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Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,County Arcade,luxury,retail,shopping,Leeds,city,centre,tourist,attraction,West Yorkshire,County Arcade Leeds,County,Arcade,England,English,Leeds local history,Leeds documentary photography,Leeds public realm,Leeds urban life,Leeds place photography,documentary photography,local history,urban life,British culture,place photography,contemporary Britain,public realm,street scene,local identity,social history,everyday life,regional England,city life,town centre,community,built environment,public space,modern Britain,local landmark,urban detail
Description: Tony Smith image Alamy 3ERK602 - County Arcade, luxury shopping, Leeds city centre, West Yorkshire. Photographed on 16 May 2026. The image is centred on County Arcade Leeds, with enough of the surrounding setting at Leeds retained to establish how County Arcade Leeds appears in everyday life. Visible lettering, materials, neighbouring buildings and street furniture around County Arcade Leeds add specific physical context rather than reducing the scene to an isolated object. The photograph preserves the appearance of County Arcade Leeds and its immediate surroundings at one identifiable moment in the recent history of the location. The surrounding physical details help identify County Arcade Leeds precisely and distinguish the location from a generic urban scene. The composition therefore preserves both County Arcade Leeds and the immediate environment in which it was encountered. The historic shopping arcades and Kirkgate Market form an important part of Leeds city-centre identity, linking Victorian commercial architecture with present-day retail use. County Arcade Leeds is closely tied to Leeds
the surrounding street, building or public-space details help explain how the subject functioned or was encountered at the time. The setting around County Arcade Leeds records a recognisable part of everyday life in Leeds, retaining local context that can be lost when businesses, buildings or public spaces change.
Leeds, West Yorkshire, England, UK

Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,County Arcade,luxury,retail,shopping,Leeds,city,centre,tourist,attraction,West Yorkshire,County Arcade Leeds shopping Whisky Shop,County,Arcade,Whisky,England,English,Leeds retail,Leeds shopping,Leeds store,Leeds high street,Leeds shopfront,high street,consumer retail,storefront,shop signage,retail branding,commercial property,customer experience,shopping centre,city centre retail,British retail,consumer culture,store entrance,shopfront,retail industry,shopping destination,commercial signage,urban shopping,retail premises
Description: Tony Smith image Alamy 3ERK623 - County Arcade, luxury shopping, Leeds city centre, West Yorkshire. Photographed on 16 May 2026. Leeds grew as a major commercial and industrial centre in West Yorkshire, and its city core retains arcades, markets and civic buildings alongside modern retail development. County Arcade Leeds shopping Whisky Shop records the customer-facing retail environment in Leeds, where branding, displays, store design and neighbouring occupiers can change through refits, closures and redevelopment. The commercial setting around County Arcade Leeds shopping Whisky Shop links the visible business with the surrounding shopping centre, high street, market or service area in Leeds.
Leeds, West Yorkshire, England, UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,FC,tour,tourist,attraction,Liverpool football stadium,Premier League,clubs,club,entrance,football,sports,tourism,landmark,Merseyside,Walton Breck Road,L4 0TH,L4,English football heritage,supporter experience,international fan destination,matchday hospitality,club history,trophy exhibition,cultural tourism,sporting pilgrimage,football architecture,professional sport,visitor facilities,leisure attraction,ticket touts,Fenway Sports Group,FSG,1892 Holdings,1892,holdings,Jeff Bezos,Amit Bhatia
Description: Tony Smith image Alamy 3EKP0DE - Liverpool FC's visitor entrance and Main Stand at Anfield in Liverpool, photographed in summer daylight beneath a blue sky with light cloud. The glazed frontage carries Liverpool FC branding and provides access for stadium tours, museum visitors, hospitality guests and supporters attending events at one of world football's best-known grounds. The broad canopy, red-brick exterior, open pedestrian space and people approaching the entrance create a clear view of the stadium as a year-round visitor destination and the home of Liverpool Football Club.
Anfield has been Liverpool FC's home since the club was founded in 1892. The stadium developed from a modest late nineteenth-century ground into a major football arena associated with domestic championships, European competition, famous players and generations of supporters. The expanded Main Stand opened in 2016, adding seating, hospitality areas and visitor facilities while retaining the stadium's close relationship with the surrounding Anfield neighbourhood.
The official LFC Stadium Tour gives visitors behind-the-scenes access to areas including the home dressing room, players' tunnel, press conference room, managerial dugout and the celebrated This Is Anfield sign. The LFC Museum presents more than 130 years of club history and displays major trophies, memorabilia and exhibitions covering the team's achievements and cultural impact. Together, the tour and museum make Anfield an important football tourism attraction for visitors.
The photograph is suitable for editorial coverage of Liverpool FC, Anfield stadium, football tourism, sports museums, stadium tours, visitor attractions, Premier League heritage, supporter culture, urban regeneration, hospitality, Merseyside tourism and the commercial development of major football grounds. It records the contemporary Main Stand entrance as a public-facing gateway connecting club history, matchday identity and Liverpool's visitor economy
Anfield Road, Liverpool, Merseyside, England, United Kingdom, L4 0TH

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,food & drink,May,community,event,sunny,17th May 2026,Cheshire,Warrington Food and Drink Festival,Warrington Town Hall,Bank Park,Sankey Street,festival,crowd,outdoor event,town,centre,outdoor seating,family,day out,families,tourist,attraction,regeneration,visitor economy,local economy,hospitality sector,independent traders,food stalls,drink stalls,street food,artisan producers,community groups,weekend leisure,outdoor dining,public event,cultural programming,festival marquee
Description: Tony Smith image Alamy 3EG4B7X - Family crowds enjoying Warrington Food & Drink Festival in bright sunshine on Sunday 17 May 2026, photographed on the lawn at Bank Park and the grounds of Warrington Town Hall, Cheshire. The image shows visitors of mixed ages sitting and gathering around outdoor benches and tables, with a white marquee, catering points, traders and event stalls spread across the grass in front of the red-brick Georgian Town Hall. Blue sky, scattered cloud and fresh spring foliage help convey the relaxed, open-air atmosphere of a successful town-centre festival. The picture is highly suitable for editorial use on food festivals, family leisure, community events, public space, outdoor hospitality, civic venues, tourism, placemaking and local economic activity.
Official listings for the 2026 festival said it returned to Bank Park and the grounds of Warrington Town Hall on Saturday 16 and Sunday 17 May, bringing together around 80 traders alongside demonstrations, music and family entertainment. That wider context makes this photograph especially useful for features on Warrington as a Cheshire tourist draw, as well as stories about alternative stallholders, independent retailers, artisan producers, food and drink businesses, community organisations and town-centre regeneration. Rather than focusing on one stall, the image captures the overall feel of the event, with people socialising, eating, drinking and enjoying a spring day in a historic civic setting, creating a vivid family day out image with strong town-centre footfall.
Warrington Town Hall, originally built in 1750 as Bank Hall for merchant Thomas Patten and later acquired by the council, adds heritage value to the scene. Designed by James Gibbs and long associated with Warrington's civic identity, the building helps anchor the festival within the town's historic core. The result is a commercially useful editorial image linking culture, heritage, hospitality and public life in contemporary Warrington.
Sunny Warrington food festival scene with families, artisan stalls and outdoor seating before histor

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Quay,canals,boat,foreground,marina,UK,inland waterways,sailing,boating,Cheshire,tourist,travel,England,waterside,attraction,attractions,traffic,mooring,moorings,moored summer,calm,water,maritime,River Weaver,colourful canal boats,pleasure craft UK,boating lifestyle,waterside tourism,reflections on water,calm marina scene,tranquil atmosphere,residential marina,urban waterfront,harbour,heritage,holiday travel
Description: Tony Smith image Alamy 2REGHT7 - This image shows a canal boat in the foreground at Northwich Quay Marina, located on London Road in Northwich, Cheshire. The wide view across the marina reveals multiple narrowboats and leisure craft moored around the basin, with still water creating clear reflections of boats, trees, and surrounding buildings.
The photograph was taken in daylight under partly cloudy skies, with soft light and broken cloud cover enhancing the reflective surface of the water. The presence of a canal boat in the immediate foreground adds depth and visual interest, drawing the viewer into the scene and emphasising the scale and calmness of the marina.
Northwich Quay Marina is a popular destination for leisure boaters and visitors, providing access to the River Weaver navigation and the wider UK canal network. The marina sits close to the town centre, combining waterside recreation with nearby shops, cafés, and walking routes.
The image captures a tranquil and attractive aspect of British canal life, appealing to tourists, boating enthusiasts, and those interested in slow travel, heritage waterways, and waterside regeneration in England.
Northwich Quay Marina, London Road, Northwich, Cheshire, England, United Kingdom, CW9 5HD

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,big,sky,summer,tourist,attraction,big fish,River,Lagan,glazed,ceramic,ceramics,Donegall Quay,quayside,mosaic,Pat The Fish,John Kindness,time capsule,Big Fish sculpture,Salmon of Knowledge,public art,waterfront sculpture,Belfast landmark,River Lagan,outdoor art,tourism Belfast,Donegall Quay Belfast,Northern Ireland public art,mosaic sculpture,ceramic tiles,fish sculpture,urban art installation
Description: Tony Smith image Alamy 2RFJ39R - The Big Fish is a printed ceramic mosaic sculpture by John Kindness. The 10-metre-long (33 ft) statue was constructed in 1999 and installed on Donegall Quay in Belfast, Northern Ireland, near the Lagan Lookout and Custom House. Also known as Pat The Fish in reference to visitors from Orkney, Scotland patting the fish for good luck.
The Big Fish's image appears on tourism material related to Belfast and Northern Ireland.
Construction - The outer skin of the fish is a cladding of ceramic tiles decorated with texts and images relating to the history of Belfast. According to the Belfast City Council, each scale tells a story about the city. Material from Tudor times to present day newspaper headlines are included along with contributions from Belfast school children (including a soldier and an Ulster Fry). The Ulster Museum provided the primary source of historic images, while local schools/day centres located along the line of the River Farset were approached to provide drawings for the fish. Images were provided by Glenwood Primary School, St Comgalls and Everton Day Centres.
The Big Fish contains a time capsule storing information, images, and poetry on the city
The Big Fish (Salmon of Knowledge) sculpture, Donegall Quay , Northern Ireland, UK

Description
Keywords: London,Cutty Sark,historic ship,clipper ship,maritime heritage,tall ship,tourist,attraction,GoTonySmith,HotpixUK,@HotpixUK,England,UK,SE10 9HT,SE10,Isle Of Dogs,museum ship,evening light,dusk sky,rigging and masts,history,Maritime Greenwich,River Thames area,Victorian era ship,nautical engineering,spars and masts,wooden hull detail,heritage attraction,tourism London,blue sky and clouds,travel photography,documentary photography,editorial image,UK heritage,crows nest,wide,angle
Description: Tony Smith image Alamy 2R4WE13 - This image shows an upward-looking detail view of the Cutty Sark in Greenwich, South East London, focusing on the ship's tall masts, complex rigging, and decorative bow section. The photograph was taken in the evening, with soft, fading daylight and patches of blue sky and cloud providing a dramatic backdrop to the historic vessel.
Built in 1869, the Cutty Sark is one of the last surviving tea clippers and a powerful symbol of Britain's maritime and trading past. The intricate network of ropes, spars, and yards visible in the image illustrates the sophistication of 19th-century sailing technology and the skills required to operate such vessels at speed across global trade routes.
The evening light enhances contrast and texture, drawing attention to the craftsmanship of the ship's construction and the elegant lines of its rigging. By isolating the upper structure of the vessel against the sky, the image emphasises scale, height, and the enduring visual drama of tall ships.
This photograph is well suited to editorial use covering maritime history, historic ships, nautical engineering, heritage tourism, London landmarks, and atmospheric studies of historic vessels at dusk or in evening light.
Cutty Sark, Greenwich, Royal Borough of Greenwich, London, England, UK, SE10 9HT

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyards,grave,memorials,tourist,attraction,ivy,Highgate Cemetery,stone crosses,grave markers,funerary sculpture,memorial crosses,North London,London,UK,Christian symbolism,Celtic cross,mourning statue,stone angel,overgrown graves,woodland cemetery,Victorian funerary art,religious memorials,nineteenth century burial ground,gothic cemetery,nature reclaiming graves,remembrance,death,death and mourning,heritage site,tranquil atmosphere,green foliage,editorial photography,documentary image
Description: Tony Smith image Alamy 2R7A488 - This photograph shows a group of stone crosses and grave monuments set among lush vegetation in Highgate Cemetery, one of London's most historically significant Victorian burial grounds. The memorials include a variety of cross designs, from simple Latin crosses to more elaborate Celtic forms, reflecting the religious symbolism and artistic styles commonly used in nineteenth-century funerary sculpture.
Highgate Cemetery is renowned for its wooded setting and the way nature has gradually reclaimed many of its monuments. Ivy, wild grasses, and mature trees surround the graves, softening the stonework and creating a distinctive atmosphere that blends memorial art with a natural landscape. This balance between preservation and natural growth contributes to the cemetery's romantic and slightly gothic character.
Stone crosses were widely used in Victorian cemeteries to express Christian faith, hope of resurrection, and remembrance. Their weathered surfaces and varied designs illustrate both personal commemoration and broader cultural attitudes to death during the period of rapid urban and industrial expansion in London.
Photographed in natural daylight, this image captures the quiet, reflective quality of Highgate Cemetery and its role as both a place of remembrance and a significant heritage landscape. It is well suited for editorial use covering Victorian funerary traditions, religious symbolism, London history, and the visual character of historic cemeteries in the UK.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Uk,Merseyside,tourist,tourism,attraction,attractions,Liverpool,UK,L1 9BB,the,Crack,history,historic,pubs,bar,bars,draught,ales,CAMRA,where,drank,beer,sign,signs,Marstons,outside,exterior,building,architecture,white,Beatles,The Dissenters,BW,monochrome
Description: Tony Smith image Alamy 2PK2AX3 - The tiny Liverpool city pub Ye Cracke that was loved by Beatle John Lennon, The Beatle was known to even take girls on dates to the pub
Liverpool has plenty of links to The Beatles from The Cavern Club to The Casbah Coffee Club.
But there are some places in the city that have connections to the famous Fab Four which are lesser-known.
One of those places is Ye Cracke, hidden down a side street off Hope Street, on Rice Street.
Landlady of Ye Cracke, Zaidia Naif, told the ECHO: It's funny because a lot of local Liverpool people can't find the pub but The Beatles fans from as far as Mexico find it with no problem.
Obviously the pub has a big tourist pull because of the Beatles and its connection to John Lennon.
I have known fans to come as far as Japan, Australia, Canada and a lot from America.
Ye Cracke may be a seemingly normal, local boozer to many but to tourists it's known for being John Lennon's favourite watering hole.
When attending art school in Liverpool, former bartenders claim Lennon would drink Black Velvet, a cocktail made from Guinness and on top of sparkling wine.
He also took his first wife, Cynthia Lennon, on their first date after meeting her at a college dance.
Even to this day, a plaque can be found on the wall of the pub, commemorating an occasion in 1960 when Lennon, Stuart Sutcliffe, Bill Harry and Rod Murray attended the pub and formed a band called The Dissenters over a beer.
13 Rice street, Liverpool, Merseyside, England, UK, L1 9BB

