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Description
Keywords: Salt,Titus,village,West,Yorkshire,England,UK,buildings,listed,world,heritage,site,salts,mill,Bradford,A pint,of,brewing,Saltaire,Saltaire Blond,light,IPA,blond,beer,SB,breweries,BD17,clip,pump,hand,pull,handpull,fresh,freshly,poured,ale,AA,temperance,Titus Salt,GoTonySmith,pulled pint,pulled
Description: Tony Smith image Alamy 2JTD3A4 - . Photographed at Dockfield Rd, Shipley, West Yorkshire, England, UK, BD17 7AR in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The image documents A pint of Sailtaire Brewery, Saltaire Blond real ale, from Unit 7, County Workshops, Dockfield Rd, Shipley, West Yorkshire, England, UK, BD17 7AR. Another layer of the photograph includes changing land use, adaptive reuse, town-centre renewal, everyday life, licensed hospitality, casual dining, regional identity, licensed trade, urban regeneration, neighbourhood drinking venue, hospitality trade, heritage-led regeneration, documentary photography, and urban fabric. In present-day coverage, the subject reaches into commercial rents and consumer spending, not least because of how branded and independent hospitality compete for changing leisure spending. Today's relevance is strengthened by public-realm investment, housing pressure and the continuing question of the value of reusing existing buildings rather than wholesale demolition. The image fixes public access and movement within Dockfield Rd, Shipley, West Yorkshire, England, UK, BD17 7AR at one identifiable point, providing a benchmark against new ownership. Further associations within the scene are architectural character, night-time economy, place identity, changing streetscape, community pub, street-level dining, period architecture, and local character. The recorded references to Workshops, Shipley, Saltaire, Blond, and Yorkshire preserve clues about how the subject was presented, used or understood at the time. The period setting at Dockfield Rd, Shipley, West Yorkshire, England, UK, BD17 7AR helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene captures part of the area's social history within the wider story of Dockfield Rd, Shipley, West Yorkshire, England, UK, BD17 7AR.
Dockfield Rd, Shipley, West Yorkshire, England, UK, BD17 7AR
Description
Keywords: Salt,Titus,village,West,Yorkshire,England,UK,buildings,architecture,listed,world,heritage,site,salts,mill,Bradford,A pint,of,brewing,Saltaire,Saltaire Blond,light,IPA,blond,beer,SB,breweries,BD17,GoTonySmith,HotpixUK,@HotpixUK,local,locally,brewed,in,ale,CAMRA,Campaign for Real Ale
Description: Tony Smith image Alamy 2JTD3A5 - . An on-location photograph from Dockfield Rd, Shipley, West Yorkshire, England, UK, BD17 7AR in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows A pint of Sailtaire Brewery, Saltaire Blond real ale, from Unit 7, County Workshops, Dockfield Rd, Shipley, West Yorkshire, England, UK, BD17 7AR. The subject also carries associations with traditional hostelry, archival record, casual dining, period detail, mixed-use redevelopment, local history, town-centre renewal, before-and-after reference, historic townscape, local character, public realm, hospitality economy, heritage-led regeneration, and customer-facing leisure. Viewed from the mid-2020s, the subject also connects with commercial rents, pub closures and the survival of local venues as social meeting places. The modern context includes continuing discussion of commercial viability, town-centre regeneration and how public investment can reshape pedestrian movement and evening activity. Future viewers can use this scene from Dockfield Rd, Shipley, West Yorkshire, England, UK, BD17 7AR to compare signage and branding with whatever follows after later reinterpretation. Further associations within the scene are changing land use, neighbourhood drinking venue, community pub, adaptive reuse, street-level dining, hospitality trade, visual archive, and architectural character. The recorded references to Sailtaire, Workshops, Blond, Yorkshire, and County preserve clues about how the subject was presented, used or understood at the time. The wider setting at Dockfield Rd, Shipley, West Yorkshire, England, UK, BD17 7AR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. It also preserves a point of historical comparison as a date-specific reference.
Dockfield Rd, Shipley, West Yorkshire, England, UK, BD17 7AR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,&,Industrial,Co-operative,Runcorn and Widnes,1928,door,entrance,doorway,transformation,blue,cyan,WA7,31-33 Ashridge Street. Runcorn,Halton,Cheshire,England,UK,WA7 1HU,Society Tap Rooms Runcorn,Society LTD,Marilyn,Monroe,blond,flowers,flower,history,historic,heritage,buildings,architecture,fabric,turquoise,art,venue,arts,community
Description: Tony Smith image Alamy 2JHB6PE - . This scene at 31-33 Ashridge Street. Runcorn, Halton, Cheshire, England, UK, WA7 1HU in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The frame specifically shows Runcorn and Widnes Co-Operative Society, 1928, 31-33 Ashridge Street. Runcorn, Halton, Cheshire, England, UK, WA7 1HU. A broader reading of the photograph includes archival record, local character, community identity, former production site, heavy-industry heritage, social history, urban fabric, conservation architecture, architectural detailing, engineering history, industrial artefact, built heritage, historic freight equipment, and historic streetscape. For current editorial use, local identity and planning control provide additional context, especially through how historic fabric can be retained while places adapt to modern use. Current relevance extends to skills heritage and brownfield redevelopment, particularly through the growing value of industrial heritage for tourism and local identity. For later comparison, the photograph preserves transport arrangements and footfall at 31-33 Ashridge Street. Runcorn, Halton, Cheshire, England, UK, WA7 1HU, details that may look very different after new construction. Other useful contextual ideas include manufacturing heritage, conservation interest, factory heritage, historical comparison, industrial transport, regional identity, documentary photography, and heritage asset. The recorded references to Runcorn, Widnes, Ashridge, Society, and 31-33 preserve clues about how the subject was presented, used or understood at the time. For 31-33 Ashridge Street. Runcorn, Halton, Cheshire, England, UK, WA7 1HU, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The record includes part of the area's social history before later change alters the scene.
31-33 Ashridge Street. Runcorn, Halton, Cheshire, England, UK, WA7 1HU
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,real ales,beer,brewing,brewery,bottle,alcohol,drink,drinking,Yorkshire,brewer,York,England,UK,Y01,bottled,beers,ale,retail,CAMRA,ales,of,bitter,blond,pale,Marston Design Limited,2 센트럴 ì• ë¹„ë‰´,Tockwith,YO26 7QF,YO1,brews,home,supermarket,shop,bought
Description: Tony Smith image Alamy 2JEKPK3 - . Recorded at Marston Design Limited, 2 ìžÂ¼ÃŠ¸ëŸ´ ì¢ ë¹žÃ«°Â´ ,Tockwith, York, England, UK, YO26 7QF in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is Rudgate brewery, Battleaxe Jorvik Pale craft ale bottles, York, Yorkshire, England, UK, Y01. A broader reading of the photograph includes retail chain, retail property, restaurant culture, hospitality trade, local history, food-and-drink business, night-time economy, independent food retail, place identity, town-centre economy, brand-led retail, regional identity, physical store, and everyday life. The wider contemporary story combines online shopping, town-centre regeneration and how consumer spending patterns reshape commercial streets. Viewed from the mid-2020s, the subject also connects with consumer spending, staffing pressure and how food and drink help define neighbourhood identity. For later comparison, the photograph preserves landscape treatment and surrounding development at Marston Design Limited, 2 ìžÂ¼ÃŠ¸ëŸ´ ì¢ ë¹žÃ«°Â´ ,Tockwith, York, England, UK, YO26 7QF, details that may look very different after changed technology. The photograph additionally reflects licensed hospitality, local character, commercial frontage, community identity, commercial streetscape, consumer retail, archival record, and shopping district. The recorded references to Yorkshire, brewery, craft, Jorvik, and Battleaxe preserve clues about how the subject was presented, used or understood at the time. A later view of Marston Design Limited, 2 ìžÂ¼ÃŠ¸ëŸ´ ì¢ ë¹žÃ«°Â´ ,Tockwith, York, England, UK, YO26 7QF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image fixes period character as part of Marston Design Limited, 2 ìžÂ¼ÃŠ¸ëŸ´ ì¢ ë¹žÃ«°Â´ ,Tockwith, York, England, UK, YO26 7QF's history.
