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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_6386,Guinness,on,a,tortoise,Rainford,Square,off,Cavern,Walks,Liverpool,turtle,wall,art,mural,beer,stout,advertising,street,painting,green,playful,animal,painted,UK,brewery,artwork,advertisement,Guinness is good for you,time,for,pubs,bars,Irish
Description: Tony Smith image Alamy 3FYW62T - . A painted green tortoise carrying a dark Guinness-themed object is positioned on the wall of a building near the Liverpool Cavern Quarter. Its rounded shell, extended legs and bright colour give it a playful appearance against the stonework and brick. A small Guinness sign appears higher up the same wall, making the connection with the stout brand clear. The composition contrasts a whimsical animal image with the city-centre built environment and the commercial heritage of beer advertising around busy pub and bar streets. A large green tortoise is painted or modelled on a pale wall, with its shell subdivided into dark-outlined plates and its legs projecting across the surface. Behind it a wall advertisement promotes Guinness, with the words Lovely day for GUINNESS placed high on the building. A pedestrian walks beneath the tortoise, making the artwork's scale apparent. The scene is located around Rainford Square near Liverpool's Cavern Quarter, where pub signs, advertisements and playful street details accompany the area's strong leisure character. Guinness is an Irish stout brand with a long history of distinctive illustrated advertising. Animals have featured in some of its most recognisable twentieth-century campaigns, using humorous or memorable imagery alongside the drink name. The tortoise here operates as a highly visible artistic motif in the street scene, and its bright green colour contrasts with the buff masonry around it. The human figure near the bottom left, outdoor lights, small windows and adjacent building edges establish the urban context. The work combines painted text, an oversized animal figure and brewery-related branding through a three-dimensional street artwork. It is interesting as an example of public-facing commercial art, with the image's message carried as much by a memorable character and unusual setting as by the Guinness lettering itself.
Rainford Square, Liverpool
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Sale Town Hall,town hall,civic building,local government,Trafford,Greater Manchester,historic building,Edwardian architecture,public building,documentary photography,editorial image,Sale,Trafford Council,civic pride,historic town hall,sandstone building,architectural detail,public administration,North West England,heritage building,urban streetscape,statue,memorial statue,public square,everyday Britain,British architecture,history,historic,heritage,street photography,contemporary Britain,square,memorial,art deco,borough,blitz,chamber
Description: Tony Smith image Alamy 3CPAX70 - Sale Town Hall is one of Trafford's most recognisable civic landmarks, standing prominently on School Road in the heart of Sale, Greater Manchester. Constructed in phases between 1914 and 1940 in an elegant Neoclassical style, it originally served as the headquarters of Sale Urban District Council before becoming the seat of Sale Borough Council. The building reflects the confidence of a rapidly expanding commuter town during the early twentieth century, when prosperous suburbs invested heavily in impressive public architecture to express civic identity and municipal ambition. The town hall suffered significant bomb damage during the Manchester Blitz in December 1940 before being restored, with its distinctive clock tower and cupola completed in 1952. Facing the building is the town's First World War memorial, creating an important civic ensemble that continues to define Sale's historic centre. Since local government reorganisation in 1974 transferred civic administration to Trafford Council, buildings such as Sale Town Hall have increasingly evolved beyond their original administrative purpose. Across Britain, historic town halls represent valuable public assets that can become catalysts for regeneration rather than simply monuments to former local government. Sensitive adaptation can introduce flexible co-working offices, start-up business incubators, libraries, maker spaces, digital innovation centres, exhibition galleries, performance venues, cafés, wedding facilities, community health services, higher education outreach centres and evening cultural programmes while retaining important council chambers and historic interiors. Such mixed-use approaches can increase daily footfall, strengthen local high streets, preserve architectural heritage and provide sustainable long-term income, ensuring landmark civic buildings remain active parts of their communities instead of underused heritage liabilities. For suburban centres such as Sale, imaginative reuse of historic
Sale Town Hall, School Road, Sale, Trafford, Greater Manchester, M33 7ZF
Description
Keywords: GoTonySmith,HotpixUK,council,municipal,civic,government,local authority,architecture,clock tower,public building,council offices,democracy,administration,town centre,heritage,street,England,Italianate architecture,Victorian architecture,public administration,council chamber,decarbonisation,heritage investment,town,centre,regeneration,public safety,local events,environmental,projects,housing,business,restoration,clock,FM,square,British
Description: Tony Smith image Alamy 3FHEA2M - Chorley Town Hall on Market Street, Chorley, Lancashire, photographed with its prominent clock tower and civic frontage during a period of major council-led investment in the town centre. The historic municipal building is itself undergoing restoration work announced by Chorley Council in 2026, including repairs to the clock, replacement windows, stonework repairs, repointing, external cleaning and measures intended to improve energy efficiency. The work forms part of a wider effort to protect important civic and heritage buildings while adapting them for continued public use. The Town Hall also sits at the centre of Chorley's broader regeneration plans. Council proposals include a new civic square in front of the building, intended to create a focal point for community events, residential and commercial activity and improved public space. The wider town-centre transformation programme is expected to cost around £40 million, with £20 million from government funding and the remainder from Chorley Council. The photograph therefore records more than a familiar local landmark: it represents changing ideas around local government, civic identity, heritage conservation and town-centre renewal. Recent council priorities also include improving public safety, tackling anti-social behaviour through a new Public Spaces Protection Order, supporting the visitor economy, encouraging business growth and making public buildings more sustainable. The clock tower remains one of Chorley's most recognisable architectural features, while the stone civic façade reflects the town's historic municipal character. This image is suitable for editorial themes around local government, regeneration, public investment, civic architecture, heritage restoration, public realm improvement and the changing role of British town centres in the 2020s. In July 2026 a new town-centre PSPO also came into force, linking regeneration with efforts to keep Chorley safe, welcoming and accessible.
Chorley Town Hall, Market Street, Chorley, Lancashire PR7 1DP
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4816,Yum,Cha,Warrington,roast meats,neon sign,Chinese,restaurant,food,Cantonese,Time,Square,Asian,characters,signage,neon,lighting,hall,dining,out,hospitality,roast meat,cuisine,town,centre,night,bright,signs,Cheshire,North,West,England
Description: Tony Smith image Alamy 3FDX1MK - . Neon signage for Yum Cha Roast Meats at Time Square in Warrington, combining English words with Chinese characters in a bold illuminated frontage. Roast meats are strongly associated with Cantonese and Hong Kong-style food culture, while the modern neon presentation gives the restaurant a distinctive identity within a contemporary town-centre leisure setting. The image can illustrate Chinese cuisine in Britain, restaurant branding, multicultural food culture, dining out, hospitality investment, neon design and the changing evening economy of Warrington The straightforward viewpoint prioritises identification and context, making the image practical for news, feature and archive use The photograph has an additional documentary value because neon and specialist entertainment signage can disappear quickly when leases change, buildings are redeveloped or licensing conditions alter. Soho in particular has long mixed adult businesses with theatres, restaurants, clubs, shops and residential property, creating a streetscape where commercial identities can be unusually dense and short-lived The picture can serve both a current-news use and a later historical comparison, particularly where branding, retail occupation, technology or public policy moves on Seen as urban visual culture, the lettering is as important as the business being advertised. Neon tubes, handwritten-style scripts and deliberately provocative wording create instant associations with nightlife, sexuality and entertainment, while also preserving a fragment of commercial design that may later become historical evidence of a changing district The original file wording also identifies searchable details including Yum Cha Roast Meats neon signs Time Warrington, which have been retained as metadata evidence where they accurately describe what is visible For regional coverage, the Cheshire and North West England context adds a precise geographic layer alongside the main subject and national theme.
Yum Cha, 3 Time Square, Warrington, Cheshire, WA1 2NT, England, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,slot,machines,gambling,bingo,gaming,adult,centre,betting,venue,hot,food,cold,drinks,licensed,leisure,Warrington,Cockhedge,Prince,Henry,Square,casino,style,consumer,signage,entertainment,Cheshire,UK bingo club,UK bingo clubs,UK bingo industry,bingo hall gambling,slot machine gambling,electronic slot machines,gambling entertainment,gambling advertising,older women bingo,female gambling participation,ageing bingo customers,gambling commission
Description: Tony Smith image Alamy 3FDX1P0 - A large Buzz Bingo advertising banner promotes a slots room at a British bingo venue, promising jackpot games, hot food, cold drinks and opening until late every day. The bright red promotional design presents electronic gaming machines and the chance to win up to £500, illustrating how traditional bingo clubs increasingly combine bingo sessions with slot machines, amusement-with-prizes gaming and hospitality to keep customers on site for longer. The image can support editorial coverage of the UK gambling industry, high street and leisure gambling, gambling regulation, consumer spending and the social role of bingo halls. Bingo has long attracted an older customer base and is particularly associated with older women, although no players are visible in this photograph. The advertising therefore also illustrates marketing aimed at regular adult customers seeking inexpensive entertainment, social contact and the possibility of cash prizes. Slot machines can provide an important additional revenue stream for bingo operators, but they also sit within wider public debate about gambling harm, addictive play, affordability checks, machine stakes, consumer protection and the concentration of gambling opportunities in some communities. Buzz Bingo is one of the best-known bingo brands in Britain, operating large venues where electronic gaming, food and drink supplement the main bingo offer. The words The Slots Room , Lots of Great Games and Open 'til late every day emphasise convenience, choice and prolonged access, while the jackpot message highlights the promotional appeal of winning money. The photograph is useful for stories about commercial bingo, leisure spending, ageing customers, female gambling participation, gambling addiction, responsible gambling policy, local entertainment venues and the continuing evolution of the British bingo sector from traditional paper cards towards digital terminals and mixed gaming environments.
Buzz Bingo, Cockhedge Centre, Prince Henry Square, Warrington, WA1 2QH, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4339,Ukraine,Ukrainian Independence Day,Manchester,Peters,Square,flag,solidarity,diaspora,Russia,war,35th,anniversary,2026,march,rally,blue,yellow,supporters,carrying,long,Ukrainian
Description: Tony Smith image Alamy 3FC8BNM - . Supporters carrying a long ukrainian blue-and-yellow flag is seen in St Peter's Square, Manchester, during a Ukrainian Independence Day gathering and march on Saturday 22 August 2026. Ukraine marks independence on 24 August, commemorating the 1991 declaration that followed the collapse of the Soviet Union
2026 was the thirty-fifth anniversary. Since Russia's full-scale invasion in February 2022, Independence Day events in Britain have also become demonstrations of solidarity, remembrance and support for displaced Ukrainians living in the UK. Manchester has hosted repeated rallies, vigils and cultural gatherings, with the blue-and-yellow national flag used both as a symbol of statehood and of resistance to Russian aggression. Carrying a single long flag through a civic square creates a collective visual statement in which many participants physically support the same emblem. The photograph can illustrate diaspora communities, war and peace campaigning, refugees, European security, national identity and Manchester's role as a gathering place for international causes. The photograph also fixes the appearance of the place in the mid-2020s, preserving details that may later disappear through redevelopment, rebranding or changes in regulation. It is suitable for editorial use on social history, local identity, consumer behaviour and the way everyday streets respond to wider economic forces. Search relevance also extends to ukraine, documentary photography, local reporting, public policy and mid-2020s social change. The subject provides a concrete visual reference for editors needing a real location rather than a generic illustration of ukraine. Because the photograph is tied to a specific date, it can later be compared with subsequent changes in signage, ownership, regulation, public use or the surrounding streetscape. It adds a grounded visual reference for culture, policy, economy and place. Useful for dated UK editorial coverage.
St Peter's Square, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpicUK,HotpixUK,@HotpixUK,IMG_2413,PC,David,Phillips,Hamilton,Square,Memorial,grave,cemetery,heritage,Birkenhead,Wirral,Merseyside,PC David Phillips,David Phillips memorial,Merseyside Police,Hamilton Square memorial,Birkenhead memorial,police officer memorial,PC Dave Phillips,police memorial,Birkenhead Hamilton Square,Wirral memorial,Merseyside memorial,police remembrance,fallen police officer,police service,Hamilton Square Birkenhead,public memorial,memorial stone,police history,Merseyside Police history,Wirral history,civic memorial,British policing,police officer tribute,remembrance,public service memorial,Birkenhead landmark,memorial plaque,police commemoration,David Phillips
Description: Tony Smith image Alamy 3E6T4DF - . A memorial in Hamilton Square, Birkenhead, commemorates Merseyside Police officer PC David Phillips. PC Phillips died in the line of duty in October 2015 after being struck by a stolen vehicle while responding to an incident on the Wirral. His death prompted widespread public mourning across Merseyside and renewed attention on the risks faced by police officers carrying out routine operational duties. The memorial provides a permanent public focus for remembrance in one of Birkenhead's most important civic spaces. Hamilton Square, laid out in the nineteenth century, is surrounded by notable architecture and sits close to the Grade II listed Merseyrail station and former Birkenhead Town Hall. Placing a police memorial here integrates an individual story of public service into a setting already associated with local civic identity. Memorials to police officers killed on duty serve several purposes: they honour the person who died, provide a place for family, colleagues and the public to pay respects, and preserve the circumstances of a death within local collective memory. PC Phillips was a serving officer with Merseyside Police and his name continues to be remembered through commemorative events and tributes. The photograph shows the memorial stone against the open green setting of Hamilton Square, contrasting the permanence of carved text and stone with the everyday movement of the surrounding town centre. It documents remembrance, policing history and civic space while providing a specific visual record of how Birkenhead and the wider Merseyside community commemorate an officer who lost his life while on duty. The memorial also sits within a public square used for civic events and everyday movement, ensuring that remembrance is embedded in ordinary urban life rather than confined to a police site. Its location makes the tribute visible to commuters, residents and visitors passing through central Birkenhead.
