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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_8566,ACR,A,Certain,Ratio,live,gig,Sugermill,Stoke,20261023,Martin,Moscrop,on,trumpet,brass,band,musician,concert,Sugarmill,Trent,post,punk,performance,orange,cap,music,stage,Manchester,postpunk,instrumental,UK,post-punk
Description: Tony Smith image Alamy 3FYW666 - . A musician wearing an orange cap plays a brass trumpet into a stage microphone in the warm, hazy lighting of a concert. Guitar and percussion equipment appear alongside him, with additional microphones and instruments filling the performance area. The scene concentrates on the act of live playing with a strong emphasis on the performing musician, showing the musician with the trumpet raised at his lips. The trumpet is held horizontally, with the bell pointing towards the left side of the stage and the performer's fingers placed on the valves. A microphone stands in front of the instrument to project its sound through the live amplification system. Another microphone and parts of a drum or percussion setup enter the composition, indicating an ensemble with several instrumental roles on the stage. The performer's guitar strap and the neck of a stringed instrument are visible across his torso, emphasising the variety of instrumental equipment present in the set. The combination of orange stage light, misty air and tightly grouped microphones gives the picture the atmosphere of an indoor music venue. A Certain Ratio emerged from Manchester's late-1970s post-punk scene and became known for combining rock, funk, dance rhythms and brass. These stylistic connections make the photographed trumpet an especially distinctive part of the group's musical identity. The Sugarmill is a live-music venue in Stoke-on-Trent, Staffordshire, associated with touring and local bands. The musician's pale orange baseball cap carries a contrasting front motif, while the dark top and instrument silhouette stand out against the light. Brass mouthpiece, trumpet tubing, valve mechanism and flared bell can all be seen. The nearby microphones, percussion and warm stage lighting establish the setting of an amplified live performance. His raised elbows, focused expression and firm hold on the trumpet convey the physical demands of the passage being played.
The Sugarmill, Stoke-on-Trent, Staffordshire
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_8562,ACR,A,Certain,Ratio,live,gig,Sugermill,Stoke,20261023,Martin,Moscrop,trumpet,brass,instrument,musician,concert,performer,photographed,playing,glasses,yellow,cap,stands,microphone,held,his,lips,under,warm,stage,UK,A Certain Ratio,Force,Sextet,tour,2026
Description: Tony Smith image Alamy 3FYF1WA - . A Certain Ratio performer Martin Moscrop is photographed playing a trumpet at The Sugarmill. Wearing glasses and a yellow cap, he stands by a microphone with the brass instrument held to his lips under warm stage lighting. Martin Moscrop holds a trumpet to his lips while wearing a yellow baseball cap and glasses. A dark instrument strap runs across his torso and a microphone sits near the bell of the horn. Warm orange light illuminates the performer against a darker stage. A brass player in a yellow cap plays the trumpet into the microphone, holding the horn at face height with a guitar strapped over his shoulder. The brass instrument catches the warm lighting along its valves, bell and tubing. Martin Moscrop's cap, spectacles, dark T-shirt and strapped guitar are also visible, placing the trumpeter within a multi-instrument stage setup. The photograph documents the physical act of blowing into a trumpet during a live set, with the horn pointed towards the microphone. The performer wears a yellow cap and glasses and lifts a trumpet to his mouth while standing close to several microphone stands. A greenish stage light catches the brass instrument and his face, while a guitar strap and the neck of another instrument run down his torso. His raised hands and pursed embouchure establish the immediate action of playing the horn. The photograph records the multi-instrumental texture of the A Certain Ratio concert. Martin Moscrop holds a silver trumpet up to his mouth, fingers placed on the valves. The yellow baseball cap, glasses, second microphone stand and strap crossing the dark shirt are distinctive parts of this orange-lit performance photograph. The trumpet bell points out towards the audience and catches the warm light along its polished rim. The instrument is held between the performer and microphone, so the still photograph documents the physical effort of a brass passage as well as the grouping of the stage equipment.
The Sugarmill, Stoke-on-Trent, Staffordshire
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_8639,Viv,Griffin,ACR,A,Certain,Ratio,at,the,Sugarmill,Stoke,20261023,live,gig,concert,bass,guitar,microphone,alternative,music,post,punk,musician,photographed,blue,stage,lighting,sings,while,playing,electric,UK,A Certain Ratio,Force,Sextet,tour,2026
Description: Tony Smith image Alamy 3FYF1WC - . A live musician photographed in blue stage lighting sings into a microphone while playing an electric bass guitar at The Sugarmill in Stoke-on-Trent. The subject is identified in the supplied filename as Viv Griffin with A Certain Ratio. Blue lighting washes across the musician's face and shoulder as the electric bass guitar crosses the frame. A microphone stands immediately beside the face, while the instrument neck continues out of the crop. The intense cyan stage light separates the performer from the darker background, and the bass strings and tuning head contribute to the identity of the instrument. The microphone is placed for close vocal performance, so the frame connects the musician's instrumental and singing roles. The blue colour cast is a feature of live stage illumination in the photograph and shapes the visibility of the face, hair and clothing. As a concert image this view is specifically about a bass-playing vocalist under blue light, at a Stoke-on-Trent venue identified in the filename as The Sugarmill. Blue stage lighting colours the musician's face and hair as he sings into a microphone set at mouth level. A pale-toned electric bass neck passes across the lower right of the picture, and the closely framed upper body emphasises the relationship between vocalist, instrument and microphone. The background is largely dark, making the saturated cyan light and sharply visible strings and microphone arrangement key distinctions from other photographs taken at the same concert. The blue wash falls across the performer's long hair, face and black printed shirt. A pale bass guitar enters the bottom right of the frame as the musician leans towards a black microphone
the microphone cable and instrument neck create diagonal lines through this tightly framed stage portrait. The performer wears a dark printed T-shirt and looks towards the microphone at mouth height.
The Sugarmill, Stoke-on-Trent, Staffordshire
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_8645,Matt,Steele,ACR,A,Certain,Ratio,at,the,Sugarmill,Stoke,20261023,keyboardist,synthesiser,concert,gig,stands,behind,keyboard,concentrating,live,performance,purple,stage,lights,illuminate,his,face,electronic,instruments,UK,Matt Steele,A Certain Ratio,Force,Sextet,tour,2026
Description: Tony Smith image Alamy 3FYF1WD - . Musician Matt Steele stands behind a Roland Jupiter-50 and a Nord Stage 2 keyboard, concentrating on a live A Certain Ratio performance. Blue and purple stage lights illuminate his face and electronic instruments. Matt Steele stands behind two visible keyboard instruments, a Roland Jupiter-50 above a Nord Stage 2. The keybeds, front panels and tiered stands occupy much of the image, with the musician behind them under blue stage lighting. The named models are useful search details for electronic music, synthesiser performance and keyboard players as well as A Certain Ratio coverage. The black-and-white treatment isolates the performer and his electric bass, accentuating the instrument strings, fretboard and concentration on stage. The upper Roland keyboard has a dark front with model lettering visible along its edge
the lower Nord Stage 2 is red with white lettering. Their stacked arrangement and different finishes make the instrumental setup immediately recognisable. Matt Steele faces the keys with a focused expression and stands behind a microphone, while cool blue light covers the stage. Two keyboards occupy different levels of the stage rig: a Roland Jupiter-50 above and a red Nord Stage 2 below. The performer is centred behind the instruments and lit by purple-blue stage colour. The branding on both keyboards is readable, making this a useful image of specific electronic stage equipment in active use. The lower keyboard, supporting stands and visible wiring demonstrate how the musician is positioned within a multi-keyboard setup. Matt Steele concentrates on his synthesiser setup, with the black Roland Jupiter-50 above a red Nord Stage 2. The two keyboards are photographed from the audience side, their brand names and keys distinct under blue, violet and green stage lighting. The upper keyboard has ROLAND JUPITER-50 lettering near its front edge, while the lower red instrument shows the Nord Stage 2 name.
