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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_6321,TKMax,retail,chain,store,Church,St,Liverpool,UK,Big,Labels,Small,Prices,discount,fashion,shop,designer,brands,shoppers,pass,brand,panels,surround,window,bearing,slogan,circular,display,TK Maxx,Big Labels Small Prices,Church Street Liverpool
Description: Tony Smith image Alamy 3FYF1TM - . Pedestrians pass the TK Maxx shop on Church Street in Liverpool. Red brand panels surround a window bearing the slogan BIG LABELS SMALL PRICES in a circular display. Large red TK Maxx letters hang over the glazed storefront on Church Street, Liverpool. A round orange window graphic proclaims BIG LABELS SMALL PRICES, while several shoppers pass the entrance. Reflections and mannequins appear through the glass. The visible price-led brand slogan is an important component of the retail photograph. A bold TK MAXX sign sits over the entrance to a high-street shop, and a large circular window graphic reads BIG LABELS SMALL PRICES. Pedestrians are passing in front of the shop, giving a clear sense of a functioning retail street. The open, glazed frontage offers glimpses of bright interior displays. The photograph records the discount fashion chain's branded shopfront and stated price-positioning message. The TK Maxx sign, set on a red fascia, faces the pedestrianised Liverpool shopping street. A large orange-red circle printed on the glass reads BIG LABELS SMALL PRICES, and shoppers walk past beneath tall stone façades reflected in the window. The storefront combines the red TK Maxx branding above the entrance with an orange ring graphic applied to the window itself. The slogan is positioned at eye level and large enough to be read by people walking past. Shoppers in coats and casual clothing pass in both directions outside the premises, their figures reflected in the glass. The high-street setting is part of the image: stone masonry, broad paving and adjoining urban façades place the branded sales message in its Liverpool context. The orange circular promotion occupies a large proportion of the glass window and is framed by rows of smaller products beyond the reflection. The camera captures pedestrians in mid-stride, making the busy street and discount-fashion storefront part of one scene.
Church Street, Liverpool
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_3789,Historic,stained-glass,window,detail,West,heritage,history,architecture,monument,tourism,conservation,stained,glass,stained glass,Mainz,Germany,bar,pub
Description: Tony Smith image Alamy 3F98AM2 - . Historic stained-glass window detail - Stained Glass Mainz bar - Many a man spends a great deal on hunting, though it brings him little benefit, e. Photographed on 7 August 2026. The recorded location is Mainz city centre, Rhineland-Palatinate, Germany. Mainz stands on the Rhine and has more than two millennia of history, from Roman Mogontiacum through its role as an archiepiscopal city to the birthplace of Johannes Gutenberg. The old town combines reconstructed historic streets, churches, wine culture and post-war urban development, giving street signs and façades strong local-history context. The background to ecclesiastical architecture is that churches combine worship with architecture, local memory and centuries of community history
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family history. Within the history of hostelry, beer culture links agriculture, brewing, distribution and the licensed trade
Cask-conditioned ale, handpumps, brewery branding and pub interiors became especially significant to the real-ale revival from the 1970s onwards, while later craft brewing introduced new styles and independent producers. In relation to urban culture, historical context shows that street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. Current 2026 context around ecclesiastical architecture is that many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places.
Mainz city centre, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Turks Head,pub,bar,Whitelocks,Leeds,stained,glass,window,drinking,IMG_0189,Turks Head Whitelocks,West Yorkshire,England,UK,heritage,decorative,historic,interior,British,real,ale,architecture,traditional,glazing,history,old,historical
Description: Tony Smith image Alamy 3EJ11YN - . Turks Head Whitelocks stained glass window in Leeds city centre, West Yorkshire, England, UK. Photographed on 16 May 2026. The recorded location is Whitelocks Ale House, Turks Head Yard, Leeds, West Yorkshire, England, UK. The decorative panels carry the words TURKS HEAD within colourful geometric glazing, providing an attractive surviving detail from one of Leeds' best-known historic pub sites. The craftsmanship and bold colours offer a close record of period pub decoration and can illustrate stories about heritage conservation, traditional public houses, Victorian and Edwardian design, independent hospitality and the preservation of distinctive interiors within long-established city-centre venues. The background to faith community is that churches combine worship with architecture, local memory and centuries of community history
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family history. Within the history of public house, beer culture links agriculture, brewing, distribution and the licensed trade
Cask-conditioned ale, handpumps, brewery branding and pub interiors became especially significant to the real-ale revival from the 1970s onwards, while later craft brewing introduced new styles and independent producers. Current 2026 context around faith community is that many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places. Against the 2026 backdrop for public house, pub survival remains a live issue as energy, staffing, taxation and changing drinking habits affect the licensed trade
Historic and contemporary pub images therefore have relevance to community assets, nightlife, independent brewing.
Whitelocks Ale House, Turks Head Yard, Leeds, West Yorkshire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_3204,London Bridge,London,bridge,decorative,image,etched glass,etched,glass,glass panel,panel,Stockton Heath,Warrington,England,UK,British,architecture,architectural,detail,design,graphic,historic,historical,landmark,heritage,urban,city,interior,display,window,signage,illustration,artwork,travel,tourism,building,public,commercial,scene,representation,traditional,vintage
Description: Tony Smith image Alamy 3F512E4 - Decorative London Bridge image or etched glass panel photographed in Stockton Heath, Warrington, Cheshire, England, UK. The composition shows a stylised historic representation of the famous London crossing, with the words London Bridge prominently incorporated into the design. The photograph records an architectural or interior decorative detail rather than the bridge itself, combining British landmark imagery with graphic design, glazing and heritage-inspired decoration. London Bridge is one of the best-known crossings of the River Thames and its name has been associated with successive bridges on the site for centuries. The modern bridge links the City of London with Southwark, while historic depictions of earlier structures remain widely used in art, advertising, souvenirs and decorative schemes. This Birmingham image therefore provides useful editorial material for themes including representations of London outside the capital, British landmarks, decorative glass, architectural details, graphic imagery, heritage design, tourism, urban identity and the use of famous place names in commercial or public interiors. The precise venue containing the panel is not identifiable from the available thumbnail and should be checked if a more specific location is required before final submission.
Stockton Heath, Warrington, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0094,Clarion Cafe,Clarion,Cafe,stained-glass,window,socialist,movement,Peoples History Museum,Peoples,History,Museum,Manchester,England,UK,socialism,labour,politics,newspaper,Robert,Blatchford,heritage,historic,radical,glass,display,culture,working-class,campaigning,publishing,clubs,cycling,ILP,Lancashire
Description: Tony Smith image Alamy 3F4BGGY - Clarion Cafe stained-glass window linked to the socialist Clarion movement, displayed at People's History Museum in Manchester, England, UK. The glowing decorative glass carries the word Clarion and recalls the network of clubs, cafés, cycling organisations and social activities that developed around Robert Blatchford's socialist newspaper The Clarion. Manchester's Clarion Cafe opened on Market Street in the early twentieth century and became a meeting place associated with socialist culture, fellowship, discussion and recreation. Surviving decorative material connected with the movement offers a vivid visual link to a period when political newspapers could support extensive social networks as well as campaigning and publishing. This photograph is useful for editorial coverage of British socialism, labour history, radical newspapers, Manchester political heritage, stained glass, social clubs, working-class history, museum displays and the history of political movements using culture and leisure to build communities.
People's History Museum, Left Bank, Spinningfields, Manchester M3 3ER, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA16,the,commandment,stained,glass,depicting,window,at,Lower Peover,Crown Lane,Knutsford,Cheshire,England,UK,WA16 9PY,stone,tablets,tablet,numbers,numerals,village,Anglican,two,figures,men,beard,bearded,male,males,rules,Judaism,and,Christianity.,commandments,10,ten,Decalogue
Description: Tony Smith image Alamy 2R59XBH - . Stained glass depicting the ten commandments, at St Oswald's Church, Lower Peover, Crown Lane, Knutsford, Cheshire, England, UK, WA16 9PY. Photographed on 5 November 2010. It is recorded in the National Heritage List for England as a designated Grade I listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Knutsford. Its benefice is combined with that of St Lawrence, Over Peover.[2]. History. A church has been on this site since at least 1269, when it was a chapel of ease to Great Budworth. The west tower dates from 1582, the mason being John Bowden. A south chapel was added around 1610, and the north chapel in 1624. The aisles were altered and re-roofed in 1852 by Anthony Salvin and there have been subsequent restorations. Within the history of churchyard, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, later chapels, organs, altars, monuments and inscriptions can coexist within a single building, revealing generations of craftsmanship and evolving liturgy. In relation to public realm, historical context shows that place-based photography helps document the relationship between named locations and the people or businesses associated with them, especially where formal architectural records are limited. For the story of plastic toy, it is useful to note that post-war plastic toys became mass-market consumer products, often tied to television and science-fiction franchises
Packaging, moulding and character design now make many examples collectible objects. Against the 2026 backdrop for churchyard, historic places of worship remain important not only for faith but also for tourism, music, community use and local identity
Images of interiors, memorials and churchyards can support stories about conservation, heritage skills and the continuing reuse of sacred buildings.
St Oswald's Church, Lower Peover, Crown Lane, Knutsford, Cheshire, England, UK, WA16 9PY
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,bar,window,no,bottle,premium,distilled,gin,tequila,rum,liqueur,Martini,Campari,Cointreau bottle,Licor 43,Luxardo,Altos tequila,Lass O Gowrie,Lass OGowrie pub,LOG pub Manchester,Manchester pub,Charles Street Manchester,Manchester city centre,traditional pub,British pub,public house,pub interior,backlit,drinks,licensed,premises,younger drinkers alcohol trends,Gen Z drinking habits,low and no alcohol,no and low drinks,alcohol free alternatives,sober curious movement,moderation trend
Description: Tony Smith image Alamy 3F228M5 - Colourful collection of spirits bottles fills a sunlit window at the Lass O'Gowrie, traditionally shortened to the LoG, on Charles Street in Manchester city centre. Strong backlighting illuminates clear, green and amber glass alongside red caps and familiar international drinks brands, including Martini, Campari, Cointreau, Licor 43, Luxardo and Altos tequila. The word SPIRITS appears reversed across the window, creating a striking layered composition of lettering, reflections and alcohol packaging.
The Grade II listed Lass O'Gowrie is a historic Manchester public house dating from the mid-nineteenth century and altered around 1900. Its distinctive exterior is decorated with glazed terracotta advertising wines, spirits, bottled ales and stout. Once a Threlfall's Brewery house, the pub stands near Manchester Oxford Road station, the universities and the River Medlock, giving it longstanding associations with students, media workers and city-centre nightlife.
The traditional display also provides a visual contrast with changing attitudes towards alcohol. No and low-alcohol products are becoming more visible in British pubs, bars and shops, with health, avoiding hangovers, driving, cost and a desire for greater control influencing consumer choices. Drinkaware reported in 2025 that 49% of UK drinkers aged 18 to 34 used alcohol-free or low-alcohol products to moderate their drinking, up from 28% in 2018.
That does not mean younger adults have abandoned alcohol or conventional spirits. Other consumer research found UK Gen Z participation in alcohol increased between 2023 and 2025, challenging the simple idea of a uniformly sober generation. The stronger interpretation is that drinking occasions are diversifying: some younger consumers alternate alcoholic and alcohol-free drinks, drink less frequently, seek lower-strength choices or practise moderation without complete abstinence. This window therefore represents both the enduring visual culture of the British pub and
The Lass O'Gowrie, 36 Charles Street, Manchester, Greater Manchester, M1 7DB, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,shop,chicken,fried,takeaway,dining,brand,casual,chain,Ealing town,centre,handwritten,commercial neon display,restaurant,advertising,British,industry,Ealing,best,in,Bond Street Ealing,west London restaurant,sign,illuminated,street food,culture,gourmet,contemporary food branding,urban evening economy,independent restaurant business,fast casual hospitality,trendy dining,venue,market,window,sector challenges,consumer eating habits,food advertising
Description: Tony Smith image Alamy 3EY3DNG - Glowing handwritten-style neon sign inside the Butchies fried chicken restaurant on Bond Street, close to Ealing Broadway in west London. Photographed through the front window at dusk or after dark, the illuminated lettering reads BUTCHIES, THE BEST FRIED CHICKEN IN LONDON! and is reflected against the glass, red metal grid and warm industrial-style interior. The close-up composition concentrates on the bold advertising slogan, making the image suitable for editorial coverage of London food culture, casual dining, fast-food branding, restaurant marketing, neon typography and the changing high street.
Butchies developed from an East London street-food business established in 2013 and became known for fried buttermilk chicken burgers, tenders and loaded fries. Its Ealing branch opened in 2022 at 14 Bond Street, within the wider Ealing Filmworks and Ealing Broadway leisure and retail area. The branch represented the brand's expansion into west London and formed part of the district's growing mix of restaurants, bars, cinemas and evening venues.
The illuminated window sign creates a strong urban night-time atmosphere, with white-blue neon lettering contrasting against warm amber ceiling lights and the darker reflections outside. The red mesh and exposed interior fittings reinforce the contemporary street-food aesthetic. The words best fried chicken in London are a promotional claim displayed by the business rather than an independent assessment.
The photograph can illustrate stories about independent restaurant chains, fried chicken trends, London hospitality, the evening economy, food marketing, commercial neon signs, restaurant openings and closures, consumer spending, takeaway culture, Ealing regeneration and changing town-centre retail. It also provides a distinctive visual for articles on illuminated shopfronts, branded interiors, typography, urban nightlife and the competitive casual-dining market in the capita
Butchies, 14 Bond Street, Ealing, London, W5 5AA, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,shop,chicken,fried,takeaway,dining,brand,casual,chain,Ealing town,centre,handwritten,commercial neon display,restaurant,advertising,British,industry,Ealing,best,in,Bond Street Ealing,west London restaurant,sign,illuminated,street food,culture,gourmet,contemporary food branding,urban evening economy,independent restaurant business,fast casual hospitality,trendy dining,venue,market,window,sector challenges,consumer eating habits,food advertising
Description: Tony Smith image Alamy 3EY3DNH - Glowing handwritten-style neon sign inside the Butchies fried chicken restaurant on Bond Street, close to Ealing Broadway in west London. Photographed through the front window at dusk or after dark, the illuminated lettering reads BUTCHIES, THE BEST FRIED CHICKEN IN LONDON! and is reflected against the glass, red metal grid and warm industrial-style interior. The close-up composition concentrates on the bold advertising slogan, making the image suitable for editorial coverage of London food culture, casual dining, fast-food branding, restaurant marketing, neon typography and the changing high street.
