Search full image library
Enter words, names or reference numbers. This opens Alamy results in a new tab.
Other languages and quick categories
Search HotpixUK images in Spanish, French, German, Italian, or English. Use the dropdown for shortcuts.
Search Artistic in other languages
Search All in French
FR Artistic,
Search All German
DE Artistic,
Search All Italian
IT Artistic,
Search All Spanish
ES Artistic,
Back to all images preview
Description
Keywords: GoTonySmith,HotpixUK,England,city,centre,British,the,London,UK,WC1B 3DG,WC1B,history,historic,heritage,artefacts,exhibit,exhibits,institution,inside,interior,rooms,room,entrance,hall,mosaic,multiple,empire,ornate,GB,Rome,corner,face,portrait,preserved,art,artistic
Description: Tony Smith image Alamy 2RW3WXY - Art was essential to Roman life. Whether in public spaces or private homes, people were immersed in depictions of mythology, nature, and life every day. As different art forms developed, practitioners honed their craft and evolved with the times to render breathtaking images.
Mosaics are some of the most enduring pieces of Roman art. These images are composed of hundreds or thousands of carefully placed tiles or stones that formed a larger image. Mosaics were primarily placed on the floor and intended to be art pieces that were walked over. Romans were expected to appreciate the art from every angle.
Roman mosaics were largely influenced by the Hellenistic and Greek mosaics, which focused on scenes from mythology and memorializing historic figures. While mosaics had existed since early Mesopotamia, the Romans took this form of art from the Greeks and transitioned it into a more formal practice. The first mosaics created during the Roman Republic are dated to the second century BC. They involved the use of pebbles and other small stones to create basic scenes or silhouetted portraits
Great Russell Street, Bloomsbury, London, England, UK, WC1B 3DG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,mural,wall art,Walthamstow street art,BAT Studio,urban art,large scale mural,creative studios,contemporary mural,animal characters,London Borough of Waltham Forest,East London,artist studios,creative industries,warehouse buildings,roller shutter doors,industrial architecture,colourful artwork,visual storytelling,surreal illustration,community art,regeneration,urban culture,neighbourhood identity,travel photography,documentary photography,editorial image,UK city life,artistic
Description: Tony Smith image Alamy 2R3Y9B7 - This image shows a large, multi-panel street art mural covering the exterior walls of BAT Studio in Walthamstow, East London. The building has been transformed into a vibrant outdoor artwork, with bold blocks of colour and illustrated characters painted directly onto the brickwork and roller shutter doors.
The mural combines human and animal figures rendered in a graphic, storybook-like style, reflecting the playful yet slightly unsettling tone common in contemporary urban illustration. Elements such as expressive faces, hybrid characters, and narrative fragments encourage viewers to interpret the scene rather than presenting a single fixed meaning.
BAT Studio forms part of Walthamstow's wider creative ecosystem, where former industrial and warehouse spaces have been repurposed for artist studios, makers, and small creative businesses. Street art plays a significant role in shaping the area's visual identity, contributing to local character while also signalling cultural regeneration and community engagement.
Photographed in daylight under an overcast sky, the image evenly captures the scale, colour, and detail of the artwork without harsh shadows. It is well suited to editorial use covering street art, urban creativity, public art, regeneration, contemporary illustration, and the evolving cultural landscape of East London.
BAT Studio, Walthamstow, London Borough of Waltham Forest, London, England, UK, E17
Description
Keywords: Walthamstow,East London street art,public art,BAT studio,studio,painted building,GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,mural,wall art,large scale mural,contemporary mural,animal characters,London Borough of Waltham Forest,artist studios,warehouse buildings,roller shutter doors,industrial architecture,colourful artwork,visual storytelling,surreal illustration,community art,regeneration,urban culture,neighbourhood identity,travel photography,documentary photography,editorial image,UK city life,artistic
Description: Tony Smith image Alamy 2R3Y9C3 - This image shows a large, multi-panel street art mural covering the exterior walls of BAT Studio in Walthamstow, East London. The building has been transformed into a vibrant outdoor artwork, with bold blocks of colour and illustrated characters painted directly onto the brickwork and roller shutter doors.
The mural combines human and animal figures rendered in a graphic, storybook-like style, reflecting the playful yet slightly unsettling tone common in contemporary urban illustration. Elements such as expressive faces, hybrid characters, and narrative fragments encourage viewers to interpret the scene rather than presenting a single fixed meaning.
BAT Studio forms part of Walthamstow's wider creative ecosystem, where former industrial and warehouse spaces have been repurposed for artist studios, makers, and small creative businesses. Street art plays a significant role in shaping the area's visual identity, contributing to local character while also signalling cultural regeneration and community engagement.
Photographed in daylight under an overcast sky, the image evenly captures the scale, colour, and detail of the artwork without harsh shadows. It is well suited to editorial use covering street art, urban creativity, public art, regeneration, contemporary illustration, and the evolving cultural landscape of East London.
BAT Studio, Walthamstow, London Borough of Waltham Forest, London, England, UK, E17
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,mural,wall art,Walthamstow street art,BAT Studio,urban art,large scale mural,creative studios,contemporary mural,animal characters,London Borough of Waltham Forest,East London,artist studios,creative industries,warehouse buildings,roller shutter doors,industrial architecture,colourful artwork,visual storytelling,surreal illustration,community art,regeneration,urban culture,neighbourhood identity,travel photography,documentary photography,editorial image,UK city life,artistic
Description: Tony Smith image Alamy 2R3Y9G7 - This image shows a large, multi-panel street art mural covering the exterior walls of BAT Studio in Walthamstow, East London. The building has been transformed into a vibrant outdoor artwork, with bold blocks of colour and illustrated characters painted directly onto the brickwork and roller shutter doors.
The mural combines human and animal figures rendered in a graphic, storybook-like style, reflecting the playful yet slightly unsettling tone common in contemporary urban illustration. Elements such as expressive faces, hybrid characters, and narrative fragments encourage viewers to interpret the scene rather than presenting a single fixed meaning.
BAT Studio forms part of Walthamstow's wider creative ecosystem, where former industrial and warehouse spaces have been repurposed for artist studios, makers, and small creative businesses. Street art plays a significant role in shaping the area's visual identity, contributing to local character while also signalling cultural regeneration and community engagement.
Photographed in daylight under an overcast sky, the image evenly captures the scale, colour, and detail of the artwork without harsh shadows. It is well suited to editorial use covering street art, urban creativity, public art, regeneration, contemporary illustration, and the evolving cultural landscape of East London.
