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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,office,offices,CW9,Northwich Customer Service centre,walk in,walk,in,1,Cheshire,CW9 5AS,Arcade,council,service,services,issues,issue,face to face,talk,to,staff,direct,appointments,only,Northwich Information Centre,information,centre,front,outside,exterior,03001238123,town
Description: Tony Smith image Alamy 2RCDJ0G - . Northwich Customer Service centre, CWAC, 1 The Arcade, Watling Street, Northwich, Cheshire, England, UK, CW9 5AS. Photographed on 13 July 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 1 The Arcade, Watling Street, Northwich, Cheshire, England, UK, CW9 5AS, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include office, offices, CW9, Northwich Customer Service centre, walk in, walk, Cheshire, CW9 5AS, Arcade, council, service, services, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include issues, issue, face to face, talk, staff, direct, broadening discoverability while remaining tied to the supplied subject information.
1 The Arcade, Watling Street, Northwich, Cheshire, England, UK, CW9 5AS
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,David Rigby,talk,Freemason,Scotland,malt whisky,presentation,2023,speaker,single malt Scotch,tasting,charity,table,Scottish whisky bottles,masonic,social event,public,speaking,whisky education,spirits,indoor community talk,guest,lecture,lecturer,whisky enthusiast,bottled spirits display,appreciation,single malt,club meeting,Scottish,distilling heritage,whisky production history,regional whisky presentation,expert drinks speaker,guided whisky tasting,culture,Britain,connoisseur
Description: Tony Smith image Alamy 3EENJ4N - David Dave Rigby from St Helens stands behind a table displaying an assortment of Scotch whisky bottles during a talk in Warrington, Cheshire, in June 2023. Wearing a dark polo shirt, he addresses an audience in a community or meeting-room setting, with a large television screen and patterned curtains behind him. Branded cartons, whisky packaging and bottles of different shapes and colours are arranged across the wooden table to illustrate the presentation.
The talk focused on malt Scotch whisky, its production, traditions, regional characteristics and the wide variety of flavours created through ingredients, distillation and maturation. Single malt whisky is produced at one distillery using malted barley, while blended products may combine malt and grain whiskies from several producers. The selection shown provides useful visual material for explaining differences in branding, bottle design, age statements, cask influence and distillery identity.
Rigby is identified as a St Helens mason, and the scene reflects the educational and social activities often organised through local lodges, clubs, societies and community groups. Such events combine informal adult education with opportunities for members and guests to share specialist interests, ask questions and learn from an experienced enthusiast or invited speaker.
The photograph captures public speaking, local community activity and whisky appreciation rather than a formal commercial sales event. The rows of bottles and packaging make the subject immediately recognisable, while the informal room, casual clothing and audience viewpoint convey the atmosphere of a local illustrated lecture or tasting session.
The image is suitable for editorial coverage of Scotch whisky, malt whisky production, responsible tasting, Scottish distilling heritage, Freemasonry, masonic social events, adult education, guest speakers, local societies, drinks culture, whisky clubs and community activities in Warrington and NW England
Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,dusk,wall,ropewalk,rope walks,street,talk,to,us,talk to someone,its ok,its,ok,just,Rope walks,Rope walk,urban,attractions,nightlife,tourism,bar,entertainment,interesting,heritage,festivals,events,streets,lanes,avenues,arty,Street art
Description: Tony Smith image Alamy 2P4JWNP - . Recorded at the recorded location in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The image documents weAreFeelGoodClub Liverpool, Merseyside, England, UK - I want you to know that you are one hundred thousand percent going to get through this. The wider scene also brings together historical comparison, regional identity, archival record, urban graphics, changing streetscape, contemporary social history, changing land use, community identity, public realm, place identity, period detail, mural culture, contemporary mural, and everyday life. The modern context includes continuing discussion of creative industries, local identity and how regeneration can support and displace informal culture at the same time. The archival value lies partly in recording landscape treatment and surrounding development around the recorded location before new ownership alters the character of the place. The subject also sits alongside local character, visual street