Search full image library
Enter words, names or reference numbers. This opens Alamy results in a new tab.
Other languages and quick categories
Search HotpixUK images in Spanish, French, German, Italian, or English. Use the dropdown for shortcuts.
Search Sea in other languages
Search All in French
FR Sea,
Search All German
DE Sea,
Search All Italian
IT Sea,
Search All Spanish
ES Sea,
Back to all images preview
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Mediterranean,Italy,255A0701,Castello Maniace,sea,fortress,Ortigia,Siracusa,Sicily,medieval,castle,historic,military,architecture,heritage,tourism,coast,shoreline,water,defensive,walls,landmark,Syracuse,sunny,blue,sky
Description: Tony Smith image Alamy 3EKD79B - . Castello Maniace sea fortress at the southern tip of Ortigia, Siracusa, Sicily, Italy. Photographed on 25 April 2026. The recorded location is Castello Maniace, Ortigia, Siracusa, Sicily, Italy. The massive pale-stone medieval fortification rises directly from the shoreline above calm blue Mediterranean water under a clear sunny sky. Built in the thirteenth century, the castle occupies a strategically important position guarding the entrance to Syracuse harbour and remains one of Ortigia's most prominent historic landmarks. The low viewpoint from across the water clearly shows the scale and thickness of the defensive walls and makes the image particularly useful for travel, architecture, archaeology and historical features about Sicily's complex medieval past. In relation to heritage conservation, historical context shows that the romantic appreciation of ruined castles during the eighteenth and nineteenth centuries helped turn former military sites into tourist landmarks and subjects for artists and photographers. For the story of seaside, it is useful to note that coastal paths and beaches combine recreation with navigation, safety and environmental management
Warning signs, sea walls and access routes record how authorities respond to tides, erosion and changing public use. The historical setting for World War is that the two world wars transformed British daily life through mobilisation, rationing, air-raid precautions and mass communication
Posters and small artefacts can convey that experience more directly than official histories. As of 2026, the position for heritage conservation is that castles remain major heritage attractions, but conservation requires continuous work to manage weathering, visitor access and fragile masonry. For present-day seaside, 2026 is significant because sea-level rise and more frequent extreme weather give older coastal photographs additional relevance for comparing shoreline change, infrastructure and beach.
Castello Maniace, Ortigia, Siracusa, Sicily, Italy
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,RNLIs,red,warning,danger,saving,lives,at,sea,small boats,illegal,immigrants,immigrant,ReformUK,sea rescue,maritime,rescue,search and rescue,crew,lifeboat,service,volunteer,volunteers,coast,safety,Channel crossings,migrant,boats,English Channel,asylum,seekers,migration,debate,border,politics,humanitarian,people smuggling,trafficking gangs
Description: Tony Smith image Alamy 3E91DFR - RNLI flag stock-photo/gotonysmith-Flying.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>flying beside a red beach warning flag, a symbolic image for sea rescue, beach safety, lifeboat volunteers, coastal risk and the heated UK debate over small boat crossings in the English Channel. The Royal National Lifeboat Institution describes itself as the charity that saves lives at sea, providing lifeboat search and rescue, lifeguards, water safety education and flood rescue. Its position on Channel small boats is that lifeboats are launched when HM Coastguard reports people may be in danger at sea, and that maritime law requires vessels aware of people in distress to take reasonable steps to assist. That mission has drawn criticism from anti-immigration campaigners and some political voices who argue that rescuing asylum seekers may encourage crossings, assist people-smuggling gangs or blur the line between humanitarian rescue and border control. Supporters counter that lifeboat crews are not immigration officers, that people in small overloaded boats are at real risk of drowning, and that the moral and legal duty at sea is to save lives first and leave asylum decisions to the proper authorities later. The controversy therefore sits between public safety, charity neutrality, border enforcement, refugee protection, people-smuggling, national politics and media-driven culture war. The image can illustrate both the practical mission of lifeboat rescue and the wider argument about whether a charity should ever discriminate between casualties based on nationality, immigration status or how they came to be in danger. The red flag adds a clear danger and warning element, strengthening use for stories about unsafe water, beach hazards, drowning prevention, coastal storms, lifeguard advice and the risks of the sea. It is a strong editorial stock image for coverage of the RNLI, small boat crossings, Channel rescues, humanitarian duty, misinformation, anti-migrant protest, public donations, charity values and the difficult business of rescue ethics
RNLI flag and red beach warning flag flying, symbolising sea rescue, beach safety and debate over Ch
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A9383,Oban,Scotland,harbour,harbor,coast,seafront,town,Argyll,Hebrides,waterfront,bay,tourism,travel,landscape,coastal,buildings,sea,staycation,UK,short,breka,holiday,holidays
Description: Tony Smith image Alamy 3FA7XFB - . View across Oban harbour and town on the west coast of Scotland. Photographed on 18 August 2025. The recorded location is Oban, Argyll and Bute, Scotland, UK. Traditional stone buildings, the waterfront and surrounding hills frame the sheltered bay, a busy gateway for ferries and visitors travelling to the Inner Hebrides. The photograph records the distinctive coastal setting, mixed residential and commercial townscape, harbour activity and tourism character of Oban under clear daylight, with distant hills visible beyond the water. Oban grew around a sheltered bay on Scotland's west coast and expanded in the nineteenth century with steamship traffic and the arrival of the railway in 1880. It remains a major gateway to the Inner Hebrides, with CalMac ferries, rail and road connections concentrated around the waterfront. Tourism, seafood, island travel and maritime services all contribute to the town's modern economy. Looking at ferry terminal, the longer history is that maritime gateways connect island and mainland economies, carrying residents, visitors, freight and vehicles while also supporting fishing, leisure craft and tourism
Older waterfront buildings often survive beside modern ferry infrastructure, making port landscapes unusually layered records of economic change. The background to walking route is that coastal safety information is shaped by local hazards such as currents, tides, mud, pollution or shipping, meaning signs can be important evidence of how a shoreline is managed. In 2026, ferry terminal remains relevant because current 2026 transport policy places increasing emphasis on integrated journeys, active travel and lower-emission fleets, so ferry terminals now sit within wider networks of rail, bus, cycling and electric-vehicle infrastructure rather than functioning as isolated ports. Its wider subject context includes quayside, marine travel, coastal transport, and harbour town.
Oban, Argyll and Bute, Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Leith,sea,seaside,coast,Fife,river,Scotland,UK,EH6 4LP,EH6,Pier Pl,sunny,blue sky,blue skies,port,harbours,water,ports,dock,docks,moor,mooring,Scottish,historic,area,district,boats,vessel,landed,white,beacon,Newhaven Harbour,scenic,tourist,destination,attraction,Carrie B
Description: Tony Smith image Alamy 2RHP1FC - Taken on 23 Jul 2023, this photograph shows Fishing boats WK3 Kayleigh Ann LH29 Carrie B, and vessels in sunny Newhaven harbour at high tide, Leith, Edinburgh, Scotland, UK, EH6 4LP. The location is Pier Place, Newhaven, Edinburgh, Scotland, UK, EH6 4LP. The picture is not just a record shot: it contains boats, landing stages, harbour walls, high tide water and the Firth of Forth coastal setting. Newhaven began as a fishing village by the Firth of Forth and remains visually tied to boats, harbour work, seafood, Leith, Edinburgh's waterfront and changing coastal regeneration. The scene can be used for coastal heritage, fishing industry, working harbours, tourism, Scottish waterfront regeneration, maritime identity and the relationship between old ports and modern leisure. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Pier Place, Newhaven, harbour, Edinburgh, WK3 Kayleigh Ann, LH29, lighthouse, vessels, fishermen, history, Leith, sea, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. Because the subject is clearly labelled or visually distinctive, it can also work well in search-led usage where the buyer needs immediate recognition at small web-preview size.
Pier Place, Newhaven, Edinburgh, Scotland, UK, EH6 4LP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Leith,sea,seaside,coast,Fife,river,Scotland,UK,EH6 4LP,EH6,Pier Pl,sunny,blue sky,blue skies,port,harbours,water,ports,dock,docks,moor,mooring,Scottish,history,historic,area,district,fishermen,vessel,vessels,landed,white,beacon,scenic,tourist,destination,attraction
Description: Tony Smith image Alamy 2RHP1FP - Taken on 23 Jul 2023, this photograph shows Fishing boats and vessels, WK3 Kayleigh Ann LH29 Carrie B, in sunny Newhaven harbour at high tide, Leith, Edinburgh, Scotland, UK, EH6 4LP. The location is Pier Place, Newhaven, Edinburgh, Scotland, UK, EH6 4LP. The picture is not just a record shot: it contains boats, landing stages, harbour walls, high tide water and the Firth of Forth coastal setting. Newhaven began as a fishing village by the Firth of Forth and remains visually tied to boats, harbour work, seafood, Leith, Edinburgh's waterfront and changing coastal regeneration. The scene can be used for coastal heritage, fishing industry, working harbours, tourism, Scottish waterfront regeneration, maritime identity and the relationship between old ports and modern leisure. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Pier Place, Newhaven, harbour, Edinburgh, Kayleigh Ann, LH29 Carrie B, WK3, Newhaven Harbour, lighthouse, boats, Leith, sea, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. The photograph should appeal to buyers looking for a grounded visual that says more than a studio icon, because it ties the subject to a real street, building, object or public setting.
Pier Place, Newhaven, Edinburgh, Scotland, UK, EH6 4LP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Hungary,Europe,European,Váci u 40,1056,ice bar,fish market,fishmarket,sharks,teeth,entrance,blue,sea,azure,fun,funny,humour,safari,grill,grillhouse,Ice Bar Budapest,Nemzeti,Halsutode,fishes,markets,icebar,ice,bar,city,centre,tables,table,skeleton,backbone,eatery
Description: Tony Smith image Alamy 2PYBH42 - . Shark teeth entrance - Fish restaurant Ice Bar, Budapest, Váci u 40, 1056 Hungary. Photographed on 27 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Budapest, 1056 Hungary, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Hungary, Europe, European, Váci u 40, ice bar, fish market, fishmarket, sharks, teeth, entrance, blue, sea, providing natural SEO coverage without losing the specific documentary identity of the photograph. The subject has strong relevance to British pub and beer culture, licensed premises, hospitality, brewing, cask ale, consumer leisure and the continuing role of pubs as social meeting places. It is suitable for coverage of the licensed trade, independent and managed pubs, brewery branding, CAMRA and real-ale culture, hospitality economics, changing drinking habits and the condition of the UK pub sector. Food and drink content broadens the image's relevance to eating out, grocery retail, hospitality, pricing, consumer choice, local food culture and the commercial presentation of meals, ingredients or products. It can illustrate changing tastes, inflation and cost-of-living pressures, food retail competition, traditional businesses and the everyday economics of buying food and drink where those themes are relevant. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Budapest, 1056 Hungary
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,padlock,lock,locked,heart,hearts,forever,lovers,locks,of,2,connected,left,by,and,Welsh,26th Mar 2021,26/03/2021,in,Cymru,Wales,UK,chain,sea,dock,CF99 1SN,CF99,engraved,engraving,remember,rusty,rusting,marriage,until death do us part,hotpix.org.uk
Description: Tony Smith image Alamy 2R0MN60 - . Lovelock of two hearts connected, left by James & Maria, 26th Mar 2021, in Cardiff Bay, Cymru, Wales, UK, CF99 1SN. Photographed on 7 March 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Senedd , Cardiff Bay, Cymru , Wales, UK, CF99 1SN, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include padlock, lock, locked, heart, hearts, forever, lovers, locks, connected, left, Welsh, 26th Mar 2021, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include 26/03/2021, Cymru, Wales, chain, sea, dock, broadening discoverability while remaining tied to the supplied subject information. The scene contributes a specific, place-based record rather than a generic illustration.
Senedd , Cardiff Bay, Cymru , Wales, UK, CF99 1SN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,North Yorkshire,Seaside,7,Filey,England,UK,YO14 9DX,traditional fresh fish merchant,HG Lovitt,H.G.,Lovitt,store,sea,food,blue,sellers,HGLovitt,closed,Proveyers Of The Finest Fish & Shellfish Always a selection,fisheries,offence,offences,MMO,Russell Lovitt,of,HG Lovitts,first sale fish,registered buyer,failure to submit sales notes,charged,independent,shop
Description: Tony Smith image Alamy 2M4MPY2 - Registered buyer of first sale fish fails to submit sales notes
On 4 May 2021 Russell Lovitt of HG Lovitt's, Filey, North Yorkshire, appeared at Scarborough Magistrates Court charged with failure to submit sales notes.
HG Lovitt's has been a registered buyer of first sale fish since October 2016. On 8 May 2019 MMO marine officers visited HG Lovitts and requested all of the submitted sales notes that they had for first sale purchases of fish. During this visit two receipt books were removed for further assessment, which showed over 370 purchases of fish had non-submitted sales notes.
Mr Lovitt pleaded guilty and was ordered to pay a fine of £4,000, £1,230 in costs and a £190 victim surcharge.
7 Mitford St, Filey, North Yorkshire, England, UK, YO14 9DX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,England,UK,coast,coastal,English,Yorks,YO14 9LW,YO14,pano,tourist,sea,North Sea,attraction,terrace,terraces,hotels,flats,B&B,B&Bs,wide,wideshot,bay,beach,headland,parked,cars,parking,curve,curving,seascape,seaside,Victorian,history,historic
Description: Tony Smith image Alamy 2RD23RR - Filey is a seaside town and civil parish in North Yorkshire, England. It is located between Scarborough and Bridlington on Filey Bay. Although it was a fishing village, it has a large beach and became a popular tourist resort. According to the 2011 UK census, Filey parish had a population of 6,981, in comparison to the 2001 UK census population figure of 6,819, and a population of 6,870 in 1991.
Filey was historically mainly within the East Riding of Yorkshire, although until 1888 a small part of the town, including its parish church, was in the North Riding of Yorkshire. In 1974 the town was transferred to the new county of North Yorkshire.
Filey is at the eastern end of the Cleveland Way, a long-distance footpath
it starts at Helmsley and skirts the North York Moors. It was the second National Trail to be opened (1969). The town is at the northern end of the Yorkshire Wolds Way National Trail which starts at Hessle and crosses the Yorkshire Wolds. Filey is the finishing point for Great Yorkshire Bike Ride. The 70-mile (110 km) ride begins at Wetherby Racecourse.
Filey has a railway station on the Yorkshire Coast Line. A second station at Filey Holiday Camp railway station to the south of the town served the former Butlins holiday camp. The camp has since been re-developed into a 600-home holiday housing development, The Bay Filey. It is one of the largest coastal developments of this kind in the UK and the first homes were completed in 2007.
