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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,and,West Midlands,music,gallery,Black Sabbath,galleries,poster,frontman,rock,legend,heavy metal,iconic,icon,Prince of Darkness,history,records,heritage,solo,career,cultural,tourism,free,temporary,fan,attraction,album,artwork display,awards,retrospective,popular culture,Back to the Beginning,concert,death,2025,posthumous,sign,indoor
Description: Tony Smith image Alamy 3F511A6 - A freestanding promotional panel for Ozzy Osbourne: Working Class Hero stands inside Birmingham Museum & Art Gallery in Chamberlain Square, Birmingham, West Midlands. The poster features a large portrait of Ozzy Osbourne dressed in black beneath the distinctive Ozzy Osbourne logo and the words WORKING CLASS HERO. Visitors can be seen beyond the sign among illuminated display cases and exhibition galleries beneath the museum's high arched interior. The free exhibition opened on 25 June 2025 and was created to celebrate the solo achievements, global awards and career of Birmingham rock icon Ozzy Osbourne, together with album artwork connected with the original Black Sabbath line-up. It was timed to coincide with the historic Black Sabbath homecoming and Back to the Beginning concert at Villa Park on 5 July 2025, when Osbourne performed with Tony Iommi, Geezer Butler and Bill Ward. Ozzy Osbourne, born in Aston, Birmingham, in 1948, became internationally famous as the vocalist and frontman of Black Sabbath before establishing a hugely successful solo career. His career and the band's industrial Birmingham roots became central to the city's reputation as the birthplace of heavy metal. Osbourne died on 22 July 2025 aged 76, after which the exhibition also became an important place for fans to remember and celebrate his life and musical legacy. Birmingham Museums subsequently extended Working Class Hero because of public demand, with the exhibition scheduled to remain on display until 27 September 2026. The museum presentation includes awards, memorabilia and material reflecting Osbourne's solo career and the artwork of the original Black Sabbath era. The photograph records the prominent Working Class Hero publicity display within the museum, with members of the public moving through the gallery behind it. This is an indoor scene, so no sky or outdoor weather conditions are visible.
Museum & Art Gallery, Chamberlain Square, Birmingham, West Midlands, England, UK, B3 3DH
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,V&A Dundee,outdoor,sunny,summer,tourist,tourism,terrace,Scotland,design,Scotlands,museum,Scottish,visitors,relaxation,public seating,people,seated,panoramic,view,landscape,panorama,Tay,Road Bridge,cultural,attraction,exterior,visit,contemporary,architecture,Kengo Kuma,design museum,waterfront regeneration,urban,regeneration,inspirational message,positive slogan,city break
Description: Tony Smith image Alamy 3ENF1NY - Landscape panoramic view of the outdoor terrace at V&A Dundee on Dundee Waterfront, Scotland, showing visitors and tourists relaxing beside the River Tay under dramatic summer cloud and blue sky. The large wall text reads Be open to the joy you deserve , giving the photograph a strong wellbeing, leisure and positive travel message as people sit along the museum's riverside edge. The image combines contemporary architecture, public space, visitor experience and waterside scenery, making it useful for editorial and commercial themes around Scottish tourism, cultural destinations, museum visits, design-led regeneration, waterfront renewal, wellbeing, relaxation, day trips and accessible public realm. V&A Dundee is Scotland's design museum, located at 1 Riverside Esplanade on the city's regenerated waterfront, and was designed by Japanese architect Kengo Kuma. The building has become one of Dundee's most recognisable modern landmarks, close to the River Tay, Dundee railway station, Discovery Point and the central waterfront area. The wide view shows the grey external wall of the museum, sheltered seating area, riverside paving, railings, foreshore, open water, distant Tay Road Bridge and a broad skyscape that adds depth and atmosphere. The scene suggests a calm, mild day, probably in spring or summer, with visitors taking time out to enjoy the view rather than rushing through a formal attraction. It can support stories about museums as civic spaces, the value of free cultural venues, urban design, leisure tourism, Dundee's post-industrial waterfront transformation, Scotland's creative economy and the appeal of open-air spaces attached to major visitor attractions. The inspirational slogan also gives the image potential for features on mental wellbeing, slow travel, personal reflection, inclusive culture, public seating, visitor comfort and the way architecture can frame everyday moments of rest, conversation and looking out across water.
V&A Dundee, 1 Riverside Esplanade, Dundee, DD1 4EZ, Scotland.
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,255A0058,V&A Dundee,design,gallery,interior,museum,displays,exhibits,Dundee,Scotland,UK,lighting,cases,furniture,objects,exhibition,Scottish,culture,tourism,heritage,visitor,attraction,contemporary,history,interpretation,graphics
Description: Tony Smith image Alamy 3ERK5YB - . V&A Dundee design gallery interior with museum displays and exhibits in Dundee, Scotland, UK. Photographed on 10 June 2026. The recorded location is V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK. Warm directional lighting illuminates display cases, furniture, objects, wall panels and interpretive graphics in a carefully designed exhibition space. The gallery demonstrates the museum's focus on Scottish and international design and provides visitors with an immersive cultural experience. The contrasting dark walls, timber surfaces and brightly lit objects create a polished exhibition atmosphere. V&A Dundee opened in 2018 as Scotland's first dedicated design museum and the first V&A museum outside London. Designed by Kengo Kuma and inspired by Scotland's east-coast cliffs, it became a centrepiece of Dundee's waterfront regeneration beside the restored RRS Discovery. Within the history of local history, public libraries expanded during the nineteenth and twentieth centuries as part of civic education, later adding computers, events and digital services while retaining their role as shared community space. Against the 2026 backdrop for local history, digitisation has changed research but has not removed the need for physical archives and collections. institutions increasingly combine online access with conservation of original material and renewed interest in local history. Associated subject terminology includes public library, reading room, heritage attraction, public history, archive research, library service, cultural institution, historical records, visitor attraction, digital access, 255A0058, culture, tourism, heritage, attraction, and contemporary. Closely related image-search terms include interpretation. The image also relates directly to public library, reading room and heritage attraction. The subject also connects reading room, heritage attraction and public history within the same editorial theme.
V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,255A0064,V&A Dundee,interior,timber-lined,stairs,glass,walls,visitors,Dundee,Scotland,UK,contemporary,space,timber,architecture,staircases,museum,design,cultural,tourism,public,building,modern,regeneration,attraction,wood,concrete,Scottish
Description: Tony Smith image Alamy 3ERK5YM - . V&A Dundee interior with timber-lined stairs, glass walls and visitors in Dundee, Scotland, UK. Photographed on 10 June 2026. The recorded location is V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK. The striking contemporary space combines warm horizontal timber slats, angular staircases, glazed balustrades and large open circulation areas beneath the museum's dramatic architecture. Visitors move through the public areas and shop or cafe spaces on the lower level. The dynamic arrangement of wood, glass and concrete reflects the distinctive interior character of Scotland's design museum. V&A Dundee opened in 2018 as Scotland's first dedicated design museum and the first V&A museum outside London. Designed by Kengo Kuma and inspired by Scotland's east-coast cliffs, it became a centrepiece of Dundee's waterfront regeneration beside the restored RRS Discovery. The background to reading room is that museums turn objects into interpreted history, while archives preserve documents that may have little value until researchers connect them with people, buildings or events
Interiors therefore record both collections and changing curatorial practice. Within the history of heritage building, the built environment is continually reused
Warehouses become apartments, stations become event spaces and commercial premises acquire new occupants, making older photographs particularly valuable for tracing regeneration, demolition, conservation and adaptive reuse. Current 2026 context around reading room is that libraries and museums continue to operate as community hubs, visitor attractions and sources of digital access, while funding pressures encourage partnerships, volunteering and new uses for historic buildings. Against the 2026 backdrop for heritage building, current planning debates place growing emphasis on housing delivery, retrofit, accessibility and the reuse of brownfield sites
Architectural photographs therefore connect design history with.
V&A Dundee, 1 Riverside Esplanade, Dundee DD1 4EZ, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,plays,taxi,cabs,pun,punning,literature,firm,taxis,town,centre,local,Skakespeare,the,bard,hackney carriage,01789,336226,William Shakespeare,tourism,reference,literary,attraction,theatre,Royal Shakespeare Company,RSC,Shakespeares,Birthplace,Warwickshire,England,United Kingdom,visitor,transport,attractions,to,24 hour,transfer,British
Description: Tony Smith image Alamy 3E8E1DH - Othello Taxis vehicle seen in Stratford-upon-Avon town stock-photo/gotonysmith-Centre.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>centre, Warwickshire, using a Shakespeare-themed company name in the playwright's home town. The black taxi-style vehicle carries large white Othello Taxis branding, the phone number 01789 336226 and a Download Our App message, linking traditional local taxi services with app-based booking. The name Othello is a clear literary reference to William Shakespeare's tragedy, making the image useful for editorial features on Stratford-upon-Avon tourism, Shakespeare heritage, local transport, theatre travel, visitor services, branding, small businesses and the way the town's cultural identity is reflected in everyday commercial life. Othello Taxis describes itself as a Stratford-upon-Avon taxi service offering local journeys, airport transfers and long-distance travel for personal and business customers, and its contact page gives a Bishopton operating address in Stratford-upon-Avon. The photograph works well for stories about visitors moving between Shakespeare's Birthplace, the Royal Shakespeare Theatre, Anne Hathaway's Cottage, Holy Trinity Church, hotels, restaurants, railway station and town centre attractions. It also suits articles on taxi apps, local cab operators, independent transport firms, tourism infrastructure, accessible town-centre mobility and the visitor economy in Warwickshire. Stratford-upon-Avon is deeply associated with Shakespeare, so a taxi firm named after one of his major plays becomes more than a simple vehicle shot: it shows how literary tourism shapes names, signage, marketing and local business identity. The town-centre setting, parked vehicles, shopfronts and street activity give the image a practical documentary feel rather than a staged advertising view. It is a useful stock image for travel guides, theatre-going features, local news, transport reporting, business directories, tourism blogs and articles about how Shakespeare remains woven into the commercial and civic fabric.
Othello Taxis vehicle in Stratford-upon-Avon town centre, using a Shakespeare-themed name in the pla
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_0500,Cameo Cinema,foyer,Tollcross,Edinburgh,Scotland,UK,film,listings,Anatomy of a Fall,Godzilla Minus One,Fallen Leaves,independent,cinema,historic,movie,screenings,arts,venue,nightlife,heritage,audience,entertainment,picture,house,marquee,signage,programme,films,interior,visitors,culture,tourist,attraction,art arthouse
Description: Tony Smith image Alamy 3F0EE5M - . Cameo Cinema foyer in Tollcross, Edinburgh, Scotland, UK, with film listings for Anatomy of a Fall, Godzilla Minus One and Fallen Leaves. Photographed on 16 December 2023. The recorded location is Cameo Cinema, 38 Home Street, Edinburgh EH3 9LZ, Scotland, UK. The historic independent cinema is one of Edinburgh's best-known film venues and retains a distinctive traditional foyer and marquee-style display. Visitors stand beneath the bright signage while the red and gold interior details reinforce the classic cinema atmosphere. The image also documents the physical presentation of film programmes and screening times in an era increasingly dominated by online booking and digital promotion. Within the history of cultural venue, independent cinemas have repeatedly adapted to television, home video and streaming by emphasising specialist programming, events and the communal experience of film. In relation to escape room, historical context shows that commercial entertainment continually reinvents itself through new technologies and formats, from cinemas and video rental to escape rooms, themed attractions and interactive gaming. For the story of notice, it is useful to note that wayfinding developed from painted names and fingerposts into standardised road, rail and public-information systems
Local signs still retain distinctive typography or bilingual wording even within increasingly consistent national standards. Against the 2026 backdrop for cultural venue, film exhibition mixes digital projection with increasingly diverse programming, while the survival of older cinemas is closely tied to operating costs and local audience support. As of 2026, the position for escape room is that experience-led leisure such as escape rooms and themed attractions competes alongside streaming and gaming for discretionary spending, making town-centre entertainment an important part of the post-retail economy.
Cameo Cinema, 38 Home Street, Edinburgh EH3 9LZ, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,W2 2UH,W2,the,Kensington,Gore,Prince,memorials,historic,Sir,architecture,landmark,icon,iconic,royal,Gothic,ciborium,style,tourist,attraction,tourism,stone,stonework,John Henry Foley,and,Thomas Brock,shrine,gold,sculptor,sculpture,golden
Description: Tony Smith image Alamy 2T35C2E - The Albert Memorial, directly north of the Royal Albert Hall in Kensington Gardens, London, was commissioned by Queen Victoria in memory of her beloved husband Prince Albert, who died in 1861. Designed by Sir George Gilbert Scott in the Gothic Revival style, it takes the form of an ornate canopy or pavilion 176 feet (54 m) tall, in the style of a Gothic ciborium over the high altar of a church, sheltering a statue of the prince facing south. It took over ten years to complete, the £120,000 cost (the equivalent of about £10,000,000 in 2010) met by public subscription.
The memorial was opened in July 1872 by Queen Victoria, with the statue of Albert ceremonially seated in 1876. It has been Grade I listed since 1970.
Commission and design
The memorial statue of Albert, by John Henry Foley and Thomas Brock
When Prince Albert died on 14 December 1861, at the age of 42, the thoughts of those in government and public life turned to the form and shape of a suitable memorial, with several possibilities, such as establishing a university or international scholarships, being mentioned. Queen Victoria, however, soon made it clear that she desired a memorial in the common sense of the word.
Prince Albert memorial, Kensington Gardens, London, England, W2 2UH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,42,SW1A 2BJ,SW1A,the,at,Serpentine,Lady,Di,plaques,plaque,royal,walk,pathway,path,walkway,queen,Diana,Spencer,of,sorrows,Princess of Wales Memorial Walk,tourist,tourism,attraction,park,paths,bronze,British,royalty,symbol,tribute,to
Description: Tony Smith image Alamy 2T35C2K - The Diana, Princess of Wales Memorial Walk is a 7-mile (11 km) long circular walking trail in central London, England, dedicated to the memory of Diana, Princess of Wales.
