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Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,1798,Eire,United,Irishmen,Rebellion,catholic,community,catholics,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDF07Y - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Falls,Road,rd,Garden,of,remembrance,IRA,members,deceased,West,Belfast,NI,UK,Falls,Cultural,Society,Irish,colours,Orange,green,white,cross,catholic,catholicism,Falls Cultural Society,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDPM7Y - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,gate,Peace Garden,Gate,with,Eire,Harp,symbol,crest,flag,flying,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HEW1E6 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Europa,Hotel,hotels,city,centre,BT2,Great Victoria St,Ireland,road,street,st,bombed,most,4star,four,star,Hasting,Ulster,Northern Ireland,Belfast City,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYME - The Europa Hotel is a four-star hotel in Great Victoria Street, Belfast, Northern Ireland. It has hosted presidents, prime ministers and celebrities.
It is known as the most bombed hotel in Europe and the most bombed hotel in the world after having suffered 36 bomb attacks during the Troubles.
The hotel, designed by architects Sydney Kaye, Eric Firkin & Partners, opened in July 1971. It was built on the site of the former Great Northern Railway station and stands 51 metres high.
During The Troubles, the hotel, where most journalists covering the Troubles stayed, was known as Europe's most bombed hotel, earning the name the Hardboard Hotel. The hotel was blown up by the Provisional IRA in 1993 and damaged so badly that it sold for only £4.4m.
The Europa Hotel became part of the Hastings Hotels group on 3 August 1993, whereupon it was announced that it would close for the first time in its 22-year history to allow for major refurbishment. Following an £8m investment, the hotel reopened in February 1994. Its first official event was the Flax Trust Ball, a gala evening for 500 local and international dignitaries. President Clinton and First Lady Hillary Clinton stayed in the hotel in November 1995
the suite used by the Clintons was subsequently renamed the Clinton Suite. The presidential entourage booked 110 rooms at the hotel.
Started in early 2008, an extension to the hotel increased the height of a rear wing by seven floors, to twelve floors, and increased bedrooms from 240 to 272. The extension was designed by Robinson McIlwaine Architects and was completed late in 2008
Great Victoria St, Belfast BT2 7AP
Description
Keywords: Love,Peace and Happiness,on,terrace,house,flat,CCTV,camera,31,Belfast,BT9,UK,University Road,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,tourists,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYMF - . This location-specific image from 31 University Rd, Belfast BT9, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The location is represented through Love, Peace and Happiness,Is this possible in Belfast? Discuss. The setting additionally reflects roadside stop, bus route infrastructure, regional identity, visual archive, changing streetscape, contemporary social history, period detail, transport accessibility, local history, community identity, archival record, street-side transport, roadside transit, and social history. From a 2025-onward perspective, reliability and passenger information are closely linked to this subject, alongside the shift toward cleaner buses and integrated ticketing. Small period details of period objects and surrounding context at 31 University Rd, Belfast BT9, UK may become more significant with time, particularly following replacement signage. The location also brings in changing land use, public transport stop, local bus network, documentary photography, before-and-after reference, passenger transport, surface public transport, and bus infrastructure. References to Happiness, possible, Belfast, Peace, and Discuss give the picture a strong period identity and tie it closely to its named subject. For 31 University Rd, Belfast BT9, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to reliability and the challenge of maintaining reliable services outside dense city centres when considered against later change at 31 University Rd, Belfast BT9, UK. The location additionally provides evidence of rural transport and the challenge of maintaining reliable services outside dense city centres without losing the local specificity of 31 University Rd, Belfast BT9, UK.
31 University Rd, Belfast BT9, UK
Description
Keywords: NI,Northern Ireland,city,centre,Education,learn,learning,Queen,old,historic,building,architecture,research,institution,institutions,QUB,Queens College,Academic,BT7 1NN,main,building,architecture,red,gate,tent,tents,marque,gates,new,University Of Belfast,for London,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Uni,Belfast,City,Centre,edication,student,students,union,West,Beal,feirste,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Universitas Reginae Belfastiae,Academia,higher,hybrid,diesel-electric,double-decker,doubledecker,double,decker,Wrightbus,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Higher Education,operated in London,Heatherwick Studio,rear open platform
Description: Tony Smith image Alamy HDEYMG - Queen's University Belfast (informally Queen's or QUB) is a public research university in Belfast, Northern Ireland. The university was chartered in 1845, and opened in 1849 as Queen's College, Belfast, but has roots going back to 1810 and the Royal Belfast Academical Institution.
The university forms the focal point of the Queen's Quarter area of the city, one of Belfast's four cultural districts. It offers academic degrees at various levels and across a broad subject range, with over 300 degree programmes available. Since 1 March 2014, Patrick Johnston has been the university's 12th President and Vice-Chancellor. Its Chancellor is Thomas Moran.
Queen's is a member of the Russell Group of leading research intensive universities, the Association of Commonwealth Universities, the European University Association, Universities Ireland and Universities UK. The university is associated with two Nobel laureates and one Turing Award laureate.
University Road, Belfast BT7 1NN
Description
Keywords: NI,Northern Ireland,city,centre,Education,learn,learning,Queen,old,historic,building,architecture,research,institution,institutions,QUB,Queens College,Academic,BT7 1NN,main,building,architecture,red,gate,tent,tents,marque,gates,University Of Belfast,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Uni,Belfast,City,Centre,edication,student,students,union,West,Beal,feirste,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Universitas Reginae Belfastiae,Academia,higher,hybrid,diesel-electric,double-decker,doubledecker,double,decker,Wrightbus,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Higher Education,operated in London,Heatherwick Studio,rear open platform
Description: Tony Smith image Alamy HDEYMH - Queen's University Belfast (informally Queen's or QUB) is a public research university in Belfast, Northern Ireland. The university was chartered in 1845, and opened in 1849 as Queen's College, Belfast, but has roots going back to 1810 and the Royal Belfast Academical Institution.
The university forms the focal point of the Queen's Quarter area of the city, one of Belfast's four cultural districts. It offers academic degrees at various levels and across a broad subject range, with over 300 degree programmes available. Since 1 March 2014, Patrick Johnston has been the university's 12th President and Vice-Chancellor. Its Chancellor is Thomas Moran.
Queen's is a member of the Russell Group of leading research intensive universities, the Association of Commonwealth Universities, the European University Association, Universities Ireland and Universities UK. The university is associated with two Nobel laureates and one Turing Award laureate.
University Road, Belfast BT7 1NN
Description
Keywords: NI,Northern Ireland,city,centre,Education,learn,learning,Queen,old,historic,building,architecture,research,institution,institutions,QUB,Queens College,Academic,BT7 1NN,main,building,architecture,red,gate,tent,tents,marque,gates,University Of Belfast,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Uni,Belfast,City,Centre,edication,student,students,union,West,Beal,feirste,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Universitas Reginae Belfastiae,Academia,higher,hybrid,diesel-electric,double-decker,doubledecker,double,decker,Wrightbus,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Higher Education,operated in London,Heatherwick Studio,rear open platform
Description: Tony Smith image Alamy HDEYMJ - Queen's University Belfast (informally Queen's or QUB) is a public research university in Belfast, Northern Ireland. The university was chartered in 1845, and opened in 1849 as Queen's College, Belfast, but has roots going back to 1810 and the Royal Belfast Academical Institution.