Hamilton Square, Birkenhead, Wirral, Merseyside, England, UK
Description
Keywords: GoTonySmith,@HotpicUK,HotpixUK,@HotpixUK,IMG_2418,Hamilton,Square,Station,tower,Birkenhead,railway,rail,train,transport,Wirral,Merseyside,Hamilton Square station,Birkenhead Hamilton Square,Merseyrail,Hamilton Square tower,Birkenhead railway,Mersey Railway,Grade II station,historic railway station,railway architecture,G E Grayson,1886 railway station,Wirral railway,Birkenhead transport,Merseyrail station,Hamilton Street Birkenhead,railway heritage,Victorian railway,Italianate station,historic transport building,listed railway station,Mersey tunnel railway,Liverpool Birkenhead railway,Wirral Line,rail station tower,terracotta architecture,Birkenhead landmark,railway history Merseyside,Merseyside transport,British railway heritage,underground station,Victorian engineering
Description: Tony Smith image Alamy 3E6T4DG - . The distinctive tower of Hamilton Square railway station rises above Hamilton Street in Birkenhead, carrying modern Merseyrail signage while retaining the elaborate brick and terracotta architecture of the original Mersey Railway. The station opened in 1886 as part of the pioneering railway beneath the River Mersey linking Birkenhead with Liverpool. Designed by architect G. E. Grayson, the surface building is now Grade II listed and is notable for its Italianate detailing, booking-hall range and prominent hydraulic tower. Because the platforms are deep below ground, the station was designed with lifts to carry passengers between street level and the railway. The original hydraulic lift system was a significant part of the station's engineering and reflected the technical ambition of the Mersey Railway, one of the world's earliest deep-level underground railways. Hamilton Square remains an important junction on the modern Merseyrail Wirral Line, with trains serving Liverpool and routes across the Wirral peninsula. The station sits beside the formal Hamilton Square, an area containing some of Birkenhead's most important civic architecture, including the former town hall. Its tower is therefore both a transport structure and a local landmark. The weathered lettering and layered signage visible on the building illustrate more than a century of railway change, from Victorian private railway construction to the integrated electric urban network used today. The photograph records architecture, engineering and public transport in the same frame, showing how a listed nineteenth-century station continues to function within the modern Merseyrail system. Historic England's listing describes the building as brick and terracotta, with the hydraulic tower forming a key element of the composition. The tower's scale and decorative terracotta detailing give the station a civic presence unusual for an entrance serving platforms hidden far below street level.
Hamilton Square station, Hamilton Street, Birkenhead, Wirral, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_3750,Mainz Altstadt,panorama,Rhineland-Palatinate,Germany,historic,half-timbered,square,cobbles,architecture,heritage,tourism,travel,German,colourful,traditional,urban,street,landmark,European,culture,historic centre,cityscape,wide,Kirschgarten,Altstadt of Mainz,Rheinland-Pfalz,old,town,half-timbered houses,Fachwerkhäuser,history,city break,Rhine city,Rhine tourism,streetscape
Description: Tony Smith image Alamy 3F8YR79 - Panoramic view across Kirschgarten, one of the most picturesque historic squares in the Altstadt or Old Town of Mainz, Rhineland-Palatinate, Germany. The cobbled pedestrian space is surrounded by an attractive ensemble of colourful traditional houses, including characteristic half-timbered Fachwerk buildings with exposed wooden beams, decorative façades and steeply pitched roofs. At the centre stands the red sandstone Kirschgartenbrunnen, also known as the Marienbrunnen or Virgin Mary's Fountain, an important visual landmark within this compact historic quarter. The fountain was donated to Mainz in 1932 and incorporates a tall sandstone column topped by a figure of the Madonna, while sculpted reliefs decorate the basin. Kirschgarten has been documented as a place name since the Middle Ages and forms part of the dense network of narrow streets, lanes and small squares that give Mainz Altstadt much of its distinctive character. The surrounding buildings demonstrate traditional Rhineland domestic architecture and contribute to one of the city's best-known postcard views. Mainz tourism highlights Kirschgarten for its romantic half-timbered houses, historic setting and fountain, making it a popular stop for visitors exploring the city on foot. The square lies only a short walk from Augustinerstraße and Mainz Cathedral and forms part of the historic centre's concentration of restaurants, cafés, shops and visitor attractions. This wide panoramic photograph emphasises the curved line of colourful façades enclosing the cobbled public space, together with the mixture of restored timber-frame and masonry buildings that survived or were reconstructed within the old quarter. The scene illustrates Mainz's appeal as a cultural and architectural destination on the Rhine, combining historic urban fabric with contemporary tourism and everyday city life in one of southwest Germany's most characterful old-town settings
Kirschgarten, 55116 Mainz-Altstadt, Mainz, Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,Churches,historic,church,centre,landmark,exterior,history,heritage,building,square,tourist attraction,historic Scottish architecture,religious heritage Scotland,medieval church site,Gothic Revival architecture,Christian worship Scotland,Dundee cultural heritage,Scottish city break,urban,tourism,place of worship,sightseeing,Tayside,Gothic church facade,ecclesiastical heritage site,Dundee built heritage,Scottish city architecture,historic Dundee cityscape,church tower Dundee,Dundee heritage tourism,religious landmark Scotland,Dundee urban architecture,city churches complex,historic Nethergate Dundee,Scotland travel destination,Dundee cultural landmark,Scottish tourism
Description: Tony Smith image Alamy 3ERK5T1 - Dundee Parish Church, St Mary's, stands within the historic City Churches complex in the heart of Dundee city centre. This view shows the imposing stone exterior facing the pedestrianised public space, with people walking across the square beneath a bright blue summer sky. Mature trees soften the urban setting while the large pointed-arch window, buttresses, pinnacles and tower create a strong Gothic profile.
The church occupies the eastern section of Dundee City Churches, a nationally important group whose religious history reaches back to the medieval period. Tradition links the original church on the site with David, Earl of Huntingdon, brother of King William I of Scotland. The present building reflects later rebuilding and restoration following centuries of fire, conflict and change. St Mary's remains an active Church of Scotland place of worship and a prominent architectural landmark close to Dundee High Street, the Overgate shopping centre and other central attractions.
The photograph captures the relationship between historic religious architecture and the modern city. Shoppers, visitors and local residents cross the open paved area, making the church part of everyday Dundee life rather than an isolated monument. Its warm sandstone, tall traceried window and decorative spires contrast with the clear sky and green foliage.
This image is suitable for editorial use illustrating Dundee tourism, Scottish church architecture, Christian heritage, city-centre regeneration, urban public space, historic buildings, places of worship and cultural sightseeing in Tayside. It also represents the continuing role of traditional churches within busy contemporary city centres and the value of preserving prominent historic landmarks for future generations.
Dundee Parish Church, St Mary's, Nethergate, Dundee, Scotland, DD1 3BR
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Square,West Midlands,at,UK,British,BR,public,integrated,travel,West Coast Main Line,architecture,entrance,frontage,hub,city,evening,modern,wet,pavement,rainy,weather,urban regeneration,commuters,passengers,commuting,redevelopment,Midlands,concourse,public realm,COV,urban design,gateway,infrastructure,sustainable,Friargate,business district
Description: Tony Smith image Alamy 3ECEEBF - Coventry railway station is seen at dusk after rain, with warm station lighting, wet paving and passengers moving through the modern entrance area at Station Square. The image shows the striking red and black redevelopment beside the older rail complex, giving a strong editorial view of everyday public transport, urban regeneration and evening travel in the West Midlands. Coventry station is a major city railway gateway on the West Coast Main Line, used by commuters, students, leisure travellers and visitors moving between London, Birmingham, the wider Midlands and other UK destinations. The reflective paving, grey winter sky, umbrellas, coats and glowing interior lights create a useful atmospheric stock image for rail travel, station access, public realm design, city centre connectivity, sustainable transport, commuting, transport infrastructure and railway investment. Visible passengers, bollards, planters, signage, glass frontage and the station forecourt help place the scene in a real, working urban environment rather than a generic architectural view. The photograph can illustrate stories about Coventry's transport links, railway modernisation, station redevelopment, passenger experience, public transport interchange, city centre regeneration, evening commuting, wet weather travel and investment around station districts. The red framed building and illuminated windows also make the image suitable for articles on contemporary station architecture, post-industrial city renewal, Midlands economic development, rail accessibility and the role of well-connected stations in supporting tourism, employment and university travel. The dusk timing gives extra commercial value for features needing a moody but recognisable British railway image, with enough people present to show scale, movement and daily use without making the scene feel overcrowded.
Coventry railway station at wet dusk, with passengers outside the modern red station frontage and St
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,grids,grid,grid cover,metal street grid,diamond pattern,historic street infrastructure,city,cities,detail,Woodrow,foundry,Victorian metalwork,industrial heritage,street drainage cover,pavement grid,textured metal surface,embossed lettering,weathered iron,rust patina,geometric pattern,square studs,public works infrastructure,municipal utilities,UK streetscape,close up detail,typographic metal,documentary photography,editorial image,cast,square,squares
Description: Tony Smith image Alamy 2RA23AD - This image shows a close-up view of a cast iron street grid cover manufactured by A C Woodrow & Co of London. The grid features a distinctive diamond-shaped layout with raised square studs and embossed lettering reading A C Woodrow & Co and London , identifying the foundry responsible for its production.
Street grids and covers of this type form part of London's historic municipal infrastructure, typically used for drainage, ventilation, or access to underground services beneath pavements and roadways. The robust cast iron construction reflects the emphasis on durability and longevity characteristic of late nineteenth and early twentieth century urban engineering.
The surface displays heavy weathering, rust, and patina from prolonged exposure to foot traffic, vehicles, and the elements. These marks of wear give the grid both functional character and visual interest, highlighting the material history embedded in everyday street furniture.
Photographed tightly to emphasise texture, typography, and geometric design, the image works well as editorial material illustrating British industrial heritage, historic foundry work, and the overlooked details of urban infrastructure that underpin city life in London.
London, England, UK
-after-match-party--NW-England-2JH06NM.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,Lancs,Lancashire,Holland,portugal,The Netherlands,Banners for UEFA Womans Euro championship England 2022,in Leigh town centre,Leigh Town,Centre,womens soccer,teams,organisation,Fifa,management,hosts,host town,host towns,lionesses,lioness,gardens,library,square,Englands,banner,banners,promo,promotion,promotions,Turnpike Centre,Civic Square,Market Street,Leigh,UK,WN7 1EB
Description: Tony Smith image Alamy 2JH06NM - . Recorded at Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Banners for UEFA Womans Euro championship England 2022,in Leigh town centre, ready for Portugal vs Netherlands (Holland) after match party, NW England. The frame also records themes of local character, everyday life, brand-led retail, shopping district, urban change, commercial frontage, contemporary social history, urban social history, retail property, community life, customer footfall, period detail, destination retail, and physical store. Current relevance extends to store closures and business rates, particularly through how consumer spending patterns reshape commercial streets. In present-day coverage, the subject reaches into local identity and street safety, not least because of how ordinary street scenes become valuable records as businesses and infrastructure change. Future viewers can use this scene from Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB to compare landscape treatment and surrounding development with whatever follows after refurbishment. Further associations within the scene are outdoor retail, contemporary city life, place identity, commercial streetscape, historical comparison, town-centre economy, local history, and townscape record. The recorded references to Banners, party, ready, match, and after preserve clues about how the subject was presented, used or understood at the time. The period setting at Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The frame retains period character as part of Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB's history.
Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,USSR,1970,1970s,Fridge,watch,horology,classic,fridge,square,watches,of,the,rail,train,journey,history,historic,back in the,made in the,made,Mechanical,wristwatch,wind,up,winding,wrist,Chaica,Slava,analog,artdeco,art,deco,design,Glory
Description: Tony Smith image Alamy 2JPH6X7 - . Made at Omsk, Russia in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Slava Fridge watch - Product of the Soviet Russia Moscow Second watch factory 1975, with day/date in Russian. Another layer of the photograph includes mechanical movement, mechanical watchmaking, place identity, archival record, horological history, changing streetscape, historical comparison, period detail, vintage timepiece, local history, social history, contemporary social history, everyday life, and local character. Today's relevance is strengthened by vintage design, second-hand markets and the continuing question of the growth of collecting around distinctive period dials and movements. The archival value lies partly in recording transport arrangements and footfall around Omsk, Russia before later reinterpretation alters the character of the place. A second descriptive layer includes documentary photography, public realm, visual archive, period watch dial, watchmaking heritage, watch collector interest, vintage wristwear, and changing land use. The recorded references to Russian, Fridge, Moscow, Product, and Soviet preserve clues about how the subject was presented, used or understood at the time. For Omsk, Russia, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects vintage design and the growth of collecting around distinctive period dials and movements in a form that can be compared with future views of Omsk, Russia. Its period value extends to mechanical craftsmanship and the contrast between mechanical timekeeping and modern connected wearables within the real-world context of Omsk, Russia. The period view preserves a local visual benchmark within the wider story of Omsk, Russia.
Omsk, Russia
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,SK17,SK17 6XN,the,arts,art,drama,production,productions,outside,exterior,front,entrance,door,doors,old,Victorian,stone,tourist,tourism,attractions,access,accessibility,dress,stalls,way in,venues,Full Monty,Upper Circle,Private Boxes,Square,by,building,buildings,architecture,Art Nouveau,canopy
Description: Tony Smith image Alamy 2RJ3YRD - Buxton Opera House is in The Square, Buxton, Derbyshire, England. It is a 902-seat opera house that hosts the annual Buxton Festival and the International Gilbert and Sullivan Festival, among others, as well as pantomime at Christmas, musicals and other entertainments year-round. Hosting live performances until 1927, the theatre then was used mostly as a cinema until 1976. In 1979, it was refurbished and reopened as a venue for live performance.
The Buxton Opera House was built in 1903 and designed by Frank Matcham, who designed the London Palladium, the London Coliseum and many other theatres throughout the UK. The first production at the theatre was Mrs Willoughby's Kiss. The Opera House ran as a successful theatre, receiving touring companies until 1927, when it was turned into a cinema. Silent films were shown until 1932 when the theatre was wired for sound and could present talkies. The Opera House also became the venue for an annual summer theatre festival from 1936 to 1942, two of them in conjunction with Lilian Baylis and her London-based Old Vic company. People who performed at the opera house include the actor Alec Guinness, the comedians Ken Dodd, Peter Kay, Harry Hill, Sarah Millican and John Bishop, the musical artists Howard Jones, Aled Jones, Leo Sayer and Razorlight, and the ballerina Anna Pavlova.
After the Second World War, the theatre continued to serve primarily as a cinema. The building was designated a Grade II* listed building in 1970. The Opera House gradually fell into disrepair.
