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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,the,April,14,1912,BT4,Dee Street,Belfast,Northern Ireland,BT4 1FT,HW,April 14 1912,mural,Est,1861,RMS,gable,end,history,historic,heritage,ECHR
Description: Tony Smith image Alamy 2PM62P8 - . HW, RMS Titanic 14 April ,1912 H&W Est 1861 mural, Dee Street, Belfast, Northern Ireland, UK, BT4 1FT. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Dee Street, Belfast, Northern Ireland, UK, BT4 1FT, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, April, BT4, Dee Street, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. The scene contributes a specific, place-based record rather than a generic illustration.
Dee Street, Belfast, Northern Ireland, UK, BT4 1FT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,the,April,14,1912,BT4,Dee Street,Belfast,Northern Ireland,BT4 1FT,HW,April 14 1912,mural,Est,1861,RMS,gable,end,history,historic,heritage,ECHR
Description: Tony Smith image Alamy 2PM62XD - . HW, RMS Titanic 14 April ,1912 H&W Est 1861 mural, Dee Street, Belfast, Northern Ireland, UK, BT4 1FT. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Dee Street, Belfast, Northern Ireland, UK, BT4 1FT, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, April, BT4, Dee Street, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. The scene contributes a specific, place-based record rather than a generic illustration.
Dee Street, Belfast, Northern Ireland, UK, BT4 1FT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,the,April,14,1912,BT4,Dee Street,Belfast,Northern Ireland,BT4 1FT,HW,April 14 1912,mural,Est,1861,RMS,gable,end,history,historic,heritage
Description: Tony Smith image Alamy 2PM6357 - . HW, RMS Titanic 14 April ,1912 H&W Est 1861 mural, Dee Street, Belfast, Northern Ireland, UK, BT4 1FT. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Dee Street, Belfast, Northern Ireland, UK, BT4 1FT, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, April, BT4, Dee Street, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. The scene contributes a specific, place-based record rather than a generic illustration.
Dee Street, Belfast, Northern Ireland, UK, BT4 1FT
Description
Keywords: Mural,art,British,Union,wall,walls,gable end,gable,end,Northern,Irish,Republican,violence,para,military,paramilitary,fallen,Martyrs,martyr,street,rd,road,painting,painted,symbolism,Loyalist,culture,history,community,September,1912,Cherished,position,of,equal,citizenship,in,the,town,union,flag,orange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Shankill,Rd,Road,Royal,Royalist,Loyalist,Belfast streets,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEFED - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
West Belfast, Northern Ireland, UK
Description
Keywords: Belfast,Shankill,Road,Shankhill,unionist,britain,soldier,soldiers,paramiliary,peace,war,struggle,black,white,monochrome,BW,toned,red,boy,football,peoples,army,1912,years,resistance,mural,painting,montage,UDF,DUP,hand,defender,defenders,LPA,red hand commando,commando,fight,independence,independance,Protestant,anglican,orange,orangemen,men,NI,n ireland,north ireland,northern,ireland,emerald,isle,Eire,mono,pictures,tonysmith,tony,smith,dark,disturbia,hotpics,hotpic,hotpick,hotpicks,hotpix!,#tonysmithhotpix
Description: Tony Smith image Flickr 4140133209 - 'Unionist mural just off the Shankill.
The inscriptions are:
The Peoples Army 1912-2002 90 years of resistance.
scenes are
The train at Fernhill Estate Glencairn 1912
West Belfast UVF over the top at the Somme 1916
Volunteers defend Shankill community from rebublican attack 1969
At the crossroads 2002
Thankfully most of the time the direction has been to peace and steps to continued reconciliation.
Checkout a republican mural here www.flickr.com/photos/hotpixuk/4140163405/
www.flickr.com/photos/hotpixuk/3809054537/in/set-72157617...
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
