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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9897,Stubshaw Cross Heritage Garden,entrance,Bolton Road,Ashton-in-Makerfield,Wigan,England,UK,green,garden,heritage,community,gate,arch,ironwork,landscaped,local,history,neighbourhood,regeneration,volunteers,horticulture,public,space,planting
Description: Tony Smith image Alamy 3EKP08X - . Stubshaw Cross Heritage Garden entrance off Bolton Road in Ashton-in-Makerfield, Wigan, England, UK. Photographed on 30 May 2026. The recorded location is Bolton Road, Ashton-in-Makerfield, Wigan, Greater Manchester, England, UK. A decorative green metal arch marked HERITAGE GARDEN frames the gated entrance to a small landscaped community space, with houses and planting visible beyond. The modest gated entrance and decorative ironwork give the garden a strong local identity and make the scene useful for stories about community-led improvements, environmental enhancement and the preservation of neighbourhood heritage. For community project, the historical context is that heritage gardens preserve designed landscapes, planting traditions and local memory in a form that changes with every season
Community-run gardens can also reclaim small or neglected sites as places for interpretation and public use. Looking at local heritage, the longer history is that local place names and small landmarks can be as significant to community history as nationally famous buildings
Streets, neighbourhood businesses and informal attractions offer reference points that may vanish during redevelopment or rebranding. For community project, the 2026 context is that community gardens are increasingly valued for biodiversity, wellbeing, volunteering and local identity, particularly in urban areas where accessible green space is limited. In 2026, local heritage remains relevant because current place-making policy increasingly emphasises distinctive local identity rather than generic development, so small landmarks and community businesses can become significant parts of how an area is represented. Useful related concepts include historic garden, horticulture, public garden, garden restoration, visitor attraction, urban green space, garden history, local history, place identity, townscape, streetscape, local landmark, urban change, regeneration, and local character.
Bolton Road, Ashton-in-Makerfield, Wigan, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_1210,Warrington Pride 2026,event,Time Square,rainbow,branding,crowds,Warrington,Cheshire,England,UK,Pride,LGBTQ+,visibility,equality,diversity,community,festival,public,space,inclusion,tourism,outdoor,entertainment,civic,celebration,visitors,town-centre,LGBT,LGBTQ
Description: Tony Smith image Alamy 3EPRNXY - . Warrington Pride 2026 event in Time Square with rainbow branding and crowds in Warrington, Cheshire, England, UK. Photographed on 13 June 2026. The recorded location is Time Square, Warrington, Cheshire, England, UK. Visitors gather around the modern civic square beside large colourful Pride event banners, outdoor seating and town-centre buildings. The image records the public-facing scale of the event and the way Pride activity occupies a central commercial and civic space rather than being confined to a single indoor venue. The colourful vertical signage provides a strong visual cue to the subject while the surrounding crowd and contemporary buildings place the celebration firmly within Warrington's regenerated Time Square area. For meeting place, the historical context is that civic spaces often accumulate layers of architecture from different periods while retaining a stable role as meeting places and pedestrian routes. Looking at town centre, the longer history is that place-based photography helps document the relationship between named locations and the people or businesses associated with them, especially where formal architectural records are limited. The background to collectable is that everyday objects often become better historical evidence with age because packaging, typography, materials and branding change more rapidly than their basic function
Souvenirs, games and household items can therefore date consumer culture very precisely. For meeting place, the 2026 context is that city-centre public spaces are increasingly expected to support walking, events, outdoor dining and climate resilience rather than functioning mainly as traffic space. In 2026, town centre remains relevant because current place-making policy increasingly emphasises distinctive local identity rather than generic development, so small landmarks and community businesses can become important parts of how an area is represented.
Time Square, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,food & drink,May,community,event,sunny,17th May 2026,Cheshire,festival deckchair,Golden Gates,Warrington Golden Gates,Bank Park,big,oversized,17 May 2026,sunny spring day,drink festival,outdoor,promotional,branding,lawn,town centre,civic landmark,quality,events,collaboration,music,tourism,regeneration,placemaking,public,realm,civic,space,heritage,setting,seasonal,promotion
Description: Tony Smith image Alamy 3EG4BGC - Festival-branded deckchair promoting Warrington Food & Drink Festival, photographed on the lawn at Bank Park in front of the famous Golden Gates and Warrington Town Hall on Sunday 17 May 2026. The image shows a large blue promotional deckchair printed with the festival logo, food and drink illustrations and the @WeAreWarrington branding, set against the ornate black-and-gold gates and bright spring sunshine. It is a strong editorial image for stories about Warrington events, town-centre festivals, local food and drink promotion, place marketing, civic spaces, community leisure, tourism, public realm activity and the use of heritage settings for modern visitor events.
The 2026 Warrington Food & Drink Festival took place across Bank Park and the grounds of Warrington Town Hall, bringing together around 80 traders, food stalls, drinks businesses and family entertainment over the weekend. This picture focuses on one of the event's visual branding features rather than the crowd itself, using the deckchair as a foreground prop that instantly conveys relaxation, hospitality and outdoor festival culture. The scene also captures the weather and season clearly, with green grass, leafy trees, blue sky and fair-weather cloud suggesting a pleasant sunny spring day in Cheshire, in the heart of the town centre.
Warrington Town Hall, originally built in 1750 as Bank Hall for merchant Thomas Patten and designed by James Gibbs, provides an important historical backdrop. The Golden Gates are one of Warrington's best-known landmarks and help root the image firmly in the town's civic identity. As a result, the photograph works well for editorial use covering Warrington, Cheshire tourism, food festivals, town-centre regeneration, cultural programming, local business promotion, hospitality, public events and civic pride. The combination of branded deckchair, heritage gates and seasonal sunshine gives the image a colourful, recognisable and commercially useful sense of place.
Sunny Warrington Town Hall scene with Food & Drink Festival deckchair, Golden Gates backdrop and bra
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,blue tit,bird,nature,urban,green,space,garden,public realm,placemaking,Auto Repair Centre,Chapel Street,regeneration,local,pride,city,wildlife,bird art,butterflies,ladybirds,painted leaves,greening,environmental,small park,benches,suburb,diverse,space improvement,anti graffiti,civic,social value,local garage,MOT,centre,graffiti,signage,outdoors
Description: Tony Smith image Alamy 3EBGJNR - The Village Green in Levenshulme, Manchester, is shown with a colourful community stock-photo/gotonysmith-Mural.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>mural painted across a low brick wall, featuring large white lettering, leaf shapes, butterflies, ladybirds and a striking blue tit perched on a branch. The image captures a small urban green space with benches, planting beds, winter-bare tree branches and the signage of Levenshulme Auto Repair Centre visible above the wall, placing the scene in a mixed residential, commercial and neighbourhood setting. It is useful for editorial stories about Greater Manchester street art, Levenshulme regeneration, community-led public realm improvements, urban nature, local identity, pocket parks, neighbourhood greening, mural art and the reuse of modest city spaces as places to sit, meet and add colour to the street. The blue tit and insects give the mural an accessible wildlife theme, linking the photograph to biodiversity, nature in the city, bird art, environmental education, urban ecology and the softer visual language often used in community arts projects. The setting also reflects Levenshulme's wider character as a diverse south Manchester suburb known for independent shops, railway links, markets, terraced streets, community activism and changing urban culture. The parked benches, damp paving and overcast light give the photograph a documentary feel rather than a polished promotional look, showing how public art sits alongside everyday garages, brick walls, railings and local businesses. The image has stock value for articles about Manchester neighbourhoods, street murals, urban renewal, local parks, anti-graffiti art, community pride, public art funding, social value, placemaking, high street backlands and the role of small green spaces in dense inner-city districts. It can also illustrate wider themes around bringing colour to overlooked corners, creating calmer public spaces, and using birds, flowers and insects as optimistic symbols of local environmental care.
The Village Green mural in Levenshulme, Manchester, with blue tit street art, benches and community
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Greater Manchester,England,shopping,chains,retail,space,city,centre retailing,pressure,pressures,interior,inside,entrance,doors,shopper,shoppers,footfall,indoor,indoors,modern,urban,British,experience,IRL,familiar,Next,bright,summer,architecture,security,crime,theft,shrinkage,lifestyle,Britain,M4,M4 3AQ
Description: Tony Smith image Alamy 3CGCJXB - A view from the Exchange Square entrance of Manchester Arndale, looking out across the square towards Manchester Cathedral and the surrounding cityscape. The photograph was taken in daylight under clear conditions, creating a bright, open atmosphere that reflects a busy and positive city-centre retail environment.
Manchester Arndale is one of the UK's largest inner-city shopping centres and plays a central role in the economic and social life of the city centre. Originally developed in the 1970s, the complex was extensively rebuilt and redesigned following damage sustained during the 1996 IRA bombing, an event that reshaped both the physical fabric and future direction of central Manchester.
The modern Arndale, characterised by glass façades and open sightlines, was designed to reconnect retail space with surrounding streets and public squares, including Exchange Square. From this vantage point, historic buildings such as Manchester Cathedral sit alongside contemporary commercial architecture, illustrating the layered development of the city.
The presence of shoppers moving through the space reflects the recovery and resilience of Manchester's retail core, as well as the continued importance of physical city-centre shopping in an era of online retail. The image is well suited for editorial use covering urban regeneration, retail economics, consumer behaviour, city-centre vitality and the evolving identity of modern British cities.
Manchester Arndale, Exchange Square, Manchester city centre, England, UK, M4 3AQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,streetname,British,location,place,travel,tourism,wayfinding,road,lane,alleyway,signpost,signage,metal,pole,lettering,public,space,outdoors,trees,greenery,foliage,summer,daylight,local,community,East,borough,residential,historic,character,streetscene
Description: Tony Smith image Alamy 2R3WMPF - This image shows a street name sign for Vinegar Alley in Walthamstow, East London, clearly displaying the E17 postcode. The sign is mounted on a metal pole and set against a backdrop of leafy green trees, giving a strong sense of place within a residential urban neighbourhood.
Street signs such as this are widely used in editorial, travel and lifestyle imagery to represent location, navigation and local identity. The distinctive street name adds character and curiosity, making the image suitable for illustrating themes of London neighbourhoods, wayfinding, urban exploration and everyday street detail.
Photographed in daylight during the warmer months, the surrounding foliage suggests a calm, well-established residential area. The simple composition focuses attention on the typography and wording of the sign, allowing it to be used as a contextual image for stories about place, community, property, local history or urban living in East London.
Vinegar Alley forms part of the wider streetscape of Walthamstow, an area that has become increasingly popular for its village atmosphere, green spaces and strong sense of local character within the capital.
Vinegar Alley, Walthamstow, London, E17, England, United Kingdom
--NOMA--Corporation-Street--M60-0AB-2K02F42.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,building,coop,Co-op building,Corporation Street,retail,offices,office,space,city,centre,North West,tower,block,redevelopment,area,F.E.L. Harris,FEL Harris,CWS,Cooperative Wholesale Society,New Central Building,Edwardian,Baroque,style,head,fire,damaged,Sheppard Robson,M60,word,gold,letters
Description: Tony Smith image Alamy 2K02F42 - The original building was designed by the Coop's in-house architect F.E.L. Harris. It opened in 1906 as the headquarters of the Cooperative Wholesale Society (CWS) and was called New Central Building. It was designed to look like a headquarters building and still does.
Take a look at that façade. It is pure powerhouse Edwardian, an almost bombastic expression of commercial and national confidence. This was a time when, like it or not, the British Empire was at its peak and the nation felt big.
Hanover is Baroque, a Classical-style formed of big bold elements, nothing is reticent, subtlety is shunned. The base of the exterior walls are of Aberdeen granite, elsewhere there's red brick with Derbyshire sandstone dressings. The most immediately eye-catching elements are the giant order columns at second floor level, then a fiercely heavy cornice, followed by a sweet but strong arcade high in the sky.
Hanover Building, NOMA, Corporation Street,Manchester, England, UK, M60 0AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,terminal,multi,belief,beliefs,religion,religions,prayer room,sign,signs,prayer,prayers,room,Jewish,draw aside,take time out,and,meet with God,Hindu,Hindus,Shia,Sunni,respect,equality,facilities,dedicated,spaces,rooms,area,space,where people can go to pray,Manchester Airport,England,UK,M90 1QX,Fajr Dhuhr Asr Maghrib Isha,woke,praise God
Description: Tony Smith image Alamy 2PYBHA3 - . Multi-faith prayer room sign, for various faiths and religions, Manchester International Airport, terminal2, England, UK, M90 1QX. Photographed on 27 April 2023. The recorded location is Manchester Airport, England, UK, M90 1QX. A Prayer Room is an opportunity to draw aside, take time out and meet with God. It is a dedicated space where people can go to pray and seek God, to intercede and petition. Jesus withdrew to pray (Mt 14:13. Jn 6:14-16), not at the expense of serving the Father but in order to be more effective in that. The key is not about the physical space but about making space for relationship with God who from the beginning of time longs to be with His people and connect with them. We know that God is everywhere and we can meet with God anywhere and everywhere, but a Prayer Room with time and place set aside can be an important part of growing in relationship with God. It's a great addition to be part of continual prayer in local church life and helpful being in a place with no distractions with focuses for prayer. The background to airport apron is that airport infrastructure is highly specialised: aprons, hydrant refuelling, ground vehicles and boarding systems support aircraft turnarounds that passengers rarely see
Photographs of these processes document the industrial side of air travel. Within the history of information sign, temporary and permanent notices are valuable social-history evidence because they capture the rules and assumptions of a particular moment, from parking and access to opening times, safety and public-service instructions. In relation to historic fabric, historical context shows that churches combine worship with architecture, local memory and centuries of community history
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family history.
Manchester Airport, England, UK, M90 1QX
-only--TimeSquare-car-park--Warrington-town-centre--Cheshire-England--UK--WA1-2HN-2JTNA3R.jpg)
Description
Keywords: GoTonySmith,HotpixUK,Cheshire,town centre,England,UK,Time Square,time,square,sq,multistorey,multi,storey,TimeSquare,WA1,sign,space,EV,Charging,only,parking,electric,vehicle,plug,in,plug-in,WA1 2HN,town,centre,eco,green,chargers,charger,chargemap,pass,free,expensive,slow,fast,electric vehicle charging
Description: Tony Smith image Alamy 2JTNA3R - THERE is good news for electric vehicle drivers in and around Warrington, as the council has announced free electric charging at its Time Square car park and Warrington West station.
