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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A8940,Rangers,Glasgow,football,stadium,Scotland,RFC,blue,club,entrance,supporters,sport,heritage,old firm,Celtic,Protestant,supporter,Charles Rennie Mackintosh,south-west,corner,Bill Struth,main,gate,historic,league,history,Govan,architecture,Ltd,wrought,ironwork,influence,inspired,design,sports,landmark,tourist attraction
Description: Tony Smith image Alamy 3FA7X7B - Blue-painted historic iron entrance gates at Ibrox Stadium, home of Rangers Football Club in Glasgow, Scotland, with Rangers Football Club Ltd picked out in white lettering and the red-brick Broomloan Road Stand behind. Although their ornate appearance can suggest Victorian ironwork, the famous Ibrox gates date from the interwar era. Historic Environment Scotland records the comparable south-east gates as erected in 1929, with blue railings, white lettering edged in red and a design echoing Glasgow architect Charles Rennie Mackintosh. They form part of the architectural heritage created during the great rebuilding of Ibrox associated with Scottish stadium architect and engineer Archibald Leitch. Rangers moved to the present Ibrox site in 1899 after earlier grounds at Fleshers' Haugh, Burnbank, Kinning Park and the first Ibrox Park. A major redevelopment followed in the 1920s, with Leitch's imposing red-brick Main Stand built in 1928 and opened in 1929. Its classical façade, grand staircase, timber-panelled interiors and distinctive ironwork helped make Ibrox one of Britain's most recognisable historic football grounds. The stadium has also witnessed tragedy: 25 people died after a wooden terrace collapsed during a Scotland v England match in 1902, and 66 Rangers supporters died in the Ibrox disaster of 2 January 1971 following a crush on Stairway 13. The latter tragedy led to a fundamental rebuilding of the ground under manager Willie Waddell, influenced by modern European stadium design, with three new rectangular stands replacing much of the old bowl. The Broomloan Road Stand seen here belongs to that later transformation, creating a striking contrast with the surviving decorative gates. The Main Stand was renamed for legendary Rangers manager Bill Struth in 2006. Ibrox remains Rangers FC's home and a landmark in Govan, representing more than a century of Scottish football, supporter culture, sporting architecture, tragedy, redevelopment and continuity.
Ibrox Stadium, 150 Edmiston Drive, Glasgow, G51 2XD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Durham,DH1,County Durham,DH1 3EH,war memorial,war,in,Christian,cathedrals,COE,Protestant,RAF,St Cuthbert,St Oswald,air,forces,bird,birds,wing,wings,English,British,As birds flying,so shall the lord of hosts,protect,Jerusalem,words,inscription,remembrance,day,November,We will not forget
Description: Tony Smith image Alamy 2RWMEN8 - Taken on 15 Sep 2023, this photograph shows RAF - Royal Air Force war memorial stained glass window, in Durham Cathedral, Palace Green, Durham, County Durham, England, UK, DH1 3EH. The location is Palace Green , Durham, England, UK, DH1 3RW. The picture is not just a record shot: it contains architectural or decorative detail with strong colour, lettering and religious, civic or commemorative symbolism. Durham Cathedral was built between 1093 and 1133 and forms part of the Durham Castle and Cathedral UNESCO World Heritage Site, giving even a detail shot strong religious and architectural context. It could support features on pubs, beer, leisure, nightlife, tourism, heritage streets, local economies, independent hospitality and the pressures facing town-centre venues. For image buyers, the value is in the combination of recognisable subject, readable wording, location evidence and a plain documentary style that can be dropped into news, magazine, web, council, housing, transport, heritage or commercial commentary without looking over-produced. Searchable related phrases include Palace Green, Durham Cathedral, cathedral, stained glass, window, windows, city, centre, CofE, Royal Air Force, Durham, DH1, plus wider ideas such as local identity, public realm, urban detail, social history, commercial change, everyday Britain, documentary photography and place-based storytelling. The composition gives designers scope for captions, page furniture, social media crops, report covers and article thumbnails, while the detailed captioning makes it more discoverable for searches using both specific place names and broader themes. This makes the image useful for comparison pieces, then-and-now features, local news, regeneration stories and plain-English explainers aimed at a general audience.
Palace Green , Durham, England, UK, DH1 3RW
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,69,mural,art,street,political,urban,mural art,legacy,historical,heritage,West Belfast,murals,residential,gable wall,children,kids,rubble,struggle,war,BT13 1DL,BT13,social history,story,children in conflict,imagery,housing estate,destruction scene,fight,fighting,protestant
Description: Tony Smith image Alamy 2RFJ33E - This image shows the Summer of 69 mural located on a gable wall at Hopewell Crescent in West Belfast, Northern Ireland. The mural depicts two children standing amid rubble and damaged buildings, referencing the widespread civil unrest and destruction that occurred in Belfast during the summer of 1969, a period widely regarded as the beginning of the Troubles.
