,germans,serving,signage,pub,Silverstone,Woodlands,trip,journey,vacation,holiday,weisse,Berlinar,people,drinker,sunset,sun,set,berliner pilsner,GoTonySmith,drinkers,AreYouBerliner,Buy Pictures of,Buy Images Of,Are You Berliner,Are You Berliner?
Description: Tony Smith image Alamy F0XCGF - . This location-specific image from the recorded location in 2015 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The principal subject is Berliner sign in lights with sky behind, bar serving bier. A broader reading of the photograph includes commercial ephemera, changing streetscape, historic hostelry, archival record, public information notice, historical comparison, graphic street detail, period detail, social history, urban typography, visual archive, contemporary social history, pub heritage, and regional identity. For current editorial use, pub closures and business rates provide additional context, especially through the value of historic pubs to tourism and local identity. Current relevance extends to public communication and commercial branding, particularly through how signs can document commercial, social or regulatory change. The archival value lies partly in recording lettering, decoration and surface detail around the recorded location before new ownership alters the character of the place. The wider setting retains connections with period lettering, printed message, public-facing signage, wayfinding detail, night-time economy, street-level message, changing land use, and everyday life. Details involving lights, Berliner, serving, and behind make the image more specific than a generic view and strengthen its local or historical value. The dated record from the recorded location makes the broader context more tangible. Another useful connection is pub closures and pressure on hospitality margins in the mid-2020s within the real-world context of the recorded location. The scene further reflects public communication and how ordinary signs become time-specific evidence of language and design within the specific setting of the recorded location. Image F0XCGF also preserves another period-specific detail for later comparison.
Description
Keywords: Beer,ale,pils,pilsner,advert,advertise,advertisement,German,Germany,brew,capital,city,break,tourist,tourism,travel,culture,euro,europe,european,germans,serving,signage,pub,Silverstone,Woodlands,trip,journey,vacation,holiday,weisse,Berlinar,letters,orange,tungsten,lighting,berliner pilsner,GoTonySmith,blue,sky,AreYouBerliner,Buy Pictures of,Buy Images Of,Are You Berliner,Are You Berliner?
Description: Tony Smith image Alamy F0XCGH - . This scene at the recorded location in 2015 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Berliner sign in lights with sky behind, bar serving bier. The broader subject matter reaches into period detail, local character, licensed trade, urban typography, cask-beer tradition, community drinking venue, visitor hospitality, social history, changing land use, before-and-after reference, community identity, real-ale culture, visual communication, and contemporary social history. For current editorial use, tourism and consumer spending provide additional context, especially through the value of historic pubs to tourism and local identity. Current relevance extends to visual identity and local history, particularly through how signs can document commercial, social or regulatory change. Future viewers can use this scene from the recorded location to compare materials and architectural details with whatever follows after replacement signage. The surrounding story also includes hospitality economy, local social venue, night-time economy, archival record, wayfinding detail, traditional ale house, beer-led hospitality, and traditional pub. The recorded references to lights, serving, behind, and Berliner preserve clues about how the subject was presented, used or understood at the time. The photograph from the recorded location links the broader issue back to a specific real place. The wider significance includes tourism and the value of historic pubs to tourism and local identity as part of the longer story of the recorded location. Another strand within the photograph is commercial branding and the way lettering and materials contribute to local visual identity when considered against later change at the recorded location. Image F0XCGH also preserves another period-specific detail for later comparison.
Description
Keywords: Street,Scotland,UK,word,culture,city,capital,taking,to,the,people,scots,scottish,sir,walter,scott,writer,writers,motives,papercuts,paper,cuts,a,project,by,Astrid Jaekel,Astrid,Jeckel,commission,by,Essential,princes,foundation,Gotonysmith,Unesco City of Literature,Unesco,of,Literature,New Town,New,town,Totem signs,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ETRXNF - This Project came about as a result of a commission by Essential Edinburgh and was kindly supported by the Prince's Foundation, Edinburgh Unesco City of Literature and the Roxburghe Hotel.
Rose Street is located in Edinburgh's New Town and is a vibrant pedestrianised zone well known for its shops and many pubs which hosted the 'Rose Street Poets' during the 1950's and 1960's.
The poetry displayed within the frame is by poets associated with Rose Street or Edinburgh and will be rotating with the seasons. All motives are papercuts, cut by hand and then enlarged for print onto large vinyl sheets, printed and fitted to the walls by Totem Signs.
