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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0019,Support the Dockers,Sacked since September 1995,support,dockers,Liverpool,500,shirt,T-shirt,red,trade,union,workers,industrial,dispute,labour,protest,campaign,memorabilia,Britain,UK,politics,history,merchandise,textile,activism,solidarity,docks,port,worker,slogan,Scouse,Scousers,Merseyside,Mersey,dock,and,harbour,board,1990s,protests,1980s
Description: Tony Smith image Alamy 3F4BGBR - . Support the Liverpool Dockers red shirt with Liverpool text and slogan Sacked since September 1995, photographed in Britain. Photographed on 25 July 2026. The recorded location is Britain, UK. The design refers to the long-running Liverpool dockers dispute and is suitable for editorial use on labour history, trade union campaigns, dock work, Liverpool, industrial disputes, workers' rights, protest culture and political memorabilia. The bold red fabric and white lettering create a strong graphic image. The background to dock workers is that british labour history is closely tied to ports, factories, mines and transport, where collective organisation sought to improve pay, safety and job security. Within the history of campaign sign, political photographs gain meaning over time as candidates, parties and constitutional debates evolution
A routine campaign scene can later become evidence of a turning point, an unsuccessful candidacy or a movement that developed further. In relation to quayside, historical context shows that harbours and ferry ports have shaped coastal communities for centuries, providing sheltered water for fishing, trade and passenger travel
Quays, piers, slipways and terminal buildings record evolving vessel sizes and the transition from cargo handling to modern roll-on roll-off ferry operations. Current 2026 context around dock workers is that trade unions continue to be important actors in disputes over pay, restructuring and employment rights, while historic campaigns are revisited as part of local and labour history. Against the 2026 backdrop for campaign sign, digital campaigning dominates much modern politics, but physical posters, rallies and street demonstrations remain visually important
Their presence highlights the continuing role of public space in democratic expression. Closely associated editorial terms include strike, workers rights, collective action, workplace, industrial relations, and campaign shirt.
Britain, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,ACC,drag queen,portrait,heritage,Scouse,humour,Merseyside,entertainment,entertainer,Joseph Venning,comedy,artwork,cultural icons,Stanley Street,sign,rainbow,street,art,British drag,performer,arena district,Kings Dock,queer representation,gay cultural history,television personality,working-class comedy,entertainment legacy,Pride tourism,urban placemaking,creative regeneration,contemporary painting,celebrity tribute,performing arts,nightlife identity,Royal Vauxhall Tavern,drag club circuit,female impersonation
Description: Tony Smith image Alamy 3EKP0CF - Colourful section of the Liverpool Wall of Fame mural portrays Lily Savage, the sharp-tongued drag persona created and performed by Birkenhead-born entertainer Paul O'Grady. Painted across textured brickwork at the ACC Liverpool campus, the portrait shows Lily with her trademark towering platinum-blonde hairstyle, dramatic make-up, sparkling jewellery and leopard-print costume. Bold rainbow colours, the word Liverpool , a Stanley Street sign and references to Scouse humour surround the central figure, linking the artwork with the city region's comedy, nightlife, LGBTQ+ culture and entertainment history.
The mural was created by contemporary artist Joseph Venning and unveiled on Liverpool's waterfront in 2024. Developed by ACC Liverpool and local gallery dot-art, with support from Liverpool BID Company's Art & Culture Fund, the work stretches for more than 40 metres beside Exhibition Centre Liverpool and the Pullman Hotel. Its collage-inspired design celebrates people and places associated with Merseyside across music, sport, comedy, drama and visual art.
Paul O'Grady developed Lily Savage in the late 1970s before establishing the character through clubs, theatres, television and radio. Lily's outspoken working-class humour, glamorous appearance and fearless stage presence made her one of Britain's most recognisable drag characters. O'Grady later became a successful broadcaster, writer and animal-welfare campaigner in his own name, while Lily remained an important figure in British LGBTQ+ entertainment and popular culture.
This mural detail provides a vivid editorial image for Liverpool tourism, queer heritage, drag performance, public art, comedy, television history, cultural regeneration and waterfront placemaking. It also reflects the wider contribution of Merseyside performers to British entertainment and the use of large-scale street art to create an engaging welcome for visitors arriving at the arena, convention and exhibition district.
Kings Dock, Liverpool Waterfront, Liverpool, Merseyside, England, United Kingdom, L3 4FP.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,The Kop,graffiti,art,fan,fans,scouse,YNWA,street art Merseyside,LFC slogan,urban graffiti,Merseyside,England,UK,on,a,wall,brick,heart,EL ROI,Hope St,orange,red,Liverbird,Anfield,anthem,fan culture,loyalty,terrace,song,community identity,street art lettering,urban expression,supporter tribute,working class culture,city pride,spray paint art,informal memorial
Description: Tony Smith image Alamy 2R64KCJ - This image shows graffiti featuring the phrase You'll Never Walk Alone , widely recognised as the anthem and slogan of Liverpool FC, painted on a brick wall in Merseyside. The bold lettering and Liverpool-red colour palette directly reference the club's visual identity and long-standing supporter culture.
You'll Never Walk Alone has become a powerful symbol of solidarity, loyalty, and collective identity among Liverpool supporters, extending far beyond the football stadium into everyday urban spaces. Graffiti such as this is a common expression of fandom across Merseyside, reinforcing the deep connection between club, city, and community.
The additional handwritten messages and memorial wording suggest a personal tribute layered onto the football slogan, illustrating how public street art is often used both for sporting allegiance and informal remembrance. This blending of football culture and local memory reflects the social role football plays within communities.
Photographed in daylight, the image documents contemporary British football culture as it appears in the urban environment rather than inside a stadium. It is well suited for editorial use covering football fandom, street art, supporter identity, Merseyside culture, and the wider social meaning of sport in everyday life.
Hope Street, Liverpool, Merseyside, England, UK, L1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,English,Warrington Bank Quay,Cheshire,WA1,WBQ,WCML,West Coast,mainline,main line,the,scouse,name,a,train,trains,of,Runcorn,flying Scotsman,20th,celebration,celebrations,iconic,Pendolinos,funny,transport,rail,railway,engine,carriage,North West,service,Channel tunnel,services,new
Description: Tony Smith image Alamy 2R55J4J - . The Flying Scouseman Pendolino train, at Warrington Bank Quay, Cheshire, England, UK, WA1 named by Echo reader Michael Dally, of Runcorn. Photographed on 19 May 2023. Virgin Trains Pendolino given Flying Scouseman name to mark firm's 20th birthday. ECHO competition won by Michael Dally, of Runcorn. Read more at ECHO teamed up with Virgin Trains to help celebrate the firm's 20th birthday and invited people to come up with a name for one of their iconic Pendolinos, used on the West Coast mainline between Lime Street and Euston. Other shortlisted suggestions for the new name included Mighty Mersey, Pride of Liverpool, Merseyside Express and Liver Bird. Arif Mahmood, Virgin Trains station manager for Liverpool Lime Street said the response to the competition had been overwhelming. Euston was London's first inter-city railway terminus, opening in 1837 as the southern end of the London and Birmingham Railway. The famous Doric Euston Arch and Victorian station were demolished during the controversial 1960s rebuilding. In 2026 Euston remains central to plans for HS2 and wider station redevelopment. In relation to station architecture, historical context shows that stations are both functional transport interchanges and pieces of civic architecture
Their canopies, footbridges, booking halls, signal boxes and signage reveal how passenger expectations and railway technology changed from steam-era operation to today's increasingly digital network. For the story of payment methods, it is useful to note that banknotes, coins, cheques and branch buildings document the everyday financial system before contactless cards and mobile payments became dominant
Regional banks and savings institutions also left distinctive architecture and branded paper evidence. The historical setting for coastal economy is that maritime gateways connect island and mainland economies, carrying residents, visitors, freight and vehicles while also supporting fishing, leisure craft and.
Warrington Bank Quay, Cheshire, England, UK, WA1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,British,city,centre,Merseyside,Scouse,Liverpool2023,country,flag,flags,entry,and,a,heart,for,blue,yellow,love,entries,Eurovision2023,art,artwork,to,celebrate,presents,makes,shaped,smile,competition,united by music,music,painting,drawing,drawings,sketch
Description: Tony Smith image Alamy 2R22XM6 - . Liverpool Graham Norton Eurovision2023 artwork to celebrate every country entry and a heart for Ukraine , UK. Photographed on 12 May 2023, this spring image stock-photo/gotonysmith-Record.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. Key searchable subjects associated with the scene include Merseyside, Scouse, Liverpool2023, country, flag, flags, entry, heart, blue, yellow, love, entries, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include Eurovision2023, art, artwork, celebrate, presents, makes, broadening discoverability while remaining tied to the supplied subject information. It is a useful stock image for publishers, researchers and picture editors seeking a clearly identified contemporary record of the subject and location. The composition retains practical contextual detail for news, feature, documentary, educational and historical use.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,L1 7AZ,Liverpool,lantern,traditional,eating,China,Chinese,business,businesses,community,Cantonese,Chinese communities,oldest,area,district,central,Asian,Asia,Scouse,settlers,immigrants,migrants,migrant,colour,colourful,symbol,symbols,of culture,food,eatery
Description: Tony Smith image Alamy 2PKA5AR - . Man Tsuen Ho's Restaurant Chinatown, Nelson Street, Liverpool, Merseyside, England, UK, L1 5DN. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 28 Nelson St, Liverpool, Merseyside, England, UK, L1 5DN, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, L1 7AZ, Liverpool, lantern, traditional, eating, China, Chinese, business, businesses, community, Cantonese, providing natural SEO coverage without losing the specific documentary identity of the photograph. Food and drink content broadens the image's relevance to eating out, grocery retail, hospitality, pricing, consumer choice, local food culture and the commercial presentation of meals, ingredients or products. It can illustrate changing tastes, inflation and cost-of-living pressures, food retail competition, traditional businesses and the everyday economics of buying food and drink where those themes are relevant. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
28 Nelson St, Liverpool, Merseyside, England, UK, L1 5DN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,L1 7AZ,Chinatown,Chinatown Liverpool,Liverpool,town,&,and,Chinese,food,business,businesses,community,Cantonese,Chinese communities,oldest,area,district,central,Asian,Asia,Scouse,settlers,immigrants,migrants,migrant,colour,colourful,symbol,symbols,of culture
Description: Tony Smith image Alamy 2PKA5AY - . Chinatown Liverpool - Hoi Yin Association & North Garden Chinese restaurant, 28 Nelson St, Liverpool, Merseyside, England, UK, L1 5DN. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 28 Nelson St, Liverpool, Merseyside, England, UK, L1 5DN, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, L1 7AZ, Chinatown, Chinatown Liverpool, Liverpool, Chinese, food, business, businesses, community, Cantonese, Chinese communities, providing natural SEO coverage without losing the specific documentary identity of the photograph. Food and drink content broadens the image's relevance to eating out, grocery retail, hospitality, pricing, consumer choice, local food culture and the commercial presentation of meals, ingredients or products. It can illustrate changing tastes, inflation and cost-of-living pressures, food retail competition, traditional businesses and the everyday economics of buying food and drink where those themes are relevant. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. Additional relevant search concepts include oldest, area, district, central, Asian, Asia, broadening discoverability while remaining tied to the supplied subject information.
28 Nelson St, Liverpool, Merseyside, England, UK, L1 5DN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Merseyside,England,UK,L1,Liverpool,L1 5DW,5-9,red,green,art,artistic,council,city,centre on-street,street,community,Cantonese,Chinese communities,oldest,area,district,central,Asian,Asia,Scouse,settlers,immigrants,migrants,migrant,colour,colourful,symbol,symbols,of culture
Description: Tony Smith image Alamy 2PKA5D0 - . Liverpool Chinatown, decorated parking ticket machine, 5-9 Nelson St, Liverpool, Merseyside, England, UK, L1 5DW. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 5-9 Nelson St, Liverpool, Merseyside, England, UK, L1 5DW, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, Liverpool, L1 5DW, 5-9, red, green, art, artistic, council, centre on-street, community, Cantonese, providing natural SEO coverage without losing the specific documentary identity of the photograph. Industrial subject matter gives the image strong relevance to manufacturing, engineering, energy, utilities, machinery, skilled work and Britain's industrial heritage. The photograph can support stories about technological change, preservation, infrastructure, deindustrialisation, redevelopment and the reuse of former working sites for culture, housing, tourism or new commercial purposes. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
5-9 Nelson St, Liverpool, Merseyside, England, UK, L1 5DW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,rail,transport,mainline,main line,bronze,art,artwork,famous,with,L1 1JD,Lime St,by,artist,Kenneth Arthur Dodd,OBE,concourse,metal,scouse,scouser,standup,stand-up,feather duster,tax,case,evasion,Knotty ash,knottyAsh,Liverpudlian,music hall tradition,Chance Meeting,Tom Murphy
Description: Tony Smith image Alamy 2M95NEM - The legendary Liverpudlian comedian Sir Ken Dodd was a star of stage and screen for more than 70 years. Famed for his tickling sticks, wild hair and buck teeth, he was an entertainer in the music hall tradition, with some of his live shows going on for hours after their supposed finishing time. A master of the one-liner, he was also a successful singer. Dodd worked his beloved Knotty Ash into his routines, telling stories about the Diddymen and the jam-butty mines. He was tried for tax evasion in 1989 and was acquitted, typically then introducing himself on stage as a 'failed accountant'. Ken became Sir Ken when he was made a Knight in the 2017 New Year's Honours list. He passed away aged 90 on March 11 2018, just two days after he married his beloved Anne.
Lime Street, Liverpool, England, UK, L1 1JD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,L1,rail,transport,mainline,main line,bronze,art,artwork,famous,with,L1 1JD,Lime St,by,artist,Kenneth Arthur Dodd,OBE,concourse,metal,scouse,scouser,standup,stand-up,feather duster,tax,case,evasion,Knotty ash,knottyAsh,Liverpudlian,music hall tradition,Chance Meeting,Tom Murphy
Description: Tony Smith image Alamy 2M95NF1 - The legendary Liverpudlian comedian Sir Ken Dodd was a star of stage and screen for more than 70 years. Famed for his tickling sticks, wild hair and buck teeth, he was an entertainer in the music hall tradition, with some of his live shows going on for hours after their supposed finishing time. A master of the one-liner, he was also a successful singer. Dodd worked his beloved Knotty Ash into his routines, telling stories about the Diddymen and the jam-butty mines. He was tried for tax evasion in 1989 and was acquitted, typically then introducing himself on stage as a 'failed accountant'. Ken became Sir Ken when he was made a Knight in the 2017 New Year's Honours list. He passed away aged 90 on March 11 2018, just two days after he married his beloved Anne.
