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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_1035,A&W Smith & Co Ltd Glasgow,cast,iron,makers,plate,Verdant Works,Dundee,Scotland,UK,industrial,lettering,metal,manufacturer,engineering,foundry,heritage,Glasgow,manufacturing,history,machinery,Scottish,archaeology,factory,museum,collection,rust,craftsmanship,rusty,scale,scales,weight,weighing
Description: Tony Smith image Alamy 3F0K32D - . A&W Smith & Co Ltd Glasgow cast iron maker's plate displayed at Verdant Works in Dundee, Scotland, UK. Photographed on 9 June 2026. The recorded location is Verdant Works, West Henderson's Wynd, Dundee DD1 5BT, Scotland, UK. The close-up shows raised industrial lettering, decorative geometric detail and a heavily textured metal surface bearing the manufacturer's name and city. The strong rust-brown colour and relief lettering emphasise the material quality and craftsmanship of the historic metalwork. Seen through industrial landscape, the earlier context is that factories, mills, mines and workshops record the technologies and labour that powered industrial expansion
Machinery, inscriptions and specialist buildings are valuable evidence of engineering practice, working conditions and regional industries. For visitor attraction, the historical context is that public libraries expanded during the nineteenth and twentieth centuries as part of civic education, later adding computers, events and digital services while retaining their role as shared community space. The 2026 relevance of industrial landscape comes from the fact that former industrial sites continue to be repurposed for housing, offices and cultural attractions
Historic machinery and surviving fabric therefore illustrate both deindustrialisation and current debates about adaptive reuse, local identity and heritage-led regeneration. For visitor attraction, the 2026 context is that libraries and museums continue to operate as community hubs, visitor attractions and sources of digital access, while funding pressures encourage partnerships, volunteering and new uses for historic buildings. Additional subject vocabulary includes industrial heritage, industrial archaeology, engineering history, manufacturing, factory, labour history, working life, mechanical engineering, heritage conservation, production technology, industrial regeneration, archive, public library, and collections.
Verdant Works, West Henderson's Wynd, Dundee DD1 5BT, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Southern,Republic,Dublin city,centre,Ireland,on,a,sunny,blue,sky,summer,evening,Hapenny Bridge,Hapenny,Liffey,river,pedestrian,foot,bridges,history,heritage,iron,tourist,tourism,IE,penny,cast,Suffolk St,Temple Bar,bright,Wellington Bridge,cloud,clouds
Description: Tony Smith image Alamy 3BR17BT - This contemporary British and Irish stock photograph captures Dublin city Halfpenny bridge Ireland, on a sunny summer evening, crossing the Liffey at Suffolk Street and Temple Bar, looking south. The row metadata places the subject at Ha'penny Bridge, North City, Dublin, Ireland, IE. The spreadsheet date indicates 17 June 2025, so the picture can also work as a time-specific archive record. Plainly, the image is useful because it shows Ireland, Irish, Halfpenny bridge, North City, Dublin, DUB, city, footbridge, with search-relevant terms including Ireland, Irish, Halfpenny bridge, North City, Dublin, DUB, city, footbridge, historic, famous, Southern, Republic, Dublin city, centre. Hospitality images often work beyond simple venue illustration, because pubs and bars speak to tourism, music, night-time economies, independent trade and changing social habits. Dublin is both a historic capital and a modern European city, where tourism, housing pressure, transport, politics, culture and the River Liffey all shape how the city is understood in contemporary reporting. Pub and bar imagery can illustrate the changing British and Irish hospitality trade, real-ale culture, night-time economies, independent businesses, tourism districts, licensing, social life and the pressure on high streets and leisure spending. Because it is grounded in a named location and practical subject matter, it is useful for search-led editorial use, regional storytelling, business-to-business presentations, policy briefings and stock-photo buyers wanting evidence from the real world. Historically and socially, this kind of image can help connect past and present: older streets, civic institutions, transport systems, shops, signs, political messages or public services are not frozen museum pieces, but part of how people understand modern life, local identity and economic change.
Ha'penny Bridge, North City, Dublin, Ireland, IE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,historic,cast,iron,steel,metal,embossed,labelled,with,autumn,leaf,leaves,street,road,Westminsters,rust,rusty,rusted,old,autumnal,letter,letters,word,words,the,Fall,label,sign,sewage,seat,of,government
Description: Tony Smith image Alamy 2T35C1K - This plain-speaking location image records Historic cast iron embossed grid labelled City of Westminster, with autumn leaves. The row metadata places the subject at Westminster, London, England, UK, SW1. The spreadsheet date indicates 07 September 2023, so the picture can also work as a time-specific archive record. Plainly, the image is useful because it shows City of Westminster, Westminster, city, centre, cast iron, grid, grids, London, with search-relevant terms including City of Westminster, Westminster, city, centre, cast iron, grid, grids, London, history, heritage, England, UK, historic, cast. The arranged lettering gives the image a clear concept-photo role, turning a difficult policy or finance phrase into something immediately legible for readers. London details are useful because the city layers national politics, migration, commerce, tourism, neighbourhood change and local high streets. East End, Westminster and Holborn subjects can all carry wider meaning beyond their immediate street address. Cast iron, mileposts, grids and mining lamps are valuable industrial-history details, linking local manufacture, transport networks, public works, mining safety, municipal identity and the durable material culture still visible in streets today. It has strong value for publishers needing authentic documentary imagery for news pages, blog articles, council reports, social media graphics, presentations, magazine features and local-history explainers. Historically and socially, this kind of image can help connect past and present: older streets, civic institutions, transport systems, shops, signs, political messages or public services are not frozen museum pieces, but part of how people understand modern life, local identity and economic change. For SEO and stock-photo discovery, the description deliberately supports searches around London, documentary photography.
Westminster, London, England, UK, SW1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,High Peak,Derbyshire,England,UK,spa,history,of,SK17 6XN,SK17,Water Street,Needham,made,by,& sons,ltd,Stockport,cast,iron,embossed,grate,grid,manufactured,drain,drains,rust,rusty,rusting,Limited,old,historic,heritage,metal
Description: Tony Smith image Alamy 2RJPXHG - Taken on 20 Aug 2023, this photograph shows Borough of Buxton cast iron embossed grid, made by John Needham & sons ltd, Stockport, High Peak, Derbyshire, England, SK17 6XN. The location is Water Street, Buxton, High Peak, Derbyshire, England, SK17 6XN. The picture is not just a record shot: it contains close-up metalwork, embossed lettering, patina, rust and wear that document everyday civic infrastructure. The cast-iron Buxton grid records the municipal detail of a spa town built around water, streets, drainage and nineteenth-century civic improvement. It can be used in editorial features, business reports, local-history writing, travel guides, public-policy explainers, educational material and SEO-led stock-photo searches needing a specific real-world image. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Borough, Borough of Buxton, town, Buxton, John Needham, embossed, cast iron, old, blocked, historic, centre, High Peak, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. The photograph should appeal to buyers looking for a grounded visual that says more than a studio icon, because it ties the subject to a real street, building, object or public setting.
Water Street, Buxton, High Peak, Derbyshire, England, SK17 6XN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,Ham Baker & Co Ltd MWB Fire Hydrant 5635 ND,iron,London street furniture,cast iron street plate,MWB fire hydrant,Westminster street detail,British infrastructure,urban detail,London streets,public safety,infrastructure,rusty,identification plate,water mains access,municipal infrastructure,Victorian industrial heritage,utilities marking,embossed lettering,weathered metal,patina,close up detail,typographic signage,emergency services infrastructure,UK street scene,documentary photography,editorial image,history,heritage,historic,cast,castiron
Description: Tony Smith image Alamy 2RA23AH - This image shows a close-up view of a cast iron street plate marking the location of a fire hydrant in London. The embossed text reads Ham Baker & Co Ltd MWB Fire Hydrant 5635 ND Makers Westminster SW , identifying both the manufacturer and the hydrant reference number used by water and fire authorities.
Such plates form part of London's long-established municipal infrastructure, providing essential information for emergency services by indicating the position of underground water mains and hydrants. The initials MWB refer to the Metropolitan Water Board, which managed London's water supply for much of the twentieth century, placing the plate firmly within the capital's historic public utilities system.
The textured metal surface, worn edges, and oxidised colouring reflect decades of exposure to traffic, weather, and footfall, giving the plate a distinctive patina. Foundry-made street furniture like this is a characteristic but often overlooked element of London's streetscape, combining functional engineering with durable industrial design.
Photographed tightly to emphasise lettering, texture, and material detail, the image works well as editorial illustration of urban infrastructure, historic utilities, emergency services support systems, and the layered history embedded in everyday London street surfaces. It is particularly suited to features on British industrial heritage, public works, and the hidden systems that support city life.
Westminster, London, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Britain,L23,at,sculpture,on,in,seaside,sunset,evening,dusk,English,L23 6SX,face,body,torso,cast,iron,figure,people,figures,Joseph and Jesse Siddons Foundry,West Bromwich,West Brom,Waterloo,and,Blundellsands,Hargreaves Foundry,Halifax,Derek Alexander,Another Place Ltd,Sefton Metropolitan Borough Council,Sefton,Gormly
Description: Tony Smith image Alamy 2R15NFM - Another Place is a piece of modern sculpture by British artist Antony Gormley located at Crosby Beach in Merseyside, England. It consists of 100 cast iron figures facing towards the sea. The figures are modelled on the artist's own naked body.[1] The work proved controversial due to the naked statues but has increased tourism to the beach. After being exhibited at two other locations it was put on display at Crosby on 1 July 2005. After some controversy Sefton Metropolitan Borough Council decided on 7 March 2007 that the sculptures should be permanently installed at the beach
The work consists of cast iron figures which face out to sea, spread over a 2-mile (3.2 km) stretch of beach between Waterloo and Blundellsands. Each figure is 189 centimetres (6 ft 2 in) tall and weighs around 650 kilograms (1,430 lb). The figures are cast replicas of Gormley's own body. As the tides ebb and flow, the figures are revealed and submerged by the sea, and are subject to corrosion by seawater and colonisation by marine animals. The figures were cast at Hargreaves Foundry in Halifax, West Yorkshire and the Joseph and Jesse Siddons Foundry in West Bromwich by foundryman Derek Alexander
Mariners Road, Crosby Beach, Liverpool, Merseyside, England, UK, L23 6SX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Britain,L23,at,sculpture,on,in,seaside,sunset,evening,dusk,English,L23 6SX,face,body,torso,cast,iron,figure,people,figures,Joseph and Jesse Siddons Foundry,West Bromwich,West Brom,Waterloo,and,Blundellsands,Hargreaves Foundry,Halifax,Derek Alexander,Another Place Ltd,Sefton Metropolitan Borough Council,Sefton,Gormly
Description: Tony Smith image Alamy 2R15NFN - Another Place is a piece of modern sculpture by British artist Antony Gormley located at Crosby Beach in Merseyside, England. It consists of 100 cast iron figures facing towards the sea. The figures are modelled on the artist's own naked body.[1] The work proved controversial due to the naked statues but has increased tourism to the beach. After being exhibited at two other locations it was put on display at Crosby on 1 July 2005. After some controversy Sefton Metropolitan Borough Council decided on 7 March 2007 that the sculptures should be permanently installed at the beach
The work consists of cast iron figures which face out to sea, spread over a 2-mile (3.2 km) stretch of beach between Waterloo and Blundellsands. Each figure is 189 centimetres (6 ft 2 in) tall and weighs around 650 kilograms (1,430 lb). The figures are cast replicas of Gormley's own body. As the tides ebb and flow, the figures are revealed and submerged by the sea, and are subject to corrosion by seawater and colonisation by marine animals. The figures were cast at Hargreaves Foundry in Halifax, West Yorkshire and the Joseph and Jesse Siddons Foundry in West Bromwich by foundryman Derek Alexander
Mariners Road, Crosby Beach, Liverpool, Merseyside, England, UK, L23 6SX
--Mainz-Bingen-district--Germany-2PJ2992.jpg)
Description
Keywords: St Peter,Rhineland-Palatinate,view,church,GoTonySmith,HotpixUK,@HotpixUK,post tower,posttower,Mainz-Bingen,district,in,Germany,pano,panorama,over,town,city,gorge,tourist,tourism,attraction,iron,cast,metal,traditional,history,1392,Alteshaus,signage,towns,reconstructed,preserved,well maintained,Rhine town,Rhine towns
Description: Tony Smith image Alamy 2PJ2992 - Bacharach (pronunciation (help·info), also known as Bacharach am Rhein) is a town in the Mainz-Bingen district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde of Rhein-Nahe, whose seat is in Bingen am Rhein, although that town is not within its bounds.
The original name Baccaracus suggests a Celtic origin. Above the town stands Stahleck Castle (Burg Stahleck), now a youth hostel.
Geography
Location
The town lies in the Rhine Gorge, 48 km south of Koblenz.
Constituent communities
Bacharach is divided into several Ortsteile. The outlying centre of Steeg lies in the Steeg Valley (Steeger Tal) off to the side, away from the Rhine. This glen lies between Medenscheid and Neurath to the south and Henschhausen to the north on the heights.
