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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9758,Liverpool,England,UK,historic,tobacco,warehouse,stone,detail,Wade,Co,lettering,dock,heritage,industrial,architecture,brickwork,trade,commercial,carved,signage,Merseyside,building,history,mercantile,waterfront
Description: Tony Smith image Alamy 3F3NDGF - . Historic Liverpool tobacco warehouse stone detail with carved Wade and Co lettering, Liverpool, England, UK. Photographed on 30 May 2026. The recorded location is Liverpool, Merseyside, England, UK. Historic stone architectural detail on a former tobacco or dock warehouse in Liverpool, England, UK, showing carved WADE and Co lettering set into red brickwork. The close view is suitable for editorial use on Liverpool's mercantile and dock heritage, tobacco trade history, industrial architecture, warehouse buildings, carved commercial signage and the city's historic waterfront economy. For industrial archaeology, the historical context is that factories, mills, mines and workshops record the technologies and labour that powered industrial expansion
Machinery, inscriptions and specialist buildings are valuable evidence of engineering practice, working conditions and regional industries. Looking at lifeline ferry, the longer history is that working harbours combine civil engineering with everyday transport
Their breakwaters, piers, navigation lights and boarding areas reflect successive generations of investment as traditional fishing and coastal shipping have been joined by tourism, cruise traffic and lifeline ferry services. The background to typography is that signs are functional pieces of graphic design that organise movement and communicate rules, names or destinations
Lettering, symbols, colours and materials can date public space as clearly as architecture, particularly when organisations rebrand or regulations evolution. For industrial archaeology, the 2026 context is that industrial heritage is increasingly tied to regeneration, tourism, conservation and skills education, particularly in former manufacturing towns seeking new uses for historic sites. In 2026, lifeline ferry remains relevant because current 2026 transport policy places increasing emphasis on integrated journeys, active travel and lower-emission fleets, so ferry terminals now.
Liverpool, Merseyside, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,history,historic,sandstone,village,centre,IMG_0041,Lymm Cross,Lymm,Warrington,Cheshire,England,UK,sunny,day,stone,monument,landmark,heritage,tourism,steps,trees,summer,weather,vane,traditional,English,architecture
Description: Tony Smith image Alamy 3EKP097 - . Lymm Cross in Lymm, Warrington, Cheshire, England, UK, photographed on a sunny day. Photographed on 25 May 2026. The recorded location is Lymm Cross, Lymm, Warrington, Cheshire, England, UK. The historic stone monument stands on raised steps in the centre of the Cheshire village, topped by an ornate metal weather vane and surrounded by mature trees and traditional buildings. Bright sunshine and green foliage give the scene an attractive summer character, while the elevated cross remains a highly recognisable focal point in the historic centre of Lymm. Lymm Cross is a Grade I listed sandstone market cross dating largely from the seventeenth century, although the site reflects the village's much older role as a local trading centre. Standing at the heart of Lymm, it remains a recognisable landmark surrounded by historic buildings and is frequently used as a focal point for community events. Looking at historic comparison, the longer history is that local place names and small landmarks can be as significant to community history as nationally famous buildings
Streets, neighbourhood businesses and informal attractions offer reference points that may vanish during redevelopment or rebranding. The background to agriculture is that plants and seasonal countryside details provide precise markers of the agricultural and botanical year
Flowering, harvest, autumn colour and winter dormancy can all be used to compare changing seasonal patterns over time. Within the history of sculpture, street art and murals are especially valuable as temporary cultural evidence because they may be painted over or lost during redevelopment
Photographs preserve both the artwork and its relationship with the surrounding neighbourhood. In 2026, historic comparison remains relevant because current place-making policy increasingly emphasises distinctive local identity rather than generic development, so small landmarks and community businesses can become significant parts of how an.
Lymm Cross, Lymm, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,HotpixUk,IMG_9008,Wigan town hall Countess of Crawford opening stone,Wigan,town,hall,Countess,Crawford,opening,stone,Greater,Manchester,heritage,historic,history,architecture,civic,local,museum,conservation
Description: Tony Smith image Alamy 3EF6C0P - Wigan town hall Countess of Crawford opening stone, photographed at Wigan, Greater Manchester, stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England, UK. The photograph provides a documentary record of local history, architecture, civic identity or preserved heritage and is suitable for editorial coverage of conservation, social history, institutions and changing urban life. The image clearly records visible signage, branding, architecture, objects or activity associated with Wigan town hall Countess of Crawford opening stone. It provides useful contemporary or historical context for news, feature and documentary use, including stories about local identity, economic change, public services, travel, leisure, community life and the way familiar places and objects are presented in the built environment. The scene is shown as encountered, making it useful as an editorial stock image for illustrating the subject, its location and its wider social or cultural context.
Wigan, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,High Peak,Derbyshire,England,UK,historic,SK17,SK17 6AY,Saint Ann,well,pumping,pipes,Devonshire,pump,room,rooms,door,doors,entrance,hospital,patient,patients,only,stone,architecture,Victorian,water,waters,arch,arched,outside,seven,Wonders of the Peak,Thomas Hobbes,St Anns Well,St Annes Well,Arnemetia
Description: Tony Smith image Alamy 2RJPXHT - . St Anns Well, pump room , George St, Buxton, High Peak, Derbyshire, England, UK, SK17 6AY. Photographed on 20 August 2023. The Pump Room is well worth a visit alone. The newly-restored, stunning late Victorian building was erected to resolve the overcrowding of the town's thermal baths and provide a place for locals and holidaymakers to 'take the waters', commune and relax. The building is dedicated to Arnemetia, the Romano-British goddess of the sacred grove, referencing Buxton's history as one of Britain's only two Roman bath towns. Aquae Arnemetiae. The background to historic well is that public fountains and wells were once practical infrastructure for drinking water as well as decorative civic features
In many towns their original utility declined after piped domestic water became universal, leaving them as monuments, landmarks or restored street furniture. Within the history of diagnostic imaging, the National Health Service, founded in 1948, created a universal healthcare system whose hospitals, ambulances, clinics and public-information campaigns became familiar features of British life
Medical technology has continually changed the appearance of those services. Current 2026 context around historic well is that public drinking-water provision has renewed relevance because refill schemes seek to reduce single-use plastic bottles, while historical fountains require maintenance if they are to remain functional rather than purely decorative. Against the 2026 backdrop for diagnostic imaging, seasonal vaccination continues to be a major public-health tool , particularly for influenza and respiratory illness among higher-risk groups
Campaign material illustrates how health services encourage uptake through everyday communication. Alternative search wording includes drinking fountain, water supply, civic infrastructure, public realm, heritage feature, water history, town landmark, refill water, public drinking water, and stone fountain.
George St, Buxton, High Peak, Derbyshire, England, UK, SK17 6AY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,High Peak,Derbyshire,England,UK,historic,SK17,SK17 6AY,Saint Ann,well,pumping,pipes,Devonshire,pump,room,rooms,door,doors,entrance,hospital,patient,patients,only,stone,architecture,Victorian,water,waters,arch,arched,outside,seven,Wonders of the Peak,Thomas Hobbes,St Anns Well,St Annes Well,Arnemetia
Description: Tony Smith image Alamy 2RJPXT3 - . St Anns Well, pump room , George St, Buxton, High Peak, Derbyshire, England, UK, SK17 6AY. Photographed on 20 August 2023. The Pump Room is well worth a visit alone. The newly-restored, stunning late Victorian building was erected to resolve the overcrowding of the town's thermal baths and provide a place for locals and holidaymakers to 'take the waters', commune and relax. The building is dedicated to Arnemetia, the Romano-British goddess of the sacred grove, referencing Buxton's history as one of Britain's only two Roman bath towns. Aquae Arnemetiae. Looking at drinking fountain, the longer history is that stone fountains and wells often combine engineering with inscriptions, local donors or commemorative purpose
Their position in market places and crossroads reflects a period when access to clean public water was a significant civic concern. The background to MRI is that diagnostic technologies such as MRI transformed medicine by allowing detailed internal imaging without ionising radiation, while dedicated scanning centres became increasingly common within hospital estates. In 2026, drinking fountain remains relevant because water features also contribute to public realm and heritage tourism, with restoration projects balancing historical fabric, accessibility and modern water-quality standards. Current 2026 context around MRI is that the NHS remains under sustained pressure from waiting lists, workforce shortages, ageing buildings and demand for diagnostics
Images of hospitals, MRI centres and ambulances therefore connect physical infrastructure with wider debate about access and capacity. Other strongly related concepts include public fountain, historic well, water supply, civic infrastructure, street furniture, heritage feature, water history, town landmark, refill water, public drinking water, local history, urban heritage, healthcare, medical services, and diagnostic imaging.
George St, Buxton, High Peak, Derbyshire, England, UK, SK17 6AY
Description
Keywords: GoTonySmith,HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,kerb,stone,stones,estate,kerbs,street,paint,marked,marking,territory,British,within,the,walls,kerbstone,Union Flag,celebrating,history,heritage,sectarian,historic,housing,council,social housing,kerb stones,Protestant,area,of,on,loyalist,symbolism
Description: Tony Smith image Alamy 2RGHXB1 - . Unionist Kerbstones, red, white & blue of the union jack, Protestant area of The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH. Photographed on 20 June 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Northern Ireland, Irish, Ireland, BT48, kerb, stone, stones, estate, kerbs, paint, marked, marking, providing natural SEO coverage without losing the specific documentary identity of the photograph. The political or campaigning content is suitable for neutral editorial coverage of protest, organised labour, elections, public debate, campaigning, civil society and the way political messages are presented in public. Placards, posters, leaflets, slogans and demonstrations are valuable documentary evidence of a particular moment and can support later historical comparison without implying endorsement of the views displayed. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,Highgate,the,hospital,with,of,statues,feline,felines,cat statue,upper Holloway,grade II listed,1964,1821,monumental,stone,monument,Whittingtons Cat Statue,B519,53 Highgate Hill,N19,street,art,history,historic,large,tablet,rail,railing,railings,Turn again,pub,nearby,landmark,tourist,attraction
Description: Tony Smith image Alamy 2R7A3MT - The Whittington Stone is an 1821 monumental stone and statue of a cat at the foot of Highgate Hill, a street, in Archway. It marks roughly where it is recounted that a forlorn character of Dick Whittington, loosely based on Richard Whittington, returning to his home from the city of London after losing faith as a scullion in a scullery, heard Bow Bells ringing from 4+1⁄2 miles (7.2 km) away, prophesying his good fortune leading to the homage Turn again Whittington, thrice Lord Mayor of London! This quotation and a short history of the man cover two faces of the stone. The pub next to it is of the same name.
Details
The place where Whittington's Stone stands, or stood, in which the stone appears as the base or plinth of a cross, with part of the pillar still remaining, as drawn by Chatelain in 1745
The large tablet was erected in 1821, restored in 1935, and the cat sculpture was added in 1964. It is a two-segment slab of Portland stone, the inscription to the south-west side now almost completely eroded, that to the north-east [tells] the career of the medieval merchant and City dignitary Sir Richard Whittington (c.13541423), including his [three/four] terms as Lord Mayor. The memorial marks the site where 'Dick Whittington', returning home discouraged after a disastrous attempt to make his fortune in the City, heard the bells of St Mary-le-Bow ring out, 'Turn again Whittington, thrice Lord Mayor of London.' On top is the 1964 sculpture of a cat by Jonathan Kenworthy, in polished-black Kellymount limestone. Iron railings, oval in plan, with upper flourishes and spearhead finials above and an intersecting circular return (an overthrow), surround it. The stone and railings are negligibly raised by a small broad stone plinth mainly set into the surrounding pavement. It has had statutory protection as listed, in the initial grade II category, since 1972.
The location of the stone was considered the northern part of Upper Holloway, until some decades after the n
Whittington Stone 1821, on 53 Highgate Hill, Archway, London , N19 5DS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,necropolis,graves,graveyard,graveyards,grave,memorials,tourist,attraction,memorial,N6,N6 6PJ,tomb,tombstone,tomb stone,wide panorama,cemetery walkway,quiet reflection,green space London,North London,London,UK,graveyard path,stone crosses,summer,Highgate Cemetery,Victorian cemetery,historic burial ground,trees,path,wide angle,chatting. older. people,stone,cross,crosses
Description: Tony Smith image Alamy 2R7A3WE - This image shows a wide, panoramic view within Highgate Cemetery in North London, with visitors seated beside historic graves along a gently curving path. Stone crosses and memorial monuments line the edge of the walkway, while mature trees and dense greenery frame the scene, reinforcing the cemetery's distinctive woodland character.
Highgate Cemetery is notable not only as a Victorian burial ground but also as a valued green space where remembrance, history, and everyday life intersect. The presence of people sitting quietly together reflects the cemetery's contemporary role as a place for reflection, conversation, and calm, as well as mourning.
The contrast between living visitors and historic memorials highlights the layered nature of the site, where nineteenth-century funerary art coexists with modern use. This balance between preservation and accessibility has helped shape Highgate's reputation as both a heritage landmark and a peaceful urban retreat.
Photographed in soft daylight, the image captures the relaxed, contemplative atmosphere that distinguishes Highgate Cemetery from more formal burial grounds. It is well suited for editorial use illustrating London green spaces, cemetery culture, heritage landscapes, and the human relationship with historic places of remembrance.