BAT Studio, Walthamstow, London Borough of Waltham Forest, London, England, UK, E17
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,city,song,contest,cafe,café,Sass,word,L2,Silkhouse Court,Liverpool,L2 2LZ,in,front,outside,external,exterior,design,artistic,arty,style,stylish,styles,icon,iconic,device,big,bold,sassy,strong,corporate
Description: Tony Smith image Alamy 2R1WX4X - . Sass Cafe, Silkhouse Court, Tithebarn St, Liverpool , Merseyside, England, UK, L2 2LZ. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Silkhouse Court, Tithebarn Street, Liverpool , Merseyside, England, UK, L2 2LZ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, song, contest, cafe, café, Sass, word, Silkhouse Court, Liverpool, L2 2LZ, front, external, providing natural SEO coverage without losing the specific documentary identity of the photograph. Food and drink content broadens the image's relevance to eating out, grocery retail, hospitality, pricing, consumer choice, local food culture and the commercial presentation of meals, ingredients or products. It can illustrate changing tastes, inflation and cost-of-living pressures, food retail competition, traditional businesses and the everyday economics of buying food and drink where those themes are relevant. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
Silkhouse Court, Tithebarn Street, Liverpool , Merseyside, England, UK, L2 2LZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,city,Liverpool,L2 3SP,L2,stone,embossed,Liver Bird,LiverBird,on,office,ornate,history,historic,design,artistic,arty,style,stylish,styles,icon,iconic,device,big,bold,sassy,strong,corporate,Stone carving,stonework,carved,crest
Description: Tony Smith image Alamy 2R1WX5E - . Stone embossed Liver Bird, on Martins Bank office building, Water Street, Liverpool, Merseyside, England, UK, L2 3SP. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 4 Water St, Liverpool, Merseyside, England, UK, L2 3SP, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, Liverpool, L2 3SP, stone, embossed, Liver Bird, LiverBird, office, ornate, history, historic, design, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
4 Water St, Liverpool, Merseyside, England, UK, L2 3SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,Liverpool,L1 5DW,5-9,red,green,art,artistic,council,city,centre on-street,street,community,Cantonese,Chinese communities,oldest,area,district,central,Asian,Asia,Scouse,settlers,immigrants,migrants,migrant,colour,colourful,symbol,symbols,of culture
Description: Tony Smith image Alamy 2PKA5D0 - . Liverpool Chinatown, decorated parking ticket machine, 5-9 Nelson St, Liverpool, Merseyside, England, UK, L1 5DW. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 5-9 Nelson St, Liverpool, Merseyside, England, UK, L1 5DW, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, Liverpool, L1 5DW, 5-9, red, green, art, artistic, council, centre on-street, community, Cantonese, providing natural SEO coverage without losing the specific documentary identity of the photograph. Industrial subject matter gives the image strong relevance to manufacturing, engineering, energy, utilities, machinery, skilled work and Britain's industrial heritage. The photograph can support stories about technological change, preservation, infrastructure, deindustrialisation, redevelopment and the reuse of former working sites for culture, housing, tourism or new commercial purposes. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
5-9 Nelson St, Liverpool, Merseyside, England, UK, L1 5DW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Yorkshire,England,UK,of,Roman,emperor,from,AD,306,to,337,in,York,front,minster,YO1 7HH,bronze,throne,Civic Trust,sculptor,Philip Jackson,Minster Yard,theft of sword,sword theft,sword,Verdigris,culture,war,scandal,art,artistic
Description: Tony Smith image Alamy 2KF7FCB - Bronze statue of Constantine the Great sits prominently in Minster Yard beside York Minster in the historic centre of York, North Yorkshire. Photographed in bright sunshine beneath a clear blue sky, the monumental seated figure wears Roman military clothing and imperial robes. His right arm extends outward while his left hand grips a long sword. Lion-head details decorate the throne, and the green patina of the bronze contrasts strongly with the blue sky, surrounding trees and red building behind the monument. The inscription across the plinth reads CONSTANTINE, BY THIS SIGN CONQUER .
Constantine was proclaimed emperor by his troops at Eboracum, the Roman name for York, in AD 306 following the death of his father, Constantius Chlorus. He went on to rule from 306 until 337 and became one of the most influential emperors in Roman history. His reign is closely associated with the transformation of the Roman Empire, the rise of Christianity and the foundation of Constantinople. The wording on the plinth refers to the tradition expressed by the Latin phrase in hoc signo vinces , meaning in this sign, conquer .
The statue was commissioned by York Civic Trust to commemorate Constantine's accession in York. Sculptor Philip Jackson created the life-size-and-a-third bronze work, which was unveiled in 1998 by former Archbishop of York and Canterbury Lord Coggan. Its position near the south transept of York Minster connects the modern public artwork with the city's Roman past and later Christian heritage.
The image is useful for editorial subjects including Roman Britain, Constantine the Great, ancient history, Christianity, public sculpture, civic commemoration, York tourism, Yorkshire landmarks and cultural heritage. The strong low viewpoint emphasises the authority of the seated emperor, while the sword, throne, inscription and architectural setting provide clear visual details for travel, history and education features.
Deangate, York, Yorkshire, England, UK, YO1 7HH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Yorkshire,England,UK,of,Roman,emperor,from,AD,306,to,337,in,York,front,minster,YO1 7HH,bronze,throne,Civic Trust,sculptor,Philip Jackson,Minster Yard,theft of sword,sword theft,sword,Verdigris,culture,war,scandal,art,artistic
Description: Tony Smith image Alamy 2KF7FCF - The Statue of Constantine the Great is a bronze statue depicting the Roman Emperor Constantine I seated on a throne, commissioned by York Civic Trust and designed by the sculptor Philip Jackson. It was unveiled in 1998 and is situated on Minster Yard, outside York Minster. It commemorates the accession of Constantine as Roman Emperor in AD 306 on this site, after the death of his father Constantius Chlorus in York
The statue depicts a seated Constantine wearing military dress. His right arm is outstretched behind him and his left holds the pommel of a sword, the tip of which is shown to be broken. A legend inscribed on the base reads Constantine by this sign conquer. This phrase is a translation of the latin in hoc signo vinces
a reference to a passage from the historian Eusebius of Caesaria, who recounts how Constantine was marching with his army and looked up to the sun and saw a cross of light above it, and with it the Greek words (ἐν) τούτῳ νίκα (In this, conquer)
Deangate, York, Yorkshire, England, UK, YO1 7HH
Description
Keywords: city,centre,Greater,England,UK,vibrant,arty,artistic,M4,Tib,Street,M4 1SH,City centre,art at,in,mural,graffiti,street,Northern,art,artist,urban,colour,colourful,NW,North West,creative,creativity,Tib Street,decoration,vibe,wall,walls,canvas,artists,blue eyes,blue eyed,woman
Description: Tony Smith image Alamy 2JTD2NE - . This authentic period view of Northern Quarter, NQ4, Manchester, England, UK, M4 1SH in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The defining feature is City centre art at Tib St, Katiescott Creative Manchester, Northern Quarter, NQ4, Manchester, England, UK, M4 1SH. Another layer of the photograph includes civic architecture, local history, visual archive, urban regeneration, everyday life, contemporary social history, changing streetscape, social history, commercial redevelopment, period detail, period architecture, adaptive reuse, mixed-use redevelopment, and place identity. In present-day coverage, the subject reaches into commercial viability and public-realm investment, not least because of the value of reusing existing buildings rather than wholesale demolition. The image fixes transport arrangements and footfall within Northern Quarter, NQ4, Manchester, England, UK, M4 1SH at one identifiable point, providing a benchmark against new construction. Further associations within the scene are community identity, historical comparison, architectural character, changing land use, historic townscape, town-centre renewal, built heritage, and heritage-led regeneration. References to centre, Katiescott, Quarter, Northern, and Manchester give the picture a strong period identity and tie it closely to its named subject. The period setting at Northern Quarter, NQ4, Manchester, England, UK, M4 1SH helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of commercial viability and the value of reusing existing buildings rather than wholesale demolition in a form that can be compared with future views of Northern Quarter, NQ4, Manchester, England, UK, M4 1SH. Image 2JTD2NE also remains a dated record of Northern Quarter, NQ4, Manchester, England, UK, M4 1SH.
Northern Quarter, NQ4, Manchester, England, UK, M4 1SH
Description
Keywords: city,centre,Greater,England,UK,vibrant,arty,artistic,M4,Tib,Street,M4 1SH,City centre,art at,in,mural,graffiti,street,Katie Scott Creative,Northern,soul,art,artist,urban,colour,colourful,NW,North West,creative,creativity,Tib Street,decoration,vibe,wall,walls,canvas
Description: Tony Smith image Alamy 2JTD2NG - . This dated editorial view of Northern Quarter, NQ4, Manchester, England, UK, M4 1SH in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The principal subject is City centre art at Tib St, Northernsoul Manchester, Northern Quarter, NQ4, Manchester, England, UK, M4 1SH. Another layer of the photograph includes urban regeneration, changing streetscape, contemporary social history, social history, period detail, civic architecture, visual archive, period architecture, heritage-led regeneration, public-realm investment, changing land use, place-making, historical comparison, and local history. Today's relevance is strengthened by heritage conservation, construction costs and the continuing question of how public investment can reshape pedestrian movement and evening activity. As a dated visual record of Northern Quarter, NQ4, Manchester, England, UK, M4 1SH, the frame retains building condition and alterations, making it especially useful if later reinterpretation subsequently changes the scene. Other useful contextual ideas include community identity, mixed-use redevelopment, architectural character, regional identity, before-and-after reference, documentary photography, town-centre renewal, and adaptive reuse. Elements such as Quarter, Northernsoul, centre, Manchester, and Northern add documentary specificity and may become increasingly useful when compared with later records. The period setting at Northern Quarter, NQ4, Manchester, England, UK, M4 1SH helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of heritage conservation and how public investment can reshape pedestrian movement and evening activity as part of the longer story of Northern Quarter, NQ4, Manchester, England, UK, M4 1SH. The period view preserves evidence of earlier appearance for later comparison.