Overview
The walk passes between Kensington Gardens, Hyde Park, Green Park and St. James's Park in a figure-eight pattern, passing five sites that are associated with Princess Diana's life: Kensington Palace, Spencer House, Buckingham Palace, St. James's Palace, and Clarence House. It is marked with ninety individual plaques, each of which has a heraldic rose etched in the centre made of aluminium. Chancellor of the Exchequer Gordon Brown, who was the Chairman of the Diana, Princess of Wales, Memorial Committee was quoted as saying it is one of the most magnificent urban parkland walks in the world. The Diana, Princess of Wales Memorial Walk is in London, and celebrates the life of the Princess of Wales who died in a car accident on 31 August 1997 in Paris.
The walk was constructed at a cost of £1.3 million. No member of the Royal Family was present at its opening
St James Park, 42 The Mall, London, England, SW1A 2BJ
Description
Keywords: town,centre,WA1,Cheshire,England,English,UK,GoTonySmith,HotpixUK,@HotpixUK,WA1 2TL,evening,sunset,dusk,Anglican,history,historic,tower,towers,churches,spires,1354,1696,attractive,attraction,tourist,tourism,Church of England,CofE,view,through,trees,distinctive,feature,unique,special
Description: Tony Smith image Alamy 2RHH6HG - . St Elphin's parish Church, evening sunset, Church Street, Warrington, Cheshire, England, UK, WA1 2TL. Photographed on 15 August 2023. Among parish churches, it is the third tallest in England. But nothing survives above ground of the original building (a Saxon wooden church), and only the chancel and crypt remain from its successor, the first stone building, which was built in 1354. Shelled and badly damaged by the Parliamentary forces in the Civil War of the 17th century, the tower of that church had to be rebuilt in 1696, and the nave was rebuilt in l770. The south aisle was added in the early 19th century, and the whole building was restored between 1859 and 1867, when the present distinctive spire was added. Inside, galleries in the aisles contain pews with doors, and some of the stained glass is by AWN Pugin. Looking at place of worship, the longer history is that churches combine worship with architecture, local memory and centuries of community past
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family past. The background to historic comparison is that town and neighbourhood photographs record the accumulation of ordinary change: road layouts, shop names, signage, public art and building uses
Their value increases when compared over decades because apparently minor details can become the clearest evidence of transformation. Within the history of agriculture, irrigation and crop management became increasingly mechanised during the twentieth century, allowing farmers to control water and improve yields but also increasing attention to resource use and environmental impact. In 2026, place of worship remains relevant because historic places of worship remain important not only for faith but also for tourism, music, community use and local identity
Images of interiors, memorials and churchyards can support stories about conservation.
Church Street, Warrington, Cheshire, England, UK, WA1 2TL
--showing-St-Peters-church---Wernerkapelle-from-the-Postenturm---Mainz-Bingen-district--Germany-2PJ0YY4.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,post tower,posttower,Mainz-Bingen,district,in,Germany,pano,panorama,over,town,city,gorge,tourist,tourism,attraction,walking,tour,cycle,cycling,centre,architecture,view,to,the,Rhine,river,St Peter,church,spires,streets,wide,skyline,townview
Description: Tony Smith image Alamy 2PJ0YY4 - Bacharach (pronunciation (help·info), also known as Bacharach am Rhein) is a town in the Mainz-Bingen district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde of Rhein-Nahe, whose seat is in Bingen am Rhein, although that town is not within its bounds.
The original name Baccaracus suggests a Celtic origin. Above the town stands Stahleck Castle (Burg Stahleck), now a youth hostel.
Geography
Location
The town lies in the Rhine Gorge, 48 km south of Koblenz.
Constituent communities
Bacharach is divided into several Ortsteile. The outlying centre of Steeg lies in the Steeg Valley (Steeger Tal) off to the side, away from the Rhine. This glen lies between Medenscheid and Neurath to the south and Henschhausen to the north on the heights.
History
In the early 11th century, Bacharach had its first documentary mention. It may have been that as early as the 7th century, the kingly domain passed into Archbishop of Cologne Kunibert's ownership
pointing to this is a Kunibertskapelle (chapel) on the spot where now stands the Wernerkapelle. The Vögte of the Cologne estate were the Elector of the Palatinate, who over time pushed back Cologne's influence.
Caring for and maintaining Bacharach's building monuments, spurred on in the early 20th century by the Rhenish Association for Monument Care and Landscape Preservation (Rheinischer Verein für Denkmalpflege und Landschaftsschutz) which took on the then highly endangered town wall and Stahleck Castle ruin jobs, and the great dedication of the state of Rhineland-Palatinate to the Wernerkapelle have seen to it that Bacharach is still a jewel of the Rheinromantik and a multifaceted documentary site of mediaeval architecture on the Middle Rhine. The Wernerkapelle ruin is under monumental protection and before it a plaque has been placed recalling the inhuman crimes against Jewish residents and also containing a quotation from a prayer by Pope John XXIII for a change in Christians' thinking in their relationship
Bacharach, Bacharach am Rhein,, Mainz-Bingen district, Germany
-------Mainz-Bingen-district--Germany-2PJ2A2T.jpg)
Description
Keywords: St Peter,Rhineland-Palatinate,view,church,GoTonySmith,HotpixUK,@HotpixUK,post tower,posttower,Mainz-Bingen,district,in,Germany,pano,panorama,over,town,city,gorge,tourist,tourism,attraction,store,shops,shop,vineyard,winery,wine,region,towns,reconstructed,preserved,well maintained,Rhine town,Rhine towns,beautiful,Village,villages
Description: Tony Smith image Alamy 2PJ2A2T - Bacharach (pronunciation (help·info), also known as Bacharach am Rhein) is a town in the Mainz-Bingen district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde of Rhein-Nahe, whose seat is in Bingen am Rhein, although that town is not within its bounds.
The original name Baccaracus suggests a Celtic origin. Above the town stands Stahleck Castle (Burg Stahleck), now a youth hostel.
Geography
Location
The town lies in the Rhine Gorge, 48 km south of Koblenz.
Constituent communities
Bacharach is divided into several Ortsteile. The outlying centre of Steeg lies in the Steeg Valley (Steeger Tal) off to the side, away from the Rhine. This glen lies between Medenscheid and Neurath to the south and Henschhausen to the north on the heights.
History
In the early 11th century, Bacharach had its first documentary mention. It may have been that as early as the 7th century, the kingly domain passed into Archbishop of Cologne Kunibert's ownership
pointing to this is a Kunibertskapelle (chapel) on the spot where now stands the Wernerkapelle. The Vögte of the Cologne estate were the Elector of the Palatinate, who over time pushed back Cologne's influence.
Caring for and maintaining Bacharach's building monuments, spurred on in the early 20th century by the Rhenish Association for Monument Care and Landscape Preservation (Rheinischer Verein für Denkmalpflege und Landschaftsschutz) which took on the then highly endangered town wall and Stahleck Castle ruin jobs, and the great dedication of the state of Rhineland-Palatinate to the Wernerkapelle have seen to it that Bacharach is still a jewel of the Rheinromantik and a multifaceted documentary site of mediaeval architecture on the Middle Rhine. The Wernerkapelle ruin is under monumental protection and before it a plaque has been placed recalling the inhuman crimes against Jewish residents and also containing a quotation from a prayer by Pope John XXIII for a change in Christians' thinking in their relationship
Bacharach, Bacharach am Rhein,, Mainz-Bingen district, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,YO1 6GD,of,and,metropolitan church,architecture,stonework,Archbishop of York,archbishop,dean,chapter,York,tower,towers,tree,trees,greenery,autumn,blue sky,history,historic,heritage,classic,city,centre,travel,tourist,attraction,attractions,travellers,old,medieval,preserved
Description: Tony Smith image Alamy 2K7NBKH - The Cathedral and Metropolitical Church of Saint Peter in York, commonly known as York Minster, is the cathedral of York, North Yorkshire, England, and is one of the largest of its kind in Northern Europe. The minster is the seat of the Archbishop of York, the third-highest office of the Church of England (after the monarch as Supreme Governor and the Archbishop of Canterbury), and is the mother church for the Diocese of York and the Province of York. It is run by a dean and chapter, under the Dean of York. The title minster is attributed to churches established in the Anglo-Saxon period as missionary teaching churches, and serves now as an honorific title
the word Metropolitical in the formal name refers to the Archbishop of York's role as the Metropolitan bishop of the Province of York. Services in the minster are sometimes regarded as on the High Church or Anglo-Catholic end of the Anglican continuum.
The minster was completed in 1472 after several centuries of building. It is devoted to Saint Peter, and has a very wide Decorated Gothic nave and chapter house, a Perpendicular Gothic quire and east end and Early English North and South transepts. The nave contains the West Window, constructed in 1338, and over the Lady Chapel in the east end is the Great East Window (finished in 1408), the largest expanse of medieval stained glass in the world. In the north transept is the Five Sisters window, each lancet being over 53 feet (16.3 m) high. The south transept contains a rose window, while the West Window contains a heart-shaped design colloquially known as The Heart of Yorkshire.
On 9 July 1984, York Minster suffered a serious fire in its south transept during the early morning hours. Firefighters made a decision to deliberately collapse the roof of the South Transept by pouring tens of thousands of gallons of water onto it, in order to save the rest of the building from destruction
City of York, Yorkshire, England, UK, YO1 6GD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,on,river,Ouse,at,Yorkshire,England,UK,of,sail,sailing,down,the,YO1,architectural,treasures,wonderful,preserved,medieval,old,travellers,travel,tourist,attraction,attractions,centre,city,classic,heritage,Heart of Yorkshire,historic,history,York,stonework,architecture
Description: Tony Smith image Alamy 2K7NBKM - . An identifiable period record of City of York, Yorkshire, England, UK, YO1 6GD in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. At the centre of the view is River Palace City Cruises boat on Ouse at York, Yorkshire, England, UK, YO1. The image also relates to everyday life, regional identity, blue-green corridor, contemporary social history, period detail, social history, public realm, heritage boating, local history, working waterway, managed navigation, before-and-after reference, inland navigation, and local character. Today's relevance is strengthened by volunteering, public access and the continuing question of the transition of industrial waterways toward leisure and heritage use. The image fixes building condition and alterations within City of York, Yorkshire, England, UK, YO1 6GD at one identifiable point, providing a benchmark against refurbishment. The subject also sits alongside lock flight, inland boating, waterborne transport, towpath landscape, historical comparison, canal infrastructure, changing land use, and place identity. The recorded references to Cruises, Palace, Yorkshire, and River preserve clues about how the subject was presented, used or understood at the time. A later view of City of York, Yorkshire, England, UK, YO1 6GD may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for volunteering and the transition of industrial waterways toward leisure and heritage use in a form that can be compared with future views of City of York, Yorkshire, England, UK, YO1 6GD. Another useful connection is volunteering and the role of canals as blue-green corridors for people and wildlife within the real-world context of City of York, Yorkshire, England, UK, YO1 6GD. Image 2K7NBKM also remains a dated record of City of York, Yorkshire, England, UK, YO1 6GD.
City of York, Yorkshire, England, UK, YO1 6GD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,YO1 6GD,of,and,metropolitan church,architecture,stonework,Archbishop of York,archbishop,dean,chapter,York,wall,walls,river,history,historic,heritage,classic,city,centre,travel,tourist,attraction,attractions,travellers,old,medieval,preserved,architectural,treasures,wonderful
Description: Tony Smith image Alamy 2K7NBKP - . Recorded at City of York, Yorkshire, England, UK, YO1 6GD in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows York Minster, cathedral, and metropolitical church of Saint Peter, wall and river seen from City of York, Yorkshire, England, UK, YO1 6GD. The image also relates to everyday life, changing streetscape, ecclesiastical architecture, place identity, archival record, contemporary social history, historic church fabric, changing land use, Christian heritage, documentary photography, historical comparison, period detail, church interior, and before-and-after reference. The modern context includes continuing discussion of heritage conservation, accessibility and how sacred spaces adapt to changing attendance and wider community use. The image fixes materials and architectural details within City of York, Yorkshire, England, UK, YO1 6GD at one identifiable point, providing a benchmark against altered transport patterns. A second descriptive layer includes religious landmark, ecclesiastical art, faith community, parish history, heritage worship space, regional identity, sacred architecture, and religious heritage. The combination of cathedral, church, Yorkshire, Minster, and Saint anchors the frame to a recognisable activity, place or moment. Around City of York, Yorkshire, England, UK, YO1 6GD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to heritage conservation and how sacred spaces adapt to changing attendance and wider community use in a form that can be compared with future views of City of York, Yorkshire, England, UK, YO1 6GD. The photograph keeps period character as part of City of York, Yorkshire, England, UK, YO1 6GD's history.
City of York, Yorkshire, England, UK, YO1 6GD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,L18,Beatles,fab four,The Cavern,i Love John,Stuart Sutcliffe,Merseyside,art,wall,I love paul,Only you need is love,love,I love George,A place to remember,Yoko,sign,streetsign,street,tourist,attraction,tourists,tourism,gifted,from,Liverpool City Council,visitor,centre,center,charity,history,historic
Description: Tony Smith image Alamy 2K0KXBG - Penny Lane is a song by the English rock band the Beatles that was released in February 1967 as a double A-side single with Strawberry Fields Forever. It was written primarily by Paul McCartney and credited to the LennonMcCartney songwriting partnership. The lyrics refer to Penny Lane, a street in Liverpool, and make mention of the sights and characters that McCartney recalled from his upbringing in the city.
The Beatles began recording Penny Lane in December 1966, intending it as a song for their album Sgt. Pepper's Lonely Hearts Club Band. Instead, after it was issued as a single to satisfy record company demand for a new release, the band adhered to their policy of omitting previously released singles from their albums. The song features numerous modulations that occur mid-verse and between its choruses. Session musician David Mason played a piccolo trumpet solo for its bridge section
Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the LennonMcCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story
Penny Lane Development Trust, 70 Penny Ln, Liverpool, Merseyside, England, UK, L18 1BW
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,inside,communal dining tables,dining,eating,place,venue,rustic,informal,market,1,England,UK,M4 5BU,M4,interior,tables,eat,drinking,eats,regional,cuisine,world,tourist,attraction,independent,kitchens,bars,passionate about regional,food & drink,diners,Muse,Altrincham Market,Market House,Northern Quarter,NQ4
Description: Tony Smith image Alamy 2JYYR43 - Cosmopolitan food hall in an 1858 Grade II listed market building, on the edge of Manchester's famous Northern Quarter. Reimagined by all the people involved in the award winning Altrincham Market and Market House.
