Search full image library
Enter words, names or reference numbers. This opens Alamy results in a new tab.
Other languages and quick categories
Search HotpixUK images in Spanish, French, German, Italian, or English. Use the dropdown for shortcuts.
Search Tavern in other languages
Search All in French
FR Tavern,
Search All German
DE Tavern,
Search All Italian
IT Tavern,
Search All Spanish
ES Tavern,
Back to all images preview
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Ireland,BT49,41-43,BT49 0EP,pubs,bar,bars,old,the,historic,inn,tavern,food,drinking,in,County Londonderry,County Derry,MY,Danny Boy,The Pipes,The Pints,Roe,Valley,RoeValley,Corner Bar,front,outside,exterior,local,community,produce,Danny Mullens Corner Bar,Danny Mullens,Ulster,St Patricks Day
Description: Tony Smith image Alamy 2RBN9FF - . The Market Yard bar,41-43 Main St, Limavady, County Derry, Northern Ireland, UK, BT49 0EP. Photographed on 21 June 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 41-43 Main St, Limavady, County Londonderry, Northern Ireland, UK, BT49 0EP, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, BT49, 41-43, BT49 0EP, pubs, bar, bars, old, historic, inn, tavern, food, providing natural SEO coverage without losing the specific documentary identity of the photograph. The retail context supports editorial themes around high streets, shopping centres, consumer behaviour, independent and chain businesses, store branding, commercial property, hospitality and the changing economics of town and city centres. Shopfronts, promotional material, prices, signage and surrounding public space can become valuable historical evidence as businesses close, rebrand, relocate or adapt to online competition and changing consumer demand. The subject has strong relevance to British pub and beer culture, licensed premises, hospitality, brewing, cask ale, consumer leisure and the continuing role of pubs as social meeting places. It is suitable for coverage of the licensed trade, independent and managed pubs, brewery branding, CAMRA and real-ale culture, hospitality economics, changing drinking habits and the condition of the UK pub sector. Food and drink content broadens the image's relevance to eating out, grocery retail, hospitality, pricing, consumer choice, local food culture and the commercial presentation of meals, ingredients or products. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
41-43 Main St, Limavady, County Londonderry, Northern Ireland, UK, BT49 0EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,A,the,&,pint,and,a,pies,perfect,liquid,lunch,on,snack,snacks,British,English,Welsh,Scottish,England,UK,Scotland,Wales,great Britain,Wigan,food,grub,tavern,inn,bitter,beer,stout,porter,ale,real,CAMRA,hotpix.org.uk,beers,brewing
Description: Tony Smith image Alamy 2M7XFE1 - A traditional British pie is served on a white plate beside a pint of real ale in a pub, with low sunlight shining through the amber beer and across the polished wooden table. The image captures a classic pub moment, combining savoury comfort food, cask ale culture, beer drinking, lunch, leisure and the social atmosphere of a traditional British public house. It is a useful editorial stock photograph for stories about CAMRA, real ale, pub food, independent breweries, beer festivals, British cuisine, hospitality, town pubs, country pubs and the continuing cultural importance of the local. The pie's glossy crust, the deep colour of the ale, the coaster, dark pub interior and warm evening light create a nostalgic and appetising scene without needing visible customers or staff. The photograph can illustrate debates about the survival of pubs, rising hospitality costs, beer duty, food inflation, changing drinking habits, cask ale sales, brewery closures and the pressure on community pubs. It also works well for lighter features on pie and pint offers, pub lunches, traditional snacks, regional food, tourism, weekend breaks, walking routes, real ale trails and the simple pleasure of stopping for food and a proper beer. The CAMRA reference gives the image extra relevance for buyers looking for authentic British beer culture rather than generic bar imagery, especially where cask-conditioned ale, hand-pulled beer, pub heritage and consumer choice are part of the story. The strong sunburst through the pint gives visual drama, while the food and drink remain clearly identifiable. As a documentary lifestyle image, it records an everyday but culturally loaded British pub scene, where beer, food, friendship, local identity and licensed premises all meet around a small table.
United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,pub,bar,36 Charles St,England,UK,M1 7DB,tavern,36,Ale,real,historic,history,landmark,Irish,Scottish,grade II,building,Lass-O-Gowrie,Ales and Stout,tiles,tiled,exterior,outside,ales,stout,dusk,at,evening,classic,stouts,ale,windows,night,hotpix.org.uk,Campaign for Real Ale,CAMRA
Description: Tony Smith image Alamy 2M69CA3 - Sitting sweetly on the bank of the River Medlock, just up the road from Oxford Road, the Lass O' Gowrie is an ancient and venerable Irish (but originally Scottish) pub and Manchester landmark, appearing on maps as early as 1844, back when it stood next to the Garratt Cotton Mill. Back then it was surrounded by hardcore slums which are now modern housing for a modern Manchester.
Complete with original tilework and fittings, the Lass sees a cheerful and diverse crowd on Fridays and Saturdays. It's very popular for post-work drinks or as a staging post on your way to Canal Street or the Northern Quarter.
One of the Lass O' Gowrie's unique features is its balcony-based smoking area, built out over the river below (and well-secured with high walls, so don't worry about stumbling). There's something very special about this particular slice of the city, with the Kimpton Clocktower Hotel off to the north, the opposite balcony of Joshua Brooks just to your east, and the pleasant sounds of the River Medlock filling the evening.
What's on the tap? Well, first and foremost the answer is Guinness, and that's what we recommend to be in keeping with the theme. But you should also check out the various craft beers on the list, like Tollgate Brewery's Belmorado pale ale. Guest beers circulate through the tap month by month, so there's always something new to try. The Lass O' Gowrie can also offer a selection of jolly bar snacks for all you pork scratching aficionados out there.
Listing NGR: SJ8431397523 - As it's surrounded by exciting developments like Circle Square, the Lass O' Gowrie caters to a diverse crowd of students, professionals, and tourists, so whoever you are, you're bound to find a warm welcome in the pub's surprisingly large interior.
36 Charles St, Manchester, England, UK, M1 7DB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Yorkshire,England,UK,40,York,YO1 8AS,Ye,The,old,star,Inn,pub,bar,CAMRA,beer,real,ale,building,licence,licensed,premises,public house,tavern,taverns,inns,Greene King,1644,English Civil War,hospital,mortuary,black cats,soldiers
Description: Tony Smith image Alamy 2KF7FB4 - Ye Olde Starre Inne is a pub in the city centre of York, in England. The main block of the pub is a timber-framed structure, constructed in the mid-16th century, and a wing to its left was added in about 1600. By 1644, it was an inn named The Starre, the buildings lying at the back of a coaching yard, off the north side of Stonegate. This makes it the pub in York which can demonstrate the earliest date for its licence. After the Battle of Marston Moor the inn was used as a hospital for wounded soldiers.
Pub sign across Stonegate
In 1662, the pub was sold for £250, and in 1683, Edward Thompson inherited it. In 1733, the pub's landlord was Thomas Bulman, and he signed an agreement with the owners of two shops on Stonegate that he could attach a sign to their premises, to hang across the street. A sign advertising the pub has hung across the street ever since.
The pub was extended in the early-18th century. In the 1840s, with the coming of the railway, the coaching yard was infilled with a new building, and the pub is now approached via a passageway underneath part of this building. Stables lay behind the pub and could be accessed from Duncombe Place, making the pub a popular location for visiting actors and circus performers.
In the late-19th century, the pub was again extended, at which time, it was known as Boddy's Inn. Surviving internal features include an early-18th century staircase, some 17th-century panelling, and an assortment of benches, glass and panelling from the 19th-century refit. Its former bar screen, of stained glass, probably dates from the 1890s and is believed to have been designed by J. W. Knowles & Co. who were based at 35 Stonegate.
In 1954, the pub was grade II listed
40 Stonegate, York, Yorkshire, England, UK, YO1 8AS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Yorkshire,England,UK,40,York,YO1 8AS,Ye,The,old,star,Inn,pub,bar,CAMRA,beer,real,ale,building,licence,licensed,premises,public house,tavern,taverns,inns,Greene King,1644,English Civil War,hospital,mortuary,black cats,soldiers,Campaign for Real Ale
Description: Tony Smith image Alamy 2KF7FB7 - Ye Olde Starre Inne is a pub in the city centre of York, in England. The main block of the pub is a timber-framed structure, constructed in the mid-16th century, and a wing to its left was added in about 1600. By 1644, it was an inn named The Starre, the buildings lying at the back of a coaching yard, off the north side of Stonegate. This makes it the pub in York which can demonstrate the earliest date for its licence. After the Battle of Marston Moor the inn was used as a hospital for wounded soldiers.