History
In the early 11th century, Bacharach had its first documentary mention. It may have been that as early as the 7th century, the kingly domain passed into Archbishop of Cologne Kunibert's ownership
pointing to this is a Kunibertskapelle (chapel) on the spot where now stands the Wernerkapelle. The Vögte of the Cologne estate were the Elector of the Palatinate, who over time pushed back Cologne's influence.
Caring for and maintaining Bacharach's building monuments, spurred on in the early 20th century by the Rhenish Association for Monument Care and Landscape Preservation (Rheinischer Verein für Denkmalpflege und Landschaftsschutz) which took on the then highly endangered town wall and Stahleck Castle ruin jobs, and the great dedication of the state of Rhineland-Palatinate to the Wernerkapelle have seen to it that Bacharach is still a jewel of the Rheinromantik and a multifaceted documentary site of mediaeval architecture on the Middle Rhine. The Wernerkapelle ruin is under monumental protection and before it a plaque has been placed recalling the inhuman crimes against Jewish residents and also containing a quotation from a prayer by Pope John XXIII for a change in Christians' thinking in their relationship
Bacharach, Bacharach am Rhein,, Mainz-Bingen district, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,embossed,cast,iron,grid,metal,utility,corporation,board,council,provider,infrastructure,UU,water,service,old,historic,history,NW,Northern Powerhouse,aging,water board,water boards,Manchester Water Board,utilities,meter,access,sewage,fresh,supply
Description: Tony Smith image Alamy 2MKF8H5 - . A grounded documentary photograph made at Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH in 2023, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The principal subject is MWB water embossed cast iron grid, in a Wigan street, Lancashire, England. The wider scene also brings together documentary photography, architectural character, heritage asset, adaptive reuse, conservation interest, period architecture, period detail, historic streetscape, built heritage, social history, changing streetscape, conservation architecture, visual archive, and everyday life. Current relevance extends to heritage conservation and planning control, particularly through the balance between conservation and modern commercial use. As a dated visual record of Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH, the frame retains transport arrangements and footfall, making it especially useful if altered transport patterns subsequently changes the scene. The location also brings in architectural detailing, heritage landmark, community identity, historic townscape, before-and-after reference, place identity, changing land use, and urban fabric. Details involving water, Lancashire, embossed, and Wigan make the image more specific than a generic view and strengthen its local or historical value. Around Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The location additionally provides evidence of heritage conservation and how historic fabric can support regeneration rather than demolition within the real-world context of Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH. The frame retains a trace of local identity as part of Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH's history.
Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,UK,Scotland,iron,and,Ltd,limited,access,manhole,named,grid,rust,rusty,services,sewage,drainage,maintenance,urban,man-hole,Scots,Scot,Scottish,embossed,name,foundry,foundries,maker,cast,steel,metal,Limited,city,centre,EH1,hotpix.org.uk
Description: Tony Smith image Alamy 2M3JBRF - . An identifiable period record of Edinburgh, Scotland, UK, EH1 in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The principal subject is Mackenzie & Moncur Ltd, steel grid Edinburgh, Scotland, UK, EH!. Other connected aspects include period detail, everyday life, contemporary social history, historical comparison, public realm, local character, public-health engineering, archival record, Victorian sanitation, public works, regional identity, documentary photography, community identity, and visual archive. The modern context includes continuing discussion of maintenance, water quality and the hidden infrastructure that made dense cities healthier and safer. For later comparison, the photograph preserves street furniture and boundaries at Edinburgh, Scotland, UK, EH1, details that may look very different after conservation work. The surrounding story also includes place identity, cast-iron street furniture, local history, before-and-after reference, utility heritage, civil engineering history, municipal services, and urban sanitation. Details involving Moncur, Edinburgh, steel, and Mackenzie make the image more specific than a generic view and strengthen its local or historical value. Around Edinburgh, Scotland, UK, EH1, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is maintenance and the renewed pressure on drainage systems from heavier rainfall and urban growth in a form that can be compared with future views of Edinburgh, Scotland, UK, EH1. The scene further reflects climate resilience and the hidden infrastructure that made dense cities healthier and safer within the real-world context of Edinburgh, Scotland, UK, EH1. The photograph keeps a trace of local identity as part of Edinburgh, Scotland, UK, EH1's history.
Edinburgh, Scotland, UK, EH1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,81 Micklegate,York,North Yorkshire,YO1 6LE,city,centre,81,Micklegate,to,the,priory,listed building,history,historic,heritage,Anglican,church,churchyard,churchyards,ornate,cast,wrought,iron,black,painted,sunny,verdant,green,leafy,leaves
Description: Tony Smith image Alamy 2KF6PBC - Holy Trinity Micklegate is a parish church of the Church of England, located on the west bank of the River Ouse inside the ancient walled city of York. The church building is a complex structure incorporating parts of the fabric of a medieval priory church dedicated to Holy Trinity and possibly an adjunct medieval parish church dedicated to St Nicholas (although this is disputed).
Holy Trinity was founded prior to the Norman invasion of 1066, and is listed in the Domesday Book of 1086 as one of five great northern churches (alongside, amongst others, York Minster).
In around 1089 this church was re-founded by its new Norman lord as a Benedictine priory, served by a community of monks. It may be at that date a 'double church' was constructed, with one half (Holy Trinity) providing a place of worship for the monastic community and a second (dedicated to St Nicholas) providing religious services to the lay community of the parish.
Holy Trinity Today
Its parish today includes the former parishes of two neighbouring churches, St John and St Martin in Micklegate, which are now redundant as places of worship and have been put to other uses. All four of these churches originated in the Middle Ages, and their buildings are all listed monuments. They share a rich and long history extending back nearly two millennia.
Indeed what we see in the landscape of surviving church buildings in Micklegate is only part of a formerly more extensive religious topography in this neighbourhood of York. All Saints North Street and St Mary Bishophill Junior survive as active churches with independent parishes. The churches of St Gregory in Micklegate, St Clement in Clementhorpe and two suburban chapels of St James and St Mary, together with suburban hospitals dedicated to St Katherine and St Thomas all disappeared shortly after the Reformation, while the redundant church of St Mary Bishophill Senior was demolished in the 1960s.
81 Micklegate, York, North Yorkshire, England, UK, YO1 6LE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,York,cast,iron,Close-up of a cast iron utility grid marked YWW,YWW,grid,grids,water utility cover,cast iron,metal,utilities,rusty,infrastructure,public,England,UK,utility access cover,drainage grid,embossed lettering,industrial metalwork,corrosion,rust texture,street furniture,pavement infrastructure,municipal services,civil engineering,historic utilities,urban infrastructure,ageing infrastructure,close up detail,abstract texture,editorial photography,documentary image
Description: Tony Smith image Alamy 2R59WX8 - This image shows a close-up of a cast iron utility grid embossed with the letters YWW , identifying it as part of York Water Works infrastructure. The grid displays heavy surface rust and a pronounced geometric pattern, characteristic of durable ironwork designed for long-term use in public streets and pavements.
York Water Works historically managed water supply and related infrastructure for the city, and remnants such as this grid provide a physical record of earlier municipal water systems. Covers and grids of this type allow access to underground drainage or water management structures that continue to support urban life.
The visible corrosion and patina illustrate both the age and resilience of cast iron infrastructure, highlighting themes of maintenance, longevity, and the hidden networks beneath historic cities like York.
Photographed tightly to emphasise texture, lettering, and material decay, the image is well suited for editorial use covering water utilities, urban infrastructure, industrial heritage, public services, and historic street-level details.
York, North Yorkshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,York,cast,iron,Close-up of a cast iron utility grid marked YWW,YWW,grid,grids,water utility cover,cast iron,metal,utilities,rusty,infrastructure,public,England,UK,utility access cover,drainage grid,embossed lettering,industrial metalwork,corrosion,rust texture,street furniture,pavement infrastructure,municipal services,civil engineering,historic utilities,urban infrastructure,ageing infrastructure,close up detail,abstract texture,editorial photography,documentary image
Description: Tony Smith image Alamy 2R59WXH - This image shows a close-up of a cast iron utility grid embossed with the letters YWW , identifying it as part of York Water Works infrastructure. The grid displays heavy surface rust and a pronounced geometric pattern, characteristic of durable ironwork designed for long-term use in public streets and pavements.
York Water Works historically managed water supply and related infrastructure for the city, and remnants such as this grid provide a physical record of earlier municipal water systems. Covers and grids of this type allow access to underground drainage or water management structures that continue to support urban life.
The visible corrosion and patina illustrate both the age and resilience of cast iron infrastructure, highlighting themes of maintenance, longevity, and the hidden networks beneath historic cities like York.
Photographed tightly to emphasise texture, lettering, and material decay, the image is well suited for editorial use covering water utilities, urban infrastructure, industrial heritage, public services, and historic street-level details.
York, North Yorkshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Paint Festival,Gloucestershire,England,UK,GL50,Cheltenham town centre,cast,metal,iron,steel,rust,rusted,rusting,road,water,sewage,manhole,town,centre,1940-1945,1940,1945,council,public,water supply,river Chelt,history,historic,corporation,CBC,sewer,drain,utilities
Description: Tony Smith image Alamy 2M6YFCM - . This authentic period view of Cheltenham town centre, Gloucestershire, England, UK, GL50 in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The photograph centres on Cast iron embossed rusting Cheltenham Corporation grid, Cheltenham town centre, Gloucestershire, England, UK, GL50. The image also relates to everyday life, heritage asset, historic townscape, period building, before-and-after reference, documentary photography, built heritage, place identity, social history, changing land use, traditional materials, local history, community identity, and regional identity. Viewed from the mid-2020s, the subject also connects with adaptive reuse, tourism and the balance between conservation and modern commercial use. As a dated visual record of Cheltenham town centre, Gloucestershire, England, UK, GL50, the frame retains equipment and working practice, making it especially useful if refurbishment subsequently changes the scene. Further associations within the scene are changing streetscape, conservation architecture, period architecture, public realm, heritage landmark, archival record, visual archive, and historic streetscape. The combination of embossed, rusting, Corporation, centre, and Cheltenham anchors the frame to a recognisable activity, place or moment. For Cheltenham town centre, Gloucestershire, England, UK, GL50, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects adaptive reuse and the value of architectural landmarks to local identity within the real-world context of Cheltenham town centre, Gloucestershire, England, UK, GL50. Its period value extends to maintenance and keeping older buildings useful without erasing their character within the specific setting of Cheltenham town centre, Gloucestershire, England, UK, GL50.
Cheltenham town centre, Gloucestershire, England, UK, GL50
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,England,UK,GL50,art work,Cotswolds,artworks,land,Pittville,wrought,ornamental,park,greenspace,GL50 1XZ,Wellington street,Wellington St,garden,gardens,metalwork,cast,iron,gate,gates,original,green,red,area,town,centre,Victorian,history,historic,character
Description: Tony Smith image Alamy 2M7JH9E - Opened in 1825, Pittville Park is the largest ornamental park in Cheltenham and features the magnificent Pump Room and lakes. This park is given a grade 2 listing under the English Heritage register of historic parks and gardens, with the Pump Room as a grade 1 historic building.
Pittville Park won it's first Green Flag Award and Green Heritage Accredition in 2016 and still flies the flag.
Pittville Park is divided in two by Evesham Road. Most people are familiar with the eastern side of the park, which is overlooked by Pittville Pump Room, and home to the main children's play area and the aviaries where you'll find our popular birds and bunnies. However, to the west of Evesham Road lies the much larger western park with its more natural layout and small areas of woodland. Here you will find the larger 'lower lake' where you can fish during the fishing season, and there is a smaller children's play area along with tennis courts, a pitch and putt golf course and a skate park.
Wellington street, Cheltenham, Gloucestershire, England, UK, GL50 1XZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North Yorkshire,with,Grid,J,rust,rusty,cast,iron,metal,steel,history,historic,sewer,drain,drains,covered,town centre,road,roads,street,streets,rusting,embossed,Allen,maker,foundry,foundries,hazard,hazardous,sewage,grids,grid
Description: Tony Smith image Alamy 2K3K5RP - Taken on 26 Sep 2022, the photograph focuses on Cast iron grid embossed with Grid J-Allen Tadcaster, North Yorkshire, England, UK, LS24 8AA. The thumbnail is a close-up of worn cast iron lettering, rust, paint and street texture, making the picture especially useful for searches about small historic details, local manufacturers and surviving public realm objects. Tadcaster is a long-established Yorkshire brewing town on the River Wharfe, and its streets still carry the visual imprint of beer production, coaching routes, stone buildings, flood risk and local trade. For stock photography use, the value is in the precise subject: Cast iron grid embossed with Grid J-Allen Tadcaster, North Yorkshire, England, UK, LS24 8AA. It can support articles and publications about cast iron manufacturer, street furniture, urban archaeology, industrial foundry history, drainage detail, public realm, municipal heritage, texture background, local maker mark, engineering history, as well as more specific searches using Tadcaster, Yorkshire, rusted, grid, Cast iron, LS24 8AA, LS24, embossed, J Allen, Allen, North Yorkshire, with, rust, rusty, cast, iron, metal, steel. The composition also gives space for tighter crops, captions, web thumbnails, report illustrations and social media use, while the Alamy reference 2K3K5RP and the row caption help connect the image to a real place rather than a vague concept. The picture can be used by writers covering heritage, conservation, planning, tourism, retail, transport, public services, nostalgia, local identity, architectural survival, industrial change and the way familiar objects or buildings continue to carry meaning in modern Britain. The close-up surface makes the photograph useful as a textured background as well as a local-history record. Raised lettering, rust, paint loss and maker names can support features on foundries, municipal engineer
Tadcaster, North Yorkshire, England, UK, LS24 8AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,guide post,sign,signs,from,C.C.,fingerposts,guideposts,pre,Post-Worboys,Worboys,at,for,village,and,town,roadsign,Pre-Worboys,signage,history,historic,tree,trees,woods,nature,north Yorks,north Yorkshire,embossed,cast,iron,painted,B1447,Station road,YO22,YO22 4RA
Description: Tony Smith image Alamy 2RCDXH3 - A fingerpost (sometimes referred to as a guide post) is a type of sign post consisting of a post with one or more arms, known as fingers, pointing in the direction of travel to places named on the fingers, often including distance information.
