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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,image,bell,tower,St,Matthew,Stretton,Warrington,church,Cheshire,Gothic,Revival,George,Gilbert,Scott,sandstone,Victorian,Grade,II,landmark,lancet,windows,heritage,editorial,documentary,2026,British,Britain,Europe,travel,local,community,signage
Description: Tony Smith image Alamy 3FCG6FW - . This view concentrates on the west tower of St Matthew's Church at Stretton, a prominent red-sandstone landmark near Warrington. The present church dates principally from 1870 and was designed by the celebrated Gothic Revival architect George Gilbert Scott, replacing an earlier Commissioners' Church by Philip Hardwick. The tower was rebuilt when the earlier structure was found to be unsound
church history describes it as about 75 feet high, divided into four stages, with angle buttresses, an octagonal turret, lancet openings and a plain corbelled parapet. Those vertical details give the otherwise low Cheshire village skyline a strong focal point. St Matthew's is Grade II listed and remains an active parish church, linking modern Stretton with a much older history of worship in the settlement. The image has value for searches relating to church towers, Victorian ecclesiastical architecture, sandstone buildings, Cheshire heritage and the work of George Gilbert Scott, whose influence can be seen in major churches and civic buildings across Britain. The photograph also has documentary strength because ordinary signs, shopfronts and buildings often change faster than major landmarks. Relevant search and editorial concepts include Warrington, Cheshire, North West England, local community, urban fringe, village heritage, transport links, development pressure, public realm, local services. Useful descriptive vocabulary for archive discovery includes bell, tower, St, Matthew, Stretton, Warrington, church, Cheshire, Gothic, Revival, George, Gilbert, Scott, sandstone, Victorian, Grade, II, landmark, lancet, windows, heritage. Its value is strongest when used with precise place and date information, making it relevant to archives, newspapers, magazines, books, planning material and online features about contemporary Britain. The photograph is suitable for editorial, documentary, social-history, planning,
St Matthew's Church, Stretton Road, Stretton, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,522255A9262,Thorntons Arcade,Leeds,West Yorkshire,England,UK,historic,shopping,arcade,Victorian,architecture,retail,independent,shops,shoppers,clock,heritage,tourism,city-centre,pedestrian,traditional,conservation,covered
Description: Tony Smith image Alamy 3EKD9FK - . Thornton's Arcade in Leeds city centre, West Yorkshire, England, UK, showing arched interior with shoppers. Photographed on 16 May 2026. The recorded location is Thornton's Arcade, Leeds, West Yorkshire, England, UK. Opened in the nineteenth century, Thornton's Arcade is one of Leeds' historic covered shopping arcades and is known for its decorative architecture and famous clock feature. The interior combines ornate detailing with everyday commercial use, making it a useful illustration of how historic retail infrastructure continues to function within a modern city centre. It can support stories about retail heritage, pedestrian shopping, adaptive reuse, tourism and the preservation of distinctive urban architecture. For the story of clock face, it is useful to note that public clocks were once essential pieces of civic infrastructure, allowing travellers, workers and shoppers to coordinate time before personal watches became universal
Decorative clock cases also became architectural landmarks. The historical setting for branding is that material culture includes the ordinary products people bought, used, collected or displayed
Small manufactured objects can reveal national identity, advertising, technology and popular taste in ways that formal records do not. Seen through property, the earlier context is that the built environment is continually reused
Warehouses become apartments, stations become event spaces and commercial premises acquire new occupants, making older photographs particularly valuable for tracing regeneration, demolition, conservation and adaptive reuse. For present-day clock face, 2026 is significant because historic clocks also contribute to place identity and restoration projects where original street furniture or building details are retained. In the 2026 discussion of branding, online resale, nostalgia and interest in vintage design have made many ordinary twentieth-century objects active collecting categories rather than.
Thornton's Arcade, Leeds, West Yorkshire, England, UK
Description
Keywords: Gotonysmith,HotpixUK,@HotpixUK,centre,Yorkshire,art,interior,art museum,paintings,on display,Victorian,visitors,fine art,museum,red,glass roof,glazed,roof lantern,framed,oil,figurative,sculpture,sculpture on plinth,public,historic,salon-style,display,viewing,cultural attraction,Leeds Museums and Galleries,West Yorkshire,heritage,things to do in Leeds,free cultural attraction,UK museum tourism,Yorkshire arts and culture,city-centre sightseeing,children learning about art,arts education resource,British cultural heritage
Description: Tony Smith image Alamy 3EW4FTK - Wide-angle interior view of the Central Court Gallery at Leeds Art Gallery shows visitors studying a dense salon-style display of paintings beneath the restored Victorian glass roof. The room combines deep crimson walls, warm timber flooring and cream architectural detailing, creating a dramatic setting for historic British and European artworks. Framed oil paintings of different sizes cover the walls in closely arranged groups, including landscapes, portraits, figurative scenes and religious or narrative subjects. In the foreground, a white figurative sculpture of a standing nude woman is displayed on a circular grey plinth, adding a three-dimensional focal point against the richly coloured gallery walls.
The image records the public experience of a major regional art museum, with adults and children moving through the collection, pausing to look closely at individual works and discussing the displays. Track lighting supplements the natural daylight entering through the large glazed roof lantern, while the high ceiling and decorative arches retain the character of the building's Victorian origins. The broad, slightly distorted perspective emphasises the scale of the gallery and the height of the roof.
Leeds Art Gallery opened in 1888 and forms part of Leeds Museums and Galleries. Its collections include nineteenth-century painting, sculpture and a nationally important holding of twentieth-century British art. The Central Court's glass roof was uncovered during refurbishment before the gallery reopened in 2017, restoring daylight to one of the building's principal exhibition spaces. The photograph is suitable for editorial coverage of museums, cultural tourism, public art collections, heritage interiors, arts education, family visits, gallery architecture, Leeds city-centre attractions and access to visual culture in northern England
Leeds Art Gallery, The Headrow, Leeds, West Yorkshire, England, LS1 3AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9157,Rushtons Warehouse,New Market Street,Wigan,Greater Manchester,England,UK,warehouse,historic,commercial,building,red-brick,architecture,heritage,industrial,town-centre,regeneration,brickwork,windows,Victorian,Edwardian,conservation,history,premises,facade,buildings
Description: Tony Smith image Alamy 3EKNXM4 - Rushton's Warehouse on New Market Street in Wigan town centre, Greater Manchester, England, UK. The imposing red-brick commercial building carries prominent historic lettering reading T. O. & C. RUSHTON LIMITED across its upper facade, above repeated arched windows and decorative brickwork. The photograph is suitable for editorial coverage of Wigan industrial heritage, warehouses, historic commercial buildings, Victorian and Edwardian architecture, red-brick construction, town-centre regeneration, local businesses and Greater Manchester history. Surviving warehouse buildings such as this provide visible evidence of Wigan's commercial and industrial past and contribute strongly to the character of its older streets. The image can illustrate conservation, adaptive reuse, heritage-led regeneration, architectural details, former industrial premises and the challenges of retaining historic buildings while town centres change around them.
New Market Street, Wigan, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,signage,sign,rail,city,centre,Bee Network,TfGM,integrtaed,public transport,Whitworth Street,West,spring sunlight,bright,sunshine,urban,commuter,trains,wayfinding,city transport,Castlefield,Bridgewater Canal,regeneration,high rise,buildings,glass,walled,skyscraper,Victorian,history,Knott Mill,suburban,heritage,blue sky,sunny weather,city break,travel guide,image
Description: Tony Smith image Alamy 3EFHRJ9 - bright spring photograph shows the red and white Deansgate railway station sign in Manchester city centre, set against a vivid blue sky with fresh green leaves and blossom framing the image. Strong sunlight flares from the glass of a modern tower block behind the sign, giving the scene a sharp urban feel and making it useful for stock themes around rail travel, commuter routes, city transport, Manchester architecture, spring sunshine and public transport wayfinding. The Transport for Greater Manchester mark places it clearly within the city region's transport network, while the close-up composition keeps attention on the station name.
Deansgate station stands on Whitworth Street West, close to Deansgate-Castlefield Metrolink stop, Castlefield, the Bridgewater Canal, Manchester Central and the southern edge of the city centre. The station has a long railway history. Historic England records that it opened as Knott Mill in 1849 on the Manchester South Junction and Altrincham Railway, one of the early suburban railways that helped shape commuting around Manchester. The street-level station building was rebuilt in 1896 by Robert Neill and Son, linking the present site to Victorian railway expansion.
Today Deansgate remains a useful city centre rail stop managed by Northern, with National Rail listing the address as Whitworth Street West, Deansgate, Manchester, M3 4LG. It serves local and regional journeys and connects easily with Metrolink, buses, offices, hotels and cultural venues around Deansgate, Castlefield and the Oxford Road corridor. The image could illustrate articles on Manchester public transport, rail infrastructure, station signage, sustainable travel, city centre regeneration, commuting, urban growth, spring city breaks and the contrast between Victorian railway heritage and newer high-rise development. The blossom, clear blue sky and reflective light add seasonal value, suggesting a crisp, sunny spring day in North West England.
Whitworth Street West, Deansgate, Manchester, Greater Manchester, England, UK, M3 4LG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,High Peak,Derbyshire,England,SK17 6BE,the,craft,independent,ale,ales,history,historic,heritage,Victorian,building,buildings,Buxton Brewery Tap House,Pavilion Gardens Buxton,Buxton Derbyshire,craft beer England,British brewery,outdoor drinking,beer garden England,sunny day Britain,Pavilion Building,brewery tap,pub exterior,bar exterior,outdoor seating,people drinking beer,socialising outdoors,summer weather UK,blue sky,leisure time,tourism Derbyshire,local brewery,independent brewery,Campaign for Real Ale
Description: Tony Smith image Alamy 2RJ3YPX - A busy outdoor seating area at the Buxton Brewery Tap House located within the Pavilion Building at Pavilion Gardens in Buxton, Derbyshire, England. Groups of people sit at wooden benches enjoying craft beer and real ale on a warm, sunny day, with blue skies overhead and parasols providing shade. A chalkboard sign in the foreground advertises beers from Buxton Brewery, a well-known independent brewery closely associated with the Peak District and modern British craft-beer culture.
The Pavilion Building forms part of the wider Pavilion Gardens complex, a historic Edwardian leisure and events space near the centre of Buxton, a spa town renowned for its Georgian and Victorian architecture and its role as a gateway to the Peak District National Park. The scene captures contemporary British outdoor drinking culture, combining heritage surroundings with modern hospitality and tourism. The image conveys relaxation, social interaction, and seasonal enjoyment, typical of summer afternoons in English market towns.
St John's Rd, Buxton, High Peak, Derbyshire, England, SK17 6BE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,High Peak,Derbyshire,England,UK,historic,SK17,SK17 6AY,Saint Ann,well,pumping,pipes,Devonshire,pump,room,rooms,door,doors,entrance,hospital,patient,patients,only,stone,architecture,Victorian,water,waters,arch,arched,outside,seven,Wonders of the Peak,Thomas Hobbes,St Anns Well,St Annes Well,Arnemetia
Description: Tony Smith image Alamy 2RJPXT3 - . St Anns Well, pump room , George St, Buxton, High Peak, Derbyshire, England, UK, SK17 6AY. Photographed on 20 August 2023. The Pump Room is well worth a visit alone. The newly-restored, stunning late Victorian building was erected to resolve the overcrowding of the town's thermal baths and provide a place for locals and holidaymakers to 'take the waters', commune and relax. The building is dedicated to Arnemetia, the Romano-British goddess of the sacred grove, referencing Buxton's history as one of Britain's only two Roman bath towns. Aquae Arnemetiae. Looking at drinking fountain, the longer history is that stone fountains and wells often combine engineering with inscriptions, local donors or commemorative purpose
Their position in market places and crossroads reflects a period when access to clean public water was a significant civic concern. The background to MRI is that diagnostic technologies such as MRI transformed medicine by allowing detailed internal imaging without ionising radiation, while dedicated scanning centres became increasingly common within hospital estates. In 2026, drinking fountain remains relevant because water features also contribute to public realm and heritage tourism, with restoration projects balancing historical fabric, accessibility and modern water-quality standards. Current 2026 context around MRI is that the NHS remains under sustained pressure from waiting lists, workforce shortages, ageing buildings and demand for diagnostics
Images of hospitals, MRI centres and ambulances therefore connect physical infrastructure with wider debate about access and capacity. Other strongly related concepts include public fountain, historic well, water supply, civic infrastructure, street furniture, heritage feature, water history, town landmark, refill water, public drinking water, local history, urban heritage, healthcare, medical services, and diagnostic imaging.
George St, Buxton, High Peak, Derbyshire, England, UK, SK17 6AY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Buxton,town,centre,High Peak,Derbyshire,England,UK,spa,history,historic,chemist,shop,store,pharmacy,shops,stores,ancient,&,and,sons,son,ltd,oldest,Victorian,4,SK17 6AX,SK17,Victorian chemist shop,exterior,outside,CR Clowes,Bronnley,front,frontage
Description: Tony Smith image Alamy 2RJPXTD - Taken on 20 Aug 2023, this photograph shows C R Clowes & Son Ltd, Victorian chemist shop exterior, 4 Cavendish Circus, Buxton, High Peak, Derbyshire, England, UK, SK17 6AX. The location is 4 Cavendish Circus, Buxton, High Peak, Derbyshire, England, UK, SK17 6AX. The picture is not just a record shot: it contains glass bottles, painted lettering, timber fittings or traditional shopfront detail associated with a preserved Victorian pharmacy. C. R. Clowes and Son in Buxton dates from the Victorian period and the business describes itself as established in 1875, with the shop preserving pharmacy fittings, bottles and historic signage in a spa-town setting. It would suit editorial use on shopping, retail change, independent traders, high-street survival, tourism, local economies, consumer habits and the visual identity of British town and city centres. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Clowes, Pugh, JJE, chemists, old, Cavendish Circus, C R Clowes & Son Ltd, chemist shop, window, Buxton, town, centre, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. This makes the image useful for comparison pieces, then-and-now features, local news, regeneration stories and plain-English explainers aimed at a general audience.