Marston Design Limited, 2 센트럴 ì• ë¹„ë‰´ ,Tockwith, York, England, UK, YO26 7QF
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,real ales,beer,brewing,brewery,bottle,alcohol,drink,drinking,Yorkshire,brewer,York,England,UK,Y01,bottled,beers,ale,retail,CAMRA,ales,of,bitter,blond,pale,Marston Design Limited,2 센트럴 ì• ë¹„ë‰´,Tockwith,YO26 7QF,YO1,brews,home,supermarket,shop,bought
Description: Tony Smith image Alamy 2JEKPK8 - . A grounded documentary photograph made at Marston Design Limited, 2 ìžÂ¼ÃŠ¸ëŸ´ ì¢ ë¹žÃ«°Â´ ,Tockwith, York, England, UK, YO26 7QF in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The principal subject is Rudgate brewery, Battleaxe Jorvik Pale craft ale bottles, York, Yorkshire, England, UK, Y01. A broader reading of the photograph includes town-centre economy, high-street commerce, physical store, brand-led retail, visual archive, shopfront economy, commercial hospitality, contemporary social history, archival record, before-and-after reference, retail property, period detail, licensed hospitality, and place identity. Today's relevance is strengthened by changing footfall, online shopping and the continuing question of the role of large retailers in town-centre and edge-of-centre economies. From a 2025-onward perspective, business rates and hospitality costs are closely linked to this subject, alongside the resilience of customer-facing businesses in a high-cost economy. For later comparison, the photograph preserves street furniture and boundaries at Marston Design Limited, 2 ìžÂ¼ÃŠ¸ëŸ´ ì¢ ë¹žÃ«°Â´ ,Tockwith, York, England, UK, YO26 7QF, details that may look very different after changed technology. A second descriptive layer includes customer footfall, changing land use, customer-facing service, documentary photography, shopping district, visitor economy, historical comparison, and consumer retail. The recorded references to Rudgate, Jorvik, Yorkshire, Battleaxe, and bottles preserve clues about how the subject was presented, used or understood at the time. For Marston Design Limited, 2 ìžÂ¼ÃŠ¸ëŸ´ ì¢ ë¹žÃ«°Â´ ,Tockwith, York, England, UK, YO26 7QF, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. That local specificity strengthens the long-term documentary value of image 2JEKPK8.
Marston Design Limited, 2 센트럴 ì• ë¹„ë‰´ ,Tockwith, York, England, UK, YO26 7QF
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,caviar,Marmite,fish,2,tubes,two,IKEA,Scandinavians,Swede,metal,aluminium,MSC,boy,eating,blond,Codroe,original,product,fishy,love it,hate it,love,hate,salty,savoury,Kalles Kaviar Original,190g,190,grams,pate,creamed,cods,roe,spread,pink,orange
Description: Tony Smith image Alamy 2JDRN4J - . This authentic period view of Sweden in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Two tubes of Kalles Original , Codroe kaviar, 190g. Another layer of the photograph includes everyday life, documentary photography, local identity, changing land use, local character, archival record, visual archive, contemporary social history, period detail, before-and-after reference, historical comparison, community life, townscape record, and contemporary city life. In present-day coverage, the subject reaches into footfall and local identity, not least because of how ordinary street scenes become valuable records as businesses and infrastructure change. For later comparison, the photograph preserves equipment and working practice at Sweden, details that may look very different after new ownership. The wider setting retains connections with urban social history, pedestrian environment, city-centre activity, local history, public realm, everyday street life, place identity, and changing streetscape. The combination of Kalles, Original, tubes, Codroe, and kaviar anchors the frame to a recognisable activity, place or moment. For Sweden, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate footfall and the documentary importance of recording everyday urban environments as part of the longer story of Sweden. The image also provides a reference for public-realm change and how ordinary street scenes become valuable records as businesses and infrastructure change when considered against later change at Sweden. Another useful connection is public-realm change and how regeneration alters the character of familiar places without losing the local specificity of Sweden.
Sweden
Description
Keywords: @HotpixUk,HotpixUK,GoTonySmith,fashion,clothing,clothes,line,denim,jacket,train,platform,in front,waiting,for a,rain,WCML,West Coast Main Line,wearing a,Bow Down,I Been On,denims,Beyoncé Knowles-Carter,Beyoncé,Knowles-Carter,Beyonce,lyric,quote,quotes,top,blond,Crewe,Cheshire,England,UK,CW1 2DB,CW1
Description: Tony Smith image Alamy 2AFFW8G - . This location-based editorial photograph from Crewe,Cheshire,England,UK, CW1 2DB in 2019 preserves a recognisable subject together with clues about how the place was used and presented at the time. The location is represented through Girl on station,WCML,West Coast Main Line,wearing a ,This is My Shit,Bow Down Bitches, jacket - Bow Down / I Been On. Another layer of the scene includes rail mobility, place identity, railway branding, rail transport, historical comparison, local history, rail modernisation, everyday life, public transport network, railway heritage, changing streetscape, archival record, regional identity, and social history. Viewed from the mid-2020s, the subject sits within continuing debate about fares, public ownership and linking trains more effectively with other transport. As a documentary source, the frame records the way the place functioned before later physical or commercial change at the recorded site in Crewe,Cheshire,England,UK, CW1 2DB. The wider local story also touches on visual archive, historic context, changing land use, station environment, commuter travel, regional rail, trackside infrastructure, and transport interchange. Details involving Bitches, station, wearing, Coast, and jacket give the scene useful specificity and strengthen its local, cultural or historical identity. For Crewe,Cheshire,England,UK, CW1 2DB, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of fares and linking trains more effectively with other transport as part of the longer story of Crewe,Cheshire,England,UK, CW1 2DB. A further contemporary connection is public ownership and preserving railway heritage while modernising the network when considered against later change at Crewe,Cheshire,England,UK, CW1 2DB. The scene captures a point of historical comparison for future local research.
Crewe,Cheshire,England,UK, CW1 2DB
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,NY,New York,City,Centre,City Centre,street,USA,United states of America,United States,beach,resort,Borough Of Brooklyn,peninsular,leisure,entertainment,tourist,tourism,destination,run down,rundown,dilapidated,seaside resort,seaside,US,Fred Trump,Fred,Trump,Thor Equities,parks,NYC Parks,sexy,woman,lady,Mermaids,blond
Description: Tony Smith image Alamy RBJ9W7 - Coney Island is a peninsular residential neighborhood, beach, and leisure/entertainment destination of Long Island on the Coney Island Channel, which is part of the Lower Bay in the southwestern part of the borough of Brooklyn in New York City. Coney Island was formerly the westernmost of the Outer Barrier islands on Long Island's southern shore, but in the early 20th century it became connected to the rest of Long Island by land fill. The residential portion of the peninsula is a community of 60,000 people in its western part, with Sea Gate to its west, Brighton Beach and Manhattan Beach to its east, the Lower Bay to the south, and Gravesend to the north.
Coney Island was originally part of the colonial town of Gravesend. By the mid-19th century, it became a seaside resort, and by the late 19th century, amusement parks were also built at the location. The attractions reached a historical peak during the first half of the 20th century, declining in popularity after World War II and following years of neglect. The area was revitalized with the opening of the MCU Park in 2001 and several amusement rides in the 2010s.
Stillwell Ave, Coney Island, Brooklyn,New York, NY, USA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Robinson,seasonal,brew,brewing,South West,England,UK,bitter,blond,on a bar pump,Highbridge,Somerset,South West England,pub,bar,pump,hand pump,handpump,tap,bar tap,summer,sample jar,beer sample,realale,real ale sample,hoppy beer,hoppy ale,IPA,British hoppy ale,Campaign For Real Ale,Stockport Brewery,Manchester Brewery,North West Brewery,Star wars,beer from the light side,beer from the dark side,Pump Clip
Description: Tony Smith image Alamy P4HWKX - ROBINSONS RELEASE NEW SEASONAL BEER ˜FROM THE LIGHT SIDE': HOPPY WAN KENOBI
THIS IS THE BEER YOU'RE LOOKING FOR!
