Search full image library
Enter words, names or reference numbers. This opens Alamy results in a new tab.
Other languages and quick categories
Search HotpixUK images in Spanish, French, German, Italian, or English. Use the dropdown for shortcuts.
Search Tower in other languages
Search All in French
FR Tower,
Search All German
DE Tower,
Search All Italian
IT Tower,
Search All Spanish
ES Tower,
Back to all images preview
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IM347A~1,Warrington,Cheshire,red,brick,civic,building,tower,high,rise,urban,architecture,streetscape,heritage,contrast,old,new,townscape,North,West,regeneration,editorial,documentary,2026,British,Britain,Europe,travel,local,community,signage,economy
Description: Tony Smith image Alamy 3FCG6FH - . A red-brick historic or civic building is seen in the foreground with a much taller twentieth-century tower rising behind, creating a strong visual contrast between different periods of urban development in the Warrington area. The image is deliberately described conservatively because the surviving filename does not identify the premises and the thumbnail does not provide enough evidence for a reliable building name. What is clear is the layered townscape: decorated brickwork, traditional pitched roofs and older street architecture sit against a high-rise block that represents a later approach to density and redevelopment. Such juxtapositions are common in post-industrial towns of North West England, where Victorian and Edwardian public buildings, pubs, schools or commercial premises often survive alongside 1960s and 1970s towers and more recent apartment schemes. The picture is useful editorially for themes of changing skylines, heritage versus redevelopment, planning, urban character, adaptive reuse and the visual legacy of successive building booms. From a visual-research perspective, the image combines a clearly recognisable subject with the surrounding built environment. Relevant search and editorial concepts include Warrington, Cheshire, North West England, local community, urban fringe, village heritage, transport links, development pressure, public realm, local services. Useful descriptive vocabulary for archive discovery includes Warrington, Cheshire, red, brick, civic, building, tower, high, rise, urban, architecture, streetscape, heritage, contrast, old, new, townscape, North, West, England, regeneration. The photograph is suitable for editorial, documentary, social-history, planning, business and local-news use where an identifiable real-world example is preferable to a generic illustration. It also provides a dated reference for future comparison, allowing researchers to see whether the premises, branding,
Warrington area, Cheshire, North West England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,image,bell,tower,St,Matthew,Stretton,Warrington,church,Cheshire,Gothic,Revival,George,Gilbert,Scott,sandstone,Victorian,Grade,II,landmark,lancet,windows,heritage,editorial,documentary,2026,British,Britain,Europe,travel,local,community,signage
Description: Tony Smith image Alamy 3FCG6FW - . This view concentrates on the west tower of St Matthew's Church at Stretton, a prominent red-sandstone landmark near Warrington. The present church dates principally from 1870 and was designed by the celebrated Gothic Revival architect George Gilbert Scott, replacing an earlier Commissioners' Church by Philip Hardwick. The tower was rebuilt when the earlier structure was found to be unsound
church history describes it as about 75 feet high, divided into four stages, with angle buttresses, an octagonal turret, lancet openings and a plain corbelled parapet. Those vertical details give the otherwise low Cheshire village skyline a strong focal point. St Matthew's is Grade II listed and remains an active parish church, linking modern Stretton with a much older history of worship in the settlement. The image has value for searches relating to church towers, Victorian ecclesiastical architecture, sandstone buildings, Cheshire heritage and the work of George Gilbert Scott, whose influence can be seen in major churches and civic buildings across Britain. The photograph also has documentary strength because ordinary signs, shopfronts and buildings often change faster than major landmarks. Relevant search and editorial concepts include Warrington, Cheshire, North West England, local community, urban fringe, village heritage, transport links, development pressure, public realm, local services. Useful descriptive vocabulary for archive discovery includes bell, tower, St, Matthew, Stretton, Warrington, church, Cheshire, Gothic, Revival, George, Gilbert, Scott, sandstone, Victorian, Grade, II, landmark, lancet, windows, heritage. Its value is strongest when used with precise place and date information, making it relevant to archives, newspapers, magazines, books, planning material and online features about contemporary Britain. The photograph is suitable for editorial, documentary, social-history, planning,
St Matthew's Church, Stretton Road, Stretton, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_3792,Mainz,evening,street,city centre,Mainz Cathedral,cathedral,Rhineland-Palatinate,Germany,shopping,pedestrian,shops,people,urban,historic,architecture,tourism,heritage,church,tower,retail,travel,European,city,nightfall,twilight,old,town,downtown,landmark,German,streetscape,tourist,trave,dusk,economy,night,night time
Description: Tony Smith image Alamy 3F8YR99 - . Evening street scene in Mainz city centre with Mainz Cathedral tower in the background, Rhineland-Palatinate, Germany. Photographed on 7 August 2026. The recorded location is Mainz, Rhineland-Palatinate, Germany. Shops and pedestrians line the pedestrianised shopping street while the red sandstone cathedral rises above the surrounding buildings. The image combines contemporary retail activity with historic architecture and can illustrate tourism, German city centres, evening shopping, pedestrian streets, urban heritage and the everyday life of Mainz. Warm shop lighting contrasts with the blue evening sky and the historic church tower. Mainz stands on the Rhine and has more than two millennia of history, from Roman Mogontiacum through its role as an archiepiscopal city to the birthplace of Johannes Gutenberg. The old town combines reconstructed historic streets, churches, wine culture and post-war urban development, giving street signs and façades strong local-history context. The background to memorial is that ecclesiastical buildings are both active places of worship and repositories of local evidence
Churchyard monuments, carved stone, stained glass and plaques offer material for genealogy, architectural history, religious practice and remembrance. Current 2026 context around memorial is that many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places. Alternative search wording includes ecclesiastical architecture, parish church, Christian heritage, sacred art, religious symbolism, church interior, place of worship, architectural conservation, local history, faith community, historic fabric, religious heritage, IMG_3792, people, and travel.
Mainz, Rhineland-Palatinate, Germany
Description
Keywords: Gotonysmith,@HotpixUK,HotpixUK,255A8986,Salford,St,Philips,Church,tower,architecture,religion,heritage
Description: Tony Smith image Alamy 3E424E9 - . St Philip's Church tower in Salford. Photographed on 21 March 2026. The recorded location is Salford, Greater Manchester, England, UK. The historical setting for religious heritage is that ecclesiastical buildings are both active places of worship and repositories of local evidence
Churchyard monuments, carved stone, stained glass and plaques offer material for genealogy, architectural history, religious practice and remembrance. In the 2026 discussion of religious heritage, many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places. Additional high-relevance terminology includes ecclesiastical architecture, parish church, Christian heritage, sacred art, religious symbolism, church interior, memorial, place of worship, architectural conservation, local history, faith community, historic fabric, 255A8986, and Philips. Other strongly related concepts include architecture and religion. Seen through Christian heritage, the earlier context is that churches combine worship with architecture, local memory and centuries of community past
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family past. For stained glass, the historical context is that parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, later chapels, organs, altars, monuments and inscriptions can coexist within a single building, revealing generations of craftsmanship and changing liturgy. A further layer of meaning comes from ecclesiastical architecture, parish church and Christian heritage. The image also relates directly to parish church, Christian heritage and sacred art.
Salford, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9099,Salford,Cooperative,building,former,tower,heritage,architecture,urban
Description: Tony Smith image Alamy 3E49BNH - . Former Co-operative building and tower in Salford. Photographed on 21 March 2026. The recorded location is Salford, Greater Manchester, England, UK. Within the history of historic building, the built environment is continually reused
Warehouses become apartments, stations become event spaces and commercial premises acquire new occupants, making older photographs particularly valuable for tracing regeneration, demolition, conservation and adaptive reuse. Against the 2026 backdrop for historic building, current planning debates place growing emphasis on housing delivery, retrofit, accessibility and the reuse of brownfield sites
Architectural photographs therefore connect design history with present-day questions about regeneration, sustainability and urban density. Associated subject terminology includes architectural detail, facade, streetscape, urban design, heritage building, construction, property, townscape, cityscape, architectural history, building conservation, 255A9099, Cooperative, heritage, and architecture. In relation to urban design, historical context shows that architecture records the priorities of the period in which a structure was designed: materials, ornament, scale and planning reveal technology, status and intended use
Later alterations, extensions and new tenants add further layers, so a single façade can embody several phases of local history. For the story of construction, it is useful to note that buildings are often the most durable evidence of former institutions and businesses
Brickwork, stonework, windows, entrances and signs can survive changes of ownership or use, allowing photography to document architectural style as well as the evolution of a street or district. The image also relates directly to architectural detail, facade and streetscape. The subject also connects facade, streetscape and urban design within the same editorial theme.
Salford, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9113,Salford,Eagle,pub,architecture,heritage,tower,urban,Greater,Manchester
Description: Tony Smith image Alamy 3E54PYM - . The Eagle pub exterior in Salford with modern tower behind. Photographed on 21 March 2026. The recorded location is Salford, Greater Manchester, England, UK. In relation to alehouse, historical context shows that public houses form a distinctive strand of British social past
Coaching routes, tied brewery estates, Victorian urban growth and twentieth-century leisure each shaped the location and appearance of pubs, many of which later became restaurants, shops, housing or community assets. As of 2026, the position for alehouse is that in England eligible pubs and live-music venues receive a 15% business-rates relief for the 2026/27 billing year, reflecting continuing concern about operating costs, closures and the role of hospitality in town-centre vitality. Additional natural-language search terms include licensed premises, hostelry, bar trade, real ale, cask ale, beer culture, local pub, historic pub, nightlife, licensed trade, independent brewery, 255A9113, architecture, and heritage. For the story of hospitality, it is useful to note that british pubs developed from inns, taverns and alehouses into licensed social institutions that have long served as meeting places, music venues and landmarks
Names, brewery signs, etched glass, tiled interiors and changing fascias can preserve local history even when ownership or use changes. The historical setting for beer culture is that beer culture links agriculture, brewing, distribution and the licensed trade
Cask-conditioned ale, handpumps, brewery branding and pub interiors became especially important to the real-ale revival from the 1970s onwards, while later craft brewing introduced new styles and independent producers. For present-day hospitality, 2026 is significant because in England eligible pubs and live-music venues receive a 15% business-rates relief for the 2026/27 billing year, reflecting continuing concern about operating costs, closures and the role of hospitality in town-centre vitality.
Salford, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpicUK,HotpixUK,@HotpixUK,IMG_2418,Hamilton,Square,Station,tower,Birkenhead,railway,rail,train,transport,Wirral,Merseyside
Description: Tony Smith image Alamy 3E6T4DG - . Hamilton Square Station tower Birkenhead. Photographed on 2 November 2024. The recorded location is Birkenhead, Wirral, Merseyside, England, UK. The photograph records the subject as encountered, including visible signage, architecture, branding, street furniture, landscape, transport, artwork or activity where present. It provides useful contemporary documentary context for editorial coverage of railways, public transport and transport infrastructure. The image can support news, feature, travel, heritage and retrospective use, particularly where the place, organisation, object or streetscape changes over time. It also preserves details of the surrounding environment and appearance at the time of photography for future comparison and historical reference. The background to place-making is that banners, monuments and temporary installations can transform a formal square into a record of particular events or institutional identity. Within the history of railway station, railways transformed British towns from the nineteenth century onwards, concentrating passenger movement around stations while creating new suburbs, goods yards and industrial connections
Station buildings, platforms, signals and rolling stock can date a transport scene as clearly as surrounding architecture. In relation to urban design, historical context shows that buildings are often the most durable evidence of former institutions and businesses
Brickwork, stonework, windows, entrances and signs can survive changes of ownership or use, allowing photography to document architectural style as well as the evolution of a street or district. Current 2026 context around place-making is that city-centre public spaces are increasingly expected to support walking, events, outdoor dining and climate resilience rather than functioning mainly as traffic space. Closely related concepts are place-making, rail transport, passenger railway, and railway station.
Birkenhead, Wirral, Merseyside, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_7779,London,Tower,Hamlets,Wiltons,music,hall,historic,doors,entrance,UK,IMG,7779,Graces,Alley,8JB
Description: Tony Smith image Alamy 3FAFDDJ - Front entrance of Wilton's Music Hall at 1 Graces Alley in Tower Hamlets, East London, showing the venue's heavily weathered timber double doors framed by decorative stone and brickwork. The deliberately aged appearance, faded paint and surviving ornamental details are central to the character of the restored historic venue. Wilton's is widely associated with London's nineteenth-century music-hall tradition and with the survival and conservation of performance spaces in the East End. This close frontal view is particularly suitable for editorial coverage of architectural heritage, theatre and entertainment history, conservation-led regeneration, restoration, cultural tourism and the reuse of historic urban buildings. The image also illustrates how visible wear, old materials and imperfect surfaces can be retained as part of a building's identity rather than removed during refurbishment. Located close to Cable Street and the former London docklands, the venue sits within an area shaped by migration, trade, industry and changing patterns of inner-city development. The photograph also provides a contemporary documentary record of surviving East London heritage at a time when property values, redevelopment and changing commercial uses continue to alter the character of inner-city neighbourhoods. Details in the fabric, signage and surrounding streetscape help locate the subject in its real urban setting rather than presenting it as an isolated landmark. It can therefore support features comparing historic London with twenty-first-century development, tourism and conservation policy, as well as archive-style coverage of places whose appearance may change through restoration, conversion or redevelopment.
1 Graces Alley, London E1 8JB, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_7781,London,Tower,Hamlets,East,Wiltons,music,hall,historic,doors,UK,IMG,7781,Graces,Alley,8JB
Description: Tony Smith image Alamy 3FAFDHY - Close architectural detail of the weathered wooden entrance doors at Wilton's Music Hall in Graces Alley, Tower Hamlets, East London. The small 'Wilton's Push To Enter' sign is surrounded by peeling paint, aged timber and narrow glazed panels, emphasising the patina of one of London's best-known surviving historic music hall buildings. The photograph records the deliberately conserved, time-worn character of the venue rather than a polished modern theatre frontage. Wilton's occupies a group of nineteenth-century buildings close to Cable Street and the London Docks, an area strongly associated with the social, maritime and working-class history of the East End. The image is useful for editorial themes including heritage conservation, theatre history, historic entertainment venues, adaptive reuse, restoration, architectural detail, cultural tourism and the preservation of old buildings in rapidly changing inner London. The distressed surface, hand-sized instruction sign and heavy timber doors provide a tactile close-up of the building's historic fabric and distinctive visitor entrance. The photograph also provides a contemporary documentary record of surviving East London heritage at a time when property values, development.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>redevelopment and changing commercial uses continue to alter the character of inner-city neighbourhoods. Details in the fabric, signage and surrounding streetscape help locate the subject in its real urban setting rather than presenting it as an isolated landmark. It can therefore support features comparing historic London with twenty-first-century development, tourism and conservation policy, as well as archive-style coverage of places whose appearance may change through restoration, conversion or redevelopment.