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,WA5,across,the,in,Crosfields,similat to,Middlesbrough,Council,town,centre,vehicles,rail,wagons,to,carry,transport,friends of,community,group,restore,restoration,industrial,heritage,gondola,overhead,gantry,tourist,tourism,attraction,attractions,BW,Black and White,monochrome,cable,Slutchers Lane
Description: Tony Smith image Alamy 2JYNWD8 - The Warrington Transporter Bridge (or Bank Quay Transporter Bridge) is a structural steel transporter bridge across the River Mersey in Warrington, Cheshire, England
It was designed by William Henry Hunter and built by Sir William Arrol & Co. The bridge has a span of 200 ft (61 m), is 30 ft (9.1 m) wide, 76 ft (23 m) feet above high water level, with an overall length of 339 ft (103 m) feet and a total height of 89 ft (27 m)
It was constructed in 1915 and fell into disuse in approximately 1964. The bridge was constructed to connect the two parts of the large chemical and soap works of Joseph Crosfield and Sons. It was originally designed to carry rail vehicles up to 18 long tons (18 tonnes) in weight, and was converted for road vehicles in 1940. In 1953, it was further modified to carry loads of up to 30 long tons (30 tonnes)
It was the second of two transporter bridges across the Mersey at Warrington. The first was erected in 1905 slightly to the north of the existing bridge, and was described in The Engineer in 1908. A third transporter bridge over the Mersey was the Widnes-Runcorn Transporter Bridge, built in 1905 and dismantled in 1961
One of 3 remaining such bridges in the UK
The bridge is recorded in the National Heritage List for England as a designated Grade II* listed building, and because of its poor condition it is on the Heritage at Risk Register.Bridge is protected as a Scheduled Ancient Monument
A local group called Friends of Warrington Transporter Bridge (FoWTB) was formed in Apr 2015 to act as the independent voice of the bridge. The group is liaising to safeguard the future of the bridge and its industrial heritage status. FoWTB has been featured on the local BBC News programme, North West Tonight and has set up a website for the bridge along with Facebook and Twitter pages. In 2016, the bridge was nominated for the Institution of Civil Engineers North West Heritage Award
More at http://www.warringtontransporterbridge.co.uk/history.html
Bank Quay Warrington, Cheshire, England, UK, WA5 1AA

Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,Barry,pleasure park,holiday,beach,VofG,Vale of Glamorgan,Wales,Gavin,&,and,Stacey,Stacy,seaside,TV,Sitcom,BBC,for,sale,souvenir,famous,tourist,attraction,bags,cups,mugs,Tidy,sugar Tits,whats occurring,slogans,aprons,gifts,Barry Island,Barry town,coast,hotpix.org.uk
Description: Tony Smith image Alamy 2JC40WM - . Photographed at Barry Island, Vale of Glamorgan, Wales, UK, CF62 5BQ in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The main point of reference is Souvenirs & gifts for sale at Barry Island, Vale Of Glamorgan, South Wales, UK - Home of Gavin and Stacey BBC TV Sitcom. The surrounding context encompasses regional identity, British seaside culture, retail chain, commercial frontage, documentary photography, local character, everyday life, physical store, contemporary social history, period detail, community identity, holiday resort economy, retail property, and local history. Viewed from the mid-2020s, the subject also connects with heritage attractions, town-centre renewal and the vulnerability of resort economies to seasonality and changing visitor habits. The modern context includes continuing discussion of brand consolidation, online shopping and how physical shops adapt to online competition. The image fixes transport arrangements and footfall within Barry Island, Vale of Glamorgan, Wales, UK, CF62 5BQ at one identifiable point, providing a benchmark against new ownership. The subject also sits alongside traditional holiday town, tourism retail, traditional confectionery, destination retail, visitor attraction, place identity, outdoor retail, and high-street commerce. References to Island, Barry, Wales, gifts, and Souvenirs give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Barry Island, Vale of Glamorgan, Wales, UK, CF62 5BQ, the image preserves more than the headline object or building: it records part of the locality's everyday history. A further contemporary connection is heritage attractions and the vulnerability of resort economies to seasonality and changing visitor habits when considered against later change at Barry Island, Vale of Glamorgan, Wales, UK, CF62 5BQ.
Barry Island, Vale of Glamorgan, Wales, UK, CF62 5BQ

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,station,train,trains,historic,hub,on,history,transport,spelt,railway,PWAY,permanent way,Crewe North Junction,Crewe North,junction,CW1,heritage,infrastructure,tourist,tourism,attraction,box,junctions,points,rail,rails,track,tracks,windows,electrification,electrified,Crewe Railway Age
Description: Tony Smith image Alamy 2JX2WN6 - Crewe Heritage Centre is a railway museum located in Crewe, England. Managed by the Crewe Heritage Trust, the museum is located between the railway station and the town centre
the site was the location of the 'Old Works' which was demolished in the early 1980s.
History
The centre was established in the old London, Midland and Scottish Railway yard, which was once part of Crewe Works, between the junction to Chester and the West Coast Main Line. It was officially opened by Queen Elizabeth II, accompanied by the Duke of Edinburgh, on 24 July 1987. It was renamed in 1992 as Crewe Railway Age by the owning registered charity but, after the management of the centre was taken over by a new group of volunteers, the museum returned to its original name of Crewe Heritage Centre in early 2008.
Exhibits
The centre has a series of exhibits, ranging from the only surviving APT-P train, miniature railways, three open signal boxes (Crewe Station A, Crewe North Junction and Exeter West) and a varied collection of standard gauge steam, diesel and electric locomotives, as well as occasional visiting locomotives. The Main Exhibition Hall features many artefacts and exhibits associated with Crewe, from its locomotive and carriage construction to its famous junction railway station. Brake Van rides are available to the public during special events.
Advanced Passenger Train
APT No.370 003/006 at Crewe Heritage Centre
Built by British Rail (BR) the 1970s and 1980s, this Class 370 Advanced Passenger Train (APT) is the only surviving APT set. Numbered 370 003/006, it is open at all times with an occasional cafe run from the original buffet car (selected days only). The APT-P museum can be found inside one of the carriages, with photographs on display from the APT project
Crewe Heritage centre, Vernon Way, Crewe, Cheshire, England, UK, CW1 2DB

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,art,401,Bow,London,England,UK,E3 4PB,E3,of,Spitalfields,Royal London Hospital,Brick Lane,councils,the,sight,attraction,attractions,borough,artwork,history,historic,heritage,path,walkway,pavement,sunny,blue sky,tourist,trail,tourism,Landmarks of Tower Hamlets,travel,inner,east
Description: Tony Smith image Alamy 2T0BDNJ - Taken on 07 Sep 2023, this photograph shows Landmarks of Tower Hamlets, Aberavon Road mural - 401 Mile End Rd, Bow, London, England, UK, E3 4PB. The location is 401 Mile End Rd, Bow, London, England, UK, E3 4PB. The picture is not just a record shot: it contains street art, painted wall detail and surrounding urban fabric, giving the image a clear sense of place. Mile End and Bow sit within East London's dense social, migration, housing and transport history, so local signage and murals can carry wider meanings about neighbourhood identity and urban change. It is useful for transport features covering rail operations, passenger information, regional connectivity, station modernisation, public investment and the everyday reality of travel in Britain. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Mile End Road, Aberavon Road, artwork, wall, mural, Tower Hamlets, landmarks, council, Blind Beggar, sights, art, 401, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. It has value for both local and national stories, especially where writers need to connect a named place or object with wider economic, social, environmental or cultural change. Further SEO-friendly usage could include local services, town-centre change, heritage branding, Britis.
401 Mile End Rd, Bow, London, England, UK, E3 4PB

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,town,centre,HG1,HG1 1PE,the,day,sunny,blue sky,iconic,blue skies,garden,gardens,visit,tourism,tourist,attraction,1914,1918,needle,Obelisk,Obelisks,1163,names,servicemen,legacy,bid,busy,tourists,programme,program,of,events
Description: Tony Smith image Alamy 2RH8AFF - . The cenotaph obelisk, Prospect Place, Harrogate town centre, North Yorkshire, England, UK, HG1 1PE. Photographed on 12 August 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Prospect Pl, Harrogate, HG1 1PE, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Yorkshire, HG1, HG1 1PE, day, sunny, blue sky, iconic, blue skies, garden, gardens, visit, tourism, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include tourist, attraction, needle, Obelisk, Obelisks, names, broadening discoverability while remaining tied to the supplied subject information. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Prospect Pl, Harrogate, HG1 1PE

Description
Keywords: LFC,EFC,Everton,FC,towels,scarf,scarves,red,blue,stall,Square,market,markets,selling,retail,vibrant,tourist,tourism,travel,landmark,concrete,1960s,sunny,summer,city,centre,attraction,Liverpool FC,Everton FC,The Toffees,TheReds,Radio City Tower,Williamson Square,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,L1,1RL,Houghton,You,Will,Never,Walk,Alone,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,1 Houghton St,L1 1RL,You Will Never Walk Alone,Youll Never Walk Alone
Description: Tony Smith image Alamy H4HKRD - . An identifiable period record of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Williamson Square,Liverpool and Radio City Tower. A broader reading of the photograph includes town-centre economy, place identity, local enterprise, documentary photography, street-level business, retail property, commercial streetscape, contemporary social history, visual archive, bricks-and-mortar retail, local character, archival record, social history, and independent retail. Current relevance extends to business rates and store closures, particularly through the resilience of independent shops in an online retail economy. Small period details of local activity and public use at Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK may become more significant with time, particularly following refurbishment. A second descriptive layer includes specialist retailer, customer footfall, local history, public realm, commercial frontage, everyday life, changing streetscape, and high-street commerce. The combination of Radio, Liverpool, Square, Williamson, and Tower anchors the frame to a recognisable activity, place or moment. The wider setting at Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to business rates and the resilience of independent shops in an online retail economy in a form that can be compared with future views of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK. The location additionally provides evidence of store closures and the role of small retailers in maintaining active town centres within the real-world context of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK.
Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,town,centre,HG1,1,Harrogate,North Yorkshire,queues,line,wat,waiting,British,institution,queuing,love,a,long,large,queue,at,the,ever,Betty,popular,English,summer,tourist,tourists,attraction,tourism,cakes,icon,iconic,landmark
Description: Tony Smith image Alamy 2RH8AFN - . Large queue at the ever popular Bettys Tea Room, Montpellier quarter, 1 Parliament St, Harrogate, North Yorkshire, England, UK, HG1 2QU. Photographed on 12 August 2023. We're a world-famous Tea Rooms in Yorkshire, England, sending parcels of pure spirit-lifting deliciousness from our Craft Bakery to homes across the world. Bettys has traded in Yorkshire since Swiss confectioner Frederick Belmont opened the first Bettys café in Harrogate in 1919. The Parliament Street tea room became one of the town's best-known hospitality landmarks, combining bakery, confectionery, afternoon tea and a consciously traditional service style. Queues outside have become part of the visitor experience, reflecting both the strength of the brand and Harrogate's long-standing identity as a spa and tourism town. In historical terms, everyday food and drink sit within wider histories of farming, manufacturing, retail and hospitality
Ingredients and brands that appear ordinary at one moment can later become valuable markers of changing diets, packaging, provenance and food fashion. Looking at the subject's development, city-centre photography documents both designed space and informal use
Architecture, signage, traffic, public art and pedestrian movement together reveal how people experience a place, often providing a more useful record of urban change than landmark images alone. During 2026, current food coverage frequently combines lifestyle with questions of price, health, sourcing and environmental impact
Older packaging and products also provide valuable evidence of how branding, portioning and consumer expectations have changed. For the 2026 context, urban regeneration in England continues to focus on town-centre renewal, housing, public realm and reuse of vacant commercial property
Earlier street scenes provide valuable before-and-after evidence of these changes and of the businesses or structures lost along the way.
1 Parliament St, Harrogate, North Yorkshire, England, UK, HG1 2QU

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,HG1 2QU,HG1,1,North Yorkshire,retail,crowded,crowd,crowds,busy,sunny,summer,cafe,and,shop,Betty,history,historic,heritage,old,tourism,tourist,attraction,attractions,the,sign,exterior,outside,Montpellier Parade,British,English,landmark,sunshine,traditional,cafes
Description: Tony Smith image Alamy 2RH8AFH - Bettys and Taylors of Harrogate, also known as Bettys and Taylors Group Limited, is a family company based in Yorkshire, England. The company's brands are Bettys (with no apostrophe), Taylors of Harrogate (also with no possessive apostrophe), and Yorkshire Tea. Bettys Café Tea Rooms are traditional tea rooms serving traditional meals with influences from both Switzerland and Yorkshire. Taylors of Harrogate was a family tea and coffee merchant company, founded in 1886, which blended Yorkshire Tea and Taylors of Harrogate Coffee
the owners of Bettys acquired Taylors in 1962. The chairman of the company is Clare Morrow, a former journalist.
Yorkshire Tea was introduced by Charles Edward Taylor and his brother in 1883, when they created their company CE Taylor & Co., whose name was later shortened to Taylor's. The brothers later opened Tea Kiosks in the Yorkshire towns of Harrogate and Ilkley, and in 1962, local tea room competitor Betty's took over Taylor's, renamed it Taylors of Harrogate and formed Bettys and Taylors Group, which is still owned by the family of Fredrick Belmont, who founded Betty's Tea Rooms. The group now uses the Bettys and Taylors brands in a number of industries, including Yorkshire Tea and Taylors Coffee Merchants under the Taylors of Harrogate name, and Bettys Tea Rooms, Bettys Cookery School and Bettys Confectionery under the Bettys brand
1 Parliament St, Harrogate, North Yorkshire, England, UK , HG1 2QU