In July 2007 Filey was hit by flash floods which caused major problems
The Beach Rd, Filey, North Yorkshire, England, UK, YO14 9LW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,Yorkshire,England,UK,Filey,coast,coastal,tourist,tourism,seaside,beach,golf,by,the,sea,leisure,attraction,pastimes,North Yorkshire England,North Sea coast,Filey Bay,sandy beach Yorkshire,seaside promenade,outdoor mini golf course,holidaymakers England,coastal tourism UK,traditional seaside fun,family friendly activity,leisure and recreation,people walking promenade,seaside shelter hut,stone sea wall,low tide beach,expansive shoreline,overcast sky,calm sea conditions,travel destination
Description: Tony Smith image Alamy 2RD23XA - This image shows a crazy golf course on Filey seafront, set alongside the promenade with the wide sandy beach and the North Sea stretching into the distance. The colourful mini golf obstacles sit on the paved promenade area, contrasting with the natural tones of the beach and sea beyond.
People walk along the seafront and pause to look out across Filey Bay, reflecting the area's role as a traditional British seaside resort offering simple outdoor leisure activities. The beach appears at low tide, revealing a broad expanse of sand typical of this stretch of the North Yorkshire coast.
The photograph was taken in daylight under lightly overcast conditions, giving soft, even light across the scene. Crazy golf courses like this are a familiar feature of UK seaside towns, appealing to families and visitors seeking relaxed, nostalgic entertainment close to the beach.
The image captures the blend of leisure, tourism, and open coastal landscape that defines Filey's seafront, illustrating the enduring appeal of traditional seaside attractions alongside the dramatic scale of the North Sea coastline.
Filey Seafront, Filey, North Yorkshire, England, United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,Yorkshire,England,UK,coast,coastal,YO14,on,from,the,town,sea,cadets,in,YO14 9BB,march,marching,young,adult,adults,along,road,Sunday,activity,in step,youth,club,volunteer,volunteers,local,community,skills,problem,charity,Royal Navy
Description: Tony Smith image Alamy 2RD241B - The Sea Cadet Corps is a national youth charity, working with 15,000 young people between 10 and 18 years old across the UK. It has over 400 units across England, Scotland, Wales, Northern Ireland, Malta and Bermuda all run by 9,000 volunteers. Cadets follow a similar ethos, training plan, and rank structure, to the Royal Navy, and are recognised by the UK Ministry of Defence.
The Sea Cadets' ethos is made up of three parts: its values, its mindset, and the customs and traditions of the Royal Navy. The promise made by every cadet who joins the Sea Cadet Corps is as follows:
The Sea Cadet Promise: I promise to serve my God, my King, my country, and, the Sea Cadet Corps and to obey the orders of my superior officers. I will be proud of my uniform and be smart and seamanlike in wearing it, and, always do my duty. Note: My God refers to an individual's own faith and is intended to apply equally to those from all faiths or none. (Sea Cadets' Ethos, 2019, p4)
The ethos is underpinned by the Sea Cadet Values which are: Courage, Commitment, Discipline, Respect, Loyalty, Honesty, and Integrity. These are taught by staff throughout the time cadets are with a unit, there is also an expectation that Chaplains will take a lead in such delivery
Southdene, Filey, North Yorkshire, England, UK, YO14 9BB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,Yorkshire,England,UK,coast,coastal,YO14,on,from,the,town,sea,cadets,in,YO14 9BB,march,marching,young,adult,adults,along,road,Sunday,activity,in step,youth,club,volunteer,volunteers,local,community,skills,problem,charity,Royal Navy
Description: Tony Smith image Alamy 2RD241G - The Sea Cadet Corps is a national youth charity, working with 15,000 young people between 10 and 18 years old across the UK. It has over 400 units across England, Scotland, Wales, Northern Ireland, Malta and Bermuda all run by 9,000 volunteers. Cadets follow a similar ethos, training plan, and rank structure, to the Royal Navy, and are recognised by the UK Ministry of Defence.
The Sea Cadets' ethos is made up of three parts: its values, its mindset, and the customs and traditions of the Royal Navy. The promise made by every cadet who joins the Sea Cadet Corps is as follows:
The Sea Cadet Promise: I promise to serve my God, my King, my country, and, the Sea Cadet Corps and to obey the orders of my superior officers. I will be proud of my uniform and be smart and seamanlike in wearing it, and, always do my duty. Note: My God refers to an individual's own faith and is intended to apply equally to those from all faiths or none. (Sea Cadets' Ethos, 2019, p4)
The ethos is underpinned by the Sea Cadet Values which are: Courage, Commitment, Discipline, Respect, Loyalty, Honesty, and Integrity. These are taught by staff throughout the time cadets are with a unit, there is also an expectation that Chaplains will take a lead in such delivery
Southdene, Filey, North Yorkshire, England, UK, YO14 9BB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,Yorkshire,England,UK,coast,coastal,YO14,on,from,the,town,sea,cadets,in,YO14 9BB,march,marching,young,adult,adults,along,road,Sunday,activity,in step,youth,club,volunteer,volunteers,local,community,skills,problem,charity,Royal Navy
Description: Tony Smith image Alamy 2RD241M - The Sea Cadet Corps is a national youth charity, working with 15,000 young people between 10 and 18 years old across the UK. It has over 400 units across England, Scotland, Wales, Northern Ireland, Malta and Bermuda all run by 9,000 volunteers. Cadets follow a similar ethos, training plan, and rank structure, to the Royal Navy, and are recognised by the UK Ministry of Defence.
The Sea Cadets' ethos is made up of three parts: its values, its mindset, and the customs and traditions of the Royal Navy. The promise made by every cadet who joins the Sea Cadet Corps is as follows:
The Sea Cadet Promise: I promise to serve my God, my King, my country, and, the Sea Cadet Corps and to obey the orders of my superior officers. I will be proud of my uniform and be smart and seamanlike in wearing it, and, always do my duty. Note: My God refers to an individual's own faith and is intended to apply equally to those from all faiths or none. (Sea Cadets' Ethos, 2019, p4)
The ethos is underpinned by the Sea Cadet Values which are: Courage, Commitment, Discipline, Respect, Loyalty, Honesty, and Integrity. These are taught by staff throughout the time cadets are with a unit, there is also an expectation that Chaplains will take a lead in such delivery
Southdene, Filey, North Yorkshire, England, UK, YO14 9BB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,Yorkshire,England,UK,coast,coastal,YO14,on,from,the,town,sea,cadets,in,YO14 9BB,march,marching,young,adult,adults,along,road,Sunday,activity,in step,youth,club,volunteer,volunteers,local,community,skills,problem,charity,Royal Navy
Description: Tony Smith image Alamy 2RD241T - The Sea Cadet Corps is a national youth charity, working with 15,000 young people between 10 and 18 years old across the UK. It has over 400 units across England, Scotland, Wales, Northern Ireland, Malta and Bermuda all run by 9,000 volunteers. Cadets follow a similar ethos, training plan, and rank structure, to the Royal Navy, and are recognised by the UK Ministry of Defence.
The Sea Cadets' ethos is made up of three parts: its values, its mindset, and the customs and traditions of the Royal Navy. The promise made by every cadet who joins the Sea Cadet Corps is as follows:
The Sea Cadet Promise: I promise to serve my God, my King, my country, and, the Sea Cadet Corps and to obey the orders of my superior officers. I will be proud of my uniform and be smart and seamanlike in wearing it, and, always do my duty. Note: My God refers to an individual's own faith and is intended to apply equally to those from all faiths or none. (Sea Cadets' Ethos, 2019, p4)
The ethos is underpinned by the Sea Cadet Values which are: Courage, Commitment, Discipline, Respect, Loyalty, Honesty, and Integrity. These are taught by staff throughout the time cadets are with a unit, there is also an expectation that Chaplains will take a lead in such delivery
Southdene, Filey, North Yorkshire, England, UK, YO14 9BB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,North Yorkshire,Yorkshire,England,UK,the,from,and,pier,sea,memorials,memorial,lovelock,love,padlocks,flower,view,Da-Bish,1951-2018,brass,plaque,Church Street,YO22,YO22 4DW,fence,wire,barrier,safety,boat,coast,coastal,north,town,picturesque,scenic,piers
Description: Tony Smith image Alamy 2RD25CX - . From the Haggerlythe, Whitby pier & harbour, memorials, lovelocks and flowers, in North Yorkshire, England, UK, YO22 4DW. Photographed on 25 September 2022, this autumn image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Church Street, Whitby, North Yorkshire, Yorkshire, England, UK, YO22 4DW, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include North Yorkshire, Yorkshire, pier, sea, memorials, memorial, lovelock, love, padlocks, flower, view, Da-Bish, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest.
Church Street, Whitby, North Yorkshire, Yorkshire, England, UK, YO22 4DW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,England,UK,YO14 9BZ,Entrance to Northcliffe House,Filey,North Yorkshire,door,entrance,to,House,Victorian,grand,home,residence,residential,area,district,garden,gardens,holiday,vacation,resort,sea,seaside,coast,east,English,tourist,tourism,travel,staycation,stone,arched,sandstone,arch
Description: Tony Smith image Alamy 2M1MNGC - II House. 1891-93. By W. Brierley for Miss E. Clarke. Jacobethan style. Dressed sandstone
ashlar dressings
tiled roof. Main front: 2 storeys, 5 bays, gabled at ends and centre with attics, recessed between. Off-centre castellated porch with dated cartouche over basket arch. Gabled bay to right has 2-storey, 3 window canted bay, with castellated parapet. Mullion windows with square leaded lights throughout, with transoms to ground floor. Moulded first floor band. Coped gables with ball finials. C20 dormers. Rear: 3-light mullion and double transom staircase window with trefoil heads and decorative glazing. At end left is a 3-storey castellated tower with raised bands at first floor, eaves and parapet levels. 3-storey canted bay to seaward front. Left front: former service range with conical-roofed kitchen and scrolled, bracketed eaves. Irregular stacks pierce the pitched roof. A number of Arts and Crafts wrought iron features survive including a filigree bell pull to right of porch entrance, a lantern within the porch, and a bracketed bell hung over the kitchen yard.
FILEY CARGATE HILL (north side) , Filey, North Yorkshire, England, UK, YO14 9BZ
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,M4 2HU,M4,Manchester indoor market fishmonger,shop,Manchester,indoor,Fresh Fish Daily,Arndale Centre,High St. Manchester,England,UK,popular,fresh,fishes,varieties,crowd,crowded,Mancunian,markets,small,retailers,community,urban,welcoming,bargain,bargains,fishmongers stall,fishmongers,stall,stalls,shops,refrigerated,ice,iced,display,sea,freshwater
Description: Tony Smith image Alamy 2JYYR83 - A fishmonger (historically fishwife for female practitioners) is someone who sells raw fish and seafood. Fishmongers can be wholesalers or retailers and are trained at selecting and purchasing, handling, gutting, boning, filleting, displaying, merchandising and selling their product. In some countries modern supermarkets are replacing fishmongers who operate in shops or fish markets.
Arndale Centre, High St. Manchester, England, UK, M4 2HU
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,M4 2HU,M4,Manchester indoor market fishmonger,shop,Manchester,indoor,Fresh Fish Daily,Arndale Centre,High St. Manchester,England,UK,popular,fresh,fishes,varieties,Lemon Sole,Wild Seabass,rock,seabass,sea bass,bass,Yellow Eye Snapper,fishmongers stall,fishmongers,stall,stalls,shops,refrigerated,ice,iced,display,sea,freshwater,fish markets,trader,traders
Description: Tony Smith image Alamy 2JYYR9M - A fishmonger (historically fishwife for female practitioners) is someone who sells raw fish and seafood. Fishmongers can be wholesalers or retailers and are trained at selecting and purchasing, handling, gutting, boning, filleting, displaying, merchandising and selling their product. In some countries modern supermarkets are replacing fishmongers who operate in shops or fish markets.
Arndale Centre, High St. Manchester, England, UK, M4 2HU
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,M4 2HU,M4,Manchester indoor market fishmonger,shop,Manchester,indoor,Fresh Fish Daily,Arndale Centre,High St. Manchester,England,UK,popular,fresh,fishes,varieties,seabass,Seabream,bream,red snapper,mackerel,fishmongers stall,fishmongers,stall,stalls,shops,refrigerated,ice,iced,display,sea,freshwater,farmed,fish markets
Description: Tony Smith image Alamy 2JYYR9P - A fishmonger (historically fishwife for female practitioners) is someone who sells raw fish and seafood. Fishmongers can be wholesalers or retailers and are trained at selecting and purchasing, handling, gutting, boning, filleting, displaying, merchandising and selling their product. In some countries modern supermarkets are replacing fishmongers who operate in shops or fish markets.
Arndale Centre, High St. Manchester, England, UK, M4 2HU
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,M4 2HU,M4,Manchester indoor market fishmonger,shop,Manchester,indoor,Fresh Fish Daily,Arndale Centre,High St. Manchester,England,UK,popular,fresh,fishes,varieties,Mancunian,markets,small,retailers,community,urban,welcoming,bargain,bargains,fishmongers stall,fishmongers,stall,stalls,shops,refrigerated,ice,iced,display,sea,freshwater,fish markets
Description: Tony Smith image Alamy 2JYYR9W - A fishmonger (historically fishwife for female practitioners) is someone who sells raw fish and seafood. Fishmongers can be wholesalers or retailers and are trained at selecting and purchasing, handling, gutting, boning, filleting, displaying, merchandising and selling their product. In some countries modern supermarkets are replacing fishmongers who operate in shops or fish markets.
Arndale Centre, High St. Manchester, England, UK, M4 2HU
Description
Keywords: GoTonySmith,HotpixUK,Llangollen,Wales,red,alert,sewage,voting,voted,water,company,discharges,into,rivers,waterways,canals,beach,sea,the,Selfservative,sign,caution,painted,not fit,dirty,drinking,purposes,outcry,MP,MPs,anger,angry,companies,defend,indefensible,effluent,bosses,bonuses,pay rises,ban
Description: Tony Smith image Alamy 2JR3MND - Tory government has launched a defensive social media campaign after MPs faced anger from their constituents over last week's sewage vote, in which an amendment to the environment bill that would have placed a legal duty on water companies not to pump waste into rivers was voted down.
Many Conservative MPs posted almost identical statements on Monday morning after a weekend of anger over the vote. Government sources confirmed to the Guardian that the information in these posts had been supplied by No 10.
MPs including Steve Brine, Ben Everitt, Michael Fabricant, Anne Marie Morris and Sally-Ann Hart published similar explainers about the vote on their websites.
Only 22 Conservatives rebelled against the government last week, after the environment secretary, George Eustice, recommended that MPs vote against the amendment.