The initiative, which has been confirmed for at least the next six months, will help to support those who are making the switch from petrol and diesel to electric.
There are currently 56 charging points at the Time Square car park “ one of the highest number of charging points in a single location in the country “ with another 12 charging points available at the new Warrington West station.
The move to offering free electric vehicle charging comes after the council's climate emergency declaration in June.
The plans to encourage electric vehicle travel also support the council's Air Quality Action Plan, which aims to reduce nitrogen dioxide levels within the main, busy traffic routes leading into and around the town.
Cllr Judith Guthrie, cabinet member for environment, who drives an electric car herself, said: It's great news that I'm able to announce free charging points for electric vehicle users here in Warrington. We're committed to doing all we can to help people become more environmentally-friendly in and around the borough - more at https://www.warringtonguardian.co.uk/news/18243487.free-electric-vehicle-charging-points-warrington-west-time-square-car-parks/
Bank St, Warrington,Cheshire, England, UK, WA1 2HN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,WA1,10 Museum St,Warrington,WA1 1HU,former,school,art,on,10,town centre,Museum St,Victorian,outside,exterior,stone,history,historic,plan,plans,project,development,redevelopment,Museum Street College Development,Ltd,application,rejected,19th century,19c,office,meeting,space,conservation,area
Description: Tony Smith image Alamy 2RC31A5 - . Former Warrington Collegiate School of Art building, on 10 Museum Street, town centre, Cheshire, England, UK, WA1 1HU. Photographed on 11 July 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 10 Museum St, Warrington, Cheshire, England, UK, WA1 1HU, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Cheshire, WA1, 10 Museum St, Warrington, WA1 1HU, former, school, art, town centre, Museum St, Victorian, exterior, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
10 Museum St, Warrington, Cheshire, England, UK, WA1 1HU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,thriving,natural,habitat,in,south,local plan,planning,proposal,2014,summer,green,land,homes,England,Cheshire,new,development,yet,more,houses,proposed,WA4,WA4 3HN,NINBYS,enough,countryside,open,space,spaces,farmland,farming,trees,woods,paths,walks,fresh air,nature
Description: Tony Smith image Alamy 2R5PNY5 - Petition by Lynn Bellard - https://www.change.org/p/protect-our-greenbelt-in-warrington?source_location=topic_page
Warrington Borough Council developed and published their Local Plan in 2014 based on population growth statistics at that time, these figures are now substantially out of date. 55 Councils across the UK have now abandoned their local plans as The Homes & Communities Agency confirmed that housing targets are a guide and not mandatory. Warrington Borough Councils plan includes removing large areas of Greenbelt Land all over the Borough for housing developments and business parks.
All areas will be affected
Appleton, Appleton Thorn, Stretton, Grappenhall, Thelwall, Lymm, Croft and Culcheth for housing developments. New roads will be punched through existing areas to access the new housing estates, for example through Grappenhall Sports Club across the Bridgewater Canal, affecting Stockton Heath and Stockton Lane. Another road is planned across fields at the back of Stretton towards the M56.
These areas are all currently green fields, sports fields and wildlife habitats.
All of these areas have new housing stock built in the last 10 years, surely enough Greenbelt has been lost already. There are enough brownfield sites across Warrington for thousands of houses without having to dig up Greenbelt. The Greenbelt areas are the 'Green Lungs' of Warrington, the trees and plants store carbon and clean the air we breathe. The people of Warrington are now saying 'NO' to losing any more Greenbelt. Our elected representatives need to listen to us. During Covid we all learned how important fresh air and open space is to our survival.
Wrights Green, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 3HN
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,62,cycle,paths,Walton Lock,Walton,Warrington,Cheshire,England,UK,WA4 6DJ,blue,signage,TPT,sign,fingerpost,fingerposts,signs,at,route,mixed,routes,abused,worn,dirty,unkempt,open,fresh air,green,space,spaces,pathway,pathways,arrow,arrows
Description: Tony Smith image Alamy 2JEKR1Y - . This location-specific image from Walton Lock, Walton, Warrington, Cheshire, England, UK, WA4 6DJ in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows Rundown Trans Pennine Trail blue signs, at Walton Lock, Walton, Warrington, Cheshire, England, UK, WA4 6DJ. A broader reading of the photograph includes changing land use, archival record, local identity, changing streetscape, local character, city-centre activity, directional marker, urban change, historical comparison, street-level documentary, period detail, social history, place identity, and wayfinding system. In present-day coverage, the subject reaches into public safety and local identity, not least because of the way signage becomes part of local visual identity. Today's relevance is strengthened by local identity, transport and the continuing question of the relationship between public space and local social life. Future viewers can use this scene from Walton Lock, Walton, Warrington, Cheshire, England, UK, WA4 6DJ to compare public access and movement with whatever follows after closure or conversion. Other useful contextual ideas include pedestrian environment, townscape record, community identity, navigation aid, local information board, regional identity, community noticeboard, and instructional sign. The combination of Walton, Trail, signs, Pennine, and Trans anchors the frame to a recognisable activity, place or moment. The wider setting at Walton Lock, Walton, Warrington, Cheshire, England, UK, WA4 6DJ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is public safety and the way signage becomes part of local visual identity as part of the longer story of Walton Lock, Walton, Warrington, Cheshire, England, UK, WA4 6DJ.
Walton Lock, Walton, Warrington, Cheshire, England, UK, WA4 6DJ
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,Warrington,Cheshire,WA4 5AD,green,boards,Ltd,association,associations,grow,growing,garden,urban,event,plot,plots,natural,nature,space,veggies vegetables,surplus,use,eat,buy,notices,notes,note,under,glass,protected,waterproof,waterproofed,locked,up,away
Description: Tony Smith image Alamy 2JDJ556 - . This scene at Red Lane, Stockton Heath, Warrington, Cheshire, England, UK, WA4 5AD in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The location is represented through Stockton Heath Allotment Association Ltd - Red Lane Allotments, Warrington, Cheshire, England, UK, WA4 5AD - green notice board. The setting additionally reflects contemporary city life, regional identity, local history, everyday street life, documentary photography, urban change, local character, social history, historical comparison, changing land use, everyday life, public realm, before-and-after reference, and street-level documentary. In present-day coverage, the subject reaches into footfall and public-realm change, not least because of the relationship between public space and local social life. Small period details of commercial use and occupation at Red Lane, Stockton Heath, Warrington, Cheshire, England, UK, WA4 5AD may become more significant with time, particularly following different community use. The photograph additionally reflects contemporary social history, community identity, urban social history, social landscape, archival record, community life, city-centre activity, and changing streetscape. The combination of Association, board, Heath, Allotment, and Allotments anchors the frame to a recognisable activity, place or moment. The wider setting at Red Lane, Stockton Heath, Warrington, Cheshire, England, UK, WA4 5AD matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence of footfall and how ordinary street scenes become valuable records as businesses and infrastructure change within the specific setting of Red Lane, Stockton Heath, Warrington, Cheshire, England, UK, WA4 5AD.
Red Lane, Stockton Heath, Warrington, Cheshire, England, UK, WA4 5AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Outside the Young Vic Theatre,London Southwark,England,UK,art,arts,theatre,play,plays,neon,pub,bar,Outside,the,winner,of,5,Tony,awards,London,Southwark,south,cut,south bank,performing arts,venue,space,Frank Dunlop,The Cut,SE1 8LZ,SE1,Young Vic Company,young audiences,young audience
Description: Tony Smith image Alamy 2JHB6XE - The Young Vic Theatre is a performing arts venue located on The Cut, near the South Bank, in the London Borough of Lambeth.
The Young Vic was established by Frank Dunlop in 1970. Kwame Kwei-Armah has been Artistic Director since February 2018, succeeding David Lan.
History
In the period after World War II, a Young Vic Company was formed in 1946 by director George Devine as an offshoot of the Old Vic Theatre School for the purpose of performing classic plays for audiences aged nine to fifteen.
This was discontinued in 1948 when Devine and the entire faculty resigned from the Old Vic, but in 1969 Frank Dunlop became founder-director of The Young Vic theatre with Scapino, his free adaptation of Molière's The Cheats of Scapin, presented at the new venue as a National Theatre production, opening on 11 September 1970 and starring Jim Dale in the title role with designs by Carl Toms (decor) and Maria Björnson (costumes).
Initially part of the National Theatre, the Young Vic Theatre became an independent body in 1974.
In the words of Laurence Olivier, then director of the National Theatre: Here we think to develop plays for young audiences, an experimental workshop for authors, actors and producers. The aim was to create an accessible theatre which offered high quality at low cost in an informal environment. The aim was to appeal to young audiences, but this time not specifically to children.
66, The Cut, Southwark, London, England, UK, SE1 8LZ
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,UK,England,Soho,busy,W1,city,centre,green,space,open,entertainment,people,full,of,1681,sign,signs,street sign,gate,gateway,entry,entrance,British,English,relax,relaxing,crowds,crowd,families,sitting,down,sit,tree,trres,outdoors,hidden,garden
Description: Tony Smith image Alamy 2JJGFNF - . Photographed at Soho square , Soho, London, England, UK, W1D 3QN in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The image documents Gateway to summer crowds in Soho square park , Soho - Entertainment District, London, England, UK, W1D 3QN. The image also relates to open-air leisure, public realm, summer city life, community recreation, before-and-after reference, documentary photography, everyday street life, family recreation, community life, urban change, regional identity, local identity, seasonal outdoor activity, and local history. Viewed from the mid-2020s, the subject also connects with heatwaves, family access and how active public realms support footfall and neighbourhood vitality. The modern context includes continuing discussion of street safety, commercial change and how ordinary street scenes become valuable records as businesses and infrastructure change. The image fixes equipment and working practice within Soho square , Soho, London, England, UK, W1D 3QN at one identifiable point, providing a benchmark against new ownership. Further associations within the scene are urban gathering place, changing streetscape, contemporary social history, public-realm activation, social landscape, everyday life, contemporary city life, and local character. The recorded references to Entertainment, summer, District, Gateway, and crowds preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within Soho square , Soho, London, England, UK, W1D 3QN, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another useful connection is heatwaves and the importance of inclusive spaces that serve residents as well as visitors in a form that can be compared with future views of Soho square , Soho, London, England, UK, W1D 3QN.
Soho square , Soho, London, England, UK, W1D 3QN
Description
Keywords: Office,space,gerkin,Marys,London,England,UK,at,Dusk,finance,financial,money,district,commercial,skyscraper,EC3A,8BF,services,passport,passporting,Brexit,EU,30 St Mary Axe,The Gherkin,Swiss Re Building,City Of London,EC3A 8BF,EU Passporting,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,former,sites,of,the,Norman,Foster,cityscape,architecture,lit,illuminated,sir,outdoor,Aldgate,travel,tourist,construction,contemporary,Londons,Skanska,skyscraper,symbol,futuristic,insurance,urban,high,rise,highrise,long,exposure,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of,Financial District,Baltic Exchange,Chamber of Shipping,High-rise,Long Exposure
Description: Tony Smith image Alamy H3F0BK - 30 St Mary Axe (informally known as The Gherkin and previously as the Swiss Re Building) is a commercial skyscraper in London's primary financial district, the City of London.
It was completed in December 2003 and opened in April 2004. With 41 storeys, it is 180 metres (591 ft) tall and stands on the former sites of the Baltic Exchange and Chamber of Shipping, which were extensively damaged in 1992 by the explosion of a bomb placed by the Provisional IRA in St Mary Axe, the street from which the tower takes its name.
30 St Mary Axe was designed by Norman Foster and Arup Group and it was erected by Skanska, with construction commencing in 2001.
St Mary's Axe, London, England, UK EC3A 8BF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,south,Cheshire,England,UK,WA4,community,WA4 2SG,new,at,the,Brenda,dedicated,to,memory,of,HM,II,1926,2022,Bell House,Bellhouse,lane,ln,tribute,memorial,jubilee,year,time,traditional,villages,village,The Bellhouse,centre,space,hotpix.org.uk,old,clock face
Description: Tony Smith image Alamy 2PBE664 - . An on-location photograph from Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG in 2023, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows New blue clock at the GYCA, Grappenhall Youth and Community Association, The Bellhouse, Bellhouse lane, Warrington, Cheshire, England, WA4 2SG. The locality and subject together evoke local history, industrial waterway history, archival record, heritage boating, lock flight, local character, social history, working waterway, documentary photography, public realm, canal heritage, blue-green corridor, changing land use, and managed navigation. Viewed from the mid-2020s, the subject also connects with volunteering, public access and the role of canals as blue-green corridors for people and wildlife. As a dated visual record of Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG, the frame retains materials and architectural details, making it especially useful if changed technology subsequently changes the scene. The location also brings in canal infrastructure, changing streetscape, visual archive, towpath landscape, inland navigation, regional identity, everyday life, and historical comparison. The combination of Community, Youth, Bellhouse, Grappenhall, and clock anchors the frame to a recognisable activity, place or moment. By fixing the subject within Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of volunteering and the role of canals as blue-green corridors for people and wildlife within the specific setting of Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG. It also preserves a local visual benchmark within the wider story of Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG.
Grappenhall, Warrington, Cheshire, England, UK, WA4 2SG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,England,UK,The,FY1 1BN,old,space,artspace,artist,artists,wall,bear,with,child,at,subversion,street art,pasted,Blackpools,community,derelict,repurposed,canvas,creativity,expression,buildings,brick,walls,characters,fantasy,people,figures,Pip Squeak,Pipsqueak,bears
Description: Tony Smith image Alamy 2JRFF4R - . Recorded at The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is Pipsqueek bear with child at The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN. The surrounding context encompasses built heritage, period architecture, visual archive, social history, changing land use, local history, urban regeneration, before-and-after reference, contemporary social history, documentary photography, civic architecture, historical comparison, mixed-use redevelopment, and heritage-led regeneration. The wider contemporary story combines planning, public-realm investment and the value of reusing existing buildings rather than wholesale demolition. Small period details of local activity and public use at The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN may become more significant with time, particularly following changed technology. The location also brings in commercial redevelopment, archival record, everyday life, place identity, public realm, historic townscape, regional identity, and urban fabric. The recorded references to Pipsqueek, Deansgate, child, Lancs, and factory preserve clues about how the subject was presented, used or understood at the time. A later view of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of planning and the value of reusing existing buildings rather than wholesale demolition within the specific setting of The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN. The image fixes part of the area's social history before later change alters the scene.