Highgate Cemetery, Swain's Lane, London, England, UK, N6 6PJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,city,centre,Lionel Budden,St Georges Plateau,WWI,WWII,Herbert Tyson Smith,St Georges,military,Grade II,listed building,L1,L1 1JJ,poppy,wreaths,remembers,remembrance day,we will,remember,them,drama,dramatic,history,historic,poppies,army,dead,forces,stone,memorial,marching,troop,troops,brigade
Description: Tony Smith image Alamy 2M1F5R0 - Liverpool Cenotaph stands on St George's Plateau, to the east of St George's Hall in Liverpool, England. It was erected as a memorial to those who had fallen in the First World War. The dates of the Second World War were subsequently added. The cenotaph consists of a rectangular block of stone on a stone platform, with bronze, low-relief sculptures on the sides depicting marching troops and mourners. It was designed by Lionel Budden, with carving by Herbert Tyson Smith. Initially designated as a Grade II listed building, its status was raised to Grade I in 2013.
Liverpool Cenotaph stands on St George's Plateau, to the east of St George's Hall in Liverpool, England. It was erected as a memorial to those who had fallen in the First World War. The dates of the Second World War were subsequently added. The cenotaph consists of a rectangular block of stone on a stone platform, with bronze, low-relief sculptures on the sides depicting marching troops and mourners. It was designed by Lionel Budden, with carving by Herbert Tyson Smith. Initially designated as a Grade II listed building, its status was raised to Grade I in 2013.
The cenotaph was designated as a Grade II listed building on 28 June 1952. On 8 November 2013, the designation was raised to Grade I. The reasons given for the designation include its design context with its impressive location adjacent to St George's Hall. Also noted is the architectural interest of the cenotaph, with its horizontal lines forming a foil to the vertical columns of the hall. Referring to its sculptural interest, the citation states that the sculptural work is exceptional and is arguably Tyson Smith's finest and most powerful work. The design is considered to have contemporary significance in that rather than using allegory and heroic idealisation, it employs powerful and modern realist portrayals. The quality of its craftsmanship is praised, and it is also to have group value in its location near other listed buildings
Lime Street, Liverpool, England, UK, L1 1JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,SK14 6JL,village,house,Manchester,Hyde,schoolhouse,caption,stone,of,motto,over,education,old,manners,Longdendale,foundation,engraving,stonework,Come Ye Children,i will teach you,wisdom,bring them,children,in the nurture,and,admonition of the lord,anno domini MDCCCLXII,1862,Victorian,village school,original,strict
Description: Tony Smith image Alamy 2K1NK5A - . A grounded documentary photograph made at village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The frame specifically shows School house Come Ye Children 1862 - village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL. The image also relates to public realm, urban regeneration, historic townscape, before-and-after reference, historical comparison, period architecture, community identity, changing land use, local history, period detail, place identity, everyday life, urban fabric, and regional identity. Today's relevance is strengthened by town-centre regeneration, adaptive reuse and the continuing question of the tension between preserving local character and creating modern commercial space. As a dated visual record of village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL, the frame retains commercial use and occupation, making it especially useful if altered transport patterns subsequently changes the scene. Other useful contextual ideas include contemporary social history, town-centre renewal, heritage-led regeneration, visual archive, commercial redevelopment, social history, mixed-use redevelopment, and public-realm investment. Details involving house, Children, village, Manchester, and Mottram make the image more specific than a generic view and strengthen its local or historical value. For village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The period view preserves period character as part of village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL's history. The view records a trace of local identity for future local research.
village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,manners,man,education,old,schoolhouse,caption,over,doorway,stone,motto,of,William of. Wykeham,Hyde,Manchester,UK,SK14 6JL,village,house,Longdendale,Greater Manchester,sign,signs,B6174,historic,history,route,elaborate,Tameside,Mottram in Longdendale,Mottram,villages,feature,Street,features
Description: Tony Smith image Alamy 2K1NK5N - . Photographed at village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Caption over doorway, Manners makyth man, over Mottram old school, village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL. The image also relates to regional identity, adaptive reuse, commercial redevelopment, community identity, everyday life, place-making, heritage-led regeneration, period architecture, urban regeneration, historic townscape, documentary photography, changing land use, local history, and visual archive. From a 2025-onward perspective, town-centre regeneration and construction costs are closely linked to this subject, alongside how public investment can reshape pedestrian movement and evening activity. Future viewers can use this scene from village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL to compare commercial use and occupation with whatever follows after new construction. The photograph additionally reflects period detail, archival record, architectural character, social history, urban fabric, town-centre renewal, public realm, and changing streetscape. Elements such as Manchester, Mottram, village, Caption, and makyth add documentary specificity and may become increasingly useful when compared with later records. For village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is town-centre regeneration and how regeneration tries to create reasons to visit traditional town centres without losing the local specificity of village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL.
village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,High Peak,Derbyshire,UK,SK13 5EZ,George,Dragon,summer,flowers,open,G&D,stone,sandstone,millstone grit,corner,pub,pubs,bar,bars,hanging,baskets,history,historic,inn,tavern,public house,food,gastropub,restaurant,outside,exterior,door,doorway
Description: Tony Smith image Alamy 2K1NRHA - . An identifiable period record of 1 Glossop Rd, Charlesworth, Glossop, High Peak, Derbyshire, England, UK, SK13 5EZ in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The principal subject is George and Dragon pub, 1 Glossop Rd, Charlesworth, Glossop, High Peak, Derbyshire, England, UK, SK13 5EZ. The subject also carries associations with food-and-drink business, community identity, casual dining, local social venue, regional identity, traditional hostelry, customer-facing leisure, street-level dining, rural economy, before-and-after reference, hospitality trade, farm produce, period detail, and neighbourhood drinking venue. The wider contemporary story combines business rates, commercial rents and how branded and independent hospitality compete for changing leisure spending. Viewed from the mid-2020s, the subject also connects with agricultural policy, soil health and how hotter and wetter weather affects crop reliability. Small period details of public access and movement at 1 Glossop Rd, Charlesworth, Glossop, High Peak, Derbyshire, England, UK, SK13 5EZ may become more significant with time, particularly following closure or conversion. A second descriptive layer includes everyday life, pub heritage, summer fieldwork, licensed trade, visual archive, night-time economy, place identity, and archival record. Elements such as Derbyshire, Charlesworth, Dragon, Glossop, and George add documentary specificity and may become increasingly useful when compared with later records. A later view of 1 Glossop Rd, Charlesworth, Glossop, High Peak, Derbyshire, England, UK, SK13 5EZ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image fixes part of the area's social history as part of 1 Glossop Rd, Charlesworth, Glossop, High Peak, Derbyshire, England, UK, SK13 5EZ's history.
1 Glossop Rd, Charlesworth, Glossop, High Peak, Derbyshire, England, UK, SK13 5EZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,SK13,The George Hotel,the,34,High Peak,Derbyshire,UK,SK13 7QU,pub,bar,sign,outside,exterior,hotels,pubs,bars,signs,pub sign,closed,old,history,historic,George,heritage,lost,unused,not,open,signage,stone,building,architecture
Description: Tony Smith image Alamy 2K1RDEJ - The George Hotel was orginal built in 1836. In 1845 obtained its first alehouse license to cater for passengers from the newly then built raiway station. In 1855 it was called the Station Inn and Railway Hotel. In 1990 the hotel was bought by George and Jean Wharmby who renamed it to The George Hotel. The George Hotel is just a minute s walk from Glossop Rail Station, The George Hotel provides rooms with private en suite bathrooms and full English breakfasts on the edge of The Peak District. The George s rooms provide TVs, free Wi-Fi, and en suite private bathrooms. Tea and coffee facilities are also available, and some rooms offer views of the town and surrounding hills. A split-level restaurant is available to guests, featuring a varied menu including traditional British cuisine, vegetarian options, and continental dishes. Guests can also enjoy full English breakfasts in the restaurant.
34 Norfolk Street, Glossop, High Peak, Derbyshire, England, UK, SK13 7QU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,SK13,public,transport,train,railway,station,GMPTE,rail,sign,history,historic,stone,Glossop,High Peak,Derbyshire,England,UK,SK13 7AQ,gateway,to the,dark peak,trains,services,electric,electrified,line,lines,1845,building,town,TfGM,John Grey Weightman,Friends of Glossop Station,FOGS
Description: Tony Smith image Alamy 2K1WB7W - Glossop railway station serves the Peak District town of Glossop in Derbyshire, England. Glossop is the third busiest railway station in the county of Derbyshire after Derby and Chesterfield.
The station is 15 miles (24 km) east of Manchester Piccadilly, and is the terminus of the Glossop line. Together with nearby Derbyshire stations at Hadfield and Dinting, Glossop is considered to be part of the Greater Manchester rail network as it lies only a short distance over the county boundary and the line goes no further into Derbyshire. For that reason the station signs at Glossop feature the Transport for Greater Manchester (TfGM) logo, and the station features on the TfGM rail network map. However, Greater Manchester concessionary fares do not apply to passengers travelling from Glossop, Dinting or Hadfield
Henry Howard, 13th Duke of Norfolk built the spur line from Dinting Viaduct to Howard Town over his own land at his own expense. He then sold it to the Sheffield, Ashton-under-Lyne and Manchester Railway for £15,244 10s 10d (equivalent to £1,600,000 in 2021). The station was opened on 9 June 1845 to goods traffic
the formal opening was on 30 June 1845 it was attended by some of the SA&MR Directors, and passenger traffic began immediately afterward. The station buildings were constructed to the designs of John Grey Weightman and opened in 1847
Originally built with two platforms, the station was reduced to one operational platform in the 1970s when the branch was singled. When the voltage changed from 1500 V DC to 25 kV AC on 7 December 1984, the AC trains continued to use the old platform before the single line was transferred from one side of the island to the other. Trains arriving from Manchester Piccadilly reverse to proceed to Hadfield, and vice versa. The other platform face and redundant station buildings were incorporated into an extension for the next door Co-op supermarket and car park, now owned by The Co-operative Group.
Norfolk Street, Glossop, High Peak, Derbyshire, England, UK, SK13 7AQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,SK13,public,transport,train,railway,station,GMPTE,rail,sign,history,historic,stone,Glossop,High Peak,Derbyshire,England,UK,SK13 7AQ,gateway,to the,dark peak,trains,services,electric,electrified,line,lines,1845,building,town,TfGM,John Grey Weightman,Friends of Glossop Station,FOGS
Description: Tony Smith image Alamy 2K1WB7X - Glossop railway station serves the Peak District town of Glossop in Derbyshire, England. Glossop is the third busiest railway station in the county of Derbyshire after Derby and Chesterfield.
The station is 15 miles (24 km) east of Manchester Piccadilly, and is the terminus of the Glossop line. Together with nearby Derbyshire stations at Hadfield and Dinting, Glossop is considered to be part of the Greater Manchester rail network as it lies only a short distance over the county boundary and the line goes no further into Derbyshire. For that reason the station signs at Glossop feature the Transport for Greater Manchester (TfGM) logo, and the station features on the TfGM rail network map. However, Greater Manchester concessionary fares do not apply to passengers travelling from Glossop, Dinting or Hadfield
Henry Howard, 13th Duke of Norfolk built the spur line from Dinting Viaduct to Howard Town over his own land at his own expense. He then sold it to the Sheffield, Ashton-under-Lyne and Manchester Railway for £15,244 10s 10d (equivalent to £1,600,000 in 2021). The station was opened on 9 June 1845 to goods traffic
the formal opening was on 30 June 1845 it was attended by some of the SA&MR Directors, and passenger traffic began immediately afterward. The station buildings were constructed to the designs of John Grey Weightman and opened in 1847
Originally built with two platforms, the station was reduced to one operational platform in the 1970s when the branch was singled. When the voltage changed from 1500 V DC to 25 kV AC on 7 December 1984, the AC trains continued to use the old platform before the single line was transferred from one side of the island to the other. Trains arriving from Manchester Piccadilly reverse to proceed to Hadfield, and vice versa. The other platform face and redundant station buildings were incorporated into an extension for the next door Co-op supermarket and car park, now owned by The Co-operative Group.
Norfolk Street, Glossop, High Peak, Derbyshire, England, UK, SK13 7AQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,SK13,public,transport,train,railway,station,GMPTE,rail,sign,history,historic,stone,Glossop,High Peak,Derbyshire,England,UK,SK13 7AQ,gateway,to the,dark peak,trains,services,electric,electrified,line,lines,1845,building,town,TfGM,John Grey Weightman,Friends of Glossop Station,FOGS
Description: Tony Smith image Alamy 2K1WB7Y - Glossop railway station serves the Peak District town of Glossop in Derbyshire, England. Glossop is the third busiest railway station in the county of Derbyshire after Derby and Chesterfield.
The station is 15 miles (24 km) east of Manchester Piccadilly, and is the terminus of the Glossop line. Together with nearby Derbyshire stations at Hadfield and Dinting, Glossop is considered to be part of the Greater Manchester rail network as it lies only a short distance over the county boundary and the line goes no further into Derbyshire. For that reason the station signs at Glossop feature the Transport for Greater Manchester (TfGM) logo, and the station features on the TfGM rail network map. However, Greater Manchester concessionary fares do not apply to passengers travelling from Glossop, Dinting or Hadfield
Henry Howard, 13th Duke of Norfolk built the spur line from Dinting Viaduct to Howard Town over his own land at his own expense. He then sold it to the Sheffield, Ashton-under-Lyne and Manchester Railway for £15,244 10s 10d (equivalent to £1,600,000 in 2021). The station was opened on 9 June 1845 to goods traffic
the formal opening was on 30 June 1845 it was attended by some of the SA&MR Directors, and passenger traffic began immediately afterward. The station buildings were constructed to the designs of John Grey Weightman and opened in 1847
Originally built with two platforms, the station was reduced to one operational platform in the 1970s when the branch was singled. When the voltage changed from 1500 V DC to 25 kV AC on 7 December 1984, the AC trains continued to use the old platform before the single line was transferred from one side of the island to the other. Trains arriving from Manchester Piccadilly reverse to proceed to Hadfield, and vice versa. The other platform face and redundant station buildings were incorporated into an extension for the next door Co-op supermarket and car park, now owned by The Co-operative Group.