1 Graces Alley, London E1 8JB, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,ArtDeco,municipal,building,tower,brick,council headquarters,historic,history,government,1930s,British,civic,administration,landmark,city,centre,Grade II listed building,twentieth century,tourist attraction,dusk,evening,modernist,civic pride,symbol,public,realm,streetscape,built environment,low angle view,vertical architectural,evening light,blue sky clouds,cityscape,architect,S R Pierce,1938,C H James
Description: Tony Smith image Alamy 3F3A01G - Low-angle exterior view of Norwich City Hall photographed from the Bethel Street side at dusk in Norwich, Norfolk, England. The composition is dominated by the building's tall red brick tower, which rises above the substantial municipal offices and forms one of the most recognisable features of the Norwich skyline. Blue evening sky, scattered clouds and a mature leafy tree frame the architecture, while the upward viewpoint emphasises the height and monumental character of the civic landmark.
Norwich City Hall was designed by architects Charles Holloway James and Stephen Rowland Pierce following a national architectural competition and was formally opened in 1938. Its restrained interwar design combines Scandinavian-influenced modernism, Art Deco detailing and traditional civic monumentality. The long elevations use warm brick above solid stone lower storeys, with carefully proportioned windows and relatively little applied decoration. A green copper feature crowns the tower and adds a contrasting colour to the red masonry.
The building was created as the headquarters of local government in Norwich and continues to accommodate the city's civic and administrative functions. Its scale and commanding tower reflected the confidence placed in municipal government and public service during the interwar period. The architecture also forms part of the wider civic centre around St Peter's Street, close to Norwich Market, the Guildhall and other important historic buildings.
Photographed in soft evening light, the image highlights the contrast between the heavy stone base, broad brick elevations and the slender vertical tower. The Bethel Street viewpoint reveals a less commonly photographed side of the building and places the tower against an open sky rather than the busier principal frontage. The scene is suitable for editorial subjects including Norwich architecture, British local government, civic buildings, Art Deco, interwar design, Norfolk tourism, urban heritage
Norwich City Hall, St Peter's Street, Norwich, Norfolk, England, UK, NR2 1NH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,public,services,travelling,street,cheap,cheaper,travel,yellow,Merseyside,at,Royal Court,14A,10814,England,UK,L1 1EP,L1,St,SM66 VBV,SM66VBV,14,Kirby,bus station,route,routes,icon,iconic,atlantic,tower,St Johns,double,deck,decker
Description: Tony Smith image Alamy 2X9BPBE - This documentary stock image shows Transport in Liverpool, Merseyside, public bus service 14A Kirby - United By Music, at Royal Court, Roe St, England, UK, L1 1EP - Stagecoach SM66 VBV. The row metadata places the subject at Roe Street, Liverpool, Merseyside, England, UK, L1 1EP. The spreadsheet date indicates 14 May 2024, so the picture can also work as a time-specific archive record. Plainly, the image is useful because it shows travel, transport, bus, service, buses, United By Music, Liverpool, Kirby, with search-relevant terms including travel, transport, bus, service, buses, United By Music, Liverpool, Kirby, Stagecoach, Roe, public, services, travelling, street. Transport pictures are especially useful because they show the infrastructure and passenger experience behind policy debates about connectivity, reliability and regional investment. Liverpool carries a global identity built from port history, music heritage, football, tourism, nightlife and regeneration. Images from the city centre and Cavern Quarter speak to both Beatles pilgrimage and the everyday economy of bars, visitors, streets and signs. Transport images are useful because they show the lived reality behind policy debates about public transport, reliability, fares, regional connectivity, disabled access, climate goals, commuter patterns and the social value of buses and railways. It has strong value for publishers needing authentic documentary imagery for news pages, blog articles, council reports, social media graphics, presentations, magazine features and local-history explainers. Historically and socially, this kind of image can help connect past and present: older streets, civic institutions, transport systems, shops, signs, political messages or public services are not frozen museum pieces, but part of how people understand modern life, local identity and economic change.
Roe Street, Liverpool, Merseyside, England, UK, L1 1EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA1,Smith St,Smith Street,Cheshire,England,UK,WA1 2NS,Mary,tower,St Marys Shrine church,Warrington church,Catholic church Warrington,Victorian church architecture,church tower,religious building England,place of worship,historic church building,Smith Street Warrington,Gothic Revival church,brick church,parish church,religious heritage,Christian shrine,ecclesiastical architecture,church exterior,urban church,local landmark Warrington,19th century church,St Marys Shrine Catholic church on Smith Street,blue sky,bright,sunny,Gothic Revival,architectural,architecture
Description: Tony Smith image Alamy 2RX189P - This image shows St Mary's Shrine, a Roman Catholic church located on Smith Street in Warrington, Cheshire, England. The photograph captures the exterior of the building, focusing on its tall tower and red brick Gothic Revival architecture, with pointed arched windows and decorative stone detailing typical of nineteenth-century ecclesiastical design. The church stands prominently within the urban streetscape, marking it as a significant local landmark.
St Mary's has long been an important centre of Catholic worship in Warrington and serves as a shrine church, reflecting its wider religious and spiritual significance beyond the local parish. Churches of this period were often constructed to serve growing industrial towns, providing both religious facilities and a sense of community identity during periods of rapid urban expansion.
The image highlights themes of religious heritage, historic architecture, and the role of churches within English towns and cities. It is suitable for editorial and commercial use relating to Christianity, Catholicism in England, church architecture, local history, heritage buildings, and urban religious landmarks.
St Mary's Shrine, Smith Street, Warrington, Cheshire, WA1 2NS, England, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,tower,wood,style,black and white,Cheshire,heritage,history,estate agents,exterior,CW9 5DD,mock Tudor architecture,Tudor revival design,half timbered facade,black and white architecture,historic streetscape,town centre Northwich,commercial reuse historic building,estate agency frontage,corner building High Street,decorative gables,clock turret feature,bunting street decoration,urban regeneration Cheshire,high street change UK,heritage style architecture,documentary architecture photography,blue sky daylight,no people,British,town,centre
Description: Tony Smith image Alamy 2RCDJ2X - This image shows the Leaders estate agents office located at 20“22 High Street in Northwich, Cheshire, housed within a striking black-and-white timber-framed building designed in a Tudor revival style. The building occupies a prominent corner position in the town centre and features decorative gables, leaded windows, and a small clock turret, all characteristic elements of late nineteenth- and early twentieth-century mock Tudor commercial architecture.
Although the building appears historic, its design reflects a period when many English towns adopted Tudor revival styling to convey tradition, reliability, and civic pride, particularly for banks, offices, and commercial premises. The strong visual contrast of the half-timbered facade makes the structure a local landmark and an instantly recognisable feature of Northwich High Street.
In its current use as an estate agency, the building illustrates the adaptive reuse of heritage-style architecture for modern commercial purposes. Estate agents, financial services, and professional firms frequently occupy such buildings, benefiting from their prominent presence and the sense of permanence they convey in a changing high-street environment.
The image was taken in daylight under clear blue skies, with bunting strung across the street suggesting a civic event or seasonal decoration. As a documentary photograph, it captures both architectural character and contemporary town-centre life, reflecting the ongoing evolution of Northwich's high street while retaining visual links to the town's architectural past.
Leaders Estate Agents, 20""“22 High Street, Northwich, Cheshire, England, United Kingdom, CW9 5DD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,England,town,centre,UK,traditional,Northern,North West,hall,halls,Victorian,historic,Victorian-era,OL16 1AZ,OL16,The Esplanade,the,Esplanade,Rochdale,Greater Manchester,Manchester,tower,towers,architectural,architecture,civic,buildings,William Henry Crossland,blue sky,Rochdale Metropolitan Borough Council,Gothic Revival,style,stonework,sandstone
Description: Tony Smith image Alamy 2T0DAEC - Rochdale Town Hall is a Victorian-era municipal building in Rochdale, Greater Manchester, England. It is widely recognised as being one of the finest municipal buildings in the country, and is recorded in the National Heritage List for England as a designated Grade I listed building.
The Town Hall functions as the ceremonial headquarters of Rochdale Metropolitan Borough Council and houses local government departments, including the borough's civil registration office.
Built in the Gothic Revival style at a cost of £160,000 (£15.9 million in 2023), it was inaugurated for the governance of the Municipal Borough of Rochdale on 27 September 1871.
The architect, William Henry Crossland, was the winner of a competition held in 1864 to design a new Town Hall. It had a 240-foot (73 m) clock tower topped by a wooden spire with a gilded statue of Saint George and the Dragon, both of which were destroyed by fire on 10 April 1883, leaving the building without a spire for four years.
A new 190-foot (58 m) stone clock tower and spire in the style of Manchester Town Hall was designed by Alfred Waterhouse, and erected in 1887.
Architectural historian Nikolaus Pevsner described the building as possessing a rare picturesque beauty. Its stained-glass windows are credited as the finest modern examples of their kind.
The building came to the attention of Adolf Hitler, who was said to have admired it so much that he wished to ship the building, brick-by-brick, to Nazi Germany had the United Kingdom been defeated in the Second World War
The Town Hall was one of several built in the textile towns of North West England following the Municipal Corporations Act 1835, but is one of only two in Greater Manchester built in the Gothic style. Between the setting of the foundation stone and the building's completion, revisions and additions were made to the original design. Money was lavished upon the decor and inventory, and the extra expenditure did not escape the ire of its critic
The Esplanade, Rochdale, Greater Manchester, England, OL16 1AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,England,town,centre,UK,traditional,Northern,North West,Rochdale town hall,town hall,renovations,Greater Manchester,OL16 1AZ,OL16,and,work,works,covered,up,covering,tower,towers,architectural,architecture,civic,buildings,renovation,renovating,covers,scaffold,scaffolding,working,William Henry Crossland,Rochdale Metropolitan Borough Council
Description: Tony Smith image Alamy 2T0DAER - Rochdale Town Hall is a Victorian-era municipal building in Rochdale, Greater Manchester, England. It is widely recognised as being one of the finest municipal buildings in the country, and is recorded in the National Heritage List for England as a designated Grade I listed building.
The Town Hall functions as the ceremonial headquarters of Rochdale Metropolitan Borough Council and houses local government departments, including the borough's civil registration office.
Built in the Gothic Revival style at a cost of £160,000 (£15.9 million in 2023), it was inaugurated for the governance of the Municipal Borough of Rochdale on 27 September 1871.
The architect, William Henry Crossland, was the winner of a competition held in 1864 to design a new Town Hall. It had a 240-foot (73 m) clock tower topped by a wooden spire with a gilded statue of Saint George and the Dragon, both of which were destroyed by fire on 10 April 1883, leaving the building without a spire for four years.
A new 190-foot (58 m) stone clock tower and spire in the style of Manchester Town Hall was designed by Alfred Waterhouse, and erected in 1887.
Architectural historian Nikolaus Pevsner described the building as possessing a rare picturesque beauty. Its stained-glass windows are credited as the finest modern examples of their kind.
The building came to the attention of Adolf Hitler, who was said to have admired it so much that he wished to ship the building, brick-by-brick, to Nazi Germany had the United Kingdom been defeated in the Second World War
The Town Hall was one of several built in the textile towns of North West England following the Municipal Corporations Act 1835, but is one of only two in Greater Manchester built in the Gothic style. Between the setting of the foundation stone and the building's completion, revisions and additions were made to the original design. Money was lavished upon the decor and inventory, and the extra expenditure did not escape the ire of its critic
The Esplanade, Rochdale, Greater Manchester, England, OL16 1AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,England,town,centre,UK,traditional,Northern,North West,hall,halls,Victorian,historic,Victorian-era,OL16 1AZ,OL16,The Esplanade,the,Esplanade,Rochdale,Greater Manchester,Manchester,tower,towers,architectural,architecture,civic,buildings,William Henry Crossland,blue sky,Rochdale Metropolitan Borough Council,Gothic Revival,style,stonework,sandstone
Description: Tony Smith image Alamy 2T0DAEX - Rochdale Town Hall is a Victorian-era municipal building in Rochdale, Greater Manchester, England. It is widely recognised as being one of the finest municipal buildings in the country, and is recorded in the National Heritage List for England as a designated Grade I listed building.
The Town Hall functions as the ceremonial headquarters of Rochdale Metropolitan Borough Council and houses local government departments, including the borough's civil registration office.
Built in the Gothic Revival style at a cost of £160,000 (£15.9 million in 2023), it was inaugurated for the governance of the Municipal Borough of Rochdale on 27 September 1871.
The architect, William Henry Crossland, was the winner of a competition held in 1864 to design a new Town Hall. It had a 240-foot (73 m) clock tower topped by a wooden spire with a gilded statue of Saint George and the Dragon, both of which were destroyed by fire on 10 April 1883, leaving the building without a spire for four years.
A new 190-foot (58 m) stone clock tower and spire in the style of Manchester Town Hall was designed by Alfred Waterhouse, and erected in 1887.
Architectural historian Nikolaus Pevsner described the building as possessing a rare picturesque beauty. Its stained-glass windows are credited as the finest modern examples of their kind.
The building came to the attention of Adolf Hitler, who was said to have admired it so much that he wished to ship the building, brick-by-brick, to Nazi Germany had the United Kingdom been defeated in the Second World War
The Town Hall was one of several built in the textile towns of North West England following the Municipal Corporations Act 1835, but is one of only two in Greater Manchester built in the Gothic style. Between the setting of the foundation stone and the building's completion, revisions and additions were made to the original design. Money was lavished upon the decor and inventory, and the extra expenditure did not escape the ire of its critic
The Esplanade, Rochdale, Greater Manchester, England, OL16 1AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Surrey,Waverley,GU7 1AB,GU7,bell,octagonal,warden,1814,tower,pump,High Street,building,buildings,in,historic,history,parish,old,clock,erected by public subscription,Thomas,Haines,Esq,by,John Perry,Richard Steadman,plan,dome,surmounted,finial,clocks,erected,public,subscription,Market House
Description: Tony Smith image Alamy 2PGAYHF - GODALMING HIGH STREET SU 9643 NE (north side) 12/136 The Pepper Pot (formerly 18.12.47 listed as Town Hall) GV II
Former Town Hall. Dated 1814, by John Perry
stair tower added 1890s. Stuccoed with Welsh slate roof. 2 storeys, the lower storey open. 3 x 3 bays, the shorter sides canted and so forming elongated octagonal plan. South elevation: projecting central bay. On ground floor, round-arched arcade with rusticated columns on plinths, imposts and archivolts, the central arch larger. First floor: band, broken in centre by date plaque
3 sashes with glazing bars in reveals with projecting sills, central sill moulded. Oversailing eaves to octagonal roof. Central 2-stage tower with clock (by Richard Steadman of Godalming) to metalled lower stage, and Tuscan-columned cupola above housing bell and with dome surmounted by finial. Returns: ground floor arcades have large central arches, that of left return with inserted 6-panel door and fanlight with radial glazing bars
1st floors have central sash with glazing bars flanked by round-arched recesses. Rear: windows are all blind
on right, added cantilevered stair-tower with rounded corner, strings, 6-pane window, cornice, and flat roof.