Lime Street, Liverpool, England, UK, L1 1JD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,architecture,building,new,Pierhead,designed,by,architects,architect,and,engineers,iconic,icon,Museum of Liverpool Life,collection,scouse,L3,L3 1DG,Eurovision,2023,Eurovision2023,sunny,blue,sky,skies,display,impressive,culture
Description: Tony Smith image Alamy 2NYNE7N - The Museum of Liverpool in Liverpool, England, tells the story of Liverpool and its people, and reflects the city's global significance. It opened 2011 as newest addition to the National Museums Liverpool group replacing the former Museum of Liverpool Life. The museum is housed in a new purpose-built building on the Mann Island site at the Pier Head.
The museum, which was designed by architects 3XN and engineers Buro Happold and built by Galliford Try at cost of £72 million, provides 8,000 square metres of exhibition space, housing more than 6,000 objects. It has flexible spaces that regularly change to enable National Museums Liverpool to show more of their collections. It was opened to the public on 19 June 2011. in January and February 2017, the museum was closed for two months for essential works
From 10 to 12 December 2021, the museum hosted the G7 summit of foreign ministers
The museum displays are divided into four main themes: The Great Port, Global City, People's Republic, and Wondrous Place, located in four large gallery spaces. On the ground floor, displays look at the city's urban and technological evolution, both local and national, including the Industrial Revolution and the changes in the British Empire, and how these changes have impacted the city's economic development. The upper floor looks at Liverpool's particular and strong identity through examining the social history of the city, from settlement in the area from Neolithic times to the present day, migration, and the various communities and cultures which contribute to the city's diversity
Graving dry dock, Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,tourist,attraction,architecture,building,new,Pierhead,designed,by,architects,architect,and,engineers,iconic,icon,Museum of Liverpool Life,collection,scouse,L3,L3 1DG,popular,impressive,culture,history,display,sunny,blue,sky,skies
Description: Tony Smith image Alamy 2P08KEX - The Museum of Liverpool in Liverpool, England, tells the story of Liverpool and its people, and reflects the city's global significance. It opened 2011 as newest addition to the National Museums Liverpool group replacing the former Museum of Liverpool Life. The museum is housed in a new purpose-built building on the Mann Island site at the Pier Head.
The museum, which was designed by architects 3XN and engineers Buro Happold and built by Galliford Try at cost of £72 million, provides 8,000 square metres of exhibition space, housing more than 6,000 objects. It has flexible spaces that regularly change to enable National Museums Liverpool to show more of their collections. It was opened to the public on 19 June 2011. in January and February 2017, the museum was closed for two months for essential works
From 10 to 12 December 2021, the museum hosted the G7 summit of foreign ministers
The museum displays are divided into four main themes: The Great Port, Global City, People's Republic, and Wondrous Place, located in four large gallery spaces. On the ground floor, displays look at the city's urban and technological evolution, both local and national, including the Industrial Revolution and the changes in the British Empire, and how these changes have impacted the city's economic development. The upper floor looks at Liverpool's particular and strong identity through examining the social history of the city, from settlement in the area from Neolithic times to the present day, migration, and the various communities and cultures which contribute to the city's diversity
Pier Head, Mann Island, Liverpool, Merseyside, England, UK, L3 1DG
Description
Keywords: GoTonySmith,Liverpool,Merseyside,England,UK,dusk,Eurovision,2023,city,centre,host,L1,L1 3BG,Luis Diaz,Tsimikas,Henderson,Becker,Mo Salah,scarf,scarves,flag,flags,selling,retail,street,seller,informal,scouse,Up the Reds,shop,store,caravan,trailer,table,merchandise,generic,team,players,player,squad
Description: Tony Smith image Alamy 2P4JT57 - . This dated editorial view of Church Street, Liverpool, Merseyside, England, UK, L1 3BG in 2023 captures more than the immediate subject, retaining clues about local use, design, activity and change. The principal subject is Up the Reds, Liverpool FC souvenir stall, Church Street, Liverpool, Merseyside, England, UK, L1 3BG. A broader reading of the photograph includes place identity, football tourism, match-day economy, before-and-after reference, sporting landmark, period detail, club identity, public realm, everyday life, community identity, supporter culture, changing land use, club history, and sports branding. Current relevance extends to women's football and commercialisation, particularly through the economic and social effect of match days on surrounding districts. Small period details of period objects and surrounding context at Church Street, Liverpool, Merseyside, England, UK, L1 3BG may become more significant with time, particularly following closure or conversion. The location also brings in stadium architecture, stadium district, local history, documentary photography, changing streetscape, football heritage, archival record, and professional sport. The recorded references to Liverpool, souvenir, Merseyside, Church, and stall preserve clues about how the subject was presented, used or understood at the time. A later view of Church Street, Liverpool, Merseyside, England, UK, L1 3BG may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for women's football and the economic and social effect of match days on surrounding districts in a form that can be compared with future views of Church Street, Liverpool, Merseyside, England, UK, L1 3BG. Another useful connection is community identity and how stadiums become landmarks closely tied to local identity within the real-world context of Church Street, Liverpool, Merseyside, England, UK, L1 3BG.
Church Street, Liverpool, Merseyside, England, UK, L1 3BG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Merseyside,office,swim,swims,Scouse,Liverpudlian,artist,of,Ethan,swimming,mural,in,side,the,Abbey Road bar,re-birth,after,pandemic,lockdown,Coronavirus,Paul Curtis,Mersey,Mersey artist,streetart,street art,blue,water,pool,babe,on,buildings,building,offices
Description: Tony Smith image Alamy 2P6JHR5 - Baby Ethan Mural
A huge baby swimming underwater in Liverpool city centre. This mural by street artist, Paul Curtis, is potentially the largest street art painting in the centre of Liverpool. Located on the side of The Abbey Road bar on Harrington Street in Liverpool, the mural was painted in May 2021 and took 8 days to complete. It measures 18 metres high and 10 metres wide. The piece was commissioned by Derwent Estates Ltd. The baby is said to represent the re-birth of Liverpool and the new hopes and potential of the future following the Coronavirus lockdowns. The underwater element was to try to create an illusion that the building is a pool tank. It also allowed the use of a rich blue colour to help add bright colour to the piece. The name Ethan is chosen by the artist. At the time of painting, his sister was expecting a baby boy, named Ethan.
Harrington St, Liverpool, Merseyside, England, UK, L2 9QF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Eurovision,2023,city,centre,host,L2,cavern walks,club,singer,icon,iconic,Scouse,musician,arms,in,the,air,Maria Veronica,1960,sexy,slim,music,television presenter,actress,Cavern Club,Mathew St,Liverpool,Merseyside,L2 6RE,female,artist,full,life,size,life-size
Description: Tony Smith image Alamy 2P6JJEY - Priscilla Maria Veronica White OBE (27 May 1943 “ 1 August 2015), better known as Cilla Black, was an English singer, television presenter and actress.
Championed by her friends the Beatles, Black began her career as a singer in 1963. Her singles Anyone Who Had a Heart and You're My World both reached number one in the UK in 1964. She had 11 top 10 hits on the UK Singles Chart between then and 1971, and an additional eight hits that made the top 40. In May 2010, new research published by BBC Radio 2 showed that her version of Anyone Who Had a Heart was the UK's biggest-selling single by a female artist in the 1960s. You're My World was also a modest hit in the U.S., peaking at No. 26 on the Billboard Hot 100.
Along with a successful recording career in the 1960s and early 1970s, Black hosted her own BBC variety show, Cilla (1968“1976). After a brief time as a comedy actress, she became a prominent television presenter in the 1980s and 1990s, hosting hit entertainment shows such as Blind Date (1985“2003), Surprise Surprise (1984“2001) and The Moment of Truth (1998“2001). In 2013, Black celebrated 50 years in show business. ITV honoured this milestone with a one-off entertainment special which aired on 16 October 2013, The One & Only Cilla Black, featuring Black herself and hosted by Paul O'Grady.
Black died on 1 August 2015 at the age of 72, after a fall in her villa in Estepona. The day after her funeral, the compilation album The Very Best of Cilla Black went to number one on the UK Albums Chart and the New Zealand Albums Chart
it was her first number one album. In 2017, a statue of Black commissioned by her sons was unveiled outside the Cavern Club's original entrance.
Cavern Club, Mathew St, Liverpool, Merseyside, England, UK, L2 6RE BW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Eurovision,2023,city,centre,host,L2,cavern walks,club,singer,icon,iconic,Scouse,Scouser,musician,arms,in,the,air,Maria Veronica,1960,bob,sexy,slim,Mersey,music,television presenter,actress,Cavern Club,Mathew St,Liverpool,Merseyside,L2 6RE,female,artist,Scousers
Description: Tony Smith image Alamy 2P6JJJK - Priscilla Maria Veronica White OBE (27 May 1943 “ 1 August 2015), better known as Cilla Black, was an English singer, television presenter and actress.
Championed by her friends the Beatles, Black began her career as a singer in 1963. Her singles Anyone Who Had a Heart and You're My World both reached number one in the UK in 1964. She had 11 top 10 hits on the UK Singles Chart between then and 1971, and an additional eight hits that made the top 40. In May 2010, new research published by BBC Radio 2 showed that her version of Anyone Who Had a Heart was the UK's biggest-selling single by a female artist in the 1960s. You're My World was also a modest hit in the U.S., peaking at No. 26 on the Billboard Hot 100.
Along with a successful recording career in the 1960s and early 1970s, Black hosted her own BBC variety show, Cilla (1968“1976). After a brief time as a comedy actress, she became a prominent television presenter in the 1980s and 1990s, hosting hit entertainment shows such as Blind Date (1985“2003), Surprise Surprise (1984“2001) and The Moment of Truth (1998“2001). In 2013, Black celebrated 50 years in show business. ITV honoured this milestone with a one-off entertainment special which aired on 16 October 2013, The One & Only Cilla Black, featuring Black herself and hosted by Paul O'Grady.
Black died on 1 August 2015 at the age of 72, after a fall in her villa in Estepona. The day after her funeral, the compilation album The Very Best of Cilla Black went to number one on the UK Albums Chart and the New Zealand Albums Chart
it was her first number one album. In 2017, a statue of Black commissioned by her sons was unveiled outside the Cavern Club's original entrance.
Cavern Club, Mathew St, Liverpool, Merseyside, England, UK, L2 6RE BW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,new,art,painting,artwork,The Beatles,gable,end,of,L18,icons,guitar,Merseybeat,Merseyside,1960s,building,shop,centre,street,large,big,Scouse,Scouser,There beneath the blue suburban skies,fresh from,Hamburg,PennyLane,JohnLennon,paulmccartney,Penny,Lane,work,works,Penny Lane,pennylane
Description: Tony Smith image Alamy 2K0GF8W - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the Lennon“McCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Penny Lane, Moseley Hill, South Liverpool, Merseyside, England, UK, L18 1DE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,new,art,painting,artwork,The Beatles,gable,end,of,L18,icons,guitar,Merseybeat,Merseyside,1960s,building,shop,centre,street,large,big,Scouse,Scouser,There beneath the blue suburban skies,fresh from,Hamburg,PennyLane,JohnLennon,paulmccartney,Penny,Lane,work,works,Penny Lane,pennylane
Description: Tony Smith image Alamy 2K0GF94 - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the Lennon“McCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Penny Lane, Moseley Hill, South Liverpool, Merseyside, England, UK, L18 1DE
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,City Centre,scouse,with art-deco carving,art,artistic,stone work,stonework,exhaust,river,with,art-deco,carving,light,artdeco,history,historic,heritage,deco,art deco,design,carvings,lamp,post,lamp post,lamppost,posts,green,gold,painted,tunnels,exhausts,ornate,wall,figures,figure
Description: Tony Smith image Alamy 2JCW1W7 - . Made at Pier Head Liverpool, Merseyside, England, UK, L3 1HN in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The frame specifically shows Historic Mersey Tunnel exhaust lamp, with art-deco carving, Pier Head Liverpool, Merseyside, England, UK, L3 1HN. The setting additionally reflects historic streetscape, seaside souvenir, conservation architecture, regional identity, everyday life, coastal tourism, contemporary social history, coastal visitor economy, British seaside culture, heritage landmark, coastal leisure, heritage asset, documentary photography, and place identity. Today's relevance is strengthened by retail pressure, town-centre renewal and the continuing question of the role of regeneration in keeping coastal destinations competitive. From a 2025-onward perspective, maintenance and adaptive reuse are closely linked to this subject, alongside keeping older structures useful without erasing their character. The archival value lies partly in recording transport arrangements and footfall around Pier Head Liverpool, Merseyside, England, UK, L3 1HN before different community use alters the character of the place. Other useful contextual ideas include local landmark, local history, day-trip culture, public realm, architectural character, urban fabric, built heritage, and archival record. Elements such as Liverpool, Merseyside, Historic, carving, and Tunnel add documentary specificity and may become increasingly useful when compared with later records. The period setting at Pier Head Liverpool, Merseyside, England, UK, L3 1HN helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The period view preserves a local visual benchmark for future local research. The view records a point of historical comparison before later change alters the scene.
Pier Head Liverpool, Merseyside, England, UK, L3 1HN
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Liverpool,Merseyside,City Centre,scouse,pillarbox,post,5th,L2,monarch,England,UK,L2 0RD,brown,Water,Street,St,posting,British,English,example,ornate,brass,insignia,box,postbox,pillar boxes,wall boxes,wall box,Pillar box,crown,design,royal mail,West Africa House Building
Description: Tony Smith image Alamy 2JCW1W9 - . This location-specific image from George V, , 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. At the centre of the view is Liverpool India House, Brown Letterbox, India House, George V, , 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD. Further facets of the scene include community life, built heritage, public realm, documentary photography, place identity, social landscape, everyday life, urban change, contemporary social history, city-centre activity, urban fabric, historic townscape, conservation architecture, and contemporary city life. From a 2025-onward perspective, local identity and embodied carbon are closely linked to this subject, alongside the value of distinctive buildings and street furniture to local identity. The wider contemporary story combines commercial change, community use and how ordinary street scenes become valuable records as businesses and infrastructure change. As a dated visual record of George V, , 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD, the frame retains landscape treatment and surrounding development, making it especially useful if redevelopment subsequently changes the scene. The subject also sits alongside local landmark, street-level documentary, urban social history, before-and-after reference, visual archive, community identity, changing streetscape, and heritage asset. Elements such as Merseyside, Brown, George, Liverpool, and Water add documentary specificity and may become increasingly useful when compared with later records. For George V, , 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The view records a point of historical comparison for future local research.
