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Description
Keywords: GB,great,britain,hope,st,street,tourist,trail,tourism,famous,pubs,bars,pub,bar,artdeco,art,deco,victorian,Cain,Cains,Tetley,GB,Great,Britain,British,CAMRA,real,ale,The,Phil,grade,2,gradeii,listed,building,exuberant,free,style,of,architecture,in,Gold,Liverpool,maritime,England,UK,gotonysmith,Art,Nouveau,hardman,st,street,most,richly,decorated,of,Liverpools,Victorian,public,houses,Gem,gems,Pollard,and,Pevsner,in the Buildings of England series,state,that,it,is,the,most,richly,decorated,of,Liverpools,Victorian,public,houses,and that,.,archway,arch,ornate,doorway,The,Grade,II*,listing,means,that,it,is,included,among,.,Pye,describes,it,as,one,of,Liverpools,architectural,gems,heritage,Liverpools,scouse,Merseyside,L7,7EE,L77EE,bar,bars,boozer,bar,bars,boozer,pub,pubs,bars,bar,hotpixuk,@hotpixuk,@hotpixuk,Phillharmonic,Philharmonic pub liverpool pub,Liverpool Pubs,pubs,bars,bar,history,historic,it is of exceptional quality in national terms,particularly important buildings of more than special interest,Buy Pictures of,Buy Images Of,Liverpool Pub,Liverpool Pubs,Liverpool Pub,Liverpool Pubs
Description: Tony Smith image Alamy DRH8DB - The Philharmonic Dining Rooms is a public house at the corner of Hope Street and Hardman Street in Liverpool, Merseyside, England, and stands diagonally opposite the Liverpool Philharmonic Hall.
It is commonly known as The Phil. It has been designated by English Heritage as a Grade II* listed building
Pollard and Pevsner, in the Buildings of England series, state that it is the most richly decorated of Liverpool's Victorian public houses, and that it is of exceptional quality in national terms. The Grade II* listing means that it is included among particularly important buildings of more than special interest. Pye describes it as one of Liverpool's architectural gems
Hope st, Liverpool, Merseyside, England, UK L7 7EE
Description
Keywords: GB,great,britain,hope,st,street,tourist,trail,tourism,famous,pubs,bars,pub,bar,artdeco,art,deco,victorian,Cain,Cains,Tetley,GB,Great,Britain,British,CAMRA,real,ale,The,Phil,grade,2,gradeii,listed,building,exuberant,free,style,of,architecture,in,Gold,Liverpool,maritime,England,UK,doorway,archway,gotonysmith,Art,Nouveau,hardman,st,street,most,richly,decorated,of,Liverpools,Victorian,public,houses,Gem,gems,Pollard,and,Pevsner,in the Buildings of England series,state,that,it,is,the,most,richly,decorated,of,Liverpools,Victorian,public,houses,and that,.,arch,detail,details,face,faces,golden,The,Grade,II*,listing,means,that,it,is,included,among,.,Pye,describes,it,as,one,of,Liverpools,architectural,gems,heritage,Liverpools,scouse,Merseyside,L7,7EE,L77EE,bar,bars,boozer,bar,bars,boozer,pub,pubs,bars,bar,hotpixuk,@hotpixuk,@hotpixuk,Phillharmonic,Philharmonic pub liverpool pub,Liverpool Pubs,pubs,bars,bar,history,historic,it is of exceptional quality in national terms,particularly important buildings of more than special interest,Buy Pictures of,Buy Images Of,Liverpool Pub,Liverpool Pubs,Liverpool Pub,Liverpool Pubs
Description: Tony Smith image Alamy DRH8DK - The Philharmonic Dining Rooms is a public house at the corner of Hope Street and Hardman Street in Liverpool, Merseyside, England, and stands diagonally opposite the Liverpool Philharmonic Hall.
