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Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,SA,ANC,Africa,SF,Sinn Fein,flag,In,my,country,we,go,to,prison,first,and,then,become,president,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYNC - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Ugly Punch,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYXD - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDF001 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Civil,Order,Disorder,Islandbawn street,Islandbawn,street,st,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDPM0J - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,RPG Avenue,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDPM2B - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,rd,Garden,of,members,deceased,ex-prisoners,West,Belfast,NI,UK,Society,POWs,POW,dedication,dedicated,to,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPM50 - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: Falls,Road,rd,Garden,of,members,ex-prisoners,West,Belfast,NI,UK,Falls,Cultural,Society,dedication,civilians,civilian,casualties,casualty,list,of,names,list of names,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPM90 - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: Red hand,Ulster,off,rd,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,vols,volunteers,UVF,memorial,Ulster Volunteers,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT62 - . A grounded documentary photograph made at Shankill Road, West Belfast, NI, UK in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The subject captured here is UFF volunteers Unionist mural, off Shankill Road West Belfast,Northern Ireland,UK. Further facets of the scene include urban graphics, street-level design, social history, regional identity, public-realm art, street creativity, public realm, visual archive, stencil art, changing land use, public transport stop, visual street culture, changing streetscape, and place identity. The wider contemporary story combines regeneration, tourism and how temporary street art can become an important record of neighbourhood culture. Viewed from the mid-2020s, the subject also connects with integrated transport, bus service funding and the challenge of maintaining reliable services outside dense city centres. For later comparison, the photograph preserves landscape treatment and surrounding development at Shankill Road, West Belfast, NI, UK, details that may look very different after changed technology. Further associations within the scene are local bus network, graffiti heritage, urban artwork, roadside stop, local mobility, period detail, temporary artwork, and surface public transport. The combination of Ireland, Northern, mural, Belfast, and volunteers anchors the frame to a recognisable activity, place or moment. A later view of Shankill Road, West Belfast, NI, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. A further contemporary connection is regeneration and how temporary street art can become an important record of neighbourhood culture when considered against later change at Shankill Road, West Belfast, NI, UK. The image fixes evidence of changing use before later change alters the scene.
Shankill Road, West Belfast, NI, UK
Description
Keywords: gate,metal gate,metal,gates,yellow,parked,cars,car,Peace wall,West,Belfast,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,City,Centre,Art,Artists,the,troubles,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWT71 - . Made at Cupar Way, West Belfast, Northern Ireland, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The photograph centres on Gates to the Catholic / Protestant peace wall, Cupar Way, West Belfast, Northern Ireland, UK. The broader subject matter reaches into conservation interest, changing land use, architectural detail, period architecture, contemporary social history, documentary photography, local history, archival record, conservation architecture, heritage asset, architectural character, heritage landmark, cityscape history, and public realm. The modern context includes continuing discussion of maintenance, redevelopment pressure and how historic buildings acquire new uses as cities change. The archival value lies partly in recording materials and architectural details around Cupar Way, West Belfast, Northern Ireland, UK before closure or conversion alters the character of the place. Other useful contextual ideas include historic townscape, historical comparison, built heritage, period building, regional identity, period detail, local character, and visual archive. References to Catholic, Northern, Belfast, Protestant, and Ireland give the picture a strong period identity and tie it closely to its named subject. A later view of Cupar Way, West Belfast, Northern Ireland, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate maintenance and how historic buildings acquire new uses as cities change as part of the longer story of Cupar Way, West Belfast, Northern Ireland, UK. The image also provides a reference for planning control and how historic buildings acquire new uses as cities change when considered against later change at Cupar Way, West Belfast, Northern Ireland, UK.