Fingerposts are a traditional type of sign used in the United Kingdom.[1] The posts have traditionally been made from cast iron or wood, with poles painted in black, white or grey and fingers with black letters on a white background, often including distance information in miles.
In most cases, they are used to give guidance for road users, but examples also exist on the canal network, for instance. They are also used to mark the beginning of a footpath, bridleway, or similar public path
Whilst some elements of fingerpost design were prescribed during the period when their introduction became most widespread, there was plenty of scope for distinctive spread of designs which remains to today.
The inclusion of the highway authority name took the form of raised or recessed lettering written down the poles or as part of a finial or roundel (when the centre is hollow, called an annulus) design, either in full or as initials (e.g. K.C.C. for Kesteven County Council). Roundel designs can also include junction names (for example, Molly Brown's Corner, in Lytchett Matravers, Dorset) or village names. County Council coats of arms feature in counties such as West Sussex. The Ministry for Transport asked the County Councils in Dorset and the West Riding of Yorkshire to experiment with the inclusion of a grid reference[6] and these remain common in these areas. The roundel on a 2005 replacement at West Wellow (Hampshire) directing travellers to St Margaret's Church bears a portrait of Florence Nightingale who is interred at the churchyard.
Fingers can be square-ended (such as in Cornwall and Norfolk), curved (as in Dorset) or triangular-ended (as is common in Somerset)
1 Station Rd, Robin Hood's Bay, Whitby, Yorkshire, England, UK, YO22 4RA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,seat,seating,benches,relax,its,history,historic,Robin Hoods Bay,scenic,harbour,rail,with,old,cast iron,cast,iron,style,Yorkshire,side street,street,coast,coastal,tourist,tourism,travel,attraction,gem,village,wood,wooden,coastline,relaxing,hill,slope,incline
Description: Tony Smith image Alamy 2RCDXH6 - Robin Hood's Bay is a village in North Yorkshire, England. It is 6 miles (10 km) south of Whitby and 15 miles (24 km) north of Scarborough on the Yorkshire Coast.
It is an ancient chapelry of Fylingdales in the wapentake of Whitby Strand. It is on the Cleveland Way national trail and also the end point of Wainwright's Coast to Coast route.
The origin of the name is uncertain, and it is doubtful that Robin Hood was ever in the vicinity of the village. It is attested to in the early sixteenth century as Robyn Hoodis Baye in 1544. The English ballad The Noble Fisherman tells a story of Robin Hood visiting Scarborough, taking a job as a fisherman, defeating French pirates with his archery skills, and using half the looted treasure to build a home for the poor. However, the ballad is only attested to in the 17th century at the earliest. It is considered more likely to be a work original to the 17th century rather than an older medieval popular legend passed down, and very unlikely to be based on any historical incident. However, it is possible the author knew of Robin Hood's Bay, and sought to tie the story they wrote to the Scarborough area to explain and justify the name
The village, which consists of a maze of tiny streets, has a tradition of smuggling, and there is reputed to be a network of subterranean passageways linking the houses. During the late 18th century smuggling was rife on the Yorkshire coast. Vessels from the continent brought contraband which was distributed by contacts on land and the operations were financed by syndicates who made profits without the risks taken by the seamen and the villagers. Tea, gin, rum, brandy and tobacco were among the contraband smuggled into Yorkshire from the Netherlands and France to avoid the duty.
In 1773 two excise cutters, the Mermaid and the Eagle, were outgunned and chased out of the bay by three smuggling vessels, a schooner and two shallops.
Robin Hood's Bay Rd, Robin Hood's Bay, Whitby, Yorkshire, England, UK, YO22 4SE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,High Peak,Derbyshire,UK,SK23 0BA,village,town,embossed,rust,rusty,rusted,rusting,cast,iron,metal,steel,road,stamped,history,historic,centre,sewerage,water,supply,drain,words,letter,letters,printed,roads,streets,grids,villages
Description: Tony Smith image Alamy 2K1RDEM - Chapel-en-le-Frith (/ˌtʃæpəl ˌɒn lə ˈfrɪθ/) is a town and civil parish in the Borough of High Peak in Derbyshire, England.
It has been dubbed the Capital of the Peak, in reference to the Peak District, historically the upperland areas between the Saxon lands (below the River Trent) and the Vikings lands (which came as far south as Dore, Sheffield).
The town was established by the Normans in the 12th century, originally as a hunting lodge within the Forest of High Peak. This led to the French-derived name Chapel-en-le-Frith (chapel in the forest). (It appears in an English form in a Latin record as 'Chapell in the ffryth', in 1401.) The population at the 2011 census was 8,635
Although most of the area is outside the National Park boundary, the town is in the western part of the Peak District. To the north and south lie the Dark Peak highlands, which are made up of millstone grit and are heather-covered moorlands, rugged and bleak. These include Chinley Churn and South Head with, a little further off, Kinder Scout, which looms above the whole area. To the east is the gentler and more pastoral White Peak, consisting largely of limestone grasslands, nevertheless with spectacular bluffs and the occasional gorge. Combs Moss, a gritstone 'edge', dominates the valley in which Chapel lies from the south and Eccles Pike rises sharply above the town to its west and provides a commanding 360° viewpoint.
Chapel-en-le-frith, High Peak, Derbyshire, England, UK, SK23 0BA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,town,centre,Cheshire,England,UK,WA1,steel,cover,Scotland,rust,Lugar,Ironworks,urban,man-hole,history,historic,rusty,brown,name,named,rusting,cast iron,cast,iron,metal,foundry,factory,industry,industrial,ironworks,ironwork,drain,drains,covers
Description: Tony Smith image Alamy 2JTJYM9 - . Recorded at Kilmarnock, Scotland, UK in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Rusty cast iron utility grid from Kilmarnock, Scotland, UK. The setting additionally reflects community identity, social history, changing streetscape, changing land use, urban fabric, architectural character, period detail, civic architecture, before-and-after reference, public realm, archival record, heritage-led regeneration, regional identity, and adaptive reuse. The wider contemporary story combines public-realm investment, heritage conservation and the tension between preserving local character and creating modern commercial space. The image fixes local activity and public use within Kilmarnock, Scotland, UK at one identifiable point, providing a benchmark against new construction. The location also brings in documentary photography, visual archive, historical comparison, urban regeneration, commercial redevelopment, town-centre renewal, contemporary social history, and place identity. The recorded references to utility, Scotland, Kilmarnock, and Rusty preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Kilmarnock, Scotland, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Its period value extends to public-realm investment and how public investment can reshape pedestrian movement and evening activity without losing the local specificity of Kilmarnock, Scotland, UK. The location additionally provides evidence of adaptive reuse and the tension between preserving local character and creating modern commercial space in a form that can be compared with future views of Kilmarnock, Scotland, UK. The image fixes a local visual benchmark as a date-specific reference.
Kilmarnock, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,steel,gas,supply,utility,utilities,ironwork,iron,work,works,ironworks,rust,rusty,Grid,cast iron,cast,embossed,with,the,word,British,British Gas,national,grid,national grid,rusting,supplies,network,English,pipes,pipelines,covers,cover,manhole
Description: Tony Smith image Alamy 2JTD3P2 - . Recorded at Great Britain, UK in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on Gas supply ironwork Grid, cast iron embossed with the word gas. The broader subject matter reaches into historical comparison, public realm, visual archive, urban regeneration, before-and-after reference, community identity, architectural character, documentary photography, local character, town-centre renewal, heritage-led regeneration, mixed-use redevelopment, contemporary social history, and built heritage. The wider contemporary story combines adaptive reuse, town-centre regeneration and how public investment can reshape pedestrian movement and evening activity. For later comparison, the photograph preserves building condition and alterations at Great Britain, UK, details that may look very different after changed technology. The wider setting retains connections with historic townscape, period architecture, regional identity, changing streetscape, urban fabric, changing land use, commercial redevelopment, and archival record. Elements such as supply, embossed, and ironwork add documentary specificity and may become increasingly useful when compared with later records. A later view of Great Britain, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for adaptive reuse and how regeneration tries to create reasons to visit traditional town centres within the real-world context of Great Britain, UK. Another useful connection is adaptive reuse and how regeneration tries to create reasons to visit traditional town centres within the specific setting of Great Britain, UK. The scene further reflects commercial viability and how public investment can reshape pedestrian movement and evening activity as part of the longer story of Great Britain, UK.
Great Britain, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wales,welsh,Denbighshire,Cymru,British,Railways,BR,Rail,train,system,rule,rules,railways,expose,cast,iron,sign,No trespassing,upon the railway,penalty,of,forty shillings,railway,station,stations,rail,preserved,preservation,history,historic,heritage,metal,act,acts,by order,prison,penalties
Description: Tony Smith image Alamy 2JRA4F6 - . An on-location photograph from stock-photo/gotonysmith-Great.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Great Britain in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is Cast iron GWR - Great Western Railway Notice - By order - No trespassing upon the railway, penalty of forty shillings. The image also relates to changing land use, freight wagon, regional identity, rail operations, working railway heritage, urban fabric, architectural character, industrial railway, historical comparison, rail infrastructure, trackside history, archival record, social history, and mixed-use redevelopment. In present-day coverage, the subject reaches into network modernisation and signalling technology, not least because of how Crewe's identity remains tied to railway engineering and operations. Today's relevance is strengthened by construction costs, commercial viability and the continuing question of the tension between preserving local character and creating modern commercial space. As a dated visual record of Great Britain, the frame retains lettering, decoration and surface detail, making it especially useful if redevelopment subsequently changes the scene. Other useful contextual ideas include changing streetscape, community identity, urban regeneration, period detail, rail corridor, historic townscape, historic rolling stock, and place identity. Elements such as Railway, Notice, shillings, penalty, and order add documentary specificity and may become increasingly useful when compared with later records. The wider setting at Great Britain matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is network modernisation and how Crewe's identity remains tied to railway engineering and operations within the specific setting of Great Britain. The scene captures evidence of changing use for later comparison.
Great Britain
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,iron,Foundry,UK,sewage,utilities,Wrexham,Welsh,Wales,Cymru,ironworks,ironwork,cast,casting,cast iron,rust,rusty,rusting,embossed,works,factory,business,foundries,rusted,Pentre,Saeson,cover,covers,drain,drains,drainage,supply,water,sewer,sewerage
Description: Tony Smith image Alamy 2JRAHKE - The Pentresaeson foundry - read more at https://thefireonthehill.wordpress.com/2013/06/20/the-pentresaeson-foundry/
June 20, 2013 in 19th century, Brymbo, Industrial archaeology
Although we might think of Wrexham as a largely industrial town, with the Brymbo district as its economic powerhouse through much of the 19th century, the Industrial Revolution in north Wales was actually something of a damp squib. A. H. Dodd's classic text on the subject, first published in the 1920s, explained some of the reasons why: remote sites and poor communications restricted trade to the local area, whereas the coal and iron of south Wales had access to deep-sea ports (giving particularly direct access to the lucrative Irish market). The collieries west of Wrexham, old, smaller-scale workings on shallow seams, were a world away from the deep mines of the Rhondda, and Brymbo's steelworks was unusual in its hilly, land-locked site. By the 1900s many of the area's coal and iron operations had ceased.
The small-scale and localised development of industry in the district led to a distinctive landscape, where a patchwork of agricultural land was intermingled with small collieries, related industries such as brickworks, and villages spreading across former areas of common land. The last of these smaller scale industrial sites survived through to the 1950s, 60s and 70s
in Brymbo, a particularly interesting one lasted until the 1980s. There are now few buildings near Pentresaeson crossroads, and there were never very many, but you can still see one of the main landmarks of the immediate area, the old Taylor Brothers iron foundry and its distinctive chimney, just down the township road to Bwlchgwyn alongside the bed of the former Minera railway line. Back in the 19th century this would have been a good site for a small ironworks, with reliable supplies of coal in the immediate vicinity, a tributary stream of the Gwenfro running nearby and, from the 1840s, the railway giving vital access
Wrexham, North Wales, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,MB,60,embossed,iron,Yorkshire,South Yorkshire,Denbighshire,rusty,rusting,MBI-60,MBI,Donny,Doncaster Yorkshire,metal,cast,Cast Iron,industrial,casting,rust,rusted,utility,utilities,water,pipes,cover,covered,sewage,supply,manhole,foundry,foundries
Description: Tony Smith image Alamy 2JRAHPA - . This scene at Doncaster, Yorkshire, England, UK, DN1 1AB in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The defining feature is Doncaster, embossed cast iron grid, Yorkshire, England, UK, DN1 1AB. Further facets of the scene include visual archive, regional identity, historic townscape, urban regeneration, archival record, community identity, public realm, architectural character, built heritage, social history, heritage-led regeneration, place-making, historical comparison, and adaptive reuse. In present-day coverage, the subject reaches into public-realm investment and adaptive reuse, not least because of the tension between preserving local character and creating modern commercial space. As a dated visual record of Doncaster, Yorkshire, England, UK, DN1 1AB, the frame retains landscape treatment and surrounding development, making it especially useful if conservation work subsequently changes the scene. A second descriptive layer includes civic architecture, town-centre renewal, changing streetscape, period architecture, everyday life, documentary photography, commercial redevelopment, and changing land use. Elements such as Yorkshire, Doncaster, and embossed add documentary specificity and may become increasingly useful when compared with later records. For Doncaster, Yorkshire, England, UK, DN1 1AB, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes public-realm investment and the tension between preserving local character and creating modern commercial space within the specific setting of Doncaster, Yorkshire, England, UK, DN1 1AB. The scene captures part of the area's social history as a date-specific reference. The period view preserves details of everyday use for later comparison.