38 Charlotte Square, Edinburgh EH2 4HQ, Scotland, UK
Description
Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED8PRD - . Scenes outside The Edinburgh Playhouse Theatre for the production of Wicked, Scotland, UK. Photographed at Edinburgh, Scotland, UK. The photograph was taken on 27 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scenes, outside, Edinburgh, Playhouse, Theatre, Wicked, production, Arts, movement and entertainment, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh, Scotland, UK
Description
Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED8PRE - . Scenes outside The Edinburgh Playhouse Theatre for the production of Wicked, Scotland, UK. Photographed at Edinburgh, Scotland, UK. The photograph was taken on 27 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scenes, outside, Edinburgh, Playhouse, Theatre, Wicked, production, Arts, movement and entertainment, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh, Scotland, UK
Description
Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED9D41 - . Scenes outside The Edinburgh Playhouse Theatre for the production of Wicked, Scotland, UK. Photographed at Edinburgh, Scotland, UK. The photograph was taken on 27 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scenes, outside, Edinburgh, Playhouse, Theatre, Wicked, production, Arts, movement and entertainment, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh, Scotland, UK
Description
Keywords: Arts,movement,entertainment,building street,streets in Scotland,Scottish,winter,play,travel,traveller,tourism,tourist,the,of,UK,Actor,Actors,boards,comedy,venue,capital,city,Gotonysmith,Buy Pictures of,Buy Images Of,Auld Reekie,ghost,witch,witches,busy,crowded,theatre-goers,goer,goers,culture,art,arts
Description: Tony Smith image Alamy ED9D42 - . Scenes outside The Edinburgh Playhouse Theatre for the production of Wicked, Scotland, UK. Photographed at Edinburgh, Scotland, UK. The photograph was taken on 27 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scenes, outside, Edinburgh, Playhouse, Theatre, Wicked, production, Arts, movement and entertainment, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Edinburgh, Scotland, UK
Description
Keywords: Tiller,Tassels,Canalside,canal,side,Canal,Cheshire,England,UK,GB,united,Kingdom,color,colour,colourful,art,craft,crafts,barge,narrowboat,narrow,boat,City Centre,City,Centre,@hotpixUK,gotonysmith,culture,more,inside,tourist,tourists,city,centre,CH1
Description: Tony Smith image Alamy ECW4GF - . Tiller Tassels, Canalside jewellery, Chester Canal, Cheshire, England, UK, CH1. Photographed at Canalside,Chester,England,UK, CH1. The photograph was taken on 13 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The interior viewpoint records fittings, surfaces, decoration and spatial details that help show how the premises or public space was arranged when photographed. The scene is closely associated with Tiller Tassels, Canalside jewellery, Chester Canal, shop, store, canals, tassels, weatherproof, jewelery and Chester, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. This particular view is catalogued under Alamy image reference ECW4GF, distinguishing it from other photographs of the same or related subject.
Canalside,Chester,England,UK, CH1
Description
Keywords: Bar,named,after,Louis,Carroll,night,shot,nightshot,wide,blue,hour,time,nighttime,pubs,bars,camra,Centre,Cheshire,England,UK,at,winter,street,JD,Wetherspoon,house,JDWetherspoon,city,41""43,Buttermarket,Street,GB,WA1,2LY,WA12LY,stabbing,drinking,culture,drinkers,real,ale,cheap,beer,menu,food,JDW,Gotonysmith 41 43 lit up lighted trouble,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DJ7BA8 - . The Looking Glass Pub central Warrington Town Centre, Cheshire, England UK at dusk A JD Wetherspoon house. Photographed on 16 November 2013. The recorded location is 4143 Buttermarket Street, Warrington, Cheshire, England UK WA1 2LY. The historical context is that british pubs evolved from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, drinking houses, music venues and landmarks within town and village life
Their architecture, signs, interiors and changing names often preserve layers of local commercial and social history. Looking at the subject's development, panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. Historically, city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban change than landmark images alone. The subject remains topical in 2026 because in England the sector remains under pressure from operating costs and business rates, although eligible pubs and live-music venues receive a 15% business-rates relief/27
That makes historic and contemporary pub images particularly relevant to coverage of hospitality, community assets and changing town centres. For the 2026 context, landscape imagery is increasingly used alongside discussion of climate, resilience, tourism and development
Older panoramas can show how skylines, waterfronts and vegetation have changed over a comparatively short period. In 2026, current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent.
41""43 Buttermarket Street, Warrington, Cheshire, England UK WA1 2LY
Description
Keywords: performance,performances,Hallé,orchestra,Halle,primary,concert,venue,for,the,canal,music,Central,Development,Corporation,in,Manchester,city,centre,England,UK,dance,event,events,architecture,building,tourist,tourism,tours,venue,venues,culture,M2,3WS,M23WS,wide,angle,shot,wideshot,Gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6MTH - The Bridgewater Hall is an international concert venue in Manchester city centre, England. It cost around £42 million to build and currently hosts over 250 performances a year.
The hall is home to the The Hallé orchestra, the UK's oldest extant symphony orchestra, and is the primary concert venue for the BBC Philharmonic Orchestra. The building sits on a bed of 280 springs, which help reduce external noise.