George V, , 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,City Centre,scouse,L2 0UD,England,UK,The,colonial,imperial,His Majesties,government,crest,icon,building,office,offices,officials,city,centre,control,Tory,Tories,Westminster,House of Commons,effective,ineffective,Conservatives,selfservatives,Home Office,HM,His Majesty,Water St,passageway,grade II,listed,Rachel Reeves,Kier Starmer,Andy Burnham,visa
Description: Tony Smith image Alamy 2JCW1WA - . An identifiable period record of India Buildings, Water Street, Liverpool, Merseyside, L2 0UD in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The frame specifically shows The Liverpool HMRC, HM Government, India Buildings offices, India Buildings, Water Street, Liverpool, Merseyside, L2 0UD. The locality and subject together evoke changing streetscape, townscape record, local landmark, conservation interest, documentary photography, period streetscape, archival record, everyday life, place identity, heritage landmark, local character, urban change, changing land use, and heritage asset. Current relevance extends to adaptive reuse and heritage conservation, particularly through the value of distinctive buildings and street furniture to local identity. In present-day coverage, the subject reaches into local identity and public-realm change, not least because of the relationship between public space and local social life. As a dated visual record of India Buildings, Water Street, Liverpool, Merseyside, L2 0UD, the frame retains signage and branding, making it especially useful if new ownership subsequently changes the scene. Further associations within the scene are period detail, architectural character, contemporary social history, everyday street life, public realm, visual archive, contemporary city life, and conservation architecture. The recorded references to India, Liverpool, Government, Water, and offices preserve clues about how the subject was presented, used or understood at the time. The period setting at India Buildings, Water Street, Liverpool, Merseyside, L2 0UD helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The frame retains a point of historical comparison as part of India Buildings, Water Street, Liverpool, Merseyside, L2 0UD's history.
India Buildings, Water Street, Liverpool, Merseyside, L2 0UD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Liverpool,Merseyside,City Centre,scouse,L2,31,Water St,England,UK,L20RD,avenue,office,light,lighting,arch,archway,passage,passageway,grade II,listed,Home Office,ineffective,offices,officials,centre,city,government,imperial,colonial,The,L2 0UD,history,historic,heritage
Description: Tony Smith image Alamy 2JCW1XA - . Recorded at 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The subject captured here is India Buildings, 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD. The wider scene also brings together architectural character, historical comparison, urban fabric, historic frontage, visual archive, changing land use, contemporary social history, public realm, before-and-after reference, historic townscape, local character, historic streetscape, community identity, and community life. The modern context includes continuing discussion of local identity, redevelopment pressure and how historic fabric can be retained while places adapt to modern use. For current editorial use, transport and street safety provide additional context, especially through the documentary importance of recording everyday urban environments. For later comparison, the photograph preserves transport arrangements and footfall at 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD, details that may look very different after closure or conversion. The location also brings in urban change, everyday street life, heritage landmark, pedestrian environment, social landscape, period building, townscape record, and traditional structure. References to Merseyside, Buildings, Liverpool, Water, and India give the picture a strong period identity and tie it closely to its named subject. Around 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is local identity and how historic fabric can be retained while places adapt to modern use without losing the local specificity of 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD.
31 Water St, Liverpool, Merseyside, England, UK, L2 0RD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Liverpool,Merseyside,City Centre,scouse,pillarbox,post,5th,L2,monarch,England,UK,L2 0RD,brown,Water,Street,St,posting,British,English,example,ornate,brass,insignia,box,postbox,pillar boxes,wall boxes,wall box,Pillar box,crown,design,royal mail,West Africa House Building
Description: Tony Smith image Alamy 2JCW1XD - . Made at George V, , 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The location is represented through Liverpool India House, Brown Letterbox, India House, George V, , 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD. The image also relates to place identity, architectural detailing, everyday life, urban change, urban social history, local character, documentary photography, traditional structure, community life, social history, period streetscape, heritage landmark, city-centre activity, and community identity. The wider contemporary story combines heritage conservation, local identity and keeping older structures useful without erasing their character. Viewed from the mid-2020s, the subject also connects with regeneration, footfall and the relationship between public space and local social life. For later comparison, the photograph preserves transport arrangements and footfall at George V, , 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD, details that may look very different after new construction. Other useful contextual ideas include conservation architecture, regional identity, local history, local landmark, visual archive, historic frontage, urban fabric, and archival record. Elements such as Letterbox, House, Brown, Merseyside, and George add documentary specificity and may become increasingly useful when compared with later records. A later view of George V, , 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image fixes a trace of local identity within the wider story of George V, , 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD.
George V, , 31 Water St, Liverpool, Merseyside, England, UK, L2 0RD
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,MX13AEJ,Arriva,Bus,service,by,city,centre,Castle Street,crossriver,Mersey,tunnel,journeys,L2 0NR,L2,Cook St,Cook Street,Greener journeys,bus,company,public,transport,doubledeck,double,deck,decker,Wirral,cross,low,pollution,integrated,August,free bus,ride,rides
Description: Tony Smith image Alamy 2JCW1XF - . This dated documentary view of Cook Street, Liverpool, Merseyside.htm Target=_Blank>Merseyside, England, L2 0NR in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The photograph centres on Mersey cross-river bus service 471 to Heswall, Arriva hybrid technology, off Castle Street, in Liverpool, Merseyside, England, L2 0NR. The wider scene also brings together visual archive, marine mobility, passenger river service, river crossing, inland navigation, archival record, townscape record, waterborne travel, place identity, everyday life, navigation corridor, social history, community life, and documentary photography. Today's relevance is strengthened by climate adaptation, waterside regeneration and the continuing question of how waterfronts are increasingly used as public spaces and regeneration anchors. From a 2025-onward perspective, commercial change and community use are closely linked to this subject, alongside the documentary importance of recording everyday urban environments. The archival value lies partly in recording materials and architectural details around Cook Street, Liverpool, Merseyside, England, L2 0NR before altered transport patterns alters the character of the place. The surrounding story also includes blue-green infrastructure, local character, changing land use, contemporary social history, community identity, everyday street life, waterfront cityscape, and street-level documentary. The recorded references to Arriva, service, Mersey, hybrid, and technology preserve clues about how the subject was presented, used or understood at the time. A later view of Cook Street, Liverpool, Merseyside, England, L2 0NR may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The period view preserves part of the area's social history for later comparison. Image 2JCW1XF also remains a dated record of Cook Street, Liverpool, Merseyside, England, L2 0NR.
Cook Street, Liverpool, Merseyside, England, L2 0NR
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,MX13AEJ,Arriva,Bus,service,by,city,centre,Castle Street,crossriver,Mersey,tunnel,journeys,L2 0NR,L2,Cook St,Cook Street,Greener journeys,bus,company,public,transport,doubledeck,double,deck,decker,Wirral,cross,low,pollution,integrated
Description: Tony Smith image Alamy 2JCW1XH - . A grounded documentary photograph made at Cook Street, Liverpool, Merseyside.htm Target=_Blank>Merseyside, England, L2 0NR in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The photograph centres on Mersey cross-river bus service 471 to Heswall, Arriva hybrid technology, off Castle Street, in Liverpool, Merseyside, England, L2 0NR. The surrounding context encompasses pedestrian environment, waterfront cityscape, blue-green infrastructure, community identity, historical comparison, place identity, working waterway, documentary photography, changing streetscape, social history, public realm, community life, urban change, and waterborne travel. Today's relevance is strengthened by biodiversity, public access and the continuing question of how waterfronts are increasingly used as public spaces and regeneration anchors. From a 2025-onward perspective, local identity and street safety are closely linked to this subject, alongside the documentary importance of recording everyday urban environments. The archival value lies partly in recording local activity and public use around Cook Street, Liverpool, Merseyside, England, L2 0NR before changed technology alters the character of the place. Other useful contextual ideas include social landscape, visual archive, changing land use, canal heritage, waterside leisure, townscape record, river crossing, and street-level documentary. References to Heswall, Castle, Mersey, service, and Liverpool give the picture a strong period identity and tie it closely to its named subject. The wider setting at Cook Street, Liverpool, Merseyside, England, L2 0NR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The period view preserves a point of historical comparison within the wider story of Cook Street, Liverpool, Merseyside, England, L2 0NR.
Cook Street, Liverpool, Merseyside, England, L2 0NR
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,the,L2,31,Liverpool,England,UK,L2 6RG,brick,Victorian,facade,brickwork,history,historic,heritage,building,buildings,architecture,sunny,blue sky,blue skies,corner,impressive,real estate,tower,offices,Cool Britannia,shop,shops,store,stores,retail
Description: Tony Smith image Alamy 2JCW1XK - . A grounded documentary photograph made at 31 North John street, Liverpool , Merseyside, England, UK, L2 6RG in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is The Century Buildings 1901, Victoria St - 31 North John street, Liverpool , Merseyside, England, UK, L2 6RG. The locality and subject together evoke heritage asset, contemporary social history, historic townscape, public realm, consumer retail, heritage landmark, local character, retail property, physical store, built heritage, historical comparison, brand-led retail, architectural character, and everyday life. Current relevance extends to redevelopment pressure and embodied carbon, particularly through the value of distinctive buildings and street furniture to local identity. In present-day coverage, the subject reaches into town-centre regeneration and store closures, not least because of the role of large retailers in town-centre and edge-of-centre economies. The archival value lies partly in recording signage and branding around 31 North John street, Liverpool , Merseyside, England, UK, L2 6RG before changed technology alters the character of the place. A second descriptive layer includes traditional structure, archival record, high-street commerce, historic frontage, retail chain, architectural detailing, place identity, and community identity. The recorded references to Victoria, Liverpool, Buildings, Century, and Merseyside preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within 31 North John street, Liverpool , Merseyside, England, UK, L2 6RG, the image preserves more than the headline object or building: it records part of the locality's everyday history. The frame retains part of the area's social history within the wider story of 31 North John street, Liverpool , Merseyside, England, UK, L2 6RG.
31 North John street, Liverpool , Merseyside, England, UK, L2 6RG
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Liverpool,City Centre,scouse,the,around,and,above,Cavern,Quarter,Ropewalks,L2,L2 6RE,Sir,MBE,outside,of,Hard Days Night,Hotel,Central Buildings,North John St,L2 6RR,Beatles,Beatlemania,music,Merseybeat,tourist,attraction,tourism,home,band,1960,1960s,cool,city centre
Description: Tony Smith image Alamy 2JCW1XP - Sir Richard Starkey MBE (born 7 July 1940), known professionally as Ringo Starr, is an English musician, singer, songwriter, and actor who achieved international fame as the drummer for the Beatles. Starr occasionally sang lead vocals with the group, usually for one song on each album, including Yellow Submarine and With a Little Help from My Friends. He also wrote and sang the Beatles songs Don't Pass Me By and Octopus's Garden, and is credited as a co-writer of four others.
Starr was afflicted by life-threatening illnesses during childhood, with periods of prolonged hospitalisation. He briefly held a position with British Rail before securing an apprenticeship as a machinist at a Liverpool school equipment manufacturer. Soon afterwards, Starr became interested in the UK skiffle craze and developed a fervent admiration for the genre. In 1957, he co-founded his first band, the Eddie Clayton Skiffle Group, which earned several prestigious local bookings before the fad succumbed to American rock and roll around early 1958. When the Beatles formed in 1960, Starr was a member of another Liverpool group, Rory Storm and the Hurricanes. After achieving moderate success in the UK and Hamburg, he quit the Hurricanes when he was asked to join the Beatles in August 1962, replacing Pete Best.
In addition to the Beatles' films, Starr has acted in numerous others. After the band's break-up in 1970, he released several successful singles including the US top-ten hit It Don't Come Easy, and number ones Photograph and You're Sixteen. His most successful UK single was Back Off Boogaloo, which peaked at number two. He achieved commercial and critical success with his 1973 album Ringo, which was a top-ten release in both the UK and the US. Starr has featured in numerous documentaries, hosted television shows, narrated the first two series of the children's television program Thomas & Friends and portrayed Mr. Conductor
Central Buildings, North John St, Liverpool ,L2 6RR
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Liverpool,City Centre,scouse,the,around,and,above,Cavern,Quarter,Ropewalks,L2,L2 6RE,outside,of,Hard Days Night,Hotel,Central Buildings,North John St,L2 6RR,Beatles,Beatlemania,music,Merseybeat,tourist,attraction,tourism,home,band,1960,1960s,cool,city,centre
Description: Tony Smith image Alamy 2JCW1XT - George Harrison MBE (25 February 1943 “ 29 November 2001) was an English musician and singer-songwriter who achieved international fame as the lead guitarist of the Beatles. Sometimes called the quiet Beatle, Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles' work. Although the majority of the band's songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group include Taxman, Within You Without You, While My Guitar Gently Weeps, Here Comes the Sun and Something. Harrison's earliest musical influences included George Formby and Django Reinhardt
subsequent influences were Carl Perkins, Chet Atkins and Chuck Berry.
By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan and the Byrds, and towards Indian classical music through his use of Indian instruments, such as the sitar, which he had become acquainted with on the set of the film Help! He played sitar on numerous Beatles songs, starting with Norwegian Wood (This Bird Has Flown). Having initiated the band's embrace of Transcendental Meditation in 1967, he subsequently developed an association with the Hare Krishna movement. After the band's break-up in 1970, Harrison released the triple album All Things Must Pass, a critically acclaimed work that produced his most successful hit single, My Sweet Lord, and introduced his signature sound as a solo artist, the slide guitar. He also organised the 1971 Concert for Bangladesh with Indian musician Ravi Shankar, a precursor to later benefit concerts such as Live Aid. In his role as a music and film producer, Harrison produced acts signed to the Beatles' Apple record label before founding Dark Horse Records in 1974. He co-founded HandMade Films in 1978, initially to produce the Monty Python troupe's
Central Buildings, North John St, Liverpool ,L2 6RR
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Liverpool,City Centre,scouse,the,around,and,above,Cavern,Quarter,Ropewalks,L2,L2 6RE,CH MBE,singer,songwriter,musician,Wings,outside,of,Hard Days Night,Hotel,Central Buildings,North John St,L2 6RR,Beatles,Beatlemania,music,Merseybeat,tourist,attraction,tourism,home,band,1960,1960s,cool,city centre
Description: Tony Smith image Alamy 2JCW1XX - Sir James Paul McCartney CH MBE (born 18 June 1942) is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring genres ranging from pre“rock and roll pop to classical, ballads, and electronica. His songwriting partnership with Lennon remains the most successful in history.
Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon's skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called the cute Beatle, McCartney later involved himself with the London avant-garde and spearheaded the incorporation of experimental aesthetics into the Beatles' studio productions. Starting with the 1967 album Sgt. Pepper's Lonely Hearts Club Band, he gradually became the band's de facto leader, providing the creative impetus for most of their music and film projects. Many of his Beatles songs, including And I Love Her, Yesterday, Eleanor Rigby, and Blackbird, rank among the most covered songs in history. While primarily a bassist with the Beatles, in various songs he played a number of other instruments, including keyboards, guitars, and drums.