4 Cavendish Circus, Buxton, High Peak, Derbyshire, England, UK, SK17 6AX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Buxton,town,centre,High Peak,Derbyshire,England,UK,spa,history,historic,chemist,shop,store,pharmacy,shops,stores,ancient,&,and,sons,son,ltd,oldest,Victorian,4,SK17 6AX,SK17,Victorian chemist shop,interior,inside,cabinets,JJE Pugh,pharmacist,JJE,Pugh,Pughs
Description: Tony Smith image Alamy 2RJPXTP - Taken on 20 Aug 2023, this photograph shows C R Clowes & Son Ltd, Victorian chemist shop interior, 4 Cavendish Circus, Buxton, High Peak, Derbyshire, England, UK, SK17 6AX. The location is 4 Cavendish Circus, Buxton, High Peak, Derbyshire, England, UK, SK17 6AX. The picture is not just a record shot: it contains glass bottles, painted lettering, timber fittings or traditional shopfront detail associated with a preserved Victorian pharmacy. C. R. Clowes and Son in Buxton dates from the Victorian period and the business describes itself as established in 1875, with the shop preserving pharmacy fittings, bottles and historic signage in a spa-town setting. It would suit editorial use on shopping, retail change, independent traders, high-street survival, tourism, local economies, consumer habits and the visual identity of British town and city centres. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Clowes, Pugh, JJE, chemists, old, Cavendish Circus, C R Clowes & Son Ltd, chemist shop, JJE Pugh pharmacist, Buxton, town, centre, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. It also has a useful contemporary feel, because it shows how long-standing places, policies, products or institutions are encountered by ordinary people in daily life.
4 Cavendish Circus, Buxton, High Peak, Derbyshire, England, UK, SK17 6AX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NW,North West,UK,England,centre,city,L1,St Georges Pl,Liverpool,Merseyside,L1 1JJ,at,Music,the,groups,poster,words,2023,building,architecture,history,heritage,listed,grade,Neoclassical,Victorian,Grade I,concert hall,William Brown Street,conservation area,architect,Harvey Lonsdale Elmes,John Weightman,Robert Rawlinson
Description: Tony Smith image Alamy 2RC6H5W - . Liverpool Music City at St Georges Hall, St George's Pl, Liverpool , Merseyside, England, UK, L1 1JJ. Photographed on 12 July 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St George's Place, Liverpool , Merseyside, England, UK, L1 1JJ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include North West, St Georges Pl, Liverpool, Merseyside, L1 1JJ, Music, groups, poster, words, building, architecture, history, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The music context makes the image useful for editorial coverage of performers, venues, concerts, popular culture, local music heritage, audiences, nightlife and the creative industries. Such scenes can become important cultural records as bands, venues, festivals and city music districts change, linking contemporary entertainment with wider stories about tourism, identity and regeneration. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
St George's Place, Liverpool , Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,under,threat,threatened,with,closure,dusk,at,49,Waverley,Surrey,England,UK,GU7,banking,branch,building,corniced eaves,entablature,architecture,Llloyds bank,bankers,financial,loan,account,providers,regulated,regulation,history,historic,old,Victorian,buildings,ornate
Description: Tony Smith image Alamy 2PG92T7 - GODALMING HIGH STREET SU 9743 NW (south side) 13/142 No 49 (Lloyds Bank) GV II
Bank. Late C19, altered. Ashlar and yellow brick, Welsh slate roof. 2 storeys with attic
4 x 3-bay front range
large yellow-brick range to rear not of special interest. Plinth. On ground-floor, pilasters to jambs and defining bays, the latter supporting corniced entablature
panelled door and overlight to right bay, otherwise mid-late C20 windows. On 1st floor, sashes in reveals with corniced architraves. Corniced eaves entablature. Balustraded parapet. Steep-sided flat roof with 2 gabled dormers and lateral stack to left. The building is on the site of Mellersh's Bank, which operated from the 1830s
the existing building was there in its present form by 1896 (J Janaway pers comm). Included for group value.
Listing NGR: SU9705143826
49 High Street, Godalming, Waverley, Surrey, England, UK, GU7 1AT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,evening,sunset,behind,historic,County Court,building,CIC,company,space,Gerard Winstanley,House,offices,listed,leaded,Arts at the Mill,interest,arts,music,spaces,cafe,1887,venue,Community,grade II,Victorian,Lancs,and,HMRC,window,buildings
Description: Tony Smith image Alamy 2MKF8NX - Gerard Winstanley House which was formerly the towns magistrates court and police station but is now the home of a multi-arts thriving creative community.
It is a Grade II listed building dating back to around 1887 and of course, the first thing that hits you is the brickwork. The official records describe it as red brick in Flemish bond with sandstone dressings and a slate roof.
The buildings stand on Crawford Street opposite the small little garden that belongs to the Parish Church of All Saints and it really does cut a very imposing figure from a seat in that garden.
But the dramatic architecture doesn't stop there - not only do we have the amazing red brickwork and intricate dressings, but we have towers and turrets too! The spiked tower at the bottom end of Crawford Street rises high above the brickwork pointing right up to the often dark skies above.
This is where the main entrance to the courts was, its large welcoming doorway still a big feature of the facade. The symmetry and absolute craftsmanship of the building never fail to impress
These days the courts and police station have long gone, updated and replaced elsewhere in the town and everyone wondered what might happen to this magnificent building.
Would it go to rack and ruin like so many other buildings in the town, or would there be new life breathed into it, would it get a second chance?
The answer was firmly YES as the building was purchased and occupied by The Old Courts who have transformed the place and have refurbished the interior (still an ongoing project) to provide Art Galleries, a Theatre, a Live Music venue, a Cafe, a Record store, Band rehearsal rooms, Conference and Events space and even a bar.
Bailiff Bar is at the very bottom of the building around the corner from Crawford Street and on to King Street West.
The Old Courts, Crawford Street, Wigan, Lancashire, England,UK, WN1 1NA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M1,36 Charles Street,Manchester,England,UK,M1 7DB,etched,traditional,Victorian,pub,bar,window,at,the,distilled,gin,rum,vodka,whisky,liquor,drink,drinks,Pastis,Calvados,Bourbon,spirit,patterned,pattern,alcohol misuse,alcohol abuse,intoxication,intoxicated,strong,double,treble
Description: Tony Smith image Alamy 2M69C9X - Liquor (or a spirit) is an alcoholic drink produced by distillation of grains, fruits, vegetables, or sugar, that have already gone through alcoholic fermentation. Other terms for liquor include: spirit drink, distilled beverage, spirituous liquor or hard liquor. The distillation process concentrates the liquid to increase its alcohol by volume. As liquors contain significantly more alcohol (ethanol) than other alcoholic drinks, they are considered 'harder'
in North America, the term hard liquor is sometimes used to distinguish distilled alcoholic drinks from non-distilled ones, whereas the term spirits is more common in the UK. Some examples of liquors include vodka, rum, gin, and tequila. Liquors are often aged in barrels, such as for the production of brandy and whiskey, or are infused with flavorings to form a flavored liquor such as absinthe.
While the word liquor ordinarily refers to distilled alcoholic spirits rather than beverages produced by fermentation alone, it can sometimes be used more broadly to refer to any alcoholic beverage (or even non-alcoholic products of distillation or various other liquids).
Like other alcoholic drinks, liquor is typically consumed for the psychoactive effects of alcohol. Liquor may be consumed on its own ('neat'), typically in amounts of around 50 millilitres (1.7 US fluid ounces) per served drink. In an undiluted form, distilled beverages are often slightly sweet, and bitter, and typically impart a burning mouthfeel, with an odor derived from the alcohol and the production and aging processes
the exact flavor varies between different varieties of liquor and the different impurities they impart. Liquor is also frequently mixed with other ingredients to form a cocktail.
Rapid consumption of a large amount of liquor can cause severe alcohol intoxication or alcohol poisoning, which can be fatal. Consistent consumption of liquor over time correlates with higher mortality and other harmful health effects
36 Charles Street, Manchester, England, UK, M1 7DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Yorkshire,England,UK,YO1,York,North Yorkshire,YO1 8AW,of,front,store,outside,external,branch,37,historic,building,exterior,history,town centre,city centre,stores,retailing,niche,quaint,style,heritage,Victorian,window,windows,frontage,entrance
Description: Tony Smith image Alamy 2KF7FBC - Stonegate is a street in the city centre of York, in England, one of the streets most visited by tourists. Most of the buildings along the street are listed, meaning they are of national importance due to their architecture or history
The street roughly follows the line of the via praetoria of Eboracum, the Roman city, which ran between what are now St Helen's Square and York Minster.
The street appears to have lost importance in the Anglian and Jorvik period. York Minster was rebuilt in the 11th century, and stone for it was brought up the road, from a quay behind what is now York Guildhall. This appears to have brought the street back to prominence, and new building plots were laid adjoining the north-eastern part of the street. This part of the street lay in the Liberty of St Peter's, associated with the Minster, and many of its buildings belonged to the church, the whole area soon becoming built up, mostly with tenements. By 1215, there were houses for the prebends of Ampleforth, Barnby, Bramham and North Newbald
The street was known as Stonegate by 1119, probably named for stone paving, which would have been unique in the city at the time, although an alternative theory links the name to the stone hauled up to the Minster.
Because of the location of the street, it has historically been used for civic processions, from the York Guildhall to the Minster. It was also the site where three of the historic York Mystery Plays were performed. In 1570, Guy Fawkes was born at a house on the street.
Nikolaus Pevsner described the street as perhaps the most attractive [street in the city], and one of the busiest. Narrow, quite long, and with a variety of good things. Due to its popularity with tourists, the street was pedestrianised in 1974. It was repaved in York stone in 2020
Most of the buildings along the street are listed. Among the most notable on the north-west side are numbers 54, 56, and 58 Stonegate, 14th-century timber-framed buildings
the 12th-centur
37 Stonegate, York, North Yorkshire, England, UK, YO1 8AW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,boozer,real ale,Victorian,ale,house,public house,48,Lichfield St,Wolverhampton,WV1 1DG,WV1,discount,classic,history,cask ales,cask,handpull,hand,pull,1886,rustic,environment,real,realale,Posada pub,city centre,old,trad,traditional,menu,beer list,bath Ale Gem,Wye Valley HPA,Ossett,Brewery,Yorkshire Blond,Campaign for Real Ale
Description: Tony Smith image Alamy 2K56PF4 - . This authentic period view of 48 Lichfield St, Wolverhampton, West midlands, England, UK, WV1 1DG in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The principal subject is The Posada bar, 48 Lichfield St, Wolverhampton, West midlands, England, UK, WV1 1DG. The subject also carries associations with licensed trade, regional identity, local social venue, changing land use, pub heritage, local history, community identity, public realm, historical comparison, visual archive, real-ale culture, local character, period detail, and contemporary social history. Viewed from the mid-2020s, the subject also connects with tourism, business rates and the survival of pubs as both businesses and informal community spaces. The image fixes public access and movement within 48 Lichfield St, Wolverhampton, West midlands, England, UK, WV1 1DG at one identifiable point, providing a benchmark against later reinterpretation. Further associations within the scene are licensed hospitality, place identity, night-time economy, everyday life, visitor hospitality, beer-led hospitality, documentary photography, and historic hostelry. The combination of Posada, midlands, Lichfield, and Wolverhampton anchors the frame to a recognisable activity, place or moment. The period setting at 48 Lichfield St, Wolverhampton, West midlands, England, UK, WV1 1DG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is tourism and pressure on hospitality margins in the mid-2020s when considered against later change at 48 Lichfield St, Wolverhampton, West midlands, England, UK, WV1 1DG. The scene further reflects pub closures and pressure on hospitality margins in the mid-2020s without losing the local specificity of 48 Lichfield St, Wolverhampton, West midlands, England, UK, WV1 1DG.
48 Lichfield St, Wolverhampton, West midlands, England, UK, WV1 1DG
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,National Waterways Museum South Pier Road,Ellesmere Port,Cheshire,England,UK,CH65 4FW,CH65,of,and,file,repairs,tools,selection,history,handles,different,shelves,variety,nostalgia,Victorian,hand,filed,stored,shed,Tools stored in a toolshed neatly,garage,shelf,OCD,neat,a,old,fashioned,historic,hung,hang,hanging
Description: Tony Smith image Alamy 2K30808 - . This location-specific image from National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows Rack of workshop woodwork repair files and chisels. The locality and subject together evoke documentary photography, mixed-use redevelopment, community identity, social history, public-realm investment, canal heritage, contemporary social history, public realm, before-and-after reference, local history, built heritage, canal transport, industrial navigation, and waterborne freight. From a 2025-onward perspective, industrial heritage and volunteering are closely linked to this subject, alongside how museum collections preserve working waterway history. The wider contemporary story combines heritage conservation, town-centre regeneration and how regeneration tries to create reasons to visit traditional town centres. For later comparison, the photograph preserves landscape treatment and surrounding development at National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW, details that may look very different after closure or conversion. The surrounding story also includes urban fabric, inland transport history, towpath landscape, architectural character, historic narrowboat, heritage boating, changing streetscape, and heritage-led regeneration. References to workshop, chisels, files, repair, and woodwork give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW, the image preserves more than the headline object or building: it records part of the locality's everyday history. That local specificity strengthens the long-term documentary value of image 2K30808.