The venue is named after the Third Duke of Bridgewater who commissioned the eponymous Bridgewater Canal that crosses Manchester, although the hall is situated on a specially constructed arm of the Rochdale Canal.
The Bridgewater Hall, Lower Mosley Street, Manchester, England, UK M2 3WS
Description
Keywords: performance,performances,Hallé,orchestra,Halle,primary,concert,venue,for,the,canal,music,Central,Development,Corporation,in,Manchester,city,centre,England,UK,dance,event,events,architecture,building,tourist,tourism,tours,venue,venues,culture,M2,3WS,M23WS,wide,angle,shot,wideshot,Gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6MWD - The Bridgewater Hall is an international concert venue in Manchester city centre, England. It cost around £42 million to build and currently hosts over 250 performances a year.
The hall is home to the The Hallé orchestra, the UK's oldest extant symphony orchestra, and is the primary concert venue for the BBC Philharmonic Orchestra. The building sits on a bed of 280 springs, which help reduce external noise.
The venue is named after the Third Duke of Bridgewater who commissioned the eponymous Bridgewater Canal that crosses Manchester, although the hall is situated on a specially constructed arm of the Rochdale Canal.
The Bridgewater Hall, Lower Mosley Street, Manchester, England, UK M2 3WS
Description
Keywords: statue,Hallé,orchestra,primary,concert,venue,for,the,BBC,Philharmonic,canal,music,Central,Development,Corporation,in,city,centre,England,UK,dance,event,building,tourist,tourism,tours,venue,culture,M2,3WS,M23WS,wide,angle,shot,wideshot,Gotonysmith sculpture of Sir John Barbirolli by Byron Howard,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6MXF - The Bridgewater Hall is an international concert venue in Manchester city centre, England. It cost around £42 million to build and currently hosts over 250 performances a year.
The hall is home to the The Hallé orchestra, the UK's oldest extant symphony orchestra, and is the primary concert venue for the BBC Philharmonic Orchestra. The building sits on a bed of 280 springs, which help reduce external noise.
The venue is named after the Third Duke of Bridgewater who commissioned the eponymous Bridgewater Canal that crosses Manchester, although the hall is situated on a specially constructed arm of the Rochdale Canal.
The Bridgewater Hall, Lower Mosley Street, Manchester, England, UK M2 3WS
Description
Keywords: lamp,old,new,town,princess,st,street,princes,on,the,mound,central,tourist,tourism,attraction,visit,visitor,visitors,neoclassical,building,William,Henry,Playfair,Art,culture,cultural,collection,of,reference-only,Research,Library,reference,only,Scottish,Scots,Scot,nationalistic,independance,wide,gotonysmith,independance,painting,paintings,Royal,Scottish,Academy,Building,archival,material,relating,to,the,collections,exhibitions,history,EH22EL,EH2,2EL,free,admission,sky,drama,dramatic,gates,gate,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJN3 - The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859.
The gallery houses the Scottish national collection of fine art, including Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
The Mound, Edinburgh, Scotland, UK EH2 2EL
Description
Keywords: lamp,old,new,town,princess,st,street,princes,on,the,mound,central,tourist,tourism,attraction,visit,visitor,visitors,neoclassical,building,William,Henry,Playfair,Art,culture,cultural,collection,of,reference-only,Research,Library,reference,only,Scottish,Scots,Scot,nationalistic,independance,wide,gotonysmith,independance,painting,paintings,Royal,Scottish,Academy,Building,archival,material,relating,to,the,collections,exhibitions,history,EH22EL,EH2,2EL,union,flag,jack,unionjack,free,admission,sky,drama,dramatic,gates,gate,flying,devolution,country,nation,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJNR - The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859.
The gallery houses the Scottish national collection of fine art, including Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
The Mound, Edinburgh, Scotland, UK EH2 2EL
Description
Keywords: lamp,old,new,town,princess,st,street,princes,on,the,mound,central,tourist,tourism,attraction,visit,visitor,visitors,neoclassical,building,William,Henry,Playfair,Art,culture,cultural,collection,of,reference-only,Research,Library,reference,only,Scottish,Scots,Scot,nationalistic,independance,wide,gotonysmith,independance,painting,paintings,Royal,Scottish,Academy,Building,archival,material,relating,to,the,collections,exhibitions,history,EH22EL,EH2,2EL,free,admission,sky,drama,dramatic,gates,gate,newtown,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXKBH - The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859.
The gallery houses the Scottish national collection of fine art, including Scottish and international art from the beginning of the Renaissance up to the start of the 20th century.
The Mound, Edinburgh, Scotland, UK EH2 2EL
Description
Keywords: offices,street,st,Edinburgh,city,Scotland,Uk,old,fashioned,restore,the,country,to,its,proper,place,as,a,creative,force,in,European,civilisation,culture,cultural,heritage,natural,flag,of,nation,gotonysmith,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED0D8 - The Saltire Society was established in 1936 to encourage everything that might improve the quality of life in Scotland and restore the country to its proper place as a creative force in European civilisation.