Rendered in a restrained, illustrative style, the artwork uses muted tones and detailed line work to evoke memory, loss, and the impact of conflict on civilian life, particularly on children and families living in affected neighbourhoods. The surrounding painted scene of demolished housing and debris reflects the disruption to residential communities during that period.
The photograph was taken on a grey, overcast day, with low, diffuse light and heavy cloud cover reinforcing the somber tone of the mural. The weather conditions flatten shadows and enhance the subdued atmosphere, aligning visually with the subject matter.
Political and historical murals such as this remain a prominent feature of Belfast's urban landscape. They function as acts of remembrance, community storytelling, and public history, while also reflecting the ongoing complexity of how the past is interpreted and represented in shared space. The image documents how murals continue to shape identity, memory, and place in post-conflict Northern Ireland.
Hopewell Crescent, Belfast, Northern Ireland, United Kingdom, BT13 1DL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Northern Ireland,NI,Ireland,club,clubs,BT49,92,Main Street,BT49 0ET,outside,shutter,shuttered,flag,flags,union,the,union jack,Ibrox Park,Ibrox,RSCs,RSC,football,Scottish,Protestant,Unionist,Unionists,Limavady and Londonderry,true blues,support,supporters,fan,fans,red hand,of,hotpix.org.uk
Description: Tony Smith image Alamy 2RBN9FD - . Limavady Rangers supporters club, 92 Main St, Limavady, County Londonderry, Northern Ireland, UK, BT49 0ET. Photographed on 21 June 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 92 Main St, Limavady, County Derry, Northern Ireland, UK, BT49 0ET, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Northern Ireland, Ireland, club, clubs, BT49, Main Street, BT49 0ET, shutter, shuttered, flag, flags, union, providing natural SEO coverage without losing the specific documentary identity of the photograph. Football-related content gives the photograph relevance to clubs, supporters, stadium culture, matchday identity, community links, sports business, sponsorship and the strong visual presence of football in British cities. It can illustrate the relationship between a club and its neighbourhood as well as wider themes of sporting heritage, redevelopment, women's and men's football, fan culture and commercial branding where applicable. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
92 Main St, Limavady, County Derry, Northern Ireland, UK, BT49 0ET
Description
Keywords: GoTonySmith,HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,kerb,stone,stones,estate,kerbs,street,paint,marked,marking,territory,British,within,the,walls,kerbstone,Union Flag,celebrating,history,heritage,sectarian,historic,housing,council,social housing,kerb stones,Protestant,area,of,on,loyalist,symbolism
Description: Tony Smith image Alamy 2RGHXAX - . Unionist Kerbstones, red, white & blue of the union jack, Protestant area of The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH. Photographed on 20 June 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Northern Ireland, Irish, Ireland, BT48, kerb, stone, stones, estate, kerbs, paint, marked, marking, providing natural SEO coverage without losing the specific documentary identity of the photograph. The political or campaigning content is suitable for neutral editorial coverage of protest, organised labour, elections, public debate, campaigning, civil society and the way political messages are presented in public. Placards, posters, leaflets, slogans and demonstrations are valuable documentary evidence of a particular moment and can support later historical comparison without implying endorsement of the views displayed. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH
Description
Keywords: GoTonySmith,HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,kerb,stone,stones,estate,kerbs,street,paint,marked,marking,territory,British,within,the,walls,kerbstone,Union Flag,celebrating,history,heritage,sectarian,historic,housing,council,social housing,kerb stones,Protestant,area,of,on,loyalist,symbolism
Description: Tony Smith image Alamy 2RGHXB1 - . Unionist Kerbstones, red, white & blue of the union jack, Protestant area of The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH. Photographed on 20 June 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Northern Ireland, Irish, Ireland, BT48, kerb, stone, stones, estate, kerbs, paint, marked, marking, providing natural SEO coverage without losing the specific documentary identity of the photograph. The political or campaigning content is suitable for neutral editorial coverage of protest, organised labour, elections, public debate, campaigning, civil society and the way political messages are presented in public. Placards, posters, leaflets, slogans and demonstrations are valuable documentary evidence of a particular moment and can support later historical comparison without implying endorsement of the views displayed. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
The Fountain, Londonderry, Northern Ireland, UK, BT48 6QH
Description
Keywords: GoTonySmith,HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,RUC,not,trusted,police,service,of,data,breach,danger,putting,in,identified,catholic,communities,IRA,Protestant,Unionist,hated,disliked,district,Bogside,Strand Road,neighbourhood,BT48 9HA,RUC scum,not welcome,Pairc Dharu,INLA,Unbowed Unbroken,Arm Saoirse Naisiunta na heireann,PSNI
Description: Tony Smith image Alamy 2RGHXBK - The Irish National Liberation Army (INLA, Irish: Arm Saoirse Náisiúnta na hÉireann) is an Irish republican socialist paramilitary group formed on 10 December 1974, during the 30-year period of conflict known as the Troubles. The group seeks to remove Northern Ireland from the United Kingdom and create a socialist republic encompassing all of Ireland. With membership estimated at 80“100 at their peak, it is the paramilitary wing of the Irish Republican Socialist Party (IRSP).