180 year old family-run-brewers, Robinsons, have unveiled a new seasonal beer designed to get drinkers to come out in force: Hoppy Wan Kenobi
a golden ale inspired by the world-famous movie: Star Wars.
Available for just two months throughout June and July, this noble brew is crisp, tart and packing a punch. The pump clip has been carefully designed to capture the legendary Jedi Master, Obi-Wan Kenobi, proudly presenting his iconic blue plasma blade lightsaber. ˜Search your feelings' and you'll find the hop is strong with this one. Loaded with cascade and sovereign hops, and interlaced with light citrus aromas, this 4% ABV limited-edition golden ale is dangerously drinkable.
Hoppy Wan Kenobi is part of Robinsons' series of seasonal movie-themed ales that have been specially brewed for 2018.
Gill Yates, Brands Manager for Robinsons Brewery, explains: For our latest seasonal beer, Hoppy Wan Kenobi, we decided to continue to play on our popular TV and film series theme, as from our customer's response we're aware of how well it works. In 2017, we sold 770,688 pints of our seasonal beers altogether. This was a great result and we're pleased to be able to provide drinkers with fun, relatable ales which look fantastic alongside our other beers on the bar. We hope that everybody gets a chance to taste this golden delight.
Hoppy Wan Kenobi is available throughout June and July regionally via select Robinsons' pubs and free trade across the North West, Cumbria and North Wales, and nationally via listings with Heineken, Enterprise Inns Carlsberg, Punch, Admiral Taverns, Stonegate,
Highbridge, Somerset, England
Description
Keywords: eco,bin,waste,Flower,dandelion,red,red bins,art,lips,face,blond,blond girl,recycling,recycle,GoTonySmith,Scottish,collections,wheelie bins,wheeliebins,Pano,panorama,woman,female,green,economy,backstreet,blows,into,wind,turbines,turbine,generating,power,electricity,wheelie,bins,7bins,7 bins,Sunak,scrapping
Description: Tony Smith image Alamy HKHWF4 - . This dated editorial view of Glasgow, Scotland, GB, United Kingdom in 2017 captures more than the immediate subject, retaining clues about local use, design, activity and change. The scene records Graffiti in Glasgow backstreet, blond woman blows a dandelion, into wind turbines, generating green power, near wheelie bins. The wider scene also brings together stencil art, period detail, historical comparison, place identity, visual archive, changing land use, street-level design, social history, before-and-after reference, public-realm art, public realm, changing streetscape, regional identity, and archival record. The wider contemporary story combines creative districts, tourism and how regeneration can both promote and displace informal urban art. Small period details of public access and movement at Glasgow, Scotland, GB, United Kingdom may become more significant with time, particularly following new ownership. Further associations within the scene are contemporary mural, temporary artwork, documentary photography, contemporary social history, mural culture, urban artwork, local character, and visual street culture. References to backstreet, generating, dandelion, blows, and power give the picture a strong period identity and tie it closely to its named subject. For Glasgow, Scotland, GB, United Kingdom, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of creative districts and how regeneration can both promote and displace informal urban art within the specific setting of Glasgow, Scotland, GB, United Kingdom. A further contemporary connection is local identity and the blurred boundary between commissioned public art and unsanctioned graffiti as part of the longer story of Glasgow, Scotland, GB, United Kingdom. The image fixes evidence of changing use as a date-specific reference.
Glasgow, Scotland, GB, United Kingdom
Description
Keywords: eco,bin,waste,Flower,dandelion,red,red bins,art,urban art,lips,face,blond,blond girl,recycling,recycle,Glasgow City Council,GoTonySmith,Scottish,collections,wheelie bins,wheeliebins,woman,female,green,economy,backstreet,blows,a,into,wind,turbines,turbine,generating,generates,power,electricity,near,wheelie,bins
Description: Tony Smith image Alamy HKHWFE - . A grounded documentary photograph made at Glasgow, Scotland, GB, United Kingdom in 2017, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Graffiti in Glasgow backstreet, blond woman blows a dandelion, into wind turbines, generating green power, near wheelie bins. The surrounding context encompasses stencil art, historical comparison, before-and-after reference, changing land use, public realm, graffiti heritage, public-realm art, visual street culture, visual archive, archival record, mural culture, regional identity, public art, and local history. Current relevance extends to gentrification and temporary works, particularly through how temporary street art can become an important record of neighbourhood culture. Future viewers can use this scene from Glasgow, Scotland, GB, United Kingdom to compare transport arrangements and footfall with whatever follows after changed technology. The subject also sits alongside street-level design, creative placemaking, community identity, street creativity, contemporary social history, urban graphics, community art, and temporary artwork. References to generating, woman, backstreet, turbines, and power give the picture a strong period identity and tie it closely to its named subject. For Glasgow, Scotland, GB, United Kingdom, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects gentrification and the blurred boundary between commissioned public art and unsanctioned graffiti in a form that can be compared with future views of Glasgow, Scotland, GB, United Kingdom. Its period value extends to graffiti policy and the blurred boundary between commissioned public art and unsanctioned graffiti within the real-world context of Glasgow, Scotland, GB, United Kingdom.
Glasgow, Scotland, GB, United Kingdom
Description
Keywords: eco,bin,waste,Flower,dandelion,red,red bins,art,urban art,lips,face,blond,blond girl,recycling,recycle,Glasgow City Council,GoTonySmith,Scottish,collections,wheelie bins,wheeliebins,woman,female,green,economy,backstreet,blows,a,into,wind,turbines,turbine,generating,generates,power,electricity,near,wheelie,bins
Description: Tony Smith image Alamy HKHWFT - . Photographed at Glasgow, Scotland, GB, United Kingdom in 2017, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The frame specifically shows Graffiti in Glasgow backstreet, blond woman blows a dandelion, into wind turbines, generating green power, near wheelie bins. The setting additionally reflects visual street culture, urban graphics, community art, creative placemaking, place identity, public realm, documentary photography, graffiti heritage, everyday life, changing streetscape, regional identity, public-realm art, mural culture, and changing land use. In present-day coverage, the subject reaches into gentrification and regeneration, not least because of how regeneration can both promote and displace informal urban art. Future viewers can use this scene from Glasgow, Scotland, GB, United Kingdom to compare materials and architectural details with whatever follows after altered transport patterns. Further associations within the scene are local history, urban artwork, period detail, temporary artwork, social history, community identity, contemporary mural, and street-level design. References to woman, Glasgow, power, blows, and generating give the picture a strong period identity and tie it closely to its named subject. Around Glasgow, Scotland, GB, United Kingdom, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is gentrification and how temporary street art can become an important record of neighbourhood culture within the real-world context of Glasgow, Scotland, GB, United Kingdom. The setting also helps illustrate tourism and how regeneration can both promote and displace informal urban art within the specific setting of Glasgow, Scotland, GB, United Kingdom.
Glasgow, Scotland, GB, United Kingdom
Description
Keywords: eco,bin,waste,Flower,dandelion,red,red bins,art,urban art,lips,face,blond,blond girl,recycling,recycle,Glasgow City Council,GoTonySmith,Scottish,collections,wheelie bins,wheeliebins,woman,female,green,economy,backstreet,blows,a,into,wind,turbines,turbine,generating,generates,power,electricity,wheelie,bins,greenwashing,hotpix.org.uk
Description: Tony Smith image Alamy HKHWG4 - . Made at Glasgow, Scotland, GB, United Kingdom in 2017, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Graffiti in Glasgow backstreet, blond woman blows a dandelion, into wind turbines, generating green power, near wheelie bins. Further facets of the scene include community identity, changing land use, community art, street-level design, public art, changing streetscape, documentary photography, graffiti heritage, place identity, everyday life, contemporary social history, stencil art, social history, and street creativity. The wider contemporary story combines temporary works, gentrification and how regeneration can both promote and displace informal urban art. For later comparison, the photograph preserves materials and architectural details at Glasgow, Scotland, GB, United Kingdom, details that may look very different after replacement signage. The subject also sits alongside historical comparison, regional identity, visual street culture, temporary artwork, before-and-after reference, urban graphics, local history, and mural culture. The recorded references to woman, wheelie, backstreet, Glasgow, and power preserve clues about how the subject was presented, used or understood at the time. For Glasgow, Scotland, GB, United Kingdom, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to temporary works and how regeneration can both promote and displace informal urban art within the real-world context of Glasgow, Scotland, GB, United Kingdom. The location additionally provides evidence of public art and how regeneration can both promote and displace informal urban art within the specific setting of Glasgow, Scotland, GB, United Kingdom.