It seeks to preserve all that is best in Scottish tradition and to encourage new developments which can strengthen and enrich the country's cultural life. It has wide ranging interests including history, literature, music, drama, architecture and planning and promotes excellence in many fields through a series of national awards.
The Society also seeks to revive the memory of famous Scots and to make the nation conscious of its heritage. It seeks to influence decision makers in Scotland through its committees. As well as working at national level the Society has members in Branches throughout Scotland, working to promote the Society's aims within their own communities.
Membership to the Society, is available for an annual fee,[1] to all individuals and organisations who support the aims of the Society.
The name is taken from the flag of Scotland, which has the form of a saltire.
Fountain Close high st Royal Mile Edinburgh city Scotland Uk
Description
Keywords: Merseyside,city,merchant,Nw,north,west,England,GB,Great,Britain,cool,no78,number,numbers,integers,bar,restaurant,of,culture,European,gotonysmith,Buy Pictures of,Buy Images Of,No78,No 78,door,doorway,entrance,outside,wood,wooden,L1 4BH,L1
Description: Tony Smith image Alamy DB6PET - . BrooklynMixer SeventyEight, 78, a doorway in Seel Street, Liverpool, Merseyside, England, UK, L1 4BH. Photographed on 23 July 2013. Historically, town and city centres are continually rewritten by new buildings, transport schemes and changing commercial uses
Photographs preserve the everyday fabric between major landmarks, including underpasses, arcades, back streets and small businesses that may disappear during redevelopment. Historically, historic and contemporary architecture can be read as a record of investment, planning and changing urban functions
Civic, commercial, industrial and residential buildings each contribute to the character of a townscape, particularly where older structures are adapted rather than demolished. In 2026, current regeneration programmes make older urban photographs particularly useful
They allow comparison of high streets, underpasses, shopping areas and public spaces before redevelopment, while also documenting local identity that may not survive physical change. In 2026, the reuse of existing buildings is increasingly discussed alongside conservation, embodied carbon and town-centre regeneration
Images of older façades and converted premises can therefore illustrate both architectural heritage and the practical pressures of adapting buildings for new uses. The historical context is that city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban change than landmark images alone. In the longer view, urban street scenes capture the cumulative effect of planning, architecture, transport, retail and public space
Shopfronts, signs, street furniture and pedestrians can date an image precisely and show how a district changes between periods of investment, decline and regeneration.
Seel Street, Liverpool, Merseyside, England, UK, L1 4BH
Description
Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,with,building,behind,GoTonySmith,Buy Pictures of,Buy Images Of,body,bodies,history,historic
Description: Tony Smith image Alamy F0G6Y3 - . Three girls and a boy by Wilfried Fitzenreiter - Statue by the Spree River, Moabit, Berlin, Germany with building behind. Photographed on 8 August 2012. 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible). From a heritage perspective, images of parents, children and couples combine personal emotion with wider social context
They can illustrate care, intergenerational relationships, childhood and companionship while also documenting the environment in which those interactions take place. Historically, public art can become part of the identity of a street or neighbourhood, recording political ideas, local history, humour, memory and evolving cultural tastes
Murals, sculpture and decorative art are especially valuable as documentary subjects because they may be altered, moved, weathered or removed. From a heritage perspective, buildings are often the most durable evidence of former institutions and businesses
Stonework, brickwork, windows, signs and decorative details can survive changes of ownership and use, allowing photographs to document both architectural style and the evolution of a street. As of 2026, family and community imagery remains widely used for coverage of childcare, public services, wellbeing, intergenerational relationships and everyday life, particularly when the scene includes identifiable civic or leisure settings. In 2026, contemporary interest in public art is closely linked to regeneration and cultural tourism. murals and sculpture continue to be used to express identity and animate public space, while redevelopment can make photographic records of earlier works increasingly valuable. Further editorial search language includes parent and child, human interest, parenthood, community life, affection, family bond, social history, and street art.
Spree River, Moabit, Berlin, Germany
Description
Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,side,view,recline,reclining,GoTonySmith,Buy Pictures of,Buy Images Of,Three girls and one boy,Three girls,and,one boy,3 girls and 1 boy,Wilfried Fitzenreiter,portrait,from
Description: Tony Smith image Alamy F0G6Y4 - . Three girls and a boy by Wilfried Fitzenreiter - Statue by the Spree River, Moabit, Berlin, Germany, reclining. Photographed on 8 August 2012. 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible). In historical terms, everyday family scenes provide a social-history record of relationships, clothing and public behaviour
They can be especially valuable when the setting or activity changes over time, such as libraries, playgrounds, streets or travel. The wider historical story is that art in public and historic settings adds another layer to the built environment
Sculpture, mosaic, painting and street art can interpret heritage, provoke debate, memorialise communities or create landmarks, and photographs preserve works that may later change or disappear. During 2026, contemporary editorial use often places ordinary family interaction within broader discussions of public space, services, wellbeing and community life. In the present 2026 context, public art and murals continue to be important to place-making, tourism and regeneration, particularly in city districts where street art has become part of the visitor economy
They also raise questions about conservation, ownership, temporary work and the rapid redevelopment of urban neighbourhoods. In the longer view, images of parents, children and couples combine personal emotion with wider social context
They can illustrate care, intergenerational relationships, childhood and companionship while also documenting the environment in which those interactions take place. Against the 2026 backdrop, contemporary editorial use often places ordinary family interaction within broader discussions of public space, services, wellbeing and community life.
