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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4339,Ukraine,Ukrainian Independence Day,Manchester,Peters,Square,flag,solidarity,diaspora,Russia,war,35th,anniversary,2026,march,rally,blue,yellow,supporters,carrying,long,Ukrainian
Description: Tony Smith image Alamy 3FC8BNM - . Supporters carrying a long ukrainian blue-and-yellow flag is seen in St Peter's Square, Manchester, during a Ukrainian Independence Day gathering and march on Saturday 22 August 2026. Ukraine marks independence on 24 August, commemorating the 1991 declaration that followed the collapse of the Soviet Union
2026 was the thirty-fifth anniversary. Since Russia's full-scale invasion in February 2022, Independence Day events in Britain have also become demonstrations of solidarity, remembrance and support for displaced Ukrainians living in the UK. Manchester has hosted repeated rallies, vigils and cultural gatherings, with the blue-and-yellow national flag used both as a symbol of statehood and of resistance to Russian aggression. Carrying a single long flag through a civic square creates a collective visual statement in which many participants physically support the same emblem. The photograph can illustrate diaspora communities, war and peace campaigning, refugees, European security, national identity and Manchester's role as a gathering place for international causes. The photograph also fixes the appearance of the place in the mid-2020s, preserving details that may later disappear through redevelopment, rebranding or changes in regulation. It is suitable for editorial use on social history, local identity, consumer behaviour and the way everyday streets respond to wider economic forces. Search relevance also extends to ukraine, documentary photography, local reporting, public policy and mid-2020s social change. The subject provides a concrete visual reference for editors needing a real location rather than a generic illustration of ukraine. Because the photograph is tied to a specific date, it can later be compared with subsequent changes in signage, ownership, regulation, public use or the surrounding streetscape. It adds a grounded visual reference for culture, policy, economy and place. Useful for dated UK editorial coverage.
St Peter's Square, Manchester, Greater Manchester, England, UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_3750,Mainz Altstadt,panorama,Rhineland-Palatinate,Germany,historic,half-timbered,square,cobbles,architecture,heritage,tourism,travel,German,colourful,traditional,urban,street,landmark,European,culture,historic centre,cityscape,wide,Kirschgarten,Altstadt of Mainz,Rheinland-Pfalz,old,town,half-timbered houses,Fachwerkhäuser,history,city break,Rhine city,Rhine tourism,streetscape
Description: Tony Smith image Alamy 3F8YR79 - Panoramic view across Kirschgarten, one of the most picturesque historic squares in the Altstadt or Old Town of Mainz, Rhineland-Palatinate, Germany. The cobbled pedestrian space is surrounded by an attractive ensemble of colourful traditional houses, including characteristic half-timbered Fachwerk buildings with exposed wooden beams, decorative façades and steeply pitched roofs. At the centre stands the red sandstone Kirschgartenbrunnen, also known as the Marienbrunnen or Virgin Mary's Fountain, an important visual landmark within this compact historic quarter. The fountain was donated to Mainz in 1932 and incorporates a tall sandstone column topped by a figure of the Madonna, while sculpted reliefs decorate the basin. Kirschgarten has been documented as a place name since the Middle Ages and forms part of the dense network of narrow streets, lanes and small squares that give Mainz Altstadt much of its distinctive character. The surrounding buildings demonstrate traditional Rhineland domestic architecture and contribute to one of the city's best-known postcard views. Mainz tourism highlights Kirschgarten for its romantic half-timbered houses, historic setting and fountain, making it a popular stop for visitors exploring the city on foot. The square lies only a short walk from Augustinerstraße and Mainz Cathedral and forms part of the historic centre's concentration of restaurants, cafés, shops and visitor attractions. This wide panoramic photograph emphasises the curved line of colourful façades enclosing the cobbled public space, together with the mixture of restored timber-frame and masonry buildings that survived or were reconstructed within the old quarter. The scene illustrates Mainz's appeal as a cultural and architectural destination on the Rhine, combining historic urban fabric with contemporary tourism and everyday city life in one of southwest Germany's most characterful old-town settings
Kirschgarten, 55116 Mainz-Altstadt, Mainz, Rhineland-Palatinate, Germany

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0273,Library of Birmingham,Library,of,Birmingham,exterior,Centenary Square,Centenary,Square,West Midlands,West,Midlands,England,UK,architecture,modern,contemporary,building,public,civic,culture,cultural,landmark,city,centre,urban,regeneration,tourism,visitor,books,learning,education,research,lattice,facade,gold,rotunda,design,architectural,realm,municipal,service,community,British,Britain,cityscape,iconic
Description: Tony Smith image Alamy 3F510YR - Library of Birmingham exterior in Centenary Square, Birmingham, West Midlands, England, UK. The large contemporary public library is one of the city's most recognisable modern civic buildings, with a distinctive layered form, patterned metal lattice facade and gold-coloured rooftop rotunda. Located in Birmingham's central civic and cultural quarter, the library forms a major part of the regenerated Centenary Square area and provides extensive public facilities for reading, study, research, archives, exhibitions and community activity. The building replaced the former Birmingham Central Library and became a prominent symbol of investment in culture, learning and city-centre regeneration. Its architecture and public spaces attract both local users and visitors, while the surrounding square connects it with other important cultural, conference and entertainment venues. This photograph is suitable for editorial coverage of public libraries, modern architecture, civic investment, education, cultural services, urban regeneration, tourism, public realm, local government facilities and Birmingham's changing cityscape. The clear summer conditions show the patterned facade and unusual rooftop forms particularly well.
Centenary Square, Birmingham, West Midlands, England, UK

Description
Keywords: GoTonySmith,HotpixUK,@Hotpixuk,Churches,historic,church,centre,landmark,exterior,history,heritage,building,square,tourist attraction,historic Scottish architecture,religious heritage Scotland,medieval church site,Gothic Revival architecture,Christian worship Scotland,Dundee cultural heritage,Scottish city break,urban,tourism,place of worship,sightseeing,Tayside,Gothic church facade,ecclesiastical heritage site,Dundee built heritage,Scottish city architecture,historic Dundee cityscape,church tower Dundee,Dundee heritage tourism,religious landmark Scotland,Dundee urban architecture,city churches complex,historic Nethergate Dundee,Scotland travel destination,Dundee cultural landmark,Scottish tourism
Description: Tony Smith image Alamy 3ERK5T1 - Dundee Parish Church, St Mary's, stands within the historic City Churches complex in the heart of Dundee city centre. This view shows the imposing stone exterior facing the pedestrianised public space, with people walking across the square beneath a bright blue summer sky. Mature trees soften the urban setting while the large pointed-arch window, buttresses, pinnacles and tower create a strong Gothic profile.
The church occupies the eastern section of Dundee City Churches, a nationally important group whose religious history reaches back to the medieval period. Tradition links the original church on the site with David, Earl of Huntingdon, brother of King William I of Scotland. The present building reflects later rebuilding and restoration following centuries of fire, conflict and change. St Mary's remains an active Church of Scotland place of worship and a prominent architectural landmark close to Dundee High Street, the Overgate shopping centre and other central attractions.
The photograph captures the relationship between historic religious architecture and the modern city. Shoppers, visitors and local residents cross the open paved area, making the church part of everyday Dundee life rather than an isolated monument. Its warm sandstone, tall traceried window and decorative spires contrast with the clear sky and green foliage.
This image is suitable for editorial use illustrating Dundee tourism, Scottish church architecture, Christian heritage, city-centre regeneration, urban public space, historic buildings, places of worship and cultural sightseeing in Tayside. It also represents the continuing role of traditional churches within busy contemporary city centres and the value of preserving prominent historic landmarks for future generations.
Dundee Parish Church, St Mary's, Nethergate, Dundee, Scotland, DD1 3BR

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,North West,England,shops,square,public,sunny,day,building,Edwardian,architecture,listed,Hays Travel,pedestrians,street furniture,benches,pigeons,urban scene,regeneration,retail,traditional,historic,shopping,decline,economy,urban heritage,conservation area,local landmark,everyday Britain,northern high street,architectural heritage,black and white frontage,sandstone dressings,red brick,visitor economy,retail parade,footfall
Description: Tony Smith image Alamy 3EKDAWX - Sunny documentary street photograph shows Market Place in Wigan town centre, Greater Manchester, with pedestrians, benches, pigeons, litter bins, shopfronts and a long black-and-white timber-framed frontage forming the main architectural focus. Visible retailers include Hays Travel and Poundbakery, placing the scene firmly in the everyday economy of a northern English high street rather than a polished heritage postcard. The buildings shown are part of Wigan's historic town-centre fabric: Historic England lists 26-32 Market Place including 1-5 Market Street as Grade II, describing a block of shops with offices above, dated 1904, by Heaton, Ralph and Heaton, combining Edwardian Baroque with sixteenth-century vernacular timber-framing. The adjacent 34 Market Place is also Grade II listed and dates from 1905 as a continuation of the same commercial frontage. The image is useful for editorial features on Wigan, Greater Manchester town centres, retail change, market-town identity, conservation areas, public realm, regeneration, everyday shopping streets, high-street decline and survival, northern architecture, visitor economy and local community life. Wigan's market history reaches back many centuries, with Wigan Local History and Heritage Society noting market rights from 1247 and describing the market as the commercial and social heartbeat of the town for generations. The bright blue sky, scattered cloud, strong daylight and busy square give the scene a lively summer or late spring feel, while the construction crane hints at ongoing redevelopment and change nearby. This combination of listed architecture, active public space, chain retail, local footfall and town-centre renewal makes the photograph suitable for news, planning, travel, heritage, local government, retail, regeneration and social history uses across Wigan, Lancashire and the wider North West of England.
26-32 Market Place and 34 Market Place, Wigan WN1 1NR

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,The Old Wellington,Sinclairs Oyster Bar,Shambles Square,England,UK,summer,sky,historic,pubs,heritage,architecture,Tudor-style,timber,framed,tourism,regeneration,hospitality,crowds,city-centre,old,new,British,drinking,culture,pedestrian,square,conservation
Description: Tony Smith image Alamy 3EM1WKK - The Old Wellington and Sinclair's Oyster Bar in Shambles Square, Manchester, England, UK, beneath a blue summer sky. The much-photographed timber-framed Old Wellington stands beside the historic Sinclair's complex, with modern city-centre towers rising behind and crowds filling the pedestrian square. The juxtaposition of black-and-white Tudor-style architecture and contemporary high-rise development makes this one of central Manchester's most distinctive urban views. The buildings were moved and reconstructed as part of the redevelopment around the cathedral and Exchange Square after the 1996 Manchester bombing. The photograph is suitable for editorial coverage of Manchester heritage, historic pubs, British drinking culture, Shambles Square, city-centre tourism, architecture, regeneration, hospitality, outdoor drinking, heritage conservation and the contrast between old and new Manchester. Strong sunshine, blue sky and a busy public realm give the image a lively summer atmosphere and clear travel appeal.
Shambles Square, Manchester, Greater Manchester, England, UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Sale Town Hall,town hall,civic building,local government,Trafford,Greater Manchester,historic building,Edwardian architecture,public building,documentary photography,editorial image,Sale,Trafford Council,civic pride,historic town hall,sandstone building,architectural detail,public administration,North West England,heritage building,urban streetscape,statue,memorial statue,public square,everyday Britain,British architecture,history,historic,heritage,street photography,contemporary Britain,square,memorial
Description: Tony Smith image Alamy 3CPAX70 - Sale Town Hall photographed in the town centre of Sale, Trafford, Greater Manchester, England. The image shows the historic municipal building with its symmetrical stone facade, central entrance, and clock tower, set behind a small public square lined with mature trees. Originally constructed in the early 20th century, Sale Town Hall served for many years as the administrative centre for the former Sale Borough Council and later Trafford Metropolitan Borough Council following local government reorganisation.
The building reflects Edwardian civic architecture, designed to convey permanence, authority, and civic pride during a period of rapid urban growth in the Manchester suburbs. A statue positioned in the foreground forms part of the wider civic setting, reinforcing the building's role as a focal point for public life, remembrance, and local identity.
Today, Sale Town Hall remains an important landmark within the town, situated close to the Bridgewater Canal and the redeveloped Waterside cultural area. The image captures broader themes of local government heritage, the evolution of municipal buildings, and the continuing presence of historic civic architecture within modern town centres across Britain.
Sale Town Hall, Waterside, Sale, Trafford, Greater Manchester, M33 7ZF, England, United Kingdom

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Square,West Midlands,at,UK,British,BR,public,integrated,travel,West Coast Main Line,architecture,entrance,frontage,hub,city,evening,modern,wet,pavement,rainy,weather,urban regeneration,commuters,passengers,commuting,redevelopment,Midlands,concourse,public realm,COV,urban design,gateway,infrastructure,sustainable,Friargate,business district
Description: Tony Smith image Alamy 3ECEEBF - Coventry railway station is seen at dusk after rain, with warm station lighting, wet paving and passengers moving through the modern entrance area at Station Square. The image shows the striking red and black redevelopment beside the older rail complex, giving a strong editorial view of everyday public transport, urban regeneration and evening travel in the West Midlands. Coventry station is a major city railway gateway on the West Coast Main Line, used by commuters, students, leisure travellers and visitors moving between London, Birmingham, the wider Midlands and other UK destinations. The reflective paving, grey winter sky, umbrellas, coats and glowing interior lights create a useful atmospheric stock image for rail travel, station access, public realm design, city centre connectivity, sustainable transport, commuting, transport infrastructure and railway investment. Visible passengers, bollards, planters, signage, glass frontage and the station forecourt help place the scene in a real, working urban environment rather than a generic architectural view. The photograph can illustrate stories about Coventry's transport links, railway modernisation, station redevelopment, passenger experience, public transport interchange, city centre regeneration, evening commuting, wet weather travel and investment around station districts. The red framed building and illuminated windows also make the image suitable for articles on contemporary station architecture, post-industrial city renewal, Midlands economic development, rail accessibility and the role of well-connected stations in supporting tourism, employment and university travel. The dusk timing gives extra commercial value for features needing a moody but recognisable British railway image, with enough people present to show scale, movement and daily use without making the scene feel overcrowded.
Coventry railway station at wet dusk, with passengers outside the modern red station frontage and St