Butchies developed from an East London street-food business established in 2013 and became known for fried buttermilk chicken burgers, tenders and loaded fries. Its Ealing branch opened in 2022 at 14 Bond Street, within the wider Ealing Filmworks and Ealing Broadway leisure and retail area. The branch represented the brand's expansion into west London and formed part of the district's growing mix of restaurants, bars, cinemas and evening venues.
The illuminated window sign creates a strong urban night-time atmosphere, with white-blue neon lettering contrasting against warm amber ceiling lights and the darker reflections outside. The red mesh and exposed interior fittings reinforce the contemporary street-food aesthetic. The words best fried chicken in London are a promotional claim displayed by the business rather than an independent assessment.
The photograph can illustrate stories about independent restaurant chains, fried chicken trends, London hospitality, the evening economy, food marketing, commercial neon signs, restaurant openings and closures, consumer spending, takeaway culture, Ealing regeneration and changing town-centre retail. It also provides a distinctive visual for articles on illuminated shopfronts, branded interiors, typography, urban nightlife and the competitive casual-dining market in the capita
Butchies, 14 Bond Street, Ealing, London, W5 5AA, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,HotpixUk,livery,travel,display,British,UK,carriage,railway station,public transport,commuter train,regional,network,northern,England,South Yorkshire,window,passengers,sign,LED destination,destination,train to Doncaster,infrastructure,operator,commute,dusk,sustainable,timetable,connectivity,intercity,franchise,operations,investment,journey,route,nationalised,public,UK trains
Description: Tony Smith image Alamy 3EF6C4M - A close stock-photo/gotonysmith-Evening.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>evening view of a TransPennine Express train carriage with the illuminated onboard destination display reading Doncaster, photographed at dusk or in low station light with passengers visible through the windows. The image shows a modern British rail scene, combining the practical detail of an electronic train destination board, interior seating, lit carriage windows and platform lighting with the quiet atmosphere of evening travel. Although the exact station location is not confirmed by the image, the destination sign clearly links the service with Doncaster, an important South Yorkshire railway hub on the East Coast Main Line and on regional cross-Pennine routes. Doncaster station is served by TransPennine Express, with the operator publishing station and route information for journeys involving Doncaster. The photograph has strong editorial value for stories about rail travel in northern England, regional train services, commuting, public transport, passenger information systems, evening journeys, railway capacity, rolling stock, station stops and intercity connections. It can also illustrate wider themes such as northern transport infrastructure, rail operations, reliability, passenger experience, alternatives to car travel, regional towns, and Doncaster as a transport interchange. The visible passengers add a human dimension without dominating the frame, while the dark exterior and bright green LED destination display create a documentary feel suited to news, transport, travel and infrastructure features. The scene appears to be taken in dry evening conditions, under artificial platform lighting, with the blue-grey train bodywork, orange marker light and reflected interior glow giving the image a distinctly urban railway mood. This is a useful stock image for coverage of TransPennine Express services, train operating companies, regional rail networks, evening commuting, station environments, rail timetables and journeys to Doncaster.
TransPennine Express train showing Doncaster destination at dusk, with passengers visible through li
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Northern Ireland,BT52 1DP,United Kingdom,stained glass window,heraldic,window,Ulster heraldry,civic heraldry,coat of arms,armorial glass,municipal building,Victorian stained glass,Edwardian stained glass,Irish heraldry,Northern Ireland history,County Londonderry,Coleraine heritage,town hall interior,decorative glass,coloured glass window,historic artwork,local government history,British Isles heraldry,symbolic imagery,crest,shield,motto banner,local,cicic,Northern Irish history,Irish,Ireland,bones
Description: Tony Smith image Alamy 2RAP368 - This image shows a richly coloured stained glass heraldic panel inside Coleraine Town Hall, County Londonderry, Northern Ireland. The central shield bears crossed symbols and decorative floral motifs, surmounted by the Red Hand of Ulster, one of the most recognisable and historically significant emblems of the province of Ulster.
The banner text reading Newton Governor references civic or administrative authority connected with Coleraine's historical governance, reflecting the town's importance as a regional centre during the nineteenth and early twentieth centuries. Surrounding the shield are elaborate decorative elements typical of Victorian and Edwardian stained glass, including scrollwork, symbolic objects, and vibrant blue, gold, and green glass.
Stained glass such as this was commonly installed in municipal buildings to express civic pride, authority, and continuity, combining local identity with broader Ulster and British heraldic traditions. The image is suitable for editorial use relating to Northern Irish history, heraldry, civic architecture, stained glass art, and local government heritage.
Stained glass window, Coleraine Town Hall, The Diamond, Coleraine, County Londonderry, Northern Irel
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Alba,problem,with,problem with,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,centre,city centre,urban,Counting House,Pub,ceiling,window,stained glass,G1,G1 2DH,Bank of Scotland,Ruchead,architect,building,hospitality trade,pub heritage,city break tourism
Description: Tony Smith image Alamy HGC7WP - An old grand Victorian bank building - The Counting House Wetherspoon Pub, 2 St Vincent Place, Glasgow, Scotland, UK, G1 2DH works as a grounded stock photograph because the subject is specific, legible and connected to wider social, economic or cultural themes. The Counting House in Glasgow is a strong example of bank architecture turned pub, where grand financial interiors have been adapted for mass-market hospitality. The scene can illustrate adaptive reuse, Wetherspoon pubs, Victorian confidence, city-centre property, banking history, affordable eating and drinking, and the changing use of commercial heritage buildings. The location detail, Glasgow, Bank, G1 2DH, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. Relevant editorial themes include traditional pub, public house, beer culture, real ale, suburban housing, semi-detached house, inter-war housing and domestic architecture, with each theme rooted in the visible subject, place or activity. The scene has practical value for features needing authentic British or international street-level evidence, especially where policy, culture, business, tourism or social change is easier to explain through one clear example.
2 St Vincent Place, Glasgow, Scotland, UK, G1 2DH
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Alba,problem,with,problem with,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,centre,city centre,urban,Counting House,Pub,ceiling,window,stained glass,G1,G1 2DH,Bank of Scotland,Ruchead,architect,building
Description: Tony Smith image Alamy HGC7WF - . An on-location photograph from Glasgow, United Kingdom in 2016, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The image documents The Counting House Pub, Glasgow,Scotland. A broader reading of the photograph includes religious heritage, place identity, local history, contemporary social history, historical comparison, changing land use, changing streetscape, faith heritage, documentary photography, social history, Christian iconography, ecclesiastical art, before-and-after reference, and stained-glass craftsmanship. For current editorial use, historic fabric and faith communities provide additional context, especially through the conservation challenge of fragile historic glass and stonework. The archival value lies partly in recording commercial use and occupation around Glasgow, United Kingdom before replacement signage alters the character of the place. The surrounding story also includes community identity, everyday life, sacred space, regional identity, period detail, local character, church conservation, and visual archive. The combination of Counting, Glasgow, House, and Scotland anchors the frame to a recognisable activity, place or moment. The period setting at Glasgow, United Kingdom helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects historic fabric and how sacred art preserves local patrons, stories and beliefs without losing the local specificity of Glasgow, United Kingdom. Its period value extends to accessibility and the role of cathedrals as cultural landmarks beyond their congregations in a form that can be compared with future views of Glasgow, United Kingdom. The location additionally provides evidence of heritage conservation and how sacred art preserves local patrons, stories and beliefs within the real-world context of Glasgow, United Kingdom.
Glasgow, United Kingdom
Description
Keywords: English Cadbury,christian,Catholic,anglican,traditional,with,one,window,cadburys,festive,food,yuletide,special,celebrate,Jesus,Christ,birth,born,festival,Julekalender,Julkalender,Jóladagatal,child,children,nostalgic,Gotonysmith,popular,english,British,confectionary,Xmas,seasonal,chocolates,shop,UK
Description: Tony Smith image Alamy ED8P03 - An Advent calendar is a special calendar used to count or celebrate the days in anticipation of Christmas. Since the date of the first Sunday of Advent varies, falling between November 27 and December 3 inclusive, the Advent calendar usually begins on December 1, although many include the previous few days that are part of the season. The Advent calendar was first used by German Lutherans in the 19th and 20th centuries but is now ubiquitous among adherents of many Christian denominations.
Many Advent calendars take the form of a large rectangular card with windows, of which there are usually 24: one for each day of December leading up to Christmas Eve. Often, these windows have a Bible verse and prayer printed on them, which Christian families incorporate as part of their daily Advent devotions.
Consecutive doors are opened every day leading up to Christmas. The calendar windows open to reveal an image, poem, a portion of a story (such as the story of the Nativity of Jesus) or a small gift, such as a toy or a chocolate item. Advent calendars range in theme, from sports to technology, often carrying Scripture verses
England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,the,WA1,regigion,building,buildings,architecture,Warrington,Cheshire,England,UK,WA1 1XG,history,historic,Diocese of Liverpool,stained glass,window,stained,glass,colour,coloured,design,designs,Rev EC Earleton,vicar,1878-1917,reverend,EC,Earlton,scene,art,representation,religion,Christian,Christianity,Grade II,listed
Description: Tony Smith image Alamy 2R5PPE1 - Holy Trinity Church is in the centre of the town of Warrington, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II listed building. It is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Warrington and the deanery of Warrington.
History
A chapel of ease known as Trinity Chapel was built on the site in 1708 to relieve pressure on the parish church of St Elphin's. It was built as an oratory by Peter Legh of Lyme Park. By the 1750s the chapel was too small for its congregation and in 1758 subscriptions were raised to build a new church, which was consecrated in 1760. The architecture is in the style of James Gibbs, but he was ill at the time the church was built and it is thought it was designed by one of Gibbs' associates. In 1862 a west clock tower was added which was designed by W. P. Coxon, the Borough Surveyor
the tower belongs to the town rather than to the church. In 1974 the south aisle was re-designed to form the Garven Room, a servery, a vestry and toilets. By the 1970s the roof had been damaged by wet and dry rot, woodworm and death watch beetle and was replaced in 197879. By 1990 the pipe organ was beyond repair and it has been replaced by a Makin electronic organ. In 1988 the west end was remodelled, forming a lobby. In 1997 the east end was reordered, adding a room and extending the sanctuary area. In 1999 the clock was refurbished by Warrington Borough Council as a Millennium project.
Architecture
Exterior
The church is built in Georgian style. Its front is constructed in sandstone, and the rear in brick with stone dressings. The stonework at the front is rusticated. The front aspect is in four stages
at the base is a rusticated plinth, above which is a tier of windows with a Doric doorcase at the west of the front. Then comes an upper tier of windows with Ionic pilasters and at the top a cornice and a plain parapet. In the east wall is a Palladian window.
Market Gate, Sankey St, Warrington , Cheshire, England, UK, WA1 1XG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA16,UK,WA16 6HG,4,Cheshire,town,centre,England,mannequin,clothes,fashion,expensive,store,retail,small,independent,retailer,window,with,sale,bricks and morter,dresses,traditional,off,discount,reduction,reductions,challenging,environment,Nicola Young,Kerry Finn,designer,designs,ladies,clothing,boutique
Description: Tony Smith image Alamy 2R9X4NM - . The Naked Mannequin shop window with 50% sale, 4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG. Photographed on 6 July 2009, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include WA16, WA16 6HG, Cheshire, mannequin, clothes, fashion, expensive, store, retail, small, independent, retailer, providing natural SEO coverage without losing the specific documentary identity of the photograph. The retail context supports editorial themes around high streets, shopping centres, consumer behaviour, independent and chain businesses, store branding, commercial property, hospitality and the changing economics of town and city centres. Shopfronts, promotional material, prices, signage and surrounding public space can become valuable historical evidence as businesses close, rebrand, relocate or adapt to online competition and changing consumer demand. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. Additional relevant search concepts include window, sale, bricks and morter, dresses, traditional, off, broadening discoverability while remaining tied to the supplied subject information.
4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA16,4,Cheshire,England,UK,WA16 6HG,town,centre,mannequin,clothes,fashion,expensive,store,retail,small,independent,retailer,window,with,sale,bricks and morter,dresses,traditional,off,discount,reduction,reductions,challenging,environment,Nicola Young,Kerry Finn,designer,designs,ladies,clothing,boutique
Description: Tony Smith image Alamy 2R9X4NX - . The Naked Mannequin shop window with 50% sale, 4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG. Photographed on 6 July 2009, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include WA16, Cheshire, WA16 6HG, mannequin, clothes, fashion, expensive, store, retail, small, independent, retailer, providing natural SEO coverage without losing the specific documentary identity of the photograph. The retail context supports editorial themes around high streets, shopping centres, consumer behaviour, independent and chain businesses, store branding, commercial property, hospitality and the changing economics of town and city centres. Shopfronts, promotional material, prices, signage and surrounding public space can become valuable historical evidence as businesses close, rebrand, relocate or adapt to online competition and changing consumer demand. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. Additional relevant search concepts include window, sale, bricks and morter, dresses, traditional, off, broadening discoverability while remaining tied to the supplied subject information.