Listing NGR: SU9685443826
High St, Godalming, Waverley, Surrey, England, UK, GU7 1AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Surrey,Waverley,GU7 1AB,GU7,bell,octagonal,warden,1814,tower,pump,High Street,building,buildings,in,historic,history,parish,old,clock,erected by public subscription,Thomas,Haines,Esq,by,John Perry,Richard Steadman,plan,dome,surmounted,finial,clocks,erected,public,subscription,Market House
Description: Tony Smith image Alamy 2PGAYHH - GODALMING HIGH STREET SU 9643 NE (north side) 12/136 The Pepper Pot (formerly 18.12.47 listed as Town Hall) GV II
Former Town Hall. Dated 1814, by John Perry
stair tower added 1890s. Stuccoed with Welsh slate roof. 2 storeys, the lower storey open. 3 x 3 bays, the shorter sides canted and so forming elongated octagonal plan. South elevation: projecting central bay. On ground floor, round-arched arcade with rusticated columns on plinths, imposts and archivolts, the central arch larger. First floor: band, broken in centre by date plaque
3 sashes with glazing bars in reveals with projecting sills, central sill moulded. Oversailing eaves to octagonal roof. Central 2-stage tower with clock (by Richard Steadman of Godalming) to metalled lower stage, and Tuscan-columned cupola above housing bell and with dome surmounted by finial. Returns: ground floor arcades have large central arches, that of left return with inserted 6-panel door and fanlight with radial glazing bars
1st floors have central sash with glazing bars flanked by round-arched recesses. Rear: windows are all blind
on right, added cantilevered stair-tower with rounded corner, strings, 6-pane window, cornice, and flat roof.
Listing NGR: SU9685443826
High St, Godalming, Waverley, Surrey, England, UK, GU7 1AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Surrey,UK,England,GU7,GU7 1AB,town,centre,the,at,Waverley,bell,warden,1814,tower,pump,High Street,buildings,in,history,parish,old,erected by public subscription,Thomas,Haines,Esq,by,John Perry,Richard Steadman,plan,dome,surmounted,finial,listed
Description: Tony Smith image Alamy 2PG60YC - GODALMING HIGH STREET SU 9643 NE (north side) 12/136 The Pepper Pot (formerly 18.12.47 listed as Town Hall) GV II
Former Town Hall. Dated 1814, by John Perry
stair tower added 1890s. Stuccoed with Welsh slate roof. 2 storeys, the lower storey open. 3 x 3 bays, the shorter sides canted and so forming elongated octagonal plan. South elevation: projecting central bay. On ground floor, round-arched arcade with rusticated columns on plinths, imposts and archivolts, the central arch larger. First floor: band, broken in centre by date plaque
3 sashes with glazing bars in reveals with projecting sills, central sill moulded. Oversailing eaves to octagonal roof. Central 2-stage tower with clock (by Richard Steadman of Godalming) to metalled lower stage, and Tuscan-columned cupola above housing bell and with dome surmounted by finial. Returns: ground floor arcades have large central arches, that of left return with inserted 6-panel door and fanlight with radial glazing bars
1st floors have central sash with glazing bars flanked by round-arched recesses. Rear: windows are all blind
on right, added cantilevered stair-tower with rounded corner, strings, 6-pane window, cornice, and flat roof.
Listing NGR: SU9685443826
High St, Godalming, Waverley, Surrey, England, UK, GU7 1AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Surrey,UK,England,GU7,GU7 1AB,town,centre,the,at,Waverley,bell,warden,1814,tower,pump,High Street,buildings,in,history,parish,old,erected by public subscription,Thomas,Haines,Esq,by,John Perry,Richard Steadman,plan,dome,surmounted,finial,listed,trader,traders
Description: Tony Smith image Alamy 2PG60YN - GODALMING HIGH STREET SU 9643 NE (north side) 12/136 The Pepper Pot (formerly 18.12.47 listed as Town Hall) GV II
Former Town Hall. Dated 1814, by John Perry
stair tower added 1890s. Stuccoed with Welsh slate roof. 2 storeys, the lower storey open. 3 x 3 bays, the shorter sides canted and so forming elongated octagonal plan. South elevation: projecting central bay. On ground floor, round-arched arcade with rusticated columns on plinths, imposts and archivolts, the central arch larger. First floor: band, broken in centre by date plaque
3 sashes with glazing bars in reveals with projecting sills, central sill moulded. Oversailing eaves to octagonal roof. Central 2-stage tower with clock (by Richard Steadman of Godalming) to metalled lower stage, and Tuscan-columned cupola above housing bell and with dome surmounted by finial. Returns: ground floor arcades have large central arches, that of left return with inserted 6-panel door and fanlight with radial glazing bars
1st floors have central sash with glazing bars flanked by round-arched recesses. Rear: windows are all blind
on right, added cantilevered stair-tower with rounded corner, strings, 6-pane window, cornice, and flat roof.
Listing NGR: SU9685443826
High St, Godalming, Waverley, Surrey, England, UK, GU7 1AB
Description
Keywords: GoTonySmith,HotpixUK,German,Germany,EU,Rhine,town,village,river,Mainz-Bingen,region,Rhineland,Palatinate,gorge,view,from,the,Postenturm,post tower,tower,post,postal,code,55422,walk,drive,tour,tourist,tourism,tourists,attraction,wine,transport,KD,Köln-Düsseldorfer,Rheinschiffahrt,Bacharch,hotpix.org.uk
Description: Tony Smith image Alamy 2PHNGM2 - Bacharach (also known as Bacharach am Rhein) is a town in the Mainz-Bingen district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde of Rhein-Nahe, whose seat is in Bingen am Rhein, although that town is not within its bounds.
The original name Baccaracus suggests a Celtic origin. Above the town stands Stahleck Castle (Burg Stahleck), now a youth hostel
The town lies in the Rhine Gorge, 48 km south of Koblenz.
Bacharach is divided into several Ortsteile. The outlying centre of Steeg lies in the Steeg Valley (Steeger Tal) off to the side, away from the Rhine. This glen lies between Medenscheid and Neurath to the south and Henschhausen to the north on the heights
In the early 11th century, Bacharach had its first documentary mention. It may have been that as early as the 7th century, the kingly domain passed into Archbishop of Cologne Kunibert's ownership
pointing to this is a Kunibertskapelle (chapel) on the spot where now stands the Wernerkapelle.
Today Bacharach thrives on tourism and wine from Bacharach is still enjoying international popularity. Not to be overlooked, however, are problems arising from a shrinking population, itself brought about by a lack of prospects.
Bacharach, Bacharach am Rhein, Mainz-Bingen region, Rhineland-Palatinate, Germany 55422
--Mainz-Bingen-district--Germany-2PJ29EM.jpg)
Description
Keywords: St Peter,Rhineland-Palatinate,view,GoTonySmith,HotpixUK,@HotpixUK,post tower,posttower,Mainz-Bingen,district,in,Germany,pano,panorama,over,town,city,gorge,tourist,tourism,attraction,St Peters spire,building,Bacharch,church,spire,tower,architecture,German,am,Rhein,village,history,historical,landmark,Christianity
Description: Tony Smith image Alamy 2PJ29EM - St Peter (Bacharach)
Parish Church of St. Peter, nave with medieval paintings
The Church of St. Peter in Bacharach is a former collegiate church . It has been evangelical since the Reformation in the Electoral Palatinate in 1556 and belongs to the Evangelical parish of Vierthäler in the church district of Koblenz of the Evangelical Church in the Rhineland .
Since 2002, St. Peter's Church has been part of the UNESCO World Heritage Upper Middle Rhine Valley , and it is also a protected cultural asset under the Hague Convention
St. Peter represents the Rhenish transitional style in Bacharach . The church was built from 1230 to 1269 as a three-aisled gallery basilica and renovated at the end of the 19th century. Despite the largely Romanesque construction, the four-storey wall elevation was based on the early Gothic of French church building, which was often taken as a model at this time, especially in the Rhineland. From 1194 until the Reformation, St. Peter belonged to the Andreas Monastery in Cologne . The monastery provided the pastor and was responsible for ecclesiastical jurisdiction in the four valley area, which was based in the old Kurkölnisches Saalhofhad opposite the church. In 1810, the French administration demolished the Saalhof , and today the Altkölnische Saal occupies the site.
Bacharach, Bacharach am Rhein,, Mainz-Bingen district, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Lancashire,England,UK,WN1 1BH,lancashire,WN1 1NL,in,the,Gothic Revival,architecture,Perpendicular Gothic,Architect,Edward Graham Paley,Paley,clock,tower,church,churches,town,centre,town centre,clocktower,heritage,parish,parishes,service,services,history,historic,Christian,Anglican,Anglicans
Description: Tony Smith image Alamy 2MKF8W7 - The Parish Church of All Saints Wigan is by far the oldest church in Wigan but when it was founded and when the Christian religion was first established in Wigan is unknown. The earliest possible mention of a church at Wigan occurs in the Domesday Survey of 1086. In describing what is now South Lancashire, the King's Commissioners noted that in King Edward the Confessor's time (1042-1066) the Church of the Manor of Newton-in-Makerfield was endowed with one carucate of land.
Wigan Church is not specifically mentioned but there are very strong reasons for assuming that it can be identified as 'the church of the Manor of Newton'. If this is the case, then Wigan Parish Church was founded at least as early as the reign of Edward the Confessor and probably even earlier and so can claim to be one of Lancashire's oldest parish churches. It was beyond any doubt established by 1199, when King John appointed Adam de Freckleton perpetual vicar of the church of Wigan at the request of Ranulf, Treasurer of Salisbury, the first known Rector of Wigan.
Over the centuries, Wigan has found itself in four different dioceses. It was originally in the diocese of York. From the beginning of the 10th century it was in the diocese of Lichfield until 1541, when it was transferred to the new diocese of Chester. Since 1880 it has been in the diocese of Liverpool
The Church stands on the crest of a hill in the centre of Wigan. Most of the present structure was erected between 1845 and 1850, when the Church was almost entirely rebuilt. It was a copy of the Church which was taken down then, which seems to have dated in the main from the later Middle Ages, though parts of the tower and perhaps other fragments were earlier.
Since the rebuilding three restorations have been necessary in 1898 and 1947 and more recently 2006.
This restoration began in the early 1990's when the copper on the Nave roof needed to be replaced.
Bishopgate, Wigan, Lancashire, England, UK, WN1 1NL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bradford,West Yorkshire,England,UK,event,events,garden,tower,building,marriage,ceremony,group,the,at,world heritage,site,village,history,historic,tourist,heritage,Saltaire Institute,Institute,1867,Victorian,Lockwood and Mawson,Lockwood,and,Mawson,architects,ashlar,Grade II,listed building
Description: Tony Smith image Alamy 2JTR45P - Victoria Hall, Saltaire (originally the Saltaire Institute) is a Grade II* listed building in the village of Saltaire, near Bradford, West Yorkshire, England, built by architects Lockwood and Mawson.
Saltaire Institute was built by the architectural firm of Lockwood and Mawson between 1867 and 1871 for the industrialist and philanthropist Sir Titus Salt. It cost £25,000. In the original design, the building contained a main hall seating 800, a lecture room, two art rooms, a laboratory, a gymnasium, a library of 8,500 books and a reading room. For use of the building, a quarterly fee was charged. This ranged downwards from 2 shillings for adult males.
Victoria Hall is a T-plan, two-storey building with a basement, constructed in ashlar, with rock-faced stone and a Welsh slate roof.
Exterior to the front, the exterior has a symmetrical, eleven-bay Italianate facade, with vermiculated quoins at ground floor level and pilaster quoins to the first floor. The central bay of the building breaks forward. On top of this bay is an elaborate square tower with pyramidal ashlar roof. Each side of the tower has a modillioned segmental pediment on an enriched entablature, supported by Corinthian columns, framing slender, round-arched windows. The central portal has double, panelled doors, fanlight, and large open segmental pediment supported on large consoles. The tympanum has a cartouche bearing the Salt family coat of arms, flanked by the carved figures of Art and Science by Thomas Milnes.
At basement level, the windows are square-headed, while at ground and first floor level the windows are round-arched and archivolted, the first floor windows being framed by fluted Corinthian colonnettes, and with carved head keystones and blind balustrade with turned balusters. There is a dentilled cornice between the ground and first floors. The modillioned cornice forms the base to a deep, panelled parapet decorated with rosettes and pedimented piers with grotesque winged beasts support
Saltaire village,Bradford,West Yorkshire,England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bradford,West Yorkshire,England,UK,BD18,Yorkshire,Shipley,BD18 3LQ,village,education,higher,General,Further,factory school,technical,school,facility,Saltaire factory school,factory,heritage,colleges,further,bell,bell tower,tower,courtyard,garden,bunting,hanging,columns,column,student,students,period,location
Description: Tony Smith image Alamy 2JTR45Y - The Salt Building was custom built by Sir Titus Salt to house Saltaire factory school, which started in the refectory for Salts Mill. The school moved into the new facility in 1868. In 1878, at Sir Titus's request, the Saltaire Factory school pupils moved to new buildings a few streets away and Salt Building became a High School. We still get visitors who went to school here popping in today.