After the Beatles disbanded, he debuted as a solo artist with the 1970 album McCartney and formed the band Wings with his first wife, Linda, and Denny Laine. Led by McCartney, Wings was one of the most successful bands of the 1970s, and he wrote or co-wrote their US or UK number-one hits My Love, Band on the Run, Listen to What the Man Said, Silly Love Songs
Central Buildings, North John St, Liverpool ,L2 6RR
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Liverpool,City Centre,scouse,the,around,and,above,Cavern,Quarter,Ropewalks,L2,L2 6RE,with,bronze,singer,songwriter,musician,peace activist,give peace a chance,give peas a chance,John Winston Ono Lennon,John Winston Lennon,outside,of,Hard Days Night,Hotel,Central Buildings,North John St,L2 6RR,1960s,cool,tourism,home,band,1960,attraction,tourist
Description: Tony Smith image Alamy 2JCW1Y0 - John Winston Ono Lennon (born John Winston Lennon
9 October 1940 “ 8 December 1980) was an English singer, songwriter, musician and peace activist who achieved worldwide fame as founder, co-songwriter, co-lead vocalist and rhythm guitarist of the Beatles. Lennon's work was characterised by the rebellious nature and acerbic wit of his music, writing and drawings, on film, and in interviews. His songwriting partnership with Paul McCartney remains the most successful in history.
Born in Liverpool, Lennon became involved in the skiffle craze as a teenager. In 1956, he formed the Quarrymen, which evolved into the Beatles in 1960. Sometimes called the smart Beatle, he was initially the group's de facto leader, a role gradually ceded to McCartney. Through his songwriting in the Beatles, Lennon embraced a myriad of musical influences, initially writing and co-writing rock and pop-oriented hit songs in the band's early years, then later incorporating experimental elements into his compositions in the latter half of the Beatles' career as his songs became known for their increasing innovation. Lennon soon expanded his work into other media by participating in numerous films, including How I Won the War, and authoring In His Own Write and A Spaniard in the Works, both collections of nonsense writings and line drawings. Starting with All You Need Is Love, his songs were adopted as anthems by the anti-war movement and the larger counterculture of the 1960s. In 1969, he started the Plastic Ono Band with his second wife, the multimedia artist Yoko Ono, held the two-week-long anti-war demonstration Bed-ins for Peace, and left the Beatles to embark on a solo career.
Between 1968 and 1972, Lennon and Ono collaborated on many works, including a trilogy of avant-garde albums, several more films, his solo debut John Lennon/Plastic Ono Band, and the international top-10 singles Give Peace a Chance, Instant Karma!, Imagine and Happy Xmas (War Is Over).
Central Buildings, North John St, Liverpool ,L2 6RR
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,art,artwork,Frequency,Vibration,Sine Missione,Cavern Walks,door,doorway,L2,Mathew Street,Liverpool,England,UK,L2 6RE,Nikola,Tesla,mystery,Sine,Missione,Liverpools Banksy,blue,yellow,think,in,terms,of,energy,frequency,and,vibration,vibrations,Elon Musk
Description: Tony Smith image Alamy 2JCW1Y3 - Nikola Tesla (1856 “ 7 January 1943) was a Serbian-American inventor, electrical engineer, mechanical engineer, and futurist best known for his contributions to the design of the modern alternating current (AC) electricity supply system.
Born and raised in the Austrian Empire, Tesla studied engineering and physics in the 1870s without receiving a degree, gaining practical experience in the early 1880s working in telephony and at Continental Edison in the new electric power industry. In 1884 he emigrated to the United States, where he became a naturalized citizen. He worked for a short time at the Edison Machine Works in New York City before he struck out on his own. With the help of partners to finance and market his ideas, Tesla set up laboratories and companies in New York to develop a range of electrical and mechanical devices. His alternating current (AC) induction motor and related polyphase AC patents, licensed by Westinghouse Electric in 1888, earned him a considerable amount of money and became the cornerstone of the polyphase system which that company eventually marketed.
Attempting to develop inventions he could patent and market, Tesla conducted a range of experiments with mechanical oscillators/generators, electrical discharge tubes, and early X-ray imaging. He also built a wirelessly controlled boat, one of the first ever exhibited. Tesla became well known as an inventor and demonstrated his achievements to celebrities and wealthy patrons at his lab, and was noted for his showmanship at public lectures. Throughout the 1890s, Tesla pursued his ideas for wireless lighting and worldwide wireless electric power distribution in his high-voltage, high-frequency power experiments in New York and Colorado Springs. In 1893, he made pronouncements on the possibility of wireless communication with his devices. Tesla tried to put these ideas to practical use in his unfinished Wardenclyffe Tower project,
Cavern Walks, Mathew Street, Liverpool, Merseyside, England, UK, L2 6RE
--from-Richmond-Street--Whitechapel--Liverpool--Merseyside--England--UK--L1-6DZ-2JCW1Y4.jpg){kind=tracking}
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,services Ltd,42,L1 6DZ,L1,England,UK,street,city,centre,newsagents,legal,solicitor,building,buildings,sq,square,tower,beacon,rotating,restaurant,tourist,tourism,attraction,attractions,Whitechapel,shop,shops,store,stores,Payzone
Description: Tony Smith image Alamy 2JCW1Y4 - . An identifiable period record of Richmond Street, Liverpool, Merseyside, England, UK, L1 6DZ in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The image documents St johns Beacon, (Radio City tower), from Richmond Street, Whitechapel, Liverpool, Merseyside, England, UK, L1 6DZ. The setting additionally reflects local history, changing land use, everyday street life, outdoor retail, community life, city-centre activity, customer footfall, period detail, street-level documentary, shopfront economy, commercial streetscape, changing streetscape, bricks-and-mortar retail, and historical comparison. Today's relevance is strengthened by business rates, store closures and the continuing question of the speed at which branding and store formats change. From a 2025-onward perspective, local identity and transport are closely linked to this subject, alongside how ordinary street scenes become valuable records as businesses and infrastructure change. Future viewers can use this scene from Richmond Street, Liverpool, Merseyside, England, UK, L1 6DZ to compare building condition and alterations with whatever follows after new construction. The surrounding story also includes documentary photography, before-and-after reference, place identity, pedestrian environment, regional identity, townscape record, consumer retail, and destination retail. The combination of Whitechapel, Richmond, Merseyside, Liverpool, and Radio anchors the frame to a recognisable activity, place or moment. The wider setting at Richmond Street, Liverpool, Merseyside, England, UK, L1 6DZ matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The setting also helps illustrate business rates and the speed at which branding and store formats change within the real-world context of Richmond Street, Liverpool, Merseyside, England, UK, L1 6DZ.
Richmond Street, Liverpool, Merseyside, England, UK, L1 6DZ
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Merseyside,City Centre,scouse,England,UK,L1 1EJ,L1,logo,ex,history,store,Scouse,Scouser,famous,icon,name,retailer,1920,brand,Lord Mayor of Liverpool,John Lewis Partnership,prime,shopping,street,historic,icons,retail,company,1970s,building,architecture,Lee,painted
Description: Tony Smith image Alamy 2JCW1Y7 - . This scene at Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The scene records George Henry Lees logo, ex-department store, Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ. Another layer of the photograph includes brand-led retail, local landmark, architectural character, historic townscape, historic streetscape, historical comparison, changing land use, commercial streetscape, public realm, visual archive, destination retail, place identity, period detail, and community identity. In present-day coverage, the subject reaches into changing footfall and brand consolidation, not least because of the speed at which branding and store formats change. Today's relevance is strengthened by heritage conservation, redevelopment pressure and the continuing question of how historic fabric can be retained while places adapt to modern use. The image fixes transport arrangements and footfall within Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ at one identifiable point, providing a benchmark against new ownership. The surrounding story also includes local history, physical store, archival record, everyday life, outdoor retail, heritage asset, documentary photography, and historic frontage. Details involving Square, store, ex-department, Merseyside, and Henry make the image more specific than a generic view and strengthen its local or historical value. For Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is changing footfall and the speed at which branding and store formats change when considered against later change at Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ.
Williamson Square, Liverpool, Merseyside, England, UK, L1 1EJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city centre,Merseyside,England,UK,Levelling up,Northern Powerhouse,mural,murals,comedian,comedy,Diddymen,artist,painting,tattyfilarious,plumptious,discomknockerated,Doddy,Scouse,Happiness,song,record,Marathon Mirthquake,Ken,entertainment,famous,Scousers,painted,happiness,happy,tickle,tickling,stick,sticks,duster,dusting
Description: Tony Smith image Alamy 2JDDR0B - Info from - https://www.liverpoolecho.co.uk/news/liverpool-news/sir-ken-dodd-murals-unveiled-17907175
Exactly two years after his death, two magnificent murals were unveiled in memory of the great Sir Ken Dodd “ on the wall of the theatre he helped save.
The murals now adorning the Liverpool Royal Court were commissioned by The Comedy Trust and created by the artist Paul Curtis, best known for his Liverbird wings mural.
Lady Anne Dodd “ who performed the emotional ceremony “ told the ECHO: They are just amazing, absolutely amazing. I'm humbled. I'm thrilled to bits. I woke up sad this morning because it's a sad day in one way, but this just shows he brought happiness.
Ken would have felt humbled “ he would have said it was tattyfilarious, plumptious and ˜I'm totally discomknockerated!'
The first of the bright and colourful murals shows a sharply dressed Doddy, tickling stick in hand, by the seaside, in reference to Blackpool but also his love of playing seaside theatres all over the country.
The second features a couple of Diddy Men and words from the Squire of Knotty Ash's trademark song “ Happiness, which was sung by the Liverpool Royal Court Community Choir, as a big crowd gathered outside the theatre for the unveiling.
Lady Anne added: They couldn't be in a better place. They will be seen by so many people “ walking by or going past on buses “ and hopefully they will make people smile.
The murals were funded by the Mayor of Liverpool Joe Anderson with a contribution from his City Fund.
Sir Ken, who performed at the Royal Court across several decades, starting in the 1950s, played a huge part in keeping the theatre open in the 1970s.
In 1974, he entered the Guinness Book of Records thanks to his Marathon Mirthquake at the theatre “ it lasted three hours, 30 minutes and six seconds and included 1,500 jokes.
Later, he became part of the Royal Court Theatre and Arts Trust “ and even sold the first tickets at the box office for Laughter Show
1 Roe St, Liverpool, Merseyside, England, UK, L1 1HL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city centre,Merseyside,England,UK,Levelling up,Northern Powerhouse,mural,murals,comedian,comedy,Diddymen,artist,painting,tattyfilarious,plumptious,discomknockerated,Doddy,Scouse,Happiness,song,record,Marathon Mirthquake,Ken,entertainment,famous,Scousers,painted,happiness,happy,the,greatest,gift,that,we,possess
Description: Tony Smith image Alamy 2JDDR0G - Info from - https://www.liverpoolecho.co.uk/news/liverpool-news/sir-ken-dodd-murals-unveiled-17907175
Exactly two years after his death, two magnificent murals were unveiled in memory of the great Sir Ken Dodd “ on the wall of the theatre he helped save.
The murals now adorning the Liverpool Royal Court were commissioned by The Comedy Trust and created by the artist Paul Curtis, best known for his Liverbird wings mural.
Lady Anne Dodd “ who performed the emotional ceremony “ told the ECHO: They are just amazing, absolutely amazing. I'm humbled. I'm thrilled to bits. I woke up sad this morning because it's a sad day in one way, but this just shows he brought happiness.
Ken would have felt humbled “ he would have said it was tattyfilarious, plumptious and ˜I'm totally discomknockerated!'
The first of the bright and colourful murals shows a sharply dressed Doddy, tickling stick in hand, by the seaside, in reference to Blackpool but also his love of playing seaside theatres all over the country.
The second features a couple of Diddy Men and words from the Squire of Knotty Ash's trademark song “ Happiness, which was sung by the Liverpool Royal Court Community Choir, as a big crowd gathered outside the theatre for the unveiling.
Lady Anne added: They couldn't be in a better place. They will be seen by so many people “ walking by or going past on buses “ and hopefully they will make people smile.
The murals were funded by the Mayor of Liverpool Joe Anderson with a contribution from his City Fund.
Sir Ken, who performed at the Royal Court across several decades, starting in the 1950s, played a huge part in keeping the theatre open in the 1970s.
In 1974, he entered the Guinness Book of Records thanks to his Marathon Mirthquake at the theatre “ it lasted three hours, 30 minutes and six seconds and included 1,500 jokes.
Later, he became part of the Royal Court Theatre and Arts Trust “ and even sold the first tickets at the box office for Laughter Show
1 Roe St, Liverpool, Merseyside, England, UK, L1 1HL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Britain,Liverpool,city centre,Merseyside,L4,Ground,Stadia,Stadium,Youll Never walk alone,Never Walk alone,reds,the reds,football,Premier League,statue,bronze,William Shankly,OBE,manager,arms,stretched,outstretched,LFC Manager,Kop,scouse,icon,iconic,William Shankly OBE,Football Manager,sport,Tom Murphy,sculptor,youll never walk alone,crest,transfer window
Description: Tony Smith image Alamy 2CBTEEP - William Shankly OBE (2 September 1913 “ 29 September 1981) was a Scottish football player and manager, who is best known for his time as manager of Liverpool. Shankly brought success to Liverpool, gaining promotion to the First Division and winning three League Championships and the UEFA Cup. He laid foundations on which his successors Bob Paisley and Joe Fagan were able to build by winning seven league titles and four European Cups in the ten seasons after Shankly retired in 1974. A charismatic, iconic figure at the club, his oratory stirred the emotions of the fanbase. In 2019, 60 years after Shankly arrived at Liverpool, Tony Evans of The Independent wrote, Shankly created the idea of Liverpool, transforming the football club by emphasising the importance of the Kop and making supporters feel like participants
Shankly took charge of Liverpool when they were in the Second Division and rebuilt the team into a major force in English and European football. He led Liverpool to the Second Division Championship to gain promotion to the top-flight First Division in 1962, before going on to win three First Division Championships, two FA Cups, four Charity Shields and one UEFA Cup. It was during Shankly's reign the club changed to an all-red home strip, and You'll Never Walk Alone became the club's anthem. Shankly announced his surprise retirement from football a few weeks after Liverpool had won the 1974 FA Cup Final, having managed the club for 15 years, and was succeeded by his long-time assistant Bob Paisley. He led the Liverpool team out for the last time at Wembley for the 1974 FA Charity Shield.[6] He died seven years later, aged 68. Considered one of the greatest managers in the sport, Shankly was among the inaugural inductees into the English Football Hall of Fame in 2002, and the Scottish Football Hall of Fame in 2004.