Pub sign across Stonegate
In 1662, the pub was sold for £250, and in 1683, Edward Thompson inherited it. In 1733, the pub's landlord was Thomas Bulman, and he signed an agreement with the owners of two shops on Stonegate that he could attach a sign to their premises, to hang across the street. A sign advertising the pub has hung across the street ever since.
The pub was extended in the early-18th century. In the 1840s, with the coming of the railway, the coaching yard was infilled with a new building, and the pub is now approached via a passageway underneath part of this building. Stables lay behind the pub and could be accessed from Duncombe Place, making the pub a popular location for visiting actors and circus performers.
In the late-19th century, the pub was again extended, at which time, it was known as Boddy's Inn. Surviving internal features include an early-18th century staircase, some 17th-century panelling, and an assortment of benches, glass and panelling from the 19th-century refit. Its former bar screen, of stained glass, probably dates from the 1890s and is believed to have been designed by J. W. Knowles & Co. who were based at 35 Stonegate.
In 1954, the pub was grade II listed
40 Stonegate, York, Yorkshire, England, UK, YO1 8AS
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,beer,beers,ale,ales,real ale,Dont forget to ask for,historic,history,English,pub,bar,public house,the,Albion,Tavern,Ales,BW,black & white,sign,signage,private,car park,car parking,for,customers,motor,motors,only,at,owners,risk,olden,days
Description: Tony Smith image Alamy 2JPB8PJ - . An on-location photograph from Chipping Norton, West Oxfordshire, England, UK, OX7 5NA in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The photograph centres on Historic English public house, the Albion Tavern, Hook Norton Ales sign - Private pull in, for customers motors only, at owners risk. The surrounding context encompasses regional identity, local-history evidence, archival record, decorative metalwork, navigation aid, community identity, place identity, everyday life, transport stop marker, historic inscription, wayfinding marker, instructional sign, historic artefact, and changing streetscape. In present-day coverage, the subject reaches into craftsmanship and object conservation, not least because of how everyday objects can survive as evidence of earlier work and domestic life. Today's relevance is strengthened by inclusive design, maintenance and the continuing question of how small pieces of street furniture become recognisable parts of local identity. As a dated visual record of Chipping Norton, West Oxfordshire, England, UK, OX7 5NA, the frame retains street furniture and boundaries, making it especially useful if new construction subsequently changes the scene. The subject also sits alongside contemporary social history, commemorative object, heritage interpretation, local history, before-and-after reference, antique object, roadside information, and commemorative plaque. The combination of English, public, owners, Private, and Norton anchors the frame to a recognisable activity, place or moment. A later view of Chipping Norton, West Oxfordshire, England, UK, OX7 5NA may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene captures a local visual benchmark for later comparison. Image 2JPB8PJ also remains a dated record of Chipping Norton, West Oxfordshire, England, UK, OX7 5NA.
Chipping Norton, West Oxfordshire, England, UK, OX7 5NA
Description
Keywords: HotpixUK,GoTonySmith,beer,beers,ale,ales,real ale,Dont forget to ask for,Hook,Norton,Ales,classic,pub,signs,sign,Oxfordshire,craft,bar,pubs,bars,the,Albion,Tavern,private,pull,in,park,for,customer,customers,motors,cars,vehicles,only,ay,owners,risk,notice,traditional,Campaign for Real Ale
Description: Tony Smith image Alamy 2JPB8PK - . A grounded documentary photograph made at the recorded location in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents The Albion Tavern - Hook Norton Ales classic pub sign, Oxfordshire craft ales, Hook Norton, Banbury, Oxen, England, UK, OX15 5NY. Another layer of the photograph includes before-and-after reference, visitor guidance, wayfinding marker, navigation aid, local information board, route marker, cider brand history, period detail, cider-making heritage, orientation signage, everyday life, local history, contemporary social history, and place identity. Current relevance extends to responsible drinking and packaging, particularly through the relationship between orchard agriculture, regional identity and branded cider. In present-day coverage, the subject reaches into navigation and clear communication, not least because of how small pieces of street furniture become recognisable parts of local identity. The image fixes local activity and public use within the recorded location at one identifiable point, providing a benchmark against closure or conversion. The wider setting retains connections with orchard-to-bottle industry, directional sign, public-facing notice, changing land use, factory bottling line, historical comparison, regional drinks industry, and community identity. The combination of Banbury, craft, classic, Albion, and Oxfordshire anchors the frame to a recognisable activity, place or moment. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects responsible drinking and the relationship between orchard agriculture, regional identity and branded cider within the real-world context of the recorded location. The frame retains a point of historical comparison before later change alters the scene.
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,West End,England,UK,W1,Greater,W1F 9TP,the,pubs,bars,Victorian,old,building,buildings,theatreland,SOHO,classic,English,capital,central London,Zone One,hospitality,entertainment,entertaining,leisure,fun,theatres,cities,city,streets,features,tavern,dining,upstairs
Description: Tony Smith image Alamy 2JJYRER - . This location-specific image from 64 Brewer St, Greater, London , England, UK, W1F 9TP in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The photograph centres on The Crown, a Nicholsons pub, Lower James Street, Soho , London, England, UK. The wider scene also brings together casual dining, hospitality venue, local history, contemporary city life, social history, contemporary social history, independent food retail, licensed hospitality, townscape record, visual archive, public realm, local identity, food-and-drink business, and place identity. Viewed from the mid-2020s, the subject also connects with business rates, food inflation and the role of restaurants and bars in visitor-led regeneration. The modern context includes continuing discussion of transport, street safety and how regeneration alters the character of familiar places. For later comparison, the photograph preserves commercial use and occupation at 64 Brewer St, Greater, London , England, UK, W1F 9TP, details that may look very different after altered transport patterns. A second descriptive layer includes city-centre activity, restaurant culture, food tourism, before-and-after reference, community life, visitor economy, community identity, and urban social history. The recorded references to James, Lower, Nicholsons, and Crown preserve clues about how the subject was presented, used or understood at the time. The wider setting at 64 Brewer St, Greater, London , England, UK, W1F 9TP matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to business rates and the role of restaurants and bars in visitor-led regeneration without losing the local specificity of 64 Brewer St, Greater, London , England, UK, W1F 9TP. It also preserves a point of historical comparison as a date-specific reference.
64 Brewer St, Greater, London , England, UK, W1F 9TP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,W9,London,England,UK,W9 3NX,next,to,the,kayak,summer,punters,drinkers,real ale,real,ale,ales,garden,beer garden,crowd,crowded,crowds,canalside,canals,canal,pub,pubs,bar,bars,support,craft,tavern,blue,The Union
Description: Tony Smith image Alamy 2M0F6JW - . This scene at 32-34 Great Western Road, Maida Vale, London, England, UK, W9 3NX in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is The Union Tavern, Westbourne Park, next to the Grand Union canal, 32-34 Great Western Road, Maida Vale, London, England, UK, W9 3NX. The broader subject matter reaches into local history, social history, passenger information, historical comparison, blue-green corridor, public-transport wayfinding, surface public transport, community identity, visual archive, archival record, regional identity, inland boating, period detail, and bus route infrastructure. From a 2025-onward perspective, biodiversity and flood resilience are closely linked to this subject, alongside the role of canals as blue-green corridors for people and wildlife. The wider contemporary story combines service frequency, bus funding and the role of bus stops as the physical interface between passengers and the network. Future viewers can use this scene from 32-34 Great Western Road, Maida Vale, London, England, UK, W9 3NX to compare materials and architectural details with whatever follows after altered transport patterns. The location also brings in local character, canal infrastructure, towpath landscape, navigation engineering, managed navigation, public transport stop, place identity, and heritage boating. The recorded references to Westbourne, Grand, Western, Union, and canal preserve clues about how the subject was presented, used or understood at the time. Around 32-34 Great Western Road, Maida Vale, London, England, UK, W9 3NX, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The view records a point of historical comparison as a date-specific reference.