Northern Quarter, NQ4, Manchester, England, UK, M4 1SH
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,London,England,UK,inside,of,Eating Area,design,kiosk,&,Co,Pvt,Ltd,restroom,godown,A.H.,traditional,history,juice,sepia,BW,Black & White,Wheelers,facade,façade,culture,cultural,artistic,stage,staging,props,prop,scenery,Hindi,newsagents,newagent,book shop,bookshop
Description: Tony Smith image Alamy 2JKC2C9 - . A grounded stock-photo/gotonysmith-Documentary.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>documentary photograph made at Kings Cross, Coal Drops Yard, London, England, UK in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The frame specifically shows Sepia Interior of Dishoom Indian restaurant - AH Wheeler & Co kiosk, Kings Cross, Coal Drops Yard, London, England, UK. Another layer of the photograph includes pedestrian public space, archival record, industrial railway heritage, freight wagon, train operations, changing land use, adaptive reuse, contemporary cityscape, everyday life, rail mobility, heritage-led renewal, visual archive, community identity, and mixed-use redevelopment. The modern context includes continuing discussion of transport-led growth, mixed-use development and the balance between preserving industrial character and creating high-value urban destinations. For current editorial use, fares and station investment provide additional context, especially through the continuing importance of rail to regional connectivity. As a dated visual record of Kings Cross, Coal Drops Yard, London, England, UK, the frame retains signage and branding, making it especially useful if changing commercial priorities subsequently changes the scene. Further associations within the scene are creative quarter, public-realm design, place identity, passenger railway, regenerated railway lands, rolling stock, former industrial land, and destination retail district. Elements such as restaurant, Cross, Kings, kiosk, and Drops add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Kings Cross, Coal Drops Yard, London, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The photograph keeps period character before later change alters the scene.
Kings Cross, Coal Drops Yard, London, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,London,Bucks head,pub,bar,tattoo,jungle,scene,tiger,couple,alternative,vibe,trendy,vintage,arty,artists,artistic,urban,street art,bright,unique,streets,districts,graffiti artists,rough,activists,activist,north,neighbourhood,art,expression,piercings,studio,studios,shop,shops
Description: Tony Smith image Alamy 2K16AW6 - . This authentic period view of 3 Buck Street, Camden, London, England, UK, NW1 8NJ in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The principal subject is Bucks head pub - Bucksheadpub & Nemesis tattoo, 3 Buck Street, Camden, London, England, UK, NW1 8NJ. The subject also carries associations with community pub, canal transport, local character, towpath landscape, hospitality trade, historic narrowboat, local social venue, documentary photography, pub heritage, before-and-after reference, contemporary social history, street-level dining, period detail, and industrial waterway history. From a 2025-onward perspective, waterway maintenance and volunteering are closely linked to this subject, alongside how museum collections preserve working waterway history. The wider contemporary story combines hospitality costs, changing drinking habits and how familiar pubs and restaurants shape neighbourhood identity. The archival value lies partly in recording materials and architectural details around 3 Buck Street, Camden, London, England, UK, NW1 8NJ before altered transport patterns alters the character of the place. The location also brings in waterway conservation, public realm, local history, changing streetscape, visual archive, navigation engineering, hospitality economy, and inland navigation. Elements such as tattoo, London, Nemesis, Camden, and Bucks add documentary specificity and may become increasingly useful when compared with later records. The wider setting at 3 Buck Street, Camden, London, England, UK, NW1 8NJ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence of waterway maintenance and how museum collections preserve working waterway history without losing the local specificity of 3 Buck Street, Camden, London, England, UK, NW1 8NJ.
3 Buck Street, Camden, London, England, UK, NW1 8NJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,NW1,Camden,London,NW1 8NJ,the,Auction Rooms,decorated,street,art,streetart,Coworking,space,Co-Working,registered,charity,centre,building,office,offices,arty,artists,artistic,urban,street art,bright,unique,streets,districts,graffiti artists,rough,activists,activist,north
Description: Tony Smith image Alamy 2K16AW8 - Camden Collective is a registered charity offering free hot-desking space and subsidised offices for creative start-ups in the heart of Camden Town. We take on temporary leases of empty building and bring them back to life, filling them with an ever-growing community of creative young people. We give start-ups the chance to take risks, experiment, and grow in a low-cost way.
The Collective journey started 10 years ago. Since 2009, it has occupied 18 spaces and has introduced various projects, such as: pop-up shops, free courses, accelerators, commissioning public realm projects, free events, and the Camden Create Festival. We have an evolving model, but our community of like-minded individuals are at the heart of what we do, as well as the entrepreneurs and stakeholders who help us to grow and support our next exciting stages of development.
Camden Collective is run by Camden Town Unlimited, the Business Improvement District for Camden Town. In the past, we relied on grants and raising revenue to keep up our activities. Now we're fully self-sufficient, with income from lockable offices paying for free hot-desking, running costs of the project, and any renovations needed to maintain our hub, or create new ones
Camden Collective is just one of Camden Town Unlimited's forward-thinking projects. We're the same team that's behind the Camden Highline
a project transforming the disused railway between Camden Town and King's Cross, and Euston Town
a business improvement district with a focus on air quality, transport and identity. We're also the co-founders of Alternative Camden
a new type of innovation district for Camden.
5-7 Buck St, Camden, London, England, UK, NW1 8NJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Camden,North London,NW1,Buck St,Camden street art,streetart,woman,wolf,above,a,fire,hydrant,entry,to,building,alternative,vibe,trendy,vintage,arty,artists,artistic,urban,street art,bright,unique,streets,districts,graffiti artists,rough,activists,activist,north
Description: Tony Smith image Alamy 2K16AWA - . Recorded at Buck Street, Camden, North London, England, UK, NW1 in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Camden street art, girl riding a dog, above a fire hydrant entry to a building, Buck Street, Camden, North London, England, UK, NW1. The image also relates to industrial waterway history, place-making, regional identity, adaptive reuse, inland navigation, contemporary social history, boat museum collection, urban regeneration, social history, heritage boating, urban fabric, local character, local history, and changing streetscape. Today's relevance is strengthened by flood resilience, public access and the continuing question of the value of canals as both historic infrastructure and blue-green corridors. From a 2025-onward perspective, construction costs and planning are closely linked to this subject, alongside how regeneration tries to create reasons to visit traditional town centres. The archival value lies partly in recording building condition and alterations around Buck Street, Camden, North London, England, UK, NW1 before redevelopment alters the character of the place. The photograph additionally reflects canal transport, before-and-after reference, commercial redevelopment, working waterway, historic narrowboat, changing land use, waterborne freight, and towpath landscape. Details involving London, riding, entry, Camden, and hydrant make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Buck Street, Camden, North London, England, UK, NW1, the image preserves more than the headline object or building: it records part of the locality's everyday history. The period view preserves evidence of earlier appearance for future local research. The view records period character before later change alters the scene.
Buck Street, Camden, North London, England, UK, NW1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,street,art,streetart,artist,NW1,London,NW1 8NJ,Graffiti,spray,paint,can,painting,of,a,lady,female,and,Hip-Hop,HipHop,alternative,vibe,trendy,vintage,arty,artists,artistic,urban,street art,bright,unique,streets,districts
Description: Tony Smith image Alamy 2K16AWB - . Made at the recorded location in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Graffiti art spray can painting of a beautiful African woman, Buck St, Camden, London, NW1 8NJ. The surrounding context encompasses canal heritage, towpath landscape, changing streetscape, waterway conservation, inland transport history, heritage interior, Victorian domesticity, industrial waterway history, navigation engineering, changing land use, boat museum collection, visual archive, local history, and everyday life. The wider contemporary story combines volunteering, public access and how museum collections preserve working waterway history. Viewed from the mid-2020s, the subject also connects with interior restoration, energy use and how changing domestic habits can be traced through rooms and objects. For later comparison, the photograph preserves signage and branding at the recorded location, details that may look very different after new ownership. The surrounding story also includes documentary photography, household material culture, industrial navigation, period interior, historic domestic technology, period furniture, home entertainment history, and historical comparison. The recorded references to Camden, Graffiti, woman, London, and spray preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within the recorded location, the image preserves more than the headline object or building: it records part of the locality's everyday history. The wider significance includes volunteering and how museum collections preserve working waterway history when considered against later change at the recorded location. The image fixes period character for future local research. It also preserves a trace of local identity before later change alters the scene.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,City Centre,scouse,with art-deco carving,art,artistic,stone work,stonework,exhaust,river,with,art-deco,carving,light,artdeco,history,historic,heritage,deco,art deco,design,carvings,lamp,post,lamp post,lamppost,posts,green,gold,painted,tunnels,exhausts,ornate,wall,figures,figure
Description: Tony Smith image Alamy 2JCW1W7 - . Made at Pier Head Liverpool, Merseyside, England, UK, L3 1HN in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Historic Mersey Tunnel exhaust lamp, with art-deco carving, Pier Head Liverpool, Merseyside, England, UK, L3 1HN. The setting additionally reflects historic streetscape, seaside souvenir, conservation architecture, regional identity, everyday life, coastal tourism, contemporary social history, coastal visitor economy, British seaside culture, heritage landmark, coastal leisure, heritage asset, documentary photography, and place identity. Today's relevance is strengthened by retail pressure, town-centre renewal and the continuing question of the role of regeneration in keeping coastal destinations competitive. From a 2025-onward perspective, maintenance and adaptive reuse are closely linked to this subject, alongside keeping older structures useful without erasing their character. The archival value lies partly in recording transport arrangements and footfall around Pier Head Liverpool, Merseyside, England, UK, L3 1HN before different community use alters the character of the place. Other useful contextual ideas include local landmark, local history, day-trip culture, public realm, architectural character, urban fabric, built heritage, and archival record. Elements such as Liverpool, Merseyside, Historic, carving, and Tunnel add documentary specificity and may become increasingly useful when compared with later records. The period setting at Pier Head Liverpool, Merseyside, England, UK, L3 1HN helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves a local visual benchmark for future local research. The view records a point of historical comparison before later change alters the scene.