Spree River, Moabit, Berlin, Germany
Description
Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,front,view,frontal,GoTonySmith,Buy Pictures of,Buy Images Of,body,bodies,history,historic
Description: Tony Smith image Alamy F0G6Y6 - . Three girls and a boy by Wilfried Fitzenreiter - Statue by the Spree River, Moabit, Berlin, Germany,frontview. Photographed on 8 August 2012. 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible). Historically, human-interest photographs record gestures and relationships that sit outside formal institutions: family care, childhood, friendship and affection
Small interactions such as holding hands can communicate age, dependence and connection without requiring a staged portrait. As background, murals, sculptures and civic artworks turn public space into a record of local culture
They can commemorate people and events, respond to politics, celebrate industry or simply enliven streets, while the artists' materials and styles place the work within a particular period. In 2026, family and community imagery remains widely used for coverage of childcare, public services, wellbeing, intergenerational relationships and everyday life, particularly when the scene includes identifiable civic or leisure settings. Against the 2026 backdrop, contemporary interest in public art is closely linked to regeneration and cultural tourism. murals and sculpture still be used to express identity and animate public space, while redevelopment can make photographic records of earlier works increasingly valuable. The historical context is that everyday family scenes provide a social-history record of relationships, clothing and public behaviour
They can be especially useful when the setting or activity changes over time, such as libraries, playgrounds, streets or travel. Current 2026 relevance comes from the fact that contemporary editorial use often places ordinary family interaction within broader discussions of public space, services, wellbeing and community life.
Spree River, Moabit, Berlin, Germany
Description
Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,from,side,sideview,view,portrait,GoTonySmith,Buy Pictures of,Buy Images Of,Wilfried Fitzenreiter,one boy,Three girls and one boy,recline,reclining,Three girls,3 girls and 1 boy
Description: Tony Smith image Alamy F0G6YN - . Three girls and a boy by Wilfried Fitzenreiter - Statue by the Spree River, Moabit, Berlin, Germany. Photographed on 8 August 2012. 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible). The wider historical story is that images of parents, children and couples combine personal emotion with wider social context
They can illustrate care, intergenerational relationships, childhood and companionship while also documenting the environment in which those interactions take place. In the longer view, public art can become part of the identity of a street or neighbourhood, recording political ideas, local history, humour, memory and changing cultural tastes
Murals, sculpture and decorative art are especially valuable as documentary subjects because they may be altered, moved, weathered or removed. In the present 2026 context, contemporary editorial use often places ordinary family interaction within broader discussions of public space, services, wellbeing and community life. Current 2026 relevance comes from the fact that public art and murals remain important to place-making, tourism and regeneration, particularly in city districts where street art has become part of the visitor economy
They also raise questions about conservation, ownership, temporary work and the rapid redevelopment of urban neighbourhoods. Looking at the subject's development, human-interest photographs record gestures and relationships that sit outside formal institutions: family care, childhood, friendship and affection
Small interactions such as holding hands can communicate age, dependence and connection without requiring a staged portrait. Useful subject and context terms include parent and child, human interest, parenthood, everyday life, family bond, social history, artwork, and visual culture.
Spree River, Moabit, Berlin, Germany
Description
Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,side,view,sideview,sit,sitting,GoTonySmith,Buy Pictures of,Buy Images Of,body,bodies,history,historic
Description: Tony Smith image Alamy F0G6YW - . Three girls and a boy by Wilfried Fitzenreiter - Statue by the Spree River, Moabit, Berlin, Germany,side view sitting. Photographed on 8 August 2012. 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible). As background, everyday family scenes provide a social-history record of relationships, clothing and public behaviour
They can be especially useful when the setting or activity changes over time, such as libraries, playgrounds, streets or travel. The historical context is that art in public and historic settings adds another layer to the built environment
Sculpture, mosaic, painting and street art can interpret heritage, provoke debate, memorialise communities or create landmarks, and images preserve works that may later change or disappear. Against the 2026 backdrop, family and community imagery remains widely used for coverage of childcare, public services, wellbeing, intergenerational relationships and everyday life, particularly when the scene includes identifiable civic or leisure settings. The subject remains topical in 2026 because contemporary interest in public art is closely linked to regeneration and cultural tourism. murals and sculpture continue to be used to express identity and animate public space, while redevelopment can make photographic records of earlier works increasingly valuable. From a heritage perspective, images of parents, children and couples combine personal emotion with wider social context
They can illustrate care, intergenerational relationships, childhood and companionship while also documenting the environment in which those interactions take place. Useful related concepts include parent and child, human interest, parenthood, community life, affection, family bond, social history, artwork, visual culture, and cultural identity.