Norfolk Street, Glossop, High Peak, Derbyshire, England, UK, SK13 7AQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,canals,boat,barge,narrowboat,waterway,transport,Vale of Llangollen,Trevor,Llangollen,Wales,UK,Vale of Llangollen Canal,canal,track,railway,art,work,artwork,from,stone,beside,the,and,cast,iron,metal,mine,working,waggon,rail,tracks,chain,chains,Cymru
Description: Tony Smith image Alamy 2JRAHWW - . Recorded at Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on Art work from stone and cast iron mine working waggon and rails, Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP. The wider scene also brings together rail corridor, inland transport history, canal heritage, industrial stock-photo/gotonysmith-Waterway.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>waterway history, documentary photography, local history, trackside history, waterway conservation, rail transport history, working railway heritage, signal-box architecture, social history, changing land use, and before-and-after reference. The wider contemporary story combines waterway maintenance, biodiversity and how museum collections preserve working waterway history. Viewed from the mid-2020s, the subject also connects with signalling technology, decarbonisation and how Crewe's identity remains tied to railway engineering and operations. The image fixes commercial use and occupation within Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP at one identifiable point, providing a benchmark against changing commercial priorities. The location also brings in community identity, heritage boating, place identity, period detail, boat museum collection, public realm, historic rolling stock, and freight wagon. The combination of Trevor, stone, rails, Llangollen, and Wales anchors the frame to a recognisable activity, place or moment. The wider setting at Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes waterway maintenance and the value of canals as both historic infrastructure and blue-green corridors within the specific setting of Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP.
Vale of Llangollen, Trevor, Llangollen, Wales, UK, LL20 7TP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,history,historic,signs,Stonemasons,Memorials,memorial,in,granite,marble,slate,tel,01925635109,01925-635109,cemetery,WA1,Warrington Cemetery,Manchester Rd,Warrington,Cheshire,England,UK,WA1 3BG,funeral,funerals,stone,graves,grave,stones,stonemason,stonemasons,framed,frame,mounted,up,advert,assisted dying,bill
Description: Tony Smith image Alamy 2JWB52X - . Photographed at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The main point of reference is Roughleys Stonemasons, Memorials in granite, marble, slate & stone sign Warrington tel 635109. The locality and subject together evoke memorial culture, place-making, local character, community identity, public commemoration, place identity, before-and-after reference, everyday life, period detail, local history, public-realm investment, town-centre renewal, visual archive, and social history. From a 2025-onward perspective, public commemoration and heritage conservation are closely linked to this subject, alongside the long-term importance of recording memorials before they are altered or lost. The wider contemporary story combines adaptive reuse, heritage conservation and the value of reusing existing buildings rather than wholesale demolition. Future viewers can use this scene from Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG to compare lettering, decoration and surface detail with whatever follows after conservation work. The wider setting retains connections with period architecture, memorial inscription, regional identity, architectural character, commercial redevelopment, built heritage, place-based remembrance, and civic architecture. References to Stonemasons, slate, 635109, granite, and Memorials give the picture a strong period identity and tie it closely to its named subject. The wider setting at Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The view records a point of historical comparison for later comparison.
Warrington Cemetery, Manchester Rd, Warrington, Cheshire, England, UK, WA1 3BG
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,Eastcombe,Gloucestershire,Cotswold,Cotswolds,England,UK,GL6,Benefice,history,historic,architecture,building,St John,St Johns,1820,John Wight,Francis Niblett,Grade II,listed,summer,blue sky,blue skies,bright,view,image,cute,village,villages,heritage,stone,stonework,old,Victorian,Anglican,churches
Description: Tony Smith image Alamy 2JM9P35 - The village church, St John the Apostle, was built and opened in 1820. It was designed by John Wight, and later expanded in 1872 by Francis Niblett. It is constructed of limestone ashlar with a stone slate roof to coped gables. English Heritage has listed the church as Grade II for its special architectural and historic interest
Sheepscombe, Slad Rd, Stroud, Cotswold, England, UK, GL6 7RF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,England,UK,the,village,stone,Cotswold,Cotswolds,St Modwen Homes,former,inland,port,canal,canals,Chalford,River Frome,and,Thames and Severn Canal,junction,Thames & Severn Canal,Severn Canal,transfer point,temporary home,to,Community Interest Companies,Brimscombe and Thrupp Parish Council,Thrupp,Brimscombe,mill,mills,factory,warehouse,warehouses
Description: Tony Smith image Alamy 2JMA8EC - Situated between the town of Stroud and the village of Chalford, Brimscombe Port is a stunning location at the foot of the Cotswold escarpment, next to the River Frome and Thames and Severn Canal.
Brimscombe Port started life in 1779 and became a key transfer point for sea-going barges to narrow boats accommodating some 100 vessels at its height. Sadly the canal and basin were filled in after the Second World War. The canal headquarters, which then became a school, was demolished as part of road straightening in the 1960s. The Port took on a new lease of life as an industrial estate, becoming home to a number businesses, including the family run ring binder company Benson & Sons. Sadly, as businesses moved out of the site, it started to fall into disrepair.
Recently, the Port was a temporary home to a number of Community Interest Companies whilst viability for the site was assessed and funding was secured.
Brimscombe Port, Brimscombe, Stroud, Gloucestershire, England, UK,GL5 2QG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,England,UK,the,village,stone,Cotswold,Cotswolds,St Modwen Homes,former,inland,port,canal,canals,Chalford,River Frome,and,Thames and Severn Canal,junction,Thames & Severn Canal,Severn Canal,transfer point,temporary home,to,Community Interest Companies,Brimscombe and Thrupp Parish Council,Thrupp,Brimscombe,mill,mills,factory,warehouse,warehouses
Description: Tony Smith image Alamy 2JMA8EK - Situated between the town of Stroud and the village of Chalford, Brimscombe Port is a stunning location at the foot of the Cotswold escarpment, next to the River Frome and Thames and Severn Canal.
Brimscombe Port started life in 1779 and became a key transfer point for sea-going barges to narrow boats accommodating some 100 vessels at its height. Sadly the canal and basin were filled in after the Second World War. The canal headquarters, which then became a school, was demolished as part of road straightening in the 1960s. The Port took on a new lease of life as an industrial estate, becoming home to a number businesses, including the family run ring binder company Benson & Sons. Sadly, as businesses moved out of the site, it started to fall into disrepair.
Recently, the Port was a temporary home to a number of Community Interest Companies whilst viability for the site was assessed and funding was secured.
Brimscombe Port, Brimscombe, Stroud, Gloucestershire, England, UK,GL5 2QG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,centre,England,UK,GL5,stone,building,buildings,the,Stroud,old,town,hall,headquarters,of,UDC,Council Chambers,Council,GL5 1AP,history,historic,English,thriving,successful,district,council,DC,summer,summertime,tourist,tourism,attraction,Shambles,oldest,part
Description: Tony Smith image Alamy 2JMD5R4 - The Old Town Hall is a municipal building in The Shambles, Stroud, Gloucestershire, England. The town hall, which was the headquarters of Stroud Urban District Council, is a Grade II* listed building.
Following the granting of a charter to hold markets in 1594, the lord of the manor at Over Lypiatt, John Throckmorton, decided to commission a market hall
the new building was designed in the neoclassical style and completed in 1596. The original design involved a symmetrical main frontage with four bays facing onto the Market Place
it was arcaded on the ground floor to allow markets to be held
an assembly room with a large oriel window was established on the first floor.
The building was first used for municipal purposes as a meeting place for the local vestry in the early 19th century. It was extended to a design by Francis Niblett to accommodate the county court in 1851 and, after becoming the offices of the local board of health, it was remodelled in the gothic style with a large gable containing mullion windows erected above the two central bays in 1856. In order to improve the stability of the building, large buttresses, flanking the two central bays, were installed on the front of the building in 1890. After significant population growth, partly associated with the number of dye works in the town, the area became an urban district with the town hall as its headquarters in 1894.
Following an increase in the responsibilities of the council, civic leaders acquired the former offices of the Gloucester Banking Company in the High Street in 1930
the High Street building was converted for municipal use and was subsequently referred to as the Council Chambers. Although most council officers and their departments moved to the new Council Chambers in the High Street, some departments, including the technical services department, remained in the old building. The old town hall remained in municipal use even after the enlarged Stroud District Council was formed
The Shambles, Stroud, Gloucestershire, England, UK, GL5 1AP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Gloucestershire,centre,England,UK,GL5,stone,building,buildings,the,Stroud,old,town,hall,headquarters,of,UDC,Council Chambers,Council,GL5 1AP,history,historic,English,thriving,successful,district,council,DC,summer,summertime,tourist,tourism,attraction,Shambles,oldest,part
Description: Tony Smith image Alamy 2JMD5TG - The Old Town Hall is a municipal building in The Shambles, Stroud, Gloucestershire, England. The town hall, which was the headquarters of Stroud Urban District Council, is a Grade II* listed building.
Following the granting of a charter to hold markets in 1594, the lord of the manor at Over Lypiatt, John Throckmorton, decided to commission a market hall
the new building was designed in the neoclassical style and completed in 1596. The original design involved a symmetrical main frontage with four bays facing onto the Market Place
it was arcaded on the ground floor to allow markets to be held
an assembly room with a large oriel window was established on the first floor.
The building was first used for municipal purposes as a meeting place for the local vestry in the early 19th century. It was extended to a design by Francis Niblett to accommodate the county court in 1851 and, after becoming the offices of the local board of health, it was remodelled in the gothic style with a large gable containing mullion windows erected above the two central bays in 1856. In order to improve the stability of the building, large buttresses, flanking the two central bays, were installed on the front of the building in 1890. After significant population growth, partly associated with the number of dye works in the town, the area became an urban district with the town hall as its headquarters in 1894.
Following an increase in the responsibilities of the council, civic leaders acquired the former offices of the Gloucester Banking Company in the High Street in 1930
the High Street building was converted for municipal use and was subsequently referred to as the Council Chambers. Although most council officers and their departments moved to the new Council Chambers in the High Street, some departments, including the technical services department, remained in the old building. The old town hall remained in municipal use even after the enlarged Stroud District Council was formed
The Shambles, Stroud, Gloucestershire, England, UK, GL5 1AP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,in,the,Marsh,Moreton-In-The-Marsh,Moreton,Cotswold,Cotswolds,town,Gloucestershire,England,UK,Moreton in the Marsh,Evenlode,valley,Old Bank,sign,Midland Bank,closed,closure,banking,banks,High St,GL56 0BD,GL56,grade II,ashlar,stone,old,historic,buildings,small,vulnerable,British,bank,Silicon Valley
Description: Tony Smith image Alamy 2JNBXTB - 1. 5224 MORETON-IN-THE-MARSH HIGH STREET (west side)
The Old Bank (Midland Bank) and house adjoining SP 2032 SW 2/52
II GV
2. Circa 1840, but dated 1878 over the door, probably the date of its commencement as a bank. Ashlar, with hipped Welsh slate roof. Bands at each floor level. Three storeys, 4 windows, sashes with glazing bars. Radiused corner to Bourton Road with one window on the return. Bank frontage to left, presumably 1878. Three large elliptically headed windows without glazing bars and with keystones, cornice over. Doorway with vermiculated surround on corner. Six panel door with rectangular fanlight over in right hand section of frontage. Deep eaves, ashlar stacks.
Listing NGR: SP2044032353
High St, Moreton-in-Marsh, Evenlode Valley, Cotswolds, Oxfordshire, England, UK, GL56 0BD
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Herefordshire,England,UK,HR1 2NG,entrance,door,doors,entry,listed,grade II,building,gargoyle,stone,carved,carving,HR1,doorway,outside,architecture,arch,arches,Britain,British,Great Britain,history,historic,old,medieval,Christian,face,faces,ornate,detail,gargoyles
Description: Tony Smith image Alamy 2JPB8N1 - . Made at Hereford City Centre, Herefordshire, England, UK, HR1 2NG in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Hereford Cathedral details, Hereford City Centre, Herefordshire, England, UK, HR1 2NG. The surrounding context encompasses cityscape history, architectural character, contemporary social history, heritage worship space, religious heritage, medieval church setting, changing streetscape, community identity, period detail, before-and-after reference, visual archive, local character, religious artwork, and changing land use. Current relevance extends to church maintenance and heritage conservation, particularly through how places of worship combine active religious use with tourism and heritage. In present-day coverage, the subject reaches into embodied carbon and adaptive reuse, not least because of keeping older buildings useful without erasing their distinctive character. For later comparison, the photograph preserves street furniture and boundaries at Hereford City Centre, Herefordshire, England, UK, HR1 2NG, details that may look very different after closure or conversion. A second descriptive layer includes Christian iconography, sacred space, archival record, ecclesiastical decoration, historic townscape, historic streetscape, public realm, and ecclesiastical art. References to Cathedral, details, Herefordshire, and Centre give the picture a strong period identity and tie it closely to its named subject. Around Hereford City Centre, Herefordshire, England, UK, HR1 2NG, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The frame retains a point of historical comparison for later comparison. Image 2JPB8N1 also remains a dated record of Hereford City Centre, Herefordshire, England, UK, HR1 2NG.