The university forms the focal point of the Queen's Quarter area of the city, one of Belfast's four cultural districts. It offers academic degrees at various levels and across a broad subject range, with over 300 degree programmes available. Since 1 March 2014, Patrick Johnston has been the university's 12th President and Vice-Chancellor. Its Chancellor is Thomas Moran.
Queen's is a member of the Russell Group of leading research intensive universities, the Association of Commonwealth Universities, the European University Association, Universities Ireland and Universities UK. The university is associated with two Nobel laureates and one Turing Award laureate.
University Road, Belfast BT7 1NN
Description
Keywords: International Peace Wall,Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Civil Order mural,Civil Order,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYMK - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,face,It,is,not,those,who,can,inflict,the,most,but,those,that,can,suffer,the,most,who,will,conquer,It is not those who can inflict the most,but those that can suffer the most who will conquer,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HDEYP1 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Belfast,arts,development,Is gaeil sinne,is,gaeil,sinne,mural,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYT1 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Freedom,For,Ocalan,petition,prisoner,revolutionary,Öcalan,PKK,Turkish-born,PKK,Kurdistan Workers Party,founder,Abdullah Öcalan,Abdullah,Öcalan,mural,Peace Is More Difficult Than war,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYT9 - Peace is more difficult than war. We were not scared as we resisted
we will not be scared when we make peace. Turkish-born Kurdistan Workers' Party founder Abdullah Öcalan has been in prison since 1999, during which time he has changed from advocating violence to advocating a political solution to the Kurdish situation in Turkey. (WP) The conflict has resulted in a minimum of 45,000 deaths
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,creativity,Belfast,Inventiveness,yellow,orange,metal,steel,iron,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWA - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Let go of the past,Its your choice,fight for a better future,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWC - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth). @GoTonySmith
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Let go of the past,Its your choice,fight for a better future,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWD - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth). @GoTonySmith
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWE - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWF - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWG - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWJ - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWP - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYX2 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,save,the,nhs,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYYK - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDF001 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,1798,Eire,United Irishmen Rebellion,United,Irishmen,Rebellion,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDF07B - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,1798,Eire,United Irishmen Rebellion,United,Irishmen,Rebellion,catholic,community,catholics,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDF07K - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDM1B5 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Shankill Road,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDM1EA - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: crane,cranes,build,built,building,new,homes,office,offices,retail,quarter,Belfast city Centre,Northern Ireland,UK,city centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWRW6 - . An identifiable period record of North St, Belfast, Northern Ireland, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The frame specifically shows Construction and modernisation of Belfast city Centre, Northern Ireland, UK. Further facets of the scene include local history, everyday life, architectural character, archival record, heritage asset, period building, period detail, visual archive, changing land use, regional identity, heritage landmark, local character, historical comparison, and documentary photography. The wider contemporary story combines tourism, embodied carbon and the balance between conservation, retrofit and modern accessibility. The image fixes landscape treatment and surrounding development within North St, Belfast, Northern Ireland, UK at one identifiable point, providing a benchmark against changing commercial priorities. The surrounding story also includes architectural detail, before-and-after reference, built heritage, place identity, changing streetscape, historic streetscape, historic townscape, and social history. References to Belfast, Centre, modernisation, Ireland, and Construction give the picture a strong period identity and tie it closely to its named subject. The period setting at North St, Belfast, Northern Ireland, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for tourism and the balance between conservation, retrofit and modern accessibility in a form that can be compared with future views of North St, Belfast, Northern Ireland, UK. Another useful connection is planning control and the balance between conservation, retrofit and modern accessibility within the real-world context of North St, Belfast, Northern Ireland, UK. The image fixes a trace of local identity for future local research.
North St, Belfast, Northern Ireland, UK
Description
Keywords: Bayardo,memorial,UFF,Unionist,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,murder,pub,pubs,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWRXP - . An on-location photograph from Shankill Road, West Belfast, NI, UK in 2016, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows Bayardo Bar mural, off Shankill Road West Belfast,Northern Ireland,UK. The subject also carries associations with graffiti heritage, urban artwork, community identity, urban graphics, public realm, public art, changing streetscape, public monument, memorial stone, local character, archival record, documentary photography, historic commemoration, and before-and-after reference. In present-day coverage, the subject reaches into heritage conservation and genealogy, not least because of the value of memorials for genealogy and local history. Today's relevance is strengthened by tourism, public art and the continuing question of the role of murals and stencils in giving creative districts a distinctive identity. The archival value lies partly in recording local activity and public use around Shankill Road, West Belfast, NI, UK before closure or conversion alters the character of the place. Other useful contextual ideas include stencil art, local remembrance, contemporary social history, creative placemaking, historical comparison, contemporary mural, mortality symbolism, and street-level design. Elements such as Shankill, Belfast, mural, Bayardo, and Northern add documentary specificity and may become increasingly useful when compared with later records. Around Shankill Road, West Belfast, NI, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects heritage conservation and the value of memorials for genealogy and local history without losing the local specificity of Shankill Road, West Belfast, NI, UK. The scene captures evidence of changing use for future local research.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,Ulster,memorial,UFF,mural,off,rd,Road,Northern Ireland,UK,Ireland,fighter,fighting,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWT6K - . Photographed at Cupar Way / Shankill Road, West Belfast, NI, UK in 2016, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The scene records International Peace Wall, off Shankill Road/Cupar Way, West Belfast,Northern Ireland,UK. The subject also carries associations with public realm, local history, local character, changing streetscape, roadside transit, social history, before-and-after reference, historical comparison, street-side transport, changing land use, regional identity, transport accessibility, everyday life, and public transport stop. For current editorial use, passenger information and reliability provide additional context, especially through the importance of bus stops as the physical interface between passengers and public transport. The archival value lies partly in recording equipment and working practice around Cupar Way / Shankill Road, West Belfast, NI, UK before redevelopment alters the character of the place. Other useful contextual ideas include local bus network, documentary photography, surface public transport, bus route infrastructure, public transport information, visual archive, bus infrastructure, and passenger transport. The combination of Ireland, Peace, Shankill, Cupar, and Northern anchors the frame to a recognisable activity, place or moment. A later view of Cupar Way / Shankill Road, West Belfast, NI, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another useful connection is passenger information and the challenge of maintaining reliable services outside dense city centres as part of the longer story of Cupar Way / Shankill Road, West Belfast, NI, UK. The record includes part of the area's social history within the wider story of Cupar Way / Shankill Road, West Belfast, NI, UK.