Doncaster, Yorkshire, England, UK, DN1 1AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,iron,cast,grid,manhole,council,Electric supply,electric,electricity,under,street,WA1,Manchester Road,Padgate,Warrington,Cheshire,England,UK,WA1 4PY,maintenance,urban,man-hole,services,named,borough council,Warrington borough council,utilities,utility,Victorian,Electricity,supply,pavement,town,cast iron grid,cover,concrete
Description: Tony Smith image Alamy 2JWB52H - . Made at Manchester Road, Padgate, Warrington, Cheshire, England, UK, WA1 4PY in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. At the centre of the view is Grid cover, covering Electric supply under street, Warrington Corporation, St Helens Cable. Another layer of the photograph includes archival record, local history, built heritage, bus infrastructure, architectural character, period detail, urban regeneration, everyday life, urban fabric, period architecture, visual archive, local mobility, roadside transit, and adaptive reuse. Current relevance extends to public-realm investment and commercial viability, particularly through the value of reusing existing buildings rather than wholesale demolition. In present-day coverage, the subject reaches into passenger information and decarbonisation, not least because of how local bus services affect access to work, education and healthcare. The archival value lies partly in recording landscape treatment and surrounding development around Manchester Road, Padgate, Warrington, Cheshire, England, UK, WA1 4PY before conservation work alters the character of the place. The surrounding story also includes public-transport wayfinding, documentary photography, transport accessibility, social history, local character, historic townscape, town-centre renewal, and local bus network. The combination of under, supply, Helens, Corporation, and Electric anchors the frame to a recognisable activity, place or moment. Around Manchester Road, Padgate, Warrington, Cheshire, England, UK, WA1 4PY, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The frame retains details of everyday use as part of Manchester Road, Padgate, Warrington, Cheshire, England, UK, WA1 4PY's history.
Manchester Road, Padgate, Warrington, Cheshire, England, UK, WA1 4PY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,work,ironworks,water,drain,drainage,Warrington grids,ironwork,covers,Cheshire,WA1,WA4,utilities,cover,named,grid,iron,rust,rusty,metal,services,sewage,maintenance,urban,man-hole,cast,manhole,covering,WBC,drains,pipes,pipe
Description: Tony Smith image Alamy 2JP0KE7 - . This scene at Warrington, Cheshire, England, UK, WA4 1NN in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Warrington grids, ironwork, road, covers, Cheshire, England, UK. The image also relates to surface public transport, place identity, everyday life, social history, visual archive, local character, street-side transport, period detail, public transport stop, changing streetscape, regional identity, historical comparison, public transport information, and before-and-after reference. Viewed from the mid-2020s, the subject also connects with rural transport, passenger information and the challenge of maintaining reliable services outside dense city centres. The image fixes signage and branding within Warrington, Cheshire, England, UK, WA4 1NN at one identifiable point, providing a benchmark against new ownership. Other useful contextual ideas include transport accessibility, archival record, local bus network, roadside transit, passenger transport, public realm, roadside stop, and contemporary social history. The combination of ironwork, covers, and grids anchors the frame to a recognisable activity, place or moment. A later view of Warrington, Cheshire, England, UK, WA4 1NN may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. A further contemporary connection is rural transport and the challenge of maintaining reliable services outside dense city centres within the real-world context of Warrington, Cheshire, England, UK, WA4 1NN. The wider significance includes reliability and the shift toward cleaner buses and integrated ticketing within the specific setting of Warrington, Cheshire, England, UK, WA4 1NN. It also preserves a point of historical comparison as a date-specific reference.
Warrington, Cheshire, England, UK, WA4 1NN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,work,ironworks,water,drain,drainage,Warrington grids,ironwork,covers,Cheshire,WA1,WA4,utilities,manhole,cover,named,grid,cast,iron,rust,rusty,metal,services,sewage,maintenance,urban,man-hole,covering,WBC,drains,pipes,pipe,hotpix.org.uk
Description: Tony Smith image Alamy 2JP0KE9 - . This scene at Warrington, Cheshire, England, UK, WA4 1NN in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Warrington grids, ironwork, road, covers, Cheshire, England, UK. The image also relates to changing land use, bus route infrastructure, surface public transport, before-and-after reference, roadside stop, archival record, documentary photography, local history, contemporary social history, public transport information, community identity, regional identity, historical comparison, and visual archive. From a 2025-onward perspective, reliability and local connectivity are closely linked to this subject, alongside the importance of bus stops as the physical interface between passengers and public transport. The image fixes lettering, decoration and surface detail within Warrington, Cheshire, England, UK, WA4 1NN at one identifiable point, providing a benchmark against closure or conversion. The subject also sits alongside street-side transport, roadside transit, public transport stop, local character, everyday life, place identity, period detail, and changing streetscape. The recorded references to covers, grids, and ironwork preserve clues about how the subject was presented, used or understood at the time. Around Warrington, Cheshire, England, UK, WA4 1NN, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is reliability and the importance of bus stops as the physical interface between passengers and public transport within the real-world context of Warrington, Cheshire, England, UK, WA4 1NN. The wider significance includes accessibility and the challenge of maintaining reliable services outside dense city centres within the specific setting of Warrington, Cheshire, England, UK, WA4 1NN.
Warrington, Cheshire, England, UK, WA4 1NN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ford,steel,metal,iron,cover,Gloucestershire,England,UK,town,grids,manhole,named,cast,rust,rusty,services,sewage,drainage,maintenance,urban,man-hole,history,historic,centre,sewerage,water,supply,drain,words,letter,letters,printed,roads,streets
Description: Tony Smith image Alamy 2JMD5TE - . This scene at Stroud , Gloucestershire, England, UK in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The principal subject is P. Ford and Sons, Contractors , Stroud , Gloucestershire, England, UK, iron grid. The subject also carries associations with social-history object, visual archive, documentary photography, place identity, public realm, historic material culture, period detail, before-and-after reference, historic artefact, everyday life, local history, heritage interpretation, historic inscription, and historical comparison. In present-day coverage, the subject reaches into museum conservation and heritage interpretation, not least because of the importance of provenance and inscriptions in understanding historic artefacts. Small period details of period objects and surrounding context at Stroud , Gloucestershire, England, UK may become more significant with time, particularly following refurbishment. The subject also sits alongside regional identity, decorative metalwork, local character, changing land use, collectable heritage item, community identity, museum object, and antique object. Elements such as Gloucestershire, Stroud, and Contractors add documentary specificity and may become increasingly useful when compared with later records. The period setting at Stroud , Gloucestershire, England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to museum conservation and the value of craftsmanship and material evidence in a digital age within the specific setting of Stroud , Gloucestershire, England, UK. The location additionally provides evidence of museum conservation and how everyday objects can survive as evidence of earlier work and domestic life as part of the longer story of Stroud , Gloucestershire, England, UK.
Stroud , Gloucestershire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Greater Manchester,ironwork,works,access,street,road,drain,manhole,named,cast,rust,rusty,services,sewage,drainage,maintenance,urban,man-hole,history,historic,drains,sewers,word,the,grids,sewer,wastewater,castiron,with,steel,metal,Urban,cover,grid,iron,England
Description: Tony Smith image Alamy 2JNA3ME - . An identifiable period record of the recorded location in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The location is represented through Central Wigan steel grid, Northwest UK, England. Another layer of the photograph includes changing land use, surface public transport, place identity, community identity, roadside stop, visual archive, social history, public transport information, everyday life, changing streetscape, contemporary social history, documentary photography, bus route infrastructure, and historical comparison. Current relevance extends to passenger information and integrated transport, particularly through the importance of bus stops as the physical interface between passengers and public transport. Small period details of building condition and alterations at the recorded location may become more significant with time, particularly following replacement signage. The subject also sits alongside local mobility, local character, before-and-after reference, public transport stop, local history, local bus network, roadside transit, and transport accessibility. The combination of Central, Northwest, steel, and Wigan anchors the frame to a recognisable activity, place or moment. The documentary value of 2JNA3ME rests in the precise visual record of Central Wigan steel grid, Northwest UK, England, including small period details that may not survive in later examples. The image also provides a reference for passenger information and the importance of bus stops as the physical interface between passengers and public transport within the real-world context of the recorded location. Another useful connection is reliability and the challenge of maintaining reliable services outside dense city centres within the specific setting of the recorded location. The frame retains period character as part of the recorded location's history.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,Cheshire,England,UK,WA4,iron,cast,metal,Doomsday book,Epeltune,the tun where the apples grew,HMS Blackcap,Thorn Cross,HM Prison,Young Offenders Institute,Thorn Cross HM Prison,HMS Black cap,YOI,Bawning the Thorn,Bawming the Thorn,ward,Warrington Villages,autumn,WA4 4QX,village green,green,Grappenhall Lane,Lumb Brook Road,tree,Grappenhall Ln,welcome,to,Appleton,prisons
Description: Tony Smith image Alamy 2JF0T7Y - Bawming the Thorn
Each June, the village hosts the ceremony of Bawming the Thorn. The current form of the ceremony dates from the 19th century, when it was part of the village's walking day. It involved children from Appleton Thorn Primary School walking through the village and holding sports and games at the school. This now takes place at the village hall. The ceremony stopped in the 1930s, but was revived by the then headmaster, Bob Jones, in 1973. Bawming the Thorn occurs on the Saturday nearest to Midsummer's Day.
Bawming the Thorn
Local schoolchildren dance around the tree in the style of a maypole chanting verses to the tune of Bonnie Dundee, with the following repeated chorus:
Up with fresh garlands this midsummer morn,
Up with red ribbons on Appleton Thorn.
Come lasses and lads to the Thorn Tree today
To bawm it and shout as ye bawm it Hurray!
Bawming means decorating “ during the ceremony the thorn tree is decorated with ribbons and garlands. According to legend, the hawthorn at Appleton Thorn grew from a cutting of the Holy Thorn at Glastonbury, which was itself said to have sprung from the staff of Joseph of Arimathea, the man who arranged for Jesus's burial after the crucifixion
Lumb Brook Road, Warrington, Cheshire, England, UK, WA4 4QX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,British,GB,UK,England,the,underground,cable,old,history,historic,national,BT,British telecom,telecoms,Openreach,infrastructure,telephone,telephones,GPO,General,Post,Office,relic,cover,wire,wires,cables,wiring,cast,iron,metal,rust,rusty,inspection,concrete,line,lines
Description: Tony Smith image Alamy 2JDDX84 - . This authentic period view of England, United Kingdom, UK in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The frame specifically shows Old fashioned Post Office Telephones embossed cover - England, UK. Further facets of the scene include everyday life, social history, architectural detailing, changing land use, regional identity, historic townscape, community identity, local history, changing streetscape, historic streetscape, conservation interest, period streetscape, local character, and local landmark. For current editorial use, heritage conservation and adaptive reuse provide additional context, especially through the value of distinctive buildings and street furniture to local identity. As a dated visual record of England, United Kingdom, UK, the frame retains commercial use and occupation, making it especially useful if different community use subsequently changes the scene. The wider setting retains connections with architectural character, contemporary social history, built heritage, place identity, visual archive, urban fabric, period detail, and heritage asset. Details involving fashioned, Telephones, cover, embossed, and Office make the image more specific than a generic view and strengthen its local or historical value. Around England, United Kingdom, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate heritage conservation and the value of distinctive buildings and street furniture to local identity within the specific setting of England, United Kingdom, UK. The image also provides a reference for heritage conservation and how historic fabric can be retained while places adapt to modern use as part of the longer story of England, United Kingdom, UK.