Martin Salter, the chief policy adviser of the Angling Trust, said: We know from the unconvincing, identikit replies received by our members that government MPs had been instructed to issue with a standard response to constituents which avoided the question of taking action to combat sewage pollution in favour of yet more endless monitoring.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,old,history,trams,700,creme,cream,electric,tramway,tramways,seaside,English,British,holiday,double,deck,decker,1930,1930s,Balloon,sea,front,Corporation,fleet,Walter Luff,design,livery,system,BTS,Fylde,coast,English Electric double-deck Luxury Dreadnought,English Electric Balloon
Description: Tony Smith image Alamy 2JR3MR7 - Blackpool Tramway runs from Blackpool to Fleetwood on the Fylde Coast in Lancashire, England. The line dates back to 1885 and is one of the oldest electric tramways in the world. It is operated by Blackpool Transport (BT) and runs for 18 km (11 miles). It carried 4.8 million passengers in 2019/20.
It is the second-oldest electric tramway in the United Kingdom, the first being Volk's Electric Railway in Brighton, which opened two years earlier and similarly runs on a reserved track along the seafront. These are also the two surviving first-generation town tramways in the UK, though the majority of services on the line have since 2012 been operated by a fleet of modern Bombardier Flexity 2 trams. A 'heritage service' using the traditional trams operates year-round on weekends, certain weekdays and bank holidays, as well as during the Blackpool Illuminations. Excluding museums, it is one of only a few tramways in the world to still use double-deck trams,
The first part opened on 29 September 1885, a conduit line from Cocker Street to Dean Street on Blackpool Promenade. It was one of the first practical electric tramways in the world, just six years after Werner von Siemens first demonstrated electric traction. The inauguration was presided over by Holroyd Smith, the inventor of the system and Alderman Harwood, the Mayor of Manchester.
It was operated by the Blackpool Electric Tramway Company until 1892, when its lease expired and Blackpool Corporation took over. A line was added in 1895 from Manchester Square along Lytham Road to South Shore, extended to South Pier with a line on Station Road connecting Lytham Road to the promenade in 1897
Waterloo Road, Promenade, Blackpool, Lancashire, England, UK, FY4 1AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,fish shop,fish,sea,food,fresh,retailer,retailing,english,selling Cornish Silver Hake,seafoods,traditional,under threat,crab,dressed,Whitby,Seabreeze,Pepper Street,Nantwich CW5 5AB,CW3,independent,diet,pescatarian,just,caught,line,boards,advertising,promotion,promoting,catch,of,the,day
Description: Tony Smith image Alamy 2JNN5AH - . An identifiable period record of Seabreeze, 15 Pepper Street, Nantwich CW5 5AB in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The image documents Traditional fishmongers,selling Cornish Silver Hake,Monkfish tails, Sushi Grade Tuna,Swordfish steaks,fresh Whitby dressed crabs,in Nantwich,Cheshire. The image also relates to period detail, historical comparison, commercial frontage, local trading, high-street commerce, independent retail, everyday life, town-centre economy, documentary photography, local enterprise, street-level business, archival record, community identity, and small business. The modern context includes continuing discussion of footfall, town-centre regeneration and how shopfronts become short-lived records of changing businesses and branding. Small period details of period objects and surrounding context at Seabreeze, 15 Pepper Street, Nantwich CW5 5AB may become more significant with time, particularly following later reinterpretation. The subject also sits alongside local character, commercial streetscape, local history, changing streetscape, place identity, shopfront economy, retail property, and public realm. The recorded references to fresh, steaks, selling, Swordfish, and crabs preserve clues about how the subject was presented, used or understood at the time. Around Seabreeze, 15 Pepper Street, Nantwich CW5 5AB, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The wider significance includes footfall and how shopfronts become short-lived records of changing businesses and branding within the real-world context of Seabreeze, 15 Pepper Street, Nantwich CW5 5AB. Another strand within the photograph is footfall and the role of small retailers in maintaining active town centres within the specific setting of Seabreeze, 15 Pepper Street, Nantwich CW5 5AB.
Seabreeze, 15 Pepper Street, Nantwich CW5 5AB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,seaside,coast,North West,NW,Lord,st,sea,PR90QG,PR9,PR8,Sefton Council,town centre,towns,memorial,memorials,remembrance,day,November,poppy,sunny,blue sky,blue skies,needle,needles,site,tourist,tourism,staycation,history,heritage,historic,popular,shops,shopping,retail
Description: Tony Smith image Alamy 2JHPYFH - . An on-location photograph from Lord Street, Southport, Merseyside, England,UK, PR9 0QG in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. At the centre of the view is War Memorial, Lord Street, Southport, Merseyside, England,UK, PR9 0QG. The subject also carries associations with British seaside culture, built heritage, contemporary social history, architectural character, traditional holiday town, resort heritage, local history, visitor attraction, architectural detailing, historic townscape, historic streetscape, coastal tourism, social history, and traditional structure. In present-day coverage, the subject reaches into embodied carbon and energy retrofit, not least because of how historic fabric can be retained while places adapt to modern use. Today's relevance is strengthened by heritage attractions, visitor spending and the continuing question of the vulnerability of resort economies to seasonality and changing visitor habits. Small period details of materials and architectural details at Lord Street, Southport, Merseyside, England,UK, PR9 0QG may become more significant with time, particularly following altered transport patterns. The wider setting retains connections with period building, changing land use, local character, local landmark, archival record, seaside souvenir, visual archive, and place identity. References to Memorial, Southport, and Merseyside give the picture a strong period identity and tie it closely to its named subject. By fixing the subject within Lord Street, Southport, Merseyside, England,UK, PR9 0QG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of embodied carbon and the tension between conservation and redevelopment when considered against later change at Lord Street, Southport, Merseyside, England,UK, PR9 0QG.
Lord Street, Southport, Merseyside, England,UK, PR9 0QG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,seaside,coast,town,England,UK,shops,independent,at,1,PR8,PR8 1EN,Sefton Council,retail,store,stores,shop,centre town centre,sea,Cambridge Walks,arcade,arcades,Cambridge Walk,canopy,roof,barrelled,ceiling,ceilings,unique,history,historic,retailers
Description: Tony Smith image Alamy 2JHW8C9 - . This location-specific image from 1 Cambridge Walks, Southport, Lancs, England, UK, PR8 1EN in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The subject captured here is Shopping at Cambridge Walks, stained glass, at 1 Cambridge Walks, Southport, Lancs, England, UK, PR8 1EN. The locality and subject together evoke traditional confectionery, visitor attraction, consumer retail, town-centre economy, changing land use, physical store, local history, destination retail, coastal visitor economy, bricks-and-mortar retail, social history, British seaside culture, visual archive, and traditional holiday town. From a 2025-onward perspective, business rates and commercial rents are closely linked to this subject, alongside how consumer spending patterns reshape commercial streets. The wider contemporary story combines coastal regeneration, visitor spending and the vulnerability of resort economies to seasonality and changing visitor habits. As a dated visual record of 1 Cambridge Walks, Southport, Lancs, England, UK, PR8 1EN, the frame retains local activity and public use, making it especially useful if changing commercial priorities subsequently changes the scene. The surrounding story also includes holiday resort economy, place identity, seaside souvenir, high-street commerce, coastal tourism, outdoor retail, local character, and community identity. The combination of Shopping, Southport, Lancs, stained, and glass anchors the frame to a recognisable activity, place or moment. Around 1 Cambridge Walks, Southport, Lancs, England, UK, PR8 1EN, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The view records a trace of local identity for later comparison. The image fixes a local visual benchmark within the wider story of 1 Cambridge Walks, Southport, Lancs, England, UK, PR8 1EN.
1 Cambridge Walks, Southport, Lancs, England, UK, PR8 1EN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Britain,Lanc,Lancashire,coast,Sefton,council,summer,Southport,PR9 1RX,in,busy,with,tourist,blue,sky,skies,packed,crowded,popular,seaside,NW,north west,coasts,sand,sea,beach,beaches,short stay,staycation,staycations,vacation,breaks,short
Description: Tony Smith image Alamy 2R15NGF - . Busy with visitors, Summer in Southport pier, Lancashire, England, UK, PR9 1RX. Photographed on 10 July 2022, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Southport, Lancashire, England, UK, PR9 1RX, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Lanc, Lancashire, coast, Sefton, council, summer, Southport, PR9 1RX, busy, tourist, blue, sky, providing natural SEO coverage without losing the specific documentary identity of the photograph. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. Additional relevant search concepts include skies, packed, crowded, popular, seaside, north west, broadening discoverability while remaining tied to the supplied subject information.
Southport, Lancashire, England, UK, PR9 1RX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,Britain,Lanc,Lancashire,coast,Sefton,council,summer,Southport,PR9 1RX,in,long,longest,walk,track,train,NW,north west,coasts,sand,sea,beach,beaches,short stay,staycation,staycations,vacation,breaks,short,to,infinity
Description: Tony Smith image Alamy 2R15NGH - . Summer in Southport pier, Lancashire, England, UK, PR9 1RX. Photographed on 10 July 2022, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Southport, Lancashire, England, UK, PR9 1RX, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Lanc, Lancashire, coast, Sefton, council, summer, Southport, PR9 1RX, long, longest, walk, track, providing natural SEO coverage without losing the specific documentary identity of the photograph. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration. Such views are useful for travel and infrastructure coverage as well as for documenting how working waterfronts, passenger services and former industrial land change over time. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. Additional relevant search concepts include train, north west, coasts, sand, sea, beach, broadening discoverability while remaining tied to the supplied subject information.
Southport, Lancashire, England, UK, PR9 1RX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Vale of Glamorgan,South Wales,Wales,UK,Butlins Holiday Camp,Butlins,Holiday Camp,Butlin,Saint Baruc,Barry Railway Company,seafront,CF62,Barry Island,Vale Of Glamorgan,Cymru,CF62 5TJ,wide,panorama,pano,Barrybados,coast,south Wales,Barri,Y,attractions,town,central,sea,ugly,rude,stare,staring,prom,promenade
Description: Tony Smith image Alamy 2JDDP03 - . Recorded at Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5TJ in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The location is represented through Welcome to Barry island graffiti art, Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5TJ. The broader subject matter reaches into contemporary social history, traditional holiday town, rail corridor, everyday life, rolling stock, resort heritage, traditional confectionery, coastal leisure, seaside souvenir, industrial railway heritage, before-and-after reference, archival record, tourism retail, and holiday resort economy. Today's relevance is strengthened by retail pressure, domestic tourism and the continuing question of how nostalgic retail remains part of the seaside experience. From a 2025-onward perspective, reliability and station investment are closely linked to this subject, alongside the role of stations and trains in lower-carbon mobility. The image fixes building condition and alterations within Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5TJ at one identifiable point, providing a benchmark against changing commercial priorities. The location also brings in local character, public transport network, rail infrastructure, documentary photography, rail transport, British seaside culture, local history, and transport interchange. The recorded references to Wales, Barry, island, Welcome, and Glamorgan preserve clues about how the subject was presented, used or understood at the time. The wider setting at Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5TJ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The period view preserves part of the area's social history as a date-specific reference. The view records details of everyday use for later comparison.
Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5TJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Vale of Glamorgan,South Wales,Wales,UK,Butlins Holiday Camp,Butlins,Holiday Camp,Butlin,Saint Baruc,Barry Railway Company,PC,PCs,toilet,toilets,fencing,decrepit,Vale Of Glamorgan,Cymru,CF62 5DA,CF62,Barrybados,coast,south Wales,Barri,Y,attractions,town,central,sea,fenced,off,left,scruffy,eyesore,Pleasure Beach
Description: Tony Smith image Alamy 2JDDP04 - . Made at Promenade, Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5DA in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The scene records Derelict Barry Island public conveniences, Promenade, Barry Island, Vale Of Glamorgan, Cymru, Wales, UK, CF62 5DA. The image also relates to day-trip culture, holiday resort economy, everyday life, rail corridor, period detail, tourism retail, local character, public realm, changing streetscape, resort heritage, transport interchange, public transport network, place identity, and traditional confectionery. The wider contemporary story combines coastal regeneration, seasonality and the enduring appeal of traditional British seaside customs. Viewed from the mid-2020s, the subject also connects with reliability, accessibility and the continuing importance of rail to regional connectivity. Future viewers can use this scene from Promenade, Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5DA to compare street furniture and boundaries with whatever follows after altered transport patterns. A second descriptive layer includes British seaside culture, rail transport, railway heritage, regional rail, passenger railway, train operations, station environment, and community identity. Elements such as Promenade, public, Derelict, Barry, and Glamorgan add documentary specificity and may become increasingly useful when compared with later records. A later view of Promenade, Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5DA may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image fixes a trace of local identity for later comparison. It also preserves a local visual benchmark within the wider story of Promenade, Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5DA.
Promenade, Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5DA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Vale of Glamorgan,South Wales,Wales,UK,Butlins Holiday Camp,Butlins,Holiday Camp,Butlin,Saint Baruc,Barry Railway Company,Vale Of Glamorgan,Cymru,CF62 5TJ,Barry Island resort,tourist,tourism,attraction,amusements,give it a spin,prizes,tickets,machines,seaside,beachfront,Barrybados,coast,south Wales,Barri,Y,attractions,town,central,sea,Pleasure Beach
Description: Tony Smith image Alamy 2JDDP09 - . An on-location photograph from Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5TJ in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The main point of reference is Treasure Island, Barry Island resort, Vale of Glamorgan, Wales, UK, CF62 5TJ. The subject also carries associations with station environment, everyday life, rail mobility, traditional holiday town, railway heritage, trackside history, transport interchange, resort heritage, day-trip culture, coastal visitor economy, changing land use, coastal tourism, visual archive, and rail corridor. From a 2025-onward perspective, domestic tourism and weather dependence are closely linked to this subject, alongside the role of regeneration in keeping coastal destinations competitive. The wider contemporary story combines accessibility, decarbonisation and the continuing importance of rail to regional connectivity. Small period details of transport arrangements and footfall at Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5TJ may become more significant with time, particularly following altered transport patterns. Further associations within the scene are local history, visitor attraction, British seaside culture, tourism retail, historical comparison, contemporary social history, train operations, and passenger railway. Elements such as resort, Island, Treasure, Barry, and Glamorgan add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5TJ, the image preserves more than the headline object or building: it records part of the locality's everyday history. The wider significance includes domestic tourism and the role of regeneration in keeping coastal destinations competitive within the specific setting of Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5TJ.