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,HG1 2QU,HG1,1,North Yorkshire,retail,crowded,crowd,crowds,busy,sunny,summer,cafe,and,shop,Betty,history,historic,heritage,old,tourism,tourist,attraction,attractions,the,sign,exterior,outside,Montpellier Parade,British,English,landmark,sunshine,traditional,cafes
Description: Tony Smith image Alamy 2RH8AFM - Bettys and Taylors of Harrogate, also known as Bettys and Taylors Group Limited, is a family company based in Yorkshire, England. The company's brands are Bettys (with no apostrophe), Taylors of Harrogate (also with no possessive apostrophe), and Yorkshire Tea. Bettys Café Tea Rooms are traditional tea rooms serving traditional meals with influences from both Switzerland and Yorkshire. Taylors of Harrogate was a family tea and coffee merchant company, founded in 1886, which blended Yorkshire Tea and Taylors of Harrogate Coffee
the owners of Bettys acquired Taylors in 1962. The chairman of the company is Clare Morrow, a former journalist.
Yorkshire Tea was introduced by Charles Edward Taylor and his brother in 1883, when they created their company CE Taylor & Co., whose name was later shortened to Taylor's. The brothers later opened Tea Kiosks in the Yorkshire towns of Harrogate and Ilkley, and in 1962, local tea room competitor Betty's took over Taylor's, renamed it Taylors of Harrogate and formed Bettys and Taylors Group, which is still owned by the family of Fredrick Belmont, who founded Betty's Tea Rooms. The group now uses the Bettys and Taylors brands in a number of industries, including Yorkshire Tea and Taylors Coffee Merchants under the Taylors of Harrogate name, and Bettys Tea Rooms, Bettys Cookery School and Bettys Confectionery under the Bettys brand
1 Parliament St, Harrogate, North Yorkshire, England, UK , HG1 2QU

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,Merseyside,England,UK,tourist,summer,sunny,the,club,pub,pubs,bar,bars,Mathew Street,Mathew Street Bars And Clubs Liverpool,L2 6PT,L2,White Star Pub,2-4,Rainford Gardens,holiday,short break,crowd,crowded,people,tourists,tourism,attraction,history,historic,exterior,shipping,line,outside,street
Description: Tony Smith image Alamy 2RJAF8F - Taken on 19 Aug 2023, this photograph shows Crowds at the The White Star Pub, 2-4 Rainford Gardens, Cavern Quarter, Liverpool , Merseyside, England, UK, L2 6PT. The location is 2-4 Rainford Gardens, Liverpool , Merseyside, England, UK, L2 6PT. The picture is not just a record shot: it contains the vehicle livery, route branding, boarding point and street setting that make the public transport subject specific rather than generic. Mathew Street and the Cavern Quarter are inseparable from Beatles tourism, live music heritage, pub culture and Liverpool's visitor economy, with the narrow streets often busy on summer days. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Liverpool, city, tourism, attraction, Mathew St, Cavern Quarter, cavern, crowds, busy, centre, Merseyside, tourist, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. It also has a useful contemporary feel, because it shows how long-standing places, policies, products or institutions are encountered by ordinary people in daily life.
2-4 Rainford Gardens, Liverpool , Merseyside, England, UK, L2 6PT

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,Merseyside,England,UK,tourist,summer,sunny,the,club,pub,pubs,bar,bars,Mathew Street,holiday,short break,Mathew Street Bars And Clubs Liverpool,L2 6PT,L2,White Star Pub,2-4,Rainford Gardens,crowd,crowded,people,tourists,tourism,attraction,history,historic,exterior,shipping,line,outside,street
Description: Tony Smith image Alamy 2RJAF8J - Taken on 19 Aug 2023, this photograph shows Crowds at the The White Star Pub, 2-4 Rainford Gardens, Cavern Quarter, Liverpool , Merseyside, England, UK, L2 6PT. The location is 2-4 Rainford Gardens, Liverpool , Merseyside, England, UK, L2 6PT. The picture is not just a record shot: it contains the vehicle livery, route branding, boarding point and street setting that make the public transport subject specific rather than generic. Mathew Street and the Cavern Quarter are inseparable from Beatles tourism, live music heritage, pub culture and Liverpool's visitor economy, with the narrow streets often busy on summer days. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Liverpool, city, tourism, attraction, Mathew St, Cavern Quarter, cavern, crowds, busy, centre, Merseyside, tourist, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. Because the subject is clearly labelled or visually distinctive, it can also work well in search-led usage where the buyer needs immediate recognition at small web-preview size.
2-4 Rainford Gardens, Liverpool , Merseyside, England, UK, L2 6PT

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,IFI,6,Shop,tourist,attraction,tourism,media,entertainment,Dublin 2,D02 PD85,movies,movie,moving image,plus book store and bar.,hip,hangout,arty,and,independent,entrance,the,Irish Film Centre,art,Arthouse,organisation,body,Dublins,cafe,shop,bar,café
Description: Tony Smith image Alamy 2MCGA7X - The Irish Film Institute (IFI
Irish: Institiúid Scannánaíochta na hÉireann, Institiúid Scannán na hÉireann), formerly the Irish Film Centre, is both an arthouse cinema and a national body that supports Irish film heritage. The IFI presents film festivals, retrospectives and curated seasons, along with independent, Irish and foreign language films overlooked by commercial multiplexes at its cinemas in the Temple Bar quarter of Dublin. It maintains an archive of Irish films and provides education in film culture.
The IFI increases the range of films available to Irish audiences. New releases, national seasons, directors' retrospectives, thematic programmes, festivals, and special events have been regular features of the programme. Every year, the IFI rewards its audiences by hosting an Open Day, with free cinema screenings and tours. In 2011, the IFI was awarded Dublin's Best Cinema in Dublin Living Awards. In its first two decades the IFI saw over 3.1 million cinema attendances to see 63,000 screenings of over 5,900 different films. The IFI Café Bar served over 1.78 million cups of tea and coffee to audiences that include over 8,000 members. The IFI Irish Film Archive contains 611 different collections with over 26,000 cans of films, the oldest of which, a Lumiere brothers film of Dublin and Belfast, dates back to 1897

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,history,historic,walls,city,centre,sunny,blue sky,blue skies,the,old,YO1 6JX,YO1,6JX,landmark,tourism,tourist,attraction,fortress,fortification,fortifications,ancient,architecture,castle,south,southern,entrance,entry,GB,Great Britain,British,wall,walled,travel,destination,destinations,restored,restoration
Description: Tony Smith image Alamy 2R59WW2 - The lower section of Micklegate Bar was built in the 12th century, and the top stories in the 14th. At least six reigning monarchs passed through this gate. A restoration of the Bar was completed in late 2017.
Following the Battle of Wakefield, a battle during the Wars of the Roses, the heads of Richard Plantagenet, 3rd Duke of York (father of Edward IV and Richard III), Edmund, Earl of Rutland (another son of Richard) and Richard Neville, 5th Earl of Salisbury were displayed on Micklegate Bar.
Micklegate Bar once had a barbican or outer gateway in front of it, which became ruinous and was demolished in 1826. The two doorways to the top of the barbican can be seen in the photo above right.
The City Walls Experience at Micklegate Bar (formerly known as the Henry VII Experience), is located in the southern gatehouse.
Micklegate Bar is also referenced in the York Dungeon tourist attraction on Clifford Street, in the Executioner portion of the Dungeon
Micklegate Bar, York, North Yorkshire, England, UK, YO1 6JX

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,Highgate,the,hospital,with,of,statues,feline,felines,cat statue,upper Holloway,grade II listed,1964,1821,monumental,stone,monument,Whittingtons Cat Statue,B519,53 Highgate Hill,N19,street,art,history,historic,large,tablet,rail,railing,railings,Turn again,pub,nearby,landmark,tourist,attraction
Description: Tony Smith image Alamy 2R7A3MT - The Whittington Stone is an 1821 monumental stone and statue of a cat at the foot of Highgate Hill, a street, in Archway. It marks roughly where it is recounted that a forlorn character of Dick Whittington, loosely based on Richard Whittington, returning to his home from the city of London after losing faith as a scullion in a scullery, heard Bow Bells ringing from 4+1⁄2 miles (7.2 km) away, prophesying his good fortune leading to the homage Turn again Whittington, thrice Lord Mayor of London! This quotation and a short history of the man cover two faces of the stone. The pub next to it is of the same name.
Details
The place where Whittington's Stone stands, or stood, in which the stone appears as the base or plinth of a cross, with part of the pillar still remaining, as drawn by Chatelain in 1745
The large tablet was erected in 1821, restored in 1935, and the cat sculpture was added in 1964. It is a two-segment slab of Portland stone, the inscription to the south-west side now almost completely eroded, that to the north-east [tells] the career of the medieval merchant and City dignitary Sir Richard Whittington (c.1354“1423), including his [three/four] terms as Lord Mayor. The memorial marks the site where 'Dick Whittington', returning home discouraged after a disastrous attempt to make his fortune in the City, heard the bells of St Mary-le-Bow ring out, 'Turn again Whittington, thrice Lord Mayor of London.' On top is the 1964 sculpture of a cat by Jonathan Kenworthy, in polished-black Kellymount limestone. Iron railings, oval in plan, with upper flourishes and spearhead finials above and an intersecting circular return (an overthrow), surround it. The stone and railings are negligibly raised by a small broad stone plinth mainly set into the surrounding pavement. It has had statutory protection as listed, in the initial grade II category, since 1972.
The location of the stone was considered the northern part of Upper Holloway, until some decades after the n
Whittington Stone 1821, on 53 Highgate Hill, Archway, London , N19 5DS

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,14 James St,England,UK,WC2E 8BU,history,historic,building,lamp,Victorian,fruit,veg,vegetables,tourist,attraction,attractions,tourism,tourists,lighting,lantern,lanterns,arch,arched,dont,be,ordinary,the,Covern,in,upper,hanging,detail,lamps,sign over archway,trader,traders
Description: Tony Smith image Alamy 2JHB6TH - . Recorded at 14 James St, London , England, UK, WC2E 8BU in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records Covent Garden Market building, Regal House, 14 James St, London , England, UK, WC2E 8BU. The frame also records themes of architectural detailing, heritage asset, townscape record, period streetscape, place identity, historic streetscape, period detail, contemporary city life, architectural character, historical comparison, visual archive, urban change, changing land use, and local identity. Current relevance extends to maintenance and planning control, particularly through keeping older structures useful without erasing their character. In present-day coverage, the subject reaches into footfall and street safety, not least because of how ordinary street scenes become valuable records as businesses and infrastructure change. The archival value lies partly in recording transport arrangements and footfall around 14 James St, London , England, UK, WC2E 8BU before new construction alters the character of the place. Other useful contextual ideas include community identity, historic frontage, community life, social history, everyday street life, conservation architecture, contemporary social history, and archival record. The combination of James, Covent, building, Regal, and Market anchors the frame to a recognisable activity, place or moment. Around 14 James St, London , England, UK, WC2E 8BU, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects maintenance and keeping older structures useful without erasing their character when considered against later change at 14 James St, London , England, UK, WC2E 8BU. The frame retains a local visual benchmark before later change alters the scene.
14 James St, London , England, UK, WC2E 8BU

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,blue,sky,skies,centre,wall,busy,shoppers,pedestrianised,a,summers,day,Eastgate,street,showing,and,Cheshire,England,UK,CH1 1LE,1897,John Douglas,designed,by,designer,shops,stores,retail,independent,vibrant,tourist,tourism,attraction,crowds,crowd
Description: Tony Smith image Alamy 2JN5MT2 - Eastgate, Chester is a permanently open gate through the Chester city walls, on the site of the original entrance to the Roman fortress of Deva Victrix in Chester, Cheshire, England. It is a prominent landmark in the city of Chester and the Eastgate clock on top of it is said to be the most photographed clock in England after Big Ben.
The original gate was guarded by a timber tower which was replaced by a stone tower in the 2nd century, and this in turn was replaced probably in the 14th century. The present gateway dates from 1768 and is a three-arched sandstone structure which carries the walkway forming part of Chester city walls. In 1899 a clock was added to the top of the gateway to celebrate the diamond jubilee of Queen Victoria two years earlier. It is carried on openwork iron pylons, has a clock face on all four sides, and a copper ogee cupola. The clock was designed by the Chester architect John Douglas. The whole structure, gateway and clock, was designated as a Grade I listed building on 28 July 1955
Eastgate Street / city walls, Chester, Cheshire, England, UK, CH1 1LE

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,blue,sky,skies,centre,wall,busy,shoppers,pedestrianised,a,summers,day,Eastgate,street,showing,and,Cheshire,England,UK,CH1 1LE,1897,John Douglas,designed,by,designer,shops,stores,retail,independent,vibrant,tourist,tourism,attraction,crowds,crowd,clocktower
Description: Tony Smith image Alamy 2JN5MXF - Eastgate, Chester is a permanently open gate through the Chester city walls, on the site of the original entrance to the Roman fortress of Deva Victrix in Chester, Cheshire, England. It is a prominent landmark in the city of Chester and the Eastgate clock on top of it is said to be the most photographed clock in England after Big Ben.
The original gate was guarded by a timber tower which was replaced by a stone tower in the 2nd century, and this in turn was replaced probably in the 14th century. The present gateway dates from 1768 and is a three-arched sandstone structure which carries the walkway forming part of Chester city walls. In 1899 a clock was added to the top of the gateway to celebrate the diamond jubilee of Queen Victoria two years earlier. It is carried on openwork iron pylons, has a clock face on all four sides, and a copper ogee cupola. The clock was designed by the Chester architect John Douglas. The whole structure, gateway and clock, was designated as a Grade I listed building on 28 July 1955
Eastgate Street / city walls, Chester, Cheshire, England, UK, CH1 1LE