The Sugarmill, Stoke-on-Trent, Staffordshire
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_8665,Jez,Kerr,Jeremy,ACR,A,Certain,Ratio,at,the,Sugarmill,Stoke,20261023,vocoder,keyboard,singer,microphone,live,electronic,music,shown,singing,eyes,closed,during,stage,performance,foreground,filled,top,instrument,UK,A Certain Ratio,Force,Sextet,tour,2026,gig
Description: Tony Smith image Alamy 3FYF1WE - . Jez Kerr of A Certain Ratio is shown singing with eyes closed into a microphone during a stage performance. The foreground is filled by the top of a keyboard or electronic instrument carrying handwritten labels. The singer has closed eyes and leans into a microphone, with a second angled microphone stand close to the instrument in front. Pink-red lighting falls on the face and the dark backdrop, emphasising concentration and delivery. An electronic keyboard occupies the bottom portion of the image, providing a distinct performance angle from the separate portrait and full keyboard-rig photographs. Lighting colour and camera framing are descriptive features of the recorded performance. The mouth is positioned immediately against the microphone as the performer sings, and the closed eyes suggest concentration at this instant. The dark keyboard case fills the lower edge of the composition, with a blue-green label and stage cabling visible. The red lighting is much stronger on the face and backdrop than in the separate blue-lit image. This tightly framed concert image places the singer squarely behind the microphone, his face lit by warm pink and orange lighting. A dark blue keyboard spans the lower foreground with handwritten equipment labels attached. The vocalist's closed eyes, forward-leaning pose and near-central microphone make the image an expressive portrait of live singing and keyboard performance. The large, partly cropped backdrop letters establish a stage setting without overwhelming the subject. Jez Kerr closes his eyes while singing into a microphone placed just in front of his face. The blue electronic instrument across the lower half of the picture carries handwritten stage labels, including a prominent VOCODER label, which makes this a recognisably different concert image. The black keyboard casing occupies the lower foreground and carries a green handwritten 'VOCODER' label.
The Sugarmill, Stoke-on-Trent, Staffordshire
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_8670,Jezz,Kerr,ACR,A,Certain,Ratio,at,the,Sugarmill,Stoke,20261023,synthesiser,keyboards,live,band,stage,purple,light,gig,electronic,musician,photographed,behind,microphones,cables,surrounding,equipment,lighting,bathes,performance,UK,A Certain Ratio,Force,Sextet,tour,2026
Description: Tony Smith image Alamy 3FYF1WH - . A Certain Ratio musician Jez Kerr is photographed on stage behind multiple electronic keyboards, with microphones and cables surrounding the equipment. Strong purple lighting bathes the performance area and the stage backdrop. The view is wide enough to include Jez Kerr behind a multi-level keyboard rig, with the microphone, leads and synthesiser stands visible against a purple-lit stage. A Certain Ratio wording appears on the backdrop. The musician is shown as part of a larger equipment arrangement, making this a useful reference for the band's use of stacked electronic keyboards in a concert setting. The main keyboard stands on a metal stage support, with another playing surface and associated equipment visible below. Purple lighting floods the performer, instrument and nearby backdrop, and a microphone reaches in from the side. The wider composition shows the relationship between the player and his instrument rig, making it especially suitable for searches about electronic musicians, live synthesisers and multi-keyboard setups. The scene belongs to the photographed A Certain Ratio performance in Stoke-on-Trent, and the layered instruments are its characteristic visual element. Purple and magenta lighting washes across a tiered arrangement of keyboards and stands. The musician is positioned behind the upper playing surface, surrounded by angled microphone booms, electrical leads and stage hardware. The A Certain Ratio backdrop is visible behind him. This wider view gives a sense of the area of stage occupied by the synthesiser setup and the physical layout of the keyboards, unlike the tight portrait with the labelled vocoder. A wider stage view shows Jez Kerr behind two stacked keyboards with a music stand and microphones arranged around him. Purple-magenta lighting washes the back wall, and the ˜Sugarmill' lettering is partially visible above the performer, anchoring the view to the venue.
The Sugarmill, Stoke-on-Trent, Staffordshire
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_8682,Jez,Kerr,Jeremy,ACR,A,Certain,Ratio,at,the,Sugarmill,Stoke,20261023,concert,singer,microphone,keyboards,electronic,post,punk,close,portrait,behind,keyboard,stage,instrument,sings,illuminated,magenta,blue,light,UK,A Certain Ratio,Force,Sextet,tour,2026,gig
Description: Tony Smith image Alamy 3FYF1WJ - . A close portrait of Jeremy Jez Kerr of A Certain Ratio behind a keyboard or electronic stage instrument. He sings into a microphone with illuminated magenta and blue light across his face, with a hand raised near his mouth. In the tight head-and-shoulders view, Jez Kerr is lit red and magenta against a blue instrument case. His face, microphone, hand and a keyboard carrying a hand-written VOCODER label dominate the picture. The gesture and close microphone show the vocal side of the performance, while the electronic instrument ties the image to the band's synthesiser and post-punk sound. The VOCODER label is hand-written on tape attached to the front of the electronic keyboard, making the equipment as significant as the close portrait. The performer's face and hand are sharply emphasised against the vivid background lighting, and the two microphone arms introduce diagonal lines across the image. Jez Kerr is closely associated with A Certain Ratio's vocals and bass parts
this picture isolates a moment at the microphone behind electronic equipment. The performance venue and date in the filename identify the gig as The Sugarmill in Stoke-on-Trent on 23 October 2026. The closely framed keyboard player has a microphone immediately in front of his face and a blue electronic instrument running horizontally across the bottom. Adhesive handwritten labels on the equipment are visible, including VOCODER on one strip. Warm red-orange backlighting contrasts with the cooler blue of the instrument. His expression, microphone position and the tight crop are the main details separating this frame from the wider keyboard-performance photograph. The portrait concentrates on Jez Kerr's expressive face, positioned directly above the front edge of an electronic instrument. Strong pink light illuminates the right side of his face as the black microphone passes horizontally in front of him and a cable curves across the foreground.