National Waterways Museum, South Pier Road, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,tour,76,L1 1HL,L1,DB,integrated,public,trains,train,and,station,underground,Queen Sq,mainline,BR,British,English,WCML,Northern,main,stations,Victorian,history,historic,glass,front,fronted,arch,arched,strike,strikes,industrial,action,sunny,dramatic
Description: Tony Smith image Alamy 2K0KDNM - . This authentic period view of 76 Queen Square, Liverpool, Merseyside, England, UK, L1 1HL in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The location is represented through Integrated transport, trains, rail and buses, Lime Street station and Arriva buses, Queen Square. The image also relates to heritage-led regeneration, changing land use, historic townscape, trackside history, local history, historic rolling stock, period architecture, period detail, public realm, contemporary social history, public-realm investment, historical comparison, civic architecture, and urban regeneration. Viewed from the mid-2020s, the subject also connects with railway preservation, decarbonisation and how Crewe's identity remains tied to railway engineering and operations. The modern context includes continuing discussion of town-centre regeneration, adaptive reuse and the tension between preserving local character and creating modern commercial space. The image fixes local activity and public use within 76 Queen Square, Liverpool, Merseyside, England, UK, L1 1HL at one identifiable point, providing a benchmark against changing commercial priorities. The photograph additionally reflects documentary photography, rail infrastructure, place-making, architectural character, regional identity, mixed-use redevelopment, community identity, and visual archive. Details involving Arriva, transport, Queen, station, and Integrated make the image more specific than a generic view and strengthen its local or historical value. The period setting at 76 Queen Square, Liverpool, Merseyside, England, UK, L1 1HL helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. It also preserves a local visual benchmark within the wider story of 76 Queen Square, Liverpool, Merseyside, England, UK, L1 1HL.
76 Queen Square, Liverpool, Merseyside, England, UK, L1 1HL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,stained glass,advert,place,destination,town,city,Lancashire,and,&,Yorkshire,rail,train,network,railway,sign,on,station,Victorian,glass,wrought iron,ironwork,red,black,ornate glass,glasswork,M3,mainline,words,Edwardian,neo-Baroque,style,Northern Ireland,Wexford,Waterford,Irish,hotpix.org.uk
Description: Tony Smith image Alamy 2JYNXH0 - Architecture and features
The original M&LR single-storey offices facing Hunt's Bank Approach were built in the Italianate style in sandstone ashlar with slate roofs in 1844. They were later enlarged and given a second storey. William Dawes built the station's larger extension for the L&YR in 1909. It is at right-angles to the north end of the old station giving the enlarged station an L-shaped plan. Facing Victoria Station Approach, its façade is in the Edwardian neo-Baroque style, four storeys high and 31 bays to the rounded corner at the south-east end. The ground floor windows have rounded heads and those on the floors above are square. The ornate glass and iron canopy along the façade displays the names of destinations that the station served in Art Nouveau lettering. The canopy was damaged by the Provisional IRA's 1996 bomb placed in a street adjacent to the Arndale Centre and was restored four years later.
Heritage features in the concourse were restored during the 2013-15 renovation, they include the café with its glass dome and mosaic lettering which was originally the first-class dining room, the adjacent bookstall, and the original 1909 wood-panelled booking hall. In the entrance is a large, white glazed tiled map showing the former network of the Lancashire and Yorkshire Railway.
Underneath the map is a bronze World War I war memorial with effigies of Saint George and Saint Michael at each end which was installed in 1923. At the south end of the concourse is the 'soldier's gate' which opened to the former fish docks from where thousands of soldiers departed for World War I and where a bronze plaque was erected to commemorate them. The gateway was restored in 2015 and a steel screen inserted featuring a map of World War I Commonwealth grave cemeteries in Northern France and Belgium.
The station received Grade II listed building status in 1988
Victoria Station Approach, Manchester, England, UK, M3 1WY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,bar,Railway Hotel Pub,Railway hotel,logo,design,Nantwich,etched,window,with Greenalls,Wilderspool Ales & Stout,brewing,brewery,Wilderspool,Ales & Stout,Wildeerspool Warrington,brewers,Greenall Whitley,Messrs. Greenall,Whitley & Co,ltd,limited,heritage,Victorian,blue sky,blue skies,town,town centre,interesting,tourist,tourism,attraction,attractions
Description: Tony Smith image Alamy 2JNN53T - . An on-location photograph from the recorded location in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is Railway Hotel Pub, Nantwich etched with Greenalls Wilderspool Ales & Stout and logo from Warrington, Cheshire, England, UK. The locality and subject together evoke beverage production, community identity, local history, archival record, public realm, changing land use, place identity, bottle-filling machinery, industrial beverage equipment, cider brand history, social history, drinks packaging, documentary photography, and changing streetscape. From a 2025-onward perspective, responsible drinking and manufacturing automation are closely linked to this subject, alongside how bottling technology transformed large-scale drinks manufacturing. The archival value lies partly in recording local activity and public use around the recorded location before replacement signage alters the character of the place. The surrounding story also includes everyday life, contemporary social history, Herefordshire cider tradition, regional identity, period detail, visual archive, historic beverage advertising, and before-and-after reference. References to Greenalls, Wilderspool, Hotel, etched, and Stout give the picture a strong period identity and tie it closely to its named subject. The subject itself supplies the location context here: Railway Hotel Pub, Nantwich etched with Greenalls Wilderspool Ales & Stout and logo from is preserved in image 2JNN53T as a dated piece of material, social or visual history. The setting also helps illustrate responsible drinking and how historic drinks advertising and machinery become industrial heritage within the specific setting of the recorded location. The image also provides a reference for tourism and Herefordshire's long association with commercial cider production as part of the longer story of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,bar,Railway Hotel Pub,Railway hotel,logo,design,Nantwich,etched,window,with Greenalls,Wilderspool Ales & Stout,brewing,brewery,Wilderspool,Ales & Stout,Wildeerspool Warrington,brewers,Greenall Whitley,Messrs. Greenall,Whitley & Co,ltd,limited,heritage,Victorian,blue sky,blue skies,town,town centre,interesting,tourist,tourism,attraction,attractions
Description: Tony Smith image Alamy 2JNN53W - . An on-location photograph from the recorded location in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The defining feature is Railway Hotel Pub, Nantwich etched with Greenalls Wilderspool Ales & Stout and logo from Warrington, Cheshire, England, UK. The broader subject matter reaches into historical comparison, cider brand history, contemporary social history, archival record, bottling technology, drinks manufacturing, social history, regional drinks industry, visual archive, public realm, changing streetscape, bottle-filling machinery, orchard-to-bottle industry, and factory bottling line. Viewed from the mid-2020s, the subject also connects with regional food heritage, brand heritage and the relationship between orchard agriculture, regional identity and branded cider. The archival value lies partly in recording local activity and public use around the recorded location before altered transport patterns alters the character of the place. The surrounding story also includes cider-making heritage, period detail, fermented drink production, local history, community identity, industrial beverage equipment, Herefordshire cider tradition, and documentary photography. Details involving Hotel, Stout, Nantwich, Railway, and etched make the image more specific than a generic view and strengthen its local or historical value. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is regional food heritage and the relationship between orchard agriculture, regional identity and branded cider when considered against later change at the recorded location. The wider significance includes alcohol duty and how bottling technology transformed large-scale drinks manufacturing without losing the local specificity of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,CW5,CW5 5DG,building,from,architecture,old,theater,northern,play,plays,productions,production,historic,actor,actors,venue,venues,terracotta,sign,signage,outside,external,exterior,red,brick,heritage,Victorian,imaginative,sunny,blue sky,blue skies,village
Description: Tony Smith image Alamy 2JNN59F - . Photographed at Nantwich, Cheshire, England, UK, CW5 5DG in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The image documents Ye Olde Wyche Theatre building from 1919, Nantwich, Cheshire, England, UK, CW5 5DG. The image also relates to heritage asset, conservation interest, place identity, historic townscape, built heritage, conservation architecture, social history, architectural detail, period architecture, local history, adaptive reuse, cityscape history, before-and-after reference, and contemporary social history. For current editorial use, planning control and embodied carbon provide additional context, especially through how historic buildings acquire new uses as cities change. As a dated visual record of Nantwich, Cheshire, England, UK, CW5 5DG, the frame retains street furniture and boundaries, making it especially useful if closure or conversion subsequently changes the scene. Other useful contextual ideas include local character, visual archive, changing land use, archival record, documentary photography, historical comparison, period building, and urban fabric. Details involving building, Nantwich, Wyche, and Theatre make the image more specific than a generic view and strengthen its local or historical value. For Nantwich, Cheshire, England, UK, CW5 5DG, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is planning control and how historic buildings acquire new uses as cities change within the specific setting of Nantwich, Cheshire, England, UK, CW5 5DG. The wider significance includes adaptive reuse and keeping older buildings useful without erasing their distinctive character as part of the longer story of Nantwich, Cheshire, England, UK, CW5 5DG.
Nantwich, Cheshire, England, UK, CW5 5DG
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,Eastcombe,Gloucestershire,Cotswold,Cotswolds,England,UK,GL6,Benefice,history,historic,architecture,building,St John,St Johns,1820,John Wight,Francis Niblett,Grade II,listed,summer,blue sky,blue skies,bright,view,image,cute,village,villages,heritage,stone,stonework,old,Victorian,Anglican,churches
Description: Tony Smith image Alamy 2JM9P35 - The village church, St John the Apostle, was built and opened in 1820. It was designed by John Wight, and later expanded in 1872 by Francis Niblett. It is constructed of limestone ashlar with a stone slate roof to coped gables. English Heritage has listed the church as Grade II for its special architectural and historic interest
Sheepscombe, Slad Rd, Stroud, Cotswold, England, UK, GL6 7RF
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,looking,west,west of,towards,Fiddlers Ferry power station,Penketh and Widnes,Cheshire,England,UK,over,sky line,Victorian,office,offices,Bridge Street,Bridge St,PJs,wine bar,winebar,town centre,empty,space,spaces,NW,North West,Northwest,Northern Powerhouse,towns,architecture,buildings,business rates,businesses,business,attractive,for,the
Description: Tony Smith image Alamy 2JKMRGM - . A grounded documentary photograph made at the recorded location in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Warrington Town Centre looking west towards Fiddlers Ferry, Penketh and Widnes, Cheshire, England, UK. Another layer of the photograph includes local enterprise, town-centre economy, public realm, specialist retailer, community identity, customer footfall, regional identity, changing streetscape, street-level business, historical comparison, high-street commerce, bricks-and-mortar retail, archival record, and shopfront economy. Today's relevance is strengthened by online shopping, town-centre regeneration and the continuing question of the resilience of independent shops in an online retail economy. Future viewers can use this scene from the recorded location to compare lettering, decoration and surface detail with whatever follows after changed technology. Other useful contextual ideas include visual archive, local trading, changing land use, retail property, local history, commercial streetscape, before-and-after reference, and independent retail. References to Penketh, towards, looking, Widnes, and Ferry give the picture a strong period identity and tie it closely to its named subject. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is online shopping and the resilience of independent shops in an online retail economy without losing the local specificity of the recorded location. The setting also helps illustrate footfall and the resilience of independent shops in an online retail economy in a form that can be compared with future views of the recorded location. The period view preserves details of everyday use within the wider story of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,W1D,1,W1D 4NQ,charity,English,at,historic,Victorian,building,architecture,summer,sky,blue,tiles,tiling,HOSB,club,homelessness,corner,of,Soho Square,and,Greek Street,sunny,heritage,traditional,classic,vintage,buildings,walking tour,tours
Description: Tony Smith image Alamy 2JJGBDR - . Photographed at 1 Greek Street, Soho, London, England, UK, W1D 4NQ in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The scene records Soho House of Charity - House of St Barnabas, at 1 Greek Street, Soho, London, England, UK, W1D 4NQ. The subject also carries associations with urban social history, local landmark, conservation interest, heritage asset, everyday life, architectural detailing, contemporary city life, architectural character, period building, urban fabric, community life, regional identity, changing land use, and visual archive. Viewed from the mid-2020s, the subject also connects with adaptive reuse, maintenance and keeping older structures useful without erasing their character. The modern context includes continuing discussion of transport, public-realm change and how ordinary street scenes become valuable records as businesses and infrastructure change. The archival value lies partly in recording public access and movement around 1 Greek Street, Soho, London, England, UK, W1D 4NQ before altered transport patterns alters the character of the place. Further associations within the scene are documentary photography, historical comparison, street-level documentary, townscape record, public realm, period detail, archival record, and period streetscape. Elements such as Charity, House, Greek, and Barnabas add documentary specificity and may become increasingly useful when compared with later records. The period setting at 1 Greek Street, Soho, London, England, UK, W1D 4NQ helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes adaptive reuse and how historic fabric can be retained while places adapt to modern use when considered against later change at 1 Greek Street, Soho, London, England, UK, W1D 4NQ.
1 Greek Street, Soho, London, England, UK, W1D 4NQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,W1D,1,W1D 4NQ,charity,English,at,historic,Victorian,building,architecture,summer,sky,blue,tiles,tiling,HOSB,club,homelessness,corner,of,Soho Square,and,Greek Street,sunny,heritage,traditional,classic,vintage,buildings,walking tour,tours
Description: Tony Smith image Alamy 2JJGBK9 - . This scene at 1 Greek Street, Soho, London, England, UK, W1D 4NQ in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. At the centre of the view is Soho House of Charity - House of St Barnabas, at 1 Greek Street, Soho, London, England, UK, W1D 4NQ. The surrounding context encompasses changing land use, contemporary social history, contemporary city life, historic frontage, local history, historical comparison, architectural detailing, historic townscape, place identity, documentary photography, conservation interest, before-and-after reference, urban fabric, and archival record. In present-day coverage, the subject reaches into embodied carbon and energy retrofit, not least because of the value of distinctive buildings and street furniture to local identity. Today's relevance is strengthened by commercial change, footfall and the continuing question of how ordinary street scenes become valuable records as businesses and infrastructure change. Future viewers can use this scene from 1 Greek Street, Soho, London, England, UK, W1D 4NQ to compare building condition and alterations with whatever follows after new construction. The wider setting retains connections with city-centre activity, built heritage, everyday street life, urban social history, street-level documentary, period streetscape, changing streetscape, and local character. Details involving Greek, Charity, Barnabas, and House make the image more specific than a generic view and strengthen its local or historical value. The wider setting at 1 Greek Street, Soho, London, England, UK, W1D 4NQ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene captures a trace of local identity for later comparison. Image 2JJGBK9 also remains a dated record of 1 Greek Street, Soho, London, England, UK, W1D 4NQ.