Cupar Way, West Belfast, Northern Ireland, UK
Description
Keywords: Northern Ireland,UK,West,Belfast,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,Beal,feirste,martyrs,social,tourists,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWT74 - . This scene at West Belfast, Northern Ireland,UK in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Waste Ground,Council estate,West Belfast,Northern Ireland,UK. The setting additionally reflects period architecture, heritage landmark, conservation interest, adaptive reuse, archival record, historic townscape, urban fabric, conservation architecture, local character, documentary photography, heritage asset, contemporary social history, visual archive, and local history. For current editorial use, redevelopment pressure and planning control provide additional context, especially through how historic buildings acquire new uses as cities change. Future viewers can use this scene from West Belfast, Northern Ireland,UK to compare materials and architectural details with whatever follows after new ownership. A second descriptive layer includes before-and-after reference, period building, everyday life, cityscape history, built heritage, historic streetscape, place identity, and public realm. The recorded references to Northern, Ireland, Waste, Belfast, and estate preserve clues about how the subject was presented, used or understood at the time. A later view of West Belfast, Northern Ireland,UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes redevelopment pressure and how historic buildings acquire new uses as cities change in a form that can be compared with future views of West Belfast, Northern Ireland,UK. Another strand within the photograph is redevelopment pressure and keeping older buildings useful without erasing their distinctive character within the real-world context of West Belfast, Northern Ireland,UK. The record includes a point of historical comparison for later comparison.
West Belfast, Northern Ireland,UK
Description
Keywords: Slum,people,waiting,with,all,areas,needed,call,0759-1726638,Belfast,run,down,ukhousing,socialhousing,social,housing,terrace,boarded,up,sign,broken window,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWT7A - . This scene at Belfast, Northern Ireland, UK in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is Rundown rental accommodation - Landlords Wanted,people waiting with deposits,all areas needed, call 0759-1726638 Belfast. The image also relates to contemporary social history, visitor guidance, social history, period detail, documentary photography, everyday life, route marker, public information signage, community noticeboard, community identity, directional sign, visual archive, before-and-after reference, and wayfinding marker. Viewed from the mid-2020s, the subject also connects with maintenance, transport information and the importance of clear wayfinding in public and transport environments. Future viewers can use this scene from Belfast, Northern Ireland, UK to compare equipment and working practice with whatever follows after closure or conversion. The location also brings in public realm, orientation signage, public-facing notice, regional identity, place identity, changing land use, roadside information, and street furniture. The recorded references to people, accommodation, rental, Belfast, and waiting preserve clues about how the subject was presented, used or understood at the time. For Belfast, Northern Ireland, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of maintenance and the importance of clear wayfinding in public and transport environments as part of the longer story of Belfast, Northern Ireland, UK. A further contemporary connection is accessibility and the need for accessible information that works without digital technology when considered against later change at Belfast, Northern Ireland, UK.
Belfast, Northern Ireland, UK
Description
Keywords: Slum,people,waiting,with,all,areas,needed,call,0759-1726638,Belfast,run,down,ukhousing,socialhousing,social,housing,terrace,boarded,up,sign,broken window,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWT7H - . An identifiable period record of Belfast, Northern Ireland, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Rundown rental accommodation - Landlords Wanted,people waiting with deposits,all areas needed, call 0759-1726638 Belfast. The locality and subject together evoke navigation aid, route marker, documentary photography, everyday life, period detail, regional identity, directional sign, transport stop marker, archival record, community noticeboard, social history, contemporary social history, place identity, and historical comparison. The modern context includes continuing discussion of navigation, local identity and how signs record changing road names, destinations and administrative responsibility. Future viewers can use this scene from Belfast, Northern Ireland, UK to compare signage and branding with whatever follows after different community use. The subject also sits alongside public-facing notice, orientation signage, public realm, changing streetscape, before-and-after reference, local information board, local character, and local history. The combination of needed, accommodation, Rundown, rental, and waiting anchors the frame to a recognisable activity, place or moment. The wider setting at Belfast, Northern Ireland, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is navigation and how signs record changing road names, destinations and administrative responsibility without losing the local specificity of Belfast, Northern Ireland, UK. The scene further reflects inclusive design and the importance of clear wayfinding in public and transport environments in a form that can be compared with future views of Belfast, Northern Ireland, UK. The photograph keeps a trace of local identity before later change alters the scene.