It is commonly known as The Phil. It has been designated by English Heritage as a Grade II* listed building
Pollard and Pevsner, in the Buildings of England series, state that it is the most richly decorated of Liverpool's Victorian public houses, and that it is of exceptional quality in national terms. The Grade II* listing means that it is included among particularly important buildings of more than special interest. Pye describes it as one of Liverpool's architectural gems
Hope st, Liverpool, Merseyside, England, UK L7 7EE
Description
Keywords: GB,great,britain,hope,st,street,tourist,trail,tourism,famous,pubs,bars,pub,bar,artdeco,art,deco,victorian,Cain,Cains,Tetley,GB,Great,Britain,British,CAMRA,real,ale,The,Phil,grade,2,gradeii,listed,building,exuberant,free,style,of,architecture,in,Gold,Liverpool,maritime,England,UK,gold,face,statue,gotonysmith,Art,Nouveau,hardman,st,street,most,richly,decorated,of,Liverpools,Victorian,public,houses,Gem,gems,Pollard,and,Pevsner,in the Buildings of England series,state,that,it,is,the,most,richly,decorated,of,Liverpools,Victorian,public,houses,and that,particularly,important,buildings,of,more,than,special,interest,Buy,Pictures,of,Buy,Images,Of,Liverpool,Pub,Liverpool,Pubs,Liverpool,Pub,Liverpool Pubs,bar,bars,boozer,pub,pubs,bars,bar,hotpixuk,@hotpixuk,@hotpixuk,Phillharmonic,Philharmonic pub liverpool pub,Liverpool Pubs,pubs,bars,bar,history,historic,it,is,of,exceptional,quality,in,national,terms,doorway,door,way,entrance,door,The,Grade,II*,listing,means,that,it,is,included,among,.,Pye,describes,it,as,one,of,Liverpools,architectural,gems,heritage,Liverpools,scouse,Merseyside,L7,7EE,L77EE,,,,,,,,,,bar,bars,boozer,,,,
Description: Tony Smith image Alamy DRH8DR - The Philharmonic Dining Rooms is a public house at the corner of Hope Street and Hardman Street in Liverpool, Merseyside, England, and stands diagonally opposite the Liverpool Philharmonic Hall.
It is commonly known as The Phil. It has been designated by English Heritage as a Grade II* listed building
Pollard and Pevsner, in the Buildings of England series, state that it is the most richly decorated of Liverpool's Victorian public houses, and that it is of exceptional quality in national terms. The Grade II* listing means that it is included among particularly important buildings of more than special interest. Pye describes it as one of Liverpool's architectural gems
Hope st, Liverpool, Merseyside, England, UK L7 7EE
Description
Keywords: GB,great,britain,hope,st,street,tourist,trail,tourism,famous,pubs,bars,pub,bar,artdeco,art,deco,victorian,Cain,Cains,Tetley,GB,Great,Britain,British,CAMRA,real,ale,The,Phil,grade,2,gradeii,listed,building,exuberant,free,style,of,architecture,in,Gold,Liverpool,maritime,England,UK,blue,heritage,plaque,gotonysmith,Art,Nouveau,hardman,st,street,most,richly,decorated,of,Liverpools,Victorian,public,houses,Gem,gems,Pollard,and,Pevsner,in the Buildings of England series,state,that,it,is,the,most,richly,decorated,of,Liverpools,Victorian,public,houses,and that,.,The,Grade,II*,listing,means,that,it,is,included,among,. Pye describes it as one of Liverpools architectural gems,heritage,Liverpools,scouse,Merseyside,L7 7EE,L77EE,bar,bars,boozer,bar,bars,boozer,pub,pubs,bars,bar,hotpixuk,@hotpixuk,@hotpixuk,Phillharmonic,Philharmonic pub liverpool pub,Liverpool Pubs,pubs,bars,bar,history,historic,it is of exceptional quality in national terms,particularly important buildings of more than special interest,Buy Pictures of,Buy Images Of,Liverpool Pub,Liverpool Pubs,Liverpool Pub,Liverpool Pubs
Description: Tony Smith image Alamy DRH8E0 - The Philharmonic Dining Rooms is a public house at the corner of Hope Street and Hardman Street in Liverpool, Merseyside, England, and stands diagonally opposite the Liverpool Philharmonic Hall.