Glasgow, Scotland, GB, United Kingdom
Description
Keywords: waste,Flower,dandelion,red,red bins,art,urban art,lips,face,blond,blond girl,recycling,recycle,Glasgow City Council,GoTonySmith,Scottish,collections,wheelie bins,wheeliebins,Pano,panorama,Glasgow,city,centre,gotonysmith,stairs,arts,artscentre,center,green,economy,blows,blowing,the,seeds,from a
Description: Tony Smith image Alamy HKHWGE - . An on-location photograph from Glasgow, United Kingdom in 2017, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The scene records Blond woman blowing the seeds from a dandelion clock, above waste bins, Glasgow, Scotland, UK. The image also relates to local character, visual street culture, contemporary social history, timekeeping technology, local history, analogue timekeeping, watch collector interest, watchmaking heritage, visual archive, place identity, before-and-after reference, mechanical movement, creative placemaking, and social history. From a 2025-onward perspective, gentrification and public art are closely linked to this subject, alongside how temporary street art can become an important record of neighbourhood culture. The wider contemporary story combines heritage brands, vintage design and the renewed interest in repairable mechanical watches amid disposable electronics. Future viewers can use this scene from Glasgow, United Kingdom to compare public access and movement with whatever follows after later reinterpretation. Further associations within the scene are street-level design, period watch dial, changing streetscape, wristwatch design, watch dial typography, community art, public-realm art, and regional identity. Details involving waste, seeds, woman, Blond, and above make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Glasgow, United Kingdom, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is gentrification and the role of murals and stencils in giving creative districts a distinctive identity as part of the longer story of Glasgow, United Kingdom. The view records evidence of changing use before later change alters the scene.
Glasgow, United Kingdom
Description
Keywords: brewing,ale,beer,candle,light,head,CAMRA,West,Yorkshire,England,United,Kingdom,GB,Great,Britain,British,pub,bar,pubs,bitter,IPA,Blond,Leeds,Huddersfield,pint,pot,glasses,GoTonySmith,Buy Pictures of,Buy Images Of,burn,burning,regional,local
Description: Tony Smith image Alamy EY7XCH - . Beer Glass, Brewed in Ilkley logo,Craft brewery, West Yorkshire, England. Photographed at Ilkley, West Yorkshire, England, UK. The photograph was taken on 22 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Beer, Glass, Brewed, Ilkley, logo, Craft, brewery, Brewed in Ilkley, brewing and ale, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Ilkley, West Yorkshire, England, UK
Description
Keywords: Black Country Ales Micro Brewery,the,new,inn,bar,Midlands,England,UK,BlackCountry,boozer,bars,alehouse,estate,CAMRA,beers,bitter,blond,john,st,street,sign,New Inn,Pub estate,5 John St,GoTonySmith,Black,Country,Black Country,Walsall Black Country,history,historic,real ale,watering hole,signs,WS2,5,John St,WS2 8AF,travel,poster
Description: Tony Smith image Alamy EY7Y5J - . Recorded at 5 John St, Walsall, West Midlands, England, UK, WS2 8AF in 2015, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records Sign at The Pretty Bricks Pub, Walsall, Black Country, West Midlands, England, UK. The locality and subject together evoke public realm, pub heritage, documentary photography, wayfinding detail, everyday life, contemporary social history, visitor hospitality, instructional wording, real-ale culture, street-level message, everyday visual culture, changing land use, before-and-after reference, and period detail. The wider contemporary story combines business rates, staffing pressure and pressure on hospitality margins in the mid-2020s. Viewed from the mid-2020s, the subject also connects with commercial branding, street design and the way lettering and materials contribute to local visual identity. The archival value lies partly in recording landscape treatment and surrounding development around 5 John St, Walsall, West Midlands, England, UK, WS2 8AF before changing commercial priorities alters the character of the place. The subject also sits alongside local social venue, urban typography, historic hostelry, public information notice, licensed hospitality, historical comparison, traditional pub, and night-time economy. The combination of Country, Pretty, Walsall, Midlands, and Black anchors the frame to a recognisable activity, place or moment. The period setting at 5 John St, Walsall, West Midlands, England, UK, WS2 8AF helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is business rates and the continuing appeal of real ale and regional brewing within the specific setting of 5 John St, Walsall, West Midlands, England, UK, WS2 8AF. The image fixes a local visual benchmark for later comparison.
5 John St, Walsall, West Midlands, England, UK, WS2 8AF
Description
Keywords: Black Country Ales Micro Brewery,the,new,inn,bar,Midlands,England,UK,BlackCountry,boozer,bars,alehouse,estate,CAMRA,beers,bitter,blond,john,st,street,New Inn,Pub estate,5 John St,GoTonySmith,Black,Country,Buy Pictures of,Buy Images Of,Black Country,Walsall Black Country,history,historic,real ale,watering hole,signs,WS2,5,John St,WS2 8AF
Description: Tony Smith image Alamy EY7Y5X - . An identifiable period record of 5 John St, Walsall, West Midlands, England, UK, WS2 8AF in 2015, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The frame specifically shows The Pretty Bricks Pub, Walsall, Black Country, West Midlands, England, UK. Other connected aspects include before-and-after reference, changing streetscape, period detail, community identity, documentary photography, changing land use, archival record, everyday life, real-ale culture, community drinking venue, traditional pub, local history, place identity, and visitor hospitality. The wider contemporary story combines beer duty, business rates and pressure on hospitality margins in the mid-2020s. For later comparison, the photograph preserves commercial use and occupation at 5 John St, Walsall, West Midlands, England, UK, WS2 8AF, details that may look very different after new construction. A second descriptive layer includes historic hostelry, social history, hospitality economy, public realm, night-time economy, visual archive, contemporary social history, and licensed trade. Details involving Bricks, Walsall, Midlands, Country, and Pretty make the image more specific than a generic view and strengthen its local or historical value. The wider setting at 5 John St, Walsall, West Midlands, England, UK, WS2 8AF matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for beer duty and pressure on hospitality margins in the mid-2020s within the specific setting of 5 John St, Walsall, West Midlands, England, UK, WS2 8AF. Another useful connection is changing drinking habits and the continuing appeal of real ale and regional brewing as part of the longer story of 5 John St, Walsall, West Midlands, England, UK, WS2 8AF. The image fixes a trace of local identity before later change alters the scene.
5 John St, Walsall, West Midlands, England, UK, WS2 8AF
Description
Keywords: pub,bar,bitter,CAMRA,real,ale,realale,blond,hops,West Riding,West,Riding,town,breweries,head,lively,Glass of beer,from,the Ossett Brewery,Wakefield,Yorkshire,England,UK,Osett,Osset,village,Bob,Lawson,Bob Lawson,brewer,brew,micro,micro-brewery,awards,award,winning,aletrain,aletrail,trail,train,GoTonySmith,transpennine,trans-pennine,glasses,pot,cheers,bottoms up,bottoms,up,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY5KBE - . Glass of beer from the Ossett Brewery, Wakefield,Yorkshire,stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England,UK. Photographed at Ossett,Wakefield,Yorkshire,England,UK. The photograph was taken on 18 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Glass, beer, Ossett, Brewery, Wakefield, Yorks, pub, bar, bitter and CAMRA, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene has strong relevance to railway travel, public transport, passenger infrastructure and the everyday operation of Britain's rail network. It can illustrate editorial stories about stations, train journeys, commuting, regional connectivity, rail investment, rolling stock, freight, signals, platforms, accessibility and the relationship between railways and the places they serve. Visible railway furniture, signs, tracks, platforms, trains, signals or station buildings help place the photograph firmly in the practical environment experienced by passengers and railway staff. As a dated documentary image it also offers a useful record of transport infrastructure, branding and passenger facilities at the time the photograph was made. Search themes include British rail travel, railway stations, passenger journeys, tracks, platforms, signals, rolling stock, freight, regional connectivity and transport infrastructure. The scene is particularly useful for illustrating how railway facilities, signs and operational surroundings looked at a known point in time. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. This particular view is catalogued under Alamy image reference EY5KBE, distinguishing it from other photographs of the same or related subject.