Description
Keywords: GoTonySmith,@HotpicUK,HotpixUK,@HotpixUK,IMG_2413,PC,David,Phillips,Hamilton,Square,Memorial,grave,cemetery,heritage,Birkenhead,Wirral,Merseyside
Description: Tony Smith image Alamy 3E6T4DF - . PC David Phillips Hamilton Square Memorial. Photographed on 2 November 2024. The recorded location is Birkenhead, Wirral, Merseyside, England, UK. The photograph records the subject as encountered, including visible signage, architecture, branding, street furniture, landscape, transport, artwork or activity where present. It provides useful contemporary documentary context for editorial coverage of heritage, architecture, culture and local history. The image can support news, feature, travel, heritage and retrospective use, particularly where the place, organisation, object or streetscape changes over time. It also preserves details of the surrounding environment and appearance at the time of photography for future comparison and historical reference. Within the history of ecclesiastical architecture, churches combine worship with architecture, local memory and centuries of community past
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family past. In relation to urban design, historical context shows that civic spaces often accumulate layers of architecture from different periods while retaining a stable role as meeting places and pedestrian routes. For the story of local history, it is useful to note that cemeteries and memorial landscapes are important sources for genealogy and social history
Headstones, monuments and inscriptions record family networks, occupations, religious traditions and evolving approaches to death and remembrance. Against the 2026 backdrop for ecclesiastical architecture, historic places of worship remain important not only for faith but also for tourism, music, community use and local identity
Images of interiors, memorials and churchyards can support stories about conservation, heritage skills and the continuing reuse of sacred buildings.
Birkenhead, Wirral, Merseyside, England, UK

Description
Keywords: GoTonySmith,@HotpicUK,HotpixUK,@HotpixUK,IMG_2418,Hamilton,Square,Station,tower,Birkenhead,railway,rail,train,transport,Wirral,Merseyside
Description: Tony Smith image Alamy 3E6T4DG - . Hamilton Square Station tower Birkenhead. Photographed on 2 November 2024. The recorded location is Birkenhead, Wirral, Merseyside, England, UK. The photograph records the subject as encountered, including visible signage, architecture, branding, street furniture, landscape, transport, artwork or activity where present. It provides useful contemporary documentary context for editorial coverage of railways, public transport and transport infrastructure. The image can support news, feature, travel, heritage and retrospective use, particularly where the place, organisation, object or streetscape changes over time. It also preserves details of the surrounding environment and appearance at the time of photography for future comparison and historical reference. The background to place-making is that banners, monuments and temporary installations can transform a formal square into a record of particular events or institutional identity. Within the history of railway station, railways transformed British towns from the nineteenth century onwards, concentrating passenger movement around stations while creating new suburbs, goods yards and industrial connections
Station buildings, platforms, signals and rolling stock can date a transport scene as clearly as surrounding architecture. In relation to urban design, historical context shows that buildings are often the most durable evidence of former institutions and businesses
Brickwork, stonework, windows, entrances and signs can survive changes of ownership or use, allowing photography to document architectural style as well as the evolution of a street or district. Current 2026 context around place-making is that city-centre public spaces are increasingly expected to support walking, events, outdoor dining and climate resilience rather than functioning mainly as traffic space. Closely related concepts are place-making, rail transport, passenger railway, and railway station.
Birkenhead, Wirral, Merseyside, England, UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,SK17,SK17 6XN,the,arts,art,drama,production,productions,outside,exterior,front,entrance,door,doors,old,Victorian,stone,tourist,tourism,attractions,access,accessibility,dress,stalls,way in,venues,Full Monty,Upper Circle,Private Boxes,Square,by,building,buildings,architecture,Art Nouveau,canopy
Description: Tony Smith image Alamy 2RJ3YRD - Buxton Opera House is in The Square, Buxton, Derbyshire, England. It is a 902-seat opera house that hosts the annual Buxton Festival and the International Gilbert and Sullivan Festival, among others, as well as pantomime at Christmas, musicals and other entertainments year-round. Hosting live performances until 1927, the theatre then was used mostly as a cinema until 1976. In 1979, it was refurbished and reopened as a venue for live performance.
The Buxton Opera House was built in 1903 and designed by Frank Matcham, who designed the London Palladium, the London Coliseum and many other theatres throughout the UK. The first production at the theatre was Mrs Willoughby's Kiss. The Opera House ran as a successful theatre, receiving touring companies until 1927, when it was turned into a cinema. Silent films were shown until 1932 when the theatre was wired for sound and could present talkies. The Opera House also became the venue for an annual summer theatre festival from 1936 to 1942, two of them in conjunction with Lilian Baylis and her London-based Old Vic company. People who performed at the opera house include the actor Alec Guinness, the comedians Ken Dodd, Peter Kay, Harry Hill, Sarah Millican and John Bishop, the musical artists Howard Jones, Aled Jones, Leo Sayer and Razorlight, and the ballerina Anna Pavlova.
After the Second World War, the theatre continued to serve primarily as a cinema. The building was designated a Grade II* listed building in 1970. The Opera House gradually fell into disrepair.
In 1979, the building was restored, and an orchestra pit was added to the original Matcham design. Since then, the Opera House has been a full-time venue for stage productions, presenting approximately 450 performances per year
The Square, Water St, Buxton, High Peak, Derbyshire, England, UK, SK17 6XN

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,L24,Cheshire,L24 4AG,at,junction,with,the,war memorial,flag,union,union jack,gun,pub,well,kept,well-kept,list,name,names,of,fallen,High Street,high St,fenced,cross,embellished cross,wreath,WWI,WWII,bevelled base,on top,square,plinth
Description: Tony Smith image Alamy 2RG8YTG - Hale is a village and civil parish in the Borough of Halton, Cheshire, England with a population of 1,800. The village is north of the River Mersey, and just to the east of the boundary with Merseyside. It is 2+1⁄2 miles east of Speke in Liverpool, and 4 miles south-west of Widnes. The nearby village of Halebank is to the north-east.
Historically part of Lancashire, until 1 April 1974 the area formed part of the Whiston Rural District.
The population of the parish is stable with a population of 1,898 (2001 census), 1,841 (2011 census) and 1,800 (2021 census).
John Middleton (15781623), the Childe of Hale, was reputed to be nine feet, three inches tall, or 2.8 m. His cottage and grave are located in the village. Just outside St Mary's Church was a wooden carving of the Childe Of Hale that is said to have been life-sized. It was replaced in 2013 by a 3-metre bronze statue by sculptor Diane Gorvin
Middleton was born in the village of Hale, near Liverpool. According to contemporary accounts and his epitaph, he grew to the height of 9 feet 3 inches (2.82 m) and slept with his feet hanging out the window of his house.
Because of his size the landlord and sheriff of Lancashire, Gilbert Ireland, hired him as a bodyguard. When King James I stopped by in 1617 to knight Ireland he heard about Middleton and invited both of them to the court, which they accepted in 1620. Middleton beat the King's champion in wrestling and in doing so broke the man's thumb. He received £20, a large amount of money in those times. Jealous of his wealth, Middleton's companions mugged him or swindled him out of his money while he was returning to Hale. Middleton died impoverished in 1623. He was buried in the cemetery of St Mary's Church in Hale. The epitaph reads, Here lyeth the bodie of John Middleton the Childe of Hale. Nine feet three. Borne 1578 Dyede 1623. He is likely one of the tallest people in history. If these height markings are accurate, he would surpass Robert Wadlow's stature
Town Ln , Church End, Hale ,Halton , Cheshire, Merseyside, England, UK, L24 4AG

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,grids,grid,grid cover,metal street grid,diamond pattern,historic street infrastructure,city,cities,detail,Woodrow,foundry,Victorian metalwork,industrial heritage,street drainage cover,pavement grid,textured metal surface,embossed lettering,weathered iron,rust patina,geometric pattern,square studs,public works infrastructure,municipal utilities,UK streetscape,close up detail,typographic metal,documentary photography,editorial image,cast,square,squares
Description: Tony Smith image Alamy 2RA23AD - This image shows a close-up view of a cast iron street grid cover manufactured by A C Woodrow & Co of London. The grid features a distinctive diamond-shaped layout with raised square studs and embossed lettering reading A C Woodrow & Co and London , identifying the foundry responsible for its production.
Street grids and covers of this type form part of London's historic municipal infrastructure, typically used for drainage, ventilation, or access to underground services beneath pavements and roadways. The robust cast iron construction reflects the emphasis on durability and longevity characteristic of late nineteenth and early twentieth century urban engineering.
The surface displays heavy weathering, rust, and patina from prolonged exposure to foot traffic, vehicles, and the elements. These marks of wear give the grid both functional character and visual interest, highlighting the material history embedded in everyday street furniture.
Photographed tightly to emphasise texture, typography, and geometric design, the image works well as editorial material illustrating British industrial heritage, historic foundry work, and the overlooked details of urban infrastructure that underpin city life in London.
London, England, UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,on,the,council,councils,born,lived,in,people,personalities,pie-eaters,men,stars,music,art,business,success,Wigan Council,Wigan,Council,pavement,street,square,blue,Ian McKellen,Ian,McKellen
Description: Tony Smith image Alamy 2MKF8C9 - . Recorded at The Wiend, Wigan town centre, Greater Manchester, Lancashire, England, UK, WN1 1BH in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Ian McKellen star on the Wigan Council walk of fame, Believe Square / Life Centre, The Wiend, Wigan town centre. The wider scene also brings together community identity, place identity, local history, documentary photography, commercial streetscape, shopfront economy, local character, everyday life, changing land use, regional identity, contemporary social history, town-centre economy, retail property, and before-and-after reference. The wider contemporary story combines consumer spending, store closures and how commercial property shifts between retail, leisure and residential use. As a dated visual record of The Wiend, Wigan town centre, Greater Manchester, Lancashire, England, UK, WN1 1BH, the frame retains commercial use and occupation, making it especially useful if new construction subsequently changes the scene. Other useful contextual ideas include historical comparison, public realm, period detail, high-street commerce, small-business culture, street-level trading, bricks-and-mortar business, and brand display. Details involving Centre, Square, Wiend, McKellen, and Wigan make the image more specific than a generic view and strengthen its local or historical value. The period setting at The Wiend, Wigan town centre, Greater Manchester, Lancashire, England, UK, WN1 1BH helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for consumer spending and how commercial property shifts between retail, leisure and residential use as part of the longer story of The Wiend, Wigan town centre, Greater Manchester, Lancashire, England, UK, WN1 1BH.
The Wiend, Wigan town centre, Greater Manchester, Lancashire, England, UK, WN1 1BH

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L2 3YL,L2,city,centre,late,Georgian,town hall,civic,Grade I listed,building,Grade II listed,clock,monument,Admiral Nelson,Horatio Nelson,public,square,sculpture,neoclassical,port,civic history,maritime,naval,history,buildings,historic,conservation,municipal,power,British Empire,merchant,commercial Liverpool,UNESCO heritage debate,tourism
Description: Tony Smith image Alamy 2P6JH9E - Liverpool Town Hall is seen from stock-photo/gotonysmith-Exchange.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Exchange Flags in Liverpool city centre, with the Nelson Monument standing in the foreground of the square. The photograph shows the grand late Georgian civic building in warm light, with its classical stone frontage, arched windows, columns, sculptural roofline and clock-topped dome set behind the bronze memorial to Admiral Horatio Nelson. Exchange Flags is one of Liverpool's most important historic public spaces, closely linked with the city's commercial, maritime, civic and municipal history. The Nelson Monument was unveiled in 1813 and is a Grade II* listed memorial
it was designed by Matthew Cotes Wyatt, with sculpture by Richard Westmacott, and is recognised as Liverpool's first major public sculpture. Liverpool Town Hall, also listed at the highest Grade I level, dates mainly from the mid to late eighteenth century and remains one of the city's finest civic buildings, associated with mayors, council ceremonies, public events, merchants, trade, port history and the development of Liverpool as a major world city. The image is useful for editorial coverage of Liverpool architecture, Georgian civic design, heritage tourism, British municipal history, listed buildings, city centre regeneration, maritime power, naval memory, public sculpture and debates about monuments, empire, slavery, trade and civic identity. The Nelson Monument includes dramatic bronze figures and relief panels, reflecting nineteenth-century commemoration of naval victory, while also carrying uncomfortable historical associations with imperial power and Liverpool's wider trading past. The clear blue sky, decorative street lighting, empty square and formal architecture make this a clean travel, heritage and urban stock image, suitable for stories about Liverpool city breaks, Merseyside tourism, Exchange Flags, historic conservation, civic pride, architecture trails, walking tours and the layered history of one of England's great port cities.
Exchange Flags, Liverpool, Merseyside, England, UK, L2 3YL

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,Warrington,Cheshire,England,UK,WA4 2AF,night,evening,night time,nighttime,decorations,festive,nightlife,night life,Slug and Lettuce,StocktonHeath,Grappenhall road,reflection,reflections,villages,South Warrington,wet,rain,rainy,tree,trees,December,light,lights,square,Victoria,restaurant,restaurants,pubs,bars,foodie
Description: Tony Smith image Alamy 2M69CJ0 - . Recorded at Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. At the centre of the view is Slug & Lettuce, Christmas at Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF, dusk with tree and decorations. The surrounding context encompasses before-and-after reference, social history, visitor hospitality, food-and-drink business, community identity, contemporary social history, everyday life, archival record, beer-led hospitality, public realm, historical comparison, place identity, regional identity, and visual archive. Current relevance extends to changing drinking habits and tourism, particularly through the role of historic venues in tourism and neighbourhood identity. Small period details of landscape treatment and surrounding development at Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF may become more significant with time, particularly following changed technology. A second descriptive layer includes changing land use, traditional pub, local social venue, licensed hospitality, local history, licensed trade, public-house heritage, and traditional ale house. Details involving decorations, Victoria, Lettuce, Stockton, and Christmas make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to changing drinking habits and the role of historic venues in tourism and neighbourhood identity within the real-world context of Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF.
Victoria Square, Stockton Heath, Warrington, Cheshire, England, UK, WA4 2AF