The INLA was founded by former members of the Official Irish Republican Army who opposed that group's ceasefire. It was initially known as the People's Liberation Army or People's Republican Army. The INLA waged a paramilitary campaign against the British Army and Royal Ulster Constabulary (RUC) in Northern Ireland. It was also active to a lesser extent in the Republic of Ireland, Great Britain and mainland Europe. High-profile attacks carried out by the INLA include the Droppin Well bombing, the 1994 Shankill Road killings and the assassinations of Airey Neave in 1979 and Billy Wright in 1997. However, it was smaller and less active than the main republican paramilitary group, the Provisional IRA. It was also weakened by feuds and internal tensions. Members of the group used the covernames People's Liberation Army, People's Republican Army, and Catholic Reaction Force[8] for attacks its volunteers carried out but the INLA did not want to claim responsibility for. The INLA became a proscribed group in the United Kingdom on 3 July 1979 under the 1974 Prevention of Terrorism Act.
After a 24-year armed campaign, the INLA declared a ceasefire on 22 August 1998. In August 1999, it stated that There is no political or moral argument to justify a resumption of the campaign. In October 2009, the INLA formally vowed to pursue its aims through peaceful political means and began decommissioning its weapons.
Durrow Park / Pairc Dharu , Bogside, Derry, Northern Ireland, UK, BT48 9HA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,BT48,RUC,not,trusted,police,service,of,data,breach,danger,putting,in,identified,catholic,communities,IRA,Protestant,Unionist,hated,disliked,are,district,Bogside,Strand Road,neighbourhood,Brandywell ward,BT48 9HA,RUC scum,not welcome,Pairc Dharu,PSNI
Description: Tony Smith image Alamy 2RGHXBP - . RUC scum not welcome, anti-PSNI graffiti, Strand Road neighbourhood - Durrow Park, Bogside, Derry, Northern Ireland, UK, BT48 9HA. Photographed on 20 June 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Durrow Park / Pairc Dharu , Bogside, Derry, Northern Ireland, UK, BT48 9HA, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Northern Ireland, Irish, Ireland, BT48, RUC, not, trusted, police, service, data, breach, danger, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
Durrow Park / Pairc Dharu , Bogside, Derry, Northern Ireland, UK, BT48 9HA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,centre,NI,Northern Ireland,Irish,Ireland,UK,RUC,not,trusted,police,service,of,data,breach,danger,putting,in,identified,Republican,catholic,communities,IRA,Protestant,Pine St,BT47 6EJ,BT47,Ebrington,district,area,Pine Street,Destroying the Loyalist Community,sign,hated,disliked,PSNI
Description: Tony Smith image Alamy 2RGHXBY - . PSNI in the pocket of Sinn Fein, Destroying the Loyalist Community, sign in Pine St,Ebrington district of Londonderry, Northern Ireland, UK, ,BT47 6EJ. Photographed on 20 June 2023, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Pine St, Ebrington , Londonderry, BT47 6EJ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Northern Ireland, Irish, Ireland, RUC, not, trusted, police, service, data, breach, danger, putting, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The scene contributes a specific, place-based record rather than a generic illustration.
Pine St, Ebrington , Londonderry, BT47 6EJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancaster,Lancashire,England,UK,LA1,Lancaster Priory,Red Rose of Lancashire,Lancs,St Mary,St Marys,Protestant,St Marys Priory and Parish Church,embroidered banner,ecclesiastical textile,county identity,Lancashire rose emblem,Christian symbolism,parish identity,religious art,church furnishing,heritage interior,medieval church,Anglican heritage,place of worship,historic church interior,community faith,English parish church,editorial photography,documentary image,grey,blue,ecclesiastical,textiles,textile,LA1 1YZ
Description: Tony Smith image Alamy 2R5PP6R - This image shows a blue fabric banner displayed inside St Mary's Priory and Parish Church in Lancaster. The banner bears the words St Mary Lancaster and prominently features the Red Rose of Lancashire, the historic county emblem that has long symbolised Lancashire's identity and heritage.
Church banners such as this combine religious tradition with local and regional symbolism, reinforcing the close relationship between parish life and place. The inclusion of the Lancashire rose reflects the church's role not only as a centre of worship but also as a focal point for civic and county identity within Lancaster.
St Mary's Priory, located close to Lancaster Castle, has medieval origins and remains an active Anglican parish church. Its interior contains a variety of historic and contemporary furnishings that reflect centuries of religious practice and community continuity.
Photographed indoors against stone columns and lit church architecture, the image provides a documentary record of Anglican material culture and local symbolism. It is well suited for editorial use covering English parish churches, religious heritage, Lancashire identity, ecclesiastical textiles, and the intersection of faith and regional history.