32-34 Great Western Road, Maida Vale, London, England, UK, W9 3NX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,W9,London,England,UK,W9 3NX,next,to,the,kayak,summer,punters,drinkers,real ale,real,ale,ales,garden,beer garden,crowd,crowded,crowds,canalside,canals,canal,pub,pubs,bar,bars,support,craft,tavern,blue,The Union
Description: Tony Smith image Alamy 2M0F6K0 - . This dated editorial view of 32-34 Great Western Road, Maida Vale, London, England, UK, W9 3NX in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The scene records The Union Tavern, Westbourne Park, next to the Grand Union canal, 32-34 Great Western Road, Maida Vale, London, England, UK, W9 3NX. The broader subject matter reaches into changing streetscape, local bus network, contemporary social history, local mobility, local history, lock flight, inland navigation, community identity, blue-green corridor, working waterway, historical comparison, roadside transit, archival record, and navigation engineering. The wider contemporary story combines flood resilience, volunteering and the cost of keeping ageing locks and canal structures operational. Viewed from the mid-2020s, the subject also connects with accessibility, passenger information and the importance of buses for access to work, education and healthcare. For later comparison, the photograph preserves lettering, decoration and surface detail at 32-34 Great Western Road, Maida Vale, London, England, UK, W9 3NX, details that may look very different after new ownership. The subject also sits alongside place identity, passenger transport, street-side transport, before-and-after reference, transport accessibility, canal heritage, documentary photography, and towpath landscape. The recorded references to Grand, canal, 32-34, Maida, and Western preserve clues about how the subject was presented, used or understood at the time. A later view of 32-34 Great Western Road, Maida Vale, London, England, UK, W9 3NX may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image fixes evidence of earlier appearance before later change alters the scene. It also preserves period character as a date-specific reference.
32-34 Great Western Road, Maida Vale, London, England, UK, W9 3NX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,Cheshire,England,UK,WA4 2SU,the,pub,pubs,bar,bars,Punch,at,historic,history,timber,frame,framed,17th,century,coaching,inn,and called it Thelwall,city,Founded a city,here and called it Thelwall,called it Thelwall,night,night time,evening,Bell Ln,traditional country pub,tavern,punch taverns,ornate,inscription,outside,exterior
Description: Tony Smith image Alamy 2JD0MH1 - . This location-specific image from Bell Ln, Thelwall village, Warrington, Cheshire, England, UK, WA4 2SU in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The scene records The Pickering Arms 17th c pub at dusk, Bell Lane, Thelwall village, Warrington, Cheshire, England, UK, WA4 2SU. The image also relates to public realm, changing streetscape, street-level documentary, urban change, food tourism, documentary photography, archival record, city-centre activity, restaurant culture, contemporary city life, townscape record, social history, before-and-after reference, and visual archive. In present-day coverage, the subject reaches into staffing pressure and commercial rents, not least because of how food and drink help define neighbourhood identity. Today's relevance is strengthened by community use, regeneration and the continuing question of the relationship between public space and local social life. Small period details of transport arrangements and footfall at Bell Ln, Thelwall village, Warrington, Cheshire, England, UK, WA4 2SU may become more significant with time, particularly following altered transport patterns. The subject also sits alongside local dining scene, commercial hospitality, community identity, contemporary social history, leisure spending, place identity, pedestrian environment, and everyday street life. References to Thelwall, Pickering, and village give the picture a strong period identity and tie it closely to its named subject. The period setting at Bell Ln, Thelwall village, Warrington, Cheshire, England, UK, WA4 2SU helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene captures a trace of local identity as a date-specific reference. The period view preserves a local visual benchmark for later comparison.
Bell Ln, Thelwall village, Warrington, Cheshire, England, UK, WA4 2SU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city centre,Merseyside,England,UK,Levelling up,Northern Powerhouse,L2 2BP,L2,67 Moorfields,Liverpool,windows,bar,bars,pubs,Liverpools,in,the,Lion,tavern,Inn,classic,etched,glass,newspaper,papers,room,history,heritage,inside,gold,letters,lettering,ornate
Description: Tony Smith image Alamy 2JDDRCT - . An on-location photograph from 67 Moorfields, Liverpool, Merseyside, England, UK, L2 2BP in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The scene records Liverpool's Lion Tavern pub in Moorfields, News Room etched glass, city centre, Merseyside, England, UK, L2 2BP. Further facets of the scene include visual archive, restaurant culture, heritage asset, visitor economy, local history, changing land use, leisure spending, local character, historic townscape, architectural character, independent food retail, everyday life, changing streetscape, and documentary photography. In present-day coverage, the subject reaches into local identity and heritage conservation, not least because of keeping older structures useful without erasing their character. Today's relevance is strengthened by food inflation, commercial rents and the continuing question of how food and drink help define neighbourhood identity. Small period details of equipment and working practice at 67 Moorfields, Liverpool, Merseyside, England, UK, L2 2BP may become more significant with time, particularly following replacement signage. The subject also sits alongside local dining scene, heritage landmark, historic frontage, conservation architecture, built heritage, food tourism, historical comparison, and traditional structure. The recorded references to centre, Liverpool's, glass, etched, and Tavern preserve clues about how the subject was presented, used or understood at the time. A later view of 67 Moorfields, Liverpool, Merseyside, England, UK, L2 2BP may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes local identity and keeping older structures useful without erasing their character without losing the local specificity of 67 Moorfields, Liverpool, Merseyside, England, UK, L2 2BP.
67 Moorfields, Liverpool, Merseyside, England, UK, L2 2BP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,village,Warrington,Cheshire,Pickering,Arms,pub,bar,Pickerings Arms,Pick,Founded a city,here,here and called it Thelwall,called it Thelwall,night,nighttime,night time,evening,Bell Ln,traditional country pub,traditional British pub,historic pub,historic,tavern,frame,timber,inscription,ornate,punch taverns,at,outside,exterior,the
Description: Tony Smith image Alamy 2D2373Y - . An on-location editorial image made at 1 Bell Lane, Thelwall, Warrington,Cheshire,England, UK, WA4 2SU, showing a subject whose wider significance extends beyond the immediate scene. The defining feature is Pickerings Arms at dusk, 1 Bell Lane, Thelwall, Warrington,Cheshire,England, UK, WA4 2SU. The locality and subject together evoke architectural character, period detail, social history, architectural contrast, place identity, everyday Britain, traditional masonry, built environment, documentary photography, period building, built heritage, visual archive, cityscape history, and conservation architecture. Current discussion around this subject increasingly includes adaptive reuse alongside embodied carbon, with particular attention to the contrast between historic fabric and modern development. For later comparison, the photograph preserves ownership and occupation at 1 Bell Lane, Thelwall, Warrington,Cheshire,England, UK, WA4 2SU, details that may look very different after changing public expectations. A second layer of the scene includes local history, changing streetscape, heritage landmark, urban change, historical comparison, conservation interest, before-and-after reference, and social landscape. The recorded references to Thelwall and Pickerings preserve clues that can help identify how the subject was presented or used at the time. The period setting at 1 Bell Lane, Thelwall, Warrington,Cheshire,England, UK, WA4 2SU helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects adaptive reuse and preserving local identity during urban change in a form that can be compared with future views of 1 Bell Lane, Thelwall, Warrington,Cheshire,England, UK, WA4 2SU. Its period value extends to planning control and preserving local identity during urban change within the real-world context of 1 Bell Lane, Thelwall, Warrington,Cheshire,England, UK, WA4 2SU.
1 Bell Lane, Thelwall, Warrington,Cheshire,England, UK, WA4 2SU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,pub,bar,Cheshire pubs,cobbled,Grappenhall,Village,RamsHead,night,lit,at night,building,Church Lane,South warrington,blue sky,Xmas,christmas,North West England,drinking,Punch,tavern,taverns,WA4,Grappenhall village,Warrington,Cheshire,England,UK,WA4 3EP,benches,seating,beer,garden,beer garden,front,Rams Head Inn,crest of,the Leghs of Lyme
Description: Tony Smith image Alamy 2AF3NY0 - . This documentary view of Church Ln, Grappenhall, Warrington, Cheshire, England, WA4 3EP in 2019 captures the subject within its actual surroundings, preserving a dated piece of visual history rather than an isolated object study. The location is represented through Rams Head pub, cobbled Church Lane, Grappenhall village, Warrington, Cheshire, England, UK, WA4 3EP,. Other connected aspects include cask-beer tradition, beer festival scene, contemporary social history, architectural detailing, real-ale culture, cityscape history, changing land use, historic frontage, historic commercial architecture, beer appreciation, local history, traditional masonry, festival bar service, and adaptive reuse. The present-day relevance extends to business rates and changing drinking habits, while a wider concern is the survival of community pubs. Current discussion around this subject increasingly includes heritage conservation alongside adaptive reuse, with particular attention to the contrast between preservation and redevelopment. As a dated visual record, the frame records period details that may disappear after redevelopment or refurbishment within Church Ln, Grappenhall, Warrington, Cheshire, England, WA4 3EP. The setting also brings in everyday life, beer judging, historic townscape, community identity, licensed trade, independent brewing, drinks hospitality, and licensed hospitality. Elements such as Church, cobbled, village, Grappenhall, and Warrington add documentary specificity and may become more useful when compared with later records. A later view of Church Ln, Grappenhall, Warrington, Cheshire, England, WA4 3EP may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to business rates and the survival of community pubs in a form that can be compared with future views of Church Ln, Grappenhall, Warrington, Cheshire, England, WA4 3EP.