The Old rock factory, Deansgate, Blackpool , Lancs, England, FY1 1BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,NW1,Camden,London,NW1 8NJ,the,Auction Rooms,decorated,street,art,streetart,Coworking,space,Co-Working,registered,charity,centre,building,office,offices,arty,artists,artistic,urban,street art,bright,unique,streets,districts,graffiti artists,rough,activists,activist,north
Description: Tony Smith image Alamy 2K16AW8 - Camden Collective is a registered charity offering free hot-desking space and subsidised offices for creative start-ups in the heart of Camden Town. We take on temporary leases of empty building and bring them back to life, filling them with an ever-growing community of creative young people. We give start-ups the chance to take risks, experiment, and grow in a low-cost way.
The Collective journey started 10 years ago. Since 2009, it has occupied 18 spaces and has introduced various projects, such as: pop-up shops, free courses, accelerators, commissioning public realm projects, free events, and the Camden Create Festival. We have an evolving model, but our community of like-minded individuals are at the heart of what we do, as well as the entrepreneurs and stakeholders who help us to grow and support our next exciting stages of development.
Camden Collective is run by Camden Town Unlimited, the Business Improvement District for Camden Town. In the past, we relied on grants and raising revenue to keep up our activities. Now we're fully self-sufficient, with income from lockable offices paying for free hot-desking, running costs of the project, and any renovations needed to maintain our hub, or create new ones
Camden Collective is just one of Camden Town Unlimited's forward-thinking projects. We're the same team that's behind the Camden Highline
a project transforming the disused railway between Camden Town and King's Cross, and Euston Town
a business improvement district with a focus on air quality, transport and identity. We're also the co-founders of Alternative Camden
a new type of innovation district for Camden.
5-7 Buck St, Camden, London, England, UK, NW1 8NJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,dusk,L1,off,Bold St,at,night,evening,cocktails,&,spirits,in,a,buzzing,hangout,with,neon,lights,leather booths,outdoor seating,seats,Ropewalks,Rope Walks,area,late,later,space,Rope walks,Rope walk,urban,attractions,nightlife,tourism
Description: Tony Smith image Alamy 2P4JX6A - . This authentic period view of the recorded location in 2023 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents SOHO at dusk, Concert Square, Concert St, Liverpool, Merseyside, England, UK, L1 4NR. The broader subject matter reaches into social history, documentary photography, changing streetscape, changing land use, traditional ale house, archival record, night-time economy, local history, visitor hospitality, local character, historic hostelry, public realm, licensed hospitality, and real-ale culture. Viewed from the mid-2020s, the subject also connects with beer duty, staffing pressure and the survival of pubs as both businesses and informal community spaces. The archival value lies partly in recording landscape treatment and surrounding development around the recorded location before new construction alters the character of the place. The photograph additionally reflects visual archive, community drinking venue, historical comparison, regional identity, traditional pub, contemporary social history, beer-led hospitality, and community identity. The combination of Square, Merseyside, Concert, and Liverpool anchors the frame to a recognisable activity, place or moment. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate beer duty and the continuing appeal of real ale and regional brewing as part of the longer story of the recorded location. The image also provides a reference for business rates and pressure on hospitality margins in the mid-2020s when considered against later change at the recorded location. Another useful connection is consumer spending and the continuing appeal of real ale and regional brewing without losing the local specificity of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,inside,confined,space,a,canal,boat,English,British,history,heritage,historic,decorations,painted,oil,light,area,Cheshire,England,UK,Victorian,barges,narrowboats,Great Britain,tight,small,cramped,plates,fabric,fabrics,living,home,boats,museum
Description: Tony Smith image Alamy 2K1YKWF - . This authentic period view of National Waterways Museum, South Pier Rd, Ellesmere Port, Cheshire, England, UK, CH65 4FW in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Victorian Canal barge, narrowboat interior, kitchen, living quarters, Cheshire, England, UK. The locality and subject together evoke industrial waterway history, historic townscape, commercial redevelopment, waterway conservation, waterborne freight, towpath landscape, regional identity, everyday life, historical comparison, visual archive, mixed-use redevelopment, changing streetscape, public-realm investment, and working waterway. For current editorial use, industrial heritage and volunteering provide additional context, especially through how museum collections preserve working waterway history. Current relevance extends to housing pressure and heritage conservation, particularly through how regeneration tries to create reasons to visit traditional town centres. Small period details of period objects and surrounding context at National Waterways Museum, South Pier Rd, Ellesmere Port, Cheshire, England, UK, CH65 4FW may become more significant with time, particularly following altered transport patterns. The wider setting retains connections with industrial navigation, place-making, local character, heritage boating, contemporary social history, documentary photography, social history, and boat museum collection. Details involving Canal, kitchen, narrowboat, barge, and living make the image more specific than a generic view and strengthen its local or historical value. The wider setting at National Waterways Museum, South Pier Rd, Ellesmere Port, Cheshire, England, UK, CH65 4FW matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned.
National Waterways Museum, South Pier Rd, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,town,centre,WA1,new,development,redeveloped,rebuilt,market place,unit8,unit 8,evening,dusk,sunset,at,movie,theatre,complex,2D,English,landmark,destination,space,area,winter,revitalised,leisure,pubs,bar,pub,multiscreen,multi-screen,parlour,Costellos,times square warrington
Description: Tony Smith image Alamy 2NCX2EB - . Recorded at Time Square, unit 8, Warrington, Cheshire, England, UK, WA1 2LH in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records Evening sunset at Cineworld multiplex cinema complex at Time Square, unit 8, Warrington, Cheshire, England, UK, WA1 2LH. The broader subject matter reaches into regional identity, film exhibition, everyday life, cinema retail complex, documentary photography, local history, contemporary social history, visitor leisure, before-and-after reference, evening economy, changing streetscape, archival record, historical comparison, and community identity. Current relevance extends to cinema attendance and streaming competition, particularly through how cinema buildings record changing patterns of entertainment. Small period details of equipment and working practice at Time Square, unit 8, Warrington, Cheshire, England, UK, WA1 2LH may become more significant with time, particularly following redevelopment. A second descriptive layer includes visual archive, screen entertainment, big-screen entertainment, commercial leisure, public realm, place identity, cinema-going culture, and changing land use. The combination of multiplex, complex, Evening, Square, and cinema anchors the frame to a recognisable activity, place or moment. For Time Square, unit 8, Warrington, Cheshire, England, UK, WA1 2LH, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is cinema attendance and how cinemas compete with streaming while retaining the social appeal of the big screen within the specific setting of Time Square, unit 8, Warrington, Cheshire, England, UK, WA1 2LH. The frame retains period character before later change alters the scene. The scene captures a trace of local identity as a date-specific reference.
Time Square, unit 8, Warrington, Cheshire, England, UK, WA1 2LH
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Cheshire,England,UK,space,WA14,WA14 1EP,property,agent,agents,business,unit,units,contemporary,workspace,Alty,real estate,1980,1980s,architecture,building,buildings,floors,high,rise,highrise,rental,rent,shared,moody,cloudy,Stamford New Road,window,windows,Stamford New Rd,offices,managed
Description: Tony Smith image Alamy 2JBXJJ9 - . Made at the recorded location in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Station House office block, Bruntwood Station House, Stamford New Rd, Altrincham, Cheshire, England, UK, WA14 1EP. The surrounding context encompasses railway heritage, documentary photography, place identity, before-and-after reference, contemporary social history, freight wagon, social history, community identity, everyday life, archival record, passenger railway, architectural detailing, historic streetscape, and visual archive. Current relevance extends to station investment and rail reform, particularly through the balance between railway heritage and network modernisation. In present-day coverage, the subject reaches into local identity and maintenance, not least because of the tension between conservation and redevelopment. For later comparison, the photograph preserves transport arrangements and footfall at the recorded location, details that may look very different after changed technology. A second descriptive layer includes architectural character, changing land use, trackside history, rail transport, rail corridor, period detail, urban fabric, and local history. References to Stamford, block, Bruntwood, House, and office give the picture a strong period identity and tie it closely to its named subject. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is station investment and the continuing importance of rail to regional connectivity within the specific setting of the recorded location. The wider significance includes energy retrofit and the tension between conservation and redevelopment as part of the longer story of the recorded location.
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,London,Camden,North London,England,UK,summer,bather,family,keeping,cool,having,themselves,fun,at,it,adult,children,families,development,public,space,cooling,wet,splash,splashing,warm,weather,cooled,bathers,bath,playing,messing,about,June 2026,heatwave,record temperatures,climate change
Description: Tony Smith image Alamy 2JKC2DD - Families and children cool off among the choreographed splash fountains of Granary Square in King's Cross, London, during intense summer weather. An adult and two young children stand barefoot in the water jets on the broad paved public square, with crowds, brick buildings and the regenerated urban setting visible behind them. The image captures both the enjoyment of hot weather and the practical use of interactive fountains as informal cooling spaces during periods of exceptional heat in the capital.
The photograph is especially relevant to the late June 2026 heatwave affecting London, the wider United Kingdom and much of Europe. Britain provisionally reached 36.7°C at Merryfield, Somerset, on 25 June, setting a new national June temperature record for a second consecutive day, while the Met Office issued a Red Warning for Extreme Heat for a record third consecutive day. Across western and central Europe, a persistent blocking pattern, widely described as a heat dome or omega block, brought prolonged, dangerous temperatures and major impacts on health, infrastructure, labour productivity and daily life.
Granary Square is well known for its large field of choreographed fountains and is a popular place for children and families in warm weather. In editorial terms, the scene works strongly for stories about public behaviour during heatwaves, urban design, city resilience and the adaptation of public spaces to hotter summers. Splash fountains, shade, drinking water access and other cooling features are increasingly important in dense cities where hard surfaces and the urban heat island effect can make temperatures feel even more oppressive.
The image also connects with the broader climate emergency. Individual heat events arise from specific weather patterns, but human-caused climate change driven by fossil fuel burning is increasing the likelihood and intensity of extreme heat. The photograph therefore illustrates not only family leisure in London but also socity
Granary Square, Kings Cross, coal drops Yard, Camden, North London, England, UK, N1C 4BH
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,London,Camden,North London,England,UK,N1C 4BH,summer,bather,family,keeping,cool,having,enjoyment,themselves,fun,at,it,adult,child,children,families,development,public,space,cooling,wet,splash,splashing,warm,weather,cooled,bathers,bath,playing,messing,about
Description: Tony Smith image Alamy 2JKC2DM - . This scene at Granary Square, Kings Cross, coal drops Yard, Camden, North London, England, UK, N1C 4BH in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Summer bathers, having fun, at Granary Square, Kings Cross, coal drops Yard, Camden, North London, England, UK, N1C 4BH. A broader reading of the photograph includes city-centre public space, local character, family recreation, before-and-after reference, contemporary social history, changing streetscape, public-realm design, visual archive, historical comparison, land-use transformation, place identity, pedestrian square, local history, and summer city life. Viewed from the mid-2020s, the subject also connects with maintenance, inclusive design and the growing need for shade, water and cooling during hotter summers. The modern context includes continuing discussion of mixed-use development, visitor economy and the balance between preserving industrial character and creating high-value urban destinations. The archival value lies partly in recording public access and movement around Granary Square, Kings Cross, coal drops Yard, Camden, North London, England, UK, N1C 4BH before altered transport patterns alters the character of the place. The wider setting retains connections with open-air leisure, community identity, contemporary cityscape, regional identity, post-industrial redevelopment, informal play space, public-realm activation, and documentary photography. The combination of drops, Kings, Granary, Summer, and Cross anchors the frame to a recognisable activity, place or moment. The period setting at Granary Square, Kings Cross, coal drops Yard, Camden, North London, England, UK, N1C 4BH helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object.
Granary Square, Kings Cross, coal drops Yard, Camden, North London, England, UK, N1C 4BH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,England,UK,must,be,displayed,signage,disabled,chair,accessible,for,badges,parking,car,park,paint,painted,car park,space,NCP,Stockport,textured,surface,on,blue,and,yellow,enabled,exchange,SK1 3SW,SK1,disability,access,care,reasonable,adjustments
Description: Tony Smith image Alamy 2N28R3X - . An identifiable period record of NCP Stockport change.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Exchange, 11 Railway Rd, Stockport, England, UK, SK1 3SW in 2023, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The subject captured here is Textured surface on blue and yellow painted,disabled parking space NCP Stockport. The locality and subject together evoke public-facing notice, historical comparison, changing land use, public realm, advertising ephemera, period advertising, regional identity, social history, archival record, shop display, community identity, commercial signage, promotional board, and historic signage. The wider contemporary story combines heritage, branding and how public-facing messages shape behaviour and purchasing. As a dated visual record of NCP Stockport Exchange, 11 Railway Rd, Stockport, England, UK, SK1 3SW, the frame retains public access and movement, making it especially useful if replacement signage subsequently changes the scene. The location also brings in retail graphics, before-and-after reference, contemporary social history, local history, public information notice, place identity, changing streetscape, and visual archive. The recorded references to surface, Stockport, yellow, space, and painted preserve clues about how the subject was presented, used or understood at the time. A later view of NCP Stockport Exchange, 11 Railway Rd, Stockport, England, UK, SK1 3SW may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. A further contemporary connection is heritage and the speed at which branding and promotional styles change without losing the local specificity of NCP Stockport Exchange, 11 Railway Rd, Stockport, England, UK, SK1 3SW. The image fixes a trace of local identity for future local research. It also preserves a local visual benchmark before later change alters the scene.