In 1979, the building was restored, and an orchestra pit was added to the original Matcham design. Since then, the Opera House has been a full-time venue for stage productions, presenting approximately 450 performances per year
The Square, Water St, Buxton, High Peak, Derbyshire, England, UK, SK17 6XN
Description
Keywords: LFC,EFC,Everton,FC,towels,scarf,scarves,red,blue,stall,Square,market,markets,selling,retail,vibrant,tourist,tourism,travel,landmark,concrete,1960s,sunny,summer,city,centre,attraction,Liverpool FC,Everton FC,The Toffees,TheReds,Radio City Tower,Williamson Square,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,L1,1RL,Houghton,You,Will,Never,Walk,Alone,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,1 Houghton St,L1 1RL,You Will Never Walk Alone,Youll Never Walk Alone
Description: Tony Smith image Alamy H4HKRD - . An identifiable period record of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Williamson Square,Liverpool and Radio City Tower. A broader reading of the photograph includes town-centre economy, place identity, local enterprise, documentary photography, street-level business, retail property, commercial streetscape, contemporary social history, visual archive, bricks-and-mortar retail, local character, archival record, social history, and independent retail. Current relevance extends to business rates and store closures, particularly through the resilience of independent shops in an online retail economy. Small period details of local activity and public use at Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK may become more significant with time, particularly following refurbishment. A second descriptive layer includes specialist retailer, customer footfall, local history, public realm, commercial frontage, everyday life, changing streetscape, and high-street commerce. The combination of Radio, Liverpool, Square, Williamson, and Tower anchors the frame to a recognisable activity, place or moment. The wider setting at Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to business rates and the resilience of independent shops in an online retail economy in a form that can be compared with future views of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK. The location additionally provides evidence of store closures and the role of small retailers in maintaining active town centres within the real-world context of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK.
Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,L24,Cheshire,L24 4AG,at,junction,with,the,war memorial,flag,union,union jack,gun,pub,well,kept,well-kept,list,name,names,of,fallen,High Street,high St,fenced,cross,embellished cross,wreath,WWI,WWII,bevelled base,on top,square,plinth
Description: Tony Smith image Alamy 2RG8YTG - Hale is a village and civil parish in the Borough of Halton, Cheshire, England with a population of 1,800. The village is north of the River Mersey, and just to the east of the boundary with Merseyside. It is 2+1⁄2 miles east of Speke in Liverpool, and 4 miles south-west of Widnes. The nearby village of Halebank is to the north-east.
Historically part of Lancashire, until 1 April 1974 the area formed part of the Whiston Rural District.
The population of the parish is stable with a population of 1,898 (2001 census), 1,841 (2011 census) and 1,800 (2021 census).
John Middleton (15781623), the Childe of Hale, was reputed to be nine feet, three inches tall, or 2.8 m. His cottage and grave are located in the village. Just outside St Mary's Church was a wooden carving of the Childe Of Hale that is said to have been life-sized. It was replaced in 2013 by a 3-metre bronze statue by sculptor Diane Gorvin
Middleton was born in the village of Hale, near Liverpool. According to contemporary accounts and his epitaph, he grew to the height of 9 feet 3 inches (2.82 m) and slept with his feet hanging out the window of his house.
Because of his size the landlord and sheriff of Lancashire, Gilbert Ireland, hired him as a bodyguard. When King James I stopped by in 1617 to knight Ireland he heard about Middleton and invited both of them to the court, which they accepted in 1620. Middleton beat the King's champion in wrestling and in doing so broke the man's thumb. He received £20, a large amount of money in those times. Jealous of his wealth, Middleton's companions mugged him or swindled him out of his money while he was returning to Hale. Middleton died impoverished in 1623. He was buried in the cemetery of St Mary's Church in Hale. The epitaph reads, Here lyeth the bodie of John Middleton the Childe of Hale. Nine feet three. Borne 1578 Dyede 1623. He is likely one of the tallest people in history. If these height markings are accurate, he would surpass Robert Wadlow's stature
Town Ln , Church End, Hale ,Halton , Cheshire, Merseyside, England, UK, L24 4AG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,Soho,London,1,W1D 4NQ,W1D,the,at,house,saint,Barnabus,collections,pipe,for,Londons,homeless,work,with,money,slot,railing,railings,sign,signs,corner,of,Square,charity,St,independent,Barnabas-in-Soho,temporary accommodation for homeless people
Description: Tony Smith image Alamy 2JJGAPH - . Recorded at 1, Greek Street, Soho, London, UK, W1D 4NQ in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is The penny chute, collection pipe, Alms for the House of Charity - The House of St Barnabas at 1, Greek Street, Soho, London, UK, W1D 4NQ. The image also relates to Pride culture, Soho nightlife, LGBTQ nightlife, historical comparison, documentary photography, nightlife heritage, LGBTQ community venue, before-and-after reference, LGBTQ social history, social history, gay hospitality, place identity, townscape record, and gay bar culture. Today's relevance is strengthened by inclusive spaces, community safety and the continuing question of how Soho remains a symbolic centre of LGBTQ nightlife. From a 2025-onward perspective, street safety and commercial change are closely linked to this subject, alongside the documentary importance of recording everyday urban environments. Small period details of local activity and public use at 1, Greek Street, Soho, London, UK, W1D 4NQ may become more significant with time, particularly following closure or conversion. The photograph additionally reflects queer social space, archival record, community safe space, urban change, local history, local character, city-centre activity, and inclusive night-time venue. The recorded references to House, collection, Barnabas, chute, and Charity preserve clues about how the subject was presented, used or understood at the time. A later view of 1, Greek Street, Soho, London, UK, W1D 4NQ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of inclusive spaces and how Soho remains a symbolic centre of LGBTQ nightlife within the real-world context of 1, Greek Street, Soho, London, UK, W1D 4NQ.
1, Greek Street, Soho, London, UK, W1D 4NQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,CW5,Church Lane,Nantwich,CW5 5RQ,St Marys,parish,clock,historic,Grade I,listed,building,protestant,parish church,tower clock,Church of England,CofE,sunny,blue sky,blue skies,history,heritage,square,tourism,tourist,attraction,Cheshires,older,visit,walking,tour,tours,tower
Description: Tony Smith image Alamy 2JNM0XD - St Mary's Church is an Anglican parish church in Nantwich, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I listed building. It has been called the Cathedral of South Cheshire and it is considered by some to be one of the finest medieval churches, not only in Cheshire, but in the whole of England. The architectural writer Raymond Richards described it as one of the great architectural treasures of Cheshire, and Alec Clifton-Taylor included it in his list of outstanding English parish churches.
The building dates from the 14th century, although a number of changes have since been made, particularly a substantial 19th-century restoration by Sir George Gilbert Scott. The church and its octagonal tower are built in red sandstone. Features of the church's interior include the lierne-vaulted ceiling of the choir, the carved stone canopies of the sedilia in the chancel, and the intricately carved wooden canopies over the choirstalls together with the 20 misericords at the back of the stalls. The church is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Nantwich
The last major work to be carried out on the church was in 1878, under the direction of local architect Thomas Bower, when the south porch was restored at a cost of £900.
The church is built in red sandstone and is cruciform in shape. Its plan consists of a four-bay nave with north and south aisles, a south porch with two storeys, a central tower, north and south transepts, and a three-bay chancel, to the north of which is a two-storey treasury. The tower is square below and octagonal above. Both transepts are of three bays and the northernmost bay of the north transept was formerly a Lady chapel. The other two bays were dedicated to Saint George. The south transept was known as the Kingsley Chapel
Church Lane, Nantwich, Cheshire, England, UK, CW5 5RQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L2 3YL,L2,city,centre,late,Georgian,town hall,civic,Grade I listed,building,Grade II listed,clock,monument,Admiral Nelson,public,square,sculpture,neoclassical,port,civic history,maritime,naval,history,buildings,historic,conservation,municipal,power,British Empire,merchant,commercial Liverpool,UNESCO heritage debate,tourism,town hall Liverpool
Description: Tony Smith image Alamy 2P6JH9E - Liverpool Town Hall is seen from stock-photo/gotonysmith-Exchange.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Exchange Flags in Liverpool city centre, with the Nelson Monument standing in the foreground of the square. The photograph shows the grand late Georgian civic building in warm light, with its classical stone frontage, arched windows, columns, sculptural roofline and clock-topped dome set behind the bronze memorial to Admiral Horatio Nelson. Exchange Flags is one of Liverpool's most important historic public spaces, closely linked with the city's commercial, maritime, civic and municipal history. The Nelson Monument was unveiled in 1813 and is a Grade II* listed memorial
it was designed by Matthew Cotes Wyatt, with sculpture by Richard Westmacott, and is recognised as Liverpool's first major public sculpture. Liverpool Town Hall, also listed at the highest Grade I level, dates mainly from the mid to late eighteenth century and remains one of the city's finest civic buildings, associated with mayors, council ceremonies, public events, merchants, trade, port history and the development of Liverpool as a major world city. The image is useful for editorial coverage of Liverpool architecture, Georgian civic design, heritage tourism, British municipal history, listed buildings, city centre regeneration, maritime power, naval memory, public sculpture and debates about monuments, empire, slavery, trade and civic identity. The Nelson Monument includes dramatic bronze figures and relief panels, reflecting nineteenth-century commemoration of naval victory, while also carrying uncomfortable historical associations with imperial power and Liverpool's wider trading past. The clear blue sky, decorative street lighting, empty square and formal architecture make this a clean travel, heritage and urban stock image, suitable for stories about Liverpool city breaks, Merseyside tourism, Exchange Flags, historic conservation, civic pride, architecture trails, walking tours and the layered history of one of England's great port cities.
Exchange Flags, Liverpool, Merseyside, England, UK, L2 3YL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,cheshire,WA14,Greater Manchester,England,UK,WA14 4DE,at,night,the,Inn,Alty,pub,pubs,bar,bars,drinking,places,business,beer,evening,Orange Tree,Inns,Trafford,council,licensing,tree,trees,SkySports,Sky,sport,sports,entrance,trough,square,sq,town centre
Description: Tony Smith image Alamy 2JCR534 - . Made at Old Market Place, Altrincham, Greater Manchester, England, UK, WA14 4DE in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents The Orange Tree Inn pub at dusk, Old Market Place, Altrincham, Greater Manchester, England, UK, WA14 4DE. The setting additionally reflects hospitality venue, retail property, shopfront economy, physical store, casual dining, documentary photography, public realm, destination dining, destination retail, town-centre economy, independent food retail, outdoor retail, archival record, and before-and-after reference. Current relevance extends to consumer spending and staffing pressure, particularly through how food and drink help define neighbourhood identity. In present-day coverage, the subject reaches into brand consolidation and business rates, not least because of how physical shops adapt to online competition. The archival value lies partly in recording building condition and alterations around Old Market Place, Altrincham, Greater Manchester, England, UK, WA14 4DE before altered transport patterns alters the character of the place. The surrounding story also includes high-street commerce, licensed hospitality, regional identity, brand-led retail, everyday life, changing streetscape, leisure spending, and food tourism. The combination of Orange, Greater, Manchester, Place, and Market anchors the frame to a recognisable activity, place or moment. The period setting at Old Market Place, Altrincham, Greater Manchester, England, UK, WA14 4DE helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects consumer spending and how food and drink help define neighbourhood identity as part of the longer story of Old Market Place, Altrincham, Greater Manchester, England, UK, WA14 4DE.
Old Market Place, Altrincham, Greater Manchester, England, UK, WA14 4DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,on,the,council,councils,born,lived,in,people,personalities,pie-eaters,men,stars,music,art,business,success,Wigan Council,Wigan,Council,pavement,street,square,blue,Ian McKellen,Ian,McKellen
Description: Tony Smith image Alamy 2MKF8C9 - . Recorded at The Wiend, Wigan town centre, Greater Manchester, Lancashire, England, UK, WN1 1BH in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Ian McKellen star on the Wigan Council walk of fame, Believe Square / Life Centre, The Wiend, Wigan town centre. The wider scene also brings together community identity, place identity, local history, documentary photography, commercial streetscape, shopfront economy, local character, everyday life, changing land use, regional identity, contemporary social history, town-centre economy, retail property, and before-and-after reference. The wider contemporary story combines consumer spending, store closures and how commercial property shifts between retail, leisure and residential use. As a dated visual record of The Wiend, Wigan town centre, Greater Manchester, Lancashire, England, UK, WN1 1BH, the frame retains commercial use and occupation, making it especially useful if new construction subsequently changes the scene. Other useful contextual ideas include historical comparison, public realm, period detail, high-street commerce, small-business culture, street-level trading, bricks-and-mortar business, and brand display. Details involving Centre, Square, Wiend, McKellen, and Wigan make the image more specific than a generic view and strengthen its local or historical value. The period setting at The Wiend, Wigan town centre, Greater Manchester, Lancashire, England, UK, WN1 1BH helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for consumer spending and how commercial property shifts between retail, leisure and residential use as part of the longer story of The Wiend, Wigan town centre, Greater Manchester, Lancashire, England, UK, WN1 1BH.
The Wiend, Wigan town centre, Greater Manchester, Lancashire, England, UK, WN1 1BH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,Warrington,Cheshire,England,UK,WA4 2AF,night,evening,night time,nighttime,decorations,festive,nightlife,night life,Slug and Lettuce,StocktonHeath,Grappenhall road,reflection,reflections,villages,South Warrington,wet,rain,rainy,tree,trees,December,light,lights,square,Victoria,restaurant,restaurants,pubs,bars,foodie
Description: Tony Smith image Alamy 2M69CJ0 - . Recorded at Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. At the centre of the view is Slug & Lettuce, Christmas at Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF, dusk with tree and decorations. The surrounding context encompasses before-and-after reference, social history, visitor hospitality, food-and-drink business, community identity, contemporary social history, everyday life, archival record, beer-led hospitality, public realm, historical comparison, place identity, regional identity, and visual archive. Current relevance extends to changing drinking habits and tourism, particularly through the role of historic venues in tourism and neighbourhood identity. Small period details of landscape treatment and surrounding development at Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF may become more significant with time, particularly following changed technology. A second descriptive layer includes changing land use, traditional pub, local social venue, licensed hospitality, local history, licensed trade, public-house heritage, and traditional ale house. Details involving decorations, Victoria, Lettuce, Stockton, and Christmas make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to changing drinking habits and the role of historic venues in tourism and neighbourhood identity within the real-world context of Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF.
Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,Coal drops,yard,KingsX,N1C,coal,shops,stores,N1C 4DH,Handyside St,Handyside Street,new development,cranes,building,construction,developed,redeveloped,area,district,Real Estate,properties,homes,new,square,renovated,built,rebuilt,gentrified,gentrification,architecture,buildings,design,old,and
Description: Tony Smith image Alamy 2M108C4 - . Made at Coaldrops yard, Handyside St, Kings Cross, , London, England, UK, N1C 4DH in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Handyside St, Coaldrops yard, Kings Cross development, retail, entertainment, shops, stores , London, England, UK, N1C 4DH. The broader subject matter reaches into specialist retailer, everyday life, period detail, documentary photography, high-street commerce, visual archive, commercial frontage, contemporary social history, changing land use, historical comparison, local history, shopfront economy, local enterprise, and community identity. The wider contemporary story combines online shopping, business rates and the resilience of specialist shops in an online retail economy. Small period details of equipment and working practice at Coaldrops yard, Handyside St, Kings Cross, , London, England, UK, N1C 4DH may become more significant with time, particularly following conservation work. The subject also sits alongside bricks-and-mortar retail, town-centre trading, regional identity, street-level business, independent retail, retail property, changing streetscape, and place identity. Elements such as shops, stores, Handyside, development, and Coaldrops add documentary specificity and may become increasingly useful when compared with later records. The period setting at Coaldrops yard, Handyside St, Kings Cross, , London, England, UK, N1C 4DH helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for online shopping and the contribution of independents to distinctive high streets as part of the longer story of Coaldrops yard, Handyside St, Kings Cross, , London, England, UK, N1C 4DH. That local specificity strengthens the long-term documentary value of image 2M108C4.
Coaldrops yard, Handyside St, Kings Cross, , London, England, UK, N1C 4DH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,town centre,UK,Time Square,time,square,sq,multistorey,multi,storey,Time Square car park,WA1,car park,Mersey,crossing,bridge,traffic,grill,hexagon,Ka Yin Man,Leach Rhodes Walker,Maple,skyline,townscape,blue sky,blue skies,grid,view,views,look,looking,over,across
Description: Tony Smith image Alamy 2JTNA40 - More at https://www.maplesunscreening.co.uk/hubfs/Brochures/Case%20Studies/Maple%20Case%20Study-Time%20Square.pdf
The new car park, which was due to open
in December 2017, is a great example of
how architects and contractors can work in
partnership with Maple to transform typically
dull and utilitarian buildings into an integral and
aesthetically appealing part of the urban realm.
With its hexagon-featured golden façade, the
car park complements the other elements of
the £107m Time Square development.
The new car park is an integral and important
part of the Time Square project as it will
underpin and support the whole scheme, said
the leader of Warrington Borough Council, Terry
O'Neill.
Architect's ratings
Leach Rhodes Walker described us as excellent'
after the successful collaboration. Maple's
knowledge and craftsmanship was excellent
throughout, said LRW's lead project designer,
Ka Yin Man. From when we spoke to sales
about the commercials, to (dealing with) the
design and projects teams, the whole experience
was collaborative. In a post-project interview,
the architects' firm gave us top marks for design
services, project support, meeting deadlines
and the quality of the finished product. Added
Ka Yin: Maple were always helpful, and any
questions were dealt with promptly. Everyone
was very knowledgeable and accommodating.
The end result was even better than expected
The project was one of the first to use the new
dedicated prototype area at Maple's factory in
Stockport. The architects and contractors I & H
Brown Construction were able to view real-life
examples of the bespoke perforated panels and
golden hexagon cut-outs - at actual size. The
prototypes were powder-coated in the specified
colour, and fitted to the display framework using
actual fittings - meaning that any changes to the
design or specification could be made without
it having a major impact on timings or budget
Time Square car park, Bank Street,Warrington,Cheshire,England,UK, WA1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,note,apology,apologise,everyone,say,forgive,me,sorry,I am,confession,sorrow,communicate,apologising,label,green,yellow,colour,coloured,square,to,all,workmates,colleagues,friends,room,mates,roommates,accountability after a mistake,taking responsibility,workplace apology,corporate apology concept,crisis communication,reputation management,damage control message,conflict resolution
Description: Tony Smith image Alamy 2JJGB4T - A bright green sticky note lies on a mottled granite or stone surface, carrying the handwritten message Sorry Everyone! in thick black marker pen. The short phrase is simple, direct and emotionally clear, turning an ordinary piece of stationery into a visual symbol of apology, regret and the acceptance of responsibility. Because the wording is addressed to a group rather than an individual, the image works especially well as a concept for collective apology, public embarrassment, workplace mistakes or a need to make amends after an error has affected several people.
The informal style of the note gives the scene a spontaneous and human quality. It does not look like a polished corporate statement or carefully prepared printed message. Instead, it suggests a quick handwritten response left after something has gone wrong, perhaps in an office, home, classroom or shared environment. That makes the image useful for themes such as accountability, communication breakdown, customer service failure, professional remorse, awkward situations, damaged trust, conflict resolution and the first steps towards rebuilding relationships.
The vivid green paper stands out strongly against the neutral speckled background, helping the note dominate the composition. The exclamation mark adds emphasis and can imply urgency, sincerity, panic, humour or a mixture of all four, depending on the editorial context. The close-up view keeps the focus entirely on the message and allows the photograph to work as a flexible conceptual stock image for articles about leadership errors, social media backlash, reputational damage, personal relationships, team dynamics and saying sorry.
No people are visible and no exterior setting, season or sky can be seen. This gives the image broad versatility, allowing it to illustrate both personal and professional situations where a group apology, expression of remorse or admission of fault is required.
England, Great Britain , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,note,apology,apologise,everyone,say,forgive,me,sorry,confession,I am,sorrow,communicate,apologising,postit,post,it,sticky,label,notes,pink,colour,square,to,all,workmates,colleagues,friends,room,mates,roommates,personal,remorse,admission of fault,expressing regret,office communication
Description: Tony Smith image Alamy 2JJGB51 - Bright pink sticky note carries the handwritten words Sorry Everyone! in thick black marker, creating a direct visual statement of apology, regret and collective accountability. The informal handwriting, emphatic exclamation mark and vivid colour give the message an immediate, personal quality, as though it has been left quickly after a mistake, misunderstanding or embarrassing incident. Placed on a mottled stone or granite surface, the simple square note becomes the clear focal point of the image.
The wording is deliberately broad and can represent an individual apologising to colleagues, friends, customers, family members, an online audience or the wider public. It may illustrate taking responsibility after an error, acknowledging that other people have been affected, attempting to repair damaged trust or beginning a difficult conversation. The image also works as a metaphor for public relations problems, workplace conflict, customer service failures, social media controversy, leadership mistakes and the need for organisations or individuals to make amends.
Unlike a carefully prepared corporate statement, the handwritten note feels spontaneous and human. Its brevity leaves the cause of the apology unstated, making the photograph adaptable to editorial stories and conceptual features about accountability, remorse, forgiveness, reputation management, emotional intelligence and conflict resolution. The message may be sincere, awkward, humorous or ironic depending on the surrounding context.
The close-up composition, everyday stationery and authentic marker writing provide strong visual simplicity with space around the note for editorial use. The bright pink paper contrasts sharply with the neutral patterned background, helping the apology stand out. No people, exterior setting, season or sky are visible, keeping attention entirely on the message and its emotional meaning.
England, Great Britain , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,Lancs,Lancashire,Holland,portugal,The Netherlands,venue,host,town,match,matches,park,woman,games,soccer,womens soccer,teams,organisation,Fifa,management,hosts,host town,host towns,lionesses,lioness,gardens,library,square,Englands,banner,banners,promo,promotion,promotions
Description: Tony Smith image Alamy 2JH06NR - . Recorded at Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The image documents Leigh Netherlands v Portugal 13/07/2022, Leigh & Wigan, Greater Manchester, England, UK. Other connected aspects include summer city life, community life, visual archive, everyday life, social history, contemporary social history, urban gathering place, archival record, local character, everyday street life, urban leisure, interactive public realm, contemporary city life, and pedestrian environment. The wider contemporary story combines inclusive design, family access and the importance of inclusive spaces that serve residents as well as visitors. Viewed from the mid-2020s, the subject also connects with street safety, footfall and the documentary importance of recording everyday urban environments. The image fixes signage and branding within Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB at one identifiable point, providing a benchmark against new ownership. The wider setting retains connections with open-air leisure, urban change, changing land use, social landscape, local history, pedestrian square, local identity, and place identity. The recorded references to Portugal, Wigan, Manchester, Netherlands, and Greater preserve clues about how the subject was presented, used or understood at the time. A later view of Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is inclusive design and the importance of inclusive spaces that serve residents as well as visitors without losing the local specificity of Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB.
Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB
-after-match-party--NW-England-2JH06NT.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,Lancs,Lancashire,Holland,portugal,The Netherlands,Banners for UEFA Womans Euro championship England 2022,in Leigh town centre,ready for Portugal vs Netherlands (Holland) after match party,NW England,red logo,logo,logos,Leigh,town,centre,womens soccer,teams,organisation,Fifa,management,hosts,host town,host towns,lionesses,lioness,gardens,library,square,Englands,banner,banners,promo,promotion,promotions
Description: Tony Smith image Alamy 2JH06NT - . Made at Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The principal subject is Banners for UEFA Womans Euro championship England 2022,in Leigh town centre, ready for Portugal vs Netherlands (Holland) after match party, NW England. The surrounding context encompasses customer footfall, place identity, public realm, documentary photography, high-street commerce, regional identity, visual archive, local character, commercial streetscape, street-level documentary, local history, shopping district, archival record, and bricks-and-mortar retail. Today's relevance is strengthened by town-centre regeneration, changing footfall and the continuing question of how consumer spending patterns reshape commercial streets. From a 2025-onward perspective, community use and commercial change are closely linked to this subject, alongside the relationship between public space and local social life. For later comparison, the photograph preserves equipment and working practice at Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB, details that may look very different after replacement signage. The photograph additionally reflects changing land use, contemporary city life, urban social history, retail chain, outdoor retail, changing streetscape, town-centre economy, and urban change. The combination of after, party, Portugal, championship, and Womans anchors the frame to a recognisable activity, place or moment. A later view of Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The period view preserves a local visual benchmark as a date-specific reference.
Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB
-after-match-party--NW-England-2JH06ND.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,Lancs,Lancashire,Holland,portugal,The Netherlands,Banners for UEFA Womans Euro championship England 2022,in Leigh town centre,ready for Portugal vs Netherlands (Holland) after match party,NW England,banner,banners,Euros,womans,female,footy,football,championship,England 2022,championships,womens soccer,teams,organisation,Fifa,management,hosts,host town,host towns,lionesses,lioness,gardens,library,square,Englands
Description: Tony Smith image Alamy 2JH06ND - . This scene at Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The defining feature is Banners for UEFA Womans Euro championship England 2022,in Leigh town centre, ready for Portugal vs Netherlands (Holland) after match party, NW England. The wider scene also brings together place identity, community identity, archival record, shopping district, pedestrian environment, social landscape, changing streetscape, contemporary city life, local character, visual archive, social history, commercial frontage, physical store, and street-level documentary. Viewed from the mid-2020s, the subject also connects with consumer spending, commercial rents and the speed at which branding and store formats change. The modern context includes continuing discussion of footfall, transport and the relationship between public space and local social life. The archival value lies partly in recording transport arrangements and footfall around Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB before different community use alters the character of the place. Further associations within the scene are everyday life, consumer retail, urban change, changing land use, shopfront economy, contemporary social history, period detail, and bricks-and-mortar retail. Elements such as centre, Womans, Portugal, Holland, and party add documentary specificity and may become increasingly useful when compared with later records. A later view of Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. It also preserves a trace of local identity before later change alters the scene.
Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB
Description
Keywords: Townhall,Merseyside,Street,building,structure,listed,buildings,18th,century,stone,Lord,Mayors,Mayor,parlour,chamber,local,government,Corporation,James,Castle,Street,tour,licensed,for,weddings,slate,lead,roof,dome,18th Century,Buildings Of England,Town Hall,Dale St,Dale Street,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,domed,clock,square,exchange,flags,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Exchange Flags
Description: Tony Smith image Alamy GGWHBR - Liverpool Town Hall stands in High Street at its junction with Dale Street, Castle Street, and Water Street in Liverpool, Merseyside, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and described in the list as one of the finest surviving 18th-century town halls. The authors of the Buildings of England series refer to its magnificent scale, and consider it to be probably the grandest ...suite of civic rooms in the country, and an outstanding and complete example of late Georgian decoration.
It is not an administrative building but a civic suite, Lord Mayor's parlour and Council chamber
local government administration is centred at the nearby Municipal Buildings. The town hall was built between 1749 and 1754 to a design by John Wood the Elder replacing an earlier town hall nearby. An extension to the north designed by James Wyatt was added in 1785. Following a fire in 1795 the hall was largely rebuilt and a dome designed by Wyatt was built. Minor alterations have subsequently been made. The streets surrounding its site have altered since its initiation, notably when viewed from Castle Street, the south-side, it appears as off-centre. This is because Water Street which ran to the junction with Dale Street, the west-east axis, was continuous and built up across the junction so that the Town Hall was not visible originally from that aspect. The structures were removed 150 years after this to expose the building from this position.
High St, Liverpool, Merseyside, England, UK L2 3SW
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,WC,New York City,United States,with office blocks in background,World Trade Center Place,New York state,square,Manhattan Skyline,skyline,9/11,New York Skyline,museum,skyward,sky,transportation hub,looking up,WTC,Freedom Tower,new buildings,wide,wideangle,sunny,summer,blue sky,blue skies
Description: Tony Smith image Alamy 2AFK6HE - . This location-based editorial photograph from the recorded location in 2018 preserves a recognisable subject together with clues about how the place was used and presented at the time. The defining feature is WTC,World Trade Center Place, New York City, NYC, New York state,USA, with office blocks in background. Other connected aspects include changing land use, retail property, commercial streetscape, shopfront economy, everyday life, high-street commerce, town-centre economy, commercial frontage, local character, historical comparison, regional identity, independent trading, changing streetscape, and local trading. Today's wider story includes consumer spending, town-centre regeneration and the practical question of how high streets adapt when traditional retail contracts. From an archival perspective, the photograph preserves the way the place functioned before later physical or commercial change in the immediate surroundings of the recorded location. Further connections include visual archive, period detail, public realm, local history, customer footfall, bricks-and-mortar retail, place identity, and before-and-after reference. The recorded references to Center, office, Trade, Place, and background preserve clues about how the subject was presented, used or understood at the time. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes consumer spending and how high streets adapt when traditional retail contracts within the specific setting of the recorded location. Another strand within the photograph is consumer spending and the shift toward mixed retail, leisure, service and residential centres as part of the longer story of the recorded location. The record includes part of the area's social history as part of the recorded location's history.