Barry Island , Vale Of Glamorgan, Cymru, Wales, UK, CF62 5TJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Vale of Glamorgan,South Wales,Wales,UK,Butlins Holiday Camp,Butlins,Holiday Camp,Butlin,Saint Baruc,Barry Railway Company,welcome,to,croeso,Amusement Parks,Henry Danters,Treasure Island,Friars Road,Barry Island,Barry,CF62 5TJ,sign,entrance,frontage,front,Barrybados,coast,south Wales,Barri,Y,attractions,town,central,sea,Pleasure Beach
Description: Tony Smith image Alamy 2JDDP2K - . This scene at Friars Rd, Barry Island, Barry, Vale of Glamorgan, Wales, UK, CF62 5TJ in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Henry Danters Treasure Island Amusement Parks, Friars Rd, Barry Island, Barry, Vale of Glamorgan, Wales, UK, CF62 5TJ. The surrounding context encompasses rail transport, contemporary social history, visitor guidance, documentary photography, public-facing notice, rail corridor, before-and-after reference, navigation aid, train operations, railway heritage, public realm, period detail, local history, and transport interchange. Viewed from the mid-2020s, the subject also connects with fares, reliability and the role of stations and trains in lower-carbon mobility. The modern context includes continuing discussion of public safety, accessibility and how small pieces of street furniture can become useful historical evidence. The archival value lies partly in recording transport arrangements and footfall around Friars Rd, Barry Island, Barry, Vale of Glamorgan, Wales, UK, CF62 5TJ before refurbishment alters the character of the place. A second descriptive layer includes community identity, directional marker, historical comparison, trackside history, rail infrastructure, rail mobility, station environment, and instructional sign. Elements such as Glamorgan, Friars, Henry, Treasure, and Danters add documentary specificity and may become increasingly useful when compared with later records. For Friars Rd, Barry Island, Barry, Vale of Glamorgan, Wales, UK, CF62 5TJ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. It also preserves evidence of earlier appearance for future local research. The photograph keeps period character before later change alters the scene.
Friars Rd, Barry Island, Barry, Vale of Glamorgan, Wales, UK, CF62 5TJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Vale of Glamorgan,South Wales,Wales,UK,Butlins Holiday Camp,Butlins,Holiday Camp,Butlin,Saint Baruc,Barry Railway Company,CF62,amusement centre,Paget Rd,the,amusement,centre,parking,car park,rundown,dilapidated,heritage,building,architecture,Barrybados,coast,south Wales,Barri,Y,attractions,town,central,sea,Star Dust,Stardust,hotpix.org.uk,Pleasure Beach
Description: Tony Smith image Alamy 2JDDP64 - . This authentic period view of Paget Rd, Barry Island, Vale of Glamorgan, South Wales, UK, CF62 5TQ in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The defining feature is The Stardust amusement centre, Paget Rd, Barry Island, Vale of Glamorgan, South Wales, UK, CF62 5TQ. The subject also carries associations with rail transport, heritage landmark, conservation architecture, before-and-after reference, traditional structure, social history, changing streetscape, rail mobility, changing land use, historical comparison, public realm, historic frontage, historic streetscape, and trackside history. In present-day coverage, the subject reaches into energy retrofit and embodied carbon, not least because of the value of distinctive buildings and street furniture to local identity. Today's relevance is strengthened by fares, reliability and the continuing question of how historic rolling stock documents the industrial railway. The image fixes materials and architectural details within Paget Rd, Barry Island, Vale of Glamorgan, South Wales, UK, CF62 5TQ at one identifiable point, providing a benchmark against replacement signage. The location also brings in archival record, place identity, architectural character, conservation interest, rail infrastructure, industrial railway heritage, community identity, and historic townscape. The combination of Wales, amusement, Barry, Stardust, and Glamorgan anchors the frame to a recognisable activity, place or moment. By fixing the subject within Paget Rd, Barry Island, Vale of Glamorgan, South Wales, UK, CF62 5TQ, the image preserves more than the headline object or building: it records part of the locality's everyday history. The scene captures a trace of local identity for future local research. The period view preserves a local visual benchmark before later change alters the scene.
Paget Rd, Barry Island, Vale of Glamorgan, South Wales, UK, CF62 5TQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Vale of Glamorgan,South Wales,Wales,UK,Butlins Holiday Camp,Butlins,Holiday Camp,Butlin,Saint Baruc,Barry Railway Company,yellow,blue,CF62,shop,store,1,Barry,Cardiff,Vale Of Glamorgan,CF62 5TQ,Barrybados,coast,south Wales,Barri,Y,attractions,town,central,sea,toy,toys,plastic,bucket,spade,hotpix.org.uk,Pleasure Beach
Description: Tony Smith image Alamy 2JDDP69 - . A grounded documentary photograph made at 1 Paget Rd, Barry, Cardiff, Vale Of Glamorgan, Wales, UK, CF62 5TQ in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business stock-photo/gotonysmith-Activity.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>activity or local character. The image documents The yellow Barrybados beach hut shop, 1 Paget Rd, Barry, Cardiff, Vale Of Glamorgan, Wales, UK, CF62 5TQ. The broader subject matter reaches into documentary photography, rail mobility, passenger railway, seaside souvenir, changing land use, traditional confectionery, freight wagon, resort heritage, train operations, changing streetscape, period detail, social history, community identity, and local history. Today's relevance is strengthened by station investment, rail reform and the continuing question of the balance between railway heritage and network modernisation. From a 2025-onward perspective, retail pressure and heritage attractions are closely linked to this subject, alongside the enduring appeal of traditional British seaside customs. As a dated visual record of 1 Paget Rd, Barry, Cardiff, Vale Of Glamorgan, Wales, UK, CF62 5TQ, the frame retains signage and branding, making it especially useful if refurbishment subsequently changes the scene. The subject also sits alongside rolling stock, place identity, rail infrastructure, before-and-after reference, historical comparison, seaside retail, visual archive, and British seaside culture. The combination of Paget, Glamorgan, Cardiff, Barrybados, and yellow anchors the frame to a recognisable activity, place or moment. By fixing the subject within 1 Paget Rd, Barry, Cardiff, Vale Of Glamorgan, Wales, UK, CF62 5TQ, the image preserves more than the headline object or building: it records part of the locality's everyday history. The period view preserves a point of historical comparison before later change alters the scene. The view records part of the area's social history as a date-specific reference.
1 Paget Rd, Barry, Cardiff, Vale Of Glamorgan, Wales, UK, CF62 5TQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Vale of Glamorgan,South Wales,Wales,UK,Butlins Holiday Camp,Butlins,Holiday Camp,Butlin,Saint Baruc,Barry Railway Company,seaside,slot,slots,slots of fun,fun,amusements,CF62 5TQ,CF62,11,Paget Road,tacky,kids,plastic,Barrybados,coast,south Wales,Barri,Y,attractions,town,central,sea,machine,machines,for,children,Pleasure Beach
Description: Tony Smith image Alamy 2JDDP6N - . This dated documentary view of 11 Paget Rd, Barry Island, Wales, CF62 5TQ in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on Nessas Slots, Amusements, 11 Paget Road, Barry Island, Vale of Glamorgan, South Wales seaside, UK, CF62 5TQ. The frame also records themes of coastal visitor economy, seaside souvenir, before-and-after reference, seaside retail, documentary photography, changing land use, changing streetscape, social history, open-air leisure, interactive public realm, local character, traditional confectionery, tourism retail, and day-trip culture. The modern context includes continuing discussion of climate resilience, urban cooling and how well-designed public spaces encourage informal play and social activity. For current editorial use, retail pressure and weather dependence provide additional context, especially through the enduring appeal of traditional British seaside customs. For later comparison, the photograph preserves transport arrangements and footfall at 11 Paget Rd, Barry Island, Wales, CF62 5TQ, details that may look very different after changing commercial priorities. The subject also sits alongside urban leisure, seasonal outdoor activity, British seaside culture, holiday resort economy, community recreation, coastal tourism, public-realm activation, and community identity. Details involving Slots, Island, Nessas, Wales, and Barry make the image more specific than a generic view and strengthen its local or historical value. A later view of 11 Paget Rd, Barry Island, Wales, CF62 5TQ may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for climate resilience and how active public realms support footfall and neighbourhood vitality in a form that can be compared with future views of 11 Paget Rd, Barry Island, Wales, CF62 5TQ.
11 Paget Rd, Barry Island, Wales, CF62 5TQ
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,North Wales,Wales,Welsh,coast,coastal,town,Gwynedd,Conway,River Conwy Quay,UK,tourist,tourism,LL32,for a living,livelihood,threat,threatened,Brexit,opportunity,Lobster pots,on the harbourside,crabs,crabbing,idle,out of work,pot,pots,sea side,sea,seaside,crab pots,large stack,stack,stacked,Lobster trap,creel
Description: Tony Smith image Alamy 2DD8H50 - Lobster trap or lobster pot is a portable trap that traps lobsters or crayfish and is used in lobster fishing. In Scotland (chiefly in the north), the word creel is used to refer to a device used to catch lobsters and other crustaceans. A lobster trap can hold several lobsters. Lobster traps can be constructed of wire and wood, or metal and netting or rigid plastic. An opening permits the lobster to enter a tunnel of netting or other one-way device. Pots are sometimes constructed in two parts, called the chamber or kitchen, where there is bait, and exits into the parlour, which prevents escape. Lobster pots are usually dropped to the sea floor, one or more at a time, sometimes up to 40 or more, and are marked by a buoy so they can be picked up later.
The lobster trap was invented in 1808 by Ebenezer Thorndike of Swampscott, Massachusetts
Crayfish is a Freshwater (related) lobster
The Lobster Liberation Front (LLF) is an animal rights campaign which first appeared on the coast of Dorset, England in 2004, later spreading to Wales and Scotland. Their methods include releasing lobsters in live storage and sabotaging lobster pots or fishing boats.
The LLF consider boiling lobsters alive (the traditional method for cooking them) unacceptable and use direct action to prevent it. Their claim that lobsters, which possess a rudimentary nervous system, can feel pain, is the subject of ongoing scientific debate
Lower Gate Street, Conwy, Conwy,Wales, UK, LL32 8BE
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,oyster,crabs,lobsters,seafood,food,sea,farmed,fresh,fishing,caught,live,IRL,IE,restaurant,crustacean,sign,light,lighted,lit,fishmonger,centre,sights,vibe,atmosphere,buildings,urban,architecture,creativity,creative,creativeness
Description: Tony Smith image Alamy 2M84KFB - . Recorded at Dublin, Eire, Ireland in 2019, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The location is represented through Neon sign, Oysters, crab, lobster, chowder - all types of seafood. The setting additionally reflects public realm, balanced breakfast, morning meal, heritage asset, historic townscape, local character, healthy breakfast, healthy eating, architectural character, conservation interest, conservation architecture, regional identity, archival record, and adaptive reuse. The wider contemporary story combines consumer choice, nutrition and the contrast between minimally processed foods and highly processed breakfast products. Viewed from the mid-2020s, the subject also connects with planning control, tourism and the balance between conservation and modern commercial use. Small period details of transport arrangements and footfall at Dublin, Eire, Ireland may become more significant with time, particularly following new ownership. Further associations within the scene are wholegrain cereal, heritage landmark, built heritage, fresh fruit breakfast, place identity, documentary photography, everyday nutrition, and changing streetscape. The combination of chowder, Oysters, seafood, types, and lobster anchors the frame to a recognisable activity, place or moment. The wider setting at Dublin, Eire, Ireland matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate consumer choice and how fruit and whole grains fit dietary guidance around fibre and micronutrients as part of the longer story of Dublin, Eire, Ireland. The image also provides a reference for maintenance and the balance between conservation and modern commercial use when considered against later change at Dublin, Eire, Ireland.
Dublin, Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,Irish,craic,self-awarded,selfawarded,Oyster Happy Hour,5-6pm,daily,blackboard sign,seafood,sea,food,offer,chalk,eat,eating,oysters,mollusc,happy hour,happy,hour!,bar,restaurant,cafe,café,cuisine,meal,meals,dish,gastronomy,advert,early,diner,dinner,farmed
Description: Tony Smith image Alamy 2M8BNNB - . This dated editorial view of Eire, Ireland in 2019 captures more than the immediate subject, retaining clues about local use, design, activity and change. The image documents Oyster Happy Hour, 5-6pm, daily, blackboard sign, Eire, Ireland. Another layer of the photograph includes dietary fibre, breakfast bowl, visual archive, archival record, beer-led hospitality, regional identity, healthy eating, everyday nutrition, contemporary social history, before-and-after reference, historical comparison, hospitality economy, traditional ale house, and fresh fruit breakfast. The modern context includes continuing discussion of pub closures, consumer spending and the survival of local pubs as social meeting places. For current editorial use, cost of living and dietary fibre provide additional context, especially through the continuing debate over what constitutes a healthy everyday breakfast. The image fixes building condition and alterations within Eire, Ireland at one identifiable point, providing a benchmark against closure or conversion. Other useful contextual ideas include traditional pub, licensed trade, healthy breakfast, balanced breakfast, pub interior heritage, community drinking venue, licensed hospitality, and food-and-drink business. The combination of blackboard, Oyster, 5-6pm, Happy, and daily anchors the frame to a recognisable activity, place or moment. For Eire, Ireland, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is pub closures and how food, drink and heritage combine in destination pubs in a form that can be compared with future views of Eire, Ireland. The wider significance includes cost of living and how fruit and whole grains fit dietary guidance around fibre and micronutrients within the real-world context of Eire, Ireland. Image 2M8BNNB also remains a dated record of Eire, Ireland.
Eire, Ireland
Description
Keywords: @Hotpixuk,Hotpixuk,GoTonySmith,South west,England,UK,with a,Union Flag,Amusements,Brexit,holiday,holidays,in UK,in Britain,resort,slot machines,amusement arcade,seaside resort,Highbridge,town council,Somerset Levels,bright,colours,colourful,Great,British,English,piers,pier,sea,coast,coastal,staycation,flag,flies,flying,TA8 1BG,TA8,amusement
Description: Tony Smith image Alamy 2DFEYYG - . An identifiable period record of Burnham on Sea, Somerset, England, UK, TA8 1BG in 2019, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The image documents Burnham Pier Amusements,with a,Union Flag, Burnham on Sea, Somerset, England, UK, TA8 1BG. The locality and subject together evoke contemporary social history, regional identity, visitor attraction, local character, coastal tourism, documentary photography, traditional holiday town, historical comparison, community identity, everyday life, local history, public realm, seaside souvenir, and changing streetscape. The wider contemporary story combines retail pressure, domestic tourism and the role of regeneration in keeping coastal destinations competitive. For later comparison, the photograph preserves equipment and working practice at Burnham on Sea, Somerset, England, UK, TA8 1BG, details that may look very different after redevelopment. The photograph additionally reflects place identity, changing land use, British seaside culture, period detail, coastal visitor economy, resort heritage, before-and-after reference, and holiday resort economy. Elements such as Burnham, Amusements, Union, and Somerset add documentary specificity and may become increasingly useful when compared with later records. The period setting at Burnham on Sea, Somerset, England, UK, TA8 1BG helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects retail pressure and the enduring appeal of traditional British seaside customs without losing the local specificity of Burnham on Sea, Somerset, England, UK, TA8 1BG. Its period value extends to weather dependence and the enduring appeal of traditional British seaside customs in a form that can be compared with future views of Burnham on Sea, Somerset, England, UK, TA8 1BG.