Ossett,Wakefield,Yorkshire,England,UK
Description
Keywords: Real,Ale,realale,CAMRA,aletrail,WestRiding,bar,pubs,bars,drinking,drinkers,trans,transpennine,train,trains,train,ales,platform,buffet,cafe,sign,Stalybridge,public,inside,interior,with,drinkers,pints,pot,beer,beers,blond,bitter,clock,potts,Ale Train,Ale trail,GoTonySmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY5KF4 - . West Riding Pub, Dewsbury Railway Station, West Yorkshire, stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England, UK with drinkers. Photographed at Station Road, Dewsbury, West Yorkshire, England,UK. The photograph was taken on 18 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The interior viewpoint records fittings, surfaces, decoration and spatial details that help show how the premises or public space was arranged when photographed. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Riding, Pub, Dewsbury, Railway, Station, trail, pennine, Ale, realale and CAMRA, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene has strong relevance to railway travel, public transport, passenger infrastructure and the everyday operation of Britain's rail network. It can illustrate editorial stories about stations, train journeys, commuting, regional connectivity, rail investment, rolling stock, freight, signals, platforms, accessibility and the relationship between railways and the places they serve. Visible railway furniture, signs, tracks, platforms, trains, signals or station buildings help place the photograph firmly in the practical environment experienced by passengers and railway staff. As a dated documentary image it also offers a useful record of transport infrastructure, branding and passenger facilities at the time the photograph was made. Search themes include British rail travel, railway stations, passenger journeys, tracks, platforms, signals, rolling stock, freight, regional connectivity and transport infrastructure. The view is firmly rooted in a real location rather than a constructed studio setting.
Station Road, Dewsbury, West Yorkshire, England,UK
Description
Keywords: Street,pump,pumps,ale,real,CAMRA,boozer,traditional,drink,food,beer,Fountain,West Midlands,England,UK,free house,Backhouse,backyard,hoard,thehoard,blond,2 pints,pints,two,two pints,St Austell,proper job,proper,job,bad,GoTonySmith,49,WS1 1XB,WS11XB,Bad Santa,Black,Country,Buy Pictures of,Buy Images Of,Gotonysmith
Description: Tony Smith image Alamy ED4M2Y - . Backhouse Brewery Walsall ales, on bar at The Fountain, Lower Forster Street, Walsall, West Midlands, England, UK. Photographed at 49 Lower Forster Street, Walsall WS1 1XB. The photograph was taken on 23 December 2014. The image metadata records 3 people in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Backhouse Brewery Walsall ales, on bar at The, The Fountain, Backyard Gold, freehouse, Walsall Black Country, Black Country, Lower Forster Street, Walsall and real ale, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
49 Lower Forster Street, Walsall WS1 1XB
Description
Keywords: Street,pump,pumps,ale,real,CAMRA,boozer,traditional,drink,food,beer,Fountain,West Midlands,England,UK,free house,Backhouse,backyard,hoard,thehoard,blond,GoTonySmith,49,WS1 1XB,WS11XB,Black,Country,Buy Pictures of,Buy Images Of,pints,Bad Santa,proper job,proper,two,two pints,2 pints,St Austell,bad,job,Gotonysmith
Description: Tony Smith image Alamy ED4MMW - . Backhouse Brewery Walsall ales, on bar at The Fountain, Lower Forster Street, Walsall, West Midlands, England, UK. Photographed at 49 Lower Forster Street, Walsall WS1 1XB. The photograph was taken on 23 December 2014. The image metadata records 2 people in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Backhouse Brewery Walsall ales, on bar at The, The Fountain, Backyard Gold, freehouse, Walsall Black Country, Black Country, Lower Forster Street, Walsall and real ale, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
49 Lower Forster Street, Walsall WS1 1XB
Description
Keywords: Black Country Ales,Black,Country,Ales,47,Upper,B1 1JG,B11JG,A,bar,pub,CAMRA,real,ale,Arms,Birmingham,pump,pumps,winter,summer,blond,light,dark,hoppy,wide,pano,panorama,inside,interior,gotonysmith,and,try,before,you,buy,city,centre,ales,beers,Campaign for Real Ale
Description: Tony Smith image Alamy ECW4EH - . A bar of CAMRA real ale,Craven Arms,Birmingham - Wide shot, all beers having descriptions and tasting notes. Photographed at 47, Upper Gough Street, Birmingham B1 1JG. The photograph was taken on 16 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The interior viewpoint records fittings, surfaces, decoration and spatial details that help show how the premises or public space was arranged when photographed. The wider composition gives a broader sense of the surroundings, showing the principal subject in relation to more of the streetscape, landscape or public space. The scene is closely associated with A bar of CAMRA real ale, Craven Arms, Birmingham, tasting notes, descriptions, Gough Street, Craven, hand pumps, handpumps and seasonal, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. This particular view is catalogued under Alamy image reference ECW4EH, distinguishing it from other photographs of the same or related subject.
47, Upper Gough Street, Birmingham B1 1JG
![iPod Shuffle2 - Cats In The Cradle - [Lady With Tiger Back Tattoo] 8429920940 girl,lady,female,woman,women,with,tattoo,tattoos,tatoo,tiger,tiger tattoo,tat,blond,beautiful,back,piece,backpiece,tonysmith,hotpix,females,cat tattoo,manchester,ink,skin,ink in the skin,sex,sexy,erotic,babe,bbw,hot,blonds](https://live.staticflickr.com/8373/8429920940_67e4f33d2a_o.jpg/)
Description
Keywords: girl,lady,female,woman,women,with,tattoo,tattoos,tatoo,tiger,tiger tattoo,tat,blond,beautiful,back,piece,backpiece,tonysmith,hotpix,females,cat tattoo,manchester,ink,skin,ink in the skin,sex,sexy,erotic,babe,bbw,hot,blonds
Description: Tony Smith image Flickr 8429920940 - 'Harry Chapin - 'Cats In The Cradle' - Play this track here.
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\u00bfWhats this iPod Shuffle set all about? Read about it here
A track with a tale of what you reap is what you sow.
'Cat's in the Cradle' is a 1974 folk rock song by Harry Chapin from the album Verities &
Balderdash. The single topped the Billboard Hot 100 in December 1974. As Chapin's only number one hit song, it became the best known of his work and a staple for folk rock music.
The song was based upon a poem written by Harry's wife Sandy
the poem itself was inspired by the awkward relationship between her first husband, James Cashmore, and his father, a New York City politician. She was also inspired by a country music song she had heard on the radio. Harry has also said that the song was about his father-son relationship with his son, Josh, saying that 'Frankly, this song scares me to death'.
The song is told in first-person by a father who is too busy to spend time with his son. Though the son asks him to join in childhood activities, the father always responds with little more than vague promises of spending time together in the 'future'. While wishing to spend time with his father, the son starts to model himself on his father's behaviour, hence the verse wishing to be 'just like him.'.
The final two verses are a reverse of the roles, where the father asks his grown-up son to visit, but the son responds that he is now too busy to find the time for his father. The father then reflects that they are both alike, saying 'my boy was just like me.' The song's chorus uses imagery related to childhood Cat's in the Cradle, Silver Spoon, Little Boy Blue, Man in the Moon.