Description
Keywords: boarding,getting,on,classic,city,transports,15,number,no15,traditional,old,fashioned,ourist,travel,travellers,sightsee,sightseeing,tower,hill,of,England,UK,united,kingdom,europe,route,st,pauls,cathedral,route15,TFL,for,double,decker,double-decker,heritage,route,vehicle,Transport,AEC,LT,RM,gotonysmith,Pauls,doubledecker,deck,upstairs,top,vehicles,routes,omnibus,heritageroutes,Stagecoach,company,services,between,Trafalgar,Square,and,Tower,Hill,ALM71B,ALM,71B,crowd,line,queue,wait,waiting,patiently,Buy Pictures of,Buy Images Of,English queue,British queue
Description: Tony Smith image Alamy DCE7BA - London Buses route 15 (Heritage) is a Transport for London contracted bus route in London, United Kingdom. The service is currently contracted to Stagecoach London. It is a short working of the standard route 15.
A group of tourists queuing to board a red London Routemaster bus , Great Britain, services between Trafalgar Square and Tower Hill
Tower Hill, London, England, UK
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Warrington,Cheshire,England,UK,retail,New Warrington Market,Warrington Market,building,square,place,Cineworld,bankruptcy,share,shares,dive,drop,loss,cash,rescue,operator,cinema,group,Chapter 11,chain,equity,recovery,plan,new,development,developments,renewed,town,centre,entertainment,space,outdoor,times square warrington
Description: Tony Smith image Alamy 2CB00C9 - . This scene at the recorded location documents an everyday subject with wider connections to local identity, social history and changing patterns of use. The principal subject is Cineworld,Time Square,Warrington,Cheshire,England,UK, new Vinci Construction development,retail and market place. A wider reading of the photograph includes developer-led housing, retail property, greenfield development, business premises, shopping district, high-street commerce, social landscape, place identity, estate road construction, local trading, urban change, commercial streetscape, local character, and retail vacancy. From a 2025-onward perspective, the scene also connects with greenfield development, energy-efficient new homes and how quickly a temporary construction site becomes an established neighbourhood. Today's wider story includes commercial rents, consumer spending and the practical question of how high streets adapt when traditional retail contracts. As a dated visual record of the recorded location, the frame retains building condition and alterations, making it useful if different community use subsequently changes the scene. The setting also brings in before-and-after reference, housebuilding programme, public realm, historical comparison, consumer retail, new housing estate, suburban expansion, and regional identity. Elements such as Construction, place, Square, retail, and market add documentary specificity and may become useful when the scene is compared with later records. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes greenfield development and how quickly a temporary construction site becomes an established neighbourhood within the real-world context of the recorded location. The frame therefore remains a dated reference for the recorded location and the changing story of the subject shown.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Warrington,Cheshire,England,UK,retail,new retail development,VINCI Construction,pedestrianised,place,Warrington Market,building,square,outdoor,outdoors,shaded,area,new,development,developments,renewed,town,centre,entertainment,space,New Warrington Market,rescue,dive,loss,drop,cash,cinema,operator,Chapter 11,chapter11,chain,group,plan
Description: Tony Smith image Alamy 2CB00CH - . An authentic period record of the recorded location, retaining the practical visual detail that later redevelopment, rebranding or altered use can remove. The principal subject is Time Square,Warrington,Cheshire,England,UK, new Vinci Construction development,retail and market place. The locality and subject together evoke new housing estate, town-centre economy, brick-built homes, contemporary history, urban commerce, public realm, site infrastructure, customer footfall, built environment, suburban expansion, archival record, new neighbourhood, business premises, and changing streetscape. In the mid-2020s, greenfield development and construction quality keep this subject current, particularly through how quickly a temporary construction site becomes an established neighbourhood. For contemporary context, consumer spending and hybrid working are closely related themes, especially where the issue becomes the rapid turnover of shopfronts and trading names. Future viewers can use this scene from the recorded location to compare equipment and working practice with whatever follows after later redevelopment. Other connected aspects are retail vacancy, bricks-and-mortar retail, retail property, urban change, local character, visual archive, residential expansion, and developer-led housing. Elements such as Square, retail, market, development, and Construction add documentary specificity and may become useful when the scene is compared with later records. By fixing the subject within the recorded location, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is greenfield development and how quickly a temporary construction site becomes an established neighbourhood within the real-world context of the recorded location. The frame therefore remains a dated reference for the recorded location and the changing story of the subject shown.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,van,Austin,A35,Pier Head waterfront,Royal Liver Building,Three Graces,Pier Head,waterfront,Royal,Liver Building,park,landmark,Mersey Side,historic,centre,buildings,architecture,attractions,sunny,blue skies,blue sky,maritime,port,cities,Pierhead,world heritage,site,square
Description: Tony Smith image Alamy 2BG7KJ4 - . Photographed at the recorded location, the scene provides a dated reference to the subject and the surrounding social, commercial or physical environment. The principal subject is Wallace and Grommet Austin A35 blue van,HOP 2IT, at Pier Head waterfront,Royal Liver Building,Three Graces, Liverpool city centre, Merseyside. Its broader subject matter includes traditional masonry, period building, heritage asset, architectural contrast, conservation architecture, architectural character, documentary photography, local story.htm Target=_Blank>history, archival record, visual archive, changing streetscape, regional identity, built heritage, and historic streetscape. For contemporary context, historic townscape and adaptive reuse are closely related themes, especially where the issue becomes the contrast between historic fabric and modern development. As a dated visual record of the recorded location, the frame retains landscape and surrounding development, making it useful if closure or conversion subsequently changes the scene. The photograph additionally reflects before-and-after reference, local character, built environment, historical comparison, public realm, contemporary history, social landscape, and place identity. The recorded references to Wallace, Grommet, centre, Austin, and Royal preserve clues that can help identify how the subject was presented or used at the time. For the recorded location, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The scene retains a connection with historic townscape and the contrast between historic fabric and modern development within the specific setting of the recorded location. That also gives the frame relevance to heritage conservation and using existing buildings rather than demolishing them as part of the longer story of the recorded location. The image adds a further period reference to the visual history of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,English,South East,Stratford,SE,UK,E15,E15 1BN,Gerry Raffles,Square,East,at night,Newham,Joan Littlewood,Theatre Workshop company,arts,plays,acting,actors,productions,TRSE,Grade II listed,Joan Littlewood statue,Nadia Fall,venues,venue,theatres,the,Theatre Royal,Sq,East London,statue,bronze,outside
Description: Tony Smith image Alamy 2ABY9DF - The Theatre Royal Stratford East is a large theatre in Stratford in the London Borough of Newham. Since 1953, it has been the home of the Theatre Workshop company, famously associated with Joan Littlewood.
The theatre was designed by architect James George Buckle, who was commissioned by the actor-manager Charles Dillon in 1884. It is the architect's only surviving work, built on the site of a wheelwright's shop on Salway Road, close to the junction with Angel Lane. It opened on 17 December 1884 with a revival of Richelieu by Edward Bulwer-Lytton. Two years later, Dillon sold it to Albert O'Leary Fredericks, his sister's brother-in-law and one of the original backers of the scheme.
In 1887 the theatre was renamed Theatre Royal and Palace of Varieties and side extensions were added in 1887. The stage was enlarged in 1891, by the original architect. In 1902, Frank Matcham undertook minor improvements to the entrance and foyer. The Theatre reverted to its Theatre Royal Stratford East ('TRSE') name in 1914. A fire on the stage on August Bank Holiday Monday of 1921 did considerable damage to the rear of the theatre. Thankfully the fire happened at midnight, with the safety curtain lowered, saving the auditorium which retains many of its original features to this day. The theatre was closed until January 1922
The theatre came under threat with the construction of the Stratford shopping centre in the 1970s, but was saved by a public campaign and protected in June 1972 by English Heritage with a Grade II* listing. Money remained short, and the manager, Gerry Raffles, only managed redecoration and replacements as cash became available. In 2001, following a successful Heritage Lottery Fund bid, all of the theatre's front of house and backstage areas were refurbished as part of the Olympiad's Stratford Cultural Quarter project
Gerry Raffles Square, Stratford East, London, England, UK, E15 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,North West England,Warrington,Cheshire,waterway,WA4,in a,Grappenhall Hays,Walled Garden,dangerous,Grappenhall,Hays,red,Witherwin Avenue,Grappenhall Heys,WA4 3DS,In deep water,Britain,British,English,lake,lakes,warning sign,careful,caution,drown,drowning,threat,unsafe,H2O,square,weed
Description: Tony Smith image Alamy RK9X6M - . A place-specific photograph captures the physical context of Witherwin Avenue Grappenhall Heys Warrington, Cheshire, North West England, UK, WA4 3DS, in a scene preserved from 2019. The documentary focus is Danger Deep Water sign, in a dangerous pond, Grappenhall Hays. The photograph carries associations with hydraulic control, inland boating, waterborne transport, riverine landscape, lock operation, navigation engineering, industrial waterway heritage, managed watercourse, navigation channel, civil engineering structure, waterway maintenance, and heritage navigation. The wider contemporary story of managed watercourses now includes flood resilience alongside safe public access, while policy and investment increasingly consider maintaining safe navigation. Documentary value is strengthened by the precise setting at Witherwin Avenue Grappenhall Heys Warrington, Cheshire, North West England, UK, WA4 3DS, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The resulting scene connects with river management, working waterway, canal heritage, inland navigation, towpath environment, riparian setting. Other local associations include red sign, notice, warning, deep water countryside. The same setting also brings together boating infrastructure, and waterside infrastructure. Seen from a 2025-onward perspective, ageing lock and bridge infrastructure also connects with flood resilience, volunteer involvement and efforts aimed at adapting old structures to present-day use. The lasting documentary value lies in its record of physical infrastructure, local continuity, community life, signage and branding, and commercial identity as an authentic period reference. For future comparison, the scene preserves historic fabric, movement through the area, social change, everyday services, and planning and redevelopment at this precise location.
Witherwin Avenue Grappenhall Heys Warrington, Cheshire, North West England, UK, WA4 3DS
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Canal St,Gay Village,gay,village,Sackville,LGBT,LGBTQ,heart,pink,pink heart,square,remember,loved one,lost ones,The Beacon of Hope,Beacon of hope,Warren Chapman,Jess Byrne-Daniels,Jess Byrne Daniels,The Tree of Life,Tree of Life,World AIDS Day,podium,seating,Beacon of hope podium,mosaic tiles,HIV community,time capsule,candle lit vigils,woke,culture war
Description: Tony Smith image Alamy RFF5FX - The Beacon of Hope can be found in Sackville Gardens, a five minute walk from Piccadilly Station and Piccadilly Gardens, in the heart of Manchester's city centre. The park is bounded by Manchester's Gay Village, universities, and residential areas.
The Beacon is sited in a prominent position overlooking the cafe bar society of the world famous Canal Street, and is regularly used by people as a place to chat, have a drink, or remember loved ones.
Sackville Gardens is one of the few green spaces left in the centre of the City and is a peaceful oasis in Manchester's hustle and bustle. As well as the Beacon of Hope memorial, the gardens is also the site of the Tree of Life, the Alan Turing memorial and the National Transgender Remembrance Memorial.
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Canal St,Gay Village,gay,village,Sackville,LGBT,LGBTQ,heart,pink,pink heart,square,remember,loved one,lost ones,The Beacon of Hope,Beacon of hope,Warren Chapman,Jess Byrne-Daniels,Jess Byrne Daniels,The Tree of Life,Tree of Life,World AIDS Day,podium,seating,Beacon of hope podium,mosaic tiles,HIV community,time capsule,candle lit vigils
Description: Tony Smith image Alamy RFF5FY - The Beacon of Hope can be found in Sackville Gardens, a five minute walk from Piccadilly Station and Piccadilly Gardens, in the heart of Manchester's city centre. The park is bounded by Manchester's Gay Village, universities, and residential areas.
The Beacon is sited in a prominent position overlooking the cafe bar society of the world famous Canal Street, and is regularly used by people as a place to chat, have a drink, or remember loved ones.
Sackville Gardens is one of the few green spaces left in the centre of the City and is a peaceful oasis in Manchester's hustle and bustle. As well as the Beacon of Hope memorial, the gardens is also the site of the Tree of Life, the Alan Turing memorial and the National Transgender Remembrance Memorial.
Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Canal St,Gay Village,gay,village,Sackville,LGBT,LGBTQ,heart,pink,pink heart,square,remember,loved one,lost ones,The Beacon of Hope,Beacon of hope,Warren Chapman,Jess Byrne-Daniels,Jess Byrne Daniels,The Tree of Life,Tree of Life,World AIDS Day,podium,seating,Beacon of hope podium,mosaic tiles,HIV community,time capsule,candle lit vigils
Description: Tony Smith image Alamy RFF5G0 - The Beacon of Hope can be found in Sackville Gardens, a five minute walk from Piccadilly Station and Piccadilly Gardens, in the heart of Manchester's city centre. The park is bounded by Manchester's Gay Village, universities, and residential areas.
The Beacon is sited in a prominent position overlooking the cafe bar society of the world famous Canal Street, and is regularly used by people as a place to chat, have a drink, or remember loved ones.