Church Ln, Grappenhall, Warrington, Cheshire, England, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,pub,bar,Cheshire pubs,cobbled,Grappenhall,Village,RamsHead,night,lit,at night,building,Church Lane,South warrington,blue sky,Xmas,christmas,North West England,drinking,Punch,tavern,taverns,WA4,Grappenhall village,Warrington,Cheshire,England,UK,WA4 3EP,benches,seating,beer,garden,beer garden,front,Rams Head Inn,hotpix.org.uk
Description: Tony Smith image Alamy 2AF3NY3 - . This period scene at Church Ln, Grappenhall, Warrington, Cheshire, England, WA4 3EP in 2019 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. The view centres on Rams Head pub, cobbled Church Lane, Grappenhall village, Warrington, Cheshire, England, UK, WA4 3EP,. The surrounding context brings together archival record, public realm, adaptive reuse, licensed hospitality, beer tourism, community drinking venue, before-and-after reference, festival bar service, hand-pulled beer, brewing heritage, documentary photography, drinks hospitality, urban fabric, and conservation architecture. Current discussion around this subject increasingly includes staffing pressure alongside business rates, with particular attention to the survival of community pubs. From a 2025-onward perspective, the scene also connects with heritage conservation, adaptive reuse and keeping older buildings useful without erasing their character. For retrospective editorial use, the scene fixes evidence of how the subject fitted into ordinary life at Church Ln, Grappenhall, Warrington, Cheshire, England, WA4 3EP. The surrounding context also covers heritage asset, beer festival scene, conservation interest, beer appreciation, everyday life, historic frontage, built heritage, and period detail. Elements such as Grappenhall, Church, Warrington, village, and cobbled add documentary specificity and may become more useful when compared with later records. By fixing the subject within Church Ln, Grappenhall, Warrington, Cheshire, England, WA4 3EP, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene further reflects staffing pressure and the survival of community pubs as part of the longer story of Church Ln, Grappenhall, Warrington, Cheshire, England, WA4 3EP. That local specificity strengthens the long-term documentary value of image 2AF3NY3.
Church Ln, Grappenhall, Warrington, Cheshire, England, WA4 3EP
Description
Keywords: @HotpixUk,HotpixUK,GoTonySmith,pub,bar,at dusk,night,night time,Cheshire,England,UK,winter,warm,16th century,16th,century,history,historic,tavern,taverns,inn,inns,Inglenook Inns & Taverns,Ingle nook,illuminated,timber frame,timberframe,dusk,evening,December,inviting,Inglenook,Inn,Tavern,pubs,bars,front,outside,exterior
Description: Tony Smith image Alamy 2AFFRBK - . An authentic period view of the recorded location in 2019, showing a subject whose value extends beyond the immediate scene into local history and changing social context. The scene shows The Pickering Arms, a 16th cent Village pub, Thelwall, Warrington, Cheshire, England, UK, at night. A broader reading of the scene brings in beer tourism, brewing heritage, contemporary social history, changing land use, local history, period detail, adaptive reuse, regional identity, cityscape history, conservation interest, conservation architecture, licensed trade, historic townscape, and beer festival scene. For contemporary context, staffing pressure and business rates are closely related themes, especially where the issue becomes the survival of community pubs. Viewed from the mid-2020s, the subject sits within continuing debate about embodied carbon, heritage conservation and keeping older buildings useful without erasing their character. As a dated visual record, the scene keeps a record of the relationship between the subject and its surroundings in the immediate surroundings of the recorded location. The subject sits alongside built heritage, period building, local character, visual archive, architectural character, community identity, beer judging, and urban fabric. Elements such as Pickering, Warrington, Village, Thelwall, and night add documentary specificity and may become more useful when compared with later records. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is staffing pressure and the survival of community pubs without losing the local specificity of the recorded location. The wider significance includes planning control and the contrast between preservation and redevelopment in a form that can be compared with future views of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M1,pub,bar,The Circus,England,M1 4GX,outside exterior,Teltley,Tetley pub,city centre,with,Historic Pub Interiors,Heritage Inn,Inn,Tetley Heritage inn,Manchester Circus,cosy,tiny,CAMRA,real ale,beer,ale,house,alehouse,Madchester,small,smallest,tavern,pubs,bars,Tetley,Tetleys,Portland Street,Portland St,Campaign for Real Ale
Description: Tony Smith image Alamy 2ADR2A3 - . Made at 86 Portland St, Manchester,England, UK, M1 4GX in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The image documents The Circus Tavern pub, 86 Portland St, Manchester, England, M1 4GX - Smallest pub in Europe, outside exterior. The setting also relates to licensed hospitality, British brewing tradition, beer appreciation, conservation architecture, traditional masonry, regional identity, community drinking venue, drinks hospitality, changing streetscape, period detail, changing land use, everyday life, local character, and conservation interest. Viewed from the mid-2020s, the subject sits within continuing debate about consumer spending, hospitality costs and the economics of beer festivals and licensed venues. The present-day relevance extends to redevelopment pressure and energy retrofit, while a wider concern is keeping older buildings useful without erasing their character. As a documentary source, the scene keeps a record of small features of identity that written records may overlook as seen at 86 Portland St, Manchester,England, UK, M1 4GX. A second layer of the scene includes social drinking culture, licensed trade, hand-pulled beer, historic frontage, historic context, historic commercial architecture, heritage asset, and cask-beer tradition. Details involving Tavern, Circus, Europe, Portland, and Smallest give the scene useful specificity and strengthen its local, cultural or historical identity. For 86 Portland St, Manchester,England, UK, M1 4GX, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of consumer spending and the survival of community pubs as part of the longer story of 86 Portland St, Manchester,England, UK, M1 4GX.
86 Portland St, Manchester,England, UK, M1 4GX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,M1,pub,bar,The Circus,England,M1 4GX,outside exterior,Teltley,Tetley pub,city centre,with,Historic Pub Interiors,Heritage Inn,Inn,Tetley Heritage inn,Manchester Circus,cosy,tiny,CAMRA,real ale,beer,ale,house,alehouse,small,smallest,pubs,bars,Circus,tavern,in,the,world
Description: Tony Smith image Alamy 2ADR2A5 - . This documentary view of 86 Portland St, Manchester,England, UK, M1 4GX in 2019 captures the subject within its actual surroundings, preserving a dated piece of visual history rather than an isolated object study. The photograph records The Circus Tavern pub, 86 Portland St, Manchester, England, M1 4GX - Smallest pub in Europe, outside exterior. The frame also contains themes of licensed hospitality, heritage asset, changing streetscape, beer festival scene, period building, social history, conservation architecture, changing land use, before-and-after reference, beer tourism, period detail, traditional masonry, community identity, and local history. From a 2025-onward perspective, the scene also connects with staffing pressure, consumer spending and the tension between heritage drinking culture and changing consumer habits. In the mid-2020s, historic townscape and maintenance costs keep the subject current, particularly through the role of distinctive architecture in local identity. For local-history research, the scene fixes small features of identity that written records may overlook within the setting of 86 Portland St, Manchester,England, UK, M1 4GX. A second layer of the scene includes architectural character, everyday life, British brewing tradition, festival bar service, archival record, contemporary social history, cityscape history, and historic context. The recorded references to outside, Portland, Smallest, Tavern, and exterior preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within 86 Portland St, Manchester,England, UK, M1 4GX, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another useful connection is staffing pressure and the cultural role of real ale and regional brewing without losing the local specificity of 86 Portland St, Manchester,England, UK, M1 4GX.