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Uk,Merseyside,tourist,tourism,attraction,attractions,Liverpool,UK,L1 9BB,the,Crack,history,historic,pubs,bar,bars,draught,ales,CAMRA,where,drank,beer,sign,signs,Marstons,outside,exterior,building,architecture,white,Beatles,The Dissenters
Description: Tony Smith image Alamy 2PK2AX0 - The tiny Liverpool city pub Ye Cracke that was loved by Beatle John Lennon, The Beatle was known to even take girls on dates to the pub
Liverpool has plenty of links to The Beatles from The Cavern Club to The Casbah Coffee Club.
But there are some places in the city that have connections to the famous Fab Four which are lesser-known.
One of those places is Ye Cracke, hidden down a side street off Hope Street, on Rice Street.
Landlady of Ye Cracke, Zaidia Naif, told the ECHO: It's funny because a lot of local Liverpool people can't find the pub but The Beatles fans from as far as Mexico find it with no problem.
Obviously the pub has a big tourist pull because of the Beatles and its connection to John Lennon.
I have known fans to come as far as Japan, Australia, Canada and a lot from America.
Ye Cracke may be a seemingly normal, local boozer to many but to tourists it's known for being John Lennon's favourite watering hole.
When attending art school in Liverpool, former bartenders claim Lennon would drink Black Velvet, a cocktail made from Guinness and on top of sparkling wine.
He also took his first wife, Cynthia Lennon, on their first date after meeting her at a college dance.
Even to this day, a plaque can be found on the wall of the pub, commemorating an occasion in 1960 when Lennon, Stuart Sutcliffe, Bill Harry and Rod Murray attended the pub and formed a band called The Dissenters over a beer.
13 Rice street, Liverpool, Merseyside, England, UK, L1 9BB

Description
Keywords: @hotpixuk,@Hotpixuk,GoTonySmith,CW5,lock,boatyard,boat yard,boats,barge,Nantwich Marina,Chester Road,Cheshire,England,CW5 8LB,basin,barges,yard,blue sky,canal,canals,Shroppy,Union,waterway,waterways,wood,arts,project,Canal and River Trust,Canal & River Trust,tourist,attraction,tourism,representation,artist,history,heritage,historic
Description: Tony Smith image Alamy 2JNHKAY - . An identifiable period record of Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The main point of reference is Arts Along the Canal, Wooden horse - Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB. Other connected aspects include roadside stop, before-and-after reference, transport accessibility, bus route infrastructure, public realm, community identity, social history, historical comparison, changing streetscape, documentary photography, public transport information, changing land use, period detail, and surface public transport. The wider contemporary story combines bus service funding, accessibility and the challenge of maintaining reliable services outside dense city centres. The archival value lies partly in recording local activity and public use around Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB before changed technology alters the character of the place. Further associations within the scene are street-side transport, roadside transit, local bus network, bus infrastructure, regional identity, passenger transport, public transport stop, and everyday life. References to Chester, horse, Canal, Along, and Wooden give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of bus service funding and how local bus services affect access to work, education and healthcare within the specific setting of Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB.
Nantwich Marina, Basin End, Chester Road, Nantwich, Cheshire, England, CW5 8LB
--Mainz-Bingen-district--Germany-2PJ29B9.jpg)
Description
Keywords: St Peter,Rhineland-Palatinate,view,church,GoTonySmith,HotpixUK,@HotpixUK,post tower,posttower,Mainz-Bingen,district,in,Germany,pano,panorama,over,town,city,gorge,tourist,tourism,attraction,&,waggon,wagon,history,historic,feuer,towns,reconstructed,preserved,well maintained,Rhine town,Rhine towns,beautiful,Village,villages
Description: Tony Smith image Alamy 2PJ29B9 - Bacharach (pronunciation (help·info), also known as Bacharach am Rhein) is a town in the Mainz-Bingen district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde of Rhein-Nahe, whose seat is in Bingen am Rhein, although that town is not within its bounds.
The original name Baccaracus suggests a Celtic origin. Above the town stands Stahleck Castle (Burg Stahleck), now a youth hostel.
Geography
Location
The town lies in the Rhine Gorge, 48 km south of Koblenz.
Constituent communities
Bacharach is divided into several Ortsteile. The outlying centre of Steeg lies in the Steeg Valley (Steeger Tal) off to the side, away from the Rhine. This glen lies between Medenscheid and Neurath to the south and Henschhausen to the north on the heights.
History
In the early 11th century, Bacharach had its first documentary mention. It may have been that as early as the 7th century, the kingly domain passed into Archbishop of Cologne Kunibert's ownership
pointing to this is a Kunibertskapelle (chapel) on the spot where now stands the Wernerkapelle. The Vögte of the Cologne estate were the Elector of the Palatinate, who over time pushed back Cologne's influence.
Caring for and maintaining Bacharach's building monuments, spurred on in the early 20th century by the Rhenish Association for Monument Care and Landscape Preservation (Rheinischer Verein für Denkmalpflege und Landschaftsschutz) which took on the then highly endangered town wall and Stahleck Castle ruin jobs, and the great dedication of the state of Rhineland-Palatinate to the Wernerkapelle have seen to it that Bacharach is still a jewel of the Rheinromantik and a multifaceted documentary site of mediaeval architecture on the Middle Rhine. The Wernerkapelle ruin is under monumental protection and before it a plaque has been placed recalling the inhuman crimes against Jewish residents and also containing a quotation from a prayer by Pope John XXIII for a change in Christians' thinking in their relationship
Bacharach, Bacharach am Rhein,, Mainz-Bingen district, Germany
--Mainz-Bingen-district--Germany-2PJ29EG.jpg)
Description
Keywords: St Peter,Rhineland-Palatinate,view,church,GoTonySmith,HotpixUK,@HotpixUK,post tower,posttower,Mainz-Bingen,district,in,Germany,pano,panorama,over,town,city,gorge,tourist,tourism,attraction,4,German,language,childrens,children,story,tale,tales,novel,stories,junk,shop,store,secondhand,second hand,AI firms,buying
Description: Tony Smith image Alamy 2PJ29EG - Bacharach (pronunciation (help·info), also known as Bacharach am Rhein) is a town in the Mainz-Bingen district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde of Rhein-Nahe, whose seat is in Bingen am Rhein, although that town is not within its bounds.
The original name Baccaracus suggests a Celtic origin. Above the town stands Stahleck Castle (Burg Stahleck), now a youth hostel.
Geography
Location
The town lies in the Rhine Gorge, 48 km south of Koblenz.
Constituent communities
Bacharach is divided into several Ortsteile. The outlying centre of Steeg lies in the Steeg Valley (Steeger Tal) off to the side, away from the Rhine. This glen lies between Medenscheid and Neurath to the south and Henschhausen to the north on the heights.
History
In the early 11th century, Bacharach had its first documentary mention. It may have been that as early as the 7th century, the kingly domain passed into Archbishop of Cologne Kunibert's ownership
pointing to this is a Kunibertskapelle (chapel) on the spot where now stands the Wernerkapelle. The Vögte of the Cologne estate were the Elector of the Palatinate, who over time pushed back Cologne's influence.
Caring for and maintaining Bacharach's building monuments, spurred on in the early 20th century by the Rhenish Association for Monument Care and Landscape Preservation (Rheinischer Verein für Denkmalpflege und Landschaftsschutz) which took on the then highly endangered town wall and Stahleck Castle ruin jobs, and the great dedication of the state of Rhineland-Palatinate to the Wernerkapelle have seen to it that Bacharach is still a jewel of the Rheinromantik and a multifaceted documentary site of mediaeval architecture on the Middle Rhine. The Wernerkapelle ruin is under monumental protection and before it a plaque has been placed recalling the inhuman crimes against Jewish residents and also containing a quotation from a prayer by Pope John XXIII for a change in Christians' thinking in their relationship
Bacharach, Bacharach am Rhein,, Mainz-Bingen district, Germany
--Mainz-Bingen-district--Germany-2PJ29R8.jpg)
Description
Keywords: St Peter,Rhineland-Palatinate,view,church,GoTonySmith,HotpixUK,@HotpixUK,post tower,posttower,Mainz-Bingen,district,in,Germany,pano,panorama,over,town,city,gorge,tourist,tourism,attraction,Jost,dry,glass,bottle,bottles,shelf,exterior,outside,Jurgen Jost,Josts,towns,reconstructed,preserved,well maintained,Rhine town,Rhine towns,vino
Description: Tony Smith image Alamy 2PJ29R8 - Bacharach (pronunciation (help·info), also known as Bacharach am Rhein) is a town in the Mainz-Bingen district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde of Rhein-Nahe, whose seat is in Bingen am Rhein, although that town is not within its bounds.
The original name Baccaracus suggests a Celtic origin. Above the town stands Stahleck Castle (Burg Stahleck), now a youth hostel.
Geography
Location
The town lies in the Rhine Gorge, 48 km south of Koblenz.
Constituent communities
Bacharach is divided into several Ortsteile. The outlying centre of Steeg lies in the Steeg Valley (Steeger Tal) off to the side, away from the Rhine. This glen lies between Medenscheid and Neurath to the south and Henschhausen to the north on the heights.
History
In the early 11th century, Bacharach had its first documentary mention. It may have been that as early as the 7th century, the kingly domain passed into Archbishop of Cologne Kunibert's ownership
pointing to this is a Kunibertskapelle (chapel) on the spot where now stands the Wernerkapelle. The Vögte of the Cologne estate were the Elector of the Palatinate, who over time pushed back Cologne's influence.
Caring for and maintaining Bacharach's building monuments, spurred on in the early 20th century by the Rhenish Association for Monument Care and Landscape Preservation (Rheinischer Verein für Denkmalpflege und Landschaftsschutz) which took on the then highly endangered town wall and Stahleck Castle ruin jobs, and the great dedication of the state of Rhineland-Palatinate to the Wernerkapelle have seen to it that Bacharach is still a jewel of the Rheinromantik and a multifaceted documentary site of mediaeval architecture on the Middle Rhine. The Wernerkapelle ruin is under monumental protection and before it a plaque has been placed recalling the inhuman crimes against Jewish residents and also containing a quotation from a prayer by Pope John XXIII for a change in Christians' thinking in their relationship
Bacharach, Bacharach am Rhein,, Mainz-Bingen district, Germany
-------Mainz-Bingen-district--Germany-2PJ2A8G.jpg)
Description
Keywords: St Peter,Rhineland-Palatinate,view,church,GoTonySmith,HotpixUK,@HotpixUK,post tower,posttower,Mainz-Bingen,district,in,Germany,pano,panorama,over,town,city,gorge,tourist,tourism,attraction,couple,man,woman,the,rail,train,trains,Bacharch,towns,reconstructed,preserved,well maintained,Rhine town,Rhine towns,beautiful,Village,villages,visit,trail
Description: Tony Smith image Alamy 2PJ2A8G - Bacharach (pronunciation (help·info), also known as Bacharach am Rhein) is a town in the Mainz-Bingen district in Rhineland-Palatinate, Germany. It belongs to the Verbandsgemeinde of Rhein-Nahe, whose seat is in Bingen am Rhein, although that town is not within its bounds.
The original name Baccaracus suggests a Celtic origin. Above the town stands Stahleck Castle (Burg Stahleck), now a youth hostel.
Geography
Location
The town lies in the Rhine Gorge, 48 km south of Koblenz.
Constituent communities
Bacharach is divided into several Ortsteile. The outlying centre of Steeg lies in the Steeg Valley (Steeger Tal) off to the side, away from the Rhine. This glen lies between Medenscheid and Neurath to the south and Henschhausen to the north on the heights.
History
In the early 11th century, Bacharach had its first documentary mention. It may have been that as early as the 7th century, the kingly domain passed into Archbishop of Cologne Kunibert's ownership
pointing to this is a Kunibertskapelle (chapel) on the spot where now stands the Wernerkapelle. The Vögte of the Cologne estate were the Elector of the Palatinate, who over time pushed back Cologne's influence.
Caring for and maintaining Bacharach's building monuments, spurred on in the early 20th century by the Rhenish Association for Monument Care and Landscape Preservation (Rheinischer Verein für Denkmalpflege und Landschaftsschutz) which took on the then highly endangered town wall and Stahleck Castle ruin jobs, and the great dedication of the state of Rhineland-Palatinate to the Wernerkapelle have seen to it that Bacharach is still a jewel of the Rheinromantik and a multifaceted documentary site of mediaeval architecture on the Middle Rhine. The Wernerkapelle ruin is under monumental protection and before it a plaque has been placed recalling the inhuman crimes against Jewish residents and also containing a quotation from a prayer by Pope John XXIII for a change in Christians' thinking in their relationship
Bacharach, Bacharach am Rhein,, Mainz-Bingen district, Germany