Food at Mackie Mayor
Mackie Mayor is the perfect spot for breakfast, brunch, lunch and dinner, in fact you could eat the whole day away without stepping out from under the amazing glass roof. Vegetarian and vegan options are available from select vendors.
Mackie Mayor includes the following food and drink vendors:
Honest Crust Pizza | Fin Fish Bar | Wolf House Coffee | Nationale 7 | Tender Cow | Baohouse | Little Window | J.Atkinsons & Co | Jack In The Box | Reserve Wines
Booking a table at Mackie Mayor
No bookings are required, walk ups only
History of Mackie Mayor
Redeveloped by Muse, the Mackie Mayor is the only remaining fully intact building from the former Smithfield market. Opened in 1858, it was originally used as a fresh produce market, but had lain empty since the early 1990's.
Family Friendly Mackie Mayor
As well as food children will love there is also a cosy play area hidden under the stairs.
Smithfield Market Hall, 1 Eagle St, Manchester, England, UK, M4 5BU
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,inside,communal dining tables,dining,eating,place,venue,rustic,informal,market,1,England,UK,M4 5BU,M4,interior,tables,eat,drinking,eats,regional,cuisine,world,tourist,attraction,independent,kitchens,bars,passionate about regional,food & drink,diners,Muse,Altrincham Market,Market House,Northern Quarter,NQ4,urban food culture,shared dining concept
Description: Tony Smith image Alamy 2JYYR45 - A busy interior view of Mackie Mayor, the informal food hall occupying the restored Smithfield Market Hall at 1 Eagle Street in Manchester's Northern Quarter. Visitors sit around long communal wooden tables, eating, drinking and socialising beneath the building's tall glazed roof. The open seating arrangement allows customers buying from different independent food and drink traders to share the same central dining space.
Large industrial-style pendant lights hang above the tables, while slender cast-iron columns support the historic market structure. Exposed brick walls, high ceilings, roof glazing and surviving architectural details retain the character of the Victorian building. Contemporary counters, chalkboard menus and illuminated signs have been inserted around the perimeter without concealing the original scale and industrial appearance of the hall.
Mackie Mayor occupies a Grade II listed building constructed in 1858 as part of Manchester's former Smithfield Market complex. It is one of the surviving original market buildings from a district that once played an important role in the wholesale and retail distribution of food across the rapidly growing industrial city. The name commemorates Ivie Mackie, who served as Mayor of Manchester during the nineteenth century.
Following restoration and adaptive reuse, the building reopened as a food hall containing a collection of independent operators offering meals, snacks, coffee, beer and other drinks. The communal layout creates a more informal experience than a conventional restaurant, allowing groups to select food from different vendors while remaining seated together.
The photograph captures families, couples and groups using the hall in a relaxed and lively atmosphere. The combination of historic architecture, shared seating, independent businesses and contemporary hospitality illustrates the successful reuse of a former commercial market building.
The image is suitable for editorial coverage of Manchester
Smithfield Market Hall, 1 Eagle St, Manchester, England, UK, M4 5BU
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,inside,communal dining tables,dining,eating,place,venue,rustic,informal,market,1,England,UK,M4 5BU,M4,interior,tables,eat,drinking,eats,regional,cuisine,world,tourist,attraction,independent,kitchens,bars,passionate about regional,food & drink,diners,Muse,Altrincham Market,Market House,Northern Quarter,NQ4
Description: Tony Smith image Alamy 2JYYR46 - Cosmopolitan food hall in an 1858 Grade II listed market building, on the edge of Manchester's famous Northern Quarter. Reimagined by all the people involved in the award winning Altrincham Market and Market House.
Food at Mackie Mayor
Mackie Mayor is the perfect spot for breakfast, brunch, lunch and dinner, in fact you could eat the whole day away without stepping out from under the amazing glass roof. Vegetarian and vegan options are available from select vendors.
Mackie Mayor includes the following food and drink vendors:
Honest Crust Pizza | Fin Fish Bar | Wolf House Coffee | Nationale 7 | Tender Cow | Baohouse | Little Window | J.Atkinsons & Co | Jack In The Box | Reserve Wines
Booking a table at Mackie Mayor
No bookings are required, walk ups only
History of Mackie Mayor
Redeveloped by Muse, the Mackie Mayor is the only remaining fully intact building from the former Smithfield market. Opened in 1858, it was originally used as a fresh produce market, but had lain empty since the early 1990's.
Family Friendly Mackie Mayor
As well as food children will love there is also a cosy play area hidden under the stairs.
Smithfield Market Hall, 1 Eagle St, Manchester, England, UK, M4 5BU
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,Cheshire,England,UK,CW3,CW3 0AB,canalside,sign,canal,at,signage,store,workshop,old,history,historic,blue sky,heritage,sunny,mills,stores,shops,tourist,tourism,attraction,attractions,brick,red,windows,side,buildings,architecture,waterside,workshops,preserved,developed,Canal & River trust,property
Description: Tony Smith image Alamy 2JP5T1M - . This scene at Audlem, Cheshire, England, UK, CW3 0AB in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Audlem Mill , canal and needlework shop, Audlem, Cheshire, England, UK, CW3 0AB. The image also relates to visual archive, local history, local character, before-and-after reference, commercial streetscape, small business, public realm, bricks-and-mortar retail, street-level business, social history, historical comparison, town-centre economy, independent retail, and place identity. In present-day coverage, the subject reaches into business rates and consumer spending, not least because of the resilience of independent shops in an online retail economy. The image fixes commercial use and occupation within Audlem, Cheshire, England, UK, CW3 0AB at one identifiable point, providing a benchmark against refurbishment. The wider setting retains connections with commercial frontage, changing land use, everyday life, contemporary social history, period detail, retail property, documentary photography, and local trading. Details involving needlework, Audlem, and canal make the image more specific than a generic view and strengthen its local or historical value. The period setting at Audlem, Cheshire, England, UK, CW3 0AB helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to business rates and how consumer spending and property costs shape local commercial streets as part of the longer story of Audlem, Cheshire, England, UK, CW3 0AB. The location additionally provides evidence of footfall and the resilience of independent shops in an online retail economy when considered against later change at Audlem, Cheshire, England, UK, CW3 0AB. The scene captures a point of historical comparison before later change alters the scene.
Audlem, Cheshire, England, UK, CW3 0AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,centre,England,UK,GL5,shops,retail,dining,out,tea,shop,summer,street,st,bunting,flag,flags,streets,lane,lanes,tourist,tourism,tourists,attraction,attractions,outside,cafe culture,exterior,diners,eating,drinking,coffee,bar
Description: Tony Smith image Alamy 2JMD5N0 - . Photographed at High St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 1AS in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Cafe Culture, High St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 1AS. The setting additionally reflects public realm, contemporary social history, commercial frontage, street-level business, local enterprise, local character, commercial streetscape, period detail, high-street commerce, place identity, bricks-and-mortar retail, regional identity, customer footfall, and documentary photography. In present-day coverage, the subject reaches into store closures and commercial rents, not least because of the resilience of independent shops in an online retail economy. For later comparison, the photograph preserves period objects and surrounding context at High St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 1AS, details that may look very different after replacement signage. Further associations within the scene are visual archive, historical comparison, changing streetscape, small business, retail property, archival record, changing land use, and local history. The combination of Gloucestershire, Stroud, Culture, and Cotswolds anchors the frame to a recognisable activity, place or moment. By fixing the subject within High St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 1AS, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for store closures and the role of small retailers in maintaining active town centres within the specific setting of High St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 1AS. The scene captures a local visual benchmark within the wider story of High St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 1AS.
High St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 1AS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,centre,England,UK,GL5,owner,of,the,Craftology,shop,lane,street,history,historic,Swan,Inn,pub,bar,Swan Ln,GL5 2HF,Union St,lamp,lamps,baskets,Cotswold,tourist,attraction,English,thriving,successful,district,council,DC
Description: Tony Smith image Alamy 2JMD5N2 - . A grounded documentary photograph made at Union St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 2HF in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is The Swan Inn, Union St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 2HF. A broader reading of the photograph includes documentary photography, independent retail, local trading, community identity, visual archive, period detail, small business, everyday life, street-level business, commercial streetscape, public realm, retail property, changing land use, and high-street commerce. Current relevance extends to town-centre regeneration and consumer spending, particularly through how consumer spending and property costs shape local commercial streets. For later comparison, the photograph preserves public access and movement at Union St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 2HF, details that may look very different after new construction. The location also brings in town-centre economy, commercial frontage, regional identity, place identity, contemporary social history, changing streetscape, shopfront economy, and specialist retailer. Elements such as Gloucestershire, Stroud, Cotswolds, and Union add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Union St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 2HF, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is town-centre regeneration and how consumer spending and property costs shape local commercial streets when considered against later change at Union St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 2HF. The frame retains part of the area's social history as a date-specific reference.
Union St, Stroud, Cotswolds, Gloucestershire, England, UK, GL5 2HF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,in,the,Marsh,Moreton,Cotswold,town,Gloucestershire,England,UK,Evenlode,valley,TC,old,GL56,Moreton-in-Marsh,Evenlode Valley,Cotswold District Council,GL56 0LW,&,building,buildings,architecture,history,historic,House 7,London,8,High St,sunny,blue skies,heritage,attraction,tourism,Harry and Meghan,Moreton in Marsh
Description: Tony Smith image Alamy 2JNBXTA - . Recorded at House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records Cotswold Cards & Gifts, High St, Moreton-in-Marsh, Evenlode Valley, Cotswold District Council, Gloucestershire, England, UK, GL56 0LW. The setting additionally reflects historical comparison, shopfront economy, commercial streetscape, small business, everyday life, customer footfall, contemporary social history, local history, local enterprise, street-level business, independent retail, visual archive, changing streetscape, and documentary photography. Today's relevance is strengthened by consumer spending, town-centre regeneration and the continuing question of the role of small retailers in maintaining active town centres. For later comparison, the photograph preserves lettering, decoration and surface detail at House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH, details that may look very different after closure or conversion. The subject also sits alongside bricks-and-mortar retail, specialist retailer, retail property, commercial frontage, high-street commerce, changing land use, community identity, and before-and-after reference. The combination of District, Cards, Valley, Evenlode, and Gifts anchors the frame to a recognisable activity, place or moment. A later view of House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate consumer spending and the role of small retailers in maintaining active town centres within the real-world context of House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH. The period view preserves period character as part of House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH's history.
House 7, London, 8 High St, Moreton-in-Marsh GL56 0AH
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,hot,dry,weather,level,yacht,canal,marina,in,summer,at,very,levels,Cheshire,England,UK,pano,panorama,Halton,WA8 0QR,aground,low water,climate,change,changes,heat,drought,sunny,blue,sky,skies,marinas,Halton Borough Council,leisure,site,tourist,tourism,attraction
Description: Tony Smith image Alamy 2JNBY6H - Spike Island is a park in Widnes, Halton, North-West England. It is an artificial island between the Sankey Canal and the estuary of the River Mersey containing parkland, woodland, wetlands and footpaths. It is next to the Catalyst Science Discovery Centre, an interactive science and technology museum.
Spike Island was at the centre of the British chemical industry during the industrial revolution. In 1833, Widnes Dock, the world's first rail-to-ship dock, was built on the island. In 1848, John Hutchinson built the first chemical factory in Widnes on the island. The chemical industry in Widnes grew rapidly thereafter. By the 1970s no working chemical factories remained, and from 1975 onwards the island was cleaned up and turned over to public recreation.
A famous concert by The Stone Roses, subsequently the subject of an eponymous film, took place on the island in May 1990.
History
Drawing of the island in 1875
View of the Sankey Canal from Spike island circa 1900
Spike Island is an artificial island created in 1833 when the Sankey Canal was extended from Fiddler's Ferry to the River Mersey at Widnes. The extension separated a section of Widnes previously called Woodend from the remainder of the town.[1] The canal passes from the West Bank Locks on Spike Island to Warrington and then into St. Helens town centre. The canal fell into disuse and closed in 1963. The canal footpath now forms part of the Trans Pennine Trail.
Widnes Dock, built in 1833, was the first rail-to-ship dock in the world. Uniquely the dock allowed goods, such as coal, to be taken off a train and deposited directly into a boat for transport along the River Mersey to other parts of the UK and abroad. Goods and raw materials could also be brought in by boat and deposited directly onto a train for onward travel to local factories. The dock was topped up with water from the nearby reservoir to prevent its level becoming too low when the River Mersey was at low tide.
Spike Island, Widnes, Halton, Cheshire, England, UK, WA8 0QR
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England,UK,GL55 6AA,centre,picturesque,tourist,trap,tourism,attraction,stone,hall,place,history,historic,High st,High Street,wool trading,1627,by,Sir Baptist Hicks,built,Grade I listed,Merchant Shelter,retail,selling,commerce,NT,national Trust,arch,arched,entrance,sunny,blue skies,heritage,olden,days,Harry and Megan
Description: Tony Smith image Alamy 2JNBYBX - One of the oldest buildings in the town is the Grade I listed Market Hall, built in 1627 by Sir Baptist Hicks in 1627 and still in use. The building was intended as a shelter for merchants and farmers selling their wares with the arched side walls open to allow light, and customers, to enter. There was a plan to sell the hall in the 1940s but locals raised funds to purchase the property and donated it to the National Trust.
Chipping Campden is a market town in the Cotswold district of Gloucestershire, England. It is notable for its terraced High Street, dating from the 14th century to the 17th century. (Chipping is from Old English cēping, 'market', 'market-place'
the same element is found in other towns such as Chipping Norton, Chipping Sodbury and Chipping (now High) Wycombe.)
A wool trading centre in the Middle Ages, Chipping Campden enjoyed the patronage of wealthy wool merchants, most notably William Greville (d.1401). The High Street is lined with buildings built from locally quarried oolitic limestone known as Cotswold stone, and boasts a wealth of vernacular architecture. Much of the town centre is a conservation area which has helped to preserve the original buildings. The town is an end point of the Cotswold Way, a 102-mile long-distance footpath.