Belfast, Northern Ireland, UK
Description
Keywords: buses,opentop,double,decker,red,Orange,coach,tour,operator,centre,Ireland,topdeck,major,landmarks,hop,on,off,hop-on-hop-off,discount,offer,offers,ticket,tickets,route,map,franchise,Double Decker,Bus Tour,Coach tour,City Centre,Enrique Ybarra,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,unionism,Orange,men,Orangemen,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Northern,tourist,tourism,travel,travellers,Ensignbus,break,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,double-decker,City Coach Lines,Peter Newman,city break
Description: Tony Smith image Alamy HDWT7P - City Sightseeing is a World's largest excursion sightseeing bus tour operator. It provides tour bus services in more than a hundred cities around the world. The tours are operated by well-recognisable red open top double-decker buses.
The tourist attraction buses travel near major landmarks, while a prerecorded or live commentary in multiple languages is provided through small headphones to passengers. Tourists may leave and board the company buses within their ticket's time limit at special bus stops on a circular route. This is called hop-on-hop-off. In large cities buses go on more than one route. On some routes buses leave the city for suburban sights (such as from Sintra to Cabo da Roca). In some cities (such as New York City) buses operate even at night. In some cities (such as Prague, Moscow, Saint Petersburg) some variants of the ride include travelling by boat. The United Kingdom, Italy and Spain are the countries with the largest number of cities with City Sightseeing service.
Tickets are issued for either one or two day rides, and are purchased at tourist attractions or online. Tickets and discount offers are transferable between the worldwide tours. In some cities, rides by City Sightseeing are included in the city's guest card. A free map of the route for each city is offered as guide and advertisement as well as headphones are free for users. In 2011, nearly 13 million tourists took City Sightseeing tours
Belfast,Northern Ireland,UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,shop,Souvenir Shop,Sniper,Craigavon,H-Block,H Block,flags,Irish Flag,Ireland Flag,support,the,cause,struggle for freedom,Irish Famine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Irish Famine,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDWT9D - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,shop,Souvenir Shop,Sniper,Craigavon,H-Block,H Block,flags,Irish Flag,Ireland Flag,support,the,cause,struggle for freedom,Irish Famine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Irish Famine,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDWT9P - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,shop,Souvenir Shop,Sniper,Craigavon,H-Block,H Block,flags,Irish Flag,Ireland Flag,support,the,cause,struggle for freedom,Irish Famine,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Irish Famine,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDWTAP - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: art,work,public,High St,2015,Ireland,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18C0 - . This location-specific image from High St,Earley,Belfast, Northern Ireland, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is High St,Earley,James 2015 mural,Belfast, Northern Ireland, UK. The broader subject matter reaches into contemporary social history, period detail, creative placemaking, commercial streetscape, street-level design, specialist retailer, documentary photography, street creativity, bricks-and-mortar retail, contemporary mural, changing streetscape, visual street culture, small business, and town-centre economy. From a 2025-onward perspective, graffiti policy and creative districts are closely linked to this subject, alongside how temporary street art can become an important record of neighbourhood culture. The wider contemporary story combines footfall, store closures and the role of small retailers in maintaining active town centres. The image fixes signage and branding within High St,Earley,Belfast, Northern Ireland, UK at one identifiable point, providing a benchmark against closure or conversion. The surrounding story also includes community identity, customer footfall, before-and-after reference, visual archive, place identity, regional identity, independent retail, and local character. The recorded references to Earley, James, Belfast, Northern, and Ireland preserve clues about how the subject was presented, used or understood at the time. A later view of High St,Earley,Belfast, Northern Ireland, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes graffiti policy and how temporary street art can become an important record of neighbourhood culture when considered against later change at High St,Earley,Belfast, Northern Ireland, UK.