86 Portland St, Manchester,England, UK, M1 4GX
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,@HotpixUk,ale,beer,Tavern,Manchester,customers,men,man,blokes,inside,interior,The Circus,city centre,smallest public house,smallest,1790,Grade II building,Grade II,building,Tetley,Tetleys,historic,oldest pubs in Manchester,oldest pub in Manchester,drinkers,drinker,men in a pub,man in a pub,BW,Black and White,Monochrome,bitter,lager,pints,on a table,round
Description: Tony Smith image Alamy 2AFFFEM - . Recorded at the recorded location in 2019, the image fixes a particular place, use and appearance for later comparison as buildings, businesses, signs and public activity change. The subject recorded here is Enjoying a pint,at the Circus Tavern, Portland Street, Manchester, smallest public house in the city,1790, A Tetley pub. The frame also contains themes of beer tourism, public realm, heritage asset, conservation architecture, community identity, community drinking venue, conservation interest, adaptive reuse, regional identity, social drinking culture, period building, licensed hospitality, place identity, and period detail. Today's wider story includes consumer spending, business rates and the practical question of the cultural role of real ale and regional brewing. For contemporary context, maintenance costs and historic townscape are closely related themes, especially where the issue becomes keeping older buildings useful without erasing their character. For retrospective editorial use, the frame preserves small features of identity that written records may overlook in the immediate surroundings of the recorded location. Other useful associations include before-and-after reference, historic context, traditional masonry, social history, local history, heritage landmark, changing land use, and real-ale culture. Elements such as Enjoying, Portland, Tavern, Circus, and house add documentary specificity and may become more useful when compared with later records. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The wider significance includes consumer spending and the cultural role of real ale and regional brewing as part of the longer story of the recorded location. The record includes part of the area's social history for later comparison. The frame retains details of everyday use within the wider story of the recorded location.
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,@HotpixUk,ale,beer,Tavern,Manchester,customers,men,man,blokes,inside,interior,The Circus,city centre,smallest public house,smallest,1790,Grade II building,Grade II,building,Tetley,Tetleys,historic,oldest pubs in Manchester,oldest pub in Manchester,drinkers,drinker,men in a pub,man in a pub,bitter,lager,pints,on a table,round,86 Portland St,M1 4GX,M1
Description: Tony Smith image Alamy 2AFFFER - . A grounded documentary photograph made at 86 Portland St, Manchester M1 4GX in 2019, preserving the main subject alongside smaller details that may become more historically useful with time. The main subject is Enjoying a pint,at the Circus Tavern, Portland Street, Manchester, smallest public house in the city,1790, A Tetley pub. The setting also relates to cityscape history, before-and-after reference, historic frontage, festival bar service, historic commercial architecture, archival record, social drinking culture, pub trade, public realm, drinks hospitality, heritage landmark, community drinking venue, built heritage, and historic townscape. From a 2025-onward perspective, the scene also connects with changing drinking habits, staffing pressure and the cultural role of real ale and regional brewing. In the mid-2020s, historic townscape and adaptive reuse keep the subject current, particularly through keeping older buildings useful without erasing their character. For retrospective editorial use, the frame preserves the relationship between the subject and its surroundings in this part of 86 Portland St, Manchester M1 4GX. Further connections include changing land use, real-ale culture, conservation interest, documentary photography, licensed trade, licensed hospitality, place identity, and community identity. Details involving Tetley, Circus, house, smallest, and Enjoying give the scene useful specificity and strengthen its local, cultural or historical identity. For 86 Portland St, Manchester M1 4GX, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another useful connection is changing drinking habits and the cultural role of real ale and regional brewing when considered against later change at 86 Portland St, Manchester M1 4GX. The frame retains a point of historical comparison as a date-specific reference.
86 Portland St, Manchester M1 4GX
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,@HotpixUk,ale,beer,Tavern,Manchester,customers,men,man,blokes,inside,interior,The Circus,city centre,smallest public house,smallest,1790,Grade II building,Grade II,building,Tetley,Tetleys,historic,oldest pubs in Manchester,oldest pub in Manchester,drinkers,drinker,men in a pub,man in a pub,BW,Black and White,Monochrome,bitter,lager,pints,on a table,round
Description: Tony Smith image Alamy 2AFFFFX - . Recorded at the recorded location in 2019, the image fixes a particular place, use and appearance for later comparison as buildings, businesses, signs and public activity change. The view centres on Enjoying a pint,at the Circus Tavern, Portland Street, Manchester, smallest public house in the city,1790, A Tetley pub. The locality and subject together evoke community drinking venue, conservation architecture, conservation interest, historic commercial architecture, historical comparison, period building, social history, beer tourism, architectural character, changing streetscape, British brewing tradition, hand-pulled beer, public realm, and heritage asset. Current discussion around this subject increasingly includes independent brewing alongside beer duty, with particular attention to the cultural role of real ale and regional brewing. From a 2025-onward perspective, the scene also connects with adaptive reuse, maintenance costs and keeping older buildings useful without erasing their character. Looking back from the mid-2020s, the image captures the relationship between the subject and its surroundings around the recorded location. The photograph additionally reflects local character, visual archive, historic context, pub trade, historic frontage, beer festival scene, traditional masonry, and community identity. Elements such as Tavern, public, smallest, Portland, and Tetley add documentary specificity and may become more useful when compared with later records. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects independent brewing and the tension between heritage drinking culture and changing consumer habits within the specific setting of the recorded location. The view records evidence of earlier appearance before later change alters the scene.
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,red,flag,flags,Irish Whiskey,live music daily,Guinness,sign
Description: Tony Smith image Alamy 2M84JTN - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,distillery,malts,distilling,store,Whisky,malt
Description: Tony Smith image Alamy 2M84JTY - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,fun,funtimes,fun times
Description: Tony Smith image Alamy 2M84JW7 - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,distillery,store,Whisky,malt,malts,distilling,St Patricks Day
Description: Tony Smith image Alamy 2M84K28 - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,Guinness,emperor of malted liquors,judge,pouring,malted,liquors,stout,painting,old
Description: Tony Smith image Alamy 2M84K29 - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,barrel,fine smoking,tobacco,Guinness
Description: Tony Smith image Alamy 2M84K2D - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,sign,live music,outside,external,exterior,St Patricks Day
Description: Tony Smith image Alamy 2M84K2G - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,range,Dubliner,authentic,boozer,premises,tourist,D02 N725,tavern,Dubliners,Irish,Est1840,icon,tourism,legendary,47-48 Temple Bar,Whiskey,cultural,trade mark,drinking,beer,venue,Dublin 2,pub,inn,garden,history,heritage,mosaic,floor,at,tiles,yellow,red,St Patricks Day
Description: Tony Smith image Alamy 2M84K2K - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,couple,lovers,man,woman,pair,drinkers,St Patricks Day,dating
Description: Tony Smith image Alamy 2M84K6W - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,Guinness,tap,harp,named,pour,dispenser,signed
Description: Tony Smith image Alamy 2M84KA2 - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,bar,pub,drinking,Inn,tavern,The,24,25,24 - 25,flowers,tourist,attraction,pints,Guinness,alcohol,social,beer,ale,craic,Dub,district,public house,entertainment,live,street,St Patricks Day,Dublins,bars,pubs,ornate,watering holes
Description: Tony Smith image Alamy 2M8BNW6 - . An identifiable period record of the recorded location in 2019, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The photograph centres on The Auld Dubliner bar, 24 - 25 Temple Bar District, Dublin, Eire, Ireland. The frame also records themes of fruit-topped cereal, period detail, archival record, licensed hospitality, changing streetscape, visitor hospitality, hospitality economy, public realm, breakfast nutrition, traditional ale house, healthy breakfast, licensed trade, local history, and community drinking venue. Today's relevance is strengthened by food inflation, staffing pressure and the continuing question of how food, drink and heritage combine in destination pubs. From a 2025-onward perspective, healthy eating and nutrition are closely linked to this subject, alongside the continuing debate over what constitutes a healthy everyday breakfast. Small period details of local activity and public use at the recorded location may become more significant with time, particularly following new ownership. The location also brings in local social venue, traditional pub, public-house heritage, community identity, everyday nutrition, nutrient-rich breakfast, morning meal, and pub interior heritage. Elements such as Temple, Dublin, District, Dubliner, and Ireland add documentary specificity and may become increasingly useful when compared with later records. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of food inflation and pressure on hospitality margins in a high-cost economy within the real-world context of the recorded location. A further contemporary connection is cost of living and how fruit and whole grains fit dietary guidance around fibre and micronutrients within the specific setting of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Dublin,Eire,Irish,bar,flowers,flower,on,the,front,outside,exterior,classic,Dublin bar,2 Suffolk St,Dublin 2,D02 KX03,M.J.ONeills,city,centre,central,restaurant,building,architecture,tavern,Hogan,Brothers,Church Lane,William Butler,published,Volunteers Journal,Fabians,iron,three-dials,clock
Description: Tony Smith image Alamy 2M8DJFN - M.J.O'Neill's is a notable bar and restaurant in central Dublin. It has occupied 2 Suffolk Street and adjacent buildings, continuing round the corner into Church Lane. It is claimed there has been a tavern on the site for some three hundred years. From 1875 it was owned by the Hogan Brothers, until M.J. O'Neill bought and renamed the premises in August 1927.The part in Church Lane was the site of a printing house, where William Butler published The Volunteers Journal and the Irish Herald in 1783, and in 1789 Arthur O'Connor published The Press, supporting Wolfe Tone's republican views.