Pier Head Liverpool, Merseyside, England, UK, L3 1HN
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,Clock Tower,clock,tower,cog,cogs,wood,wooden,tree,next,to,artistic,street,time,Greater Manchester,WA14 1EN,by,2016,local,artist,gateway,train,tunnel,Altrinchams,industrial,heritage,history,industry,carving,carved,Barrington Road,Stamford Street,project,Trafford Partnership Voluntary Sector Grant,Alty
Description: Tony Smith image Alamy 2JBXJJ7 - . A grounded documentary photograph made at Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through Clock Tower wood sculpture 2016 by Andy Burgess, next to Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN. The wider scene also brings together engineering history, rail mobility, local character, railway heritage, public realm, factory heritage, working-industry history, regional rail, station environment, community identity, regional identity, industrial artefact, rail infrastructure, and historic freight equipment. Current relevance extends to adaptive reuse and industrial conservation, particularly through recording the industries and transport systems that shaped British towns. In present-day coverage, the subject reaches into reliability and regional connectivity, not least because of the role of stations and trains in lower-carbon mobility. As a dated visual record of Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN, the frame retains transport arrangements and footfall, making it especially useful if changing commercial priorities subsequently changes the scene. Other useful contextual ideas include industrial railway heritage, heavy-industry heritage, rail transport, trackside history, train operations, former production site, industrial transport, and transport interchange. Details involving Burgess, Stamford, Altrincham, Tower, and Clock make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN, the image preserves more than the headline object or building: it records part of the locality's everyday history.
Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M2,Manchester M2 5PD,Xmas,decorations,history,Christmas,outside,Christmas hat,on a,Santa,hat,cap,MCR,Manchester,city,centre,Central Library,library,St Peters,Peter,square,Sq,seasonal,decorated,golden,sparkle,sparkly,historic,exterior,display,displays,art,arts,artistic
Description: Tony Smith image Alamy 2ADR2B5 - . A grounded documentary photograph made at St Peter's Square, Manchester,England,UK, M2 5PD in 2019, preserving the main subject alongside smaller details that may become more historically useful with time. The view centres on Christmas hat on a MCR,Christmas decorations,outside Manchester Central Library,St Peter's Square, Manchester M2 5PD. A broader reading of the scene brings in social history, archival record, architectural character, visual archive, heritage landmark, before-and-after reference, built heritage, changing streetscape, period detail, place identity, everyday life, historical comparison, historic commercial architecture, and local history. For contemporary context, energy retrofit and planning control are closely related themes, especially where the issue becomes the contrast between preservation and redevelopment. Looking back from the mid-2020s, the photograph anchors small features of identity that written records may overlook in the immediate surroundings of St Peter's Square, Manchester,England,UK, M2 5PD. The surrounding context also covers regional identity, historic townscape, adaptive reuse, period building, traditional masonry, conservation interest, architectural detailing, and cityscape history. References to decorations, Central, outside, Peter's, and Square help fix the photograph to its own subject and period rather than reducing it to a generic view. The surrounding context at St Peter's Square, Manchester,England,UK, M2 5PD matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is energy retrofit and the contrast between preservation and redevelopment when considered against later change at St Peter's Square, Manchester,England,UK, M2 5PD. The image fixes evidence of earlier appearance as part of St Peter's Square, Manchester,England,UK, M2 5PD's history.
St Peter's Square, Manchester,England,UK, M2 5PD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M2,Manchester M2 5PD,Xmas,decorations,history,Christmas,outside,Christmas bee,symbol,bee symbol,Central Library,library,St Peters,Peter,square,Sq,seasonal,decorated,golden,sparkle,sparkly,MCR,historic,exterior,display,displays,art,arts,artistic,bees,worker bee,symbolic,Xmas bee
Description: Tony Smith image Alamy 2ADR2B8 - . Photographed at St Peter's Square, Manchester,England,UK, M2 5PD in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. The location is represented through Gold bee,Christmas decorations,outside Manchester Central Library,St Peter's Square, Manchester M2 5PD. The locality and subject together evoke local history, period streetscape, architectural detailing, contemporary social history, conservation architecture, changing streetscape, heritage asset, historic frontage, place identity, architectural character, archival record, period building, regional identity, and conservation interest. The present-day relevance extends to maintenance costs and embodied carbon, while a wider concern is the contrast between preservation and redevelopment. With the passage of time, the image retains signage, materials, design and everyday use within the setting of St Peter's Square, Manchester,England,UK, M2 5PD. The setting also brings in historic townscape, documentary photography, visual archive, built heritage, historical comparison, urban fabric, cityscape history, and everyday life. The recorded references to decorations, Peter's, Square, Christmas, and outside preserve clues about how the subject was presented, used or understood at the time. The surrounding context at St Peter's Square, Manchester,England,UK, M2 5PD matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to maintenance costs and the role of distinctive architecture in local identity as part of the longer story of St Peter's Square, Manchester,England,UK, M2 5PD. The location additionally provides evidence of heritage conservation and keeping older buildings useful without erasing their character when considered against later change at St Peter's Square, Manchester,England,UK, M2 5PD.
St Peter's Square, Manchester,England,UK, M2 5PD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M2,Manchester M2 5PD,Xmas,decorations,history,Christmas,outside,star,gold,giant,stars,Central Library,library,St Peters,Peter,square,Sq,seasonal,decorated,golden,sparkle,sparkly,MCR,historic,exterior,display,displays,art,arts,artistic,Xmas star,Christmas star,columns,column
Description: Tony Smith image Alamy 2ADR2BA - . This period scene at St Peter's Square, Manchester,England,UK, M2 5PD in 2019 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. The main subject is Golden star,Christmas decorations,outside Manchester Central Library,St Peter's Square, Manchester M2 5PD. Other connected aspects include visual archive, archival record, community identity, historic frontage, traditional masonry, social history, period building, architectural detailing, cityscape history, before-and-after reference, urban fabric, historic commercial architecture, everyday life, and documentary photography. Viewed from the mid-2020s, the subject sits within continuing debate about historic townscape, redevelopment pressure and reusing existing buildings rather than demolishing them. For place-based research, the photograph anchors the visual character of the locality at the time as seen at St Peter's Square, Manchester,England,UK, M2 5PD. The subject sits alongside heritage asset, local history, changing streetscape, built heritage, period detail, regional identity, contemporary social history, and changing land use. References to Christmas, Square, Peter's, Central, and Golden help fix the photograph to its own subject and period rather than reducing it to a generic view. For St Peter's Square, Manchester,England,UK, M2 5PD, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of historic townscape and reusing existing buildings rather than demolishing them when considered against later change at St Peter's Square, Manchester,England,UK, M2 5PD. A further contemporary connection is embodied carbon and the contrast between preservation and redevelopment without losing the local specificity of St Peter's Square, Manchester,England,UK, M2 5PD.