The Sugarmill, Stoke-on-Trent, Staffordshire
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_8690,Donald,Johnson,ACR,A,Certain,Ratio,at,the,Sugarmill,Stoke,20261023,black,white,monochrome,concert,bassist,bass,guitar,microphone,black-and-white,photograph,shows,playing,singing,spectacles,instrument,fretboard,stage,equipment,sharply,UK,A Certain Ratio,Force,Sextet,tour,2026,live,gig
Description: Tony Smith image Alamy 3FYF1WK - . A black-and-white concert photograph shows A Certain Ratio bassist Donald Johnson playing a bass guitar and singing into a microphone. His spectacles, instrument fretboard and stage equipment are sharply outlined by monochrome contrast. This monochrome frame shows Donald Johnson from the waist up with a bass guitar, microphone and glasses. Removing the colour of the stage lighting brings the fretting hand, instrument shape and reflective highlights into the foreground. The close view has a documentary portrait quality distinct from the brightly coloured full-stage bass photograph from the same live performance. The performance is framed around stacked electronic keyboards, a microphone and strongly coloured magenta stage lighting, with the A Certain Ratio backdrop visible behind. The monochrome conversion gives high contrast to the musician's glasses, dark shirt and the metallic parts of the bass guitar. The instrument is held at a diagonal across the frame, and the microphone stand sits close to the face. Attention is drawn to the contours of the bass body and the concentrated expression of its player. The monochrome photograph shows the musician in profile with head lowered towards his electric bass. The black-and-white treatment emphasises the outlines of his spectacles, shaved head, instrument body, hands and microphone stand. The bass strings and frets draw the eye across the lower half, while backstage equipment and a wall panel appear behind him. Its documentary character comes from the concentration and posture caught during playing. Donald Johnson is rendered in black and white, producing a stark contrast between his glasses, shaved head, hands and the dark bass-guitar body. He looks downwards towards the fretboard as a microphone stand rises beside him
the stage background falls into shadow. Black-and-white treatment emphasises the performer's glasses, close-cropped hair and the gloss on the curved bass body.
The Sugarmill, Stoke-on-Trent, Staffordshire
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_8706,Donald,Johnson,ACR,A,Certain,Ratio,at,the,Sugarmill,Stoke,20261023,bassist,live,performance,bass,guitar,music,gig,percussion,photographed,performing,electric,wearing,glasses,dark,green,printed,shirt,stage,illumination,UK,A Certain Ratio,Force,Sextet,tour,2026
Description: Tony Smith image Alamy 3FYF1WM - . Donald Johnson of A Certain Ratio is photographed performing on electric bass guitar, wearing glasses and a dark green printed shirt. Green stage illumination highlights the musician at a microphone in The Sugarmill. Donald Johnson wears glasses and a dark green T-shirt with a bold circular printed motif. His electric bass is held diagonally across the body, and a microphone on a stand is positioned at his mouth. Greenish stage light and the background equipment frame his performance. This image is particularly suited to bassist portraits, live bass performance and the instrumental contribution of A Certain Ratio. The bassist is photographed in profile with a multicoloured electric bass across his torso and a microphone directly in front of him, under green and amber stage lighting. The bass guitar's curved body, shiny finish and long neck are prominent against the green shirt. The hand positions and angled strap convey active playing, while the microphone indicates the possibility of live vocal contribution during the set. The glasses, closely cropped head, facial expression and green stage illumination are useful distinctions from the separate monochrome frame of Donald Johnson. The green shirt carries a large graphic motif
spectacles, a closely cropped head and the microphone stand are clearly defined. The electric bass extends from the lower left into the centre, with the neck tilted upwards. Yellow-green light falls on the singer's face and hand. The portrait records the simultaneous demands of bass playing and singing, with the player's gaze directed towards the mic during the photographed moment. Donald Johnson faces left towards the microphone with a blue electric bass angled across his torso. His close-cropped hair and glasses are visible, while the green stage light picks up the guitar body, his forearm and the graphics on his dark T-shirt. The microphone head is close to the mouth and the bass strap runs diagonally across the dark T-shirt.
The Sugarmill, Stoke-on-Trent, Staffordshire
Description
Keywords: GoTonySmith,Hotpixuk,transport,garage,forecourt,petrol VAT,petrol duty,fuel duty,diesel duty,services,motorway services,profiteering,oil company profits,sign,prices,Welcome Break Services Keele North,M6,on sign,expensive,northbound,north bound,UK,litre,per,Stoke,ST5,Trusthouse Forte,Keele Motorway Services Area,Three Mile Lane,Staffordshire,Big oil,Trump,Iran War,oil market volatility,RRP,petrol pump UK,filling station,gas station,winter fuel,protest
Description: Tony Smith image Alamy 2JAGDR2 - Editorial image of a Welcome Break motorway service station fuel price sign in the United Kingdom showing high unleaded and diesel prices, illustrating the pressure of rising petrol and diesel costs on motorists, commuters, families, delivery drivers, haulage operators and the wider British economy. The photograph is useful for stories about inflation, fuel price volatility, pump price rises, energy insecurity, transport costs, household budgets, commuting expenses, business overheads and the cost of living squeeze affecting drivers across the UK. With bright red digital numbers, familiar roadside branding and a clear forecourt pricing display, the image works strongly for newspapers, magazines, websites and business reports covering expensive fuel, road travel costs, petrol station pricing, diesel inflation, motoring affordability and the knock-on effect of higher fuel bills on shopping, tourism, trade, logistics and domestic budgeting. It is also relevant to coverage of global crude oil prices, oil market volatility, refinery margins, wholesale fuel costs, fuel duty debate, supply chain disruption, shipping route concerns, Middle East tensions, Strait of Hormuz fears, geopolitical instability and worries about imported energy costs feeding through into UK pump prices. The image supports broader editorial themes such as car dependency, motorway travel, service station economics, rising living costs, inflationary pressure, freight costs, commercial vehicle running costs, family holiday travel budgets, regional fuel price differences and public frustration at forecourt price increases. Search relevance includes UK fuel prices, high petrol prices, high diesel prices, Welcome Break, motorway services, fuel price sign, unleaded price, diesel price, expensive fuel, fuel inflation, energy costs, oil prices, transport inflation, motoring costs, pump prices, roadside sign, British motorists, fuel affordability and economic pressure.