Chipping Campden has hosted its own Olympic Games since 1612.
Chipping Camden, Cotswolds, Cotswold, Oxfordshire, England, UK, GL55 6AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,Hereford neon sign,bar,pub,cafe,Bridge St,England,UK,HR4 9DG,De,cafes,bars,pubs,Coffie,Coffee,the,sign,signs,entrance,inside,history,heritage,old,interesting,tourist,tourism,travel,attraction,attractions,trail,walking,city centre,past
Description: Tony Smith image Alamy 2M07AER - . An identifiable period record of Bridge St, Hereford , Herefordshire, England, UK, HR4 9DG in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The location is represented through De Koffie Pot, Bridge St, Hereford , Herefordshire, England, UK, HR4 9DG. Further facets of the scene include wayfinding detail, place identity, visual communication, social history, visual archive, public information notice, street-level message, before-and-after reference, local character, period detail, contemporary social history, historic sign, material sign design, and everyday life. The modern context includes continuing discussion of digital substitution, street design and the way lettering and materials contribute to local visual identity. The archival value lies partly in recording local activity and public use around Bridge St, Hereford , Herefordshire, England, UK, HR4 9DG before changing commercial priorities alters the character of the place. The photograph additionally reflects regional identity, everyday visual culture, archival record, instructional wording, local history, urban typography, period lettering, and changing streetscape. References to Koffie, Bridge, Hereford, and Herefordshire give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Bridge St, Hereford , Herefordshire, England, UK, HR4 9DG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of digital substitution and the way lettering and materials contribute to local visual identity in a form that can be compared with future views of Bridge St, Hereford , Herefordshire, England, UK, HR4 9DG. The photograph keeps a trace of local identity for future local research. The record includes a local visual benchmark before later change alters the scene.
Bridge St, Hereford , Herefordshire, England, UK, HR4 9DG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,craft,ale,ales,city,centre,traditional,classic,English,beer,beers,real ale,CAMRA,Stoke Lacy,Peter Amor,Britains,leading,independent,breweries,Vernon Amor,Canon Pyon,Symonds Cider plant,Butty Bach,Wye Valley Bitter,cask,bottle,conditioned,history,heritage,old,interesting,tourist,tourism,travel,attraction,pump
Description: Tony Smith image Alamy 2M07AEW - Wye Valley Brewery is a brewery in the village of Stoke Lacy, Herefordshire, England, in the Wye Valley. Founded in 1985 by Peter Amor, it has become one of Britain's leading independent breweries. In 2002 Peter Amor's son, Vernon Amor, became managing director
Wye Valley Brewery traces its ancestry to the Abbey Brewery, which was founded in November 1981 and operated from the owner's garage in Stainton, Rotherham. In mid-1982, Abbey Brewery located to Retford, Nottinghamshire with a capacity of at most 20bbl per week. After being bought in 1983 by Peter Amor, a former brewer for Guinness who also worked for H. P. Bulmer
After 18 years in Hereford, in 2002 the brewery was relocated to the village of Stoke Lacy, in northern Herefordshire, and the original brewplant sold to Teme Valley Brewery
Wye Valley Brewery owns The Barrels and The Britannia in Hereford, The Morgan in Malvern and The Rose and Lion in Bromyard
Peter Amor is the publican of The Barrels. A further 400 outlets in Wales and England are supplied regularly, and beer is also sold in bottles
Wye Valley's beer line is based around three flagship beers: HPA (Hereford Pale Ale), a hoppy, malty pale brewed to 4.0% abv
Wye Valley Bitter, a session bitter at 3.7% abv
and Butty Bach (Welsh: little mate), a golden ale at 4.5% abv, which the Good Beer Guide describes as A burnished gold, full-bodied premium ale.
In addition to the core beer line, a rotation of monthly ales is also produced. A number of one-off beers have also been made for special events.
Wye Valley Brewery produces cask and bottle conditioned beer, and is a member of the Society of Independent Brewers.
Wye Valley Brewery also produces beers, originally all seasonals, under the brand name Dorothy Goodbody. Dorothy Goodbody is an invented persona
Hereford, Herefordshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,statue,station,rail,railway,art,artist,romance,affair,affairs,infidelity,adultery,sexual,attraction,kiss,kissing,lovers,international,amorous,romantic,passion,bronze,British,Eurostar terminal,a very good example of the crap out there,Lonely Planet,woman,checks,phone,messages,iphone,glued,to,phones,Paul Day,carriage
Description: Tony Smith image Alamy 2K16ARC - The Meeting Place is a 9-metre-high (30 ft), 20-tonne (20-long-ton) bronze sculpture that stands at the south end of the upper level of St Pancras railway station. Designed by the British artist Paul Day and unveiled in 2007, it is intended to evoke the romance of travel through the depiction of a couple locked in an amorous embrace.
The statue, which stands in the Eurostar terminal, is reported to have cost £1 million and was installed as the centrepiece of the refurbished station. The work, commissioned by London and Continental Railways, is modelled on the sculptor and his wife
The sculpture received a poor critical reception, being cited by Antony Gormley as a very good example of the crap out there, comparing it to other examples of public art in the UK,[4] and later referred to as a terrible, schmaltzy, sentimental piece of kitsch by Tim Marlow of the Royal Academy of Arts. Jeremy Deller dismissed it as barely a work of art. Day commented that lot of people will no doubt detest it because it is not violent or controversial.
Further controversy was caused by Day's 2008 planned addition of a bronze relief frieze around the plinth. Originally depicting a commuter falling into the path of an Underground train driven by the Grim Reaper, Day believed the piece to be a tragi-comic style and was supposed to be a metaphor for the way people's imaginations ran wild but revised the frieze before the final version was installed.
Despite harsh criticism from major figures in the British art world, the statue has become popular with the public and contributed to its perception of St Pancras. In 2011, an edition of The World's Most Romantic Spots by Lonely Planet described the station as one of the most romantic meeting places in the world, citing the statue as a key reason
The Grand Terrace, St Pancras International, London, England, UK, N1C 4QP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,statue,station,rail,railway,Paul Day,art,artist,Eurostar terminal,out,of,carriage,goodbye,man,Lonely Planet,a very good example of the crap out there,passion,bronze,British,romantic,amorous,international,attraction,kiss,kissing,lovers,phone,to,messages,iphone,checks,woman,phones
Description: Tony Smith image Alamy 2K16ARE - The Meeting Place is a 9-metre-high (30 ft), 20-tonne (20-long-ton) bronze sculpture that stands at the south end of the upper level of St Pancras railway station. Designed by the British artist Paul Day and unveiled in 2007, it is intended to evoke the romance of travel through the depiction of a couple locked in an amorous embrace.
The statue, which stands in the Eurostar terminal, is reported to have cost £1 million and was installed as the centrepiece of the refurbished station. The work, commissioned by London and Continental Railways, is modelled on the sculptor and his wife
The sculpture received a poor critical reception, being cited by Antony Gormley as a very good example of the crap out there, comparing it to other examples of public art in the UK,[4] and later referred to as a terrible, schmaltzy, sentimental piece of kitsch by Tim Marlow of the Royal Academy of Arts. Jeremy Deller dismissed it as barely a work of art. Day commented that lot of people will no doubt detest it because it is not violent or controversial.
Further controversy was caused by Day's 2008 planned addition of a bronze relief frieze around the plinth. Originally depicting a commuter falling into the path of an Underground train driven by the Grim Reaper, Day believed the piece to be a tragi-comic style and was supposed to be a metaphor for the way people's imaginations ran wild but revised the frieze before the final version was installed.
Despite harsh criticism from major figures in the British art world, the statue has become popular with the public and contributed to its perception of St Pancras. In 2011, an edition of The World's Most Romantic Spots by Lonely Planet described the station as one of the most romantic meeting places in the world, citing the statue as a key reason
The Grand Terrace, St Pancras International, London, England, UK, N1C 4QP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,statue,station,rail,railway,art,artist,romance,affair,affairs,infidelity,adultery,sexual,attraction,kiss,kissing,lovers,international,amorous,romantic,passion,bronze,British,Eurostar terminal,a very good example of the crap out there,Lonely Planet,holds,holding,each,other,erotic,the,Meeting Place,iconic,statues
Description: Tony Smith image Alamy 2K16ARF - The Meeting Place is a 9-metre-high (30 ft), 20-tonne (20-long-ton) bronze sculpture that stands at the south end of the upper level of St Pancras railway station. Designed by the British artist Paul Day and unveiled in 2007, it is intended to evoke the romance of travel through the depiction of a couple locked in an amorous embrace.
The statue, which stands in the Eurostar terminal, is reported to have cost £1 million and was installed as the centrepiece of the refurbished station. The work, commissioned by London and Continental Railways, is modelled on the sculptor and his wife
The sculpture received a poor critical reception, being cited by Antony Gormley as a very good example of the crap out there, comparing it to other examples of public art in the UK,[4] and later referred to as a terrible, schmaltzy, sentimental piece of kitsch by Tim Marlow of the Royal Academy of Arts. Jeremy Deller dismissed it as barely a work of art. Day commented that lot of people will no doubt detest it because it is not violent or controversial.
Further controversy was caused by Day's 2008 planned addition of a bronze relief frieze around the plinth. Originally depicting a commuter falling into the path of an Underground train driven by the Grim Reaper, Day believed the piece to be a tragi-comic style and was supposed to be a metaphor for the way people's imaginations ran wild but revised the frieze before the final version was installed.
Despite harsh criticism from major figures in the British art world, the statue has become popular with the public and contributed to its perception of St Pancras. In 2011, an edition of The World's Most Romantic Spots by Lonely Planet described the station as one of the most romantic meeting places in the world, citing the statue as a key reason
The Grand Terrace, St Pancras International, London, England, UK, N1C 4QP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,statue,station,rail,railway,art,artist,romance,affair,infidelity,adultery,sexual,attraction,kiss,kissing,lovers,international,amorous,romantic,passion,bronze,British,Eurostar terminal,a very good example of the crap out there,Lonely Planet,holds,holding,each,other,erotic,the,Meeting Place,iconic,statues,people,dating
Description: Tony Smith image Alamy 2K16ARG - The Meeting Place is a 9-metre-high (30 ft), 20-tonne (20-long-ton) bronze sculpture that stands at the south end of the upper level of St Pancras railway station. Designed by the British artist Paul Day and unveiled in 2007, it is intended to evoke the romance of travel through the depiction of a couple locked in an amorous embrace.
The statue, which stands in the Eurostar terminal, is reported to have cost £1 million and was installed as the centrepiece of the refurbished station. The work, commissioned by London and Continental Railways, is modelled on the sculptor and his wife
The sculpture received a poor critical reception, being cited by Antony Gormley as a very good example of the crap out there, comparing it to other examples of public art in the UK,[4] and later referred to as a terrible, schmaltzy, sentimental piece of kitsch by Tim Marlow of the Royal Academy of Arts. Jeremy Deller dismissed it as barely a work of art. Day commented that lot of people will no doubt detest it because it is not violent or controversial.
Further controversy was caused by Day's 2008 planned addition of a bronze relief frieze around the plinth. Originally depicting a commuter falling into the path of an Underground train driven by the Grim Reaper, Day believed the piece to be a tragi-comic style and was supposed to be a metaphor for the way people's imaginations ran wild but revised the frieze before the final version was installed.
Despite harsh criticism from major figures in the British art world, the statue has become popular with the public and contributed to its perception of St Pancras. In 2011, an edition of The World's Most Romantic Spots by Lonely Planet described the station as one of the most romantic meeting places in the world, citing the statue as a key reason
The Grand Terrace, St Pancras International, London, England, UK, N1C 4QP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,statue,station,rail,railway,art,artist,romance,affair,affairs,infidelity,adultery,sexual,attraction,kiss,kissing,lovers,international,amorous,romantic,passion,bronze,British,Eurostar terminal,a very good example of the crap out there,Lonely Planet,holds,holding,each,other,erotic,the,Meeting Place,iconic,statues
Description: Tony Smith image Alamy 2K16ARH - The Meeting Place is a 9-metre-high (30 ft), 20-tonne (20-long-ton) bronze sculpture that stands at the south end of the upper level of St Pancras railway station. Designed by the British artist Paul Day and unveiled in 2007, it is intended to evoke the romance of travel through the depiction of a couple locked in an amorous embrace.
The statue, which stands in the Eurostar terminal, is reported to have cost £1 million and was installed as the centrepiece of the refurbished station. The work, commissioned by London and Continental Railways, is modelled on the sculptor and his wife
The sculpture received a poor critical reception, being cited by Antony Gormley as a very good example of the crap out there, comparing it to other examples of public art in the UK,[4] and later referred to as a terrible, schmaltzy, sentimental piece of kitsch by Tim Marlow of the Royal Academy of Arts. Jeremy Deller dismissed it as barely a work of art. Day commented that lot of people will no doubt detest it because it is not violent or controversial.
Further controversy was caused by Day's 2008 planned addition of a bronze relief frieze around the plinth. Originally depicting a commuter falling into the path of an Underground train driven by the Grim Reaper, Day believed the piece to be a tragi-comic style and was supposed to be a metaphor for the way people's imaginations ran wild but revised the frieze before the final version was installed.
Despite harsh criticism from major figures in the British art world, the statue has become popular with the public and contributed to its perception of St Pancras. In 2011, an edition of The World's Most Romantic Spots by Lonely Planet described the station as one of the most romantic meeting places in the world, citing the statue as a key reason
The Grand Terrace, St Pancras International, London, England, UK, N1C 4QP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Southport,Lancs,Lancashire,Merseyside,seaside,coast,town,England,UK,PR8,art gallery,art,summer,architecture,listed,blue,sky,box office,culture,arts,Art Gallery,and,&,Library,grade II,buildings,sunny,blue sky,blue skies,building,architect,attraction,attractions,tourist,tourism
Description: Tony Smith image Alamy 2JHW8CC - The Atkinson is a building on the east side of Lord Street extending round the corner into Eastbank Street, Southport, Sefton, Merseyside, England. The building is a combination of two former buildings, the original Atkinson Art Gallery and Library that opened in 1878, and the adjacent Manchester and Liverpool District Bank that was built in 1879. These were combined in 192324 and the interiors have been integrated. The original building is in Neoclassical style, and the former bank is in Renaissance style.