St Peter's Square, Manchester,England,UK, M2 5PD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,G1,artist,Strathclyde,Fire and Rescue,monumental,civic sculpture,Gordon Street,in front of,Grand Central,Central,Hotel,Glasgow,Scotland,by,Glasgow central,city centre,commemorating,2001,a,tribute,artistic,bronze,sculpture,in,uniform,history,historical,remember,remembering,remembrance,statue,tributes,went,on fire,duty
Description: Tony Smith image Alamy 2ADE464 - Kenny Hunter was born in Edinburgh 1962 and studied at Glasgow School of Art from 1983 - 1987. After graduating in sculpture, Kenny has gone on to practice in both the field of public and gallery based art becoming one of the UK's foremost artists with works in collections all over the world, including Paris, New York and Hamburg. These are his thoughts on Citizen Firefighter.
Citizen Firefighter was conceived primarily to celebrate the fire service. But it is also an attempt, through a recognition of their work, to reclaim the political and civic space associated with the historical form of the public statue. While maintaining the clear, formal language of the past, the content and narrative of this new work differs in many ways from the historical tradition, and it is precisely through this rupture between Citizen Firefighter and what is generally understood to be the impact of historical works that we can begin to assess what kind of relationship now exists between citizen and resident, between statue and sculpture. The space opened up in this way creates the possibility of a dialogue of historical and sociological change.
Through the work's symbolism, Citizen Firefighter appears to rekindle the onlooker's reflexes when faced with a nineteenth-century public monument. It differs, however, by both the neutrality of its stance and by the prominence given to the breathing apparatus, which has a democratising effect on human identity. The generic or quotidian aspect of the figure is further accentuated by a reductive treatment of form, in which all naturalist or realist traits have been suppressed. Subtraction peels away pathos, creating enough critical distance to enable the viewer to consider the complex charge inherent in the way the subject is presented. In this way the meaning of the monument itself is left partially open, thus creating a space that can be reinvested by the onlooker
99 Gordon St, Glasgow,Scotland, G1 3SF
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Dublin,UK,telecoms,telephone box,on,colourful,fibre,street furniture,art,artist,street,furniture,centre,sights,vibe,atmosphere,buildings,urban,architecture,creativity,creative,creativeness,sign,signs,artistic,tour,touring,streets,residential,box,boxes
Description: Tony Smith image Alamy 2M84JFK - . This scene at Dublin, Eire, Ireland in 2019 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The defining feature is Painted telephone box, street art on Dominick Street Upper, Dublin, Eire, UK. The surrounding context encompasses architectural detailing, adaptive reuse, traditional materials, place identity, everyday life, community identity, urban fabric, street-level design, urban graphics, creative placemaking, documentary photography, historic townscape, conservation architecture, and public-realm art. In present-day coverage, the subject reaches into local identity and graffiti policy, not least because of the blurred boundary between commissioned public art and graffiti. Today's relevance is strengthened by maintenance, embodied carbon and the continuing question of keeping older buildings useful without erasing their character. The archival value lies partly in recording local activity and public use around Dublin, Eire, Ireland before later reinterpretation alters the character of the place. The subject also sits alongside contemporary mural, changing land use, social history, before-and-after reference, historical comparison, public realm, heritage landmark, and historic streetscape. The combination of Dominick, Painted, telephone, Upper, and Dublin anchors the frame to a recognisable activity, place or moment. Around Dublin, Eire, Ireland, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to local identity and how regeneration can both support and displace urban art within the specific setting of Dublin, Eire, Ireland. The location additionally provides evidence of adaptive reuse and the value of architectural landmarks to local identity as part of the longer story of Dublin, Eire, Ireland.
Dublin, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Stirrup Lane,Dublin 7,man,on,street,art,streetart,glasses,red,green,gable,end,three dimensional,3D glasses,centre,sights,vibe,atmosphere,buildings,urban,architecture,creativity,creative,creativeness,sign,signs,artistic,tour,touring,streets
Description: Tony Smith image Alamy 2M84JJC - . Recorded at the recorded location in 2019, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The location is represented through Stirrup Lane, 3D art, Dublin 7, Eire, Ireland. The surrounding context encompasses shop display, local character, period architecture, documentary photography, historic townscape, built heritage, changing land use, period advertising, public realm, before-and-after reference, street-level marketing, public information notice, retail graphics, and traditional materials. Current relevance extends to planning control and heritage conservation, particularly through the balance between conservation and modern commercial use. In present-day coverage, the subject reaches into public safety and branding, not least because of the speed at which branding and promotional styles change. Future viewers can use this scene from the recorded location to compare equipment and working practice with whatever follows after changed technology. The surrounding story also includes heritage landmark, historical comparison, place identity, period detail, adaptive reuse, historic signage, heritage asset, and conservation architecture. The recorded references to Ireland, Stirrup, and Dublin preserve clues about how the subject was presented, used or understood at the time. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence of planning control and keeping older buildings useful without erasing their character in a form that can be compared with future views of the recorded location. A further contemporary connection is advertising regulation and the speed at which branding and promotional styles change within the real-world context of the recorded location.
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Dollard Market,Wow,11,Wellington Quay,Temple Bar,Dublin,Co. Dublin,D02 XY28,cultural quarter,exterior,outside,door,doorway,history,historic,be,wowwed,centre,sights,vibe,atmosphere,buildings,urban,architecture,creativity,creative,creativeness,sign,signs,artistic
Description: Tony Smith image Alamy 2M84JP7 - Temple Bar is an area on the south bank of the River Liffey in central Dublin, Ireland. The area is bounded by the Liffey to the north, Dame Street to the south, Westmoreland Street to the east and Fishamble Street to the west. It is promoted as Dublin's 'cultural quarter' and, as a centre of Dublin's city centre's nightlife, is a tourist destination. Temple Bar is in the Dublin 2 postal district.
Temple Bar, Dublin, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,jam,art,factory,Skate,city,skates,skating,The Pieman Cafe,Pieman,cafe,café,connected,ink,tattoo,D02 RX36,building,street art,colourful,centre,sights,vibe,atmosphere,buildings,urban,architecture,creativity,creative,creativeness,sign,signs,artistic
Description: Tony Smith image Alamy 2M84KF8 - . This location-specific image from 14A Crown Alley, Temple Bar, Dublin 2, D02 RX36, Eire in 2019 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Jam art factory, Skate City, Connected Ink Tattoo, The Pieman Cafe - 14A Crown Alley, Temple Bar, Dublin 2, D02 RX36, Eire. The frame also records themes of licensed hospitality, period detail, mural culture, creative placemaking, beer-led hospitality, street-level design, visual street culture, regional identity, licensed trade, contemporary social history, local social venue, visual archive, local history, and night-time economy. For current editorial use, business rates and food inflation provide additional context, especially through how food, drink and heritage combine in destination pubs. Current relevance extends to tourism and temporary works, particularly through how temporary street art can become an important visual archive. For later comparison, the photograph preserves landscape treatment and surrounding development at 14A Crown Alley, Temple Bar, Dublin 2, D02 RX36, Eire, details that may look very different after later reinterpretation. The location also brings in everyday life, community identity, pub interior heritage, community drinking venue, changing land use, public-house heritage, traditional ale house, and before-and-after reference. The recorded references to Tattoo, Skate, Pieman, Alley, and factory preserve clues about how the subject was presented, used or understood at the time. The wider setting at 14A Crown Alley, Temple Bar, Dublin 2, D02 RX36, Eire matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The record includes a point of historical comparison for future local research. The frame retains part of the area's social history before later change alters the scene.
14A Crown Alley, Temple Bar, Dublin 2, D02 RX36, Eire
Description
Keywords: @Hotpixuk,Hotpixuk,GoTonySmith,F-Desc,famous,latin,Cheshire,England,UK,WA1 1SR,WA1,iconic,tourist,tourism,attraction,iron gates,Coalbrookdale works Ironbridge,Warringtons Coat of Arms,Warrington Coat of Arms,in the,Queen Victoria,Frederick Monks,P P Carpenter,Cairo Street,Monks Hall and Company,International Exhibition of 1862,Coalbrookdale,Grade II* Listed,Grade II,Listed,grade2,refurbished,refurbished golden gates,WBC,Warrington Borough Council,ironwork,iron work,art,artistic
Description: Tony Smith image Alamy 2CA3R1G - The Warrington Golden Gates
Warrington Town Hall, on the north side of Sankey Street, was designed and built in 1750 by James Gibbs as an elegant Georgian mansion, known as Bank Hall. It was a home for local merchant Thomas Patten and his family.