Hereford City Centre, Herefordshire, England, UK, HR1 2NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,WA13 0AG,WBC,Borough Council,ward,constituency,Tatton Ward,Limme,Lymm South ward,Lymm North and Thelwall ward,twinned with,Meung-sur-Loire,centre,Candy Cabs,National Heritage List for England,grade I,pedimented,gable,ball finials,stone,ball,We are a Shadow,Save Time,Think of the Last,village,tourist,tourism,attraction,attractive,English,British,festivals,event,events
Description: Tony Smith image Alamy 2JHPYE0 - Lymm Cross is in the village of Lymm, Warrington, Cheshire, England. It is recorded in the National Heritage List for England as a designated Grade I listed building.
The cross dates from the early to mid-17th century and was restored in 1897. It is constructed of sandstone and stands on an artificially stepped natural outcrop of red sandstone. Its shaft stands in a square pavilion of red sandstone with square corner pillars. It has a stone roof with a pedimented gable to each face and ball finials. Above the cross is an extension which carries a stone ball and an ornate weather vane. On the east, south and west gables are bronze sundials of 1897 carrying the inscriptions We are a Shadow, Save Time and Think of the Last.
The adjacent stocks are separately Grade II listed.
Lymm village centre,South Warrington, Cheshire, England, WA13
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,Cheshire,England,UK,Anglican,church,graveyard,graves,grave,yard,listed,grade II,village,villages,Greenall,family,sandstone,religion,christian,WA4,London Road,history,heritage,architecture,religious,Anglicans,tower,towers,monument,monuments,stone,stonework,clock,clocktowers,clocktower
Description: Tony Smith image Alamy 2JEKR44 - St Thomas' Church is in Stockton Heath, to the south of Warrington, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II listed building, and is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth
The present church was built in 1868 on the site of a former church that had been erected in 1838. It was designed by the Lancaster architect E. G. Paley, the main benefactor being Sir Gilbert Greenall
It is constructed in pinkish-red sandstone with Westmorland slate roofs. Its plan consists of a four-bay nave with a south aisle under a parallel ridged roof, a south porch, a north transept, a north vestry, a two-bay chancel and a west tower. The tower is in four stages with an octagonal southeast turret and an embattled parapet.
The chancel is decorated with richly coloured patterned tilework and the reredos is of marble and embossed patterned tiles. The organ was built around 1880 by Young and Sons and rebuilt in 1963 by Rushworth and Dreaper of Liverpool
London Road, Stockton Heath, Warrington, Cheshire,England,UK, WA4 6HJ
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,Cheshire,England,UK,Anglican,church,graveyard,graves,grave,yard,listed,grade II,village,villages,Greenall,family,sandstone,religion,christian,WA4,London Road,history,heritage,architecture,religious,Anglicans,tower,towers,monument,monuments,stone,stonework,clock,clocktowers,clocktower
Description: Tony Smith image Alamy 2JEKR7E - St Thomas' Church is in Stockton Heath, to the south of Warrington, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II listed building, and is an active Anglican parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Great Budworth
The present church was built in 1868 on the site of a former church that had been erected in 1838. It was designed by the Lancaster architect E. G. Paley, the main benefactor being Sir Gilbert Greenall
It is constructed in pinkish-red sandstone with Westmorland slate roofs. Its plan consists of a four-bay nave with a south aisle under a parallel ridged roof, a south porch, a north transept, a north vestry, a two-bay chancel and a west tower. The tower is in four stages with an octagonal southeast turret and an embattled parapet.
The chancel is decorated with richly coloured patterned tilework and the reredos is of marble and embossed patterned tiles. The organ was built around 1880 by Young and Sons and rebuilt in 1963 by Rushworth and Dreaper of Liverpool
London Road, Stockton Heath, Warrington, Cheshire,England,UK, WA4 6HJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city centre,Merseyside,historic,history,Pier Head,the,Liverpool,England,UK,L3 1HN,L3,art,deco,1920,heritage,old,olden,days,buildings,building,carved,carving,stone,concrete,construction,carvings,interesting,playful,disgn,style,sculpture,sculptured,proud
Description: Tony Smith image Alamy 2JD0ME7 - . A grounded documentary photograph made at Pier Head Liverpool, Merseyside.htm Target=_Blank>Merseyside, England, UK, L3 1HN in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. At the centre of the view is Historic Mersey Tunnel exhaust, Pier Head Liverpool, Merseyside, England, UK, L3 1HN. Further facets of the scene include architectural character, traditional holiday town, heritage asset, documentary photography, seaside retail, everyday life, coastal leisure, built heritage, social history, architectural detailing, tourism retail, resort heritage, conservation architecture, and heritage landmark. The modern context includes continuing discussion of planning control, local identity and the tension between conservation and redevelopment. For current editorial use, domestic tourism and weather dependence provide additional context, especially through the vulnerability of resort economies to seasonality and changing visitor habits. The archival value lies partly in recording signage and branding around Pier Head Liverpool, Merseyside, England, UK, L3 1HN before changed technology alters the character of the place. The subject also sits alongside visual archive, local history, British seaside culture, local landmark, before-and-after reference, historic streetscape, changing land use, and period streetscape. References to Mersey, Tunnel, Liverpool, Merseyside, and exhaust give the picture a strong period identity and tie it closely to its named subject. For Pier Head Liverpool, Merseyside, England, UK, L3 1HN, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is planning control and the tension between conservation and redevelopment as part of the longer story of Pier Head Liverpool, Merseyside, England, UK, L3 1HN.
Pier Head Liverpool, Merseyside, England, UK, L3 1HN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Tarvin,building,tower,Anglican parish church,Anglican,christian,church,red sandstone,red,sandstone,Cheshire,history,historic,heritage,old,town,centre,ornate,lane,road,architecture,village,summer,sunny,blue sky,blue skies,stone,union,flag,flags,graveyard,churchyard
Description: Tony Smith image Alamy 2C6RE6X - . Photographed at Tarvin, Cheshire, England, UK, the scene provides a dated reference to the subject and the surrounding social, commercial or physical environment. The scene records St Andrews Church, Tarvin, Grade I listed building,. The frame also records themes of historic streetscape, cityscape story.htm Target=_Blank>history, contemporary history, community identity, architectural character, public realm, period detail, local character, social landscape, urban change, heritage asset, local history, social history, and historical comparison. The present-day relevance extends to maintenance and embodied carbon, while a wider concern is using existing buildings rather than demolishing them. The photograph fixes commercial identity and local use within Tarvin, Cheshire, England, UK at one identifiable point, providing a benchmark against replacement signage. The photograph additionally reflects conservation interest, period building, traditional masonry, documentary photography, urban fabric, regional identity, built environment, and changing streetscape. References to Andrews, Tarvin, Church, building, and listed give the picture a strong period identity and tie it closely to the named subject. For Tarvin, Cheshire, England, UK, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The scene retains a connection with maintenance and preserving local identity during urban change within the specific setting of Tarvin, Cheshire, England, UK. That also gives the frame relevance to energy retrofit and preserving local identity during urban change as part of the longer story of Tarvin, Cheshire, England, UK. Another useful connection is energy retrofit and the contrast between historic fabric and modern development when considered against later change at Tarvin, Cheshire, England, UK. The image adds a further period reference to the visual history of Tarvin, Cheshire, England, UK.
Tarvin, Cheshire, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Bath England,bath spa,spa,Roman baths,city centre,Bath city,Roman Britain,city,listed building,baths,Building,what did the Romans do for us,stone,stone sign,sign,Abbey Roman Bath,summer,sunny,exterior,outside,BA1,centre,blue,sky,skies,stonework,Roman,building,buildings,architecture,Romans,style,feature,features
Description: Tony Smith image Alamy 2B1YFRY - . Photographed at Abbey St, Bath, Somerset, BA1 1NW in 2020, this is a specific real-world record of the subject, its setting and the period details surrounding it. The image documents Bath Cathedral Abbey and Roman Bath Building - Bath Spa, Somerset, England, UK - thermae in Roman Britain - Aquae Sulis. The setting also relates to period detail, architectural detailing, documentary photography, historic context, period streetscape, estate environment, built heritage, neighbourhood regeneration, housing stock, residential development, heritage landmark, public realm, historic frontage, and regional identity. For contemporary context, adaptive reuse and energy retrofit are closely related themes, especially where the issue becomes the role of distinctive architecture in local identity. Viewed from the mid-2020s, the subject sits within continuing debate about repairs, damp and mould and the pressure to provide safe and affordable homes. As a piece of social history, the scene keeps a record of the way the place functioned before later physical or commercial change within the setting of Abbey St, Bath, Somerset, BA1 1NW. The setting also brings in before-and-after reference, historic townscape, built environment, architectural character, historical comparison, residential environment, community housing, and heritage asset. References to Abbey, Cathedral, Somerset, Roman, and Building help fix the photograph to its own subject and period rather than reducing it to a generic view. The surrounding context at Abbey St, Bath, Somerset, BA1 1NW matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is adaptive reuse and reusing existing buildings rather than demolishing them when considered against later change at Abbey St, Bath, Somerset, BA1 1NW. The image fixes period character for future local research.
Abbey St, Bath, Somerset, BA1 1NW
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Bath England,bath spa,spa,Building,listed building,Roman baths,baths,city,city centre,Bath city,Roman Britain,what did the Romans do for us,temple,Sacred Spring,Roman Temple,stone,sign,stone sign,centre,blue,sky,skies,stonework,Roman,building,buildings,architecture,Romans,style,feature,features
Description: Tony Smith image Alamy 2B1YFTC - . This period scene at the recorded location in 2020 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. At the centre of the frame is Roman Bath Building - Bath Spa, Somerset, England, UK - thermae in Roman Britain - Aquae Sulis. The surrounding context brings together residential environment, local history, heritage asset, period detail, community identity, cityscape history, contemporary social history, visual archive, place-making, architectural detailing, historic frontage, adaptive reuse, everyday life, and traditional masonry. Today's wider story includes heritage conservation, planning control and the practical question of reusing existing buildings rather than demolishing them. For contemporary context, building safety and energy retrofit are closely related themes, especially where the issue becomes the pressure to provide safe and affordable homes. From an archival perspective, the scene keeps a record of the combination of built form, activity and local identity at the recorded site in the recorded location. A second layer of the scene includes housing affordability, historical comparison, archival record, community housing, heritage landmark, neighbourhood regeneration, estate environment, and historic commercial architecture. References to Building, Aquae, Sulis, Somerset, and thermae help fix the photograph to its own subject and period rather than reducing it to a generic view. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The wider significance includes heritage conservation and reusing existing buildings rather than demolishing them as part of the longer story of the recorded location. The record includes evidence of earlier appearance within the wider story of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,tourist,travel,Irish,Dawson Street,D02 YV57,anns,1720,Church of Ireland,building,architecture,Georgian architecture,Dawson St,baroque style,baroque,style,parish,parishes,churches,Catholic,history,historic,heritage,stone,ornate,beautiful,architectural,Dawson,St,street,mass,masses,in,services,service
Description: Tony Smith image Alamy 2MG3YAE - St. Ann's Church on Dawson Street in Dublin, Ireland is a Church of Ireland church, constructed originally around 1720 following the establishment of the local Anglican parish in 1707.
In the early 21st century the church presents itself as ecumenical within the tradition of the Church of Ireland.
Building history
The building of the church in baroque style commenced in 1720, to a design by Isaac Wills.[2] The current façade dates to 1868.[3][4][5]
Exterior and façade
St. Ann's original façade was never completed above the first floor. In 1868, a competition was held for a new façade, with the architectural firm of Lanyon, Lynn & Lanyon losing the commission to the Deanes, Thomas Newenham Deane and his father. The younger Deane, who had been involved with the creation of significant buildings at Oxford University, designed a neo-Romanesque front.[6] Described by one travel guide as amazingly ornate,[7] the façade as it exists in the 21st century lacks some elements of Deane's original conception, most significantly the tallest tower
the design as Deane submitted it can be viewed online. From an architectural perspective, this omission has been criticised as disrupting the building's flow from the rectory to the spire
18 Dawson St, Dublin 2, D02 YV57, Eire, Ireland
Description
Keywords: @Hotpixuk,Hotpixuk,GoTonySmith,historic,history,Mancs,people,RIP,gravestones,famous,icons,Barlow Moor Rd,Manchester,M21,Barlow Moor Road,municipal cemetery,Chorlton cum Hardy,Chorlton,Withington,radio presenter,headstone,13 October 1904 "" 27 March 1978,1978,Wilfred Pickles OBE,OBE,grave,burial,burials,graves,stone,find,a,27 March 1978,Halifax,Yorkshireman,Yorkshire,personality,Have A Go,Ask Pickles
Description: Tony Smith image Alamy 2DFF0HY - Southern Cemetery is a large municipal cemetery in Chorlton-cum-Hardy, Manchester, England, 3 miles (4.8 km) south of the city centre. It opened in 1879 and is owned and administered by Manchester City Council. It is the largest municipal cemetery in the United Kingdom and the second largest in Europe.
Manchester Southern Cemetery originally occupied a 100-acre (40 ha) plot of land, in what was then Withington, that cost Manchester Corporation £38,340 in 1872. Its cemetery buildings were designed by architect H. J. Paull and its layout attributed to the city surveyor, James Gascoigne Lynde.