Burnham on Sea, Somerset, England, UK, TA8 1BG
Description
Keywords: GoTonySmith,@HotpixUK,old,motorbike,motocycle,motor bike,motor cycle,green,sea green,BSA bike,bike,motorcycle,history,historic,machine,vehicle,transport,sea,seagreen,1960,1960s,military,Birmingham,England,UK,classic,motor,bikes,on a BSA,with two,bald tyres,I drove a million miles,I rode a million miles,JCC,John Cooper Clark,psycle sluts,Birmingham Small Arms,company
Description: Tony Smith image Alamy PCTA7T - . This descriptive scene sets out the working environment around Birmingham, England, UK, as photographed in 2018. The image record centres upon BSA Motor bike in sea green, Birmingham, England, UK. Other aspects of the setting include heritage asset, townscape identity, urban conservation, architectural character, historic built environment, urban fabric, local landmark, architectural detail, historic townscape, adaptive reuse, period architecture, and historic environment. For present-day editorial use, heritage assets can also illustrate debates about maintenance cost and vacancy, particularly where these affect heritage-led regeneration. Over time, this view of Birmingham, England, UK can support local-history and planning research by preserving details of appearance, occupation, signage, public access and everyday use that written records may omit. The resulting scene connects with historic fabric, conservation interest, conservation architecture, architectural heritage, traditional building, built heritage. Other local associations include BSA Motor bike sea green, Vintage motorbike, vintage, vintage motorcycle, BSA Motorbike, vehicle. A second layer of description includes heritage streetscape, and period property. In the mid-2020s, traditional structures is increasingly discussed through conservation of original fabric and maintenance cost, with attention turning to lower-carbon reuse rather than demolition. Taken together, these details make the photograph a useful record of movement through the area, planning and redevelopment, social change, historic fabric, and everyday services at this precise location. The combination preserved here provides evidence of public access, transport patterns, architecture and streetscape, neighbourhood identity, and ownership or occupation within the surrounding area. The photograph also fixes the character of the setting as part of the area's social history.
Birmingham, England, UK
Description
Keywords: GoTonySmith,UK,Scottish,view,views,Firth of Forth,sunny day,sun,beach,GB,Great Britain,tourist,tourism,travel,homes,community,sea,shore,seashore,holiday,vacation,Aberdour,Burntisland,Dalgety Bay,bay,water,coast,historic,Historic scottish Coast,Scots,Summer,spring,old,houses,quaint,village,town,hotpix.org.uk
Description: Tony Smith image Alamy MGMJT2 - . An on-location photograph from 12 Church Walk, Kinghorn, Burntisland KY3 9TP, UK in 2018, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The main point of reference is North Queensferry, Inverkeithing, Fife, Scotland, UK. The broader subject matter reaches into visual archive, religious artwork, changing streetscape, sacred architecture, documentary photography, changing land use, historical comparison, ecclesiastical art, church conservation, local character, sacred space, contemporary social history, social history, and cathedral interior. In present-day coverage, the subject reaches into historic fabric and faith communities, not least because of how places of worship combine active religious use with tourism and heritage. Small period details of equipment and working practice at 12 Church Walk, Kinghorn, Burntisland KY3 9TP, UK may become more significant with time, particularly following altered transport patterns. The location also brings in heritage worship space, stained-glass craftsmanship, community identity, before-and-after reference, Christian iconography, regional identity, ecclesiastical decoration, and local history. The combination of Queensferry, Scotland, and Inverkeithing anchors the frame to a recognisable activity, place or moment. The period setting at 12 Church Walk, Kinghorn, Burntisland KY3 9TP, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects historic fabric and how sacred art preserves local patrons, stories and beliefs in a form that can be compared with future views of 12 Church Walk, Kinghorn, Burntisland KY3 9TP, UK. Its period value extends to faith communities and how sacred art preserves local patrons, stories and beliefs within the real-world context of 12 Church Walk, Kinghorn, Burntisland KY3 9TP, UK.
12 Church Walk, Kinghorn, Burntisland KY3 9TP, UK
Description
Keywords: Ship,shipping,boat,ferry,ferries,oil,town,city,centre,lights,dusk,blue,hour,dock,docks,dockside,crane,cranes,reflection,reflections,Scotish,Scottish,Alba,business,cargo,commercial,coastal,economy,europe,european,gas,Northsea,sea,haven,supply,vessel,AB11,City Centre,Blue Hour,North Sea,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,AberdeenHarbour,Harbor,carpark,car,park,twilight,lowlight,low,light,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Aberdeen Harbour
Description: Tony Smith image Alamy H6JMRT - Aberdeen Harbour was the first publicly limited company in the United Kingdom and is today the principal commercial port in northern Scotland and an international port for general cargo, roll-on/roll-off and container traffic. The harbour also serves NorthLink Ferries, which sail to Kirkwall, Orkney and Lerwick, Shetland. The Aberdeen Maritime Museum (on Shiprow in the city centre) includes exhibitions and displays which tell the story of the harbour and its role in the economy and development of the city.
Originally, the defective harbour, with a shallow sand and gravel bar at its entrance, retarded the trade of Aberdeen, but under various acts since 1773 it was greatly deepened.
By the Harbour Act of 1868, the river Dee near the harbour was diverted from the south at a cost of £80,000, and 90 acres (364,000 m²) of new ground, in addition to 25 acres (101,000 m²) formerly made up, were provided on the north side of the river for the Albert Basin (with a graving dock), quays and warehouses. A 1050 ft (320 m) long concrete breakwater was constructed on the south side of the stream as a protection against south-easterly gales. On Girdleness, the southern point of the bay, a lighthouse was built in 1833.
The North Pier, built partly by John Smeaton 1775-81, and partly by Thomas Telford 1810-15, extends nearly 3,000 ft (1000 m) into the North Sea and raised the bar.
Victoria Dock, named in honour of the queen's visit to the city in that year, is a wet dock of 29 acres (117,000 m²) and with 6000 ft (1800 m) of quay, was completed in 1848
16 Regent Quay, Aberdeen AB11 5SS, Scotland
Description
Keywords: Ship,shipping,boat,ferry,ferries,oil,town,city,centre,lights,dusk,blue,hour,dock,docks,dockside,crane,cranes,reflection,reflections,Scotish,Scottish,Alba,business,cargo,commercial,coastal,economy,europe,european,gas,Northsea,sea,haven,supply,vessel,AB11,City Centre,Blue Hour,North Sea,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,AberdeenHarbour,Harbor,carpark,car,park,twilight,lowlight,low,light,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Aberdeen Harbour
Description: Tony Smith image Alamy H6JMX6 - Aberdeen Harbour was the first publicly limited company in the United Kingdom and is today the principal commercial port in northern Scotland and an international port for general cargo, roll-on/roll-off and container traffic. The harbour also serves NorthLink Ferries, which sail to Kirkwall, Orkney and Lerwick, Shetland. The Aberdeen Maritime Museum (on Shiprow in the city centre) includes exhibitions and displays which tell the story of the harbour and its role in the economy and development of the city.
Originally, the defective harbour, with a shallow sand and gravel bar at its entrance, retarded the trade of Aberdeen, but under various acts since 1773 it was greatly deepened.
By the Harbour Act of 1868, the river Dee near the harbour was diverted from the south at a cost of £80,000, and 90 acres (364,000 m²) of new ground, in addition to 25 acres (101,000 m²) formerly made up, were provided on the north side of the river for the Albert Basin (with a graving dock), quays and warehouses. A 1050 ft (320 m) long concrete breakwater was constructed on the south side of the stream as a protection against south-easterly gales. On Girdleness, the southern point of the bay, a lighthouse was built in 1833.
The North Pier, built partly by John Smeaton 1775-81, and partly by Thomas Telford 1810-15, extends nearly 3,000 ft (1000 m) into the North Sea and raised the bar.
Victoria Dock, named in honour of the queen's visit to the city in that year, is a wet dock of 29 acres (117,000 m²) and with 6000 ft (1800 m) of quay, was completed in 1848
16 Regent Quay, Aberdeen AB11 5SS, Scotland
Description
Keywords: Boats,in,Seahouses,Northumbria,NE,England,UK,North East,water,sea,red,blue,red boats,blue boats,boats,coast,harbor,sea,building,buildings,houses,house,GB,Great Britain,British,history,historic,travel,tourism,summer,gotonysmithgotonysmith,ships,ship,pier,English,castle hotel,hotel,B&B,grass,EU,Fishing,quota,Brexit,freedom,British,waters,territory,territorial,rights,borders,border,sovereignty,territorial waters
Description: Tony Smith image Alamy E6JB5T - . Boats in Seahouses harbour, Northumbria, NE England, UK. Photographed at Seahouses Harbour,Northumbria, England, UK. The photograph was taken on 08 August 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Boats in, Seahouses harbour, Northumbria, NE England, seahouses, northumberland, harbour, fishing, dock and Boats, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Seahouses Harbour,Northumbria, England, UK
Description
Keywords: Boats,in,Seahouses,Northumbria,NE,England,UK,North East,water,sea,red,blue,red boats,blue boats,boats,coast,harbor,sea,building,buildings,houses,house,GB,Great Britain,British,history,historic,travel,tourism,summer,gotonysmith,ships,ship,pier,English,castle hotel,hotel,B&B,grass,EU,Fishing,quota,Brexit,freedom,British,waters,territory,territorial,rights,borders,border,sovereignty,Buy Pictures of,Buy Images Of,territorial waters
Description: Tony Smith image Alamy E6JB5Y - . Boats in Seahouses harbour, Northumbria, NE England, UK. Photographed at Seahouses Harbour,Northumbria, England, UK. The photograph was taken on 08 August 2014. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Boats in, Seahouses harbour, Northumbria, NE England, seahouses, northumberland, harbour, fishing, dock and Boats, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image has relevance to landscape, countryside, waterways, parks, gardens, environmental quality and the relationship between natural features and nearby settlement. It can illustrate editorial coverage of tourism, walking, recreation, conservation, seasonal change, biodiversity, green space, waterways and local identity. Vegetation, water, paths, buildings, weather and landform provide geographic and environmental context, helping the image work as both a place record and a broader landscape photograph. The documentary approach is useful for archive comparison, showing how a location looked at a particular time and how vegetation, land use or development may change later. Search themes include landscape, countryside, waterways, parks, gardens, environment, green space, tourism, recreation, seasonal conditions and local geography. The location view can also provide a useful baseline for later comparison as vegetation, land use, water levels or surrounding development change. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. It can be used in newspapers, magazines, books, websites, documentaries, heritage projects and retrospective features where geographical accuracy and period detail matter.
Seahouses Harbour,Northumbria, England, UK
Description
Keywords: Ferry,port,at,Los,Cristianos,town,Southern,Tenerife,Canary,Islands,Spain,island,islandsferries,loading,trucks,truck,goods,gotonysmith,queue,queuing,spanish,fredolsen,sea,links,boat,services,Naviera,Arnas,transport,coach,bus,coaches,cruise,trimaran,fast,ferries,travel,ticket,dock,hills,volcano,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D91X01 - . Fred Olsen Trimaran loading at Ferry port at Los Cristianos town, Southern Tenerife, Canary Islands Spain. Photographed on 5 June 2013. The recorded location is Ferry port, Los Cristianos town, Southern Tenerife, Canary Islands Spain. As background, maritime scenes record both movement and infrastructure: ships, ferries, fishing boats, quays and waterfront structures show how ports serve commerce, communities and tourism
The details of a vessel's design, livery and role can also date a photograph precisely. Historically, mobility is shaped by both technology and policy
Images of vehicles and transport infrastructure record evolving design, accessibility, fuel use, ownership patterns and the ways towns organise movement. The wider historical story is that tourism images record not just destinations but changing habits of leisure: seaside holidays, city breaks, heritage visits, package travel and resort culture have all developed with transport, disposable income and mass tourism. Against the 2026 backdrop, ports remain crucial to UK trade, offshore energy, passenger travel and supply chains, while decarbonisation is driving interest in cleaner fuels, shore power and more efficient vessels
Older working-boat and harbour images therefore have both maritime-history and contemporary transport relevance. In 2026, transport is undergoing a gradual shift towards lower-emission vehicles, better public-transport integration and active travel
Older buses, cars and infrastructure therefore help illustrate both continuity and technological transition. From a heritage perspective, harbours and shipping routes have long shaped British coastal and riverside towns
Fishing, cargo handling, ferry services, shipbuilding and port engineering created distinctive working landscapes that increasingly coexist with tourism, leisure craft and waterfront regeneration. Alternative search wording includes maritime industry, working vessel, marine transport, and quayside.
Ferry port, Los Cristianos town, Southern Tenerife, Canary Islands Spain
Description
Keywords: Ferry,port,at,Los,Cristianos,town,Southern,Tenerife,Canary,Islands,Spain,island,islandsferries,loading,trucks,truck,goods,gotonysmith,queue,queuing,spanish,fredolsen,sea,links,boat,services,Naviera,Arnas,transport,coach,bus,coaches,cruise,trimaran,fast,ferries,travel,ticket,dock,hills,volcano,pano,panorama wide image joiner stitched,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D91X50 - . Fred Olsen Trimaran loading at Ferry port at Los Cristianos town, Southern Tenerife, Canary Islands Spain. Photographed on 5 June 2013. The recorded location is Ferry port, Los Cristianos town, Southern Tenerife, Canary Islands Spain. In the longer view, ports and vessels are central to Britain's maritime history, linking coastal communities and inland industry with fishing, trade, passenger travel and international shipping
Harbours, docks and working craft also reflect changing technology, from traditional fishing fleets to high-speed workboats and modern freight logistics. The wider historical story is that everyday journeys depend on an evolving network of vehicles, stops, stations and roads
Buses, cars, ferries and trams can become historical subjects within a few years as operators rebrand, fleets are replaced and infrastructure is rebuilt. As background, travel photography documents the visitor economy as well as scenery, showing how historic places, coastlines and resort facilities are packaged, experienced and adapted for tourists over time. Current 2026 relevance comes from the fact that modern maritime policy increasingly combines freight efficiency with lower-carbon shipping and port investment
Photographs of working vessels and harbours can illustrate the continuity between traditional maritime trades and today's logistics, offshore and passenger sectors. In the present 2026 context, transport policy increasingly emphasises decarbonisation, integration and reliable public services, while older diesel vehicles and legacy infrastructure offer a visual contrast with electric fleets and changing travel behaviour. During 2026, ports remain crucial to UK trade, offshore energy, passenger travel and supply chains, while decarbonisation is driving interest in cleaner fuels, shore power and more efficient vessels
Older working-boat and harbour photographs therefore have both maritime-history and contemporary transport relevance.