Cupar Way / Shankill Road, West Belfast, NI, UK
Description
Keywords: gate,metal gate,metal,gates,yellow,parked,cars,car,Peace wall,West,Belfast,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,City,Centre,Art,Artists,the,troubles,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWT71 - . Made at Cupar Way, West Belfast, Northern Ireland, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The photograph centres on Gates to the Catholic / Protestant peace wall, Cupar Way, West Belfast, Northern Ireland, UK. The broader subject matter reaches into conservation interest, changing land use, architectural detail, period architecture, contemporary social history, documentary photography, local history, archival record, conservation architecture, heritage asset, architectural character, heritage landmark, cityscape history, and public realm. The modern context includes continuing discussion of maintenance, redevelopment pressure and how historic buildings acquire new uses as cities change. The archival value lies partly in recording materials and architectural details around Cupar Way, West Belfast, Northern Ireland, UK before closure or conversion alters the character of the place. Other useful contextual ideas include historic townscape, historical comparison, built heritage, period building, regional identity, period detail, local character, and visual archive. References to Catholic, Northern, Belfast, Protestant, and Ireland give the picture a strong period identity and tie it closely to its named subject. A later view of Cupar Way, West Belfast, Northern Ireland, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate maintenance and how historic buildings acquire new uses as cities change as part of the longer story of Cupar Way, West Belfast, Northern Ireland, UK. The image also provides a reference for planning control and how historic buildings acquire new uses as cities change when considered against later change at Cupar Way, West Belfast, Northern Ireland, UK.
Cupar Way, West Belfast, Northern Ireland, UK
Description
Keywords: Northern Ireland,UK,West,Belfast,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,Beal,feirste,martyrs,social,tourists,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWT74 - . This scene at West Belfast, Northern Ireland,UK in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Waste Ground,Council estate,West Belfast,Northern Ireland,UK. The setting additionally reflects period architecture, heritage landmark, conservation interest, adaptive reuse, archival record, historic townscape, urban fabric, conservation architecture, local character, documentary photography, heritage asset, contemporary social history, visual archive, and local history. For current editorial use, redevelopment pressure and planning control provide additional context, especially through how historic buildings acquire new uses as cities change. Future viewers can use this scene from West Belfast, Northern Ireland,UK to compare materials and architectural details with whatever follows after new ownership. A second descriptive layer includes before-and-after reference, period building, everyday life, cityscape history, built heritage, historic streetscape, place identity, and public realm. The recorded references to Northern, Ireland, Waste, Belfast, and estate preserve clues about how the subject was presented, used or understood at the time. A later view of West Belfast, Northern Ireland,UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes redevelopment pressure and how historic buildings acquire new uses as cities change in a form that can be compared with future views of West Belfast, Northern Ireland,UK. Another strand within the photograph is redevelopment pressure and keeping older buildings useful without erasing their distinctive character within the real-world context of West Belfast, Northern Ireland,UK. The record includes a point of historical comparison for later comparison.
West Belfast, Northern Ireland,UK
Description
Keywords: Red hand,UFF,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,school,gate,gates,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT79 - . Recorded at Shankill Road, West Belfast, NI, UK in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is Glenwood Primary school, off Shankill Road West Belfast,Northern Ireland,UK - Entrance. The image also relates to exam practice, assessment material, everyday life, changing streetscape, exam preparation, roadside transit, community identity, local bus network, local history, mathematics education, local mobility, historical comparison, school examination, and archival record. The modern context includes continuing discussion of student attainment, assessment pressure and the pressure placed on students by high-stakes assessment. For current editorial use, accessibility and rural transport provide additional context, especially through the importance of bus stops as the physical interface between passengers and public transport. Small period details of lettering, decoration and surface detail at Shankill Road, West Belfast, NI, UK may become more significant with time, particularly following conservation work. Further associations within the scene are public realm, before-and-after reference, place identity, bus infrastructure, formal assessment, contemporary social history, local character, and revision resource. The combination of Belfast, Ireland, Entrance, Northern, and Shankill anchors the frame to a recognisable activity, place or moment. A later view of Shankill Road, West Belfast, NI, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for student attainment and the role of consistent qualifications in university and employment pathways within the specific setting of Shankill Road, West Belfast, NI, UK. The photograph keeps evidence of earlier appearance for later comparison.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Slum,people,waiting,with,all,areas,needed,call,0759-1726638,Belfast,run,down,ukhousing,socialhousing,social,housing,terrace,boarded,up,sign,broken window,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWT7H - . An identifiable period record of Belfast, Northern Ireland, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The principal subject is Rundown rental accommodation - Landlords Wanted,people waiting with deposits,all areas needed, call 0759-1726638 Belfast. The locality and subject together evoke navigation aid, route marker, documentary photography, everyday life, period detail, regional identity, directional sign, transport stop marker, archival record, community noticeboard, social history, contemporary social history, place identity, and historical comparison. The modern context includes continuing discussion of navigation, local identity and how signs record changing road names, destinations and administrative responsibility. Future viewers can use this scene from Belfast, Northern Ireland, UK to compare signage and branding with whatever follows after different community use. The subject also sits alongside public-facing notice, orientation signage, public realm, changing streetscape, before-and-after reference, local information board, local character, and local history. The combination of needed, accommodation, Rundown, rental, and waiting anchors the frame to a recognisable activity, place or moment. The wider setting at Belfast, Northern Ireland, UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is navigation and how signs record changing road names, destinations and administrative responsibility without losing the local specificity of Belfast, Northern Ireland, UK. The scene further reflects inclusive design and the importance of clear wayfinding in public and transport environments in a form that can be compared with future views of Belfast, Northern Ireland, UK. The photograph keeps a trace of local identity before later change alters the scene.
Belfast, Northern Ireland, UK
Description
Keywords: buses,opentop,double,decker,red,Orange,coach,tour,operator,centre,Ireland,topdeck,major,landmarks,hop,on,off,hop-on-hop-off,discount,offer,offers,ticket,tickets,route,map,franchise,Double Decker,Bus Tour,Coach tour,City Centre,Enrique Ybarra,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,unionism,Orange,men,Orangemen,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Northern,tourist,tourism,travel,travellers,Ensignbus,break,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,double-decker,City Coach Lines,Peter Newman,city break
Description: Tony Smith image Alamy HDWT7P - City Sightseeing is a World's largest excursion sightseeing bus tour operator. It provides tour bus services in more than a hundred cities around the world. The tours are operated by well-recognisable red open top double-decker buses.
The tourist attraction buses travel near major landmarks, while a prerecorded or live commentary in multiple languages is provided through small headphones to passengers. Tourists may leave and board the company buses within their ticket's time limit at special bus stops on a circular route. This is called hop-on-hop-off. In large cities buses go on more than one route. On some routes buses leave the city for suburban sights (such as from Sintra to Cabo da Roca). In some cities (such as New York City) buses operate even at night. In some cities (such as Prague, Moscow, Saint Petersburg) some variants of the ride include travelling by boat. The United Kingdom, Italy and Spain are the countries with the largest number of cities with City Sightseeing service.