It is commonly known as The Phil. It has been designated by English Heritage as a Grade II* listed building
Pollard and Pevsner, in the Buildings of England series, state that it is the most richly decorated of Liverpool's Victorian public houses, and that it is of exceptional quality in national terms. The Grade II* listing means that it is included among particularly important buildings of more than special interest. Pye describes it as one of Liverpool's architectural gems
Hope st, Liverpool, Merseyside, England, UK L7 7EE
Description
Keywords: arts,venue,Nicolson,street,performance,performances,opera,ballet,empire,tourist,attraction,glass-fronted,structure,for,the,new,entrance,created,by,architect,Colin,Ross,glass,fronted,building,architecture,dramatic,mix,of,art,nouveau,beaux,arts,and,neo-classicism,neoclassicism,Gotonysmith,The,Edinburgh,Festival,Theatre,is,a,performing,located,on,Street,in,Edinburgh,Scotland used primarily for performances of opera and ballet,large-scale musical events,and touring groups. After its most recent renovation in 1994,it seats 1,915.,It,is,one,of,the,major,venues,of,the,annual,summer,Edinburgh,International,Festival,and,is,the,venue,for,the,Opera,and,the,Scottish,Ballet.,The,present,theatre's,location,is,Edinburgh's,longest,continuous,theatre,site,for,there,has,been,a,theatre,in,that,location,since,1830.,From,being,Dunedin,Hall,the Royal Amphitheatre,Alhambra Music Hall,the Queen's Theatre,Pablo Fanques Amphitheatre,13-29 Nicolson St,Edinburgh EH89FT EH8 9FT 13 29,oldtown,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXKFR - The Edinburgh Festival Theatre is a performing arts venue located on Nicolson Street in Edinburgh, Scotland used primarily for performances of opera and ballet, large-scale musical events, and touring groups. After its most recent renovation in 1994, it seats 1,915. It is one of the major venues of the annual summer Edinburgh International Festival and is the Edinburgh venue for the Scottish Opera and the Scottish Ballet.
The present theatre's location is Edinburgh's longest continuous theatre site, for there has been a theatre in that location since 1830. From being Dunedin Hall, the Royal Amphitheatre, Alhambra Music Hall, the Queen's Theatre, Pablo Fanque's Amphitheatre, and Newsome's Circus, the site became the Empire Palace Theatre, the first of the famous Moss Empires' chain, opening on 7 November 1892.
Designed by the great British theatre architect, Frank Matcham, (who built the London Coliseum, among others) its décor was lavish, with elephants with Nubian riders, nymphs and cherubs in abundance on the plasterwork, and it seated 3000 people on four levels.
13-29 Nicolson St, Edinburgh, Scotland, UK EH8 9FT
Description
Keywords: arts,Nicolson,street,performance,performances,opera,ballet,empire,tourist,attraction,glass-fronted,structure,for,the,new,entrance,created,by,architect,Colin,Ross,fronted,building,mix,of,art,nouveau,beaux,arts,and,neo-classicism,neoclassicism,Gotonysmith,The,Edinburgh,Festival,Theatre,is,a,performing,arts,venue,located,on,Nicolson,Street,in,Edinburgh,Scotland used primarily for performances of opera and ballet,large-scale musical events,and touring groups. After its most recent renovation in 1994,it seats 1,915.,It,is,one,of,the,major,venues,of,the,annual,summer,Edinburgh,International,Festival,and,is,the,Edinburgh,venue,for,the,Scottish,Opera,and,the,Scottish,Ballet.,The,present,theatre's,location,is,Edinburgh's,longest,continuous,theatre,site,for,there,has,been,a,theatre,in,that,location,since,1830.,From,being,Dunedin,Hall,the Royal Amphitheatre,Alhambra Music Hall,the Queen's Theatre,Pablo Fanques Amphitheatre,13-29 Nicolson St,Edinburgh EH89FT EH8 9FT 13 29,oldtown,attraction,attractions,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXKG1 - The Edinburgh Festival Theatre is a performing arts venue located on Nicolson Street in Edinburgh, Scotland used primarily for performances of opera and ballet, large-scale musical events, and touring groups. After its most recent renovation in 1994, it seats 1,915. It is one of the major venues of the annual summer Edinburgh International Festival and is the Edinburgh venue for the Scottish Opera and the Scottish Ballet.
The present theatre's location is Edinburgh's longest continuous theatre site, for there has been a theatre in that location since 1830. From being Dunedin Hall, the Royal Amphitheatre, Alhambra Music Hall, the Queen's Theatre, Pablo Fanque's Amphitheatre, and Newsome's Circus, the site became the Empire Palace Theatre, the first of the famous Moss Empires' chain, opening on 7 November 1892.
