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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Asda,ciders,beer,cider,alcohol-free,low-alcohol,wine,gin,alternative,drinks,aisle,retail,display,grocery,retailing,segment,sector,dry,sober curious,mindful,drinking,UK,British,Scottish,moderation,Dry January,health-conscious,shoppers,responsible,drinkers,pricing,brands,changing,habits,culture,trend,wellness
Description: Tony Smith image Alamy 3E8E1H4 - Editorial stock photograph showing an Asda supermarket No and Low Alcohol drinks range displayed beneath a large overhead aisle sign, with shelves stocked with alcohol-free and low-alcohol beers, ciders, wines, sparkling drinks, pre-mixed style cans and spirit alternatives. The image captures a recognisable UK retail scene, showing the expanding supermarket market for reduced alcohol products, sober curious lifestyles, mindful drinking, designated drivers, health-conscious shoppers and customers looking for alternatives to full-strength alcoholic drinks.
The display is useful for stories about changing British drinking habits, alcohol moderation, supermarket retail trends, public health, Dry January, low alcohol beer, alcohol-free gin style drinks, low and no wine, cider alternatives, adult soft drinks, pricing, promotions and the growing commercial value of no and low alcohol ranges. The visible shelf-edge prices, branded bottles, cans and wine-style packaging help show how these products are now merchandised as a mainstream category rather than a small niche. The overhead No and Low Alcohol sign gives the photograph strong editorial clarity, making the subject readable even at thumbnail size.
This image can support articles about alcohol duty, cost of living pressures, younger consumers drinking less, responsible drinking campaigns, supermarket category management, health policy, alcohol substitution, wellness retail, product innovation and the blurring of boundaries between alcohol aisles and adult non-alcoholic drinks. It also suits features on UK grocery chains, Asda store layouts, consumer choice, changing social habits and the wider cultural shift towards moderation. The bright supermarket lighting, metal shelving, price tickets and densely packed products create an authentic documentary view of everyday shopping, useful for newspapers, magazines, blogs, market research, retail reports and public health commentary
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,V&A Dundee,V&A Dundee building,River Tay Dundee,Scottish design museum,Tayside,harbour,harbourside,Scottish,culture,icon,iconic,design and environment,future of gardening,climate and design,sustainability themes,museum exhibitions UK,culture and ecology,post-industrial waterfront regeneration,design-led cities,public engagement with climate issues,architecture and landscape,modern Scotland identity,museum-led regeneration,V&A Dundee DD1 4EZ,1 Riverside Esplanade Dundee,Dundee Scotland UK,Kengo Kuma architecture,museum exterior,exhibition signage,design exhibition Scotland,cultural tourism Dundee,city landmark
Description: Tony Smith image Alamy 3DCX6EE - The exterior of V&A Dundee, Scotland's national design museum, photographed on the edge of the River Tay at 1 Riverside Esplanade, Dundee DD1 4EZ. The image shows the museum's distinctive layered concrete form alongside riverside water, with a freestanding sign promoting the Garden Futures exhibition visible in the foreground.
Designed by Japanese architect Kengo Kuma, the V&A Dundee building is inspired by Scotland's coastal cliffs and geology, its dramatic horizontal layers projecting out over the river as a symbolic link between land and water. Since opening, the museum has become the centrepiece of Dundee's ambitious waterfront regeneration, repositioning the former industrial port city as a hub for design, culture and innovation.
The Garden Futures exhibition explores the past, present and future of gardens in the context of climate change, sustainability, food production and social wellbeing. By addressing themes such as environmental resilience, biodiversity and the relationship between people and nature, the exhibition reflects the V&A's broader role in connecting design with global challenges.
The juxtaposition of the contemporary museum architecture, the historic River Tay and exhibition signage creates a layered visual narrative linking design, environment and urban renewal. Photographed in clear daylight under blue skies, the image highlights both the sculptural quality of the building and its prominent riverside setting.
The photograph offers strong editorial value for themes including modern architecture, museum exhibitions, climate and design discourse, Scottish cultural identity and waterfront regeneration, making it suitable for travel features, architectural publications, environmental commentary and educational use.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Edinburgh,Scotland,UK,Scottish,fast food,unhealthy,fat,fatty,fried,food,white,battered,sign,signs,shop,window,restaurant,cafe,9,EH1 2HE,EH1,chippy,blue,yellow,glow,glowing,glows,electric,electrical,fishy,seafood,British,traditional,culture,tourist,attarction
Description: Tony Smith image Alamy 2RH9DGM - The British tradition of eating fish battered and fried in oil was introduced to the country by Spanish and Portuguese Jewish immigrants, who spent time in the Netherlands before settling in the UK as early as the 16th century. They prepared fried fish in a manner similar to pescado frito, which is coated in flour then fried in oil. Fish fried for Shabbat for dinner on Friday evenings could be eaten cold the following afternoon for shalosh seudot, palatable this way as liquid vegetable oil was used rather than a hard fat, such as butter. Charles Dickens mentions fried fish warehouses in Oliver Twist (1838)
The modern fish-and-chip shop (chippy in modern British slang) originated in the United Kingdom, although outlets selling fried food occurred commonly throughout Europe. Early fish-and-chip shops had only very basic facilities. Usually these consisted principally of a large cauldron of cooking fat, heated by a coal fire. The fish-and-chip shop later evolved into a fairly standard format, with the food served, in paper wrappings, to queuing customers, over a counter in front of the fryers. As a boy, Alfred Hitchcock lived above a fish and chip shop in London, which was the family business. According to Professor John Walton, author of Fish and Chips and the British Working Class, the British government made safeguarding supplies of fish and chips during the First World War a priority: The cabinet knew it was vital to keep families on the home front in good heart, unlike the German regime that failed to keep its people well fed.
By 1910, there were over 25,000 fish and chip shops across the UK, a figure that grew to over 35,000 shops by the 1930s.Since then the trend has reversed, and in 2009 there were approximately 10,000 shops
Description
Keywords: Pubs,stag,night,hen,nights,location,for,area,EDN,narrow,new,pedestrian,pedestrianised,scottish,shopping,st,street,town,Kenilworth,Nicholson,Nicholsons,rose street,Rose st,The Kenilworth,GoTonySmith,drinking,culture,alcoholism,alcoholics,AA,outside,street,history,historic,Buy Pictures of,Buy Images Of,Edinburgh Pubs,Edinburgh Pub
Description: Tony Smith image Alamy F89P16 -
Description
Keywords: EH1,Scottish,Scot,scots,independance,independence,pubs,bars,drinking,places,in,Rose,street,st,chairs,eating,out,culture,cafe,lager,people,enjoying,drinking,outside,dirtydicks,dirtydick,Gotonysmith,tourist,tourism,travel,traveller,destination,thing,to,see,building,architecture,classic,old,buildings,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DED2FH -