Tickets are issued for either one or two day rides, and are purchased at tourist attractions or online. Tickets and discount offers are transferable between the worldwide tours. In some cities, rides by City Sightseeing are included in the city's guest card. A free map of the route for each city is offered as guide and advertisement as well as headphones are free for users. In 2011, nearly 13 million tourists took City Sightseeing tours
Belfast,Northern Ireland,UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,soup,cafe,bakery,flag,Belfast IRA Cafe,flags,soups,IRA Beechmount Cafe,Beechmount Cafe,catholic,community,Belfast Catholic Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDWT7R - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Seventeen People Dead,Seventeen,People,Dead,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDWT8T - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Easter Rising,James Connolly,Seamus Ó Conghaile,outside,society,HQ,office,Erected,March,2016,James Connolly statue,bronze,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,catholic,community,catholics,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause,Belfast Catholic Community
Description: Tony Smith image Alamy HDWTHW - James Connolly (Irish: Séamas Ó Conghaile
5 June 1868 “ 12 May 1916) was an Irish republican and socialist leader, aligned to syndicalism and the Industrial Workers of the World.
He was born in the Cowgate area of Edinburgh, Scotland, to Irish-born parents. He left school for working life at the age of 11, but became one of the leading Marxist theorists of his day. He also took a role in Scottish and American politics. He was executed by a British firing squad because of his leadership role in the Easter Rising of 1916.
in 1910 he was right-hand man to fellow-syndicalist James Larkin in the Irish Transport and General Workers Union. He stood twice for the Wood Quay ward of Dublin Corporation but was unsuccessful. His name, and those of his family, appears in the 1911 Census of Ireland - his occupation is listed as National Organiser Socialist Party
In 1913, in response to the Lockout, he, along with an ex-British officer, Jack White, founded the Irish Citizen Army (ICA), an armed and well-trained body of labour men whose aim was to defend workers and strikers, particularly from the frequent brutality of the Dublin Metropolitan Police. Though they only numbered about 250 at most, their goal soon became the establishment of an independent and socialist Irish nation. He also founded the Irish Labour Party as the political wing of the Irish Trade Union Congress in 1912 and was a member of its National Executive. Around this time he met Winifred Carney in Belfast, who became his secretary and would later accompany him during the Easter Rising.
Connolly was sentenced to death by firing squad for his part in the rising. On 12 May 1916 he was taken by military ambulance to Royal Hospital Kilmainham, across the road from Kilmainham Gaol, and from there taken to the gaol, where he was to be executed. Visited by his wife, and asking about public opinion, he commented, They will all forget that I am an Irishman
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,solidarity,not Spain,not France,Catalan Solidarity,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDWTPB - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,Street,Maggie Thatcher,think again,our brave men,die in vain,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDWTPG - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Clowney Street/Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: shop,retailing,shopping,city,centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18B9 - . Made at High Street, Belfast, NI, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records High st panorama, Belfast, Northern Ireland, UK. The subject also carries associations with local story.htm Target=_Blank>history, street-level business, visual archive, high-street commerce, small business, archival record, specialist retailer, commercial streetscape, before-and-after reference, independent retail, regional identity, social history, commercial frontage, and local character. The modern context includes continuing discussion of independent business, town-centre regeneration and the resilience of independent shops in an online retail economy. The image fixes public access and movement within High Street, Belfast, NI, UK at one identifiable point, providing a benchmark against refurbishment. A second descriptive layer includes changing streetscape, customer footfall, bricks-and-mortar retail, local enterprise, everyday life, shopfront economy, period detail, and documentary photography. References to panorama, Ireland, Belfast, and Northern give the picture a strong period identity and tie it closely to its named subject. The period setting at High Street, Belfast, NI, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to independent business and the resilience of independent shops in an online retail economy within the specific setting of High Street, Belfast, NI, UK. The location additionally provides evidence of consumer spending and how consumer spending and property costs shape local commercial streets as part of the longer story of High Street, Belfast, NI, UK. The photograph keeps a trace of local identity as part of High Street, Belfast, NI, UK's history.
High Street, Belfast, NI, UK
Description
Keywords: QE,QEII,Queen,Elizabeth,Bridge,water,front,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Peace,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CD - . This location-specific image from Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The location is represented through Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK. The frame also records themes of before-and-after reference, community identity, contemporary social history, everyday life, period building, social history, local character, architectural detail, architectural character, adaptive reuse, changing land use, conservation architecture, visual archive, and heritage asset. In present-day coverage, the subject reaches into energy retrofit and redevelopment pressure, not least because of how historic buildings acquire new uses as cities change. The archival value lies partly in recording materials and architectural details around Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK before replacement signage alters the character of the place. A second descriptive layer includes period architecture, archival record, public realm, local history, conservation interest, documentary photography, historic streetscape, and regional identity. Details involving Bridge, Belfast, Elizabeth, Northern, and Lagan make the image more specific than a generic view and strengthen its local or historical value. The period setting at Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of energy retrofit and how historic buildings acquire new uses as cities change when considered against later change at Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK. The scene captures a trace of local identity before later change alters the scene.
Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK
Description
Keywords: metal,Belfast Museum,new,ship,building,builder,builders,metal,H&W,SS Titanic,tourist,tourism,Northern Ireland,UK,Ireland,tour,BT3 9EP,BT3,9EP,RMS Titanic,RMS,White Star Line,historic,shipyard,yard,visitor,attraction,Harland & Wolff,Harland,Wolff,H&W,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,tribute,employer,protestant,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Harland and Wolff,exterior,outside,outdoor,outdoors,Harcourt,Developments,regeneration,Signature,Project,Northern Ireland Executive,Titanic Belfast,Foundation,Tourist Board,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CE - Titanic Belfast is a visitor attraction and a monument to Belfast's maritime heritage on the site of the former Harland & Wolff shipyard in the city's Titanic Quarter where the RMS Titanic was built. It tells the stories of the ill-fated Titanic, which hit an iceberg and sank during her maiden voyage in 1912, and her sister ships RMS Olympic and HMHS Britannic. The building contains more than 12,000 square metres (130,000 sq ft) of floor space, most of which is occupied by a series of galleries, plus private function rooms and community facilities.
1 Olympic Way, Queens Road, Titanic Quarter, Belfast, Northern Ireland,UK BT3 9EP
Description
Keywords: titanium,metal,Belfast Museum,new,ship,building,builder,builders,metal,metallic,SS Titanic,tourist,destination,UK,Ireland,tour,BT3 9EP,BT3,9EP,RMS,historic,yard,visitor,attraction,Harland & Wolff,Harland,Wolff,H&W,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,tribute,employer,protestant,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Harland and Wolff,exterior,outside,outdoor,outdoors,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CH - Titanic Belfast is a visitor attraction and a monument to Belfast's maritime heritage on the site of the former Harland & Wolff shipyard in the city's Titanic Quarter where the RMS Titanic was built. It tells the stories of the ill-fated Titanic, which hit an iceberg and sank during her maiden voyage in 1912, and her sister ships RMS Olympic and HMHS Britannic. The building contains more than 12,000 square metres (130,000 sq ft) of floor space, most of which is occupied by a series of galleries, plus private function rooms and community facilities.