4, Minshull Street, Knutsford, Cheshire, England, UK, WA16 6HG
Description
Keywords: GoTonySmith,High Street,high,street,retail,store,shop,clearance,sale,Final,Clearance Sale,in,Window,bargain,England,retailing,problems,difficulty,difficulties,stores,struggling,buy,Clear,advert,soft furnishings,low demand,recession,footfall,low,poor,results,final week,trading,difficult trading,internet competition,competition,glass,reflection,red,decline
Description: Tony Smith image Alamy MGMJW0 - . This location-specific image from the recorded location in 2018 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The photograph centres on High Street retail shop clearance sale. The broader subject matter reaches into local history, high-street commerce, specialist retailer, visual archive, period detail, community identity, independent retail, everyday life, social history, commercial frontage, local character, before-and-after reference, documentary photography, and retail property. From a 2025-onward perspective, business rates and independent business are closely linked to this subject, alongside how shopfronts become short-lived records of changing businesses and branding. Small period details of commercial use and occupation at the recorded location may become more significant with time, particularly following different community use. The subject also sits alongside changing land use, local trading, regional identity, changing streetscape, local enterprise, street-level business, bricks-and-mortar retail, and customer footfall. Details involving retail and clearance make the image more specific than a generic view and strengthen its local or historical value. A later view of the recorded location may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects business rates and how shopfronts become short-lived records of changing businesses and branding within the real-world context of the recorded location. Its period value extends to footfall and the resilience of independent shops in an online retail economy within the specific setting of the recorded location. The location additionally provides evidence of consumer spending and the resilience of independent shops in an online retail economy as part of the longer story of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT1,Belfast,Antrim,Northern Ireland,BT1 5GS,Donegall Square,city hall,city,centre,color,coloured,colour,windows,window,not as,but as,nationalist,unionist,together,blue,moving,forward,progress,in,prosperity
Description: Tony Smith image Alamy 2PM628K - . Belfast Workers standing together window, at Belfast City Hall, Donegall Square North, Belfast, stock-photo/gotonysmith-Antrim.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Antrim, Northern Ireland, UK, BT1 5GS. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, BT1, Belfast, Antrim, Northern Ireland, BT1 5GS, Donegall Square, city hall, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. It is a useful stock image for publishers, researchers and picture editors seeking a clearly identified contemporary record of the subject and location.
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT1,Belfast,Antrim,Northern Ireland,BT1 5GS,Donegall Square,city hall,city,centre,color,coloured,colour,windows,window,&,ingenuity,H&W,shipbuilding,ship,ships,history,stained glass,fish,fishing
Description: Tony Smith image Alamy 2PM628W - . Titanic & Ulster ingenuity, maritime stained glass at Belfast City Hall, Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, BT1, Belfast, Antrim, Northern Ireland, BT1 5GS, Donegall Square, city hall, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,logo,plaque,Cheshire,England,UK,CH1 1RQ,window,etched,at,Saloon,snug,pub,pubs,bars,NW,North West,boozer,Western Front,WWI,Great War,concept,classic Victorian corner street pub,classic,Victorian,corner street pub,CAMRA,unique,time,capsule,internal,corner,inside,interior,cosy
Description: Tony Smith image Alamy 2JN1G5X - Albion, translated to present-day terms, means white' and is often associated with all things English. The present day ambience of the Albion's interior reflects this translation and has firm connections with the Great War going far beyond the modern concept' pub of today.
Mike Mercer has run the Albion Inn for over 37 years and has created and captured the essence of the Great War 1914-18 in this last remaining classic Victorian corner street pub within the City Walls of Chester.
Albion Street, and the adjoining Volunteer Street both lead to the former Drill Hall, which was a recruiting centre during the First World War.
Many a young lad would have spent his King's Shilling in the bar of the Albion before going to face the horrors of the Western Front.
Park street, Chester, Cheshire, England, UK, CH1 1RQ
Description
Keywords: GoTonySmith,HotpixUK,England,city,centre,sign,in,window,of,estate,agent,letting,prices,rental,let,purchase,housing,purple,neon,from,pub,helpToBuy,help to buy,scheme,hospital,discharge,discharges,reducing,bed blocking,medical,care,NHS,challenges,challenge,soaring rents,renters rights act,rent freeze,housing slump,care home dementia,To Let
Description: Tony Smith image Alamy 2PJW6W1 - . Sign in an estate agent, Helping You Home - renting or getting on the housing ladder, in Britain. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Liverpool, city,centre, Merseyside, England,UK, L1, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include sign, window, estate, agent, letting, prices, rental, let, purchase, housing, purple, neon, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. The housing context makes the image suitable for coverage of homes, neighbourhoods, residential estates, social and affordable housing, landlord investment, repairs, regeneration, planning and the lived environment. It can support reporting on housing condition, estate renewal, energy efficiency, building safety, development, tenure and the long-term transformation of residential areas. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Liverpool, city,centre, Merseyside, England,UK, L1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Greater Manchester,WN3 4BF,redevelopment,area,conservation,industrial,industry,North West,face,Lancashire Cotton Corporation,Courtaulds,Rina and Helen,next,to,the,Leeds and Liverpool Canal,art,artist,sculpture,wall,walls,head,faces,window,windows,building,buildings,architecture,bald,balding,box,boxes
Description: Tony Smith image Alamy 2PFKG60 - . This location-specific image from Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Historic Trencherfield Mill & faces, Wallgate, Wigan, Lancs, Lancashire, Greater Manchester, WN3 4BF - Wigan Pier redevelopment area. The surrounding context encompasses contemporary social history, local dining tradition, historical comparison, food-and-drink heritage, place identity, social history, comfort food, food heritage, traditional takeaway, changing land use, community identity, street food culture, public realm, and local character. For current editorial use, nutrition and local business provide additional context, especially through how food signs and shopfronts become part of urban cultural identity. As a dated visual record of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF, the frame retains transport arrangements and footfall, making it especially useful if replacement signage subsequently changes the scene. The subject also sits alongside British food tradition, popular cuisine, everyday life, documentary photography, local history, regional identity, visual archive, and hospitality food service. Details involving redevelopment, Wigan, Lancs, Greater, and Lancashire make the image more specific than a generic view and strengthen its local or historical value. A later view of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is nutrition and how food signs and shopfronts become part of urban cultural identity within the real-world context of Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF. The record includes a point of historical comparison before later change alters the scene.
Wallgate, Wigan, Lancashire, Greater Manchester, WN3 4BF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,midlands,England,UK,brown,packet,box,smoker,smoking,five,5,packets,ten,for,2/10,two shillings,10d,5/8,window,tobacconist,tobacconists,display,ad,& son,Ltd,limited,&,from,the,1960,tobacco,shop,cigar,BCLM,Peter Freeman,Grangetown,Cardiff,Wales
Description: Tony Smith image Alamy 2NAWG7E - . Recorded at Grangetown , Cardiff, South Wales, UK in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Window display advertisement, JR Freeman & son Ltd Manikin Cigars, from 1960s tobacco shop. The broader subject matter reaches into documentary photography, commercial signage, changing land use, place identity, licensed tobacco sales, advertising ephemera, mid-century tobacco trade, historic tobacco marketing, street-level marketing, retail graphics, promotional board, archival record, local character, and before-and-after reference. The modern context includes continuing discussion of retail history, smoking decline and the value of old tobacco signs as records of changing consumer culture. For current editorial use, heritage and commercial competition provide additional context, especially through the speed at which branding and promotional styles change. Small period details of local activity and public use at Grangetown , Cardiff, South Wales, UK may become more significant with time, particularly following refurbishment. Further associations within the scene are period advertising, contemporary social history, brand communication, community identity, public realm, cigarette retail, smoking ephemera, and social history. The recorded references to Manikin, Window, advertisement, tobacco, and Freeman preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Grangetown , Cardiff, South Wales, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of retail history and how tobacco moved from everyday retail normality to heavy regulation in a form that can be compared with future views of Grangetown , Cardiff, South Wales, UK.
Grangetown , Cardiff, South Wales, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,space,WA14,WA14 1EP,property,agent,agents,business,unit,units,contemporary,workspace,Alty,real estate,1980,1980s,architecture,building,buildings,floors,high,rise,highrise,rental,rent,shared,moody,cloudy,Stamford New Road,window,windows,Stamford New Rd,offices,managed
Description: Tony Smith image Alamy 2JBXJJ9 - . Made at the recorded location in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Station House office block, Bruntwood Station House, Stamford New Rd, Altrincham, Cheshire, England, UK, WA14 1EP. The surrounding context encompasses railway heritage, documentary photography, place identity, before-and-after reference, contemporary social history, freight wagon, social history, community identity, everyday life, archival record, passenger railway, architectural detailing, historic streetscape, and visual archive. Current relevance extends to station investment and rail reform, particularly through the balance between railway heritage and network modernisation. In present-day coverage, the subject reaches into local identity and maintenance, not least because of the tension between conservation and redevelopment. For later comparison, the photograph preserves transport arrangements and footfall at the recorded location, details that may look very different after changed technology. A second descriptive layer includes architectural character, changing land use, trackside history, rail transport, rail corridor, period detail, urban fabric, and local history. References to Stamford, block, Bruntwood, House, and office give the picture a strong period identity and tie it closely to its named subject. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is station investment and the continuing importance of rail to regional connectivity within the specific setting of the recorded location. The wider significance includes energy retrofit and the tension between conservation and redevelopment as part of the longer story of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,evening,sunset,behind,historic,County Court,building,CIC,company,space,Gerard Winstanley,House,offices,listed,leaded,Arts at the Mill,interest,arts,music,spaces,cafe,1887,venue,Community,grade II,Victorian,Lancs,and,HMRC,window,buildings
Description: Tony Smith image Alamy 2MKF8NX - Gerard Winstanley House which was formerly the towns magistrates court and police station but is now the home of a multi-arts thriving creative community.
It is a Grade II listed building dating back to around 1887 and of course, the first thing that hits you is the brickwork. The official records describe it as red brick in Flemish bond with sandstone dressings and a slate roof.
The buildings stand on Crawford Street opposite the small little garden that belongs to the Parish Church of All Saints and it really does cut a very imposing figure from a seat in that garden.
But the dramatic architecture doesn't stop there - not only do we have the amazing red brickwork and intricate dressings, but we have towers and turrets too! The spiked tower at the bottom end of Crawford Street rises high above the brickwork pointing right up to the often dark skies above.
This is where the main entrance to the courts was, its large welcoming doorway still a big feature of the facade. The symmetry and absolute craftsmanship of the building never fail to impress
These days the courts and police station have long gone, updated and replaced elsewhere in the town and everyone wondered what might happen to this magnificent building.
Would it go to rack and ruin like so many other buildings in the town, or would there be new life breathed into it, would it get a second chance?
The answer was firmly YES as the building was purchased and occupied by The Old Courts who have transformed the place and have refurbished the interior (still an ongoing project) to provide Art Galleries, a Theatre, a Live Music venue, a Cafe, a Record store, Band rehearsal rooms, Conference and Events space and even a bar.
Bailiff Bar is at the very bottom of the building around the corner from Crawford Street and on to King Street West.
The Old Courts, Crawford Street, Wigan, Lancashire, England,UK, WN1 1NA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,The,Dispensary,L1 2SP,87,Renshaw Street,Tetley,house,Cains,Cain,Robert,night,evening,nights,evenings,history,historic,the,real ale,boozer,window,windows,interesting,pub co,pub company,owner,The Dispensary,Mersey,Campaign for Real Ale,CAMRA
Description: Tony Smith image Alamy 2MA7NFM - Most serious drinking pubs in Liverpool have a bit of heritage about them: they are fixtures as familiar as street lamps and go back decades. Somewhat surprisingly, this is not so with The Dispensary. It sprang up just a decade ago from the shell of an old man's boozer, The Grapes, on the corner of Rapid Hardware Street and Oldham Street in an area that is quietly renowned as a real booze and curry lovers' jackpot.
Pharmaceutical items, fixtures and fittings from old chemist shops, Liverpool University and the Liverpool Pharmaceutical Society abound in an effort to give it a traditional pub atmosphere and visually evoke a Victorian dispensary. It certainly did the trick for real-ale lovers CAMRA who voted it English Heritage pub refurbishment of the year 2000 and also Merseyside pub of the year.
Cains tenants Pauline Keady-Williams and husband Dave run The Dispensary, prescribing a cure-all for the world's ills in the shape of medicine on tap from the Upper Stanhope Street brewery, this week finding itself in dire financial straits with administrators being called in this week.
Why go there?
It serves arguably the best beer in town, if they do say so themselves, although Dominic Hornsby, from the nearby Fly In The Loaf, would doubtless disagree.
Who goes there?
The Dispensary's main allure seems to be for chaps, in there to either marvel at their chosen pint in solitude (I come here to hide from the wife, one un-pictured punter told us) or to philosophise in small huddles about the state of the world, occasionally all pausing to marvel at that pint again.
87 Renshaw St, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,England,UK,L1,The,Dispensary,L1 2SP,87,Renshaw Street,Tetley,house,Cains,Cain,Robert,Eurovision,2023,night,evening,nights,evenings,history,historic,the,real ale,boozer,window,windows,interesting,pub co,pub company,owner
Description: Tony Smith image Alamy 2MA7NJN - Most serious drinking pubs in Liverpool have a bit of heritage about them: they are fixtures as familiar as street lamps and go back decades. Somewhat surprisingly, this is not so with The Dispensary. It sprang up just a decade ago from the shell of an old man's boozer, The Grapes, on the corner of Rapid Hardware Street and Oldham Street in an area that is quietly renowned as a real booze and curry lovers' jackpot.
Pharmaceutical items, fixtures and fittings from old chemist shops, Liverpool University and the Liverpool Pharmaceutical Society abound in an effort to give it a traditional pub atmosphere and visually evoke a Victorian dispensary. It certainly did the trick for real-ale lovers CAMRA who voted it English Heritage pub refurbishment of the year 2000 and also Merseyside pub of the year.
Cains tenants Pauline Keady-Williams and husband Dave run The Dispensary, prescribing a cure-all for the world's ills in the shape of medicine on tap from the Upper Stanhope Street brewery, this week finding itself in dire financial straits with administrators being called in this week.
Why go there?
It serves arguably the best beer in town, if they do say so themselves, although Dominic Hornsby, from the nearby Fly In The Loaf, would doubtless disagree.
Who goes there?
The Dispensary's main allure seems to be for chaps, in there to either marvel at their chosen pint in solitude (I come here to hide from the wife, one un-pictured punter told us) or to philosophise in small huddles about the state of the world, occasionally all pausing to marvel at that pint again.