1 Greek Street, Soho, London, England, UK, W1D 4NQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,RBKC,England,UK,Royal Borough,of,Kensington,Chelsea,W11 1LA,W11,store,green historic,history,antique,Victorian,antiques,175 Portobello Road,Portobello Market,Notting Hill,Portobello,Ladbroke Grove,butchers,butcher,old,building,buildings,classic,windows,window,front,outside,frontage,gold,golden,lettering
Description: Tony Smith image Alamy 2M0KX3J - . A grounded documentary photograph made at 175 Portobello Road, Portobello Market, Notting Hill, RBKC, London, England, UK, W11 1LA in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. At the centre of the view is G.Portwine, 175 Portobello Road, Portobello Market, Notting Hill, RBKC, London, England, UK, W11 1LA. The broader subject matter reaches into Westminster landmark, changing land use, public realm, visual archive, London cityscape, local character, city branding, metropolitan identity, capital landmark imagery, period detail, Thames city view, contemporary social history, regional identity, and community identity. The modern context includes continuing discussion of visitor economy, urban mobility and the mix of working city infrastructure with heritage tourism. Future viewers can use this scene from 175 Portobello Road, Portobello Market, Notting Hill, RBKC, London, England, UK, W11 1LA to compare lettering, decoration and surface detail with whatever follows after later reinterpretation. A second descriptive layer includes historic London streetscape, before-and-after reference, archival record, documentary photography, changing streetscape, historical comparison, local history, and London visitor economy. The combination of Notting, Portwine, Market, and Portobello anchors the frame to a recognisable activity, place or moment. The wider setting at 175 Portobello Road, Portobello Market, Notting Hill, RBKC, London, England, UK, W11 1LA matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is visitor economy and the mix of working city infrastructure with heritage tourism within the real-world context of 175 Portobello Road, Portobello Market, Notting Hill, RBKC, London, England, UK, W11 1LA.
175 Portobello Road, Portobello Market, Notting Hill, RBKC, London, England, UK, W11 1LA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Julie Cooke,WBC,punishment,WA1,sandstone,Cheshire,WA1 1LQ,Victorian,cops,cop shop,plod,of,the yard,headquarters,Anti-social behaviour,and,PCSOs,safer streets,Warrington,constabulary,@Hotpixuk,Hotpixuk,police,101,shield,CSI,teams,crimes,crime,SNT,ASB,priorities,PCSO,Safer,force
Description: Tony Smith image Alamy 2K148PB - Cheshire Constabulary is the territorial police force responsible for policing the English unitary authorities of Cheshire East, Cheshire West and Chester, Borough of Halton and Borough of Warrington. The force is responsible for policing an area of 946 square miles (2,450 km2) with a population of approximately 1 million.
Chief Constable Mark Roberts was appointed in 2021. The deputy chief constable is Julie Cooke, appointed in April 2019
101 Arpley St, Warrington, Cheshire, England, UK, WA1 1LQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,Greater Manchester,England,Lancs,Lancashire,former,free,and,101,WN7 4AD,erected,reign,the,in,1902,by,of,her Majesty,Queen Victoria,sandstone,education,architecture,red brick,1894,JC Prestwich and JH Stephen,heritage,old,Victorian,NW,northern,powerhouse,towns,establishment
Description: Tony Smith image Alamy 2JH06RD - . Former Free Library and Municipal College Gymnasium stone - 101 Railway Rd, Leigh WN7 4AD. Photographed on 13 July 2022. The recorded location is 101 Railway Rd, Leigh, Lancashire, England, UK, WN7 4AD. (1894 J C Prestwich and J H Stephen). Corner tower with complex ogee cap roof and open fretwork lantern, finial and lead roll ribs emphasising the roof shape. To the side the elaborate Dutch gable and also the window with red sandstone details. In historical terms, public libraries developed as major civic institutions in the nineteenth and twentieth centuries, combining books, education and free access to information
Their buildings and services often reflect municipal pride, while later community-run models reveal changing patterns of local-government provision. The wider historical story is that railway scenes connect industrial-age engineering with everyday passenger mobility
Station architecture, platforms, signal boxes, ticketing and rolling stock show how the network has evolved from steam and regional companies through British Rail, privatisation and today's increasingly digital passenger railway. Historically, historic and contemporary architecture can be read as a record of investment, planning and changing urban functions
Civic, commercial, industrial and residential buildings each contribute to the character of a townscape, particularly where older structures are adapted rather than demolished. During 2026, libraries continue to evolve as community hubs offering digital access, study, events and support alongside books
Funding pressures and volunteer involvement remain important issues, making older images useful for examining changes in local public services. In the present 2026 context, britain's railway is in another period of structural change as legislation for Great British Railways progresses, bringing infrastructure and passenger services into a more unified publicly owned model
Images of earlier operators, ticket machines and.
101 Railway Rd, Leigh, Lancashire, England, UK, WN7 4AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M60,the,light,rail,night,evening,England,UK,M60 2DS,new,flats,block,blocks,Metrolink,trams,tramlines,next,to,Victorian,contrast,contrasts,yellow,city,centre,scene,Metrolink network,skyscape,large,tower,towerblocks,Mosley Street,tram,lines,light rail,lightrail,andy burnham,evening commute
Description: Tony Smith image Alamy 2JG5JM0 - Lower Mosley Street in Manchester city centre at dusk, looking south along the Metrolink tramlines beside the illuminated red sandstone facade of The Midland Hotel. The image shows a tram approaching or standing on the street-running light rail route, with the hotel on the right, modern city buildings ahead, overhead power lines, wet-looking road surfaces and the blue-grey evening sky creating a strong urban transport atmosphere. The Midland is one of Manchester's best-known hotels, officially listed at 16 Peter Street, M60 2DS, close to Manchester Central, St Peter's Square, Oxford Road and Deansgate-Castlefield. The view captures a distinctive part of central Manchester where historic railway-age architecture, conference venues, hotels, restaurants, nightlife and modern tram infrastructure meet. This photograph is useful for editorial and commercial themes including Manchester transport, Metrolink, urban regeneration, city centre travel, public transport, tramways, hotels, evening commuting, tourism, hospitality and the changing built environment of the city. Lower Mosley Street is part of the tram corridor linking Deansgate-Castlefield and St Peter's Square, with tracks running past major civic, conference and leisure destinations. The warm exterior lighting on The Midland contrasts with the cooler twilight sky and contemporary glass towers in the distance, making the scene suitable for stories about Manchester's blend of Victorian, Edwardian and modern architecture. The image can also illustrate sustainable urban mobility, event access to Manchester Central, hotel stays, business tourism, conference travel, city breaks and public realm design. The weather appears dull, damp or wet, with evening light, grey cloud and reflective street surfaces adding atmosphere. The photograph works best as a Manchester city centre transport and streetscape image, with clear location cues from the tramlines, The Midland Hotel and the Lower Mosley Street setting.
Lower Mosley Street at dusk, looking south, Metrolink tram, tramlines next to the Midland Hotel, Man
Description
Keywords: @Hotpixuk,Hotpixuk,GotonySmith,beer,public house,Chester,brewery,Manchester,NQ4,Northern Quarter,tiled,sign,signage,historic,M1,front,Staffordshire,tiles,tiling,ceramic,blue,gold,Ale trail,Chesters,ales,ale,Victorian,building,buildings,public houses,chain,outside,exterior,entrance,entrances,Manchesters,Ancoats,lettering
Description: Tony Smith image Alamy 2J880EW - Chesters Brewery Co. Ltd, Ardwick Brewery, Princess Street, Manchester, Ardwick, Greater Manchester.
Founded before 1830 at the Victoria Brewery, Hyde Street and became Collins and Chesters 1842. Ardwick Brewery opened 1852.
Registered April 1888.
Merged with Threlfall & Co Ltd. 1961 to form Threlfall Chesters Ltd.
Brewery closed 1966 and demolished 1967.
41 Hilton Street, Manchester, England, UK , M1 2EE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,limited,edition,sweets,Carlton House,Albion Rd,New Mills,High Peak,SK22 3HA,SK22,lid,slogans,fruit,flavoured,related,Victorian-era,Victorian,Conversation,Lozenges,a,tine,of,limited editions,romance,British,English,be mine,call me,kiss me,new love,text me,I surrender,Sweethearts,whatevers
Description: Tony Smith image Alamy 2K3TJWB - Love Hearts are a type of confectionery manufactured by Swizzels Matlow in the United Kingdom. They are hard, tablet-shaped sweets in various fruit flavors featuring a short, love-related message on one side of the sweet. They are an updated version of Victorian-era Conversation Lozenges
On chewing, the sweet quickly disintegrates into a powdery, starchy consistency
Love Hearts currently come in six flavors, each associated with a color (listed from weakest to strongest flavor):..
White (a plain, sherbet-like, slightly tart vanilla flavor)
Yellow (a sherbet-like flavor with a distinct sharp lemon aftertaste)
Green (a slight lime flavor with a sherbet-like aftertaste)
Orange (a sweet flavor with a slight orange aftertaste)
Purple (an unusual, slightly perfumed berry-like flavor with a strong aftertaste)
Red (cherry flavor)
There are many different messages which can be found on the front of the sweet, most of which are love-related. The message is written in capitals in a sans serif font of varying size. The font is scaled and sometimes stretched out of proportion to fit the available space.
Most messages are written in simple horizontal, centrally aligned lines. There are some exceptions to this rule, including the phrase I Surrender, where the word surrender has been written in an arc around the lower inside edge of the heart outline.
The Just Say No message has an unclear layout, appearing to read Just say No.
Wayne and Coleen Rooney had personalized sweets made for their wedding in the summer of 2008 which read Wayne and Coleen. Special edition Love heart packs were launched for Prince William and Kate Middleton's wedding in 2011
Carlton House, Albion Rd, New Mills, High Peak, Derbyshire, England, UK, SK22 3HA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,limited,edition,sweets,Carlton House,Albion Rd,New Mills,High Peak,SK22 3HA,SK22,lid,slogans,fruit,flavoured,related,Victorian-era,Victorian,Conversation,Lozenges,a,tine,of,limited editions,romance,British,English,be mine,call me,kiss me,new love,text me,I surrender,Sweethearts,whatevers
Description: Tony Smith image Alamy 2K3TJWD - Love Hearts are a type of confectionery manufactured by Swizzels Matlow in the United Kingdom. They are hard, tablet-shaped sweets in various fruit flavors featuring a short, love-related message on one side of the sweet. They are an updated version of Victorian-era Conversation Lozenges
On chewing, the sweet quickly disintegrates into a powdery, starchy consistency
Love Hearts currently come in six flavors, each associated with a color (listed from weakest to strongest flavor):..
White (a plain, sherbet-like, slightly tart vanilla flavor)
Yellow (a sherbet-like flavor with a distinct sharp lemon aftertaste)
Green (a slight lime flavor with a sherbet-like aftertaste)
Orange (a sweet flavor with a slight orange aftertaste)
Purple (an unusual, slightly perfumed berry-like flavor with a strong aftertaste)
Red (cherry flavor)
There are many different messages which can be found on the front of the sweet, most of which are love-related. The message is written in capitals in a sans serif font of varying size. The font is scaled and sometimes stretched out of proportion to fit the available space.
Most messages are written in simple horizontal, centrally aligned lines. There are some exceptions to this rule, including the phrase I Surrender, where the word surrender has been written in an arc around the lower inside edge of the heart outline.
The Just Say No message has an unclear layout, appearing to read Just say No.
Wayne and Coleen Rooney had personalized sweets made for their wedding in the summer of 2008 which read Wayne and Coleen. Special edition Love heart packs were launched for Prince William and Kate Middleton's wedding in 2011
Carlton House, Albion Rd, New Mills, High Peak, Derbyshire, England, UK, SK22 3HA
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,antique,bookshelf,book shelf,read,library,knowledge,old testament,word of God,old books,very old books,history,historic,tome,spine,spines,bookbinding,good,reading,bedtime reading,reading material,ancient,old fashioned,classic,classics,a good read,libraries,Chambers,Victorian,piled,stacked,stacked up,Saints,bibles,leather bound
Description: Tony Smith image Alamy 2BKC2EX - . A location-based documentary photograph from England, Great Britain , UK, useful both for its immediate subject and for the smaller period details around it. At the heart of the image is Old medieval bound books,Sainte Bible. The wider scene also brings together conservation architecture, community identity, architectural character, historic townscape, cityscape history, traditional masonry, visual archive, heritage asset, public realm, before-and-after reference, period detail, historic streetscape, heritage landmark, and historical comparison. Today's wider story includes maintenance, historic townscape and the practical question of using existing buildings rather than demolishing them. Small period details of signage and branding at England, Great Britain , UK may become more significant with time, especially following closure or conversion. Other connected aspects are built environment, urban change, changing streetscape, local character, place identity, everyday Britain, contemporary history, and documentary photography. Elements such as books, medieval, Sainte, bound, and Bible add documentary specificity and may become useful when the scene is compared with later records. For England, Great Britain , UK, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence for maintenance and using existing buildings rather than demolishing them in a form that can be compared with future views of England, Great Britain , UK. A further contemporary connection is redevelopment pressure and using existing buildings rather than demolishing them within the real-world context of England, Great Britain , UK. The image also provides a reference for heritage conservation and using existing buildings rather than demolishing them within the specific setting of England, Great Britain , UK.
England, Great Britain , UK
-2B1YFRM.jpg)
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,town,Albion,brick,Victorian,windows,flats,apartments,change of use,Midlands,historic,listed building,Albion Flour Mill,Smiths,Birchill,flight of locks,locks,Birchills,red brick,factory,mill,commercial,Albion Flour Mill now Smiths Flour Mill Walsall,EBL751,Steam Mill,Corn Mill,Flour Mill,Wolverhampton St,WS2 8DD,WS2,miller,Thomas Caloe
Description: Tony Smith image Alamy 2B1YFRM - Post Medieval (1540 - 1900) Post Roman (410 - 1900)
Summary: Dated 1849. 4-storey purpose-built flour mill (originally steam-powered). Ranges of arched and half-moon windows with iron grids and fanlights. Includes covered dock opening off a basin on the (Listed) lock flight next door.