High St,Earley,Belfast, Northern Ireland, UK
Description
Keywords: irish,Northern Ireland,UK,leaning,towers,doc,docks,public,place,space,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18C6 - The Albert Memorial Clock (more commonly referred to as the Albert Clock) is a clock tower situated at Queen's Square in Belfast, Northern Ireland. It was completed in 1869 and is one of the best known landmarks of Belfast.
In 1865 a competition for the design of a memorial to Queen Victoria's late Prince Consort, Prince Albert, was won by W. J. Barre, who had earlier designed Belfast's Ulster Hall. Initially Barre was not awarded his prize and the contract was secretly given to Lanyon, Lynn, and Lanyon, who had come second. Following public outcry the contract was eventually awarded to Barre. The construction cost of £2,500 (2011: £196,000) was raised by public subscription.
The sandstone memorial was constructed between 1865 and 1869 by Fitzpatrick Brothers builders and stands 113 feet tall in a mix of French and Italian Gothic styles. The base of the tower features flying buttresses with heraldic lions. A statue of the Prince in the robes of a Knight of the Garter stands on the western side of the tower and was sculpted by SF Lynn. A two tonne bell is housed in the tower and the clock was made by Francis Moore of High Street, Belfast.[3][4]
As a result of being built on wooden piles on marshy, reclaimed land around the River Farset, the top of the tower leans four feet off the perpendicular. Due to this movement, some ornamental work on the belfry was removed in 1924 along with a stone canopy over the statue of the Prince.
Being situated close to the docks, the tower was once infamous for being frequented by prostitutes plying their trade with visiting sailors. However, in recent years regeneration has turned the surrounding Queen's Square and Custom's House Square into attractive, modern public spaces with trees, fountains and sculptures.
In 1947, the film Odd Man Out was filmed partly in Belfast, with the Albert Clock as a central location, although neither the town nor the clock is explicitly identified.
Queens Square,Belfast, Northern Ireland, UK
-HE18C8.jpg)
Description
Keywords: &,Queens,Island,Queens Island,engineering,firm,Krupp,Harland,Wolff,ship,yard,builder,builders,shipbuilder,shipbuilders,crane,Titanic,roots,culture,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18C8 - Samson and Goliath are the twin shipbuilding gantry cranes situated at Queen's Island, Belfast, Northern Ireland. The cranes, which were named after the Biblical figures Samson and Goliath, dominate the Belfast skyline and are landmark structures of the city. Comparative newcomers to the city, the cranes rapidly came to symbolise Belfast in a way that no building or monument had hitherto done.
Harland & Wolff Heavy Industries is an Irish heavy industrial company, specialising in shipbuilding and offshore construction, located in Belfast, Northern Ireland. Harland & Wolff is most famous for having built all of the ships intended for the White Star Line including RMS Titanic. Other well known ships built by Harland & Wolff include Titanic's sister ships RMS Olympic and RMS Britannic, the Royal Navy's HMS Belfast, Royal Mail Line's Andes, Shaw Savill's Southern Cross, Union-Castle's RMS Pendennis Castle, and P&O's Canberra. Harland and Wolff's official history, Shipbuilders to the World, was published in 1986.
As of 2011, the expanding offshore wind power industry has been the prime focus, and 75% of the company's work is based on offshore renewable energy
Queens Island, Belfast, Northern Ireland, UK
Description
Keywords: clocks,movement,hands,face,manufacture,built,wood,indoor,machine,longcase,long,case,clock,tall-case,tall,case,floor clock,floor,pendulum,time,keeping,timing,Irish,antique,Northern Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7KWK - A longcase clock, also tall-case clock, floor clock, or grandfather clock, is a tall, freestanding, weight-driven pendulum clock with the pendulum held inside the tower or waist of the case. Clocks of this style are commonly 1.8“2.4 metres (6“8 feet) tall.