212 Barlow Moor Rd, Manchester,England,UK, M21 7GL
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Somerset,SDC,Sedgemoor,Sedgemoor District Council,South West England,England,UK,South West,town,pray,praying,carved,stone,stonework,British,female,church,Anglican,tradition,traditional,spiritual,wall,mounted,wall mounted,Grade I listed building,Grade I,listed building,deanery of Sedgemoor,listed buildings,architecture,town centre,religion,historic,history
Description: Tony Smith image Alamy 2AFMKHD - . An authentic period view of the recorded location in 2019, showing a subject whose value extends beyond the immediate scene into local history and changing social context. The main subject is Stone Carved Angel, St Mary's Church,Bridgwater,Somerset,England,UK. The image connects the immediate subject with visual archive, changing streetscape, political campaigning, historic frontage, traditional masonry, constituency representation, cityscape history, local character, government priorities, place identity, everyday life, period detail, heritage asset, and public realm. The subject remains useful for current coverage of maintenance costs and planning control, not least because of the role of distinctive architecture in local identity. Today's wider story includes infrastructure, healthcare and the practical question of tracking how priorities change after elections. For local-history research, the photograph anchors local appearance, occupation, access and public activity in the immediate surroundings of the recorded location. The setting also brings in before-and-after reference, urban fabric, architectural detailing, social history, contemporary social history, policy controversy, adaptive reuse, and civic debate. The recorded references to Mary's, Bridgwater, Stone, Church, and Angel preserve clues about how the subject was presented, used or understood at the time. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is maintenance costs and the role of distinctive architecture in local identity as part of the longer story of the recorded location. The image also provides a reference for healthcare and tracking how priorities change after elections when considered against later change at the recorded location. The period view preserves details of everyday use before later change alters the scene.
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,Greater Manchester,Manchester,Cheshire,England,UK,town,history,historic,architecture,building,affiliated bank,door,doorway,exterior,small,vulnerable,British,banking,bank,Silicon Valley,banks,Victorian,1800s,outside,doors,stone,stonework,ornate,preserved,SK1,15-17,Bridge Street,SK1 1XR,buildings,cash
Description: Tony Smith image Alamy 2BCTH2H - Union Bank Of Manchester
The Union Bank was an early joint stock bank in the industrial heartland of Lancashire, established in 1836 with a capital of £6 million divided into 24,000 shares of £25 each. Although the original intention of the Union Bank was to confine itself to Manchester, after twenty years this policy was changed, and its first branch opened at Knutsford in 1856. The bank flourished with the growth of industry and acquired several smaller banks in Lancashire, Cheshire and Yorkshire. It became an affiliated bank within the Barclays Group in 1919, when 99% of its capital was acquired under an arrangement whereby Union Bank shareholders were given shares in Barclays to replace their Union Bank shares. This was Barclays' last major acquisition before the Treasury put a block on major banking mergers in 1920. The Union Bank continued to be managed and marketed separately until 1940 when it was fully absorbed into Barclays
15-17 Bridge St, Stockport, Greater Manchester, England, UK, SK1 1XR
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,North West England,Modern Mad Hatters Tea Party,coke,McDonalds,food,shopping,centre,mall,retail,Warrington,Cheshire,England,UK,Shopping Centre,market square,mad hatter,Alice,teapot,mad hatters tea party golden square,Mad Hatter tea party Warrington,Edwin Russell,artist Edwin Russell,granite,stone,Sleepy Dormouse,Dormouse,mouse,March Hare,hare,Princess Diana,HRH,HRH Prince Charles,Golden Square Warrington shopping centre,Brexit Wonderland,brexit Mad Hatters Tea Party,its always tea time,teatime
Description: Tony Smith image Alamy 2AGP2YB - Mad Hatter tea party, Warrington
Edwin Russell's sculpture in Golden Square, Warrington. Created from granite and depicting four classic Lewis Carroll characters (Alice, the Mad Hatter, the Sleepy Dormouse and the March Hare), the piece cost £25,000 to create and was unveiled By Princess Diana on a visit to the town with HRH Prince Charles in 1984.
Golden Square, Warrington, Cheshire, England, UK
Description
Keywords: @HotpixUK,Gotonysmith,John Rylands,Library,city,centre,outside,building,stone,Victorian,doors,entrance,sandstone,front,neo,gothic,Enriqueta Augustina Rylands,The University of Manchester Library,University,library,William Caxton,historic,history,historic buildings,tourist,tourism,reader,readers,borrowers,historic library,historic libraries,Rylands Library,gothic architectural style,architecture,exterior,gold,lettering,sign,street view,arts crafts
Description: Tony Smith image Alamy MNFTF3 - The John Rylands Library is a late-Victorian neo-Gothic building on Deansgate in Manchester, England. The library, which opened to the public in 1900, was founded by Enriqueta Augustina Rylands in memory of her husband, John Rylands. The John Rylands Library and the library of the University of Manchester merged in July 1972 into the John Rylands University Library of Manchester
today it is part of The University of Manchester Library.
Special collections built up by both libraries were progressively concentrated in the Deansgate building. The special collections, believed to be among the largest in the United Kingdom, include medieval illuminated manuscripts and examples of early European printing, including a Gutenberg Bible, the second largest collection of printing by William Caxton, and the most extensive collection of the editions of the Aldine Press of Venice. The Rylands Library Papyrus P52 has a claim to be the earliest extant New Testament text. The library holds personal papers and letters of notable figures, among them Elizabeth Gaskell and John Dalton.
The architectural style is primarily neo-Gothic with elements of Arts and Crafts Movement in the ornate and imposing gatehouse facing Deansgate which dominates the surrounding streetscape. The library, granted Grade I listed status in 1994, is maintained by the University of Manchester and open for library readers and visitors.
Deansgate, Manchester, UK
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,bust,busts,stone,carved
Description: Tony Smith image Alamy P72EMC - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Port Sunlight Village, Lower Rd, Bebington, Wirral CH62 5EQ
Description
Keywords: GoTonysmith,@HotpixUK,City Centre,public house,historic,history,capital,Citte,Of,Yorke,City of York,Chancery Lane,London,England,UK,grade2,Grade II,listed,building,Old Brewery,beer,bitter,Henekeys long bar,long bar,Henekeys,with drinker,Victorian,22 High Holborn,exterior,outside,clock,pub with clock,Coat of Arms,Front,stone,frontage,front,roman numerals,sign,pub sign
Description: Tony Smith image Alamy MM9A08 - . This scene at the recorded location in 2018 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Citte Of Yorke Pub, Chancelry Lane, Holborn, London, England, UK. A broader reading of the photograph includes cider brand history, drinks packaging, changing land use, before-and-after reference, drinks manufacturing, documentary photography, local history, factory bottling line, social history, regional drinks industry, community identity, changing streetscape, period detail, and archival record. From a 2025-onward perspective, regional food heritage and brand heritage are closely linked to this subject, alongside Herefordshire's long association with commercial cider production. Small period details of building condition and alterations at the recorded location may become more significant with time, particularly following redevelopment. Further associations within the scene are everyday life, fermented drink production, public realm, visual archive, bottle-filling machinery, historical comparison, historic beverage advertising, and bottling technology. Elements such as London, Yorke, Chancelry, Citte, and Holborn add documentary specificity and may become increasingly useful when compared with later records. Even without a fuller street location, image MM9A08 preserves the period presentation of Citte Of Yorke Pub, Chancelry Lane, Holborn, London, England, UK, giving later viewers a fixed documentary point for comparison. Its period value extends to regional food heritage and the relationship between orchard agriculture, regional identity and branded cider without losing the local specificity of the recorded location. The location additionally provides evidence of responsible drinking and how bottling technology transformed large-scale drinks manufacturing in a form that can be compared with future views of the recorded location.
Description
Keywords: Office,space,history,historic,architecture,building,city,centre,ave,L2,grade,listed,II,building,Grayson,Ould,granite,brick,stone,arched,entrance,Corinthian,pilasters,Ionic,Queen Insurance,Queen Insurance Buildings,Queen Avenue,Castle st,Grade II,Grayson and Ould,Grayson & Ould,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Ionic,half-columns,half,columns,lamp,lamps,Victorian,gaslamp,gas,path,pathway,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HM63 - An office building designed by Grayson and Ould. It is in brick with stone dressings, a granite ground floor, and a slate Mansard roof. The building has four storeys, and is five bays wide. In the ground floor, two of the bays form an arched entrance to Queen Avenue. In the first floor, between the windows, are Corinthian pilasters, and between the windows in the second floor are Ionic half-columns. On the front of the building are friezes, and at the top are dormers
Queen Insurance Buildings, Queen Avenue, Liverpool L2 4TZ
Description
Keywords: Tithebarn,St,street,building,history,historic,railway,terminus,stone,office,space,offices,moorfields,Merseyrail,architect,Beeching,Axe,closed,Exchange Station,Liverpool Exchange railway station,Liverpool Exchange station,John Hawkshaw,Liverpool Tithebarn Street,Tithebarn Street Station,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Merseyrail,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HMJ9 - Liverpool Exchange railway station was a railway station located in the city centre of Liverpool, England. Of the four terminal stations in Liverpool's city centre, Exchange station was the only station not accessed via a tunnel.
The station was badly damaged during World War II and lost a large proportion of the trainshed roof, which was never rebuilt, remaining an iron frame. The station's long distance services were switched to Liverpool Lime Street in the 1960s, and, as a terminus, the station became redundant in the late 1970s, when its remaining local services switched to the newly opened Merseyrail tunnels under Liverpool city centre. It was closed in 1977, being replaced by the new Moorfields underground station nearby.
Station construction and opening
Tithebarn Street as it was between opening in 1850 and reconstruction in 188688
The grandly-appointed station opened on 13 May 1850, replacing an earlier temporary station at Great Howard Street further north up the track. The station was designed by John Hawkshaw. The station had two names because the joint owners could not agree on a name. The Lancashire and Yorkshire Railway (LYR) named the station Liverpool Exchange Station with the East Lancashire Railway (ELR) naming the station Liverpool Tithebarn Street.
On 13 August 1859, the LYR absorbed the ELR, from which date the name of the station was Liverpool Exchange.[2][3] From 1 October 1850 trains of the Liverpool, Crosby and Southport Railway (LCSR) began to run into Exchange/Tithebarn Street station with three companies using the terminus. The LCSR became part of the LYR on 14 June 1855. By 13 August 1859 the LYR had absorbed the other two companies using the terminus leaving only one operator.
The station was the terminus of the ELR's line to Preston, the LYR's route to Bolton and the LCSR routes to Crosby and Southport.
Tithebarn St, Liverpool, England, UK L2 2QP
Description
Keywords: Humfredo,Chetham,Christian,architecture,inside,interior,religion,cross,religious,easter,altar,stone,church,stone,in,front,infront,of,stained,glass,window,Manchester Cathedral,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4EE2R - Sir Humphrey Chetham (10 July 1580 1653) was an English merchant, responsible for the creation of Chetham's Hospital and Chetham's Library, the oldest public library in the English-speaking world.
Chetham was born in Crumpsall, Lancashire, England, the son of a successful Manchester merchant who lived in Crumpsall Hall. He was educated at Manchester Grammar School, and in 1597 was apprenticed to Samuel Tipping, a Manchester linen draper. Chetham remained with Tipping until 1605, when he moved to London with his brother George and set up a partnership with him trading in various textiles. The business was successful, since the fabric was bought in London and sold for a higher price in Manchester. He acquired Clayton Hall in Manchester as his home, and in 1628 was also able to buy Turton Tower from William Orrell.
In 1631, he was asked to be knighted after his huge wealth became known to the crown, but he refused it, and so was fined. He later became the High Sheriff of Lancashire in 1635, a job he was unable to refuse, and in 1643 he was forced into the position of General Treasurer of Lancashire, which he found very difficult for his age. He also began to obtain debts, and he feared that on his death parliament would take his money. He therefore donated money to form a blue coat school for forty poor boys, which later became Chetham's Hospital and then Chetham's School of Music. He also left money to form the Chetham's Library, which included money to pay for the books. More libraries were constructed later on from this money.
After Chetham's death, at Clayton Hall, in 1653, the school and library opened. His contribution is commemorated by a statue and a window in Manchester Cathedral and by a statue and mural in Manchester Town Hall. By prior arrangement, Clayton Hall was left to the surviving nephew, George.
Victoria St, Manchester , England, UK, M3 1SX
Description
Keywords: Merseyside,Street,building,structure,listed,18th,century,stone,Lord,Mayors,Mayor,parlour,Council,chamber,local,government,Corporation,James,Wyatt,Castle,Street,tour,licensed,for,weddings,slate,lead,roof,dome,18th Century,Buildings Of England,Town Hall,Dale St,Dale Street,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,domed,clock,square,exchange,flags,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Exchange Flags
Description: Tony Smith image Alamy GGWHBK - Liverpool Town Hall stands in High Street at its junction with Dale Street, Castle Street, and Water Street in Liverpool, Merseyside, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and described in the list as one of the finest surviving 18th-century town halls. The authors of the Buildings of England series refer to its magnificent scale, and consider it to be probably the grandest ...suite of civic rooms in the country, and an outstanding and complete example of late Georgian decoration.
It is not an administrative building but a civic suite, Lord Mayor's parlour and Council chamber
local government administration is centred at the nearby Municipal Buildings. The town hall was built between 1749 and 1754 to a design by John Wood the Elder replacing an earlier town hall nearby. An extension to the north designed by James Wyatt was added in 1785. Following a fire in 1795 the hall was largely rebuilt and a dome designed by Wyatt was built. Minor alterations have subsequently been made. The streets surrounding its site have altered since its initiation, notably when viewed from Castle Street, the south-side, it appears as off-centre. This is because Water Street which ran to the junction with Dale Street, the west-east axis, was continuous and built up across the junction so that the Town Hall was not visible originally from that aspect. The structures were removed 150 years after this to expose the building from this position.