Ferry port, Los Cristianos town, Southern Tenerife, Canary Islands Spain
Description
Keywords: Sur Panorama of beach harbour at Puerto Colon,Near La Pinta beach,between Playa Las americas and Costa Adeje,South Tenerife,canaries,canary,islands,island,gotonysmith,expensive,yachts,yacht,exclusive,wide,expensive,sea,atlantic,pano,Spain,Espana,ES,holiday,tourist,destination,golden,sand,sands,mountain volcanic sky,Buy Pictures of,Buy Images Of,Easydivers,Eurosmart,Charter,PuertoColon,Poker,Chip,Colon,Puerto,background,mountains,volcano,Islands,Tenerife
Description: Tony Smith image Alamy D91X70 - . Panorama of beach at Puerto Colon, Near La Pinta beach, between Playa Las americas and Costa Adeje, South Tenerife. Photographed on 3 June 2013. The recorded location is Beach at Puerto Colon, Near La Pinta beach, Costa Adeje, South Tenerife Spain. In historical terms, tourism images record not just destinations but changing habits of leisure: seaside holidays, city breaks, heritage visits, package travel and resort culture have all developed with transport, disposable income and mass tourism. The historical context is that panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. During 2026, tourism remains a major part of the UK and European service economy, but destinations continue to balance visitor numbers with resident needs, transport capacity, climate pressures and the maintenance of historic places. The subject remains topical in 2026 because current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent. In the longer view, popular destinations are shaped by repeated waves of visitors, transport investment and changing ideas of leisure
Beaches, resorts, historic streets and attractions can therefore be read as both travel imagery and social history. As background, travel photography documents the visitor economy as well as scenery, showing how historic places, coastlines and resort facilities are packaged, experienced and adapted for tourists over time. Current 2026 relevance comes from the fact that tourism remains a major part of the UK and European service economy, but destinations continue to balance visitor numbers with resident needs, transport capacity, climate pressures and the maintenance of historic places.
Beach at Puerto Colon, Near La Pinta beach, Costa Adeje, South Tenerife Spain
Description
Keywords: Sur Panorama of harbor / harbour at Puerto Colon,Near La Pinta beach,between Playa Las americas and Costa Adeje,South Tenerife,canaries,canary,islands,island,gotonysmith,expensive,yachts,yacht,exclusive,wide,expensive,sea,atlantic,pano,Spain,Espana,ES,holiday,tourist,destination,unique,interesting,coast,port,club,laPinta,apartment,view,spectacular,Adeje's,San,Eugenio,urban,area,Duly,protected,curved-shelter,curved,shelter,dock,capacity,for,over,360,vessels,and,237,dry,docks,ramp,fresh water vessel services inlet Los Cristianos,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy D91XC6 - . Panorama of harbor / harbour at Puerto Colon, Near La Pinta beach, between Playa Las americas and Costa Adeje, South Tenerife. Photographed on 3 June 2013. The recorded location is harbour at Puerto Colon, Near La Pinta beach, Costa Adeje, South Tenerife Spain. In historical terms, harbours and shipping routes have long shaped British coastal and riverside towns
Fishing, cargo handling, ferry services, shipbuilding and port engineering created distinctive working landscapes that increasingly coexist with tourism, leisure craft and waterfront regeneration. In historical terms, tourism images record not just destinations but changing habits of leisure: seaside holidays, city breaks, heritage visits, package travel and resort culture have all developed with transport, disposable income and mass tourism. The historical context is that panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. During 2026, modern maritime policy increasingly combines freight efficiency with lower-carbon shipping and port investment
Photographs of working vessels and harbours can illustrate the continuity between traditional maritime trades and now's logistics, offshore and passenger sectors. During 2026, tourism remains a major part of the UK and European service economy, but destinations continue to balance visitor numbers with resident needs, transport capacity, climate pressures and the maintenance of historic places. In the longer view, ports and vessels are central to Britain's maritime history, linking coastal communities and inland industry with fishing, trade, passenger travel and international shipping
Harbours, docks and working craft also reflect changing technology, from traditional fishing fleets to high-speed workboats and modern freight logistics.
harbour at Puerto Colon, Near La Pinta beach, Costa Adeje, South Tenerife Spain
Description
Keywords: Mudeford,Christchurch,wedding,dorset,photographer,destination,marriage,ceremony,foxleybone,foxley,bone,bone-foxley,feb,february,2013,23,23rd,UK,England,Jen,Jennifer,Steven,Steve,Nottingham,best,man,bride,bridesmaids,GB,sea,seaside,weddings,proud
Description: Tony Smith image Flickr 8504082949 - 'Best viewed on black (or just click main image) a panorama from a wedding shoot this weekend.
A fabulous seaside hotel location, but in February you can guess that the weather at down to -2C was pretty cold and very grey. Many goosebumps on the bridesmaids, but a cracking day had by all and a great start to the marriage of Jen Foxley and Steven Alan Bone.
Richard Connolly my partner in crime and I were kept very busy and had a great day with all the friends and family who attended. This is a panorama of five images stitched together and practically everyone who attended, all in one shot. If you check, only 4 people who blinked or had their eyes closed out of 60, a personal best!
We wish the best of luck to the two of them, be sure to book us for the Christening party! ',
Description
Keywords: Christchurch,Harbour,Hotel,Christchurch Harbour Hotel,dorset,mudeford,England,UK,wedding,photography,wedding photography,sea,side,seaside,cold,february,Steve,Steven,Jen,Bone,Foxley,Steven Bone,Jen Foxley,Jennie,Jennie Foxley,wwedding
Description: Tony Smith image Flickr 8504220255 - 'A fabulous seaside hotel location, but in February you can guess that the weather at down to -2C was pretty cold and very grey. Many goosebumps on the bridesmaids, but a cracking day had by all and a great start to the marriage of Jen Foxley and Steven Alan Bone.
Richard Connolly my partner in crime and I were kept very busy and had a great day with all the friends and family who attended.
We wish the best of luck to the two of them, be sure to book us for the Christening party! ',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,Southend,Seaside,town,Essex,South East England,classic,Southend-on-Sea,Southend on Sea,southeastern,English,english seaside,resort,Last Resort,seaside resort,Southend-on-Sea Borough Council,Borough,Council,Shakedown,Great London Rideout,seafront,SS1,SS1 2EJ,Monte Carlo,Amusement Arcade,on,sea,amusement,amusements,slots,gamble,gambling
Description: Tony Smith image Alamy RM9AWJ - This documentary stock photograph shows Monte Carlo Amusement Arcade, Marine Parade, Southend-on-Sea, Essex, South East England, UK, SS1 2EJ. The scene belongs to the Southend-on-Sea seafront and beachfront leisure strip, a classic Essex seaside setting where amusement arcades, fish and chip shops, pubs, bowling, family attractions and day-trip promenades sit close together. The image is especially useful because it records readable signage, not a generic tourist board view, so it can illustrate real trading frontage, local colour, shop signs, coastal leisure and the everyday economy of a British resort town. Southend has long depended on visitors arriving for the pier, beach, amusements and evening hospitality, and images like this help explain how traditional seaside places continue to balance nostalgia with modern retail, food, drink and entertainment uses. Editorial buyers could use it for stories about coastal regeneration, seaside tourism, amusement arcades, family holidays, local business survival, seasonal employment, consumer spending, waterfront redevelopment, heritage leisure and the social history of British day trips. It also works for commentary on how resort towns present themselves visually, with bright signs, familiar names, glass-fronted arcades, food offers and a dense mixture of leisure uses competing for passing footfall. For SEO and stock search, relevant composite terms include Southend seafront amusement arcade, Essex seaside tourism, British beachfront entertainment, family coastal day out, traditional seaside economy, high street leisure frontage and UK resort town regeneration. The value is in the combination of place-specific caption wording, visible subject matter and practical editorial usefulness. It could support news, magazine, web, travel, council, planning, business, heritage, nostalgia, tourism, consumer affairs and local economy content where a real coastal street scene is needed rather than a polished.
23-28 Marine Parade, Southend-on-Sea SS1 2EJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,Southend,Seaside,town,Essex,South East England,classic,Southend-on-Sea,Southend on Sea,southeastern,English,english seaside,resort,Last Resort,seaside resort,Southend-on-Sea Borough Council,Borough,Council,Shakedown,Great London Rideout,seafront,Southend-on-sea beachfront,New York New York,New York Amusements,Marine Parade,centre,amusement centre,on,sea,amusement,amusements,slots,gamble,gambling
Description: Tony Smith image Alamy RM9AWK - This documentary stock photograph shows New York arcade, Southend-on-Sea beachfront, Essex seaside, South East England, UK. The scene belongs to the Southend-on-Sea seafront and beachfront leisure strip, a classic Essex seaside setting where amusement arcades, fish and chip shops, pubs, bowling, family attractions and day-trip promenades sit close together. The image is especially useful because it records readable signage, not a generic tourist board view, so it can illustrate real trading frontage, local colour, shop signs, coastal leisure and the everyday economy of a British resort town. Southend has long depended on visitors arriving for the pier, beach, amusements and evening hospitality, and images like this help explain how traditional seaside places continue to balance nostalgia with modern retail, food, drink and entertainment uses. Editorial buyers could use it for stories about coastal regeneration, seaside tourism, amusement arcades, family holidays, local business survival, seasonal employment, consumer spending, waterfront redevelopment, heritage leisure and the social history of British day trips. It also works for commentary on how resort towns present themselves visually, with bright signs, familiar names, glass-fronted arcades, food offers and a dense mixture of leisure uses competing for passing footfall. For SEO and stock search, relevant composite terms include Southend seafront amusement arcade, Essex seaside tourism, British beachfront entertainment, family coastal day out, traditional seaside economy, high street leisure frontage and UK resort town regeneration. The value is in the combination of place-specific caption wording, visible subject matter and practical editorial usefulness. It could support news, magazine, web, travel, council, planning, business, heritage, nostalgia, tourism, consumer affairs and local economy content where a real coastal street scene is needed rather than a polished stock illustration.
23-28 Marine Parade, Southend-on-Sea SS1 2EJ
Description
Keywords: Blackpool,Lancashire,Seaside,Beach,illuminations,light,lights,seafront,sea,front,England,UK,Pleesaure,Dusk,night,shot,nightshot,car,traffic,jam,casino,pleasure,tourist,fun,rock,blakpool,like,las,vegas,lasvegas,flyde,coast,coastal,prom,hotpix.rocketmail.com,hotpixuk.rocketmail.com,contact.tony.smith.gmail.com,tony.smith.gmail.com,tonys@miscs.com,tony.smith@mis-ams.com
Description: Tony Smith image Flickr 6203917002 - 'PJ Harvey - Electric Light - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
Is This Desire? is a 1998 (see 1998 in music) album by British singer-songwriter PJ Harvey.
Recorded on and off in Dorset and London between April 1997 and April 1998, it was co-produced by Flood, Head and Harvey herself, and featured instrumental contributions from Rob Ellis, John Parish, Mick Harvey, Eric Drew Feldman, Joe Gore and Jeremy Hogg. It marked a move away from Harvey\u2019s earlier guitar-driven rock style into subtler, quieter, atmospheric soundscapes and mood pieces based around keyboards, bass and electronics.
The album met with a mixed reception from critics and fans upon release, some of whom were disappointed by Harvey\u2019s experimental and less bombastic new style. Reviews were generally positive, however. Q magazine praised the record as 'disturbing and excellent', CMJ called it 'another milestone in her already illustrious career', and Entertainment Weekly said it 'seethes with hypnotic power'
the magazine Dazed &
Confused claimed 'Is This Desire? will be a classic of the next 10 if not 20 years.
It has the impeccable timing of jazz, the arrangement of a classic dance track, the depth of an orchestral symphony and the emotional charge of gospel.' It received a Grammy Award nomination as Best Alternative Music Performance of 1998. Although it did not sell as well as her 1995 commercial breakthrough To Bring You My Love, it did spawn her biggest UK hit with the single 'A Perfect Day Elise'
a second single, 'The Wind', also dented the UK Top 30.
Blackpool Illuminations is an annual Lights Festival, founded in 1879 and first switched on 18 September that year, held each autumn in the English seaside resort of Blackpool on the Fylde Coast in Lancashire.
Also known locally as The Lights or The Illuminations, they run each year for sixty-six days, from late August until early November at a time when most other English seaside resorts' seasons are coming to an end. Dubbed as 'the greatest free light show on earth', they are 6 miles (10 km) long and use over one million bulbs. The display stretches along the Promenade from Starr Gate at the south end of the town to Bispham in the north.
In 2011 the Illuminations will shine from 2 September to 6 November 2011
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()
',
Description
Keywords: Isle,Of,Lewis,Ruins,church,St,Columbas,old,Aiginis,aignish,Scotland,Island,harris,tweed,tourist,B&B,bed,breakfast,Stornoway,sea,sunset,HDR,stone,gate,waves,lapping,dusk,summer,autumn,evening,tonysmith,tony,smith,hotpix,tonysmithotpix,pano,panorama,joiner,Columba
Description: Tony Smith image Flickr 6166555837 - 'Follow me on Twitter twitter.com/HotpixUK
Aignish (Scottish Gaelic: Aiginis) is located northwest of Knock and east of Stornoway on the east coast of the Isle of Lewis (Scottish Gaelic: Le\u00f2dhas), Scotland. The township is at the island side of the isthmus connecting to the Eye peninsula.
Lewis is of Presbyterian tradition with a rich history, having once been part of the Norse Kingdom of Mann and the Isles. Today, life is very different from elsewhere in Scotland with Sabbath observance, the Gaelic language and peat cutting retaining more importance than elsewhere. Lewis has a rich cultural heritage as can be seen from its myths and legends as well as the local literary and musical traditions.
St Columba's Church, Aignish, Isle of Lewis.The crofting village contains the historic Eye Church (Scottish Gaelic: Eaglais na h-Aoidhe), a large pre-Reformation Church. The present church buildings are believed to be medieval, built during two separate construction phases. They were constructed on the site believed to be the cell of St. Catan, a contemporary of St. Columba. The church was the burial ground of the MacLeods of Lewis.
Saint Columba (7 December 521 \u2013 9 June 597 AD)\u2014also known as Colum Cille (Old Irish, meaning 'dove of the church'), Colm Cille (Irish), Calum Cille (Scottish Gaelic) and Kolban or Kolbj\u00f8rn (Old Norse, meaning 'black bear')\u2014was a Gaelic Irish missionary monk who propagated Christianity among the Picts during the Early Medieval Period. He was one of the Twelve Apostles of Ireland.
In 563 he travelled to Scotland with twelve companions, where according to legend he first landed on the Kintyre Peninsula, near Southend. However, being still in sight of his native land he moved further north up the west coast of Scotland. In 563 he was granted land on the island of Iona off the west coast of Scotland which became the centre of his evangelising mission to the Picts.
A big thank you to Macleod D&
D for all that local knowledge!