Lancaster Priory Lancaster, Lancashire, England, UK , LA1 1YZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,CofE,architecture,history,historic,religious,religion,interior,inside,embellishment,Giles Gilbert Scott,chapel,chapels,room,building,detail,vault,vaults,vaulted,ceiling,lantern lights,protestant,protestants,gold,golden
Description: Tony Smith image Alamy 2PK2AFW - Lady Chapel
The oldest and perhaps most beautiful part of the Cathedral, the Lady Chapel offers its own organ, much-admired lantern lights, its own private entrance as well as some of the most beautiful stained glass in the Cathedral.
This intimate chapel has wonderful acoustics and is ideally suited to smaller recitals, film showings, theatrical performances and lectures, seating up to 200 guests. It also provides a pre-event reception space for those hiring the Well “ combined with a call to dinner by our world-famous organ, and a candle-lit walk across the main floor, it's a start to the evening no guest will forget!
Celebrating a special wedding anniversary? Why not have a wedding blessing or a renewal of vows in this most beautiful Chapel and complete your special day with a champagne reception and dinner in the Sir Giles Gilbert Scott Suite. (Minimum numbers apply).
Weddings may also be held in the Lady Chapel but are subject to very strict criteria and to Archbishop of Canterbury's licence limitations and conditions
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,CofE,architecture,history,historic,religious,religion,interior,inside,embellishment,Giles Gilbert Scott,protestant,chapel,chapels,room,building,detail,vault,vaults,vaulted,ceiling,lantern lights,protestants,gold,golden
Description: Tony Smith image Alamy 2PK2AH8 - Lady Chapel
The oldest and perhaps most beautiful part of the Cathedral, the Lady Chapel offers its own organ, much-admired lantern lights, its own private entrance as well as some of the most beautiful stained glass in the Cathedral.
This intimate chapel has wonderful acoustics and is ideally suited to smaller recitals, film showings, theatrical performances and lectures, seating up to 200 guests. It also provides a pre-event reception space for those hiring the Well “ combined with a call to dinner by our world-famous organ, and a candle-lit walk across the main floor, it's a start to the evening no guest will forget!
Celebrating a special wedding anniversary? Why not have a wedding blessing or a renewal of vows in this most beautiful Chapel and complete your special day with a champagne reception and dinner in the Sir Giles Gilbert Scott Suite. (Minimum numbers apply).
Weddings may also be held in the Lady Chapel but are subject to very strict criteria and to Archbishop of Canterbury's licence limitations and conditions
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,CofE,architecture,history,historic,religious,religion,interior,inside,embellishment,Giles Gilbert Scott,of,women,womens,window,windows,lady,chapel,portrait,portraits,Elizabeth Barrett Browning,Kitty Wilkinson,Agnes Jones,Elizabeth Fry,Grace Darling,protestant
Description: Tony Smith image Alamy 2PK2AHJ - The portrait windows of noble women on the west wall of the Chapel are famous. Restored after the Second World War, they show women from different areas of life, including local heroes like Kitty Wilkinson, helper of the poor and Agnes Jones, a devoted nurse as well as nationally known figures such as Grace Darling, Elizabeth Fry and Elizabeth Barrett Browning.
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,CofE,architecture,history,historic,religious,religion,interior,inside,embellishment,Giles Gilbert Scott,of,women,womens,window,windows,lady,chapel,portrait,portraits,Elizabeth Barrett Browning,Kitty Wilkinson,Agnes Jones,Elizabeth Fry,Grace Darling,protestant,feminism
Description: Tony Smith image Alamy 2PK2AHP - . Gift of girls friendly society stained glass windows lady chapel, Liverpool Anglican Cathedral,St James' Mount, Liverpool,Merseyside, England, UK, L1. Photographed on 1 April 2023. The recorded location is St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ. The portrait windows of noble women on the west wall of the Chapel are famous. Restored after the Second World War, they show women from different areas of life, including local heroes like Kitty Wilkinson, helper of the poor and Agnes Jones, a devoted nurse as well as nationally known figures such as Grace Darling, Elizabeth Fry and Elizabeth Barrett Browning. The background to memorial is that ecclesiastical buildings are both active places of worship and repositories of local evidence
Churchyard monuments, carved stone, stained glass and plaques offer material for genealogy, architectural history, religious practice and remembrance. Current 2026 context around memorial is that many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places. Alternative search wording includes ecclesiastical architecture, parish church, Christian heritage, sacred art, religious symbolism, church interior, place of worship, architectural conservation, local history, faith community, historic fabric, religious heritage, and St James Mount. Additional discoverability terms include Church of England, females, English, tourist, tourism, CofE, architecture, religion, interior, inside, embellishment, Giles Gilbert Scott, and womens. A further layer of meaning comes from ecclesiastical architecture, parish church and Christian heritage. The image also relates directly to parish church, Christian heritage and sacred art.