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,dusk,Eurovision,2023,city,centre,host,Fab4,Fab 4,Fab Four,L2 6RE,statues,statue,of,above,store,retail,fan,John,Paul,Ringo,George,Ringo Starr,tourist,tourism,attraction,souvenir,souvenirs,Matthew Street,shops,stores
Description: Tony Smith image Alamy 2P4JT4K - . An on-location photograph from 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE in 2023, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is Statues of the Fab4 - John, Paul, Ringo, George, above the Beatles Shop, at 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE. The broader subject matter reaches into local history, street-level business, visual archive, independent retail, specialist retailer, local character, archival record, changing land use, regional identity, town-centre trading, contemporary social history, retail property, social history, and high-street commerce. Viewed from the mid-2020s, the subject also connects with commercial rents, consumer spending and the resilience of specialist shops in an online retail economy. Future viewers can use this scene from 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE to compare street furniture and boundaries with whatever follows after refurbishment. The wider setting retains connections with period detail, commercial frontage, bricks-and-mortar retail, documentary photography, everyday life, community identity, public realm, and customer footfall. Details involving above, Mathew, Ringo, Beatles, and Merseyside make the image more specific than a generic view and strengthen its local or historical value. For 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is commercial rents and how commercial property costs affect small retailers when considered against later change at 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE. It also preserves a trace of local identity within the wider story of 31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE.
31 Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,tourist,attraction,the,royal,maritime,port,Mersey,river,L3,L3 4AF,dock,docks,love padlock,fastened,symbolic,symbolise,lovers,lover,litter,or,vandalism,attractions,name,names,partner,girlfriend,boyfriend,romance,heart,locked,river Mersey promenade
Description: Tony Smith image Alamy 2NYNE3D - A love lock or love padlock is a padlock that significant other pairs lock to a bridge, fence, gate, monument, or similar public fixture to symbolize their love. Typically the sweethearts' names or initials, and perhaps the date, are inscribed on the padlock, and its key is thrown away (often into a nearby river) to symbolize unbreakable love.
Since the 2000s, love locks have proliferated at an increasing number of locations worldwide. They are treated by some municipal authorities as litter or vandalism, and there is some cost to their removal. However, there are other authorities who embrace them, and who use them as fundraising projects or tourist attractions.
Love locks are a symbol of everlasting love, a sign of an unbreakable bond and a beautifully significant moment you can share with someone.
The love locks of Liverpool are used by people from all over the world to show their unbreakable love. These locks can be found along the River Mersey, decorating chains along the river with symbols of love.
Many of them have been inscribed with messages and as you walk along, you notice beautiful and intricate padlock designs along with the different dates such as when couples met, were engaged and married.
The actual tradition is believed to have started over 100 years ago during the first world war. Women would write the names of their loved ones on a padlock in the hope it would protect them whilst they were away fighting. The symbols of love have actually developed from heart rendering moments of not knowing if you would ever see your loved one again.
Graving dry dock, Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,architecture,building,new,Pierhead,designed,by,architects,architect,and,engineers,iconic,icon,Museum of Liverpool Life,collection,scouse,L3,L3 1DG,Eurovision,2023,Eurovision2023,sunny,blue,sky,skies,display,impressive,culture
Description: Tony Smith image Alamy 2NYNE7N - The Museum of Liverpool in Liverpool, England, tells the story of Liverpool and its people, and reflects the city's global significance. It opened 2011 as newest addition to the National Museums Liverpool group replacing the former Museum of Liverpool Life. The museum is housed in a new purpose-built building on the Mann Island site at the Pier Head.
The museum, which was designed by architects 3XN and engineers Buro Happold and built by Galliford Try at cost of £72 million, provides 8,000 square metres of exhibition space, housing more than 6,000 objects. It has flexible spaces that regularly change to enable National Museums Liverpool to show more of their collections. It was opened to the public on 19 June 2011. in January and February 2017, the museum was closed for two months for essential works
From 10 to 12 December 2021, the museum hosted the G7 summit of foreign ministers
The museum displays are divided into four main themes: The Great Port, Global City, People's Republic, and Wondrous Place, located in four large gallery spaces. On the ground floor, displays look at the city's urban and technological evolution, both local and national, including the Industrial Revolution and the changes in the British Empire, and how these changes have impacted the city's economic development. The upper floor looks at Liverpool's particular and strong identity through examining the social history of the city, from settlement in the area from Neolithic times to the present day, migration, and the various communities and cultures which contribute to the city's diversity
Graving dry dock, Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,tourist,tourism,attraction,sport,sports,Irish,football,ball,12,10 years,old,aged,Temple Bar Whiskey,Temple Bar,Whiskey,store,off-licence,off licence,bottle,bottles,model,advertisement,ad,advert,in,shop,window,windows,for,shopping,Cigarette,Players Please
Description: Tony Smith image Alamy 2MCGB1R - . This location-specific image from the recorded location in 2019 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Temple Bar Whiskey and advert in shop window for Players Cigarettes, on all grounds - Players Please. The locality and subject together evoke tobacco retail history, historic smoking culture, community identity, brand display, historic tobacco marketing, before-and-after reference, consumer-health history, public realm, place identity, local history, town-centre economy, shopfront economy, changing streetscape, and visual archive. For current editorial use, online shopping and business rates provide additional context, especially through how physical shops adapt to online competition. Current relevance extends to smoking decline and advertising restrictions, particularly through how smoking restrictions transformed pubs, shops and public space. As a dated visual record of the recorded location, the frame retains transport arrangements and footfall, making it especially useful if refurbishment subsequently changes the scene. Further associations within the scene are regional identity, mid-century tobacco trade, commercial streetscape, changing land use, contemporary social history, local enterprise, cigar advertising, and vintage tobacco branding. Details involving window, Whiskey, grounds, Players, and Please make the image more specific than a generic view and strengthen its local or historical value. The wider setting at the recorded location matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes online shopping and the role of independent businesses in maintaining active town centres when considered against later change at the recorded location.

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dublin,city,centre,Eire,Ireland,tourist,tourism,attraction,red,Dublin 2,pubs,listed,famous,Sir William Temple,boozer,flowers,hanging baskets,the,D02 N725,Temple Bar,building,bars,magnet,for,drinkers,historic,heritage,history,quaint,arts,ingenuity,expression,travel
Description: Tony Smith image Alamy 2MCGA7R - . This dated editorial view of 47-48 Temple Bar, Dublin 2, Eire, D02 N725, Ireland in 2019 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on The temple bar pub, 47-48 Temple Bar, Dublin 2, Eire, D02 N725, Ireland. Other connected aspects include traditional pub, historic townscape, hospitality economy, period detail, pub interior heritage, conservation interest, local history, visitor hospitality, everyday life, night-time economy, heritage asset, social history, public-house heritage, and traditional ale house. Current relevance extends to redevelopment pressure and heritage conservation, particularly through the value of architectural landmarks to local identity. In present-day coverage, the subject reaches into food inflation and consumer spending, not least because of how food, drink and heritage combine in destination pubs. The image fixes period objects and surrounding context within 47-48 Temple Bar, Dublin 2, Eire, D02 N725, Ireland at one identifiable point, providing a benchmark against replacement signage. Other useful contextual ideas include changing streetscape, period architecture, place identity, historical comparison, archival record, historic hostelry, traditional materials, and contemporary social history. Details involving Dublin, 47-48, Ireland, and temple make the image more specific than a generic view and strengthen its local or historical value. The period setting at 47-48 Temple Bar, Dublin 2, Eire, D02 N725, Ireland helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to redevelopment pressure and keeping older buildings useful without erasing their character within the specific setting of 47-48 Temple Bar, Dublin 2, Eire, D02 N725, Ireland. Image 2MCGA7R also remains a dated record of 47-48 Temple Bar, Dublin 2, Eire, D02 N725, Ireland.
47-48 Temple Bar, Dublin 2, Eire, D02 N725, Ireland

Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,pleasure park,holiday,beach,VofG,Vale of Glamorgan,Wales,Gavin,&,and,Stacey,Stacy,TV,Sitcom,BBC,CF62,CF62 5BQ,of,guide,to,coastal,path,paths,walking,Barry Island,Barry town,coast,beaches,wall,promenade,tourist,tourism,attraction,attractions,maps,information,Pleasure Beach
Description: Tony Smith image Alamy 2JC40WG - . Photographed at Barry Island, Vale of Glamorgan, Wales, UK, CF62 5BQ in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The subject captured here is Map of Barry Island, Vale Of Glamorgan, South Wales, UK - Home of Gavin and Stacey BBC TV Sitcom. The broader subject matter reaches into historical comparison, day-trip culture, contemporary social history, tourism retail, documentary photography, traditional holiday town, pedestrian square, place identity, British seaside culture, informal play space, seasonal outdoor activity, urban leisure, local history, and regional identity. From a 2025-onward perspective, retail pressure and seasonality are closely linked to this subject, alongside the role of regeneration in keeping coastal destinations competitive. The wider contemporary story combines urban cooling, climate resilience and how well-designed public spaces encourage informal play and social activity. For later comparison, the photograph preserves landscape treatment and surrounding development at Barry Island, Vale of Glamorgan, Wales, UK, CF62 5BQ, details that may look very different after closure or conversion. The photograph additionally reflects coastal visitor economy, city-centre public space, seaside souvenir, seaside retail, community identity, changing streetscape, resort heritage, and everyday life. Elements such as Glamorgan, Stacey, Island, Gavin, and Barry add documentary specificity and may become increasingly useful when compared with later records. A later view of Barry Island, Vale of Glamorgan, Wales, UK, CF62 5BQ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The view records evidence of changing use as part of Barry Island, Vale of Glamorgan, Wales, UK, CF62 5BQ's history. The image fixes evidence of earlier appearance for future local research.
Barry Island, Vale of Glamorgan, Wales, UK, CF62 5BQ

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,centre,England,UK,GL5,stone,building,buildings,the,Stroud,old,town,hall,headquarters,of,UDC,Council Chambers,Council,GL5 1AP,history,historic,English,thriving,successful,district,council,DC,summer,summertime,tourist,tourism,attraction,Shambles,oldest,part,high street
Description: Tony Smith image Alamy 2JMD5TG - The Old Town Hall is a municipal building in The Shambles, Stroud, Gloucestershire, England. The town hall, which was the headquarters of Stroud Urban District Council, is a Grade II* listed building.
Following the granting of a charter to hold markets in 1594, the lord of the manor at Over Lypiatt, John Throckmorton, decided to commission a market hall
the new building was designed in the neoclassical style and completed in 1596. The original design involved a symmetrical main frontage with four bays facing onto the Market Place
it was arcaded on the ground floor to allow markets to be held
an assembly room with a large oriel window was established on the first floor.
The building was first used for municipal purposes as a meeting place for the local vestry in the early 19th century. It was extended to a design by Francis Niblett to accommodate the county court in 1851 and, after becoming the offices of the local board of health, it was remodelled in the gothic style with a large gable containing mullion windows erected above the two central bays in 1856. In order to improve the stability of the building, large buttresses, flanking the two central bays, were installed on the front of the building in 1890. After significant population growth, partly associated with the number of dye works in the town, the area became an urban district with the town hall as its headquarters in 1894.
Following an increase in the responsibilities of the council, civic leaders acquired the former offices of the Gloucester Banking Company in the High Street in 1930
the High Street building was converted for municipal use and was subsequently referred to as the Council Chambers. Although most council officers and their departments moved to the new Council Chambers in the High Street, some departments, including the technical services department, remained in the old building. The old town hall remained in municipal use even after the enlarged Stroud District Council was formed
The Shambles, Stroud, Gloucestershire, England, UK, GL5 1AP

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,cathedral church of the Anglican Diocese of Hereford,HR1,England,UK,5,College Cloisters,HR1 2NG,cathedral,building,city,centre,church,historic,visitor,British,interior,James Wyatt,indoor,tourist,and,column,attraction,bosses,English,George Gilbert Scott,Dean Merewether,Three Choirs Festival,history,heritage,traditional,classic,cathedrals
Description: Tony Smith image Alamy 2JPH6H2 - . Recorded at 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is Interior ceiling and roof of Hereford cathedral - 5 College Cloisters, Cathedral Close, HR1 2NG. The frame also records themes of built heritage, sacred architecture, Christian iconography, heritage landmark, community identity, period detail, visual archive, ecclesiastical art, sacred space, period architecture, changing land use, historic streetscape, historic glazing, and historical comparison. The modern context includes continuing discussion of energy costs, faith communities and the conservation challenge of fragile historic glass and stonework. For current editorial use, embodied carbon and redevelopment pressure provide additional context, especially through the balance between conservation, retrofit and modern accessibility. Small period details of public access and movement at 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG may become more significant with time, particularly following later reinterpretation. Other useful contextual ideas include historic townscape, place identity, medieval church setting, social history, period building, religious artwork, archival record, and conservation interest. The combination of ceiling, College, Cloisters, Interior, and cathedral anchors the frame to a recognisable activity, place or moment. By fixing the subject within 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The photograph keeps a local visual benchmark as a date-specific reference. The record includes a point of historical comparison for later comparison.
5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,cathedral church of the Anglican Diocese of Hereford,HR1,England,UK,5,College Cloisters,HR1 2NG,cathedral,building,city,centre,interior,and,column,church,British,tourist,attraction,historic,visitor,indoor,bosses,Lewis Nockalls Cottingham,James Wyatt,English,Three Choirs Festival,history,heritage,traditional,classic,cathedrals,fixtures
Description: Tony Smith image Alamy 2JPH6P7 - . Made at 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Interior ceiling and roof of Hereford cathedral - 5 College Cloisters, Cathedral Close, HR1 2NG. The locality and subject together evoke period building, Christian iconography, conservation architecture, ecclesiastical decoration, visual archive, period detail, everyday life, stained-glass craftsmanship, local history, sacred architecture, historical comparison, local character, heritage landmark, and heritage worship space. The modern context includes continuing discussion of energy costs, visitor tourism and the role of cathedrals as cultural landmarks beyond their congregations. For current editorial use, adaptive reuse and embodied carbon provide additional context, especially through the value of architectural landmarks to local identity and tourism. Small period details of street furniture and boundaries at 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG may become more significant with time, particularly following later reinterpretation. The wider setting retains connections with conservation interest, historic glazing, built heritage, period architecture, contemporary social history, cityscape history, sacred space, and church conservation. The recorded references to cathedral, College, Close, ceiling, and Interior preserve clues about how the subject was presented, used or understood at the time. The period setting at 5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. That local specificity strengthens the long-term documentary value of image 2JPH6P7.
5 College Cloisters, Cathedral Close,Hereford, Herefordshire, England, UK, HR1 2NG

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,bar,club,venue,1960,1960s,10,Liverpool,The,Cavern Club,pub,and,other,venues,neon,bright,red,famous,tourist,attraction,attractions,tourism,draw,history,John,Paul,Ringo,George,Eurovision,2023
Description: Tony Smith image Alamy 2M95NTC - . Recorded at 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is Neon sign at Cavern Walks, The Cavern Club, pub and other venues, 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE. The broader subject matter reaches into night-time economy, historical comparison, changing land use, before-and-after reference, regional identity, pub interior heritage, visitor hospitality, local produce retail, documentary photography, Trossachs tourism, visual archive, beer-led hospitality, social history, and traditional ale house. The wider contemporary story combines food inflation, hospitality costs and how food, drink and heritage combine in destination pubs. Viewed from the mid-2020s, the subject also connects with seasonality, domestic tourism and the seasonal pressure faced by tourism-dependent businesses. Future viewers can use this scene from 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE to compare local activity and public use with whatever follows after altered transport patterns. The subject also sits alongside local history, Scottish food culture, local speciality shop, tourism business, traditional pub, Highland gateway retail, Scottish visitor economy, and licensed trade. Details involving Cavern, Merseyside, Walks, Mathew, and venues make the image more specific than a generic view and strengthen its local or historical value. The wider setting at 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is food inflation and the survival of local pubs as social meeting places in a form that can be compared with future views of 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE.
10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,bar,club,venue,1960,1960s,10,Liverpool,The,Cavern Club,pub,and,other,venues,neon,bright,red,famous,tourist,attraction,attractions,tourism,draw,history,John,Paul,Ringo,George,Eurovision,2023,Eurovision2023
Description: Tony Smith image Alamy 2M95NTH - . Made at 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE in 2023, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Neon sign at Cavern Walks, The Cavern Club, pub and other venues, 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE. The locality and subject together evoke Highland gateway retail, changing land use, historical comparison, regional identity, changing streetscape, local social venue, hospitality economy, historic hostelry, community drinking venue, pub interior heritage, local history, traditional ale house, traditional pub, and visitor hospitality. Today's relevance is strengthened by pub closures, consumer spending and the continuing question of how food, drink and heritage combine in destination pubs. From a 2025-onward perspective, tourism spending and rural economy are closely linked to this subject, alongside the role of gateway towns in national-park visitor economies. The archival value lies partly in recording commercial use and occupation around 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE before replacement signage alters the character of the place. A second descriptive layer includes regional branding, Scottish visitor economy, public-house heritage, public realm, beer-led hospitality, contemporary social history, food-and-drink business, and archival record. Elements such as Mathew, other, Cavern, venues, and Liverpool add documentary specificity and may become increasingly useful when compared with later records. The period setting at 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves part of the area's social history as part of 10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE's history.
10 Mathew St, Liverpool, Merseyside, England, UK, L2 6RE