The art gallery and library has been integrated with the Southport Arts Centre and is now known as The Atkinson.
The two former buildings are each recorded in the National Heritage List for England as designated Grade II listed buildings.
History
The Atkinson was built following a donation of £6,000 in 1875 by William Atkinson, a cotton manufacturer from Knaresborough, North Yorkshire, and a frequent visitor to Southport. The building was designed by Waddington and Son of Burnley, Lancashire and opened in 1878. The total cost, donated by Atkinson, was £15,000. In 192324 the building was extended by incorporating an adjacent bank on the corner of Eastbank Street, that had been built for the Manchester and Liverpool District Bank in 1879. The interior of the combined building was remodeled in the late 20th century, and the interiors were internally integrated. As of 2014 the organisation of the library and art gallery is integrated with the Southport Arts Centre and it is known as The Atkinson.
Original building
The original building is constructed in sandstone with a slate roof in Neoclassical style. It is in three storeys and has a symmetrical three-bay front. The central bay projects forward and contains a square-headed doorway above which is a roundel and a band of three panels. It is flanked by pairs of engaged Corinthian columns, above which is an entablature with a frieze inscribed with ATKINSON FREE LIBRARY and a pediment.
Lord Street, Southport, Lancashire, England, UK, PR8 1DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Warrington,Grappenhall,Uk,farmer,farming,shaved,haircut,trimmed,recent,recently,ride,rides,diversification,diversify,funny,strange,tourism,attraction,tourist,cut,trim,farm,farmed,ugly,animal,tours,tourists,trek,trekking,alone,lonely
Description: Tony Smith image Alamy 2C6RE8E - . An on-location editorial image made at Bell Lane, Thelwall, Warrington, Cheshire, England, UK, WA4, showing a subject whose wider significance extends beyond the immediate scene. The defining feature is Recently clipped Alpaca, in a field, Bell Lane, Thelwall, Warrington, Cheshire, England, UK, WA4. Beyond the immediate subject, the image contains elements of documentary photography, conservation architecture, changing streetscape, everyday Britain, heritage asset, urban fabric, place identity, visual archive, local character, built environment, public realm, historic streetscape, period detail, and before-and-after reference. In the mid-2020s, heritage conservation and historic townscape keep this subject current, particularly through the contrast between historic fabric and modern development. The photograph fixes landscape and surrounding development within Bell Lane, Thelwall, Warrington, Cheshire, England, UK, WA4 at one identifiable point, providing a benchmark against changed technology. Other connected aspects are architectural character, historical comparison, local history, cityscape history, urban change, regional identity, conservation interest, and architectural contrast. The recorded references to clipped, Recently, Alpaca, field, and Thelwall preserve clues that can help identify how the subject was presented or used at the time. A later view of Bell Lane, Thelwall, Warrington, Cheshire, England, UK, WA4 may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects heritage conservation and keeping older buildings useful without erasing their character without losing the local specificity of Bell Lane, Thelwall, Warrington, Cheshire, England, UK, WA4. The frame therefore remains a dated reference for Bell Lane, Thelwall, Warrington, Cheshire, England, UK, WA4 and the changing story of the subject shown.
Bell Lane, Thelwall, Warrington, Cheshire, England, UK, WA4
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,M2,bar,Manchester,M2 7AR,Cross Street,Mr Thomass,Mr Thomas,tomschophouse,Victorian bar,building,tourist,tourism,attraction,Mancunian,terracotta,block,displaying,motifs,grade II listed building,grade II listed,Thomas Studd,Sarah Studd,history,historic,icon,iconic,pub,pubs,bars,Victorian,ceramic,tile,tiles,public houses
Description: Tony Smith image Alamy 2AE02HX - Sam's was also opened by Thomas Studd, named for his son. Opening on Market Street in 1872, it moved to its current premises, on a backstreet just off Chapel Walks, in the mid-twentieth century. Publicity material from the 1960s reads: In a world of change, we at Sam's Chop House have preserved the best
the quality of food remains constant
the hospitality is just as warm as it was 100 years ago.' But times did change, and after being run as a pub for a while, Sam's closed down in the '90s. It reopened as a second incarnation of a Victorian chop house, with a lovingly recreated interior, in 2001.
Fun fact: Sam's artist-in-residence was Lowry
Head in at any hour and youíll see someone in a rumpled suit, waistcoat and trilby propping up the bar. With one difference: the figure has been dead for 43 years. It's artist LS Lowry, Samís most famous patron, immortalised in brass. A regular for many years, he often gave staff his drawings.
52 Cross St, Manchester,England,UK, M2 7AR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,Church,Renaissance palace,coronations,David Doig,historic,history,flowers,memorial,Stirling,centre,royal,burgh,Scotland,Scottish,graves,grave,graveyard,churchyard,kirk,kirkyard,heritage,tourism,tourist,attraction,exterior,outside,outdoor,outdoors,view,Scots,attractions,visit
Description: Tony Smith image Alamy 2DA91H9 - The Church of the Holy Rude is the medieval parish church of Stirling, Scotland. It is named after the Holy Rood, a relic of the True Cross on which Jesus was crucified. The church was founded in 1129 during the reign of David I, but earliest part of the present church dates from the 15th century. As such it is the second oldest building in Stirling after Stirling Castle, parts of which date from the later 14th century. The chancel and tower were added in the 16th century.
Stirling Castle has long been a favoured residence of the Scottish monarchs, and was developed as a Renaissance palace during the reigns of the later Stewart Kings. The Church of the Holy Rude, adjacent to the castle, became similarly associated with the monarchy, hosting royal baptisms and coronations. It is one of three churches still in use in Britain that have been the sites of coronations
The church has a historic churchyard lying primarily to the west and north-west of the church. Stones date from the 16th century.
The churchyard was extended in 1851, creating the fascinating Valley Cemetery to the north, divided from the old cemetery by only a path. This contains a series of statues by Alexander Handyside Ritchie to figures of the Reformation.
The old graveyard contains a unique stone with a carved depiction of body snatching, marking the theft of Mary Stevenson (17671822) by James McNab, the local gravedigger who had buried her two days earlier, on 16 November 1822, aided by a friend, Daniel Mitchell. The body was passed to John Forrest, for dissection. The two men were caught, but released due to legal technicalities and a riot ensued. Mary's body was reburied and the stone carved to mark the strange event.
Stirling, Scotland, UK
Description
Keywords: Nationalism,Roy,MacGregor,red,hair,haired,hero,martyr,outlaw,Balquidder,Inverlochlarig,Beg,graveyard,burial,buried,tomb,Robert,MacGregor,BW,monochrome,old,MacGregor,Despite,Them,tarten,tartan,crest,pic,image,Scottish Nationalism,Rob Roy,red hair,Scottish Outlaw,MacGregor Despite Them,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,problem,with,problem with,issue with,Raibeart,Ruadh,MacGriogair,tourist,tour,tourism,attraction,tourist attraction,travel,famous,grave,yard,tombstone,stone,sign,YES,Stirling,Sterlingshire,rural,countryside,Scottish,SNP,independance party,independence,indyref,referendum,2nd,second,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Raibeart Ruadh MacGriogair,Robert MacGregor,Scottish Countryside
Description: Tony Smith image Alamy HG4A9G - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair.
Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother.
In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: Nationalism,Roy,MacGregor,red,hair,haired,hero,martyr,outlaw,Balquidder,Inverlochlarig,Beg,graveyard,burial,buried,tomb,Robert,MacGregor,flower,flowers,MacGregor,Despite,Them,tarten,tartan,crest,Scottish Nationalism,Rob Roy,red hair,Scottish Outlaw,MacGregor Despite Them,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,problem,with,problem with,issue with,Raibeart,Ruadh,MacGriogair,tourist,tour,tourism,attraction,tourist attraction,travel,famous,grave,yard,tombstone,stone,sign,YES,Stirling,Sterlingshire,rural,countryside,Scottish,SNP,independance party,independence,indyref,referendum,2nd,second,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Raibeart Ruadh MacGriogair,Robert MacGregor,Scottish Countryside
Description: Tony Smith image Alamy HG4A9R - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair.
Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother.
In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: Wealth,empire,night,dusk,nightshot,dark,in the dark,arch,stone,building,architecture,grand,grandeur,wealth,rich,riches,Merchant City area,City Lights,Glasgow Building,Glasgow Buildings,Dec,Christmas,December,Winter,curtain,light,lights,shopping,bar,pub,bars,entertainment,gallery,GOMA,royal,exchange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,The Citation Bars,Citation,glaswegians,glaswegian,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ5MJ - The medieval Glasgow Cross was located on the road between High Street and Saltgait. Its modern replacement was built to the south-east of the original location to aid traffic. The town's tron was placed on the steeple of the town house in the 1550s. The Tron Steeple, as it became known, still stands in Glasgow Cross, one of the few remaining pre-Victorian buildings in Glasgow.
The area now known as 'Merchant City' was developed from the 1750s onwards. Residences and warehouses of the wealthy merchant tobacco lords (who prospered in shipping and, amongst other things, tobacco, sugar and tea) were built in the area. The district west of the High Street formed the historic backbone of the city, the development of what is now known as with wide, straight streets, vistas, and squares, marked the beginning of a process of aspirational residential movement westwards that would continue throughout the 19th century and into the 20th with the development of Blythswood Hill, Hillhead and the West End of Glasgow.
Exchange Square,Merchant City,Glasgow,Scotland,UK
Description
Keywords: Wealth,empire,night,dusk,nightshot,dark,in the dark,arch,stone,building,architecture,grand,grandeur,wealth,rich,riches,Merchant City area,City Lights,Glasgow Building,Glasgow Buildings,Dec,Christmas,December,Winter,curtain,light,lights,shopping,bar,pub,bars,entertainment,gallery,GOMA,royal,exchange,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scots,Scottish,British,Scotland,Glasgow,Greater,problem,with,problem with,issue with,City,Centre,cities,Urban,Urbanist,town,infrastructure,transport,tour,tourism,tourists,urban,attraction,attractions,GOMA,and,traffic cone,traffic,cone,on,head,of,Duke Of Wellington,Duke,Wellington,statue,glaswegians,glaswegian,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,Greater Glasgow,British Isles,Glasgow City Centre,City Centre
Description: Tony Smith image Alamy HEJ5MB - The medieval Glasgow Cross was located on the road between High Street and Saltgait. Its modern replacement was built to the south-east of the original location to aid traffic. The town's tron was placed on the steeple of the town house in the 1550s. The Tron Steeple, as it became known, still stands in Glasgow Cross, one of the few remaining pre-Victorian buildings in Glasgow.
The area now known as 'Merchant City' was developed from the 1750s onwards. Residences and warehouses of the wealthy merchant tobacco lords (who prospered in shipping and, amongst other things, tobacco, sugar and tea) were built in the area. The district west of the High Street formed the historic backbone of the city, the development of what is now known as with wide, straight streets, vistas, and squares, marked the beginning of a process of aspirational residential movement westwards that would continue throughout the 19th century and into the 20th with the development of Blythswood Hill, Hillhead and the West End of Glasgow.
Exchange Square,Merchant City,Glasgow,Scotland,UK
Description
Keywords: Euston,Camden,London,city,centre,building,historic,ale,ales,stout,and,Somers Town,Ales and stout,Ales & Stout,GoTonySmith,@HotpixUK,Tony,Smith,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Pubs Of London,must see,the,ornate,Victorian
Description: Tony Smith image Alamy H04G1M - . A grounded documentary photograph made at Cranleigh St, Somers Town, London in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. At the centre of the view is The Jubilee Pub, Ales & Stout building, Somers Town, Euston,Camden, London. The frame also records themes of changing land use, food-and-drink business, customer-facing leisure, built heritage, everyday life, pub heritage, licensed trade, mixed-use redevelopment, traditional hostelry, place identity, visual archive, licensed hospitality, neighbourhood drinking venue, and historical comparison. Today's relevance is strengthened by planning, town-centre regeneration and the continuing question of how public investment can reshape pedestrian movement and evening activity. From a 2025-onward perspective, business rates and hospitality costs are closely linked to this subject, alongside the survival of local venues as social meeting places. For later comparison, the photograph preserves signage and branding at Cranleigh St, Somers Town, London, details that may look very different after refurbishment. The wider setting retains connections with period architecture, town-centre renewal, civic architecture, urban fabric, community identity, place-making, architectural character, and street-level dining. References to Somers, Euston, Stout, Camden, and London give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Cranleigh St, Somers Town, London, the image preserves more than the headline object or building: it records part of the locality's everyday story.htm Target=_Blank>history. The image also provides a reference for planning and how regeneration tries to create reasons to visit traditional town centres as part of the longer story of Cranleigh St, Somers Town, London. The period view preserves part of the area's social history for future local research.
Cranleigh St, Somers Town, London
Description
Keywords: Euston,Camden,London,city,centre,building,historic,ale,ales,stout,and,Somers Town,Ales and stout,Ales & Stout,GoTonySmith,@HotpixUK,Tony,Smith,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Pubs Of London,must see,the,ornate,Victorian,public houses
Description: Tony Smith image Alamy H04G9C - . Recorded at Cranleigh St, Somers Town, London in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is The Jubilee Pub, Ales & Stout building, Somers Town, Euston,Camden, London. The wider scene also brings together contemporary social history, before-and-after reference, street-level dining, licensed hospitality, neighbourhood drinking venue, public-realm investment, everyday life, adaptive reuse, public realm, pub heritage, customer-facing leisure, local history, hospitality trade, and historical comparison. The modern context includes continuing discussion of housing pressure, heritage conservation and the tension between preserving local character and creating modern commercial space. For current editorial use, commercial rents and hospitality costs provide additional context, especially through how branded and independent hospitality compete for changing leisure spending. Small period details of equipment and working practice at Cranleigh St, Somers Town, London may become more significant with time, particularly following refurbishment. Further associations within the scene are night-time economy, archival record, place-making, licensed trade, urban regeneration, built heritage, place identity, and historic townscape. The recorded references to Jubilee, Stout, Somers, Camden, and building preserve clues about how the subject was presented, used or understood at the time. The wider setting at Cranleigh St, Somers Town, London matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for housing pressure and how public investment can reshape pedestrian movement and evening activity within the specific setting of Cranleigh St, Somers Town, London. The photograph keeps evidence of earlier appearance for future local research.