Description: On E bank of Walsall Locks (2695), served by canal branch leading to covered wharf inside mill. Steam mill, 1898 (sic - but should this be 1848 - MS 25.4.02), with 2 main, 4 storey blocks flanking an archway. (1) (2)
Outstanding industrial building of 1849. Brick, with orig cast iron windows of small lights. Arched heads on all floors & lunettes at inter mezzanine level etc etc. (3)
IRIS report. (4)
A fine 4-storey brick steam mill built 1848. The central archway once extended over a public road, and there was a covered canal dock as well as a private coal wharf. (5)
Dated 1849. 4-storey purpose-built flour mill (originally steam-powered). Ranges of arched and half-moon windows with iron grids and fanlights. Includes covered dock opening off a basin on the (Listed) lock flight next door. (6)
Detailed analysis and recording ahead of conversion into flats. Four phases identfied: Phase 1 (1849) - rectangular building fronting Wolverhampton Road and adjoining terrace of Georgian houses
Phase 2 (later 19th century) - Phase 1 building extended to north, acquisition of warehouse building to W (which had a purpose built integral canal arm)
Phase 3 (later 19th century) - original mill and adjacent warehouse joined at 2nd and 3rd floor levels
Phase 4 (20th century) various concrete and steel frame and corrugated steel clad structures built to the north of the historic mill buildings. The Albion Flour Mill in Wolverhampton Street was built in 1849, probably for Thomas Caloe, miller there from at least 1851 until the 1890s. By 1900 Smith Bros. (Walsall) Ltd. had taken it over, and the firm was still milling there in 1973.
71 Wolverhampton St, Walsall, England, UK, WS2 8DD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M2,1867,pub,52 Cross St,North West,England,UK,M2 7AR,sign,bar,block,House,North West England,history,historic,institution,classic,boozer,Victorian,building,architecture,Black and White,Black & White,mist,misty,chops,smoke,steam,back,signs,bars,street,lane,pubs
Description: Tony Smith image Alamy 2ADE3KX - . Recorded at James Binney House,52 Cross St, Manchester,North West,England,UK, M2 7AR in 2019, the image fixes a particular place, use and appearance for later comparison as buildings, businesses, signs and public activity change. The location is represented through Mr Thomas's Chop House sign,1867,pub,James Binney House,52 Cross St, Manchester,North West,England,UK, M2 7AR,Black and White. Other connected aspects include period streetscape, cask-beer tradition, changing streetscape, beer judging, hand-pulled beer, licensed hospitality, cityscape history, beer festival scene, local character, urban fabric, regional identity, before-and-after reference, period detail, and heritage asset. Today's wider story includes business rates, beer duty and the practical question of the survival of community pubs. For contemporary context, adaptive reuse and planning control are closely related themes, especially where the issue becomes reusing existing buildings rather than demolishing them. As a documentary source, the scene fixes local appearance, occupation, access and public activity in the immediate surroundings of James Binney House,52 Cross St, Manchester,North West,England,UK, M2 7AR. The wider local story also touches on built heritage, pub trade, period building, changing land use, historic townscape, visual archive, heritage landmark, and historical comparison. The recorded references to House, Binney, Cross, James, and Black preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within James Binney House,52 Cross St, Manchester,North West,England,UK, M2 7AR, the image preserves more than the headline object or building: it records part of the locality's everyday history. The record includes a point of historical comparison as part of James Binney House,52 Cross St, Manchester,North West,England,UK, M2 7AR's history. The frame retains part of the area's social history for future local research.
James Binney House,52 Cross St, Manchester,North West,England,UK, M2 7AR
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,guerilla,art,artist,off Brick lane,protest,activism,pub,street art,streetart,painted,paintings,can,old,derelict dereliction,abandoned,plastered,covered,completely,paste up,pasteup,pasteups,Victorian,buildings,building,culture,derelict,dereliction,spray,E1 6QL,E1,yard,yards
Description: Tony Smith image Alamy 2AE02DB - . An authentic period view of Brick Lane, London, England, GB, E1 6QL in 2019, showing a subject whose value extends beyond the immediate scene into local history and changing social context. The defining feature is Graffiti and posters, stencil art,off Brick lane,East End, London,England,UK, E1 6QL. The wider subject matter also includes social drinking culture, cask-beer tradition, traditional building materials, beer festival scene, changing land use, manufacturing heritage, place identity, industrial archaeology, drinks hospitality, historic context, historical comparison, pub trade, engineering heritage, and before-and-after reference. From a 2025-onward perspective, the scene also connects with beer duty, staffing pressure and the economics of beer festivals and licensed venues. In the mid-2020s, labour history and embodied carbon keep the subject current, particularly through the historical importance of everyday manufactured objects and materials. Looking back from the mid-2020s, the view documents the relationship between the subject and its surroundings within the setting of Brick Lane, London, England, GB, E1 6QL. Further connections include industrial supply chain, documentary photography, beer tourism, local character, hand-pulled beer, licensed hospitality, brewing heritage, and independent brewing. Elements such as posters, Graffiti, London, Brick, and stencil add documentary specificity and may become more useful when compared with later records. The period setting at Brick Lane, London, England, GB, E1 6QL helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is beer duty and the economics of beer festivals and licensed venues as part of the longer story of Brick Lane, London, England, GB, E1 6QL. The frame retains details of everyday use as a date-specific reference.
Brick Lane, London, England, GB, E1 6QL
Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,The Buxton pub and hotel,Brick Lane,42 Osborn Street,Buxton,building,outside,external,on,history,historic,brewer,brewery,breweries,Sir Thomas Fowell Buxton,a,19th-century,MP,Thomas Fowell Buxton,Thomas Buxton,Victorian,architecture,traditional East End,east-End,night,evening,dusk,Truman Brewery,The Buxton,brick,red brick,rooms
Description: Tony Smith image Alamy 2AE02DF - In London's East End, this former Victorian pub brings an airy escape to the streets of Spitalfields. Ideal for staycationers, solo travellers and loved-up duos alike, The Buxton hotel invites you to explore the streets of Shoreditch before heading to its panoramic rooftop for sundown cocktails.
We love a rags-to-riches story, so this Eliza Doolittle-esque tale of an East End boozer given a modern East London makeover warms our Cockney cockles. Housed in a former Victorian pub, The Buxton is a big-hearted homage to Sir Thomas Fowell Buxton, a 19th-century MP and previously the owner of the nearby Truman Brewery (itself now a hub for creative businesses and a weekly street-food market). In his day Sir Thomas was committed to abolishing slavery, founding the RSPCA and raising money for the local weaving community - acts of generosity that The Buxton nods to through its work with neighbourhood charity Cardboard Citizens, which uses theatre to tackle the issue of homelessness. Its present incarnation is the work of the team behind nearby Spitalfields gastropub The Culpeper, of gigantic rooftop-gherkin fame. Architect Gareth Roberts and business partner Nico Treguer have revamped the building by adding two extra floors, a rooftop terrace and a stonking street-level restaurant/bar, a much-needed addition to the kebab shops that more commonly characterise this end of Brick Lane.
Interiors avoid the traps of steampunk junk and Edison bulb-lit bareness, instead balancing whitewashed walls and potted plants with cleverly sourced vintage elements such as a Rosso Levanto marble counter, sapphire velvet chairs in the hallways and a 50s terrazzo-patterned floor. While the rooms are compact to say the least, for a flat rate of £100 (including a welcome drink and breakfast) it's a seductive option for staycationers, solo travellers and loved-up duos who fancy travelling no further than a few flights of stairs when going from dinner to duvet.
42 Osborn Street, London,England,UK, E1 6TD
Description
Keywords: @HotpixUK,Hotpixuk,GoTonySmith,Buchanon Street,city,city centre,Church of Scotland,Buchanan St,Glasgow G1 2JX,G1,Buchanan Street,GlasgowMakePeople,history,historic,architecture,buildings,Victorian,Cornhill Scotland,Evangelical,163 Buchanan St,St Georges Tron Church of Scotland,St Georges,Tron Church of Scotland,Tron,church,of,banner,slogan,poster,outside,street,level,successful,marketing,marketed,centre,Glaswegian,Glaswegians
Description: Tony Smith image Alamy 2AERR9Y - The St George's Tron Church, in Glasgow, Scotland, is a Church of Scotland church in the city centre, located in Nelson Mandela Place, previously known as St George's Place, fronting Buchanan Street at West George Street, along from Queen Street Station. It should not be confused with the 17th-century Tron Church, which lies to the south-west on Trongate and was redeveloped in the 1980s as the Tron Theatre. Located right on the busiest shopping street in Scotland (Buchanan Street), the building is a significant presence, and the oldest in the area. It stands as a terminating vista for West George Street.
The church opened in 1808, originally as St. George's Parish Church, with the original congregation originating from the Wynd Church in the Merchant City near to the Trongate. In 1815 Thomas Chalmers, later to be the leader of the evangelical party in the disruption of 1843, became minister of the church
The building, which was commissioned by the City Fathers was designed by William Stark, was opened in 1808, originally as St. George's Parish Church
163 Buchanan St, Glasgow,Scotland,UK, G1 2JX
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,BMO,GWR,City Centre,West Midlands,Historic,transport,architecture,Chiltern Railways Clock,restoration awards,Clock,plaques,Chiltern railways,rail,public transport,station,stations,infrastructure,BR,British Rail,Moor St,Moor Street,Brum,Birmingham Moor Street,Victorian,historic railways,preserved,terminus,route,London Marylebone,services,service
Description: Tony Smith image Alamy 2AAT2GP - Birmingham Moor Street is one of three main railway stations in the city centre of Birmingham, England, along with Birmingham New Street and Birmingham Snow Hill.
Today's Moor Street station is a combination of the original station, opened in 1909 by the Great Western Railway as a terminus for local trains, and a newer Moor Street station with through platforms, a short distance from the original, which opened in 1987, replacing the original. The two were combined into one station in 2002, when the original was reopened and restored, and the newer station rebuilt in matching style.
Moor Street has become more important in recent years
two of the original terminus platforms were reopened in 2010, and the station is now the terminus of many Chiltern Railways services from London Marylebone, as well as being an important stop for local services on the Snow Hill Lines. It is now the second busiest railway station in Birmingham.
Birmingham Moor Street station. Queensway Birmingham West Midlands,England, UK, B4 7UL
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,CHI at Temple Street,Temple Street,Temple street,Childrens,University,Temple St,Rotunda,Dublin 1,D01 XD99,teaching hospital of University College Dublin and Trinity College,student,Childrens Health Ireland,building,Victorian,history,historic,architecture,1872,acute paediatric,foundation,system,health,healthcare,Sláinte Leanaà Éireann,ED,Emergency Department,NCIMD,Sarah Atkinson,Ellen Woodlock,Earls of Bellomont,at,15 Temple Street
Description: Tony Smith image Alamy 2M84JCC - Children's Health Ireland at Temple Street (Irish: Sláinte Leanaà Éireann ag Sráid an Teampaill) is a children's hospital located on Temple Street, Dublin, Ireland. It is a teaching hospital of University College Dublin and Trinity College Dublin
The hospital was founded by Mrs. Ellen Woodlock and her close friend Sarah Atkinson at 9 Upper Buckingham Street in 1872. It had just 8 beds when it opened. In 1876, the growing success of the hospital prompted the governing committee to invite the Religious Sisters of Charity to take over the running of the hospital.
In May 1879 the lease at 9 Upper Buckingham Street expired and, with the help of a bequest, the sisters purchased the former home of the Earls of Bellomont at 15 Temple Street. Over the following years adjoining houses were purchased such as the residence of the Parnell family, number 14. The hospital expanded in the 1930s with help from the Irish Hospitals' Sweepstake.
A new nurses' home and a new x-ray department was officially opened by Minister of Lands, Seán Flanagan, in the presence of the President of Ireland, Éamon de Valera, in 1972.
In line with other teaching hospitals, the facility changed its name from the Children's Hospital, Temple Street to the Children's University Hospital, Temple Street in the late 1990s and changed its name again to the Temple Street Children's University Hospital in 2012
The hospital changed its name from Temple Street Children's University Hospital to Children's Health Ireland at Temple Street as part of the rebranding of three hospitals under the Children's Health Ireland banner on 1 January 2019
Temple St, Rotunda, Dublin 1, D01 XD99, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,24 - 25,Auld,Dubliner,tourist,tourism,boozer,entrance,door,step,historic,history,doorway,St Patricks Day,classic,traditional,pubs,bars,bar,Victorian,old,building,pub crawl,crawl,traditional pub,the,auld,sign,signs,threshold
Description: Tony Smith image Alamy 2MCGB1X - . A grounded documentary photograph made at 24 - 25 Temple Bar, Dublin, Eire, Ireland in 2019, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through The Auld Dubliner traditional pub, 24 - 25 Temple Bar, Dublin, Eire, Ireland. Other connected aspects include hospitality economy, licensed trade, changing land use, changing streetscape, period building, community drinking venue, local social venue, pub interior heritage, visitor hospitality, public realm, architectural character, historic streetscape, heritage asset, and traditional materials. Current relevance extends to energy retrofit and planning control, particularly through the value of architectural landmarks to local identity. In present-day coverage, the subject reaches into tourism and food inflation, not least because of the survival of local pubs as social meeting places. As a dated visual record of 24 - 25 Temple Bar, Dublin, Eire, Ireland, the frame retains building condition and alterations, making it especially useful if closure or conversion subsequently changes the scene. The location also brings in traditional ale house, adaptive reuse, contemporary social history, urban fabric, conservation interest, regional identity, local history, and food-and-drink business. Details involving traditional, Ireland, Temple, Dublin, and Dubliner make the image more specific than a generic view and strengthen its local or historical value. Around 24 - 25 Temple Bar, Dublin, Eire, Ireland, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to energy retrofit and how historic fabric can support regeneration rather than demolition as part of the longer story of 24 - 25 Temple Bar, Dublin, Eire, Ireland. The frame retains a local visual benchmark for later comparison.