Liverpool Football Club Anfield Road Liverpool, Merseyside,North West England,UK, L4 0TH
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Higson,Liverpool,beer,Merseyside,red brick,historic,history,scouse,classic,Liverpool brewery,lovelane,love lane,Higsons at Home,Love Lane Brewing,Cains Liverpool,Cain,Robert Cain,Cain Liverpool,heritage,architecture,Mersey,industry,industrial,redevelopment,redeveloping,district,area,centre,Cains,brewing,brewery,Higsons,1850,Stanhope St
Description: Tony Smith image Alamy 2CC79M6 - . A detailed documentary view from 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE, preserving the appearance and character of the subject at a particular point in time. The principal subject is Higsons,Cains brewery, 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE. The frame also records themes of social landscape, before-and-after reference, social meeting place, social history, beer-led venue, built environment, urban change, neighbourhood pub, historical comparison, night-time economy, public realm, community identity, hospitality venue, and archival record. Viewed from the mid-2020s, the subject sits within continuing debate about pub closures, changing drinking habits and whether local venues can remain commercially viable. As a dated visual record of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE, the frame retains signage and branding, making it useful if closure or conversion subsequently changes the scene. Further associations include period detail, leisure venue, licensed premises, local history, place identity, licensed trade, local character, and visual archive. References to Liverpool, Higsons, Merseyside, Stanhope, and brewery give the picture a strong period identity and tie it closely to the named subject. By fixing the subject within 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE, the image preserves more than the headline object or building: it records part of the locality's everyday history. That also gives the frame relevance to pub closures and whether local venues can remain commercially viable as part of the longer story of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE. Another useful connection is independent hospitality and whether local venues can remain commercially viable when considered against later change at 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE. It also preserves a trace of local identity before later change alters the scene.
39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Higson,Liverpool,beer,Merseyside,red brick,historic,history,scouse,classic,Liverpool brewery,lovelane,love lane,Higsons at Home,Love Lane Brewing,Cains Liverpool,Cain,Robert Cain,Cain Liverpool,heritage,architecture,Mersey,industry,industrial,redevelopment,redeveloping,district,area,centre,Cains,brewing,brewery,Higsons,1850,Stanhope St
Description: Tony Smith image Alamy 2CC79N3 - . A grounded editorial photograph of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE, capturing details that may acquire greater historical value as the location and its use change. The photograph centres on Higsons,Cains brewery, 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE. Beyond the immediate subject, the image contains elements of food-and-drink business, documentary photography, beer-led venue, licensed trade, night-time economy, leisure venue, community identity, period detail, social landscape, social history, community hostelry, social meeting place, local character, and licensed premises. Today's wider story includes business rates, the night-time economy and the practical question of whether local venues can remain commercially viable. As a dated visual record of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE, the frame retains landscape and surrounding development, making it useful if new construction subsequently changes the scene. The surrounding context includes archival record, hospitality venue, place identity, neighbourhood pub, historical comparison, before-and-after reference, local history, and contemporary history. References to brewery, Merseyside, Cains, Higsons, and Stanhope give the picture a strong period identity and tie it closely to the named subject. By fixing the subject within 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for business rates and changes in food, drink and leisure spending within the specific setting of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE. The wider significance includes changing drinking habits and the survival of community meeting places as part of the longer story of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE.
39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Higson,Liverpool,beer,Merseyside,red brick,historic,history,scouse,classic,Liverpool brewery,lovelane,love lane,Higsons at Home,Love Lane Brewing,Cains Liverpool,Cain,Robert Cain,Cain Liverpool,Black and White,Monochrome,heritage,architecture,Mersey,industry,industrial,redevelopment,redeveloping,district,area,centre,Cains,brewing,brewery,Higsons
Description: Tony Smith image Alamy 2CC79N9 - . A grounded editorial photograph of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE, capturing details that may acquire greater historical value as the location and its use change. The documented subject is Higsons,Cains brewery, 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE, Black and White,Monochrome. The picture additionally relates to built environment, social landscape, contemporary history, leisure venue, licensed premises, social history, local drinking place, place identity, local character, food-and-drink business, customer-facing hospitality, period detail, night-time economy, and community hostelry. In the mid-2020s, changing drinking habits and staffing pressures keep this subject current, particularly through the loss or conversion of familiar licensed premises. The photograph fixes ownership and occupation within 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE at one identifiable point, providing a benchmark against altered transport patterns. Further associations include regional identity, community social space, licensed trade, urban change, hospitality venue, local history, historical comparison, and neighbourhood pub. References to Monochrome, White, Black, Merseyside, and Liverpool give the picture a strong period identity and tie it closely to the named subject. The surrounding context at 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The image also provides a reference for changing drinking habits and the loss or conversion of familiar licensed premises without losing the local specificity of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE. The wider significance includes pub closures and the survival of community meeting places in a form that can be compared with future views of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE.
39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Higson,Liverpool,beer,Merseyside,red brick,historic,history,scouse,classic,Liverpool brewery,lovelane,love lane,Higsons at Home,Love Lane Brewing,Cains Liverpool,Cain,Robert Cain,Cain Liverpool,Eurovision,2023,heritage,architecture,Mersey,industry,industrial,redevelopment,redeveloping,district,area,centre,Cains,brewing,brewery,Higsons,1850,Stanhope St
Description: Tony Smith image Alamy 2CC79NC - . This period photograph records 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE as an identifiable real-world setting rather than a generic illustration. The location is represented through Higsons,Cains brewery, 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE. The frame also records themes of customer-facing hospitality, urban change, town-centre leisure, contemporary history, local drinking place, leisure venue, visual archive, neighbourhood pub, licensed premises, hospitality venue, community hostelry, regional identity, beer-led venue, and night-time economy. For contemporary context, independent hospitality and staffing pressures are closely related themes, especially where the issue becomes the survival of community meeting places. The photograph fixes public access and movement within 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE at one identifiable point, providing a benchmark against later redevelopment. The setting also brings in place identity, social history, licensed trade, community identity, food-and-drink business, public realm, before-and-after reference, and everyday Britain. Details involving Stanhope, brewery, Higsons, Cains, and Liverpool make the image more specific than a generic illustration and strengthen its local or historical value. A later view of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another useful connection is independent hospitality and the loss or conversion of familiar licensed premises within the specific setting of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE. The scene further reflects local footfall and the loss or conversion of familiar licensed premises as part of the longer story of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE.
39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Higson,Liverpool,beer,Merseyside,red brick,historic,history,scouse,classic,Liverpool brewery,lovelane,love lane,Higsons at Home,Love Lane Brewing,Cains Liverpool,Cain,Robert Cain,Cain Liverpool,heritage,architecture,Mersey,industry,industrial,redevelopment,redeveloping,district,area,centre,Cains,brewing,brewery,Higsons,1850,Stanhope St
Description: Tony Smith image Alamy 2CC79NE - . This scene at 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE documents an everyday subject with wider connections to local identity, social history and changing patterns of use. The scene records Higsons,Cains brewery, 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE. The setting additionally reflects leisure venue, hospitality venue, regional identity, urban change, social landscape, night-time economy, food-and-drink business, licensed premises, community social space, social history, before-and-after reference, community hostelry, local character, and historical comparison. From a 2025-onward perspective, the scene also connects with independent hospitality, pub closures and whether local venues can remain commercially viable. The archival value lies partly in recording ownership and occupation around 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE before replacement signage alters the character of the place. The wider local story also touches on neighbourhood pub, period detail, archival record, documentary photography, beer-led venue, visual archive, contemporary history, and traditional ale house. References to Higsons, Stanhope, Liverpool, brewery, and Merseyside give the picture a strong period identity and tie it closely to the named subject. For 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE, the photograph contributes to a cumulative visual history in which small changes in use, signs, access and appearance can be traced over time. The wider significance includes independent hospitality and the survival of community meeting places when considered against later change at 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE. Another strand within the photograph is the night-time economy and changes in food, drink and leisure spending without losing the local specificity of 39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE.
39 Stanhope St, Liverpool, Merseyside, England, UK, L8 5RE
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Station,Liverpool,Liverpool City Council,city centre,lion mark,lion standard mark,British eggs,Liverpools first woman freeman,first woman freeman,first,woman freeman,Bessie Braddock statue,Tryweryn reservoir,Jack and Bessie Braddock,commemoration,commemorative,heritage,Mersey,Scouse,city,centre,tourist,tourism,attraction,statues,statue,Bessie,Braddock,reform,reformer,politics,Labour,party,Elizabeth Margaret Braddock,softboiled,soft boiled,salmonella
Description: Tony Smith image Alamy 2DA91GD - Elizabeth Margaret Braddock (née Bamber
24 September 1899 “ 13 November 1970) was a British Labour Party politician who served as Member of Parliament (MP) for the Liverpool Exchange division from 1945 to 1970. She was a member of Liverpool County Borough Council from 1930 to 1961. Although she never held office in government, she won a national reputation for her forthright campaigns in connection with housing, public health and other social issues.
Braddock inherited much of her campaigning spirit from her mother, Mary Bamber, an early socialist and trade union activist. After some years in the Independent Labour Party (ILP), Braddock joined the Communist Party of Great Britain (CPGB) on its foundation in 1920, but quickly became disillusioned with the party's dictatorial tendencies. She left the CPGB in 1924 and later joined the Labour Party. Before the Second World War, alongside her husband Jack Braddock she established a reputation as a crusading left-wing councillor, frequently at odds with her party while pursuing an agenda of social reform. During the war she worked in Liverpool's ambulance service, before winning the Exchange division for Labour in the 1945 general election.
Lime street ,Liverpool,Merseyside,England,UK
Description
Keywords: Hotpixuk,@Hotpixuk,GoTonySmith,England,UK,GB,Great Britain,Merseyside,Liverpool city,Ken Dodd,at Lime street railway station,Liverpool,statue,tickling stick,Ken Dodd tickling stick,art,artist,entertainer,comic,comedian,fun,jokes,scouser,scousers,Sir Kenneth Arthur Dodd,OBE,Doddy,Eurovision,2023,Chance Meeting,Tom Murphy,Sir Kenneth Arthur Dodd OBE,Kenneth Arthur Dodd OBE,history,entertainment,funny,man,Scouse,Scouser
Description: Tony Smith image Alamy 2DC9382 - Sir Kenneth Arthur Dodd OBE (8 November 1927 “ 11 March 2018) was an English comedian, singer and occasional actor. He was described as the last great music hall entertainer, and was primarily known for his live stand-up performances.
A lifelong resident of Knotty Ash in Liverpool, Dodd's career as an entertainer started in the mid-1950s. His performances included rapid and incessant delivery of often surreal jokes, and would run for several hours, frequently past midnight. His verbal and physical comedy was supplemented by his red, white and blue tickling stick prop, and often introduced by his characteristic upbeat greeting of How tickled I am! He interspersed the comedy with songs, both serious and humorous, and with his original speciality, ventriloquism. He also had several hit singles primarily as a ballad singer in the 1960s, and occasionally appeared in dramatic roles. He performed on radio and television, and popularised the characters of the Diddy Men.
Dodd was described as the last great music hall entertainer.[14] His stand-up comedy style was fast and relied on the rapid delivery of one-liner jokes. He said that his comic influences included other Liverpool comedians like Arthur Askey, Robb Wilton, Tommy Handley and the cheeky chappy from Brighton, Max Miller
Dodd had many hit records, charting on 18 occasions in the UK Top 40, including his first single Love Is Like a Violin (1960), produced on Decca Records by Alex Wharton, which charted at number 8 (UK). His version of Bill Anderson's song Happiness charted in 1964 and became Dodd's signature song
Lime Street, Liverpool, England, UK, L1 1JD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,The,L1 4ED,street,scouse,scouser,John Winston Lennon,John Winston Ono Lennon,the,Quarrymen,Plastic Ono Band,peace,give,a,chance,give peas a chance,world peace,bed-peace,Imagine,above us only sky,music,musician,musicians,song writer,songwriter,art,John,Lennon,artwork
Description: Tony Smith image Alamy 2M475NF - John Winston Ono Lennon (born John Winston Lennon
9 October 1940 “ 8 December 1980) was an English singer, songwriter, musician and peace activist who achieved worldwide fame as founder, co-songwriter, co-lead vocalist and rhythm guitarist of the Beatles. Lennon's work was characterised by the rebellious nature and acerbic wit of his music, writing and drawings, on film, and in interviews. His songwriting partnership with Paul McCartney remains the most successful in history.
Born in Liverpool, Lennon became involved in the skiffle craze as a teenager. In 1956, he formed The Quarrymen, which evolved into the Beatles in 1960. Sometimes called the smart Beatle, he was initially the group's de facto leader, a role gradually ceded to McCartney. Lennon soon expanded his work into other media by participating in numerous films, including How I Won the War, and authoring In His Own Write and A Spaniard in the Works, both collections of nonsense writings and line drawings. Starting with All You Need Is Love, his songs were adopted as anthems by the anti-war movement and the larger counterculture of the 1960s. In 1969, he started the Plastic Ono Band with his second wife, the multimedia artist Yoko Ono, held the two-week-long anti-war demonstration Bed-ins for Peace, and left the Beatles to embark on a solo career.
Cropper Street, Newington, Liverpool, Merseyside, England, UK, L1 4ED
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,The,L1 4ED,street,scouse,scouser,John Winston Lennon,John Winston Ono Lennon,the,Quarrymen,Plastic Ono Band,peace,give,a,chance,give peas a chance,world peace,bed-peace,Imagine,above us only sky,music,musician,musicians,song writer,songwriter,art,John,Lennon,artwork
Description: Tony Smith image Alamy 2M475NK - John Winston Ono Lennon (born John Winston Lennon
9 October 1940 “ 8 December 1980) was an English singer, songwriter, musician and peace activist who achieved worldwide fame as founder, co-songwriter, co-lead vocalist and rhythm guitarist of the Beatles. Lennon's work was characterised by the rebellious nature and acerbic wit of his music, writing and drawings, on film, and in interviews. His songwriting partnership with Paul McCartney remains the most successful in history.
Born in Liverpool, Lennon became involved in the skiffle craze as a teenager. In 1956, he formed The Quarrymen, which evolved into the Beatles in 1960. Sometimes called the smart Beatle, he was initially the group's de facto leader, a role gradually ceded to McCartney. Lennon soon expanded his work into other media by participating in numerous films, including How I Won the War, and authoring In His Own Write and A Spaniard in the Works, both collections of nonsense writings and line drawings. Starting with All You Need Is Love, his songs were adopted as anthems by the anti-war movement and the larger counterculture of the 1960s. In 1969, he started the Plastic Ono Band with his second wife, the multimedia artist Yoko Ono, held the two-week-long anti-war demonstration Bed-ins for Peace, and left the Beatles to embark on a solo career.
Cropper Street, Newington, Liverpool, Merseyside, England, UK, L1 4ED
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Liverpool,Merseyside,England,UK,L1,The,L1 4ED,street,scouse,scouser,John Winston Lennon,John Winston Ono Lennon,the,Quarrymen,Plastic Ono Band,peace,give,a,chance,give peas a chance,world peace,bed-peace,Imagine,above us only sky,music,musician,musicians,song writer,songwriter,Eurovision,2023,Eurovision2023,art,John,Lennon,artwork
Description: Tony Smith image Alamy 2M475NP - John Winston Ono Lennon (born John Winston Lennon
9 October 1940 “ 8 December 1980) was an English singer, songwriter, musician and peace activist who achieved worldwide fame as founder, co-songwriter, co-lead vocalist and rhythm guitarist of the Beatles. Lennon's work was characterised by the rebellious nature and acerbic wit of his music, writing and drawings, on film, and in interviews. His songwriting partnership with Paul McCartney remains the most successful in history.