Cranleigh St, Somers Town, London
Description
Keywords: ancient,architectural,architecture,auld,barracks,chateau,basalt,britain,british,building,capital,castle,castles,center,central,centre,cities,city,cityscape,cityscapes,cloud,clouds,drama,edinburgh,europe,european,fort,festival,fortification,qfortress,GB,Great,hill,Great Britain,GotonySmith,historic,historical,icon,kingdom,landmarks,lowlands,lothian,medieval,old,outcrop,rock,rocky,Royal,family,scotch,scotland,scots,scottish,sight,sights,scenic,sightseeing,skies,sky,skyline,summer,sun,sunny,sunshine,stronghold,tour,tattoo,tourism,tourists,town,towns,towering,uk,united,white,unesco world heritage,Unesco,old town,Edinburgh Castle,dramatic sky,moody,mody sky,dramatic sky,summer,blue,blue sky,lush,green,trees,vegetation,clouds,Edinburg,Castel,Scots,Scottish,scotland,nationalistic,stone,tour,travel,tourist,attraction,Royal Family,buy pictures of Edinburgh,Buy Pictures of,Buy Images Of,Edinburgh Castle,Scotlands History,Scotlands History
Description: Tony Smith image Alamy EYAX43 - Edinburgh Castle is a historic fortress which dominates the skyline of the city of Edinburgh, Scotland from its position on the Castle Rock. Archaeologists have established human occupation of the rock since at least the Iron Age (2nd century AD), although the nature of the early settlement is unclear. There has been a royal castle on the rock since at least the reign of David I in the 12th century, and the site continued to be a royal residence until the Union of the Crowns in 1603.
From the 15th century the castle's residential role declined, and by the 17th century it was principally used as military barracks with a large garrison. Its importance as a part of Scotland's national heritage was recognised increasingly from the early 19th century onwards, and various restoration programmes have been carried out over the past century and a half. As one of the most important strongholds in the Kingdom of Scotland, Edinburgh Castle was involved in many historical conflicts from the Wars of Scottish Independence in the 14th century to the Jacobite Rising of 1745. Research undertaken in 2014 identified 26 sieges in its 1100 year-old history, giving it a claim to having been the most besieged place in Great Britain and one of the most attacked in the world
Old Town, Edinburgh City, Lothians,Scotland, UK
Description
Keywords: Stalyvegas,sign,signs,pub,CAMRA,real,ale,realale,est,1885,Transpennine,aletrail,Tameside,Greater,Manchester,England,UK,public,house,Victorian,Railway,British,Rail,best,north,west,drinking,famous,platform,buffers,tourist,attraction,Stalybridge Station,Original Buffet bar,north West,GoTonySmith,oldfashioned,old,fashioned,retro,room,rooms,traditional,train,waiting,area,pumps,keg,draught,ale,Rassbottom,St,street,Penine,awards,award,homemade,home,made,saloon,English,platform4,Northern,afternoon,evening,tea,1st,class,first,real,cask,Buy Pictures of,Buy Images Of,waiting Room,Pennine Real Ale Trail,Platform 4,Victorian station,buffet bars
Description: Tony Smith image Alamy EY5KEA - Step back in time & visit one of the very few remaining Victorian station buffet bars.
Dating from 1885 the Stalybridge Buffet Bar has retained the original marble-topped bar, back fittings and the welcoming fire.
A dozen years ago it was extended and included the 1st class ladies waiting room with its ornate ceiling, keeping all original features. It's a veritable museum with photographs of the station in it's heyday, railway and other memorabilia. See http://www.stalybridgebuffetbar.co.uk/ to read more about the Buffet Bar.
Stalybridge, Tameside,Manchester,England,UK
Description
Keywords: Stalyvegas,sign,signs,pub,CAMRA,real,ale,realale,est,1885,Transpennine,aletrail,Tameside,Greater,Manchester,England,UK,public,house,Victorian,Railway,British,Rail,best,north,west,drinking,famous,platform,buffers,tourist,attraction,Stalybridge Station,Original Buffet bar,north West,GoTonySmith,oldfashioned,old,fashioned,retro,room,rooms,traditional,train,waiting,area,pumps,keg,draught,ale,Rassbottom,St,street,Penine,awards,award,homemade,home,made,saloon,English,platform4,Northern,afternoon,evening,tea,1st,class,first,real,cask,Buy Pictures of,Buy Images Of,waiting Room,Pennine Real Ale Trail,Platform 4,Victorian station,buffet bars
Description: Tony Smith image Alamy EY5KEC - Step back in time & visit one of the very few remaining Victorian station buffet bars.
Dating from 1885 the Stalybridge Buffet Bar has retained the original marble-topped bar, back fittings and the welcoming fire.
A dozen years ago it was extended and included the 1st class ladies waiting room with its ornate ceiling, keeping all original features. It's a veritable museum with photographs of the station in it's heyday, railway and other memorabilia. See http://www.stalybridgebuffetbar.co.uk/ to read more about the Buffet Bar.
Stalybridge, Tameside,Manchester,England,UK
Description
Keywords: UK,GB,Great,Britain,British,reflection,new,with,old,blue,sky,GoTonySmith,City Centre,@hotpixUK,water,waterway,development,flats,sunny,CH1,waterside,waterways,mooring,wet,reflective,reflections,real estate,flat,apartment,apartments,clad,cladding,lowrise,low rise,waterfronts,tourist,tourism,attraction
Description: Tony Smith image Alamy ECW4GH - . Chester City Canal waterfront, Cheshire, England, UK, CH1. Photographed at City Road, Chester, England, UK. The photograph was taken on 13 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Chester City Canal waterfront, Cheshire, canals, canal, Chester, reflective, sunset, reflection, blue and sky, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
City Road, Chester, England, UK
Description
Keywords: attraction,britain,british,capital,city,color,colour,creature,destination,england,english,europe,european,feature,gryphon,kingdom,location,london,metropolitan,place,shield,sightseeing,tour,tourism,travel,uk,united,urban,visiting,gotonysmith,winged,world,red,white,symbol,figure,mincing lane,mincing ln,shield,protecting,protection,guard,guarding,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EBFWED - . City of London,silver Lion,in red,white, Mincing Lane near Tower Hill. Photographed at Tower Hill, London,England, UK. The photograph was taken on 17 November 2014. The image metadata records 1 person in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with City of London, silver Lion, in red, white, Mincing, Gryphon, tower hill, lion, griffin and attraction, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. This particular view is catalogued under Alamy image reference EBFWED, distinguishing it from other photographs of the same or related subject.
Tower Hill, London,England, UK
Description
Keywords: Tower,of,Greater,London,England,UK,installation,art,moat,between,July,and,November,2014,commemorating,the,centenary,of,the,outbreak,of,World,War,I,one,ceramic,poppies,888,246,British,or,Colonial,serviceman,killed,in,the,War,Paul,Cummings,Cummins,Tom,Piper,attraction,2014,tourist,tourism,red,flower,Gotonysmith,first,line,of,a,poem,by,an,unknown,World,War,I,soldier,pool,of,blood,which,appeared,to,be,pouring,out,of,a,bastion,window,(the,Buy,Pictures,of,Buy Images Of,Weeping,Window,remembrance,respect,ex-serviceman,ex-servicemen,flowers,summer,autumn,sun,sky,blue,bluesky,pano,panorama,from,north,tower,hill,towerhill,,,
Description: Tony Smith image Alamy EC2T10 - Blood Swept Lands and Seas of Red was a work of installation art placed in the moat of the Tower of London, England, between July and November 2014, commemorating the centenary of the outbreak of World War I.
It consisted of 888,246 ceramic red poppies, each intended to represent one British or Colonial serviceman killed in the War. The artist was Paul Cummins, with setting by stage designer Tom Piper. The work's title was taken from the first line of a poem by an unknown World War I soldier.
The installation was visited by the Princes William and Harry and the Duchess of Cambridge on the day of its opening, and by the Queen and Duke of Edinburgh on 16 October. It is estimated that five million people saw the memorial, and the huge visitor demand saw Prime Minister David Cameron and other politicians join calls to try and extend the period for which the installation remained at the Tower so that more visitors would be able to pay their respects.
Tower officials resisted such calls, stating that the transience of the installation was a key part of the artistic concept, and that the poppies would be removed as planned and distributed to their purchasers. On 8 November it was announced that the Wave segment a steel construction with poppies around the Tower entrance would remain in place until the end of the month, and that the Wave and the Weeping Window segments (both made by the Theatre Royal, Plymouth) would be taken on a tour of the UK lasting until 2018, and would then go on permanent display at the Imperial War Museums in London and Manchester.
Tower Hill, London, England UK
Description
Keywords: Tower,of,Greater,London,England,UK,installation,art,moat,between,July,and,November,2014,commemorating,the,centenary,of,the,outbreak,of,World,War,I,one,ceramic,poppies,888,246,British,or,Colonial,serviceman,killed,in,the,War,Paul,Cummings,Cummins,Tom,Piper,attraction,2014,tourist,tourism,red,flower,Gotonysmith,first,line,of,a,poem,by,an,unknown,World,War,I,soldier,pool,of,blood,which,appeared,to,be,pouring,out,of,a,bastion,window,(the,Weeping,Window,remembrance,respect,ex-serviceman,ex-servicemen,flowers,summer,autumn,sun,sky,blue,bluesky
Description: Tony Smith image Alamy EC2T16 - Blood Swept Lands and Seas of Red was a work of installation art placed in the moat of the Tower of London, England, between July and November 2014, commemorating the centenary of the outbreak of World War I.
It consisted of 888,246 ceramic red poppies, each intended to represent one British or Colonial serviceman killed in the War. The artist was Paul Cummins, with setting by stage designer Tom Piper. The work's title was taken from the first line of a poem by an unknown World War I soldier.
The installation was visited by the Princes William and Harry and the Duchess of Cambridge on the day of its opening, and by the Queen and Duke of Edinburgh on 16 October. It is estimated that five million people saw the memorial, and the huge visitor demand saw Prime Minister David Cameron and other politicians join calls to try and extend the period for which the installation remained at the Tower so that more visitors would be able to pay their respects.
Tower officials resisted such calls, stating that the transience of the installation was a key part of the artistic concept, and that the poppies would be removed as planned and distributed to their purchasers. On 8 November it was announced that the Wave segment a steel construction with poppies around the Tower entrance would remain in place until the end of the month, and that the Wave and the Weeping Window segments (both made by the Theatre Royal, Plymouth) would be taken on a tour of the UK lasting until 2018, and would then go on permanent display at the Imperial War Museums in London and Manchester.
Tower Hill, London, England UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,EH1 2QE,EH1,loyal,Looking down,above,bar,from above,Edinburgh Capital City,Scotland UK,tourist,travel,attraction
Description: Tony Smith image Alamy DDXJ32 - . Looking down on Greyfriars Bobby Pub from above, Edinburgh Capital City, Scotland UK. Photographed at 30-34, Candlemaker Row, Edinburgh EH1 2QE. The photograph was taken on 31 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Bobby, Greyfriars, Bobbys bar, Greyfriars Bobby Pub, real ale, Candlemaker Row, dog, loyal dog, tourist attraction and Greyfriars Bobby Bar, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors. The view is firmly rooted in a real location rather than a constructed studio setting.
30-34, Candlemaker Row, Edinburgh EH1 2QE
Description
Keywords: arts,venue,Nicolson,street,performance,performances,opera,ballet,empire,tourist,attraction,glass-fronted,structure,for,the,new,entrance,created,by,architect,Colin,Ross,glass,fronted,building,architecture,dramatic,mix,of,art,nouveau,beaux,arts,and,neo-classicism,neoclassicism,Gotonysmith,The,Edinburgh,Festival,Theatre,is,a,performing,located,on,Street,in,Edinburgh,Scotland used primarily for performances of opera and ballet,large-scale musical events,and touring groups. After its most recent renovation in 1994,it seats 1,915.,It,is,one,of,the,major,venues,of,the,annual,summer,Edinburgh,International,Festival,and,is,the,venue,for,the,Opera,and,the,Scottish,Ballet.,The,present,theatre's,location,is,Edinburgh's,longest,continuous,theatre,site,for,there,has,been,a,theatre,in,that,location,since,1830.,From,being,Dunedin,Hall,the Royal Amphitheatre,Alhambra Music Hall,the Queen's Theatre,Pablo Fanques Amphitheatre,13-29 Nicolson St,Edinburgh EH89FT EH8 9FT 13 29,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXKFR - The Edinburgh Festival Theatre is a performing arts venue located on Nicolson Street in Edinburgh, Scotland used primarily for performances of opera and ballet, large-scale musical events, and touring groups. After its most recent renovation in 1994, it seats 1,915. It is one of the major venues of the annual summer Edinburgh International Festival and is the Edinburgh venue for the Scottish Opera and the Scottish Ballet.
The present theatre's location is Edinburgh's longest continuous theatre site, for there has been a theatre in that location since 1830. From being Dunedin Hall, the Royal Amphitheatre, Alhambra Music Hall, the Queen's Theatre, Pablo Fanque's Amphitheatre, and Newsome's Circus, the site became the Empire Palace Theatre, the first of the famous Moss Empires' chain, opening on 7 November 1892.
Designed by the great British theatre architect, Frank Matcham, (who built the London Coliseum, among others) its décor was lavish, with elephants with Nubian riders, nymphs and cherubs in abundance on the plasterwork, and it seated 3000 people on four levels.