Checkout more w=33062170@N08\' target=\'_blank\'>interesting Scotland from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',
Description
Keywords: tony,smith,hotpix,tonysmith,tonysmithhotpix,tonysmithotpix,port,erin,iom,isle,mann,man,isle-of-man,UK,great,britain,irish,sea,bay,dock,sunset,blue,red,orange,father,son,fishing,night,sunrise,sun,set,dusk,rise,side,seaside,fisher,fisherman,silhouettes,silhouette
Description: Tony Smith image Flickr 6042966281 - 'Eddie Vedder - Hard Sun - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Eddie Vedder (born Edward Louis Severson III 1964) is an American musician and singer-songwriter who currently serves as the lead vocalist and one of four guitarists for the American alternative rock band Pearl Jam. Vedder left the Southern California music scene and moved to Seattle, Washington in 1990 to join Pearl Jam where he rose to fame amid the grunge movement of the early 1990s. He is notable for his baritone vocal style, and widely considered a cultural icon of alternative rock.
He is also involved in soundtrack work and contributes to albums by other artists. In 2007, Vedder released his first solo album as a soundtrack for the film Into the Wild (2007). His second album, Ukulele Songs, along with a live DVD titled Water on the Road, was released on 31 May 2011.
Vedder contributed an album's worth of songs to the soundtrack for the 2007 film, Into the Wild. The soundtrack was released on September 18, 2007 through J Records. It includes covers of the Indio song 'Hard Sun' and the Jerry Hannan song 'Society'. Vedder said that having to write songs based on a narrative 'simplified things.' He said, 'There were fewer choices. The story was there and the scenes were there.' Vedder's songs written for the film feature a folk sound. Thom Jurek of Allmusic called the soundtrack a 'collection of folksy, rootsy tunes where rock &
roll makes fleeting appearances.' Vedder won a 2008 Golden Globe Award for the song 'Guaranteed' from Into the Wild. He was also nominated for a Golden Globe Award for his contributions to the film's original score.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>seaside stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',
Description
Keywords: Postcard,post,card,carte,postal,texture,sepia,selective,color,colour,tony,smith,hotpix,tonysmith,tonysmithhotpix,hot,pix,pics,picks,hotpicks,uk,clackton,sea,1935,red,one,penny,stamp,rail,railway,man,engine,driver,metal,iron,steel,steam,mr,mrs,higgins,75,paisley,st,street,postmark,mark,Essex
Description: Tony Smith image Flickr 6159147798 - 'Siouxsie and the Banshees - Metal Postcard Mittageisen - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
'Mittageisen' is a single by the English band Siouxsie and the Banshees. Originally appearing on the band's 1978 debut album The Scream (an album I played to death when it first came out) as 'Metal Postcard (Mittageisen)', the track was re-recorded in 1979 with this time the lyrics sung in German.
The title 'Mittageisen' is a word play based on the German words 'Mittagessen' (literally: 'noon meal', i.e. Lunch) and Eisen ('iron'). The title was inspired by John Heartfield's photocollage Hurrah, die Butter ist Alle! ('Hurray, the Butter is Finished!'), that was also used as front cover art.
John Heartfield's photocollage was initially used on the frontpage of the 'Arbeiter-Illustrierte-Zeitung / Workers Illustrated Journal', published on 19 December 1935. Heartfield (1891\u20131968) was an early member of the Club Dada, which started 1916 as Cabaret Voltaire in Z\u00fcrich. The picture with the title 'Hurrah, die Butter ist Alle! / Hurray, the butter is finished!' shows a family who eats various pieces of metal. The trigger for it was the following quote from Hermann G\u00f6ring: 'Iron made a nation always strong, butter and lard made only the people fat.'
'Mittageisen' was composed by Banshees members Siouxsie Sioux, John McKay, Kenny Morris and Steven Severin, the lyrics were translated by Dave Woods.
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
()',
Description
Keywords: tony,smith,rescue,grab,shot,liverpool,mersey,water,brave,boat,helicoptor,helicopter,sea,river,UK,england,city,tonysmith,hotpix,tonysmithhotpix,hotpics,hotpicks,hot,pix,pics,picks,mono,selective,colour,grain,grainy,noise,noisy,birkenhead,wirral,action,helecopter,#tonysmithotpix
Description: Tony Smith image Flickr 5174644706 - 'Rescue - 'Echo And The Bunnymen' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
'First I want a kiss, then I want it all......'
Well its been a few weeks in arriving, but seminal Scousers Echo and the Bunnymen have finally arrived on my iPod.
Echo was the name given to the bands original drum machine (in legend, although maybe not in fact), that backed up Ian McCulloch (vox), Will Sergeant (guitar) and Les Pattinson (Bass). By 1980 a permanent drummer, Pete de Freitas was installed. He was killed in a motorcycle accident in 1989.
Ian McCulloch back in 1977 was one third of the 'Crucial Three', a bedroom band which also featured Julian Cope (Teardrop Explodes) and Pete Wylie (Wah Heat).
I have the first single (from Bill Drummond and David Balfe's Zoo label) 'The Pictures On My Wall' (b-sided with 'Read It In Books') with 'The Revenge Of Voodoo Billy' scratched in the run out groove, up in my loft. Its pretty much played to death. I think I bought it at 'Probe' the original record shop that was up in what is now known as Cavern walks in Liverpool. It stocked all the indie vinyl and sold tickets to Erics, the local punk band venue. Echo &
the Bunnymen made their debut at Liverpool's Eric's Club in November 1978.
The band were influenced by the same artists as their other North West contemporaries Joy Division, The Doors and Velvet underground. Like them, they often play Doors covers live.
For the ultimate resource on the band, checkout www.villiersterrace.com , to get a feel for the band, checkout the live album 'Never Stop: Live in Liverpool'.
------------------------
The RAF Search and Rescue Force (SARF or SAR Force) is the Royal Air Force organization which provides around-the-clock aeronautical search and rescue cover in the United Kingdom, Cyprus and the Falkland Islands.
Although established with a primary role of military search and rescue, most of SARF's operational missions are spent in its secondary role, conducting civil search and rescue. This entails the rescue of civilians from the sea, on mountains, from flooded regions or other locations on land.
The aeronautical search and rescue roles are complemented by the related Royal Air Force Mountain Rescue Service whose trained mountaineers also conduct search and rescue in hilly terrain. SARF helicopters and RAF mountaineers often work together on mountain rescue incidents.
The SAR Force headquarters is situated at RAF Valley on Anglesey, North Wales and this helicopter is probably from 'C Flight' based there.
NB: Like all the images on this stream, full size images are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>cool stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new
uploads.
(c) TonySmith Hotpix / HotpixUK
( )',
Description
Keywords: UK,england,Kernow,Cornwall,sand,beach,surf,surfers,sepia,selecti UK,selective,colour,mono,b/w,black,white,tonysmith,tony,smith,hotpix,hotpixuk,hotpics,hotpicsuk,celtic,cross,stone,cemetary,goth,gothic,grave,graves,seaside,sea,side,#tonysmithhotpix,solar symbol
Description: Tony Smith image Flickr 4714928394 - 'The Celtic cross is a symbol that combines a cross with a ring surrounding the intersection.
In the Celtic Christian world it was combined with the Christian cross and this design was often used for high crosses. These are free-standing crosses made of stone and often richly decorated.
With the Celtic Revival, the shape, usually decorated with interlace and other motifs from Insular art, became popular for funerary monuments and other uses, and has remained so, spreading well beyond the British Isles.
It is popular in Cornwall where an individual feeling of ancient culture lives on, as can be seen in the Barnoon cemetary here, which overlooks the St Ives surfing beach of Porthmeor.
In Celtic regions of Ireland and later in Great Britain, many free-standing upright crosses or high crosses were erected by Irish monks, beginning at least as early as the 7th century. Some of these 'Celtic' crosses bear inscriptions in runes. There are surviving free-standing crosses in Cornwall (famously St Piran's cross at Perranporth) and Wales, on the island of Iona and in the Hebrides, as well as the many in Ireland. Other stone crosses are found in the former Northumbria and Scotland, and further south in England.
Due to its simplicity as a symboil, in Germany, the Celtic cross was adopted by a prohibited neo-Nazi party (VSBD/PdA) leading to the ban of the symbol.
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more images away from home from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: An engine order telegraph or E.O.T.,often also called a Chadburn,is,a,communications,device,used,on,a,ship,(or,submarine),for,the,pilot,on,the,bridge,to,order,engineers,in,the,engine,room,to,power,the,vessel,at,a,certain,desired,speed,gotonysmith,sea,going,ship,boat,Full,half,slow,dead,slow,stand,by,stop,finished,with,engines,dead,slow,ahead,astern,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF23KC - An engine order telegraph or E.O.T., often also called a Chadburn, is a communications device used on a ship (or submarine) for the pilot on the bridge to order engineers in the engine room to power the vessel at a certain desired speed. In early vessels, from the 1800s until about 1950, the device usually consisted of a round dial about nine inches in diameter with a knob at the center attached to one or more handles, and an indicator pointer on the face of the dial. Modern E.O.T.s on vessels which still use them use electronic light and sound signals.
Traditional E.O.T.s required a pilot wanting to change speed to ring the telegraph on the bridge, moving the handle to a different position on the dial. This would ring a bell in the engine room and move their pointer to the position on the dial selected by the bridge. The engineers hear the bell and move their handle to the same position to signal their acknowledgment of the order, and adjust the engine speed accordingly. Such an order is called a bell, for example the order for a ship's maximum speed, flank speed, is called a flank bell.
For urgent orders requiring rapid acceleration, the handle is moved three times so that the engine room bell is rung three times. This is called a cavitate bell because the rapid acceleration of the ship's propeller will cause the water around it to cavitate, causing a lot of noise and wear on the propellers. Such noise is undesirable during conflicts because it can give away a vessel's position.
On most modern vessels the EOT acts as a direct throttle with no intervening engine room personnel.
This one has positions of Full Ahead, Half, Slow, Dead Slow, Stand By, Stop. Astern Finished with engines, dead slow, slow, half and full. German U-boats of World War II contained the dial position Alarmtauchen, the order for a crash dive.
Most seen these days are copies. Most do not include the CL of Chadburn Liverpool which was the place of manufacture, as in this specimen h
Cornwall, England, Great Britain, UK
Description
Keywords: pier,weston,super,mare,westonsupermare,sea,side,seaside,english,england,UK,britain,british,building,project,village,people,gay,icon,icons,builders,mate,reflective,jackets,jacket,health,safety,hotpix!,#tonysmith,#tonysmithhotpix
Description: Tony Smith image Flickr 4704019146 - 'The Grand Pier in Weston-super-Mare, North Somerset, England was started in 1903. It is situated on the Bristol Channel approximately 18 miles south west of Bristol in the seaside town.
It is supported in true victorian fashion by 600 iron piles, and is 400 metres long. Unfortunatly it has form where fire is concerned. It has been damaged by fire on two occasions in 1930 and 2008.
At 01:35 on the 28 July 2008, a fire at the foot of the north tower on the shoreward (eastern) end of the pavilion triggered the privately monitored fire alarm. The Essex-based alarm monitoring company were unable to contact the key-holder by mobile phone and no further action was taken.
It was not until 06:46 that the Avon Fire and Rescue Service (AFRS) was notified, by this time a hefty blaze was under way. It deployed 13 fire engines, special appliances, and more than 85 firefighters to tackle the blaze, but the building was soon destroyed.
Robert Tinker, a Grand Pier employee, was later praised by the fire service as he braved the extreme intensity of the heat from the flames to rush around the side of the building to remove several gas canisters which had been stored within the premises, had these not been removed the AFRS claim that the fire could have been much worse and with the possibility of needing evacuation of local residents and traders.
Preliminary investigations suggested that the fire started due to a number of deep fat fryers which had been located within the area pavilion, however after further investigation this was later ruled out, as was arson. On 22 October a news conference was held by AFRS who announced that despite their efforts the cause of the fire would be recorded as unknown, but that the most likely cause was an electrical fire.
Workmen began dismantling the wreckage on 12th September and a design competition for the new pavilion was won by the Bristol-based Angus Meek Architects' on 15th October. On 7th December it was announced that a slowly rotating 91 metres (299 ft) tall observation tower was proposed along with the new building.
On 12 March 2009, North Somerset Council approved the plans, which are to cost \u00a334 million. The new pavilion is expected to open in the summer of 2010. On 5 August 2009 it was announced that contractors John Sisk &
Son Ltd had been selected to construct the new pavilion and it was hoped that it would be completed by July 2010. These lads are working on the project. Jeff Bonvallet is at the far right.
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\'>nature images from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Construction workers putting final touches to the Grand Pier,ruined by fire,at Weston Super Mare,Avon,England,UK,gotonysmith,workers,sisk,reopen,reopening,sea,side,seaside,holiday,summer,men,three,union,jack,flag,The Grand Pier is a pier in Weston-super-Mare,North Somerset,England.,It,is,situated,on,the,Bristol,Channel,approximately,18,miles,(29,km),south,west,of,Bristol.,gotonysmith,The,pier,is,privately-owned,and,is,one,of,three,piers,in,the,town,together,with,Birnbeck,Pier,which,stands,derelict,awaiting,possible,restoration,and,the,much,shorter,SeaQuarium,aquarium,built,towards,the,south,end,of,the,seafront.,It,is,supported,by,600,iron,piles,and is 400 metres (1,300,ft),long.,It,has,been,damaged,by,fire,on,two,occasions,in,1930,and,2008.,Following,the,latter,fire,which completely destroyed the pavilion,the,pier,was,rebuilt,at,a,cost,of,£39,million,and,reopened,on,23,October,2010,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CF133E - The Grand Pier is a pier in Weston-super-Mare, North Somerset, England. It is situated on the Bristol Channel approximately 18 miles (29 km) south west of Bristol. Here shown are three Sisk construction workers, that have worked on the pier.
Following a fire, which completely destroyed the pavilion, the pier was rebuilt at a cost of £39 million and reopened on 23 October 2010.
at 01:35 BST on 28 July 2008, a fire at the foot of the north tower on the shoreward (eastern) end of the pavilion triggered the privately monitored fire alarm,[10] but the Essex-based alarm monitoring company were unable to contact the key-holder by mobile phone and no further action was taken.[11] It was not until 06:46 BST that the Avon Fire and Rescue Service was notified. It deployed 13 fire engines, special appliances, and more than 85 firefighters to tackle the blaze,[10] but the building was soon destroyed.
The pier on fire, 28 July 2008.
Robert Tinker, a Grand Pier employee, was later praised by the fire service as he braved the extreme intensity of the heat from the flames to rush around the side of the building to remove several gas canisters which had been stored within the premises, had these not been removed the fire service claimed that the fire could have been much worse, with the possibility of local residents and traders needing to be evacuated. Preliminary investigations suggested that the fire started due to a number of deep fat fryers which had been located within the area pavilion, however after further investigation this was later ruled out, as was arson. On 22 October 2008 at a news conference held by the fire service, it was announced that the cause of the fire
The Grand Pier, Weston-Super-Mare, Avon, SE England, UK
Description
Keywords: urban,art,grafitti,graffiti,graffitti,poole,town,district,england,english,sea,side,seaside,ipod,music,hotpix!,#tony,#smith,#tonysmith,#tonysmithhotpix,#tonysmithotpix
Description: Tony Smith image Flickr 4819024362 - 'Play a track from this album here.