culture, public-realm art, temporary artwork, public art, before-and-after reference, documentary photography, and urban artwork. References to Liverpool, Merseyside, through, percent, and thousand give the picture a strong period identity and tie it closely to its named subject. A later view of the recorded location may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for creative industries and the blurred line between commissioned public art and unsanctioned graffiti in a form that can be compared with future views of the recorded location. Another useful connection is local identity and how regeneration can support and displace informal culture at the same time within the real-world context of the recorded location. The photograph keeps a local visual benchmark before later change alters the scene.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,North West,UK,Cantilever Bridge,Cheshire,WA4,the,mental,health,help,helping,people,history,historic,heritage,old,suicide,know,sign,signs,height,high,talk,ask,for,warning,advert,notice,reminder,reconsider,dont,jump,jumping,jumper
Description: Tony Smith image Alamy 2JGM7C9 - . An identifiable period record of Cantilever Bridge ,Latchford Warrington, Cheshire, England, UK, WA4 in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Don't jump Talk to us, Samaritans Cantilever Bridge ,Latchford , Warrington, Cheshire, England, UK, WA4. The locality and subject together evoke changing land use, historic streetscape, patient access, health-service capacity, period streetscape, community healthcare, architectural detailing, historical comparison, conservation architecture, before-and-after reference, local landmark, everyday life, traditional structure, and documentary photography. Today's relevance is strengthened by adaptive reuse, heritage conservation and the continuing question of the tension between conservation and redevelopment. From a 2025-onward perspective, social-care staffing and patient access are closely linked to this subject, alongside how ageing populations increase demand for care facilities. The archival value lies partly in recording materials and architectural details around Cantilever Bridge ,Latchford Warrington, Cheshire, England, UK, WA4 before redevelopment alters the character of the place. Further associations within the scene are place identity, local history, social history, contemporary social history, heritage landmark, medical wayfinding, care-sector development, and patient care. Details involving Cantilever, Don't, Latchford, Bridge, and Samaritans make the image more specific than a generic view and strengthen its local or historical value. The period setting at Cantilever Bridge ,Latchford Warrington, Cheshire, England, UK, WA4 helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves evidence of changing use as a date-specific reference.
Cantilever Bridge ,Latchford Warrington, Cheshire, England, UK, WA4
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,skeleton,Australia,take it easy,Skull,graffiti,in,Dublin,near,no,worries,informal,saying,expression,you are welcome,Oz,down under,No problem,do not worry about that,thats all right,forget about it,sure thing,talk,talking,stencil,art,street art,streetart,speech,optimism,national motto,of
Description: Tony Smith image Alamy 2M8BNNE - . Made at Temple Bar, Dublin, Eire, Ireland in 2019, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Skull graffiti, in Dublin, near Temple Bar - No Worries. The subject also carries associations with public-realm art, temporary artwork, social history, medical consumer history, contemporary social history, contemporary mural, public-health intervention, health-service prevention, creative placemaking, healthcare access, healthcare communication, everyday life, street creativity, and local character. The wider contemporary story combines local identity, gentrification and the blurred boundary between commissioned public art and graffiti. Viewed from the mid-2020s, the subject also connects with NHS capacity, preventive care and how home testing can widen access to preventive healthcare. The archival value lies partly in recording materials and architectural details around Temple Bar, Dublin, Eire, Ireland before new construction alters the character of the place. Further associations within the scene are patient self-testing, period detail, mural culture, public-health screening, urban artwork, before-and-after reference, historical comparison, and visual archive. The recorded references to graffiti, Skull, Dublin, Temple, and Worries preserve clues about how the subject was presented, used or understood at the time. The wider setting at Temple Bar, Dublin, Eire, Ireland matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is local identity and the blurred boundary between commissioned public art and graffiti in a form that can be compared with future views of Temple Bar, Dublin, Eire, Ireland. The image fixes evidence of earlier appearance for future local research.