Shipley College, Salt Building, Victoria Rd, Shipley, Bradford, West Yorkshire, England, UK, BD18 3L
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,tower,summer,blue,sky,Lancashire,Lancs,FY1,England,UK,town,act,acts,venue,names,the,entertainments,group,with,listed,printed,on,pavement,in,foreground,a,summers,day,Comedy Carpet,by,Gordon Young,jokes,catchphrases,comedians,and,performers
Description: Tony Smith image Alamy 2JR3MRB - Comedy Carpet (2011), Blackpool: reportedly Britain's largest piece of public art, an area of 2,200m2 or 1,800m2 (sources vary) on Festival Headland on the promenade, opposite Blackpool Tower. It shows jokes and punchlines from comedians who have performed in Blackpool over the decades, totalling 160,000 letters. Each letter is cut from granite and inset in white concrete, in a variety of typefaces. Five months after it was opened, the local council controversially removed part of the work because viewers were thought to be in danger of stepping backwards into the path of trams. The work earned Young the 2012 Marsh Award for Excellence in Public Sculpture. and in 2014 was joint winner of the International Society of Typographic Designers' International Typographic Award
Visible through the glass floor of the Tower Eye on the promenade some 380 ft (120 m) below, is Blackpool's famous Comedy Carpet. In front of the tower, the Comedy Carpet by Gordon Young is a celebration of the resort's long comedic history in the form of a visual pavement of jokes and catchphrases, embedded into the surface of the revamped promenade. From above, it is easy to read the eternal catchphrase of the late Sir Bruce Forsyth, Nice to see you - to see you... nice!
The Blackpool Tower, The Promenade, Blackpool, Lancashire, England, UK, FY1 4BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,tower,summer,blue,sky,Lancashire,Lancs,FY1,England,UK,town,act,acts,venue,names,panorama,pano,the,entertainments,group,with,listed,printed,on,pavement,in,foreground,a,summers,day,Comedy Carpet,by,Gordon Young,jokes,catchphrases,holidays,surge,bookings
Description: Tony Smith image Alamy 2JR3MRP - Comedy Carpet (2011), Blackpool: reportedly Britain's largest piece of public art, an area of 2,200m2 or 1,800m2 (sources vary) on Festival Headland on the promenade, opposite Blackpool Tower. It shows jokes and punchlines from comedians who have performed in Blackpool over the decades, totalling 160,000 letters. Each letter is cut from granite and inset in white concrete, in a variety of typefaces. Five months after it was opened, the local council controversially removed part of the work because viewers were thought to be in danger of stepping backwards into the path of trams. The work earned Young the 2012 Marsh Award for Excellence in Public Sculpture. and in 2014 was joint winner of the International Society of Typographic Designers' International Typographic Award
Visible through the glass floor of the Tower Eye on the promenade some 380 ft (120 m) below, is Blackpool's famous Comedy Carpet. In front of the tower, the Comedy Carpet by Gordon Young is a celebration of the resort's long comedic history in the form of a visual pavement of jokes and catchphrases, embedded into the surface of the revamped promenade. From above, it is easy to read the eternal catchphrase of the late Sir Bruce Forsyth, Nice to see you - to see you... nice!
The Blackpool Tower, The Promenade, Blackpool, Lancashire, England, UK, FY1 4BJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,UK,fun,family,Pats,ten,pence,10p,165,FY1 5BE,tower,behind,gamble,gambling,gateway,family fun,amusement,seaside,prom,pastime,pastimes,families,resort,vacation,vacations,town,centre,sunny,blue skies,blue sky,coastal,charm,charms,diversions,Scott Benton
Description: Tony Smith image Alamy 2JRM3K7 - . A grounded documentary photograph made at 165 The Promenade, Blackpool, Lancashire, England, UK, FY1 5BE in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The principal subject is Pats 10p prize bingo, with tower behind, 165 The Promenade, Blackpool, Lancashire, England, UK, FY1 5BE. The subject also carries associations with historic townscape, local history, period architecture, contemporary social history, architectural character, public realm, adaptive reuse, public-realm investment, regional identity, civic architecture, social history, everyday life, changing streetscape, and changing land use. The modern context includes continuing discussion of heritage conservation, construction costs and the tension between preserving local character and creating modern commercial space. For later comparison, the photograph preserves materials and architectural details at 165 The Promenade, Blackpool, Lancashire, England, UK, FY1 5BE, details that may look very different after altered transport patterns. The wider setting retains connections with historical comparison, mixed-use redevelopment, before-and-after reference, urban fabric, period detail, heritage-led regeneration, town-centre renewal, and visual archive. The combination of prize, bingo, Lancashire, tower, and Blackpool anchors the frame to a recognisable activity, place or moment. The wider setting at 165 The Promenade, Blackpool, Lancashire, England, UK, FY1 5BE matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The scene further reflects heritage conservation and how public investment can reshape pedestrian movement and evening activity when considered against later change at 165 The Promenade, Blackpool, Lancashire, England, UK, FY1 5BE. The photograph keeps a local visual benchmark for future local research.
165 The Promenade, Blackpool, Lancashire, England, UK, FY1 5BE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,villages,England,UK,private,estate,private estate church,deanery of Great Budworth,Grade II,listed building,Sir,Gilbert Greenall,of,Walton Hall,architects,Paley and Austin,architect,Paley,Austin,sandstone,architecture,architectural,buildings,building,sunny,blue sky,blue skies,parish,churches,church,Anglican,tower,rural,the
Description: Tony Smith image Alamy 2JN6B7W - St John the Evangelist's Church is in Walton, Warrington, Cheshire, England. It was built as a private estate church towards the end of the 19th century but is now an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth. The church is recorded in the National Heritage List for England as a designated Grade II* listed building
The church was built in 1882“83 for the brewer Sir Gilbert Greenall of Walton Hall. It was designed by the Lancaster architects Paley and Austin, the cost of its construction being £17,500 (equivalent to £1,880,000 in 2021)
The church is built in red snecked sandstone with Westmorland green slate roofs. Its plan is cruciform with a three-bay nave, north and south transepts, a two-bay chancel, a south vestry, and a south porch. The tower is in four stages with chequerwork in its third stage, a recessed octagonal spire and an octagonal north west stair turret. The porch consists of an oak frame on a 6 feet (2 m) sandstone plinth. The church is in Decorated style
The church was listed at Grade II* on 23 December 1983. Grade II* is the middle of the three gradings designated by English Heritage, and is given to particularly important buildings of more than special interest. The authors of the Buildings of England series describe it as a glorious estate church, exquisitely detailed and composed, and consider that the tower is one of Austin's best
Walton village, Warrington,Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,cathedral church of the Anglican Diocese of Hereford,HR1,England,UK,5,College Cloisters,HR1 2NG,cathedral,building,city,centre,windows,old,people,tower,Wye,River Wye,swan,swans,water,history,heritage,traditional,classic,cathedrals,fixtures,stained glass,colour,coloured,story,stories,cityscape,skyline
Description: Tony Smith image Alamy 2JPH6KB - . Made at 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The location is represented through Stained glass showing river Wye, old bridge and Hereford cathedral - 5 College Cloisters, Cathedral Close, HR1 2NG. Other connected aspects include ecclesiastical art, adaptive reuse, conservation architecture, archival record, Christian iconography, local character, place identity, changing streetscape, religious artwork, historic glazing, architectural detail, period building, heritage worship space, and community identity. Current relevance extends to visitor tourism and cultural heritage, particularly through how sacred art preserves local patrons, stories and beliefs. In present-day coverage, the subject reaches into tourism and heritage conservation, not least because of the balance between conservation, retrofit and modern accessibility. The image fixes materials and architectural details within 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG at one identifiable point, providing a benchmark against redevelopment. Further associations within the scene are conservation interest, built heritage, social history, visual archive, everyday life, urban fabric, heritage landmark, and sacred space. The recorded references to showing, bridge, College, cathedral, and Close preserve clues about how the subject was presented, used or understood at the time. The period setting at 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Image 2JPH6KB also remains a dated record of 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG.
5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMD,most deprived,part of borough,contrast,in,tragedy,fire,disaster,TMO,ward,UK,as,seen,from,more,affluent,poor,Notting Hill,RBKC,London,England,W11 9AB,W11,green,heart,Grenfell,enquiry,the,Grenfell United,tower,cladding,clad,24-storey
Description: Tony Smith image Alamy 2M0F6MC - On 14 June 2017, a high-rise fire broke out in the 24-storey Grenfell Tower block of flats in North Kensington, West London, at 00:54 BST and burned for 60 hours. 72 people died, two later in hospital, with more than 70 injured and 223 escaping. It was the deadliest structural fire in the United Kingdom since the 1988 Piper Alpha oil-platform disaster and the worst UK residential fire since World War II.
The fire was started by an electrical fault in a refrigerator on the fourth floor. This spread rapidly up the building's exterior, bringing flame and smoke to all residential floors, accelerated by dangerously combustible aluminium composite cladding and external insulation, with an air gap between them enabling the stack effect.
The fire was declared a major incident, with more than 250 London Fire Brigade firefighters and 70 fire engines from stations across London involved in efforts to control it and rescue residents. More than 100 London Ambulance Service crews on at least 20 ambulances attended, joined by specialist paramedics from the Ambulance Service's Hazardous Area Response Team. The Metropolitan Police and London's Air Ambulance also assisted the rescue effort.
The fire is the subject of multiple complex investigations by the police, a public inquiry, and coroner's inquests. Among the many issues investigated are the management of the building by the Kensington and Chelsea London Borough Council and Kensington and Chelsea TMO (which was responsible for the borough's council housing), the responses of the Fire Brigade, other government agencies, deregulation policy, building inspections, adequate budgeting, fire safety systems, the materials used, companies installing, selling and manufacturing the cladding, and failures in communications, advice given or decisions made by office holders. In the aftermath of the fire, the council's leader, deputy leader and chief executive resigned, and the council took direct control of council housing from the KCTMO.
Notting Hill, RBKC, London, England, UK, W11 9AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M60,the,light,rail,night,evening,England,UK,M60 2DS,new,flats,block,blocks,Metrolink,trams,tramlines,next,to,Victorian,contrast,contrasts,yellow,city,centre,scene,Metrolink network,skyscape,large,tower,towerblocks,Mosley Street,tram,lines,light rail,lightrail,andy burnham,evening commute
Description: Tony Smith image Alamy 2JG5JM0 - Lower Mosley Street in Manchester city centre at dusk, looking south along the Metrolink tramlines beside the illuminated red sandstone facade of The Midland Hotel. The image shows a tram approaching or standing on the street-running light rail route, with the hotel on the right, modern city buildings ahead, overhead power lines, wet-looking road surfaces and the blue-grey evening sky creating a strong urban transport atmosphere. The Midland is one of Manchester's best-known hotels, officially listed at 16 Peter Street, M60 2DS, close to Manchester Central, St Peter's Square, Oxford Road and Deansgate-Castlefield. The view captures a distinctive part of central Manchester where historic railway-age architecture, conference venues, hotels, restaurants, nightlife and modern tram infrastructure meet. This photograph is useful for editorial and commercial themes including Manchester transport, Metrolink, urban regeneration, city centre travel, public transport, tramways, hotels, evening commuting, tourism, hospitality and the changing built environment of the city. Lower Mosley Street is part of the tram corridor linking Deansgate-Castlefield and St Peter's Square, with tracks running past major civic, conference and leisure destinations. The warm exterior lighting on The Midland contrasts with the cooler twilight sky and contemporary glass towers in the distance, making the scene suitable for stories about Manchester's blend of Victorian, Edwardian and modern architecture. The image can also illustrate sustainable urban mobility, event access to Manchester Central, hotel stays, business tourism, conference travel, city breaks and public realm design. The weather appears dull, damp or wet, with evening light, grey cloud and reflective street surfaces adding atmosphere. The photograph works best as a Manchester city centre transport and streetscape image, with clear location cues from the tramlines, The Midland Hotel and the Lower Mosley Street setting.
Lower Mosley Street at dusk, looking south, Metrolink tram, tramlines next to the Midland Hotel, Man
-Oxford-Road-Manchester---at-night--England--UK--2JG5JM1.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Oxford Road Manchester,at night,at,Palace Theatre,M1 6FU,M1,the,arts,art,theatre,night,dusk,in,city,centre,Refuge Insurance Building),Refuge Insurance Building,Refuge,ex,Insurance,Building,Palace,entertainment,show,shows,clock,tower,clocktower,cloudy,dark,main road,artery,hotel
Description: Tony Smith image Alamy 2JG5JM1 - . This dated documentary view of Oxford Rd, Manchester, England, UK, M1 6FU in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The subject captured here is Palace Theatre, Kimpton (Refuge Insurance Building) Oxford Road Manchester , at night, England, UK,. Other connected aspects include conservation architecture, public realm, conservation interest, architectural character, local landmark, place identity, built heritage, restaurant culture, destination dining, contemporary social history, period streetscape, local character, regional identity, and food-and-drink business. Today's relevance is strengthened by redevelopment pressure, maintenance and the continuing question of how historic fabric can be retained while places adapt to modern use. From a 2025-onward perspective, changing dining habits and consumer spending are closely linked to this subject, alongside the resilience of customer-facing businesses in a high-cost economy. The archival value lies partly in recording building condition and alterations around Oxford Rd, Manchester, England, UK, M1 6FU before redevelopment alters the character of the place. The wider setting retains connections with changing streetscape, local history, independent food retail, historic townscape, heritage asset, local dining scene, historic frontage, and licensed hospitality. Details involving night, Theatre, Palace, Kimpton, and Manchester make the image more specific than a generic view and strengthen its local or historical value. The period setting at Oxford Rd, Manchester, England, UK, M1 6FU helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is redevelopment pressure and how historic fabric can be retained while places adapt to modern use in a form that can be compared with future views of Oxford Rd, Manchester, England, UK, M1 6FU.
Oxford Rd, Manchester, England, UK, M1 6FU
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,Cheshire,England,UK,Anglican,church,graveyard,graves,grave,yard,listed,grade II,village,villages,Greenall,family,sandstone,religion,christian,WA4,London Road,history,heritage,architecture,religious,Anglicans,tower,towers,monument,monuments,stone,stonework,clock,clocktowers,clocktower
Description: Tony Smith image Alamy 2JEKR44 - St Thomas' Church is in Stockton Heath, to the south of Warrington, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II listed building, and is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth
The present church was built in 1868 on the site of a former church that had been erected in 1838. It was designed by the Lancaster architect E. G. Paley, the main benefactor being Sir Gilbert Greenall
It is constructed in pinkish-red sandstone with Westmorland slate roofs. Its plan consists of a four-bay nave with a south aisle under a parallel ridged roof, a south porch, a north transept, a north vestry, a two-bay chancel and a west tower. The tower is in four stages with an octagonal southeast turret and an embattled parapet.