?Whats this iPod Shuffle set all about? Read about it here
Physical Graffiti is the 6th album by Led Zeppelin. I find it difficult to pick just one track from this spectacular double album.
It was released on 24 February 1975. Recording sessions for the album were initially disrupted when John Paul Jones considered leaving the band. After reuniting at Headley Grange, the band wrote and recorded eight songs, the combined length of which stretched the album beyond the typical length of an LP. This prompted the band to make Physical Graffiti a double album by including previously unreleased tracks from earlier recording sessions.
Physical Graffiti was commercially and critically successful
the album is 16 times platinum (though this signifies sales of 8 million copies, as it is a double album) in the United States alone, and has come to be regarded as one of Led Zeppelin's defining works. The album is ranked highly on several prominent best album or best rock album lists of all time.
--------------------------------------------------
Fleetsbridge Underpass Grafitti, Poole, Dorset UK
This brilliant piece of colourfull grafitti and tagging stretches ten slabs of concrete in an underpass adjacent to a skatepark. It is a joiner of five wide images.
This was a youth arts project to design a new mural for the Fleetsbridge Skate Park, Creekmoor. west of Poole, under the A35
The final design was painted at the skate park around Easter 2007, followed by a celebration event on the final day to launch the new mural. The Mayor of Poole, Cllr Mrs Judy Butt turned out with other supporters of this project to see the finished mural and congratulate everyone involved for their hard work.
This great project was funded by the Community Foundation , Borough of Poole and Wave Arts Education Agency, and in partnership with the Creekmoor Community Association and Millennium Volunteers. The project brought in professional artist Felix Braun to conduct workshops for 120 young people from various schools and youth clubs across Poole.
Three young people gained a Youth Arts Award qualification whilst working on their project, which they can use towards future youth arts careers. Good for them !
Amazingly on the end of the bypass wall is a council sign stating 'No Grafitti'.
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>urban images from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 target='_blank' so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Lewis and Harris,Outer Hebrides,Western Isles,Scotland,UK,boats,port,history,heritage,small,moored,vessels,quay,waterfront,marina,sea,seawater,reflections,dramatic sky,drama,storm,clouds,cloudy,sky,dusk,evening light,islands,Hebrides,coastal,maritime heritage,industry,seafood,commercial,town,transport,ferry,atmospheric
Description: Tony Smith image Alamy CF0N1P - Fishing boats moored at Stornoway Harbour on the Isle of Lewis in the Outer Hebrides, Scotland, under a dramatic sky of dark cloud, broken light and evening reflections on the water. The photograph shows working vessels tied up beside the quay, with masts, rigging, harbour buildings and the sheltered inlet creating a strong maritime scene. The weather appears unsettled, with heavy cloud and low light suggesting dusk, late afternoon or changeable Hebridean conditions, while the calm harbour water reflects the sky and boats. Stornoway is the main town and port of Lewis and Harris, and Stornoway Harbour is described by Visit Outer Hebrides as the main port for the Outer Hebrides, with a safe natural harbour, a small fishing fleet, commercial facilities, coastguard and lifeboat presence, and ferry services. The image is commercially useful for editorial features on Scottish fishing, island communities, working harbours, seafood, maritime heritage, ferry links, rural economies, coastal tourism, harbour regeneration, weather in the Hebrides and transport lifelines. Fishing has long been part of the identity and economy of the Western Isles, and vessels like these give a human and industrial scale to the wider landscape of sea, islands and port infrastructure. The dark skies, muted colours and reflective water add atmosphere suitable for travel writing, environmental stories, climate and weather features, marine industry coverage, fishing policy, coastal livelihoods, harbour safety and island life. This image can also support stories about Stornoway as a gateway to the Outer Hebrides, with links to Ullapool by ferry and a port that serves commercial, leisure, fishing and community needs. The composition works as an establishing image for Stornoway, Lewis, Scottish island travel, harbour towns, traditional boats, working waterfronts and the continuing importance of small fishing fleets in remote coastal Scotland.
Fishing boats moored at Stornoway Harbour under dramatic evening skies, Isle of Lewis, Outer Hebride
Description
Keywords: Night shot long exposure at Ilfracombe Pier tavern,SW England,UK,gotonysmith,The,9EQ,EX349EQ,holiday,tourist,destination,summer,English,freehouse,pub,alehouse,sea,side,gotonysmith,Buy Pictures of,Buy Images Of,Dorset,north,dusk,night,evening,bar,movement,seaside,coast,Pier,tavern,pubs,bars
Description: Tony Smith image Alamy CET167 - . Dusk at the Ilfracombe Pier tavern, North Dorset, SW England, UK. Photographed on 25 August 2009. The recorded location is Ilfracombe Pier tavern, North Dorset, SW England, UK EX34 9EQ. Historically, pub buildings and signs provide a useful record of the licensed trade, from traditional alehouses and brewery estates to contemporary hospitality businesses
They are also part of the story of evolving high streets, nightlife, real ale, cask beer and the survival or reuse of historical premises. As background, ports and vessels are central to Britain's maritime history, linking coastal communities and inland industry with fishing, trade, passenger travel and international shipping
Harbours, docks and working craft also reflect changing technology, from traditional fishing fleets to high-speed workboats and modern freight logistics. Historically, panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. In 2026, pubs continue to sit at the centre of arguments about high-street vitality, local identity and hospitality economics
England's 2026/27 rating arrangements include dedicated relief for eligible pubs and live-music venues, underlining the sector's continuing economic and cultural significance. Against the 2026 backdrop, ports remain crucial to UK trade, offshore energy, passenger travel and supply chains, while decarbonisation is driving interest in cleaner fuels, shore power and more efficient vessels
Older working-boat and harbour images therefore have both maritime-history and contemporary transport relevance. Current 2026 relevance comes from the fact that current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent.
Ilfracombe Pier tavern, North Dorset, SW England, UK EX34 9EQ
Description
Keywords: Air sea Rescue,Mersey River,Liverpool RNLI,air,sea,rescue,mersey,river,liverpool,birkenhead,wirral,june,festival,helecopter,helicoptor,this photo rocks,city,town,merseyside,hotpix!
Description: Tony Smith image Flickr 3813282818 - 'A staged demonstration of the Mersey Liverpool lifeboat RNLI and RAF air sea helicoptor.
Some old Wirral icons here www.flickr.com/photos/hotpixuk/3959761339/ - remember these?
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: sea,Star,fish,starfish,blue,tone,toned,bwb/w,black,white,black & White,black and white,shells,seashore,shore,flotsom,B/W,mono,monochrome,this photo rocks,hotpix!
Description: Tony Smith image Flickr 3828202260 - 'Autumn Star Fish, shells, sea weed and other seashore flotsom, washed up, near St Ives, Cornwall England UK.
Black and White Mono image blue toned.
More toning here www.flickr.com/photos/hotpixuk/4343129726/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: St,Ives,South,Cornwall,in,mono,England,United,Kingdom,Cemetery,Cemetary,view,of,the,sea,cloud,clouds,atlantic,celtic,cross,goth,gothic,Cornish,Gotonysmith,Buy Pictures of,Buy Images Of,moody,mood,drama,Celtic cross,Celtix,crosses,Barnoon Church,and,&,Graveyard,graveyards,seaside
Description: Tony Smith image Alamy D8HTH0 - . Barnoon Church and Graveyard , St Ives South Cornwall in mono , England UK. The recorded location is Barnoon Cemetery, St Ives, Cornwall, England UK. The Gothic. In historical terms, parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, Victorian restoration, monuments, stained glass, organs, altars and inscriptions can coexist in a single building, reflecting generations of worship and local patronage. The historical context is that historic inscriptions provide unusually direct documentary evidence
Names, dates, dedications and symbolic imagery can connect a present-day location with former residents, workers, congregations or wartime casualties, making the object relevant to both genealogy and wider social history. The historical context is that tourism images record not just destinations but changing habits of leisure: seaside holidays, city breaks, heritage visits, package travel and resort culture have all developed with transport, disposable income and mass tourism. During 2026, historic places of worship remain important not only for faith but also for conservation, tourism, music, community use and local identity
Their maintenance illustrates the continuing challenge of caring for ageing heritage buildings while keeping them accessible and relevant. The subject remains topical in 2026 because interest in local history, genealogy and the conservation of memorials remains strong, while weathering, redevelopment and vandalism can threaten smaller monuments and inscriptions
Detailed photographs help preserve lettering, names and physical condition before further weathering or alteration. During 2026, memorials continue to play an active role in public history, supporting remembrance, genealogy, education and heritage tourism
Images can also record inscriptions before erosion or redevelopment alters the physical object.
Barnoon Cemetery, St Ives, Cornwall, England UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,old,history,trams,700,creme,cream,electric,tramway,tramways,seaside,English,British,holiday,double,deck,decker,1930,1930s,Balloon,sea,front,Corporation,fleet,Walter Luff,design,livery,BTS,Fylde,coast,English Electric double-deck Luxury Dreadnought,English Electric Balloon,British manufacturing,English Electric Preston
Description: Tony Smith image Alamy 2JR3MR5 - A classic green and cream English Electric Balloon tram travels along Blackpool Promenade in Lancashire, displaying Promenade Tour destination boards. Fleet number 700 is seen in bright daylight beneath the overhead wires, with hotels, parked cars and the busy seafront behind. Its rounded double-deck body, curved upper windows and traditional livery create one of the most recognisable transport images associated with the English seaside resort.
The vehicle was built by English Electric in Preston in 1934 and was the first of Blackpool's production Balloon cars. It originally carried fleet number 237 before the class was renumbered in the late 1960s, when it became number 700. The streamlined design formed part of Walter Luff's modernisation of Blackpool Corporation Tramways during the 1930s. Balloon cars offered high passenger capacity for seasonal crowds and became enduring symbols of holidays, Illuminations journeys and travel along the Fylde coast.
Number 700 later received a sympathetic restoration that reinstated traditional styling details and a wartime green and cream colour scheme. Although modified for the upgraded tramway, it retained much of its historic appearance and has appeared on heritage and promenade tours. Blackpool's electric tramway opened in 1885 and remains a rare surviving first-generation British street tramway, combining modern vehicles with preserved historic cars on selected occasions.
The photograph suits editorial themes including British transport history, heritage tourism, seaside holidays, public transport, tram preservation, English Electric engineering, Art Deco design, coastal travel and nostalgia for Blackpool. It also records the contrast between a 1930s vehicle, present-day traffic and changing Promenade hotels. Blackpool Transport announced plans in 2026 for summer heritage trips and a permanent home for the historic fleet, keeping these vehicles relevant to the resort's tourism economy and cultural identity
Waterloo Road, Promenade, Blackpool, Lancashire, England, UK, FY4 1AD
Description
Keywords: Scotland,Outer,Hebrides,CNES,Comhairle,nan,Eilean,Siar,port,shore,port,blue,dusk,reflections,sea,river,Na h-Eileanan Siar,Western Isles,Leòdhas,Eilean,CNES,Alba,Eilean Leòdhais,Stornoway town,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scotland,problem,with,problem with,issue with,Centre,Art,Artists,social,tour,tourism,tourists,Lewis,Stornoway,outer Hebrides,outer,isles,islands,West Scotland,Stornoway Town,Town,Urban,Isle of Lewis,Steòrnabhagh,iconic,Alba,Celtic,@HotpixUK,HotpixUK,tour,tourist,attraction,travel,Scots,SNP,independance,independence,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEW1TY - Stornoway (Gaelic: Steòrnabhagh) is a town on the Isle of Lewis, in the Outer Hebrides (also known as the Western Isles) of Scotland.
The town's population is around 8,000, making it the largest town in the Hebrides, with a third of the population of the civil parish of Stornoway, which includes various nearby villages and has a population of approximately 12,000.
Stornoway is an important port and the major town and administrative centre of the Outer Hebrides. It is home to Comhairle nan Eilean Siar (the Western Isles Council) and a variety of educational, sporting and media establishments. Observance of the Christian Sabbath (Sunday) has long been an aspect of the island's culture. Recent changes mean that Sunday on Lewis is now less different from Sunday on the other Western Isles or the mainland of Scotland.
Stornoway, Isle of Lewis, Scotland, UK
Description
Keywords: Ship,shipping,boat,ferry,oil,town,city,centre,lights,dusk,blue,hour,dock,dockside,crane,cranes,reflection,reflections,Scotish,Alba,business,cargo,commercial,coastal,economy,europe,european,gas,Northsea,sea,haven,supply,vessel,AB11,City Centre,Blue Hour,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,AberdeenHarbour,Harbor,carpark,car,park,twilight,lowlight,low,light,lowlight,low,light,Olympic,Pegasus,Offshore,Supply,Ship,IMO,9257929,IMO9257929,MMSI,257174000,fleet,marine,traffic,Norway,NAO,Viking,9722522,IMO9722522,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Aberdeen Harbour,Olympic Pegasus,Offshore Supply Ship,NAO Viking
Description: Tony Smith image Alamy H6JMTG - Aberdeen Harbour was the first publicly limited company in the United Kingdom and is today the principal commercial port in northern Scotland and an international port for general cargo, roll-on/roll-off and container traffic. The harbour also serves NorthLink Ferries, which sail to Kirkwall, Orkney and Lerwick, Shetland. The Aberdeen Maritime Museum (on Shiprow in the city centre) includes exhibitions and displays which tell the story of the harbour and its role in the economy and development of the city.
Originally, the defective harbour, with a shallow sand and gravel bar at its entrance, retarded the trade of Aberdeen, but under various acts since 1773 it was greatly deepened.
By the Harbour Act of 1868, the river Dee near the harbour was diverted from the south at a cost of £80,000, and 90 acres (364,000 m²) of new ground, in addition to 25 acres (101,000 m²) formerly made up, were provided on the north side of the river for the Albert Basin (with a graving dock), quays and warehouses. A 1050 ft (320 m) long concrete breakwater was constructed on the south side of the stream as a protection against south-easterly gales. On Girdleness, the southern point of the bay, a lighthouse was built in 1833.
The North Pier, built partly by John Smeaton 1775-81, and partly by Thomas Telford 1810-15, extends nearly 3,000 ft (1000 m) into the North Sea and raised the bar.
Victoria Dock, named in honour of the queen's visit to the city in that year, is a wet dock of 29 acres (117,000 m²) and with 6000 ft (1800 m) of quay, was completed in 1848
16 Regent Quay, Aberdeen AB11 5SS, Scotland