Designed by the great British theatre architect, Frank Matcham, (who built the London Coliseum, among others) its décor was lavish, with elephants with Nubian riders, nymphs and cherubs in abundance on the plasterwork, and it seated 3000 people on four levels.
13-29 Nicolson St, Edinburgh, Scotland, UK EH8 9FT
Description
Keywords: designed,by,internationally,renowned,architect,Charles,Rennie,Mackintosh,Glasgows,tearooms,cafe,Margaret,MacDonald,UK,front,exterior,smiles,better,smilesbetter,Argyle,Street,st,The,Room,Deluxe,facade,external,Scottish,tourism,tourist,destinations,independence,identity,art,style,Henderson,the,gotonysmith,Buchanan,Street,Miss,Cranston,Mackintoshs,redesigned,external,facade,was,a,carefully,considered,asymmetric,abstractly,modelled,composition,with,shallow,curves,on,some,areas,of,the,surface,and,varying,depths,of,recesses,to,windows,and,the,main,entrance.,The,composition,respected,the,urban,context,of,the,neighbouring,buildings,matching the major cornice lines and heights of adjoining buildings,whilst,still,exploring,emerging,ideas,of,Art,Nouveau,and,the,modern,movement.,The,ground,floor,entrance,door,is,placed,far,to,the,left,of,a,wide,band,of,fenestration,both of which are recessed below the first-floor level,the,location,of,the,Room,de,Luxe.,To,emphasise,the,importance,of,this,room,Mackintosh designed a full width bay window,projecting the facade outwards with a gentle curve. jewelers,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DG39NX - Early in his career, in 1896, Mackintosh met Catherine Cranston (widely known as Kate Cranston or simply Miss Cranston), an entrepreneurial local business woman who was the daughter of a Glasgow tea merchant and a strong believer in temperance.
The temperance movement was becoming increasingly popular in Glasgow at the turn of the century and Miss Cranston had conceived the idea of a series of art tearooms, venues where people could meet to relax and enjoy non-alcoholic refreshments in a variety of different rooms within the same building. This proved to be the start of a long working relationship between Miss Cranston and Mackintosh. Between 1896 and 1917 he designed and re-styled interiors in all four of her Glasgow tearooms, often in collaboration with his wife Margaret MacDonald.
Mackintosh's redesigned external facade was a carefully considered asymmetric, abstractly modelled composition with shallow curves on some areas of the surface, and varying depths of recesses to windows and the main entrance. The composition respected the urban context of the neighbouring buildings, matching the major cornice lines and heights of adjoining buildings, whilst still exploring emerging ideas of Art Nouveau and the modern movement.
The ground floor entrance door is placed far to the left of a wide band of fenestration, both of which are recessed below the first-floor level, the location of the Room de Luxe. To emphasise the importance of this room, Mackintosh designed a full width bay window, projecting the facade outwards with a gentle curve. The two storeys above this featured a more regular pattern of fenestration with three individual windows per floor, recessed to different degrees. The asymmetry of the composition was continued by widening the left side windows and creating another gentle curve in this part of the facade, extending through both storeys. This repeated the curved form of the first floor and emphasised the heavily recessed entrance to the building
217 Sauchiehall Street, Glasgow, Scotland UK
Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,the,sign,in,stone,womens,Grassmarket,Thegrassmarket,stone,building,art,deco,artdeco,style,dusk,sunrise,sunset,evening,light,warm,warmlight,low,lowlight,port,westport,Art,Nouveau,Salvation,Army,Womens,Hostel,stonesign,ArtNouveau,Nouve,Gotonysmith,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,Nouvaeu,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED33D - The West Port is a street in Edinburgh's Old Town, Scotland, located just south of Edinburgh Castle. It runs from Main Point (the junction of Bread Street, Lauriston Street, East Fountainbridge and High Riggs) down to the south west corner of the Grassmarket. Its name derives from the fact it sloped up from the West Port, which was the only westwards exit from the city when the city walls stood, allowing one to pass through the Flodden Wall. The port (gate) itself was demolished in 1786.