England, United Kingdom, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Tayleur,works,railway,factory,Newton,Le,Willows,Newton-Le-Willows,history,Foundry,homes,terrace,Vulcan Village,Warrington,historic,heritage,cast,nameplate,casting plate,iron,steel,engine,maker,old,village,engineering,local,community,communities,name,plate,company,names
Description: Tony Smith image Alamy 2JB87CF - . Recorded at Derby Row, Vulcan Village, Warrington , Newton-Le-Willows, Cheshire, England, UK in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on Tayleur casting plate, Derby Row, Vulcan Village, Warrington, ex-Charles Tayleur railway factory Newton-Le-Willows history, Lancashire. The subject also carries associations with contemporary social history, labour history, period detail, transport interchange, before-and-after reference, industrial artefact, historical comparison, historic freight equipment, industrial material culture, station environment, rail transport, industrial railway heritage, public transport network, and production infrastructure. The modern context includes continuing discussion of regional connectivity, decarbonisation and how historic rolling stock documents the industrial railway. For current editorial use, embodied carbon and brownfield redevelopment provide additional context, especially through the growing value of industrial heritage for tourism and local identity. For later comparison, the photograph preserves materials and architectural details at Derby Row, Vulcan Village, Warrington , Newton-Le-Willows, Cheshire, England, UK, details that may look very different after changing commercial priorities. The subject also sits alongside manufacturing heritage, industrial archaeology, community identity, freight wagon, train operations, changing streetscape, regional identity, and industrial transport. Elements such as Tayleur, Newton-Le-Willows, ex-Charles, plate, and casting add documentary specificity and may become increasingly useful when compared with later records. Around Derby Row, Vulcan Village, Warrington , Newton-Le-Willows, Cheshire, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear.
Derby Row, Vulcan Village, Warrington , Newton-Le-Willows, Cheshire, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Cheshire,England,UK,villages,in,tree,Grappenhall Ln,Grappenhall Lane,WA4,green,village green,Lumb Brook Road,Young Offenders Institute,Thorn Cross HM Prison,HMS Black cap,YOI,Bawning the Thorn,Bawming the Thorn,ward,Warrington Villages,autumn,WA4 4QX,HM Prison,Thorn Cross,Doomsday book,Epeltune,metal,cast,iron,welcome,to,Appleton,signs,bush Thorn bush,decorative,HMS Blackcap,Thorn
Description: Tony Smith image Alamy 2D6CRTN - . An authentic period record of Grappenhall Ln, Appleton Thorn, Warrington,Cheshire,England,UK, WA4 4QX, retaining the practical visual detail that later redevelopment, rebranding or altered use can remove. The photograph centres on Appleton Thorn Village sign, Lumb Brook Road, Grappenhall Lane, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 4QX. Further connections within the scene include vernacular roadside furniture, social landscape, place identity, heritage sign furniture, local history, changing streetscape, before-and-after reference, everyday Britain, urban change, historical comparison, local road heritage, community identity, local route marker, and historic highways furniture. Current discussion around this subject increasingly includes changes in highway signage alongside maintenance of traditional road furniture, with particular attention to preserving distinctive county and parish character. For later comparison, the photograph preserves ownership and occupation at Grappenhall Ln, Appleton Thorn, Warrington,Cheshire,England,UK, WA4 4QX, details that may look very different after altered transport patterns. The wider local story also touches on public realm, village wayfinding, archival record, period detail, countryside navigation aid, local character, traditional directional post, and country-lane navigation. The recorded references to Appleton, Thorn, Village, Grappenhall, and Brook preserve clues that can help identify how the subject was presented or used at the time. Around Grappenhall Ln, Appleton Thorn, Warrington,Cheshire,England,UK, WA4 4QX, apparently routine features can become historically useful once businesses close, buildings change use or familiar street details disappear. Another strand within the photograph is changes in highway signage and recording destinations and road relationships that can change when considered against later change at Grappenhall Ln, Appleton Thorn, Warrington,Cheshire,England,UK, WA4 4QX.
Grappenhall Ln, Appleton Thorn, Warrington,Cheshire,England,UK, WA4 4QX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Warrington,Grappenhall,Thelwall,Chester,metal,scrap,grid thefts,Stolen grid covers,Stolen,grid covers,covers,grids,Manhole covers,grids stolen for scrap,stolen for scrap,history,historic,Deva,manhole,named,grid,cast,iron,rust,rusty,services,sewage,drainage,maintenance,urban,man-hole
Description: Tony Smith image Alamy 2C6RE8F - . A grounded editorial photograph of the recorded location, capturing details that may acquire greater historical value as the location and its use change. The main point of reference is Chester cast iron grid,manhole cover, Cheshire, England, UK. The wider scene also brings together historic streetscape, archival record, public realm, historical comparison, everyday Britain, built heritage, documentary photography, cityscape history, local character, changing streetscape, conservation interest, conservation architecture, heritage asset, and regional identity. Today's wider story includes heritage conservation, embodied carbon and the practical question of the contrast between historic fabric and modern development. Small period details of commercial identity and local use at the recorded location may become more significant with time, especially following refurbishment. The photograph additionally reflects architectural contrast, urban change, social landscape, contemporary history, community identity, place identity, visual archive, and before-and-after reference. Details involving cover, manhole, and Chester make the image more specific than a generic illustration and strengthen its local or historical value. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for heritage conservation and preserving local identity during urban change when considered against later change at the recorded location. The wider significance includes adaptive reuse and keeping older buildings useful without erasing their character without losing the local specificity of the recorded location. Another strand within the photograph is maintenance and the contrast between historic fabric and modern development in a form that can be compared with future views of the recorded location.
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,River Mersey Crossing,at,bridges,crossing,Mersey,Cheshire,WA1 1WA,WA1,North West,Bridge Foot,Warrington Bridge,walkway,balcony,WWI,WWII,great war,bridge,metal,cast,iron,overlooking,Lest we forget,remembered,memory,war,wars,fallen,we will remember them,benches,bench,flood defenses,Environmental Agency,sunny
Description: Tony Smith image Alamy 2AAT31C - Warrington was founded by the Romans at an important crossing place on the River Mersey. A new settlement was established by the Saxons. By the Middle Ages, Warrington had emerged as a market town at the lowest bridging point of the river. A local tradition of textile and tool production dates from this time.
The modern Borough of Warrington was formed in 1974 with the amalgamation of the former County Borough of Warrington, part of the Golborne Urban District, the Lymm Urban District, part of the Runcorn Rural District, the Warrington Rural District and part of the Whiston Rural District.
The River Mersey runs through the heart of the town dividing it in two. There are only two main thoroughfares crossing the Mersey in Warrington: at Warrington Bridge at Bridge Foot and at the Kingsway Bridge. Before the M6 was built, these routes were very busy with through traffic.
The Manchester Ship Canal runs through the south of the town
three swing bridges and a high-level cantilever bridge provide crossing points. Although shipping movements on the ship canal are far less frequent than in years past, they can cause severe delay to local road traffic. The Bridgewater Canal runs through the borough from the village of Lymm to Walton Hall and Gardens, a local park/leisure area. The course of the Sankey Canal runs through the west of the town, although most of it is not suitable for navigation.
Bridgefoot Warrington, Cheshire, England, WA1 1WA
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,West Midlands,city Centre,SV grid,SV,grid,worn,surface box,cover,meter cover,meter,Victorian,old,manhole,named,cast,iron,rust,rusty,metal,services,sewage,drainage,maintenance,urban,man-hole,embossed,history,historic,steel,utilities,council
Description: Tony Smith image Alamy 2AAT2NP - . This period scene at Birmingham City Centre, West Midlands, England, UK in 2019 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. The defining feature is Corporation of Birmingham embossed iron grid, City Centre, West Midlands, England, UK - SV. The image connects the immediate subject with cityscape history, adaptive reuse, heritage asset, traditional masonry, contemporary social history, political communication, social history, local history, electoral messaging, archival record, constituency representation, government priorities, architectural detailing, and public realm. Today's wider story includes local services, government priorities and the practical question of showing how national debate reaches local places. For contemporary context, redevelopment pressure and maintenance costs are closely related themes, especially where the issue becomes the contrast between preservation and redevelopment. With the passage of time, the scene fixes the combination of built form, activity and local identity in this part of Birmingham City Centre, West Midlands, England, UK. The surrounding context also covers historical comparison, before-and-after reference, public policy, period detail, period building, conservation architecture, community identity, and public administration. The recorded references to Midlands, embossed, Centre, Birmingham, and Corporation preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Birmingham City Centre, West Midlands, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The wider significance includes local services and showing how national debate reaches local places in a form that can be compared with future views of Birmingham City Centre, West Midlands, England, UK.
Birmingham City Centre, West Midlands, England, UK
Description
Keywords: Hotpixuk,@Hotpixuk,GoTonySmith,England,UK,GB,Great Britain,Merseyside,Ferry Terminal,boat,Spitting,on any of the,ferry boats,or on,ferries,premises,is an offence,punishable,40 shillings,warning,white,heritage,rule,rules,cast,iron,metal,painted,regulation,regulations,fine,fines,for,spit,spitting,offences,punished,shillings
Description: Tony Smith image Alamy 2DAPRCW - . A location-based documentary photograph from Woodside Ferry Terminal, Birkenhead,Merseyside.htm Target=_Blank>Merseyside,England,UK, CH41 6DU, useful both for its immediate subject and for the smaller period details around it. At the heart of the image is Sign,Mersey Ferriies,Spitting forbidden,punishable by a penalty,Woodside,Birkenhead,Wirral Merseyside,England,UK. The scene can also be read in terms of before-and-after reference, riparian setting, managed navigation, built environment, industrial waterway history, boating network, historic transport corridor, public realm, changing streetscape, inland navigation, visual archive, everyday Britain, local character, and blue-green infrastructure. Today's wider story includes heritage conservation, navigation funding and the practical question of keeping historic infrastructure safe and operational. As a dated visual record of Woodside Ferry Terminal, Birkenhead,Merseyside,England,UK, CH41 6DU, the frame retains commercial identity and local use, making it useful if changed technology subsequently changes the scene. Further associations include towpath landscape, canal heritage, place identity, waterside infrastructure, lock-side environment, historical comparison, archival record, and documentary photography. The combination of Merseyside, Mersey, Woodside, penalty, and Spitting helps anchor the frame to a recognisable activity, place or period. A later view of Woodside Ferry Terminal, Birkenhead,Merseyside,England,UK, CH41 6DU may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence for heritage conservation and keeping historic infrastructure safe and operational within the specific setting of Woodside Ferry Terminal, Birkenhead,Merseyside,England,UK, CH41 6DU. The frame therefore remains a dated reference for Woodside Ferry Terminal, Birkenhead,Merseyside,England,UK, CH41 6DU and the changing story of the subject shown.
Woodside Ferry Terminal, Birkenhead,Merseyside,England,UK, CH41 6DU
Description
Keywords: GoTonySmith,@HotpixUK,Gloucester,Gloucestershire,town,Forest of Dean,steel grid,iron grid,metal,Cinderford,Glos,Foundry,works,cast,iron,steel,metal grid,road,cover,Taunton,named,rust,rusty,services,sewage,drainage,maintenance,urban,man-hole,embossed,foundry,foundries,sewer,drain,covers,GL14 2PH,GL14
Description: Tony Smith image Alamy P53BT3 - . Recorded at Cinderford, Forest of Dean, Gloucestershire, England, UK , GL14 2PH in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. At the centre of the view is Steel Grid AV - Cannop Foundry Ltd, Cinderford, Forest of Dean, Gloucestershire, England, UK , GL14 2PH. The frame also records themes of social history, public transport stop, public transport information, roadside transit, place identity, public realm, local mobility, passenger transport, period detail, everyday life, regional identity, street-side transport, local bus network, and bus route infrastructure. Today's relevance is strengthened by passenger information, reliability and the continuing question of the shift toward cleaner buses and integrated ticketing. As a dated visual record of Cinderford, Forest of Dean, Gloucestershire, England, UK , GL14 2PH, the frame retains commercial use and occupation, making it especially useful if altered transport patterns subsequently changes the scene. The surrounding story also includes visual archive, local history, surface public transport, community identity, contemporary social history, documentary photography, before-and-after reference, and transport accessibility. The recorded references to Steel, Cannop, Forest, Foundry, and Gloucestershire preserve clues about how the subject was presented, used or understood at the time. For Cinderford, Forest of Dean, Gloucestershire, England, UK , GL14 2PH, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to passenger information and the challenge of maintaining reliable services outside dense city centres without losing the local specificity of Cinderford, Forest of Dean, Gloucestershire, England, UK , GL14 2PH. The period view preserves period character for later comparison.
Cinderford, Forest of Dean, Gloucestershire, England, UK , GL14 2PH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,cast iron grid,cover,concrete,Warrington,street,town,WA1,pavement,cast iron,steel,Bank Quay,Electricity,supply,Victorian,utility,utilities,borough council,Warrington borough council,manhole,named,cast,rust,rusty,metal,services,sewage,drainage,maintenance,urban,man-hole,electric,electricity,grid,iron,Electric supply
Description: Tony Smith image Alamy RM1TFG - . This location-led image shows the physical context of the recorded location, in a view made during 2017. The photograph carries associations with architectural character, architectural heritage, conservation architecture, government decision-making, public administration, historic fabric, public interest, historic environment, social policy, period property, historic built environment, and heritage streetscape. The wider contemporary story of architectural conservation now includes conservation of original fabric alongside energy retrofit, while policy and investment increasingly consider heritage-led regeneration. Current debate around civic administration often combines local authority finance, infrastructure and the practical challenge of community responses to government decisions. The photograph fixes the recorded location at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed, specifically in relation to Grid Cover. The scene also relates to townscape identity, community debate, adaptive reuse, public-sector policy, local authority, traditional building. Other local associations include Warrington Corporation Electricity Supply, Warrington Corporation Electricity, electrification, cabling, electricity supply, WBC. A second layer of description includes local democracy, urban conservation, policy change, political discourse, historic townscape, civic debate, democratic accountability, period architecture, heritage asset, and architectural detail. Seen from a 2025-onward perspective, historic buildings also connects with vacancy, energy retrofit and efforts aimed at preserving local character. That gives this view of the recorded location continuing value for local history, retrospective reporting and visual comparison, specifically in relation to Grid Cover.
