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Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,green,EC Jones,Lighterage,service,Bridgewater Canal,vessels,British,history,The,II,tug,& Son,cream,creme,Brentford,built,by,Lighterage tug,department,MSCC,boat,historic,vessel,1952,Bantam 11,narrowboats
Description: Tony Smith image Alamy 2K3084E - . This authentic period view of National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The principal subject is MSC Bantam II, MSCC Bridgewater Canal maintenance department boat, Built by E.C. Jones & Son, Brentford - Lighterage tug formerly operated by MSCC. The broader subject matter reaches into industrial navigation, heritage boating, built heritage, documentary photography, contemporary social history, town-centre renewal, civic architecture, adaptive reuse, visual archive, social history, public realm, towpath landscape, community identity, and navigation engineering. From a 2025-onward perspective, funding and waterway maintenance are closely linked to this subject, alongside the cost of maintaining ageing locks, boats and canal structures. The wider contemporary story combines public-realm investment, housing pressure and the value of reusing existing buildings rather than wholesale demolition. The image fixes street furniture and boundaries within National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW at one identifiable point, providing a benchmark against changing commercial priorities. Further associations within the scene are architectural character, everyday life, historical comparison, boat museum collection, canal heritage, canal transport, place-making, and place identity. Details involving maintenance, Bridgewater, Bantam, formerly, and Brentford make the image more specific than a generic view and strengthen its local or historical value. For National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Cheshire,England,UK,British,history,historic,vessel,vessels,The,MSCC,Bridgewater Canal,department,boat,service,II,Lighterage tug,Lighterage,tug,built,by,EC Jones,& Son,Brentford,green,cream,creme,National Waterways Museum South Pier Road,Ellesmere Port,CH65 4FW,CH65,BW,Black & White,Monochrome,1952,Bantam 11
Description: Tony Smith image Alamy 2K30851 - . This scene at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The defining feature is The MSC Bantam II, MSCC Bridgewater Canal maintenance department boat, Built by E.C. Jones & Son, Brentford
Lighterage tug formerly operated by MSCC. Other connected aspects include public-realm investment, canal heritage, public realm, urban fabric, before-and-after reference, social history, canal transport, historic townscape, adaptive reuse, working waterway, visual archive, local character, place-making, and everyday life. Viewed from the mid-2020s, the subject also connects with waterway maintenance, volunteering and how museum collections preserve working waterway history. The modern context includes continuing discussion of construction costs, planning and how regeneration tries to create reasons to visit traditional town centres. Future viewers can use this scene from National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW to compare signage and branding with whatever follows after new construction. A second descriptive layer includes local history, period detail, community identity, urban regeneration, waterway conservation, contemporary social history, commercial redevelopment, and boat museum collection. Elements such as department, Bantam, Canal, Jones, and Brentford add documentary specificity and may become increasingly useful when compared with later records. Around National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. It also preserves a point of historical comparison for later comparison.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Cheshire,England,UK,British,history,historic,vessel,vessels,The,MSCC,Bridgewater Canal,department,boat,service,II,Lighterage tug,Lighterage,tug,built,by,EC Jones,& Son,Brentford,green,cream,creme,National Waterways Museum South Pier Road,Ellesmere Port,CH65 4FW,CH65,1952,Bantam 11,narrowboats
Description: Tony Smith image Alamy 2K30856 - . This dated editorial view of National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. At the centre of the view is The MSC Bantam II, MSCC Bridgewater Canal maintenance department boat, Built by E.C. Jones & Son, Brentford
Lighterage tug formerly operated by MSCC. The frame also records themes of commercial redevelopment, civic architecture, historic narrowboat, contemporary social history, public-realm investment, everyday life, boat museum collection, inland navigation, social history, changing land use, waterway conservation, urban regeneration, industrial navigation, and regional identity. The wider contemporary story combines heritage conservation, biodiversity and the transition from freight transport to leisure and heritage use. Viewed from the mid-2020s, the subject also connects with adaptive reuse, housing pressure and the value of reusing existing buildings rather than wholesale demolition. The archival value lies partly in recording street furniture and boundaries around National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW before replacement signage alters the character of the place. The subject also sits alongside place-making, inland transport history, heritage-led regeneration, public realm, architectural character, historical comparison, canal transport, and documentary photography. Details involving Bantam, operated, Jones, maintenance, and department make the image more specific than a generic view and strengthen its local or historical value. The period setting at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,queens,stamps,head,of,the,colonial,UK,death,passing,colonies,colony,monarchy,monarch,oppression,repression,Australia,Jamaica,New Zealand,countries,united,kingdom,history,historic,postage,collection,Hong Kong,crown,dependency,realm,United Kingdom,GB,Cyprus,Malaya,Malaysia,HongKong,Betty,1952
Description: Tony Smith image Alamy 2K01H1Y - The number of states headed by Queen Elizabeth II varied during her 70 years on the throne, altogether seeing her as sovereign of a total of 32 independent countries during this period. In her capacity as Queen of the United Kingdom (including the British overseas territories), she was also monarch of three Crown Dependencies”the Channel Island of Guernsey and Jersey (as the Duke of Normandy), and the Isle of Man (as the Lord of Mann)”and, in her capacity as Queen of New Zealand, she was monarch of two associated states”the Cook Islands and Niue”after they acquired this status in 1965 and 1974, respectively.