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,black,white,the,UK,England,lines,and,Victoria Station,Manchester,wrought,railway,iron,stained glass,of,tow,centre,Yorks,Yorkshire,Bettys,tea room,Spa,ornate,Victorian,history,historic,heritage,tourist,tourism,attraction,North Yorkshire,station,stations,rail,railways
Description: Tony Smith image Alamy 2JYTB6P - . Photographed at Victoria Station Manchester, England, UK in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. At the centre of the view is Victoria Station Manchester, wrought iron and stained glass mosaic of the destination Harrogate, Yorkshire - Lancs and Yorks railway. The surrounding context encompasses rail operations, place-making, mixed-use redevelopment, visual archive, changing streetscape, town-centre renewal, local character, station environment, commercial redevelopment, documentary photography, urban fabric, signal-box architecture, freight wagon, and period detail. In present-day coverage, the subject reaches into network modernisation and decarbonisation, not least because of the role of rail in lower-carbon regional transport. Today's relevance is strengthened by heritage conservation, town-centre regeneration and the continuing question of how regeneration tries to create reasons to visit traditional town centres. Small period details of period objects and surrounding context at Victoria Station Manchester, England, UK may become more significant with time, particularly following new construction. Other useful contextual ideas include period architecture, changing land use, local history, archival record, historical comparison, urban regeneration, trackside history, and civic architecture. The combination of Yorkshire, wrought, Lancs, mosaic, and Yorks anchors the frame to a recognisable activity, place or moment. For Victoria Station Manchester, England, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes network modernisation and the role of rail in lower-carbon regional transport without losing the local specificity of Victoria Station Manchester, England, UK.
Victoria Station Manchester, England, UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wales,welsh,railway,Denbighshire,heritage,The Corn Mill,river,hills,GB,great Britain,name,station,terminus,transport,Cymru,British,Railways,sightseeing,steam,tourism,tourist,attraction,visitor,platform,historical,Great Britain,railways,Dee,background,valley,railings,trust,charity,vintage,volunteer,gorsaf
Description: Tony Smith image Alamy 2JRA4FB - . This location-specific image from Llangollen, Denbighshire, Wales, UK in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The subject captured here is Llangollen heritage railway station sign on platform, with river Dee in background, Denbighshire, North Wales, UK. A broader reading of the photograph includes industrial railway, local mobility, place identity, station environment, local history, rail corridor, social history, changing land use, public transport stop, working railway heritage, before-and-after reference, historic rolling stock, rail infrastructure, and mechanical signalling. In present-day coverage, the subject reaches into railway preservation and heritage conservation, not least because of how Crewe's identity remains tied to railway engineering and operations. Today's relevance is strengthened by passenger information, accessibility and the continuing question of the challenge of maintaining reliable services outside dense urban centres. Small period details of materials and architectural details at Llangollen, Denbighshire, Wales, UK may become more significant with time, particularly following redevelopment. The wider setting retains connections with visual archive, regional identity, street-side transport, rail transport history, public realm, passenger transport, roadside transit, and contemporary social history. The recorded references to river, Wales, heritage, station, and railway preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Llangollen, Denbighshire, Wales, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene captures a point of historical comparison for later comparison. The period view preserves part of the area's social history within the wider story of Llangollen, Denbighshire, Wales, UK.
Llangollen, Denbighshire, Wales, UK

Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,2 Cecilia St,Temple Bar,Dublin 2,D02 DP62,vinyl,genre,and,Music,artists,musicians,music,song,songs,Records,trad,traditional,folky,folk,sheet music,Irish,musical,tourist,tourism,attraction,buy,share,discover,tunes,cassette,CD,cultural quarter
Description: Tony Smith image Alamy 2M84KAP - Temple Bar is an area on the south bank of the River Liffey in central Dublin, Ireland. The area is bounded by the Liffey to the north, Dame Street to the south, Westmoreland Street to the east and Fishamble Street to the west. It is promoted as Dublin's 'cultural quarter' and, as a centre of Dublin's city centre's nightlife, is a tourist destination. Temple Bar is in the Dublin 2 postal district.
Temple Bar, Dublin, Eire, Ireland

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NW1 8AF,NW1,London,for,hire,tourist,canal,barge,moored,canalside,lock,locks,busy,Camden Lock Market,market,Little Venice,trip,trips,journey,route,Jenny Wren,Canal Cruises,cruise,Little Venice trip,attraction,tourists,boat,North London,at,the,day,England,day trips
Description: Tony Smith image Alamy 2M1MCGM - . Recorded at Camden Lock, North London, England, UK, NW1 8AF in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records Milton canal barge, London Waterbus, tourist boat, moored at Camden Lock, North London, England, UK, NW1 8AF. The wider scene also brings together contemporary social history, blue-green corridor, archival record, visual archive, regional identity, changing land use, local character, public realm, inland boating, community identity, towpath landscape, managed navigation, social history, and canal infrastructure. Current relevance extends to volunteering and maintenance funding, particularly through the transition of industrial waterways toward leisure and heritage use. The archival value lies partly in recording building condition and alterations around Camden Lock, North London, England, UK, NW1 8AF before later reinterpretation alters the character of the place. The photograph additionally reflects industrial waterway history, place identity, waterborne transport, documentary photography, changing streetscape, local history, lock flight, and before-and-after reference. Elements such as Milton, canal, Waterbus, barge, and tourist add documentary specificity and may become increasingly useful when compared with later records. Around Camden Lock, North London, England, UK, NW1 8AF, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for volunteering and the cost of keeping ageing locks and canal structures operational within the specific setting of Camden Lock, North London, England, UK, NW1 8AF. Another useful connection is volunteering and how navigation heritage coexists with modern flood and environmental management as part of the longer story of Camden Lock, North London, England, UK, NW1 8AF.
Camden Lock, North London, England, UK, NW1 8AF
--Marple--Stockport--Cheshire--England--UK--SK6-5LD-2M4CAG1.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,Marple grand aquaduct,grand,river,Benjamin Outram,Thomas Brown,William Broadhead,Bethel Furness,William Anderson,canal and river trust,SK6,SK6 5LD,railway line,railway,line,rail,masonry-arch,Aqueduct,industrial archaeology,infrastructure,navigation,waterway,waterways,bridges,bridging,canals,Goyt,Marple grand Aqueduct,Marple grand Aquaduct,Greater Manchester,impressive,tourist,tourism,attraction
Description: Tony Smith image Alamy 2M4CAG1 - . Recorded at Aquaduct, Marple, Stockport, Cheshire, England, UK, SK6 5LD in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Marple grand canal aquaduct (Goyt Aquaduct), Marple, Stockport, Cheshire, England, UK, SK6 5LD. The broader subject matter reaches into visual archive, community identity, navigation engineering, social history, before-and-after reference, contemporary social history, inland navigation, archival record, changing land use, public realm, changing streetscape, local history, regional identity, and historical comparison. The modern context includes continuing discussion of navigation, maintenance funding and the cost of keeping ageing locks and canal structures operational. As a dated visual record of Aquaduct, Marple, Stockport, Cheshire, England, UK, SK6 5LD, the frame retains building condition and alterations, making it especially useful if altered transport patterns subsequently changes the scene. Further associations within the scene are documentary photography, working waterway, industrial waterway history, lock flight, period detail, everyday life, heritage boating, and place identity. The combination of Marple, grand, aquaduct, canal, and Stockport anchors the frame to a recognisable activity, place or moment. A later view of Aquaduct, Marple, Stockport, Cheshire, England, UK, SK6 5LD may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is navigation and the cost of keeping ageing locks and canal structures operational without losing the local specificity of Aquaduct, Marple, Stockport, Cheshire, England, UK, SK6 5LD. The photograph keeps part of the area's social history as a date-specific reference. The record includes details of everyday use for later comparison.
Aquaduct, Marple, Stockport, Cheshire, England, UK, SK6 5LD

Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,England,UK,L18,Penny Ln,Beatles,fab four,The Cavern,i Love John,Stuart Sutcliffe,Merseyside,art,wall,I love paul,Only you need is love,love,I love George,A place to remember,Yoko,sign,streetsign,street,pano,wide,shot,tourist,attraction,tourists,tourism,gifted,from,Liverpool City Council,visitor,centre,center,charity,history,historic
Description: Tony Smith image Alamy 2K0KX8B - Penny Lane is a song by the English rock band the Beatles that was released in February 1967 as a double A-side single with Strawberry Fields Forever. It was written primarily by Paul McCartney and credited to the Lennon“McCartney songwriting partnership. The lyrics refer to Penny Lane, a street in Liverpool, and make mention of the sights and characters that McCartney recalled from his upbringing in the city.
The Beatles began recording Penny Lane in December 1966, intending it as a song for their album Sgt. Pepper's Lonely Hearts Club Band. Instead, after it was issued as a single to satisfy record company demand for a new release, the band adhered to their policy of omitting previously released singles from their albums. The song features numerous modulations that occur mid-verse and between its choruses. Session musician David Mason played a piccolo trumpet solo for its bridge section
Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the Lennon“McCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story
Penny Lane Development Trust, 70 Penny Ln, Liverpool, Merseyside, England, UK, L18 1BW

Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,shop,store,centre,stalls,music,England,UK,M4 1PW,M4,indoor,NQ4,MCRwall,art,Afflecks,palace,Manc,Manchester City centre,Mancunian,trendy,funky,tourist,tourism,attraction,attractions,Affleck,market,vintage,unit,units,history,historic,heritage,memorabilia
Description: Tony Smith image Alamy 2JYYR69 - . An on-location photograph from 52 Church St, Manchester, England, UK, M4 1PW in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The location is represented through Afflecks #MCRwall artwork for sale,Afflecks Palace , 52 Church St, Manchester , England, UK, M4 1PW. The image also relates to visual archive, archival record, social history, ecclesiastical craftsmanship, everyday life, destination shopping, high-street commerce, independent trading, retail property, consumer retail, religious heritage, sacred decoration, community identity, and local enterprise. In present-day coverage, the subject reaches into brand consolidation and business rates, not least because of how physical retail adapts to online competition. Today's relevance is strengthened by visitor tourism, church maintenance and the continuing question of the conservation challenge of historic interiors and artwork. Future viewers can use this scene from 52 Church St, Manchester, England, UK, M4 1PW to compare period objects and surrounding context with whatever follows after new ownership. The photograph additionally reflects local character, bricks-and-mortar retail, commercial streetscape, regional identity, local history, sacred architecture, church interior, and mixed-use town centre. Elements such as artwork, Manchester, Afflecks, Palace, and MCRwall add documentary specificity and may become increasingly useful when compared with later records. Around 52 Church St, Manchester, England, UK, M4 1PW, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The wider significance includes brand consolidation and the role of markets and independent shops in keeping town centres active in a form that can be compared with future views of 52 Church St, Manchester, England, UK, M4 1PW.
52 Church St, Manchester, England, UK, M4 1PW

Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,England,UK,M4 1PW,the,12th,of,April,NQ4,There shall be art,there shall be,For all who attend,there shall be music,Afflecks,Afflecks Palace,Manc,Manchester City centre,Mancunian,trendy,funky,tourist,tourism,attraction,attractions,Affleck,market,vintage,unit,units,history,historic,heritage,memorabilia,opening,start
Description: Tony Smith image Alamy 2JYYR7R - . This scene at 52 Church St, Manchester, England, UK, M4 1PW in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The frame specifically shows Anticipate the 12th of April, Afflecks poster, 52 Church St, Manchester, England, UK, M4 1PW. The locality and subject together evoke liturgical art, historic church fabric, heritage-led regeneration, public realm, archival record, local character, changing land use, place-making, community identity, place identity, religious heritage, changing streetscape, sacred architecture, and built heritage. From a 2025-onward perspective, heritage conservation and visitor tourism are closely linked to this subject, alongside the role of parish churches in local identity and genealogy. The wider contemporary story combines housing pressure, heritage conservation and how regeneration tries to create reasons to visit traditional town centres. The image fixes materials and architectural details within 52 Church St, Manchester, England, UK, M4 1PW at one identifiable point, providing a benchmark against changed technology. The subject also sits alongside heritage worship space, urban regeneration, everyday life, ecclesiastical art, urban fabric, contemporary social history, social history, and commercial redevelopment. The recorded references to Anticipate, April, Manchester, poster, and Church preserve clues about how the subject was presented, used or understood at the time. Around 52 Church St, Manchester, England, UK, M4 1PW, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects heritage conservation and the role of parish churches in local identity and genealogy as part of the longer story of 52 Church St, Manchester, England, UK, M4 1PW.
52 Church St, Manchester, England, UK, M4 1PW