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,town centre,UK,Time Square,time,square,sq,multistorey,multi,storey,Time Square car park,WA1,car park,Mersey,crossing,bridge,traffic,grill,hexagon,Ka Yin Man,Leach Rhodes Walker,Maple,skyline,townscape,blue sky,blue skies,grid,view,views,look,looking,over,across
Description: Tony Smith image Alamy 2JTNA40 - More at https://www.maplesunscreening.co.uk/hubfs/Brochures/Case%20Studies/Maple%20Case%20Study-Time%20Square.pdf
The new car park, which was due to open
in December 2017, is a great example of
how architects and contractors can work in
partnership with Maple to transform typically
dull and utilitarian buildings into an integral and
aesthetically appealing part of the urban realm.
With its hexagon-featured golden façade, the
car park complements the other elements of
the £107m Time Square development.
The new car park is an integral and important
part of the Time Square project as it will
underpin and support the whole scheme, said
the leader of Warrington Borough Council, Terry
O'Neill.
Architect's ratings
Leach Rhodes Walker described us as excellent'
after the successful collaboration. Maple's
knowledge and craftsmanship was excellent
throughout, said LRW's lead project designer,
Ka Yin Man. From when we spoke to sales
about the commercials, to (dealing with) the
design and projects teams, the whole experience
was collaborative. In a post-project interview,
the architects' firm gave us top marks for design
services, project support, meeting deadlines
and the quality of the finished product. Added
Ka Yin: Maple were always helpful, and any
questions were dealt with promptly. Everyone
was very knowledgeable and accommodating.
The end result was even better than expected
The project was one of the first to use the new
dedicated prototype area at Maple's factory in
Stockport. The architects and contractors I & H
Brown Construction were able to view real-life
examples of the bespoke perforated panels and
golden hexagon cut-outs - at actual size. The
prototypes were powder-coated in the specified
colour, and fitted to the display framework using
actual fittings - meaning that any changes to the
design or specification could be made without
it having a major impact on timings or budget
Time Square car park, Bank Street,Warrington,Cheshire,England,UK, WA1

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,note,apology,apologise,everyone,say,forgive,me,sorry,I am,confession,sorrow,communicate,apologising,label,green,yellow,colour,coloured,square,to,all,workmates,colleagues,friends,room,mates,roommates,accountability after a mistake,taking responsibility,workplace apology,corporate apology concept,crisis communication,reputation management,damage control message,conflict resolution
Description: Tony Smith image Alamy 2JJGB4T - A bright green sticky note lies on a mottled granite or stone surface, carrying the handwritten message Sorry Everyone! in thick black marker pen. The short phrase is simple, direct and emotionally clear, turning an ordinary piece of stationery into a visual symbol of apology, regret and the acceptance of responsibility. Because the wording is addressed to a group rather than an individual, the image works especially well as a concept for collective apology, public embarrassment, workplace mistakes or a need to make amends after an error has affected several people.
The informal style of the note gives the scene a spontaneous and human quality. It does not look like a polished corporate statement or carefully prepared printed message. Instead, it suggests a quick handwritten response left after something has gone wrong, perhaps in an office, home, classroom or shared environment. That makes the image useful for themes such as accountability, communication breakdown, customer service failure, professional remorse, awkward situations, damaged trust, conflict resolution and the first steps towards rebuilding relationships.
The vivid green paper stands out strongly against the neutral speckled background, helping the note dominate the composition. The exclamation mark adds emphasis and can imply urgency, sincerity, panic, humour or a mixture of all four, depending on the editorial context. The close-up view keeps the focus entirely on the message and allows the photograph to work as a flexible conceptual stock image for articles about leadership errors, social media backlash, reputational damage, personal relationships, team dynamics and saying sorry.
No people are visible and no exterior setting, season or sky can be seen. This gives the image broad versatility, allowing it to illustrate both personal and professional situations where a group apology, expression of remorse or admission of fault is required.
England, Great Britain , UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,note,apology,apologise,everyone,say,forgive,me,sorry,confession,I am,sorrow,communicate,apologising,postit,post,it,sticky,label,notes,pink,colour,square,to,all,workmates,colleagues,friends,room,mates,roommates,personal,remorse,admission of fault,expressing regret,office communication
Description: Tony Smith image Alamy 2JJGB51 - Bright pink sticky note carries the handwritten words Sorry Everyone! in thick black marker, creating a direct visual statement of apology, regret and collective accountability. The informal handwriting, emphatic exclamation mark and vivid colour give the message an immediate, personal quality, as though it has been left quickly after a mistake, misunderstanding or embarrassing incident. Placed on a mottled stone or granite surface, the simple square note becomes the clear focal point of the image.
The wording is deliberately broad and can represent an individual apologising to colleagues, friends, customers, family members, an online audience or the wider public. It may illustrate taking responsibility after an error, acknowledging that other people have been affected, attempting to repair damaged trust or beginning a difficult conversation. The image also works as a metaphor for public relations problems, workplace conflict, customer service failures, social media controversy, leadership mistakes and the need for organisations or individuals to make amends.
Unlike a carefully prepared corporate statement, the handwritten note feels spontaneous and human. Its brevity leaves the cause of the apology unstated, making the photograph adaptable to editorial stories and conceptual features about accountability, remorse, forgiveness, reputation management, emotional intelligence and conflict resolution. The message may be sincere, awkward, humorous or ironic depending on the surrounding context.
The close-up composition, everyday stationery and authentic marker writing provide strong visual simplicity with space around the note for editorial use. The bright pink paper contrasts sharply with the neutral patterned background, helping the apology stand out. No people, exterior setting, season or sky are visible, keeping attention entirely on the message and its emotional meaning.
England, Great Britain , UK

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,Soho,London,1,W1D 4NQ,W1D,the,at,house,saint,Barnabus,collections,pipe,for,Londons,homeless,work,with,money,slot,railing,railings,sign,signs,corner,of,Square,charity,St,independent,Barnabas-in-Soho,temporary accommodation for homeless people
Description: Tony Smith image Alamy 2JJGAPH - . Recorded at 1, Greek Street, Soho, London, UK, W1D 4NQ in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is The penny chute, collection pipe, Alms for the House of Charity - The House of St Barnabas at 1, Greek Street, Soho, London, UK, W1D 4NQ. The image also relates to Pride culture, Soho nightlife, LGBTQ nightlife, historical comparison, documentary photography, nightlife heritage, LGBTQ community venue, before-and-after reference, LGBTQ social history, social history, gay hospitality, place identity, townscape record, and gay bar culture. Today's relevance is strengthened by inclusive spaces, community safety and the continuing question of how Soho remains a symbolic centre of LGBTQ nightlife. From a 2025-onward perspective, street safety and commercial change are closely linked to this subject, alongside the documentary importance of recording everyday urban environments. Small period details of local activity and public use at 1, Greek Street, Soho, London, UK, W1D 4NQ may become more significant with time, particularly following closure or conversion. The photograph additionally reflects queer social space, archival record, community safe space, urban change, local history, local character, city-centre activity, and inclusive night-time venue. The recorded references to House, collection, Barnabas, chute, and Charity preserve clues about how the subject was presented, used or understood at the time. A later view of 1, Greek Street, Soho, London, UK, W1D 4NQ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of inclusive spaces and how Soho remains a symbolic centre of LGBTQ nightlife within the real-world context of 1, Greek Street, Soho, London, UK, W1D 4NQ.
1, Greek Street, Soho, London, UK, W1D 4NQ

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,Coal drops,yard,KingsX,N1C,coal,shops,stores,N1C 4DH,Handyside St,Handyside Street,new development,cranes,building,construction,developed,redeveloped,area,district,Real Estate,properties,homes,new,square,renovated,built,rebuilt,gentrified,gentrification,architecture,buildings,design,old,and
Description: Tony Smith image Alamy 2M108C4 - . Made at Coaldrops yard, Handyside St, Kings Cross, , London, England, UK, N1C 4DH in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Handyside St, Coaldrops yard, Kings Cross development, retail, entertainment, shops, stores , London, England, UK, N1C 4DH. The broader subject matter reaches into specialist retailer, everyday life, period detail, documentary photography, high-street commerce, visual archive, commercial frontage, contemporary social history, changing land use, historical comparison, local history, shopfront economy, local enterprise, and community identity. The wider contemporary story combines online shopping, business rates and the resilience of specialist shops in an online retail economy. Small period details of equipment and working practice at Coaldrops yard, Handyside St, Kings Cross, , London, England, UK, N1C 4DH may become more significant with time, particularly following conservation work. The subject also sits alongside bricks-and-mortar retail, town-centre trading, regional identity, street-level business, independent retail, retail property, changing streetscape, and place identity. Elements such as shops, stores, Handyside, development, and Coaldrops add documentary specificity and may become increasingly useful when compared with later records. The period setting at Coaldrops yard, Handyside St, Kings Cross, , London, England, UK, N1C 4DH helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for online shopping and the contribution of independents to distinctive high streets as part of the longer story of Coaldrops yard, Handyside St, Kings Cross, , London, England, UK, N1C 4DH. That local specificity strengthens the long-term documentary value of image 2M108C4.
Coaldrops yard, Handyside St, Kings Cross, , London, England, UK, N1C 4DH

Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Warrington,Cheshire,England,UK,retail,New Warrington Market,Warrington Market,building,square,place,Cineworld,bankruptcy,share,shares,dive,drop,loss,cash,rescue,operator,cinema,group,Chapter 11,chapter11,chain,equity,recovery,plan,new,development,developments,renewed,town,centre,entertainment,space,outdoor
Description: Tony Smith image Alamy 2CB00C9 - . This scene at the recorded location documents an everyday subject with wider connections to local identity, social history and changing patterns of use. The principal subject is Cineworld,Time Square,Warrington,Cheshire,England,UK, new Vinci Construction development,retail and market place. A wider reading of the photograph includes developer-led housing, retail property, greenfield development, business premises, shopping district, high-street commerce, social landscape, place identity, estate road construction, local trading, urban change, commercial streetscape, local character, and retail vacancy. From a 2025-onward perspective, the scene also connects with greenfield development, energy-efficient new homes and how quickly a temporary construction site becomes an established neighbourhood. Today's wider story includes commercial rents, consumer spending and the practical question of how high streets adapt when traditional retail contracts. As a dated visual record of the recorded location, the frame retains building condition and alterations, making it useful if different community use subsequently changes the scene. The setting also brings in before-and-after reference, housebuilding programme, public realm, historical comparison, consumer retail, new housing estate, suburban expansion, and regional identity. Elements such as Construction, place, Square, retail, and market add documentary specificity and may become useful when the scene is compared with later records. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes greenfield development and how quickly a temporary construction site becomes an established neighbourhood within the real-world context of the recorded location. The frame therefore remains a dated reference for the recorded location and the changing story of the subject shown.

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,English,South East,Stratford,SE,UK,E15,E15 1BN,Gerry Raffles,Square,East,at night,Newham,Joan Littlewood,Theatre Workshop company,arts,plays,acting,actors,productions,TRSE,Grade II listed,Joan Littlewood statue,Nadia Fall,venues,venue,theatres,the,Theatre Royal,Sq,East London,statue,bronze,outside
Description: Tony Smith image Alamy 2ABY9DF - The Theatre Royal Stratford East is a large theatre in Stratford in the London Borough of Newham. Since 1953, it has been the home of the Theatre Workshop company, famously associated with Joan Littlewood.
The theatre was designed by architect James George Buckle, who was commissioned by the actor-manager Charles Dillon in 1884. It is the architect's only surviving work, built on the site of a wheelwright's shop on Salway Road, close to the junction with Angel Lane. It opened on 17 December 1884 with a revival of Richelieu by Edward Bulwer-Lytton. Two years later, Dillon sold it to Albert O'Leary Fredericks, his sister's brother-in-law and one of the original backers of the scheme.
In 1887 the theatre was renamed Theatre Royal and Palace of Varieties and side extensions were added in 1887. The stage was enlarged in 1891, by the original architect. In 1902, Frank Matcham undertook minor improvements to the entrance and foyer. The Theatre reverted to its Theatre Royal Stratford East ('TRSE') name in 1914. A fire on the stage on August Bank Holiday Monday of 1921 did considerable damage to the rear of the theatre. Thankfully the fire happened at midnight, with the safety curtain lowered, saving the auditorium which retains many of its original features to this day. The theatre was closed until January 1922
The theatre came under threat with the construction of the Stratford shopping centre in the 1970s, but was saved by a public campaign and protected in June 1972 by English Heritage with a Grade II* listing. Money remained short, and the manager, Gerry Raffles, only managed redecoration and replacements as cash became available. In 2001, following a successful Heritage Lottery Fund bid, all of the theatre's front of house and backstage areas were refurbished as part of the Olympiad's Stratford Cultural Quarter project
Gerry Raffles Square, Stratford East, London, England, UK, E15 1BN