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,CofE,architecture,history,historic,religious,religion,interior,inside,embellishment,Giles Gilbert Scott,of,women,womens,window,windows,lady,chapel,portrait,portraits,Elizabeth Barrett Browning,Kitty Wilkinson,Agnes Jones,Elizabeth Fry,Grace Darling,protestant,feminism
Description: Tony Smith image Alamy 2PK2AHY - . Gift of girls friendly society stained glass windows lady chapel, Liverpool Anglican Cathedral,St James' Mount, Liverpool,Merseyside, England, UK, L1. Photographed on 1 April 2023. The recorded location is St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ. The portrait windows of noble women on the west wall of the Chapel are famous. Restored after the Second World War, they show women from different areas of life, including local heroes like Kitty Wilkinson, helper of the poor and Agnes Jones, a devoted nurse as well as nationally known figures such as Grace Darling, Elizabeth Fry and Elizabeth Barrett Browning. Looking at churchyard, the longer history is that parish churches and cathedrals are among Britain's richest sources of architectural and social history
Medieval fabric, later chapels, organs, altars, monuments and inscriptions can coexist within a single building, revealing generations of craftsmanship and evolving liturgy. In 2026, churchyard remains relevant because historic places of worship remain important not only for faith but also for tourism, music, community use and local identity
Images of interiors, memorials and churchyards can support stories about conservation, heritage skills and the continuing reuse of sacred buildings. Other strongly related concepts include ecclesiastical architecture, Christian heritage, sacred art, religious symbolism, church interior, place of worship, architectural conservation, local history, faith community, historic fabric, religious heritage, St James Mount, and Church of England. Relevant long-tail terms include females, English, tourist, attraction, attractions, CofE, architecture, religious, religion, inside, embellishment, Giles Gilbert Scott, and womens. Its wider context brings together ecclesiastical architecture, Christian heritage and sacred art. A further layer of meaning comes from Christian heritage, sacred art and religious symbolism.
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,CofE,at,history,historic,religious,religion,interior,inside,embellishment,Giles Gilbert Scott,protestant,chapel,chapels,room,building,detail,vault,vaults,vaulted,ceiling,lantern lights,architecture,protestants,gold,golden,hotpix.org.uk
Description: Tony Smith image Alamy 2PK2AJ8 - Lady Chapel
The oldest and perhaps most beautiful part of the Cathedral, the Lady Chapel offers its own organ, much-admired lantern lights, its own private entrance as well as some of the most beautiful stained glass in the Cathedral.
This intimate chapel has wonderful acoustics and is ideally suited to smaller recitals, film showings, theatrical performances and lectures, seating up to 200 guests. It also provides a pre-event reception space for those hiring the Well “ combined with a call to dinner by our world-famous organ, and a candle-lit walk across the main floor, it's a start to the evening no guest will forget!
Celebrating a special wedding anniversary? Why not have a wedding blessing or a renewal of vows in this most beautiful Chapel and complete your special day with a champagne reception and dinner in the Sir Giles Gilbert Scott Suite. (Minimum numbers apply).
Weddings may also be held in the Lady Chapel but are subject to very strict criteria and to Archbishop of Canterbury's licence limitations and conditions
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,Baptismal font,Baptismal,at,south west,transept,christened,christening,history,historic,religious,religion,interior,inside,embellishment,Giles Gilbert Scott,protestant,ornate,tall,impressive,fonts,Baptisms,sacrament,christenings
Description: Tony Smith image Alamy 2PK2AKC - . Baptismal font at Liverpool Cathedral, St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ. Photographed on 1 April 2023. The font stands in the south west transept, known as the Baptistry. It is made of unusual buff-coloured French marble and has the figures of an apostle carved in relief on each of its twelve sides. The floor surround is made of marble, inlaid with breaking waves and a circle of green fishes - the fish being a symbol of Christianity. For church interior, the historical context is that churches combine worship with architecture, local memory and centuries of community history
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family history. For church interior, the 2026 context is that many historic churches face the practical challenge of maintaining listed fabric while remaining active community buildings, visitor attractions and venues for worship, music and local events
Conservation, heating costs and new uses are therefore part of the modern story of these ancient places. Related search language includes ecclesiastical architecture, parish church, Christian heritage, sacred art, religious symbolism, place of worship, architectural conservation, local history, faith community, historic fabric, religious heritage, St James Mount, Church of England, Anglican, and CofE. Associated subject terminology includes baptise, baptised, English, tourist, tourism, christened, christening, religious, religion, and inside. Looking at place of worship, the longer history is that churches combine worship with architecture, local memory and centuries of community history
Stonework, stained glass, memorials, furnishings and churchyards often record successive periods of rebuilding, Victorian restoration, local benefactors and family history. Its wider context brings together parish church, Christian heritage and sacred art.