Spree River, Moabit, Berlin, Germany
Description
Keywords: 3,Statue,by,the,Spree,River,Moabit,Berlin,Germany,bronze,bank,side,of,art,artist,public,publicart,German,sculptor,DomAquarée,DomAquaree,summer,sunny,bright,city,cities,culture,front,frontal,view,portrait,GoTonySmith,Buy Pictures of,Buy Images Of,Three girls and one boy,Three girls,and,one boy,3 girls and 1 boy,Wilfried Fitzenreiter
Description: Tony Smith image Alamy F0G700 - . Three girls and a boy by Wilfried Fitzenreiter - Statue by the Spree River, Moabit, Berlin, Germany, frontal view. Photographed on 8 August 2012. 1988: Three girls and one boy, DomAquarée, Berlin (originally created between 1977 and 1979 as a group back to back in the midst of a bubbling fountain between Karl-Liebknecht-Straße and Palace Hotel on the sidewalk freely accessible). In the longer view, human-interest photographs record gestures and relationships that sit outside formal institutions: family care, childhood, friendship and affection
Small interactions such as holding hands can communicate age, dependence and connection without requiring a staged portrait. Looking at the subject's development, murals, sculptures and civic artworks turn public space into a record of local culture
They can commemorate people and events, respond to politics, celebrate industry or simply enliven streets, while the artists' materials and styles place the work within a particular period. Current 2026 relevance comes from the fact that contemporary editorial use often places ordinary family interaction within broader discussions of public space, services, wellbeing and community life. For the 2026 context, public art and murals remain important to place-making, tourism and regeneration, particularly in city districts where street art has become part of the visitor economy
They also raise questions about conservation, ownership, temporary work and the rapid redevelopment of urban neighbourhoods. In historical terms, everyday family scenes provide a social-history record of relationships, clothing and public behaviour
They can be especially valuable when the setting or activity changes over time, such as libraries, playgrounds, streets or travel. As of 2026, contemporary editorial use often places ordinary family interaction within broader discussions of public space, services, wellbeing and community life.
Spree River, Moabit, Berlin, Germany
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,rd,Belfast,with,red,white,blue,bunting,Northern Ireland,polarised,sectarian,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFDC - The Shankill Road is one of the main roads leading through west Belfast, Northern Ireland. It runs through the predominantly loyalist working class area known as the Shankill. The road stretches westwards for about 2.4 km (1.5 mi) from central Belfast and is lined, to an extent, by shops. The residents live in the many streets which branch off the main road. The area along the Shankill Road forms part of Court district electoral area.
West Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,Bar,Aberdeen St,attack slaughter by IRA Brendan McFarlane,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFDR - The Bayardo Bar attack took place on 13 August 1975 in Belfast, Northern Ireland. A unit of the Provisional IRA Belfast Brigade, led by Brendan McFarlane, launched a bombing and shooting attack on the pub on Aberdeen Street (off the loyalist Shankill Road), which was frequented by Ulster Volunteer Force (UVF) members as well as civilians. Four Protestant civilians and one UVF member were killed.
According to journalists Alan Murray and Peter Taylor, it was retaliation for the Miami Showband massacre almost a fortnight earlier, when the popular Dublin-based band were ambushed by the UVF at a bogus military checkpoint. Three band members were shot dead by the UVF gunmen after their minibus was blown up in a premature explosion.
McFarlane and two other IRA volunteers, Peter Skeet Hamilton and Seamus Clarke, were sentenced to life imprisonment for perpetrating the Bayardo attack.
West Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,well,I,can,stand,alone,rifle,CYV,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFJ9 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,UVF Mural,four,platoon,no4,pltn,God,and,Ulster,No 4,Pltn,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG6B - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
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Keywords: Port,of,tourist,attractions,tourism,enjoy,merseyside,NW,England,UK,GB,Great,Britain,insurance,building,Mersey,city,of,culture,RoyalLiverBuilding,B/W,Monochrome,Ir,infrared,infra-red,grade,I,listed,buildings,in,UNESCO,designated,World,Heritage,Maritime,Mercantile,City,Three,Graces,3,clock,face,L31HT,gotonysmith,3graces,scouse,scouser,scousers,Royal,Liver,Assurance,group,liver,birds,liverbirds,calendar,shot,Royal,Liver,Group,Atop,each,tower,stand,the,mythical,designed,by,Carl,Bernard,Bartels,different,view,of,the,L3,1HT,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HTT4 - The Royal Liver Building is a Grade I listed building located in Liverpool, England. It is sited at the Pier Head and along with the neighbouring Cunard Building and Port of Liverpool Building is one of Liverpool's Three Graces, which line the city's waterfront. It is also part of Liverpool's UNESCO designated World Heritage Maritime Mercantile City.