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,North West England,Warrington,Cheshire,waterway,WA4,in a,Grappenhall Hays,Walled Garden,dangerous,Grappenhall,Hays,red,Witherwin Avenue,Grappenhall Heys,WA4 3DS,In deep water,Britain,British,English,lake,lakes,warning sign,careful,caution,drown,drowning,threat,unsafe,H2O,square,weed
Description: Tony Smith image Alamy RK9X6M - . A place-specific photograph captures the physical context of Witherwin Avenue Grappenhall Heys Warrington, Cheshire, North West England, UK, WA4 3DS, in a scene preserved from 2019. The documentary focus is Danger Deep Water sign, in a dangerous pond, Grappenhall Hays. The photograph carries associations with hydraulic control, inland boating, waterborne transport, riverine landscape, lock operation, navigation engineering, industrial waterway heritage, managed watercourse, navigation channel, civil engineering structure, waterway maintenance, and heritage navigation. The wider contemporary story of managed watercourses now includes flood resilience alongside safe public access, while policy and investment increasingly consider maintaining safe navigation. Documentary value is strengthened by the precise setting at Witherwin Avenue Grappenhall Heys Warrington, Cheshire, North West England, UK, WA4 3DS, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The resulting scene connects with river management, working waterway, canal heritage, inland navigation, towpath environment, riparian setting. Other local associations include red sign, notice, warning, deep water countryside. The same setting also brings together boating infrastructure, and waterside infrastructure. Seen from a 2025-onward perspective, ageing lock and bridge infrastructure also connects with flood resilience, volunteer involvement and efforts aimed at adapting old structures to present-day use. The lasting documentary value lies in its record of physical infrastructure, local continuity, community life, signage and branding, and commercial identity as an authentic period reference. For future comparison, the scene preserves historic fabric, movement through the area, social change, everyday services, and planning and redevelopment at this precise location.
Witherwin Avenue Grappenhall Heys Warrington, Cheshire, North West England, UK, WA4 3DS

Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Canal St,Gay Village,gay,village,Sackville,LGBT,LGBTQ,heart,pink,pink heart,square,remember,loved one,lost ones,The Beacon of Hope,Beacon of hope,Warren Chapman,Jess Byrne-Daniels,Jess Byrne Daniels,The Tree of Life,Tree of Life,World AIDS Day,podium,seating,Beacon of hope podium,mosaic tiles,HIV community,time capsule,candle lit vigils,Liberal views
Description: Tony Smith image Alamy RFF5EF - The Beacon of Hope can be found in Sackville Gardens, a five minute walk from Piccadilly Station and Piccadilly Gardens, in the heart of Manchester's city centre. The park is bounded by Manchester's Gay Village, universities, and residential areas.
The Beacon is sited in a prominent position overlooking the cafe bar society of the world famous Canal Street, and is regularly used by people as a place to chat, have a drink, or remember loved ones.
Sackville Gardens is one of the few green spaces left in the centre of the City and is a peaceful oasis in Manchester's hustle and bustle. As well as the Beacon of Hope memorial, the gardens is also the site of the Tree of Life, the Alan Turing memorial and the National Transgender Remembrance Memorial.

Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Canal St,Gay Village,gay,village,Sackville,LGBT,LGBTQ,heart,pink,pink heart,square,remember,loved one,lost ones,The Beacon of Hope,Beacon of hope,Warren Chapman,Jess Byrne-Daniels,Jess Byrne Daniels,The Tree of Life,Tree of Life,World AIDS Day,podium,seating,Beacon of hope podium,mosaic tiles,HIV community,time capsule,candle lit vigils
Description: Tony Smith image Alamy RFF5EG - The Beacon of Hope can be found in Sackville Gardens, a five minute walk from Piccadilly Station and Piccadilly Gardens, in the heart of Manchester's city centre. The park is bounded by Manchester's Gay Village, universities, and residential areas.
The Beacon is sited in a prominent position overlooking the cafe bar society of the world famous Canal Street, and is regularly used by people as a place to chat, have a drink, or remember loved ones.
Sackville Gardens is one of the few green spaces left in the centre of the City and is a peaceful oasis in Manchester's hustle and bustle. As well as the Beacon of Hope memorial, the gardens is also the site of the Tree of Life, the Alan Turing memorial and the National Transgender Remembrance Memorial.

Description
Keywords: Manchester,City centre,city,@HotpixUK,HotpixUK,GoTonySmith,North West England,UK,England,Canal St,Gay Village,gay,village,Sackville,LGBT,LGBTQ,heart,pink,pink heart,square,remember,loved one,lost ones,The Beacon of Hope,Beacon of hope,Warren Chapman,Jess Byrne-Daniels,Jess Byrne Daniels,The Tree of Life,Tree of Life,World AIDS Day,podium,seating,Beacon of hope podium,mosaic tiles,HIV community,time capsule,candle lit vigils
Description: Tony Smith image Alamy RFF5G0 - The Beacon of Hope can be found in Sackville Gardens, a five minute walk from Piccadilly Station and Piccadilly Gardens, in the heart of Manchester's city centre. The park is bounded by Manchester's Gay Village, universities, and residential areas.
The Beacon is sited in a prominent position overlooking the cafe bar society of the world famous Canal Street, and is regularly used by people as a place to chat, have a drink, or remember loved ones.
Sackville Gardens is one of the few green spaces left in the centre of the City and is a peaceful oasis in Manchester's hustle and bustle. As well as the Beacon of Hope memorial, the gardens is also the site of the Tree of Life, the Alan Turing memorial and the National Transgender Remembrance Memorial.

Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Souh West England,UK,listed grade2,memorial,bronze,statue,King Square Bridgwater,TA6,plinth,civilisation,IN HONOUR OF THE MEN OF BRIDGWATER WHO GAVE THEIR,IN THE GREAT WAR 1914-1918,1914-1918,1914,1918,sunday,remembrance sunday,Korean War,Falklands Conflict,Afghan conflict,soldiers,conscripts,imperial wars,Georgian square,Georgian,square,War Memorials Trust,War Memorial Trust,plaques,town,town centre,Sergeant Benjamin James Knight,British Forces,casualties,casualty,war dead,Afghanistan
Description: Tony Smith image Alamy R9GRYH - Bridgwater War Memorial is a Grade II* listed war memorial located on King Square in Bridgwater, Somerset, England, on the site previously occupied by Bridgwater Castle. It was designed by John Angel in the mid-1920s. The green figure of the memorial is allegorical, representing Civilization as a seated female, holding a globe in one hand and with the book of knowledge on her lap.
John Angel sculpted the Angel of Bridgwater. Mounted on a plinth, a female figure of 'Civilisation' lofts the world, which is encircled by emblems of commerce and peace. Under her foot are the demons of war. The throne and figure are backed by relief depictions of Labour, Home, Life and Education. On her lap is a book of laws, and she is surrounded by children. Indeed, given its monumental breadth, the many details in the design, and its metaphorical and iconic form, the sculpture is subject to colorful and variant interpretations and description. The bronze was cast by W Morris Art Bronze Foundry.
At the time, Angel was working four years as assistant to Sir George Frampton, and Frampton's influence is apparent. Figures from the roughly contemporaneous Exeter War Memorial, specifically Peace (also known as Victory) were exhibited by Angel at The Royal Academy in 1922, being exhibited in the courtyard of Burlington House,[8] as were other studies of the Bridgwater War Memorial on several occasions.
On the third step these words are inscribed: IN HONOUR OF THE MEN OF BRIDGWATER WHO GAVE THEIR LIVES IN THE GREAT WAR 1914-1918
The memorial was unveiled by General the Earl of Cavan then Chief of the Imperial General Staff on 25 September 1924, to commemorate the fallen of World War I. Further names have been added following World War II, the Korean War. Falklands Conflict and the Afghan conflict. It has been characterised as, An exceptionally fine and moving memorial, which forms an important focal point to this fine late Georgian square.
King Square, Bridgwater, Somerset, TA6 3AR

Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,WC,New York City,United States,with office blocks in background,World Trade Center Place,New York state,square,Manhattan Skyline,skyline,9/11,New York Skyline,museum,skyward,sky,transportation hub,looking up,WTC,Freedom Tower,new buildings,wide,wideangle,sunny,summer,blue sky,blue skies
Description: Tony Smith image Alamy 2AFK6HE - . This location-based editorial photograph from the recorded location in 2018 preserves a recognisable subject together with clues about how the place was used and presented at the time. The defining feature is WTC,World Trade Center Place, New York City, NYC, New York state,USA, with office blocks in background. Other connected aspects include changing land use, retail property, commercial streetscape, shopfront economy, everyday life, high-street commerce, town-centre economy, commercial frontage, local character, historical comparison, regional identity, independent trading, changing streetscape, and local trading. Today's wider story includes consumer spending, town-centre regeneration and the practical question of how high streets adapt when traditional retail contracts. From an archival perspective, the photograph preserves the way the place functioned before later physical or commercial change in the immediate surroundings of the recorded location. Further connections include visual archive, period detail, public realm, local history, customer footfall, bricks-and-mortar retail, place identity, and before-and-after reference. The recorded references to Center, office, Trade, Place, and background preserve clues about how the subject was presented, used or understood at the time. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes consumer spending and how high streets adapt when traditional retail contracts within the specific setting of the recorded location. Another strand within the photograph is consumer spending and the shift toward mixed retail, leisure, service and residential centres as part of the longer story of the recorded location. The record includes part of the area's social history as part of the recorded location's history.

Description
Keywords: Building,wooden,tudor,architecture,Mulberry,Tap,pubs,bar,bars,south,Warrington,Public,house,Cheshire,England,UK,Victoria,Square,Sq,black,white,mono,monochrome,Mulberry Tap,Mulberry Tree,Stockton Heath,South Warrington,Victoria Square,Victoria Sq,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy GXXWJ7 - . Photographed at Victoria Square,Stockton Heath,Warrington,Cheshire,England,UK in 2016, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. At the centre of the view is Mulberry Tree Pub,Stockton Heath,South Warrington,Cheshire,England,UK B/W. The subject also carries associations with changing streetscape, licensed trade, historic hostelry, real-ale culture, place identity, contemporary social history, period detail, regional identity, night-time economy, licensed hospitality, local history, public realm, changing land use, and local character. Viewed from the mid-2020s, the subject also connects with tourism, energy costs and the value of historic pubs to tourism and local identity. Small period details of street furniture and boundaries at Victoria Square,Stockton Heath,Warrington,Cheshire,England,UK may become more significant with time, particularly following later reinterpretation. The location also brings in cask-beer tradition, beer-led hospitality, historical comparison, traditional pub, traditional ale house, archival record, hospitality economy, and local social venue. The combination of Mulberry, Heath, and Stockton anchors the frame to a recognisable activity, place or moment. A later view of Victoria Square,Stockton Heath,Warrington,Cheshire,England,UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for tourism and the value of historic pubs to tourism and local identity when considered against later change at Victoria Square,Stockton Heath,Warrington,Cheshire,England,UK. Another useful connection is changing drinking habits and the continuing appeal of real ale and regional brewing without losing the local specificity of Victoria Square,Stockton Heath,Warrington,Cheshire,England,UK.
Victoria Square,Stockton Heath,Warrington,Cheshire,England,UK

Description
Keywords: Merseyside,Street,building,structure,listed,18th,century,stone,Lord,Mayors,Mayor,parlour,Council,chamber,local,government,Corporation,James,Wyatt,Castle,Street,tour,licensed,for,weddings,slate,lead,roof,dome,18th Century,Buildings Of England,Town Hall,Dale St,Dale Street,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,domed,clock,square,exchange,flags,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Exchange Flags
Description: Tony Smith image Alamy GGWHBK - Liverpool Town Hall stands in High Street at its junction with Dale Street, Castle Street, and Water Street in Liverpool, Merseyside, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and described in the list as one of the finest surviving 18th-century town halls. The authors of the Buildings of England series refer to its magnificent scale, and consider it to be probably the grandest ...suite of civic rooms in the country, and an outstanding and complete example of late Georgian decoration.
It is not an administrative building but a civic suite, Lord Mayor's parlour and Council chamber
local government administration is centred at the nearby Municipal Buildings. The town hall was built between 1749 and 1754 to a design by John Wood the Elder replacing an earlier town hall nearby. An extension to the north designed by James Wyatt was added in 1785. Following a fire in 1795 the hall was largely rebuilt and a dome designed by Wyatt was built. Minor alterations have subsequently been made. The streets surrounding its site have altered since its initiation, notably when viewed from Castle Street, the south-side, it appears as off-centre. This is because Water Street which ran to the junction with Dale Street, the west-east axis, was continuous and built up across the junction so that the Town Hall was not visible originally from that aspect. The structures were removed 150 years after this to expose the building from this position.
High St, Liverpool, Merseyside, England, UK L2 3SW

Description
Keywords: Townhall,Merseyside,Street,building,structure,listed,buildings,18th,century,stone,Lord,Mayors,Mayor,parlour,local,government,Corporation,James,Wyatt,Castle,Street,tour,licensed,for,weddings,slate,lead,roof,dome,18th Century,Buildings Of England,Town Hall,Dale St,Dale Street,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,domed,clock,square,exchange,flags,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Exchange Flags
Description: Tony Smith image Alamy GGWHBY - Liverpool Town Hall stands in High Street at its junction with Dale Street, Castle Street, and Water Street in Liverpool, Merseyside, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and described in the list as one of the finest surviving 18th-century town halls. The authors of the Buildings of England series refer to its magnificent scale, and consider it to be probably the grandest ...suite of civic rooms in the country, and an outstanding and complete example of late Georgian decoration.
It is not an administrative building but a civic suite, Lord Mayor's parlour and Council chamber
local government administration is centred at the nearby Municipal Buildings. The town hall was built between 1749 and 1754 to a design by John Wood the Elder replacing an earlier town hall nearby. An extension to the north designed by James Wyatt was added in 1785. Following a fire in 1795 the hall was largely rebuilt and a dome designed by Wyatt was built. Minor alterations have subsequently been made. The streets surrounding its site have altered since its initiation, notably when viewed from Castle Street, the south-side, it appears as off-centre. This is because Water Street which ran to the junction with Dale Street, the west-east axis, was continuous and built up across the junction so that the Town Hall was not visible originally from that aspect. The structures were removed 150 years after this to expose the building from this position.
High St, Liverpool, Merseyside, England, UK L2 3SW