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,interior,inside,embellishment,windows,protestant,colours,colourful,expressive,impressive,tall,tallest,light,glass,in,Giles Gilbert Scott,of,message,West Door,glowing,Biennial,classic,modern,religious,religion
Description: Tony Smith image Alamy 2PK2AKR - . Stained glass window, Liverpool Cathedral, St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, tourist, tourism, attraction, attractions, L1 7AZ, interior, embellishment, windows, protestant, colours, colourful, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,interior,inside,embellishment,windows,protestant,colours,colourful,expressive,impressive,tall,tallest,light,glass,in,Giles Gilbert Scott,of,message,West Door,glowing,Biennial,classic,modern,religious,religion
Description: Tony Smith image Alamy 2PK2AM9 - . Stained glass window, Liverpool Cathedral, St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, tourist, tourism, attraction, attractions, L1 7AZ, interior, embellishment, windows, protestant, colours, colourful, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,pink,red,neon,light,lights,words,at,phrase,love,I knew,West Door,artwork,message,of,Independents,Biennial,Tracey Emin,glowing,interior,inside,embellishment,Giles Gilbert Scott,protestant
Description: Tony Smith image Alamy 2PK2ARW - . Tracey Emin - I knew you loved me, neon words at Liverpool Anglican Cathedral, St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, tourist, tourism, attraction, attractions, L1 7AZ, pink, red, neon, light, lights, words, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature.
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Mainz,city,Germany,cathedrals,churches,religion,dome,tower,belltower,sunny,blue sky,blue skies,Evangelische,Christuskirche,56,55116 Mainz,Germans,German,Protestant,1903,Eduard Kreyßig.,architect,architecture,building,buildings,reconstructed,reconstruction,1954,Renaissance Revival,style,history,historic,heritage
Description: Tony Smith image Alamy 2RKGHJK - The Christuskirche (Christ Church) is a Protestant church located in Mainz. The Christuskirche was built between 1896 and 1903 designed by Eduard Kreyßig. It was consecrated on 2 July 1903. After demolition during the air raids of World War II the church was reconstructed between 1952 and 1954. The congregation forms part of the Protestant Church in Hesse and Nassau.
In the predominantly Catholic Mainz of 1802, only some hundred Protestants could be traced at the end of the Ancien Régime. Napoleon Bonaparte was the first to grant them the right of freely practising their religion and he expanded their civil rights. Previously Protestants had the status of tolerated human beings, a status they shared with the Jews. Around the year 1900 already 33% of the inhabitants of Mainz had the Protestant confession.
Due to increase of the Protestant community, they had to search for new space. The extension of the old city borders by the new expanded town Mainz-Neustadt during the last trimester of the 19th century opened the opportunity to demonstrate the self-confidence of the Protestant community by erecting a new church building. Along with the Kaiserstraße, a new twin lined three-lane boulevard, the church was erected by Eduard Kreyßig, the master builder of Mainz, in Renaissance Revival style. The church was intended to be a representative counterbalance to the Catholic Mainz Cathedral. The mighty dome excels other churches and buildings of the inner city of Mainz.
Besides services, the Christuskirche is shared by lovers of music, since Diethard Hellmann founded in 1954 the Bach Choir and Bach Orchestra to perform especially Bach's cantatas. Fans of Gospel music enjoy the yearly performances of Colours of Gospel. Traditionally the opening mass services of the University of Mainz at the beginning of the academic term take place here.
Kaiserstraße 56, 55116 Mainz, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Mainz,city,Germany,cathedrals,churches,religion,dome,tower,belltower,sunny,blue sky,blue skies,Evangelische,Christuskirche,56,55116 Mainz,Germans,German,Protestant,1903,Eduard Kreyßig.,architect,architecture,building,buildings,reconstructed,reconstruction,1954,Renaissance Revival,style,history,historic,heritage,hotpix.org.uk
Description: Tony Smith image Alamy 2RKGHJP - The Christuskirche (Christ Church) is a Protestant church located in Mainz. The Christuskirche was built between 1896 and 1903 designed by Eduard Kreyßig. It was consecrated on 2 July 1903. After demolition during the air raids of World War II the church was reconstructed between 1952 and 1954. The congregation forms part of the Protestant Church in Hesse and Nassau.
In the predominantly Catholic Mainz of 1802, only some hundred Protestants could be traced at the end of the Ancien Régime. Napoleon Bonaparte was the first to grant them the right of freely practising their religion and he expanded their civil rights. Previously Protestants had the status of tolerated human beings, a status they shared with the Jews. Around the year 1900 already 33% of the inhabitants of Mainz had the Protestant confession.
Due to increase of the Protestant community, they had to search for new space. The extension of the old city borders by the new expanded town Mainz-Neustadt during the last trimester of the 19th century opened the opportunity to demonstrate the self-confidence of the Protestant community by erecting a new church building. Along with the Kaiserstraße, a new twin lined three-lane boulevard, the church was erected by Eduard Kreyßig, the master builder of Mainz, in Renaissance Revival style. The church was intended to be a representative counterbalance to the Catholic Mainz Cathedral. The mighty dome excels other churches and buildings of the inner city of Mainz.