Edinburgh Old Town, Lothian, Scotland EH1
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,traffic,light,lights,clock,summer,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE742 - . This authentic period view of 174 Queen Victoria Street, London, EC4V 4E in 2013 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. At the centre of the view is Stained glass window at the Black Friar pub, Blackfriars, London, England UK EC4V 4E. The setting additionally reflects historic hostelry, local character, before-and-after reference, Thames city view, traditional pub, public realm, historical comparison, visual archive, real-ale culture, visitor hospitality, cask-beer tradition, period detail, urban tourism, and night-time economy. In present-day coverage, the subject reaches into tourism and pub closures, not least because of the continuing appeal of real ale and regional brewing. Today's relevance is strengthened by tourism, air quality and the continuing question of the mix of working city infrastructure with heritage tourism. Small period details of period objects and surrounding context at 174 Queen Victoria Street, London, EC4V 4E may become more significant with time, particularly following conservation work. The photograph additionally reflects capital-city heritage, community identity, community drinking venue, beer-led hospitality, local history, Westminster landmark, iconic London transport, and capital landmark imagery. Details involving Black, Stained, Blackfriars, glass, and Friar make the image more specific than a generic view and strengthen its local or historical value. The wider setting at 174 Queen Victoria Street, London, EC4V 4E matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is tourism and the survival of pubs as both businesses and informal community spaces in a form that can be compared with future views of 174 Queen Victoria Street, London, EC4V 4E. Image DCE742 also remains a dated record of 174 Queen Victoria Street, London, EC4V 4E.
174 Queen Victoria Street, London, EC4V 4E
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,traffic,light,lights,clock,summer,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,building,architecture,victorian,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE749 - . A grounded documentary photograph made at 174 Queen Victoria Street, London, EC4V 4E in 2013, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Black Friar pub, Blackfriars, London, England UK EC4V 4E. A broader reading of the photograph includes historical comparison, local history, social history, beer-led hospitality, changing streetscape, city branding, public realm, contemporary social history, documentary photography, iconic London transport, community identity, community drinking venue, before-and-after reference, and Westminster landmark. The wider contemporary story combines consumer spending, staffing pressure and the value of historic pubs to tourism and local identity. Viewed from the mid-2020s, the subject also connects with heritage conservation, visitor economy and the pressure of visitor economies and housing costs on central neighbourhoods. For later comparison, the photograph preserves period objects and surrounding context at 174 Queen Victoria Street, London, EC4V 4E, details that may look very different after conservation work. The subject also sits alongside Thames city view, urban tourism, licensed hospitality, local social venue, visual archive, place identity, traditional pub, and everyday life. The recorded references to Blackfriars, Black, and Friar preserve clues about how the subject was presented, used or understood at the time. The wider setting at 174 Queen Victoria Street, London, EC4V 4E matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for consumer spending and the continuing appeal of real ale and regional brewing without losing the local specificity of 174 Queen Victoria Street, London, EC4V 4E. The image fixes period character within the wider story of 174 Queen Victoria Street, London, EC4V 4E.
174 Queen Victoria Street, London, EC4V 4E
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,traffic,light,lights,clock,summer,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,sky,2013,public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,perfect,art,art,John,Betjeman,Nicholsons,Nicholsons,brewing,history,heritage,brewary,brewery,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE754 - Unique' is a much overworked word when it comes to describing pubs. But that's exactly what the Black Friar is. There's nothing else anywhere remotely like its fabulous decorative scheme, either in style or content. On a sharply triangular site opposite Blackfriars station, the pub was built in 1871-2, but what makes it so special is a remodelling from about 1905 by the then publican, Alfred Pettitt, and his architect H. Fuller-Clark. Fuller-Clark trained at the Lambeth School of Art and began practice in 1893. His artist was Henry Poole R.A., and both men were committed to the Arts & Crafts Movement which embraced a love of high-quality materials, hand craftsmanship, and often a very free, original approach to design.
Before entering the pub there is much to admire on the exterior. There is a deep mosaic fascia carrying the words Saloon / 174 / The Black Friar / 174 / Brandies on New Bridge Street side. A grand segmental arched entrance on the far left is surmounted by stone carved figures and above it a colourful mosaic of two monks fishing. The exterior lobby itself has walls and ceiling of marble. All along the exterior (well illuminated at night) are beautiful copper signs most featuring one or two friars such as a ˜Worthington Ales in Bottle'
two ˜Worthington Ales on Draught' ones
˜To the Saloon', ˜Booths Gin'
and a couple of ˜Saloon Bar' signs, one of which bears a couple of friars pointing you towards the saloon and helpfully tells you it is 9 yards away. Above the corner door (no longer in use) is a ˜174' in mosaic
a large stone figure of a friar
and a clock with a mosaic face. Above the Queen Victoria Street entrance on the right is a mosaic of a friar with wine in carafes flanked by stone carvings of friars. The fascia on this side has ˜Brandies' in mosaic.