Description
Keywords: number,integer,numbers,series,integers,square,hipstamatic,cellphone,86,eighty,six,eightysix,toast,toasted
Description: Tony Smith image Flickr 1674119285 - 'View this whole set here. If you do Twitter add me here.
EightySix is the atomic number of radon. There are 86 metals on the modern periodic table.
+86 is the code for international direct dial phone calls to China and one of five ISBN Group Identifiers for books published in Serbia.
86 is the 25th distinct semiprime and the 13th of the form (2.q). The aliquot sum of 86 is 46 within the aliquot sequence (86,46,26,16,15,9,4,3,1,0) 86 being the 17th composite number in the 3-aliquot tree.
Does anyone remember the CPM-86 operating system?
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',

Description
Keywords: Christmas,Deansgate,and,St Anns Square,st,anns,sq,square,gradeII,listed,building,castiron,cast-iron,glass,iron,shop,shops,Xmas,at,night,with,lights,England,UK,Gotonysmith,Buy Pictures of,Buy Images Of,light,decoration,decorations,history,historic,cast,grade II-listed,Barton Square,front,exterior,outside
Description: Tony Smith image Alamy ED9DMC - Barton Arcade is a Victorian shopping arcade in Manchester, England, located between Deansgate and St Ann's Square.
The arcade was listed as a Grade II* listed building on the 25 January 1972. The listing includes the block of shops (Barton's Building) and offices enclosing the arcades. It was constructed by Corbett, Raby and Sawyer in 1871.
Hartwell describes the Barton's Building facade as utterly ignorant.. the ground floor pilasters must be seen to be believed. The arcade, however, is a gorgeous glass and iron shopping arcade with glass domes..., the best example of this type of cast-iron and glass arcade anywhere in the country.
The entrance to the arcade on St Ann's Square incorporates a large, cast iron and glass wall. The two entrances on Deansgate are hidden behind the Barton Building. The building is of four storeys with an attic, a long nine-bay facade to Deansgate, divided in half horizontally by a balustraded balcony. The structure is composed of cast iron and glass. The iron work was supplied by the Macfarlane Saracen Glass Factory in Glasgow. The building was one of the first to be built on the newly widened Deansgate.The arcade was restored in the 1980s. The original shop fronts and decorative floor no longer exist
48 Barton Square, Deansgate, Manchester, England, UK, M3 2BH

Description
Keywords: Integer,number,sequence,79,seventy,nine,seventynine,square,Hipstamatic,street,sign,warrington
Description: Tony Smith image Flickr 1532309416 - 'View this whole set here. If you do Twitter add me here.
79 is the atomic number of the chemical element gold (Au).
SeventyNine is the smallest number that can't be represented as a sum of fewer than 19 fourth powers and a strictly non-palindromic number. The 22nd prime number (the next is 83).
The smallest prime number p for which the real quadratic field Q[\u221ap] has class number greater than 1 (namely 3)
79 is an emirp, because the reverse of 79, 97, is also a prime
A fortunate prime and one that is also a Gaussian prime (since it is of the form 4n + 3). Also a happy, Higgs, sexy, lucky and permutable prime.
79 is a Pillai prime, because 23! + 1 is divisible by 79, but 79 is not one more than a multiple of 23.
Live Seventy Nine, is an album by hippy cosmic rockers Hawkwind.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',

Description
Keywords: integer,number,numbers,square,84,eighty four,hipstamatic,engine,train,diesel,crewe,crewe built,1965,built
Description: Tony Smith image Flickr 1574810035 - 'View this whole set here. If you do Twitter add me here.
84 is the sum of the first seven triangular numbers (making it a tetrahedral number), as well as the sum of a twin prime (41 + 43). Being thrice a perfect number, 84 is itself a semiperfect number. Also, the ISBN Group Identifier for books published in Spain
International direct dial phone calls to Vietnam are prefixed by 84.
Eighty Four is the atomic number of polonium. The murder of Alexander Litvinenko, a Russian dissident, in 2006 was announced as due to Polonium poisoning. According to Prof. Nick Priest of Middlesex University, an environmental toxicologist and radiation expert, speaking on Sky News on December 2, Litvinenko was probably the first person ever to die of the acute \u03b1-radiation effects of Polonium.
Its also the shorthand term for the British Army 84mm Carl Gustav recoilless rifle.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',

Description
Keywords: number,integer,numbers,integers,square,72,seventy,two,seventytwo,room,key,hotel,hipstamatic
Description: Tony Smith image Flickr 1433539480 - 'View this whole set here. If you do Twitter add me here.
Seventy-two is the sum of four consecutive primes (13 + 17 + 19 + 23), as well as the sum of six consecutive primes (5 + 7 + 11 + 13 + 17 + 19). The product of 8 and 9, 72 is a pronic number. The sum of the eighth row of Lozani\u0107's triangle is 72. In a plane, the exterior angles of a regular pentagon measure 72 degrees each.
72 is the atomic number of hafnium and the life duration of the ovule in 72 hours. In degrees Fahrenheit considered to be room temperature and the average number of heartbeats per minute for a resting adult. The number of languages spoken at the Tower of Babylon according to the bible, number of warriors on the Muslim side at the Battle of Badr, also the number of people martyred along with Imam Hussain at the Battle of Karbala. 72 stupas comprise Borobudur, the world\u2019s largest Buddhist temple, in Magelang, Central Java, Indonesia.
A Persian classical santur, a hammered dulcimer, has 72 strings in 24 triple-stringed courses.
In typography, point sizes are measured in 1/72 of an inch, 72-point characters are 1 inch tall. Hence 72dpi as a basic display screen resolution. Its the ASCII code for 'H'
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',

Description
Keywords: number,numbers,integer,integers,series,square,hipstamatic,85,eightyfive
Description: Tony Smith image Flickr 1667623796 - 'View this whole set here. If you do Twitter add me here.
85 is an octahedral number, a centered triangular number, a centered square number, and a decagonal number. In base 10 it is a Smith number.
Eighty Five is the atomic number of astatine, as well as the ISBN Group Identifier for books published in Brazil.
Cupid &
Psyche 85, is one of my favourite albums, by band Scritti Politti.
The HG 85 is a Swiss fragmentation grenade
West to East, the A85 is a major scenic road in Scotland.
It runs east from Oban along the south bank of Loch Etive, through Lochawe and Tyndrum, Crianlarich, Lochearnhead, St Fillans and Crieff before passing through Perth, where it crosses the River Tay via Perth Bridge. Its name between the latter two locations is the Crieff Road. It then multiplexes with the A90 to the Swallow Roundabout before diverging to follow the Invergowrie Bypass, Riverside Avenue and Riverside Drive before terminating at the Riverside Roundabout where it meets the A92.
Now That's What I Call Music! (often shortened to Now!) is a series of various artists compilation albums released in the United Kingdom and Ireland by EMI, (as EMI TV/Virgin Records/Universal/Sony Music).
Spinoff series were later introduced in South Africa (1984) and many other countries worldwide, including the United States in 1998, and Israel in 1999. Since its launch in the UK in 1983, the series has amassed over 100 million album sales worldwide.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',

Description
Keywords: fiftyeight,58,fifty,eight,books,chart,book,waterstones,seller,vendor,bookseller,shop,square,integer,number,numbers,sequence,tonysmith
Description: Tony Smith image Flickr 1287970250 - 'View this whole set here. If you do Twitter add me here.
Fifty-eight has an aliquot sum of 32 and is the second composite member of the 31-aliquot tree. 58 is the sum of the first seven prime numbers, an 11-gonal number, and a Smith number. Given 58, the Mertens function returns 0.
Its the atomic number of cerium, a lanthanide. 58 is an album by John Cage, Chicago had a track called '58 Poems'. Prefix your international dial to Venezuela with +58. Its also the number of the French department Ni\u00e8vre.
Number 58 was commonly associated with misfortune in many civilizations native to either Central America or Southern America. Due to their beliefs in the original 58 sins, the number came to symbolize curses and ill-luck. Aztec oracles supposedly stumbled across the number an unnaturally high number of times before disaster fell. One famous recording of this, though largely discredited as mere folktale, concerned the oracle of Moctezuma II, who allegedly counted 58 pieces of gold scattered before a sacrificial pit the day prior to the arrival of Hern\u00e1n Cort\u00e9s.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: 57,fiftyseven,fifty,seven,vararities,integer,number,numbers,square,hipstamatic,baked,beans,factory,wigan,England,lancs,UK,GB
Description: Tony Smith image Flickr 1268406171 - 'View this whole set here. If you do Twitter add me here.
Fifty-seven is the sixteenth discrete semiprime and the sixth in the (3.q) family. With 58 it forms the fourth discrete bi-prime pair. 57 has an aliquot sum of 23 and is the first composite member of the 23-aliquot tree.
As a semiprime, 57 is a Blum integer since its two prime factors are both Gaussian primes.
In the first storyboard draft for Pixar's film Cars, the main character, a race car named Lightning McQueen was going to have number 57 as his racing number, in reference to director John Lasseter's birthdate, January 12, 1957. But in the final cut, Lightning's racing number changed to 95.
The climax of the movie Eraser occurs on Pier 57
Heinz 57, a brand of sauce, and the number of varieties of foods claimed to be produced by the H.J. Heinz Company. Pictured here is the sign from the UK's largest baked bean factory near Wigan, Lancs.
Henry J. Heinz introduced the marketing slogan '57 Varieties' in 1896. He later claimed he was inspired by an advertisement he saw while riding an elevated train in New York City (a shoe store boasting '21 styles'). The reason for '57' is unclear. Heinz said he chose '5' because it was his lucky number and the number '7' was his wife's lucky number. However Heinz also said the number '7' was selected specifically because of the 'psychological influence of that figure and of its enduring significance to people of all ages'. Whatever the reasons, Heinz wanted the company to advertise the greatest number of choices of canned and bottled foods for sale. In fact by 1892, four years before the slogan was created, the Heinz company was already selling more than 60 products.
Animals, especially dogs which are a mixture of multiple breeds, can be referred to as 'Heinz 57'. In bingo in the United Kingdom, a commonly used call for '57' is 'Heinz variety'.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: 54,fiftyfour,fifty,four,number,numbers,integer,integers,square,hipstamatic,iphone,railway,platform,Lime,St,Limest,Liverpool,city,England,UK,GB,Great,Britain,TonySmithThatHousingITGuy,TonySmith,F16TOE
Description: Tony Smith image Flickr 1226051514 - 'View this whole set here. If you do Twitter add me here.
Fifty Four is a 19-gonal number. Twice the third power of three, 54 is a Leyland number. An Holt graph has 54 edges.
Xenon has the atomic number 54. To phone Argentina, use the prefix +54.
Studio 54 was a popular New York nightclub from 1977 until 1981 when it was sold by founders and creators Steve Rubell and Ian Schrager. It was called the most famous nightclub of all time and was a sophisticated, groundbreaking multi-media visual extravaganza. It continued to operate as a nightclub until 1991 by other owners.
Located at 254 West 54th Street in Manhattan, New York City, the space was originally the Gallo Opera House, opening in 1927, after which it changed names several times, eventually becoming CBS radio and television Studio 52. Since November 1998 it has been a venue for the Roundabout Theatre Company and is still called Studio 54, but is no longer a nightclub. A separate restaurant and nightclub, called 54 Below, operates in the basement of the famed venue
This shot is from Liverpool Lime Street station in England. International viewers will remember that beat combo of four lads from that city. If travelling by train to see the Cavern or other places touched by their lyrics, this might be where you will arrive. Rest assured, just 40 minutes away is another city, home of Graham Nash, The Bee Gees, 10cc, Buzzcocks, Joy Division, New Order, A Certain Ratio, The Smiths, The Fall, Happy Mondays, 808 State, Doves &
Oasis if you need a wider musical heritage. Did i mention we have some great pubs too?
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: Sq,PricewaterhouseCoopers,LLP,Square,Lower,Mosley,Street,st,M2,3PW,GB,England,UK,M23PW,wide,angle,wideangle,shot,image,landscape,Midland,Hotel,north,west,northwest,centre,city,town,blue,sky,skies,old,new,architecture,building,buildings,architect,named,after,Hallé,Orchestra,Halle,Gotonysmith with canal basin reflections Price waterhouse Coopers,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6N2C - . Wide angle shot of Bridgewater Hall & 101 Barbirolli Square Manchester, England UK with canal basin reflections. Photographed at Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW. The photograph was taken on 24 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Bridgewater, Hall, 101, Barbirolli, Square, Manchester, PricewaterhouseCoopers, LLP, Lower and Mosley, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW

Description
Keywords: Sq,PricewaterhouseCoopers,LLP,Square,Lower,Mosley,Street,st,M2,3PW,GB,England,UK,M23PW,wide,angle,wideangle,shot,image,landscape,Midland,Hotel,north,west,northwest,centre,city,town,blue,sky,skies,old,new,architecture,building,buildings,architect,named,after,Hallé,Orchestra,Halle,Gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DN6N2N - . Wide angle shot of Bridgewater Hall & 101 Barbirolli Square Manchester, England UK. Photographed at Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW. The photograph was taken on 24 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Bridgewater, Hall, 101, Barbirolli, Square, Manchester, PricewaterhouseCoopers, LLP, Lower and Mosley, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Price Waterhouse Coopers LLP 101 Barbirolli Square Lower Mosley Street Manchester, England M2 3PW

Description
Keywords: Warrington town centre,Cheshire,England,UK,GB,European,Peru,colourful,colorful,costumes,dancer,player,players,city,village,shopping,st,street,streets,playing,music,pan,pipe,panpipe,panpipes,doing,a,show,performing,red,yellow,green,golden,square,WBC,borough,council,local,authority,busking,beg,gotonysmith,cash,begging,begger,entertainment,fun,joy,funny,cheering,up,shoppers,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DD4HH7 - . Peruvian South American buskers / entertainers in Warrington town centre , Cheshire , England , UK. Photographed at Bridge St, Warrington, Cheshire, England, UK. The photograph was taken on 20 August 2013. The image metadata records 4 people in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Peruvian, American, buskers, entertainers, Warrington town centre, Cheshire, European, Peru, colourful and colorful, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Bridge St, Warrington, Cheshire, England, UK