Besides services, the Christuskirche is shared by lovers of music, since Diethard Hellmann founded in 1954 the Bach Choir and Bach Orchestra to perform especially Bach's cantatas. Fans of Gospel music enjoy the yearly performances of Colours of Gospel. Traditionally the opening mass services of the University of Mainz at the beginning of the academic term take place here.
Kaiserstraße 56, 55116 Mainz, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,SK11,sky,skies,blue,summer,SK11 6UT,in,the,listed,from,of,Kids,Kidds,church,religious,buildings,breakaway,group,St. Georges Independent Chapel,for,Protestant,Dissenters,congregation,Christian,Christians,Macclefield Congregational Church,citadel,blue sky,blue skies,heritage
Description: Tony Smith image Alamy 2JP0KCP - Roe Street Chapel also known as Kidd's Chapel, was built in 1829 by a breakaway group from St. George's Independent Chapel for Protestant Dissenters, which had been erected in 1822. This group of the congregation wanted a Congregational or Independent Chapel while the others wished to become part of the Established Church. As a result St. George's, in High Street, see below, was consecrated by the Bishop of Chester. Those Dissenters who had contributed to the original building as shareholders got their money back! The break-away group worshipped initially at Brunswick Methodist Church but then built Roe Street Chapel. In 1926 the congregation united with that of Frost's Chapel at Park Green to form Macclefield Congregational Church. The building was used for a time as a parish hall by the Roman Catholic St. Alban's church. It was used as a dance hall in the middle of the 20th century. It is now the Salvation Army Citadel
the former site of the citadel was in Mill Street just below the Majestic cinema.
Roe St, Macclesfield, Cheshire, England, UK, SK11 6UT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Cheshire,CW5,Church Lane,Nantwich,CW5 5RQ,St Marys,parish,clock,historic,Grade I,listed,building,protestant,parish church,tower clock,Church of England,CofE,sunny,blue sky,blue skies,history,heritage,square,tourism,tourist,attraction,Cheshires,older,visit,walking,tour,tours,tower
Description: Tony Smith image Alamy 2JNM0XD - St Mary's Church is an Anglican parish church in Nantwich, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I listed building. It has been called the Cathedral of South Cheshire and it is considered by some to be one of the finest medieval churches, not only in Cheshire, but in the whole of England. The architectural writer Raymond Richards described it as one of the great architectural treasures of Cheshire, and Alec Clifton-Taylor included it in his list of outstanding English parish churches.
The building dates from the 14th century, although a number of changes have since been made, particularly a substantial 19th-century restoration by Sir George Gilbert Scott. The church and its octagonal tower are built in red sandstone. Features of the church's interior include the lierne-vaulted ceiling of the choir, the carved stone canopies of the sedilia in the chancel, and the intricately carved wooden canopies over the choirstalls together with the 20 misericords at the back of the stalls. The church is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Nantwich
The last major work to be carried out on the church was in 1878, under the direction of local architect Thomas Bower, when the south porch was restored at a cost of £900.
The church is built in red sandstone and is cruciform in shape. Its plan consists of a four-bay nave with north and south aisles, a south porch with two storeys, a central tower, north and south transepts, and a three-bay chancel, to the north of which is a two-storey treasury. The tower is square below and octagonal above. Both transepts are of three bays and the northernmost bay of the north transept was formerly a Lady chapel. The other two bays were dedicated to Saint George. The south transept was known as the Kingsley Chapel
Church Lane, Nantwich, Cheshire, England, UK, CW5 5RQ
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,clock,at,the,Cross,Cheshire,England,UK,CH1 1NP,parish church,protestant,Anglican,pyramidal,slate,spire,Grade I,listed building,old,walled,shopping,store,towering,tower,clocktower,Christian,CAMRA,unique,time,capsule,internal,architectural,history,historic,buildings,religious,heritage
Description: Tony Smith image Alamy 2JN5MKA - St Peter's Church is in Eastgate Street in the centre of the city of Chester, Cheshire, England, immediately to the north of Chester Cross. It is recorded in the National Heritage List for England as a designated Grade I listed building. It is an active Church of England parish church in the diocese of Chester, the archdeaconry of Chester and the deanery of Chester. The ancient walls mark the boundaries of the parish.
The church stands on the site of part of the Roman Praetorium, and some of its fabric dates from that time. A church is said to have been built on this site by Ethelfleda in 907. The present church dates from the 14th, 15th and 16th centuries, with modifications in the following three centuries. Formerly, the tower had a spire, which was removed and rebuilt in the 16th century, taken down in the 17th century, then rebuilt and finally removed having been much injured by lightning in around 1780. In 1849“50, the church was repaired by James Harrison, and in 1886 it was restored by John Douglas, which included the addition of a pyramidal spire.