87 Renshaw St, Liverpool, Merseyside, England, UK, L1 2SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,winter,wet,rain,weather,drizzle,damp,leak,window,windows,no urge,to,leave,the,home,go,out,another,dull,day,drop,on,a,with,blur,drizzly,condensation,drops,droplets,windowpane,downpour,outside,mould on walls,social housing,social homes
Description: Tony Smith image Alamy 2M904Y5 - . Photographed at Cheshire, England, UK, WA4 2SJ in 2023, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The frame specifically shows Water drops, on a window, with out of focus street - Another dull rainy day with no urge to leave the home. The image also relates to community identity, heritage landmark, architectural character, architectural detailing, historic townscape, historic streetscape, period building, period architecture, public realm, place identity, visual archive, contemporary social history, adaptive reuse, and conservation architecture. In present-day coverage, the subject reaches into energy retrofit and planning control, not least because of how historic fabric can support regeneration rather than demolition. Small period details of transport arrangements and footfall at Cheshire, England, UK, WA4 2SJ may become more significant with time, particularly following altered transport patterns. Other useful contextual ideas include before-and-after reference, traditional materials, urban fabric, heritage asset, local character, changing streetscape, regional identity, and conservation interest. References to Water, window, rainy, focus, and leave give the picture a strong period identity and tie it closely to its named subject. For Cheshire, England, UK, WA4 2SJ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to energy retrofit and how historic fabric can support regeneration rather than demolition within the specific setting of Cheshire, England, UK, WA4 2SJ. The location additionally provides evidence of adaptive reuse and the value of architectural landmarks to local identity as part of the longer story of Cheshire, England, UK, WA4 2SJ. The scene captures a local visual benchmark before later change alters the scene.
Cheshire, England, UK, WA4 2SJ
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,oil,bottle,of,sheds,garage,lube,lubrication,on,a shelf,saved,saving,ancient,very old,old,oils,lubricants,traetments,shelves,shelf,window,cap,capped,cork,corked,turps,toolshed,tool shed
Description: Tony Smith image Alamy 2K30801 - . Photographed at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. At the centre of the view is Bottles of Tool shed Oils, Linseed ,Turpentine on a shelf. The image also relates to before-and-after reference, boat museum collection, public-transport wayfinding, surface public transport, period detail, bus route infrastructure, local bus network, working waterway, waterborne freight, local mobility, community identity, inland navigation, street-side transport, and place identity. From a 2025-onward perspective, industrial heritage and waterway maintenance are closely linked to this subject, alongside how museum collections preserve working waterway history. The wider contemporary story combines accessibility, passenger information and the challenge of maintaining reliable services outside dense urban centres. Future viewers can use this scene from National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW to compare public access and movement with whatever follows after closure or conversion. The surrounding story also includes archival record, towpath landscape, historical comparison, changing streetscape, visual archive, regional identity, passenger transport, and local history. The combination of Bottles, shelf, Linseed, and Turpentine anchors the frame to a recognisable activity, place or moment. For National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The view records a point of historical comparison as part of National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW's history.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Yorkshire,England,UK,YO1,York,North Yorkshire,YO1 8AW,of,front,store,outside,external,branch,37,historic,building,exterior,history,town centre,city centre,stores,retailing,niche,quaint,style,heritage,Victorian,window,windows,frontage,entrance
Description: Tony Smith image Alamy 2KF7FBC - Stonegate is a street in the city centre of York, in England, one of the streets most visited by tourists. Most of the buildings along the street are listed, meaning they are of national importance due to their architecture or history
The street roughly follows the line of the via praetoria of Eboracum, the Roman city, which ran between what are now St Helen's Square and York Minster.
The street appears to have lost importance in the Anglian and Jorvik period. York Minster was rebuilt in the 11th century, and stone for it was brought up the road, from a quay behind what is now York Guildhall. This appears to have brought the street back to prominence, and new building plots were laid adjoining the north-eastern part of the street. This part of the street lay in the Liberty of St Peter's, associated with the Minster, and many of its buildings belonged to the church, the whole area soon becoming built up, mostly with tenements. By 1215, there were houses for the prebends of Ampleforth, Barnby, Bramham and North Newbald
The street was known as Stonegate by 1119, probably named for stone paving, which would have been unique in the city at the time, although an alternative theory links the name to the stone hauled up to the Minster.
Because of the location of the street, it has historically been used for civic processions, from the York Guildhall to the Minster. It was also the site where three of the historic York Mystery Plays were performed. In 1570, Guy Fawkes was born at a house on the street.
Nikolaus Pevsner described the street as perhaps the most attractive [street in the city], and one of the busiest. Narrow, quite long, and with a variety of good things. Due to its popularity with tourists, the street was pedestrianised in 1974. It was repaved in York stone in 2020
Most of the buildings along the street are listed. Among the most notable on the north-west side are numbers 54, 56, and 58 Stonegate, 14th-century timber-framed buildings
the 12th-centur
37 Stonegate, York, North Yorkshire, England, UK, YO1 8AW
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,UK,Cheshire,England,WA1,9,at,window,curtain,curtains,lights,lighting,town centre,town,pubs,bars,bar,hops,pubco,pubcos,night,evening,dusk,alcohol,drinks,drink,Kent hops,hop picking,evenings,nighttime,night time,economy,disposable income,Horsemarket,street
Description: Tony Smith image Alamy 2M3JBM5 - . This location-specific image from 9 Horsemarket St, Warrington, Cheshire, England, UK, WA1 1AJ in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The main point of reference is The Hop Pole pub at dusk, 9 Horsemarket St, Warrington, Cheshire, England, UK, WA1 1AJ. Other connected aspects include hospitality economy, night-time economy, visual archive, everyday life, licensed trade, cask-beer tradition, traditional pub, historical comparison, changing streetscape, documentary photography, traditional ale house, visitor hospitality, changing land use, and historic hostelry. From a 2025-onward perspective, consumer spending and changing drinking habits are closely linked to this subject, alongside the continuing appeal of real ale and regional brewing. The image fixes equipment and working practice within 9 Horsemarket St, Warrington, Cheshire, England, UK, WA1 1AJ at one identifiable point, providing a benchmark against new construction. A second descriptive layer includes community drinking venue, local social venue, local history, before-and-after reference, social history, regional identity, community identity, and contemporary social history. Details involving Horsemarket make the image more specific than a generic view and strengthen its local or historical value. For 9 Horsemarket St, Warrington, Cheshire, England, UK, WA1 1AJ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is consumer spending and the continuing appeal of real ale and regional brewing without losing the local specificity of 9 Horsemarket St, Warrington, Cheshire, England, UK, WA1 1AJ. The view records evidence of changing use as a date-specific reference. The image fixes evidence of earlier appearance for later comparison.
9 Horsemarket St, Warrington, Cheshire, England, UK, WA1 1AJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,town,centre,Cheshire,England,UK,WA1,the,window,advertising,doorway,entrance,of,Parrs,Banking Company,banking,company,co,Lancashire,finance,1918,Natwest,Warrington main branch of Parrs Bank,main branch,7,WA1 1XR,bar,pub,name,named,William Howarth,Joseph Parr,blue,windows
Description: Tony Smith image Alamy 2JTJYM3 - Parr's Bank Limited was a bank that existed from 1782 to 1918. It was founded as Parr & Co. in Warrington, then in the county of Lancashire in the United Kingdom. In 1918 it was acquired by London County and Westminster Bank, and it was thus one of the predecessors of NatWest Group.
Writing in 1905, William Howarth described Parr's as one of the great amalgamating banks in the country and a power in the financial world. The bank's history dates back to the late eighteenth century, with a possible starting date of 1782. The first partnership was with Joseph Parr, a sugar boiler, his brother-in-law Matthew Lyon, and Walter Kerfoot, a solicitor. Partnership names changed and the firm was variously known as Parr & Co, and Parr, Lyon
more colloquially it was known as The Warrington Bank.
Parr's remained essentially a local bank with offices in Warrington, Runcorn and St Helens until 1865 when it became a joint-stock bank under the name Parr's Banking Company. Helped by a series of acquisitions, including the National Bank of Liverpool, Parr's built up its presence in Cheshire, Lancashire and Staffordshire
by 1890 there were 22 branches and 21 sub-branches.
The bank's most important strategic move came in 1891 when it purchased the small London bank of Fuller, Banbury, Nix & Co. This gave Parr's a seat on the London Bankers' Clearing House and, in contrast to the nearby Bank of Liverpool it immediately moved the head office down to London. With Fuller giving the bank an initial London presence, the substance was provided by the acquisition of the Alliance Bank in 1892. The Alliance Bank had emerged from the financial reconstruction which had seen it lose its Liverpool and Manchester offices and now had 12 branches in London
in recognition of Alliance's importance the name of the bank was changed to Parr's Banking Company and the Alliance Bank. Other smaller London banks were acquired and in 1896 it bought the Consolidated Bank.
7 Winwick Street, Warrington, Cheshire, England, UK, WA1 1XR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,M3,UK,M3 1WY,rail,Staffordshire tiles,letters,lettering,bookstall,with,arch,arched,arches,window,glass,windows,The Beerhouse,Beerhouse,Beer House,the,restaurant,bar,kitchen,art,architecture,design,Restaurant,restaurants,old,feature,features,historic,heritage
Description: Tony Smith image Alamy 2JY55T6 - Architecture and features
The original M&LR single-storey offices facing Hunt's Bank Approach were built in the Italianate style in sandstone ashlar with slate roofs in 1844. They were later enlarged and given a second storey. William Dawes built the station's larger extension for the L&YR in 1909. It is at right-angles to the north end of the old station giving the enlarged station an L-shaped plan. Facing Victoria Station Approach, its façade is in the Edwardian neo-Baroque style, four storeys high and 31 bays to the rounded corner at the south-east end. The ground floor windows have rounded heads and those on the floors above are square. The ornate glass and iron canopy along the façade displays the names of destinations that the station served in Art Nouveau lettering. The canopy was damaged by the Provisional IRA's 1996 bomb placed in a street adjacent to the Arndale Centre and was restored four years later.
Heritage features in the concourse were restored during the 2013-15 renovation, they include the café with its glass dome and mosaic lettering which was originally the first-class dining room, the adjacent bookstall, and the original 1909 wood-panelled booking hall. In the entrance is a large, white glazed tiled map showing the former network of the Lancashire and Yorkshire Railway.
Underneath the map is a bronze World War I war memorial with effigies of Saint George and Saint Michael at each end which was installed in 1923. At the south end of the concourse is the 'soldier's gate' which opened to the former fish docks from where thousands of soldiers departed for World War I and where a bronze plaque was erected to commemorate them. The gateway was restored in 2015 and a steel screen inserted featuring a map of World War I Commonwealth grave cemeteries in Northern France and Belgium.
The station received Grade II listed building status in 1988
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,M3,UK,M3 1WY,rail,Staffordshire tiles,letters,lettering,bookstall,with,arch,arched,arches,window,glass,windows,art,architecture,design,grill,room,rooms,old,feature,features,historic,heritage,train station,train stations,indoors,inside,interior,brickwork
Description: Tony Smith image Alamy 2JY55WY - Architecture and features
The original M&LR single-storey offices facing Hunt's Bank Approach were built in the Italianate style in sandstone ashlar with slate roofs in 1844. They were later enlarged and given a second storey. William Dawes built the station's larger extension for the L&YR in 1909. It is at right-angles to the north end of the old station giving the enlarged station an L-shaped plan. Facing Victoria Station Approach, its façade is in the Edwardian neo-Baroque style, four storeys high and 31 bays to the rounded corner at the south-east end. The ground floor windows have rounded heads and those on the floors above are square. The ornate glass and iron canopy along the façade displays the names of destinations that the station served in Art Nouveau lettering. The canopy was damaged by the Provisional IRA's 1996 bomb placed in a street adjacent to the Arndale Centre and was restored four years later.
Heritage features in the concourse were restored during the 2013-15 renovation, they include the café with its glass dome and mosaic lettering which was originally the first-class dining room, the adjacent bookstall, and the original 1909 wood-panelled booking hall. In the entrance is a large, white glazed tiled map showing the former network of the Lancashire and Yorkshire Railway.
Underneath the map is a bronze World War I war memorial with effigies of Saint George and Saint Michael at each end which was installed in 1923. At the south end of the concourse is the 'soldier's gate' which opened to the former fish docks from where thousands of soldiers departed for World War I and where a bronze plaque was erected to commemorate them. The gateway was restored in 2015 and a steel screen inserted featuring a map of World War I Commonwealth grave cemeteries in Northern France and Belgium.
The station received Grade II listed building status in 1988
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,M3,UK,M3 1WY,rail,Staffordshire tiles,letters,lettering,bookstall,with,arch,arched,arches,window,glass,windows,art,architecture,design,refreshment,room,refreshments,rooms,old,feature,features,historic,heritage,train station,train stations,indoors,inside,interior
Description: Tony Smith image Alamy 2JY5614 - Architecture and features
The original M&LR single-storey offices facing Hunt's Bank Approach were built in the Italianate style in sandstone ashlar with slate roofs in 1844. They were later enlarged and given a second storey. William Dawes built the station's larger extension for the L&YR in 1909. It is at right-angles to the north end of the old station giving the enlarged station an L-shaped plan. Facing Victoria Station Approach, its façade is in the Edwardian neo-Baroque style, four storeys high and 31 bays to the rounded corner at the south-east end. The ground floor windows have rounded heads and those on the floors above are square. The ornate glass and iron canopy along the façade displays the names of destinations that the station served in Art Nouveau lettering. The canopy was damaged by the Provisional IRA's 1996 bomb placed in a street adjacent to the Arndale Centre and was restored four years later.
Heritage features in the concourse were restored during the 2013-15 renovation, they include the café with its glass dome and mosaic lettering which was originally the first-class dining room, the adjacent bookstall, and the original 1909 wood-panelled booking hall. In the entrance is a large, white glazed tiled map showing the former network of the Lancashire and Yorkshire Railway.