The case often features elaborately carved ornamentation on the hood (or bonnet), which surrounds and frames the dial, or clock face. The English clockmaker William Clement is credited with the development of this form in 1670. Until the early 20th century, pendulum clocks were the world's most accurate timekeeping technology, and longcase clocks, due to their superior accuracy, served as time standards for households and businesses. Today they are kept mainly for their decorative and antique value.
Belfast, Northern Ireland, UK
Description
Keywords: clocks,movement,hands,face,manufacture,built,wood,indoor,machine,longcase,long,case,clock,tall-case,tall,case,floor clock,floor,pendulum,time,keeping,timing,Irish,antique,Northern Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7KWR - A longcase clock, also tall-case clock, floor clock, or grandfather clock, is a tall, freestanding, weight-driven pendulum clock with the pendulum held inside the tower or waist of the case. Clocks of this style are commonly 1.8“2.4 metres (6“8 feet) tall.
The case often features elaborately carved ornamentation on the hood (or bonnet), which surrounds and frames the dial, or clock face. The English clockmaker William Clement is credited with the development of this form in 1670. Until the early 20th century, pendulum clocks were the world's most accurate timekeeping technology, and longcase clocks, due to their superior accuracy, served as time standards for households and businesses. Today they are kept mainly for their decorative and antique value.
Belfast, Northern Ireland, UK
Description
Keywords: Orange,white,grey,colour,Orangemen,Orange men,Unionists,Ulster unionists,political,politics,Ulster Volunteers,September,28/12/1912,guard,Violence,clothing,museum,object,community,Shankill,rd,road,City Hall Guard,The Ulster Volunteers,City Hall Guard,Protestant Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Union,Unionism,British,Protestant,Prods,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,day,Ulster,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Ulster Day
Description: Tony Smith image Alamy HE7KX0 - The Home Rule Crisis was a political and military crisis in the United Kingdom of Great Britain and Ireland that followed the introduction of the Third Home Rule Bill in the House of Commons of the United Kingdom in 1912.
Ulster unionists, determined to prevent any measure of home rule for Ireland, formed a paramilitary force, the Ulster Volunteers, which threatened to resist by physical force the implementation of the Act and the authority of any Dublin Parliament by force of arms. Irish nationalists responded by setting up the Irish Volunteers to secure the rights and liberties common to all the people of Ireland. Both sides then began importing weapons and ammunition from Germany, in the Larne gun-running and Howth gun-running incidents. The UK government's ability to face down unionist defiance was thrown into question by the Curragh incident, when dozens of British Army officers tendered their resignation rather than secure arms against Ulster loyalist seizure, forcing a climb-down by the government. The crisis was temporarily averted by the outbreak of World War I. The Home Rule Bill was enacted, but its implementation was suspended for the duration of the war.
Shankill Road, Belfast, Northern Ireland, UK
Description
Keywords: Crumlin,Road,Gaol,local,investor,Barry,Gilligan,dilapidated,building,architecture,victorian,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M5B - The Crumlin Road Courthouse was designed by the architect Charles Lanyon and completed in 1850. It is situated across the road from the Crumlin Road Jail and the two are linked by an underground passage.
The courthouse closed in June 1998. It was sold to local investor Barry Gilligan in September 2003 for £1. His plans for the courthouse include redeveloping it as a tourist attraction and a hotel.
On Thursday 12 March 2009, the courthouse suffered significant damage in a fire and a series of further fires in August 2009 caused further massive damage to the structure, prompting questions into the cause and leaving the future of the building in question.