As more traffic started to use Sankey Street, the Patten family built a high brick wall in front of the building to give them privacy. But when the council bought Bank Hall in 1870 and turned it into Warrington's new town hall, local people started to complain that they were paying rates which helped to look after the building but they couldn't even see it!
So Frederick Monks, one of the town's earliest councillors, came up with an idea. As a local ironmaster, he could give the town hall a fitting entrance.
Frederick Monks
As a young man, Monks was an apprentice of P P Carpenter of Cairo Street. He worked his way up and then helped to create Monks Hall and Company, which became one of the country's leading manufacturers of iron and steel. Through his business, he heard about a magnificent pair of iron gates made by the famous Coalbrookdale works at Ironbridge.
Queen Victoria and the Oliver Cromwell statue
The gates were made for the International Exhibition of 1862, and then intended for Queen Victoria's Sandringham home in Norfolk. The Queen was meant to see them for the first time at the exhibition but, clearly visible through the gates, was a statue of Oliver Cromwell.
As Cromwell had signed King Charles I's death warrant, royalty didn't like him very much. The Queen's courtiers realised she wouldn't be amused to see the statue, and diverted her.
Coalbrookdale found it hard to find a buyer for such grand gates, so Monks was able to buy and bring them to Warrington to stand at the front of the town hall lawn. Monks also presented the cast iron Cromwell statue, designed by John Bell, to Warrington in 1899. It now stands on Bridge Street and is Grade II Listed.
Sankey Street, Warrington, Cheshire, England,UK WA1 1SR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,art,trumpet,music,musician,legacy,jazz,player,artist,artistic,1960,1960s,monochrome,mono,BW,Black & White,Black and White,history,heritage,old,olden,days,years,ago,urban,environment,street,road,lane,lanes,built,architecture
Description: Tony Smith image Alamy 2M475F4 - . This dated editorial view of London Road, Liverpool, Merseyside, England, UK in 2019 captures more than the immediate subject, retaining clues about local use, design, activity and change. At the centre of the view is Trumpet Player art, London Road, Liverpool, Merseyside, England, UK. Other connected aspects include street-side transport, local bus network, social history, archival record, historical comparison, regional identity, before-and-after reference, period detail, contemporary social history, roadside transit, local mobility, public-transport wayfinding, local history, and bus infrastructure. Current relevance extends to decarbonisation and local connectivity, particularly through the role of bus stops as the physical interface between passengers and the network. The archival value lies partly in recording landscape treatment and surrounding development around London Road, Liverpool, Merseyside, England, UK before changing commercial priorities alters the character of the place. The wider setting retains connections with public realm, transport accessibility, local character, place identity, public transport stop, everyday life, surface public transport, and passenger transport. The recorded references to Liverpool, Player, Trumpet, and Merseyside preserve clues about how the subject was presented, used or understood at the time. For London Road, Liverpool, Merseyside, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is decarbonisation and the role of bus stops as the physical interface between passengers and the network in a form that can be compared with future views of London Road, Liverpool, Merseyside, England, UK. The frame retains period character for later comparison. The scene captures a trace of local identity within the wider story of London Road, Liverpool, Merseyside, England, UK.
London Road, Liverpool, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,WBC,Cheshire,North West England,UK,tree,shrub,white,pink,flower,flowers,branch,branches,sunny,sunny day,Hatton,Norcott Brook,blue sky,Springtime,cherryblossom,artistic,closeup,natural,nature,outdoor,outside,garden,park,Cherry tree in full blossom,Cherry tree,full blossom,healthy,genus Prunus,flowering cherries,flowering cherry,springtime
Description: Tony Smith image Alamy T3RF5B - A cherry is the fruit of many plants of the genus Prunus, and is a fleshy drupe (stone fruit).
The cherry fruits of commerce usually are obtained from cultivars of a limited number of species such as the sweet cherry (Prunus avium) and the sour cherry (Prunus cerasus). The name 'cherry' also refers to the cherry tree and its wood, and is sometimes applied to almonds and visually similar flowering trees in the genus Prunus, as in ornamental cherry or cherry blossom. Wild cherry may refer to any of the cherry species growing outside cultivation, although Prunus avium is often referred to specifically by the name wild cherry in the British Isles.
The English word cherry derives from Old Northern French or Norman cherise from the Latin cerasum, referring to an ancient Greek region, Kerasous (Κερασοῦς) near Giresun, Turkey, from which cherries were first thought to be exported to Europe. The indigenous range of the sweet cherry extends through most of Europe, western Asia, and parts of northern Africa, and the fruit has been consumed throughout its range since prehistoric times. A cultivated cherry is recorded as having been brought to Rome by Lucius Licinius Lucullus from northeastern Anatolia, also known as the Pontus region, in 72 BC.
Cherries were introduced into England at Teynham, near Sittingbourne in Kent, by order of Henry VIII, who had tasted them in Flanders.
Norcott Brook, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,WBC,Cheshire,North West England,UK,tree,shrub,white,pink,flower,flowers,branch,branches,sunny,sunny day,Hatton,Norcott Brook,blue sky,Springtime,cherryblossom,artistic,closeup,natural,nature,outdoor,outside,garden,park,Cherry tree in full blossom,Cherry tree,full blossom,healthy,genus Prunus,flowering cherries,flowering cherry,springtime
Description: Tony Smith image Alamy T3RF5G - A cherry is the fruit of many plants of the genus Prunus, and is a fleshy drupe (stone fruit).
The cherry fruits of commerce usually are obtained from cultivars of a limited number of species such as the sweet cherry (Prunus avium) and the sour cherry (Prunus cerasus). The name 'cherry' also refers to the cherry tree and its wood, and is sometimes applied to almonds and visually similar flowering trees in the genus Prunus, as in ornamental cherry or cherry blossom. Wild cherry may refer to any of the cherry species growing outside cultivation, although Prunus avium is often referred to specifically by the name wild cherry in the British Isles.
The English word cherry derives from Old Northern French or Norman cherise from the Latin cerasum, referring to an ancient Greek region, Kerasous (Κερασοῦς) near Giresun, Turkey, from which cherries were first thought to be exported to Europe. The indigenous range of the sweet cherry extends through most of Europe, western Asia, and parts of northern Africa, and the fruit has been consumed throughout its range since prehistoric times. A cultivated cherry is recorded as having been brought to Rome by Lucius Licinius Lucullus from northeastern Anatolia, also known as the Pontus region, in 72 BC.
Cherries were introduced into England at Teynham, near Sittingbourne in Kent, by order of Henry VIII, who had tasted them in Flanders.
Norcott Brook, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,WBC,Cheshire,North West England,UK,tree,shrub,white,pink,flower,flowers,branch,branches,sunny,sunny day,Hatton,Norcott Brook,blue sky,Springtime,cherryblossom,artistic,closeup,natural,nature,outdoor,outside,garden,park,Cherry tree in full blossom,Cherry tree,full blossom,healthy,genus Prunus,flowering cherries,flowering cherry,springtime
Description: Tony Smith image Alamy T3RF5K - A cherry is the fruit of many plants of the genus Prunus, and is a fleshy drupe (stone fruit).
The cherry fruits of commerce usually are obtained from cultivars of a limited number of species such as the sweet cherry (Prunus avium) and the sour cherry (Prunus cerasus). The name 'cherry' also refers to the cherry tree and its wood, and is sometimes applied to almonds and visually similar flowering trees in the genus Prunus, as in ornamental cherry or cherry blossom. Wild cherry may refer to any of the cherry species growing outside cultivation, although Prunus avium is often referred to specifically by the name wild cherry in the British Isles.
The English word cherry derives from Old Northern French or Norman cherise from the Latin cerasum, referring to an ancient Greek region, Kerasous (Κερασοῦς) near Giresun, Turkey, from which cherries were first thought to be exported to Europe. The indigenous range of the sweet cherry extends through most of Europe, western Asia, and parts of northern Africa, and the fruit has been consumed throughout its range since prehistoric times. A cultivated cherry is recorded as having been brought to Rome by Lucius Licinius Lucullus from northeastern Anatolia, also known as the Pontus region, in 72 BC.