Underneath the map is a bronze World War I war memorial with effigies of Saint George and Saint Michael at each end which was installed in 1923. At the south end of the concourse is the 'soldier's gate' which opened to the former fish docks from where thousands of soldiers departed for World War I and where a bronze plaque was erected to commemorate them. The gateway was restored in 2015 and a steel screen inserted featuring a map of World War I Commonwealth grave cemeteries in Northern France and Belgium.
The station received Grade II listed building status in 1988
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,history,historic,dwelling,house,timber,framed,timber-framed,Tudor,town,centre,Roundhead,1599-1658,stayed,by,this,following victories,at,Preston,Winwick,window,90,Church St,Warrington,Cheshire,England,UK,WA1 2TF,English Civil War,mediaeval,famous,landmark,fight,fighting,1648
Description: Tony Smith image Alamy 2K3TJP8 - A plaque notes Cromwell, logged by this cottage on 20th August 1648, From where he sent his dispatches to parliament, to report his victories, against king Charles Army
This Tudor building on Church Street, Warrington is one of the town's oldest and most famous landmarks.
Here, we take a look at its centuries of fascinating history.
The grade two-listed building now houses an Indian restaurant aptly named the Cottage which opened following a lengthy, National Trust approved renovation of the premises in the early noughties.
Whilst frequently referred to as Cromwell's Cottage, Oliver Cromwell is only thought to have stayed the night at the now demolished General Wolf close by on August 20, 1648.
However, the cottage is where he sent dispatches proclaiming victories over Scottish Royalists during battles at Preston, Winwick and Warrington itself.
Today, a plaque commemorates that fact with Cromwell's victory at the Battle of Winwick Pass leading to the surrender of Scots forces on August 25.
The defeat of Royalist armies in the north of England ultimately hastened the end of the second English Civil War, and led to the execution of Charles I in January 1649.
It is believed that the cottage dates back to roughly the 16th century, according to a 2007 Warrington Borough Council report which states that the building was constructed in a late medieval style' after the road's original middle-age structures were destroyed.
Similar characteristics can be attributed to the other Tudor cottages on Church Street, with the nearby Bull's Head and Marquis of Granby pubs remaining as the street's oldest surviving buildings
90 ,Church St, Warrington, Cheshire, England, UK, WA1 2TF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,free,window,aisle,digital,British,UK,LNER train Window & Aisle,both available,train,London,Edinburgh,seating,cheap,seats,discount,discounts,seat,double,double seat,doubleseat,reservations,reserved,booked,you,are,in my seat,empty,all,double-seat,carriage,carriages,overhead,ceiling,above,East Coast,mainline,UK trains
Description: Tony Smith image Alamy 2K43P10 - . This authentic period view of Stonehaven, Aberdeenshire, Scotland in 2019 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The scene records Seat indicators on an LNER train Window & Aisle, both available, Aberdeen train to London Kings Cross. The setting additionally reflects integrated transport, community identity, public realm, period detail, changing streetscape, rail corridor, regional rail, rail mobility, rail modernisation, commuter travel, passenger railway, historical comparison, archival record, and visual archive. For current editorial use, station investment and reliability provide additional context, especially through the reshaping of Britain's passenger railway in the mid-2020s. Small period details of materials and architectural details at Stonehaven, Aberdeenshire, Scotland may become more significant with time, particularly following refurbishment. The location also brings in documentary photography, urban rail transport, rail infrastructure, station environment, public transport network, contemporary social history, before-and-after reference, and changing land use. References to indicators, available, Aberdeen, Cross, and Window give the picture a strong period identity and tie it closely to its named subject. Around Stonehaven, Aberdeenshire, Scotland, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is station investment and the role of public transport in reducing congestion and emissions within the real-world context of Stonehaven, Aberdeenshire, Scotland. The setting also helps illustrate fares and the archival value of railway branding and infrastructure as operators change within the specific setting of Stonehaven, Aberdeenshire, Scotland.
Stonehaven, Aberdeenshire, Scotland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,town,centre,Cheshire,England,UK,WA1,buses,borough,council,WBC,transport,WA2,integrated,Warringtons Own,bus,Culture Warrington,art,artist,artwork,portraits,As you are now so once were we,window,entrance,people,of,James Joyces,novel,Ullyses,Warrington BID,BID,funding,Arts Council England,pride
Description: Tony Smith image Alamy 2JTJYM1 - Everyday heroes honoured in Warrington bus station art
A visionary young artist has created a buzz around Warrington with a jaw-dropping display created to celebrate the relationship between the town and its people.
Warrington artist Cameron Brown has transformed Warrington Bus Interchange with a powerfully poignant collection of portraits.
As you are now so once were we is a thought-provoking display of 48 portraits painted onto the glass of the bus station as a touching tribute to the people of Warrington, the impact they have had on their town, and the role our town played in their lives.
Cameron explained: The aim behind the piece was to celebrate the impact that the people of Warrington can have on the town, often without realising, and to recognise the impact that the town can have on us as a collective.
It was an attempt to try and remember the people that came before, appreciate the people that are presently having an effect on the town, and to be aware of the impact we can have on what is still to come.
Taking its name from James Joyce's novel Ullyses, Cameron's work attempts to add a sense of context and belonging to our own individual lives, to encourage people to look back at what has gone before and how they have arrived in the position they find themselves in today.
Horsemarket St,Warrington, Cheshire, England, UK, WA2 7TS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,bar,Railway Hotel Pub,Railway hotel,logo,design,Nantwich,etched,window,with Greenalls,Wilderspool Ales & Stout,brewing,brewery,Wilderspool,Ales & Stout,Wildeerspool Warrington,brewers,Greenall Whitley,Messrs. Greenall,Whitley & Co,ltd,limited,heritage,Victorian,blue sky,blue skies,town,town centre,interesting,tourist,tourism,attraction,attractions
Description: Tony Smith image Alamy 2JNN53T - . An on-location photograph from the recorded location in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is Railway Hotel Pub, Nantwich etched with Greenalls Wilderspool Ales & Stout and logo from Warrington, Cheshire, England, UK. The locality and subject together evoke beverage production, community identity, local history, archival record, public realm, changing land use, place identity, bottle-filling machinery, industrial beverage equipment, cider brand history, social history, drinks packaging, documentary photography, and changing streetscape. From a 2025-onward perspective, responsible drinking and manufacturing automation are closely linked to this subject, alongside how bottling technology transformed large-scale drinks manufacturing. The archival value lies partly in recording local activity and public use around the recorded location before replacement signage alters the character of the place. The surrounding story also includes everyday life, contemporary social history, Herefordshire cider tradition, regional identity, period detail, visual archive, historic beverage advertising, and before-and-after reference. References to Greenalls, Wilderspool, Hotel, etched, and Stout give the picture a strong period identity and tie it closely to its named subject. The subject itself supplies the location context here: Railway Hotel Pub, Nantwich etched with Greenalls Wilderspool Ales & Stout and logo from is preserved in image 2JNN53T as a dated piece of material, social or visual history. The setting also helps illustrate responsible drinking and how historic drinks advertising and machinery become industrial heritage within the specific setting of the recorded location. The image also provides a reference for tourism and Herefordshire's long association with commercial cider production as part of the longer story of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,bar,Railway Hotel Pub,Railway hotel,logo,design,Nantwich,etched,window,with Greenalls,Wilderspool Ales & Stout,brewing,brewery,Wilderspool,Ales & Stout,Wildeerspool Warrington,brewers,Greenall Whitley,Messrs. Greenall,Whitley & Co,ltd,limited,heritage,Victorian,blue sky,blue skies,town,town centre,interesting,tourist,tourism,attraction,attractions
Description: Tony Smith image Alamy 2JNN53W - . An on-location photograph from the recorded location in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The defining feature is Railway Hotel Pub, Nantwich etched with Greenalls Wilderspool Ales & Stout and logo from Warrington, Cheshire, England, UK. The broader subject matter reaches into historical comparison, cider brand history, contemporary social history, archival record, bottling technology, drinks manufacturing, social history, regional drinks industry, visual archive, public realm, changing streetscape, bottle-filling machinery, orchard-to-bottle industry, and factory bottling line. Viewed from the mid-2020s, the subject also connects with regional food heritage, brand heritage and the relationship between orchard agriculture, regional identity and branded cider. The archival value lies partly in recording local activity and public use around the recorded location before altered transport patterns alters the character of the place. The surrounding story also includes cider-making heritage, period detail, fermented drink production, local history, community identity, industrial beverage equipment, Herefordshire cider tradition, and documentary photography. Details involving Hotel, Stout, Nantwich, Railway, and etched make the image more specific than a generic view and strengthen its local or historical value. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is regional food heritage and the relationship between orchard agriculture, regional identity and branded cider when considered against later change at the recorded location. The wider significance includes alcohol duty and how bottling technology transformed large-scale drinks manufacturing without losing the local specificity of the recorded location.
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,LP,album,CD,shop,window,sex,early,morning,glory,green,blue,Oasis Morning Glory,SOHO,London,England,UK,sign,signage,rude,sexy,Manc,manchester,band,music,icon,icons,iconic,bang,group,rock,Britpop,Brit,pop,Nocturnal penile tumescence,erection,adult,positions
Description: Tony Smith image Alamy 2JJPKRF - Nocturnal penile tumescence is a spontaneous erection of the penis during sleep or when waking up. Along with nocturnal clitoral tumescence, it is also known as sleep-related erection, morning glory or morning wood. Men without physiological erectile dysfunction or severe depression experience nocturnal penile tumescence, usually three to five times during a period of sleep, typically during rapid eye movement sleep. Nocturnal penile tumescence is believed to contribute to penile health
The cause of nocturnal penile tumescence is not known with certainty. In a wakeful state, in the presence of mechanical stimulation with or without an arousal, erection is initiated by the parasympathetic division of the autonomic nervous system with minimal input from the central nervous system. Parasympathetic branches extend from the sacral plexus of the spinal nerves into the arteries supplying the erectile tissue
upon stimulation, these nerve branches release acetylcholine, which in turn causes release of nitric oxide from endothelial cells in the trabecular arteries, that eventually causes tumescence. Bancroft (2005) hypothesizes that the noradrenergic neurons of the locus ceruleus in the brain are perpetually inhibitory to penile erection, and that the cessation of their discharge that occurs during rapid eye movement sleep may allow testosterone-related excitatory actions to manifest as nocturnal penile tumescence. Suh et al. (2003) recognizes that in particular the spinal regulation of the cervical cord is critical for nocturnal erectile activity.
The nerves that control one's ability to have a reflex erection are located in the sacral nerves (S2-S4) of the spinal cord. Evidence supporting the possibility that a full bladder can stimulate an erection has existed for some time and is characterized as a 'reflex erection'. A full bladder is known to mildly stimulate nerves in the same region. The possibility of a full bladder causing an erection, especially during sleep
Description
Keywords: WA4,Queens,Celebration,window,decorations,dressed,celebrations,Brenda,Elizabeth,Corgi,Corgis,Union flags,British,British Flag,bank holiday,@Hotpixuk,GoTonySmith,Death,died,king,Charles,Charlie,3rd,iii,death,in state,remember,remembering,funeral,coronation,monarchy,royal,English,reign,dog,dogs,late,happy,jolly,wave
Description: Tony Smith image Alamy 2J843N1 - . Recorded at the recorded location in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on Queens Platinum Jubilee Celebration window decorations, Stockton Heath, Warrington, Cheshire,UK, WA4 6NJ. The subject also carries associations with period detail, shopfront economy, contemporary social history, regional identity, documentary photography, social history, consumer retail, everyday street life, shopping district, urban social history, high-street commerce, pedestrian environment, archival record, and retail property. The wider contemporary story combines business rates, commercial rents and the speed at which branding and store formats change. Viewed from the mid-2020s, the subject also connects with commercial change, transport and how regeneration alters the character of familiar places. The archival value lies partly in recording signage and branding around the recorded location before new construction alters the character of the place. The subject also sits alongside bricks-and-mortar retail, community identity, local identity, social landscape, retail chain, physical store, city-centre activity, and contemporary city life. The combination of Celebration, window, Stockton, Queens, and Heath anchors the frame to a recognisable activity, place or moment. By fixing the subject within the recorded location, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for business rates and the role of large retailers in town-centre and edge-of-centre economies when considered against later change at the recorded location. Another useful connection is community use and how regeneration alters the character of familiar places without losing the local specificity of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,City Centre,North west England,UK,Othello - Hamlet - As You Like It - The,Manchester,library,Central library,Stained Glass,window,Shakespeare,Windows,City,Bard,art,literature,SJ8397,Shakespeare Window,scenes,Robert Anning Bell,Mrs Rosa Grindon,Leo Grindon,M2,English,playwright,poet,actor,Englands national Poet,Stratford-upon-Avon,Stratford,Shakespeare Hall,Manchester Central Library Shakespeare Hall,history,historic,scene
Description: Tony Smith image Alamy 2ADE3CF - Shakespeare Window, Manchester Central Library
Above the front door of the library is stained glass Shakespeare window. It was designed by Robert Anning Bell and depicts William Shakespeare and scenes from his plays. It was given to the library by Mrs Rosa Grindon, in memory of her husband, the famous Manchester botanist, Leo Grindon.
Inside Central Library
The main entrance hall gets its name from the huge stained glass window above the front door. The window was designed by the Arts & Crafts artist, Robert Anning Bell RA (1863-1933) and includes a portrait of William Shakespeare and scenes from many of his plays. It was given to the library by Mrs Rosa Grindon, in memory of her husband, the famous Manchester botanist, Leo Grindon.
The two other stained glass windows and the magnificent heraldic decorations were all designed by George Kruger Gray (1880-1943). On the ceiling are the arms and crests of the Duchy of Lancaster, Lancashire County Council and the Sees of York, Manchester and the City of Manchester . Around the walls are those of Manchester Grammar School, Manchester University, the Manchester Regiment, Humphrey Chetham, the Overseers of the Township, England, St George and St Mary (the patron saint of Manchester).