The chancel is decorated with richly coloured patterned tilework and the reredos is of marble and embossed patterned tiles. The organ was built around 1880 by Young and Sons and rebuilt in 1963 by Rushworth and Dreaper of Liverpool
London Road, Stockton Heath, Warrington, Cheshire,England,UK, WA4 6HJ
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,Cheshire,England,UK,Anglican,church,graveyard,graves,grave,yard,listed,grade II,village,villages,Greenall,family,sandstone,religion,christian,WA4,London Road,history,heritage,architecture,religious,Anglicans,tower,towers,monument,monuments,stone,stonework,clock,clocktowers,clocktower
Description: Tony Smith image Alamy 2JEKR7E - St Thomas' Church is in Stockton Heath, to the south of Warrington, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II listed building, and is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth
The present church was built in 1868 on the site of a former church that had been erected in 1838. It was designed by the Lancaster architect E. G. Paley, the main benefactor being Sir Gilbert Greenall
It is constructed in pinkish-red sandstone with Westmorland slate roofs. Its plan consists of a four-bay nave with a south aisle under a parallel ridged roof, a south porch, a north transept, a north vestry, a two-bay chancel and a west tower. The tower is in four stages with an octagonal southeast turret and an embattled parapet.
The chancel is decorated with richly coloured patterned tilework and the reredos is of marble and embossed patterned tiles. The organ was built around 1880 by Young and Sons and rebuilt in 1963 by Rushworth and Dreaper of Liverpool
London Road, Stockton Heath, Warrington, Cheshire,England,UK, WA4 6HJ
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,London road,london rd,Cheshire,England,UK,WA4 6LG,A49,Victoria,building,buildings,restaurant,restaurants,A56,La Turka,tower,cupola,south,Warrington South,urban,Gin Alley,Toni&Guy,Toni & Guy,retail,history,heritage,architecture,entertainment,eats,eating,drinks,balcony,first,upper,floor,floors
Description: Tony Smith image Alamy 2JEKR86 - . Made at Victoria Buildings, Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LG in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The location is represented through Victoria Buildings, Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LG. The setting additionally reflects community identity, public realm, before-and-after reference, everyday street life, local history, heritage asset, documentary photography, everyday life, regional identity, townscape record, social landscape, changing streetscape, urban change, and period detail. The wider contemporary story combines local identity, embodied carbon and keeping older structures useful without erasing their character. Viewed from the mid-2020s, the subject also connects with commercial change, footfall and the relationship between public space and local social life. The archival value lies partly in recording local activity and public use around Victoria Buildings, Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LG before new ownership alters the character of the place. Other useful contextual ideas include visual archive, architectural detailing, built heritage, conservation interest, traditional structure, local landmark, social history, and contemporary city life. The recorded references to Square, Buildings, Stockton, Victoria, and Heath preserve clues about how the subject was presented, used or understood at the time. The wider setting at Victoria Buildings, Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LG matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Image 2JEKR86 also remains a dated record of Victoria Buildings, Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LG.
Victoria Buildings, Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LG
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city centre,Merseyside,L3,England,UK,L3 1LG,the,tower,building,architecture,centre,garden,gardens,Wapping,townhouse,shore,Tower of Liverpool,Water street,Bonke Street,Italianate office block,JA Picton,1908,Walter Aubrey Thomas,WA Thomas,W. Aubrey Thomas,history,heritage,historic,real estate,Walter,Aubrey,Thomas,built,sunny
Description: Tony Smith image Alamy 2JD0ME1 - As far back as 1252 there has been a townhouse on the Liverpool shore. Sir John Stanley pulled down the old house in 1406 and built the first Tower known as the Tower of Liverpool. This was used as an embarkation base for their property in the Isle of Man. The Tower stood at the shore end of Water Street.
Water street being one of the original seven streets of Liverpool was originally called ˜Bonke Street'. ˜Bonke' was Lancashire dialect for ˜bank' (taken from river bank). Through the years it became Bank Street and then eventually Water Street in 1520's.
During the 18th century the Tower of Liverpool, between Tower gardens and Stringers alley was the Jail of Liverpool. A large arch joined the Tower to the building on the other side of Tower Gardens and this building was used to house debtors and Criminals.
The Tower ceased being a jail on 3rd July 1811 when all the criminals were moved to the new jail in Great Howard Street. In 1877 two men convicted of robbery were executed in Water Street opposite the Old Tower.
By the end of the 18th century the Tower was in disrepair and was pulled down in 1819 to be replaced by warehouses.
In 1856 the warehouses gave way to the second Tower called Tower Buildings, a large Italianate office block by J. A. Picton. Unfortunately The Tower fell foul to the demands of commerce and was demolished in the early 20th century.
The present Tower Building, designed by Walter Aubrey Thomas was completed around 1908. Walter Aubrey Thomas is not to be confused with his contemporary, Walter W. Thomas, who designed the Philharmonic Dining Rooms , ˜The Phil' and The Vines, ˜The Big House'. It was possibly to avoid confusion that he always styled himself as W. Aubrey Thomas
During the air raids over Liverpool in 1941 Tower Building was badly bombed and several people were killed and injured. Check out the BBC site for the real life story.
˜WW2 People's War is an online archive of wartime memories contributed by members of the public
3 Tower Gardens, Liverpool, Merseyside, England, UK, L3 1LG
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,Clock Tower,clock,tower,cog,cogs,wood,wooden,tree,next,to,artistic,street,time,Greater Manchester,WA14 1EN,by,2016,local,artist,gateway,train,tunnel,Altrinchams,industrial,heritage,history,industry,carving,carved,Barrington Road,Stamford Street,project,Trafford Partnership Voluntary Sector Grant,Alty
Description: Tony Smith image Alamy 2JBXJJ7 - . A grounded documentary photograph made at Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The location is represented through Clock Tower wood sculpture 2016 by Andy Burgess, next to Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN. The wider scene also brings together engineering history, rail mobility, local character, railway heritage, public realm, factory heritage, working-industry history, regional rail, station environment, community identity, regional identity, industrial artefact, rail infrastructure, and historic freight equipment. Current relevance extends to adaptive reuse and industrial conservation, particularly through recording the industries and transport systems that shaped British towns. In present-day coverage, the subject reaches into reliability and regional connectivity, not least because of the role of stations and trains in lower-carbon mobility. As a dated visual record of Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN, the frame retains transport arrangements and footfall, making it especially useful if changing commercial priorities subsequently changes the scene. Other useful contextual ideas include industrial railway heritage, heavy-industry heritage, rail transport, trackside history, train operations, former production site, industrial transport, and transport interchange. Details involving Burgess, Stamford, Altrincham, Tower, and Clock make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN, the image preserves more than the headline object or building: it records part of the locality's everyday history.
Stamford New Road, Altrincham, Greater Manchester, England, UK, WA14 1EN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Cheshire,UK,Tarvin,building,Anglican,red sandstone,red,christian,sandstone,church,tower,Anglican parish church,Tarvin St Andrews Church and Tudor Church House,Tarvin Village,Tarvin St Andrews,Church,Tudor,Church House,Village,history,historic,heritage,old,town,centre,ornate,lane,road,pandemic,buildings,architecture,quaint,tourist,tourism,attraction
Description: Tony Smith image Alamy 2C6RE6R - . This scene at Tarvin, Cheshire, England, UK documents an everyday subject with wider connections to local identity, social history and changing patterns of use. The defining feature is Tarvin St Andrews Church and Tudor Church House, Tarvin Village, Cheshire, England, UK. Further connections within the scene include conservation architecture, urban change, period building, visual archive, cityscape history, traditional masonry, social landscape, place identity, before-and-after reference, contemporary history, historic streetscape, architectural character, built heritage, and heritage landmark. The present-day relevance extends to planning control and maintenance, while a wider concern is keeping older buildings useful without erasing their character. The photograph fixes transport arrangements and public activity within Tarvin, Cheshire, England, UK at one identifiable point, providing a benchmark against changed technology. The surrounding context includes documentary photography, everyday Britain, period detail, historic townscape, community identity, urban fabric, archival record, and changing streetscape. Details involving Village, Church, Tudor, Andrews, and Tarvin make the image more specific than a generic illustration and strengthen its local or historical value. For Tarvin, Cheshire, England, UK, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The wider significance includes planning control and keeping older buildings useful without erasing their character within the specific setting of Tarvin, Cheshire, England, UK. Another strand within the photograph is adaptive reuse and keeping older buildings useful without erasing their character as part of the longer story of Tarvin, Cheshire, England, UK. The frame therefore remains a dated reference for Tarvin, Cheshire, England, UK and the changing story of the subject shown.
Tarvin, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Tarvin,building,tower,Anglican parish church,Anglican,christian,church,red sandstone,red,sandstone,Cheshire,history,historic,heritage,old,town,centre,ornate,lane,road,architecture,village,summer,sunny,blue sky,blue skies,stone,union,flag,flags,graveyard,churchyard
Description: Tony Smith image Alamy 2C6RE6X - . Photographed at Tarvin, Cheshire, England, UK, the scene provides a dated reference to the subject and the surrounding social, commercial or physical environment. The scene records St Andrews Church, Tarvin, Grade I listed building,. The frame also records themes of historic streetscape, cityscape story.htm Target=_Blank>history, contemporary history, community identity, architectural character, public realm, period detail, local character, social landscape, urban change, heritage asset, local history, social history, and historical comparison. The present-day relevance extends to maintenance and embodied carbon, while a wider concern is using existing buildings rather than demolishing them. The photograph fixes commercial identity and local use within Tarvin, Cheshire, England, UK at one identifiable point, providing a benchmark against replacement signage. The photograph additionally reflects conservation interest, period building, traditional masonry, documentary photography, urban fabric, regional identity, built environment, and changing streetscape. References to Andrews, Tarvin, Church, building, and listed give the picture a strong period identity and tie it closely to the named subject. For Tarvin, Cheshire, England, UK, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The scene retains a connection with maintenance and preserving local identity during urban change within the specific setting of Tarvin, Cheshire, England, UK. That also gives the frame relevance to energy retrofit and preserving local identity during urban change as part of the longer story of Tarvin, Cheshire, England, UK. Another useful connection is energy retrofit and the contrast between historic fabric and modern development when considered against later change at Tarvin, Cheshire, England, UK. The image adds a further period reference to the visual history of Tarvin, Cheshire, England, UK.
Tarvin, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Cheshire,UK,Tarvin,village,Grade I listed,building,Anglican parish church,diocese of Chester,history,historic,heritage,old,town,centre,ornate,lane,road,towers,Anglican,villages,Cheshires,tower,summer,blue sky,blue skies,CH3 8EB,CH3,outside,exterior,looking,up,skywards
Description: Tony Smith image Alamy 2C6RE7D - St Andrew's Church is in the village of Tarvin, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Chester. Its benefice is united with that of St Peter, Duddon
The church is built in red sandstone with a Welsh slate roof. Entry is through the west wall of the west tower. The plan consists of a five-bay nave and a two-bay chancel, a north aisle with a chapel (the Bruen chapel) at its east end, and a south aisle with a south porch. The doorway to the tower is Tudor in style, the second storey has deeply recessed quatrefoil windows and a clock on all four sides. The top is embattled, and the remains of former pinnacles are at the corners
In the churchyard are six structures that are listed at Grade II. These are the gates and gate piers to the churchyard, a sandstone sundial dating from the mid-18th century, the tombchests of John Minshull and his daughter, William and Elizabeth Hilton, William Sandbach and others, and the tombstone of Beatrix Hollinsworth. The churchyard also contains the war graves of three British soldiers and a Canadian Army soldier of World War I
Church St, Tarvin, Chester, England,UK, CH3 8EB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA1,Cheshire,England,UK,WA1 2TL,church,Church street,spire,tower,dusk,night time,St Elphins,congregation,religion,place of worship,Grade II,churchyard,spooky,ghost,scary,seedy,outside,exterior,archdeaconry,Saint Oswald,Sir William Boteler,tall spire,Pugin,history,historic,lit,lighted,night,evening
Description: Tony Smith image Alamy 2AFFP6W - St Elphin's Church is the parish church of the town of Warrington, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Warrington and the deanery of Warrington.
A place of worship has been present on the site since about 650 AD, and the presence of a priest in Warrington was recorded in the Domesday Book. According to tradition the first church was built by Saint Oswald for his companion Elphin, who remained as the first priest there until his death in 679
The earliest fabric in the present church is in the chancel and the crypt, which survive from the church built in 1354 by Sir William Boteler. Some of the stained glass in the church is by Pugin. The church is dominated by its spire, 281 feet (86 m) high. It is the fifth highest parish church in the UK
131 Church St, Warrington,Cheshire,England,UK, WA1 2TL
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,@HotpixUk,England,UK,M2 5DB,Xmas Market,Xmas,December,stalls,clock,tower,clocktower,people,crowds,Victorian,Gothic,building,Albert Memorial,stall,bars,pub,bar,shoppers,retail,drinkers,eaters,food,mulled wine,Greater Manchester,town hall,townhall,festive,market,markets
Description: Tony Smith image Alamy 2AFFFHJ - The square's creation arose out of a project by Manchester Corporation's Monuments Committee to erect a memorial to Prince Albert who had died of typhoid in 1861. After initial proposals to create a memorial library, museum or botanical gardens, the committee decided to erect a statue in a decorated canopy. It was originally planned to place the monument in front of the Royal Infirmary building at Piccadilly, between the statues of Wellington and Peel. However it was felt that its ornate Gothic design was not in keeping with the neoclassical infirmary.[3] In 1863, land was offered by the Corporation which was cleared to make way for a public space
Albert Square,Manchester,England,UK, M2 5DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,English,London,South East,The Lloyds Insurance Building,buildings,architecture,finance,financial district,Richard Rogers,architect,1986,Rogers Stirk Harbour,Richard Rogers and Partners,Rogers Stirk Harbour + Partners,engineers,Ove Arup & Partners,Ove Arup,Rogers,Bovis,construction,Richard,unique,different,Lime St,Financial District,Lloyds Building,metropolis,twilight,bold,tower,Inside-Out,Bowellism,district,radical,modern,Financial Passporting
Description: Tony Smith image Alamy 2ABY96M - Continuing our high-tech architecture series, we take a look at the inside-out Lloyd's building in London, Richard Rogers' second major building following Centre Pompidou.
One of the 1980s most recognisable pieces of architecture, the Lloyd's building demonstrates many of the key traits of the high-tech architecture style that emerged in the UK in the late 1960s.
The building, which was built as the headquarters of Lloyd's of London “ one of the world's largest insurance firms “ is distinguished by its radical inside-out aesthetic that sees all its building services banished to its exterior in order to create uninterrupted spaces inside.
This is similar to the Centre Pompidou, which Rogers completed with Renzo Piano in the late 1970s, and has equally uncluttered and highly flexible internal spaces.