Opened in 1911, the building is the purpose-built home of the Royal Liver Assurance group, which had been set up in the city in 1850 to provide locals with assistance related to losing a wage-earning relative. One of the first buildings in the world to be built using reinforced concrete, the Royal Liver Building stands at 90 m (300 ft) tall.
It was the tallest storied building in Europe from completion until 1934 and the tallest in the United Kingdom until 1961. The Royal Liver Building is now however only the joint-fourth tallest structure in the City of Liverpool, having been overtaken in height by West Tower, Radio City Tower and Liverpool Cathedral.
Today the Royal Liver Building is one of the most recognisable landmarks in the city of Liverpool and is home to two fabled Liver Birds that watch over the city and the sea. Legend has it that were these two birds to fly away, then the city would cease to exist.
Pier Head, Liverpool, UK L3 1HT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,M2 5PD,historic,Bee In The City,beeinthecitymcr.co.uk,beeinthecitymcr,book,books,bees,bee,symbol,of,city,centre,insect,insects,industry,industrious,wing,wings,winged,Achive,Archives,Archives+,honey,honeycomb,honeycombs,entrance,door,doorway,inside,interior,M2,giant,3D,culture
Description: Tony Smith image Alamy 2ADR2AB - Bee in the City stock-photo/gotonysmith-Worker.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>worker bee sculpture displayed by the Archives+ entrance inside Manchester Central Library at St Peter's Square, showing a large yellow and black Manchester bee with translucent wings and a honeycomb base. The image connects public art, civic identity, local history and city centre tourism in one of Manchester's best known cultural buildings. Bee in the City was a free Manchester art trail created with Wild in Art and Manchester City Council, running from 23 July to 23 September 2018, with giant bee sculptures placed across the city and wider area. The worker bee has long been used as a symbol of Manchester, linked with industry, hard work, collective effort, civic pride and the city's industrial past. In this photograph the bee sits beside the Archives+ sign, giving the scene extra relevance for stories about archives, local studies, libraries, heritage, public memory, cultural learning and Manchester's public services. The sculpture's bold stripes, oversized eyes, antennae, honeycomb pattern and roped display area make it a strong visual for searches about Manchester Bee, Bee in the City, public sculpture, art trails, family attractions, city branding, urban culture, community art, tourism, libraries, archives and northern identity. The indoor setting also works well for features on Manchester Central Library, St Peter's Square, civic buildings, visitor attractions, arts funding, local authority culture, public engagement and educational activities. With no people visible, the image remains flexible for editorial, travel, heritage, education, tourism, stock photography, websites, blogs, magazines and guidebook use. It captures how Manchester's bee symbol has moved from architectural and industrial motif into a widely recognised modern emblem of belonging, resilience, creativity and shared civic pride.
Bee in the City worker bee sculpture outside Archives+ at Manchester Central Library, celebrating th
Description
Keywords: centre,Greater,England,UK,M1 1JF,M1,NQ4,bar,and,pub,open air,summer,culture,eating,drinking,food,drink,crowd,crowds,dining,M1 postcode,area,Northern Quarter,Stevenson Square,Stevenson Sq,crowded,busy,tourist,tourists,attraction,bars,sunny,in,central,city,Eastern Bloc
Description: Tony Smith image Alamy 2JTD2N8 - . This scene at Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is Stephenson Square bars and pubs, street culture, eating and drinking, Northern Quarter, Manchester, England, UK, M1 1JF. The locality and subject together evoke rural economy, crop production, local character, place identity, public realm, hospitality trade, contemporary social history, local history, night-time economy, neighbourhood drinking venue, arable farming, field crop, visual archive, and documentary photography. Viewed from the mid-2020s, the subject also connects with crop yields, farm costs and the relationship between rural landscapes and national food security. The modern context includes continuing discussion of commercial rents, consumer spending and how branded and independent hospitality compete for changing leisure spending. Future viewers can use this scene from Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF to compare equipment and working practice with whatever follows after altered transport patterns. A second descriptive layer includes licensed trade, licensed hospitality, food-and-drink business, cereal crop, summer fieldwork, traditional hostelry, changing streetscape, and hospitality economy. The combination of Stephenson, Northern, culture, Quarter, and Square anchors the frame to a recognisable activity, place or moment. The wider setting at Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. It also preserves evidence of changing use for future local research. The photograph keeps evidence of earlier appearance before later change alters the scene.