Description
Keywords: Numbers,integer,78,seventy,eight,SEVENTYEIGHT,series,square,Hipstamatic,Liverpool,door,doorway,number
Description: Tony Smith image Flickr 1525531983 - 'View this whole set here. If you do Twitter add me here.
78 is the atomic number of platinum. With 3 distinct prime factors 78 is a sphenic number. It is an abundant number with an aliquot sum of 90. As a multiple of a perfect number, 78 is itself a semiperfect number.
78 is the 12th triangular number. 77 and 78 form a Ruth-Aaron pair.
Since it is possible to find sequences of 78 consecutive integers such that each inner member shares a factor with either the first or the last member, 78 is an Erd\u0151s\u2013Woods number.
A typical tarot deck containing the 21 trump cards, the Fool and the 56 suit cards make up 78 cards.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk',

Description
Keywords: 052,fiftytwo,fifty,two,three,fiftythree,53,spectator,safety,team,marshall,marshalls,silverstone,british,GP,grand,prix,grandprix,square,hipstamatic,number,integer,numbers,integers,nos,series,tonysmith,thathousingITguy
Description: Tony Smith image Flickr 1202039540 - 'View this whole set here. If you do Twitter add me here.
Fifty-two is the 6th Bell number and a decagonal number. In this shot 52 was attracted to 53 and as you can imagine I was tempted to cheat by killing two birds with one stone. However, my standards are luckily higher than that!
Its the approximate number of weeks in a year. 52 weeks is 364 days, while the tropical year is 365.24 days long. According to ISO 8601, most years have 52 weeks while some have 53. On the piano, its the number of white keys (notes in the C major scale).
Also the number of cards in a standard deck of playing cards, not counting Jokers or advertisement cards &
the name of a practical joke card game '52 Pickup'. Direct calls to Mexico use +52.
52 American hostages were held in the Iranian Hostage Crisis between November 4, 1979 and January 20, 1981.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: 66,SIXTYSIX,sixty,six,number,numbers,series,square,Hipstamatic,integer,integers
Description: Tony Smith image Flickr 1410847002 - 'View this whole set here. If you do Twitter add me here.
Phillips 66, a brand of gasoline and service station in the United States and the international prefix for Thailand. Also a name of a German card game, translated from sechsundsechzig.
Sixty-Six is a sphenic number, a triangular number, a hexagonal number, and a semi-meandric number. Being a multiple of a perfect number, 66 is itself a semiperfect number. Since it is possible to find sequences of 66 consecutive integers such that each inner member shares a factor with either the first or the last member, 66 is an Erd\u0151s\u2013Woods number.
Its the atomic number of dysprosium, a lanthanide. 66 (more specifically 66.667) megahertz (MHz) is a common divisor for the front side bus (FSB) speed, overall central processing unit (CPU) speed, and base bus speed. On a Core 2 CPU, and a Core 2 motherboard, the FSB is 1066 MHz (~16 x 66 MHz), the memory speed is usually 666.67 MHz (~10 x 66 MHz), and the processor speed ranges from 1.86 gigahertz (GHz) (~66 MHz x 28) to 2.93 GHz (~66 MHz x 44), in 266 MHz (~66 MHz x 4) increments.
Sixty Six (film) is a 2006 British movie about a barmitzvah in London on the day of the 1966 World Cup final. Also the designation of the historic U.S. Route 66, dubbed the 'Mother Road' by novelist John Steinbeck.
According to my Guiness book of records, 66 is the number of hot dogs eaten by World record holder Joey Chestnut in 15 minutes at the Nathan's Hot Dog Eating Championships in 2007. Nice.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: Yeovil,pano,panorama,summer,The Borough,Montecute village,South Somerset,GoTonySmith,@HotpixUK,Buy Pictures of,Buy Images Of,Images of,Stock Images,square,sq,near,TA15 6XB,West Sq sign England,England,Borough,stone,cute,village,sign,street,centre,buildings,architecture,style,south Somerset,English,British,community,communities,villages
Description: Tony Smith image Alamy DE535M - . The Borough, Montecute village, South Somerset,pano,panorama. Photographed at Montecute, Somerset, England,UK. The photograph was taken on 13 June 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The wider composition gives a broader sense of the surroundings, showing the principal subject in relation to more of the streetscape, landscape or public space. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Borough, Montecute, village, Somerset, The Borough, signs, villages, South Somerset, square and Yeovil, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. The view is firmly rooted in a real location rather than a constructed studio setting.
Montecute, Somerset, England,UK

Description
Keywords: West Sq sign England,UK,gotonysmith,Buy Pictures of,Buy Images Of,TA15 6XB,TA15,square,near,Yeovil,South Somerset,England,Borough,sq,sqare,cute,stone,pano,The Borough,GoTonySmith,Montecute village,summer,village,sign,street,centre,buildings,architecture,style,south Somerset,English,British,community,communities,villages
Description: Tony Smith image Alamy DE54W4 - . The Borough square, Montecute village, near Yeovil, South Somerset, England, UK, TA15 6XB. The photograph was taken on 13 June 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with The Borough, square, Montecute, South Somerset, Somerset, village, signs, sign, street and villages, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
The Borough square, Montecute village, near Yeovil, South Somerset, England, UK, TA15 6XB

Description
Keywords: 31,thirty,one,thirtyone,number,no,integer,wang,numberwang,scrabble,board,game,games,boardgames,tony,smith,tonysmith,numbers,@hotpixuk,square,hipstamatic,iphone,cell,phone,mobile,shot,shots
Description: Tony Smith image Flickr 8881937904 - 'Thirty One is the atomic number of gallium.
The numbers 31, 331, 3331, 33331, 333331, 3333331, and 33333331 are all prime. For a time it was thought that every number of the form 3w1 would be prime
View this whole set here. If you do Twitter add me here.
31 is the number of days in the months January, March, May, July, August, October and December. Its the code for international direct-dial phone calls to the Netherlands
31 is also a card game (see Thirty-one (game)) &
a type of game played on a backgammon board.
The number of flavors of Baskin-Robbins ice cream and the shops are called 31 Ice Cream in Japan.You may have also enjoyed the Nick Hornby book 31 Songs.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: 32,thirty,two,thirtytwo,thirty2,Tevez,football,shirt,mcfc,manchester,city,fc,club,uk,blue,number,numbers,no,nos,integer,integers,series,square,hipstamatic,tonysmith,tonysmiththa
Description: Tony Smith image Flickr 8883502328 - 'Thirty Two is the atomic number of germanium, also the freezing point of water at sea level in degrees Fahrenheit.
View this whole set here. If you do Twitter add me here.
If you do Ipernity too, add me at www.ipernity.com/home/hotpixuk
The number of completed, numbered piano sonatas by Ludwig van Beethoven. 32 is in the title and lyrics of the song '32 Footsteps' by 'They Might Be Giants'.
In the Kabbalah, there are 32 Kabbalistic Paths of Wisdom. One of the central texts of the P\u0101li Canon in the Theravada Buddhist tradition, the Digha Nikaya, describes the appearance of the historical Buddha with a list of 32 physical characteristics.
Thirty2 is the number of teeth of a full set of teeth in an adult human, including wisdom teeth. Also the size of a databus in bits: 32-bit
The size, in bits, of certain integer data types, used in computer representations of numbers. IPv4 uses 32-bit (4-byte) addresses ASCII and Unicode code point for space
Its the code for international direct dial phone calls to Belgium.
Carlos Alberto T\u00e9vez (born Carlos Alberto Mart\u00ednez
5 February 1984) is an Argentine professional footballer who plays as a forward for English club Manchester City in the number 32 shirt. He has previously played for Boca Juniors, Corinthians, West Ham United and Manchester United. He transferred to Manchester City from United in the 2009 summer transfer window, becoming the first player to move between the two rival clubs since Terry Cooke in 1999.
His energy and goal scoring rate has since made him an indispensable player for the club in the eyes of fellow players and media alike. He was promoted to captain at the beginning of the 2010\u201311 season by manager Roberto Mancini. In 2011, Tevez sought a transfer away from Manchester, citing family reasons and Sergio Ag\u00fcero was drafted in as a replacement. However he remains a City player after his family moved back to Manchester with manager Roberto Mancini believing T\u00e9vez would stay for the foreseeable future.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: 60,sixty,number,integers,integer,numbers,rimmel,seconds,60seconds,square,hipstamatic,iphone,nail,varnish,polish,tonysmith,f16toe
Description: Tony Smith image Flickr 1315696725 - 'View this whole set here. If you do Twitter add me here.
Sixty, 'three score' in some older literature, is a composite number with divisors 1, 2, 3, 4, 5, 6, 10, 12, 15, 20, 30, and 60, making it also a highly composite number. Because 60 is the sum of its unitary divisors (excluding itself), it is a unitary perfect number, and it is also an excessive number with an abundance of 48. Being ten times a perfect number, 60 is a semi-perfect number.
Sixty is the smallest number divisible by the numbers 1 to 6. (There is no smaller number divisible by the numbers 1 to 5). 60 is the smallest number with exactly 12 divisors. It is one of only 7 integers that have more divisors than any number twice itself (sequence A072938 in OEIS), and is one of only 6 that are also lowest common multiple of a consecutive set of integers from 1, and one of the 6 that are divisors of every highly composite number higher than itself.(sequence A106037 in OEIS).
There are four Archimedean solids with 60 vertices: the truncated icosahedron, the rhombicosidodecahedron, the snub dodecahedron, and the truncated dodecahedron. The skeletons of these polyhedra form 60-node vertex-transitive graphs. There are also two Archimedean solids with 60 edges: the snub cube and the icosidodecahedron. The skeleton of the icosidodecahedron forms a 60-edge symmetric graph.
There are 60 one-sided hexominoes, the polyominoes made from 6 squares. In geometry, 60 is the number of seconds in a minute, and the number of minutes in a degree. In normal space, the 3 interior angles of an equilateral triangle each measure 60 degrees, adding up to 180 degrees.
Because 60 is divisible by the sum of its digits in base 10, it is a Harshad number. A number system with base 60 is called sexagesimal (the original meaning of sexagesimal is sixtieth).
The atomic number of Neodymium is 60.
Sixty is one of the most fascinating numbers. The Babylonian number system had a base of sixty, inherited from the Sumerian and Akkadian civilizations, and possibly motivated by the large number of divisors which 60 has. The sexagesimal measurement of time and of geometric angles is a legacy of the Babylonian system.
The number system in the Mali Empire was also based on sixty (this is reflected in the counting system of the Maasina Fulfulde, a variant of the Fula language spoken in contemporary Mali). The Ekagi of Western New Guinea have also used base 60 and the sexagenary cycle also plays a role in Chinese calendar and numerology.
In the Bible, the number 60 occurs several times, for example as the age of Isaac when Jacob and Esau were born and the number of warriors escorting King Solomon. In the laws of kashrut of Judaism, 60 is also the proportion (60:1) of kosher to non-kosher ingredients which can render an admixture kosher post-facto.
In the Koran, the number 60 is mentioned once: '..he should feed sixty indigent ones..', yet 60 is mentioned many times in the Hadith, most notably Muhammad being reported to say, '..Allah, the Exalted and Glorious, created Adam in His own image with His length of sixty cubits.
In time, the number of seconds in a minute, and the number of minutes in an hour. (a legacy of the Babylonian number system). The number of miles per hour a car accelerates to from rest (0-60) as one of the standard measurements of performance. 60 is the code for international direct dial calls to Malaysia. Miss Sixty is a women's clothing brand.
Rimmel London's nail polish dries so fast, you can change your nail colour every day (allegedly)!
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: numberwang,number,wang,numbers,30,\u00a330,off,suits,shopping,golden,square,Warrington,Bargain,shop,shopper,hipstamatic,iphone,"\u00a330,suits",UK,Cheshire,England,ifone,tony,smith,tonysmiththatbloke,tonysmiththatitbloke,mis-ams,activeh,systems,housing,IT,groups,associations,"housing,association",RSL,ALMO
Description: Tony Smith image Flickr 8754592615 - 'Thirty is the sum of the first four squares, which makes it a square pyramidal number.
View this whole set here . If you do Twitter add me here .
Adding up some subsets of its divisors (e.g., 5, 10 and 15) gives 30, hence 30 is a semiperfect number.
30 is the largest number such that all coprimes smaller than itself, except for 1, are prime.[1]
A polygon with thirty sides is called a tricontagon.
The icosahedron and the dodecahedron are Platonic solids with 30 edges. The icosidodecahedron is an Archimedean solid with 30 vertices, and the Tutte\u2013Coxeter graph is a symmetric graph with 30 vertices.
30 is a Harshad number. The atomic number of zinc is 30
Messier object M30 is a magnitude 8.5 globular cluster in the constellation Capricornus.
30 is the total number of major and minor keys in Western tonal music, including enharmonic equivalents, minimum age for United States senators. In years of marriage, the pearl wedding anniversary. Its the duration in years of the Thirty Years' War - 1618 to 1648. Its the code for international direct dial phone calls to Greece
The house number of 30 St Mary Axe (The Gherkin)
30 is the designation of Interstate 30, a freeway that runs from Texas to Arkansas. My Beatles White Album has 30 tracks on it.
30 was the route number of the Transport For London bus blown up by terrorists in Tavistock Square during the 7 July 2005 London bombings. The bomb was detonated from the top deck of a number 30 double-decker bus, a Dennis Trident 2 (fleet number 17758, registration LX03 BUF, two years in service at the time) operated by Stagecoach London and travelling its route from Marble Arch to Hackney Wick.
Let their souls rest in peace, if you believe in God, no God sanctions the murder of innocent people, whatever you believe, that's probably something we can take as red. I was in Poole that day and saw it unfolding while getting ready to go to work. Horrific to watch and so misguided.
Meanwhile in religious circles Judas Iscariot betrayed Jesus for 30 pieces of silver. Matthew 26:15.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: Spring,snow,drops,england,english,winter,season,seasonal,flowers,flower,white,sepia,fine,art,fineart,image,tony,smith,tonysmith,tonysmiththat,tonysmiththatit,housing,UK,GB,square,Grappenhall,warrington
Description: Tony Smith image Flickr 8559566106 - 'St Etienne - 'Spring' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
A great track from the London Conversations album. this time of year always reminds me of it with all the snowdrops in the hedgerows. Very uplifting that Easter and warmer, longer days just around the corner.
Saint Etienne are an English electronic music band from London, formed in 1990. The band consists of Sarah Cracknell, Bob Stanley and Pete Wiggs. They are named of course after the French football team AS Saint-\u00c9tienne
Saint Etienne were associated with the 'indie dance' genre in the early 1990s. Their typical approach was to combine sonic elements of the dance-pop that emerged in the wake of the so-called Second Summer of Love (e.g. samples and digitally synthesized sounds) with an emphasis on songwriting involving romantic and introspective themes more commonly associated with traditional British pop and rock music.
Early work demonstrated the influence of '60s soul, '70s dub and rock as well as '80s dance music, giving them a broad palette of sounds and a reputation for eclecticism. Years later, The Times wrote that they 'deftly fused the grooviness of Swinging Sixties London with a post-acid house backbeat'. Their first two albums, Foxbase Alpha and So Tough feature sounds chiefly associated with house music, such as standard TR-909 drum patterns and Italo house piano riffs mixed with original sounds, notable by the use of found dialogue, sampled from 1960s British realist cinema. Some of these earlier recordings included skits by (Brass Eye) satirist Chris Morris.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',