Welcome Break Services Keele North,M6,ST5 5HG - Trusthouse Forte Welcome Break,Trusthouse Forte,Keel
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,heritage,factory,factories,Great,Britain,showing,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,stangate,Stancate,London,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRCT - A George Jennings Closet of the Century water closet on display at Gladstone Pottery Museum in Longton, Stoke-on-Trent, showing the overlap between Victorian sanitary engineering, ceramic manufacturing and everyday social history. The white glazed ceramic toilet bowl carries red lettering reading The Closet of the Century and George Jennings Patent, Stangate, London , with pipework and a flush handle visible beside the museum exhibit. Jennings was an important nineteenth century sanitary ware supplier and innovator, associated with public lavatories, improved water closet design and the wider Victorian movement towards cleaner towns, better drainage and public health reform. The Science Museum notes that models of Jennings' patent water closets were made from earthenware, metal and mahogany and may have been used as sales models during the International Health Exhibitions of the 1890s. This photograph has strong editorial and commercial value for stories about toilet history, public health, sanitation, Victorian invention, bathroom design, plumbing heritage, museum collections, ceramics, industrial archaeology and Stoke-on-Trent's Potteries heritage. Gladstone Pottery Museum, based in the historic pottery district of Longton, preserves bottle ovens, workshops and displays linked to the city's ceramic industry, making it a fitting location for an object that connects ceramic production with the history of domestic and public hygiene. The image can illustrate articles on spending a penny , public conveniences, 19th century urban reform, antique sanitary ware, porcelain toilets, historic bathroom fittings, design history and the humour as well as seriousness of lavatory culture. The close-up composition, visible maker's mark, museum context and unusual subject make it especially useful for heritage features, educational publishing, quirky travel articles, social history blogs and museum guide material.
Victorian WC Closet of the future from Longton Stoke-On-Trent Great Britain showing potteries herita
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,cars,vehicles,transport,garage,forecourt,inflation,petrol VAT,petrol duty,fuel duty,diesel duty,services,motorway services,profiteering,oil company profits,sign,prices,Welcome Break Services Keele North,M6,Petrol PriceDiesel Price,on sign,expensive,northbound,north bound,UK,litre,per,Stoke,ST5 5HG,ST5,Trusthouse Forte Welcome Break,Trusthouse Forte,Keele Motorway Services Area,Three Mile Lane,Staffordshire,Iran war
Description: Tony Smith image Alamy 2JAGDRG - . A grounded documentary photograph made at Welcome Break Services Keele North,M6,ST5 5HG - Trusthouse Forte Welcome Break,Trusthouse Forte,Keel in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Welcome Break Services Keele North,M6,Petrol Price,Diesel Price, on sign, ST5 5HG. The image also relates to historical comparison, orientation signage, route marker, period detail, transport interchange, train operations, public-facing notice, trackside history, industrial railway heritage, rolling stock, navigation aid, contemporary social history, archival record, and station environment. The wider contemporary story combines reliability, rail reform and the continuing importance of rail to regional connectivity. Viewed from the mid-2020s, the subject also connects with maintenance, inclusive design and how clear signs help people navigate complex public places. The image fixes signage and branding within Welcome Break Services Keele North,M6,ST5 5HG - Trusthouse Forte Welcome Break,Trusthouse Forte,Keel at one identifiable point, providing a benchmark against changing commercial priorities. The wider setting retains connections with operational signage, passenger railway, changing land use, rail corridor, street furniture, community noticeboard, local history, and community identity. Details involving Keele, Services, Break, Price, and Welcome make the image more specific than a generic view and strengthen its local or historical value. For Welcome Break Services Keele North,M6,ST5 5HG - Trusthouse Forte Welcome Break,Trusthouse Forte,Keel, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The image fixes a trace of local identity for future local research. It also preserves a local visual benchmark before later change alters the scene.
Welcome Break Services Keele North,M6,ST5 5HG - Trusthouse Forte Welcome Break,Trusthouse Forte,Keel
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,factory,legacy,industries,industry,Stoke,Staffs,Staffordshire,ST3,lost industries,Brexit,casualty,history,old industry,old industries,Brexit Voting,Brexit Voter,Tory Voter,Leave voters,Vote,Leave,Tory,decline,declining,Gladstone Pottery Museum,Gladstone,Pottery Museum,Gladstone Museum,night,dusk,car trail,movement,red,light,Thomas Poole & Gladstone China Ltd,Roslyn pottery,biscuit ovens,bone china
Description: Tony Smith image Alamy 2AFK5M5 - The Gladstone Pottery Museum is a working museum of a medium-sized coal-fired pottery, typical of those once common in the North Staffordshire area of stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England from the time of the industrial revolution in the 18th century to the mid 20th century. It is a grade II* listed building.[1]
The museum is located in Longton, Stoke-on-Trent, Staffordshire. It is also included in one of the regional routes of the European Route of Industrial Heritage.[2] Despite the name of the museum, it is a complex of buildings from two works, the Gladstone and the Roslyn.[3] The protected features include the kilns. As there are less than 50 surviving bottle ovens in Stoke-on-Trent (and only a scattering elsewhere in the UK), the museum's kilns along with others in the Longton conservation area represent a significant proportion of the national stock of the structures.
The museum is centred on the Roslyn pottery. It contains two biscuit ovens and two larger glost ovens. In addition are two enamel kilns. A tandem compound steam engine by Marshall & Sons, of Gainsborough, Lincolnshire is in place but it is turned by an electric motor. The two muffle kilns came from elsewhere.
The museum allows the visitor to explore the bottle kilns and exhibits the principal ancillary rooms: the engine house, the slip room, saggar making workshop. It shows aspects of working with clay- including hands on displays of throwing, moulding and decorating. Colour and gilding is presented as interpretive panels.
There is a gallery explaining the history of the tile: how it was pressed glazed and decorated. In one tableau the Gladstone Vase by Frederick Alfred Rhead is displayed.
There is also a gallery charting the history of sanitary ware, privies, earth closets and water closets
Uttoxeter Rd, Longton, Stoke-on-Trent,Staffs, England, UK, ST3 1PQ
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,legacy,Stoke,ST3,casualty,Gladstone Pottery Museum,Pottery Museum,Gladstone Museum,Gladstone,decline,old industries,Brexit Voting,old industry,history,lost industries,Staffs,industries,Staffordshire,industry,factory,night,dusk,Thomas Poole & Gladstone China Ltd,china industry,Uttoxeter Rd,brick,Roslyn pottery,biscuit ovens,decline of pottery,potbank,pot-bank,pot banks,pottery factory,bone china,sunset industry,sunset industries,recession
Description: Tony Smith image Alamy 2AFK5MA - The Gladstone Pottery Museum is a working museum of a medium-sized coal-fired pottery, typical of those once common in the North Staffordshire area of stock-photo/gotonysmith-England.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>England from the time of the industrial revolution in the 18th century to the mid 20th century. It is a grade II* listed building.[1]
The museum is located in Longton, Stoke-on-Trent, Staffordshire. It is also included in one of the regional routes of the European Route of Industrial Heritage.[2] Despite the name of the museum, it is a complex of buildings from two works, the Gladstone and the Roslyn.[3] The protected features include the kilns. As there are less than 50 surviving bottle ovens in Stoke-on-Trent (and only a scattering elsewhere in the UK), the museum's kilns along with others in the Longton conservation area represent a significant proportion of the national stock of the structures.
The museum is centred on the Roslyn pottery. It contains two biscuit ovens and two larger glost ovens. In addition are two enamel kilns. A tandem compound steam engine by Marshall & Sons, of Gainsborough, Lincolnshire is in place but it is turned by an electric motor. The two muffle kilns came from elsewhere.
The museum allows the visitor to explore the bottle kilns and exhibits the principal ancillary rooms: the engine house, the slip room, saggar making workshop. It shows aspects of working with clay- including hands on displays of throwing, moulding and decorating. Colour and gilding is presented as interpretive panels.