NCP Stockport Exchange, 11 Railway Rd, Stockport, England, UK, SK1 3SW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,evening,sunset,behind,historic,County Court,building,CIC,company,space,Gerard Winstanley,House,offices,listed,leaded,Arts at the Mill,interest,arts,music,spaces,cafe,1887,venue,Community,grade II,Victorian,Lancs,and,HMRC,window,buildings
Description: Tony Smith image Alamy 2MKF8NX - Gerard Winstanley House which was formerly the towns magistrates court and police station but is now the home of a multi-arts thriving creative community.
It is a Grade II listed building dating back to around 1887 and of course, the first thing that hits you is the brickwork. The official records describe it as red brick in Flemish bond with sandstone dressings and a slate roof.
The buildings stand on Crawford Street opposite the small little garden that belongs to the Parish Church of All Saints and it really does cut a very imposing figure from a seat in that garden.
But the dramatic architecture doesn't stop there - not only do we have the amazing red brickwork and intricate dressings, but we have towers and turrets too! The spiked tower at the bottom end of Crawford Street rises high above the brickwork pointing right up to the often dark skies above.
This is where the main entrance to the courts was, its large welcoming doorway still a big feature of the facade. The symmetry and absolute craftsmanship of the building never fail to impress
These days the courts and police station have long gone, updated and replaced elsewhere in the town and everyone wondered what might happen to this magnificent building.
Would it go to rack and ruin like so many other buildings in the town, or would there be new life breathed into it, would it get a second chance?
The answer was firmly YES as the building was purchased and occupied by The Old Courts who have transformed the place and have refurbished the interior (still an ongoing project) to provide Art Galleries, a Theatre, a Live Music venue, a Cafe, a Record store, Band rehearsal rooms, Conference and Events space and even a bar.
Bailiff Bar is at the very bottom of the building around the corner from Crawford Street and on to King Street West.
The Old Courts, Crawford Street, Wigan, Lancashire, England,UK, WN1 1NA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L3 9BP,building,architecture,office,centre,block,office block,retail,1962,designed,by,Littlewoods Architectural,dept,department,architectural,Plaza,the,1960s,business,area,district,tower block,block JM,Bruntwood,real estate,space,sunny,blue,sky,skies
Description: Tony Smith image Alamy 2MGWK4J - . This scene at Old Hall St, Llverpool, city, centre, Merseyside, England, UK, L3 9BP in 2023 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on The Plaza, JM Centre 100 Old Hall St - 1962 designed by Littlewoods , Old Hall St, Llverpool city, centre, Merseyside, England, UK, L3 9BP. The setting additionally reflects documentary photography, archival record, public realm, community identity, regional identity, local character, changing land use, commercial streetscape, conservation interest, heritage landmark, local history, traditional materials, retail property, and historic townscape. From a 2025-onward perspective, maintenance and redevelopment pressure are closely linked to this subject, alongside how historic fabric can support regeneration rather than demolition. The wider contemporary story combines commercial rents, online shopping and the role of independent businesses in maintaining active town centres. As a dated visual record of Old Hall St, Llverpool, city, centre, Merseyside, England, UK, L3 9BP, the frame retains period objects and surrounding context, making it especially useful if different community use subsequently changes the scene. A second descriptive layer includes before-and-after reference, high-street commerce, street-level trading, heritage asset, urban fabric, bricks-and-mortar business, social history, and period building. The combination of Littlewoods, Merseyside, Plaza, Centre, and designed anchors the frame to a recognisable activity, place or moment. A later view of Old Hall St, Llverpool, city, centre, Merseyside, England, UK, L3 9BP may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The view records period character as a date-specific reference.
Old Hall St, Llverpool, city, centre, Merseyside, England, UK, L3 9BP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,store,retail,out of town,JunctionNINE,Retail Park,WA2,Warrington,WA2 8TW,UK,shopping,Cheshire,England,parking,larger,wider,wide,bay,space,for,kids,car park,family,with,baby,babies,parent,parents,married,marriage,partners,civil partnership,relationship,unit,vehicle,car,pram,buggy
Description: Tony Smith image Alamy 2MG41WN - . This authentic period view of JunctionNINE Retail Park, Warrington, Cheshire, England, UK, WA2 8TW in 2019 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Larger parking space outside a store, for parents with children, JunctionNINE Retail Park, Warrington, Cheshire, England, UK, WA2 8TW. Other connected aspects include historic signage, local history, commercial signage, commercial frontage, place identity, local character, visual merchandising, commercial streetscape, town-centre economy, independent retail, customer footfall, small-business culture, everyday life, and public information notice. For current editorial use, brand consolidation and online shopping provide additional context, especially through how physical shops adapt to online competition. Current relevance extends to retail change and branding, particularly through the speed at which branding and promotional styles change. Small period details of transport arrangements and footfall at JunctionNINE Retail Park, Warrington, Cheshire, England, UK, WA2 8TW may become more significant with time, particularly following conservation work. The wider setting retains connections with public-facing notice, regional identity, documentary photography, contemporary social history, bricks-and-mortar business, brand display, street-level marketing, and visual archive. The recorded references to space, parents, outside, JunctionNINE, and Larger preserve clues about how the subject was presented, used or understood at the time. Around JunctionNINE Retail Park, Warrington, Cheshire, England, UK, WA2 8TW, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The record includes details of everyday use for later comparison. That local specificity strengthens the long-term documentary value of image 2MG41WN.
JunctionNINE Retail Park, Warrington, Cheshire, England, UK, WA2 8TW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,wrought,iron,&,at,rail,gold,Society of Arts,contemporary,Liver,bird,railings,central,1716,oldest,yard,Liverbird,gallery,craft,display,surviving,building,Bluecoat Chambers,space,exhibition,arts,L1 3BX,8,Liverpool,crest
Description: Tony Smith image Alamy 2M95NHA - Built in 1716“17 as a charity school, Bluecoat Chambers in School Lane is the oldest surviving building in central Liverpool, England. Following the Liverpool Blue Coat School's move to another site in 1906, the building was rented from 1907 onwards by the Sandon Studios Society. Based on the presence of this art society and the subsequent formation of the Bluecoat Society of Arts in 1927, the successor organisation laid claim to being the oldest arts centre in Great Britain, now called the Bluecoat.
The school was founded in 1708 by the Reverend Robert Styth (died 1713), rector of Liverpool, and Bryan Blundell, a sea captain and later twice Mayor of Liverpool (1721“22 and 1728“29). Originally constructed in 1716“17, the building was extended until 1718 to function as a boarding school. By the following year, it had 50 children, with room for 100 more, and construction was finally completed in 1725
On 3 May 1941, during the Liverpool Blitz, the concert hall and adjoining rooms were severely damaged by an incendiary bomb and during the following night the rear wing was destroyed by a bomb blast. Restoration took place after the war, being completed by 1951. It is recorded in the National Heritage List for England as a designated Grade I listed building, having been designated on 28 June 1952.
The Bluecoat Display Centre, a contemporary craft gallery, opened in the rear courtyard in 1959. Being known as the Bluecoat Arts Centre from the 1980s, it is now simply called the Bluecoat. From 2005, the building was further restored and a new wing added. It was reopened in March 2008 to coincide with Liverpool's year as European Capital of Culture.
8 School Lane, Liverpool, Merseyside, England, UK, L1 3BX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wolverhampton,city,centre,West Midlands,England,UK,1209,stall,stalls,shopper,at,open,air,veg,WV3,WV3 0NL,entrance,gate,bike,logo,brand,blue,entry,established,1204,charter,markets,Wolverhampton market,Wolverhampton markets,containers,area,space,district,travel poster
Description: Tony Smith image Alamy 2M6GAR6 - . This authentic period view of Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Entrance at City Of Wolverhampton market, Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL. The setting additionally reflects regional identity, small-business culture, high-street commerce, street-level trading, local character, period detail, independent retail, place identity, changing streetscape, local enterprise, historical comparison, archival record, shopfront economy, and bricks-and-mortar business. From a 2025-onward perspective, brand consolidation and consumer spending are closely linked to this subject, alongside the role of independent businesses in maintaining active town centres. Small period details of signage and branding at Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL may become more significant with time, particularly following redevelopment. The location also brings in contemporary social history, documentary photography, consumer retail, community identity, customer footfall, retail property, visual archive, and changing land use. Elements such as Midlands, Square, Wolverhampton, Entrance, and market add documentary specificity and may become increasingly useful when compared with later records. A later view of Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is brand consolidation and how commercial property shifts between retail, leisure and residential use as part of the longer story of Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL. The view records period character before later change alters the scene.
Market Square, Wolverhampton, West Midlands, England, UK, WV3 0NL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wolverhampton,city,centre,West Midlands,England,UK,Centre,shopping,Manders Holdings Plc,paint,paints,WV1,Mander Centre,WV1 3NH,Benson Elliot,units,covered pedestrianised shopping complex,not working,disabled,access,facilities,mall,covered,shopping centres,failing,failed,sad,decline,declining,deserted,Mander,Manders,floor,space,store,stores
Description: Tony Smith image Alamy 2M6GB2J - The Mander Centre is a major shopping centre in Wolverhampton City Centre, in Wolverhampton, England, developed by Manders Holdings Plc, the paint, inks and property conglomerate, between 1968 and 1974. The site occupies four and a half acres comprising the old Georgian works and offices of the Mander family firm, founded in 1773, as well as the site of the former Queens Arcade (promoted privately by Charles Tertius Mander), which had stood on the site since 1902.
When the main part of the Mander Centre opened in 1968, the Central Arcade retained its Edwardian architecture and was refurbished as the main entrance to the Mander Centre from Dudley Street.
In May 1974 the Central Arcade was destroyed by a severe fire that reduced it to rubble, which was declared unsafe and was subsequently demolished. The area was later rebuilt as the entrance to the centre
The centre was refurbished in 1987, when it was described as a covered pedestrianised shopping complex at the centre of the principal shopping area of Wolverhampton with more than 150 shops.
In 2003 the centre embarked on a further multi-million pound refurbishment programme. It was an opportunity to complete the enclosure of the centre to make it fully climate controlled. The marble floor in the entire centre was replaced along with the relocation of the escalators and stairways. The biggest change was the creation of the large New Look store which took over numerous stores.
Throughout 2016 and 2017, the centre was refurbished and configured as part of the £25 million investment, and a series of new larger stores was created, forcing some stores to close down and relocate within the centre. WH Smith and Tesco were closed, and Superdrug relocated. The reconfiguration was also to include new escalators and lifts, the removal of the Lower Central Arcade and the relocation of the toilets.
On 18 November 2016 H&M was the first major store to open as part of the shopping centre's multimillion-pound redevelopment.
Mander House, Mander Centre, Management Suite, 5th Floor, Wolverhampton, West Midlands, England, UK,
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,estate,overspill,electric,Finnigan,SK13,Glossop,High Peak,Derbyshire,UK,Manchester overspill estates,Social,Housing,socialhousing,council,sheds,natural,vegetables,flowers,bug hotels,diversity,insect,insects,wood,debris,brick,gap,gaps,crawlies,crawly,home,frame,space,spaces
Description: Tony Smith image Alamy 2K1P06T - Gamesley is a residential area within the Borough of High Peak in Derbyshire, England, west of Glossop and close to the River Etherow which forms the boundary with Tameside in Greater Manchester. Gamesley is a ward of the High Peak Borough Council. It had a population of 2,531 at the 2011 Census
The original village of Gamesley consisted of rows of cottages inhabited by workers at the local textile mills, and it remained largely undeveloped until the 1960s, when it underwent considerable change. It was chosen as the location of an overspill estate, built by Manchester City Council. This was in order to rehouse people from decaying inner city areas of Manchester. These housing areas were also built in other towns surrounding Manchester, such as nearby Hattersley on the outskirts of Hyde.
The Gamesley estate was built in 2 half's. The first houses were built by contractors Finnegans which were constructed with
flat felted roofs, pebble dash cladding ground floors and tile cladded first floors. Finnegans houses were equipped with warm air central heating which used gas as an energy source. The Finnegan side of the estate was known locally as the ˜gas side'. In the late 1980s the local authority renovated the Finnegan system built houses, the works included re-enveloping the external building with traditional bricks and mortar. The works also added apex roofing complete with roofing tiles.
The second half of the Gamesley estate was built a couple of years later by George Wimpey using the Wimpey no-fines house building method. The houses were constructed with full pebble dash finish and tiled apex roofing. The houses built by George Wimpey had a solid concrete ground floor which had electrical underfloor heating installed, the first floors of these houses were built with no heating. Due to electricity being the main energy source for heating, the George Wimpey side of Gamesley became known locally as the ˜electric side'.
Gamesley Estate, Melandra Castle Road, Gamesley, High Peak,England, UK, SK13 0BN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,estate,overspill,electric,Finnigan,SK13,Glossop,High Peak,Derbyshire,UK,Manchester overspill estates,Social,Housing,socialhousing,council,sheds,natural,vegetables,flowers,bug hotels,diversity,insect,insects,wood,debris,brick,gap,gaps,crawlies,crawly,home,frame,space,spaces
Description: Tony Smith image Alamy 2K1P06W - Gamesley is a residential area within the Borough of High Peak in Derbyshire, England, west of Glossop and close to the River Etherow which forms the boundary with Tameside in Greater Manchester. Gamesley is a ward of the High Peak Borough Council. It had a population of 2,531 at the 2011 Census
The original village of Gamesley consisted of rows of cottages inhabited by workers at the local textile mills, and it remained largely undeveloped until the 1960s, when it underwent considerable change. It was chosen as the location of an overspill estate, built by Manchester City Council. This was in order to rehouse people from decaying inner city areas of Manchester. These housing areas were also built in other towns surrounding Manchester, such as nearby Hattersley on the outskirts of Hyde.
The Gamesley estate was built in 2 half's. The first houses were built by contractors Finnegans which were constructed with
flat felted roofs, pebble dash cladding ground floors and tile cladded first floors. Finnegans houses were equipped with warm air central heating which used gas as an energy source. The Finnegan side of the estate was known locally as the ˜gas side'. In the late 1980s the local authority renovated the Finnegan system built houses, the works included re-enveloping the external building with traditional bricks and mortar. The works also added apex roofing complete with roofing tiles.