Description
Keywords: 25,twentyfive,twenty,five,number,square,series,hipstamatic,iphone,ifone,mobile,tony,smith,leaf,leaves,autumn,fall,The fall,grass,colour,colourful,tonysmith,tonysmiththatitguy,tonysmiththathousingitguy,uk,england,Warrington,nw,northwest,north,west
Description: Tony Smith image Flickr 8193507110 - 'Its nearly the end of autumn, barely 25% of the year left.
View this whole set here. If you do Twitter add me here.
It is a square number, being 5\u00b2 = 5 \u00d7 5. It is the smallest square that is also a sum of two (non-zero) squares: 25 = 3\u00b2 + 4\u00b2. Hence it often appears in illustrations of the Pythagorean theorem.
Twenty Five is the atomic number of manganese. Silver marks a 25 year anniversary.
'25 boy' (read as 'two-five boy'), in Cantonese Chinese, is a slang term meaning 'traitor' as used in the Chinese movie Over the Edge.
A Pony is British slang for \u00a325.
A track from the 25 compilation can be played here.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: numbers,one,1,number,tony,smith,tonysmith,hotpix,thatithousingguy,tonysmiththat,tonysmiththathousingIT,square,hipstmastic,set,iphone,app,ifone,uk,england,GB,series,British,things,telephone,box,boxes,tel,phone,\\mathrm{I}.
Description: Tony Smith image Flickr 6964111352 - 'View this whole set here. If you do Twitter add me here.
One is a number, a numeral, and the name of the glyph representing that number. It represents a single entity, the unit of counting or measurement. For example, a line segment of 'unit length' is a line segment of length 1.
Any number multiplied by one is the number, as one is the identity for multiplication. As a result, one is its own factorial, its own square, its own cube, and so on. One is also the empty product, as any number multiplied by one is itself, which produces the same result as multiplying by no numbers at all. So pretty unique.
The glyph used today in the Western world to represent the number 1, a vertical line, often with a serif at the top and sometimes a short horizontal line at the bottom, traces its roots back to the Indians, who wrote 1 as a horizontal line, much like the Chinese character. The Gupta wrote it as a curved line, and the Nagari sometimes added a small circle on the left (rotated a quarter turn to the right, this 9-look-alike became the present day numeral 1 in the Gujarati and Punjabi scripts).
The Nepali also rotated it to the right but kept the circle small. This eventually became the top serif in the modern numeral, but the occasional short horizontal line at the bottom probably originates from similarity with the Roman numeral \\mathrm{I}.
In some European countries (e.g., Germany), the little serif at the top is sometimes extended into a long upstroke, sometimes as long as the vertical line, which can lead to confusion with the glyph for seven in other countries. Where the 1 is written with a long upstroke, the number 7 has a horizontal stroke through the vertical line.
One is the atomic number of the element hydrogen, the General Lee from The Dukes of Hazzard is numbered 01 and a one can be found on every traditional British red telephone box. Where I found this shot with my iphone Hipstamatic app.
One is used in binary code along with 0. As they say there are only 10 types of people in this world. Those who understand binary and those who do not.
Drift away with Lene Lovich, one of the Stiff Allstars - feature=fvst\' rel=\'nofollow\'>www.youtube.com/watch?v=B3JEmBFeD5A&
feature=fvst
These are my 2008-2015 images, view my most recent images at @HotpixUK-2019 - www.flickr.com/people/167831053@N02/ including my second 365 one a day project
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: tony,smith,tonysmith,thatitguy,number,12,twelve,no12,numbertwelve,number12,uk,tax,disk,DVLA,expires,1212,dec,december,december12,december2012,2012,square,hipstamatic,iphone,shot,image,app
Description: Tony Smith image Flickr 7308954394 - 'View this whole set here. If you do Twitter add me here.
The word 'twelve' is the largest number with a single-morpheme name in English. Etymology suggests that 'twelve' (similar to 'eleven') arises from the Germanic compound twalif 'two-leftover', so a literal translation would yield 'two remaining [after having ten taken]'. This compound meaning may have been transparent to speakers of Old English, but the modern form 'twelve' is quite opaque. Only the remaining tw- hints that twelve and two are related.
A group of twelve things is called a duodecad. The ordinal adjective is duodenary, twelfth. The adjective referring to a group consisting of twelve things is duodecuple.
The number twelve is often used as a sales unit in trade, and is often referred to as a dozen. Twelve dozen are known as a gross. (Note that there are thirteen items in a baker's dozen.). the expression 'baker's dozen' dates to the 13th century in one of the earliest English statutes, instituted during the reign of Henry III (1216\u20131272), called the Assize of Bread and Ale. Bakers who were found to have shortchanged customers (some variations say that they would sell hollow bread) could be subject to severe punishment. To guard against the punishment of losing a hand to an axe, a baker would give 13 for the price of 12, to be certain of not being known as a cheat. Specifically, the practice of baking 13 items for an intended dozen was insurance against 'short measure', on the basis that one of the 13 could be lost, eaten, burnt, or ruined in some way, leaving the baker with the original legal dozen. The practice can be seen in the guild codes of the Worshipful Company of Bakers in London.
Force 12 on the Beaufort wind force scale corresponds to the maximum wind speed of a hurricane. The duodenum (from Latin duodecim, 'twelve') is the first part of the small intestine, that is about twelve inches (30 cm) long. More precisely, this section of the intestine was measured not in inches but in fingerwidths. In fact, in German the name of the duodenum is Zw\u00f6lffingerdarm and in Dutch the name is twaalfvingerige darm, both meaning 'twelve-finger bowel'.
The importance of 12 in Judaism and Christianity can be found in the Bible. The biblical Jacob had 12 sons, who were the progenitors of the Twelve Tribes of Israel, while the New Testament describes twelve apostles of Jesus
when Judas Iscariot was disgraced, a meeting was held (Acts) to add Matthias to complete the number twelve once more. (Today, The Church of Jesus Christ of Latter-day Saints has a Quorum of the Twelve Apostles.). In Orthodox Judaism, 12 also signifies the age a girl matures (bat mitzvah)
In Twelver Shi'a Islam, there are twelve Imams, legitimate successors of the prophet Muhammad. These twelve early leaders of Islam are\u2014Ali, Hasan, Husayn, and nine of Husayn's descendants. The Chinese use a 12 year cycle for time-reckoning called Earthly Branches.
The band 'The Number 12 Looks Like You' tried to start 'Mathcore' and as you might have guesed - failed!
Checkout Twelve noon will never be the same again...
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,North West England,England,City Centre,UK,Great Britain,van,Austin,A35,Pier Head waterfront,Royal Liver Building,Three Graces,Pier Head,waterfront,Royal,Liver Building,park,landmark,Mersey Side,historic,centre,buildings,architecture,attractions,sunny,blue skies,blue sky,maritime,port,cities,Pierhead,world heritage,site,square
Description: Tony Smith image Alamy 2BG7KJ4 - . Photographed at the recorded location, the scene provides a dated reference to the subject and the surrounding social, commercial or physical environment. The principal subject is Wallace and Grommet Austin A35 blue van,HOP 2IT, at Pier Head waterfront,Royal Liver Building,Three Graces, Liverpool city centre, Merseyside. Its broader subject matter includes traditional masonry, period building, heritage asset, architectural contrast, conservation architecture, architectural character, documentary photography, local story.htm Target=_Blank>history, archival record, visual archive, changing streetscape, regional identity, built heritage, and historic streetscape. For contemporary context, historic townscape and adaptive reuse are closely related themes, especially where the issue becomes the contrast between historic fabric and modern development. As a dated visual record of the recorded location, the frame retains landscape and surrounding development, making it useful if closure or conversion subsequently changes the scene. The photograph additionally reflects before-and-after reference, local character, built environment, historical comparison, public realm, contemporary history, social landscape, and place identity. The recorded references to Wallace, Grommet, centre, Austin, and Royal preserve clues that can help identify how the subject was presented or used at the time. For the recorded location, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The scene retains a connection with historic townscape and the contrast between historic fabric and modern development within the specific setting of the recorded location. That also gives the frame relevance to heritage conservation and using existing buildings rather than demolishing them as part of the longer story of the recorded location. The image adds a further period reference to the visual history of the recorded location.

Description
Keywords: Danny,Trish,Manchester,Town,hall,albert,square,hotpixuk,hotpix,tonysmith,tony,smith,face,head,faces,toned,mono,monochrome,b/w,black,white,blue,wedding,marriage,flowers,ceremony,dress,suit,window,shadow,victorian,building,tdktony,nature,natural,history,world,life,You are not complete until you'r married, then you are finished!,tony smith photography,tdk,tdktonysmith,wwedding
Description: Tony Smith image Flickr 3875567348 - 'A wedding image in blue toned black and white monochrome within the great neogothic town hall in Manchester, which is a designated site for marriage ceremonies.
Designed by architect Alfred Waterhouse in 1877 as a town hall for a prosperous emerging city, the building features imposing murals by the artist Ford Madox Brown depicting important events in the history of the city. The Town Hall was rated by English Heritage as a Grade I listed building in 1952 and the Town Hall Extension, completed in 1938, was Grade II* listed in 1974.
The choice of Albert Square as location was influenced by a desire to provide a central, accessible, but relatively quiet site in a respectable district, close to Manchester's banks and municipal offices, next to a large open area, suitable for the display of a fine building.
The foundation stone of the new Town Hall was laid on 26th October 1868 by the Lord Mayor of Manchester, Robert Neill. The Town Hall was opened by Lord Mayor Abel Heywood, on 13 September 1877, after Queen Victoria's snubbed the city and refusal to attend the opening.
As you enter on the floor is a mosaic depicting the bee, the symbol of Manchester's being a hive of industry during the 19th century. The bee also used be on the Boddingtons beer logo. A history going back to 1778 was ended when last family chairman Ewart Boddington sold the Strangeways brewery and the Boddingtons brand to Whitbread for \u00a350.7 million. In May 2000, the Whitbread Beer Company was acquired by brewing conglomerate Interbrew. In 2004 brewing was moved from the original site next to Manchester's main victorian prison. Cask Boddingtons is still brewed in Manchester however, at teh former Kestral Lager brewary at Moss Side.
Reasuringly the town hall tower is still topped by a golden cotton seed ball, the original source of the city's wealth. That will not go the way of Strangeways brewery.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',

Description
Keywords: Connecting passage between Central Library and Manchester Town Hall,St,Peters,Square,Manchester,M2,5DB,stone,gotonysmith,city,centre,center,circular,libraries,walkers,designer,designed,by,E,Vincent,Harris,traditional,neoclassical,architecture,perennial,applicability,of,the,Classical,canon,rotunda,domed,structure,is,loosely,derived,from,the,Pantheon,Rome,architect,Vincent,Harris,Library,Theatre,Company,a,Manchester,City,Council,service,St,Peters,Square,and,Mount,St,A6042,Saint,gotonysmith,Mancester,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEY8W6 - Manchester Central Library is a circular library south of the Town Hall Extension in Manchester, England. It is the headquarters of the Manchester Library & Information Service, which also consists of 22 other community libraries.
To the left is the Manchester Town Hall extension, to the left the central library. This walkway connects St Peters Square and Mount St A6042
Central library, Mount St, Manchester, England, UK M2 5DB
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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,Lancs,Lancashire,Holland,portugal,The Netherlands,Banners for UEFA Womans Euro championship England 2022,in Leigh town centre,Leigh Town,Centre,womens soccer,teams,organisation,Fifa,management,hosts,host town,host towns,lionesses,lioness,gardens,library,square,Englands,banner,banners,promo,promotion,promotions,Turnpike Centre,Civic Square,Market Street,Leigh,UK,WN7 1EB
Description: Tony Smith image Alamy 2JH06NM - . Recorded at Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Banners for UEFA Womans Euro championship England 2022,in Leigh town centre, ready for Portugal vs Netherlands (Holland) after match party, NW England. The frame also records themes of local character, everyday life, brand-led retail, shopping district, urban change, commercial frontage, contemporary social history, urban social history, retail property, community life, customer footfall, period detail, destination retail, and physical store. Current relevance extends to store closures and business rates, particularly through how consumer spending patterns reshape commercial streets. In present-day coverage, the subject reaches into local identity and street safety, not least because of how ordinary street scenes become valuable records as businesses and infrastructure change. Future viewers can use this scene from Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB to compare landscape treatment and surrounding development with whatever follows after refurbishment. Further associations within the scene are outdoor retail, contemporary city life, place identity, commercial streetscape, historical comparison, town-centre economy, local history, and townscape record. The recorded references to Banners, party, ready, match, and after preserve clues about how the subject was presented, used or understood at the time. The period setting at Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The frame retains period character as part of Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB's history.
Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,USSR,1970,1970s,Fridge,watch,horology,classic,fridge,square,watches,of,the,rail,train,journey,history,historic,back in the,made in the,made,Mechanical,wristwatch,wind,up,winding,wrist,Chaica,Slava,analog,artdeco,art,deco,design,Glory
Description: Tony Smith image Alamy 2JPH6X7 - . Made at Omsk, Russia in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Slava Fridge watch - Product of the Soviet Russia Moscow Second watch factory 1975, with day/date in Russian. Another layer of the photograph includes mechanical movement, mechanical watchmaking, place identity, archival record, horological history, changing streetscape, historical comparison, period detail, vintage timepiece, local history, social history, contemporary social history, everyday life, and local character. Today's relevance is strengthened by vintage design, second-hand markets and the continuing question of the growth of collecting around distinctive period dials and movements. The archival value lies partly in recording transport arrangements and footfall around Omsk, Russia before later reinterpretation alters the character of the place. A second descriptive layer includes documentary photography, public realm, visual archive, period watch dial, watchmaking heritage, watch collector interest, vintage wristwear, and changing land use. The recorded references to Russian, Fridge, Moscow, Product, and Soviet preserve clues about how the subject was presented, used or understood at the time. For Omsk, Russia, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects vintage design and the growth of collecting around distinctive period dials and movements in a form that can be compared with future views of Omsk, Russia. Its period value extends to mechanical craftsmanship and the contrast between mechanical timekeeping and modern connected wearables within the real-world context of Omsk, Russia. The period view preserves a local visual benchmark within the wider story of Omsk, Russia.
Omsk, Russia

Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,London,England,UK,Coal drops,yard,KingsX,N1C,coal,shops,stores,N1C 4DH,Lower Stable St,market,Lower Stable Street,developed,redeveloped,area,district,Real Estate,properties,homes,new,square,renovated,built,rebuilt,gentrified,gentrification,architecture,buildings,design,old,and,trader,traders
Description: Tony Smith image Alamy 2M108C7 - . This authentic period view of Coaldrops yard, Kings Cross, , London, England, UK, N1C 4DH in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The scene records Coaldrops yard, Kings Cross development, retail, entertainment, shops, stores , London, England, UK, N1C 4DH. The wider scene also brings together bricks-and-mortar retail, public realm, small business, contemporary social history, everyday life, visual archive, local history, local character, changing land use, high-street commerce, street-level business, regional identity, period detail, and local enterprise. For current editorial use, commercial rents and footfall provide additional context, especially through how shopfronts become short-lived records of changing businesses. For later comparison, the photograph preserves public access and movement at Coaldrops yard, Kings Cross, , London, England, UK, N1C 4DH, details that may look very different after replacement signage. The subject also sits alongside town-centre trading, independent retail, shopfront economy, commercial frontage, changing streetscape, specialist retailer, community identity, and archival record. Elements such as retail, entertainment, stores, Cross, and shops add documentary specificity and may become increasingly useful when compared with later records. Around Coaldrops yard, Kings Cross, , London, England, UK, N1C 4DH, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is commercial rents and how shopfronts become short-lived records of changing businesses within the real-world context of Coaldrops yard, Kings Cross, , London, England, UK, N1C 4DH. The record includes a trace of local identity within the wider story of Coaldrops yard, Kings Cross, , London, England, UK, N1C 4DH.
Coaldrops yard, Kings Cross, , London, England, UK, N1C 4DH

Description
Keywords: LFC,EFC,Everton,FC,towels,scarf,scarves,red,blue,stall,Square,market,markets,selling,retail,vibrant,tourist,tourism,travel,landmark,concrete,1960s,sunny,summer,city,centre,attraction,Liverpool FC,Everton FC,The Toffees,TheReds,Radio City Tower,Williamson Square,City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,L1,1RL,Houghton,You,Will,Never,Walk,Alone,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,1 Houghton St,L1 1RL,You Will Never Walk Alone,Youll Never Walk Alone
Description: Tony Smith image Alamy H4HKRD - . An identifiable period record of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Williamson Square,Liverpool and Radio City Tower. A broader reading of the photograph includes town-centre economy, place identity, local enterprise, documentary photography, street-level business, retail property, commercial streetscape, contemporary social history, visual archive, bricks-and-mortar retail, local character, archival record, social history, and independent retail. Current relevance extends to business rates and store closures, particularly through the resilience of independent shops in an online retail economy. Small period details of local activity and public use at Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK may become more significant with time, particularly following refurbishment. A second descriptive layer includes specialist retailer, customer footfall, local history, public realm, commercial frontage, everyday life, changing streetscape, and high-street commerce. The combination of Radio, Liverpool, Square, Williamson, and Tower anchors the frame to a recognisable activity, place or moment. The wider setting at Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Its period value extends to business rates and the resilience of independent shops in an online retail economy in a form that can be compared with future views of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK. The location additionally provides evidence of store closures and the role of small retailers in maintaining active town centres within the real-world context of Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK.
Williamson Square/1 Houghton St, Liverpool L1 1RL, England, UK
-after-match-party--NW-England-2JH06ND.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,Lancs,Lancashire,Holland,portugal,The Netherlands,Banners for UEFA Womans Euro championship England 2022,in Leigh town centre,ready for Portugal vs Netherlands (Holland) after match party,NW England,banner,banners,Euros,womans,female,footy,football,championship,England 2022,championships,womens soccer,teams,organisation,Fifa,management,hosts,host town,host towns,lionesses,lioness,gardens,library,square,Englands
Description: Tony Smith image Alamy 2JH06ND - . This scene at Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The defining feature is Banners for UEFA Womans Euro championship England 2022,in Leigh town centre, ready for Portugal vs Netherlands (Holland) after match party, NW England. The wider scene also brings together place identity, community identity, archival record, shopping district, pedestrian environment, social landscape, changing streetscape, contemporary city life, local character, visual archive, social history, commercial frontage, physical store, and street-level documentary. Viewed from the mid-2020s, the subject also connects with consumer spending, commercial rents and the speed at which branding and store formats change. The modern context includes continuing discussion of footfall, transport and the relationship between public space and local social life. The archival value lies partly in recording transport arrangements and footfall around Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB before different community use alters the character of the place. Further associations within the scene are everyday life, consumer retail, urban change, changing land use, shopfront economy, contemporary social history, period detail, and bricks-and-mortar retail. Elements such as centre, Womans, Portugal, Holland, and party add documentary specificity and may become increasingly useful when compared with later records. A later view of Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. It also preserves a trace of local identity before later change alters the scene.
Turnpike Centre, Civic Square, Market Street , Leigh, England, UK, WN7 1EB

Description
Keywords: Townhall,Merseyside,Street,building,structure,listed,buildings,18th,century,stone,Lord,Mayors,Mayor,parlour,chamber,local,government,Corporation,James,Castle,Street,tour,licensed,for,weddings,slate,lead,roof,dome,18th Century,Buildings Of England,Town Hall,Dale St,Dale Street,GoTonySmith,@HotpixUK,HotpixUK,United,Kingdom,GB,English,British,domed,clock,square,exchange,flags,Buy Pictures of,Buy Images Of,Images of,Stock Images,United Kingdom,Great Britain,Exchange Flags
Description: Tony Smith image Alamy GGWHBR - Liverpool Town Hall stands in High Street at its junction with Dale Street, Castle Street, and Water Street in Liverpool, Merseyside, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and described in the list as one of the finest surviving 18th-century town halls. The authors of the Buildings of England series refer to its magnificent scale, and consider it to be probably the grandest ...suite of civic rooms in the country, and an outstanding and complete example of late Georgian decoration.
It is not an administrative building but a civic suite, Lord Mayor's parlour and Council chamber
local government administration is centred at the nearby Municipal Buildings. The town hall was built between 1749 and 1754 to a design by John Wood the Elder replacing an earlier town hall nearby. An extension to the north designed by James Wyatt was added in 1785. Following a fire in 1795 the hall was largely rebuilt and a dome designed by Wyatt was built. Minor alterations have subsequently been made. The streets surrounding its site have altered since its initiation, notably when viewed from Castle Street, the south-side, it appears as off-centre. This is because Water Street which ran to the junction with Dale Street, the west-east axis, was continuous and built up across the junction so that the Town Hall was not visible originally from that aspect. The structures were removed 150 years after this to expose the building from this position.
High St, Liverpool, Merseyside, England, UK L2 3SW

Description
Keywords: boarding,getting,on,classic,city,transports,15,number,no15,traditional,old,fashioned,ourist,travel,travellers,sightsee,sightseeing,tower,hill,of,England,UK,united,kingdom,europe,route,st,pauls,cathedral,route15,TFL,for,double,decker,double-decker,heritage,route,vehicle,Transport,AEC,LT,RM,gotonysmith,Pauls,doubledecker,deck,upstairs,top,vehicles,routes,omnibus,heritageroutes,Stagecoach,company,services,between,Trafalgar,Square,and,Tower,Hill,ALM71B,ALM,71B,crowd,line,queue,wait,waiting,patiently,Buy Pictures of,Buy Images Of,English queue,British queue
Description: Tony Smith image Alamy DCE7BA - London Buses route 15 (Heritage) is a Transport for London contracted bus route in London, United Kingdom. The service is currently contracted to Stagecoach London. It is a short working of the standard route 15.
A group of tourists queuing to board a red London Routemaster bus , Great Britain, services between Trafalgar Square and Tower Hill
Tower Hill, London, England, UK

Description
Keywords: attraction,slide,slides,dusk,at,St,Andrew,Square,Xmas,festival,moving,merry,go,around,Edinburghs,sign,saying,please,buy,carousel,tickets,at,the,box,office,moving,movement,Tourist,tourism,fun,track,things,to,see,do,GotonySmith,Go Tony Smith,GoTonySmith,capital,holiday spending
Description: Tony Smith image Alamy ED4M0E - Traditional fairground attractions, Carousel, at Night at Edinburgh's Hogmanay, Scotland , UK gives a direct editorial record of a recognisable subject, with location, signage, architecture or everyday behaviour carrying much of the meaning. A carousel at Edinburgh's Hogmanay brings together winter light, fairground nostalgia, tourism and one of Scotland's most commercially important public celebrations. The subject suits features on seasonal events, family entertainment, city-centre crowd management, night photography, visitor spending and the blend of tradition and spectacle in New Year celebrations. Seasonal references, artificial light and winter atmosphere make it especially relevant to December and New Year picture needs. The location detail, Edinburgh, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. For buyers, the strength lies in the combination of a named subject, a lived-in setting and enough visual specificity to carry stories about how places are used, remembered, funded, visited or contested.
St Andrew Square, Edinburgh, Scotland, UK

Description
Keywords: lights,on,bicycles,bikes,cab,central,cities,culture,cycle,europe,festival,festivals,historic,illumination,interest,interesting,landmark,light,lighting,lightings,lights,lit,night,nights,square,squares,trip,taxis,tourism,tourists,town,towns,GoTonySmith,traffic,transportation,travel,velotaxi,velotaxis,wheel,wheels,driver,owner,two,seat,seater,2seater,Deutsche,Deutschland,Buy Pictures of,Buy Images Of,Two seater,Two seats
Description: Tony Smith image Alamy F0XDX1 - This documentary stock photograph shows Berlin city Cycle illuminated pedal Rickshaw / taxi, at night, Germany - lights on. The image records an illuminated cycle rickshaw or pedal taxi at night, making it useful for editorial features on Berlin nightlife, tourist transport, theatre districts, sustainable travel and illuminated city leisure. Berlin is a city where ordinary street details often carry heavy layers of history, from Prussian and imperial architecture to the Weimar period, Nazi rule, wartime destruction, division, the DDR, reunification, tourism, gentrification and contemporary creative culture. The caption and visible subject detail provide a specific point of entry into that wider story rather than a generic German city view. Buyers could use the photograph for articles about Berlin travel, Cold War memory, street art, museum interpretation, urban nightlife, river sightseeing, architecture, souvenir culture, public transport, pedestrian design or the way history is repackaged in modern tourism. Search-friendly composite terms include Berlin Mitte street art, DDR surveillance display, Berlin Fernsehturm skyline, River Spree pleasure boat, Ampelmann crossing light, Berliner Dom interior, Berlin urban culture and German capital tourism. If the subject is graffiti, it can illustrate the city as a living wall of political humour, youth culture, commercial branding and layered paste-ups. If it is heritage or church architecture, it can support more formal travel, culture, history and education uses. If it is a boat, toy or street sign, it gives editors an accessible human-scale route into a large city story. The documentary style keeps the image credible for web, magazine, guidebook, education, museum, travel, urban policy, politics, design, consumer and social commentary use. Its strength for Alamy search is the mix of precise caption wording and broader Berlin themes, allowing it to be found for both narrow subject searches and wider.
Pariser Platz, Berlin, Germany

Description
Keywords: oldest,bar,united,kingdom,GB,Great Britain,history,historic,pint,beer,bitter,drink,drinkers,with,Square,Marketplace,Timber,Framed,Tudor,Cheshire,England,UK,listed,building,I,Grade1,one,timber-framed,public,house,black,white,quatrefoils,red,sandstone,plinth,jettied,gable,Golden Square,Grade One,GoTonySmith,tavern,pubsign,sign,WA1,WBC,Borough,Council,wood,wooden,Portrait,Buy Pictures of,Buy Images Of,Market Place,Kids eat Free,Barley Mow Public House,Grade2 Listed
Description: Tony Smith image Alamy EYAX34 - The barley mow is a timber-framed public house that has been much altered. The front facing Market Place is in elaborate black-and-white work, including quatrefoils, standing on a red sandstone plinth. It is in three storeys, including two jettied gables, and two continuous rows of small-pane windows. Inside the public house is a mixture of original 17th-century and later panelling
29 Old Marketplace, Warrington, Cheshire, England,UK, WA1 1QB