There is a gallery explaining the history of the tile: how it was pressed glazed and decorated. In one tableau the Gladstone Vase by Frederick Alfred Rhead is displayed.
There is also a gallery charting the history of sanitary ware, privies, earth closets and water closets
Uttoxeter Rd, Longton, Stoke-on-Trent,Staffs, England, UK, ST3 1PQ
Description
Keywords: light,toilet,Library,England,sanitary,ware,plumbing,ceramic,ceramics,vintage,antique,basic,old,fashioned,oldfashioned,old-fashioned,stoneware,stoke,stoke-on-trent,gents,flush,tank,cistern,flushing,Victorian urinals,John Rylands,sanitary ware,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4EDT6 - A urinal is a sanitary plumbing fixture for urination only, predominantly used by males. It can take the form of a container or simply a wall, with drainage and automatic or manual flushing, or without flush water as is the case for waterless urinals.
The different types of urinals, be it for single users or as trough designs for multiple users, are intended to be utilized from a standing position (rather than squatting or sitting). The term may also apply to a small building or other structure containing such fixtures. It can also refer to a small container in which urine can be collected for medical analysis, or for use where access to toilet facilities is not possible, such as in small aircraft, during extended stakeouts, or for the bedridden.
While urinals are generally intended for use by males, it is also possible for females to use them. Designers of urinals for women have adopted various approaches: some intending the user to hover over the unit, facing away from it, others intending the user to stand facing the urinal, with or without a female urination device. While uncommon due to restroom segregation, it is possible for females to use male urinals
Deansgate, Manchester,England, UK
Description
Keywords: light,toilet,Library,England,sanitary,ware,plumbing,ceramic,ceramics,vintage,antique,basic,old,fashioned,oldfashioned,old-fashioned,stoneware,stoke,stoke-on-trent,gents,flush,tank,cistern,flushing,Victorian urinals,John Rylands,sanitary ware,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4EDTJ - A urinal is a sanitary plumbing fixture for urination only, predominantly used by males. It can take the form of a container or simply a wall, with drainage and automatic or manual flushing, or without flush water as is the case for waterless urinals.
The different types of urinals, be it for single users or as trough designs for multiple users, are intended to be utilized from a standing position (rather than squatting or sitting). The term may also apply to a small building or other structure containing such fixtures. It can also refer to a small container in which urine can be collected for medical analysis, or for use where access to toilet facilities is not possible, such as in small aircraft, during extended stakeouts, or for the bedridden.
While urinals are generally intended for use by males, it is also possible for females to use them. Designers of urinals for women have adopted various approaches: some intending the user to hover over the unit, facing away from it, others intending the user to stand facing the urinal, with or without a female urination device. While uncommon due to restroom segregation, it is possible for females to use male urinals
Deansgate, Manchester,England, UK
Description
Keywords: Jesse,Shirley,historic,pottery,firm,whose,company,collapsed,under,crippling,trading,conditions,in,autumn,2011,bone,ash,supplier,suppliers,Managing,director,Mike,Shirley,redundant,redundancies,pot,land,potland,decline,in,Eturia,SOT,Stoke,on,trent,stokeontrent,on-trent,business,businesses,St,Modwen,gotonysmith,bad,the,situation,is,for,industry,ceramic,companies,revival,Jesse,Shirley's,Bone,and,Flint,Mill,Shirleys,Lower,Bedford,Street,Etruria,Stoke-on-Trent,ST4 7AF ST47AF,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHR3N - . Jesse Shirley historic pottery firm whose company collapsed under crippling trading conditions in autumn 2011. Photographed on 27 July 2013. The recorded location is Lower Bedford Street, Etruria, Stoke-on-Trent, ST4 7AF. From a heritage perspective, factories, mills, engines and workshops record the technologies and labour that powered Britain's industrial expansion
Their machinery, inscriptions and specialist buildings are valuable evidence of engineering practice, working conditions, regional industries and the later shift from heavy industry to heritage, housing or new commercial uses. In historical terms, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local history, design, industry and social life across different periods. Looking at the subject's development, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a specific moment
Repeated views can later become valuable evidence of development, environmental change and shifting patterns of use. As of 2026, industrial heritage is increasingly tied to regeneration, tourism, conservation and skills education, particularly in former manufacturing towns seeking new uses for historic sites
Preserved machinery and redundant industrial buildings also provide evidence for debates about adaptive reuse and local identity. During 2026, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse. Against the 2026 backdrop, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse.
Lower Bedford Street, Etruria, Stoke-on-Trent, ST4 7AF
Description
Keywords: Welcome to Etruria,a,great,place,to,visit,the,canal,or,park,up,your,bike,.,Stoke,on,Trent,Staffordshire,England,GB SOt Stoke on-trent network industrial museum UK United kingdom,gotonysmith,Buy Pictures of,Buy Images Of,bicycle,Industrial Museum,museums,bone and flint,mill,milling,ceramic,parking,parked,secure
Description: Tony Smith image Alamy DBHR4H - Etruria is a suburb of Stoke-on-Trent, Staffordshire, England.
Etruria was the fourth and penultimate site for the Wedgwood pottery business. Josiah Wedgwood, who was previously based in Burslem, opened his new works in 1769. It was named after the Italian district of Etruria, home of the Etruscan people who were renowned for their artistic products. The site covered 350 acres (140 ha) and was next to the Trent and Mersey Canal. As well as Wedgwood's home, Etruria Hall, it included the Etruria Works which remained in use by the Wedgwood enterprise until 1950. The Wedgwood factory is now in Barlaston, a village about six miles to the south of the Etruria site.
Etruria Hall was the site of the substantial invention of photography by Thomas Wedgwood in the 1790s.
After Wedgwood
Much of Etruria became derelict with the move of Wedgwood after the Second World War and the subsequent closure of the nearby Shelton Bar steelworks. Large-scale regeneration began in the 1980s with the Stoke-on-Trent Garden Festival.
Etruria is home to the Etruria Industrial Museum, a scheduled ancient monument, which includes a working steam engine called Princess. The museum buildings were originally a bone and flint mill built in 1857 to grind materials for the pottery industry. Inside visitors can see displays on the history of the site and original machinery. On the first weekend of each month the museum's 1903 coal-fired boiler provides steam to operate Princess which then turns the grinding machinery.
Etruria, Stoke-On-Trent, Staffordshire ST4 7AF
Description
Keywords: Stoke-on-Trent Staffordshire Potteries,English Midlands,England,GB,stoke,on,trent,StokeOnTrent,last,remaining,building,buildings,museum,famous,pottery,outside,exterior,historic,working,medium,sized,vase,Frederick,Alfred,Rhead,Flushed,with,Pride,Victorian,history,historic,Gladston,gotonysmith,size,ERIH,The,European,Route,of,Industrial,Heritage,Most,Haunted,Buy,Pictures,of,Buy,Images,Of,.,Known,as,a,site,of,paranormal,activity,backstamp,Uttoxeter,Road,ST3,1PQ,ST31PQ,01782-237777,01782237777,,,
Description: Tony Smith image Alamy DBHR9D - Exterior of the Gladstone Pottery Museum is a working museum of a medium sized pottery, typical of those once common in the North Staffordshire area of England from the time of the industrial revolution in the 18th century to the mid 20th century.