This track was covered by the band 'Ugly Kid Joe' which sold over half a million in Australia. It was also used in the British Government Don't Suffer It, Change it / Despairs In The Cradle campaign in Northern Ireland mid 1980's - www.youtube.com/watch?v=NTWXDY1lJMY
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Description
Keywords: fringe,Edinburgh,2012,2012fringe,fringe2012,city,Scotland,festival,festival2012,b/w,black,white,mono,busker,street,shot,tonysmith,hotpix,UK,girls,women,woman,together,suspenders,bra,sexy,knickers,bare,flesh,blond,travel,tourist,scots,scottish,tart,tarty,sex,erotic,cabaret,street scene,street performer,HDR,mono HDR,bandw,extreme,scotia,ecosse,tattoo,august,scenes,capital
Description: Tony Smith image Flickr 7912932162 - 'View a whole set of Fringe 2012 madness from Edinburgh Scotland here. If you do Twitter add me here.
August, always a mad busy crazy time in Edinburgh, during the festival and fringe, which seems to have grown even bigger than the tattoo and festival.
No, not a typical Saturday night on any British high st, but ladies from the Threesome Theatre looking sexy to attract punters like flies to their flyers advertising 'Berlin Cabaret'. It was on 20-25th August 2012 at The Space On The Mile V39 (venue 39, you are due a Deuchars now arent you??).
As the blurb says 'as our emcee takes you on a journey of decadence and ignorance, let the cabaret girls and boys entertain you in our own slice of 1930's Berlin. Threesome theatre spotlights Berlins cabaret from the day the curtain went up in 1901 to the Nazi regime tore it down. Featuring throbbing music, enticing dancing and naughty original songs.
'Shocking, lewd satire wrapped up in a great performance....'
The Edinburgh Festival Fringe (The Fringe) is the world's largest arts festival, with the 2012 event spanning 25 days totalling over 2,695 shows from 47 countries in 279 venues. Established in 1947 as an alternative to the Edinburgh International Festival, it takes place annually in Scotland's capital, in the month of August. The Fringe is a showcase for the performing arts, particularly theatre and comedy (which has seen substantial growth in recent years), although dance and music are also represented. In 2012, 36% of shows were comedy and 28% theatrical productions. Theatrical productions range from the classics of ancient Greece to William Shakespeare, Samuel Beckett and contemporary works. In 2012, 1,418 shows were having their world premiere.
The Fringe is an unjuried festival \u2013 with no selection committee, and therefore any type of performance may participate. The Fringe has often showcased experimental works that might not be invited to a more conservative arts festival. In addition to ticketed, programmed events, the Festival has included a street fair, located primarily on the Royal Mile. The Festival is organized by the Festival Fringe Society, which publishes the programme, sells tickets, and offers advice to performers. Their offices are on the Royal Mile.
File under: street fringe fring2012 fringe2012 comedy show 2012fringe shows actors performers entertainers in Edinburgh dance free artists grainy gritty mono pictures
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Claire,bokeh,night,Manchester,UK,TIB,St,street,leopard,coat,blond,hair,style,smile,hands,ring,bokehbokeh,white,teeth,circles,tony,smith,tonysmith,hotpix,tonysmithhotpix,fashion,winter,dark,evening,strobist,off,camera,flash,softbox,soft,box,portrait,lady,woman,girl,women,female,50mm,f1.4,shallow,focus,dof,@hotpixuk
Description: Tony Smith image Flickr 6424079087 - 'Patti Smith - 'Because The Night' - Play this track here.
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\u00bfWhats this iPod Shuffle set all about? Read about it here
'Because the Night' is a song by the Patti Smith Group, written by Bruce Springsteen and Patti Smith which was released as a single in 1978, taken from Smith's album Easter. The song was a hit, rising to #13 on the Billboard Hot 100 chart, and helping propel sales of Easter to mainstream success \u2013 even as Smith was deciding to retire from a life of constant touring. The song remains one of the best known of Smith's catalog.
In 1987, 'Because the Night' by Patti Smith Group was ranked number 116 on NME magazine's list of 'The Top 150 Singles of All Time'
The original song was recorded by Bruce Springsteen during sessions for his Darkness on the Edge of Town album. He was not satisfied with it
the Patti Smith Group was working on Easter in the studio next door, with engineer/producer Jimmy Iovine working on both albums.
Lovine gave Smith a tape of the song, she recast it, and it was included on Easter, becoming the first single released from that album. Though it was never released on any of Springsteen's studio albums, in concert beginning with his Darkness Tour Springsteen would often perform the song with his own lyrics. The song was first performed live (with Patti Smith) at CBGB's in New York City on December 30, 1977.
Until the 2010 release of Springsteen's box set The Promise, which included the original recording from the Darkness on the Edge of Town sessions, the only commercially released recording of a Springsteen version of the song was in the 1986 box set Live/1975\u201385, where Smith was listed as co-writer.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: black,white,sepia,lady,woman,blond,female,girl,dress,goth,leather,lace,lacy,face,portrait,sexy,bodice,Tony,Smith,Hotpix,tonysmith,tonysmithotpix,tonysmithhotpix,selectivecolour,selective,colour,color,Spooky,Halloween,ghost,ghoul,ghouls,October,season,peroxide,chick,teen,teenager,teenage,middle,age,mature,milf,milfs,Whitby,North,East,Yorks,Yorkshire,sea,side,seaside,port,festival,gothic,weekend,event,@hotpixuk
Description: Tony Smith image Flickr 6300558004 - 'Guns 'n' Roses - Black Leather - Play this track here.
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This classic GnR track is from The Spaghetti Incident. The album was the fifth and is unique for the band, consisting entirely of cover versions, mostly of punk and glam rock songs of the late 1970s and early 1980s. This was the last Guns N' Roses album to feature lead guitarist Slash, bassist Duff McKagan and drummer Matt Sorum.
The title is an inside joke referring to a food fight between Axl Rose and Steven Adler involving spaghetti. Much was made of this food fight during Adler's resolution lawsuit with the band in 1993, in which Adler's attorney referred to it as 'the Spaghetti Incident'. The meaning was explained by drummer Matt Sorum in a 1994 interview with Much Music and confirmed by Slash in his autobiography, 'Slash'.
The album has seen mixed reviews since its release. Rolling Stone magazine gave the album a 3.5 out of 5 stars. Allmusic said 'As punk albums go, The Spaghetti Incident? lacks righteous anger and rage. As Guns N' Roses albums go, it's a complete delight, returning to the ferocious, hard-rocking days of Appetite for Destruction'.
Always nice to see some leather with lace.
\u00bfWhats this iPod Shuffle set all about? Read about it here
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',
Description
Keywords: Joy,Formidable,Ritzy,Bryan,20111015,Manchester,Academy,academy2,England,tour,north,west,uni,university,tony,smith,mono,b/w,black,white,blond,female,lady,woman,singer,vocalist,guitar,guitarist,band,group,UK,MIS,@hotpixUK,ActiveH,housingtechnology
Description: Tony Smith image Flickr 6257792313 - 'On Saturday I had the pleasure of seeing one of my favourite newer bands.
I first picked up on the track 'Austere' from a music blog I follow called burningworld.blogspot.com/
I espechially like the PodFodder compilations there, that are now up to no 132. There is always some gold nuggets lurking in them and this band are one of them.
The Joy Formidable released 'Austere' as a single in July 2008, followed by 'Cradle' on double 7' later that summer, and quickly produced an eight-track EP, A Balloon Called Moaning, which they released themselves in the UK in early 2009. Also in 2009 Justin Stahley was replaced by Matt Thomas on drums. Having relocated to London, the trio quickly earned a reputation for blistering live performances.
'We love and encourage the beautiful double-pedal,' says Bryan, with a chuckle. 'We do lean towards a slightly metal aesthetic when it comes to drums, which makes it very loud and heavy and all the things we want to be as a live entity. The new album definitely explores those elements, and that's because of Matt being in the band.'
The trio spent 2009 touring the UK, Europe and Australia with bands including Editors, Temper Trap and Passion Pit, mastering tiny clubs and festival stages alike. Their introduction to American audiences came when Passion Pit invited The Joy Formidable to open a pair of sold-out shows at New York's Terminal 5.