The second half of the Gamesley estate was built a couple of years later by George Wimpey using the Wimpey no-fines house building method. The houses were constructed with full pebble dash finish and tiled apex roofing. The houses built by George Wimpey had a solid concrete ground floor which had electrical underfloor heating installed, the first floors of these houses were built with no heating. Due to electricity being the main energy source for heating, the George Wimpey side of Gamesley became known locally as the ˜electric side'.
Gamesley Estate, Melandra Castle Road, Gamesley, High Peak,England, UK, SK13 0BN
Description
Keywords: GotonySmith,@HotpixUK,HotpixUK,Shipley,Bradford,West Yorkshire,England,UK,history,tourist,shopping centre,restaurant,complex,Salt,mill,BD17 7EA,BD17,Sir Tutus Salt,largest,industrial,building,David Hockney paintings,mills,industry,relic,relics,business,businesses,commerce,Victorian,factory,factories,employment,reused,retail,art,spaces,space,chimneys,satanic
Description: Tony Smith image Alamy 2JTF4C7 - . A grounded documentary photograph made at Saltaire, Bradford, West Yorkshire, England, UK, BD17 7EA in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Salts Mill, art gallery, shopping centre, and restaurant complex, Saltaire, Bradford, West Yorkshire, England, UK, BD17 7EA. The wider scene also brings together heritage-led regeneration, bricks-and-mortar retail, shopfront economy, destination shopping, social history, place identity, customer footfall, retail property, community identity, historic townscape, local character, urban fabric, mixed-use town centre, and local history. The wider contemporary story combines adaptive reuse, construction costs and how public investment can reshape pedestrian movement and evening activity. Viewed from the mid-2020s, the subject also connects with changing footfall, store closures and the role of markets and independent shops in keeping town centres active. For later comparison, the photograph preserves materials and architectural details at Saltaire, Bradford, West Yorkshire, England, UK, BD17 7EA, details that may look very different after new construction. The photograph additionally reflects documentary photography, archival record, visual archive, commercial redevelopment, period detail, place-making, public-realm investment, and town-centre renewal. Details involving Bradford, restaurant, complex, centre, and Yorkshire make the image more specific than a generic view and strengthen its local or historical value. The period setting at Saltaire, Bradford, West Yorkshire, England, UK, BD17 7EA helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image fixes part of the area's social history for later comparison. Image 2JTF4C7 also remains a dated record of Saltaire, Bradford, West Yorkshire, England, UK, BD17 7EA.
Saltaire, Bradford, West Yorkshire, England, UK, BD17 7EA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,131 Mount Pleasant,L3 5TF,building,science,office,one,liverpoolsciencepark,education,knowledge,research,offices,space,modern,quarter,city,centre,rental,agency,real estate,sciontec,park,Grade A,laboratory,laboratories,facility,tech,technology,innovation,centres,British,GB,Great Britain
Description: Tony Smith image Alamy 2M475J7 - . This location-specific image from 131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF in 2019 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Liverpool science park , 131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF. The broader subject matter reaches into contemporary social history, place identity, social history, before-and-after reference, local history, small business, independent retail, period detail, everyday life, regional identity, street-level business, retail property, specialist retailer, and customer footfall. For current editorial use, online shopping and store closures provide additional context, especially through how shopfronts become short-lived records of changing businesses. The image fixes transport arrangements and footfall within 131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF at one identifiable point, providing a benchmark against changing commercial priorities. Other useful contextual ideas include town-centre trading, local enterprise, community identity, visual archive, high-street commerce, changing streetscape, commercial frontage, and public realm. Details involving Mount, science, Pleasant, Merseyside, and Liverpool make the image more specific than a generic view and strengthen its local or historical value. For 131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to online shopping and how shopfronts become short-lived records of changing businesses within the specific setting of 131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF. The record includes a point of historical comparison for future local research.
131 Mount Pleasant, Liverpool , Merseyside, England, UK, L3 5TF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,sticker,warning,warn,firerisk,danger,prevention,heat,heating,smoulder,burn,do,not,put,on,top,wall,mounted,heater,space,shirt,dry,drying,above,expensive,stay,staying,safe,with,electric panel,heaters,electric,system,economy7,plugged,in,plug,significant fire hazard
Description: Tony Smith image Alamy 2K6C9BN - . Photographed at the recorded location in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The image documents Wall mounted electric space heater, with shirt drying on the top, covering it. Sign 'caution do not cover'. The image also relates to historic sign, public-facing signage, social history, public information notice, changing streetscape, documentary photography, changing land use, local history, printed message, community identity, instructional wording, place identity, urban typography, and commercial ephemera. From a 2025-onward perspective, commercial branding and visual identity are closely linked to this subject, alongside how ordinary signs become time-specific evidence of language and design. As a dated visual record of the recorded location, the frame retains public access and movement, making it especially useful if redevelopment subsequently changes the scene. A second descriptive layer includes period lettering, visual communication, regional identity, period detail, visual archive, material sign design, everyday visual culture, and local character. Details involving cover', space, heater, covering, and 'caution make the image more specific than a generic view and strengthen its local or historical value. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate commercial branding and how ordinary signs become time-specific evidence of language and design within the real-world context of the recorded location. The image also provides a reference for street design and how ordinary signs become time-specific evidence of language and design within the specific setting of the recorded location. The view records details of everyday use for later comparison.
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,looking,west,west of,towards,Fiddlers Ferry power station,Penketh and Widnes,Cheshire,England,UK,over,sky line,Victorian,office,offices,Bridge Street,Bridge St,PJs,wine bar,winebar,town centre,empty,space,spaces,NW,North West,Northwest,Northern Powerhouse,towns,architecture,buildings,business rates,businesses,business,attractive,for,the
Description: Tony Smith image Alamy 2JKMRGM - . A grounded documentary photograph made at the recorded location in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Warrington Town Centre looking west towards Fiddlers Ferry, Penketh and Widnes, Cheshire, England, UK. Another layer of the photograph includes local enterprise, town-centre economy, public realm, specialist retailer, community identity, customer footfall, regional identity, changing streetscape, street-level business, historical comparison, high-street commerce, bricks-and-mortar retail, archival record, and shopfront economy. Today's relevance is strengthened by online shopping, town-centre regeneration and the continuing question of the resilience of independent shops in an online retail economy. Future viewers can use this scene from the recorded location to compare lettering, decoration and surface detail with whatever follows after changed technology. Other useful contextual ideas include visual archive, local trading, changing land use, retail property, local history, commercial streetscape, before-and-after reference, and independent retail. References to Penketh, towards, looking, Widnes, and Ferry give the picture a strong period identity and tie it closely to its named subject. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is online shopping and the resilience of independent shops in an online retail economy without losing the local specificity of the recorded location. The setting also helps illustrate footfall and the resilience of independent shops in an online retail economy in a form that can be compared with future views of the recorded location. The period view preserves details of everyday use within the wider story of the recorded location.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,WA1,UK,United Kingdom,town,centre,North West England,North West,England,space,study,small lecture spaces,study zones,University,education,office,offices,Deva,Uni,course,courses,vocation,debt,student,vocational,sign,reception,entrance,University of Chester,Time Square,town centre,glass,windows,student bank accounts,student bank account,grant,grants,clearing
Description: Tony Smith image Alamy 2JAPXCM - . Recorded at Warrington, Cheshire,UK, WA1 in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The principal subject is University Centre Warrington, University of Chester, Time Square, Warrington, Cheshire, England, UK, WA1. The broader subject matter reaches into everyday street life, summer city life, period detail, pedestrian square, open-air leisure, pedestrian environment, contemporary city life, social landscape, everyday life, townscape record, visual archive, city-centre public space, historical comparison, and social history. Today's relevance is strengthened by public-space design, heatwaves and the continuing question of the importance of inclusive spaces that serve residents as well as visitors. From a 2025-onward perspective, local identity and footfall are closely linked to this subject, alongside the relationship between public space and local social life. As a dated visual record of Warrington, Cheshire,UK, WA1, the frame retains public access and movement, making it especially useful if changing commercial priorities subsequently changes the scene. The photograph additionally reflects public realm, local character, contemporary social history, changing streetscape, urban social history, street-level documentary, urban leisure, and archival record. Details involving Square, Centre, Chester, and University make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Warrington, Cheshire,UK, WA1 matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate public-space design and the growing need for shade, water and cooling during hotter summers within the real-world context of Warrington, Cheshire,UK, WA1. The period view preserves a local visual benchmark as a date-specific reference.
Warrington, Cheshire,UK, WA1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,cookie,wrapper,silk,road,with,space,for,message,luck,dessert,sweet,Japan,Japanese,random fortunes,omikuji,slip,of,paper,lucky,misfortune,fortune tea cakes,restaurant,restaurants,Shuck Yee,blank,Silk Road,cookie machine,was,invented,by,from,Oakland,fortune cookie,cookies,packet,bag
Description: Tony Smith image Alamy 2K3XN2X - A fortune cookie is a crisp and sugary cookie wafer usually made from flour, sugar, vanilla, and sesame seed oil with a piece of paper inside, a fortune, usually an aphorism, or a vague prophecy. The message inside may also include a Chinese phrase with translation and/or a list of lucky numbers used by some as lottery numbers. Fortune cookies are often served as a dessert in Chinese restaurants in the United States, Canada and other countries, but they are not Chinese in origin. The exact origin of fortune cookies is unclear, though various immigrant groups in California claim to have popularized them in the early 20th century. They most likely originated from cookies made by Japanese immigrants to the United States in the late 19th or early 20th century. The Japanese version did not have the Chinese lucky numbers and was eaten with tea.
Fortune cookies before the early 20th century were all made by hand. The fortune cookie industry changed dramatically after the fortune cookie machine was invented by Shuck Yee from Oakland, California. The machine allowed for mass production of fortune cookies which subsequently allowed the cookies to drop in price to become the novelty and courtesy dessert many Americans are familiar with after their meals at most Chinese restaurants today.
China
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA4,village,Church,ringers,parish,bells,old,historic,history,clock,mechanism,area,rope,ropes,church,tower,Anglican,sign,signs,joke,jokes,yellow,space,for,campanology,campanologist,inside,interior,room,bell,belltower,bellringing,ring of bells,ring,of,ringing
Description: Tony Smith image Alamy 2JHBJR4 - . This scene at Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP in 2018 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The main point of reference is St Wilfrids Church Belltower and clock mechanism, prior to 2019, Grappenhall Village, Warrington,Cheshire,England,UK, WA4 2SJ. Further facets of the scene include heritage asset, social landscape, social history, visual archive, urban change, conservation interest, public realm, architectural detailing, local landmark, historic frontage, archival record, everyday life, local identity, and city-centre activity. For current editorial use, maintenance and redevelopment pressure provide additional context, especially through the value of distinctive buildings and street furniture to local identity. Current relevance extends to public-realm change and local identity, particularly through the documentary importance of recording everyday urban environments. The archival value lies partly in recording commercial use and occupation around Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP before new construction alters the character of the place. The photograph additionally reflects before-and-after reference, urban fabric, regional identity, historic townscape, contemporary city life, traditional structure, changing streetscape, and local history. References to clock, mechanism, Wilfrids, Church, and Grappenhall give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP, the image preserves more than the headline object or building: it records part of the locality's everyday history. The record includes a local visual benchmark for later comparison. That local specificity strengthens the long-term documentary value of image 2JHBJR4.
Grappenhall Ln, Grappenhall, Warrington, Cheshire, England, UK, WA4 3EP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Britain,Great Britain,Warrington Town Centre Redevelopment,Time Square,new,refurbished,improved,Warrington,Square,high street,decline,WBC,building,town centre,development,market traders,small retailers,retail,main market hall,Artisan Street Market,Artisan,Street Market,National Association of British Market Authorities,NABMA,new markets,award,winning,space,market town,Warrington&Co,VINCI Construction,outside,exterior,revamped,warrington city centre
Description: Tony Smith image Alamy 2CBKNAP - VINCI Construction,New Market Hall, Warrington Town Centre Redevelopment, Time Square,Academy Way,Warrington,Cheshire,England,UK, WA1 gives a direct editorial record of a recognisable subject, with location, signage, architecture or everyday behaviour carrying much of the meaning. VINCI Construction at Warrington's Time Square redevelopment points to the visible machinery of town-centre regeneration, where hoardings, cranes and contractors reshape streets long before the marketing images arrive. The subject can illustrate urban renewal, public-private development, construction jobs, market halls, council-led regeneration, retail change and the risk and promise attached to rebuilding civic centres. The location detail, Warrington, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. Relevant editorial themes include indoor market, retail market, independent traders and food hall, with each theme rooted in the visible subject, place or activity. For buyers, the strength lies in the combination of a named subject, a lived-in setting and enough visual specificity to carry stories about how places are used, remembered, funded, visited or contested.
2, Time Square, Academy Way, Warrington,Cheshire,England,UK, WA1 2NT
Description
Keywords: GoTonySmith,HotpixUK,@hotpixUK,Cheshire,England,UK,big,WA1 2PF,in Warrington Town Centre,LMS,corner,showroom,pair,20-24,Crossley St,Warrington,WA1,sexy,art,space,open,show,dancing,high,heel,high heels,heels,fashion,fashionable,in,town,centre,town centre,large,giant,biggest,largest,landlord,Kelvin Smith,Crossley Street
Description: Tony Smith image Alamy 2AF5ECC - . This documentary view of 20-24 Crossley St, Warrington, Cheshire, England, UK, WA1 2PF in 2019 captures the subject within its actual surroundings, preserving a dated piece of visual history rather than an isolated object study. The main subject is Giant Red Shoes, town centre, 20-24 Crossley St, Warrington, Cheshire, England, UK, WA1 2PF. The photograph also reflects historical comparison, consumer retail, shopfront economy, retail property, historic townscape, commercial frontage, public realm, period streetscape, period building, urban fabric, everyday life, heritage landmark, architectural detailing, and social history. The subject remains useful for current coverage of consumer spending and online shopping, not least because of the rapid turnover of shopfronts and trading names. Today's wider story includes maintenance costs, planning control and the practical question of keeping older buildings useful without erasing their character. As a dated visual record, the frame preserves a particular stage in the life of the location in this part of 20-24 Crossley St, Warrington, Cheshire, England, UK, WA1 2PF. The wider local story also touches on community identity, period detail, traditional masonry, archival record, historic commercial architecture, changing land use, changing streetscape, and town-centre economy. Elements such as centre, Giant, Crossley, Warrington, and 20-24 add documentary specificity and may become more useful when compared with later records. The surrounding context at 20-24 Crossley St, Warrington, Cheshire, England, UK, WA1 2PF matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is consumer spending and how high streets adapt when traditional retail contracts in a form that can be compared with future views of 20-24 Crossley St, Warrington, Cheshire, England, UK, WA1 2PF.