Description
Keywords: England,UK,light,lights,dusk,night,chapel,clock,church,Market,gate,historic,Trinity,James Gibbs,cast,iron,tower,curfew,bell,shop,shopping,tour,December,Festive,winter,in,Golden Square,Holy Trinity Church,Trinity Chapel,Golden Square,GoTonySmith,Buy Pictures of,Buy Images Of,illuminations,decoration,decorations,Xmas
Description: Tony Smith image Alamy F89PJG - . A grounded documentary photograph made at Sankey St, Warrington, Cheshire, England, UK in 2015, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The main point of reference is Merry Christmas from Warrington, Sankey St, Cheshire, England, UK. The subject also carries associations with historical comparison, documentary photography, visual archive, public realm, archival record, changing land use, heritage worship space, local history, everyday life, contemporary social history, changing streetscape, Christian heritage, historic church fabric, and faith community. The wider contemporary story combines accessibility, faith communities and how churches combine active worship with heritage and community roles. Small period details of lettering, decoration and surface detail at Sankey St, Warrington, Cheshire, England, UK may become more significant with time, particularly following altered transport patterns. The subject also sits alongside before-and-after reference, sacred space, religious landmark, church interior, regional identity, place identity, religious heritage, and ecclesiastical art. References to Merry, Christmas, and Sankey give the picture a strong period identity and tie it closely to its named subject. The wider setting at Sankey St, Warrington, Cheshire, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to accessibility and the importance of church buildings to genealogy and local identity without losing the local specificity of Sankey St, Warrington, Cheshire, England, UK. The location additionally provides evidence of historic fabric and how churches combine active worship with heritage and community roles in a form that can be compared with future views of Sankey St, Warrington, Cheshire, England, UK.
Sankey St, Warrington, Cheshire, England, UK
Description
Keywords: England,UK,light,lights,dusk,night,chapel,clock,church,Market,gate,historic,Trinity,James Gibbs,cast,iron,tower,curfew,bell,shop,shopping,tour,December,Festive,winter,in,Golden Square,Holy Trinity Church,Trinity Chapel,Golden Square,GoTonySmith,Buy Pictures of,Buy Images Of,illuminations,decoration,decorations,Xmas
Description: Tony Smith image Alamy F89PJH - . Recorded at Sankey St, Warrington, Cheshire, England, UK in 2015, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The subject captured here is Merry Christmas from Warrington, Sankey St, Cheshire, England, UK. Another layer of the photograph includes working waterway, lock flight, everyday life, historical comparison, changing streetscape, place identity, towpath landscape, inland boating, public realm, documentary photography, social history, regional identity, industrial waterway history, and blue-green corridor. The wider contemporary story combines flood resilience, heritage conservation and the cost of keeping ageing locks and canal structures operational. Future viewers can use this scene from Sankey St, Warrington, Cheshire, England, UK to compare commercial use and occupation with whatever follows after new construction. The wider setting retains connections with canal heritage, before-and-after reference, local character, canal infrastructure, local history, navigation engineering, inland navigation, and contemporary social history. Details involving Christmas, Sankey, and Merry make the image more specific than a generic view and strengthen its local or historical value. A later view of Sankey St, Warrington, Cheshire, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects flood resilience and the transition of industrial waterways toward leisure and heritage use when considered against later change at Sankey St, Warrington, Cheshire, England, UK. Its period value extends to navigation and the cost of keeping ageing locks and canal structures operational without losing the local specificity of Sankey St, Warrington, Cheshire, England, UK. The image fixes details of everyday use within the wider story of Sankey St, Warrington, Cheshire, England, UK.
Sankey St, Warrington, Cheshire, England, UK
Description
Keywords: Christmas,Deansgate,and,St Anns Square,st,anns,sq,square,gradeII,listed,building,castiron,cast-iron,glass,iron,shop,shops,Xmas,at,night,with,lights,England,UK,Gotonysmith,Buy Pictures of,Buy Images Of,light,decoration,decorations,history,historic,cast,grade II-listed,Barton Square,front,exterior,outside
Description: Tony Smith image Alamy ED9DMC - Barton Arcade is a Victorian shopping arcade in Manchester, England, located between Deansgate and St Ann's Square.
The arcade was listed as a Grade II* listed building on the 25 January 1972. The listing includes the block of shops (Barton's Building) and offices enclosing the arcades. It was constructed by Corbett, Raby and Sawyer in 1871.
Hartwell describes the Barton's Building facade as utterly ignorant.. the ground floor pilasters must be seen to be believed. The arcade, however, is a gorgeous glass and iron shopping arcade with glass domes..., the best example of this type of cast-iron and glass arcade anywhere in the country.
The entrance to the arcade on St Ann's Square incorporates a large, cast iron and glass wall. The two entrances on Deansgate are hidden behind the Barton Building. The building is of four storeys with an attic, a long nine-bay facade to Deansgate, divided in half horizontally by a balustraded balcony. The structure is composed of cast iron and glass. The iron work was supplied by the Macfarlane Saracen Glass Factory in Glasgow. The building was one of the first to be built on the newly widened Deansgate.The arcade was restored in the 1980s. The original shop fronts and decorative floor no longer exist
48 Barton Square, Deansgate, Manchester, England, UK, M3 2BH
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJFF - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJG2 - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,Explore,the,diversity,of,natural,world,cultures,art,and,design,technology,Scottish,history,capital,cities,building,buildings,and,technology,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,new,exterior,stone,The,buildings,architecture,was,controversial,from,the,start,and Prince Charles resigned as patron of the museum,in,protest,at,the,lack,of,consultation,over,its,design.,The,building,is,made,up,of,geometric,Corbusian forms,but also has numerous references to Scotland,such as brochs and castellated defensive,architecture,It,is,clad,in,golden,Moray,sandstone,architects,Gordon,Benson,has,called,a,reference,to,Scottish,geology,The,building,was,a,1999,Stirling,Prize,nominee,nominated,the oldest exhibit in the building,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXJJN - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,wide,shot,wideshot,portrait,orientation,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJKC - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,Explore,the,diversity,of,natural,world,cultures,art,and,design,technology,Scottish,history,capital,cities,building,buildings,science,and,technology,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,white,interior,inside,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJM0 - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,wide,gotonysmith,old,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,shot,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,oldtown,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJM8 - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,Explore,the,diversity,of,natural,world,cultures,art,and,design,technology,Scottish,history,capital,cities,building,buildings,and,technology,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,outside,new,building,architecture,summer,blue,sky,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,The,buildings,architecture,was,controversial,from,the,start,and Prince Charles resigned as patron of the museum,in,protest,at,the,lack,of,consultation,over,its,design.,The,building,is,made,up,of,geometric,Corbusian forms,but also has numerous references to Scotland,such as brochs and castellated defensive,architecture,It,is,clad,in,golden,Moray,sandstone,architects,Gordon,Benson,has,called,a,reference,to,Scottish,geology,The,building,was,a,1999,Stirling,Prize,nominee,nominated,oldtown,Tour,tourist,tourism,tourist,Scotland,Capita,the oldest exhibit in the building,Buy Pictures of,Buy Images Of,Tourist Attraction
Description: Tony Smith image Alamy DDXKB3 - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: capital,Edinburgh city,Scotland,UK,GB,Grassmarket fountain,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,Robert Milne,Town Surveyor,1732,square,structure,with a,pyramidal roof,erected,by the,Town council,1674,Repaired,and,altered,by,Richardson Brothers,Merchants,West Bow,1861,metal,cast,iron
Description: Tony Smith image Alamy DED0XG - West Bow or Bowfoot Well was erected in 1674 by Robert Milne, Town Surveyor. It was repaired in 1732. It is a square structure with a pyramidal roof. It bears the following inscription:- The West Bow Well, erected by the Town council, 1674. Repaired and altered by Richardson Brothers, Merchants, West Bow, 1861
Grassmarket, Edinburgh,Scotland,UK
![iPod Shuffle2 - Rhythm A Bridge Too Far [ Chester Dee Bridge ] 8586076868 Chester,Cheshire,queenspark,queens,park,bridge,bbridge,foot,footbridge,cast,iron,steel,pedestrian,over,river,Dee,England,UK,GB,dusk,night,shot,blue,hour,bluehour,tonysmiththathousing,tonysmiththatithousing](https://live.staticflickr.com/8532/8586076868_94281ba4c8_o.jpg/)
Description
Keywords: Chester,Cheshire,queenspark,queens,park,bridge,bbridge,foot,footbridge,cast,iron,steel,pedestrian,over,river,Dee,England,UK,GB,dusk,night,shot,blue,hour,bluehour,tonysmiththathousing,tonysmiththatithousing
Description: Tony Smith image Flickr 8586076868 - 'Billy Squire - 'A Bridge So Far' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
Squier had a string of arena rock hits in the 1980s. He is best known for the song 'The Stroke' on his 1981 album release Don't Say No. Other hits include 'In the Dark', 'Rock Me Tonite', 'Lonely Is the Night', 'My Kinda Lover', 'Everybody Wants You', 'All Night Long' and 'Emotions in Motion'.
Billy Squier's first public performances were at a Boston nightclub in Kenmore Square called the Psychedelic Supermarket in 1968, which is where he saw Eric Clapton and the band Cream. Squier's first original effort was with the band Magic Terry &
The Universe in 1969. In the early 1970s, he formed Kicks, which included future NY Dolls drummer Jerry Nolan.
He then joined The Sidewinders. Squier left the group to form the band Piper in 1976, which released two albums, Piper and Can't Wait, but left soon after. Upon reviewing the debut Piper, Circus Magazine touted it as the greatest debut album ever produced by an American rock band. Piper was managed by the same management company as KISS, and opened for KISS during their 1977 tour, including two nights of a sold-out run at New York's Madison Square Garden.
He reached his peak in the 1980's however, Squier was the opening act for the North American leg of Queen's 1982 Hot Space Tour. That same year he recorded a song, 'Fast Times (The Best Years of Our Lives)' for the film Fast Times at Ridgemont High.
In the early 1980s Squier did several headlining arena tours\u2014most notably with Foreigner and The Who with a backup band that included Jeff Golub on guitar, Bobby Chouinard on drums, Alan St. Jon on keyboards and Doug Lubahn on bass. Squier brought Def Leppard to America and broke them on the Emotions tour, in conjunction with the release of their 'Pyromania' LP.
Queens Park is a suburb of Chester. It is in the south of the city, just east of Handbridge. It includes a secondary school, Queens Park High School and also has a pedestrian suspension bridge link with the main city.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: An,Art,Nouveau,Paris,metro,station,entrance,taken,with,an,IR,Infra-Red,adapted,Canon,5D,camera,DSLR,France,Europe,french,capital,unusual,gotonysmith,Guimard,entrances,tube,mass,transit,720nm,infrared,cast-iron,balustrade,decorated,in,plant-like,motifs,accompanied by a Métropolitain sign supported,cast,iron,two,orange,globes,atop,ornate,cast-iron,supports,in,the,form,of,plant,stems,Metropolitan,Metropolitain,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HF87 - . An Art Nouveau Paris metro station entrance taken with an IR Infra-Red adapted Canon 5D camera, France, Europe. Photographed on 1 August 2011. The recorded location is Paris, France. The wider historical story is that monochrome, sepia, selective-colour and infrared treatments belong to a long tradition of photographers using tonal interpretation rather than literal colour
Infrared records wavelengths beyond normal vision, while black-and-white presentation emphasises form, contrast, texture and light. In historical terms, stations and railway infrastructure are both working transport assets and historical records
Their changing operators, signage, ticketing systems, rolling stock and architecture chart the development of British rail travel from the Victorian era to modern inter-city and commuter services. Historically, technology objects become historical remarkably quickly
Telephones, calculators, cameras, valves, televisions and workplace machines chart successive shifts from mechanical and analogue systems to electronics, digital processing, smartphones and cloud-connected services. In the present 2026 context, these effects can be produced digitally with ease, but their usefulness still depends on the underlying subject and the visual information retained
Older examples also document the aesthetics of an era when strong selective colour and infrared processing were especially popular in creative digital photography. During 2026, rail reform gives this type of image extra context
The government is legislating for Great British Railways to coordinate infrastructure, services, fares and timetables, while historic operator liveries and station equipment increasingly become records of the post-privatisation era. Additional natural-language search terms include black and white, infrared photography, creative photography, tonal contrast, high contrast, fine art photography, photographic technique, image treatment, and visual style.