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,of,Paddys Wigwam,Mersey Funnel,archbishop,Grade II*,listed,building,architect,Taylor Woodrow,religion,brutal,L3,Cathedral House,Mount Pleasant,Liverpool,L3 5TQ,Hope Street,landmark,landmarks skyline,Eurovision,2023,RC,Roman Catholic,concrete,brutalist,architecture,Paddies Wigwam,Metropolitan,cathedrals,British,holy,tourist,attraction,tourism
Description: Tony Smith image Alamy 2M475MA - Liverpool Metropolitan Cathedral, officially known as the Metropolitan Cathedral of Christ the King[2] and locally nicknamed Paddy's Wigwam, is the seat of the Archbishop of Liverpool and the mother church of the Roman Catholic Archdiocese of Liverpool in Liverpool, England. The Grade II* Metropolitan Cathedral is one of Liverpool's many listed buildings.
The cathedral's architect, Frederick Gibberd, was the winner of a worldwide design competition. Construction began in 1962 and was completed in 1967. Earlier designs for a cathedral were proposed in 1933 and 1953, but none were completed.
The competition to design the cathedral was held in 1959. The requirement was first, for a congregation of 3,000 (which was later reduced to 2,000) to be able to see the altar, in order that they could be more involved in the celebration of the Mass, and second, for the Lutyens crypt to be incorporated in the structure. Gibberd achieved these requirements by designing a circular building with the altar at its centre, and by transforming the roof of the crypt into an elevated platform, with the cathedral standing at one end. The construction contract was let to Taylor Woodrow
The cathedral is built in concrete with a Portland stone cladding and an aluminium covering to the roof. Its plan is circular, having a diameter of 195 feet (59 m), with 13 chapels around its perimeter. The shape of the cathedral is conical, and it is surmounted by a tower in the shape of a truncated cone. The building is supported by 16 boomerang-shaped concrete trusses which are held together by two ring beams, one at the bends of the trusses and the other at their tops. Flying buttresses are attached to the trusses, giving the cathedral its tent-like appearance. Rising from the upper ring beam is a lantern tower, containing windows of stained glass, and at its peak is a crown of pinnacles.
The entrance is at the top of a wide flight of steps leading up from Hope Street.
Cathedral House, Mount Pleasant, Liverpool, Merseyside, England, UK, L3 5TQ

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,bar,Railway Hotel Pub,Railway hotel,logo,design,Nantwich,etched,window,with Greenalls,Wilderspool Ales & Stout,brewing,brewery,Wilderspool,Ales & Stout,Wildeerspool Warrington,brewers,Greenall Whitley,Messrs. Greenall,Whitley & Co,ltd,limited,heritage,Victorian,blue sky,blue skies,town,town centre,interesting,tourist,tourism,attraction,attractions
Description: Tony Smith image Alamy 2JNN53T - . An on-location photograph from the recorded location in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is Railway Hotel Pub, Nantwich etched with Greenalls Wilderspool Ales & Stout and logo from Warrington, Cheshire, England, UK. The locality and subject together evoke beverage production, community identity, local history, archival record, public realm, changing land use, place identity, bottle-filling machinery, industrial beverage equipment, cider brand history, social history, drinks packaging, documentary photography, and changing streetscape. From a 2025-onward perspective, responsible drinking and manufacturing automation are closely linked to this subject, alongside how bottling technology transformed large-scale drinks manufacturing. The archival value lies partly in recording local activity and public use around the recorded location before replacement signage alters the character of the place. The surrounding story also includes everyday life, contemporary social history, Herefordshire cider tradition, regional identity, period detail, visual archive, historic beverage advertising, and before-and-after reference. References to Greenalls, Wilderspool, Hotel, etched, and Stout give the picture a strong period identity and tie it closely to its named subject. The subject itself supplies the location context here: Railway Hotel Pub, Nantwich etched with Greenalls Wilderspool Ales & Stout and logo from is preserved in image 2JNN53T as a dated piece of material, social or visual history. The setting also helps illustrate responsible drinking and how historic drinks advertising and machinery become industrial heritage within the specific setting of the recorded location. The image also provides a reference for tourism and Herefordshire's long association with commercial cider production as part of the longer story of the recorded location.

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,bar,Railway Hotel Pub,Railway hotel,logo,design,Nantwich,etched,window,with Greenalls,Wilderspool Ales & Stout,brewing,brewery,Wilderspool,Ales & Stout,Wildeerspool Warrington,brewers,Greenall Whitley,Messrs. Greenall,Whitley & Co,ltd,limited,heritage,Victorian,blue sky,blue skies,town,town centre,interesting,tourist,tourism,attraction,attractions
Description: Tony Smith image Alamy 2JNN53W - . An on-location photograph from the recorded location in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The defining feature is Railway Hotel Pub, Nantwich etched with Greenalls Wilderspool Ales & Stout and logo from Warrington, Cheshire, England, UK. The broader subject matter reaches into historical comparison, cider brand history, contemporary social history, archival record, bottling technology, drinks manufacturing, social history, regional drinks industry, visual archive, public realm, changing streetscape, bottle-filling machinery, orchard-to-bottle industry, and factory bottling line. Viewed from the mid-2020s, the subject also connects with regional food heritage, brand heritage and the relationship between orchard agriculture, regional identity and branded cider. The archival value lies partly in recording local activity and public use around the recorded location before altered transport patterns alters the character of the place. The surrounding story also includes cider-making heritage, period detail, fermented drink production, local history, community identity, industrial beverage equipment, Herefordshire cider tradition, and documentary photography. Details involving Hotel, Stout, Nantwich, Railway, and etched make the image more specific than a generic view and strengthen its local or historical value. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is regional food heritage and the relationship between orchard agriculture, regional identity and branded cider when considered against later change at the recorded location. The wider significance includes alcohol duty and how bottling technology transformed large-scale drinks manufacturing without losing the local specificity of the recorded location.

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,butter market,market,councillor George Powell,100th,unveiled,14th March 1961,HR1,brown,thriving,indoor,retail,shopping,clock tower,Maylord Street.,history,heritage,old,interesting,tourist,tourism,travel,attraction,attractions,trail,walking,city centre,past,city of Hereford,mayors,committees,markets,buttermarket,buttermarkets
Description: Tony Smith image Alamy 2M07AGW - . This scene at High Town, Hereford, England, UK, HR1 2AA in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is City of Hereford, market plaque, One hundredth anniversary, 1860 1960, Market Hall, High Town, Hereford, England, UK, HR1 2AA. Further facets of the scene include period detail, music memorial, local character, contemporary social history, documentary photography, social history, regional music heritage, community tribute, commemorative plaque, archival record, local history, memorial culture, regional identity, and music-scene memorial. In present-day coverage, the subject reaches into venue closures and nightlife history, not least because of how public plaques turn personal remembrance into shared cultural memory. As a dated visual record of High Town, Hereford, England, UK, HR1 2AA, the frame retains building condition and alterations, making it especially useful if redevelopment subsequently changes the scene. The subject also sits alongside historical comparison, visual archive, place-based commemoration, public realm, club-music history, changing land use, changing streetscape, and before-and-after reference. The recorded references to hundredth, plaque, Hereford, anniversary, and market preserve clues about how the subject was presented, used or understood at the time. A later view of High Town, Hereford, England, UK, HR1 2AA may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for venue closures and how public plaques turn personal remembrance into shared cultural memory in a form that can be compared with future views of High Town, Hereford, England, UK, HR1 2AA. The scene captures a local visual benchmark as a date-specific reference.
High Town, Hereford, England, UK, HR1 2AA

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Herefordshire,dedicated,to,dated,historic,source,Yorkshire,the,Old,in,Owen Street,Owen,St,antique,artifact,English,England,carved,carving,cabinet,history,heritage,old,interesting,tourist,tourism,travel,attraction,attractions,trail,walking,city centre,past
Description: Tony Smith image Alamy 2M07AGX - Court Cupboard, dedicated to Charles Brookes dated 1638, it came from the Old Manor House, in owen Street, Hereford, but may have been made in Yorkshire.
Carved panel shows an armourer working on a helmet
From the Black and White House Museum, Hereford
Hereford city centre , Herefordshire, England, UK, HR1

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,WA13 0AG,WBC,Borough Council,ward,constituency,Tatton Ward,Limme,Lymm South ward,Lymm North and Thelwall ward,twinned with,Meung-sur-Loire,centre,Candy Cabs,National Heritage List for England,grade I,pedimented,gable,ball finials,stone,ball,We are a Shadow,Save Time,Think of the Last,village,tourist,tourism,attraction,attractive,English,British,festivals,event,events
Description: Tony Smith image Alamy 2JHPYE0 - Lymm Cross is in the village of Lymm, Warrington, Cheshire, England. It is recorded in the National Heritage List for England as a designated Grade I listed building.
The cross dates from the early to mid-17th century and was restored in 1897. It is constructed of sandstone and stands on an artificially stepped natural outcrop of red sandstone. Its shaft stands in a square pavilion of red sandstone with square corner pillars. It has a stone roof with a pedimented gable to each face and ball finials. Above the cross is an extension which carries a stone ball and an ornate weather vane. On the east, south and west gables are bronze sundials of 1897 carrying the inscriptions We are a Shadow, Save Time and Think of the Last.
The adjacent stocks are separately Grade II listed.
Lymm village centre,South Warrington, Cheshire, England, WA13

Description
Keywords: Hotpixuk,England,@Hotpixuk,UK,GB,Great Britain,GoTonySmith,Cheshire,Historic lamp at 1A and 3 Lymm Bridge,Bridgewater Canal,Lymm,Warrington,WA13,cottage,light,listed building,historic,1A and 3 Lymm Bridge,1A Lymm bridge,3 Lymm Bridge,bridge cottage,bridge cottages,1733,heritage,1227226,history,the,Lymm village,village,villages,south Warrington,tourist,attraction,attractions,old,ancient,evening
Description: Tony Smith image Alamy 2DCE9WC - SJ 68 NE LYMM C.P. LYMM BRIDGE
2/58 Nos. lA and 3
GV II
2 houses (originally 1) 1733, altered. Brick with stone dressings
grey slate roof, 2 storeys, 3 windows, originally symmetrical. Flush stone plinth. Boarded door in moulded stone case with keystone inscribed JHG 1733 in projecting letters. Projecting stone band at 1st floor, 2-light casements in projecting moulded stone architraves. Middle upper window bricked up with architraves, cill and mullion retained. Ridge chimney and flush gable chimney. Doorway to No.lA inserted immediately left of door to No.3. Left lower window (now to No.lA) replaced by late C20 bow window of similar size. Attached to No.1 Lymm Bridge. Interior not inspected.
Listing NGR: SJ6832787340
Lymm Bridge cottages, Bridgewater Canal, Lymm,Warrington,Cheshire, England,UK,WA13

Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,Wales,Welsh,coast,coastal,town,United Kingdom,GB,small house,attraction,the quay,minuscule home,minuscule,home,homes,small houses,smallest house in the United Kingdom,Robert Jones,tour,tours,Y Tŷ Lleiaf ym Mhrydain Fawr,10 Lower Gate St,Conwy LL32 8BE,LL32,Lower Gate Street,LL32 8BE,Gwynedd,Conway,River Conwy Quay,north Wales,Cymru,port,centre,tourist,tourism,attractions
Description: Tony Smith image Alamy 2DD8H58 - The Smallest House in Great Britain (Welsh: Y Tŷ Lleiaf ym Mhrydain Fawr), also known as the Quay House, is a tourist attraction on the quay in Conwy, Wales. It is reputed to be smallest house in the United Kingdom.
The minuscule home was created in the 16th century and remained in use until 1900, when the tenant was a 6-foot-3-inch (1.91 m) fisherman named Robert Jones. The rooms were too small for him to stand up in fully and he was eventually forced to move out when the council declared the house unfit for human habitation, along with a number of properties. The house is still owned by his descendants, having been passed to female relatives since Robert's sons showed a lack of interest in the business.
After some persuasion by the then editor of the North Wales Weekly News, Roger Dawson (the owner) and the editor toured the United Kingdom in order to declare the house The Smallest House in Great Britain, a status that was later confirmed by the Guinness Book of Records.
The house has a floor area of 3.05 by 1.8 metres (10.0 by 5.9 ft) and is painted red. It stands near the Conwy Castle walls. The ground floor is devoted to the living area with room for coal and an open fire, and a water tap tucked behind the stairs. The upstairs holds the cramped bedroom, which also comes with a small niche for storage.
10 Lower Gate St, Conwy,Wales,UK, LL32 8BE

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Cheshire,UK,Church street Tarvin,Church St Tarvin,building,grade II,grade2,Tarvin,history,historic,dwelling,British,English,black,white,timber,timbered,summer,blue sky,14th Century,architectural,architecture,details,detail,north west,Northwest,villages,village,GB,Great Britain,tourist,tourism,attraction
Description: Tony Smith image Alamy 2C6RE6M - This originated as the wing of a farmhouse, later converted into a separate house. In the 19th century alterations were made, including an extension to the rear. The house is timber-framed with brick nogging on a stone plinth, the extension being in brick. The roof is in Welsh slate. It has two storeys and an attic, with a one-bay front under a gable facing the street. The upper storeys are slightly jettied
Church Street, Tarvin, Chester,Cheshire, England, UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Cheshire,UK,Tarvin,building,Anglican,red sandstone,red,christian,sandstone,church,tower,Anglican parish church,Tarvin St Andrews Church and Tudor Church House,Tarvin Village,Tarvin St Andrews,Church,Tudor,Church House,Village,history,historic,heritage,old,town,centre,ornate,lane,road,pandemic,buildings,architecture,quaint,tourist,tourism,attraction
Description: Tony Smith image Alamy 2C6RE6R - . This scene at Tarvin, Cheshire, England, UK documents an everyday subject with wider connections to local identity, social history and changing patterns of use. The defining feature is Tarvin St Andrews Church and Tudor Church House, Tarvin Village, Cheshire, England, UK. Further connections within the scene include conservation architecture, urban change, period building, visual archive, cityscape history, traditional masonry, social landscape, place identity, before-and-after reference, contemporary history, historic streetscape, architectural character, built heritage, and heritage landmark. The present-day relevance extends to planning control and maintenance, while a wider concern is keeping older buildings useful without erasing their character. The photograph fixes transport arrangements and public activity within Tarvin, Cheshire, England, UK at one identifiable point, providing a benchmark against changed technology. The surrounding context includes documentary photography, everyday Britain, period detail, historic townscape, community identity, urban fabric, archival record, and changing streetscape. Details involving Village, Church, Tudor, Andrews, and Tarvin make the image more specific than a generic illustration and strengthen its local or historical value. For Tarvin, Cheshire, England, UK, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The wider significance includes planning control and keeping older buildings useful without erasing their character within the specific setting of Tarvin, Cheshire, England, UK. Another strand within the photograph is adaptive reuse and keeping older buildings useful without erasing their character as part of the longer story of Tarvin, Cheshire, England, UK. The frame therefore remains a dated reference for Tarvin, Cheshire, England, UK and the changing story of the subject shown.
Tarvin, Cheshire, England, UK