1 Olympic Way, Queens Road, Titanic Quarter, Belfast, Northern Ireland,UK BT3 9EP
Description
Keywords: Crumlin,Road,Gaol,local,investor,Barry,Gilligan,dilapidated,building,architecture,victorian,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7M57 - The Crumlin Road Courthouse was designed by the architect Charles Lanyon and completed in 1850. It is situated across the road from the Crumlin Road Jail and the two are linked by an underground passage.
The courthouse closed in June 1998. It was sold to local investor Barry Gilligan in September 2003 for £1. His plans for the courthouse include redeveloping it as a tourist attraction and a hotel.
On Thursday 12 March 2009, the courthouse suffered significant damage in a fire and a series of further fires in August 2009 caused further massive damage to the structure, prompting questions into the cause and leaving the future of the building in question.
Crumlin Road, Belfast, Northern Ireland, UK
Description
Keywords: Crumlin,Road,Gaol,local,investor,Barry,Gilligan,dilapidated,building,architecture,victorian,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M5B - The Crumlin Road Courthouse was designed by the architect Charles Lanyon and completed in 1850. It is situated across the road from the Crumlin Road Jail and the two are linked by an underground passage.
The courthouse closed in June 1998. It was sold to local investor Barry Gilligan in September 2003 for £1. His plans for the courthouse include redeveloping it as a tourist attraction and a hotel.
On Thursday 12 March 2009, the courthouse suffered significant damage in a fire and a series of further fires in August 2009 caused further massive damage to the structure, prompting questions into the cause and leaving the future of the building in question.
Crumlin Road, Belfast, Northern Ireland, UK
Description
Keywords: architecture,building,stone,arch,holy,St Annes,saint,Annes,Girls Brigade,stained glass,window,and,blue,flag,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7M73 - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,holy,St Annes,Belfast Cathedral,saint,Annes,stained glass window,GG,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7M79 - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: and,Guinness,Is,Sign,Extra Stout,extra,stout,beer,brewed,ale,black,frame,pub,pubs,bar,bars,republic,of,Ireland,Northern Ireland,ad,advertisement,advertising,drinking,abuse,alcohol,Irish,old,ABV,slogan,saying,Dublin,brand,St James Gate,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,pubs,bars,of,London,classic,tourist,attraction,travel,vacation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish dry stout,Arthur Guinness,Beer Brand,Pubs Of London,must see
Description: Tony Smith image Alamy HE7M9E - Guinness is an Irish dry stout produced by Diageo that originated in the brewery of Arthur Guinness (1725“1803) at St. James's Gate, Dublin. Guinness is one of the most successful beer brands worldwide. It is brewed in almost 50 countries and is available in over 120. Annual sales total 850 million litres (1.5 billion Imperial or 1.8 billion US pints).
A feature of the product is the burnt flavour that is derived from roasted unmalted barley, although this is a relatively modern development, not becoming part of the grist until the mid-20th century. For many years a portion of aged brew was blended with freshly brewed beer to give a sharp lactic flavour. Although the Guinness palate still features a characteristic tang, the company has refused to confirm whether this type of blending still occurs. The draught beer's thick, creamy head comes from mixing the beer with nitrogen and carbon dioxide when poured. It is popular with the Irish both in Ireland and abroad, and, in spite of a decline in consumption since 2001, is still the best-selling alcoholic drink in Ireland where Guinness & Co. makes almost €2 billion annually.
The company moved its headquarters to London at the beginning of the Anglo-Irish Trade War in 1932. In 1997, it merged with Grand Metropolitan to form the multinational alcoholic drinks producer Diageo.
Ireland
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MAA - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,saint,Annes,The,assoc,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7MAC - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Montgomery,St,Belfast,Northern Ireland,UK,inscription,Chichester,St,street,saying,A,Nation,That,keeps,an,eye,on,the,past,is,wise,A,nation,that,keeps,two,eyes,on,the,past,is,blind,A,nation,that,keeps,2,eyes,on,the,past,is,blind,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7MAF - . Recorded at 29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK in 2011, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records The Garrick bar,A Nation That keeps an eye on the past is wise.. Montgomery St,Belfast,Northern Ireland,UK. The subject also carries associations with changing streetscape, local history, funerary heritage, everyday life, place identity, local remembrance, changing land use, historic commemoration, public realm, mortality symbolism, local character, community memory, before-and-after reference, and regional identity. The wider contemporary story combines historic inscriptions, heritage conservation and how inscriptions preserve humour, beliefs and attitudes toward death. Future viewers can use this scene from 29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK to compare lettering, decoration and surface detail with whatever follows after refurbishment. The surrounding story also includes archival record, historical comparison, contemporary social history, community identity, documentary photography, memorial stone, visual archive, and epitaph. References to keeps, Montgomery, Garrick, Nation, and Belfast give the picture a strong period identity and tie it closely to its named subject. Around 29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate historic inscriptions and how inscriptions preserve humour, beliefs and attitudes toward death in a form that can be compared with future views of 29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK. The image also provides a reference for cemetery maintenance and the value of memorials for genealogy and local history within the real-world context of 29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK.
29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,Members,of,stationary,printing,&,allied,trades,who,served,in,the,Marshal,Foch,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MAG - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Tittanic,Titanic Quarter,line,White star Line,tourist,attraction,Tourist Attraction,New Tourist attraction,crane,cranes,building,architecture,silver,metal,gallery,galleries,slipways,and,graving docks,docks,derelict land,regeneration,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,City,Centre,New Museum,honour,wall,walls,tribute,West,Beal,feirste,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Signature,Project,Northern Ireland Executive,Titanic Belfast,Titanic Foundation,Foundation,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MAH - Titanic Belfast, here under construction 2011, is a visitor attraction and a monument to Belfast's maritime heritage on the site of the former Harland & Wolff shipyard in the city's Titanic Quarter where the RMS Titanic was built. It tells the stories of the ill-fated Titanic, which hit an iceberg and sank during her maiden voyage in 1912, and her sister ships RMS Olympic and HMHS Britannic. The building contains more than 12,000 square metres (130,000 sq ft) of floor space, most of which is occupied by a series of galleries, plus private function rooms and community facilities.
1 Olympic Way, Queens Road, Titanic Quarter, Belfast, Northern Ireland,UK BT3 9EP
Description
Keywords: NI,Northern Ireland,city,centre,Education,learn,learning,Queen,old,historic,building,research,institutions,QUB,Academic,BT7 1NN,portraits,art,collection,University Of Belfast,portrait paintings,Great Hall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Uni,Belfast,City,Centre,edication,student,students,union,West,Beal,feirste,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Universitas Reginae Belfastiae,Academia,higher,Lanyon,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Higher Education,Lanyon Building
Description: Tony Smith image Alamy HEEFA9 - Queen's University Belfast (informally Queen's or QUB) is a public research university in Belfast, Northern Ireland. The university was chartered in 1845, and opened in 1849 as Queen's College, Belfast, but has roots going back to 1810 and the Royal Belfast Academical Institution.