Crumlin Road, Belfast, Northern Ireland, UK
Description
Keywords: architecture,building,stone,arch,holy,St Annes,saint,Annes,Girls Brigade,stained glass,window,and,blue,flag,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7M73 - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,holy,St Annes,Belfast Cathedral,saint,Annes,stained glass window,GG,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7M79 - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Guth Nuagaeil,Irish voice for all,Radio Failte,Mic,Microphone,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HEEF67 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Brendan Hughes,Hughes,Smash The H-Block,Brendan Hughes,Smash,The,H-Block,Hblock,Rebublican,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Irish History,Ireland History,Northern Ireland History,Belfast Catholic Community
Description: Tony Smith image Alamy HEEF89 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Inside,stone,arch,Belfast Cathedral,saint,Annes,panorama,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG7N - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Church House,Conference Centre,UK,Northern,Ireland,tower,old,clock,clock tower,Presbyterian,business,conf,HQ,headquarters,Fisherwick Place,Great Victoria Street,Howard Street,Grosvenor Road,road,car,Presbyterian Church,Church House,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18E9 - Church House in Belfast, Northern Ireland is the headquarters of the Presbyterian Church in Ireland. Although there was a decision taken to move to a new location the General Assembly, in 2005, voted to overturn the decision. Since the refurbishment, in 1992, Church House is now open for functions as a commercial conference centre.
The building is located near the centre of Belfast at the junction of Fisherwick Place, Great Victoria Street, Howard Street and Grosvenor Road. It was built in 1905, in the Gothic style, and opened by the Duke of Argyll. Church House is dominated by a 40m high clock tower, which contains Belfast's only peal of 12 bells.
Church House is home to the General Assembly of the Presbyterian Church in Ireland. The Assembly Hall is oval shaped with gallery, it can seat 1,300 people. The hall is illuminated by a glass skylight, which is now illuminated artificially.
Great Victoria Street,Belfast, Northern Ireland, UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,street art,Graffiti Art,wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MC0 - . This location-specific image from Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The location is represented through Graffiti near Belfast Garfield St,City Centre, Northern Ireland, UK. A broader reading of the photograph includes archival record, contemporary mural, public realm, street-level design, changing streetscape, creative placemaking, regional identity, local character, before-and-after reference, visual archive, documentary photography, historical comparison, period detail, and street creativity. From a 2025-onward perspective, tourism and gentrification are closely linked to this subject, alongside how temporary street art can become an important record of neighbourhood culture. For later comparison, the photograph preserves signage and branding at Garfield street,Belfast,County Antrim,Northern Ireland,UK, details that may look very different after changed technology. The photograph additionally reflects social history, public art, stencil art, changing land use, local history, visual street culture, temporary artwork, and urban graphics. Details involving Northern, Centre, Belfast, Graffiti, and Garfield make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Garfield street,Belfast,County Antrim,Northern Ireland,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence of tourism and how temporary street art can become an important record of neighbourhood culture in a form that can be compared with future views of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The view records part of the area's social history for later comparison.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,Department,Bannons Shop,Store,Department store,celebrate,125,years,coke,coca,cola,road,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MC3 - . This location-specific image from 75 North street, Belfast, UK, BT1 1NL in 2011 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows Bannons Dept Store, Belfast 75 North St, City Centre, Northern Ireland, UK. The subject also carries associations with commercial streetscape, local history, documentary photography, bricks-and-mortar retail, archival record, before-and-after reference, historical comparison, place identity, specialist retailer, changing land use, regional identity, local enterprise, retail property, and changing streetscape. From a 2025-onward perspective, online shopping and independent business are closely linked to this subject, alongside how shopfronts become short-lived records of changing businesses and branding. Future viewers can use this scene from 75 North street, Belfast, UK, BT1 1NL to compare local activity and public use with whatever follows after new ownership. The subject also sits alongside local trading, local character, public realm, shopfront economy, visual archive, commercial frontage, period detail, and community identity. Details involving Store, Centre, Ireland, Belfast, and Bannons make the image more specific than a generic view and strengthen its local or historical value. The wider setting at 75 North street, Belfast, UK, BT1 1NL matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is online shopping and the resilience of independent shops in an online retail economy as part of the longer story of 75 North street, Belfast, UK, BT1 1NL. The setting also helps illustrate online shopping and the role of small retailers in maintaining active town centres when considered against later change at 75 North street, Belfast, UK, BT1 1NL.