The corner structure is an impressive four-storey, vaguely of the Arts and Crafts Movement, red-brick and early twentieth century, with prominent Tudor-style projecting bay windows. There is a fine decorated iron three-dials clock on the Suffolk Street frontage. The building is protected and in a conservation area. Now, opposite the Dublin Tourist Centre, it is a fixture on the tourist trail and pub crawls.The house has a mixed clientele.
It is directly opposite Andrew Street Post Office, and near the shopping centre of Grafton Street. The discreet Church Lane door is convenient for the Bank of Ireland and other financial establishments in College Green. It is also the pub nearest to the Front Gate of Trinity College, Dublin and therefore attracting Arts undergraduates and academics. The original structure was divided into definite areas: a cocktail bar in the corner for the gentry, a public bar off Suffolk Street, and a back bar. In recent years the next-door premises in Church Lane have been added, as a carvery, and the interior has been opened up. A small snug, immediately inside the Church Lane entrance, was the significant venue for the Fabians of the early 1960s and for later left-wing students from Trinity College, Dublin.
2 Suffolk Street, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Ireland,Dublin,Eire,Irish,bar,flowers,flower,on,the,front,outside,exterior,classic,Dublin bar,2 Suffolk St,Dublin 2,D02 KX03,M.J.ONeills,city,centre,central,restaurant,building,architecture,tavern,Hogan,Brothers,Church Lane,William Butler,published,Volunteers Journal,Fabians,iron,three-dials,clock
Description: Tony Smith image Alamy 2M8DJJD - M.J.O'Neill's is a notable bar and restaurant in central Dublin. It has occupied 2 Suffolk Street and adjacent buildings, continuing round the corner into Church Lane. It is claimed there has been a tavern on the site for some three hundred years. From 1875 it was owned by the Hogan Brothers, until M.J. O'Neill bought and renamed the premises in August 1927.The part in Church Lane was the site of a printing house, where William Butler published The Volunteers Journal and the Irish Herald in 1783, and in 1789 Arthur O'Connor published The Press, supporting Wolfe Tone's republican views.
The corner structure is an impressive four-storey, vaguely of the Arts and Crafts Movement, red-brick and early twentieth century, with prominent Tudor-style projecting bay windows. There is a fine decorated iron three-dials clock on the Suffolk Street frontage. The building is protected and in a conservation area. Now, opposite the Dublin Tourist Centre, it is a fixture on the tourist trail and pub crawls.The house has a mixed clientele.
It is directly opposite Andrew Street Post Office, and near the shopping centre of Grafton Street. The discreet Church Lane door is convenient for the Bank of Ireland and other financial establishments in College Green. It is also the pub nearest to the Front Gate of Trinity College, Dublin and therefore attracting Arts undergraduates and academics. The original structure was divided into definite areas: a cocktail bar in the corner for the gentry, a public bar off Suffolk Street, and a back bar. In recent years the next-door premises in Church Lane have been added, as a carvery, and the interior has been opened up. A small snug, immediately inside the Church Lane entrance, was the significant venue for the Fabians of the early 1960s and for later left-wing students from Trinity College, Dublin.
2 Suffolk Street, Dublin 2, D02 KX03, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,the,Dame,tavern,Inn,D02 W683,republicans,flags,bunting,outside,pub,bar,P. H. PFarse,Eamonn Ceannt,James Connolly,Joseph Plunkett,Thomas J. Clarke,Sean Mac Diarmada,Thomas MacDonagh,POBLACHT NA H EIREANN,The Provisional Government,IRISH REPUBLIC,To The People of Ireland,the Dame Tavern,famous,iconic,classic,tourist,tourism,attraction,bars,pubs
Description: Tony Smith image Alamy 2MCGA3H - Irishmen and Irishwomen: In the name of God and in the dead generations from which she receives her old tradition of nationhood , Ireland, through us, summons her children to her flag and strikes for her freedom.
Having organised and trained her manhood through her secret revolutionary organisation, the Irish Republican Brotherhood, and through her open military organisations, the Irish Volunteers and the Irish Citizen Army, having patiently perfected her discipline, having resolutely waited for the right moment to reveal itself, she now seizes that moment, and, supported by her exiled children in America and by gallant allies in Europe, but relying in the first on her own strenght, she strikes in full confidence of victory.
We declare the right of the people of Ireland to the ownership of Ireland and to unfettered control of Irish destinies, to be sovereign and indefeasible. The long usurpation of that right by a foreign people and government has not extinguished the right, nor can it ever be extinguished except by the destruction of the Irish people. In every generation the Irish people have asserted the right to national freedom and sovereingty: six times during the past three hundred years they have asserted it in arms. Standing on that fundamental right and again asserting it in arms in the face of the world, we hereby proclaim the Irish Republic as a Sovereign Independent State, and we pledge our lives and the lives of our comrades-in-arms to the cause of its freedom, of its welfare, and of its exaltation among the nations.
The Irish Republic is entitled to, and hereby claims, the allegiance of every Irishman and Irishwoman. The Republic guarantees religious and eivil liberty, equal rights and equal opportunities to all its citizens, and declares its resolve to persue the happyness and prosperity of the whole nation and of all its parts, cherishing all the children of the nation equally, and oblivious of the differences carefully fostered by an alien govt
18 Dame Ct, Dublin 2, D02 W683, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Eire,Ireland,the,Dame,tavern,Inn,D02 W683,republicans,flags,bunting,outside,pub,bar,P. H. PFarse,Eamonn Ceannt,James Connolly,Joseph Plunkett,Thomas J. Clarke,Sean Mac Diarmada,Thomas MacDonagh,POBLACHT NA H EIREANN,The Provisional Government,IRISH REPUBLIC,To The People of Ireland,the Dame Tavern,famous,iconic,classic,tourist,tourism,attraction,bars,pubs,St Patricks Day
Description: Tony Smith image Alamy 2MCGA3N - Irishmen and Irishwomen: In the name of God and in the dead generations from which she receives her old tradition of nationhood , Ireland, through us, summons her children to her flag and strikes for her freedom.
Having organised and trained her manhood through her secret revolutionary organisation, the Irish Republican Brotherhood, and through her open military organisations, the Irish Volunteers and the Irish Citizen Army, having patiently perfected her discipline, having resolutely waited for the right moment to reveal itself, she now seizes that moment, and, supported by her exiled children in America and by gallant allies in Europe, but relying in the first on her own strenght, she strikes in full confidence of victory.
We declare the right of the people of Ireland to the ownership of Ireland and to unfettered control of Irish destinies, to be sovereign and indefeasible. The long usurpation of that right by a foreign people and government has not extinguished the right, nor can it ever be extinguished except by the destruction of the Irish people. In every generation the Irish people have asserted the right to national freedom and sovereingty: six times during the past three hundred years they have asserted it in arms. Standing on that fundamental right and again asserting it in arms in the face of the world, we hereby proclaim the Irish Republic as a Sovereign Independent State, and we pledge our lives and the lives of our comrades-in-arms to the cause of its freedom, of its welfare, and of its exaltation among the nations.
The Irish Republic is entitled to, and hereby claims, the allegiance of every Irishman and Irishwoman. The Republic guarantees religious and eivil liberty, equal rights and equal opportunities to all its citizens, and declares its resolve to persue the happyness and prosperity of the whole nation and of all its parts, cherishing all the children of the nation equally, and oblivious of the differences carefully fostered by an alien govt
18 Dame Ct, Dublin 2, D02 W683, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,St Patricks Day,historic,history,flat-iron building,Victorian public house,city centre,Northern Ireland pub,traditional,red brick,heritage,drinking,venue,tourism,famous,Guinness pub,whiskey,bar,Victoria Square,landmark,city,tavern,building,nineteenth century architecture,independent Belfast bar,cultural visitor attraction,classic pub exterior,Belfast nightlife,Victorian,flower baskets,arched windows,gold lettering,Heineken sign,outdoor seating,spirits signage,shakespeare,sign,signage
Description: Tony Smith image Alamy 2PM625G - Bittles Bar occupies the ground floor of one of Belfast city centre's most distinctive Victorian buildings, a narrow red-brick wedge at the junction of Upper Church Lane and Victoria Street. The unusual triangular form has earned it comparisons with a flat-iron building and makes the small traditional pub immediately recognisable close to Victoria Square. This street-level view shows the ornate exterior beneath a bright summer sky, with large arched windows, black railings, gold Bittles Bar lettering and a circular Heineken sign.