St Peter's Square, Manchester,Greater Manchester, England,UK, M2 5PD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,council,civic,crest,motto,Lancs,County Council crest,stained,glass,window,Manchester,In council wisdom,Manchester Central library Stained Glass Window,Window,Arms,blue,white,red roses,emblem,history,historic,when,part,of Lancashire,colourful,windows,Mancunian,city,cities,centre,libraries,building,interior,inside
Description: Tony Smith image Alamy 2ADE3T3 - Official blazon
Arms : Gules three Piles two issuant from the chief and one in base Or each charged with a Rose of the field barbed and seeded proper.
Crest : On a Wreath of the Colours a Lion passant guardant proper charged on the body with a Mascle Gules and resting the dexter forepaw on an Escocheon of the above said Arms.
Supporters : On either side a Lion proper gorged with a Collar Vair pendent therefrom an Escocheon of the following Arms viz. Gules three Piles two issuant from the chief and one in base Or each charged with a Rose Gules barbed and seeded proper.
Motto: 'IN CONCILIO CONSILIUM' - In council is wisdom
Origin/meaning
The arms were officially granted on August 31, 1903, the supporters were granted on October 26, 1903.
The arms are quite simple, showing the famous red rose of Lancaster in a distinctive design. The red rose appears in most Lancashire towns and districts.
The crest and supporters are derived from the arms of the Ferrers family, earls of Derby. The lions, mascule and vair pattern all feature in tha arms of the family who have been prominent land owners in the county.
The Main Library Oxford Road Manchester,North West,England,UK, M13 9PP
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,CH N.KATZ,across top of window,Shoreditch,London,E1,bags,gallery,history,historical,Jew,business,business man,Katz,N Katz,CHNKatz,shopfront,shop front,outside,exterior,Spitalfield,ols,pastimes,past times,old sign,signs,bricks,painted,little Jewish shop,little,Jewish shop,window,92 Brick Lane,East London,Jews
Description: Tony Smith image Alamy 2AE028J - . A grounded documentary photograph made at 92 Brick Lane,Shoreditch,East End,London,England,UK, E1 in 2019, preserving the main subject alongside smaller details that may become more historically useful with time. The image documents CH N.KATZ,across top of window,92 Brick Lane,Shoreditch,East End,London,England,UK, E1,Twine and String merchant. The scene additionally carries associations with historic manufacturing, changing streetscape, urban commerce, high-street commerce, historic context, consumer retail, engineering heritage, place identity, community identity, traditional building materials, local trading, industrial archaeology, manufacturing heritage, and factory history. From a 2025-onward perspective, the scene also connects with construction materials, industrial conservation and recording industries that shaped northern towns. In the mid-2020s, vacant units and commercial rents keep the subject current, particularly through how high streets adapt when traditional retail contracts. As the area changes, the photograph anchors the relationship between the subject and its surroundings in the immediate surroundings of 92 Brick Lane,Shoreditch,East End,London,England,UK, E1. Other useful associations include period detail, local character, retail vacancy, independent trading, shopfront economy, customer footfall, commercial frontage, and regional identity. The combination of London, Brick, Twine, across, and Shoreditch anchors the image to a recognisable activity, place or moment. For 92 Brick Lane,Shoreditch,East End,London,England,UK, E1, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another useful connection is construction materials and the reuse or loss of former production sites within the specific setting of 92 Brick Lane,Shoreditch,East End,London,England,UK, E1. The frame retains evidence of changing use for later comparison.
92 Brick Lane,Shoreditch,East End,London,England,UK, E1
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Stained Glass Window of a sailing galleon,172 Warstone Ln,West Midlands,England,UK,B18 6JW,history,historic,pub,bar,RoseVilla,tavern,CAMRA,Window,ship,boat,window,B18,city centre,Victorian pub,Birmingham pubs,classic,White Rose,Yorkshire,sails,RVT,real ale,Summer Row,art-deco features and original stone placements are original features,Mitchell and Butlers,Mitchell,Butlers,Wood & Kendrick,bay window,inter-War public house,Public House,listed
Description: Tony Smith image Alamy R9GT7R - Opened in 1920 by local brewers Mitchell and Butlers, The Rose Villa Tavern is a cool and quirky pub in Birmingham that has managed to retain its period features. Green tiles, art-deco features and original stone placements are original features that remain intact, even after the pub's quirky and somewhat renovation.
172 Warstone Ln, Birmingham, West Midlands, England, UK, B18 6JW
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,Manhattan,USA,city,US,flag,09/11,Memorial,terrorist attack,the Lower Manhattan Development Corporation launched the World Trade,outside,exterior,entrance,New York,September11,national,September 11,memorial,museum,inside,interior,exhibit,exhibits,US flag,entry,lower Manhattan,glass,window,windows,patriotic,anniversary,Sep 11th,25th anniversary,911,National 911 Memorial & Museum,National 911 Memorial and Museum
Description: Tony Smith image Alamy 2AFK6BN - Formerly the World Trade Center Memorial Foundation, the National September 11 Memorial & Museum was formed as a 501(c)(3) non-profit corporation to raise funds and manage the memorial's planning and construction. Its board of directors met for the first time on January 4, 2005, and it reached its first-phase capital-fundraising goal ($350 million) in April 2008. This money and additional funds raised will be used to build the memorial and museum and endow the museum.
In 2003, the Lower Manhattan Development Corporation launched the World Trade Center Site Memorial Competition, an international competition to design a memorial at the World Trade Center site to commemorate the lives lost on 9/11. Individuals and teams from around the world submitted design proposals. On November 19, 2003, the thirteen-member jury selected eight finalists. Reflecting Absence, designed by Michael Arad and Peter Walker, was chosen as the winning design on January 6, 2004. It consists of a field of trees interrupted by two large, recessed pools, the footprints of the Twin Towers. The deciduous trees (swamp white oaks) are arranged in rows and form informal clusters, clearings and groves. The park is at street level, above the Memorial Museum. The names of the victims of the attacks (including those from the Pentagon, American Airlines Flight 77, United Airlines Flight 93, and the 1993 World Trade Center bombing) are inscribed on the parapets surrounding the waterfalls in an arrangement of meaningful adjacencies. A portion of the slurry wall originally designed to hold back the Hudson River, about half of what Daniel Libeskind originally wanted to preserve, is maintained in the museum. On January 14, 2004, the final design for the World Trade Center site memorial was unveiled at a press conference in Federal Hall National Memorial
One World Trade Center, Manhattan, New York City, NY, USA, North America
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,boxing,neon sign,red,orange,window,culture,exercise,ring work,9 BLEECKER STREET,NEW YORK,NY 10012,9 Bleecker St,private training,Overthrow Boxing,gritty,downtown,headquarters,eastside,lower manhattan,gym,sport,boxing sport,boxing clubs,local boxing gym,boxing gym,boxing brand
Description: Tony Smith image Alamy 2AFK6NA - Take a Look Inside Overthrow Boxing, Where Celebs Like Usher and J-Lo Train
There is a crowd gathering outside the door of 9 Bleecker Street, the gritty downtown headquarters of Overthrow Boxing.
Passersby slow their pace and turn their heads towards the pulsating hip-hop that blares out Overthrow's doors and onto the sidewalk. Through its ground floor windows, and past an aggressive neon red sign, a few dozen young women chat excitedly as they wrap their hands before squeezing into boxing gloves.
Further back another class is still in session, with the participants jabbing ferociously at shared punching bags as an instructor screams down from a ring set alongside an exposed brick wall.
On any given night, a peek through these same steamed-up windows could result in a story-worthy sighting of Nina Agdal, Usher, Martha Hunt, Jennifer Lopez, the Fat Jewish or Will Smith.
This is exactly what Overthrow founder Joey Goodwin had in mind when he started the gym two years ago. I wanted to create an atmosphere that drew you in, he says. Everyone on the outside is trying to get a better look, wishing they were a part of the action.
Atisha Paulson
The phenomenon was one that Goodwin observed while on the iconic West 4th basketball courts, where he started balling at the age of 10.
There he was introduced to the sport of boxing through a fellow player.
I think he saw me run my mouth and get beaten up too many times, remembers Goodwin, leaning back in his office on the gym's second floor. He took me to East River Park and taught me a few moves. I was hooked immediately.
Enrolling in a local boxing gym, the street-wise Goodwin immediately spotted an opportunity for growth. The room was filled CEOs, models, editors and entrepreneurs, he says. I began to see the potential that could come with creating a real boxing brand, done in the style of SoulCycle or Barry's Bootcamp.
9 BLEECKER STREET NEW YORK, NY 10012, USA
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,boxing,neon sign,red,orange,window,culture,exercise,ring work,9 BLEECKER STREET,NEW YORK,NY 10012,9 Bleecker St,private training,Overthrow Boxing,gritty,downtown,headquarters,eastside,lower manhattan,gym,sport,boxing sport,boxing clubs,local boxing gym,boxing gym,boxing brand,neighbourhood,neighbourhoods,1970s
Description: Tony Smith image Alamy 2AFK6NC - Take a Look Inside Overthrow Boxing, Where Celebs Like Usher and J-Lo Train
There is a crowd gathering outside the door of 9 Bleecker Street, the gritty downtown headquarters of Overthrow Boxing.
Passersby slow their pace and turn their heads towards the pulsating hip-hop that blares out Overthrow's doors and onto the sidewalk. Through its ground floor windows, and past an aggressive neon red sign, a few dozen young women chat excitedly as they wrap their hands before squeezing into boxing gloves.
Further back another class is still in session, with the participants jabbing ferociously at shared punching bags as an instructor screams down from a ring set alongside an exposed brick wall.
On any given night, a peek through these same steamed-up windows could result in a story-worthy sighting of Nina Agdal, Usher, Martha Hunt, Jennifer Lopez, the Fat Jewish or Will Smith.
This is exactly what Overthrow founder Joey Goodwin had in mind when he started the gym two years ago. I wanted to create an atmosphere that drew you in, he says. Everyone on the outside is trying to get a better look, wishing they were a part of the action.
Atisha Paulson
The phenomenon was one that Goodwin observed while on the iconic West 4th basketball courts, where he started balling at the age of 10.
There he was introduced to the sport of boxing through a fellow player.
I think he saw me run my mouth and get beaten up too many times, remembers Goodwin, leaning back in his office on the gym's second floor. He took me to East River Park and taught me a few moves. I was hooked immediately.
Enrolling in a local boxing gym, the street-wise Goodwin immediately spotted an opportunity for growth. The room was filled CEOs, models, editors and entrepreneurs, he says. I began to see the potential that could come with creating a real boxing brand, done in the style of SoulCycle or Barry's Bootcamp.
9 BLEECKER STREET NEW YORK, NY 10012, USA
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,HotpixUK,shower curtain,WHB,small,compact,family,frosted,window,fish,bathrooms,restroom,restrooms,bathtub
Description: Tony Smith image Alamy DCYE31 - . This location-specific image from England, Great Britain , UK in 2013 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records Suburban bathroom, with fish shower curtain, bath, pedestal sink wash hand basin. Other connected aspects include changing streetscape, retail property, local character, everyday life, independent retail, documentary photography, archival record, bricks-and-mortar retail, local story.htm Target=_Blank>history, social history, regional identity, place identity, specialist retailer, and town-centre trading. From a 2025-onward perspective, store closures and town-centre regeneration are closely linked to this subject, alongside the contribution of independents to distinctive high streets. As a dated visual record of England, Great Britain , UK, the frame retains equipment and working practice, making it especially useful if closure or conversion subsequently changes the scene. The wider setting retains connections with customer footfall, specialist shop, before-and-after reference, changing land use, local enterprise, small business, commercial frontage, and community identity. Details involving Suburban, curtain, bathroom, shower, and basin make the image more specific than a generic view and strengthen its local or historical value. The period setting at England, Great Britain , UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is store closures and the contribution of independents to distinctive high streets within the specific setting of England, Great Britain , UK. The wider significance includes store closures and the resilience of specialist shops in an online retail economy as part of the longer story of England, Great Britain , UK. The view records part of the area's social history for later comparison.
England, Great Britain , UK
Description
Keywords: Manchester,city,HotpixUK,GoTonySmith,North West England,UK,England,Oldham street cafe,central Manchester,Oldham st,cafe,central,centre,NQ4,shop window,shop,window,Cooked Breakfasts,cereal,Fry Up,hotel B&B breakfast,options,breakfast options,healthy breakfast,unhealthy,breakfast,fried breakfast,fry up,full fry up,fatty breakfast,start the day with breakfast,poached eggs,bacon butty,sausage butty,Irish cooked breakfast,cooked breakfast,epic,cooked,Bacon,diner
Description: Tony Smith image Alamy RFF68A - . A detailed visual record documents the working environment around the recorded location, in this period view from 2019. The supplied image information identifies Blue Breakfasts neon sign, Oldham street cafe, central Manchester, Northern Quarter, England, UK. Other closely connected aspects of the subject are visitor destination, independent retail, tourist accommodation, commercial frontage, catering trade, hospitality employment, high-street commerce, local trading, restaurant sector, food-and-drink business, town-centre trading, and consumer leisure. For present-day editorial use, town-centre commerce can also illustrate debates about hybrid working and vacant premises, particularly where these affect heritage-led regeneration. Modern coverage of visitor-economy venues frequently reaches beyond the immediate scene to questions of delivery-platform competition, commercial rents and distinctive visitor experiences. Small period details preserved at the recorded location may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage, specifically in relation to Blue Breakfasts neon sign. The surrounding story includes commercial streetscape, bricks-and-mortar retail, leisure hospitality, retail vacancy, local dining, destination economy. The location further reflects hospitality premises, service economy, shopping habits, local tourism, chain-store economy, consumer spending, city-centre economy, tourism economy, consumer retail, and leisure venue. In the mid-2020s, physical shops is increasingly discussed through shifts in leisure spending and online shopping, with attention turning to heritage-led regeneration. That gives this view of the recorded location continuing value for local history, retrospective reporting and visual comparison, specifically in relation to Blue Breakfasts neon sign.