Born in Liverpool, Lennon became involved in the skiffle craze as a teenager. In 1956, he formed The Quarrymen, which evolved into the Beatles in 1960. Sometimes called the smart Beatle, he was initially the group's de facto leader, a role gradually ceded to McCartney. Lennon soon expanded his work into other media by participating in numerous films, including How I Won the War, and authoring In His Own Write and A Spaniard in the Works, both collections of nonsense writings and line drawings. Starting with All You Need Is Love, his songs were adopted as anthems by the anti-war movement and the larger counterculture of the 1960s. In 1969, he started the Plastic Ono Band with his second wife, the multimedia artist Yoko Ono, held the two-week-long anti-war demonstration Bed-ins for Peace, and left the Beatles to embark on a solo career.
Cropper Street, Newington, Liverpool, Merseyside, England, UK, L1 4ED
Description
Keywords: GoTonySmith,HotpixUK,@hotpixUK,L1,statue,metal,railway station,Central,Liverpool,Merseyside,England,UK,L1 1JT,scouse,scousers,Liver Bird sculpture,bird,Liverpool Central Station,Sculptor Rick Myers,Sculptor,Commercial District Partnership chief executive Paul Rice,city centre,emblem,Football club,Liver Birds Inc,director,Arthur Johnson,attraction,tourist,tourism,Eurovision,2023,train,rail,public transport,symbol,of,city,FC,crest
Description: Tony Smith image Alamy 2AF8346 - Liverpool Central Station to get Liver Bird sculpture
Liverpool is to get a new sculpture of its iconic symbol, the Liver Bird.
The 6ft (1.8m) statue will stand at the entrance to Liverpool Central Station from early 2015.
Sculptor Rick Myers said it would celebrate the new Liverpool and the massive number of firsts that have been achieved here.
Councillor Nick Small said the bird would be a fantastic way of celebrating the city's proud history... seen by up to 50,000 people a day.
The statue will be dedicated to former Commercial District Partnership chief executive Paul Rice, who died in 2012.
The current chief executive Bill Addy said it was fantastic to see that Paul, who did so much to improve and promote Liverpool, is to be remembered at a high profile city centre location in such a striking fashion.
The fact that it's the emblem of the city and his beloved football club - his two great passions - is a fitting tribute.
Liver Birds Inc director Arthur Johnson said he expected the sculpture to be a popular photo spot for tourists, football fans and shoppers.
A seal from 1352 depicts the symbol of Liverpool as a bird holding something in its beak
Over the years, it became the Liver Bird, an eagle mixed with elements of a shoveler, spoonbill and cormorant
The largest, best known Liver Birds stand at 18ft (5.5m) on top of the Royal Liver Building on Liverpool's waterfront
The bird also features on the city's logo, the badge of Liverpool FC and the crests of both the University of Liverpool and Liverpool John Moores University
Ranelagh St, Liverpool,Merseyside,England,UK, L1 1JT
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,England,Great Britain,GB,Merseyside,office,offices,Dale street,L2,home,of,the,State Ballroom,in,1980s,1980,The State,history,historic,venue,dance,disco,heritage,crest,to,let,Dale Street,hideaway,nightclub,night club,Scouse,clubbers,80s,Acid House,Andy Carroll,Mike Knowler
Description: Tony Smith image Alamy 2D8NWYH - . A grounded editorial photograph of State House, 22 Dale street,Liverpool,Merseyside,England,UK, L2 4TR, capturing details that may acquire greater historical value as the location and its use change. At the heart of the image is State House, 22 Dale street,Liverpool,Merseyside,England,UK, L2 4TR - Home of the State Ballroom in 1980s. A wider reading of the photograph includes local history, community identity, historic streetscape, everyday Britain, archival record, before-and-after reference, urban change, heritage landmark, changing streetscape, historical comparison, historic townscape, conservation interest, public realm, and local character. Today's wider story includes embodied carbon, adaptive reuse and the practical question of using existing buildings rather than demolishing them. As a dated visual record of State House, 22 Dale street,Liverpool,Merseyside,England,UK, L2 4TR, the frame retains transport arrangements and public activity, making it useful if later redevelopment subsequently changes the scene. The wider local story also touches on place identity, period detail, visual archive, contemporary history, documentary photography, built heritage, urban fabric, and period building. The combination of Liverpool, 1980s, State, House, and Merseyside helps anchor the frame to a recognisable activity, place or period. The period setting at State House, 22 Dale street,Liverpool,Merseyside,England,UK, L2 4TR helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for embodied carbon and the contrast between historic fabric and modern development in a form that can be compared with future views of State House, 22 Dale street,Liverpool,Merseyside,England,UK, L2 4TR. The frame therefore remains a dated reference for State House, 22 Dale street,Liverpool,Merseyside,England,UK, L2 4TR and the changing story of the subject shown.
State House, 22 Dale street,Liverpool,Merseyside,England,UK, L2 4TR
Description
Keywords: Street,Rail,Mainline,art,sculpture,comedian,man,funny,humour,scouse,Funnyman,personality,OBE,Kenneth,Arthur,Landmark,Diddy,men,tickling,stick,music,hall,drama,actor,entertainer,comedy,bronze,Lime St,Liverpool Lime St,Kenneth Arthur Dodd,Diddy Men,Knotty Ash,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,alloy,metal,ash,face,close,up,closeup,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HKYM - Kenneth Arthur Ken Dodd, OBE (born 8 November 1927) is an English comedian, singer-songwriter and actor, identified by his trademark unruly hair and protruding teeth, his red, white and blue tickling stick and his famous, upbeat greeting of How tickled I am!. He also created the world and characters of the Diddy Men, with 'diddy' being Liverpudlian slang for small.
He works mainly in the music hall tradition, although, in the past, has occasionally appeared in drama, including as Malvolio in Shakespeare's Twelfth Night on stage in Liverpool in 1971
on television in the cameo role of 'The Tollmaster' in the 1987 Doctor Who story Delta and the Bannermen
and as Yorick (in silent flashback) in Kenneth Branagh's film version of Shakespeare's Hamlet in 1996. In the 1960s his fame in the UK was such that he rivalled The Beatles as a household name, with his recording of Tears being the UK's third-best-selling single of the 1960s. His records have sold millions worldwide. As of 2016 he continues to tour with his comedy and music show.
Lime Street, Liverpool, England, UK, L1 1JD
Description
Keywords: Street,Rail,Mainline,art,sculpture,comedian,man,funny,humour,scouse,Funnyman,personality,OBE,Kenneth,Arthur,Landmark,Diddy,men,tickling,stick,music,hall,drama,actor,entertainer,comedy,bronze,Lime St,Liverpool Lime St,Kenneth Arthur Dodd,Diddy Men,Knotty Ash,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,English,British,England,alloy,metal,ash,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H4HM0F - Kenneth Arthur Ken Dodd, OBE (born 8 November 1927) is an English comedian, singer-songwriter and actor, identified by his trademark unruly hair and protruding teeth, his red, white and blue tickling stick and his famous, upbeat greeting of How tickled I am!. He also created the world and characters of the Diddy Men, with 'diddy' being Liverpudlian slang for small.
He works mainly in the music hall tradition, although, in the past, has occasionally appeared in drama, including as Malvolio in Shakespeare's Twelfth Night on stage in Liverpool in 1971
on television in the cameo role of 'The Tollmaster' in the 1987 Doctor Who story Delta and the Bannermen
and as Yorick (in silent flashback) in Kenneth Branagh's film version of Shakespeare's Hamlet in 1996. In the 1960s his fame in the UK was such that he rivalled The Beatles as a household name, with his recording of Tears being the UK's third-best-selling single of the 1960s. His records have sold millions worldwide. As of 2016 he continues to tour with his comedy and music show.
Lime Street, Liverpool, England, UK, L1 1JD
Description
Keywords: UK,wall,graffiti,painted,1xtra,live,BBC,radio,one,xtra,#bigupliverpool,2013,2014,2015,Mersey,Merseyside,GoTonySmith,Buy Pictures of,Buy Images Of,in the,scouse,spray,big,up,city,centre,#BigUpLiverpool,BigUpLiverpool,BBC radio,1XtraLive,Oct,October,promotion
Description: Tony Smith image Alamy DRH7RE - . Big Up Liverpool, painting in the City centre, Merseyside, England, UK. Photographed at Liverpool, Merseyside, England, UK. The photograph was taken on 05 October 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Big Up Liverpool painting in City centre, Big Up Liverpool, City centre, painting, street, art, scouser, culture, paint and wall, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph.
Liverpool, Merseyside, England, UK
Description
Keywords: Mount Pleasant Pleasent Of Art,England,UK,academy,reflect,Mersey,funnel,paddys,paddies,wigwam,1960s,60s,building,Of,Art,England,UK,Duckinfield,Street,in,LJMU,Mount,Pleasant,Campus,LJMUs,RIBA,award,winning,school,scouse,tourist,tourism,beatles,city,Beatle,Gotonysmith Paul Ringo George John,Buy Pictures of,Buy Images Of,religion,religious
Description: Tony Smith image Alamy DRH8BK - The Art and Design Academy in Liverpool, England houses Liverpool John Moores University's School of Art and Design. It is located at Duckinfield Street in LJMU's Mount Pleasant Campus, immediately adjacent to the Liverpool Metropolitan Cathedral. The iconic six storey building was constructed between 2005 and 2008 at a cost of £27 million. The RIBA award winning Art and Design Academy was designed by Rick Mather Architects, during construction the contractor was Wates Construction and the structural and services engineer was Ramboll UK.
The Art and Design Academy has a gross internal area of 11,608 m2 (124,950 sq ft) and contains 175 m2 (1,880 sq ft) of public exhibition space, alongside a number of lecture theatres, seminar rooms and a large auditorium. ICT facilities, workshops and a café are also located in the building - which is also available for conference venue and facility hire. The building houses a public gallery and a public café.
Mount Pleasant, Liverpool, England UK
Description
Keywords: Mount Pleasant Pleasent Of Art,England,UK,academy,reflect,Mersey,funnel,paddys,paddies,wigwam,1960s,60s,building,Of,Art,England,UK,Duckinfield,Street,in,LJMU,Mount,Pleasant,Campus,LJMUs,RIBA,award,winning,school,scouse,tourist,tourism,beatles,city,Beatle,Gotonysmith Paul Ringo George John,Buy Pictures of,Buy Images Of,religion,religious
Description: Tony Smith image Alamy DRH8BW - The Art and Design Academy in Liverpool, England houses Liverpool John Moores University's School of Art and Design. It is located at Duckinfield Street in LJMU's Mount Pleasant Campus, immediately adjacent to the Liverpool Metropolitan Cathedral. The iconic six storey building was constructed between 2005 and 2008 at a cost of £27 million. The RIBA award winning Art and Design Academy was designed by Rick Mather Architects, during construction the contractor was Wates Construction and the structural and services engineer was Ramboll UK.
The Art and Design Academy has a gross internal area of 11,608 m2 (124,950 sq ft) and contains 175 m2 (1,880 sq ft) of public exhibition space, alongside a number of lecture theatres, seminar rooms and a large auditorium. ICT facilities, workshops and a café are also located in the building - which is also available for conference venue and facility hire. The building houses a public gallery and a public café.
Mount Pleasant, Liverpool, England UK
Description
Keywords: GB,great,britain,hope,st,street,tourist,trail,tourism,famous,pubs,bars,pub,bar,artdeco,art,deco,victorian,Cain,Cains,Tetley,GB,Great,Britain,British,CAMRA,real,ale,The,Phil,grade,2,gradeii,listed,building,exuberant,free,style,of,architecture,in,Gold,Liverpool,maritime,England,UK,doorway,archway,gotonysmith,Art,Nouveau,hardman,st,street,most,richly,decorated,of,Liverpools,Victorian,public,houses,Gem,gems,Pollard,and,Pevsner,in the Buildings of England series,state,that,it,is,the,most,richly,decorated,of,Liverpools,Victorian,public,houses,and that,.,arch,detail,details,face,faces,golden,The,Grade,II*,listing,means,that,it,is,included,among,.,Pye,describes,it,as,one,of,Liverpools,architectural,gems,heritage,Liverpools,scouse,Merseyside,L7,7EE,L77EE,bar,bars,boozer,bar,bars,boozer,pub,pubs,bars,bar,hotpixuk,@hotpixuk,@hotpixuk,Phillharmonic,Philharmonic pub liverpool pub,Liverpool Pubs,pubs,bars,bar,history,historic,it is of exceptional quality in national terms,particularly important buildings of more than special interest,Buy Pictures of,Buy Images Of,Liverpool Pub,Liverpool Pubs,Liverpool Pub,Liverpool Pubs
Description: Tony Smith image Alamy DRH8DK - The Philharmonic Dining Rooms is a public house at the corner of Hope Street and Hardman Street in Liverpool, Merseyside, England, and stands diagonally opposite the Liverpool Philharmonic Hall.
It is commonly known as The Phil. It has been designated by English Heritage as a Grade II* listed building
Pollard and Pevsner, in the Buildings of England series, state that it is the most richly decorated of Liverpool's Victorian public houses, and that it is of exceptional quality in national terms. The Grade II* listing means that it is included among particularly important buildings of more than special interest. Pye describes it as one of Liverpool's architectural gems
Hope st, Liverpool, Merseyside, England, UK L7 7EE
Description
Keywords: time,blue,hour,bluehour,Merseyside,England,UK,GB,Great,Britain,british,English,icons,iconic,River,three,graces,reflection,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,iconic,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,building,Royal,birds,gotonysmith,Maritime,Mercantile,City,UNESCO,World,Heritage,city,Liver,Assurance,group,scouser,scouse,heritage,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXKT2 - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Pier Head, Liverpool, England, UK L3 1DL
Description
Keywords: Merseyside,England,UK,city,council,local,authority,large,skylight,atrium,complex,modern,building,buildings,inside,books,IT,services,wifi,access,William,Brown,Street,glass,spiral,Grade,II*,listed,II,Libraries,Group,partnership,wide,angle,view,looking,up,at,the,ceiling,roof,gotonysmith,scouse,scousers,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDJPHW - In May 2008 it was announced that some of the complex of buildings that hold the Central Library will be demolished and replaced with modern buildings suitable for use with modern IT services. The historic buildings in the complex will be refurbished to provide modern facilities. In October 2009 the proposed rebuild was shown to the public.
The main library building on William Brown Street closed on 23 July 2010, while closed, a temporary service operated from next door, on the second floor of Liverpool World Museum. It re-opened to the public on Friday 17th May 2013.