Lloyds Building,Lime Street,City Of London,London,England,UK, EC3M 7HA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,English,London,South East,The Lloyds Insurance Building,buildings,architecture,finance,financial district,Richard Rogers,architect,1986,Rogers Stirk Harbour,Richard Rogers and Partners,Rogers Stirk Harbour + Partners,engineers,Ove Arup & Partners,Ove Arup,Rogers,Bovis,construction,Richard,unique,different,Lime St,Financial District,Lloyds Building,metropolis,twilight,bold,tower,Inside-Out,Bowellism,district,radical,modern,Financial Passporting
Description: Tony Smith image Alamy 2ABY96R - Continuing our high-tech architecture series, we take a look at the inside-out Lloyd's building in London, Richard Rogers' second major building following Centre Pompidou.
One of the 1980s most recognisable pieces of architecture, the Lloyd's building demonstrates many of the key traits of the high-tech architecture style that emerged in the UK in the late 1960s.
The building, which was built as the headquarters of Lloyd's of London “ one of the world's largest insurance firms “ is distinguished by its radical inside-out aesthetic that sees all its building services banished to its exterior in order to create uninterrupted spaces inside.
This is similar to the Centre Pompidou, which Rogers completed with Renzo Piano in the late 1970s, and has equally uncluttered and highly flexible internal spaces.
Lloyds Building,Lime Street,City Of London,London,England,UK, EC3M 7HA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancashire,England,UK,Chorley,Town Hall,lancs,Lancastrian Suite,Townhall,council,Italianate,style,1879,large,assembly hall,hall,council chamber,town clerks office,Municipal Borough of Chorley,Seed Architects,clock,tower,clocktower,old,history,historic,heritage,civic,building,buildings,grand,proud,pride,municipal
Description: Tony Smith image Alamy 2K43PNE - The new building, which was designed in the Italianate style by John Ladds and William Henry Powell, was completed in 1879. The design involved a symmetrical main frontage with five bays facing onto Market Street with the end bays slightly projected forward
the central section, which also slightly projected forward, featured a doorway on the ground floor with brackets supporting a pediment containing a carved tympanum with a tall clock tower above
there were sash windows on the first and second floors. The principal rooms were a large assembly hall, which later became known as the Lancastrian Room, the council chamber and town clerk's office.
The town hall became the headquarters of the new Municipal Borough of Chorley in 1881. In the early years the basement was used for a butter market and, in the early 20th century, the assembly room was used as a cinema. Meanwhile the old town hall was demolished in the 1930s. The building remained the local seat of government when the enlarged Borough of Chorley was formed in 1974. In the 1980s, a control centre was established in the basement for the protection of civic leaders in the event of a nuclear attack. Although most council officers and their departments relocated to the Civic Offices in Union Street in the late 20th century, council meetings continued to be held in the town hall.
An extensive programme of refurbishment works at the town hall was completed in 2005. The works, which were designed by Seed Architects, involved re-instatement of the main entrance under the clock tower and the creation of a glass-roofed atrium with glass passenger lifts to facilitate easy movement of customers within the building. After several incidents involving damage to facilities and abuse of staff, the Lancastrian Room, ceased to be available for private hire in 2009
Market Street, Chorley, Lancashire, England, UK , PR7 1DP
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,England,UK,Cheshire,1897,city centre,ironwork,Eastgate,gateway,wall,city wall,Chester architect John Douglas,Chester,architect,diamond jubilee of Queen Victoria,diamond,jubilee,Queen Victoria,pano,panorama,prominent landmark,tourist,tourism,deva,Eastgate Street,CH1 1LE,CH1,tower,history,heritage,historic,Victorian,tradition,traditional,walled,walls,time
Description: Tony Smith image Alamy 2DDW6CH - Eastgate and Eastgate Clock in Chester, Cheshire, England, stand on the site of the original entrance to the Roman fortress of Deva Victrix. It is a prominent landmark in the city of Chester and is said to be the most photographed clock in England after Big Ben.
The original gate was guarded by a timber tower which was replaced by a stone tower in the 2nd century, and this in turn was replaced probably in the 14th century. The present gateway dates from 1768 and is a three-arched sandstone structure which carries the walkway forming part of Chester city walls. In 1899 a clock was added to the top of the gateway to celebrate the diamond jubilee of Queen Victoria two years earlier. It is carried on openwork iron pylons, has a clock face on all four sides, and a copper ogee cupola. The clock was designed by the Chester architect John Douglas. The whole structure, gateway and clock, was designated as a Grade I listed building on 28 July 1955
Eastgate Street, Chester, Cheshire, England, UK, CH1 1LE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Somerset,UK,TA6 3RL,South West,England,TA6,tower,block,flat,flats,summer,sunny,blue sky,social housing,socialhousing,Homes In sedgemoor,ALMO,construction,refurbishment,balconies,balcony,highrise,high rise,blocks,leaseholder,leaseholders,1960,1960s,11,stores,Westfield,house,blue skies,render,rendered,leasehold,section 20
Description: Tony Smith image Alamy R9GTE8 - Fire Safety Review Gives Westfield House the ˜All Clear'
Westfield House towering above Bridgwater's West Street since 1965
Sedgemoor District Council's Corporate Scrutiny committee, under the chairmanship of Westover Councillor Brian Smedley, has reviewed the Council's response to the Grenfell Tower fire disaster in its own hi-rise properties and has concluded that all necessary steps have been taken to re-assure tenants and where there was cause for concern measures are being introduced to improve the situation.
On 14 June at about 1am, a fire started on the 4th floor of the Grenfell Tower block in London housing some 600 people. Grenfell Tower had 24 floors with 6 flats per floor, an alarm system that worked and the Fire Brigade in immediate attendance “ yet at least 80 died “ most of them in 23 of the blocks 129 flats
Ward Councillor Brian Smedley immediately called for urgent review of safety measures
On the morning of 14th June, Scrutiny Chair Cllr Smedley visited Sedgemoor's (and Somerset's) only tower block, Westfield House and nearby lo-rise blocks around West Street. Hi Rise blocks are defined as ˜anything above 18 metres'-usually 5 storeys or more. Noting resident's concerns he immediately wrote to Chief Executive Kerry Rickards and SDC Leader Duncan McGinty asking for a swift Council response to re-assure tenants and offered to hold a Scrutiny meeting at which residents and Homes in Sedgemoor officers could participate.
Cllr Smedley said The key question asked was ˜How can a small kitchen fire in one flat lead to this catastrophe? How could it happen there and could it happen here?' Residents raised four areas of concern -The Stay Put Policy, the lack of a central sprinkler system, the lack of a central Fire Alarm and , crucially, the Cladding used which seemed to have contributed to the spread of the fire. We felt a Scrutiny Working Party should look at these issues first and present a full and open report to be put on the table for the public
West St, Bridgwater, Somerset, South West England, UK, TA6 3RL
Description
Keywords: GoTonySmith,@HotpixUK,Scotland,UK,PH2 8HE,railway hotel,tower,perthshire,Kinross Council,Perth and Kinross Council,transport,B&B,Fair City.,fair,city,city centre,boutique-style hotel,boutique-style,hotel,Perths,spa,experience,spa experience,Victorian,Perth Care Village,Care Village,rail travel,rail,travel,planning application,planning,application,tourism,tourist,Scottish,board,summer,outside,building,exterior,direct royal passage
Description: Tony Smith image Alamy P69RJC - . A grounded documentary photograph made at 1 Leonard St, Perth, Scotland, UK, PH2 8HE in 2018, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The main point of reference is Station Hotel, 1 Leonard St, Perth, Scotland, UK, PH2 8HE. Another layer of the photograph includes period detail, place identity, documentary photography, care-home development, elderly care, residential care, social-care infrastructure, archival record, contemporary social history, everyday life, social history, visual archive, care workforce, and local history. Current relevance extends to funding and housing with support, particularly through how new care facilities affect local health and housing systems. Small period details of transport arrangements and footfall at 1 Leonard St, Perth, Scotland, UK, PH2 8HE may become more significant with time, particularly following conservation work. Other useful contextual ideas include care capacity, care-sector provision, community identity, regional identity, historical comparison, later-life housing, adult social care, and changing streetscape. The recorded references to Perth, Scotland, Leonard, Station, and Hotel preserve clues about how the subject was presented, used or understood at the time. Around 1 Leonard St, Perth, Scotland, UK, PH2 8HE, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is funding and how new care facilities affect local health and housing systems as part of the longer story of 1 Leonard St, Perth, Scotland, UK, PH2 8HE. The wider significance includes housing with support and the growing demand for care services as the population ages when considered against later change at 1 Leonard St, Perth, Scotland, UK, PH2 8HE. The frame retains details of everyday use for future local research.
1 Leonard St, Perth, Scotland, UK, PH2 8HE
Description
Keywords: GoTonySmith,@HotpixUK,Scotland,UK,PH2 8HE,railway hotel,tower,perthshire,Kinross Council,Perth and Kinross Council,transport,B&B,Fair City.,fair,city,city centre,boutique-style hotel,boutique-style,hotel,Perths,spa,experience,spa experience,Victorian,Perth Care Village,Care Village,rail travel,rail,travel,planning application,planning,application,tourism,tourist,Scottish,board,summer,outside,building,exterior,direct royal passage
Description: Tony Smith image Alamy P69RJF - . Recorded at 1 Leonard St, Perth, Scotland, UK, PH2 8HE in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is Station Hotel, 1 Leonard St, Perth, Scotland, UK, PH2 8HE. The broader subject matter reaches into residential care, social history, changing land use, everyday life, elderly care, community identity, care-home development, care capacity, regional identity, contemporary social history, historical comparison, place identity, care workforce, and adult social care. Today's relevance is strengthened by ageing population, local provision and the continuing question of the long-running pressure on staffing and funding in adult social care. As a dated visual record of 1 Leonard St, Perth, Scotland, UK, PH2 8HE, the frame retains local activity and public use, making it especially useful if new construction subsequently changes the scene. Other useful contextual ideas include local history, archival record, local character, visual archive, later-life housing, social-care infrastructure, public realm, and before-and-after reference. The combination of Leonard, Hotel, Station, Scotland, and Perth anchors the frame to a recognisable activity, place or moment. For 1 Leonard St, Perth, Scotland, UK, PH2 8HE, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another useful connection is ageing population and the long-running pressure on staffing and funding in adult social care when considered against later change at 1 Leonard St, Perth, Scotland, UK, PH2 8HE. The scene further reflects staffing and the importance of designing care settings around dignity and independence without losing the local specificity of 1 Leonard St, Perth, Scotland, UK, PH2 8HE. The period view preserves part of the area's social history as a date-specific reference.
1 Leonard St, Perth, Scotland, UK, PH2 8HE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,village,Church,ringers,parish,bells,old,historic,history,clock,mechanism,area,rope,ropes,church,tower,Anglican,sign,signs,joke,jokes,yellow,space,for,campanology,campanologist,inside,interior,room,bell,belltower,bellringing,ring of bells,ring,of,ringing
Description: Tony Smith image Alamy 2JHBJR4 - . This scene at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP in 2018 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is St Wilfrids Church Belltower and clock mechanism, prior to 2019, Grappenhall Village, Warrington,Cheshire,England,UK, WA4 2SJ. Further facets of the scene include heritage asset, social landscape, social history, visual archive, urban change, conservation interest, public realm, architectural detailing, local landmark, historic frontage, archival record, everyday life, local identity, and city-centre activity. For current editorial use, maintenance and redevelopment pressure provide additional context, especially through the value of distinctive buildings and street furniture to local identity. Current relevance extends to public-realm change and local identity, particularly through the documentary importance of recording everyday urban environments. The archival value lies partly in recording commercial use and occupation around Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP before new construction alters the character of the place. The photograph additionally reflects before-and-after reference, urban fabric, regional identity, historic townscape, contemporary city life, traditional structure, changing streetscape, and local history. References to clock, mechanism, Wilfrids, Church, and Grappenhall give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP, the image preserves more than the headline object or building: it records part of the locality's everyday history. The record includes a local visual benchmark for later comparison. That local specificity strengthens the long-term documentary value of image 2JHBJR4.
Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP
-high-2JHBJTN.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,St George,flag,flagpole,flag pole,lightening,rod,pole,Church Lane,Cheshire,England,UK,WA4 3EP,WA4,climb,climbed,top,of,church,Warrington,summit,is,a,crenellated parapet,on,tower,clock tower,clock towers,lightning rod,lightning rods,ball,post,tour,history,historic
Description: Tony Smith image Alamy 2JHBJTN - St Wilfrid's Church is in Church Lane, Grappenhall, a village in Warrington, Cheshire, England. It is designated by Historic England as a Grade I listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth.
History
The church is Norman in origin, built probably in the earlier part of the 12th century and completed about 1120. This was a small and simple church, consisting of a nave, chancel and, possibly, an apse. The foundations of this church were discovered during the 1873“74 restoration.
A chantry chapel was added by the Boydell family in 1334 in a position where the south aisle now stands. From 1529 the church was largely rebuilt in local sandstone. The old church was demolished and a new nave, chancel, north aisle and a west tower were built. In 1539 the south aisle was added, which incorporated the Boydell chapel. The south porch was added in 1641 and at this time the west wall was strengthened. In 1833 the roof of the nave was raised to form a clerestory and in the 1850s the south aisle was further extended, and a vestry was built. There was a more substantial restoration in 1873“74 by the Lancaster architects Paley and Austin, which included the provision of new floors and roofs, at a cost of about £4,000
The church is built in red sandstone with a slate roof. Its plan consists of a west tower, a continuous nave and chancel of seven bays with a clerestory, north and south aisles, a chapel at the east end of the south aisle, a vestry and a south porch. The tower is in three stages, with a Tudor west door, and a four-light west window. It has diagonal west buttresses and square east buttresses. In the middle stage are small windows, above which are clock faces and bell openings. On the summit is a crenellated parapet. The tower is about 76 feet (23 m) high
Church Lane, Grappenhall. Warrington, Cheshire, England, UK, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,village,Church,bell ringing,ringers,parish,bells,old,historic,history,clock,mechanism,Gropenhale,main,bell,cast,Victorian,antique,and,wheel,Tolling,Hammer,tower,internal,clapper,striker,chime,toll,tolls,tolling,chiming,pivoted clapper,big
Description: Tony Smith image Alamy 2JHBJW3 - . Recorded at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is St Wilfrids Church Belltower main bell, prior to 2019, Grappenhall Village, Warrington,Cheshire,England,UK, WA4 2SJ. The wider scene also brings together period streetscape, local history, local landmark, everyday street life, local character, townscape record, social landscape, architectural detailing, heritage asset, place identity, contemporary city life, historical comparison, changing land use, and everyday life. Today's relevance is strengthened by heritage conservation, local identity and the continuing question of the tension between conservation and redevelopment. From a 2025-onward perspective, regeneration and community use are closely linked to this subject, alongside how regeneration alters the character of familiar places. Future viewers can use this scene from Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP to compare local activity and public use with whatever follows after refurbishment. A second descriptive layer includes urban change, street-level documentary, heritage landmark, period building, city-centre activity, pedestrian environment, traditional structure, and before-and-after reference. Elements such as Church, Belltower, prior, Grappenhall, and Village add documentary specificity and may become increasingly useful when compared with later records. The period setting at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves a point of historical comparison before later change alters the scene. The view records part of the area's social history as a date-specific reference.
Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bolton,England,UK,pennines,Winter Hill,Anglican,Darwen,1949,1850,St Peters Church,Blackburn with Darwen,North Turton,Hordern,neo-gothic,parish church,neogothic,John Edgar Gregan,John Gregan,John Hick,sunny,blue sky,blue skies,history,historic,heritage,parish,church,churches,spire,tower,gravestone,gravestones,graveyard,graves
Description: Tony Smith image Alamy 2DA91J2 - The neo-gothic parish church of St Peter's designed by John Edgar Gregan, built at the end of 1849 was consecrated on 1 April 1850. One of Gregan's last projects, the church was constructed from local stone on the site of an ancient farm. John Hick, a local industrialist and later MP for Bolton, was very involved with the church and responsible for the installation of several stained glass windows, the church bells and turret clock.
20 Rivington Rd, Belmont, Bolton,Greater Manchester,England,UK, BL7 8AD
Description
Keywords: Glasgow,city,centre,gotonysmith,stairs,arts,artscentre,center,11,Mitchell Ln,Scotland,UK,G1 3NU,G1,the,building,architecture,stair,spiral,Glasgow City Council,GCG,Centre for Design and Architecture,Scotlands,offices,Glasgow Herald newspaper.,trust,Mackintosh Tower,tower,helical,tourist,attraction,tourism,view,viewpoint,1895,architect Charles Rennie Mackintosh
Description: Tony Smith image Alamy HKHWCP - The Lighthouse in Glasgow is Scotland's Centre for Design and Architecture. It was opened as part of Glasgow's status as the UK City of Architecture and Design in 1999.
The Lighthouse is the renamed conversion of the former offices of the Glasgow Herald newspaper. Completed in 1895, it was designed by the architect Charles Rennie Mackintosh. The centre's vision is to develop the links between design, architecture, and the creative industries, seeing these as interconnected social, educational, economic and cultural issues of concern to everyone.
The Lighthouse today
The Lighthouse Trust went into administration in August 2009. At its peak the Lighthouse Trust employed around 90 staff. Its directors moved on: Nick Barley became director of the Edinburgh International Book Festival. Following a substantial redundancy programme the remaining staff were transferred to Architecture and Design Scotland (A+DS) and Glasgow City Council (GCC). The Lighthouse building remains in the ownership of Glasgow City Council, which has made financial provision to meet the costs of operating the centre, re-establishing it as Scotland's National Centre for Architecture and Design
11 Mitchell Ln, Glasgow, Scotland, UK, G1 3NU
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scotch,British,Scotland,Alba,problem,with,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,white,G1,architecture,building,Ingram Street,tower,Hutchesons Hall,Rusk Company,and,National Trust for Scotland,David Hamilton,architect,category A,listed building
Description: Tony Smith image Alamy HGC80F - Hutchesons' Hall is an early nineteenth-century building in Ingram Street, in the centre of Glasgow, Scotland. It is owned and maintained by the Rusk Company and National Trust for Scotland, and is a category A listed building.
The current building was constructed, as Hutchesons' Hospital, between 1802 and 1805 to a design by the Scottish architect David Hamilton. This building was to replace an earlier hospital of 1641 in the city's Trongate, which needed to be removed to created Hutcheson Street. Hamilton's design incorporates in its frontage statues (carved in 1649 by James Colquhoun) from this earlier hospital.
Hutcheson's Hospital was built with monies left in the will of brothers George Hutcheson (c. 1580-1639) and Thomas Hutcheson (1589-1641) for the purposes of building a hospital for the elderly and a school for poor boys. The school is still operating today, although fee-paying, as Hutchesons' Grammar School.
In 1876, the architect John Baird was commissioned to refurbish the hall. This work heightened the structure and added a feature staircase.
The building fell into disrepair and had been empty since 2008. In June 2014, having undergone a £1.4M refurbishment, it was restored by James Rusk of The Rusk Company and opened as a three flooring dining venue - Hutchesons steak and seafood house
Hutcheson Street, Glasgow, Scotland, UK, G1 1SJ
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scotch,British,Scotland,Alba,problem,with,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,white,G1,architecture,building,Ingram Street,tower,Hutchesons Hall,Rusk Company,and,National Trust for Scotland,David Hamilton,architect,category A,listed building,hotpix.org.uk
Description: Tony Smith image Alamy HGC80J - Hutchesons' Hall is an early nineteenth-century building in Ingram Street, in the centre of Glasgow, Scotland. It is owned and maintained by the Rusk Company and National Trust for Scotland, and is a category A listed building.
The current building was constructed, as Hutchesons' Hospital, between 1802 and 1805 to a design by the Scottish architect David Hamilton. This building was to replace an earlier hospital of 1641 in the city's Trongate, which needed to be removed to created Hutcheson Street. Hamilton's design incorporates in its frontage statues (carved in 1649 by James Colquhoun) from this earlier hospital.
Hutcheson's Hospital was built with monies left in the will of brothers George Hutcheson (c. 1580-1639) and Thomas Hutcheson (1589-1641) for the purposes of building a hospital for the elderly and a school for poor boys. The school is still operating today, although fee-paying, as Hutchesons' Grammar School.
In 1876, the architect John Baird was commissioned to refurbish the hall. This work heightened the structure and added a feature staircase.
The building fell into disrepair and had been empty since 2008. In June 2014, having undergone a £1.4M refurbishment, it was restored by James Rusk of The Rusk Company and opened as a three flooring dining venue - Hutchesons steak and seafood house
Hutcheson Street, Glasgow, Scotland, UK, G1 1SJ
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scotish,Scotch,British,Scotland,Alba,problem,with,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Scottish Nationalism,white,G1,architecture,building,Ingram Street,tower,Hutchesons Hall,Rusk Company,and,National Trust for Scotland,David Hamilton,architect,category A,listed building
Description: Tony Smith image Alamy HGC80P - Hutchesons' Hall is an early nineteenth-century building in Ingram Street, in the centre of Glasgow, Scotland. It is owned and maintained by the Rusk Company and National Trust for Scotland, and is a category A listed building.
The current building was constructed, as Hutchesons' Hospital, between 1802 and 1805 to a design by the Scottish architect David Hamilton. This building was to replace an earlier hospital of 1641 in the city's Trongate, which needed to be removed to created Hutcheson Street. Hamilton's design incorporates in its frontage statues (carved in 1649 by James Colquhoun) from this earlier hospital.
Hutcheson's Hospital was built with monies left in the will of brothers George Hutcheson (c. 1580-1639) and Thomas Hutcheson (1589-1641) for the purposes of building a hospital for the elderly and a school for poor boys. The school is still operating today, although fee-paying, as Hutchesons' Grammar School.
In 1876, the architect John Baird was commissioned to refurbish the hall. This work heightened the structure and added a feature staircase.
The building fell into disrepair and had been empty since 2008. In June 2014, having undergone a £1.4M refurbishment, it was restored by James Rusk of The Rusk Company and opened as a three flooring dining venue - Hutchesons steak and seafood house
Hutcheson Street, Glasgow, Scotland, UK, G1 1SJ
Description
Keywords: pano,water,reflect,building,toll,expensive,unaffordable,ripoff,capital,infrastructure,2nd,2nd Mersey Bridge,Widnes,investment,borough,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,MSCC,pylons,tower,towers,guarantee,guaranteed,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Buy photo of,Panorama of new Mersey gateway bridge,Panorama of Mersey gateway bridge,New Road Bridge,New infrastructure,Manchester Ship Canal,Treasury Spending Review,George Osborne
Description: Tony Smith image Alamy H8FK7G - The Mersey Gateway is a new road bridge across the River Mersey and the Manchester Ship Canal in north-west England, which began construction in May 2014. The bridge will be located approximately 1.5 km (0.93 mi) to the east of the existing Silver Jubilee Bridge that connects the towns of Widnes and Runcorn. It will connect the Central Expressway in Runcorn with the Eastern Bypass and Speke Road in Widnes.
It is envisaged that the new bridge will be a toll bridge, with three lanes in each direction. The Halton Borough Council has also stated that the current bridge will also become a toll bridge, making Halton the only borough in England separated by only toll bridges, although Halton residents will be exempt from charges. It was also put forward that the current bridge may be reduced to one lane in each direction for vehicles, with the other two lanes being converted into cycle lanes and/or pedestrian lanes.
The draft design is for a cable-stayed bridge with three towers across the river, and a second bridge across the canal. The total length of the crossing will be 1,000 m (3,300 ft).
The scheme was put on hold in June 2010 awaiting the outcome of the Treasury's Spending Review, but on 17 October 2010 it was confirmed by Chancellor George Osborne that the £431m plan would go ahead. During the 2014 Budget, Osborne announced a £270m guarantee for the project.
After extensive site preparation, construction work began on 7 May 2014, with the bridge due to be finished by late 2017.
In addition to their role as designer, Knight Architects led the design through CABE Design Review, prior to successfully achieving planning consent, and later coordinated the production of a detailed guide governing visual and landscape aspects of the entire 9km corridor. The practice is part of the Client Procurement Team
River Mersey, Widnes,Cheshire,England,UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Haçienda Apartments,The,night club,West,flats,Greater Manchester,England,UK,city,centre,Deansgate,Castlefield,red brick,apartment,building,residential,development,urban,regeneration,construction,cranes,tower,new,skyline,property,former nightclub site,music heritage,Factory Records,Madchester,acid house,rave culture,dance music history,rave scene,post-industrial,1980s,1990s,clubbing
Description: Tony Smith image Alamy DN6N4T - Exterior view of The Haçienda Apartments on Whitworth Street West in Manchester, showing the distinctive red brick residential development built on the site of the legendary FAC51 Haçienda nightclub, with construction cranes and new tower building work rising behind it. The image connects two major Manchester themes in one frame: the city's internationally known music and club culture heritage, and the continuing wave of high-rise residential development reshaping the Deansgate, Castlefield and Oxford Road edges of the city centre. The Haçienda name is inseparable from Factory Records, Tony Wilson, New Order, acid house, rave culture, Madchester, dance music and late twentieth-century Manchester nightlife. The original club opened in 1982, closed in 1997 and was later demolished, with apartments replacing the famous venue while retaining the Haçienda name. The visible cranes add strong editorial value for stories about regeneration, urban densification, housing, property investment, city living, gentrification and the transformation of former cultural and industrial sites into apartments. The photograph is especially useful for features about Manchester's changing skyline, music tourism, cultural memory, heritage loss, apartment-led redevelopment, city centre living, post-industrial regeneration and the commercial afterlife of iconic places. The scene appears to be taken in daylight with clear visibility, allowing the modern apartment façade, street frontage and construction machinery to read clearly. It has broad stock relevance for Manchester property, northern regeneration, crane skylines, the Southern Gateway, Whitworth Street West, former nightclub sites, Factory Records legacy, urban renewal, student and professional accommodation markets, and debates over how much of a city's cultural history survives when landmark venues are replaced by residential blocks.
Haçienda Apartments, 11-15 Whitworth Street West, Manchester, Greater Manchester, M1 5DB.
Description
Keywords: Office,building,England,UK,14,storey,Chancery,Place,new,city,centre,business,Upper,King,Street,Conservation,Area,blue-chip,organisations,blue,chip,Project,Digital,Tomorrow,M2,4DU,M24DU,Gotonysmith,Buy Pictures of,Buy Images Of,glass,block,tower,towering
Description: Tony Smith image Alamy DN6N5G - The KYOCERA Technology Suite - Manchester
State of the Art Showroom and Offices in Central Manchester
KYOCERA Document Solutions UK Ltd is delighted to have taken the 3,015 sq ft ground floor of 14 storey ˜Chancery Place', one of Manchester's most prestigious office buildings. Designed by award-winning architects to enhance the diverse architecture of the Upper King Street Conservation Area, Chancery Place is home to a range of blue-chip organisations and is part of the first phase of Manchester's ˜Project Digital Tomorrow'.
KYOCERA's ground floor location comprises a showroom, product demonstration suites, meeting rooms and the company's first Northern sales office. Add to that a mezzanine floor and KYOCERA have over 4,000 sq ft of space in Chancery Place overall.
Chancery Place, Upper King Street Conservation Area, Manchester, England UK M2 4DU
Description
Keywords: pano St Giles Kirk,Royal Mile,Scotland,UK wide wideshot shot angle wideangle banner churches skyline,dramatic,tourist,long,tourism,card,greeting,buildings,architecture,stone,building,bell,tower,building exterior unesco world heritage,oldtown,Edinburgh Skyline,unesco world heritage,gotonysmith urban development old town scottish,street,view capital,wideshot,pano,wider,Buy Pictures of,Buy Images Of,wide angle,clouds,history,historic,city,centre,EH1
Description: Tony Smith image Alamy DDXPHX - . Panorama across city of Edinburgh, from castle to St Giles Kirk, Royal Mile, Scotland, UK. Photographed at Edinburgh, Scotland, UK, EH1. The photograph was taken on 31 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The wider composition gives a broader sense of the surroundings, showing the principal subject in relation to more of the streetscape, landscape or public space. The scene is closely associated with Panorama, across, Edinburgh, castle, St Giles, wide, moody, pano St Giles Kirk, Royal Mile and UK wide wideshot shot angle wideangle banner churches skyline, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The view is firmly rooted in a real location rather than a constructed studio setting.
Edinburgh, Scotland, UK, EH1
Description
Keywords: night,Scotland,UK,college,university,uni,Heriot,bluehour,blue,hour,lighting,building,buildings,lit,up,at,sky,line,historic,architecture,tower,interesting,walk,tour,travel,renaissance,architecture,the,work,of,William,Wallace,teaching,establishment,establishments,EH39EQ,EH3,9EQ,Lauriston,Place,gotonysmith hospital goldsmiths royal goldsmith,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History
Description: Tony Smith image Alamy DG389G - George Heriot's School is an independent primary and secondary school on Lauriston Place in the Old Town of Edinburgh, Scotland, with around 1600 pupils, 155 teaching staff and 80 non-teaching staff. It was established in 1628 as George Heriot's Hospital, by bequest of the royal goldsmith George Heriot, and opened in 1659.