20-24 Crossley St, Warrington, Cheshire, England, UK, WA1 2PF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,weed,farming,macro,summer,alien,invasive species,alien plant,plant,vegetation,plants,weeds,Anthriscus,sylvestris,flower,flowering,head,problem,issue,habitat,rural,countryside,open,fields,meadow,meadows,green,space,spaces,greenfield,land,Kelsall,CW6 0GD,CW6
Description: Tony Smith image Alamy 2C6RE7K - Anthriscus sylvestris, known as cow parsley, wild chervil, wild beaked parsley, or keck, is a herbaceous biennial or short-lived perennial plant in the family Apiaceae (Umbelliferae), genus Anthriscus. It is also sometimes called mother-die (especially in the UK), a name that is also applied to the common hawthorn. It is native to Europe, western Asia and northwestern Africa
in the south of its range in the Mediterranean region, it is limited to higher altitudes. It is related to other diverse members of Apiaceae, such as parsley, carrot, hemlock and hogweed. It is often confused with Daucus carota which is known as Queen Anne's lace or wild carrot, also a member of the Apiaceae
The hollow stem grows to a height of 60“170 cm (24“67 in), branching to umbels of small white flowers. Flowering time is mid spring to early summer.
The tripinnate leaves are 15“30 cm (5.9“11.8 in) long and have a triangular form. The leaflets are ovate and subdivided.
Cow parsley grows in sunny to semi-shaded locations in meadows and at the edges of hedgerows and woodland. It is a particularly common sight by the roadside. It is sufficiently common and fast-growing to be considered a nuisance weed in gardens. Cow parsley's ability to grow rapidly through rhizomes and to produce large quantities of seeds in a single growing season has made it an invasive species in many areas of the United States. Vermont has listed cow parsley on its Watch List of invasive species, while Massachusetts has banned the sale of the plant.[citation needed] It is classed as a Class B Noxious Weed in the State of Washington since 1989, where its sale is also banned. In Iceland, cow parsley has been classified as an alien invasive species
Kelsall,Cheshire, England, UK, CW6 0GD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Warrington,Cheshire,England,UK,retail,New Warrington Market,Warrington Market,building,square,place,Cineworld,bankruptcy,share,shares,dive,drop,loss,cash,rescue,operator,cinema,group,Chapter 11,chain,equity,recovery,plan,new,development,developments,renewed,town,centre,entertainment,space,outdoor,times square warrington
Description: Tony Smith image Alamy 2CB00C9 - . This scene at the recorded location documents an everyday subject with wider connections to local identity, social history and changing patterns of use. The principal subject is Cineworld,Time Square,Warrington,Cheshire,England,UK, new Vinci Construction development,retail and market place. A wider reading of the photograph includes developer-led housing, retail property, greenfield development, business premises, shopping district, high-street commerce, social landscape, place identity, estate road construction, local trading, urban change, commercial streetscape, local character, and retail vacancy. From a 2025-onward perspective, the scene also connects with greenfield development, energy-efficient new homes and how quickly a temporary construction site becomes an established neighbourhood. Today's wider story includes commercial rents, consumer spending and the practical question of how high streets adapt when traditional retail contracts. As a dated visual record of the recorded location, the frame retains building condition and alterations, making it useful if different community use subsequently changes the scene. The setting also brings in before-and-after reference, housebuilding programme, public realm, historical comparison, consumer retail, new housing estate, suburban expansion, and regional identity. Elements such as Construction, place, Square, retail, and market add documentary specificity and may become useful when the scene is compared with later records. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes greenfield development and how quickly a temporary construction site becomes an established neighbourhood within the real-world context of the recorded location. The frame therefore remains a dated reference for the recorded location and the changing story of the subject shown.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Warrington,Cheshire,England,UK,panorama,retail,Warrington Market,building,square,place,Cineworld Warrington,Cineworld,pedestrianised,new retail development,VINCI Construction,bankruptcy,town,centre,outdoor,space,entertainment,developments,development,equity,recovery,cinema,operator,rescue,dive,drop,loss,cash,shares,share,New Warrington Market
Description: Tony Smith image Alamy 2CB00CC - . Photographed at the recorded location, the scene provides a dated reference to the subject and the surrounding social, commercial or physical environment. The defining feature is Time Square,Warrington,Cheshire,England,UK, new Vinci Construction development,retail and market place. The setting additionally reflects estate road construction, commercial streetscape, new neighbourhood, social history, archival record, local history, public realm, contemporary history, residential expansion, local character, regional identity, visual archive, documentary photography, and town-centre economy. The present-day relevance extends to biodiversity and drainage and local infrastructure, while a wider concern is whether new estates provide genuinely affordable homes. In the mid-2020s, consumer spending and vacant units keep this subject current, particularly through bringing underused premises back into productive use. For later comparison, the photograph preserves commercial identity and local use at the recorded location, details that may look very different after changing public expectations. A second layer of the scene includes changing streetscape, suburban expansion, commercial frontage, period detail, business premises, high-street commerce, local trading, and brick-built homes. Details involving Square, retail, market, Construction, and development make the image more specific than a generic illustration and strengthen its local or historical value. A later view of the recorded location may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene retains a connection with biodiversity and drainage and whether new estates provide genuinely affordable homes as part of the longer story of the recorded location. That also gives the frame relevance to hybrid working and bringing underused premises back into productive use when considered against later change at the recorded location.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Warrington,Cheshire,England,UK,retail,new retail development,VINCI Construction,pedestrianised,place,Warrington Market,building,square,outdoor,outdoors,shaded,area,new,development,developments,renewed,town,centre,entertainment,space,New Warrington Market,rescue,dive,loss,drop,cash,cinema,operator,Chapter 11,chapter11,chain,group,plan
Description: Tony Smith image Alamy 2CB00CH - . An authentic period record of the recorded location, retaining the practical visual detail that later redevelopment, rebranding or altered use can remove. The principal subject is Time Square,Warrington,Cheshire,England,UK, new Vinci Construction development,retail and market place. The locality and subject together evoke new housing estate, town-centre economy, brick-built homes, contemporary history, urban commerce, public realm, site infrastructure, customer footfall, built environment, suburban expansion, archival record, new neighbourhood, business premises, and changing streetscape. In the mid-2020s, greenfield development and construction quality keep this subject current, particularly through how quickly a temporary construction site becomes an established neighbourhood. For contemporary context, consumer spending and hybrid working are closely related themes, especially where the issue becomes the rapid turnover of shopfronts and trading names. Future viewers can use this scene from the recorded location to compare equipment and working practice with whatever follows after later redevelopment. Other connected aspects are retail vacancy, bricks-and-mortar retail, retail property, urban change, local character, visual archive, residential expansion, and developer-led housing. Elements such as Square, retail, market, development, and Construction add documentary specificity and may become useful when the scene is compared with later records. By fixing the subject within the recorded location, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is greenfield development and how quickly a temporary construction site becomes an established neighbourhood within the real-world context of the recorded location. The frame therefore remains a dated reference for the recorded location and the changing story of the subject shown.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Inverclyde,Scotland,West Of Glasgow,West of Scotland,UK,night,night time,tail of the bank,Inverclyde Council,buildings,arts,space,venue,arts venue,2013,new building,theatre,evening,café,bistro,views over the Clyde,Greenocks Custom House Quay,Greenock Custom House Quay,Customhouse Quay,Clyde,Clydeside,Greenockians,illuminated,event space,event,venues,new,recent,gallery,galleries
Description: Tony Smith image Alamy 2AR6YJE - The Greenock Arts Guild's Beacon Arts Centre (replacing the former Arts Guild Theatre) opened in 2013 in a new building at Greenock's Custom House Quay. It provides a 500 seat theatre that hosts a regular programme of plays, concerts, musical events, comedians and other events and a Studio Theatre, as well as a multifunction Gallery Suite providing rehearsal and meeting rooms which combine for event or performance space, and a café / bistro, both with views over the Clyde.
Greenock hosted the National Mòd in 1904 and 1925
Custom House Quay, Greenock, Inverclyde,
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Inverclyde,Scotland,West Of Glasgow,West of Scotland,UK,night,night time,tail of the bank,Inverclyde Council,buildings,arts,space,venue,arts venue,2013,new building,theatre,evening,café,bistro,views over the Clyde,Greenocks Custom House Quay,Greenock Custom House Quay,Customhouse Quay,Clyde,Clydeside,Greenockians,event space,event,venues,new,recent,gallery,galleries
Description: Tony Smith image Alamy 2AR6YJN - The Greenock Arts Guild's Beacon Arts Centre (replacing the former Arts Guild Theatre) opened in 2013 in a new building at Greenock's Custom House Quay. It provides a 500 seat theatre that hosts a regular programme of plays, concerts, musical events, comedians and other events and a Studio Theatre, as well as a multifunction Gallery Suite providing rehearsal and meeting rooms which combine for event or performance space, and a café / bistro, both with views over the Clyde.
Greenock hosted the National Mòd in 1904 and 1925
Custom House Quay, Greenock, Inverclyde,
Description
Keywords: WBC,public,space,municipal,assets,bus,buses,route,routes,tran,local,company,network,timetable,service,fare,ticket,affordable,stands,Golden,Square,shopping,centre,Warrington Borough Transport,bus services,Bus station,GoTonySmith,Winwick St,Warrington,Cheshire,England,UK,Warringtonians,Buy Pictures of,Buy Images Of,Network Warrington,borough,transport,outside,exterior
Description: Tony Smith image Alamy EY3RNE - Warrington Bus Station,interchange,town centre,Cheshire,England,UK is a useful documentary subject because it fixes a recognisable place, object or activity in its real setting rather than presenting it as a staged illustration. The scene records a specific piece of everyday place-based detail, the sort of subject that often says more about local identity, work, leisure, transport or consumption than a polished landmark view would. Its value is in the recognisable setting, readable clues and documentary directness, making it useful for editorial coverage of changing streets, public services, heritage, retail habits and ordinary life in Britain and beyond. The location detail, Warrington, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. Relevant editorial themes include public transport, bus station, urban mobility, passenger interchange, railway station, passenger rail and train travel, with each theme rooted in the visible subject, place or activity. It would suit newspaper, magazine, web, council, transport, heritage, housing, retail, travel or social-commentary use where a believable, unpolished view of real life is more valuable than a generic illustration.
Winwick St, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,Manchester Piccadilly,Gardens,fountain,open space,public,space,wide shot,sunshine,City Centre,pano,Lewises,architecture,square,Greater Manchester,centre,wide,skyline,fountains,history,Primark,M1,historic,M1 1RN,and,retail,shopping,Piccadilly,cityscape,city,Andy Burnham
Description: Tony Smith image Alamy RPGEFG - . This descriptive scene shows the setting around the recorded location, in a view made during 2019. The source caption identifies Piccadilly Gardens Manchester, panorama, fountains and architecture, wide image, Lancashire, England, UK. The scene also brings together urban commerce, traditional building, heritage streetscape, commercial frontage, period architecture, period property, conservation architecture, retail property, urban conservation, local landmark, consumer retail, and adaptive reuse. For present-day editorial use, physical shops can also illustrate debates about brand consolidation and operating costs, particularly where these affect stronger local footfall. Modern coverage of older urban fabric frequently reaches beyond the immediate scene to questions of adaptive reuse, planning control and sensitive refurbishment. Documentary value is strengthened by the precise setting at the recorded location, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves, specifically in relation to Piccadilly Gardens Manchester. Beyond the immediate subject, the setting involves built heritage, chain-store economy, historic environment, town-centre trading, conservation interest, urban fabric. Further aspects present in the subject include shopfront economy, architectural heritage, local trading, city-centre economy, high-street commerce, architectural character, commercial streetscape, customer footfall, shopping district, and historic fabric. In the mid-2020s, physical shops is increasingly discussed through changing footfall and brand consolidation, with attention turning to bringing empty units back into use. That gives this view of the recorded location continuing value for local history, retrospective reporting and visual comparison, specifically in relation to Piccadilly Gardens Manchester. Details around Piccadilly Gardens Manchester strengthen its value as a dated record of the place.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Manchester,England,UK,GB,North West England,city centre,NQ4,Northern Quarter,Tib St,Craft Village,M4,crafts,City Centre,pallet,wood,M4 5JD,pallets,Megham Darby,craft,village,tourist,tourism,attraction,attractions,exhibition,exhibitions,Feb,May,40,forty,fortieth,space,corner
Description: Tony Smith image Alamy RPGEKM - . This descriptive scene sets out a moment within 17 Oak St, Manchester, UK, M4 5JD, as it appeared in 2019. The principal point of reference is 40 Years and Counting, Megham Graydon Darby, Manchester Craft Village, North West England, UK, M4 5JD. Other aspects of the setting include social landscape, regional identity, social context, local identity, cultural landscape, place-based history, documentary record, contemporary social history, changing Britain, place and memory, everyday Britain, and community environment. For present-day editorial use, regional identity can also illustrate debates about business turnover and changing use, particularly where these affect preservation of everyday detail. The date and location give the photograph archival strength: future views of 17 Oak St, Manchester, UK, M4 5JD may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The surrounding story includes public realm, modern history, everyday infrastructure, urban and rural change, documentary photography, community life. Further recorded details include Oak street, Manchester City Centre, exhibition, platform, art. Further aspects present in the subject include visual record, and local character. In the mid-2020s, ordinary infrastructure is increasingly discussed through altered public space and business turnover, with attention turning to before-and-after study. As the location changes, the frame remains a reference for social change, historic fabric, planning and redevelopment, movement through the area, and everyday services without relying on a generic or reconstructed view. In historical comparison, the image can help trace architecture and streetscape, public access, neighbourhood identity, ownership or occupation, and transport patterns in a form that can be compared with later photographs.