Temple Bar, Dublin, Eire, Ireland
Description
Keywords: KevinKillen,Killen,West,Belfast,art,artist,If Walls Could Talk"" ,project,if,walls,could,talk,elements,representing,Belfasts,heritage,and,culture,tangible,sculptural,forms,landmark,landmarks,Shankill,Falls,industry,Belfast industries,Belfast industry,red face,Kevin Killen red face,Peace wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,unionism,royalists,loyalists,loyalist,republican,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,redfaced,rd,road,sculptural,metal,wall,panel,icon,iconic,city,centre,BT13,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Red faced
Description: Tony Smith image Alamy HDF049 - A sculptural metal wall panel designed by young people from the Greater Shankill was installed on one of Northern Ireland's most famous peace walls today. Funded by the Arts Council led Re-imaging Communities programme, the large scale artwork was officially unveiled by Arts Minister Nelson McCausland.
The artwork, inspired by ideas presented by the local community, depicts a face, made up of dozens of smaller images themed around Belfast's industrial heritage. Created by artist Kevin Killen, ˜The Face' has been installed on one of Belfast's most recognisable landmarks, the peace wall which divides the Shankill Road from the Falls Road at Cupar Way.
Arts Minister, Nelson McCausland said: This sculpture is a good example of how the arts have the power to transform a local area. Projects such as 'The Face' create a more welcoming atmosphere and help develop a community where people are proud to live. 'The Face' is part of the If Walls Could Talk programme which aims to create an outdoor art gallery of world-class art pieces and provide a canvas on which to express the rich history and cultural heritage of the area. Re-imaging art projects have been a key element in facilitating positive social change and I congratulate artist Kevin Killen and the participants from Impact Training and the Greater Shankill Alternatives for what they have achieved.
Artist Kevin Killen explained how the artwork was created: The Face relates to the themes of Belfast industries, working with the young adults in Impact Training, we designed and fabricated the artwork. Being a part of the project was rewarding and insightful to everyone involved. As the group was a part of the process from start to finish they have developed ownership of the artwork, which is an important benefit. I hope that the artwork gives pride to all the participants involved in the project.
Cupar Way, West Belfast, Northern Ireland, UK BT13
Description
Keywords: KevinKillen,Killen,West,Belfast,art,artist,If Walls Could Talk"" ,project,if,walls,could,talk,elements,representing,Belfasts,heritage,and,culture,tangible,sculptural,forms,landmark,landmarks,Shankill,Falls,industry,Belfast industries,Belfast industry,red face,Kevin Killen red face,Peace wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,unionism,royalists,loyalists,loyalist,republican,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,redfaced,rd,road,sculptural,metal,wall,panel,icon,iconic,city,centre,BT13,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Red faced
Description: Tony Smith image Alamy HDF04K - A sculptural metal wall panel designed by young people from the Greater Shankill was installed on one of Northern Ireland's most famous peace walls today. Funded by the Arts Council led Re-imaging Communities programme, the large scale artwork was officially unveiled by Arts Minister Nelson McCausland.
The artwork, inspired by ideas presented by the local community, depicts a face, made up of dozens of smaller images themed around Belfast's industrial heritage. Created by artist Kevin Killen, ˜The Face' has been installed on one of Belfast's most recognisable landmarks, the peace wall which divides the Shankill Road from the Falls Road at Cupar Way.
Arts Minister, Nelson McCausland said: This sculpture is a good example of how the arts have the power to transform a local area. Projects such as 'The Face' create a more welcoming atmosphere and help develop a community where people are proud to live. 'The Face' is part of the If Walls Could Talk programme which aims to create an outdoor art gallery of world-class art pieces and provide a canvas on which to express the rich history and cultural heritage of the area. Re-imaging art projects have been a key element in facilitating positive social change and I congratulate artist Kevin Killen and the participants from Impact Training and the Greater Shankill Alternatives for what they have achieved.
Artist Kevin Killen explained how the artwork was created: The Face relates to the themes of Belfast industries, working with the young adults in Impact Training, we designed and fabricated the artwork. Being a part of the project was rewarding and insightful to everyone involved. As the group was a part of the process from start to finish they have developed ownership of the artwork, which is an important benefit. I hope that the artwork gives pride to all the participants involved in the project.