Paris, France
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Manchester,plate,manufacturer,Lancashire,England,UK,Lancs,Union Iron Works,union,Union,Iron Works,Allen,Port Street,Port St,machine,machinery,machines,engineer,engineers,merchant,green,cast,iron,history,heritage,ancient,worn out,used,British,Victoria,the,past,collectable,collectables,artefact,artefacts,English
Description: Tony Smith image Alamy 2BKC2FE - . Photographed at the recorded location, the scene provides a dated reference to the subject and the surrounding social, commercial or physical environment. The photograph is concerned with William Allen brass plate,,Ancoats,Manchester,Union Iron Works, Port Street, Lancashire, England, UK. The setting additionally reflects local history, local character, industrial archaeology, documentary photography, social history, built environment, changing streetscape, contemporary history, factory equipment, regional identity, historical comparison, manufacturing heritage, engineering history, and social landscape. The present-day relevance extends to adaptive reuse and factory closures, while a wider concern is recording machinery and objects before they are dispersed. Small period details of landscape and surrounding development at the recorded location may become more significant with time, especially following closure or conversion. The photograph additionally reflects community identity, manufacturing infrastructure, production machinery, mill heritage, archival record, labour history, public realm, and industrial artefact. The combination of Works, Ancoats, William, Lancashire, and Manchester helps anchor the frame to a recognisable activity, place or period. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene retains a connection with adaptive reuse and recording machinery and objects before they are dispersed within the real-world context of the recorded location. That also gives the frame relevance to industrial archaeology and keeping evidence of working practices that have disappeared within the specific setting of the recorded location. Another useful connection is reuse of mills and warehouses and keeping evidence of working practices that have disappeared as part of the longer story of the recorded location.
Description
Keywords: Belfast Water Works,Cast Iron,Manhole Grid,man,hole,cover,Manhole Cover,Northern Ireland,UK,grid,in,road,street,Water works,access,access cover,sewer,man,hole,cast,iron,access,iron,cast iron,metal,steel,@HotpixUK,road,street,grid,in,road,street,Water works,access,access cover,sewer,manhole,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CM - . This dated editorial view of Belfast City,Northern Ireland,UK in 2011 captures more than the immediate subject, retaining clues about local use, design, activity and change. The defining feature is Belfast Water Works Cast Iron Manhole Grid, Northern Ireland, UK. The surrounding context encompasses place identity, community identity, historical comparison, local history, roadside transit, transport accessibility, archival record, documentary photography, public realm, social history, bus infrastructure, visual archive, local mobility, and local character. The modern context includes continuing discussion of decarbonisation, accessibility and the challenge of maintaining reliable services outside dense city centres. The image fixes lettering, decoration and surface detail within Belfast City,Northern Ireland,UK at one identifiable point, providing a benchmark against new construction. The surrounding story also includes changing land use, public transport information, bus route infrastructure, roadside stop, everyday life, local bus network, surface public transport, and public transport stop. The combination of Northern, Manhole, Ireland, Works, and Belfast anchors the frame to a recognisable activity, place or moment. The period setting at Belfast City,Northern Ireland,UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for decarbonisation and how local bus services affect access to work, education and healthcare without losing the local specificity of Belfast City,Northern Ireland,UK. Another useful connection is rural transport and the importance of bus stops as the physical interface between passengers and public transport in a form that can be compared with future views of Belfast City,Northern Ireland,UK. The photograph keeps a trace of local identity within the wider story of Belfast City,Northern Ireland,UK.
Belfast City,Northern Ireland,UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,Cheshire,cover,manhole,man hole,spring with pink apple blossom,Iron Grid,spring,embossed,iron,works,named,cast,rust,rusty,metal,services,sewage,drainage,maintenance,urban,man-hole,cast iron,grids,rusted,history,historic,utilities,pipes,supply,water,CW8 1AJ,CW8
Description: Tony Smith image Alamy 2AA0RTN - . An authentic period view of Northwich, Cheshire, England, UK, CW8 1AJ in 2010, showing a subject whose value extends beyond the immediate scene into local history and changing social context. The location is represented through Cast Iron Grid embossed Northwich, in the spring with pink apple blossom, Cheshire, England, UK, CW8 1AJ. The surrounding context brings together industrial supply chain, contemporary social history, building-material production, industrial material culture, manufacturing heritage, regional identity, factory history, period streetscape, industrial archaeology, visual archive, local character, social history, working-industry history, and industrial artefact. For contemporary context, industrial conservation and factory closures are closely related themes, especially where the issue becomes the relationship between local geology, manufacturing and the built environment. Viewed from the mid-2020s, the subject sits within continuing debate about historic townscape, adaptive reuse and the role of distinctive architecture in local identity. For later comparison, the photograph preserves the relationship between the subject and its surroundings in the immediate surroundings of Northwich, Cheshire, England, UK, CW8 1AJ. Other useful associations include historic context, production technology, heritage landmark, labour history, built heritage, historic commercial architecture, traditional masonry, and engineering heritage. Elements such as spring, embossed, blossom, Northwich, and apple add documentary specificity and may become more useful when compared with later records. Around Northwich, Cheshire, England, UK, CW8 1AJ, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image fixes a trace of local identity as part of Northwich, Cheshire, England, UK, CW8 1AJ's history.
Northwich, Cheshire, England, UK, CW8 1AJ
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,Cheshire,green,Makers plate,AM Thompson,train,engine,Crewe works,engineering,rail,railway,London & North Western Railway,London NW Railway,London North Western,patent,patented,metal,iron,cast,cast iron,maker,makers,history,historic,equipment,rail works,railway works,engine works,heritage,paint,preserved,manufacturer
Description: Tony Smith image Alamy 2AA0RPF - Crewe Works is a British railway engineering facility built in 1840 by the Grand Junction Railway. It is located in the town of Crewe, in Cheshire. It is currently owned by Bombardier Transportation.
The railway also built 200 cottages establishing a new community in what had been the rural township of Monks Coppenhall. Among the first workers to arrive were those from the old works at Edge Hill producing an increase in the town's population by some 800 men, women and children.
In 1845 the Liverpool and Manchester Railway was merged with the Grand Junction. These, in turn, merged in 1846, with the London and Birmingham Railway and the Manchester and Birmingham Railway to form the London and North Western Railway (LNWR). All four had their own workshops but, in time, locomotive building was concentrated at Crewe.
In 1857 John Ramsbottom became Locomotive Superintendent. He had previously invented the first reliable safety valve and the scoop for picking up water from troughs between the tracks. He went on to improve the precision and interchangeability of tools and components.
In 1862 locomotive work was transferred from Wolverton. Wolverton became the carriage works, while wagon building was concentrated at Earlestown.
In 1853 Crewe had begun to make its own wrought iron and roll its own rails, and in 1864 installed a Bessemer converter for manufacturing steel. In 1868 it became the first place to use open-hearth furnaces on an industrial scale. It also built its own brickworks. Later the works was fitted with two electric arc furnaces.
Production increased steadily and, with the sale to the Lancashire and Yorkshire Railway of ten 2-4-0 and eighty six 0-6-0 locomotives, privately owned manufacturers took out an injunction in 1876 to restrain the railway from producing anything but its own needs. This remained in force until British Rail Engineering Limited was established in 1969.
Crewe Works, Cheshire,England, UK, CW1
Description
Keywords: Livrpool,gotonysmith,liverpol,liverpool,mersyside,merseyside,dock,building,sail,ship,beatle,city,beatles,beatlesss,northwest,north,west,england,history,historic,boatyard,yard,docks,wet,UNESCO,gotonysmith,Buy Pictures of,Buy Images Of,Albert,Dock,is,a,complex,of,dock,buildings,and,warehouses,in,Liverpool,England. Designed by Jesse Hartley and Philip Hardwick,it was opened in 1846,and,was,the,first,structure,in,Britain,to,be,built,from,cast,iron,brick and stone,with no structural wood. As a result,it was the first non-combustible warehouse system in the world.,At,the,time,of,its,construction,the,Albert,Dock,was,considered,a,revolutionary,docking,system,because,ships,were,loaded,and,unloaded,directly,from/to,the,warehouses.,Two,years,after,it,opened,it,was,modified,to,feature,the,worlds,first,hydraulic,cranes.,Due,to,its,open,yet,secure,design,the,Albert,Dock,became,a,popular,store,for,valuable,cargoes,such,as,brandy,cotton,tea,silk,tobacco,ivory and sugar. However,despite the Albert Docks advanced design,the rapid development of shipping technology,1
Description: Tony Smith image Alamy CF138M - Pride of Liverpool - Ship at Albert dock Liverpool North West England UK
Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world.
At the time of its construction the Albert Dock was considered a revolutionary docking system because ships were loaded and unloaded directly from/to the warehouses. Two years after it opened it was modified to feature the world's first hydraulic cranes. Due to its open yet secure design, the Albert Dock became a popular store for valuable cargoes such as brandy, cotton, tea, silk, tobacco, ivory and sugar. However, despite the Albert Dock's advanced design, the rapid development of shipping technology meant that within 50 years, larger, more open docks were required, although it remained a valuable store for cargo.
During the Second World War, the Albert Dock was requisitioned by the Admiralty serving as a base for boats of the British Atlantic Fleet. The complex was damaged during air raids on Liverpool, notably during the May Blitz of 1941. In the aftermath of the war, the financial problems of the owners and the general decline of docking in the city meant that the future of the Albert Dock was uncertain. Numerous plans were developed for the re-use of the buildings but none came to fruition and in 1972 the dock was finally closed. Having lain derelict for nearly ten years, the redevelopment of the dock began in 1981, when the Merseyside Development Corporation was set up, with the Albert Dock being officially re-opened in 1988.
Today the Albert Dock is a major tourist UNESCO attraction in the city and the most visited multi-use attraction in the United Kingdom, outside of London
Albert Dock, Wapping, Liverpool, Merseyside County , England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,Northwich,rusting,historic,CW8 1AJ,CW8,Henry Bates & Sons,ironfounders,Henry Bates and Sons,Henry Bates,metalworkers,manhole,cover,named,grid,cast,iron,rust,rusty,metal,services,sewage,drainage,maintenance,urban,man-hole,bates,bate,engineer,history,town,centre,sewer
Description: Tony Smith image Alamy 2A9GHXF - . Grid / Manhole cover, H Bates & sons,Engineers, Northwich, Cheshire, CW8 1AJ. Photographed on 14 April 2010. The recorded location is Northwich, Cheshire, England, UK, CW8 1AJ. Find out more at. Looking at the subject's development, utility covers combine practical engineering with community identity
Their lettering, patterns and wear document manufacturing, municipal services and the development of underground networks beneath ordinary streets. Looking at the subject's development, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. For the 2026 context, resilient drainage, utilities and maintenance of ageing infrastructure are increasingly important as towns adapt to heavier rainfall, new communications networks and changing street design
Historic covers remain functional heritage embedded in the public realm. For the 2026 context, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historical fabric creates continuing debate about conservation and reuse. The wider historical story is that the lettering on a manhole or grid can survive as a small piece of local industrial history, preserving a council name, foundry or engineering supplier after street layouts and nearby businesses have changed
Repeated patterns were cast for strength and grip as well as identification. Historically, cast-iron manhole and utility covers are easily overlooked pieces of municipal engineering, yet maker's names and local authority markings can identify former companies, public bodies and infrastructure systems
They survive traffic and street resurfacing long after nearby businesses disappear. Useful indexing vocabulary includes street ironwork and underground services.
Northwich, Cheshire, England, UK, CW8 1AJ
Description
Keywords: gt,great,budworth,northwich,A49,Cheshire,village,england,english,UK,britain,traditional,pub,public,house,tetley,dusk,night,shot,blue,sky,golden,hour,magic,cast,iron,sign,george,dragon,tonysmith,tony,smith,hotpics,hotpic,hotpick,hotpicks,building,buildings,built,architecture,favourite,pubs,houses,noche,nuit,sex,sexy,hotpix!
Description: Tony Smith image Flickr 4443599673 - 'I cycled on my bike the 50 minute journey to this excellent grade II listed country pub many times. The George and Dragon in the Cheshire Village of Great Budworth was originally under control of the Arley Hall estate. Its original origins are thought to go back to 1722, according to a stone inside inscribed in latin. Its picturesque look is mainly down to vanity in victorian times when Rowland Egerton-Warburton (lord of the manor) decided a makeover (a'la changing rooms) was in order. The village and pub were not picturesque enough apparently. The architect John Douglas was dispatched from the city of Chester to add elaborate tall chimneys, a turret and fancy mullioned windows.
The pub sign is very interesting, similar in make up to those seen on inns on the Rhine, south of Cologne, Germany. The cut-out pictorial sign itself came from Nuremberg. The hefty bracket it hangs from was a product of a local smithy. Above the inner door can be seen a stone containing a verse written by Rowland Egerton-Warburton.
A view from the church pulpit opposite the pub can be seen here www.flickr.com/photos/hotpixuk/4333545672/
Have a look at some of my other pub images on Flickr - w=33062170@N08\'>www.flickr.com/search/?q=pub&
w=33062170@N08 .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899 ',
Description
Keywords: Albert Dock Liverpool Dusk Panorama from Wapping,Merseyside,North west England,UK,gotonysmith,blue,hour,pump,house,pub,water,maritime,beatles,city,side,john,lennon,chimney,Albert,Dock,is,a,complex,of,dock,buildings,and,warehouses,in,Liverpool,England. Designed by Jesse Hartley and Philip Hardwick,it was opened in 1846,and,was,the,first,structure,in,Britain,to,be,built,from,cast,iron,brick and stone,with no structural wood. As a result,it,was,the,first,non-combustible,warehouse,system,in,the,world.,At,the,time,of,its,construction,the,Albert,Dock,was,considered,a,revolutionary,docking,system,because,ships,were,loaded,and,unloaded,directly,from/to,the,warehouses.,Two,years,after,it,opened,it,was,modified,to,feature,the,worlds,first,hydraulic,cranes.,Due,to,its,open,yet,secure,design,the Albert Dock became a popular store,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF13A2 - Albert Dock Liverpool Dusk Panorama from Wapping, Merseyside, North west England , UK
Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world.