The university forms the focal point of the Queen's Quarter area of the city, one of Belfast's four cultural districts. It offers academic degrees at various levels and across a broad subject range, with over 300 degree programmes available. Since 1 March 2014, Patrick Johnston has been the university's 12th President and Vice-Chancellor. Its Chancellor is Thomas Moran.
Queen's is a member of the Russell Group of leading research intensive universities, the Association of Commonwealth Universities, the European University Association, Universities Ireland and Universities UK. The university is associated with two Nobel laureates and one Turing Award laureate.
Lanyon took as his source the medieval great halls of
England and the Oxbridge colleges, following the strict precedents of
the raised dais, oriel window, fireplace for the top table, and a
screened passage at the opposite end. These plans fell victim to the
original budget cuts
Lanyon's planned gallery was never built and
the panelling remained modest, the latter not helped by later
redecorations. All of this changed in 2000 with the restoration of the
Great Hall by Consarc Conservation, architects. The floor and dais
were replaced and the oriel window unblocked. New pitch pine
panelling and a screened passage with a gallery above, the
replacement of the missing end trusses, and the comprehensive
redecoration and installation of a new lighting system, have all
combined to create a warm, powerful and theatrical space at the
heart of the University. More recently, the restored organ from
Christchurch (where Sir Charles and Lady Lanyon used to worship)
has been installed in the gallery.
University Road, Belfast BT7 1NN
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,To,the,glory,of,God,this,pavement,was,given,in,rememberance,of,Elise,Milne,Barbour,A devoted mother and a dearly loved wife,Patterson NJ USA 1873,Conway Dunmurry,1910,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG8X - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
InscripTo the glory of God this pavement was given in rememberance of Elise Milne Barbour,A devoted mother and a dearly loved wife, Patterson NJ USA 1873,Conway Dunmurry,1910
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Belfast Water Works,Cast Iron,Manhole Grid,man,hole,cover,Manhole Cover,Northern Ireland,UK,grid,in,road,street,Water works,access,access cover,sewer,man,hole,cast,iron,access,iron,cast iron,metal,steel,@HotpixUK,road,street,grid,in,road,street,Water works,access,access cover,sewer,manhole,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CM - . This dated editorial view of Belfast City,Northern Ireland,UK in 2011 captures more than the immediate subject, retaining clues about local use, design, activity and change. The defining feature is Belfast Water Works Cast Iron Manhole Grid, Northern Ireland, UK. The surrounding context encompasses place identity, community identity, historical comparison, local history, roadside transit, transport accessibility, archival record, documentary photography, public realm, social history, bus infrastructure, visual archive, local mobility, and local character. The modern context includes continuing discussion of decarbonisation, accessibility and the challenge of maintaining reliable services outside dense city centres. The image fixes lettering, decoration and surface detail within Belfast City,Northern Ireland,UK at one identifiable point, providing a benchmark against new construction. The surrounding story also includes changing land use, public transport information, bus route infrastructure, roadside stop, everyday life, local bus network, surface public transport, and public transport stop. The combination of Northern, Manhole, Ireland, Works, and Belfast anchors the frame to a recognisable activity, place or moment. The period setting at Belfast City,Northern Ireland,UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for decarbonisation and how local bus services affect access to work, education and healthcare without losing the local specificity of Belfast City,Northern Ireland,UK. Another useful connection is rural transport and the importance of bus stops as the physical interface between passengers and public transport in a form that can be compared with future views of Belfast City,Northern Ireland,UK. The photograph keeps a trace of local identity within the wider story of Belfast City,Northern Ireland,UK.
Belfast City,Northern Ireland,UK
Description
Keywords: Great,social,socialhousing,Northern,Irish,Housing,Executive,Belfast,UK,public,body,authority,orders,city,centre,fair,fairness,civil,rights,Catholic,Injustice,RTB,Northern Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,policy,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Right To Buy
Description: Tony Smith image Alamy HE18CR - The Northern Ireland Housing Executive is the public housing authority for Northern Ireland. It is the enforcing authority for those parts of housing orders that involve houses with multiple occupants, houses that are unfit, and housing conditions.
The Housing Executive was established in 1971 by the Housing Executive Act (Northern Ireland).
The creation of the Housing Executive is linked to the civil disturbances in Northern Ireland throughout the 1960s.[citation needed] Prior to 1971, the allocation of public housing was the responsibility of local councils in Northern Ireland and the Northern Ireland Housing Trust. In June 1968, Dungannon Rural District Council was accused of discriminating against a Catholic family when it allocated a new council house in the Caledon area to a young single Protestant woman with links to a local Unionist politician. This incident proved to be the catalyst for the ensuing civil rights marches in Dungannon and Derry that ultimately led to widespread civil disturbance.
In his Parliamentary report on the following disturbances, Lord Cameron concluded that there was:
A rising sense of continuing injustice and grievance among large sections of the Catholic population in Northern Ireland, in particular in Derry and Dungannon, in respect of (i) inadequacy of housing provision by certain local authorities (ii) unfair methods of allocation of houses built and let by such authorities, in particular
refusals and omissions to adopt a 'points' system in determining priorities and making allocations (iii) misuse in certain cases of discretionary powers of allocation of houses in order to perpetuate Unionist control of the local authority.
A single all-purpose housing authority for Northern Ireland had been advocated as early as 1964 by the Northern Ireland Labour Party but it was not until the British Home Secretary, James Callaghan, visited the Stormont Government in the wake of the Belfast Riots of August 1969 it was created
Great Victoria St, Belfast, NI, UK
Description
Keywords: Church House,Conference Centre,UK,Northern,Ireland,tower,old,clock,clock tower,Presbyterian,business,conf,HQ,headquarters,Fisherwick Place,Great Victoria Street,Howard Street,Grosvenor Road,Presbyterian Church,Church House,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18EG - Church House in Belfast, Northern Ireland is the headquarters of the Presbyterian Church in Ireland. Although there was a decision taken to move to a new location the General Assembly, in 2005, voted to overturn the decision. Since the refurbishment, in 1992, Church House is now open for functions as a commercial conference centre.
The building is located near the centre of Belfast at the junction of Fisherwick Place, Great Victoria Street, Howard Street and Grosvenor Road. It was built in 1905, in the Gothic style, and opened by the Duke of Argyll. Church House is dominated by a 40m high clock tower, which contains Belfast's only peal of 12 bells.
Church House is home to the General Assembly of the Presbyterian Church in Ireland. The Assembly Hall is oval shaped with gallery, it can seat 1,300 people. The hall is illuminated by a glass skylight, which is now illuminated artificially.