High St, Liverpool, Merseyside, England, UK L2 3SW
Description
Keywords: Labour,politician,Huddersfield,statue,Prime Minister,inscription,statue,stone,inscription,West Yorks,England,UK,bronze,inscription,Huddersfield,West Yorks,England,UK,West,Yorks,Yorkshire,Lord,Rievaulx,Abbey,leader,PM,British,English,4,Warneford Road,GoTonySmith,United Kingdom,4 Warneford Road,4 Warneford Rd,Warneford Rd,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY5KD9 - James Harold Wilson, Baron Wilson of Rievaulx KG OBE PC FRS (11 March 1916 24 May 1995) was a British Labour Party politician who served as the Prime Minister of the United Kingdom from 1964 to 1970 and 1974 to 1976. He won four general elections.
First entering Parliament in 1945, Wilson was immediately appointed the Parliamentary Secretary to the Ministry of Works and rose quickly through the ministerial ranks, becoming the Secretary for Overseas Trade in 1947 and being appointed to the Cabinet just months later as the President of the Board of Trade. Later, in the Labour Shadow Cabinet, he served first as Shadow Chancellor of the Exchequer from 1955 to 1961 and then as the Shadow Foreign Secretary from 1961 to 1963, when he was elected Leader of the Labour Party after the sudden death of Hugh Gaitskell. Wilson narrowly won the 1964 election, going on to win a much increased majority in a snap 1966 election.
Wilson's first period as Prime Minister coincided with a period of low unemployment and relative economic prosperity, though also of significant problems with Britain's external balance of payments. In 1969 Wilson sent British troops to Northern Ireland. After losing the 1970 general election to Edward Heath, he spent four years as Leader of the Opposition before the February 1974 general election resulted in a hung parliament. After Heath's talks with the Liberals broke down, Wilson returned to power as leader of a minority government until there was a second general election in the autumn, which resulted in a narrow Labour victory. A period of economic crisis was now beginning to hit most Western countries, and in 1976 Wilson suddenly announced his resignation as Prime Minister.
Wilson was born at 4 Warneford Road, Huddersfield, in the West Riding of Yorkshire, England, on 11 March 1916. He came from a political family: his father James Herbert Wilson (December 1882 1971) was a works chemist who had been active in the Liberal Party.
Description
Keywords: Real,Ale,realale,CAMRA,aletrail,WestRiding,bar,pubs,bars,drinking,drinkers,trans,transpennine,train,trains,train,ales,platform,buffet,cafe,sign,Stalybridge,public,outside,out,side,external,stone,stonework,Ridin,Ale Train,Ale trail,GoTonySmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY5KF8 - . West Riding Pub, Dewsbury Railway Station, West Yorkshire, stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England, UK. Photographed at Station Road, Dewsbury, West Yorkshire, England,UK. The photograph was taken on 18 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Riding, Pub, Dewsbury, Railway, Station, trail, pennine, Ale, realale and CAMRA, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene has strong relevance to railway travel, public transport, passenger infrastructure and the everyday operation of Britain's rail network. It can illustrate editorial stories about stations, train journeys, commuting, regional connectivity, rail investment, rolling stock, freight, signals, platforms, accessibility and the relationship between railways and the places they serve. Visible railway furniture, signs, tracks, platforms, trains, signals or station buildings help place the photograph firmly in the practical environment experienced by passengers and railway staff. As a dated documentary image it also offers a useful record of transport infrastructure, branding and passenger facilities at the time the photograph was made. Search themes include British rail travel, railway stations, passenger journeys, tracks, platforms, signals, rolling stock, freight, regional connectivity and transport infrastructure. The scene is particularly useful for illustrating how railway facilities, signs and operational surroundings looked at a known point in time. The view is firmly rooted in a real location rather than a constructed studio setting.
Station Road, Dewsbury, West Yorkshire, England,UK
Description
Keywords: Annan town hall,Annan,Dumfries & Galloway - Municipal buildings,Offices,High,Street,Annan,stone,historic,royal,burgh,in,south-west,Scotland,sandstone,Dumfries and Galloway,GoTonySmith,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History,DG12,16,High Street,building,grand,Council Chambers,local,council,service,centre,customer,Dumfries,&,and,Galloway
Description: Tony Smith image Alamy EY3RM0 - . Annan town hall, Annan, Dumfries & Galloway - Council Chambers, 16 High St , Municipal buildings, Annan, Scotland, UK DG12 6AQ. Photographed at Council Offices, High Street, Annan, Dumfries and Galloway, Scotland, UK, DG12 6AQ. The photograph was taken on 06 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Annan town hall, Annan, Dumfries & Galloway, Council Chambers, buildings, Municipal, Council, Victorian, Dumfries & Galloway - Municipal buildings and Offices, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to architecture, the built environment, urban heritage, streetscape and the way historic and modern buildings contribute to a sense of place. It can illustrate editorial coverage of architectural detail, conservation, listed buildings, planning, regeneration, tourism, civic identity and changing uses of older properties. Facades, windows, entrances, masonry, decorative elements, signage and neighbouring structures provide documentary evidence of the building's appearance and setting. The dated view also gives the photograph archive value for future comparison if the property is restored, altered, rebranded, repurposed or redeveloped. Search themes include architecture, historic buildings, facades, interiors, conservation, listed buildings, planning, regeneration, heritage, streetscape and urban change. A precise location image is useful for comparing later restoration, alteration, redevelopment, rebranding or changes in the use of the building. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Council Offices, High Street, Annan, Dumfries and Galloway, Scotland, UK, DG12 6AQ
Description
Keywords: Pubs,stag,night,hen,nights,location,for,area,EDN,narrow,new,pedestrian,pedestrianised,scottish,shopping,st,street,town,dining,room,stone,rose street,Rose st,Auld Hundred,Pub & Dining Room,Pub and Dining Room,GoTonySmith,drinking,culture,alcoholism,alcoholics,AA,outside,street,history,historic,Buy Pictures of,Buy Images Of,Edinburgh Pubs,Edinburgh Pub
Description: Tony Smith image Alamy F89P1A - . An identifiable period record of Rose st, Edinburgh, Scotland, UK in 2015, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The principal subject is Auld Hundred Pub & dining Room, Rose St,Edinburgh City Centre,Scotland,UK. The wider scene also brings together place identity, public realm, archival record, changing streetscape, traditional ale house, night-time economy, everyday life, visual archive, cask-beer tradition, licensed trade, beer-led hospitality, changing land use, local social venue, and local history. The modern context includes continuing discussion of beer duty, energy costs and the value of historic pubs to tourism and local identity. Small period details of lettering, decoration and surface detail at Rose st, Edinburgh, Scotland, UK may become more significant with time, particularly following new ownership. Other useful contextual ideas include social history, before-and-after reference, historic hostelry, real-ale culture, contemporary social history, regional identity, community identity, and local character. Elements such as dining, Centre, Edinburgh, and Hundred add documentary specificity and may become increasingly useful when compared with later records. The wider setting at Rose st, Edinburgh, Scotland, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes beer duty and the value of historic pubs to tourism and local identity without losing the local specificity of Rose st, Edinburgh, Scotland, UK. Another strand within the photograph is business rates and the value of historic pubs to tourism and local identity in a form that can be compared with future views of Rose st, Edinburgh, Scotland, UK. The photograph keeps period character as a date-specific reference. The record includes a trace of local identity for later comparison.
Rose st, Edinburgh, Scotland, UK
Description
Keywords: The Church,bar,restaurant,Chester,night,nighttime,dramatic lighting,dramatic,light,lighting,The,stone,history,bars,terrace,change,of,use,to a bar,to a pub,church became a pub,became,sacred,new use,new uses,function,new,new function,changed,gotonysmith,City Centre,City,Centre,@hotpixUK,England,UK,United Kingdom,Britain,British,cities
Description: Tony Smith image Alamy ECW4GC - . The Church Bar & Restaurant Chester,at dusk, England,UK, was a church, now a pub, CH1 1DE. Photographed at Newgate St, Chester, Cheshire CH1 1DE. The photograph was taken on 13 December 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The low-light or evening setting is part of the subject, bringing illuminated signs, windows and street lighting into the documentary character of the scene. The scene is closely associated with Church Bar & Restaurant Chester, at dusk, pub, conversion, change of use, pubs, Chapel, dusk, The Church and bar, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The view is firmly rooted in a real location rather than a constructed studio setting.
Newgate St, Chester, Cheshire CH1 1DE
Description
Keywords: at dusk,England,UK,medieval,English,stone,history,historic,Diocese,of,chad,st,Mary,bishop,Gotonysmith,Buy Pictures of,Buy Images Of,interior,at,architecture,Bishop of Lichfield,large,imposing,arch,arches,Lichfield Cathedral,The Close,Lichfield,Staffordshire,WS13 7LD,WS13,cathedrals,nave,city,centre,dusk,attraction
Description: Tony Smith image Alamy ED9DKH - Lichfield Cathedral is situated in Lichfield, Staffordshire, England. It is the only medieval English cathedral with three spires. The Diocese of Lichfield covers all of Staffordshire, much of Shropshire and part of the Black Country and West Midlands. The present bishop is the Right Reverend Jonathan Gledhill, the 98th Lord Bishop of Lichfield.
The cathedral is dedicated to St Chad and Saint Mary. Its internal length is 113 metres (370 feet), and the breadth of the nave is 21m (68'). The central spire is 77m (252') high and the western spires are about 58m (190').
The stone is sandstone and came from a quarry on the south side of Lichfield. The walls of the nave lean outwards slightly, due to the weight of stone used in the ceiling vaulting
some 200300 tons of which was removed during renovation work to prevent the walls leaning further.
Lichfield Cathedral, The Close, Lichfield , Staffordshire, England, UK, WS13 7LD
Description
Keywords: City,Centre,building,architecture,stone,stonework,England,UK,united,Kingdom,GB,James,Moorhouse,Anglican,of,and,of,Manchester,and,a,chancellor,of,the,University,of,of,detail,closeup,close,up,Gotonysmith,Buy Pictures of,Buy Images Of,Australia,Victoria Street,M3 1SX,M3
Description: Tony Smith image Alamy DN6N97 - . James Moorhouse Statue Manchester Cathedral England UK. Photographed at Victoria St, Manchester , England, UK, M3 1SX. The photograph was taken on 24 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with James, Moorhouse, Statue, Manchester, Cathedral, Englan, statues, Melbourne, and a chancellor of the University of Melbourne of and bishop, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The subject has strong relevance to education, school life, pupils, students, classmates, learning and the rituals that mark transitions between stages of childhood and young adulthood. It can support editorial features about schools, the end of term, friendship, uniforms, memories, examinations, moving to a new school, student identity and the social traditions that develop around education. Handwriting, names, clothing, classroom or school-related details can provide authentic visual evidence of personal experience rather than a staged educational concept. The photograph can therefore work for both contemporary education stories and longer-term social-history coverage of how pupils commemorate school years and friendships. Search themes include education, school life, pupils, classmates, school leavers, uniforms, end-of-term traditions, childhood memories and transitions between stages of education. Personal marks, handwriting, clothing or school-related objects give the subject a human documentary quality that is useful for social-history as well as education coverage. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Victoria St, Manchester , England, UK, M3 1SX
Description
Keywords: office,block,city,Scotland,UK,listed,building,grade,I,II,gradeII,28-32,Even,Nos,Buchanan,Street,28,32,marble,entrance,door,way,doorway,gotonysmith,Buy Pictures of,Buy Images Of,history,historic,chamber,centre,stone,st
Description: Tony Smith image Alamy DG38ME - . Argyll Chambers ,offices building, & arcade , in Glasgow city centre, Scotland, UK. Photographed at Argyll Chambers, 28-32 Buchanan Street , Glasgow, Scotland, UK. The photograph was taken on 29 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Argyll, Chambers, offices, arcade, Glasgow, real estate, buildings, commercial, office and block, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Argyll Chambers, 28-32 Buchanan Street , Glasgow, Scotland, UK
Description
Keywords: Stone,park,The,men,of,whose,names,are,inscribed,on,this,died,defence,of,home,and,country,the,great,war,1914-19,Scotland,UK,day,roll,call,rollcall,remembrance day,Roll Call,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,stone,carved,inscription,inscriptions
Description: Tony Smith image Alamy DECWCR - . Inscriptions on Dalkeith War memorial 1914-19, Midlothian,Scotland,UK - List of men. Photographed on 28 August 2013. The recorded location is Eskbank Road, Dalkeith,Midlothian,Scotland,UK. The men of Dalkeith whose names are inscribed on this memorial, died in defence of home and country in the great war 1914-19. Historically, historic inscriptions provide unusually direct documentary evidence
Names, dates, dedications and symbolic imagery can connect a present-day location with former residents, workers, congregations or wartime casualties, making the object relevant to both genealogy and wider social history. In historical terms, military artefacts and memorials connect large-scale conflict with individual experience
Equipment, field medical supplies, regimental inscriptions and personal names can reveal how war was organised, remembered and interpreted long after combat ended. In 2026, interest in community history, genealogy and the conservation of memorials remains strong, while weathering, redevelopment and vandalism can threaten smaller monuments and inscriptions
Detailed photographs help preserve lettering, names and physical condition before further weathering or alteration. During 2026, with direct personal memory of the world wars disappearing, 2026 heritage interpretation increasingly depends on preserved objects, photographs and testimony
Detailed images therefore support education, remembrance, genealogy and military-history research. The historical context is that memorials and inscriptions are primary sources for local and family history, preserving names, dates, occupations, military service and the language of remembrance
They range from private graves to civic monuments and can reveal how communities chose to commemorate loss in different periods. Further relevant search phrases include commemoration, memorial inscription, local history, grave marker, public memory, commemorative plaque, memorial culture, and archival record.