It is located in Longton, Staffordshire. It is an Anchor Point of ERIH, The European Route of Industrial Heritage.
Uttoxeter Road, Longton, Stoke-On-Trent, Staffordshire, Uk ST3 1PQ
Description
Keywords: Stoke-on-Trent Staffordshire Potteries,English Midlands,England,GB,stoke,on,trent,StokeOnTrent,last,remaining,building,buildings,museum,famous,pottery,outside,exterior,historic,working,medium,sized,vase,Frederick,Alfred,Rhead,Flushed,with,Pride,Victorian,history,historic,Gladston,monochrome,1970,gotonysmith,size,ERIH,The,European,Route,of,Industrial,Heritage,Most,Haunted,Buy,Pictures,of,Buy,Images,Of,.,Known,as,a,site,of,paranormal,activity,backstamp,Uttoxeter,Road,ST3,1PQ,ST31PQ,01782-237777,01782237777,,,
Description: Tony Smith image Alamy DBHR9R - Exterior of the Gladstone Pottery Museum is a working museum of a medium sized pottery, typical of those once common in the North Staffordshire area of England from the time of the industrial revolution in the 18th century to the mid 20th century.
It is located in Longton, Staffordshire. It is an Anchor Point of ERIH, The European Route of Industrial Heritage.
Uttoxeter Road, Longton, Stoke-On-Trent, Staffordshire, Uk ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,jolleying,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,joyering,Jolley,Jiggering,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRB5 - Jiggering and jolleying: These operations are carried out on the potter's wheel and allow the time taken to bring wares to a standardized form to be reduced. Jiggering is the operation of bringing a shaped tool into contact with the plastic clay of a piece under construction, the piece itself being set on a rotating plaster mould on the wheel.
The jigger tool shapes one face while the mould shapes the other. Jiggering is used only in the production of flat wares, such as plates, but a similar operation, jolleying, is used in the production of hollow-wares such as cups.
Jiggering and jolleying have been used in the production of pottery since at least the 18th century. In large-scale factory production, jiggering and jolleying are usually automated, which allows the operations to be carried out by semi-skilled labour.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,factory,Great,Britain,showing,heritage,at,the,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,gladston,bottles,shelves,shelf,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHRN5 - Interior view of the historic colour room at Gladstone Pottery Museum in Longton, Stoke-on-Trent, Staffordshire, showing shelves filled with old labelled jars and containers used for ceramic colours, stains, pigments and glaze materials. The black, grey, cream and brown storage pots, worn paper labels and utilitarian wooden shelving give the image a strong documentary feel, recording the practical back-room materials behind Staffordshire pottery decoration. Visible labels appear to include colour names and coded recipes, suggesting the careful organisation needed by decorators, paintresses, gilders and colour room workers in a busy potbank. Gladstone Pottery Museum is a preserved Victorian pottery factory on Uttoxeter Road, Longton, and its displays interpret the industrial processes that made Stoke-on-Trent internationally known as The Potteries. The site is associated with bottle ovens, kilns, workshops, decorating rooms and the everyday labour of ceramic production, from clay preparation and firing to glazing, colour, enamel and gilding. This image is useful for editorial and commercial themes around British ceramics, Staffordshire industry, museum collections, craft skills, heritage conservation, industrial archaeology, social history, factory interiors, material culture, pottery design, ceramic chemistry and traditional trades. The colour room shows that the success of tableware and decorative pottery depended not only on kilns and clay, but on specialist knowledge of colours, oxides, recipes and finishes. The muted indoor light, dusty shelves and ageing jars create an atmospheric visual for articles about Longton heritage, Stoke tourism, manufacturing history, education, preservation and the fragile survival of workshop objects. It can also support features on hand decoration, pottery painting, women's work in ceramics, archives of industrial knowledge and the wider story of how North Staffordshire became a global centre for ceramic manufacture.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Dots,Candy,Stall,at,Longton,indoor,Market,Hall,Stoke,on,trent,Staffordshire,England,UK,interior,markets,empty,recession,difficult,trading,times,2008,building,traditional,struggling,struggle,trader,low,footfall,SOT,stoke-on-trent,stokeontrent,attracting,more,people,into,our,town,gotonysmith towns city cities retail retailers ST3 1BZ ST31BZ,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHTD4 - . Dots Candy Stall at Longton indoor Market Hall, Stoke on trent , Staffordshire, England, UK. Photographed on 27 July 2013. The recorded location is Longton Market, Longton, Stoke-on-trent, Staffordshire, England, UK ST3 1BZ. Has the recession benefited or hit our town markets badly? In historical terms, shops and markets are a visible record of evolving consumer life, from family businesses and specialist traders to chain stores, department stores and regenerated market halls
Fascias, signs and shopfronts can date a street scene as clearly as architecture or vehicles. Historically, buildings are often the most durable evidence of former institutions and businesses
Stonework, brickwork, windows, signs and decorative details can survive changes of ownership and use, allowing photographs to document both architectural style and the evolution of a street. In the longer view, older structures and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand community history, design, industry and social life across different periods. During 2026, high streets continue to evolution rapidly as retailers respond to online competition, costs and evolving footfall
Government support for community assets and town-centre renewal gives photographs of independent shops, markets and former businesses added relevance to stories about regeneration and local economies. In 2026, the reuse of existing buildings is increasingly discussed alongside conservation, embodied carbon and town-centre regeneration
Images of older façades and converted premises can therefore illustrate both architectural heritage and the practical pressures of adapting buildings for new uses. Associated keywords and synonyms include retail premises, local business, independent retailer, town centre, consumer culture, commercial property, local economy, shopping district, and retail history.