Great Victoria Street,Belfast, Northern Ireland, UK
Description
Keywords: Street,Northern,Ireland,UK,Northern Ireland,Grand,Opera,House,theatre architecture,BT2 7HR,BT2,Great,Victoria,Sreet,Cirque,city,centre,city centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,City,Centre,Actor,play,Art,Artists,the,troubles,The Troubles,Peace,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Grand Opera House Trust
Description: Tony Smith image Alamy HE18EK - The Grand Opera House is a theatre in Belfast, Northern Ireland, designed by the most prolific theatre architect of the period, Frank Matcham. It opened on 23 December 1895.
According to the Theatres Trust, the magnificent auditorium is probably the best surviving example in the United Kingdom of the oriental style applied to theatre architecture.
The building has been damaged by bombs on several occasions, usually when the nearby Europa Hotel had been targeted. It was badly damaged by bomb blasts in 1991 and 1993. The theatre continued, however, to host musicals, plays, pantomimes and live music.
2-4 Great Victoria St, Belfast, Northern Ireland, UK BT2 7HR
Description
Keywords: Street,Northern,Ireland,UK,Northern Ireland,Grand,Opera,House,theatre architecture,BT2 7HR,BT2,Great,Victoria,Sreet,Cirque,city,centre,city centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,City,Centre,Actor,play,Art,Artists,the,troubles,The Troubles,Peace,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Grand Opera House Trust,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE18ER - The Grand Opera House is a theatre in Belfast, Northern Ireland, designed by the most prolific theatre architect of the period, Frank Matcham. It opened on 23 December 1895.
According to the Theatres Trust, the magnificent auditorium is probably the best surviving example in the United Kingdom of the oriental style applied to theatre architecture.
The building has been damaged by bombs on several occasions, usually when the nearby Europa Hotel had been targeted. It was badly damaged by bomb blasts in 1991 and 1993. The theatre continued, however, to host musicals, plays, pantomimes and live music.
2-4 Great Victoria St, Belfast, Northern Ireland, UK BT2 7HR
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,street art,Graffiti Art,wall,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MC0 - . This location-specific image from Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The location is represented through Graffiti near Belfast Garfield St,City Centre, Northern Ireland, UK. A broader reading of the photograph includes archival record, contemporary mural, public realm, street-level design, changing streetscape, creative placemaking, regional identity, local character, before-and-after reference, visual archive, documentary photography, historical comparison, period detail, and street creativity. From a 2025-onward perspective, tourism and gentrification are closely linked to this subject, alongside how temporary street art can become an important record of neighbourhood culture. For later comparison, the photograph preserves signage and branding at Garfield street,Belfast,County Antrim,Northern Ireland,UK, details that may look very different after changed technology. The photograph additionally reflects social history, public art, stencil art, changing land use, local history, visual street culture, temporary artwork, and urban graphics. Details involving Northern, Centre, Belfast, Graffiti, and Garfield make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Garfield street,Belfast,County Antrim,Northern Ireland,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The location additionally provides evidence of tourism and how temporary street art can become an important record of neighbourhood culture in a form that can be compared with future views of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The view records part of the area's social history for later comparison.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,Department,Bannons Shop,Store,Department store,celebrate,125,years,coke,coca,cola,road,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MC3 - . This location-specific image from 75 North street, Belfast, UK, BT1 1NL in 2011 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows Bannons Dept Store, Belfast 75 North St, City Centre, Northern Ireland, UK. The subject also carries associations with commercial streetscape, local history, documentary photography, bricks-and-mortar retail, archival record, before-and-after reference, historical comparison, place identity, specialist retailer, changing land use, regional identity, local enterprise, retail property, and changing streetscape. From a 2025-onward perspective, online shopping and independent business are closely linked to this subject, alongside how shopfronts become short-lived records of changing businesses and branding. Future viewers can use this scene from 75 North street, Belfast, UK, BT1 1NL to compare local activity and public use with whatever follows after new ownership. The subject also sits alongside local trading, local character, public realm, shopfront economy, visual archive, commercial frontage, period detail, and community identity. Details involving Store, Centre, Ireland, Belfast, and Bannons make the image more specific than a generic view and strengthen its local or historical value. The wider setting at 75 North street, Belfast, UK, BT1 1NL matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is online shopping and the resilience of independent shops in an online retail economy as part of the longer story of 75 North street, Belfast, UK, BT1 1NL. The setting also helps illustrate online shopping and the role of small retailers in maintaining active town centres when considered against later change at 75 North street, Belfast, UK, BT1 1NL.
75 North street, Belfast, UK, BT1 1NL
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,party,It,hasnt,Gone,away,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MC7 - . An identifiable period record of Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The frame specifically shows Sectarianism in Belfast sign, Cathedral quarter,City Centre, Northern Ireland, UK. Other connected aspects include place identity, regional identity, contemporary social history, public realm, historic glazing, ecclesiastical decoration, historical comparison, sacred space, archival record, church conservation, ecclesiastical art, heritage worship space, documentary photography, and sacred architecture. Current relevance extends to accessibility and energy costs, particularly through how places of worship combine active religious use with tourism and heritage. For later comparison, the photograph preserves transport arrangements and footfall at Garfield street,Belfast,County Antrim,Northern Ireland,UK, details that may look very different after replacement signage. The surrounding story also includes faith heritage, changing streetscape, changing land use, Christian iconography, local history, religious heritage, cathedral interior, and before-and-after reference. References to Ireland, Centre, Sectarianism, quarter, and Belfast give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Garfield street,Belfast,County Antrim,Northern Ireland,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The wider significance includes accessibility and how places of worship combine active religious use with tourism and heritage as part of the longer story of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The frame retains period character for later comparison. The scene captures a trace of local identity within the wider story of Garfield street,Belfast,County Antrim,Northern Ireland,UK.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,Venus tattoo Studio,shop,award,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,2b Gresham St,Gresham,St,street,1967,2b Gresham street,Street Art,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MCF - . This location-specific image from Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The main point of reference is Venus tattoo Studio Skulls, Belfast 2b Gresham St, City Centre, Northern Ireland, UK. Other connected aspects include visual street culture, place identity, everyday life, public realm, graffiti heritage, changing land use, mural culture, local character, documentary photography, street creativity, social history, archival record, community art, and public art. In present-day coverage, the subject reaches into temporary works and local identity, not least because of how regeneration can both promote and displace informal urban art. For later comparison, the photograph preserves lettering, decoration and surface detail at Garfield street,Belfast,County Antrim,Northern Ireland,UK, details that may look very different after altered transport patterns. Further associations within the scene are regional identity, temporary artwork, urban graphics, street-level design, before-and-after reference, changing streetscape, community identity, and public-realm art. References to Ireland, Northern, Studio, Skulls, and Gresham give the picture a strong period identity and tie it closely to its named subject. The wider setting at Garfield street,Belfast,County Antrim,Northern Ireland,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate temporary works and how regeneration can both promote and displace informal urban art within the specific setting of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The scene captures evidence of changing use within the wider story of Garfield street,Belfast,County Antrim,Northern Ireland,UK.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,Studio,shop,multi-award,eyesore,eye,sore,dilapidation,decrepitude,shabby,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded,Belfast Street Art,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,2b Gresham St,Gresham,St,street,1967,2b Gresham street,Street Art,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MCM - . This dated editorial view of Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on Venus tattoo Studio, Belfast 2b Gresham St, City Centre, Northern Ireland, UK. Another layer of the photograph includes temporary artwork, visual archive, street-level design, urban graphics, visual street culture, street creativity, local character, creative placemaking, place identity, mural culture, community identity, everyday life, period detail, and contemporary social history. The wider contemporary story combines public art, local identity and how temporary street art can become an important record of neighbourhood culture. The archival value lies partly in recording street furniture and boundaries around Garfield street,Belfast,County Antrim,Northern Ireland,UK before closure or conversion alters the character of the place. The location also brings in community art, contemporary mural, stencil art, public realm, historical comparison, public-realm art, local history, and regional identity. The combination of Centre, Venus, Studio, Belfast, and Ireland anchors the frame to a recognisable activity, place or moment. Around Garfield street,Belfast,County Antrim,Northern Ireland,UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate public art and how regeneration can both promote and displace informal urban art within the specific setting of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The image also provides a reference for gentrification and the role of murals and stencils in giving creative districts a distinctive identity as part of the longer story of Garfield street,Belfast,County Antrim,Northern Ireland,UK.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: bar,spirits,liqueurs,red,music,traditional,Fibber Magee,General Merchant,Northern Ireland,UK,door,doorway,Irish,music bar,Irish music bar,Irish Pub,craic,Blackstaff,Square,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MCN - Fibber Magees, Traditional Irish Music Bar based in Belfast. Nestled in the corner of Blackstaff Square, is the city's hidden gem
Fibber Magee's is the genuine article
a good old spit and sawdust bar, packed to the rafters with little bits of history and steeped in Irish tradition.