Colourful hanging baskets and window boxes soften the dark timber frontage and warm brickwork, while stacked outdoor chairs and small tables suggest the limited pavement space around the sharply angled corner. Signs in the windows advertise local craft gin and other drinks, reflecting the bar's reputation for Guinness, Irish whiskey and a broad range of spirits. The compact façade and tightly enclosed setting give the venue the character of an independent city tavern rather than a modern chain pub.
The building dates from 1868 and was designed by Thomas Jackson & Son for John Trueman, a Belfast baker and flour merchant. The upper floors formed part of a warehouse, while the public house was originally known as The Shakespeare, a name associated with its theatrical clientele. It later became Bittles Bar and remains a well-known Belfast drinking venue.
Inside, the triangular lounge is noted for portraits and paintings celebrating Irish literary, sporting and political figures, including James Joyce, Samuel Beckett, WB Yeats, Oscar Wilde, George Best and Alex Higgins. The exterior pictured here highlights the pub's architectural interest as much as its hospitality role. Its historic fabric, narrow corner position and vivid floral decoration make Bittles Bar a popular subject for visitors photographing Belfast's traditional pubs, surviving Victorian streetscape and independent nightlife.
70 Upper Church Lane, Belfast, Northern Ireland, UK, BT1 4QL
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scotch,British,Scotland,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Sheriff Court building,Sheriff,court,building,centre,stone,architecture,tavern,inn,bars,G1,40 Wilson St,G1 1HD,law
Description: Tony Smith image Alamy HGC81D - . This scene at 40 Wilson St, Glasgow, Scotland, UK, G1 1HD in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is Sheriff Court building, now Citation bar, 40 Wilson St, Glasgow, Scotland, UK, G1 1HD. Other connected aspects include heritage landmark, architectural detail, urban fabric, historic townscape, local character, period building, changing streetscape, social history, historic streetscape, public realm, contemporary social history, conservation architecture, period detail, and regional identity. Viewed from the mid-2020s, the subject also connects with planning control, maintenance and keeping older buildings useful without erasing their distinctive character. The image fixes public access and movement within 40 Wilson St, Glasgow, Scotland, UK, G1 1HD at one identifiable point, providing a benchmark against redevelopment. Other useful contextual ideas include local history, place identity, documentary photography, before-and-after reference, visual archive, architectural character, adaptive reuse, and changing land use. References to Glasgow, building, Wilson, Scotland, and Citation give the picture a strong period identity and tie it closely to its named subject. For 40 Wilson St, Glasgow, Scotland, UK, G1 1HD, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects planning control and how historic buildings acquire new uses as cities change in a form that can be compared with future views of 40 Wilson St, Glasgow, Scotland, UK, G1 1HD. Its period value extends to planning control and the value of architectural landmarks to local identity and tourism within the real-world context of 40 Wilson St, Glasgow, Scotland, UK, G1 1HD.
40 Wilson St, Glasgow, Scotland, UK, G1 1HD
Description
Keywords: with,barriers,barrier,accident,fatal,danger,dangerous,fine,penalty,fines,penalties,rail,railway,track,side,trackside,Pway,permanent,way,sign,signs,keep,clear,open,raised,goods,Ferry,Tavern,trespass,Network,BR,Level crossing,Track side,Permanent Way,keep crossing clear,Ferry Tavern,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H8FKH3 - . A grounded documentary photograph made at Fiddlers Ferry yacht haven, Penketh, Warrington,Cheshire, England, UK, WA5 2UJ in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The principal subject is Level crossing at Penketh, Warrington, Cheshire with barriers. The setting additionally reflects community noticeboard, archival record, wayfinding marker, roadside information, orientation signage, route marker, before-and-after reference, navigation aid, local history, place identity, local character, community identity, everyday life, and directional sign. Current relevance extends to clear communication and local identity, particularly through the importance of clear wayfinding in public and transport environments. Small period details of local activity and public use at Fiddlers Ferry yacht haven, Penketh, Warrington,Cheshire, England, UK, WA5 2UJ may become more significant with time, particularly following changed technology. Other useful contextual ideas include instructional sign, visual archive, local information board, public-facing notice, street furniture, historical comparison, changing land use, and transport stop marker. References to Level, barriers, Penketh, and crossing give the picture a strong period identity and tie it closely to its named subject. Around Fiddlers Ferry yacht haven, Penketh, Warrington,Cheshire, England, UK, WA5 2UJ, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is clear communication and the importance of clear wayfinding in public and transport environments within the specific setting of Fiddlers Ferry yacht haven, Penketh, Warrington,Cheshire, England, UK, WA5 2UJ. The frame retains a trace of local identity as a date-specific reference.
Fiddlers Ferry yacht haven, Penketh, Warrington,Cheshire, England, UK, WA5 2UJ
Description
Keywords: with,barriers,barrier,accident,fatal,danger,dangerous,fine,penalty,fines,penalties,rail,railway,track,side,trackside,Pway,permanent,way,sign,signs,keep,clear,open,raised,goods,Ferry,Tavern,trespass,Network,BR,Level crossing,Track side,Permanent Way,keep crossing clear,Ferry Tavern,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H8FKJ2 - . Made at Fiddlers Ferry yacht haven, Penketh, Warrington,Cheshire, England, UK, WA5 2UJ in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The photograph centres on Level crossing at Penketh, Warrington, Cheshire with barriers. The broader subject matter reaches into before-and-after reference, place identity, roadside information, contemporary social history, navigation aid, documentary photography, everyday life, orientation signage, archival record, visual archive, social history, transport stop marker, public information signage, and local history. Today's relevance is strengthened by public safety, maintenance and the continuing question of how small pieces of street furniture become recognisable parts of local identity. As a dated visual record of Fiddlers Ferry yacht haven, Penketh, Warrington,Cheshire, England, UK, WA5 2UJ, the frame retains materials and architectural details, making it especially useful if new construction subsequently changes the scene. The subject also sits alongside public realm, local information board, wayfinding marker, public-facing notice, regional identity, changing land use, period detail, and local character. References to Penketh, crossing, Level, and barriers give the picture a strong period identity and tie it closely to its named subject. The period setting at Fiddlers Ferry yacht haven, Penketh, Warrington,Cheshire, England, UK, WA5 2UJ helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of public safety and how small pieces of street furniture become recognisable parts of local identity as part of the longer story of Fiddlers Ferry yacht haven, Penketh, Warrington,Cheshire, England, UK, WA5 2UJ.