Throughout the pub are friars “ or at least jolly, modern reinvented versions of them “ they appear everywhere in sculptures, mosaics and metal reliefs.
174 Queen Victoria Street, London, EC4V 4E
Description
Keywords: Classic,bar,mosaic,station,tube,underground,CAMRA,pubs,GB,Great,British,Britain,English,England,174,Queen,Victoria,Street,EC4V,4EG,EC4V4EG,belonging,to,a,chain,founded,in,in,the,Arts,and,Crafts,Nicholsons,Nicholson,real,ale,beers,beer,cider,art,arty,drink,pint,a,at,gotonysmith north of the Thames traditional unique pubs Bridge,Upper,Thames,Street,and,Fleet,Street,history,historic,Art,Nouveau,Grade,II,masterpiece,of,a,pub,was,built,in,1905,on,the,site,of,a,Dominican,friary,The,building,was,designed,by,architect,H.,Fuller-Clark,and,artist,Henry,Poole,both,committed,to,the,free-thinking,of,the,Arts,and,Crafts,Movement,Jolly,friars,appear,everywhere,in,the,pub,in,sculptures,mosaics,and,reliefs,wonderful,pub,was,saved,from,demolition,by,a,campaign,led,by,Sir,John,Betjeman,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE7HJ - You will find The Blackfriar in Blackfriars London within a short stroll of Blackfriars Bridge, Upper Thames Street and Fleet Street.
Its a historic Art Nouveau Grade II masterpiece of a pub was built in 1905 on the site of a Dominican friary. The building was designed by architect H. Fuller-Clark and artist Henry Poole, both committed to the free-thinking of the Arts and Crafts Movement. Jolly friars appear everywhere in the pub in sculptures, mosaics and reliefs. We are lucky to still be here as our wonderful pub was saved from demolition by a campaign led by Sir John Betjeman.
Black Friar Public House, 174 Queen Victoria Street, London EC4V 4EG UK
Description
Keywords: public,house,pub,pubs,bar,bars,Blackfriars,North,London,England,UK,classic,gin,palace,palaces,drinking,beers,ales,CAMRA,in,art,deco,artdeco,art-deco,nicolsons,perfect,art,nouveau,art,Nicholsons,brewing,history,heritage,brewary,brewery,BlackFriar,Gotonysmith,tourist,tourism,drinking,tour,tours,of,around,famous,pubs,bars,EC4V,4E,EC4V4E,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Pubs Of London,must see
Description: Tony Smith image Alamy DCE7J7 - Unique' is a much overworked word when it comes to describing pubs. But that's exactly what the Black Friar is. There's nothing else anywhere remotely like its fabulous decorative scheme, either in style or content. On a sharply triangular site opposite Blackfriars station, the pub was built in 1871-2, but what makes it so special is a remodelling from about 1905 by the then publican, Alfred Pettitt, and his architect H. Fuller-Clark. Fuller-Clark trained at the Lambeth School of Art and began practice in 1893. His artist was Henry Poole R.A., and both men were committed to the Arts & Crafts Movement which embraced a love of high-quality materials, hand craftsmanship, and often a very free, original approach to design.
Before entering the pub there is much to admire on the exterior. There is a deep mosaic fascia carrying the words Saloon / 174 / The Black Friar / 174 / Brandies on New Bridge Street side. A grand segmental arched entrance on the far left is surmounted by stone carved figures and above it a colourful mosaic of two monks fishing. The exterior lobby itself has walls and ceiling of marble. All along the exterior (well illuminated at night) are beautiful copper signs most featuring one or two friars such as a ˜Worthington Ales in Bottle'
two ˜Worthington Ales on Draught' ones
˜To the Saloon', ˜Booths Gin'
and a couple of ˜Saloon Bar' signs, one of which bears a couple of friars pointing you towards the saloon and helpfully tells you it is 9 yards away. Above the corner door (no longer in use) is a ˜174' in mosaic
a large stone figure of a friar
and a clock with a mosaic face. Above the Queen Victoria Street entrance on the right is a mosaic of a friar with wine in carafes flanked by stone carvings of friars. The fascia on this side has ˜Brandies' in mosaic.