It is a member of the Libraries Together: Liverpool Learning Partnership (evolved from Liverpool Libraries Group) which formed in 1990. Under which, a registered reader at any of the member libraries can have access rights to the other libraries within the partnership
William Brown Street, Liverpool, England, UK L3 8EW
Description
Keywords: historic,history,book,books,Merseyside,listed,building,buildings,reading,room,grade,II,grade2,gradeII,William,Brown,Street,Cornelius,Sherlock,interior,inside,shelves,shelf,light,lighting,ceiling,dome,G,great,Britain,Architecture,design,round,hall,city,centre,pano,panorama,wide,shot,wideshot,gotonysmith,Hugh,Frederick,British,England,English,librarian,librarians,L3,8EW,L38EW,landscape,scouse,scouser,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDJPK3 - The Picton Reading Room and Hornby Library are two grade II* listed buildings on William Brown Street, Liverpool, England which now form part of the Liverpool Central Library.
Chairman of the William Brown Library and Museum Sir James Picton laid the foundation stone of the Picton Reading Room in 1875. It was designed by Cornelius Sherlock, and modelled after the British Museum Reading Room, and was the first electrically lit library in the UK.
It was completed in 1879. The front is semicircular with Corinthian columns, and the shape was chosen by the architect to cover the change in the axis of the row of buildings at this point. The Hornby Reading Room (named after Hugh Frederick Hornby) by Thomas Shelmerdine was added in 1906. It stands behind the older building and the interior is decorated in the Edwardian Imperial style
William Brown Street, Liverpool, England, UK L3 8EW
![iPod Shuffle2 - Abandon City [ Liverpool Lime Street Dusk iPhone Panorama] 6549846443 blue,hour,lime,st,street,station,dusk,night,pano,panorama,scouse,scouser,nw,north,west,england,uk,tony,smith,tonysmith,hotpix,tonysmithhotpix,mersey,merseyside,iphone,iphone4,join,joiner,stitced,stitcher,stitched](https://live.staticflickr.com/7005/6549846443_fd2799e5d6_o.jpg/)
Description
Keywords: blue,hour,lime,st,street,station,dusk,night,pano,panorama,scouse,scouser,nw,north,west,england,uk,tony,smith,tonysmith,hotpix,tonysmithhotpix,mersey,merseyside,iphone,iphone4,join,joiner,stitced,stitcher,stitched
Description: Tony Smith image Flickr 6549846443 - 'Todd Rundgrens Utopia - 'Abandon City' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
This is one of my favourite tracks from one of my favourite vinyl albums, purchased in 'Yanks' off Oxford Road Manchester circa 1979.
Oops! Wrong Planet is an album released in 1977 by Todd Rundgren's band, Utopia. It delivers a markedly trimmed down, pop-oriented, and somewhat cynical direction for the band following the optimistic and progressively influenced previous album, Ra.
The band were Roger Powell on Vocals/ Keyboards, Trumpet, Powell Probe, Todd Rundgren: Vocals, Guitar, Saxophone, Production and Engineering, Kasim Sulton: Vocals, Bass Guitar and John 'Willie' Wilcox: Vocals, Drums.
Rundgren had a successful solo career before, during, and after Utopia, as did his bandmates, although to more modest levels. Roger Powell toured with David Bowie for the live album Stage, and previously worked as protege for Robert Moog. Powell's solo album Air Pocket as voted no 1 in 1980 by Keyboard Magazine magazine but after the demise of Utopia he had to give up performing for some time due to Repetitive Strain Injury (RSI).
Prior to Utopia Willie recorded the Rundgren produced 'War Babies' album and continued to tour with Daryl Hall &
John Oates. Willie Wilcox was the senior composer and sound designer for NBC Universal Television from 1999\u20132005, and wrote and programmed 'We Connect', the no 1 dance hit for artist Stacy Q. He continues to write and produce for television, film and artists with his company Willie Wilcox Music. Wilcox composed the ringwalk music used by the current #1 ranked boxer in the world Manny Pacquiao. Bassist Kasim Sulton has toured as a band leader for Meat Loaf, and performed with Joan Jett and the Blackhearts, Scandal, Hall and Oates, and others.
As any visitor to Liverpool by mainline train will testify, this is a panorama of Lime Street. It shows the Crown pub, Lime St Station, St georges hall and the former Great North Western Hotel now converted into a hall of residence for students of John Moores University, which opened in 1996.
This is one UK city that has in recent times suffered from an an almost biblical exodus. Liverpool's population peaked in 1930s with 846,101 recorded in the 1931 census. Since then the city has experienced negative population growth every decade, with at its peak over 100,000 people leaving the city between 1971 and 1981.
Changes in the mode and type of shipping processed by the port of Liverpool, ie the rise of containerisation, had a big influence on this.
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
![iPod Shuffle2 - Station To Station [ Liverpool, UK Lime St Station at Dusk ] 6396301787 dusk,Liverpool,scouse,scouser,city,station,railway,rail,terminal,roof,platform,platforms,pano,panorama,night,evening,UK,beatles,passengers,passenger,virgin,west,coast,mainline,main,line,tickets,journey,London,England,joiner,train,trains,pictures,photos,photographs,images](https://live.staticflickr.com/6100/6396301787_48d0d7565b_o.jpg/)
Description
Keywords: dusk,Liverpool,scouse,scouser,city,station,railway,rail,terminal,roof,platform,platforms,pano,panorama,night,evening,UK,beatles,passengers,passenger,virgin,west,coast,mainline,main,line,tickets,journey,London,England,joiner,train,trains,pictures,photos,photographs,images
Description: Tony Smith image Flickr 6396301787 - 'David Bowie - 'Station To Station' - Play this track here.
Follow me on Twitter twitter.com/HotpixUK
\u00bfWhats this iPod Shuffle set all about? Read about it here
Station to Station is the tenth studio album by English musician David Bowie, released by RCA Records in 1976. Commonly regarded as one of his most significant works, Station to Station is also notable as the vehicle for Bowie's last great 'character', The Thin White Duke.
The album was recorded after he completed shooting Nicolas Roeg's The Man Who Fell to Earth, and the cover featured a still from the movie. During the sessions Bowie was heavily dependent on drugs, especially cocaine, and recalls almost nothing of the production.
Musically, Station to Station was a transitional album for Bowie, developing the funk and soul music of his previous release, Young Americans, while presenting a new direction towards synthesisers and motorik rhythms that was influenced by German electronic bands such as Kraftwerk and Neu!.
This trend would culminate in some of his most acclaimed work, the so-called Berlin Trilogy, recorded with Brian Eno in 1977\u201379. Bowie himself has said that Station to Station was 'a plea to come back to Europe for me'. The album\u2019s lyrics, meanwhile, reflected his preoccupations with Nietzsche, Aleister Crowley, mythology and religion.
With its blend of funk and Krautrock, romantic balladry and occultism, Station to Station has been described as 'simultaneously one of Bowie's most accessible albums and his most impenetrable'. Featuring the single 'Golden Years', it made the Top 5 in both the UK and US charts. In 2003, the album was ranked number 323 on Rolling Stone magazine's list of the 500 greatest albums of all time.
In the early days of the Liverpool and Manchester Railway (L&
MR), the Liverpool terminus was located at Crown Street, in Edge Hill, officially opened in 1830. Construction of a purpose-built station began in October 1833, the land being purchased from Liverpool Corporation for \u00a39000. A tunnel was constructed between Edge Hill and the new station (starting in 1832, prior to station construction), and the station was opened to the public in August 1836, although construction was not completed until the following year.
Because of the steep incline between Lime Street and Edge Hill, trains were stopped at Edge Hill, their locomotives removed, and the passenger carriages taken down by gravity, descent controlled by brakemen. The return journey was achieved by using a stationary engine to haul the carriages up with rope.
Within six years, the rapid growth of the railways meant that the original station needed to be extended, and a plan was made to erect an iron roof similar to that found at Euston station in London, ridge roofs supported by iron columns
however, Richard Turner and William Fairburn submitted a design for a single curved roof, which won the approval of the station committee. The work cost \u00a315,000, and was completed in 1849. A second roof was added in the 1880s.
In 1845 the L&
MR was absorbed by its principal business partner, the Grand Junction Railway (GJR)
the following year the GJR formed part of the London and North Western Railway. The station was one of the first to send mail by train. The North Western Hotel designed by Alfred Waterhouse, was built in front of the station - this still stands, having been converted to accommodation for students of Liverpool John Moores University. At 'the grouping' in 1923, the station passed to the ownership of the London, Midland and Scottish (LMS) railway, and, in 1948, the London Midland Region of British Railways.
Lime Street was part of the first stage of electrification of the West Coast Main Line in 1959. In 1966, the station saw the launch of the first InterCity service.
Lime Street was voted the equal worst of the 20 busiest UK railway stations in a 2007 poll but was voted 'Station of the Year 2010' at the National Rail Awards thanks in part to a recent reburbishment
Checkout more w=33062170@N08\' target=\'_blank\'>ipod music from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: street,art,streetart,paint,painting,st,streets,spray,p street,can,spraycan,tonysmith,tony,smith,hotpix,hot,pix,pics,hotpics,hotpicks,mersey,scouse,scousers,artist,artists,ipod,music,muchacha,femenina,de,la,mujer,se\u00f1ora,lady,female,woman,girl,\u5973\u6027\u30e1\u30b9\u306e\u5973\u6027\u306e\u5973\u306e\u5b50,\u592b\u4eba\u5973\u6027\u5987\u5973\u5973\u5b69,fille,f\u00e9minine,femme,dame,#tonysmithhotpix,#tonysmithotpix,Liverpool,opposite,oposite,cains,brewery,tap
Description: Tony Smith image Flickr 4877238738 - 'Endless Art - 'A House' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
'A House' were a very witty Irish band from the 1980s to the 1990s, recognized for the clever, 'often bitter or irony laden lyrics of frontman Dave Couse. This single, 'Endless Art' is one of their best known charting successes. It was produced by Edwyn Collins.
The song lyrics begin with the line 'All art is quite useless according to Oscar Wilde' and for their remainder are mostly a list of the names and birth and death dates of artists from various fields, with the chorus remark: 'all dead but still alive, in endless time and endless art'. This 'list' style of song is characteristic of many of Dave Couse's songs. Melodically, the song features a quotation from Beethoven's Fifth Symphony at the chorus.
For the first appearance of the song on Bingo, the band received some criticism for the fact that the artists listed in the song are all male, so they recorded a second version where all the artists are female. This is the version called 'More Endless Art'. In 'More Endless Art', the melodic quoatation from Beethoven is substituted with one from Carl Orff, who, it might be quibbled, is not a woman, while the substitution of 'Walt Disney's Minnie Mouse' for his Mickey Mouse may not quite right the gender balance either. Still, 'More Endless Art' was better than a defence Dave Couse had offered in interviews, that the band had thought that Joan Mir\u00f3 was a woman.
Dave Couse has subsequently performed a live version of 'Endless Art' with a new list of artists, those deceased since the original release of the song. This is available as 'Endless Art 06' on the B-Side of his single 'A Celebration' (2006).
If you like bands and music, m=tags&
w=33062170@N08&
s=int\'>checkout my band pix.
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This grafitti art panorama is composed of six images stitched together. It can be seen on Grafton Street, Liverpool, opposite The Brewery Tap (corner of The Robert Cain / Higsons brewery). It features Autoraxx, sewerside Bombers, 4Para Wavo Boys &
BrynG / Bryngerard . (www.bryngerard.com)
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>cool stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
( )',
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,years,statue,England,L3 4BB,singer,scouse,English,flowers,balloons,celebration,celebrations,70th Birthday,sculpture,sculptures,musician,musicians,decorated,balloon,outside,Piermasters House,in,the,Royal Albert Dock,tourist,tourism,attraction,fan,fans,recording artist,sculptor,Tom Murphy,donated,by,The Sound of Fury,fan club
Description: Tony Smith image Alamy 2A9GHTX - The Billy Fury sculpture can be seen overlooking the River Mersey, outside the Piermaster's House in the Albert Dock. This is an appropriate location as Billy worked as a deck hand on the Mersey tug boat The Formby, owned by the Alexandra Towing Company, for approximately two years from 1956, before he became famous.
Billy Fury
Billy Fury was born Ronald Wycherley in Haliburton Street in The Dingle, Liverpool on 17 April 1940. He first found fame in the early 1960s and is remembered as one of the most famous stars in the history of British rock and roll.
Music was always his life. He taught himself to play the guitar and write songs from an early age. Whilst on the tugs Ronnie Wycherley, as he was known then, formed a skiffle group with workmates just for fun, with the tongue in cheek name, 'The Formby Sniffle Groop'.
Albert Dock, Liverpool, England, UK, L3 4BB
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,UK,years,statue,England,L3 4BB,singer,scouse,English,flowers,balloons,celebration,celebrations,70th Birthday,sculpture,sculptures,musician,musicians,decorated,balloon,outside,Piermasters House,in,the,Royal Albert Dock,tourist,tourism,attraction,fan,fans,recording artist,sculptor,Tom Murphy,donated,by,The Sound of Fury,fan club
Description: Tony Smith image Alamy 2A9GHTY - The Billy Fury sculpture can be seen overlooking the River Mersey, outside the Piermaster's House in the Albert Dock. This is an appropriate location as Billy worked as a deck hand on the Mersey tug boat The Formby, owned by the Alexandra Towing Company, for approximately two years from 1956, before he became famous.
Billy Fury
Billy Fury was born Ronald Wycherley in Haliburton Street in The Dingle, Liverpool on 17 April 1940. He first found fame in the early 1960s and is remembered as one of the most famous stars in the history of British rock and roll.
Music was always his life. He taught himself to play the guitar and write songs from an early age. Whilst on the tugs Ronnie Wycherley, as he was known then, formed a skiffle group with workmates just for fun, with the tongue in cheek name, 'The Formby Sniffle Groop'.
Albert Dock, Liverpool, England, UK, L3 4BB
Description
Keywords: sarak,new,brighton,mersey,ferry,gothic,black,hotpixuk,hotpix,tonysmith,tony,smith,face,head,faces,goth,girl,lady,ladies,woman,sexy,velvet,lace,eyes,pretty,thin,slight,royal,iris,boat,dock,dockside,birkenhead,wirral,wirrel,uk,gb,england,liverpool,city,crossing,scouse,scouser,blue,low,light,dusk,evening,night,shot,sex,porn,porno,girlie,this photo rocks,erotic,fetish,fetishist,town,cool,person,people,portrait,image,gothess,gothy,gothing,babes,female,dark,disturbia,noche,nuit,retro,merseyside
Description: Tony Smith image Flickr 3874779825 - 'Sarah. Birkenhead, Wirral with Mersey ferry behind. Mild winter late afternoon sun already dupped below the horizon.
Another gothic portrait later in the night - www.flickr.com/photos/hotpixuk/3875568806/in/photostream/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: everton,football,club,EFC,liverpool,scousers,merseyside,northwest,north,west,scouse,england,UK,footy,young,lads,boys,sepia,ball,balls,alex,lounge,joe,mercer,LFC,FC,premier,league,street,kids,candid,tonysmith,tony,smith,hotpix,tonysmithhotpix,DANKA,carlsberg,umbro,sports,wear,sport,sportswear,shell,suit,shellsuit,scouser,b/w,black,white,ground,anfield,#tonysmithotpix
Description: Tony Smith image Flickr 4991347212 - 'Theme From Sparta FC - 'The Fall' - Play this track here.