At the time of its construction the Albert Dock was considered a revolutionary docking system because ships were loaded and unloaded directly from/to the warehouses. Two years after it opened it was modified to feature the world's first hydraulic cranes. Due to its open yet secure design, the Albert Dock became a popular store for valuable cargoes such as brandy, cotton, tea, silk, tobacco, ivory and sugar. However, despite the Albert Dock's advanced design, the rapid development of shipping technology meant that within 50 years, larger, more open docks were required, although it remained a valuable store for cargo.
During the Second World War, the Albert Dock was requisitioned by the Admiralty serving as a base for boats of the British Atlantic Fleet. The complex was damaged during air raids on Liverpool, notably during the May Blitz of 1941. In the aftermath of the war, the financial problems of the owners and the general decline of docking in the city meant that the future of the Albert Dock was uncertain. Numerous plans were developed for the re-use of the buildings but none came to fruition and in 1972 the dock was finally closed. Having lain derelict for nearly ten years, the redevelopment of the dock began in 1981, when the Merseyside Development Corporation was set up, with the Albert Dock being officially re-opened in 1988.
Today the Albert Dock is a major tourist attraction in the city and the most visited multi-use attraction in the United Kingdom, outside of London. It is a vital component of Liverpool's UNESCO area.
Wapping / Albert Dock, Liverpool city, Merseyside , NW England, UK
Description
Keywords: Private,No,Admittance,Except,On,Business,GWR,Railway,sign,on,a,green,door.,North,Devon,England,UK,gotonysmith,doorknob,knobs,office,cast,iron,L&B,Lynton,and,Barnstable,railway,trust,F&WHR,LYD,Wild,Exmoor,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEYAA9 - . Private No Admittance Except On Business GWR Great Western Railway sign on a green door. Woody Bay, North Devon, England UK. Photographed on 27 August 2009. As background, street signs, shop fascias, notices and inscriptions combine practical communication with graphic design
Typefaces, colours and wording can identify an era, organisation or local custom, making close photographs valuable for social, transport and commercial history. Historically, security signage is a small but revealing part of organisational history, documenting who was permitted to enter a place, how identity was checked and how sensitive areas were protected before today's networked access-control systems. In the longer view, britain's railways reshaped towns, industry and passenger travel from the nineteenth century onwards, creating a dense network of stations, goods yards, signalling infrastructure and long-distance routes
Surviving buildings, signs and operating equipment now document both railway heritage and continuing public transport. Against the 2026 backdrop, digital wayfinding is widespread, but physical signage remains essential for safety, accessibility and identity
Historic notices and ghost signs are also increasingly appreciated as part of the character of streets and buildings. In 2026, security increasingly combines physical controls with digital identity, cybersecurity and electronic access management
Earlier pass notices provide a useful contrast with smart cards, mobile credentials and biometric systems while retaining their original institutional context. From a heritage perspective, public wording is part of the visual landscape
Direction signs, warning notices, painted advertisements and engraved plaques show how authorities and businesses communicated before digital screens and app-based information became widespread. Useful alternative terminology includes lettering, typography, public information, warning sign, and visual communication.
Woody Bay, North Devon, England
Description
Keywords: Leftwich,Milepost,Northwich,Cheshire,UK,Davenham,cast,iron,sign,post,signpost,1833,1883,365days,B/W,black,white,mono,monochrome,mile,finger,direction,metal,wayside,way,side,highway,road,old,stuff,hotpix!
Description: Tony Smith image Flickr 3811346324 - 'This is on the road south out of Northwich towards Davenham. It probably dates from before 1936 when Leftwich civil parish ceased to exist. All of its population was transferred to the civil parish of Davenham further south. After the second world war, the same area was annexed to Northwich in 1955, following the post-war construction of a large housing estate at Leftwich Green by Northwich Urban District Council. this housing estate is now opposite this old and forgotten cast metal mile post.
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC
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Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,science,sciences,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,science,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,wide,shot,pano,panorama,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,Tour,tourism,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJGE - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,science,sciences,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,science,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,wide,landscape,view,Tour,tourism,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJGY - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: Edinburgh,city,Scotland,UK,EH1,1JF,EH11JF,street,sciences,tourist,travel,attractions,attraction,Explore,the,diversity,of,natural,world,cultures,art,and,design,history,capital,cities,building,buildings,and,natural,history,and,world,cultures,central,old,gotonysmith,town,George,IV,Bridge,4th,royal,grand,central,hall,of,cast,iron,construction,that,rises,the,full,height,Dolly,the,sheep,independance,independence,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DDXJHT - National Museums Scotland was formed by Act of Parliament in 1985 , amalgamating the former National Museum of Antiquities of Scotland and The Royal Scottish Museum. The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures.
The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Romanesque Revival facade and a grand central hall of cast iron construction that rises the full height of the building. This building reopened on 29 July 2011 after a £47 million project to restore and extend the building, and redesign the exhibitions (by Ralph Appelbaum).
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland, and the Royal Museum. As well as the main national collections of Scottish archaeological finds and medieval objects, the museum contains artifacts from around the world, encompassing geology, archaeology, natural history, science, technology and art. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display.
One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock.
Chambers St, Edinburgh city, Scotland UK EH1 1JF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,drain,drainage,steelwork,BS,company,utility,supplier,monopoly,companies,Filey,England,UK,Yorkshire,Water Industry Act 1991,discharge,discharges,pollution,supply,manhole,cover,named,grid,cast,iron,rust,rusty,metal,services,sewage,maintenance,urban,man-hole,Gods own,county,of,bosses,bonuses
Description: Tony Smith image Alamy 2M1MMB6 - Yorkshire Water is a water supply and treatment utility company servicing West Yorkshire, South Yorkshire, the East Riding of Yorkshire, part of North Lincolnshire, most of North Yorkshire and part of Derbyshire, in England. The company has its origins in the Yorkshire Water Authority, one of ten regional water authorities created by the Water Act 1973, and privatised under the terms of the Water Act 1989, when Yorkshire Water plc, the parent company of the Yorkshire Water business, was floated on the London Stock Exchange. The parent company was Kelda Group in 1999. In February 2008, Kelda Group was bought by a consortium of infrastructure funds.
It is regulated under the Water Industry Act 1991
Yorkshire Water has received fines for breaches of environmental law. For example:
Yorkshire Water was fined twice in April 2007. The first offence was for allowing polluting matter to enter Clifton beck in Brighouse, contrary to section 85(1) of the Water Resources Act 1991. The final incident killed one third of the wildlife along over a mile of the stream
Yorkshire Water was fined £6,000 and ordered to pay £9,051 in costs for supplying unfit water in May 2006 in a prosecution brought by the Drinking Water Inspectorate,
Yorkshire Water's largest fine, of £119,000 (reduced to £80,000 on appeal), with costs of £125,598, was received in December 2000 after pleading guilty to seventeen charges of supplying water unfit for human consumption
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,manhole,covers,rust,rusty,grids,water,cast,iron,castiron,metal,grid,London,street,logo,embossed,made,foundary,steel,rusting,overs,utility,sewage,road,lane,history,historic,heritage,public,supplies,private,investment,dividends,dividend,bosses,pay rises
Description: Tony Smith image Alamy 2JJG081 - . Photographed at the recorded location in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The principal subject is Thames Water embossed cast iron grid, London, England, UK. Other connected aspects include urban fabric, conservation architecture, archival record, everyday street life, heritage asset, period building, period streetscape, social landscape, architectural character, everyday life, architectural detailing, historic streetscape, social history, and public realm. From a 2025-onward perspective, adaptive reuse and embodied carbon are closely linked to this subject, alongside keeping older structures useful without erasing their character. The wider contemporary story combines community use, regeneration and how ordinary street scenes become valuable records as businesses and infrastructure change. Small period details of commercial use and occupation at the recorded location may become more significant with time, particularly following changing commercial priorities. A second descriptive layer includes documentary photography, urban change, pedestrian environment, visual archive, heritage landmark, historical comparison, place identity, and conservation interest. References to Thames, Water, and embossed give the picture a strong period identity and tie it closely to its named subject. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for adaptive reuse and keeping older structures useful without erasing their character when considered against later change at the recorded location. Another useful connection is commercial change and the relationship between public space and local social life without losing the local specificity of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Britain,L23,at,sculpture,on,in,seaside,sunset,evening,dusk,English,L23 6SX,face,body,torso,cast,iron,figure,people,figures,Joseph and Jesse Siddons Foundry,West Bromwich,West Brom,Waterloo,and,Blundellsands,Hargreaves Foundry,Halifax,Derek Alexander,Another Place Ltd,Sefton Metropolitan Borough Council,Sefton,Gormly
Description: Tony Smith image Alamy 2R15NFR - Another Place is a piece of modern sculpture by British artist Antony Gormley located at Crosby Beach in Merseyside, England. It consists of 100 cast iron figures facing towards the sea. The figures are modelled on the artist's own naked body.[1] The work proved controversial due to the naked statues but has increased tourism to the beach. After being exhibited at two other locations it was put on display at Crosby on 1 July 2005. After some controversy Sefton Metropolitan Borough Council decided on 7 March 2007 that the sculptures should be permanently installed at the beach
The work consists of cast iron figures which face out to sea, spread over a 2-mile (3.2 km) stretch of beach between Waterloo and Blundellsands. Each figure is 189 centimetres (6 ft 2 in) tall and weighs around 650 kilograms (1,430 lb). The figures are cast replicas of Gormley's own body. As the tides ebb and flow, the figures are revealed and submerged by the sea, and are subject to corrosion by seawater and colonisation by marine animals. The figures were cast at Hargreaves Foundry in Halifax, West Yorkshire and the Joseph and Jesse Siddons Foundry in West Bromwich by foundryman Derek Alexander
Mariners Road, Crosby Beach, Liverpool, Merseyside, England, UK, L23 6SX
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,HotpixUK,city,iron grid,grids,access cover,cover,manhole,named,grid,cast,iron,rust,rusty,services,sewage,drainage,maintenance,urban,man-hole,embossed,cast iron,metal,rusting,foundry,industry,history,historic,squares,street,road,covering,sewer access,centre
Description: Tony Smith image Alamy 2JCMKC8 - . Photographed at Sheffield, South Yorkshire, England, UK, S1 1AA in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The image documents Sheffield iron grid, road access cover / manhole. The frame also records themes of archival record, regional identity, contemporary social history, contemporary city life, heritage asset, historical comparison, period building, social history, historic townscape, visual archive, changing streetscape, place identity, period detail, and community identity. From a 2025-onward perspective, redevelopment pressure and embodied carbon are closely linked to this subject, alongside how historic fabric can be retained while places adapt to modern use. The wider contemporary story combines public-realm change, transport and how ordinary street scenes become valuable records as businesses and infrastructure change. The image fixes equipment and working practice within Sheffield, South Yorkshire, England, UK, S1 1AA at one identifiable point, providing a benchmark against refurbishment. A second descriptive layer includes before-and-after reference, conservation architecture, local identity, urban change, pedestrian environment, historic frontage, townscape record, and documentary photography. The combination of manhole, access, cover, and Sheffield anchors the frame to a recognisable activity, place or moment. A later view of Sheffield, South Yorkshire, England, UK, S1 1AA may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to redevelopment pressure and how historic fabric can be retained while places adapt to modern use within the specific setting of Sheffield, South Yorkshire, England, UK, S1 1AA. The view records period character within the wider story of Sheffield, South Yorkshire, England, UK, S1 1AA.
Sheffield, South Yorkshire, England, UK, S1 1AA
Description
Keywords: Gay,Village,Manhole,Man,hole,iron,steel,metal,icon,logo,things,Northern,Powerhouse,pattern,Canal,Street,st,LGBT,Manchester Sewer,Manchester Grid,Right at the heart of things,Northern Powerhouse,City Centre Manchester,Manchester City,Canal St,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,man,hole,cast,iron,access,iron,cast iron,metal,steel,@HotpixUK,road,street,grid,in,road,street,Water works,access,access cover,sewer,manhole,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H3TNWN - Photo shows City Centre Manchester embossed cast iron Grid, Right at the heart of things, England UK. The image is suited to editorial use around street art, visual culture, murals, poster design, neon, typography, nightlife, creative quarters and the way cities express identity through walls, signs and public surfaces. Such photographs can also support features on tourism, regeneration, counterculture, community memory and changing urban neighbourhoods. The supplied location evidence places the subject at or near Manchester, England, UK, which adds value for buyers searching by town, city, region or postcode. The visible artwork, typography or sign is the core evidence, with location and public realm context adding value. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news. Search relevance is helped by including concise place names, visible brand or wording, functional subject terms, and wider editorial concepts such as public realm, consumer behaviour, heritage, travel, leisure and community life where they genuinely match the picture.
Canal St,Manchester,England, UK