Two situations in two countries differ from the others. The government of the unrecognised state of Rhodesia proclaimed its allegiance to Elizabeth II as Queen of Rhodesia from 1965 to 1970. However, she did not accept either the role or the title and it was not accepted or recognised by any other state. Fiji became a republic through a military coup in 1987, after which its Great Council of Chiefs continued to recognise Elizabeth II as queen, or Paramount Chief of Fiji, until the council's de-establishment on 14 March 2012. However, this was only a ceremonial title, with no role in government at all
Description
Keywords: HotpixUK,GoTonySmith,queen,queens,stamp,stamps,head,of,the,UK,Elizabeth,colony,monarchy,monarch,oppression,repression,exploitation,Australia,Jamaica,New Zealand,countries,kingdom,history,historic,postage,collection,Hong Kong,crown,dependency,realm,Bahamas,The Queen,EIIR,royal,symbols,reparation,Charles,state,visit,1952
Description: Tony Smith image Alamy 2K01H2F - The number of states headed by Queen Elizabeth II varied during her 70 years on the throne, altogether seeing her as sovereign of a total of 32 independent countries during this period. In her capacity as Queen of the United Kingdom (including the British overseas territories), she was also monarch of three Crown Dependencies”the Channel Island of Guernsey and Jersey (as the Duke of Normandy), and the Isle of Man (as the Lord of Mann)”and, in her capacity as Queen of New Zealand, she was monarch of two associated states”the Cook Islands and Niue”after they acquired this status in 1965 and 1974, respectively.
Two situations in two countries differ from the others. The government of the unrecognised state of Rhodesia proclaimed its allegiance to Elizabeth II as Queen of Rhodesia from 1965 to 1970. However, she did not accept either the role or the title and it was not accepted or recognised by any other state. Fiji became a republic through a military coup in 1987, after which its Great Council of Chiefs continued to recognise Elizabeth II as queen, or Paramount Chief of Fiji, until the council's de-establishment on 14 March 2012. However, this was only a ceremonial title, with no role in government at all
Description
Keywords: HotpixUK,GoTonySmith,queen,queens,stamp,stamps,head,of,the,colonial,UK,Elizabeth,II,death,passing,colonies,colony,monarchy,monarch,oppression,repression,exploitation,Australia,Jamaica,countries,history,postage,collection,crown,dependency,Charles succession,calls for reparations,removal of monarch as head of state,reparation,reparations,king,Charles,cancelled,coronation,1952
Description: Tony Smith image Alamy 2K01H4X - The number of states headed by Queen Elizabeth II varied during her 70 years on the throne, altogether seeing her as sovereign of a total of 32 independent countries during this period. In her capacity as Queen of the United Kingdom (including the British overseas territories), she was also monarch of three Crown Dependencies”the Channel Island of Guernsey and Jersey (as the Duke of Normandy), and the Isle of Man (as the Lord of Mann)”and, in her capacity as Queen of New Zealand, she was monarch of two associated states”the Cook Islands and Niue”after they acquired this status in 1965 and 1974, respectively.