Sackville Gardens is one of the few green spaces left in the centre of the City and is a peaceful oasis in Manchester's hustle and bustle. As well as the Beacon of Hope memorial, the gardens is also the site of the Tree of Life, the Alan Turing memorial and the National Transgender Remembrance Memorial.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Souh West England,UK,listed grade2,memorial,bronze,statue,King Square Bridgwater,TA6,plinth,civilisation,IN HONOUR OF THE MEN OF BRIDGWATER WHO GAVE THEIR,IN THE GREAT WAR 1914-1918,1914-1918,1914,1918,sunday,remembrance sunday,Korean War,Falklands Conflict,Afghan conflict,soldiers,conscripts,imperial wars,Georgian square,Georgian,square,War Memorials Trust,War Memorial Trust,plaques,town,town centre,Sergeant Benjamin James Knight,British Forces,casualties,casualty,war dead,Afghanistan
Description: Tony Smith image Alamy R9GRYH - Bridgwater War Memorial is a Grade II* listed war memorial located on King Square in Bridgwater, Somerset, England, on the site previously occupied by Bridgwater Castle. It was designed by John Angel in the mid-1920s. The green figure of the memorial is allegorical, representing Civilization as a seated female, holding a globe in one hand and with the book of knowledge on her lap.
John Angel sculpted the Angel of Bridgwater. Mounted on a plinth, a female figure of 'Civilisation' lofts the world, which is encircled by emblems of commerce and peace. Under her foot are the demons of war. The throne and figure are backed by relief depictions of Labour, Home, Life and Education. On her lap is a book of laws, and she is surrounded by children. Indeed, given its monumental breadth, the many details in the design, and its metaphorical and iconic form, the sculpture is subject to colorful and variant interpretations and description. The bronze was cast by W Morris Art Bronze Foundry.
At the time, Angel was working four years as assistant to Sir George Frampton, and Frampton's influence is apparent. Figures from the roughly contemporaneous Exeter War Memorial, specifically Peace (also known as Victory) were exhibited by Angel at The Royal Academy in 1922, being exhibited in the courtyard of Burlington House,[8] as were other studies of the Bridgwater War Memorial on several occasions.
On the third step these words are inscribed: IN HONOUR OF THE MEN OF BRIDGWATER WHO GAVE THEIR LIVES IN THE GREAT WAR 1914-1918
The memorial was unveiled by General the Earl of Cavan then Chief of the Imperial General Staff on 25 September 1924, to commemorate the fallen of World War I. Further names have been added following World War II, the Korean War. Falklands Conflict and the Afghan conflict. It has been characterised as, An exceptionally fine and moving memorial, which forms an important focal point to this fine late Georgian square.
King Square, Bridgwater, Somerset, TA6 3AR
Description
Keywords: GoTonySmith,@HotpixUK,Anglo Saxon,South West England,UK,South West,England,TA1 4AD,historic,stone,Event,space,spaces,Taunton Event spaces,Historic Taunton,tauntons,Taunton Town,Museum of Somerset,Castle Hotel,South West Heritage Trust,British,beautiful,beauty,car park,town centre,square,Taunton Deane Borough Council,TDBC,West Somerset and Taunton Council,Historic Heart of Taunton,Taunton Cultural Consortium,Cultural Consortium,history,town,centre,tourist,attraction
Description: Tony Smith image Alamy P53BTA - Castle Green is Taunton's most popular event space. It has both a large grassed and a hard standing area. Castle Green neighbours the popular Museum of Somerset, the award-winning Castle Hotel, the busy Taunton Bus Station and is located within seconds of the town centre shopping area.
Castle Green has a highway through to the Castle Hotel and therefore highway management is also required as part of an event management plan
Click here to view a map.
Access To Castle Green
Vehicle access through Tower Street
Castle Green, Taunton Somerset, England, United Kingdom, TA1 4AD
Description
Keywords: Merseyside,Street,building,structure,listed,18th,century,stone,Lord,Mayors,Mayor,parlour,Council,chamber,local,government,Corporation,James,Wyatt,Castle,Street,tour,licensed,for,weddings,slate,lead,roof,dome,18th Century,Buildings Of England,Town Hall,Dale St,Dale Street,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,domed,clock,square,exchange,flags,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Exchange Flags
Description: Tony Smith image Alamy GGWHBK - Liverpool Town Hall stands in High Street at its junction with Dale Street, Castle Street, and Water Street in Liverpool, Merseyside, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and described in the list as one of the finest surviving 18th-century town halls. The authors of the Buildings of England series refer to its magnificent scale, and consider it to be probably the grandest ...suite of civic rooms in the country, and an outstanding and complete example of late Georgian decoration.
It is not an administrative building but a civic suite, Lord Mayor's parlour and Council chamber
local government administration is centred at the nearby Municipal Buildings. The town hall was built between 1749 and 1754 to a design by John Wood the Elder replacing an earlier town hall nearby. An extension to the north designed by James Wyatt was added in 1785. Following a fire in 1795 the hall was largely rebuilt and a dome designed by Wyatt was built. Minor alterations have subsequently been made. The streets surrounding its site have altered since its initiation, notably when viewed from Castle Street, the south-side, it appears as off-centre. This is because Water Street which ran to the junction with Dale Street, the west-east axis, was continuous and built up across the junction so that the Town Hall was not visible originally from that aspect. The structures were removed 150 years after this to expose the building from this position.
High St, Liverpool, Merseyside, England, UK L2 3SW
Description
Keywords: Townhall,Merseyside,Street,building,structure,listed,buildings,18th,century,stone,Lord,Mayors,Mayor,parlour,local,government,Corporation,James,Wyatt,Castle,Street,tour,licensed,for,weddings,slate,lead,roof,dome,18th Century,Buildings Of England,Town Hall,Dale St,Dale Street,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,domed,clock,square,exchange,flags,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Exchange Flags
Description: Tony Smith image Alamy GGWHBY - Liverpool Town Hall stands in High Street at its junction with Dale Street, Castle Street, and Water Street in Liverpool, Merseyside, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and described in the list as one of the finest surviving 18th-century town halls. The authors of the Buildings of England series refer to its magnificent scale, and consider it to be probably the grandest ...suite of civic rooms in the country, and an outstanding and complete example of late Georgian decoration.
It is not an administrative building but a civic suite, Lord Mayor's parlour and Council chamber
local government administration is centred at the nearby Municipal Buildings. The town hall was built between 1749 and 1754 to a design by John Wood the Elder replacing an earlier town hall nearby. An extension to the north designed by James Wyatt was added in 1785. Following a fire in 1795 the hall was largely rebuilt and a dome designed by Wyatt was built. Minor alterations have subsequently been made. The streets surrounding its site have altered since its initiation, notably when viewed from Castle Street, the south-side, it appears as off-centre. This is because Water Street which ran to the junction with Dale Street, the west-east axis, was continuous and built up across the junction so that the Town Hall was not visible originally from that aspect. The structures were removed 150 years after this to expose the building from this position.
High St, Liverpool, Merseyside, England, UK L2 3SW
Description
Keywords: Sq,PricewaterhouseCoopers,LLP,Square,Lower,Mosley,Street,st,M2,3PW,GB,England,UK,M23PW,wide,angle,wideangle,shot,image,landscape,Midland,Hotel,north,west,northwest,centre,city,town,blue,sky,skies,old,new,architecture,building,buildings,architect,named,after,Hallé,Orchestra,Halle,Gotonysmith with canal basin reflections Price waterhouse Coopers,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6N2C - . Wide angle shot of Bridgewater Hall & 101 Barbirolli Square Manchester, England UK with canal basin reflections. Photographed at Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW. The photograph was taken on 24 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Bridgewater, Hall, 101, Barbirolli, Square, Manchester, PricewaterhouseCoopers, LLP, Lower and Mosley, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW
Description
Keywords: Sq,PricewaterhouseCoopers,LLP,Square,Lower,Mosley,Street,st,M2,3PW,GB,England,UK,M23PW,wide,angle,wideangle,shot,image,landscape,Midland,Hotel,north,west,northwest,centre,city,town,blue,sky,skies,old,new,architecture,building,buildings,architect,named,after,Hallé,Orchestra,Halle,Gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6N2N - . Wide angle shot of Bridgewater Hall & 101 Barbirolli Square Manchester, England UK. Photographed at Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW. The photograph was taken on 24 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Bridgewater, Hall, 101, Barbirolli, Square, Manchester, PricewaterhouseCoopers, LLP, Lower and Mosley, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW
Description
Keywords: Yeovil,pano,panorama,summer,The Borough,Montecute village,South Somerset,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,square,sq,near,TA15 6XB,West Sq sign England,England,Borough,stone,cute,village,sign,street,centre,buildings,architecture,style,south Somerset,English,British,community,communities,villages
Description: Tony Smith image Alamy DE535M - . The Borough, Montecute village, South Somerset,pano,panorama. Photographed at Montecute, Somerset, England,UK. The photograph was taken on 13 June 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The wider composition gives a broader sense of the surroundings, showing the principal subject in relation to more of the streetscape, landscape or public space. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Borough, Montecute, village, Somerset, The Borough, signs, villages, South Somerset, square and Yeovil, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. The view is firmly rooted in a real location rather than a constructed studio setting.
Montecute, Somerset, England,UK
Description
Keywords: Connecting passage between Central Library and Manchester Town Hall,St,Peters,Square,Manchester,M2,5DB,stone,gotonysmith,city,centre,center,circular,libraries,walkers,designer,designed,by,E,Vincent,Harris,traditional,neoclassical,architecture,perennial,applicability,of,the,Classical,canon,rotunda,domed,structure,is,loosely,derived,from,the,Pantheon,Rome,architect,Vincent,Harris,Library,Theatre,Company,a,Manchester,City,Council,service,St,Peters,Square,and,Mount,St,A6042,Saint,gotonysmith,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEY8W6 - Manchester Central Library is a circular library south of the Town Hall Extension in Manchester, England. It is the headquarters of the Manchester Library & Information Service, which also consists of 22 other community libraries.
To the left is the Manchester Town Hall extension, to the left the central library. This walkway connects St Peters Square and Mount St A6042
Central library, Mount St, Manchester, England, UK M2 5DB
Description
Keywords: Integer,number,sequence,79,seventy,nine,seventynine,square,Hipstamatic,street,sign,warrington
Description: Tony Smith image Flickr 1532309416 - 'View this whole set here. If you do Twitter add me here.
79 is the atomic number of the chemical element gold (Au).
SeventyNine is the smallest number that can't be represented as a sum of fewer than 19 fourth powers and a strictly non-palindromic number. The 22nd prime number (the next is 83).
The smallest prime number p for which the real quadratic field Q[\u221ap] has class number greater than 1 (namely 3)
79 is an emirp, because the reverse of 79, 97, is also a prime
A fortunate prime and one that is also a Gaussian prime (since it is of the form 4n + 3). Also a happy, Higgs, sexy, lucky and permutable prime.
79 is a Pillai prime, because 23! + 1 is divisible by 79, but 79 is not one more than a multiple of 23.
Live Seventy Nine, is an album by hippy cosmic rockers Hawkwind.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',
Description
Keywords: integer,number,numbers,square,84,eighty four,hipstamatic,engine,train,diesel,crewe,crewe built,1965,built
Description: Tony Smith image Flickr 1574810035 - 'View this whole set here. If you do Twitter add me here.
84 is the sum of the first seven triangular numbers (making it a tetrahedral number), as well as the sum of a twin prime (41 + 43). Being thrice a perfect number, 84 is itself a semiperfect number. Also, the ISBN Group Identifier for books published in Spain
International direct dial phone calls to Vietnam are prefixed by 84.
Eighty Four is the atomic number of polonium. The murder of Alexander Litvinenko, a Russian dissident, in 2006 was announced as due to Polonium poisoning. According to Prof. Nick Priest of Middlesex University, an environmental toxicologist and radiation expert, speaking on Sky News on December 2, Litvinenko was probably the first person ever to die of the acute \u03b1-radiation effects of Polonium.
Its also the shorthand term for the British Army 84mm Carl Gustav recoilless rifle.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',
Description
Keywords: number,numbers,integer,integers,series,square,hipstamatic,85,eightyfive
Description: Tony Smith image Flickr 1667623796 - 'View this whole set here. If you do Twitter add me here.
85 is an octahedral number, a centered triangular number, a centered square number, and a decagonal number. In base 10 it is a Smith number.
Eighty Five is the atomic number of astatine, as well as the ISBN Group Identifier for books published in Brazil.
Cupid &
Psyche 85, is one of my favourite albums, by band Scritti Politti.
The HG 85 is a Swiss fragmentation grenade
West to East, the A85 is a major scenic road in Scotland.
It runs east from Oban along the south bank of Loch Etive, through Lochawe and Tyndrum, Crianlarich, Lochearnhead, St Fillans and Crieff before passing through Perth, where it crosses the River Tay via Perth Bridge. Its name between the latter two locations is the Crieff Road. It then multiplexes with the A90 to the Swallow Roundabout before diverging to follow the Invergowrie Bypass, Riverside Avenue and Riverside Drive before terminating at the Riverside Roundabout where it meets the A92.
Now That's What I Call Music! (often shortened to Now!) is a series of various artists compilation albums released in the United Kingdom and Ireland by EMI, (as EMI TV/Virgin Records/Universal/Sony Music).
Spinoff series were later introduced in South Africa (1984) and many other countries worldwide, including the United States in 1998, and Israel in 1999. Since its launch in the UK in 1983, the series has amassed over 100 million album sales worldwide.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',
Description
Keywords: fiftyeight,58,fifty,eight,books,chart,book,waterstones,seller,vendor,bookseller,shop,square,integer,number,numbers,sequence,tonysmith
Description: Tony Smith image Flickr 1287970250 - 'View this whole set here. If you do Twitter add me here.
Fifty-eight has an aliquot sum of 32 and is the second composite member of the 31-aliquot tree. 58 is the sum of the first seven prime numbers, an 11-gonal number, and a Smith number. Given 58, the Mertens function returns 0.
Its the atomic number of cerium, a lanthanide. 58 is an album by John Cage, Chicago had a track called '58 Poems'. Prefix your international dial to Venezuela with +58. Its also the number of the French department Ni\u00e8vre.
Number 58 was commonly associated with misfortune in many civilizations native to either Central America or Southern America. Due to their beliefs in the original 58 sins, the number came to symbolize curses and ill-luck. Aztec oracles supposedly stumbled across the number an unnaturally high number of times before disaster fell. One famous recording of this, though largely discredited as mere folktale, concerned the oracle of Moctezuma II, who allegedly counted 58 pieces of gold scattered before a sacrificial pit the day prior to the arrival of Hern\u00e1n Cort\u00e9s.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 57,fiftyseven,fifty,seven,vararities,integer,number,numbers,square,hipstamatic,baked,beans,factory,wigan,England,lancs,UK,GB
Description: Tony Smith image Flickr 1268406171 - 'View this whole set here. If you do Twitter add me here.