Cupar Way, West Belfast, Northern Ireland, UK BT13
Description
Keywords: KevinKillen,Killen,West,Belfast,art,artist,If Walls Could Talk"" ,project,if,walls,could,talk,elements,representing,Belfasts,heritage,and,culture,tangible,sculptural,forms,landmark,landmarks,Shankill,Falls,industry,Belfast industries,Belfast industry,red face,Kevin Killen red face,Peace wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,unionism,royalists,loyalists,loyalist,republican,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,redfaced,rd,road,sculptural,metal,wall,panel,icon,iconic,city,centre,BT13,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Red faced
Description: Tony Smith image Alamy HDF054 - A sculptural metal wall panel designed by young people from the Greater Shankill was installed on one of Northern Ireland's most famous peace walls today. Funded by the Arts Council led Re-imaging Communities programme, the large scale artwork was officially unveiled by Arts Minister Nelson McCausland.
The artwork, inspired by ideas presented by the local community, depicts a face, made up of dozens of smaller images themed around Belfast's industrial heritage. Created by artist Kevin Killen, ˜The Face' has been installed on one of Belfast's most recognisable landmarks, the peace wall which divides the Shankill Road from the Falls Road at Cupar Way.
Arts Minister, Nelson McCausland said: This sculpture is a good example of how the arts have the power to transform a local area. Projects such as 'The Face' create a more welcoming atmosphere and help develop a community where people are proud to live. 'The Face' is part of the If Walls Could Talk programme which aims to create an outdoor art gallery of world-class art pieces and provide a canvas on which to express the rich history and cultural heritage of the area. Re-imaging art projects have been a key element in facilitating positive social change and I congratulate artist Kevin Killen and the participants from Impact Training and the Greater Shankill Alternatives for what they have achieved.
Artist Kevin Killen explained how the artwork was created: The Face relates to the themes of Belfast industries, working with the young adults in Impact Training, we designed and fabricated the artwork. Being a part of the project was rewarding and insightful to everyone involved. As the group was a part of the process from start to finish they have developed ownership of the artwork, which is an important benefit. I hope that the artwork gives pride to all the participants involved in the project.
Cupar Way, West Belfast, Northern Ireland, UK BT13
Description
Keywords: City,triode,capitals,cities,dial,illuminated,life,news,radio,talk,drama,station,stations,still,tube,tune,valve,war,wartime,wireless,pentode,program,old,fashioned,oldfashioned,radiogram,frequencies,frequency,brown,Berlin,Touluse,Budapest,GoTonySmith,broadcast,brussels,button,communicate,communication,country,countrys,dial,electric,electrical,electricity,electromagnetic,energy,entertainment,frequency,gramaphone,illuminated,illumination,light,listen,listening,london,long,medium,message,power,prague,radio,radiogram,radiowave,receive,receiver,scottish,short,sound,transmit,tune,tuner,uk,valve,wave,wavelength,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F7DCX4 - . Recorded at the recorded location in 2015, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records Valve radio vintage wireless station guide cities. The broader subject matter reaches into archival record, contemporary social history, social history, rail modernisation, railway branding, local history, urban rail transport, integrated transport, trackside heritage, passenger railway, rail corridor, public transport network, mass transit, and period detail. The wider contemporary story combines integrated transport, decarbonisation and the reshaping of Britain's passenger railway in the mid-2020s. The image fixes period objects and surrounding context within the recorded location at one identifiable point, providing a benchmark against new ownership. Other useful contextual ideas include visual archive, community identity, before-and-after reference, changing streetscape, transport interchange, documentary photography, historical comparison, and changing land use. The combination of vintage, wireless, station, cities, and Valve anchors the frame to a recognisable activity, place or moment. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is integrated transport and the reshaping of Britain's passenger railway in the mid-2020s as part of the longer story of the recorded location. The wider significance includes integrated transport and the archival value of railway branding and infrastructure as operators change when considered against later change at the recorded location. Another strand within the photograph is rail reform and the archival value of railway branding and infrastructure as operators change without losing the local specificity of the recorded location.