Two situations in two countries differ from the others. The government of the unrecognised state of Rhodesia proclaimed its allegiance to Elizabeth II as Queen of Rhodesia from 1965 to 1970. However, she did not accept either the role or the title and it was not accepted or recognised by any other state. Fiji became a republic through a military coup in 1987, after which its Great Council of Chiefs continued to recognise Elizabeth II as queen, or Paramount Chief of Fiji, until the council's de-establishment on 14 March 2012. However, this was only a ceremonial title, with no role in government at all
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wales,welsh,BR,British Rail,transport,travel,excursion,journeys,journey,train,excursions,travelling,English,England,Cornwall,Cornish,railway,rail,town,advert,mixed,mix,of,4,four,North Wales,UK,1952,1962,Cymru,old fashioned,communications,trips,notices,notice board,noticeboard,GWR
Description: Tony Smith image Alamy 2JRA4HC - Four framed examples of British railway advertising and printed ephemera are displayed together at Llangollen Railway station in North Wales. The upper pair are colourful destination posters promoting rail travel to the Cornish resorts of Penzance and Newquay. The Penzance design shows the harbour, rooftops and waterfront beneath a blue sky, while the Newquay image presents sweeping beaches, cliffs, sea and a swimmer wearing a red bathing cap. Both use bold place names and idealised holiday imagery to encourage passengers to travel by train.
The lower frames contain more functional railway notices. One advertises weekday day-excursion bookings from Birkenhead and Liverpool, using a timetable-style layout of destinations, fares and journey information. The other promotes the Llangollen International Musical Eisteddfod, held over several July days, with restrained typography and the limited colour palette typical of mid-twentieth-century publicity. Together, the four pieces show how the railway marketed national holiday destinations and regional leisure events.
The posters date from the post-war period, including examples associated with 1952 and 1962, when British Railways used commissioned illustration, strong lettering and carefully composed scenery to sell rail travel. Such material is now collected as railwayana and valued for its graphic design, social history and nostalgic view of British tourism.
The display is at Llangollen Railway, a volunteer-run standard-gauge heritage line operating through the Dee Valley between Llangollen and Corwen over part of the former Ruabon to Barmouth route. The preserved station gives the advertisements an appropriate historic context, linking the visual culture of the national network with present-day steam and diesel operations. The framed arrangement records changing styles of transport promotion, seaside leisure, excursion travel and cultural tourism in Britain during the 1950s and 1960s.
Llangollen Railway Station, Abbey Road, Llangollen, Denbighshire, North Wales, UK, LL20 8SN.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wales,welsh,BR,British Rail,British Railways,transport,travel,journeys,journey,train,excursions,travelling,English,England,railway,rail,town,poster,advert,to,Woodside,and,Central,June,1952,timetable,for,timings,times,Arthog,Penmeanpool,Dolgelley,Bala,llangollen,Trevor,Carrog,Corwen
Description: Tony Smith image Alamy 2JRA4HJ - . This dated editorial view of Liverpool, city,centre, Merseyside, England,UK, L1 in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The location is represented through Timetable poster for British Railways day excursion bookings, North Wales to Birkenhead Woodside and Liverpool Central, June 1952. The subject also carries associations with transport accessibility, railway heritage, community identity, historical comparison, contemporary social history, bus route infrastructure, social history, trackside history, local history, everyday life, documentary photography, archival record, bus infrastructure, and passenger information. The wider contemporary story combines regional connectivity, decarbonisation and the contrast between mechanical railway systems and digital signalling. Viewed from the mid-2020s, the subject also connects with bus funding, decarbonisation and the importance of bus stops as the physical interface with public transport. The archival value lies partly in recording period objects and surrounding context around Liverpool, city,centre, Merseyside, England,UK, L1 before altered transport patterns alters the character of the place. The surrounding story also includes period detail, public transport stop, before-and-after reference, industrial railway, rail transport history, local mobility, mechanical signalling, and public realm. References to British, Timetable, poster, Central, and Woodside give the picture a strong period identity and tie it closely to its named subject. The period setting at Liverpool, city,centre, Merseyside, England,UK, L1 helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image fixes evidence of earlier appearance as part of Liverpool, city,centre, Merseyside, England,UK, L1's history. It also preserves period character for future local research.