Eskbank Road, Dalkeith,Midlothian,Scotland,UK
Description
Keywords: Mainline,BR,British,Rail,railtrack,RD,Road,north,Camdon,NW1,2BT,NW12BT,railway,train,rail,railroad,Network,Networkrail,West,Coast,main,line,board,if,the,answers,not,beer,you,are,youre,asking,the,wrong,question,real,ale,ales,bars,bar,beers,lager,lagers,LNWR,Portland,stone,entrance,lodge,Gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DCE779 - . Craft beer Tap sign at Euston Station London. Photographed on 10 August 2013. The recorded location is Euston Railway Station, Euston, London, England UK NW1 2BT. Euston Tap in the LNWR Portland stone entrance lodge, Euston Station London. Euston was London's first inter-city railway terminus, opening in 1837 as the southern end of the London and Birmingham Railway. The famous Doric Euston Arch and the Victorian station were demolished during the controversial 1960s rebuilding, making the present complex itself part of a long-running debate about railway architecture and planning. In 2026 Euston remains central to plans for HS2 and wider station redevelopment, so photographs of earlier concourses and shops are useful records of a site facing further major change. As background, britain's railways reshaped towns, industry and passenger travel from the nineteenth century onwards, creating a dense network of stations, goods yards, signalling infrastructure and long-distance routes
Surviving buildings, signs and operating equipment now document both railway heritage and continuing public transport. From a heritage perspective, beer production links malt, hops, yeast and water with specialist equipment and cellar practice
Images of brewing vessels, casks and handpumps can illustrate both manufacturing and the pub trade that brings cask ale to the customer. The wider historical story is that pub buildings and signs offer a useful record of the licensed trade, from traditional alehouses and brewery estates to contemporary hospitality businesses
They are also part of the story of changing high streets, nightlife, real ale, cask beer and the survival or reuse of historic premises. Against the 2026 backdrop, rail policy is especially topical: the Railways Bill is progressing through Parliament and is intended to establish Great British Railways as the publicly owned directing mind for track, stations, timetables and passenger services
Older branded trains.
Euston Railway Station, Euston, London, England UK NW1 2BT
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Gloucester,Cheltenham,inside,inside church,hanging,preying,prayer,tribute,stone,of,St Peters Church,Sir Thomas Williams,memorial,Sir Thomas Williams memorial
Description: Tony Smith image Alamy DCYX8G - . Stone Effigy of Tom Wiliams, St Peters Church, Cheltenham, Gloucester, England, UK. The photograph was taken on 09 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The interior viewpoint records fittings, surfaces, decoration and spatial details that help show how the premises or public space was arranged when photographed. The scene is closely associated with St Peters, Winchcombe, Church, St Peters Church, Gloucestershire, Tom Wiliams, Tom Williams, praying, effigy and Stone Effigy, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Winchcombe,Gloucestershire,ruin,GL54 5PB,stone,stonework,Dissolution,monasteries,abbey,King of the Romans,monks,monks of Hailes,Cistercian abbey
Description: Tony Smith image Alamy DD4GYY - The abbey was founded in 1246 by Richard, Earl of Cornwall, called King of the Romans and the younger brother of King Henry III of England. Richard founded the abbey to thank God after he had survived a shipwreck. Richard had been granted the manor of Hailes by King Henry, and settled it with Cistercian monks from Beaulieu Abbey in Hampshire. The great Cistercian abbey was entirely built in a single campaign in 1277, and was consecrated in a royal ceremony that included the King and Queen and 15 bishops.
Hailes Abbey became a site of pilgrimage after Richard's son Edmund donated to the Cistercian community a phial of the Holy Blood, purchased in Germany, in 1270. Such a relic of the Crucifixion was a considerable magnet for pilgrimage. From the proceeds, the monks of Hailes were able to rebuild the Abbey on a magnificent scale. One Abbot of Hailes was executed as a rebel after the Battle of Bramham Moor, in 1408.
Though King Henry VIII's commissioners declared the famous relic to be nothing but the blood of a duck, regularly renewed, and though the Abbot Stephen Sagar admitted that the Holy Blood was a fake in hope of saving the Abbey, Hailes Abbey was one of the last religious institutions to acquiesce following the Dissolution Act of 1536. The Abbot and his monks finally surrendered their abbey to Henry's commissioners on Christmas Eve 1539.
After the Dissolution, the west range consisting of the Abbot's own apartments was converted into a house and was home to the Tracy family in the seventeenth century, but these buildings were later demolished and now all that remains are a few low arches in a meadow with outlines in the grass. Surviving remains include the small church for the disappeared parish, with unrestored medieval wall-paintings
Hailes, Cheltenham GL54 5PB
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,HotpixUK,Brympton,funeral,Statues,St Andrews Church,Brympton dEvercy,Yeovil,South West England,sculptures,sculpture,carved,stone,effigy,effigies
Description: Tony Smith image Alamy DCYFFR - The Church of St Andrew in Brympton, Somerset, England, dates from the 13th century and has been designated as a Grade I listed building.[1]
It is closely associated with the manor house of Brympton d'Evercy. The d'Evercy family were responsible for building the church. Thomas d'Evercy purchased the estate in 1220. Sir Peter founded a chantry at Brympton d'Evercy in 1306, endowing a priest with a messuage and 40 acres (16 ha) in the parish. New aisles were added in 1469.
It has been suggested that this is the building today known as the priest house, but no structural evidence exists to support this claim. The church contains monuments to Sir John Sydenham (died 1626) and his family who were lords of the manor.
Some of the effigies within the church were originally in the churchyard but were moved into the church in the 19th century and restored by John Edward Carew.
The parish is within the benefice of Odcombe with Brympton, Lufton and Montacute, which is within the deanery of Yeovil
Brympton d'Evercy, Yeovil, South West England,UK, BA22 8TD
Description
Keywords: pano,England,UK,GB,Great,Britain,United,Kingdom,summer,blue,sky,history,historic,village,wide,South Somerset,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,The Borough,Montacute,TA15 6XB,TA15,the,borough,pub,pubs,bar,bars,stone
Description: Tony Smith image Alamy DE52YD - . Phelips Arms panorama, Montecute, Somerset, England,UK. Photographed at Phelips Arms, Montecute, Somerset, England,UK. The photograph was taken on 13 June 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The wider composition gives a broader sense of the surroundings, showing the principal subject in relation to more of the streetscape, landscape or public space. The scene is closely associated with panorama, Montecute, Somerset, Phelips Arms, villages, Phelips, Arms, pano, summer and blue, adding specific subject detail and useful search context without losing the documentary focus on the main subject. Beyond the immediate subject, the scene is relevant to British pub culture, licensed premises, real ale, beer tourism and the continuing social role of the traditional public house. For picture buyers, the photograph can support editorial features about pubs and bars, hospitality, independent and managed venues, drinking culture, local heritage, city and town centres, leisure spending and the changing British high street. Details such as brewery branding, pub signage, entrances, windows, bar fittings, beer pumps or period architecture can provide useful visual evidence of how licensed premises present themselves to customers. The image also works as a record of everyday social history, documenting a familiar type of British hospitality venue at a particular moment in time rather than presenting an idealised studio view. Search themes naturally include British pub heritage, real ale and beer culture, licensed premises, hospitality, public houses, local drinking traditions and the role of pubs within town and city life. Where brewery names, pumps, windows, pub signs or period fittings are present, they add useful detail for features on brewing history, hospitality branding and traditional licensed interiors or exteriors.
Phelips Arms, Montecute, Somerset, England,UK
Description
Keywords: Yeovil,pano,panorama,summer,The Borough,Montecute village,South Somerset,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,square,sq,near,TA15 6XB,West Sq sign England,England,Borough,stone,cute,village,sign,street,centre,buildings,architecture,style,south Somerset,English,British,community,communities,villages
Description: Tony Smith image Alamy DE535M - . The Borough, Montecute village, South Somerset,pano,panorama. Photographed at Montecute, Somerset, England,UK. The photograph was taken on 13 June 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The wider composition gives a broader sense of the surroundings, showing the principal subject in relation to more of the streetscape, landscape or public space. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Borough, Montecute, village, Somerset, The Borough, signs, villages, South Somerset, square and Yeovil, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. The view is firmly rooted in a real location rather than a constructed studio setting.
Montecute, Somerset, England,UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,religious,building,listed,church,city centre,of,of Worcester,Church of Christ,Blessed Mary,Virgin,gothic,Medieval,WR1 2LA,WR1,England,English,GB,Great Britain,British,Anglican,Christian,Anglican cathedral,architecture,Norman,Perpendicular Gothic,Gothic,English medieval cathedral,restored,stone,stonework,summer,graduation ceremonies,graduation ceremony,Bishop
Description: Tony Smith image Alamy RGKETG - Worcester Cathedral, is an Anglican cathedral in Worcester, England, situated on a bank overlooking the River Severn. It is the seat of the Bishop of Worcester. Its official name is the Cathedral Church of Christ and the Blessed Mary the Virgin of Worcester. The present cathedral church was built between 1084 and 1504, and represents every style of English architecture from Norman to Perpendicular Gothic. It is famous for its Norman crypt and unique chapter house, its unusual Transitional Gothic bays, its fine woodwork and its exquisite central tower, which is of particularly fine proportions.
The cathedral's west facade appeared, with a portrait of Sir Edward Elgar, on the reverse of £20 note issued by the Bank of England between 1999 and 2007, remaining in circulation as legal tender until 30 June 2010. Worcester Cathedral embodies many features that are highly typical of an English medieval cathedral. Like the cathedrals of Salisbury and Lincoln, it has two transepts crossing the nave, rather than the single transept usual on the Continent. This feature of English Cathedrals was to facilitate the private saying of the Holy Office by many clergy or monks. Worcester is also typical of English cathedrals in having a chapter house and cloister. To the north side of the cathedral is an entrance porch, a feature designed to eliminate the draught which, prior to the installation of modern swing doors, would blow through cathedrals whenever the western doors were open.
Worcester Cathedral has important parts of the building dating from every century from the 11th to the 16th. Its tower in the perpendicular style is described by Alec Clifton-Taylor as exquisite and is seen best across the River Severn.
The earliest part of the building at Worcester is the multi-columned Norman crypt with cushion capitals remaining from the original monastic church begun by bishop Saint Wulfstan of Worcester in 1084.
8 College Yard, Worcester,UK, WR1 2LA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,religious,building,listed,church,city centre,of,of Worcester,Church of Christ,Blessed Mary,Virgin,gothic,Medieval,WR1 2LA,WR1,England,English,GB,Great Britain,British,Anglican,Christian,Anglican cathedral,architecture,Norman,Perpendicular Gothic,Gothic,English medieval cathedral,restored,stone,stonework,summer,graduation ceremonies,graduation ceremony,Bishop
Description: Tony Smith image Alamy RGKETH - Worcester Cathedral, is an Anglican cathedral in Worcester, England, situated on a bank overlooking the River Severn. It is the seat of the Bishop of Worcester. Its official name is the Cathedral Church of Christ and the Blessed Mary the Virgin of Worcester. The present cathedral church was built between 1084 and 1504, and represents every style of English architecture from Norman to Perpendicular Gothic. It is famous for its Norman crypt and unique chapter house, its unusual Transitional Gothic bays, its fine woodwork and its exquisite central tower, which is of particularly fine proportions.
The cathedral's west facade appeared, with a portrait of Sir Edward Elgar, on the reverse of £20 note issued by the Bank of England between 1999 and 2007, remaining in circulation as legal tender until 30 June 2010. Worcester Cathedral embodies many features that are highly typical of an English medieval cathedral. Like the cathedrals of Salisbury and Lincoln, it has two transepts crossing the nave, rather than the single transept usual on the Continent. This feature of English Cathedrals was to facilitate the private saying of the Holy Office by many clergy or monks. Worcester is also typical of English cathedrals in having a chapter house and cloister. To the north side of the cathedral is an entrance porch, a feature designed to eliminate the draught which, prior to the installation of modern swing doors, would blow through cathedrals whenever the western doors were open.
Worcester Cathedral has important parts of the building dating from every century from the 11th to the 16th. Its tower in the perpendicular style is described by Alec Clifton-Taylor as exquisite and is seen best across the River Severn.
The earliest part of the building at Worcester is the multi-columned Norman crypt with cushion capitals remaining from the original monastic church begun by bishop Saint Wulfstan of Worcester in 1084.
8 College Yard, Worcester,UK, WR1 2LA
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,symbol,Jesus,Savior Of Men,In Hoe Signo vinces,St. Mary the Virgin,St Mary,PE8,Wansford,Peterborough,England,PE8 6JH,stone,stonework,grave,tomb,inscription,moss,Christian,symbolic,christogram,christograms,monogram,carved,carving,initials,initial,of,on,headstone,colourful,texture,textured,symbols,historical,history,historic
Description: Tony Smith image Alamy 2A9GHYD - . Gravestone engraved with IHS - monogram or symbol representing the Greek contraction of Jesus , St. Mary the Virgin, Wanstead. Photographed on 13 April 2010. The recorded location is Wansford, Peterborough, England, UK, PE8 6JH. IHS is a monogram or symbol representing the Greek contraction of Jesus : Sometimes regarded as an abbreviation of the Latin phrase meaning Jesus, Savior Of Men or In Hoe Signo vinces. The wider historical story is that ecclesiastical structures are both active places of worship and repositories of community history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space. From a heritage perspective, memorials and inscriptions are primary sources for local and family history, preserving names, dates, occupations, military service and the language of remembrance
They range from private graves to civic monuments and can reveal how communities chose to commemorate loss in different periods. From a heritage perspective, packaging design connects marketing with manufacturing and distribution
Bottles, tins, labels and boxes reveal brand identity, national imagery and evolving expectations about convenience, quality and product origin. In the present 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and community identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage structures while keeping them accessible and relevant. As of 2026, interest in local history, genealogy and the conservation of memorials remains strong, while weathering, redevelopment and vandalism can threaten smaller monuments and inscriptions
Detailed images help preserve lettering, names and physical condition before further weathering or alteration.