24 - 25 Temple Bar, Dublin, Eire, Ireland
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,Manchester,Cheshire,England,UK,town,office,north west England,SK1,Robinson,Offices,beer,bitter,CAMRA,real ale,cask,ale,Unicorn,red brick,Brewery offices,casking,kegging,bottling,bottling services,Victorian,architecture,industry,industrial,Lower Hillgate,F.Robinson Ltd,North West Brewery,Apsley Street,Apsley St,pubs,pub,pub estate,packaging centre,Campaign for Real Ale
Description: Tony Smith image Alamy 2BCTH2D - William Robinson purchased the Unicorn Inn from Samuel Hole on 29 September 1838. His eldest son George brewed the first Robinsons Ale there in 1849.
In 1859, Frederic Robinson took over from George and bought a warehouse to the rear of the inn to expand brewing capacity. As a result, Robinsons ale became available at pubs around the Stockport area. To control the quality of ale sold, Frederic began to purchase public houses. From 1878 until his death in 1890, Frederic established twelve pubs which exclusively served his ale. This was the beginning of what was to become an estate of over 300 pubs across the North West of England and North Wales.
The Unicorn Brewery still rests on the foundations of the public house on Lower Hillgate in Stockport.
The brewery continues to be run by the fifth and sixth generations of the Robinson family. The company took over Hartley's Brewery in Ulverston in 1982, closing it and transferring the brewing of Hartley's beers to Stockport in 1991. Robinsons have acquired a number of other breweries over the years, including John Heginbotham, Stalybridge (1915)
T. Schofield & Son, Ashton under Lyne (1926)
Kays Atlas Brewery, Ardwick (1929) and Bell & Co, Stockport (1949).
The brewery owns many historic pubs, including the New Hall Inn in Bowness on Windermere.
Lower Hillgate, Stockport,Greater Manchester, Cheshire, England, UK, SK1 1JJ
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,Greater Manchester,Manchester,Cheshire,England,UK,town,history,historic,architecture,building,affiliated bank,door,doorway,exterior,small,vulnerable,British,banking,bank,Silicon Valley,banks,Victorian,1800s,outside,doors,stone,stonework,ornate,preserved,SK1,15-17,Bridge Street,SK1 1XR,buildings,cash
Description: Tony Smith image Alamy 2BCTH2H - Union Bank Of Manchester
The Union Bank was an early joint stock bank in the industrial heartland of Lancashire, established in 1836 with a capital of £6 million divided into 24,000 shares of £25 each. Although the original intention of the Union Bank was to confine itself to Manchester, after twenty years this policy was changed, and its first branch opened at Knutsford in 1856. The bank flourished with the growth of industry and acquired several smaller banks in Lancashire, Cheshire and Yorkshire. It became an affiliated bank within the Barclays Group in 1919, when 99% of its capital was acquired under an arrangement whereby Union Bank shareholders were given shares in Barclays to replace their Union Bank shares. This was Barclays' last major acquisition before the Treasury put a block on major banking mergers in 1920. The Union Bank continued to be managed and marketed separately until 1940 when it was fully absorbed into Barclays
15-17 Bridge St, Stockport, Greater Manchester, England, UK, SK1 1XR
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Victorian,Dickens,Festival,Charles Dickens,Day,village,18/12/2018,2018,WA13,The Cross,Cheshire,England,UK,WA13 0HR,Saturday,annual,people,woman,lady,painted,face,faces,costume,dressed,up,for,the,event,accordionist,dancer,WA13 0AG,Dickensian,morris,accordion,18-12-2018,Warrington
Description: Tony Smith image Alamy 2K3XN96 - . Recorded at The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Morris dancer at the Cross, Lymm, Victorian Dickens Festival, 18-12-2018, Warrington, Cheshire, England, UK, WA13 0HR. The surrounding context encompasses visual archive, town-centre trading, specialist retailer, local history, commercial frontage, social history, before-and-after reference, local character, high-street commerce, bricks-and-mortar retail, changing land use, place identity, contemporary social history, and customer footfall. The wider contemporary story combines footfall, store closures and how commercial property costs affect small retailers. As a dated visual record of The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR, the frame retains local activity and public use, making it especially useful if changing commercial priorities subsequently changes the scene. The wider setting retains connections with independent retail, retail property, documentary photography, historical comparison, community identity, street-level business, archival record, and shopfront economy. References to dancer, Victorian, Morris, Cross, and Dickens give the picture a strong period identity and tie it closely to its named subject. The wider setting at The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes footfall and how commercial property costs affect small retailers as part of the longer story of The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR. The image fixes evidence of changing use within the wider story of The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR.
The Cross, Lymm, Warrington, Cheshire, England, UK, WA13 0HR
Description
Keywords: HotpixUK,GoTonySmith,North West England,UK,M3 4LZ,M3,City centre,heritage,history,canals,canal basin,Inner city,conservation area,Mancunian,Bridgewater Canal,Urban Heritage Park,canal,Coal Wharf,wharf,water,barge,barge sold and new,Castlefield Manchester,Bridge,bridges,arch,arches,Skyline,Manchester Skyline,Dukes92,Dukes 92,rail bridge,bridge,Cast iron,Victorian,Cornbrook,Manchester South Junction & Altrincham Railway,MSJAR,Madchester
Description: Tony Smith image Alamy PEHFMR - Castlefield is an inner city conservation area of Manchester in North West England. The conservation area which bears its name is bounded by the River Irwell, Quay Street, Deansgate and the Chester Road. It was the site of the Roman era fort of Mamucium or Mancunium which gave its name to Manchester. It was the terminus of the Bridgewater Canal, the world's first industrial canal, built in 1764
the oldest canal warehouse opened in 1779. The world's first passenger railway terminated here in 1830, at Liverpool Road railway station[1] and the first railway warehouse opened here in 1831.
Castlefield
Uk manchester castlefield.jpg
Castlefield, Central Manchester
Castlefield is located in Greater ManchesterCastlefieldCastlefield
Castlefield shown within Greater Manchester
OS grid reference
SJ830976
Metropolitan borough
Manchester
Metropolitan county
Greater Manchester
Region
North West
Country
England
Sovereign state
United Kingdom
Post town
MANCHESTER
Postcode district
M3
Dialling code
0161
Police
Greater Manchester
Fire
Greater Manchester
Ambulance
North West
EU Parliament
North West England
List of places UK England Greater Manchester
53.475°N 2.255°W
The Rochdale Canal met the Bridgewater Canal at Castlefield in 1805 and in the 1830s they were linked with the Mersey and Irwell Navigation by two short cuts. In 1848 the two viaducts of the Manchester, South Junction and Altrincham Railway crossed the area and joined each other, two further viaducts and one mainline station Manchester Central railway station followed. It has a tram station, Deansgate-Castlefield tram stop (formerly G-Mex) providing frequent Manchester Metrolink services to Eccles, Bury, Altrincham, Manchester Piccadilly, East Didsbury and Rochdale.
Castlefield was designated a conservation area in 1980 and the United Kingdom's first designated Urban Heritage Park in 1982
Castlefield, Manchester, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,south,England,UK,viaduct,underpass,road,walkway,pavement,CharingX,area,transport,railways,history,historic,South Eastern Railway,south bank,tunnel,rail,BR,stations,people,walkers,walking,railway,infrastructure,Victorian,the,Charing Cross Railway,bricks,tiled,sign,signs,south of the river
Description: Tony Smith image Alamy 2JHB6XP - Charing Cross railway station (also known as London Charing Cross)[4] is a central London railway terminus between the Strand and Hungerford Bridge in the City of Westminster. It is the terminus of the South Eastern Main Line to Dover via Ashford. All trains are operated by Southeastern, which provides the majority of commuter and regional services to south-east London and Kent. It is connected to Charing Cross Underground station and is near to Embankment Underground station and Embankment Pier.
The station was originally opened by the South Eastern Railway in 1864. It takes its name from its proximity to the road junction Charing Cross, the notional centre of London from which distances from the city are measured. During the 19th century the station became the main London terminus for continental traffic via boat trains, and served several prestigious international services. It was badly damaged by a roof collapse in 1905 and extensively rebuilt, subsequently becoming an important meeting point for military and government traffic during World War I. By this time, Charing Cross station was seen as out of date by some politicians and proposals were made to replace Hungerford Bridge with a road bridge or road/rail combination, with the station moving to the south bank of the River Thames in the case of a road-only replacement. The station was bombed several times during World War II, and was rebuilt afterwards, re-opening in 1951. In the late 1980s, the station complex was redesigned by Terry Farrell and rebuilt to accommodate a modern office block, now known as Embankment Place.
Southwark, London, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,village,Church,bell ringing,ringers,parish,bells,old,historic,history,clock,Thomas Leyland Prescot,Thomas Leyland,Prescot,maker,works,clockworks,Cheshire,England,UK,WA4 2SJ,time,timekeeper,clockmakers,clocks,mechanism,mechanics,workings,working,mainspring,1855,Victorian,Gropenhale
Description: Tony Smith image Alamy 2JHBJTE - . Made at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP in 2018, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The defining feature is St Wilfrids Church Belltower clock mechanism, prior to 2019, Grappenhall Village, Warrington,Cheshire,England,UK, WA4 2SJ. The surrounding context encompasses documentary photography, changing streetscape, historic streetscape, community identity, conservation interest, historic freight equipment, labour history, heavy-industry heritage, local character, social history, period detail, traditional structure, manufacturing landscape, and period streetscape. The modern context includes continuing discussion of maintenance, heritage conservation and the value of distinctive buildings and street furniture to local identity. For current editorial use, industrial conservation and adaptive reuse provide additional context, especially through recording the industries and transport systems that shaped British towns. Small period details of equipment and working practice at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP may become more significant with time, particularly following new construction. The subject also sits alongside industrial artefact, visual archive, regional identity, built heritage, industrial transport, conservation architecture, public realm, and period building. The combination of Belltower, Grappenhall, mechanism, Church, and prior anchors the frame to a recognisable activity, place or moment. Around Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Image 2JHBJTE also remains a dated record of Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP.
Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,village,Church,bell ringing,ringers,parish,bells,old,historic,history,clock,mechanism,Gropenhale,main,bell,cast,Victorian,antique,and,wheel,Tolling,Hammer,tower,internal,clapper,striker,chime,toll,tolls,tolling,chiming,pivoted clapper,big
Description: Tony Smith image Alamy 2JHBJW3 - . Recorded at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is St Wilfrids Church Belltower main bell, prior to 2019, Grappenhall Village, Warrington,Cheshire,England,UK, WA4 2SJ. The wider scene also brings together period streetscape, local history, local landmark, everyday street life, local character, townscape record, social landscape, architectural detailing, heritage asset, place identity, contemporary city life, historical comparison, changing land use, and everyday life. Today's relevance is strengthened by heritage conservation, local identity and the continuing question of the tension between conservation and redevelopment. From a 2025-onward perspective, regeneration and community use are closely linked to this subject, alongside how regeneration alters the character of familiar places. Future viewers can use this scene from Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP to compare local activity and public use with whatever follows after refurbishment. A second descriptive layer includes urban change, street-level documentary, heritage landmark, period building, city-centre activity, pedestrian environment, traditional structure, and before-and-after reference. Elements such as Church, Belltower, prior, Grappenhall, and Village add documentary specificity and may become increasingly useful when compared with later records. The period setting at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves a point of historical comparison before later change alters the scene. The view records part of the area's social history as a date-specific reference.
Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Manchester,Afflecks,Palace,market,shop,store,NQ4,entrance,door,outside,external,sign,established,1982,mosiac,art,Tib Street,Dale Street,Oldham Street,Victorian,trendy,on-trend,Madchester,small shops,boutiques,fashion,James Walsh,Elaine Walsh,icon,retro,clothing,Bruntwood,cafes,vintage,clothes
Description: Tony Smith image Alamy RM252T - Afflecks (formerly Affleck's Palace) is an indoor market in Manchester, England, in the city's Northern Quarter on the junction of Church Street/Tib Street and Dale Street with Oldham Street. Dozens of independent stalls, small shops and boutiques operate in the one building. The building was once occupied by a department store called Affleck and Brown as a store and office space, hence the name.
Affleck's Palace first opened in 1982 by James and Elaine Walsh with an ethos of offering a safe environment for entrepreneurs to start out with affordable rent and no long term contracts. Unit holders operated under a licence agreement which allowed them to pay for space on a week by week basis. The atmosphere and colourful maze-like layout led to Affleck's becoming a mecca for alternative culture. The establishment was able to bounce back from two building fires and overcame many obstacles.
During the 1990s 'Madchester Summer of Love' period, when local bands like the Stone Roses, Happy Mondays and Inspiral Carpets were at the height of their popularity
Affleck's Palace was a fashionable spot to get oversized flared jeans and tie dyed T-shirts and 'Eastern Bloc' was a popular record shop as it dealt in all the latest underground dance tunes of the time.
On 31 March 2008, Affleck's Palace ceased trading. It re-opened on 1 April 2008 as Afflecks under new management. Afflecks is now managed by Mancunian property developer Bruntwood after the expiry of a 25-year lease in 2007. It had been previously suggested that Bruntwood would redevelop the building, possibly leading to its closure as a market, with many traders having feared that closure would be likely and that notice could have been given as soon as the end of January
52 Church St, Manchester, North West England, UK, M4 1PW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,inside,interior,Manchester Craft Village,art,artists,jewelers,space,crafts,design,centre,craft,shop,store,Victorian,setting,studios,ceramics,for sale,Oak St,Manchester,M4 5JD,M4,fishmarket,building,event,events,courses,introduction,city,city centre,makers,future makers,exhibitions,workshop
Description: Tony Smith image Alamy RM252W - Meet the Makers, Discover the History, Experience Craft & Design
Here at Manchester Craft & Design our aim is to make contemporary visual art, craft and design accessible for all. Our former Victorian fishmarket building is situated at the heart of Manchester's creative Northern Quarter and houses some of the region's most talented artists, designers and makers. See them at work creating textiles, jewellery, ceramics, prints, fine art, sculpture and more
discover their stories, hear about their materials and processes, or learn a new skill yourself by taking part in a workshop. And don't miss our exciting programme of free contemporary craft exhibitions and events and our on-site café bar which serves delicious homemade fayre.