\u00bfWhats this iPod Shuffle set all about? Read about it here
This music you may remember from BBC Saturday Sport was composed by MES (Mark E Smith) and The Fall. To get a feel for the show, check this out. Unfortunately, his beloved Man City had managed a 'Hopeless as usual performance' in their 0-0 draw against Blackburn.
The Fall are an English post-punk group, formed in Prestwich, Greater Manchester in 1976. The group has existed in some form ever since, and is essentially built around its founder and only constant member Mark E. Smith. First associated with the punk movement of the late 1970s, the group's music has gone through several stylistic changes over the years.
However, The Fall's music is often characterised by repetition, an abrasive guitar-driven sound, and is always underpinned by Smith's vocals and often cryptic lyrics, described by critic Steve Huey as 'abstract poetry filled with complicated wordplay, bone-dry wit, cutting social observations, and general misanthropy (sometimes more implied than clearly stated, but apparent nonetheless).'
The group's output is prolific. As of September 2010 they have released 28 studio albums, and more than triple that counting live albums and other releases. They have never achieved widespread public success beyond a handful of minor hit singles in the late 1980s, but have maintained a strong cult following. The band were long associated with BBC disc jockey John Peel, who championed them from early on in their career and cited The Fall as his favourite band, famously explaining, 'They are always different, they are always the same.'. The Fall were the only band who merited a seperate section in John Peel's record collection.
MES does manage the band like a football team, bringing in new talent and mavericks (many he encounters in the pub in Prestwich) acting as foreman. Dave Simpson's book 'The Fallen' is a great guide to the world of The Fall.
The last time I saw them was in Liverpool 2008 when MES had just turned 50. The band's Peel sessions were finally released recently by Castle Records in the six-CD box 'The Complete Peel Sessions 1978-2004'. This is a good starting point for getting to know the varied music of the band. The lastest album 'Your Future, Our Clutter' is also worth a listen to wet your appetite. Tell 'em I sent you.....
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This is quite an old shot. In the current climate I may not even have attempted to take it.
I have heard it said that many classic shots from the likes of Cartier Bresson and others would not be able to take many of their classic images these days. Very sad.
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08\' target=\'_blank\'>Liverpool from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
( )',
Description
Keywords: Old,Leyland,Wirral,double,decker,Buses,in,Blue,and,Yellow,Birkenhead,New,Brighton,Merseyside,Liverpool,passenger,transport,merseytravel,depot,museum,via,Seabank,road,twerlies,scouse,scousers,transport,bus,corporation,Birkenhead,Corporation,and,Wallasey,Corporation,motor,buses,Wirral,Transport,Museum,1951,Leyland,PD2/1,AHF,850,(54).,Preserver,Cedric,Greenwood,(1973).,Funding,purchased,New,Wallasey,1BG Project GCM 152E,a 1967 Leyland PD2/37 (152). Restored with Hamilton Quarter funding,Wirral,Museums,/,201,&,1BG,Project,AHF850,and,GCM152E,Birkenhead,Corporation,and,Wallasey,Corporation,motor,buses,gotonysmith,Wirral Transport Museum,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEY9GT - . Old Leyland Wirral double decker Buses in Blue and Yellow Birkenhead New Brighton AHF 850 and GCM 152E. Photographed on 20 September 2009. The recorded location is Birkenhead, Wirral, Merseyside, United Kingdom, CH41 1FE. Birkenhead Corporation and Wallasey Corporation motor buses. In historical terms, historic objects and places gain meaning through survival
Materials, craftsmanship, inscriptions and later alterations can reveal how a building, machine or everyday item was made, used and valued, while preservation decisions show which parts of the past communities choose to retain. Looking at the subject's development, everyday journeys depend on an evolving network of vehicles, stops, stations and roads
Buses, cars, ferries and trams can become historical subjects within a few years as operators rebrand, fleets are replaced and infrastructure is rebuilt. During 2026, heritage remains economically and culturally significant through tourism, education and place-making, while the cost of maintaining historic fabric creates continuing debate about conservation and reuse. For the 2026 context, transport policy increasingly emphasises decarbonisation, integration and reliable public services, while older diesel vehicles and legacy infrastructure provide a visual contrast with electric fleets and changing travel behaviour. In the longer view, heritage photography is particularly useful where structures or objects have changed function
A former workplace, shop, transport structure or piece of equipment can become a museum object or landmark, linking everyday history with conservation and interpretation. As background, older buildings and artefacts provide tangible evidence that written records cannot fully replace
Their wear, construction, signage and setting help researchers understand local history, design, industry and social life across different periods. Further subject-specific language includes historic environment and period detail.
Birkenhead, Wirral, Merseyside, United Kingdom, CH41 1FE
Description
Keywords: Liverpool,Edge,lane,hill,Edge Lane,Littlewoods,building,IR,infra,red,kodak,scouse,scouser,city,port,harbour,HIE,Mersey,River,Festival,toned,blue,mono,b/w,tony,smith,GMS,old,hall,street,England,UK,dog,man,ArtDeco,Art,Deco,grain,film
Description: Tony Smith image Flickr 8226773550 - 'View this whole set of IR images here. If you do Twitter add me here.
The Littlewoods Pools Building, Edge Lane is a real Liverpool landmark.
This art-deco building was the headquarters of the Littlewoods Pools company. In its heyday this building held thousands of workers but since the decline in popularity of 'doing the pools' the listed building now lies empty, possibly awaiting conversion to apartment. Another victim of the national Lottery. The other was Littlewood's bitter rival, Vernons.
A Liverpool Echo Newspaper Article earlier this year, in May 2012 suggested this iconic building could face demolition if a new use for it cannot be found.
'The huge art-deco complex has been empty for more than a decade and several attempts to regenerate it have failed to get off the ground. The council will now meet with the Homes and Communities Agency (HCA) to discuss a strategy for a number of sites along Edge Lane.
Sources told the ECHO that the land occupied by the 1930s Littlewoods building, next to Liverpool Innovation Park, will be high on the agenda.
While the HCA said an unnamed developer was keen to put forward proposals, it added there was \u201climited time\u201d to fund the refurbishment of the building and no formal agreement had been reached.
Cllr Malcolm Kennedy, cabinet member for regeneration, today said he wanted to secure a future for the landmark building.
Heritage experts also said it was surprising the building had never been given listed status, but a new use could be found for the site if its most iconic elements could be saved.'
Cllr Kennedy said: \u201cWe are looking at all sites up the Edge Lane corridor, including the innovation park, and there will be a concentrated effort between the two organisations.
\u201cThe Littlewoods building is not listed, although there have been attempts to do so.
\u201cWe would want to keep it because it is quite an iconic building \u2013 a Liverpool landmark. But it is going to be a struggle because the building is deteriorating quickly.\u201d
Read more: Liverpool Echo www.liverpoolecho.co.uk/liverpool-news/local-news/2012/05...
This was a shot taken on Kodak Infra Red Film around 1994 and was a winner in the Mersey River Festival that was organised by the now defunct Merseyside Development Corporation. This was set up by Tory MP Michael Hestletine after the riots of 1981 in the city.
I worked for Littlewoods in The JM Centre, Old Hall Street Liverpool between 1986 &
1989. Unfortunately I never visited this site. Due to the security needed, it was authorised persons only.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,L2,court,legal,justice,Merseyside,L2 1XA,the,Queen Elizabeth,laws,criminal,Scouse,Scouser,city,centre,Her Majestys Courts and Tribunals Service,tribunal,service,Farmer and Dark,in,1984,vertically ribbed,pre-cast,concrete,panels,construction,architecture,Magistrates Court,magistrate,British,sculptor,Richard Kindersley,Coat of Arms,Abuse,enquiry,Sign
Description: Tony Smith image Alamy 2P6JHKB - Queen Elizabeth II Law Courts, in Derby Square, Liverpool, are operated by His Majesty's Courts and Tribunals Service. The building is used by the Crown Court, the Magistrates' Court, Liverpool District Probate Registry and the Liverpool Youth Court
Until the mid-1980s, all Crown Court cases were heard in St George's Hall. However, as the number of court cases in Liverpool grew, it became necessary to commission a more modern courthouse for both criminal and civil matters: the site selected by the Lord Chancellor's Department had been occupied by Liverpool Castle between the 13th and 18th century.
The new building was commissioned by the now-defunct Property Services Agency, who were seeking a design which expressed authority and power.[6] Construction of the new building started in 1973. It was designed by Farmer and Dark[8] in the brutalist style, built with vertically ribbed pre-cast concrete panels in dark, reddish tones, and was opened in 1984.
Hearings of the Liverpool Magistrates Court, which had been held at the courthouse in Dale Street, transferred to the Queen Elizabeth II Law Courts in 2015.[10]
The design features towers on the north and south sides which were intended to echo Liverpool Castle. Pollard and Pevsner describe the architecture as hulking and dispiriting, but richly sculptural. The front facade of the building features a four metres wide version of the Royal coat of arms. Cast in concrete, it was designed by British sculptor Richard Kindersley. The interior, which accommodates 28 court rooms on 10 storeys, contains strips of brown ceramic tiles in strips between the staircase tower windows
Derby Square, Liverpool , Merseyside, England, UK, L2 1XA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,L1,evening,night,at,the,Ranelagh Place,2,group,Merseyside,L3,building,architecture,city,centre,Grade II,listed,Roy Rogers,Trigger,grand lounge,Sefton suite,Prime Minister,Winston Churchill,Harold Wilson,scouse,icon,iconic,hotels,Edwardian,front,outside,tourism,tourist,Eurovision,2023
Description: Tony Smith image Alamy 2PJHNRF - A dusk, upward-looking view of the Britannia Adelphi Hotel in Liverpool city centre, framed by the dark lattice of bare winter tree branches. The grand, pale stone façade fills the frame, with multiple rows of sash windows and a classical upper structure that hints at the building's early twentieth-century ambition. At street level, the main entrance canopy projects out towards the viewer and carries bright blue illuminated lettering reading BRITANNIA ADELPHI HOTEL , making the location immediately recognisable and commercially searchable. Warm interior light spills from the doorway and lobby area, with chandeliers and entrance lighting creating a welcoming glow against the cooler tones of the evening sky.
The overall colour palette suggests blue hour: the sky is deepening into night while the building remains readable in ambient light. The contrast between the cool exterior and warm interior lighting gives the image a cinematic feel and communicates the idea of arrival, shelter, and city-centre hospitality. The tree branches indicate late autumn or winter, and their silhouette adds texture and atmosphere, implying a crisp evening rather than a bright summer night. There is no obvious rain sheen on visible surfaces, so conditions appear dry, although the air and colour temperature feel cold.
As an editorial subject, the Adelphi works on several angles at once: an iconic Liverpool landmark hotel, a long-running piece of city-centre hospitality infrastructure, and a building that carries the visual language of the railway and grand-travel era into the modern visitor economy. The prominent signage and lit entrance make the photograph useful for stories about Liverpool tourism, city breaks, conferences and events, nightlife districts, and the changing fortunes of large historic hotels in UK city centres. It also suits wider themes of heritage buildings still in commercial use, the experience of arriving in a city at dusk, and architecture as branding
Dusk view of the Britannia Adelphi Hotel with illuminated signage and lit entrance, Liverpool city c
Description
Keywords: time,blue,hour,bluehour,Merseyside,England,UK,GB,Great,Britain,british,English,icons,iconic,River,three,graces,reflection,L31DL,L3,1DL,area,around,the,Pier,Head,and,Albert,Dock,is,iconic,for,tourists,/,travelers,and,even,more,beautiful,river,riverside,location,Cunard,building,water,gotonysmith,Maritime,Mercantile,City,UNESCO,World,Heritage,city,reflection,Port,of,canal,reflected,scouse,scouser,scuser,scousers,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXM5R - The area around the Pier Head and Albert Dock is iconic for tourists / travelers and even more beautiful by night or at dusk.
The Pier Head is a riverside location in the city centre of Liverpool, England. It is part of the Liverpool Maritime Mercantile City UNESCO World Heritage Site, which was inscribed in 2004.
The site encompasses a trio of landmarks, built on the site of the former George's Dock and referred to since at least 2000 as The Three Graces:
Royal Liver Building, built between 1908 and 1911 and designed by Walter Aubrey Thomas. It is a grade I listed building consisting of two clock towers, both crowned by mythical Liver Birds. The building is the headquarters of the Royal Liver Friendly Society.
Cunard Building, constructed between 1914 and 1916 and a grade II* listed building. It is the former headquarters of the Cunard Line shipping company.
Port of Liverpool Building, built from 1903 to 1907 and also grade II* listed. It is the former home of the Mersey Docks and Harbour Board.
Also on the site is the grade II listed Mersey Tunnel building, to the east of the Port of Liverpool building. It was built in the 1930s and contains offices and ventilator equipment for the Queensway Tunnel.
Pier Head, Liverpool, England, UK L3 1DL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Penny Lane,pennylane,gift,fab four,souvenirs,fab4,fab 4,memorabilia,retail,Animals,Dusty,Gerry,the,on,Paul,historic,front,magazine,publication,Merseyside,scouse,scouser,06-Aug-1964,4th,Aug,August,1964,Britains,leading,paper,GB,Bill Harry,music,scene
Description: Tony Smith image Alamy 2K0KPPD - Mersey Beat was a music publication in Liverpool, England in the early 1960s. It was founded by Bill Harry, who was one of John Lennon's classmates at Liverpool Art College. The paper carried news about all the local Liverpool bands, and stars who came to town to perform.
The Beatles had a close association with Mersey Beat, which carried many exclusive stories and photos of them. It also published several of Lennon's early writings, including a history of the band, and occasional comical classified advertisements by him as space filler.
Between 1958 and 1964, the Merseyside area had about 500 different groups, which were constantly forming and breaking up, with an average of about 350 groups playing concerts on a regular basis. In 1961, Harry and The Cavern Club's DJ, Bob Wooler, compiled a list of groups that they had personally heard of, which had almost 300 names. In 1962, Mersey Beat held a poll to find out who was the most popular Merseyside group. When the votes were counted, Rory Storm & The Hurricanes were in first place, but after looking through the postal votes again, Harry noticed that forty votes were all written in green ink, in the same handwriting, and from the same area of Liverpool, so the dubious votes were declared void. This was suspected to have been Storm himself, but Harry had no idea that The Beatles had done exactly the same thing.
The results were announced on 4 January 1962, with The Beatles in first place. The results were printed in issue 13 of Mersey Beat on 4 January 1962, with the front page announcing, Beatles Top Poll!
An iconic symbol of the Mersey Beat era was the poster artwork created by local artist Tony Booth. He was a popular figure amongst the promoters in the area where he was commissioned to create hundreds of the posters used to advertise all the concerts that were occurring during that period. His posters were seen on walls all across Merseyside including some of his famous work outside The Cavern Club
Liverpool, Merseyside, England, UK