Wansford, Peterborough, England, UK, PE8 6JH
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,St Marys,FOD,lamps,light,stone,bible,religious,bench,wooden,wood,craftsmanship,holy,sacred
Description: Tony Smith image Alamy HGC7T5 - . This dated editorial view of the recorded location in 2009 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on St Marys Linton, Forest Of Dean Church, Gloucestershire, UK. Another layer of the photograph includes changing streetscape, ecclesiastical decoration, sacred space, ecclesiastical art, visual archive, cathedral interior, contemporary social history, sacred architecture, regional identity, medieval church setting, changing land use, historical comparison, historic glazing, and local history. The wider contemporary story combines church maintenance, historic fabric and how sacred art preserves local patrons, stories and beliefs. The archival value lies partly in recording building condition and alterations around the recorded location before conservation work alters the character of the place. The surrounding story also includes local character, Christian iconography, community identity, heritage worship space, stained-glass craftsmanship, everyday life, faith heritage, and religious heritage. The combination of Forest, Gloucestershire, Marys, Linton, and Church anchors the frame to a recognisable activity, place or moment. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate church maintenance and how sacred art preserves local patrons, stories and beliefs without losing the local specificity of the recorded location. The image also provides a reference for historic fabric and the role of cathedrals as cultural landmarks beyond their congregations in a form that can be compared with future views of the recorded location. Another useful connection is historic fabric and the role of cathedrals as cultural landmarks beyond their congregations within the real-world context of the recorded location.
Description
Keywords: Manchester Cathedral interior,Manchester City,Lancs Lancashire,England,UK,Sir,William,Henry,Houldsworth,Churchwarden,and,1834,1917,stone,marble,wide,view,wideangle,angle,lens,screens,gotonysmith,Buy Pictures of,Buy Images Of,Benefactor,memory,memorial,Sir William Henry Houldsworth,Baronet,Baronets,flooring,floor,tiles,tiling
Description: Tony Smith image Alamy CEMX89 - Manchester Cathedral is a medieval church on Victoria Street in central Manchester and is the seat of the Bishop of Manchester. The cathedral's official name is The Cathedral and Collegiate Church of St Mary, St Denys and St George in Manchester. It has also variously been known locally as St Mary's, Christ Church and, simply, t'owd church.[citation needed]
Although extensively refaced, restored and extended in the Victorian period, and then again following severe bomb damage in the 20th century, the main body of the Cathedral largely derives from the wardenship of James Stanley (warden 14851506), and is in the Perpendicular Gothic style. Stanley was also primarily responsible for commissioning the spectacular late medieval wooden furnishings, including the pulpitum, the choir stalls, and the nave roof supported by angels with gilded instruments. It is one of the Grade I listed buildings in Manchester. Since 2005 the Dean of the Cathedral has been the Very Reverend Rogers Morgan Govender.
The Cathedral has thirty 16th-century misericords, considered to be amongst the finest in Europe. It is worth noting that the misericords have a stylistic similarity to those at Ripon Cathedral and Beverley Minster and although Manchester's post date-these, they were probably carved by the same school at Ripon. One of the most notable is N-08, which is the earliest known mention of backgammon in the UK. The early 16th century also saw the construction of an almost complete sequence of chantry chapels for local guilds along both north and south sides of the church
in effect creating a double aisle around the parochial nave, which is consequently much wider than it is long. Indeed Manchester is commonly claimed to have the widest nave of any cathedral in England. James Stanley is also responsible for the embellishment of the nave roof with supporters in the form of fourteen life-size angel minstrels, each playing a different late medieval instrument.
Victoria St, Manchester , England, UK, M3 1SX
Description
Keywords: Connecting passage between Central Library and Manchester Town Hall,St,Peters,Square,Manchester,M2,5DB,stone,gotonysmith,city,centre,center,circular,libraries,walkers,designer,designed,by,E,Vincent,Harris,traditional,neoclassical,architecture,perennial,applicability,of,the,Classical,canon,rotunda,domed,structure,is,loosely,derived,from,the,Pantheon,Rome,architect,Vincent,Harris,Library,Theatre,Company,a,Manchester,City,Council,service,St,Peters,Square,and,Mount,St,A6042,Saint,gotonysmith,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEY8W6 - Manchester Central Library is a circular library south of the Town Hall Extension in Manchester, England. It is the headquarters of the Manchester Library & Information Service, which also consists of 22 other community libraries.
To the left is the Manchester Town Hall extension, to the left the central library. This walkway connects St Peters Square and Mount St A6042
Central library, Mount St, Manchester, England, UK M2 5DB
Description
Keywords: GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,problem with,issue with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,M1,religion,holy,stone,architecture,building,marble,graves,grave,choir,screen,altar,stained glass
Description: Tony Smith image Alamy HGC7T2 - . An on-location photograph from Victoria St, Manchester , England, UK, M3 1SX in 2009, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. At the centre of the view is Manchester Cathedral Interior, North West England, UK. The setting additionally reflects archival record, Christian iconography, religious heritage, place identity, historic townscape, heritage landmark, social history, church conservation, religious artwork, historical comparison, period building, architectural character, sacred architecture, and architectural detail. Viewed from the mid-2020s, the subject also connects with visitor tourism, church maintenance and how sacred art preserves local patrons, stories and beliefs. The modern context includes continuing discussion of tourism, embodied carbon and how historic buildings acquire new uses as cities change. The image fixes street furniture and boundaries within Victoria St, Manchester , England, UK, M3 1SX at one identifiable point, providing a benchmark against redevelopment. The subject also sits alongside documentary photography, conservation architecture, visual archive, stained-glass craftsmanship, ecclesiastical decoration, ecclesiastical art, built heritage, and public realm. The combination of Cathedral, Manchester, and Interior anchors the frame to a recognisable activity, place or moment. A later view of Victoria St, Manchester , England, UK, M3 1SX may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Its period value extends to visitor tourism and the conservation challenge of fragile historic glass and stonework within the specific setting of Victoria St, Manchester , England, UK, M3 1SX. It also preserves evidence of changing use as part of Victoria St, Manchester , England, UK, M3 1SX's history.
Victoria St, Manchester , England, UK, M3 1SX
Description
Keywords: England,United,Kingdom,gotonysmith,wilfreds,wilfrids,lane,of,England,stone,historic,history,cobbled,cobbles,wood,wooden,roof,eaves,pillar,pillars,holy,religious,place,warm,stained,glass,red,carpet,St,Wilfreds,Interior,gradeI,listed,gradeII,monument,two,one,town,community,centre,Altar,gotonysmith,Warringtonian,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF0N0B - . St Wilfrids Church Interior Grappenhall Village, South Warrington, Cheshire, WA4, England, United Kingdom. Photographed on 6 June 2009. The recorded location is Church Lane, Grappenhall Village, South Warrington, Cheshire, England, United kingdom. Historically, room interiors are records of both design and daily activity
Furnishings, lighting, surfaces and specialist fittings can identify a building's function and period, while later refurbishment may erase these smaller details. The wider historical story is that ecclesiastical structures are both active places of worship and repositories of community history
Architectural details, memorials and churchyard monuments provide evidence for religious practice, craftsmanship, community identity, genealogy and the changing use of sacred space. In 2026, restoration projects increasingly emphasise retaining significant interiors as well as façades, making earlier photographs useful evidence when rooms are refurbished, repurposed or opened to visitors. In the present 2026 context, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and community identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage structures while keeping them accessible and relevant. The historical context is that historic interiors combine architecture with material culture
Furniture, clocks, silverware, screens, organs and decorative schemes can show craftsmanship, status and institutional use in ways that a façade alone cannot convey. In the longer view, interiors preserve details that exterior photographs cannot show: furniture, fittings, decorative finishes and room layouts reveal how buildings were actually used
Such features are often altered during refurbishment even when the outside remains unchanged. Useful related concepts include interior design, decorative detail, period interior, and architectural interior.
Church Lane, Grappenhall Village, South Warrington, Cheshire, England, United kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,column,civic,buildings,Wirral,Merseyside,England,UK,CH41,administrative,headquarters,of,the,County,Borough,register office,council offices,for,Metropolitan Borough of Wirral,sunny,blue,sky,skies,summer,trees,Victorian,architect,Christopher Ellison,1887,clock,tower,history,historic,Georgian,grand,old,stone
Description: Tony Smith image Alamy 2RAJ317 - Birkenhead Town Hall is a civic building and former town hall in Birkenhead on the Wirral Peninsula in Merseyside, England. The building was the former administrative headquarters of the County Borough of Birkenhead, and more recently, council offices for the Metropolitan Borough of Wirral. Birkenhead Town Hall remains the location of the town's register office. However, since the closure of the Wirral Museum in 2010, there is uncertainty over the future purpose of the Grade II* listed building.
History
When Hamilton Square was designed in the early 19th century, a plot of land was made available for the siting of a town hall between Hamilton Street and Chester Street. Designed by local architect Christopher Ellison, the building was constructed using Scottish granite and sandstone from the now filled-in local quarry at Storeton. It was officially opened in 1887
The building consisted of a council chamber, offices, with a concert hall and function rooms known as the Assembly Rooms. Birkenhead's magistrates' court chambers are located in a separate building of the same design to the rear. The clock tower is 200 feet in height and displays four faces
the clock and five bells within were manufactured and fitted by Gillett & Co. (at a total cost of £900). After a fire in 1901, the upper part of the clock tower was rebuilt to a design by Henry Hartley. The rebuilding included a stained glass window by Gilbert P. Gamon representing Edward I's visit to Birkenhead Priory in 1277
Hamilton Square, Birkenhead, Wirral , Merseyside, England, UK, CH41 1ND
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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Rhineland,Rhine,City Centre,city,archeology,pano,panorama,wide,shot,wide angle,ancient Mogontiacum,ancient,Mogontiacum,historic,town,Mainz Römisches Theater station,Mainz,Römisches Theater,theatre,station,railway station,Römisches,remains,Latin vicus,camp,Roman theatre,Roman Theater,summer,sunshine,stone structure,stone,structure,Mainz Citadel,Citadel,Rhineland Palatinate,mogontiacum,tourist attraction
Description: Tony Smith image Alamy RGGE0C - The Roman Theatre in Mainz, Rhineland Palatinate (ancient Mogontiacum) was excavated in the late 1990s. It is located immediately next to the Mainz Römisches Theater station and was once the largest Roman theatre north of the Alps, with a diameter of 116 metres, a stage-width of 42 metres, and a capacity of roughly ten thousand people.
Mogontiacum owed its significance to its location at the meeting point of the Main and the Rhine. The city provided a convenient base for the defense of the nearby border of the Roman empire, the limes, and for the organisation of military campaigns against the Germanii. As a result, a double legionary camp was built on the site in 13/12 BC, which remained in place until some time after AD 350.
Over time a civilian settlement (Latin vicus) also developed on the site, which became the provincial capital of the newly created province of Germania Superior around AD 80. In this city, a Roman theatre was built, which was probably closely associated with the funerary games held in honour of Drusus. From 9 BC, military parades (decursio militum) were held in honour of Drusus at his cenotaph, the Drususstein, which was only 340 metres away from the theatre. Accordingly, the Roman theatre may have been used for the thanksgiving ceremony (supplicatio) by the representations of the sixty local Gallic communities (Galliarum civitates) in honour of Drusus. Suetonius mentions a theatre at Mogontiacum in his account of events in AD 39. Probably the currently visible stone structure was preceded by an earlier structure in wood.
The theatre was the largest Roman theatre north of the Alps, seating some 10,000 visitors. The diameter of the seating area is 116 metres and the diameter of the orchestra in 42 metres. After the construction of the city wall in the middle of the fourth century AD, for which stone from the theatre was used, the theatre was left outside the walled area and fell into ruin. More and more of the stone from the theatre was take
Mainz Römisches Theater, 55116 Mainz, Germany, Europe
Description
Keywords: Townhall,Merseyside,Street,building,structure,listed,buildings,18th,century,stone,Lord,Mayors,Mayor,parlour,chamber,local,government,Corporation,James,Castle,Street,tour,licensed,for,weddings,slate,lead,roof,dome,18th Century,Buildings Of England,Town Hall,Dale St,Dale Street,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,domed,clock,square,exchange,flags,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Exchange Flags
Description: Tony Smith image Alamy GGWHBR - Liverpool Town Hall stands in High Street at its junction with Dale Street, Castle Street, and Water Street in Liverpool, Merseyside, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and described in the list as one of the finest surviving 18th-century town halls. The authors of the Buildings of England series refer to its magnificent scale, and consider it to be probably the grandest ...suite of civic rooms in the country, and an outstanding and complete example of late Georgian decoration.
It is not an administrative building but a civic suite, Lord Mayor's parlour and Council chamber
local government administration is centred at the nearby Municipal Buildings. The town hall was built between 1749 and 1754 to a design by John Wood the Elder replacing an earlier town hall nearby. An extension to the north designed by James Wyatt was added in 1785. Following a fire in 1795 the hall was largely rebuilt and a dome designed by Wyatt was built. Minor alterations have subsequently been made. The streets surrounding its site have altered since its initiation, notably when viewed from Castle Street, the south-side, it appears as off-centre. This is because Water Street which ran to the junction with Dale Street, the west-east axis, was continuous and built up across the junction so that the Town Hall was not visible originally from that aspect. The structures were removed 150 years after this to expose the building from this position.
High St, Liverpool, Merseyside, England, UK L2 3SW