Cherries were introduced into England at Teynham, near Sittingbourne in Kent, by order of Henry VIII, who had tasted them in Flanders.
Norcott Brook, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,prisoner art,art,artist,YOI,Young Offenders,painting,paintings,from HMP Styal,and,Thorn Cross,13th Jan 2019,Grappenhall,Warrington,Cheshire,England,institute,print,prison art,artworks,prints,mounted,artistic,expression,expressing,feeling,feelings,frustration,frustrations,arranged,display,exhibited,exhibition,colour,colourful,British,prisoner,prisoners
Description: Tony Smith image Alamy 2AF146C - . Photographed at Church Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. The photograph records Art produced by prisoners from HMP Styal and Thorn Cross,13th Jan 2019 exhibition St Wilfrids Anglican Church, Grappenhall,Warrington,Cheshire,England. The frame also contains themes of visual archive, conservation architecture, urban fabric, historic commercial architecture, changing land use, public realm, historic frontage, community identity, historic context, everyday life, heritage asset, historic townscape, heritage landmark, and architectural detailing. For contemporary context, historic townscape and adaptive reuse are closely related themes, especially where the issue becomes keeping older buildings useful without erasing their character. For retrospective editorial use, the frame records a particular stage in the life of the location in the immediate surroundings of Church Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP. The surrounding context also covers regional identity, changing streetscape, before-and-after reference, documentary photography, local character, social history, architectural character, and archival record. The recorded references to Thorn, Cross, Styal, exhibition, and Warrington preserve clues about how the subject was presented, used or understood at the time. Around Church Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is historic townscape and the contrast between preservation and redevelopment in a form that can be compared with future views of Church Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP. That local specificity strengthens the long-term documentary value of image 2AF146C.
Church Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,prisoner art,art,artist,YOI,Young Offenders,painting,paintings,from HMP Styal,and,Thorn Cross,13th Jan 2019,Grappenhall,Warrington,Cheshire,England,institute,prison art,artworks,mounted,print,prints,artistic,expression,expressing,feeling,feelings,frustration,frustrations,arranged,display,exhibited,exhibition,colour,colourful,British,prisoner,prisoners
Description: Tony Smith image Alamy 2AF146E - . This period scene at Church Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP in 2019 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. The view centres on Art produced by prisoners from HMP Styal and Thorn Cross,13th Jan 2019 exhibition St Wilfrids Anglican Church, Grappenhall,Warrington,Cheshire,England. The scene additionally carries associations with conservation architecture, historic commercial architecture, built heritage, period detail, community identity, historic frontage, historic townscape, changing streetscape, adaptive reuse, heritage landmark, social history, cityscape history, architectural character, and documentary photography. Current discussion around this subject increasingly includes redevelopment pressure alongside heritage conservation, with particular attention to keeping older buildings useful without erasing their character. As a piece of social history, the view leaves evidence of period details that may disappear after redevelopment or refurbishment within Church Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP. The subject sits alongside period streetscape, archival record, local character, before-and-after reference, urban fabric, historical comparison, architectural detailing, and traditional masonry. Elements such as Anglican, Styal, Warrington, Thorn, and prisoners add documentary specificity and may become more useful when compared with later records. A later view of Church Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects redevelopment pressure and keeping older buildings useful without erasing their character within the specific setting of Church Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP.
Church Lane, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,the,Bogside,Inn,development,redevelopment,area,in,of,centre,Northern Ireland,UK,NI,painting,mural,building,21,Westland Street,Londonderry,United Kingdom,BT48 9JE,BT48,city of culture,art,culture,shop,wall,artistic,future,blue,characters,cartoon,cartoons,brain giving birth,to the idea of love,smiley faces,NI troubles
Description: Tony Smith image Alamy 2T3EFRE - . #DerryHappy - 2015 mural on The Bogside area of Derry Londonderry, Northern Ireland, UK. Photographed on 16 June 2017. The recorded location is 21 Westland St, Londonderry, United Kingdom, BT48 9JE. This 2015 mural in the Bogside in support of a Twitter campaign shows a brain giving birth to the idea of love, smiley faces giving the 'V for victory' salute and other cheery images and colours. The #DerryHappy mural dates from 2015 and was created in the Bogside as a deliberately upbeat counterpoint to a district internationally associated with the Troubles and political mural painting. Its imagery of a brain producing the idea of love, smiling faces and victory signs linked street art with a social-media campaign promoting positivity. The wider Bogside remains an important landscape of memory and civil-rights history, where murals function as public history as well as tourist landmarks. The historical context is that murals, sculptures and civic artworks turn public space into a record of local culture
They can commemorate people and events, respond to politics, celebrate industry or simply enliven streets, while the artists' materials and styles place the work within a particular period. As background, historic and modern architecture can be read as a record of investment, planning and changing urban functions
Civic, commercial, industrial and residential buildings each contribute to the character of a townscape, particularly where older structures are adapted rather than demolished. The subject remains topical in 2026 because contemporary interest in public art is closely linked to regeneration and cultural tourism. murals and sculpture continue to be used to express identity and animate public space, while redevelopment can make photographic records of earlier works increasingly valuable. Additional subject vocabulary includes visual culture, cultural identity, place-making, community art, urban art, decorative art, and visual storytelling.
21 Westland St, Londonderry, United Kingdom, BT48 9JE
Description
Keywords: Street,face,faces,mixed,media,car,park,carpark,gun,pipe,drain,drainpipe,wall,gable,end,artistic,window,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Hip-Hop,HipHop
Description: Tony Smith image Alamy H4HMNG - . An identifiable period record of Smithfield St, Liverpool, England, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The frame specifically shows Graffiti Art Smithfield/Tithebarn St,Liverpool,England,UK. Further facets of the scene include public realm, period detail, visual archive, documentary photography, urban graphics, temporary artwork, street creativity, local history, street-level design, contemporary mural, visual street culture, social history, changing streetscape, and contemporary social history. The wider contemporary story combines local identity, temporary works and the role of murals and stencils in giving creative districts a distinctive identity. Small period details of landscape treatment and surrounding development at Smithfield St, Liverpool, England, UK may become more significant with time, particularly following changing commercial priorities. The wider setting retains connections with regional identity, urban artwork, public art, stencil art, mural culture, local character, place identity, and creative placemaking. The combination of Tithebarn, Smithfield, Graffiti, and Liverpool anchors the frame to a recognisable activity, place or moment. The period setting at Smithfield St, Liverpool, England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes local identity and the blurred boundary between commissioned public art and unsanctioned graffiti within the real-world context of Smithfield St, Liverpool, England, UK. Another strand within the photograph is gentrification and how temporary street art can become an important record of neighbourhood culture within the specific setting of Smithfield St, Liverpool, England, UK. The image fixes evidence of earlier appearance for future local research.
Smithfield St, Liverpool, England, UK
Description
Keywords: Street,face,faces,car,park,gun,pipe,drain,drainpipe,wall,gable,end,with,parking,machine,artistic,urban,gun,Street Art,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HMR7 - . An on-location photograph from Smithfield St, Liverpool, England, UK in 2016, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows Graffiti Art Smithfield/Tithebarn St,Liverpool,England,UK - with parking machine. The broader subject matter reaches into graffiti heritage, public art, archival record, public realm, changing land use, visual archive, contemporary mural, stencil art, public-realm art, before-and-after reference, period detail, regional identity, social history, and changing streetscape. From a 2025-onward perspective, local identity and regeneration are closely linked to this subject, alongside how temporary street art can become an important record of neighbourhood culture. Future viewers can use this scene from Smithfield St, Liverpool, England, UK to compare landscape treatment and surrounding development with whatever follows after redevelopment. The photograph additionally reflects local character, community identity, temporary artwork, visual street culture, street creativity, mural culture, urban graphics, and historical comparison. Details involving Smithfield, Graffiti, Liverpool, machine, and Tithebarn make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Smithfield St, Liverpool, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is local identity and how temporary street art can become an important record of neighbourhood culture in a form that can be compared with future views of Smithfield St, Liverpool, England, UK. The scene further reflects regeneration and the blurred boundary between commissioned public art and unsanctioned graffiti within the real-world context of Smithfield St, Liverpool, England, UK.