Description
Keywords: @Hotpixuk,HotpixUK,GoTonySmith,UK,England,W1J,line,Immortality Perfection Righteousness Wisdom,London,Pick,underground station,Frank,station,tube,tube station,public subway,sign,underground,Outside,Piccadilly Circus tube station,Bakerloo line,Piccadilly line,Visitor Centre,West end,Bakerloo,Outside Piccadilly Circus,tube station entrance,Piccadilly,Westend,W1J 9HP,West End,the,busy,crowded,crowds,tourist,tourists,attraction
Description: Tony Smith image Alamy 2AE02FE - . Made at West End, London,England,UK, W1J 9HP in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The principal point of reference is Outside Piccadilly Circus tube station,Bakerloo line,Piccadilly line,Visitor Centre,West end, London, England,UK. The surrounding context brings together regional rail, historical comparison, local history, everyday life, railway heritage, rail corridor, station environment, public information notice, public realm, public transport network, railway branding, safety messaging, instructional sign, and passenger railway. Viewed from the mid-2020s, the subject sits within continuing debate about reliability, fares and preserving railway heritage while modernising the network. The present-day relevance extends to liability and venue policy, while a wider concern is the balance between access, safety and venue responsibility. For local-history research, the scene keeps a record of period details that may disappear after redevelopment or refurbishment in the immediate surroundings of West End, London,England,UK, W1J 9HP. A second layer of the scene includes operational signage, visitor instruction, visual regulation, venue rules, changing streetscape, historic context, transport interchange, and behavioural signage. The combination of Outside, Piccadilly, London, station, and Centre anchors the image to a recognisable activity, place or moment. A later view of West End, London,England,UK, W1J 9HP may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of reliability and preserving railway heritage while modernising the network without losing the local specificity of West End, London,England,UK, W1J 9HP. The scene captures details of everyday use for future local research.
West End, London,England,UK, W1J 9HP

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Cheshire,UK,building,grade II,grade2,Church street Tarvin,Church St Tarvin,Tarvin,history,historic,dwelling,British,English,black,white,timber,timbered,summer,blue sky,14th Century,architectural,architecture,details,detail,north west,Northwest,villages,village,GB,Great Britain,tourist,tourism,attraction
Description: Tony Smith image Alamy 2C6RE6K - Formerly parlour wing of farmhouse, now a house: mid-late C16, chimney inserted 1658 with C19 extension to rear and alterations. Timber-framed with brick nogging on stone plinth. Brick extension to rear. Welsh slate roof and a lateral ashlar stack contained within the house with 2 diamond brick stacks. 2-storey and attic, 1-bay front under gable. Slight jetties at 1st and 2nd floor with ovolo moulded tiebeams. Ground storey has an inserted 12-pane window into a line of studs, a line of chevrons and at the top a pair of blocked 4-light wood mullioned windows. First storey has a C20 steel casement above the original sill. There is a line of quartrefoils, a line of chevron and 2 similar mullioned windows. Gable rebuilt in brick with black painted timbers and a small pane window. Panelling to the side is undecorated except for some chevron work. Inserted door and windows. Interior: Two rooms in each floor in old part. Main room has corner fireplace with moulded stone fireplace, damaged by insertion of brick and cast-iron grate. 2 corbels help carry exposed joists
ovolo-moulded ceiling beam. Room to rear has cast-iron fireplace and an heraldic plaster panel with the date 1658. Main room upstairs has good moulded sandstone fireplace and moulded stone mantelshelf with gilded plaster devices above. Ovolo-moulded ceiling beam. Roof trusses of tiebeam, 2 diagonal struts and short collars.
Church Street, Tarvin, Cheshire, England, UK, CH3 8EB

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,pub,bar,at dusk,nighttime,night time,evening,festive,village,Grappenhall,Warrington,Cheshire,England,UK,Bellhouse,club,community centre,pub sign,parish,council,Grappenhall & Thelwall,Grappenhall and Thelwall,Grappenhall Thelwall,parish council,Xmas tree,Christmas tree,tree lights,lights,Xmas lights,Christmas Lights,Gropenhale,tourist,tourism,attraction,villages,WA4 2SG,WA4,GYCA
Description: Tony Smith image Alamy 2AFFNXK - . Made at Grappenhall Youth & Community Centre, Bellhouse Ln, Grappenhall, Warrington, Cheshire, England, UK, in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The photograph records The Bellhouse club bar,at Christmas,Bellhouse Lane,Grappenhall Village,Warrington,Cheshire,England,UK, WA4 2SG. Other connected aspects include political communication, hand-pulled beer, independent brewing, constituency politics, social history, historic context, beer judging, historical comparison, beer tourism, party-political communication, community drinking venue, electoral messaging, community identity, and beer festival scene. In the mid-2020s, hospitality costs and beer duty keep the subject current, particularly through the tension between heritage drinking culture and changing consumer habits. The subject remains useful for current coverage of electoral accountability and government priorities, not least because of showing how national debate reaches local places. As a dated visual record, the view documents small features of identity that written records may overlook in this part of Grappenhall Youth & Community Centre, Bellhouse Ln, Grappenhall, Warrington, Cheshire, England, UK,. Further connections include documentary photography, period detail, licensed trade, licensed hospitality, public administration, brewing heritage, beer appreciation, and everyday life. Details involving Grappenhall, Bellhouse, Village, Christmas, and Warrington give the scene useful specificity and strengthen its local, cultural or historical identity. By fixing the subject within Grappenhall Youth & Community Centre, Bellhouse Ln, Grappenhall, Warrington, Cheshire, England, UK,, the image preserves more than the headline object or building: it records part of the locality's everyday history.
Grappenhall Youth & Community Centre, Bellhouse Ln, Grappenhall, Warrington, Cheshire, England, UK,

Description
Keywords: Glasgow,city,centre,gotonysmith,stairs,arts,artscentre,center,11,Mitchell Ln,Scotland,UK,G1 3NU,G1,the,building,architecture,stair,spiral,Glasgow City Council,GCG,Centre for Design and Architecture,Scotlands,offices,Glasgow Herald newspaper.,trust,Mackintosh Tower,tower,helical,tourist,attraction,tourism,view,viewpoint,1895,architect Charles Rennie Mackintosh,1880s,1800s
Description: Tony Smith image Alamy HKHWCP - The Lighthouse in Glasgow is Scotland's Centre for Design and Architecture. It was opened as part of Glasgow's status as the UK City of Architecture and Design in 1999.
The Lighthouse is the renamed conversion of the former offices of the Glasgow Herald newspaper. Completed in 1895, it was designed by the architect Charles Rennie Mackintosh. The centre's vision is to develop the links between design, architecture, and the creative industries, seeing these as interconnected social, educational, economic and cultural issues of concern to everyone.
The Lighthouse today
The Lighthouse Trust went into administration in August 2009. At its peak the Lighthouse Trust employed around 90 staff. Its directors moved on: Nick Barley became director of the Edinburgh International Book Festival. Following a substantial redundancy programme the remaining staff were transferred to Architecture and Design Scotland (A+DS) and Glasgow City Council (GCC). The Lighthouse building remains in the ownership of Glasgow City Council, which has made financial provision to meet the costs of operating the centre, re-establishing it as Scotland's National Centre for Architecture and Design
11 Mitchell Ln, Glasgow, Scotland, UK, G1 3NU

Description
Keywords: Tower,of,Greater,London,England,UK,installation,art,moat,between,July,and,November,2014,commemorating,the,centenary,of,the,outbreak,of,World,War,I,one,ceramic,poppies,888,246,British,or,Colonial,serviceman,killed,in,the,War,Paul,Cummings,Cummins,Tom,Piper,attraction,2014,tourist,tourism,red,flower,Gotonysmith,first,line,of,a,poem,by,an,unknown,World,War,I,soldier,pool,of,blood,which,appeared,to,be,pouring,out,of,a,bastion,window,(the,Buy,Pictures,of,Buy Images Of,Weeping,Window,remembrance,respect,ex-serviceman,ex-servicemen,flowers,summer,autumn,sun,sky,blue,bluesky,detail,of,mud,grass,,,
Description: Tony Smith image Alamy EC2T0X - Blood Swept Lands and Seas of Red was a work of installation art placed in the moat of the Tower of London, England, between July and November 2014, commemorating the centenary of the outbreak of World War I.
It consisted of 888,246 ceramic red poppies, each intended to represent one British or Colonial serviceman killed in the War. The artist was Paul Cummins, with setting by stage designer Tom Piper. The work's title was taken from the first line of a poem by an unknown World War I soldier.
The installation was visited by the Princes William and Harry and the Duchess of Cambridge on the day of its opening, and by the Queen and Duke of Edinburgh on 16 October. It is estimated that five million people saw the memorial, and the huge visitor demand saw Prime Minister David Cameron and other politicians join calls to try and extend the period for which the installation remained at the Tower so that more visitors would be able to pay their respects.
Tower officials resisted such calls, stating that the transience of the installation was a key part of the artistic concept, and that the poppies would be removed as planned and distributed to their purchasers. On 8 November it was announced that the Wave segment “ a steel construction with poppies around the Tower entrance “ would remain in place until the end of the month, and that the Wave and the Weeping Window segments (both made by the Theatre Royal, Plymouth) would be taken on a tour of the UK lasting until 2018, and would then go on permanent display at the Imperial War Museums in London and Manchester.
Tower Hill, London, England UK

Description
Keywords: UK,charter,back,end,in,GB,great,britain,British,English,EU,Fishing,quota,Brexit,freedom,British,waters,territory,territorial,rights,borders,border,sovereignty,territorial waters,Gotonysmith,Buy Pictures of,Buy Images Of,rear,of,a,ship,Farne Islands,Boat Trips,trip,trips,tourist,tourism,attraction
Description: Tony Smith image Alamy E6JB5R - . Golden Gate fishing boat and Farne Islands Boat Trips, at Seahouses, NE England Northumberland, UK. Photographed at Seahouses, NE England, Great Britain. The photograph was taken on 08 August 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Golden Gate fishing boat at Seahouses, NE England, port, harbour, fish, fishing, trip, trips, Northumberland and charter, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is a documentary record of an identifiable subject and location, useful for editorial, archive, travel, local-history and social-history picture research. It can support features about everyday life, place, public space, local identity, tourism, consumer behaviour and the changing appearance of towns, cities and communities. Visible objects, signs, buildings and environmental details provide contextual clues that make the image useful beyond its immediate subject. As a dated stock photograph it also offers a reference point for later comparison, especially where businesses, streets, public services or local surroundings subsequently change. Search themes include documentary photography, local history, everyday life, place, public space, travel, community identity, social history and changing surroundings. Its specificity makes it more useful than a generic concept image when an editor needs a recognisable real-world subject and setting. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Seahouses, NE England, Great Britain

Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,flowers,garden,gardens,Victorian,Aylesbury Vale,Aylesbury,Neo-Renaissance style,tourist,attraction,Rothschild,Rothschilds,Rothschild Foundation,Gabriel-Hippolyte Destailleur,wine
Description: Tony Smith image Alamy DD4J46 - Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. It is located in the Aylesbury Vale, 6.6 miles (10.6 km) west of Aylesbury. The Grade I listed house was built in the Neo-Renaissance style of a French château between 1874 and 1889 for Baron Ferdinand de Rothschild (1839“1898) as a weekend residence for grand entertaining and as a setting for his collection. The last member of the Rothschild family to own Waddesdon was James de Rothschild (1878“1957).
It is now managed by the Rothschild Foundation chaired by Jacob Rothschild, 4th Baron Rothschild. It has over 467,000 visitors annually.Waddesdon Manor won Visit England's Large Visitor Attraction of the Year category in 2017.
Waddesdon Manor, Bicester Rd, Aylesbury, Buckinghamshire, England , UK HP18 0JH

Description
Keywords: Bronze,metal,people,children,Jew,flee,fascism,London,Hope,gateway,Nazi,persecution,Meisler,EC2,iconic,tourist,attraction,Hope Sq,Association of Jewish Refugees,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H2MCM4 - Hope Square, dedicated to the Children of the Kindertransport, who found hope and safety in Britain through the gateway of Liverpool Street Station.
Association of Jewish Refugees, Central British Fund for World Jewish Relief, 2006.
Children of the Kindertransport
In gratitude to the people of Britain for saving the lives of 10,000 unaccompied mainly Jewish children who fled from Nazi persecution in 1938 and 1939.
Whosoever rescues a single soul is credited as thought they had saved the whole world. Talmud
{To the sides of the statues are 16 bronze blocks carry place-names:}
Cologne, Hanover, Nuremberg, Stuttgart, Dusseldorf, Frankfurt, Bremen, Munich, Danzig, Breslau, Prague, Hamburg, Mannheim, Leipzig, Berlin, Vienna
{On a plaque attached to the railway track behind the statues:}
Frank Meisler, Arie Ovadia, 2006
Hope Square,London, England, UK EC2

Description
Keywords: attraction,slide,slides,dusk,at,St,Andrew,Square,Xmas,festival,moving,merry,go,around,Edinburghs,sign,saying,please,buy,carousel,tickets,at,the,box,office,moving,movement,Tourist,tourism,fun,track,things,to,see,do,GotonySmith,Go Tony Smith,GoTonySmith,capital,holiday spending
Description: Tony Smith image Alamy ED4M0E - Traditional fairground attractions, Carousel, at Night at Edinburgh's Hogmanay, Scotland , UK gives a direct editorial record of a recognisable subject, with location, signage, architecture or everyday behaviour carrying much of the meaning. A carousel at Edinburgh's Hogmanay brings together winter light, fairground nostalgia, tourism and one of Scotland's most commercially important public celebrations. The subject suits features on seasonal events, family entertainment, city-centre crowd management, night photography, visitor spending and the blend of tradition and spectacle in New Year celebrations. Seasonal references, artificial light and winter atmosphere make it especially relevant to December and New Year picture needs. The location detail, Edinburgh, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. For buyers, the strength lies in the combination of a named subject, a lived-in setting and enough visual specificity to carry stories about how places are used, remembered, funded, visited or contested.
St Andrew Square, Edinburgh, Scotland, UK