Description
Keywords: GoTonySmith,HotpixUK,sweets,Uncle Joes,balls,mints,Wigan,town,famous,factory,Wigan factory,Toffee Factory,Sweet Factory,window,fan,extractor,Toffee in Brick,William Santus & Co Ltd,Greater Manchester,North West England,UK,WN1 1HE,Toffee,Brick,bricks,William Santus,company,limited,ltd,North West,England,Wigan Wallgate,Uncle Joes Mint Balls,They keep you all aglow,pure and good,Abandoned Factory,Everton,EFC,sean dyche everton,Victorian
Description: Tony Smith image Alamy R9GTE0 - Uncle Joe's Mint Balls are mints produced by Wm Santus & Co. Ltd. in Wigan, Greater Manchester, England since 1898. Despite their name, the mints are not truly spherical but oblate spheroids. The ingredients of Uncle Joe's Mint Balls are: pure cane sugar, oil of peppermint and cream of tartar and are described on the tin as suitable for vegans. The words Gluten Free are also on the tin lid.
The early mint balls were made by William Santus' wife, Ellen, before production moved to a factory near Wigan Wallgate railway station in 1919.
The packaging, usually a sealed can, describes its contents as pure and good, and They keep you all aglow and carries a picture of the mascot, a smiling man in a top hat.
British singer/songwriter and humorist Mike Harding has a song called Uncle Joe's Mint Balls on his 1975 album Mrs. 'Ardin's Kid. It also appeared as the B side to his 1975 single My Brother Sylveste. Wigan Warriors have a version of the song celebrating some of its legendary rugby players of the 1950s and 60s such as Billy Boston, Brian McTigue and Eric Ashton that plays before some of its home games at the DW Stadium
On 16 February 2011, Wm Santus' Dorning Street factory produced the two-billionth Uncle Joe's Mint Ball, which was encased in resin and placed on display at the Museum of Wigan Life until 17 March.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Germany,German,Rhine,City Centre,city,ancient Mogontiacum,ancient,Mogontiacum,historic,town,55116 Mainz,55116,St stephen,saint stephen,Marc Chagall,St Stephan zu Mainz,St. Stephan,zu Mainz,window,windows,history,Gothic hall,collegiate church,Collegiate Church of St. Stephan,door,handle,fish,fish handle,cross,copper,St Stephan Mainz door,St stephen Mainz door,arch,archway,entrance,mogontiacum
Description: Tony Smith image Alamy RGGE55 - The Collegiate Church of St. Stephan, known in German as St. Stephan zu Mainz, is a Gothic hall collegiate church located in the German city of Mainz. It is known for windows created by Marc Chagall.
St. Stephan was originally built in 990 at the order of Archbishop Willigis, who also initiated the building of Mainz Cathedral. The church was founded on top of the highest hill in the town, most likely on behalf of Theophanu, the widow of Otto II, Holy Roman Emperor. Willigis intended the church to be a site of prayer for the Empire.
The provost of the Collegiate Church administered one of the archdiaconates (a medieval organizational form similar to today's diaconates) of the Archbishopric of Mainz.
The current church building dates from the late medieval era
construction of the main area of the church began in about 1267 and was completed in 1340. The successional building kept the guidelines of the floor plan of the original Willigis building and with it the design as a double choir church. St. Stephan is the oldest Gothic hall church in the Upper Rhine district, and is (besides Mainz Cathedral) the most important church in the city of Mainz.
View of the Gothic cloister of St. Stephan, rebuilt 1968-71 after heavy destruction in World War II
Only a few changes have been made to the church since the 14th century. The cloister, for instance, was added between 1462 and 1499 to the southern side of the church, and the outer face of the church was updated during the Baroque period. In 1857 a great explosion in a nearby powder magazine (Mainz was a federal fortress in the 19th century) destroyed the baroque facing of the church.
St. Stephan was heavily damaged in the cause of the bombing of Mainz in World War II. The cloister was heavily damaged and was rebuilt between 1968 and 1971
the restoration of the huge western belfry was also completed at that time, albeit with some difficulty.
Kleine Weißgasse 12, 55116 Mainz, Germany
Description
Keywords: GoTonySmith @HotpixUK,GoTonySmith,@HotpixUK,Blue police call box,Glasgow,Scotland,UK,Blue,city centre,Scottish,blue box,blue police box,Gilbert MacKenzie Trench,public police telephone,window,shed,kiosks,kiosk,Strathclyde Police,Civil Defence & Emergency Service Preservation Trust,Civil Defence & Emergency Service Preservation Trust and the Glasgow,Glasgow Building Preservation Trust,boxes,Glasgow police box,on top,miniature police station,light on top,Glasgow police boxes,telephone,light,architectural heritage,HotpixUK,Police,British Broadcasting Corporation,Merchant City,Police box,Public Call Box,police box,hotpix.org.uk
Description: Tony Smith image Alamy PE1J49 - A police box is a public phone.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>telephone kiosk or callbox for the use of members of the police, or for members of the public to contact the police. It was used in the United Kingdom throughout the 20th century from the early 1920s. Unlike an ordinary callbox, its telephone was located behind a hinged door so it could be used from the outside, and the interior of the box was, in effect, a miniature police station for use by police officers to read and fill in reports, take meal breaks and even temporarily hold prisoners until the arrival of transport.
Police boxes predate the era of mobile telecommunications
now members of the British police carry two-way radios and mobile phones rather than relying on fixed kiosks. Most boxes are now disused or have been withdrawn from service.
The typical police box contained a telephone linked directly to the local police station, allowing patrolling officers to keep in contact with the station, reporting anything unusual or requesting help if necessary. A light on top of the box would flash to alert an officer that they were requested to contact the station. Members of the public could also use the phone to contact a police station in an emergency or, in the case of the Metropolitan Police, for assistance with any matter normally within the purview of the police.
Police boxes were usually blue, with the most notable exception being Glasgow, where they were red until the late 1960s. In addition to a telephone, they contained equipment such as an incident book, a fire extinguisher and a first aid kit.
The blue police box is often associated with the science fiction television programme Doctor Who, in which the protagonist's time machine, a TARDIS, is in the shape of a 1960s British police box
High Street, Glasgow, UK
Description
Keywords: HotpixUK,GoTonySmith,police box,blue,Police,Scotland,City Centre,area,British Broadcasting Corporation,Public Call Box,Glasgow,Merchant City,UK,box,Police box,blue police box,miniature police station,telephone,light,on top,top,light on top,Glasgow police box,Glasgow police boxes,boxes,Civil Defence & Emergency Service Preservation Trust and the Glasgow,Glasgow Building Preservation Trust,Civil Defence & Emergency Service Preservation Trust,architectural heritage,Strathclyde Police,shed,kiosks,kiosk,door,window,public police telephone,Gilbert MacKenzie Trench,G1,blue box,Scottish
Description: Tony Smith image Alamy P72DHC - A police box is a public telephone kiosk or callbox for the use of members of the police, or for members of the public to contact the police. It was used in the United Kingdom throughout the 20th century from the early 1920s. Unlike an ordinary callbox, its telephone was located behind a hinged door so it could be used from the outside, and the interior of the box was, in effect, a miniature police station for use by police officers to read and fill in reports, take meal breaks and even temporarily hold detainees until the arrival of transport.
The TARDIS Time And Relative Dimension In Space is a fictional time machine and spacecraft that appears in the British science fiction television series Doctor Who and its various spin-offs.
The TV show Doctor Who mainly features a single TARDIS used by the central character the Doctor. However, in the series other TARDISes are sometimes seen or used. The Doctor's TARDIS has a number of features peculiar to it, notably due to its age and personality. While other TARDISes have the ability to change their appearance in order to blend in with their surroundings, the chameleon circuit in the Doctor's TARDIS is broken, and it always resembles a police box. However, in the new series, a perception filter is used to blend in with the surroundings so it is often ignored by passersby. While the exterior is of limited size, the TARDIS is much bigger on the inside, containing an apparently infinite number of rooms, corridors and storage spaces within.
Doctor Who has become so much a part of British popular culture that the shape of the police box has become associated with the TARDIS rather than with its real-world inspiration. The name TARDIS is a registered trademark of the British Broadcasting Corporation (BBC). The police box design has also been registered as a trademark by the BBC, despite the design having been created by the Metropolitan Police. The word TARDIS is listed in the Oxford English Dictionary.
Brunswick St, Glasgow, Scotland, UK, G1 1HD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Bristol,water,waterside,South West England,City Centre,Bristol cathedral,stained glass,religion,religious,art,College Green,Bristol City,BS1 5TJ,window,windows,South West,BS1,Church,scroll,cathedrals,stained,glass,abbot,abbots,history,historic,Cathedral Church of the Holy and Undivided Trinity,Holy and Undivided Trinity,Knowles,Knowle,city,centre
Description: Tony Smith image Alamy RM1TEB - . A local-history photograph places on record the setting around College Green, Bristol , BS1 5TJ, in a photograph originating in 2017. Within that setting the photograph concentrates on Knowle Abbot scroll Bristol Cathedral, College Green, stained glass windows, Bristol City, South West England, UK, BS1 5TJ. The physical and social setting additionally connects with religious heritage, religious building, historic fabric, architectural character, built heritage, community ministry, heritage asset, place of worship, historic church fabric, heritage conservation, architectural heritage, and architectural detail. Modern coverage of community ministry frequently reaches beyond the immediate scene to questions of conservation, changing attendance and sustainable maintenance. Seen from a 2025-onward perspective, traditional structures also connects with redevelopment pressure, planning control and efforts aimed at keeping older buildings useful. Documentary value is strengthened by the precise setting at College Green, Bristol , BS1 5TJ, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The surrounding context also touches on historic built environment, sacred interior, period property, historic townscape, congregational space, urban fabric. Further recorded details include Bristol City Centre, Holy and Undivided Trinity, Cathedral Church of the Holy and Undivided Trinity. A second layer of description includes Christian heritage, religious landmark, townscape identity, faith heritage, heritage streetscape, sacred architecture, conservation architecture, historic environment, adaptive reuse, and worship space. For present-day editorial use, sacred architecture can also illustrate debates about energy use and community use, particularly where these affect accessible worship spaces. The view of College Green, Bristol , BS1 5TJ also preserves another layer of local identity and period change.
College Green, Bristol , BS1 5TJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,South East England,England,seaside,English,UK,GB,coast,coastal,town,summer,resort,council,Sussex,tourists,travel,LGBT,LGBTQ,community,lesbian,gay,bisexual,homosexual,same sex households,Piers,British,sign,English seaside,Brighton sign,red,red Brighton sign,white pier,white,pier,pier building,windows,window,Brighton window
Description: Tony Smith image Alamy RKMMA6 - Brighton is a seaside resort on the south coast of England that is part of the city of Brighton and Hove, located 47 miles (76 km) south of London.
Brighton's location has made it a popular destination for tourists, renowned for its diverse communities, quirky shopping areas, large cultural, music and arts scene and its large LGBT population, leading to its recognition as the unofficial gay capital of the UK. Brighton attracted 7.5 million day visitors in 2015/16 and 4.9 million overnight visitors, and is the most popular seaside destination in the UK for overseas tourists. Brighton has also been called the UK's hippest city, and the happiest place to live in the UK
In 1985, the Borough Council described three myths about Brighton's economy. Common beliefs were that most of the working population commuted to London every day
that tourism provided most of Brighton's jobs and income
or that the borough's residents were composed entirely of wealthy theatricals and retired businesspeople rather than workers. Brighton has been an important centre for commerce and employment since the 18th century. It is home to several major companies, some of which employ thousands of people locally
as a retail centre it is of regional importance
creative, digital and new media businesses are increasingly significant
and, although Brighton was never a major industrial centre, its railway works contributed to Britain's rail industry in the 19th and 20th centuries, particularly in the manufacture of steam locomotives.
Since the amalgamation of Brighton and Hove, economic and retail data has been produced at a citywide level only. Examples of statistics include: Brighton and Hove's tourism industry contributes £380m to the economy and employs 20,000 people directly or indirectly
the city has 9,600 registered companies
and a 2001 report identified it as one of five supercities for the future. In the past couple of years tourists to Brighton and Hove have fallen.
Madeira Dr, Brighton BN2 1TW
Description
Keywords: street,Wilson street,time,night,night time,nighttime,Wilson St,Glasgow,Scotland,UK,city,centre,window,Time And Relative Dimension In Space,city centre,Glasgow City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scottish,Scotch,British,Scotland,Alba,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism
Description: Tony Smith image Alamy HEJ5NC - The TARDIS (UK /ˈtɑːdɪs/
US /ˈtɑːrdɪs/
Time And Relative Dimension In Space) is a fictional time machine and spacecraft that appears in the British science fiction television programme Doctor Who and its various spin-offs.
A TARDIS is a product of the advanced technology of the Time Lords, an extraterrestrial civilisation to which the programme's central character, the Doctor, belongs. A properly maintained and piloted TARDIS can transport its occupants to any point in time and space. The interior of a TARDIS is much larger than its exterior. It can blend in with its surroundings using the ship's chameleon circuit. TARDISes also possess a degree of sapience and provide their users with additional tools and abilities including a universal translation system based on telepathy.
In the series, the Doctor pilots an apparently unreliable, obsolete TARDIS
in the episode Let's Kill Hitler (2011), it is designated TT Type 40, Mark 3. Its chameleon circuit is broken, leaving it stuck in the shape of a 1960s-style London police box after a visit to London in 1963. The Doctor's TARDIS was for most of the series' history said to have been stolen from the Time Lords' home planet, Gallifrey, where it was old, decommissioned and derelict.
The unpredictability of the TARDIS' short-range guidance (relative to the size of the Universe) has often been a plot point in the Doctor's travels. In The Doctor's Wife, the TARDIS reveals that much of this unpredictability was actually intentional on its part in order to get the Doctor where he needed to go as opposed to where he wanted to go.
Doctor Who has become so much a part of British popular culture that the shape of the police box become more immediately associated with the TARDIS than with its real-world inspiration. The name TARDIS is a registered trademark of the British Broadcasting Corporation (BBC)
Wilson st, Glasgow, Scotland, UK
Description
Keywords: Humfredo,Chetham,Christian,architecture,inside,interior,religion,cross,religious,easter,altar,stone,church,stone,in,front,infront,of,stained,glass,window,Manchester Cathedral,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4EE2R - Sir Humphrey Chetham (10 July 1580 1653) was an English merchant, responsible for the creation of Chetham's Hospital and Chetham's Library, the oldest public library in the English-speaking world.