Smithfield St, Liverpool, England, UK
Description
Keywords: Roman,Christ,The,King,throne,four,beasts,apostles,Matthew,Mark,Luke,John,symbolic,artist,artistic,tourist,tourism,building,architecture,listed,work,St,Merseyside,England,UK,Mt,Pleasant,Liverpool,L3,5TQ,west,door,L35TQ,mount,Paddys,Wigwam,Mersey,Funnel,paddys,Gotonysmith works reliefs in fibreglass by Mitchell,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DRH7TN - Frederick Gibberd was the architect who won the competition for the design of the Roman Catholic Cathedral of Liverpool. As I understand, he queried why so many of his staff were not staying on as they usually did in the evening - he was told because of the competition. When told about the work, he decided there and then to enter - the rest is history.
Door art are reliefs in fibreglass by Mitchell
Mt Pleasant, Liverpool, England UK L3 5TQ
Description
Keywords: Roman,Christ,The,King,throne,four,beasts,apostles,Matthew,Mark,Luke,John,symbolic,artist,artistic,tourist,tourism,building,architecture,listed,work,St,Merseyside,England,UK,Mt,Pleasant,Liverpool,L3,5TQ,west,door,L35TQ,mount,Paddys,Wigwam,Mersey,Funnel,paddys,Gotonysmith works reliefs in fibreglass by William George Mitchell,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DRH7W3 - Frederick Gibberd was the architect who won the competition for the design of the Roman Catholic Cathedral of Liverpool. As I understand, he queried why so many of his staff were not staying on as they usually did in the evening - he was told because of the competition. When told about the work, he decided there and then to enter - the rest is history.
Door art are reliefs in fibreglass by Mitchell
Mt Pleasant, Liverpool, England UK L3 5TQ
Description
Keywords: Roman,Christ,The,King,throne,four,beasts,apostles,Entry,Mark,Luke,John,symbolic,artist,artistic,tourist,tourism,building,Frontice,listed,work,St,Merseyside,England,UK,Mt,Pleasant,Liverpool,L3,5TQ,west,door,L35TQ,mount,Paddys,Wigwam,Mersey,Funnel,paddys,Gotonysmith,works,reliefs,in,fibreglass,by,William,George,Mitchell
Description: Tony Smith image Alamy DRH7WC - Frederick Gibberd was the architect who won the competition for the design of the Roman Catholic Cathedral of Liverpool. As I understand, he queried why so many of his staff were not staying on as they usually did in the evening - he was told because of the competition. When told about the work, he decided there and then to enter - the rest is history.
Door art are reliefs in fibreglass by Mitchell
Mt Pleasant, Liverpool, England UK L3 5TQ
Description
Keywords: Roman,Christ,The,King,throne,four,beasts,apostles,Matthew,Mark,Luke,John,symbolic,artist,artistic,tourist,tourism,building,architecture,listed,work,St,Merseyside,England,UK,Mt,Pleasant,Liverpool,L3,5TQ,west,door,L35TQ,mount,Paddys,Wigwam,Mersey,Funnel,paddys,Gotonysmith works reliefs in fibreglass by William George Mitchell,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DRH7WJ - Frederick Gibberd was the architect who won the competition for the design of the Roman Catholic Cathedral of Liverpool. As I understand, he queried why so many of his staff were not staying on as they usually did in the evening - he was told because of the competition. When told about the work, he decided there and then to enter - the rest is history.
Door art are reliefs in fibreglass by Mitchell
Mt Pleasant, Liverpool, England UK L3 5TQ
Description
Keywords: Scotland,Outer,Hebrides,CNES,Comhairle nan Eilean Siar,Comhairle,nan,Eilean,Siar,port,harbour,An,Centre,dusk,at,night,nighttime,art,cultural,artistic,Steòrnabhagh,Na h-Eileanan Siar,Western Isles,Eilean,CNES,Stornoway town,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scotland,problem,with,problem with,issue with,Centre,Art,Artists,social,tour,tourism,tourists,Lewis,Stornoway,outer Hebrides,outer,isles,islands,West Scotland,Stornoway Town,Town,Urban,Isle of Lewis,Steòrnabhagh,iconic,Alba,Celtic,@HotpixUK,HotpixUK,tour,tourist,attraction,travel,Scots,SNP,independance,independence,Alba,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEW1N4 - Stornoway (Gaelic: Steòrnabhagh) is a town on the Isle of Lewis, in the Outer Hebrides (also known as the Western Isles) of Scotland.
The town's population is around 8,000, making it the largest town in the Hebrides, with a third of the population of the civil parish of Stornoway, which includes various nearby villages and has a population of approximately 12,000.
Stornoway is an important port and the major town and administrative centre of the Outer Hebrides. It is home to Comhairle nan Eilean Siar (the Western Isles Council) and a variety of educational, sporting and media establishments. Observance of the Christian Sabbath (Sunday) has long been an aspect of the island's culture. Recent changes mean that Sunday on Lewis is now less different from Sunday on the other Western Isles or the mainland of Scotland.
Stornoway, Isle of Lewis, Scotland, UK
Description
Keywords: lothian,still,fucking,skint,graffitti,grafitti,graffiti,grafitto,street still,street,art,edinburgh,scotland,city,UK,united,kingdom,spray,paint,arty,artistic,arts,purple,blue,silver,disturbia,tourist,destination,scottish,escotia,NRSP,edinbrugh,hotpix!,Edinburg,edimburgh
Description: Tony Smith image Flickr 4523624815 - 'Theft = Still f**king skint
When you cast your eyes upon the skylines
Of this once proud nation
Can you sense the fear and the hatred
Grwoing in the hearts of its population
And our youth, oh youth, are being seduced
by the greedy hands of politics and half truths
The beaten generation, the beaten generation
Reared on a diet of prejudice and mis-information
The beaten generation, the beaten generation
Open your eyes, open your imagination
We're being sedated by the gasoline fumes
and hypnotised by the satellites
Into believing what is good and what is right
You may be worshipping the temples of mammon
Or lost in the prisons of religion
But can you still walk back to happiness
When you've nowhere left to run?
And if they send in the special police
To deliver us from liberty and keep us from peace
Then won't the words sit ill upon their tongues
when they tell us justice is being done
and that freedom lives in the barrels of a .....warm gun
Lyrics somewhat still true over 20 years after they were penned.
Checkout more mixed disturbia from my photostream w=33062170@N08\'>www.flickr.com/search/?q=disturbia&
w=33062170@N08
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Flats,and,offices,office,space,in,the,at,Dublin 1,D01 E3V1,D01,apartment,tenement,centre,sights,vibe,atmosphere,buildings,urban,architecture,creativity,creative,creativeness,sign,signs,artistic,tour,touring,streets,residential
Description: Tony Smith image Alamy 2M84JFT - . Recorded at the recorded location in 2019, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on Flats and office in the block at 3 Henrietta St, Dublin 1, D01 E3V1, Ireland. The subject also carries associations with documentary photography, historical comparison, heritage asset, visual archive, housing delivery, residential development, heritage landmark, local history, community identity, archival record, residential regeneration, urban fabric, period detail, and new-build homes. The modern context includes continuing discussion of planning, construction costs and the pressure to increase housing supply in established towns. For current editorial use, planning control and maintenance provide additional context, especially through keeping older buildings useful without erasing their character. Small period details of local activity and public use at the recorded location may become more significant with time, particularly following redevelopment. The subject also sits alongside conservation architecture, everyday life, apartment construction, historic townscape, public realm, conservation interest, changing streetscape, and period building. The combination of block, Ireland, Dublin, Flats, and Henrietta anchors the frame to a recognisable activity, place or moment. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is planning and the pressure to increase housing supply in established towns without losing the local specificity of the recorded location. The wider significance includes maintenance and the balance between conservation and modern commercial use in a form that can be compared with future views of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Llangollen,Wales,North Wales,LL20 7PY,the,art,end,pub,bar,Aquaduct,artistic,by,sign writer,artist,sign,writing,writer,Welsh Dragon,dragon,landmark,old,Victorian,building,buildings,architecture,sunny,blue sky,blue skies,classic,local,pubs,bars,painting,Alan Baillie,stunning,views,hotpix.org.uk
Description: Tony Smith image Alamy 2JR3MR4 - The Aqueduct Inn is a much-loved pub due to its location, offering stunning panoramic views of the Llangollen canal.
But now, the Froncysyllte-based pub has a new feature to further capture the eye of passers-by.
That is because sign writer Alan Baillie has been busy painting a striking mural onto the side of the building.
Holyhead road, Froncysyllte, Llangollen, North Wales, UK, LL20 7PY