Fiddlers Ferry yacht haven, Penketh, Warrington,Cheshire, England, UK, WA5 2UJ
Description
Keywords: oldest,bar,united,kingdom,GB,Great Britain,history,historic,pint,beer,bitter,drink,drinkers,with,Square,Timber,Framed,Tudor,Cheshire,England,UK,listed,building,I,Grade1,one,timber-framed,public,house,black,white,quatrefoils,red,sandstone,plinth,jettied,gable,Golden Square,Grade One,GoTonySmith,tavern,pubsign,sign,BarleyMow,WA1,WBC,Borough,Council,wood,wooden,Landscape,Buy Pictures of,Buy Images Of,Market Place,Kids eat Free,Barley Mow Public House,Grade2 Listed
Description: Tony Smith image Alamy EYAX35 - The barley mow is a timber-framed public house that has been much altered. The front facing Market Place is in elaborate black-and-white work, including quatrefoils, standing on a red sandstone plinth. It is in three storeys, including two jettied gables, and two continuous rows of small-pane windows. Inside the public house is a mixture of original 17th-century and later panelling
Old Marketplace, Warrington, Cheshire, England,UK
Description
Keywords: Pubs,stag,night,hen,nights,location,for,area,EDN,narrow,new,pedestrian,pedestrianised,scottish,shopping,st,street,town,Black,Rose,Tavern,rose street,Rose st,Black Rose Tavern,GoTonySmith,drinking,culture,alcoholism,alcoholics,AA,outside,street,history,historic,Buy Pictures of,Buy Images Of,Edinburgh Pubs,Edinburgh Pub
Description: Tony Smith image Alamy F89P1E - . This authentic period view of Rose st, Edinburgh, Scotland, UK in 2015 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Black Rose Tavern,Pub Rose St,Edinburgh City Centre,Scotland,UK. The broader subject matter reaches into public realm, changing streetscape, local character, period detail, changing land use, real-ale culture, beer-led hospitality, social history, visual archive, licensed hospitality, community identity, local history, local social venue, and pub heritage. For current editorial use, staffing pressure and tourism provide additional context, especially through the continuing appeal of real ale and regional brewing. Future viewers can use this scene from Rose st, Edinburgh, Scotland, UK to compare building condition and alterations with whatever follows after replacement signage. The surrounding story also includes night-time economy, contemporary social history, traditional pub, everyday life, traditional ale house, licensed trade, before-and-after reference, and visitor hospitality. The combination of Centre, Tavern, Edinburgh, and Black anchors the frame to a recognisable activity, place or moment. A later view of Rose st, Edinburgh, Scotland, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of staffing pressure and the continuing appeal of real ale and regional brewing in a form that can be compared with future views of Rose st, Edinburgh, Scotland, UK. A further contemporary connection is tourism and pressure on hospitality margins in the mid-2020s within the real-world context of Rose st, Edinburgh, Scotland, UK. The wider significance includes staffing pressure and pressure on hospitality margins in the mid-2020s within the specific setting of Rose st, Edinburgh, Scotland, UK.
Rose st, Edinburgh, Scotland, UK
Description
Keywords: City,Scotland,UK,alley,alleyway,nook,corners,of,detail,of,plaque,brass,Countess,of,Eglinton,Tavern,called,Ships,Tavern',Where,levées,were,held,by,the,General,Assemblys,Lord,High,Commissioner,of,1754,history,ancient,Gotonysmith,housing,housed,the,Government,1821.,The,Royal,Bank,to,1753,home,of,The,Countess,of,Eglinton,Tavern,called,Fortunes,Tavern,Ships,Tavern',Where,levées,were,held,by,the,General,Assemblys,Lord,High,Commissioner,of,1754,Flora,McDonald,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy ED4M1F - OLD STAMP OFFICE CLOSE
This close gets its name as it once housed the Government Stamp Office until 1821. The Royal Bank was also located here from 1727 to 1753.
It also contained the home of The Countess of Eglinton and her seven beautiful daughters. They family would set out to attend dancing assemblies in Assembly Close each in their own guilded Sedan Chair.
The poet Allan Ramsay dedicated The Gentle Shepherd to her.
The close also housed a Tavern called 'Fortune's Tavern' and at one time 'Ship's Tavern' Where levées were held by the General Assembly's Lord High Commissioner of 1754.
Flora McDonald, associated with Bonnie Prince Charlie attended boarding school here.
Old Stamp Office Close, Royal Mile, Edinburgh, Scotland, UK
Description
Keywords: City,Scotland,UK alley alleyway nook corners of old town,Gotonysmith,housing,housed,the,Government,1821.,The,Royal,Bank,to,1753,home,of,The,Countess,of,called,Fortunes,Tavern,Ships,Tavern',Where,levées,were,held,by,the,General,Assemblys,Lord,High,Commissioner,of,1754,Flora,McDonald,associated with Bonnie Prince Charlie attended boarding school here.
Description: Tony Smith image Alamy ED4M1G - OLD STAMP OFFICE CLOSE
This close gets its name as it once housed the Government Stamp Office until 1821. The Royal Bank was also located here from 1727 to 1753.
It also contained the home of The Countess of Eglinton and her seven beautiful daughters. They family would set out to attend dancing assemblies in Assembly Close each in their own guilded Sedan Chair.
The poet Allan Ramsay dedicated The Gentle Shepherd to her.
The close also housed a Tavern called 'Fortune's Tavern' and at one time 'Ship's Tavern' Where levées were held by the General Assembly's Lord High Commissioner of 1754.
Flora McDonald, associated with Bonnie Prince Charlie attended boarding school here.
Old Stamp Office Close, Royal Mile, Edinburgh, Scotland, UK
Description
Keywords: Ilfracombe,Pier,Tavern,Dorset,pub,bar,ale,harbour,quay,dusk,lights,traffic,trail,trails,ferry,terminal,boats,tripod,shot,tripod shot,long,exposure,long exposure,365days,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photographic,photography,SLR,DSLR,group,GYCA,Bellhouse,bellhouse Club,tonysmith,tony,smith,noche,nuit,hotpix!,#tonysmithhotpix
Description: Tony Smith image Flickr 3871490136 - 'Night shot, just off the harbour.
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Night shot long exposure at Ilfracombe Pier tavern,SW England,UK,gotonysmith,The,9EQ,EX349EQ,holiday,tourist,destination,summer,English,freehouse,pub,alehouse,sea,side,gotonysmith,Buy Pictures of,Buy Images Of,Dorset,north,dusk,night,evening,bar,movement,seaside,coast,Pier,tavern,pubs,bars
Description: Tony Smith image Alamy CET167 - . Dusk at the Ilfracombe Pier tavern, North Dorset, SW England, UK. Photographed on 25 August 2009. The recorded location is Ilfracombe Pier tavern, North Dorset, SW England, UK EX34 9EQ. Historically, pub buildings and signs provide a useful record of the licensed trade, from traditional alehouses and brewery estates to contemporary hospitality businesses
They are also part of the story of evolving high streets, nightlife, real ale, cask beer and the survival or reuse of historical premises. As background, ports and vessels are central to Britain's maritime history, linking coastal communities and inland industry with fishing, trade, passenger travel and international shipping
Harbours, docks and working craft also reflect changing technology, from traditional fishing fleets to high-speed workboats and modern freight logistics. Historically, panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. In 2026, pubs continue to sit at the centre of arguments about high-street vitality, local identity and hospitality economics
England's 2026/27 rating arrangements include dedicated relief for eligible pubs and live-music venues, underlining the sector's continuing economic and cultural significance. Against the 2026 backdrop, ports remain crucial to UK trade, offshore energy, passenger travel and supply chains, while decarbonisation is driving interest in cleaner fuels, shore power and more efficient vessels
Older working-boat and harbour images therefore have both maritime-history and contemporary transport relevance. Current 2026 relevance comes from the fact that current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent.
Ilfracombe Pier tavern, North Dorset, SW England, UK EX34 9EQ
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Stained Glass Window of a sailing galleon,172 Warstone Ln,West Midlands,England,UK,B18 6JW,history,historic,pub,bar,RoseVilla,tavern,CAMRA,Window,ship,boat,window,B18,city centre,Victorian pub,Birmingham pubs,classic,White Rose,Yorkshire,sails,RVT,real ale,Summer Row,art-deco features and original stone placements are original features,Mitchell and Butlers,Mitchell,Butlers,Wood & Kendrick,bay window,inter-War public house,Public House,listed
Description: Tony Smith image Alamy R9GT7R - Opened in 1920 by local brewers Mitchell and Butlers, The Rose Villa Tavern is a cool and quirky pub in Birmingham that has managed to retain its period features. Green tiles, art-deco features and original stone placements are original features that remain intact, even after the pub's quirky and somewhat renovation.
172 Warstone Ln, Birmingham, West Midlands, England, UK, B18 6JW
Description
Keywords: oldest,bar,united,kingdom,GB,Great Britain,history,historic,pint,beer,bitter,drink,drinkers,with,Square,Marketplace,Timber,Framed,Tudor,Cheshire,England,UK,listed,building,I,Grade1,one,timber-framed,public,house,black,white,quatrefoils,red,sandstone,plinth,jettied,gable,Golden Square,Grade One,GoTonySmith,tavern,pubsign,sign,WA1,WBC,Borough,Council,wood,wooden,Portrait,Buy Pictures of,Buy Images Of,Market Place,Kids eat Free,Barley Mow Public House,Grade2 Listed
Description: Tony Smith image Alamy EYAX34 - The barley mow is a timber-framed public house that has been much altered. The front facing Market Place is in elaborate black-and-white work, including quatrefoils, standing on a red sandstone plinth. It is in three storeys, including two jettied gables, and two continuous rows of small-pane windows. Inside the public house is a mixture of original 17th-century and later panelling
29 Old Marketplace, Warrington, Cheshire, England,UK, WA1 1QB