Lauriston Place, Edinburgh, Scotland, UK EH3 9EQ
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,churches,Cheltenham,village,St Peters,wool churches,wool church,wool,medieval wool merchants,Cotswold Wool Church,wealth,west tower,tower,tower pinnacles
Description: Tony Smith image Alamy DD57E0 - St Peter's Church in Winchcombe is one of the great wool churches in the Cotswolds, an area blessed with similar reminders of the wealth of local medieval wool merchants.
The exterior is dominated by a striking west tower, 90 feet high, with 8 pinnacles. Atop the tower is a gilded weathercock, brought here in 1874 from the historic church of St Mary Redcliffe in Bristol. But it is not the weathercock that most people come to Winchcombe to see, but the grotesque carvings that embellish the battlemented roofline of the exterior. (Often called gargoyles, they are technically grotesques, for they do not have water spouts passing through them as a true gargoyle does).
There are 40 of these carvings
about 20 depict demonic creatures, and the remainder appear to be caricatures of locally important people, both civic figures and Abbey officials. To the left (west) of the south porch is a grinning figure of Sir Ralph Boteler of Sudeley, who gave money to complete the church. More famous, and beloved of postcard photographers, is a figure to the east of the porch, a grimacing human figure with a squat hat. This figure is said to be the model for the Mad Hatter in Lewis Carroll's Alice in Wonderland story.
HIGHLIGHTS:
Altar frontal made of 14th century vestments, stitched by Catherine of Aragon
Saxon coffins of King Kenwulph and his son, St Kenelm
Amusing gargoyles including the possible model for the Mad Hatter in Alice in Wonderland
The first written record of a church dedicated to St Peter in Winchcombe comes from 1175, when a church associated with the Benedictine Abbey here is mentioned. It seems very likely that there was a much earlier Saxon church, dedicated to St Nicholas.
That Norman church gradually fell into disrepair, and in 1458 Abbot William began building a new church. The lord of Sudeley Castle, Lord Ralph Boteler, granted money to help finish the construction, and the new church was completed in just 10 years.
Gloucester St, Winchcombe, Cheltenham GL54 5LU
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,HotpixUK,shot,angle,Baron,Ferdinand,Rothschild,Neo-Renaissance style,country house,Grade I listed,tower,turret,Aylesbury
Description: Tony Smith image Alamy DD57M3 - Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. It is located in the Aylesbury Vale, 6.6 miles (10.6 km) west of Aylesbury. The Grade I listed house was built in the Neo-Renaissance style of a French château between 1874 and 1889 for Baron Ferdinand de Rothschild (1839“1898) as a weekend residence for grand entertaining and as a setting for his collection. The last member of the Rothschild family to own Waddesdon was James de Rothschild (1878“1957). He bequeathed the house and its contents to the National Trust. It is now managed by the Rothschild Foundation chaired by Jacob Rothschild, 4th Baron Rothschild. It is one of the National Trust's most visited properties, with over 466,000 visitors in 2018, Waddesdon Manor won Visit England's Large Visitor Attraction of the Year category in 2017
Waddesdon, Aylesbury, England, UK, HP18 0JH
Description
Keywords: scotland,britain,lewis,outer,hebrides,UK,scotia,escosse,escose,tonysmith,tony,smith,hotpix,hotpixuk,tonysmithhotpix,edinbrugh,ipod,music,tower,#tonysmithotpix
Description: Tony Smith image Flickr 4927941826 - 'All Along The Watchtower - 'Jimi Hendrix' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
One of my favourite guitarists and cool too. Once when asked by an activist in 1970 'What would you change in America today'? He replied 'They should wear more colourful gear'. He also said 'Music doesn't lie. If there is something to be changed in this world, then it can only happen through music'. Indeed!
Born in Seattle James Marshall 'Jimi' Hendrix worked as a jobbing guitarist until being introduced to London in 1966/7. Hendrix learned to play by practicing almost constantly, watching others play, getting tips from more experienced players, and listening to records. In mid-1959, his father bought Hendrix a white 'Supro Ozark'.
Chas Chandler who was ending his tenure as bassist in The Animals and looking for talent to manage and produce. Chandler liked the song 'Hey Joe' and was convinced he could create a hit single with the right artist. It was Hendrix who he brought to London for that very reason. The Jimi Hendrix Experience was born.
'All Along the Watchtower' was an original Bob Dylan track and was included on the classic double 'Electric Ladyland' album. Several reviewers have pointed out that the lyrics in 'All Along the Watchtower' echo lines in the Book of Isaiah, Chapter 21, verses 5-9. The single reached number five in the British charts.
Dylan has described his reaction to hearing Hendrix's version: 'It overwhelmed me, really. He had such talent, he could find things inside a song and vigorously develop them. He found things that other people wouldn't think of finding in there. He probably improved upon it by the spaces he was using. I took license with the song from his version, actually, and continue to do it to this day.' In the booklet accompanying his Biograph album, Dylan said: 'I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way... Strange how when I sing it, I always feel it's a tribute to him in some kind of way.'
------------------------
The Lewis War Memorial is a war memorial dedicated to the men who lost their lives in World War I from the Lewis area (Outer Hebrides, Scotland). Completed in 1924, it is situated at the highest point of the town of Stornoway, and is visible for miles around.
It can no longer be climbed. Iron plaques containing the names of the fallen, many hundred (1151) are now presented on a faux stone circle at its foot.
From January to July 1920, the pages of the Stornoway Gazette carried advertisements appealing for subscriptions towards the building costs of a suitable memorial that would cost at least \u00a310,000 and more probably \u00a320,000. The response was overwhelming. As a spur to generous donations, it was announced that an anonymous resident was willing to double the amount subscribed to \u00a35,000 - this resident was later discovered to be Lord Leverhulme himself.
For more historical details, consult the excellent Stornoway Historical Society website. Better still consider a trip right up there to the top left edge of Britain, its cool.
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>Scotland from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
( )',
Description
Keywords: st,john,johns,church,evangelist,sandiway,sandyway,cheshire,A556,UK,England,village,villages,autumn,trees,tree,leaves,brown,orange,green,clock,tower,HotpixOrgUK,365days,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photographic,photography,SLR,DSLR,group,GYCA,Bellhouse,bellhouse Club,hotpix!
Description: Tony Smith image Flickr 4084252638 - 'Autumn in the graveyard at St Johns.
Nice browns and oranges in the trees.
(c) Hotpix / HotpixUK Tony Smith - Warrington Hotpix.freeserve.co.uk WDCC',
Description
Keywords: high,rise,highrise,housing,flats,blocks,concrete,bad,architectur high,architectural,design,UK,estates,england,old,crime,tony,smith,tonysmith,hotpix,hot,pix,picks,pics,hotpics,b/w,mono,black,white,toned,colour,selective,cool,tonesmith,tone,#tonysmithhotpix,#tonysmithotpix,towerblock,tower,block
Description: Tony Smith image Flickr 4980395604 - 'Tenement Funster - 'Queen' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
A cracking track that took me back to my schooldays, turned up in todays shuffle on my iPod.
'Tenement Funster' is Roger Taylor's song on the Sheer Heart Attack album. He sang the lead vocals. Backing track consisted of Taylor's drums, Mercury's piano, Deacon's bass and May's Red Special guitar. It's a typical Taylor track about youth and rebellion. It also includes echo effects with May's guitar, like in 'Brighton Rock'. The last couple of guitar notes overlap into 'Flick Of The Wrist'. The original working title for the song was 'Tin Dreams'.
Sheer Heart Attack is the third album by British rock group Queen, released November 1974. It was produced by Queen and Roy Thomas Baker for EMI in the United Kingdom, and Elektra in the US.
The album launched the band to mainstream popularity both in the UK and internationally and at a time when I was at secondary school. My school bag had a big 'Queen' and 'Led Zep' logo scrawled on it. Due to a lack of cash (or bigger brothers) in my house, my school friends and older brothers often supplied the vinyl in a gatefold sleeve, on loan.
The first single, 'Killer Queen' reached #2 in the British charts and provided Queen with their first US Top 20 hit. Sheer Heart Attack was also the first Queen album to hit the US Top 20, peaking at #12 in 1975. Digressing from the progressive themes featured on their first two albums, Sheer Heart Attack featured more conventional rock tracks and marked a step towards the classic Queen sound.
In recent years, it has been listed by multiple publications as one of the band's best works and I would recommend it as a starting point to listen to some of the legacy of early queen.
------------------------
Many tower blocks were built in the UK after the Second World War. The first residential tower block, 'The Lawn' was constructed in Harlow, Essex in 1951
it is now a Grade II listed building. In many cases Tower Blocks were seen as a 'quick-fix' to cure problems caused by crumbling and unsanitary 19th century dwellings or to replace buildings destroyed by German aerial bombing. Initially, they were welcomed, and their excellent views made them popular living places.
Later, as the buildings themselves deteriorated, they grew a reputation for being undesirable low cost housing, and many tower blocks saw rising crime levels, increasing their unpopularity. One response to this was the great increase in the number of housing estates built, which in turn brings its own problems. In the UK, tower blocks particularly lost popularity after the partial collapse of Ronan Point in 1968.
Glasgow, the largest city in Scotland, is believed to contain the highest concentration of tower blocks in the UK - examples include the Hutchensontown C blocks in the Gorbals, the 20-storey blocks in Sighthill, and the 31-storey Red Road flats in the city's north east. However, on the whole, London has the largest number of high-rise residential buildings in the UK
Greater Manchester had more than its fair share of tower blocks, one of the worst examples being in Hulme. In Hulme, a new and (at the time) innovative design for deck access and tower living was attempted. This consisted of curved rows of low-rise flats with deck access far above the streets was created, known as the 'Crescents' (which were, with unintentional irony, architecturally based on terraced housing in Bath).
In this arrangement, motor vehicles remained on ground level with pedestrians on concrete walkways overhead, above the smoke and fumes of the street. People living in these new flats were rehoused from decaying Victorian slums which lacked electricity, running water, bathrooms or indoor toilets, and were mostly overcrowded.
The names of the 'Crescents' harked back to the Georgian era, being named after architects of that time: Robert Adam Crescent, Charles Barry Crescent, William Kent Crescent and John Nash Crescent, together with Hawksmoor Close (a small straight block of similar design attached to Charles Barry Crescent). At the time, the 'Crescents' won several design awards, and introduced technologies such as underfloor heating to the masses.
They were also popular because they were some of the first council homes in Manchester to have central heating. The development even had some notable first occupants, such as Nico and Alain Delon.
This is an old shot of mine, but thankfully a lot of this system built housing has now been replaced or renovated in Manchester. The local city council and its housing associations like City South HA that covers Hulme are on track for a high proportion of dwellings to meet Decent Homes standard by this years target.
This was a three shot panorama shot in infra-red.
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>B/W stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
( )',
Description
Keywords: OMD,red,filter,hoya,infra,ir,infra-red,B&W,wales,we pix,picks,hotpicks,tower,ivy OMD,welsh,NT,property,houses,tony,smith,tonysmith,hotpix,tonysmithhotpix,hotpixtonysmith,hot,pic,ipod,music,#tonysmithotpix
Description: Tony Smith image Flickr 4948604819 - 'Red Frame White Light - 'Orchestral Manoeuvres in the Dark' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
'Red Frame/White Light' is the second single of the synthpop group Orchestral Manoeuvres in the Dark. The song quite boringly is about the red telephone box in Meols that was used by the band to make calls to organise their gigs.
The telephone box that inspired 'Red Frame/White Light' is located at the crossing of Birkenhead Road and Greenwood Road countryCode=GB#map=53.4011,-3.15818|17|4&
bd=useful_information&
loc=GB:53.4011:-3.15818:17|4 Greenwood Road, meols|4 Greenwood Road, Meols, Wirral, Merseyside, England, CH47 6\' rel=\'nofollow\'>in Meols. In the nearby pub 'The Railway Inn' the band would meet and used the telephone box to organise their gigs and transportation.
In the songs lyrics the phone number is mentioned: 6323003. Fans would ring the number expecting to get one of the band members, but got a confused home owner in their own area code. Over the years it has become a kind of sacred place for OMD fans. In 2004 OMD fan Stephen Cork started a successful campaign to get the telephone box repainted in time for a fan tour on April 10, 2005.
------------------------
Penrhyn Castle is a country house in Llandegai, Bangor, Gwynedd, North Wales, in the form of a Norman castle. It was originally a medieval fortified manor house, founded by Ednyfed Fychan. In 1438, Ioan ap Gruffudd was granted a licence to crenellate and he founded the stone castle and added a tower house. Samuel Wyatt reconstructed the property in the 1780s.
The present building was created between 1820 and 1845 to designs by Thomas Hopper, who expanded and transformed the building beyond recognition. However a spiral staircase from the original property can still be seen, and a vaulted basement and other masonry were incorporated into the new structure. Hopper's clients were the Dawkins-Pennant family, who had made their fortune from Jamaican sugar and local slate quarries.
This image was shot using a Hoya R72 infra red filter. Vegetation appears very white and blue skies deep black.
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>B/W stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
( )',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,tower,summer,blue,sky,Lancashire,Lancs,FY1,England,UK,town,act,acts,venue,names,panorama,pano,the,entertainments,group,with,listed,printed,on,pavement,in,foreground,a,summers,day,Comedy Carpet,by,Gordon Young,jokes,catchphrases,granite,typeface
Description: Tony Smith image Alamy 2JR3MRR - Comedy Carpet (2011), Blackpool: reportedly Britain's largest piece of public art, an area of 2,200m2 or 1,800m2 (sources vary) on Festival Headland on the promenade, opposite Blackpool Tower. It shows jokes and punchlines from comedians who have performed in Blackpool over the decades, totalling 160,000 letters. Each letter is cut from granite and inset in white concrete, in a variety of typefaces. Five months after it was opened, the local council controversially removed part of the work because viewers were thought to be in danger of stepping backwards into the path of trams. The work earned Young the 2012 Marsh Award for Excellence in Public Sculpture. and in 2014 was joint winner of the International Society of Typographic Designers' International Typographic Award
Visible through the glass floor of the Tower Eye on the promenade some 380 ft (120 m) below, is Blackpool's famous Comedy Carpet. In front of the tower, the Comedy Carpet by Gordon Young is a celebration of the resort's long comedic history in the form of a visual pavement of jokes and catchphrases, embedded into the surface of the revamped promenade. From above, it is easy to read the eternal catchphrase of the late Sir Bruce Forsyth, Nice to see you - to see you... nice!
The Blackpool Tower, The Promenade, Blackpool, Lancashire, England, UK, FY1 4BJ