Liverpool, city,centre, Merseyside, England,UK, L1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,sort,1926,2022,QEII,head,queens,stamp,black,death,of,a,the,GB,Great,in,memorial,memorium,tribute,stamps,Penny Black,died,postoffice,post,counters,crown,crowned,Milner Street,commemorative,late,majesty,life,and,reign,1952
Description: Tony Smith image Alamy 2PND88H - . Black memorial stamp design, shown in Royal Mail sorting offices, Queen Elizabeth of Great Britain 1926 - 2022. Photographed on 26 July 2018, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Milner Street, Warrington, Cheshire, England, UK, WA1, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Cheshire, sort, QEII, head, queens, stamp, black, death, Great, memorial, memorium, tribute, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene.
Milner Street, Warrington, Cheshire, England, UK, WA1
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Great Britain,GB,Nottingham,city centre,Notts,Nottinghamshire,famous,at Nottingham Castle,Nottingham Castle,Nottinghams legendary outlaw,outlaw,East Midlands,1952,Robin Hood statue,Castle Place,NG1 6EL,NG1,bronze statue,metal,art,artwork,vandals.,vandalized,vandalised,Nottingham City,sculpture,Philip E F Clay,Philip EF Clay,Royal Academy sculptor,James Woodford,folklore hero,English folklore,woke,culture wars,war on woke
Description: Tony Smith image Alamy 2D8NX32 - Cast in eight pieces of half-inch thick bronze (made to last 6,000 years) and weighing half a ton, the 7ft effigy of Nottingham's legendary outlaw proudly stands on a two-and-a-half ton block of white Clipsham stone. It is surrounded by small studies of Little John, Friar Tuck, Alan A Dale and Will Scarlett, whilst wall plaques illustrate scenes from the tales of Robin Hood & his Merry Men.
In typical outlaw style Robin Hood stands outside of Nottingham Castle, the point of his arrow aimed at the gatehouse and the establishment within.
Join celebrities and millions of visitors who have had their photo taken at the famous Robin Hood statue at Nottingham Castle.
History of the famous figure:
On 24th July 1952, the statue of Robin Hood was unveiled by the Duchess of Portland on the Robin Hood Lawn, beneath Nottingham Castle, in the remains of the moat on Castle Road.
It was a warm sunny day when 500 schoolchildren sat attentively on the grass in the special VIP enclosure to watch the ceremony of the statue and its complementary plaques and sculptures being revealed to the public, accompanied by a fanfare from the band of the Royal Lincolnshire Regiment.
Gifted to the city by local businessman, Philip E F Clay, the impressive figure was intended to provide something tangible for visitors to see relating to Robin Hood, Nottingham's world-famous folk hero. Mr Clay was a successful director of well-known city firms Elastic Yarns Ltd and Fine Wires Ltd and in 1949, at a cost of £5,000, he commissioned the respected Royal Academy sculptor, James Woodford, to design and make the Robin Hood statue, plaques and statuary.
On completion, they were to be presented to the city to commemorate the visit of Princess Elizabeth and The Duke of Edinburgh on 28th June 1949 during the city's quincentenary celebrations. Mr Clay had originally wished to remain anonymous.