17 Oak St, Manchester, North West England, UK, M4 5JD
Description
Keywords: GoTonysmith,@HotpixUK,City Centre,public house,historic,history,capital,Citte,Of,Yorke,City of York,Chancery Lane,London,England,UK,grade2,Grade II,listed,building,Old Brewery,beer,bitter,Henekeys long bar,long bar,Henekeys,with drinker,Victorian,22 High Holborn,exterior,outside,clock,pub with clock,Coat of Arms,Front,stone,frontage,front,roman numerals,sign,pub sign
Description: Tony Smith image Alamy MM9A08 - . This scene at the recorded location in 2018 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Citte Of Yorke Pub, Chancelry Lane, Holborn, London, England, UK. A broader reading of the photograph includes cider brand history, drinks packaging, changing land use, before-and-after reference, drinks manufacturing, documentary photography, local history, factory bottling line, social history, regional drinks industry, community identity, changing streetscape, period detail, and archival record. From a 2025-onward perspective, regional food heritage and brand heritage are closely linked to this subject, alongside Herefordshire's long association with commercial cider production. Small period details of building condition and alterations at the recorded location may become more significant with time, particularly following redevelopment. Further associations within the scene are everyday life, fermented drink production, public realm, visual archive, bottle-filling machinery, historical comparison, historic beverage advertising, and bottling technology. Elements such as London, Yorke, Chancelry, Citte, and Holborn add documentary specificity and may become increasingly useful when compared with later records. Even without a fuller street location, image MM9A08 preserves the period presentation of Citte Of Yorke Pub, Chancelry Lane, Holborn, London, England, UK, giving later viewers a fixed documentary point for comparison. Its period value extends to regional food heritage and the relationship between orchard agriculture, regional identity and branded cider without losing the local specificity of the recorded location. The location additionally provides evidence of responsible drinking and how bottling technology transformed large-scale drinks manufacturing in a form that can be compared with future views of the recorded location.
Description
Keywords: public,house,bar,bars,pubs,outside,exterior,out,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,real ale,CAMRA,Victorian,Cains,1850
Description: Tony Smith image Alamy H4HMB1 - Cains is a brewery in Liverpool, England, founded in 1858 by Robert Cain. The company merged with Peter Walker & Son in 1921 to form Walker Cain. Peter Walker & Son had a large brewery in Warrington so sold its Liverpool brewery to Higsons in 1923.
Boddingtons of Manchester took over in 1985. In 1990 Whitbread acquired Boddington's brewing operations and closed the then Higsons Brewery in 1990. It was reopened by GB Breweries, who became part of Bryggerigruppen in 1991, and in 2002 was sold to Gardener-Shaw for £3.4 million.
The brewery closed in June 2013 with debts totalling more than £8m
18 Tithebarn Street, LIVERPOOL, L2 2DT
Description
Keywords: Scotland,UK,architecture,Victorian,Scots,Scottish,Gilt,city,corset-maker,city,corset,maker,manufacture,history,historic,maker,landmark,signage,street,victorian,virginia,white,wholesaler,Merchant City,Virginia Street,Glasgow City,Jacobean Corsetry,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of,Scotlands History,Scotlands History
Description: Tony Smith image Alamy H19DG3 - The building of Glasgow corset wholesaler Jacobean Corsetry. They supplied corsets to shops across Scotland from 1946 to 2000. The shop became a landmark due to its distinctive gold sign and its location in Virginia Street, near the tobacco lords' sale room. The A-listed property, which dates from 1817, has been named the Jacobean Building in honour of the shop.
Virginia Street, Scotland, UK
-statue-FDNKB8.jpg)
Description
Keywords: 150,Deansgate,Manchester,England,UK,book,books,libraries,learn,learning,learned,learned,Victorian,University,of,Enriqueta,(1907) statue,founder,benefactor,sculptor,art,artwork,artworks,M3 3EH,John Cassidy,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,statues,history,historic
Description: Tony Smith image Alamy FDNKB8 - The John Rylands Library is home to one of the world's richest and most unique collections - around 1.4 million items spanning over five thousand years and derived from all corners of the world.
John Cassidy created two matching statues, in white Saravezza marble, of John Rylands and Mrs Rylands, which stand guard over the two ends of the Library's Historic Reading Room. John Rylands (1801 - 1888) occupies a prominent position at one end, and Mrs Rylands presides over the other, near to what used to be the Library's service counter. The picture above dates from 2003.
Although the statues appear as a pair, they were not conceived or commissioned together. 'John Rylands' was commissioned by Mrs Rylands in 1894 as an integral part of the library dedicated to her late husband, and has had pride of place since the building opened in 1900, whilst her own likeness was commissioned by supporters of the Library, and unveiled on 9 December 1907, a few months before her death on 4 February 1908.
150 Deansgate, Manchester,England,UK, M3 3EH
Description
Keywords: Oxfordshire,England,UK,page,of,helpers,faces,images,image,verger,Oxen,chrurch,GoTonySmith,welcome,to,the,West Oxfordshire,England UK,our,people,place,a,face,name,named,names,Welcome to Holy Trinity,churches,Holy Trinity Church,welcoming,Wood Green,Victorian,vicar
Description: Tony Smith image Alamy ECW4H5 - Holy Trinity Church, Wood Green, is a Grade II listed Victorian church in Witney, Oxfordshire.htm Target=_Blank>Oxfordshire.
The Church was built in 1848“9, on land given by the bishop of Winchester and the duke of Marlborough
the cost was met largely from subscriptions, and a gift from the rector Charles Jerram. The architect was Benjamin Ferrey.
The church of squared and coursed limestone with ashlar quoins and dressings and a gabled stone slate roof. There is a two-bay chancel with pointed moulded doorway and Caernarvon-arched window. The five-bay nave has offset buttresses, lancets and two-light windows in each east bay.
An organ was installed in 1860, and new choir stalls and altar rails were fitted in 1869. In 1887 the vestry was enlarged to designs by Clapton Crabb Rolfe, and in 1895 an organ by Charles Martin of Oxford replaced the earlier one.
A new pulpit was fitted in 1909 in memory of Samuel and Mary Shuffrey. It was created in the Wood Green workshop of their son Leonard Shuffrey, the leading architect and architectural designer, who is buried in the Churchyard. James Allen Shuffrey, the notable watercolour artist, and brother of Leonard Shuffrey, sang in Wood Green Church Choir as a boy.
Woodgreen, Witney, West Oxfordshire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,HotpixUK,WA2,Cheshire,WA2 7DH,Red Lion Hotel,Winwick Road,Warrington,pub,bar,tiled,tiled pub,Victorian,1825,built 1825,Red Lion Warrington
Description: Tony Smith image Alamy DCYPWP - . The Red Lion Hotel,Winwick Road, Warrington, Cheshire, England, UK, WA2 7DH, built 1825. The photograph was taken on 02 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with The Red Lion Hotel, Winwick Road, Warrington, Red Lion, Greenalls sign, Greenall, Greenalls, sign, brown and Tony, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Winwick Road, Warrington, Cheshire, England, UK, WA2 7DH
Description
Keywords: Scheirwater,&,Lloyd,English,Oak,clock,L3,8EW,L38EW,wooden,classic,old,historic,over,door,doorway,corner,of,circular,interior,inside,victorian,fashioned,gotonysmith Scheirwater & Lloyd Liverpool English Oak clock,Buy Pictures of,Buy Images Of,clocks,books,shelves,Liverpool Central Library,England,UK,L3 8EW,the,Hornby Library,wood,shelving,gotonysmith,Scheirwater & Lloyd Liverpool English Oak clock
Description: Tony Smith image Alamy DB6P3D - The Picton Reading Room and Hornby Library are two grade II* listed buildings on William Brown Street, Liverpool, England which now form part of the Liverpool Central Library. The Scheirwater Lloyd clock sits over the entrance to the Hornby library from the Picton Reading Room.
Chairman of the William Brown Library and Museum Sir James Picton laid the foundation stone of the Picton Reading Room in 1875. It was designed by Cornelius Sherlock, and modelled after the British Museum Reading Room, and was the first electrically lit library in the UK.
It was completed in 1879. The front is semicircular with Corinthian columns, and the shape was chosen by the architect to cover the change in the axis of the row of buildings at this point. The Hornby Reading Room (named after Hugh Frederick Hornby) by Thomas Shelmerdine was added in 1906. It stands behind the older building and the interior is decorated in the Edwardian Imperial style
Liverpool Central Library, Liverpool, England, UK L3 8EW
Description
Keywords: Scheirwater,&,Lloyd,English,Oak,clock,L3,8EW,L38EW,wooden,classic,old,historic,over,door,doorway,corner,of,circular,interior,inside,victorian,fashioned,gotonysmith Scheirwater & Lloyd Liverpool English Oak clock,Buy Pictures of,Buy Images Of,clocks,books,shelves,Schierwater,history,wood,shelving,shelf,gotonysmith,Scheirwater & Lloyd Liverpool English Oak clock
Description: Tony Smith image Alamy DB6P44 - The Picton Reading Room and Hornby Library are two grade II* listed buildings on William Brown Street, Liverpool, England which now form part of the Liverpool Central Library. The Scheirwater Lloyd clock sits over the entrance to the Hornby library from the Picton Reading Room.
Chairman of the William Brown Library and Museum Sir James Picton laid the foundation stone of the Picton Reading Room in 1875. It was designed by Cornelius Sherlock, and modelled after the British Museum Reading Room, and was the first electrically lit library in the UK.
It was completed in 1879. The front is semicircular with Corinthian columns, and the shape was chosen by the architect to cover the change in the axis of the row of buildings at this point. The Hornby Reading Room (named after Hugh Frederick Hornby) by Thomas Shelmerdine was added in 1906. It stands behind the older building and the interior is decorated in the Edwardian Imperial style
Liverpool Central Library, Liverpool, England, UK L3 8EW
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,door,books,North west England,brass,plaque,doorway,entrance,wood,wooden,Victorian,history,historic,L3 8EW,L3
Description: Tony Smith image Alamy DB6PJ9 - . This dated editorial view of William Brown Street, Liverpool, England, UK, L3 8EW in 2013 captures more than the immediate subject, retaining clues about local use, design, activity and change. The image documents Liverpool Picton Library, revolving door, Merseyside, North west England, UK. The surrounding context encompasses before-and-after reference, contemporary social history, place-based commemoration, cultural memory, archival record, DJ culture, changing land use, everyday life, social history, music-scene memorial, local remembrance, regional identity, memorial culture, and popular-music heritage. Current relevance extends to local history and venue closures, particularly through how memorials preserve figures from regional music scenes outside formal institutions. Future viewers can use this scene from William Brown Street, Liverpool, England, UK, L3 8EW to compare building condition and alterations with whatever follows after changed technology. The photograph additionally reflects place identity, changing streetscape, period detail, regional music heritage, public realm, music memorial, historical comparison, and visual archive. Details involving Library, Picton, Liverpool, Merseyside, and revolving make the image more specific than a generic view and strengthen its local or historical value. Around William Brown Street, Liverpool, England, UK, L3 8EW, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is local history and the importance of documenting club and dance-music history when considered against later change at William Brown Street, Liverpool, England, UK, L3 8EW. The wider significance includes nightlife history and how public plaques turn personal remembrance into shared cultural memory without losing the local specificity of William Brown Street, Liverpool, England, UK, L3 8EW.
William Brown Street, Liverpool, England, UK, L3 8EW
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,British Stately home,England,Victorian,Iron,14,servant,ironer,on,cotton,fourteen,sheet,clothes,clothing,history,heritage,ancient,worn out,used,British,Victoria,the,past,collectable,collectables,artefact,artefacts,English,worn,decayed,wearing,dust,dusty,dirty
Description: Tony Smith image Alamy 2BKC2EM - . Recorded at Crewe,Cheshire,England,UK, this image forms part of the visual history of the locality and the activity, building, object or service shown. The photograph is concerned with Orion 14 Victorian Iron,cast iron. The frame also records themes of built environment, contemporary history, social history, before-and-after reference, changing streetscape, urban fabric, conservation architecture, urban change, local history, documentary photography, historical comparison, archival record, regional identity, and architectural contrast. The subject remains useful for current coverage of heritage conservation and embodied carbon, not least because of keeping older buildings useful without erasing their character. The photograph fixes transport arrangements and public activity within Crewe,Cheshire,England,UK at one identifiable point, providing a benchmark against closure or conversion. Further associations include everyday Britain, historic townscape, architectural character, social landscape, period building, local character, public realm, and historic streetscape. Elements such as Orion and Victorian add documentary specificity and may become useful when the scene is compared with later records. Around Crewe,Cheshire,England,UK, apparently routine features can become historically useful once businesses close, buildings change use or familiar street details disappear. A further contemporary connection is heritage conservation and preserving local identity during urban change in a form that can be compared with future views of Crewe,Cheshire,England,UK. The image also provides a reference for maintenance and keeping older buildings useful without erasing their character within the real-world context of Crewe,Cheshire,England,UK. The wider significance includes redevelopment pressure and keeping older buildings useful without erasing their character within the specific setting of Crewe,Cheshire,England,UK.
Crewe,Cheshire,England,UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,egg trays,Patent,wooden box,SAFETY EGG BOXES,boxes,wadding,Cheshire,England,UK,egg,eggs,safe,wood,box,safety,patent,patented,Pococks,Victorian,history,heritage,ancient,worn out,used,British,Victoria,the,past,collectable,collectables,artefact,artefacts,English
Description: Tony Smith image Alamy 2BKC2ER - . This period photograph records Cheshire, England, UK as an identifiable real-world setting rather than a generic illustration. The main point of reference is Pocock Safety Egg box, Pocock's Patent,wooden box, Cheshire, England, UK. The setting additionally reflects archival record, community identity, built heritage, public realm, urban fabric, changing streetscape, documentary photography, regional identity, before-and-after reference, historical comparison, architectural character, social landscape, visual archive, and place identity. The subject remains useful for current coverage of embodied carbon and energy retrofit, not least because of the contrast between historic fabric and modern development. Future viewers can use this scene from Cheshire, England, UK to compare public access and movement with whatever follows after closure or conversion. Other connected aspects are urban change, period building, local history, period detail, cityscape history, everyday Britain, local character, and heritage landmark. Elements such as Pocock's, Safety, Patent, wooden, and Pocock add documentary specificity and may become useful when the scene is compared with later records. The period setting at Cheshire, England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is embodied carbon and using existing buildings rather than demolishing them within the specific setting of Cheshire, England, UK. The scene further reflects planning control and the contrast between historic fabric and modern development as part of the longer story of Cheshire, England, UK. Its period value extends to maintenance and preserving local identity during urban change when considered against later change at Cheshire, England, UK. The frame therefore remains a dated reference for Cheshire, England, UK and the changing story of the subject shown.