In summer 2010, the band signed with Canvasback Records, and released their cracking debut album 'The Big Roar', on 24 January 2011. The band worked on writing and tracking the material for the album when they weren't on the road.
In 2011, the band opened up the main stage at the Reading and Leeds festivals on the Saturday and Sunday respectively. In August 2011, they also opened up for Foo Fighters at a secret show at The Metro the night before they played an opening slot at Lollapalooza.
At the Academy gig, which was absolutely buzzing, they announced that the next album was in the offing, and despite some shouts of abuse, Rhydian would not remove his hat!
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: street,London,LDN,telephone,public,UK,England,capital,city,booth,cards,sex,sexy,women,porn,chat,lines,prostitutes,prostitute,pimp,pimps,credit,card,fetish,BT,busty,brunette,stunner,blond,mistress,play,with,me,black,model,for,all,tastes,line,chatline,premium,rate,selective,color,colour,colours,cut,out,cutout
Description: Tony Smith image Flickr 6002902103 - 'Blondie - Call Me- ob=av2n\' rel=\'nofollow\'>Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Blondie is an American rock band, founded by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the early American New Wave and punk scenes of the mid-1970s at CBGB's in New York.
Their first two albums contained strong elements of these genres, and although successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles and became noted for its eclectic mix of musical styles incorporating elements of disco, pop, rap, and reggae, while retaining a basic style as a New Wave band.
Blondie broke up after the release of their sixth studio album The Hunter in 1982. Debbie Harry continued to pursue a solo career with varied results after taking a few years off to care for partner Chris Stein, who was diagnosed with pemphigus, a rare autoimmune disease of the skin.
The band reformed in 1997, achieving renewed success and a number one single in the United Kingdom with 'Maria' in 1999. The group toured and performed throughout the world during the following years, and was inducted into the Rock and Roll Hall of Fame in 2006. Blondie has sold 40 million records worldwide and is still active today, with a new album, Panic of Girls, released 30 May 2011 in the UK.
Prostitution itself is legal in the UK: a person can buy sexual services and working as a private prostitute or outcall escort is legal \u2013 but many related activities are not. This includes kerb crawling, pimping, keeping a brothel, advertising the services of call girls by placing cards (\u201ctart cards\u201d) in phone boxes, like these here and having sex in public. The laws apply to both male and female prostitutes and male and female clients.
Under the Street Offences Act 1959, it is illegal for a prostitute to wait for or solicit business in a street or public place, effectively making street prostitution illegal. Although assistance should be given to assist offenders in finding a route out of prostitution, prostitutes may be punished. Usually first or second time offenders will be cautioned, third and fourth time offenders are usually arrested and charged and on the fifth offence an anti-social behaviour order may be issued on conviction.
\u00bfWhats this iPod Shuffle set all about? Read about it here
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\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
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Description
Keywords: tony,smith,hotpix,tube,subway,tunnel,love,lovers,girl,female,blond,romance,sepia,dark,night,man,sex,sexy,london,england,UK,great,britain,#tonysmith,#tonysmithhotpix
Description: Tony Smith image Flickr 5877759603 - 'The Stranglers 'London Lady' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
A frequent visitor, but not a daily commuter on the London Underground thankfully, I often get the feeling I could be on an elaborate film set.
London's underground railway system, known as the Tube, has featured in several films. The plot of the 1998 film Sliding Doors hinges on whether Gwynneth Paltrow's character catches a particular Tube train or not. Bulldog Jack (1934), Manhunt (1941), The Good Die Young (1954), and 28 Weeks Later (2007) all include chase sequences across underground tracks.
A number of horror films have also used the subterranean network of tunnels as an atmospheric location, most notably the John Landis hit An American Werewolf in London (1981), which contains a famous scene set in Tottenham Court Road tube station, and the 2004 film Creep. The eerie 1973 horror Death Line stars Donald Pleasence as a Scotland Yard detective who traces a series of murders to cannibals living in the network's tunnels.
Excavations on the Underground unearthed an ancient alien spacecraft in Quatermass and the Pit (1967), and dormant dragons in Reign of Fire (2002).
The 2002 James Bond film Die Another Day features a secret MI6 facility in a fictional disused Underground Station called Vauxhall Cross. Another fictional station, Hobbs End features in the 1967 science fiction film Quatermass and the Pit. Shaun of the Dead features the fictional Crouch End station.
London Lady is the 3rd track on side one of Rattus Norvegicus (alternative title The Stranglers IV) is the first studio album by The Stranglers, released on 17 April 1977. The album was originally to be entitled 'Dead on Arrival' but was changed at the last minute. It was one of the highest-selling albums of the punk era in Britain, eventually achieving platinum record sales.
The album's title is the taxonomic name for the common brown rat. It was produced in one week by Martin Rushent, and was basically a snapshot of the band's live set at the time.
The first 20,000 copies of the original vinyl release included a free 7' single, containing 'Peasant in the Big Shitty (live)' and 'Choosie Susie'. I have a copy in my loft. Two singles were taken from the album: 'Grip', and 'Peaches' (released as a double A-side with the non-album track 'Go Buddy Go'), which gave the band their first major hit single, reaching No.8 on the UK chart.A remastered version of the album was reissued on CD in 2001, including these three additional tracks.
Checkout more w=33062170@N08\' target=\'_blank\'>cool stuff from my photostream.
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
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Description
Keywords: Manchester,sexy,lancs,erotic,lancashire,city,gmex,central,exhibition,centre,tat2,tattoo,convention,piercing,artists,north,west,lady,woman,girl,arm,blond,hair,shiny,trousers,ink,skin,bodyart,body,art,needle,erotica,sepia,b/w,black,white,selective,color,colores,colour,airport,ringway,international,trendy,fashion,student,uni,university,umist,tatttood,tattooed,girlies,vixen,industrial,babe,tatoo,cool,person,people,portrait,image,selctive,Tatuada,tatto,tats,interesting,persons,persona,interesante,tatouage,arty,retro,sensual,hotpicks,racy
Description: Tony Smith image Flickr 4430725344 - '....For a new tattoo of course!
One of the lovely people and enthusiasts I met at the 9th Manchester International Tattoo convention festival 6th March 2010. Some people might give their right arm to be a size 0 (zero) with kill for tats and lond blond hair.
The quality of the tats was the key here and I will dig out plenty more to upload.
This Manchester, England, UK exhibition is usually held in March and is now at Manchester Central, formally GMEX (the greater Manchester Exhibition Centre).
More tats and piercings www.flickr.com/photos/hotpixuk/4393545884/
Have a look at some of my other tattoo images on Flickr - w=33062170@N08\'>www.flickr.com/search/?q=Tattoo&
w=33062170@N08 .
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(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: pub,crawl,manchester,real,ale,CAMRA,Gary,Cummings,GEC,go,easy,club,thegoeasyclub,goeasyclub,drink,beer,lager,leffe,glass,belgian,belgium,Blond,tony,smith,tonysmith,hotpix,hotpixuk,tdk,tdktony,belgique,bier,de,abby,abbey,city,favourite,pubs,public,houses
Description: Tony Smith image Flickr 4200346103 - 'A nice treat today, that seasonal slurp with Gary that sometimes everyone is too busy to arrange.
The evening started in Sinclairs Oyster Bar, Manchesters most moved historic pub (with the Wellington) within sight of the MEN big Wheel, for a pint of Sam Smiths (in a plastic glass??). Maybe the upper bar is opened by now.
The basement of Corbiers in Half Moon St was next followed by the Vine.
Next in the sleet followed the two chop houses (Mr Thomas's and Sams (from where this images comes).
Great Bridgewater St got us to the warm and snug Britons Protection. The evening rounded off in the Peveril of the Peak (named after a mailcoach that used to cross the Peak district over to Manchester from Luton.
Cheers - Bottoms Up!