Stephenson Square, Northern Quarter, Manchester, England, UK, M1 1JF
Description
Keywords: art,bowie,face,faces,David,paint,arts,media,paint,painting,Manchester,city,centre,Wall,Graffiti,August2016,August,2016,OUTHOUSEMCR,culture,historic,history,industry,industrial,tourist,tourism,travel,finger,#outhousemcr,David Bowie,Wall Graffiti,Northern Quarter,Stevenson,Square,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,shh,city,centre,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain
Description: Tony Smith image Alamy GJ791M - . This location-specific image from Stevenson Square, Manchester, England, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The location is represented through Northern Quarter Art in Stevenson Square Manchester, UK - Wall Graffiti August 2016 by AKSE OUTHOUSEMCR. The wider scene also brings together community identity, contemporary mural, place identity, everyday life, temporary artwork, documentary photography, creative placemaking, visual archive, public-realm art, graffiti heritage, mural culture, changing land use, historical comparison, and period detail. From a 2025-onward perspective, regeneration and local identity are closely linked to this subject, alongside how temporary street art becomes an important visual archive. The archival value lies partly in recording local activity and public use around Stevenson Square, Manchester, England, UK before later reinterpretation alters the character of the place. The surrounding story also includes changing streetscape, before-and-after reference, urban artwork, creative district, street creativity, local history, street-level design, and local character. The combination of Stevenson, Square, Northern, Manchester, and Quarter anchors the frame to a recognisable activity, place or moment. For Stevenson Square, Manchester, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is regeneration and the blurred line between commissioned public art and unsanctioned graffiti when considered against later change at Stevenson Square, Manchester, England, UK. The wider significance includes temporary works and how temporary street art becomes an important visual archive without losing the local specificity of Stevenson Square, Manchester, England, UK.
Stevenson Square, Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,S3,Kelham Island,Kellham Island,Yorkshire,Kelam Island,England,UK,S3 8RD,city,centre,steel,manufacture,the,pink,signs,forging,furnace,furnaces,forge,museum,lit,lighting,symbol,area,river Don,quarter,glow,craft,culture,heritage,history,historic,product,products,metalworking,brownfield
Description: Tony Smith image Alamy 2T0WE16 - Taken on 28 Jan 2023, this photograph shows Made in Sheffield, red neon sign, Kelam Island, Sheffield, South Yorkshire, England, UK, S3 8RD. The location is Kelam Island, Sheffield, South Yorkshire, England, UK, S3 8RD. The picture is not just a record shot: it contains readable commercial or civic signage, colour, typography and street context. Sheffield's name is internationally linked with steel, cutlery, engineering and industrial skill, so the neon wording works as a shorthand for civic identity, manufacturing heritage and northern regeneration. It can be used in editorial features, business reports, local-history writing, travel guides, public-policy explainers, educational material and SEO-led stock-photo searches needing a specific real-world image. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include South Yorkshire, Sheffield, Made in Sheffield, red, neon, sign, made, making, manufacturing, industry, Kelham Island, Kellham Island, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. This makes the image useful for comparison pieces, then-and-now features, local news, regeneration stories and plain-English explainers aimed at a general audience.
Kelam Island, Sheffield, South Yorkshire, England, UK, S3 8RD
Description
Keywords: blue,hour,historic,tourist,tourism,travel,square,castle,trail,culture,Scottish,history,Alba,Architecture,building,night,shot,nightshot,local,city,centre,destination,Blue Hour,Castle Trail,Local Landmark,Travel Destination,Castle Square,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,terrace,lit,lighted,tower,Dee,Don,rivers,river,statue,castlegate,gate,Mercat,Cross,hub,historical,area,cobbled,scenic,view,buildings,building,granite,Architecturally,union,st,street,sculptures,ancient,Market,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Castle Terrace,Mercat Cross,Compare the Mercat,Historical Area,scenic view,The Mercat Cross,Ancient Market Cross,Market Cross,Scotlands History,Scotlands History
Description: Tony Smith image Alamy H6ETR8 - Castle Square, historic Aberdeen, The Granite city, North East Scotland at dusk, UK is a useful documentary subject because it fixes a recognisable place, object or activity in its real setting rather than presenting it as a staged illustration. Castle Square in Aberdeen at dusk shows the Granite City's austere stone character softened by evening light and urban activity. The subject can support stories about north-east Scotland, oil-city identity, retail streets, night-time economy, civic space, tourism and the resilience of historic centres facing changing commercial patterns. Low light, dusk or night conditions add atmosphere and make the subject useful for evening economy, safety and seasonal weather contexts. The location detail, Aberdeen, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. It would suit newspaper, magazine, web, council, transport, heritage, housing, retail, travel or social-commentary use where a believable, unpolished view of real life is more valuable than a generic illustration.
Castle terrace,Aberdeen,Scotland,UK