17 Oak St, Manchester, UK, M4 5JD
Description
Keywords: @Hotpixuk,Scotland,UK,tall,flyer,flyers,pano,panorama,space,Surgeons Hall,Venue53,Venue260,Venue 53,Venue 260,cast,City Centre,flyering,medieval fantasy,medieval,fantasy,Fringe,Shellshock,how to attract attention,attracting attention,at the Edinburgh Fringe,at the Edinburgh Festival,ShellshockImpro,Shellshock Impro,ShellshockImprov,Shellshock Improv,Durham University Improvised Comedy Society,Durham University,Improvised Comedy Society,Improvised Comedy,Society,DSU,Durham,2018,GoTonySmith
Description: Tony Smith image Alamy PG69G7 - . A place-specific photograph captures the working environment around 148 High St, Edinburgh EH1 1QS, UK, as photographed in 2018. The documentary focus is Cast of Here Be Improv, flyering in the High St, Edinburgh City Centre, Scotland, UK. The wider setting includes city-centre economy, commercial frontage, commercial streetscape, independent retail, retail property, consumer spending, consumer retail, shopfront economy, town-centre trading, bricks-and-mortar retail, retail vacancy, and customer footfall. The wider contemporary story of high-street retail now includes vacant premises alongside hybrid working, while policy and investment increasingly consider heritage-led regeneration. The date and location give the photograph archival strength: future views of 148 High St, Edinburgh EH1 1QS, UK may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison. The surrounding story includes urban commerce, shopping district, local trading, retail decline and renewal, chain-store economy, storefront culture. Further recorded details include Edinburgh Fringe Festival, fringe Festival, Fringe, The Space, Edinburgh Fringe, Royal Mile. The same setting also brings together shopping habits, and high-street commerce. Seen from a 2025-onward perspective, commercial property also connects with changing footfall, hybrid working and efforts aimed at bringing empty units back into use. As the location changes, the frame remains a reference for neighbourhood identity, transport patterns, ownership or occupation, public access, and architecture and streetscape as part of the area's longer social history. In historical comparison, the image can help trace regional identity, local business activity, patterns of everyday use, public-realm details, and the condition of buildings without relying on a generic or reconstructed view.
148 High St, Edinburgh EH1 1QS, UK
Description
Keywords: @HotpixUK,GoTonySmith,Cheshire,North West England,UK,Town centre office space,town centre office building,Town centre office,offices,empty,unused office,space,building,shutter,Accommodation,commercial,multi use,multiuse,WBC,Warrington Borough Council,CAB,Citizens Advice Bureau,Warrington Social Services,WA1,WA1 1EJ,Rylands Street,surplus,1970,1970s,Ryland,Rylands,street,21,sunny,blue sky,Friars Court,Rylands St,Warrington,town,centre
Description: Tony Smith image Alamy PAN56H - . A detailed visual record places on record the social and built context of Friars Court, Rylands St, Warrington WA1 1EN, UK, in a photograph originating in 2018. The described feature is 21 Rylands Street, Warrington town centre, Cheshire, North West England, UK. Further features of the subject include custody infrastructure, heritage streetscape, public policy, period property, criminal justice, conservation interest, rehabilitation, historic fabric, built heritage, court and custody, public services, and traditional building. For present-day editorial use, the criminal-justice system can also illustrate debates about early-release measures and staffing, particularly where these affect sustainable capacity. Modern coverage of older urban fabric frequently reaches beyond the immediate scene to questions of vacancy, conservation of original fabric and preserving local character. Seen from a 2025-onward perspective, public services also connects with the cost of living, housing and efforts aimed at changing funding priorities. Small period details preserved at Friars Court, Rylands St, Warrington WA1 1EN, UK may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The surrounding story includes local authority, political controversy, architectural heritage, penal system, civic administration, justice services. Associated details include shuttered, town centre office, empty offices, unused offices, business. A second layer of description includes social policy, custodial estate, security estate, public-sector policy, local landmark, architectural character, law enforcement, democratic accountability, urban conservation, and civic debate. The resulting record of Friars Court, Rylands St, Warrington WA1 1EN, UK is specific enough to support future before-and-after study of the same site.
Friars Court, Rylands St, Warrington WA1 1EN, UK
Description
Keywords: GoTonySmith,@HotpixUK,Anglo Saxon,South West England,UK,South West,England,TA1 4AD,historic,stone,Event,space,spaces,Taunton Event spaces,Historic Taunton,tauntons,Taunton Town,Museum of Somerset,Castle Hotel,South West Heritage Trust,British,beautiful,beauty,car park,town centre,square,Taunton Deane Borough Council,TDBC,West Somerset and Taunton Council,Historic Heart of Taunton,Taunton Cultural Consortium,Cultural Consortium,history,town,centre,tourist,attraction
Description: Tony Smith image Alamy P53BTA - Castle Green is Taunton's most popular event space. It has both a large grassed and a hard standing area. Castle Green neighbours the popular Museum of Somerset, the award-winning Castle Hotel, the busy Taunton Bus Station and is located within seconds of the town centre shopping area.
Castle Green has a highway through to the Castle Hotel and therefore highway management is also required as part of an event management plan
Click here to view a map.
Access To Castle Green
Vehicle access through Tower Street
Castle Green, Taunton Somerset, England, United Kingdom, TA1 4AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,inside,interior,Manchester Craft Village,art,artists,jewelers,space,crafts,design,centre,craft,shop,store,Victorian,setting,studios,ceramics,for sale,Oak St,Manchester,M4 5JD,M4,fishmarket,building,event,events,courses,introduction,city,city centre,makers,future makers,exhibitions,workshop
Description: Tony Smith image Alamy RM252W - Meet the Makers, Discover the History, Experience Craft & Design
Here at Manchester Craft & Design our aim is to make contemporary visual art, craft and design accessible for all. Our former Victorian fishmarket building is situated at the heart of Manchester's creative Northern Quarter and houses some of the region's most talented artists, designers and makers. See them at work creating textiles, jewellery, ceramics, prints, fine art, sculpture and more
discover their stories, hear about their materials and processes, or learn a new skill yourself by taking part in a workshop. And don't miss our exciting programme of free contemporary craft exhibitions and events and our on-site café bar which serves delicious homemade fayre.
17 Oak St, Manchester, North West England, UK, M4 5JD
Description
Keywords: Belfast,Northern Ireland,England,UK,pano,retail,shopping,city,centre,Belfast,Belfast City Centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,with,problem with,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,space,stores,architecture,area,wide,Dunn
Description: Tony Smith image Alamy HGM7GM - . An identifiable period record of High St, Belfast, Northern Ireland, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Dunns Stores Panorama, Belfast, Northern Ireland, England, UK. The frame also records themes of local trading, town-centre economy, bricks-and-mortar retail, specialist retailer, contemporary social history, commercial frontage, local enterprise, regional identity, independent retail, before-and-after reference, high-street commerce, archival record, documentary photography, and place identity. The modern context includes continuing discussion of independent business, business rates and the role of small retailers in maintaining active town centres. Future viewers can use this scene from High St, Belfast, Northern Ireland, UK to compare street furniture and boundaries with whatever follows after changed technology. The photograph additionally reflects local character, community identity, changing land use, small business, changing streetscape, commercial streetscape, retail property, and visual archive. References to Belfast, Dunns, Panorama, Northern, and Stores give the picture a strong period identity and tie it closely to its named subject. The wider setting at High St, Belfast, Northern Ireland, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for independent business and how shopfronts become short-lived records of changing businesses and branding as part of the longer story of High St, Belfast, Northern Ireland, UK. Another useful connection is commercial rents and the resilience of independent shops in an online retail economy when considered against later change at High St, Belfast, Northern Ireland, UK. The photograph keeps period character as a date-specific reference.
High St, Belfast, Northern Ireland, UK
Description
Keywords: Office,space,history,historic,architecture,building,city,centre,ave,L2,grade,listed,II,building,Grayson,Ould,granite,brick,stone,arched,entrance,Corinthian,pilasters,Ionic,Queen Insurance,Queen Insurance Buildings,Queen Avenue,Castle st,Grade II,Grayson and Ould,Grayson & Ould,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Ionic,half-columns,half,columns,lamp,lamps,Victorian,gaslamp,gas,path,pathway,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HM63 - An office building designed by Grayson and Ould. It is in brick with stone dressings, a granite ground floor, and a slate Mansard roof. The building has four storeys, and is five bays wide. In the ground floor, two of the bays form an arched entrance to Queen Avenue. In the first floor, between the windows, are Corinthian pilasters, and between the windows in the second floor are Ionic half-columns. On the front of the building are friezes, and at the top are dormers
Queen Insurance Buildings, Queen Avenue, Liverpool L2 4TZ
Description
Keywords: Tithebarn,St,street,building,history,historic,railway,terminus,stone,office,space,offices,moorfields,Merseyrail,architect,Beeching,Axe,closed,Exchange Station,Liverpool Exchange railway station,Liverpool Exchange station,John Hawkshaw,Liverpool Tithebarn Street,Tithebarn Street Station,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Merseyrail,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HMJ9 - Liverpool Exchange railway station was a railway station located in the city centre of Liverpool, England. Of the four terminal stations in Liverpool's city centre, Exchange station was the only station not accessed via a tunnel.
The station was badly damaged during World War II and lost a large proportion of the trainshed roof, which was never rebuilt, remaining an iron frame. The station's long distance services were switched to Liverpool Lime Street in the 1960s, and, as a terminus, the station became redundant in the late 1970s, when its remaining local services switched to the newly opened Merseyrail tunnels under Liverpool city centre. It was closed in 1977, being replaced by the new Moorfields underground station nearby.
Station construction and opening
Tithebarn Street as it was between opening in 1850 and reconstruction in 1886“88
The grandly-appointed station opened on 13 May 1850, replacing an earlier temporary station at Great Howard Street further north up the track. The station was designed by John Hawkshaw. The station had two names because the joint owners could not agree on a name. The Lancashire and Yorkshire Railway (LYR) named the station Liverpool Exchange Station with the East Lancashire Railway (ELR) naming the station Liverpool Tithebarn Street.
On 13 August 1859, the LYR absorbed the ELR, from which date the name of the station was Liverpool Exchange.[2][3] From 1 October 1850 trains of the Liverpool, Crosby and Southport Railway (LCSR) began to run into Exchange/Tithebarn Street station with three companies using the terminus. The LCSR became part of the LYR on 14 June 1855. By 13 August 1859 the LYR had absorbed the other two companies using the terminus leaving only one operator.
The station was the terminus of the ELR's line to Preston, the LYR's route to Bolton and the LCSR routes to Crosby and Southport.
Tithebarn St, Liverpool, England, UK L2 2QP
Description
Keywords: Tithebarn,St,street,building,history,historic,railway,terminus,stone,office,space,offices,moorfields,Merseyrail,architect,Beeching,Axe,closed,Exchange Station,Liverpool Exchange railway station,Liverpool Exchange station,John Hawkshaw,Liverpool Tithebarn Street,Tithebarn Street Station,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,Merseyrail,clock,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HMKK - Liverpool Exchange railway station was a railway station located in the city centre of Liverpool, England. Of the four terminal stations in Liverpool's city centre, Exchange station was the only station not accessed via a tunnel.
The station was badly damaged during World War II and lost a large proportion of the trainshed roof, which was never rebuilt, remaining an iron frame. The station's long distance services were switched to Liverpool Lime Street in the 1960s, and, as a terminus, the station became redundant in the late 1970s, when its remaining local services switched to the newly opened Merseyrail tunnels under Liverpool city centre. It was closed in 1977, being replaced by the new Moorfields underground station nearby.
Station construction and opening
Tithebarn Street as it was between opening in 1850 and reconstruction in 1886“88
The grandly-appointed station opened on 13 May 1850, replacing an earlier temporary station at Great Howard Street further north up the track. The station was designed by John Hawkshaw. The station had two names because the joint owners could not agree on a name. The Lancashire and Yorkshire Railway (LYR) named the station Liverpool Exchange Station with the East Lancashire Railway (ELR) naming the station Liverpool Tithebarn Street.
On 13 August 1859, the LYR absorbed the ELR, from which date the name of the station was Liverpool Exchange.[2][3] From 1 October 1850 trains of the Liverpool, Crosby and Southport Railway (LCSR) began to run into Exchange/Tithebarn Street station with three companies using the terminus. The LCSR became part of the LYR on 14 June 1855. By 13 August 1859 the LYR had absorbed the other two companies using the terminus leaving only one operator.
The station was the terminus of the ELR's line to Preston, the LYR's route to Bolton and the LCSR routes to Crosby and Southport.