13-29 Nicolson St, Edinburgh, Scotland, UK EH8 9FT
Description
Keywords: Scotland,UK,Scottish,uni,of,learning,building,architecture,Victorian,old,town,capital,city,cities,world,site,grade,II,grade2,listed,public,research,summer,2013,grass,Old,College,South,Bridge,Edinburgh,Midlothian,EH8,9YL,EH89YL,wide,view,shot,lens,tourist,tourism,attraction,gotonysmith,oldtown,Edinburg,icon,iconic,Scots,Scotish,Scottish,Scotland,problem,with,Uni,stone,history,historic,tourist,tourism,tour,travel,study,student,Buy Pictures of,Buy Images Of,problem with,Edinburgh University,Edinburgh Uni
Description: Tony Smith image Alamy DDXTT4 - The University of Edinburgh, founded in 1583, is a public research university in Edinburgh, the capital of Scotland.
It was the fourth university to be established in Scotland and the 6th in the United Kingdom, and is one of the most prestigious universities in the world. Edinburgh receives approximately 47,000 applications every year, making it the third most popular university in the UK by volume of applicants.
Entrance is intensely competitive, with offer chances of 27% in the 2010-2011 admissions cycle. The university is deeply embedded in the fabric of the city, with many of the buildings in the historic Old Town belonging to the university
Old College, South Bridge, Edinburgh, Midlothian EH8 9YL
Description
Keywords: Street,New,Town,of,Scots,Scottish,Scotland,Inspector,local,Rebuss,fictional,detective,police,policeman,book,writer,Ian,Rankin,series,of,novels,Rankins,Ox,the,writers,sign,artists,UNESCO,City,of,Literature,Bernards,India,Pale,Ale,sign,at,the,Bernards,Bernard,glass,celebrated,window,gotonysmith,TheOx,EH2,4JB,EH24JB,history,historic,salubrious,exterior,tourist,tourism,attraction,attractions,travel,tour,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED27R - . Bernards India Pale Ale sign at the Oxford Bar is a public house situated on Young Street, in the New Town of Edinburgh. Photographed on 26 August 2013. The recorded location is The Oxford Bar, 8 Young Street, Edinburgh EH2 4JB. The modest Oxford Bar is a public house situated on Young Street, in the New Town of Edinburgh, Scotland. Inspector Rebus's local from the Ian rankin books. A super secret tourist attraction for first time visitors to the city. The Oxford Bar in Edinburgh's New Town is a small, traditional public house with a long history on Young Street and a Category B listed interior. It became internationally known through Ian Rankin's Inspector Rebus novels, in which the fictional detective drinks there. The literary association has made an otherwise understated local pub part of Edinburgh's crime-fiction tourism, while the surviving compartmentalised bar layout preserves an older form of Scottish pub interior. The wider historical story is that pub buildings and signs offer a useful record of the licensed trade, from traditional alehouses and brewery estates to contemporary hospitality businesses
They are also part of the story of changing high streets, nightlife, real ale, cask beer and the survival or reuse of historic premises. From a heritage perspective, urban street scenes capture the cumulative effect of planning, architecture, transport, retail and public space
Shopfronts, signs, street furniture and pedestrians can date an image precisely and show how a district changes between periods of investment, decline and regeneration. In the longer view, street signs, shop fascias, notices and inscriptions combine practical communication with graphic design
Typefaces, colours and wording can identify an era, organisation or local custom, making close photographs valuable for social, transport and commercial history. Additional natural-language search terms include licensed premises, hostelry, bar trade, cask ale, and beer culture.
The Oxford Bar, 8 Young Street, Edinburgh EH2 4JB
Description
Keywords: The,Scottish,Parliament,Government,in,Edinburgh,which,would,be,home,of,an,independent,Scotland,GB,great,Britain,United,Kingdom,referendum,2014,Sep,September,free,nation,sovereign,Holyrood,democratically,body,referendum,National,Party,proindependence,pro,independence,SNP,gotonysmith,Pàrlamaid,na,h-Alba,devolved,national,unicameral,legislature,of,solo,vote,voting,freedom,free,MSP,MSPS,act,1998,Acts,of,Union,act,national,nationalistic,fascist,north,south,debate,EH99,1SP,EH991SP,Horse,Wynd,tourist,tourism,travel,tour,destination,steel,canopy,architechture,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy DED360 - . The Scottish Parliament entrance / Government in Edinburgh which would be home of an independent Scotland. Photographed at Horse Wynd, Holyrood, Edinburgh, EH99 1SP. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Scottish, Parliament, Government, Edinburgh, elected, pro-independence, Alba, which, would and home, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Horse Wynd, Holyrood, Edinburgh, EH99 1SP
Description
Keywords: The,historic,history,of,city,Merseyside,libraries,service,classic,new,central,building,erected,by,James,JamesPicton,Grade,II,grade2,2,listed,Sir,circular,inscription,corporation,of,history,historic,dark,wood,crest,city,tourist,attraction,impressive,public,municipal,L3,8EW,L38EW,gotonysmith,This,building,erected,by,the,corporation,of,Liverpoolwas,a,resolution,of,the,council,dated,6th,October,1875,ordered,to,be,named,The,Picton,Reading,Room,in,recognition,of,the,valuable,services,rendered,by,James,Allanson,Picton,Esquire,JP,FSA,in,his,capacity,as,chairman,of,the,Public,Library,Museum,and,gallery,of,Arts,Committee,which,position,he,had,then,occupied,for,a,period,exceeding,a,quarter,of,a,century.,Thomas,Bland,Royden,Mayor attractions Mersey Scouse scouser
Description: Tony Smith image Alamy DB6P25 - The old Plaque in the Picton reading room, Liverpool City Central Library
The inscription reads:
This building erected by the corporation of Liverpoolwas a resolution of the council dated 6th October 1875 ordered to be named The Picton Reading Room in recognition of the valuable services rendered by James Allanson Picton Esquire JP FSA in his capacity as chairman of the Public Library Museum and gallery of Arts Committee, which position he had then occupied for a period exceeding a quarter of a century.
Thomas Bland Royden , Mayor.
Liverpool Central Library , Liverpool , England, UK L3 8EW
Description
Keywords: Ct National trust Property in Somerset,SW England,UK,spring,summer,colours,colour,splash,against,blue,sky,color,colors,beauty,beautiful,english,native,plant,plants,flowers,Gotonysmith,Buy Pictures of,Buy Images Of,shrubs,sunny,blue sky,blue skies,TA19,TA19 0NQ,Gertrude Jekyll,kitchen garden,kitchen gardens,England,tourist,tourism,attraction
Description: Tony Smith image Alamy DEJN40 - . Red blossoms on a shrub, kitchen gardens, summer at Barrington Court NT Property in Somerset, SW England, UK, TA19 0NQ. Photographed at Barrington Court, Near Ilminster, Somerset, England, UK, TA19 0NQ. The photograph was taken on 14 June 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Red, blossoms, shrub, Barrington, Court, Pro, Ct National trust Property in Somerset, SW England, spring and summer, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Barrington Court, Near Ilminster, Somerset, England, UK, TA19 0NQ
Description
Keywords: Call,Me,play,starring,Sarah,Adams,Christine,Clare,Laura,Cope,Claire,Dean,Katie,McArdle,and,Matthew,Stead,which,was,performed,at,Sweet,Grassmarket,@,10,10pm,for,70,minutes,during,August,2012,By,The,Slice,Theatre,Company,Presents,Call,Me!,Sponsored,High,St,street,Royal,mile,gotonysmith,mono,monochrome,street,performer,performers,datingdisasters,dating,disasters,girl,lady,actress,scotland,scottish,tourism,tourist,attraction,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HWH7 - Are you looking for love and romance? August, always a mad busy crazy time in Edinburgh, during the festival and fringe, which seems to have grown even bigger than the tattoo and festival. There's no shortage of scaryness and satire here!.
Call Me is a play starring Sarah Adams, Christine Clare, Laura Cope, Claire Dean, Katie McArdle and Matthew Stead which was performed at Sweet Grassmarket @ 10:10pm for 70 minutes, on most days during August 2012.
As the blurb says:
By The Slice Theatre Company Presents Call Me!
Writing and producing together for the first time, sisters Sarah Adams and Becky Adams are heading to the Edinburgh Festival Fringe this year with their play, dating comedy Call Me!, which received rave reviews and a sell-out run in Manchester last year.
Inspired by the likes of Victoria Wood and Dawn French, writer Sarah Adams has formed new theatre company By The Slice to produce a cringe-worthy yet affectionate romantic comedy alongside her film producer sister Becky. By The Slice invites the audience to come and rejoice with them at the ridiculousness of love and dating! What better way to get over your latest dating disaster than to be able to laugh at someone else's ludicrous misfortunes? Yet on this rollercoaster of humiliation and hilarity, we also unexpectedly find a new humility for love.
Taking all of the available Manchester cast with them, By The Slice will also be introducing some new faces as well as new-to-theatre director Dan Wilson whose credits include directing Sir Ian McKellen and Status Quo in Coronation Street, EastEnders, BBC's Land Girls and 32 Brinkburn Street, and feature film The Roundabout.
Sarah is joined in By The Slice by her sister, Producer Becky Adams. Of course initially I was introduced to Call Me! because it's my sister that has written it, but it was clear immediately how funny, engaging and close-to-the-b
High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS
Description
Keywords: Festival puppet entertainer with a severed head,August High street,Edinburgh Old Town,Lothian,Scotland UK August High street,Edinburgh Old Town,Lothian,smiling,actor,holding,streetfun,fun,monochrome,spectacle,horror,mono,monochrome,fringefestival,EH11QS,EH1,1QS,gotonysmith black and white,gotonysmith,Buy Pictures of,Buy Images Of,Scotland,attractions,kissing,attraction,Festival puppet entertainer,severed,head,face
Description: Tony Smith image Alamy D8HWP0 - . Festival puppet entertainer with a severed head , August High street, Edinburgh Old Town, Lothian, Scotland UK. Photographed on 22 August 2012. The recorded location is High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS. Historically, community circus and street entertainment sit between amateur participation and professional performance, using portable skills such as juggling and puppetry that can be staged in parks, streets or festivals with minimal infrastructure. Looking at the subject's development, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local history, design, industry and social life across different periods. In historical terms, urban street scenes capture the cumulative effect of planning, architecture, transport, retail and public space
Shopfronts, signs, street furniture and pedestrians can date an image precisely and show how a district changes between periods of investment, decline and regeneration. In 2026, outdoor performance continues to be important to festivals and community events, offering accessible entertainment at a time when arts organisations continue to debate funding, participation and the use of public space. For the 2026 context, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historical fabric creates continuing debate about conservation and reuse. The historical context is that festival entertainers add a temporary layer of performance to public space
Their costumes, props and interaction with passers-by often become part of the identity of recurring civic and arts events. In 2026, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse.
High street, Edinburgh Old Town, Lothian, Scotland UK EH1 1QS
Description
Keywords: Am Lustgarten,Germany,altar,inside,interior,building,anglican,belief,religion,religious,wide,shot,angle,tall,high,GoTonySmith,Buy Pictures of,Buy Images Of,view,Mitte,10178,the,gallery,attraction,tourist,tourism,altars,design,painted,gold,golden,history,historic,famous,Christianity,Christian
Description: Tony Smith image Alamy F0G694 - This documentary stock photograph shows Berlin Cathedral, Berliner Dom,altar,wide shot. The image records Berlin Cathedral, the Berliner Dom, with an interior altar and wide architectural view, making it useful for editorial features on Berlin heritage, church architecture, imperial German history, museum-island tourism and sacred interiors. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and wider.
Am Lustgarten, 10178 Berlin, Germany
Description
Keywords: Germany,Wassertaxi,Wasser,taxi,water,city,cities,Berliner,bridge,summer,blue,sky,MS,Angela,riverspree,charter,und,Rundfahrten,ausflge,ausfluege,ausflug,ausflugsboot,ausflugsboote,ausflugsschiff,ausflugsschiffe,Spree River,GoTonySmith,Buy Pictures of,Buy Images Of,tourist,travel,attraction,sailing,sunny,blue sky
Description: Tony Smith image Alamy F0G6Y1 - This documentary stock photograph shows Pleasure boat craft on the Spree river, Berlin,Germany - MS Angela. The image records pleasure boats and water traffic on the River Spree, making it useful for editorial features on river tourism, sightseeing boats, waterfront redevelopment, leisure travel and the city seen from the water. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and wider editorial.
River Spree, Berlin, Germany
Description
Keywords: Nationalism,Roy,MacGregor,red,hair,haired,hero,martyr,outlaw,Balquidder,Inverlochlarig,Beg,graveyard,burial,buried,tomb,Robert,MacGregor,white,post,finger,fingerpost,village,Braes,2 miles,red,Killin,Crianlarich,Oban,hills,mountain,Scottish Nationalism,Rob Roy,red hair,Scottish Outlaw,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,problem,with,problem with,issue with,Raibeart,Ruadh,MacGriogair,tourist,tour,tourism,attraction,tourist attraction,travel,famous,grave,yard,tombstone,stone,sign,YES,Stirling,Sterlingshire,rural,countryside,Scottish,SNP,independance party,independence,indyref,referendum,2nd,second,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Raibeart Ruadh MacGriogair,Robert MacGregor,Scottish Countryside
Description: Tony Smith image Alamy HG4AAE - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair.
Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother.
In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: Nationalism,Roy,MacGregor,red,hair,haired,hero,martyr,outlaw,Balquidder,Inverlochlarig,Beg,graveyard,burial,buried,tomb,Robert,MacGregor,white,post,finger,fingerpost,village,Braes,2 miles,red,Scottish Nationalism,Rob Roy,red hair,Scottish Outlaw,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,British,Scotland,problem,with,problem with,issue with,Raibeart,Ruadh,MacGriogair,tourist,tour,tourism,attraction,tourist attraction,travel,famous,grave,yard,tombstone,stone,sign,YES,Stirling,Sterlingshire,rural,countryside,Scottish,SNP,independance party,independence,indyref,referendum,2nd,second,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Raibeart Ruadh MacGriogair,Robert MacGregor,Scottish Countryside
Description: Tony Smith image Alamy HG4AAH - Robert Rob Roy MacGregor (Gaelic: Raibeart Ruadh MacGriogair
baptised 7 March 1671 died 28 December 1734) was a Scottish outlaw, who later became a folk hero. The name Roy comes from Gaelic Ruadh meaning Red, and referred to his red hair.