75 North street, Belfast, UK, BT1 1NL
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,party,It,hasnt,Gone,away,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MC7 - . An identifiable period record of Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The frame specifically shows Sectarianism in Belfast sign, Cathedral quarter,City Centre, Northern Ireland, UK. Other connected aspects include place identity, regional identity, contemporary social history, public realm, historic glazing, ecclesiastical decoration, historical comparison, sacred space, archival record, church conservation, ecclesiastical art, heritage worship space, documentary photography, and sacred architecture. Current relevance extends to accessibility and energy costs, particularly through how places of worship combine active religious use with tourism and heritage. For later comparison, the photograph preserves transport arrangements and footfall at Garfield street,Belfast,County Antrim,Northern Ireland,UK, details that may look very different after replacement signage. The surrounding story also includes faith heritage, changing streetscape, changing land use, Christian iconography, local history, religious heritage, cathedral interior, and before-and-after reference. References to Ireland, Centre, Sectarianism, quarter, and Belfast give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Garfield street,Belfast,County Antrim,Northern Ireland,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The wider significance includes accessibility and how places of worship combine active religious use with tourism and heritage as part of the longer story of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The frame retains period character for later comparison. The scene captures a trace of local identity within the wider story of Garfield street,Belfast,County Antrim,Northern Ireland,UK.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,boarded,up,panorama,eyesore,eye,sore,dilapidation,decrepitude,shabby,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MD1 - . This scene at Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Belfast Graffiti near Garfield St City Centre, Northern Ireland, UK. The surrounding context encompasses local history, visual street culture, urban graphics, public art, street creativity, documentary photography, mural culture, urban artwork, changing streetscape, period detail, social history, local character, historical comparison, and archival record. For current editorial use, temporary works and creative districts provide additional context, especially through how temporary street art can become an important record of neighbourhood culture. Small period details of lettering, decoration and surface detail at Garfield street,Belfast,County Antrim,Northern Ireland,UK may become more significant with time, particularly following new construction. The subject also sits alongside changing land use, visual archive, public realm, community identity, place identity, regional identity, public-realm art, and community art. The combination of Northern, Graffiti, Belfast, Centre, and Garfield anchors the frame to a recognisable activity, place or moment. Around Garfield street,Belfast,County Antrim,Northern Ireland,UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The location additionally provides evidence of temporary works and how temporary street art can become an important record of neighbourhood culture as part of the longer story of Garfield street,Belfast,County Antrim,Northern Ireland,UK. A further contemporary connection is local identity and how regeneration can both promote and displace informal urban art when considered against later change at Garfield street,Belfast,County Antrim,Northern Ireland,UK.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,Cap,man,eyesore,eye,sore,dilapidation,decrepitude,shabby,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MD4 - . Made at Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Andy Capp graffiti,Belfast Garfield St City Centre, Northern Ireland, UK. Further facets of the scene include graffiti heritage, public realm, changing land use, street-level design, before-and-after reference, urban graphics, contemporary mural, community identity, temporary artwork, visual archive, public-realm art, public art, place identity, and street creativity. Current relevance extends to tourism and regeneration, particularly through how temporary street art can become an important record of neighbourhood culture. As a dated visual record of Garfield street,Belfast,County Antrim,Northern Ireland,UK, the frame retains signage and branding, making it especially useful if later reinterpretation subsequently changes the scene. The wider setting retains connections with social history, local character, archival record, contemporary social history, visual street culture, changing streetscape, local history, and community art. References to Ireland, Northern, Belfast, Garfield, and graffiti give the picture a strong period identity and tie it closely to its named subject. Around Garfield street,Belfast,County Antrim,Northern Ireland,UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to tourism and how temporary street art can become an important record of neighbourhood culture within the specific setting of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The frame retains period character before later change alters the scene. The scene captures a trace of local identity as a date-specific reference.