Throughout the pub are friars “ or at least jolly, modern reinvented versions of them “ they appear everywhere in sculptures, mosaics and metal reliefs.
174 Queen Victoria Street, London, EC4V 4E
Description
Keywords: An,Art,Nouveau,Paris,metro,station,entrance,taken,with,an,IR,Infra-Red,adapted,Canon,5D,camera,DSLR,France,Europe,french,capital,unusual,gotonysmith,Guimard,entrances,tube,mass,transit,720nm,infrared,cast-iron,balustrade,decorated,in,plant-like,motifs,accompanied by a Métropolitain sign supported,cast,iron,two,orange,globes,atop,ornate,cast-iron,supports,in,the,form,of,plant,stems,Metropolitan,Metropolitain,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HF87 - . An Art Nouveau Paris metro station entrance taken with an IR Infra-Red adapted Canon 5D camera, France, Europe. Photographed on 1 August 2011. The recorded location is Paris, France. The wider historical story is that monochrome, sepia, selective-colour and infrared treatments belong to a long tradition of photographers using tonal interpretation rather than literal colour
Infrared records wavelengths beyond normal vision, while black-and-white presentation emphasises form, contrast, texture and light. In historical terms, stations and railway infrastructure are both working transport assets and historical records
Their changing operators, signage, ticketing systems, rolling stock and architecture chart the development of British rail travel from the Victorian era to modern inter-city and commuter services. Historically, technology objects become historical remarkably quickly
Telephones, calculators, cameras, valves, televisions and workplace machines chart successive shifts from mechanical and analogue systems to electronics, digital processing, smartphones and cloud-connected services. In the present 2026 context, these effects can be produced digitally with ease, but their usefulness still depends on the underlying subject and the visual information retained
Older examples also document the aesthetics of an era when strong selective colour and infrared processing were especially popular in creative digital photography. During 2026, rail reform gives this type of image extra context
The government is legislating for Great British Railways to coordinate infrastructure, services, fares and timetables, while historic operator liveries and station equipment increasingly become records of the post-privatisation era. Additional natural-language search terms include black and white, infrared photography, creative photography, tonal contrast, high contrast, fine art photography, photographic technique, image treatment, and visual style.
Paris, France
Description
Keywords: victorian,old,history,historic,female,student,girl,woman,late-Victorian,building,neo,gothic,tourism,tourist,public,Enriqueta,Augustina,Rylands,University,of,Special,collections,collection,England,English,UK,GB,Great,Britain,Elizabeth,Gaskell,and,John,Dalton,reading,room,gotonysmith,architectural,style,architecture,Grade,I,listed,status,imanc,Art,Nouveau,bronze,railings,Electric,lighting,collection,collections,study,Librarians,Librarian,M3,3EH,M33EH,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8HDBH - The John Rylands Library is a late-Victorian neo-Gothic building on Deansgate in Manchester, England. The library, which opened to the public in 1900, was founded by Enriqueta Augustina Rylands in memory of her husband, John Rylands.[4] The John Rylands Library and the library of the University of Manchester merged in July 1972 into the John Rylands University Library of Manchester. Special collections built up by both libraries were progressively concentrated in the Deansgate building.
The special collections, believed to be among the largest in the United Kingdom,[5] include medieval illuminated manuscripts and examples of early European printing, including a Gutenberg Bible, the second largest collection of printing by William Caxton,[6] and the most extensive collection of the editions of the Aldine Press of Venice.[7] The Rylands Library Papyrus P52 is believed to be the earliest extant New Testament text. The library holds personal papers and letters of notable figures, among them Elizabeth Gaskell and John Dalton.
The architectural style is primarily neo-Gothic with elements of Arts and Crafts Movement in the ornate and imposing gatehouse facing Deansgate which dominates the surrounding streetscape. The library, granted Grade I listed status in 1994, is maintained by the University of Manchester and open for library readers and visitors.
150 Deansgate Manchester, England, UK M3 3EH