Robin Hood statue, Castle Place, Nottingham, Notts,Nottinghamshire,England,UK, NG1 6EL
Description
Keywords: Unionist,British,Shankil,rd,painting,art,artist,martyr,fighter,para,paramilitary,soldier,wall,gable,end,gable end,community,protestant,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,1952,Queen,Long To Rein Over Us,union,flag,union flag,harp,crest,British Crest,car,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,protestant,religion,intolerance,prejudice,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEW130 - . A grounded documentary photograph made at Shankill Road,West Belfast, County Antrim, Northern Ireland, UK in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The main point of reference is Shankill Road Mural -Queen Long To Rein Over Us, West Belfast, Northern Ireland, UK. The locality and subject together evoke stencil art, archival record, public realm, before-and-after reference, community identity, public-realm art, visual archive, local mobility, roadside stop, visual street culture, bus infrastructure, local bus network, everyday life, and contemporary mural. The modern context includes continuing discussion of public art, gentrification and the blurred boundary between commissioned public art and unsanctioned graffiti. For current editorial use, local connectivity and integrated transport provide additional context, especially through the challenge of maintaining reliable services outside dense city centres. As a dated visual record of Shankill Road,West Belfast, County Antrim, Northern Ireland, UK, the frame retains landscape treatment and surrounding development, making it especially useful if new ownership subsequently changes the scene. The subject also sits alongside place identity, street creativity, public transport information, changing land use, graffiti heritage, mural culture, regional identity, and contemporary social history. Elements such as Shankill, Belfast, Northern, -Queen, and Mural add documentary specificity and may become increasingly useful when compared with later records. The period setting at Shankill Road,West Belfast, County Antrim, Northern Ireland, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The photograph keeps evidence of changing use for later comparison. That local specificity strengthens the long-term documentary value of image HEW130.
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Hotpixuk,@Hotpixuk,GoTonySmith,stamp,postal,franked,frank,used stamps,used franked,used,franked stamp,from envelope,history,historic,old,poste,post office,communications,postage,sending letters,sending,parcels,blue stamp,Canada 7cents,7c,7cents,1952,goose,postes,goose stamp,flying,flying goose,Canadian,North America,design,designs,US state,tariffs,Donald Trump
Description: Tony Smith image Alamy 2AT9EJ8 - . This location-based editorial photograph from Canada in 2015 preserves a recognisable subject together with clues about how the place was used and presented at the time. The subject recorded here is Canadian Stamp, Canada Stamp, Canada Post,used stamp,blue stamp, Canada 7cents , 1952, Canada goose, postes, postage. The photograph also reflects public realm, urban commerce, archival record, commercial streetscape, period streetscape, social history, heritage landmark, historical comparison, documentary photography, conservation interest, changing streetscape, community identity, consumer retail, and historic commercial architecture. In the mid-2020s, hybrid working and vacant units keep the subject current, particularly through the rapid turnover of shopfronts and trading names. The subject remains useful for current coverage of historic townscape and redevelopment pressure, not least because of keeping older buildings useful without erasing their character. For later comparison, the view documents the way the place functioned before later physical or commercial change as seen at Canada. Other useful associations include traditional masonry, regional identity, visual archive, customer footfall, historic context, local trading, historic frontage, and retail vacancy. Elements such as postage, 7cents, postes, goose, and Canadian add documentary specificity and may become more useful when compared with later records. By fixing the subject within Canada, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for hybrid working and the rapid turnover of shopfronts and trading names in a form that can be compared with future views of Canada. Another useful connection is embodied carbon and the contrast between preservation and redevelopment within the real-world context of Canada.
Canada
Description
Keywords: Gotonysmith,@Hotpixuk,Hotpixuk,rare old stamps,used stamps,Postal,letters,letter,communication,print,analogue,historic stamps,with,Used,Australia,5c,blue Stamp,blue,stamp,dead,died,King Charles,Iii,Betty,collect,collector,rare,rarity,old,ancient,vintage,stamps,perforated,utilised,used already,collection,stamp collector,stamp collection,1952,1950s
Description: Tony Smith image Alamy PF577W - . A carefully observed scene records the physical context of Canberra ACT, Australia, as recorded during 2015. The source caption identifies Used Australia 5c blue Stamp with Queen Elizabeth II. Other aspects of the setting include architectural heritage, heritage asset, public interest, national policy, public policy, conservation architecture, period property, local democracy, civic life, adaptive reuse, public-sector policy, and architectural character. Seen from a 2025-onward perspective, older urban fabric also connects with adaptive reuse, conservation of original fabric and efforts aimed at heritage-led regeneration. The wider contemporary story of civic administration now includes climate policy alongside the cost of living, while policy and investment increasingly consider changing funding priorities. The photograph fixes Canberra ACT, Australia at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. The broader context includes architectural detail, urban fabric, historic fabric, conservation interest, policy change, political discourse. Further recorded details include historic stamp, Rare postage stamps, old stamps, old stamp, used postage stamps, used postage stamp. A second layer of description includes traditional building, period architecture, local landmark, public administration, policy implementation, social policy, civic debate, government decision-making, democratic accountability, and local authority. Modern coverage of heritage assets frequently reaches beyond the immediate scene to questions of adaptive reuse, energy retrofit and heritage-led regeneration. For future comparison, the scene preserves signage and branding, community life, local continuity, physical infrastructure, and commercial identity within the surrounding area.