Fifty-seven is the sixteenth discrete semiprime and the sixth in the (3.q) family. With 58 it forms the fourth discrete bi-prime pair. 57 has an aliquot sum of 23 and is the first composite member of the 23-aliquot tree.
As a semiprime, 57 is a Blum integer since its two prime factors are both Gaussian primes.
In the first storyboard draft for Pixar's film Cars, the main character, a race car named Lightning McQueen was going to have number 57 as his racing number, in reference to director John Lasseter's birthdate, January 12, 1957. But in the final cut, Lightning's racing number changed to 95.
The climax of the movie Eraser occurs on Pier 57
Heinz 57, a brand of sauce, and the number of varieties of foods claimed to be produced by the H.J. Heinz Company. Pictured here is the sign from the UK's largest baked bean factory near Wigan, Lancs.
Henry J. Heinz introduced the marketing slogan '57 Varieties' in 1896. He later claimed he was inspired by an advertisement he saw while riding an elevated train in New York City (a shoe store boasting '21 styles'). The reason for '57' is unclear. Heinz said he chose '5' because it was his lucky number and the number '7' was his wife's lucky number. However Heinz also said the number '7' was selected specifically because of the 'psychological influence of that figure and of its enduring significance to people of all ages'. Whatever the reasons, Heinz wanted the company to advertise the greatest number of choices of canned and bottled foods for sale. In fact by 1892, four years before the slogan was created, the Heinz company was already selling more than 60 products.
Animals, especially dogs which are a mixture of multiple breeds, can be referred to as 'Heinz 57'. In bingo in the United Kingdom, a commonly used call for '57' is 'Heinz variety'.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 54,fiftyfour,fifty,four,number,numbers,integer,integers,square,hipstamatic,iphone,railway,platform,Lime,St,Limest,Liverpool,city,England,UK,GB,Great,Britain,TonySmithThatHousingITGuy,TonySmith,F16TOE
Description: Tony Smith image Flickr 1226051514 - 'View this whole set here. If you do Twitter add me here.
Fifty Four is a 19-gonal number. Twice the third power of three, 54 is a Leyland number. An Holt graph has 54 edges.
Xenon has the atomic number 54. To phone Argentina, use the prefix +54.
Studio 54 was a popular New York nightclub from 1977 until 1981 when it was sold by founders and creators Steve Rubell and Ian Schrager. It was called the most famous nightclub of all time and was a sophisticated, groundbreaking multi-media visual extravaganza. It continued to operate as a nightclub until 1991 by other owners.
Located at 254 West 54th Street in Manhattan, New York City, the space was originally the Gallo Opera House, opening in 1927, after which it changed names several times, eventually becoming CBS radio and television Studio 52. Since November 1998 it has been a venue for the Roundabout Theatre Company and is still called Studio 54, but is no longer a nightclub. A separate restaurant and nightclub, called 54 Below, operates in the basement of the famed venue
This shot is from Liverpool Lime Street station in England. International viewers will remember that beat combo of four lads from that city. If travelling by train to see the Cavern or other places touched by their lyrics, this might be where you will arrive. Rest assured, just 40 minutes away is another city, home of Graham Nash, The Bee Gees, 10cc, Buzzcocks, Joy Division, New Order, A Certain Ratio, The Smiths, The Fall, Happy Mondays, 808 State, Doves &
Oasis if you need a wider musical heritage. Did i mention we have some great pubs too?
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: number,numbers,42,fortytwo,forty,two,square,hipstamatic,iphone,mobile,book,word,words,page,series,integer
Description: Tony Smith image Flickr 9918454656 - 'View this whole set here. If you do Twitter add me here.
Forty-Two is a pronic number and an abundant number
its prime factorization 2 \u00b7 3 \u00b7 7 makes it the second sphenic number and also the second of the form { 2 \u00b7 3 \u00b7 r }. As with all sphenic numbers of this form, the aliquot sum is abundant by 12. 42 is also the second sphenic number to be bracketed by twin primes
30 is also a pronic number and also rests between two primes. 42 has a 14 member aliquot sequence 42, 54, 66, 78, 90, 144, 259, 45, 33, 15, 9, 4, 3, 1, 0 and is itself part of the aliquot sequence commencing with the first sphenic number 30. Further, 42 is the 10th member of the 3-aliquot tree.
It is a Catalan number. Consequently
42 is the number of noncrossing partitions of a set of five elements, the number of triangulations of a heptagon, the number of rooted ordered binary trees with six leaves, the number of ways in which five pairs of nested parentheses can be arranged, etc.
The atomic number of molybdenum &
the angle rounded to whole degrees for which a rainbow appears (the critical angle). In the TIFF image file format, the second 16-bit word of every file is 42, which is used together with the first word to indicate byte order.
Google returns this number when 'the answer to life the universe and everything' is entered in an internet search.
In Japanese culture, the number 42 is considered unlucky because the numerals when pronounced separately \u2014 'shi ni' (four two) \u2014 sound like the phrase, 'unto death'. The Gutenberg Bible is also known as the '42-line Bible', as the book contained 42 lines per page.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Numbers,integer,78,seventy,eight,SEVENTYEIGHT,series,square,Hipstamatic,Liverpool,door,doorway,number
Description: Tony Smith image Flickr 1525531983 - 'View this whole set here. If you do Twitter add me here.
78 is the atomic number of platinum. With 3 distinct prime factors 78 is a sphenic number. It is an abundant number with an aliquot sum of 90. As a multiple of a perfect number, 78 is itself a semiperfect number.
78 is the 12th triangular number. 77 and 78 form a Ruth-Aaron pair.
Since it is possible to find sequences of 78 consecutive integers such that each inner member shares a factor with either the first or the last member, 78 is an Erd\u0151s\u2013Woods number.
A typical tarot deck containing the 21 trump cards, the Fool and the 56 suit cards make up 78 cards.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',
Description
Keywords: 052,fiftytwo,fifty,two,three,fiftythree,53,spectator,safety,team,marshall,marshalls,silverstone,british,GP,grand,prix,grandprix,square,hipstamatic,number,integer,numbers,integers,nos,series,tonysmith,thathousingITguy
Description: Tony Smith image Flickr 1202039540 - 'View this whole set here. If you do Twitter add me here.
Fifty-two is the 6th Bell number and a decagonal number. In this shot 52 was attracted to 53 and as you can imagine I was tempted to cheat by killing two birds with one stone. However, my standards are luckily higher than that!
Its the approximate number of weeks in a year. 52 weeks is 364 days, while the tropical year is 365.24 days long. According to ISO 8601, most years have 52 weeks while some have 53. On the piano, its the number of white keys (notes in the C major scale).
Also the number of cards in a standard deck of playing cards, not counting Jokers or advertisement cards &
the name of a practical joke card game '52 Pickup'. Direct calls to Mexico use +52.
52 American hostages were held in the Iranian Hostage Crisis between November 4, 1979 and January 20, 1981.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 66,SIXTYSIX,sixty,six,number,numbers,series,square,Hipstamatic,integer,integers
Description: Tony Smith image Flickr 1410847002 - 'View this whole set here. If you do Twitter add me here.
Phillips 66, a brand of gasoline and service station in the United States and the international prefix for Thailand. Also a name of a German card game, translated from sechsundsechzig.
Sixty-Six is a sphenic number, a triangular number, a hexagonal number, and a semi-meandric number. Being a multiple of a perfect number, 66 is itself a semiperfect number. Since it is possible to find sequences of 66 consecutive integers such that each inner member shares a factor with either the first or the last member, 66 is an Erd\u0151s\u2013Woods number.
Its the atomic number of dysprosium, a lanthanide. 66 (more specifically 66.667) megahertz (MHz) is a common divisor for the front side bus (FSB) speed, overall central processing unit (CPU) speed, and base bus speed. On a Core 2 CPU, and a Core 2 motherboard, the FSB is 1066 MHz (~16 x 66 MHz), the memory speed is usually 666.67 MHz (~10 x 66 MHz), and the processor speed ranges from 1.86 gigahertz (GHz) (~66 MHz x 28) to 2.93 GHz (~66 MHz x 44), in 266 MHz (~66 MHz x 4) increments.
Sixty Six (film) is a 2006 British movie about a barmitzvah in London on the day of the 1966 World Cup final. Also the designation of the historic U.S. Route 66, dubbed the 'Mother Road' by novelist John Steinbeck.
According to my Guiness book of records, 66 is the number of hot dogs eaten by World record holder Joey Chestnut in 15 minutes at the Nathan's Hot Dog Eating Championships in 2007. Nice.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 49,forty,nine,fortynine,number,integer,integers,numbers,series,ascending,tonysmith,tony,smith,hotpix,square,hipstamatic,iphone,phone,pedlo,pederlo,pederlos,tenerife,beach,sea
Description: Tony Smith image Flickr 1156664566 - 'View this whole set here. If you do Twitter add me here.
Forty-nine is the square of seven and is therefore the fourth squared prime number. The sum of the digits of the square of 49 (2401) is the square root of 49. Its the first square where the digits are squares. In this case 4 and 9 are squares. It appears in the Padovan sequence, preceded by the terms 21, 28, 37 (it is the sum of the first two of these).
During the Manhattan Project, plutonium was also often referred to, simply, as '49'. Number 4 was for the last digit in 94 (atomic number of plutonium) and 9 for the last digit in Pu-239, the weapon-grade fissile isotope used in nuclear bombs.
49 is the number of days and night Siddhartha Gautama spent meditating as a holy man. 49ers was the moniker of one who participated in the 1849 California Gold Rush, as well as the USA NFL's San Francisco 49ers. Bob Dylan sang about the 'Days of '49'.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 31,thirty,one,thirtyone,number,no,integer,wang,numberwang,scrabble,board,game,games,boardgames,tony,smith,tonysmith,numbers,@hotpixuk,square,hipstamatic,iphone,cell,phone,mobile,shot,shots
Description: Tony Smith image Flickr 8881937904 - 'Thirty One is the atomic number of gallium.
The numbers 31, 331, 3331, 33331, 333331, 3333331, and 33333331 are all prime. For a time it was thought that every number of the form 3w1 would be prime
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31 is the number of days in the months January, March, May, July, August, October and December. Its the code for international direct-dial phone calls to the Netherlands
31 is also a card game (see Thirty-one (game)) &
a type of game played on a backgammon board.
The number of flavors of Baskin-Robbins ice cream and the shops are called 31 Ice Cream in Japan.You may have also enjoyed the Nick Hornby book 31 Songs.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 32,thirty,two,thirtytwo,thirty2,Tevez,football,shirt,mcfc,manchester,city,fc,club,uk,blue,number,numbers,no,nos,integer,integers,series,square,hipstamatic,tonysmith,tonysmiththa
Description: Tony Smith image Flickr 8883502328 - 'Thirty Two is the atomic number of germanium, also the freezing point of water at sea level in degrees Fahrenheit.
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If you do Ipernity too, add me at www.ipernity.com/home/hotpixuk
The number of completed, numbered piano sonatas by Ludwig van Beethoven. 32 is in the title and lyrics of the song '32 Footsteps' by 'They Might Be Giants'.
In the Kabbalah, there are 32 Kabbalistic Paths of Wisdom. One of the central texts of the P\u0101li Canon in the Theravada Buddhist tradition, the Digha Nikaya, describes the appearance of the historical Buddha with a list of 32 physical characteristics.
Thirty2 is the number of teeth of a full set of teeth in an adult human, including wisdom teeth. Also the size of a databus in bits: 32-bit
The size, in bits, of certain integer data types, used in computer representations of numbers. IPv4 uses 32-bit (4-byte) addresses ASCII and Unicode code point for space
Its the code for international direct dial phone calls to Belgium.
Carlos Alberto T\u00e9vez (born Carlos Alberto Mart\u00ednez
5 February 1984) is an Argentine professional footballer who plays as a forward for English club Manchester City in the number 32 shirt. He has previously played for Boca Juniors, Corinthians, West Ham United and Manchester United. He transferred to Manchester City from United in the 2009 summer transfer window, becoming the first player to move between the two rival clubs since Terry Cooke in 1999.
His energy and goal scoring rate has since made him an indispensable player for the club in the eyes of fellow players and media alike. He was promoted to captain at the beginning of the 2010\u201311 season by manager Roberto Mancini. In 2011, Tevez sought a transfer away from Manchester, citing family reasons and Sergio Ag\u00fcero was drafted in as a replacement. However he remains a City player after his family moved back to Manchester with manager Roberto Mancini believing T\u00e9vez would stay for the foreseeable future.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 60,sixty,number,integers,integer,numbers,rimmel,seconds,60seconds,square,hipstamatic,iphone,nail,varnish,polish,tonysmith,f16toe
Description: Tony Smith image Flickr 1315696725 - 'View this whole set here. If you do Twitter add me here.
Sixty, 'three score' in some older literature, is a composite number with divisors 1, 2, 3, 4, 5, 6, 10, 12, 15, 20, 30, and 60, making it also a highly composite number. Because 60 is the sum of its unitary divisors (excluding itself), it is a unitary perfect number, and it is also an excessive number with an abundance of 48. Being ten times a perfect number, 60 is a semi-perfect number.
Sixty is the smallest number divisible by the numbers 1 to 6. (There is no smaller number divisible by the numbers 1 to 5). 60 is the smallest number with exactly 12 divisors. It is one of only 7 integers that have more divisors than any number twice itself (sequence A072938 in OEIS), and is one of only 6 that are also lowest common multiple of a consecutive set of integers from 1, and one of the 6 that are divisors of every highly composite number higher than itself.(sequence A106037 in OEIS).
There are four Archimedean solids with 60 vertices: the truncated icosahedron, the rhombicosidodecahedron, the snub dodecahedron, and the truncated dodecahedron. The skeletons of these polyhedra form 60-node vertex-transitive graphs. There are also two Archimedean solids with 60 edges: the snub cube and the icosidodecahedron. The skeleton of the icosidodecahedron forms a 60-edge symmetric graph.
There are 60 one-sided hexominoes, the polyominoes made from 6 squares. In geometry, 60 is the number of seconds in a minute, and the number of minutes in a degree. In normal space, the 3 interior angles of an equilateral triangle each measure 60 degrees, adding up to 180 degrees.