Longton Market, Longton, Stoke-on-trent, Staffordshire, England, UK ST3 1BZ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,Great,Britain,showing,heritage,at,the,Pottery,Museum,GB,unique,bone,tablewear,tableware,workshops,and,giant,bottle,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,bricks,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHTMD - Portrait view of the historic bottle kilns at Gladstone Pottery Museum in Longton, Stoke-on-Trent, Staffordshire, a preserved Victorian pottery works in the heart of the Potteries. The photograph shows the distinctive cone-shaped brick bottle ovens rising above a cobbled yard, with warm red brick walls, green painted doors, wooden railings, chimney stacks, saggar containers and pottery yard details creating a strong sense of industrial heritage. The sky is dark and overcast, with dramatic cloud and subdued light giving the scene a moody atmosphere suited to heritage, tourism and history features. Gladstone Pottery Museum is housed in a former coal-fired pottery factory and is known for its surviving bottle ovens, which are among the most powerful visual symbols of Stoke-on-Trent's ceramics industry. The museum explains the skills and working conditions behind pottery production, including clay preparation, throwing, moulding, decorating, firing and the use of saggars to protect ware inside kilns. This image is highly relevant for editorial and commercial use on Stoke-on-Trent, Longton, Staffordshire tourism, ceramic manufacturing, industrial archaeology, Victorian factories, working museums, craft skills, heritage conservation, regeneration, local identity and the story of the Six Towns. Bottle kilns once dominated the skyline of North Staffordshire, but surviving examples are now important listed heritage structures. Gladstone is listed by Stoke museums at Uttoxeter Road, Longton, and specialist bottle oven records identify the site as having four updraught bottle ovens and a muffle kiln within the Longton Conservation Area. The vertical composition, strong architectural forms and textured brickwork make the image useful for travel guides, educational publishing, museum promotion, British industrial history, ceramics features, pottery design, kiln technology, craft tourism and stories about preserving the built legacy of the Staffordshire Potteries.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Stoke-on-Trent,Stoke,on,Trent,on-trent,Stokeontrent,blue,white,finger,hand,Industrial,Museum,history,brick,bricks,heritage,last,steam-powered,steam,potters,mill,in,Britain,1903,boiler,is,fired,and,historic,machinery,can,be,seen,working,GB,England,potteries,trail,ST1,4RB,ST14RB,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBJF8B - . Historic To The Forge sign in Etruria Industrial Museum near Stoke-on-Trent. Photographed on 27 July 2013. The recorded location is Etruria, Staffordshire, England, UK ST1 4RB. Looking at the subject's development, industrial heritage links machinery and architecture with the lives of workers who operated mines, mills, potbanks, foundries and factories
As production declined or modernised, many sites were demolished, adapted or preserved, making images an important record of manufacturing landscapes and engineering culture. From a heritage perspective, historic objects and places gain meaning through survival
Materials, craftsmanship, inscriptions and later alterations can reveal how a building, machine or everyday item was made, used and valued, while preservation decisions show which parts of the past communities choose to retain. From a heritage perspective, street signs, shop fascias, notices and inscriptions combine practical communication with graphic design
Typefaces, colours and wording can identify an era, organisation or local custom, making close photographs valuable for social, transport and commercial history. For the 2026 context, former industrial sites continue to be repurposed as housing, offices, cultural attractions and heritage venues
That makes historic machinery and surviving industrial fabric relevant both to the story of deindustrialisation and to current regeneration of northern English and Midlands towns. As of 2026, conservation is increasingly considered alongside regeneration, climate resilience and adaptive reuse
The value of a historic subject therefore lies not only in nostalgia but in the evidence it offers about materials, local identity and how places change. In the present 2026 context, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse.
Etruria, Staffordshire, England, UK ST1 4RB
Description
Keywords: Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Gladston,pouring,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBJFC6 - . Old jug mould from Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum. Photographed on 27 July 2013. The recorded location is Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ. Gladstone Pottery Museum preserves a complete former pottery works in Longton, one of the six towns of Stoke-on-Trent. Bottle ovens, workshops, mould rooms and surviving equipment explain the labour-intensive processes behind the Staffordshire ceramics industry, which made the Potteries internationally famous. The site is particularly valuable because so many similar potbanks and kilns disappeared during industrial restructuring and later redevelopment. Looking at the subject's development, industrial buildings and machinery preserve the material history of manufacturing Britain: steam power, engineering, mining, textiles, ceramics and mass production transformed both the economy and the physical character of towns
Surviving equipment is now studied as industrial archaeology and often conserved within museums or regenerated sites. From a heritage perspective, heritage photography is particularly useful where buildings or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. In historical terms, visitor attractions based on historic houses, industrial sites and specialist collections combine conservation with education
Exhibits can change over time, so photographs also document how institutions presented their collections at a particular date. For the 2026 context, former industrial sites continue to be repurposed as housing, offices, cultural attractions and heritage venues
That makes historic machinery and surviving industrial fabric relevant both to the story of deindustrialisation and to current regeneration of northern English and Midlands towns.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factory,factories,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,tea,cup,handles,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBJFCK - . Image from mould room Longton Stoke-On-Trent Great Britain showing potteries heritage at the Gladstone Pottery Museum. Photographed on 27 July 2013. The recorded location is Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ. How teacup handles are made. Gladstone Pottery Museum preserves a complete former pottery works in Longton, one of the six towns of Stoke-on-Trent. Bottle ovens, workshops, mould rooms and surviving equipment explain the labour-intensive processes behind the Staffordshire ceramics industry, which made the Potteries internationally famous. The site is particularly valuable because so many similar potbanks and kilns disappeared during industrial restructuring and later redevelopment. Historically, industrial buildings and machinery preserve the material history of manufacturing Britain: steam power, engineering, mining, textiles, ceramics and mass production transformed both the economy and the physical character of towns
Surviving equipment is now studied as industrial archaeology and often conserved within museums or regenerated sites. In the longer view, heritage collections preserve material that might otherwise be dispersed or destroyed
Museums use objects, labels, reconstructed settings and historic buildings to explain both exceptional events and ordinary life, making photographs of exhibits useful records of interpretation as well as the object itself. Historically, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local history, design, industry and social life across different periods. In 2026, industrial heritage is increasingly tied to regeneration, tourism, conservation and skills education, particularly in former manufacturing towns seeking new uses for historic sites
Preserved machinery and redundant industrial buildings also provide evidence for debates about adaptive reuse and.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: County,Council,local,authority,black,on,white,quaint,old,fashioned,english,British,traditional,Ilminster,Stoke,Sub,Hamdon,in,centre,of,Montecute,Gotonysmith,Buy Pictures of,Buy Images Of,fingerpost,fingerposts,villages,A3088,Yeovil,Ilminster 9,9,Stoke Sub Hamdon,church,churchyard,notices,notice board
Description: Tony Smith image Alamy DE54PG - . Old South Somerset CC finger post road sign Yeovil Ilminster Stoke Sub Hamdon, in centre of Montecute. Photographed at Montecue village, South Somerset, England, UK. The photograph was taken on 13 June 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Somerset, finger, post, road, sign, Yeovil, SCC, County, Council and local, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to religious heritage, places of worship, ecclesiastical architecture, local history, faith communities and the conservation of historic buildings. It can illustrate editorial features about churches and cathedrals, worship, monuments, memorials, stained glass, church interiors, architectural detail, tourism, listed buildings and the role of historic religious sites within towns and cities. Stonework, inscriptions, furnishings, windows, towers, memorials and other surviving details can provide useful evidence for architectural and heritage-focused picture research. As a documentary location image it also records the condition, presentation and setting of the site at a particular point in time. Search themes include religious heritage, churches, cathedrals, worship, monuments, memorials, ecclesiastical architecture, conservation, tourism and local history. Architectural and decorative details can also be useful to researchers studying the fabric, furnishings and changing presentation of historic places of worship. The view is firmly rooted in a real location rather than a constructed studio setting.