A classic UK pub interior here www.flickr.com/photos/hotpixuk/4231716225/
Another view of the historic chop house www.flickr.com/photos/hotpixuk/4318118139/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: hipsta,tony,smith,hipstamatic,tonysmith,hotpix,tonysmithhotpix,hot,pix,pics,picks,hotpics,hotpicks,girl,woman,sexy,long,blond,hair,tats,tat,slim,leopard,print,skin,tatoo,tattoo,star,studs,studded,leather,belt,back,iron,metal,rivit,rivet,rivets,manchester,convention,gmex,central,2011,march,2010,2012,tony smith photography,racy,tdktony,tdk,tdktonysmith,hotpix.com
Description: Tony Smith image Flickr 5421019151 - 'A tale in 12 fragments - 09/12 - \u00bfte gusta?.
\u00bfWhats A story in 12 Fragments all about? Read about it here
09/12 - \u00bfte gusta?
It was the star tattoo on her arm that first caught his gaze, then the long blond hair. The station was quite empty for what was usually the busy evening rush hour from work.
'\u00bfte gusta?\u201d, she startled him after noticing him staring. \u201cDisculpe, excuse me\u201d he said in an embarrassed English accent. For someone usually very confident he could feel his face going red. It wasn\u2019t the warm breeze blowing through Cordoba station this time either.
He missed his train that evening. And the next, and the next....
He realised he had reached one of life\u2019s encrucijada\u2019s. It felt good.
\u00bfWhats A Story in 12 Fragments all about? Read about it here
NB: Like all the images on this stream, full size images are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>Lomo from my photostream.
Checkout more w=33062170@N08\' target=\'_blank\'>tattoos from my photostream.
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(c) TonySmith Hotpix / HotpixUK
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Description
Keywords: Black Country Ales Micro Brewery,the,new,inn,bar,Midlands,England,UK,BlackCountry,boozer,bars,alehouse,estate,CAMRA,beers,bitter,blond,john,st,street,New Inn,Pub estate,5 John St,GoTonySmith,Black,Country,Buy Pictures of,Buy Images Of,Black Country,Walsall Black Country,history,historic,real ale,watering hole,signs,WS2,5,John St,WS2 8AF
Description: Tony Smith image Alamy EY7Y5P - . A grounded documentary photograph made at 5 John St, Walsall, West Midlands, England, UK, WS2 8AF in 2015, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is The Pretty Bricks Pub, Walsall, Black Country, West Midlands, England, UK. The image also relates to documentary photography, real-ale culture, night-time economy, local history, historic hostelry, visual archive, public realm, place identity, traditional ale house, visitor hospitality, local character, historical comparison, period detail, and beer-led hospitality. Today's relevance is strengthened by energy costs, staffing pressure and the continuing question of the survival of pubs as both businesses and informal community spaces. The image fixes equipment and working practice within 5 John St, Walsall, West Midlands, England, UK, WS2 8AF at one identifiable point, providing a benchmark against changing commercial priorities. The subject also sits alongside before-and-after reference, community drinking venue, contemporary social history, changing land use, changing streetscape, everyday life, local social venue, and licensed hospitality. Elements such as Country, Black, Midlands, Pretty, and Bricks add documentary specificity and may become increasingly useful when compared with later records. The period setting at 5 John St, Walsall, West Midlands, England, UK, WS2 8AF helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for energy costs and the continuing appeal of real ale and regional brewing within the specific setting of 5 John St, Walsall, West Midlands, England, UK, WS2 8AF. Another useful connection is energy costs and pressure on hospitality margins in the mid-2020s as part of the longer story of 5 John St, Walsall, West Midlands, England, UK, WS2 8AF.
5 John St, Walsall, West Midlands, England, UK, WS2 8AF
Description
Keywords: GoTonySmith,@HotpixUK,stylist,lady at beauty salon,woman at beauty salon,Lady at hair salon,woman at hairdressers,woman outside hairdressers,perm,colouring,colouring treatment,in hair,hair,Cooking,Perth,hair cooking,drinking tea,drinking coffee,mug,teacup,coffee cup,cape,Scotland,UK,beauty treatment,Female,colouring treatments,Smile,smiling,happy,blond,assisted,assisted blond,Assisted blonds,vanity,Roots,colouring roots,folicles,Colour treated hair
Description: Tony Smith image Alamy PGH9K8 - . A close documentary record sets out the working environment around 281 High St, Perth PH1 5QN, UK, in documentary coverage dating from 2018. The supplied image information identifies Woman having hair coloured, outside hair salon, Perth, Scotland, UK. The scene also brings together everyday Britain, documentary photography, documentary record, changing Britain, place and memory, place-based history, everyday infrastructure, contemporary social history, local identity, modern history, community environment, and social landscape. In the mid-2020s, social history is increasingly discussed through new technology and altered public space, with attention turning to a clearer record of local change. The photograph fixes 281 High St, Perth PH1 5QN, UK at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. The view also records themes involving local character, social context, regional identity, cultural landscape, community life, urban and rural change. Associated details include lady, beauty salon, hairdressers, having hair colored, colouring treatment in hair, Colouring treatment. The location further reflects visual record, and public realm. Current debate around social history often combines business turnover, new technology and the practical challenge of a clearer record of local change. The lasting documentary value lies in its record of neighbourhood identity, architecture and streetscape, public access, ownership or occupation, and transport patterns without relying on a generic or reconstructed view. For future comparison, the scene preserves local business activity, the condition of buildings, regional identity, patterns of everyday use, and public-realm details in a form that can be compared with later photographs. The view of 281 High St, Perth PH1 5QN, UK also preserves another layer of local identity and period change.
281 High St, Perth PH1 5QN, UK
Description
Keywords: GoTonysmith,@HotpixUK,real ale,on a bar,bar,bitter,in a,pubs,bars,England,UK,GB,Britain,British,Traditional British Beer,tourist,tourism,Doncaster,Yorkshire,Townfields,1194 Charter,1194,Charter,Sand House,pint of bitter,head,pint with a head,ale,quality beers,beers,Porter,blond,traditional ales,honest ales,Pale winter Ale,Belgium Style beer,Angram,bar staff,Donny,licensed retail
Description: Tony Smith image Alamy MM9A12 - Doncaster Brewery Beer pumps on a bar, in a traditional English pub, South Yorkshire, England, UK has the strength of a real-world scene: ordinary enough to be believable, but specific enough to support precise editorial use. Real ale remains one of the most recognisable parts of British pub culture, linking local breweries, cask conditioning, bar-cellar skills and a customer base that often seeks character over uniformity. A pint at the bar can support editorial use around CAMRA campaigning, independent pubs, brewery consolidation, hospitality costs, leisure spending and the social role of pubs as informal community rooms. The location detail, Doncaster, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. Relevant editorial themes include traditional pub, public house, beer culture, real ale, cask ale, pint glass and brewery heritage, with each theme rooted in the visible subject, place or activity. It can work both as a straightforward location record and as a wider editorial illustration of the habits, services, buildings, symbols and small commercial details that shape everyday life.
7 Young Street, Doncaster, DN1 3EL
Description
Keywords: Black,Country,Ales,47,Upper,Gough Street,Birmingham,B1 1JG,B11JG,A,bar,pub,real,Craven,Arms,Birmingham,pump,pumps,handpumps,hand pumps,seasonal,summer,blond,light,dark,hoppy,wide,pano,panorama,inside,tasting,Christmas,Xmas,gotonysmith
Description: Tony Smith image Alamy ECW4EE - Photo shows A bar of CAMRA real ale,Craven Arms,Birmingham. The image is useful for illustrating British and Irish pub culture, real ale, traditional bars, hospitality, visitor economy stories and the continued importance of pubs as social places. Where a named pub, brewery, beer pump, pint glass or drinking street is visible, it can support articles on licensed premises, cask ale, CAMRA interest, tourism, nightlife, local character and changing high streets. The supplied location evidence places the subject at or near Birmingham, which adds value for buyers searching by town, city, region or postcode. Weather and season may be visible outside or through the setting
the subject has clear hospitality and leisure value. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news. Search relevance is helped by including concise place names, visible brand or wording, functional subject terms, and wider editorial concepts such as public realm, consumer behaviour, heritage, travel, leisure and community life where they genuinely match the picture.
47, Upper Gough Street, Birmingham B1 1JG