Because 60 is divisible by the sum of its digits in base 10, it is a Harshad number. A number system with base 60 is called sexagesimal (the original meaning of sexagesimal is sixtieth).
The atomic number of Neodymium is 60.
Sixty is one of the most fascinating numbers. The Babylonian number system had a base of sixty, inherited from the Sumerian and Akkadian civilizations, and possibly motivated by the large number of divisors which 60 has. The sexagesimal measurement of time and of geometric angles is a legacy of the Babylonian system.
The number system in the Mali Empire was also based on sixty (this is reflected in the counting system of the Maasina Fulfulde, a variant of the Fula language spoken in contemporary Mali). The Ekagi of Western New Guinea have also used base 60 and the sexagenary cycle also plays a role in Chinese calendar and numerology.
In the Bible, the number 60 occurs several times, for example as the age of Isaac when Jacob and Esau were born and the number of warriors escorting King Solomon. In the laws of kashrut of Judaism, 60 is also the proportion (60:1) of kosher to non-kosher ingredients which can render an admixture kosher post-facto.
In the Koran, the number 60 is mentioned once: '..he should feed sixty indigent ones..', yet 60 is mentioned many times in the Hadith, most notably Muhammad being reported to say, '..Allah, the Exalted and Glorious, created Adam in His own image with His length of sixty cubits.
In time, the number of seconds in a minute, and the number of minutes in an hour. (a legacy of the Babylonian number system). The number of miles per hour a car accelerates to from rest (0-60) as one of the standard measurements of performance. 60 is the code for international direct dial calls to Malaysia. Miss Sixty is a women's clothing brand.
Rimmel London's nail polish dries so fast, you can change your nail colour every day (allegedly)!
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: numberwang,number,wang,numbers,30,\u00a330,off,suits,shopping,golden,square,Warrington,Bargain,shop,shopper,hipstamatic,iphone,"\u00a330,suits",UK,Cheshire,England,ifone,tony,smith,tonysmiththatbloke,tonysmiththatitbloke,mis-ams,activeh,systems,housing,IT,groups,associations,"housing,association",RSL,ALMO
Description: Tony Smith image Flickr 8754592615 - 'Thirty is the sum of the first four squares, which makes it a square pyramidal number.
View this whole set here . If you do Twitter add me here .
Adding up some subsets of its divisors (e.g., 5, 10 and 15) gives 30, hence 30 is a semiperfect number.
30 is the largest number such that all coprimes smaller than itself, except for 1, are prime.[1]
A polygon with thirty sides is called a tricontagon.
The icosahedron and the dodecahedron are Platonic solids with 30 edges. The icosidodecahedron is an Archimedean solid with 30 vertices, and the Tutte\u2013Coxeter graph is a symmetric graph with 30 vertices.
30 is a Harshad number. The atomic number of zinc is 30
Messier object M30 is a magnitude 8.5 globular cluster in the constellation Capricornus.
30 is the total number of major and minor keys in Western tonal music, including enharmonic equivalents, minimum age for United States senators. In years of marriage, the pearl wedding anniversary. Its the duration in years of the Thirty Years' War - 1618 to 1648. Its the code for international direct dial phone calls to Greece
The house number of 30 St Mary Axe (The Gherkin)
30 is the designation of Interstate 30, a freeway that runs from Texas to Arkansas. My Beatles White Album has 30 tracks on it.
30 was the route number of the Transport For London bus blown up by terrorists in Tavistock Square during the 7 July 2005 London bombings. The bomb was detonated from the top deck of a number 30 double-decker bus, a Dennis Trident 2 (fleet number 17758, registration LX03 BUF, two years in service at the time) operated by Stagecoach London and travelling its route from Marble Arch to Hackney Wick.
Let their souls rest in peace, if you believe in God, no God sanctions the murder of innocent people, whatever you believe, that's probably something we can take as red. I was in Poole that day and saw it unfolding while getting ready to go to work. Horrific to watch and so misguided.
Meanwhile in religious circles Judas Iscariot betrayed Jesus for 30 pieces of silver. Matthew 26:15.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Spring,snow,drops,england,english,winter,season,seasonal,flowers,flower,white,sepia,fine,art,fineart,image,tony,smith,tonysmith,tonysmiththat,tonysmiththatit,housing,UK,GB,square,Grappenhall,warrington
Description: Tony Smith image Flickr 8559566106 - 'St Etienne - 'Spring' - Play this track here.
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\u00bfWhats this iPod Shuffle set all about? Read about it here
A great track from the London Conversations album. this time of year always reminds me of it with all the snowdrops in the hedgerows. Very uplifting that Easter and warmer, longer days just around the corner.
Saint Etienne are an English electronic music band from London, formed in 1990. The band consists of Sarah Cracknell, Bob Stanley and Pete Wiggs. They are named of course after the French football team AS Saint-\u00c9tienne
Saint Etienne were associated with the 'indie dance' genre in the early 1990s. Their typical approach was to combine sonic elements of the dance-pop that emerged in the wake of the so-called Second Summer of Love (e.g. samples and digitally synthesized sounds) with an emphasis on songwriting involving romantic and introspective themes more commonly associated with traditional British pop and rock music.
Early work demonstrated the influence of '60s soul, '70s dub and rock as well as '80s dance music, giving them a broad palette of sounds and a reputation for eclecticism. Years later, The Times wrote that they 'deftly fused the grooviness of Swinging Sixties London with a post-acid house backbeat'. Their first two albums, Foxbase Alpha and So Tough feature sounds chiefly associated with house music, such as standard TR-909 drum patterns and Italo house piano riffs mixed with original sounds, notable by the use of found dialogue, sampled from 1960s British realist cinema. Some of these earlier recordings included skits by (Brass Eye) satirist Chris Morris.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
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Keywords: 25,twentyfive,twenty,five,number,square,series,hipstamatic,iphone,ifone,mobile,tony,smith,leaf,leaves,autumn,fall,The fall,grass,colour,colourful,tonysmith,tonysmiththatitguy,tonysmiththathousingitguy,uk,england,Warrington,nw,northwest,north,west
Description: Tony Smith image Flickr 8193507110 - 'Its nearly the end of autumn, barely 25% of the year left.
View this whole set here. If you do Twitter add me here.
It is a square number, being 5\u00b2 = 5 \u00d7 5. It is the smallest square that is also a sum of two (non-zero) squares: 25 = 3\u00b2 + 4\u00b2. Hence it often appears in illustrations of the Pythagorean theorem.
Twenty Five is the atomic number of manganese. Silver marks a 25 year anniversary.
'25 boy' (read as 'two-five boy'), in Cantonese Chinese, is a slang term meaning 'traitor' as used in the Chinese movie Over the Edge.
A Pony is British slang for \u00a325.
A track from the 25 compilation can be played here.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
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Keywords: numbers,one,1,number,tony,smith,tonysmith,hotpix,thatithousingguy,tonysmiththat,tonysmiththathousingIT,square,hipstmastic,set,iphone,app,ifone,uk,england,GB,series,British,things,telephone,box,boxes,tel,phone,\\mathrm{I}.
Description: Tony Smith image Flickr 6964111352 - 'View this whole set here. If you do Twitter add me here.
One is a number, a numeral, and the name of the glyph representing that number. It represents a single entity, the unit of counting or measurement. For example, a line segment of 'unit length' is a line segment of length 1.
Any number multiplied by one is the number, as one is the identity for multiplication. As a result, one is its own factorial, its own square, its own cube, and so on. One is also the empty product, as any number multiplied by one is itself, which produces the same result as multiplying by no numbers at all. So pretty unique.
The glyph used today in the Western world to represent the number 1, a vertical line, often with a serif at the top and sometimes a short horizontal line at the bottom, traces its roots back to the Indians, who wrote 1 as a horizontal line, much like the Chinese character. The Gupta wrote it as a curved line, and the Nagari sometimes added a small circle on the left (rotated a quarter turn to the right, this 9-look-alike became the present day numeral 1 in the Gujarati and Punjabi scripts).
The Nepali also rotated it to the right but kept the circle small. This eventually became the top serif in the modern numeral, but the occasional short horizontal line at the bottom probably originates from similarity with the Roman numeral \\mathrm{I}.
In some European countries (e.g., Germany), the little serif at the top is sometimes extended into a long upstroke, sometimes as long as the vertical line, which can lead to confusion with the glyph for seven in other countries. Where the 1 is written with a long upstroke, the number 7 has a horizontal stroke through the vertical line.
One is the atomic number of the element hydrogen, the General Lee from The Dukes of Hazzard is numbered 01 and a one can be found on every traditional British red telephone box. Where I found this shot with my iphone Hipstamatic app.
One is used in binary code along with 0. As they say there are only 10 types of people in this world. Those who understand binary and those who do not.
Drift away with Lene Lovich, one of the Stiff Allstars - feature=fvst\' rel=\'nofollow\'>www.youtube.com/watch?v=B3JEmBFeD5A&
feature=fvst
These are my 2008-2015 images, view my most recent images at @HotpixUK-2019 - www.flickr.com/people/167831053@N02/ including my second 365 one a day project
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: tony,smith,tonysmith,thatitguy,number,12,twelve,no12,numbertwelve,number12,uk,tax,disk,DVLA,expires,1212,dec,december,december12,december2012,2012,square,hipstamatic,iphone,shot,image,app
Description: Tony Smith image Flickr 7308954394 - 'View this whole set here. If you do Twitter add me here.
The word 'twelve' is the largest number with a single-morpheme name in English. Etymology suggests that 'twelve' (similar to 'eleven') arises from the Germanic compound twalif 'two-leftover', so a literal translation would yield 'two remaining [after having ten taken]'. This compound meaning may have been transparent to speakers of Old English, but the modern form 'twelve' is quite opaque. Only the remaining tw- hints that twelve and two are related.
A group of twelve things is called a duodecad. The ordinal adjective is duodenary, twelfth. The adjective referring to a group consisting of twelve things is duodecuple.
The number twelve is often used as a sales unit in trade, and is often referred to as a dozen. Twelve dozen are known as a gross. (Note that there are thirteen items in a baker's dozen.). the expression 'baker's dozen' dates to the 13th century in one of the earliest English statutes, instituted during the reign of Henry III (1216\u20131272), called the Assize of Bread and Ale. Bakers who were found to have shortchanged customers (some variations say that they would sell hollow bread) could be subject to severe punishment. To guard against the punishment of losing a hand to an axe, a baker would give 13 for the price of 12, to be certain of not being known as a cheat. Specifically, the practice of baking 13 items for an intended dozen was insurance against 'short measure', on the basis that one of the 13 could be lost, eaten, burnt, or ruined in some way, leaving the baker with the original legal dozen. The practice can be seen in the guild codes of the Worshipful Company of Bakers in London.
Force 12 on the Beaufort wind force scale corresponds to the maximum wind speed of a hurricane. The duodenum (from Latin duodecim, 'twelve') is the first part of the small intestine, that is about twelve inches (30 cm) long. More precisely, this section of the intestine was measured not in inches but in fingerwidths. In fact, in German the name of the duodenum is Zw\u00f6lffingerdarm and in Dutch the name is twaalfvingerige darm, both meaning 'twelve-finger bowel'.
The importance of 12 in Judaism and Christianity can be found in the Bible. The biblical Jacob had 12 sons, who were the progenitors of the Twelve Tribes of Israel, while the New Testament describes twelve apostles of Jesus
when Judas Iscariot was disgraced, a meeting was held (Acts) to add Matthias to complete the number twelve once more. (Today, The Church of Jesus Christ of Latter-day Saints has a Quorum of the Twelve Apostles.). In Orthodox Judaism, 12 also signifies the age a girl matures (bat mitzvah)
In Twelver Shi'a Islam, there are twelve Imams, legitimate successors of the prophet Muhammad. These twelve early leaders of Islam are\u2014Ali, Hasan, Husayn, and nine of Husayn's descendants. The Chinese use a 12 year cycle for time-reckoning called Earthly Branches.
The band 'The Number 12 Looks Like You' tried to start 'Mathcore' and as you might have guesed - failed!
Checkout Twelve noon will never be the same again...
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: attraction,slide,slides,dusk,at,St,Andrew,Square,Xmas,festival,moving,merry,go,around,Edinburghs,sign,saying,please,buy,carousel,tickets,at,the,box,office,moving,movement,Tourist,tourism,fun,track,things,to,see,do,GotonySmith,Go Tony Smith,GoTonySmith,capital,holiday spending
Description: Tony Smith image Alamy ED4M0E - Traditional fairground attractions, Carousel, at Night at Edinburgh's Hogmanay, Scotland , UK gives a direct editorial record of a recognisable subject, with location, signage, architecture or everyday behaviour carrying much of the meaning. A carousel at Edinburgh's Hogmanay brings together winter light, fairground nostalgia, tourism and one of Scotland's most commercially important public celebrations. The subject suits features on seasonal events, family entertainment, city-centre crowd management, night photography, visitor spending and the blend of tradition and spectacle in New Year celebrations. Seasonal references, artificial light and winter atmosphere make it especially relevant to December and New Year picture needs. The location detail, Edinburgh, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. For buyers, the strength lies in the combination of a named subject, a lived-in setting and enough visual specificity to carry stories about how places are used, remembered, funded, visited or contested.
St Andrew Square, Edinburgh, Scotland, UK
Description
Keywords: lights,on,bicycles,bikes,cab,central,cities,culture,cycle,europe,festival,festivals,historic,illumination,interest,interesting,landmark,light,lighting,lightings,lights,lit,night,nights,square,squares,trip,taxis,tourism,tourists,town,towns,GoTonySmith,traffic,transportation,travel,velotaxi,velotaxis,wheel,wheels,driver,owner,two,seat,seater,2seater,Deutsche,Deutschland,Buy Pictures of,Buy Images Of,Two seater,Two seats
Description: Tony Smith image Alamy F0XDX1 - This documentary stock photograph shows Berlin city Cycle illuminated pedal Rickshaw / taxi, at night, Germany - lights on. The image records an illuminated cycle rickshaw or pedal taxi at night, making it useful for editorial features on Berlin nightlife, tourist transport, theatre districts, sustainable travel and illuminated city leisure. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and wider.
Pariser Platz, Berlin, Germany