Montecue village, South Somerset, England, UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,wildlife,wild,life,ad,Vincula,side,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies,products,glass,beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT09 - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,side,sideview,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT17 - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,front,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT2D - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: St,Peters,Close,centre,of,churchyard,of,St,Peters,Peters,close,to,the,remains,of,the,original,Saxon,Church,and,between,the,graves,of,Josiah,Wedgwood,and,Josiah,Spode,Artist,Phillip,Hardaker,Helen,Sayer,ceramic,ceramics,pot,pots,clay,clayhead,clayheads,ad,Vincula,healing,scott,parkin,GotonySmith,Artists,on,Trent,City,Council,mosaic,is,built,on,a,low,brick,plinth.,The,structure,has,a,breeze,block,support,and,makes,use,of,recycled,Victorian,blue,bricks,as,well,as,slate,for,the,seats,on,either,side,The,whole,structure,is,faced,in,ceramic,mosaics,pieces,from,local,ceramic,companies',products,glass beads,and,tiles,stokeontrent,stoke-on-trent,on-trent,Stoke,Minster,Pottery,Bench,art,2000,Millennium,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHT4M - The mosaic is built on a low brick plinth. The structure has a breeze block support and makes use of recycled Victorian blue bricks as well as slate for the seats on either side.
The whole structure is faced in ceramic mosaics, pieces from local ceramic companies' products, glass beads, and tiles.
A number of themes have been incorporated into the design, including animals and plants indigenous to the area, a picture of the church, together with mouldings of heads and other features from gravestones and monuments in the churchyard, images of the traditional coal and bottle kilns that made the city famous, as well as high-tech industries, a tribute to Sir Stanley Matthews, whose funeral service was held at the Church, and a depiction of the Trent and Mersey Canal merging into the Sea of Galilee and then into the River Trent as it wraps round the base of the mosaic, unifying the design for the whole structure. Within this ribbon of mosaic, ammonites and different varieties of fish are depicted.
On the front of the bench, facing away from the church, are plaques depicting St Peter's Church and School, interspersed with heads, both European and Asian. The base of the seat features an image of two men in a boat, with a mast in the shape of an upside-down cross and two crossed keys (both emblems of St Peter, to whom the nearby church is dedicated).
The wildlife depicted on the right hand end of the bench includes a bat with outstretched wings, a squirrel, a rabbit, a frog, a snail, a fox, a butterfly, a robin, a blackbird, a magpie, a hedgehog and a wren.
The back of the bench celebrates the industrial heritage of Stoke on Trent. Its designs includes plaques featuring men in flat caps carrying pots to the kiln on wooden boards, bottle kilns, pit winding gear and factory chimneys. These are interspersed with smaller pieces commemorating the pottery produced in the area. Below the seat, the central design is of two cartoon-like figures in a canal barge.
The left ha
Stoke-On-Trent, Staffordshire, England , UK
Description
Keywords: Longton,Stoke-On-Trent,SOT,Stoke,on,trent,stokeontrent,on-trent,industrial,heritage,factories,Great,Britain,showing,at,the,Gladstone,Pottery,Museum,GB,unique,bone,china,tablewear,tableware,workshops,and,giant,bottle,kilns,pot,banks,potbanks,Victorian,made,making,ceramics,Gotonysmith,SOT,Image,from,Longton,Stoke-On-Trent,Great,Britain,showing,potteries,heritage,at,the,Gladstone,Pottery,Museum,UK,English,England,Tourist,tourism,industry,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DBHTWH - . Wide Angle potbank kiln ,image from Longton Stoke-On-Trent Great Britain showing heritage at the Gladstone Pottery Museum, ST3 1PQ. Photographed on 27 July 2013. The recorded location is Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ. Gladstone Pottery Museum preserves a complete former pottery works in Longton, one of the six towns of Stoke-on-Trent. Bottle ovens, workshops, mould rooms and surviving equipment explain the labour-intensive processes behind the Staffordshire ceramics industry, which made the Potteries internationally famous. The site is particularly valuable because so many similar potbanks and kilns disappeared during industrial restructuring and later redevelopment. In historical terms, industrial heritage links machinery and architecture with the lives of workers who operated mines, mills, potbanks, foundries and factories
As production declined or modernised, many sites were demolished, adapted or preserved, making photographs an important record of manufacturing landscapes and engineering culture. Historically, historic objects and places gain meaning through survival
Materials, craftsmanship, inscriptions and later alterations can reveal how a building, machine or everyday item was made, used and valued, while preservation decisions show which parts of the past communities choose to retain. The wider historical story is that heritage collections preserve material that might otherwise be dispersed or destroyed
Museums use objects, labels, reconstructed settings and historic buildings to explain both exceptional events and ordinary life, making photographs of exhibits valuable records of interpretation as well as the object itself. During 2026, former industrial sites continue to be repurposed as housing, offices, cultural attractions and heritage venues
That makes historic machinery and surviving industrial fabric relevant both to the story of deindustrialisation and to current regeneration of northern English.
Uttoxeter Road, Longton, Stoke-on-Trent, Staffordshire, ST3 1PQ
Description
Keywords: Abandoned factory with graffiti in Longton,Stoke on-trent Staffordshire,England,UK,Stoke,on,Trent,pot,bank,potbank,surviving,Lechap,tag,decay,entropy,deprecation,nojobs,no,jobs,poverty,spray,paint,spraypaint,inner,city,innercity,urban,gotonysmith,Buy Pictures of,Buy Images Of,Industrial,abandoned,left behind,neglected,north,midlands,West Midlands,Vandalised,factory,pottery
Description: Tony Smith image Alamy DBHTAP - . Abandoned factory with graffiti in Longton , Stoke-on-trent , Staffordshire , England , UK, ST3 2NJ. Photographed on 27 July 2013. The recorded location is Longton, Stoke on Trent, Staffordshire, England, UK, ST3 2NJ. As background, factories, mills, engines and workshops record the technologies and labour that powered Britain's industrial expansion
Their machinery, inscriptions and specialist buildings are valuable evidence of engineering practice, working conditions, regional industries and the later shift from heavy industry to heritage, housing or new commercial uses. Historically, art in public and historical settings adds another layer to the built environment
Sculpture, mosaic, painting and street art can interpret heritage, provoke debate, memorialise communities or create landmarks, and photographs preserve works that may later evolution or disappear. Looking at the subject's development, ruined and abandoned buildings expose construction and decay in ways that occupied properties do not
Missing roofs, weathered masonry and empty openings can reveal former domestic or industrial use while also recording population change and economic decline. Against the 2026 backdrop, industrial heritage is increasingly tied to regeneration, tourism, conservation and skills education, particularly in former manufacturing towns seeking new uses for historic sites
Preserved machinery and redundant industrial buildings also offer evidence for debates about adaptive reuse and local identity. In 2026, contemporary interest in public art is closely linked to regeneration and cultural tourism. murals and sculpture continue to be used to express identity and animate public space, while redevelopment can make photographic records of earlier works increasingly valuable. Additional natural-language search terms include industrial archaeology, engineering history, historic machinery, labour history, working life, mechanical engineering, and industrial landscape.
Longton, Stoke on Trent, Staffordshire, England, UK, ST3 2NJ