Rob Roy was born at Glengyle, at the head of Loch Katrine, as recorded in the baptismal register of Buchanan, Stirling. His parents were Donald Glas MacGregor and Margaret Campbell. He was also descended from the Macdonalds of Keppoch through his paternal grandmother.
In January 1693, at Corrie Arklet farm near Inversnaid, he married Mary Helen MacGregor of Comar (1671-1745), who was born at Leny Farm, Strathyre. The couple had four sons: James, Ranald, Coll and Robert (known as Robin Oig or Young Rob). They also adopted a cousin named Duncan.
Inverlochlarig Beg, Balquhidder,Sterling,Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,North West England,England,UK,Great Britain,pano,L2 3SW,wide,history,tourist,tourism,attraction,town hall,townhall,historic,centre,buildings,architecture,attractions,sunny,blue skies,blue sky,maritime,port,cities,Castle Street,insurance,insurer,insurances,office,offices,Victorian,classic
Description: Tony Smith image Alamy 2BG7KEY - . A grounded editorial photograph of 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR, capturing details that may acquire greater historical value as the location and its use change. The scene records Castle Street,Panorama,Liverpool, Merseyside,England,UK ,L2 3SW. The scene can also be read in terms of local history, social history, traditional masonry, heritage landmark, community identity, urban change, changing streetscape, conservation architecture, everyday Britain, visual archive, period detail, regional identity, historical comparison, and archival record. Today's wider story includes adaptive reuse, heritage conservation and the practical question of preserving local identity during urban change. As a dated visual record of 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR, the frame retains materials and construction, making it useful if altered transport patterns subsequently changes the scene. The setting also brings in built environment, conservation interest, documentary photography, heritage asset, before-and-after reference, public realm, built heritage, and architectural contrast. References to Merseyside, Castle, Panorama, and Liverpool give the picture a strong period identity and tie it closely to the named subject. The period setting at 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for adaptive reuse and keeping older buildings useful without erasing their character within the specific setting of 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR. The wider significance includes energy retrofit and the contrast between historic fabric and modern development as part of the longer story of 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR. The scene remains tied to 36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR, image reference 2BG7KEY.
36 Castle St, Liverpool,Merseyside,England,UK, L2 0NR
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,inside,communal dining tables,dining,eating,place,venue,rustic,informal,market,1,England,UK,M4 5BU,M4,interior,tables,eat,drinking,eats,regional,cuisine,world,tourist,attraction,independent,kitchens,bars,passionate about regional,food & drink,diners,Muse,Altrincham Market,Market House,Northern Quarter,NQ4
Description: Tony Smith image Alamy 2JYYR47 - Cosmopolitan food hall in an 1858 Grade II listed market building, on the edge of Manchester's famous Northern Quarter. Reimagined by all the people involved in the award winning Altrincham Market and Market House.
Food at Mackie Mayor
Mackie Mayor is the perfect spot for breakfast, brunch, lunch and dinner, in fact you could eat the whole day away without stepping out from under the amazing glass roof. Vegetarian and vegan options are available from select vendors.
Mackie Mayor includes the following food and drink vendors:
Honest Crust Pizza | Fin Fish Bar | Wolf House Coffee | Nationale 7 | Tender Cow | Baohouse | Little Window | J.Atkinsons & Co | Jack In The Box | Reserve Wines
Booking a table at Mackie Mayor
No bookings are required, walk ups only
History of Mackie Mayor
Redeveloped by Muse, the Mackie Mayor is the only remaining fully intact building from the former Smithfield market. Opened in 1858, it was originally used as a fresh produce market, but had lain empty since the early 1990's.
Family Friendly Mackie Mayor
As well as food children will love there is also a cosy play area hidden under the stairs.
Smithfield Market Hall, 1 Eagle St, Manchester, England, UK, M4 5BU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,South Warrington,Cheshire,England,UK,WA4 3DS,Grappenhall Walled Garden,banker,Thomas Parr,Parr,Parrs,Victorian,glasshouses,glasshouse,and,beds,bed,flowers,summer,history,historic,heritage,old,the,past,garden,gardens,mature,walls,walled,healthy,rural,attraction,venue,venues
Description: Tony Smith image Alamy 2JTD3AK - Grappenhall Heys Walled Garden is a historic walled garden in Grappenhall, Warrington, Cheshire, England. The garden was built by Thomas Parr around 1830 as both a pleasure garden for relaxing strolls and as a kitchen garden to produce fruit, vegetables, and herbs. After a period of decline, the garden was restored first by English Partnerships and then by the local parish council in conjunction with the friends of the garden
The walled garden was built around 1830 by Warrington banker Thomas Parr to accompany a mansion house. Thomas Parr's father, Joseph Parr, founded Parr's Bank and Thomas was appointed Chairman of the bank. Before opening the bank, Joseph Parr had made his wealth in the sugar refining industry that supported the slave trade in the British West Indies. Parr's bank amalgamated through acquisitions into the NatWest.
Unusually, Parr included both a pleasure garden and a kitchen garden within the same boundary wall. In addition to enjoying their garden, the Parr family held frequent galas and special events for the community. One annual event called Beating the Bounds involved a walk around the boundaries of the townships of Lymm, Appleton, and Grappenhall, which included the garden. Historical records suggest that the estate was at its height from 1875 to 1899.
By the 1950s, the estate had become derelict and parts of it were sold off. The house was demolished in the 1970s and the garden passed to English Partnerships for renovation. In 2005 control of the garden passed to Grappenhall and Thelwall Parish Council, which continued restoration in conjunction with a community group called The Friends of Grappenhall Heys Walled Garden. In 2012 the garden was given a Heritage Lottery Fund award towards repair of the Victorian glasshouses and completion of the restoration
Witherwin Avenue Grappenhall, South Warrington, Cheshire, England, UK, WA4 3DS
Description
Keywords: Scotland,UK,Scottish,uni,school,of,learning,building,architecture,Victorian,old,town,capital,city,cities,world,heritage,site,grade,II,grade2,listed,public,research,summer,2013,grass,Old,College,South,Bridge,Edinburgh,Midlothian,EH8,9YL,EH89YL,wide,view,shot,lens,tourist,tourism,attraction,panorama,gotonysmith,oldtown,Edinburg,icon,iconic,Scots,Scotish,Scottish,Scotland,problem,with,Uni,stone,history,historic,tourist,tourism,tour,travel,study,student,Buy Pictures of,Buy Images Of,problem with,Edinburgh University,Edinburgh Uni
Description: Tony Smith image Alamy DDXTP9 - The University of Edinburgh, founded in 1583, is a public research university in Edinburgh, the capital of Scotland.
It was the fourth university to be established in Scotland and the 6th in the United Kingdom, and is one of the most prestigious universities in the world. Edinburgh receives approximately 47,000 applications every year, making it the third most popular university in the UK by volume of applicants.
Entrance is intensely competitive, with offer chances of 27% in the 2010-2011 admissions cycle. The university is deeply embedded in the fabric of the city, with many of the buildings in the historic Old Town belonging to the university
Old College, South Bridge, Edinburgh, Midlothian EH8 9YL
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,inside,communal dining tables,dining,eating,place,venue,rustic,informal,market,1,England,UK,M4 5BU,M4,interior,tables,eat,drinking,eats,regional,cuisine,world,tourist,attraction,independent,kitchens,bars,passionate about regional,food & drink,diners,Muse,Altrincham Market,Market House,Northern Quarter,NQ4
Description: Tony Smith image Alamy 2JYYR44 - Cosmopolitan food hall in an 1858 Grade II listed market building, on the edge of Manchester's famous Northern Quarter. Reimagined by all the people involved in the award winning Altrincham Market and Market House.
Food at Mackie Mayor
Mackie Mayor is the perfect spot for breakfast, brunch, lunch and dinner, in fact you could eat the whole day away without stepping out from under the amazing glass roof. Vegetarian and vegan options are available from select vendors.
Mackie Mayor includes the following food and drink vendors:
Honest Crust Pizza | Fin Fish Bar | Wolf House Coffee | Nationale 7 | Tender Cow | Baohouse | Little Window | J.Atkinsons & Co | Jack In The Box | Reserve Wines
Booking a table at Mackie Mayor
No bookings are required, walk ups only
History of Mackie Mayor
Redeveloped by Muse, the Mackie Mayor is the only remaining fully intact building from the former Smithfield market. Opened in 1858, it was originally used as a fresh produce market, but had lain empty since the early 1990's.
Family Friendly Mackie Mayor
As well as food children will love there is also a cosy play area hidden under the stairs.
Smithfield Market Hall, 1 Eagle St, Manchester, England, UK, M4 5BU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,red,Liverpool FC,FC,disaster,memorial,Hillsbough,Merseyside,England,UK,names,dead,fans,Hillsborough Stadium,Sheffield,premier league,flowers,hillsborough disaster,hillsborough,football,soccer,list of names,killed,at hillsborough,sheffield,ground,stadium,heritage,Mersey,Scouse,city,centre,tourist,tourism,attraction,Hillsborough justice campaign,football supporter solidarity,sports tragedy memory
Description: Tony Smith image Alamy 2DA91H5 - Liverpool FC,Justice For The 96,Hillsbough,disaster,Anfield,Liverpool,Merseyside,England,UK gives a direct editorial record of a recognisable subject, with location, signage, architecture or everyday behaviour carrying much of the meaning. Justice for the 96 remains one of the most powerful phrases in Liverpool civic life, tied to the Hillsborough disaster, decades of campaigning and the defence of football supporters against institutional failure. At Anfield the subject can illustrate memory, protest, accountability, football culture, fan solidarity, Merseyside identity and the continuing political resonance of sporting tragedy. The location detail, Liverpool, Anfield, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. For buyers, the strength lies in the combination of a named subject, a lived-in setting and enough visual specificity to carry stories about how places are used, remembered, funded, visited or contested.
Liverpool Football Club, Anfield Road, Liverpool, Merseyside, England, UK, L4 0TH
Description
Keywords: Scotland,UK,Scottish,uni,school,of,learning,Victorian,old,town,capital,city,cities,world,heritage,site,grade,II,grade2,listed,public,2013,grass,Old,College,South,Bridge,Edinburgh,Midlothian,EH8,9YL,EH89YL,wide,view,shot,lens,tourist,tourism,attraction,tower,gotonysmith,oldtown,Edinburg,icon,iconic,Scots,Scotish,Scottish,Scotland,problem,with,Uni,stone,history,historic,tourist,tourism,tour,travel,study,student,Buy Pictures of,Buy Images Of,problem with,Edinburgh University,Edinburgh Uni
Description: Tony Smith image Alamy DDXT80 - The University of Edinburgh, founded in 1583, is a public research university in Edinburgh, the capital of Scotland.
It was the fourth university to be established in Scotland and the 6th in the United Kingdom, and is one of the most prestigious universities in the world. Edinburgh receives approximately 47,000 applications every year, making it the third most popular university in the UK by volume of applicants.
Entrance is intensely competitive, with offer chances of 27% in the 2010-2011 admissions cycle. The university is deeply embedded in the fabric of the city, with many of the buildings in the historic Old Town belonging to the university
Old College, South Bridge, Edinburgh, Midlothian EH8 9YL
Description
Keywords: Stalyvegas,sign,signs,pub,real,ale,realale,est,1885,Tameside,Greater,Manchester,England,UK,public,house,Victorian,Railway,British,Rail,best,north,west,drinking,platform,buffers,tourist,attraction,Stalybridge Station,Original Buffet bar,north West,GoTonySmith,oldfashioned,old,fashioned,retro,room,rooms,traditional,train,waiting,area,pumps,keg,draught,ale,Rassbottom,St,street,Penine,awards,award,homemade,home,made,saloon,English,platform4,Northern,afternoon,evening,tea,1st,class,first,real,cask,Buy Pictures of,Buy Images Of,waiting Room,Pennine Real Ale Trail,Platform 4,Victorian station,buffet bars
Description: Tony Smith image Alamy EY5KEB - Step back in time & visit one of the very few remaining Victorian station buffet bars.
Dating from 1885 the Stalybridge Buffet Bar has retained the original marble-topped bar, back fittings and the welcoming fire.
A dozen years ago it was extended and included the 1st class ladies waiting room with its ornate ceiling, keeping all original features. It's a veritable museum with photographs of the station in it's heyday, railway and other memorabilia. See http://www.stalybridgebuffetbar.co.uk/ to read more about the Buffet Bar.
Stalybridge, Tameside,Manchester,England,UK
Description
Keywords: No 12,Black Bull,EH1 2JU,Scotland,UK,12,Black,Bull,old,town,customers,with,on street drinking,on,street,drinking,tourist,EH12JU,pub,GoTonySmith,oldtown,Buy Pictures of,Buy Images Of,punters,tourists,attraction,Grassmarket,the,bars,history,historic,pubs
Description: Tony Smith image Alamy DECWGG - Photo shows No 12,Black Bull,12 Grassmarket, Old Town, Edinburgh EH1 2JU,Scotland,UK. The image is commercially useful for stories about high streets, independent traders, market halls, shopping habits, visitor footfall, town centre regeneration and local economies. Retail and market photographs with readable frontage, product display or a recognisable location help illustrate how everyday spending, tourism and small business activity are changing across Britain. The supplied location evidence places the subject at or near Edinburgh, Scotland, UK, EH1 2JU, which adds value for buyers searching by town, city, region or postcode. Season and footfall can be inferred only from the image, while the retail or market subject is explicit in the supplied caption. It should work for editorial buyers needing authentic, non-staged British or travel imagery for news, magazine, blog, local government, heritage, housing, transport, tourism, retail, public policy or social commentary use. The caption should be checked against the visible photograph before upload so that any readable signs, weather, time of day and people context are accurately reflected without overstating facts not shown in the image. The strongest sales value is the combination of named subject, real location and everyday documentary style, giving picture editors a flexible image that can sit alongside features, opinion pieces, explainers, historical retrospectives and local news. Search relevance is helped by including concise place names, visible brand or wording, functional subject terms, and wider editorial concepts such as public realm, consumer behaviour, heritage, travel, leisure and community life where they genuinely match the picture.
12 Grassmarket, Old Town, Edinburgh EH1 2JU