Canberra ACT, Australia
Description
Keywords: &,Thelwall,council,golden,jubilee,year,Elizabeths,betty,bettys,childrens,play,area,plaque,celebrate,celebration,celebrations,1952,1952-2012,mark,marking,marked,by,a,British,UK,celebrating,Euclid,Avenue,playground,ground,Gotonysmith and GB great britain british celebrate celebrations June,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D8DYKF - The Diamond Jubilee of Queen Elizabeth II was a multinational celebration throughout 2012 marking the 60th anniversary of the accession of Queen Elizabeth II to the thrones of seven countries upon the death of her father, King George VI, on 6 February 1952.
She is today queen regnant of 16 sovereign states, 12 of which were British colonies or Dominions at the start of her reign. Queen Victoria, Elizabeth's great-great-grandmother, is the only other monarch in the histories of the United Kingdom, Canada, Australia, New Zealand and a few other Commonwealth realms to have celebrated a Diamond Jubilee, which she did in 1897.
Many parks and spaces were renamed to celebrate this event, across the UK and the Commonwealth.
Euclid Avenue, Grappenhall, Warrington, Cheshire, England, UK WA4 2PL
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Great Britain,GB,Nottingham,city centre,Notts,Nottinghamshire,famous,at Nottingham Castle,Nottingham Castle,Nottinghams legendary outlaw,outlaw,East Midlands,1952,Robin Hood statue,Castle Place,NG1 6EL,NG1,bronze statue,metal,art,artwork,vandals.,vandalized,vandalised,Nottingham City,sculpture,Philip E F Clay,Philip EF Clay,Royal Academy sculptor,James Woodford,folklore hero,English folklore
Description: Tony Smith image Alamy 2D8NX2N - Cast in eight pieces of half-inch thick bronze (made to last 6,000 years) and weighing half a ton, the 7ft effigy of Nottingham's legendary outlaw proudly stands on a two-and-a-half ton block of white Clipsham stone. It is surrounded by small studies of Little John, Friar Tuck, Alan A Dale and Will Scarlett, whilst wall plaques illustrate scenes from the tales of Robin Hood & his Merry Men.
In typical outlaw style Robin Hood stands outside of Nottingham Castle, the point of his arrow aimed at the gatehouse and the establishment within.
Join celebrities and millions of visitors who have had their photo taken at the famous Robin Hood statue at Nottingham Castle.
History of the famous figure:
On 24th July 1952, the statue of Robin Hood was unveiled by the Duchess of Portland on the Robin Hood Lawn, beneath Nottingham Castle, in the remains of the moat on Castle Road.
It was a warm sunny day when 500 schoolchildren sat attentively on the grass in the special VIP enclosure to watch the ceremony of the statue and its complementary plaques and sculptures being revealed to the public, accompanied by a fanfare from the band of the Royal Lincolnshire Regiment.
Gifted to the city by local businessman, Philip E F Clay, the impressive figure was intended to provide something tangible for visitors to see relating to Robin Hood, Nottingham's world-famous folk hero. Mr Clay was a successful director of well-known city firms Elastic Yarns Ltd and Fine Wires Ltd and in 1949, at a cost of £5,000, he commissioned the respected Royal Academy sculptor, James Woodford, to design and make the Robin Hood statue, plaques and statuary.
On completion, they were to be presented to the city to commemorate the visit of Princess Elizabeth and The Duke of Edinburgh on 28th June 1949 during the city's quincentenary celebrations. Mr Clay had originally wished to remain anonymous.
Robin Hood statue, Castle Place, Nottingham, Notts,Nottinghamshire,England,UK, NG1 6EL