Tithebarn St, Liverpool, England, UK L2 2QP
Description
Keywords: WBC,Borough,Council,public,space,municipal,assets,bus,buses,route,routes,tran,Network Warringtonsport,local,company,network,timetable,ticket,affordable,Golden,Square,shopping,centre,Warrington Borough Transport,Network Warrington,bus services,Bus station,GoTonySmith,Winwick St,Warrington,Cheshire,England,UK,Buy Pictures of,Buy Images Of,borough,transport,outside,exterior
Description: Tony Smith image Alamy EY3RNG - . Warrington Bus Station,interchange,town centre,Cheshire,England,UK. Photographed at Winwick St, Warrington, Cheshire, England, UK. The photograph was taken on 16 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Warrington, Bus, Station, interchange, NetworkWarrington, fare, service, stands, WBC and Borough, adding specific subject detail and useful search context without losing the documentary focus on the main subject. This documentary view is relevant to buses, public transport, local mobility, passenger information and the practical experience of travelling without a private car. It can support editorial coverage of bus services, rural and urban connectivity, stops and shelters, timetables, accessibility, transport policy, local authority provision and the challenges of maintaining useful services across communities. Roadside details, signs, shelters, vehicles and surrounding streetscape give picture buyers useful context about how bus transport is encountered at ground level. The photograph therefore has value both as a record of a specific place and as broader visual material about sustainable transport, everyday journeys and local connectivity. Search themes include buses, bus stops, passenger transport, timetables, local mobility, accessibility, public transport policy, rural or urban connectivity and sustainable travel. The surrounding road environment helps show how public transport infrastructure fits into the communities and streets it serves. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Winwick St, Warrington, Cheshire, England, UK
Description
Keywords: WBC,Borough,Council,public,space,municipal,assets,bus,route,routes,tran,Network Warringtonsport,local,network,timetable,service,fare,ticket,affordable,stands,Golden,Square,shopping,centre,Network Warrington,bus services,Bus station,GoTonySmith,Winwick St,Warrington,Cheshire,England,UK,Warringtonians,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EY3RNJ - . Warrington Bus Station,interchange,town centre,Cheshire,England,UK. Photographed at Winwick St, Warrington, Cheshire, England, UK. The photograph was taken on 16 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Warrington, Bus, Station, interchange, NetworkWarrington, Warrington Borough Transport, company, buses, WBC and Borough, adding specific subject detail and useful search context without losing the documentary focus on the main subject. This documentary view is relevant to buses, public transport, local mobility, passenger information and the practical experience of travelling without a private car. It can support editorial coverage of bus services, rural and urban connectivity, stops and shelters, timetables, accessibility, transport policy, local authority provision and the challenges of maintaining useful services across communities. Roadside details, signs, shelters, vehicles and surrounding streetscape give picture buyers useful context about how bus transport is encountered at ground level. The photograph therefore has value both as a record of a specific place and as broader visual material about sustainable transport, everyday journeys and local connectivity. Search themes include buses, bus stops, passenger transport, timetables, local mobility, accessibility, public transport policy, rural or urban connectivity and sustainable travel. The surrounding road environment helps show how public transport infrastructure fits into the communities and streets it serves. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Winwick St, Warrington, Cheshire, England, UK
Description
Keywords: Borough,Council,public,space,municipal,assets,bus,buses,route,routes,tran,Network Warringtonsport,local,company,network,timetable,service,fare,ticket,affordable,stands,Golden,Square,shopping,centre,bus services,Bus station,GoTonySmith,Winwick St,Warrington,Cheshire,England,UK,Buy Pictures of,Buy Images Of,Network Warrington,borough,transport,outside,exterior
Description: Tony Smith image Alamy EY3RNK - . Warrington Bus Station,interchange,town centre,Cheshire,England,UK. Photographed at Winwick St, Warrington, Cheshire, England, UK. The photograph was taken on 16 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Warrington, Bus, Station, interchange, WBC, NetworkWarrington, Warrington Borough Transport, Network Warrington, Borough and Council, adding specific subject detail and useful search context without losing the documentary focus on the main subject. This documentary view is relevant to buses, public transport, local mobility, passenger information and the practical experience of travelling without a private car. It can support editorial coverage of bus services, rural and urban connectivity, stops and shelters, timetables, accessibility, transport policy, local authority provision and the challenges of maintaining useful services across communities. Roadside details, signs, shelters, vehicles and surrounding streetscape give picture buyers useful context about how bus transport is encountered at ground level. The photograph therefore has value both as a record of a specific place and as broader visual material about sustainable transport, everyday journeys and local connectivity. Search themes include buses, bus stops, passenger transport, timetables, local mobility, accessibility, public transport policy, rural or urban connectivity and sustainable travel. The surrounding road environment helps show how public transport infrastructure fits into the communities and streets it serves. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Winwick St, Warrington, Cheshire, England, UK
Description
Keywords: Manchester City England,UK,men,people,being,shaved,lights,lit,mirror,in,hot,shave,grooming,sir,suits,you,chair,chairs,centre,homme,hommes,GoTonySmith,Buy Pictures of,Buy Images Of,shed,space,city,service,services,barbers,towel,shaves,shaving,close,close-shave
Description: Tony Smith image Alamy ED9DMA - . Traditional Barbers Shop, Barton Arcade, Central Manchester, City England, UK. Photographed at Barton Arcade, Manchester, England, UK. The photograph was taken on 06 December 2014. The image metadata records 4 people in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Barbers, Shop, Barton, Arcade, Central, haircut, man, male, males and Manchester City England, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The scene is relevant to retail, shopping, consumer behaviour, town and city centres, independent businesses and the changing appearance of the British high street. It can support editorial stories about shops, shopping centres, retail architecture, store branding, local commerce, vacancies, regeneration, consumer spending, tourism and the pressure on traditional bricks-and-mortar businesses. Shopfronts, signs, windows, displays, arcades and surrounding public realm provide useful visual context for how retail space is designed and experienced by pedestrians. The photograph also acts as a dated record of a business or shopping location, valuable when premises later change hands, rebrand, close or are redeveloped. Search themes include retail, shopping, shopfronts, consumer behaviour, high streets, town centres, commercial property, independent business, branding and changing local economies. A dated view of a shop or shopping environment gains extra archive value when businesses rebrand, close, move or when premises are redeveloped. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Barton Arcade, Manchester, England, UK
Description
Keywords: John,Ashby,chairman,Grappenhall,Community,Library. AGM 2014,John Ashby,Sheila,Wallace,Warrington,Cheshire,WA4 2PE,WA42PE,charity,annual,general,meeting,space,gotonysmith,AGM,2014,addressing,speaks,speaking,WA4,notes,speech,organisation,Community Library,directors,trustees,trustee,minutes
Description: Tony Smith image Alamy EBFWEX - . Grappenhall Community Library AGM 2014, John Ashby, Sheelagh Connolly, Sheila Wallace, Warrington, Cheshire WA4 2PE. Photographed at Albert Road, Grappenhall,Warrington, Cheshire,England, WA4 2PE. The photograph was taken on 25 November 2014. The image metadata records 3 people in the frame. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Grappenhall Community Library, AGM, 2014, John Ashby, official, library, community, libraries, Sheelagh and Connolly, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is a documentary record of an identifiable subject and location, useful for editorial, archive, travel, local-history and social-history picture research. It can support features about everyday life, place, public space, local identity, tourism, consumer behaviour and the changing appearance of towns, cities and communities. Visible objects, signs, buildings and environmental details provide contextual clues that make the image useful beyond its immediate subject. As a dated stock photograph it also offers a reference point for later comparison, especially where businesses, streets, public services or local surroundings subsequently change. Search themes include documentary photography, local history, everyday life, place, public space, travel, community identity, social history and changing surroundings. Its specificity makes it more useful than a generic concept image when an editor needs a recognisable real-world subject and setting. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Albert Road, Grappenhall,Warrington, Cheshire,England, WA4 2PE
Description
Keywords: Office,space,gerkin,Marys,London,England,UK,at,Dusk,finance,financial,money,district,commercial,skyscraper,EC3A,8BF,services,passport,passporting,Brexit,EU,30 St Mary Axe,The Gherkin,Swiss Re Building,City Of London,EC3A 8BF,EU Passporting,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,former,sites,of,the,Norman,Foster,cityscape,architecture,lit,illuminated,sir,outdoor,Aldgate,travel,tourist,construction,contemporary,Londons,Skanska,skyscraper,symbol,futuristic,insurance,urban,high,rise,highrise,long,exposure,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of,Financial District,Baltic Exchange,Chamber of Shipping,High-rise,Long Exposure
Description: Tony Smith image Alamy H2MCK9 - 30 St Mary Axe (informally known as The Gherkin and previously as the Swiss Re Building) is a commercial skyscraper in London's primary financial district, the City of London.
It was completed in December 2003 and opened in April 2004. With 41 storeys, it is 180 metres (591 ft) tall and stands on the former sites of the Baltic Exchange and Chamber of Shipping, which were extensively damaged in 1992 by the explosion of a bomb placed by the Provisional IRA in St Mary Axe, the street from which the tower takes its name.
30 St Mary Axe was designed by Norman Foster and Arup Group and it was erected by Skanska, with construction commencing in 2001.
St Mary's Axe, London, England, UK EC3A 8BF
Description
Keywords: Office,space,gerkin,Marys,London,England,UK,at,Dusk,finance,financial,money,district,commercial,skyscraper,EC3A,8BF,services,passport,passporting,Brexit,EU,30 St Mary Axe,The Gherkin,Swiss Re Building,City Of London,EC3A 8BF,EU Passporting,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,former,sites,of,the,Norman,Foster,cityscape,architecture,lit,illuminated,sir,outdoor,Aldgate,travel,tourist,construction,contemporary,Londons,Skanska,skyscraper,symbol,futuristic,insurance,urban,high,rise,highrise,long,exposure,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of,Financial District,Baltic Exchange,Chamber of Shipping,High-rise,Long Exposure
Description: Tony Smith image Alamy H3F09W - 30 St Mary Axe (informally known as The Gherkin and previously as the Swiss Re Building) is a commercial skyscraper in London's primary financial district, the City of London.
It was completed in December 2003 and opened in April 2004. With 41 storeys, it is 180 metres (591 ft) tall and stands on the former sites of the Baltic Exchange and Chamber of Shipping, which were extensively damaged in 1992 by the explosion of a bomb placed by the Provisional IRA in St Mary Axe, the street from which the tower takes its name.
30 St Mary Axe was designed by Norman Foster and Arup Group and it was erected by Skanska, with construction commencing in 2001.
St Mary's Axe, London, England, UK EC3A 8BF
Description
Keywords: Office,space,gerkin,Marys,London,England,UK,at,Dusk,finance,financial,money,district,commercial,skyscraper,EC3A,8BF,services,passport,passporting,Brexit,EU,30 St Mary Axe,The Gherkin,Swiss Re Building,City Of London,EC3A 8BF,EU Passporting,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,former,sites,of,the,Norman,Foster,cityscape,architecture,lit,illuminated,sir,outdoor,Aldgate,travel,tourist,construction,contemporary,Londons,Skanska,skyscraper,symbol,futuristic,insurance,urban,high,rise,highrise,long,exposure,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of,Financial District,Baltic Exchange,Chamber of Shipping,High-rise,Long Exposure
Description: Tony Smith image Alamy H3F0BT - 30 St Mary Axe (informally known as The Gherkin and previously as the Swiss Re Building) is a commercial skyscraper in London's primary financial district, the City of London.
It was completed in December 2003 and opened in April 2004. With 41 storeys, it is 180 metres (591 ft) tall and stands on the former sites of the Baltic Exchange and Chamber of Shipping, which were extensively damaged in 1992 by the explosion of a bomb placed by the Provisional IRA in St Mary Axe, the street from which the tower takes its name.
30 St Mary Axe was designed by Norman Foster and Arup Group and it was erected by Skanska, with construction commencing in 2001.
St Mary's Axe, London, England, UK EC3A 8BF
Description
Keywords: Office,space,gerkin,Marys,London,England,UK,at,Dusk,finance,financial,money,district,commercial,skyscraper,EC3A,8BF,services,passport,passporting,Brexit,EU,30 St Mary Axe,The Gherkin,Swiss Re Building,City Of London,EC3A 8BF,EU Passporting,GoTonySmith,@HotpixUK,Tony,Smith,different,unique,former,sites,of,the,Norman,Foster,cityscape,architecture,lit,illuminated,sir,outdoor,Aldgate,travel,tourist,construction,contemporary,Londons,Skanska,skyscraper,symbol,futuristic,insurance,urban,high,rise,highrise,long,exposure,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,Photo of,Financial District,Baltic Exchange,Chamber of Shipping,High-rise,Long Exposure
Description: Tony Smith image Alamy H3F0C8 - 30 St Mary Axe (informally known as The Gherkin and previously as the Swiss Re Building) is a commercial skyscraper in London's primary financial district, the City of London.
It was completed in December 2003 and opened in April 2004. With 41 storeys, it is 180 metres (591 ft) tall and stands on the former sites of the Baltic Exchange and Chamber of Shipping, which were extensively damaged in 1992 by the explosion of a bomb placed by the Provisional IRA in St Mary Axe, the street from which the tower takes its name.
30 St Mary Axe was designed by Norman Foster and Arup Group and it was erected by Skanska, with construction commencing in 2001.
St Mary's Axe, London, England, UK EC3A 8BF
Description
Keywords: Warrington,Golden,Square,July,2012,Cheshire,England,UK,on,stage,playing,rocker,music,gotonysmith,rock,livemusic,live,music,Gibson,good,lighting,public,space,festival,WBC,borough,council,local,authority,arts,team,event,Gotonysmith,Warringtonians,Buy Pictures of,Buy Images Of,concert,the
Description: Tony Smith image Alamy D8HTMB - . An identifiable period record of Golden Square Warrington Cheshire England UK in 2012, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The principal subject is The Kingsway Band guitarist , Warrington Golden Square July 2012 Cheshire England UK. Further facets of the scene include popular-music heritage, visual archive, everyday life, cultural memory, changing land use, place-based commemoration, music memorial, DJ culture, social history, commemorative plaque, regional music heritage, historical comparison, memorial culture, and archival record. The modern context includes continuing discussion of grassroots culture, music heritage and the fragility of local music history when venues and scenes disappear. Small period details of transport arrangements and footfall at Golden Square Warrington Cheshire England UK may become more significant with time, particularly following closure or conversion. The subject also sits alongside local remembrance, place identity, changing streetscape, community tribute, local character, before-and-after reference, public realm, and local history. The recorded references to Square, Kingsway, Golden, and guitarist preserve clues about how the subject was presented, used or understood at the time. A later view of Golden Square Warrington Cheshire England UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes grassroots culture and how memorials preserve figures from regional music scenes outside formal institutions without losing the local specificity of Golden Square Warrington Cheshire England UK. Another strand within the photograph is creative industries and the importance of documenting club and dance-music history in a form that can be compared with future views of Golden Square Warrington Cheshire England UK.
Golden Square Warrington Cheshire England UK