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,eye,sore,shabby,ruin,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,oohyea,ohh,yea,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MD7 - . This authentic period view of Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents ESAK Graffiti Belfast Garfield St City Centre, Northern Ireland, UK. The image also relates to local history, temporary artwork, visual archive, visual street culture, contemporary mural, mural culture, community identity, public-realm art, everyday life, historical comparison, public art, urban artwork, changing streetscape, and social history. For current editorial use, gentrification and temporary works provide additional context, especially through the role of murals and stencils in giving creative districts a distinctive identity. For later comparison, the photograph preserves lettering, decoration and surface detail at Garfield street,Belfast,County Antrim,Northern Ireland,UK, details that may look very different after conservation work. Further associations within the scene are archival record, contemporary social history, street-level design, public realm, period detail, urban graphics, before-and-after reference, and creative placemaking. The recorded references to Centre, Garfield, Belfast, Graffiti, and Northern preserve clues about how the subject was presented, used or understood at the time. The wider setting at Garfield street,Belfast,County Antrim,Northern Ireland,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is gentrification and the blurred boundary between commissioned public art and unsanctioned graffiti as part of the longer story of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The record includes details of everyday use before later change alters the scene. The frame retains evidence of changing use as a date-specific reference.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,bar,bars,pub,pubs,eye,sore,decrepitude,shabby,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded up,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MER - . This dated editorial view of Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 captures more than the immediate subject, retaining clues about local use, design, activity and change. The subject captured here is Belfast Garfield St pano City Centre, Northern Ireland, UK. Other connected aspects include historical comparison, public-realm art, social history, archival record, contemporary mural, street-level design, changing streetscape, everyday life, period detail, changing land use, before-and-after reference, urban artwork, street creativity, and public realm. The modern context includes continuing discussion of temporary works, regeneration and how regeneration can both promote and displace informal urban art. Future viewers can use this scene from Garfield street,Belfast,County Antrim,Northern Ireland,UK to compare local activity and public use with whatever follows after changed technology. The wider setting retains connections with visual street culture, temporary artwork, local history, public art, community identity, regional identity, community art, and urban graphics. Details involving Belfast, Northern, Ireland, Garfield, and Centre make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Garfield street,Belfast,County Antrim,Northern Ireland,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for temporary works and how temporary street art can become an important record of neighbourhood culture within the real-world context of Garfield street,Belfast,County Antrim,Northern Ireland,UK. Another useful connection is local identity and the blurred boundary between commissioned public art and unsanctioned graffiti within the specific setting of Garfield street,Belfast,County Antrim,Northern Ireland,UK.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,bar,bars,pubs,eye,sore,shabby,ruin,decayed,run,down,rundown,decay,collapse,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MEX - . This scene at Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Belfast Garfield St Owl graffiti - Garfield Bar City Centre, Northern Ireland, UK. The broader subject matter reaches into contemporary mural, public-realm art, street-level design, temporary artwork, community art, mural culture, social history, public realm, contemporary social history, changing streetscape, place identity, visual archive, everyday life, and creative placemaking. For current editorial use, creative districts and tourism provide additional context, especially through how temporary street art can become an important record of neighbourhood culture. The image fixes materials and architectural details within Garfield street,Belfast,County Antrim,Northern Ireland,UK at one identifiable point, providing a benchmark against changing commercial priorities. Other useful contextual ideas include stencil art, historical comparison, urban artwork, local history, local character, community identity, public art, and archival record. The recorded references to Ireland, graffiti, Northern, Belfast, and Garfield preserve clues about how the subject was presented, used or understood at the time. The period setting at Garfield street,Belfast,County Antrim,Northern Ireland,UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to creative districts and how temporary street art can become an important record of neighbourhood culture as part of the longer story of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The record includes period character for future local research. The frame retains a trace of local identity before later change alters the scene.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