Cheshire, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,Cheshire,Victorian,dentistry,surgical equipment,equipment,nervous patient,dental,pain,anxiety,dental visit,A trip to the dentist,Dental Tools,Teeth health,look after your teeth,horror,dentist,British Dental Association,dental equipment,NHS,pre-NHS,private,history,historic,Dentophobia,painful,Odontophobia,the,surgeon,kit,primitive,tools,tool,drill,drills,pliars
Description: Tony Smith image Alamy 2AA0RW9 - . An authentic period view of the recorded location in 2010, showing a subject whose value extends beyond the immediate scene into local history and changing social context. The principal point of reference is Victorian dentistry and- surgical equipment - Fear of going to the dentist - Dentophobia. Other connected aspects include building-material production, engineering heritage, preventive safety, working-industry history, social history, manufacturing heritage, production technology, industrial supply chain, historical comparison, factory history, health-service capacity, historic context, place identity, and labour history. The present-day relevance extends to waiting lists and public health, while a wider concern is the relationship between public policy and frontline safety. Current discussion around this subject increasingly includes manufacturing history alongside construction materials, with particular attention to the reuse or loss of former production sites. For place-based research, the frame records the relationship between the subject and its surroundings in this part of the recorded location. The wider local story also touches on risk management, occupational safety, historic manufacturing, public realm, regional identity, period detail, public-health provision, and clinical services. References to going, equipment, Dentophobia, Victorian, and dentist help fix the photograph to its own subject and period rather than reducing it to a generic view. A later view of the recorded location may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to waiting lists and the relationship between public policy and frontline safety in a form that can be compared with future views of the recorded location. The photograph keeps period character for future local research. The record includes a trace of local identity before later change alters the scene.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,Cheshire,locks,near Northwich,British Waterways,Lock keeper on river Weaver,river,Hunts Lock,HuntsLock,Waterway,British,Lockeeper,Northwich,canal and river trust,worker,Canal and River Trust,Canal & River Trust,Weaver,navigation,waterway,technical,Victorian,hat,logo,history,historic,lock,Northwich lock,holding,handle,society,safety,lifevest,life-vest,opens,opening
Description: Tony Smith image Alamy 2AA0RTH - . This location-based editorial photograph from Hunts Lock, Northwich,Cheshire, England, UK in 2010 preserves a recognisable subject together with clues about how the place was used and presented at the time. The view centres on Mel, Hunts Lock Lock keeper on river weaver, near Northwich, Cheshire, British Waterways, now Canal & River Trust, Huntslock. The scene additionally carries associations with risk management, local character, everyday life, public realm, local story.htm Target=_Blank>history, health compliance, changing land use, social history, waterside infrastructure, blue-green infrastructure, clinical services, visual archive, place identity, and contemporary social history. In the mid-2020s, towpath access and maintenance funding keep the subject current, particularly through keeping historic infrastructure safe and operational. The subject remains useful for current coverage of building safety and workforce capacity, not least because of how regulation and service pressure affect everyday places. For future researchers, the frame records the visual character of the locality at the time around Hunts Lock, Northwich,Cheshire, England, UK. Other useful associations include archival record, working waterway, community identity, historic context, managed navigation, navigation engineering, regional identity, and treatment access. Details involving Waterways, Trust, Huntslock, Northwich, and river give the scene useful specificity and strengthen its local, cultural or historical identity. For Hunts Lock, Northwich,Cheshire, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image also provides a reference for towpath access and keeping historic infrastructure safe and operational as part of the longer story of Hunts Lock, Northwich,Cheshire, England, UK. It also preserves evidence of earlier appearance as part of Hunts Lock, Northwich,Cheshire, England, UK's history.
Hunts Lock, Northwich,Cheshire, England, UK
Description
Keywords: St,Wilfrids,Catholic,Church,Panorama,Northwich,showing,wooden,roof,gotonysmith,wide,shot,joiner,stitched,dark,hard,wood,impressive,historic,building,inside,interior,Irish,upturned,boat,victorian,buildings,St Wilfrids Church Panorama Northwich unique,gotonysmith,gotonysmith,Buy Pictures of,Buy Images Of,Buy Pictures of,Buy Images Of,RC
Description: Tony Smith image Alamy CF0N0W - . St Wilfrids Catholic Church Panorama Northwich showing wooden roof. Photographed on 22 December 2009. The recorded location is Witton Street, Northwich, Cheshire, England, UK. In the longer view, churches combine worship with architecture, local memory and centuries of community history
Their stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, evolving liturgy, local benefactors, war remembrance and family history. In historical terms, panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can offer clues to the changing form of a town or coastline. Current 2026 relevance comes from the fact that historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant. During 2026, landscape imagery is increasingly used alongside discussion of climate, resilience, tourism and development
Older panoramas can show how skylines, waterfronts and vegetation have changed over a comparatively short period. In historical terms, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single building, reflecting generations of worship and local patronage. From a heritage perspective, ecclesiastical buildings are both active places of worship and repositories of local history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space.
Witton Street, Northwich, Cheshire, England, UK
Description
Keywords: St,Wilfrids,Davenham,Organ,Near,Northwich,Cheshire,UK,wood,wooden,classic,gotonysmith,gotonysmith,Buy Pictures of,Buy Images Of,Victorian,history,historic,CW9,57,Church Street,England,CW9 8NF,pipe,pipes,keyboard,keyboards,village,parish,Anglican,churches,grade,II,listed,building
Description: Tony Smith image Alamy CF0N14 - St Wilfrid's Church is in the village of Davenham, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Middlewich.
History
A church on the site was recorded in the Domesday Book of 1086. A later church was built in the 14th century and its chancel was rebuilt in 1680 and again in 1795.[3] The present church dates from 1842 to 1844 when the body of the church was replaced, and the tower and spire were repaired, the architect being Edmund Sharpe of Lancaster. The nave was lengthened by one bay, heightened and widened, and galleries were inserted on three sides. The tower was damaged when it was struck by lightning on 16 July 1850.[3] A new tower was designed by Sharpe and his partner at the time, E. G. Paley. The chancel and transepts date from 1870 by the later partners in the practice, Paley and Austin.
Architecture
Exterior
The church is built in red sandstone ashlar with a slate roof. Its plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a chancel with a north vestry and a south chantry chapel, and a southwest porch. The tower has an octagonal spire with three tiers of lucarnes.
Interior
In the chancel is a two-arched sedilia. The reredos contains an alabaster relief depicting The Last Supper. The monuments in the church include ones to William Tomkinson who died in 1770 by Benjamin Bromfield, to Mrs France who died in 1814 by S. and F. Franceys of Liverpool, to Mrs Harper dated 1833 by Francesco Pozzi of Florence with a relief of a mother and child, and to Frederick and Cecil France-Hayhurst who died in 1915, by Underwood. In the south aisle is a war memorial chapel designed by Sir Robert Lorimer. It contains a reredos with carvings of personifications of virtues, framed by carved friezes, and posts surmounted by angels
57 Church St, Davenham, Northwich, Cheshire, England, UK, CW9 8NF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cotton,Manchester,industry,factory,mill,history,machines,cloth,manufacture,factory system,Victorian,reel,machine,Lancashire Cotton,mills,BW,Black,White,black and white,cotton industry,UK,British,Cotton-spinning machinery,mass production,Industrial Revolution,Textile manufacturing,factory floor,working,reels,multiple,spin,spins,yarn,bobbins,cheeses
Description: Tony Smith image Alamy 2BM3JMK - Cotton-spinning machinery refers to machines which process (or spin) prepared cotton roving into workable yarn or thread. Such machinery can be dated back centuries. During the 18th and 19th centuries, as part of the Industrial Revolution cotton-spinning machinery was developed to bring mass production to the cotton industry. Cotton spinning machinery was installed in large factories, commonly known as cotton mills.
Manchester, Lancashire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NW,North West,UK,England,centre,city,L1,St Georges Pl,Liverpool,Merseyside,L1 1JJ,at,Music,the,groups,poster,words,2023,building,architecture,history,heritage,listed,grade,Neoclassical,Victorian,Grade I,concert hall,William Brown Street,conservation area,architect,Harvey Lonsdale Elmes,John Weightman,Robert Rawlinson
Description: Tony Smith image Alamy 2RC6H5Y - . Liverpool Music City at St Georges Hall, St George's Pl, Liverpool , Merseyside, England, UK, L1 1JJ. Photographed on 12 July 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St George's Place, Liverpool , Merseyside, England, UK, L1 1JJ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include North West, St Georges Pl, Liverpool, Merseyside, L1 1JJ, Music, groups, poster, words, building, architecture, history, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The music context makes the image useful for editorial coverage of performers, venues, concerts, popular culture, local music heritage, audiences, nightlife and the creative industries. Such scenes can become important cultural records as bands, venues, festivals and city music districts change, linking contemporary entertainment with wider stories about tourism, identity and regeneration. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
St George's Place, Liverpool , Merseyside, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cotton,Manchester,industry,factory,mill,history,machines,cloth,manufacture,Lancashire,factory system,Victorian,wooden,wood,toilet seat,W.C.,WC,Water Closet,with toilet paper,toilet paper,toilet,privy,number one,number two,waste,personal hygiene,hygiene,sewage,Thomas Crapper,Crapper,crap,Non-flushing,water closets,unsanitary conditions,bowl,seat,poverty
Description: Tony Smith image Alamy 2BM3JP6 - Non-flushing water closets”portable pieces of furniture with removable containers for waste”became the standard in pre-Victorian Britain, though many households continued to rely on the backyard privy. The problem of waste disposal”whether from a chamber pot or from an overused hole in the ground”remained.
The Victorians made the connection between unsanitary conditions and disease that the Elizabethans hadn't and developed municipal sewer systems to try to keep their cities cleaner. The problem was that they didn't have a good way of connecting individual households to the system. Non-flushing water closets could be dressed up, but their contents couldn't be taken out. In the late 18th and early 19th centuries (about the same time the sewers were built), English patents were granted for several different types of water-closet valves, but their flushing actions were pretty inefficient. The wall mounted cistern that became popular in the 1870s vastly improved the situation because it provided a large volume of water under more pressure. Water-closet bowls remained a problem, though, because their rudimentary traps didn't do a very good job of either letting waste go down the drain or keeping sewer gases out of the building. At first these bowls were made of earthenware and glazed with sometimes-elaborate designs. In 1885, Thomas Twyford built the first vitreous china toilet, inspiring competition from other notable English potteries such as Wedgwood and Doulton
it wasn't long before vitreous china became the standard for the fledgling industry.
American inventors were also seeking solutions to the problem of building a sanitary water closet. As early as 1875, James Henry and William Campbell patented a plunger-type water closet
over the next 50 or so years more than 350 applications for patents for various types of water-closet designs were received by the U.S. patent office. In 1907
Manchester, Lancashire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,North West England,manchester,city centre,NQ4,Northern Quarter,Manchester Northern quarter,eating,Manchester,City centre,Maccy,food,foodie,experience,Mayor,city,Interior,inside,M4 5BU,unique,food court,Lancs,food market,stalls,restaurant,cool,venue,Mackie Mayor Manchester,Victorian building,Victorian,building,market,old meat market,buildings,tourism
Description: Tony Smith image Alamy RG988W - Maccy Mayor is a 1858 Grade II listed market building, on the edge of Manchester's Northern Quarter. Reimagined by all the people involved in Alty Market and Market House. Includes the following vendors:
Honest Crust Pizza | Fin Fish Bar | Wolf House Coffee | Nationale 7 | Tender Cow | Baohouse | Little Window | J.Atkinsons & Co | Jack In The Box | Reserve Wines
For more info, visit http://www.mackiemayor.co.uk/
Eagle Street, Manchester, Lancashire, England, UK, M4 5BU
Description
Keywords: Northumberland,book,shop,bookshop,red,lights,lighting,old,railway,station,second-hand,bookshop,second,hand,secondhand,local,tourist,attraction,Victorian,Alnwicks,railway,station,Gazette,gotonysmith,Buy Pictures of,Buy Images Of,BarterBooksAlnwick,book store,books,store,reader,reading,second-hand bookshop,2nd hand,second hand,Stuart and Mary Manley,tourist attraction,Victorian Alnwick railway station
Description: Tony Smith image Alamy D8HCH4 - Barter Books is a second-hand bookshop located in the historic English market town of Alnwick, Northumberland owned and run by Stuart and Mary Manley. It has over 200,000 visitors a year, 40% of whom are from outside the area, and is one of the largest second-hand bookstores in Europe.[1] It is considered a local tourist attraction and has been described as the British Library of second-hand bookshops.
The bookshop is located within the Victorian Alnwick railway station, designed by William Bell and opened in 1887. It was in use until the closure of the Alnwick branch line in 1968. Barter Books was opened in 1991.
The shop is notable for its use of a barter system, whereby customers can exchange their books for credit against future purchases. Standard cash purchases are also available.
Barter Books has also been subject to crime on occasions. On the 3rd May 2007, a local newspaper, the Northumberland Gazette, reported that a book worth over £2,000 was returned to the book shop 5 years after it was stolen. It has also been subject to a scam which allowed thieves to take £200 in cash. However, the crime was dealt with in court.
Keep Calm and Carry On poster (1939)
Barter Books hit the headlines in 2000 when the owner discovered, in a box of old books bought at an auction, an old World War II poster from 1939. The slogan, Keep Calm and Carry On, and the simple design has turned it into an international phenomenon, and has been on the walls of places as diverse as Buckingham Palace, 10 Downing Street and the US Embassy in Belgium
Barter Books, Alnwick Station, Wagonway Road, ALNWICK, Northumberland, NE66 2NP