Open fire and enjoy the tunes of traditional musicians, every night of the week. With fiddles, pipes and the bodhráns
the craic is guaranteed.
Blackstaff Square,Belfast,Northern Ireland , UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,bar,bars,pub,pubs,eye,sore,decrepitude,shabby,ruin,decayed,run,down,rundown,decay,collapse,building,boarded,up,boarded up,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MER - . This dated editorial view of Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 captures more than the immediate subject, retaining clues about local use, design, activity and change. The subject captured here is Belfast Garfield St pano City Centre, Northern Ireland, UK. Other connected aspects include historical comparison, public-realm art, social history, archival record, contemporary mural, street-level design, changing streetscape, everyday life, period detail, changing land use, before-and-after reference, urban artwork, street creativity, and public realm. The modern context includes continuing discussion of temporary works, regeneration and how regeneration can both promote and displace informal urban art. Future viewers can use this scene from Garfield street,Belfast,County Antrim,Northern Ireland,UK to compare local activity and public use with whatever follows after changed technology. The wider setting retains connections with visual street culture, temporary artwork, local history, public art, community identity, regional identity, community art, and urban graphics. Details involving Belfast, Northern, Ireland, Garfield, and Centre make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Garfield street,Belfast,County Antrim,Northern Ireland,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for temporary works and how temporary street art can become an important record of neighbourhood culture within the real-world context of Garfield street,Belfast,County Antrim,Northern Ireland,UK. Another useful connection is local identity and the blurred boundary between commissioned public art and unsanctioned graffiti within the specific setting of Garfield street,Belfast,County Antrim,Northern Ireland,UK.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Belfast Garfield Street,Garfield Street,streets,City Centre,city,centre,Northern Ireland,UK,bar,bars,pubs,eye,sore,shabby,ruin,decayed,run,down,rundown,decay,collapse,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,graffiti,grafitti,honour,painting,wall,walls,tribute,grafiti,paint,painting,tag,tagging,tagged,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Belfast Garfield St,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MEX - . This scene at Garfield street,Belfast,County Antrim,Northern Ireland,UK in 2011 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records Belfast Garfield St Owl graffiti - Garfield Bar City Centre, Northern Ireland, UK. The broader subject matter reaches into contemporary mural, public-realm art, street-level design, temporary artwork, community art, mural culture, social history, public realm, contemporary social history, changing streetscape, place identity, visual archive, everyday life, and creative placemaking. For current editorial use, creative districts and tourism provide additional context, especially through how temporary street art can become an important record of neighbourhood culture. The image fixes materials and architectural details within Garfield street,Belfast,County Antrim,Northern Ireland,UK at one identifiable point, providing a benchmark against changing commercial priorities. Other useful contextual ideas include stencil art, historical comparison, urban artwork, local history, local character, community identity, public art, and archival record. The recorded references to Ireland, graffiti, Northern, Belfast, and Garfield preserve clues about how the subject was presented, used or understood at the time. The period setting at Garfield street,Belfast,County Antrim,Northern Ireland,UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to creative districts and how temporary street art can become an important record of neighbourhood culture as part of the longer story of Garfield street,Belfast,County Antrim,Northern Ireland,UK. The record includes period character for future local research. The frame retains a trace of local identity before later change alters the scene.
Garfield street,Belfast,County Antrim,Northern Ireland,UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Political Change,James Connolly,outside,society,HQ,office,Erected,March,2016,James Connolly statue,bronze,Pat,Finucane,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDWTG8 - James Connolly (Irish: Séamas Ó Conghaile
5 June 1868 “ 12 May 1916) was an Irish republican and socialist leader, aligned to syndicalism and the Industrial Workers of the World.
He was born in the Cowgate area of Edinburgh, Scotland, to Irish-born parents. He left school for working life at the age of 11, but became one of the leading Marxist theorists of his day. He also took a role in Scottish and American politics. He was executed by a British firing squad because of his leadership role in the Easter Rising of 1916.
in 1910 he was right-hand man to fellow-syndicalist James Larkin in the Irish Transport and General Workers Union. He stood twice for the Wood Quay ward of Dublin Corporation but was unsuccessful. His name, and those of his family, appears in the 1911 Census of Ireland - his occupation is listed as National Organiser Socialist Party
In 1913, in response to the Lockout, he, along with an ex-British officer, Jack White, founded the Irish Citizen Army (ICA), an armed and well-trained body of labour men whose aim was to defend workers and strikers, particularly from the frequent brutality of the Dublin Metropolitan Police. Though they only numbered about 250 at most, their goal soon became the establishment of an independent and socialist Irish nation. He also founded the Irish Labour Party as the political wing of the Irish Trade Union Congress in 1912 and was a member of its National Executive. Around this time he met Winifred Carney in Belfast, who became his secretary and would later accompany him during the Easter Rising.
Connolly was sentenced to death by firing squad for his part in the rising. On 12 May 1916 he was taken by military ambulance to Royal Hospital Kilmainham, across the road from Kilmainham Gaol, and from there taken to the gaol, where he was to be executed. Visited by his wife, and asking about public opinion, he commented, They will all forget that I am an Irishman
Falls Rd, Belfast, Northern Ireland, UK