Description
Keywords: City,triode,capitals,cities,dial,illuminated,life,news,radio,talk,drama,station,stations,still,tube,tune,valve,war,wartime,wireless,pentode,program,old,fashioned,oldfashioned,radiogram,frequencies,frequency,brown,Berlin,Touluse,Budapest,GoTonySmith,broadcast,brussels,button,communicate,communication,country,countrys,dial,electric,electrical,electricity,electromagnetic,energy,entertainment,frequency,gramaphone,illuminated,illumination,light,listen,listening,london,long,medium,message,power,prague,radio,radiogram,radiowave,receive,receiver,scottish,short,sound,transmit,tune,tuner,uk,valve,wave,wavelength,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F7DCX7 - . A grounded documentary photograph made at the recorded location in 2015, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Valve radio vintage wireless station guide cities. Other connected aspects include railway branding, documentary photography, local history, place identity, transport interchange, rail corridor, social history, local character, historical comparison, regional rail, public realm, station environment, rail modernisation, and regional identity. The modern context includes continuing discussion of decarbonisation, integrated transport and how rail stations anchor city-centre mobility and regeneration. The image fixes commercial use and occupation within the recorded location at one identifiable point, providing a benchmark against new construction. The wider setting retains connections with period detail, community identity, passenger railway, changing streetscape, visual archive, rail mobility, trackside heritage, and commuter travel. The recorded references to vintage, radio, cities, guide, and Valve preserve clues about how the subject was presented, used or understood at the time. The dated record from the recorded location makes the broader context more tangible. The image also provides a reference for decarbonisation and how rail stations anchor city-centre mobility and regeneration in a form that can be compared with future views of the recorded location. Another useful connection is public ownership and the archival value of railway branding and infrastructure as operators change within the real-world context of the recorded location. The scene further reflects decarbonisation and the role of public transport in reducing congestion and emissions within the specific setting of the recorded location. Image F7DCX7 also preserves another period-specific detail for later comparison.
Description
Keywords: HMV,Institute,HMVInstitute,TonySmith,Tony,Hotpix,Smith,Digbeth,H HMV,HotpixUk,Midlands,UK,England,Tour,www.hotpix.org.uk,talk-talk,talk,album,live,gig,concert,concerts,stage,shot,shots,Richard,Butler,hot,pix,pics,picks,band,bands,music,musicians,musician,tim,butlet,indie,hotpicks,brum,westmidlands,west,low,light,mono,monochrome,B/W,sepia,27102010,20101027,gigs,performing,playing
Description: Tony Smith image Flickr 5122633893 - 'For the first time in about five years, the Psychedelic Furs are back in the UK for a mini-tour . They are playing the classic second album 'Talk Talk' in it sentirity followed by classic favourites, like Heartbreak Beat. The band had a wide influence on many artists and the album was their commercial breakthrough.
This is a shot of Richard Butler from the 27th October 2010 gig at The HMV Institute in Birmingham, performing 'High wire days'. The five date tour covered:
Frome (Somerset) 24 Oct Cheese &
Grain
Manchester 26 Oct Manchester Ritz
Birmingham 27 Oct Birmingham Institute
London 28 Oct HMV Forum, London
Glasgow 29 Oct Glasgow ABC 02
...then on to the Ethias Arena in Hasselt, Belguim 31st Oct (Sinner\u2019s Day Festival).
Only two other TalkTalk shows were scheduled. StageOne in Fairfield, CT USA on October 14th, and at the Bearsville Theater in Woodstock, NY on October 15th.
The set at The Temple at the HMV (Digbeth) Institute was as follows:
1. Dumb Waiters
2. Pretty In Pink
3. I Wanna Sleep With You
4. No Tears
5. Mr Jones
6. Into You Like A Train
7. It Goes On
8. So Run Down
9. All Of This And Nothing
10. She Is Mine
...After a short break they continued with
11. Sister Europe
12. Heartbeat
13. Love My way
14. The Ghost in You
15. In My Head
16. Highwire Days
17. Heaven
...Encore
18. India
There were no band introductions, although the current line up is Richard Butler (vox), Tim Butler (bass), Rich Good (guitar), Mars Williams (sax), Amanda Kramer (keyboards), and Paul Garisto (drums).
NB: Like all the images on this stream, full size images are available, do not use my images without express permission. Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>live bands from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) TonySmith Hotpix / HotpixUK
( )',