Chetham was born in Crumpsall, Lancashire, England, the son of a successful Manchester merchant who lived in Crumpsall Hall. He was educated at Manchester Grammar School, and in 1597 was apprenticed to Samuel Tipping, a Manchester linen draper. Chetham remained with Tipping until 1605, when he moved to London with his brother George and set up a partnership with him trading in various textiles. The business was successful, since the fabric was bought in London and sold for a higher price in Manchester. He acquired Clayton Hall in Manchester as his home, and in 1628 was also able to buy Turton Tower from William Orrell.
In 1631, he was asked to be knighted after his huge wealth became known to the crown, but he refused it, and so was fined. He later became the High Sheriff of Lancashire in 1635, a job he was unable to refuse, and in 1643 he was forced into the position of General Treasurer of Lancashire, which he found very difficult for his age. He also began to obtain debts, and he feared that on his death parliament would take his money. He therefore donated money to form a blue coat school for forty poor boys, which later became Chetham's Hospital and then Chetham's School of Music. He also left money to form the Chetham's Library, which included money to pay for the books. More libraries were constructed later on from this money.
After Chetham's death, at Clayton Hall, in 1653, the school and library opened. His contribution is commemorated by a statue and a window in Manchester Cathedral and by a statue and mural in Manchester Town Hall. By prior arrangement, Clayton Hall was left to the surviving nephew, George.
Victoria St, Manchester , England, UK, M3 1SX
Description
Keywords: France,French,food,sign,night,dusk,at,auberge,london,yellow,star,stars,food,at night,GoTonySmith,Buy Pictures of,Buy Images Of,1 Sandell St,London,SE1 8UH,SE1,1 Sandell Street,1,window,windows,lights,Auberge,restaurant,Waterloo East,black,lemon,lettering,classic,candlelit,dining,Hotpix.org.uk,HotpixUK.org.uk
Description: Tony Smith image Alamy F7DFGE - A close-up night-time view of the illuminated Auberge restaurant sign at 1 Sandell Street in Waterloo, central London. The restaurant name is displayed in large capital letters filled with bright yellow bulbs, creating a theatrical marquee-style effect against a dark reflective glass background. The angled composition emphasises the bold typography and glowing lights, while smaller reflections and points of light add atmosphere to the surrounding evening scene.
Auberge operates as a French-inspired bar and brasserie close to Waterloo railway station and the South Bank. Its central location places it within walking distance of major visitor destinations including the London Eye, Royal Festival Hall, the National Theatre and Westminster Bridge. The venue serves food and drinks throughout the day and evening, making it part of the busy hospitality and entertainment economy around Waterloo and London's riverside cultural district.
The illuminated lettering provides a strong example of commercial restaurant branding designed to attract attention after dark. Individual round bulbs outline each letter, producing a warm contrast with the black facade and surrounding shadows. This style of signage draws on the visual language of theatres, cinemas and traditional entertainment venues, giving the restaurant frontage a lively and recognisable identity.
The photograph concentrates on the business name rather than the wider building, making it suitable for editorial use concerning London restaurants, French dining, hospitality businesses, evening entertainment, commercial signage, restaurant branding, urban nightlife and the visitor economy. It may also illustrate features about places to eat near Waterloo station, South Bank dining, pre-theatre meals, London tourism and the visual character of city-centre streets after dark.
The image captures the contrast between artificial light and the dark exterior, with the warm bulbs standing out clearly against the surrounding glass
1 Sandell St, London, England, United Kingdom SE1 8UH
Description
Keywords: inside,historic,history,saint,Cuthbert,anglican,catholic,interior,without,Celtic,tradition,city,listed,building,gradeII,grade2,Bewcastle,window,fourteenth century,religion,religious,Latvian,Lutheran,congregation,saint,Cuthbert,brown,robe,bible,with,stained,Glass,St Cuthberts,With Bible,GoTonySmith,Melrose,Cumbrian,community,christian,anglican,Buy Pictures of,Buy Images Of,Cuthbert of Melrose
Description: Tony Smith image Alamy EY3KR1 - History and General Description
The Church stands not east-west but square to the Roman Road north through Carlisle (the A6, in town Blackfriars St). It is therefore of early foundation, perhaps before St Cuthbert's visit to Carlisle in 685. The present Church, probably the fourth on the site, dates from 1778.
It has a unique moving pulpit, a fourteenth century window, a window commemorating our hospitality to a Latvian Lutheran congregation, and a very attractive series of windows depicting the life of St Cuthbert. It is open every day during daylight hours. Our motto is: Christian Hospitality
Blackfriars st, Carlisle,Cumbria,England,UK
Description
Keywords: Oxen Oxon United Kingdom,UK,English,Saint,Church,of,chancel,and,the,2000,new,art,artwork,Norman,stonework,Early,Gothic,chancel,Benefice,middle,window,on,south,side,of,nave,built,in,sepia,brown,winter,GotonySmith Ardley with Fewcott civil parish in Oxfordshire,England,early,in,the,21st,century,postcard,classic,historic,history,ecclesiastical,parishes,Fritwell,Lower Heyford,Somerton,Souldern and Upper Heyford,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ECW52D - The Church of England parish church of Saint Mary dates from at least 1074. The original church was demolished and completely rebuilt, but both the chancel and the bell tower of the present building contain small amounts of re-used Norman stonework.
The present Early English Gothic chancel was built late in the 12th or early in the 13th century. The tower has a saddleback roof and may have been built in the 13th or 14th century. The present nave was built in 1793 and has a west gallery that was added in 1834.
St. Mary's is now part of the Cherwell Valley Benefice along with five other ecclesiastical parishes: Fritwell, Lower Heyford, Somerton, Souldern and Upper Heyford.
Here is shown, middle window on south side of nave
built in 1792, blocked for many years and then restored with a new stained glass window early in the 21st century.
Ardley, Oxfordshire, England, United Kingdom
Description
Keywords: English Cadbury,christian,Catholic,anglican,traditional,with,one,window,cadburys,festive,food,yuletide,special,celebrate,Jesus,Christ,birth,born,festival,Julekalender,Julkalender,Jóladagatal,child,children,nostalgic,Gotonysmith,popular,english,British,confectionary,Xmas,seasonal,chocolates,shop,UK
Description: Tony Smith image Alamy ED8P05 - An Advent calendar is a special calendar used to count or celebrate the days in anticipation of Christmas. Since the date of the first Sunday of Advent varies, falling between November 27 and December 3 inclusive, the Advent calendar usually begins on December 1, although many include the previous few days that are part of the season. The Advent calendar was first used by German Lutherans in the 19th and 20th centuries but is now ubiquitous among adherents of many Christian denominations.
Many Advent calendars take the form of a large rectangular card with windows, of which there are usually 24: one for each day of December leading up to Christmas Eve. Often, these windows have a Bible verse and prayer printed on them, which Christian families incorporate as part of their daily Advent devotions.
Consecutive doors are opened every day leading up to Christmas. The calendar windows open to reveal an image, poem, a portion of a story (such as the story of the Nativity of Jesus) or a small gift, such as a toy or a chocolate item. Advent calendars range in theme, from sports to technology, often carrying Scripture verses
England, UK
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Keywords: Scots,Scottish,Scotch,independance,independence,devolution,seperate,country,separate,nation,currency,sign,outside,a,window,shopwindow,city,tourist,tourism,parliament,gov,government,Holyrood,patriot,patriots,popular,souvenirs,souvenir,printed,items,from,Gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXRN6 - . I love Scot Land shop Edinburgh Scotland UK. Photographed at Edinburgh , Scotland, UK. The photograph was taken on 31 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with love, Scot, Land, shop, Edinburgh, patriotism, Scots, Scottish, Scotch and independance, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Edinburgh , Scotland, UK
Description
Keywords: colored coloured saint saints holy picture image Patience,Charity and Humility,South,Window,St,Andrews,Church,Brympton,DEvercy,Somerset,evercy,devercy,saint,1902,Yeovil,hall,stately,home,NT,national,trust,gotonysmith,Buy Pictures of,Buy Images Of,females,composite of virtues,composite,of,virtues,Chastity,what,True Humanity,looks,like
Description: Tony Smith image Alamy DDJPJG - . Patience Charity Humility Stained Glass in a church, South Window St Andrews Church Brympton D'Evercy Somerset England UK. The photograph was taken on 08 July 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Patience, Charity, Humility, Stained, Glass, church, Patience Charity Humility, women, ladies and colored coloured saint saints holy picture image Patience, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
St Andrews Church Brympton D'Evercy Somerset England UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,altar,art,detail,parish,village,churches,window,Reading,inside,chapel,St Peter & St Paul,parish church,interior,Abbey
Description: Tony Smith image Alamy DA8A5F - . This scene at 10 Manor Farm Rd, Dorchester, Wallingford OX10 7HZ in 2013 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The image documents Altar art detail from lady chapel of St Peter & St Paul, parish church, Dorchester on Thames, England, UK. A broader reading of the photograph includes documentary photography, changing streetscape, parish history, historic church fabric, sacred space, local character, everyday life, religious heritage, contemporary social history, Christian heritage, local history, faith community, social history, and ecclesiastical architecture. From a 2025-onward perspective, community use and faith communities are closely linked to this subject, alongside the importance of church buildings to genealogy and local identity. The image fixes period objects and surrounding context within 10 Manor Farm Rd, Dorchester, Wallingford OX10 7HZ at one identifiable point, providing a benchmark against closure or conversion. The photograph additionally reflects community identity, public realm, before-and-after reference, changing land use, regional identity, religious landmark, ecclesiastical art, and period detail. References to Thames, parish, detail, Altar, and Peter give the picture a strong period identity and tie it closely to its named subject. For 10 Manor Farm Rd, Dorchester, Wallingford OX10 7HZ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate community use and the importance of church buildings to genealogy and local identity when considered against later change at 10 Manor Farm Rd, Dorchester, Wallingford OX10 7HZ. The view records evidence of changing use as part of 10 Manor Farm Rd, Dorchester, Wallingford OX10 7HZ's history.
10 Manor Farm Rd, Dorchester, Wallingford OX10 7HZ
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,altar,art,detail,parish,village,churches,window,Reading,inside,chapel,St Peter & St Paul,parish church,interior,Abbey
Description: Tony Smith image Alamy DA8A5T - . Made at 10 Manor Farm Rd, Dorchester, Wallingford OX10 7HZ in 2013, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The principal subject is Altar art detail from lady chapel of St Peter & St Paul, parish church, Dorchester on Thames, England, UK. Other connected aspects include local character, contemporary social history, sacred space, parish history, changing land use, visual archive, regional identity, religious heritage, public realm, before-and-after reference, period detail, Christian heritage, local history, and heritage worship space. The modern context includes continuing discussion of accessibility, faith communities and the importance of church buildings to genealogy and local identity. The image fixes period objects and surrounding context within 10 Manor Farm Rd, Dorchester, Wallingford OX10 7HZ at one identifiable point, providing a benchmark against different community use. The photograph additionally reflects ecclesiastical architecture, archival record, changing streetscape, documentary photography, sacred architecture, everyday life, historic church fabric, and religious landmark. Elements such as church, detail, Peter, Dorchester, and parish add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within 10 Manor Farm Rd, Dorchester, Wallingford OX10 7HZ, the image preserves more than the headline object or building: it records part of the locality's everyday history. The wider significance includes accessibility and the importance of church buildings to genealogy and local identity when considered against later change at 10 Manor Farm Rd, Dorchester, Wallingford OX10 7HZ. The photograph keeps evidence of changing use as a date-specific reference. The record includes evidence of earlier appearance for later comparison.
10 Manor Farm Rd, Dorchester, Wallingford OX10 7HZ
Description
Keywords: Merope,decaying,British,canal,boat,red,Ellesmere,Port,Cheshire,Great,Britain,British,Bridgewater,canal,museum,England,UK,United,Kingdom,interesting,decayed,disrepair,gotonysmith,Buy Pictures of,Buy Images Of,being,restored,barges,industrial,derelict,window,port hole,boats
Description: Tony Smith image Alamy CEY90T - . Merope, a decaying British canal boat in red. Photographed on 16 May 2009. The recorded location is Ellesmere Port, Cheshire, England, UK. In the longer view, canal infrastructure is a legacy of the Industrial Revolution, when navigable waterways linked mines, mills, factories and ports
The same lock chambers, bridges and towpaths now support leisure cruising, cycling, walking, wildlife corridors and redevelopment, while retaining evidence of their freight-carrying past. In historical terms, harbours and shipping routes have long shaped British coastal and riverside towns
Fishing, cargo handling, ferry services, shipbuilding and port engineering created distinctive working landscapes that increasingly coexist with tourism, leisure craft and waterfront regeneration. The wider historical story is that ruined and abandoned buildings expose construction and decay in ways that occupied properties do not
Missing roofs, weathered masonry and empty openings can reveal former domestic or industrial use while also recording population change and economic decline. Current 2026 relevance comes from the fact that britain's historic waterways remain important for recreation, tourism, biodiversity and industrial heritage, while ageing locks, embankments and bridges require continuing maintenance
Urban canal corridors are also increasingly used for walking, cycling and waterside regeneration. During 2026, modern maritime policy increasingly combines freight efficiency with lower-carbon shipping and port investment
Photographs of working vessels and harbours can illustrate the continuity between traditional maritime trades and now's logistics, offshore and passenger sectors. For the 2026 context, empty buildings are increasingly discussed in terms of reuse, housing need, heritage at risk and embodied carbon
Ruins can therefore illustrate both loss and the question of whether existing structures should be conserved or repurposed.
Ellesmere Port, Cheshire, England, UK
Description
Keywords: advent,calendar,calander,merry,madagascar,door,one,day,december,xmas,christmas,window,chocolate,sweets,2009,365days,hotpix.org.uk,www.hotpix.org.uk,hotpics,hotpic,hotpick,hotpicks,hotpix!
Description: Tony Smith image Flickr 4163583903 - 'Wow, that time already!
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