Exterior
The church is built of red sandstone and is approximately square in plan. Its floor is at the level of the adjacent Watergate Row and the church is entered by a flight of seven stone steps on the south face. At the west end there is an embraced tower that rises one stage above the roof, with a clock and a bell opening of two lights. The top is crenellated, with crocketed pinnacles and a pyramidal slate spire
The Cross, Chester, Cheshire, England, UK, CH1 1NP
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,WA2,WA2 8SZ,spired,West,with,St Oswalds,Oswald,Architect,Henry Paley,architects,Golborne Road,Winwick,Warrington,Cheshire,England,UK,door,entrance,Anglican,protestant,Grade I,listed,building,sandstone,architecture,Gothic,Revival,diocese of Liverpool,archdeaconry of Warrington,deanery,of,Revd H.Greenhalgh,clocks
Description: Tony Smith image Alamy 2JC61R9 - St Oswald's Church, is in the village of Winwick, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade I listed building. It is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Warrington and the deanery of Winwick.
History
A church at Winwick is recorded in the Domesday Book. The earliest parts of the present church are the bases of the north arcade which date from the early 13th century, and the walls of the Legh Chapel and the organ chamber which are dated 1330. The west tower was built in 1358, and the walls and north arcade of the nave (except for the Legh Chapel and the organ chamber) date from 1580. Much damage was done to the church in 1648 when Oliver Cromwell stationed his troops in the church after the Battle of Red Bank. The south porch was added in 1720, and the south arcade of the nave was rebuilt in 1836 reusing earlier stones. The chancel, sanctuary and vestry were rebuilt by Pugin in 1847“49 for the 13th Earl of Derby. The spire was rebuilt and the church was restored in 1869 by the Lancaster partnership of Paley and Austin. On Thursday 13 January 1887, Titanic Captain Edward Smith married Sarah Eleanor Pennington in the church. In 1931“32 Henry Paley successor in the Lancaster architectural practice, now known as Austin and Paley, restored the tower at a cost of £463, and in 1934 he added a new vestry, porch and entrance at a cost of £232
The church is built of sandstone with a metal, stainless steel, roof. Its plan consists of a west tower, a nave of six bays with a clerestory, north and south aisles, a south porch, a chapel in the east bay of each aisle, a chancel and sanctuary of three bays, and a north vestry. The south chapel is the Legh Chapel and the north chapel belonged to the Gerard family. The tower is in three stages and has a recessed spire. On the west face is a door above which is a three-light window.
Golborne Rd, Winwick , Warrington, Cheshire, England, UK, WA2 8SZ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,RAF,air,base,site 4,faith,religions,WA5 9YZ,WA5,services,service,chapel,force,personnel,by,arrangement,heritage,centre,Burtonwood,Warrington,Cheshire,England,airbase,military,US,American,forces,church,faiths,mass,Protestant,Catholic,Muslim,shed,crucifix,tower,nissen,huts
Description: Tony Smith image Alamy 2K3XNKF - . Made at Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ in 2019, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The location is represented through RAF , USAF Burtonwood, services chapel , Protestant, catholic, other faiths, by arrangement ,site4 Chapel, Burtonwood, Warrington, Cheshire, England,. The locality and subject together evoke historical comparison, Christian heritage, community identity, social story.htm Target=_Blank>history, documentary photography, faith community, parish history, religious landmark, before-and-after reference, church interior, contemporary social history, everyday life, local history, and sacred architecture. The wider contemporary story combines tourism, faith communities and how churches combine active worship with heritage and community roles. The image fixes street furniture and boundaries within Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ at one identifiable point, providing a benchmark against later reinterpretation. Other useful contextual ideas include regional identity, historic church fabric, religious heritage, heritage worship space, changing streetscape, visual archive, public realm, and sacred space. The combination of arrangement, Protestant, catholic, faiths, and site4 anchors the frame to a recognisable activity, place or moment. For Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate tourism and the importance of church buildings to genealogy and local identity as part of the longer story of Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ. The image fixes evidence of earlier appearance as part of Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ's history.
Burtonwood, Warrington, Cheshire, England, , UK, WA5 9YZ
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,town centre,art,Greater Manchester,England,UK,WN1 1YB,Manchester,night,Wiend,The Wiend,at night,Marylebone,Wigan Council,artworks,art-works,public art,sculptured,sculptured portrait,portrait,Winstanley,monument,Gerrard Winstanley Gardens,1609,1676,reform,garden,gardens,socialism,socialists,workers,working men,Gerrard,Winstanleys,activist,English,Protestant,religious reformer
Description: Tony Smith image Alamy 2AGPHA7 - Gerrard Winstanley (19 October 1609 “ 10 September 1676) was an English Protestant religious reformer, political philosopher, and activist during The Protectorate of Oliver Cromwell. Winstanley was the leader and one of the founders of the English group known as the True Levellers or Diggers for their beliefs, and for their actions. The group occupied public lands that had been privatised by enclosures and dug them over, pulling down hedges and filling in ditches, to plant crops. True Levellers was the name they used to describe themselves, whereas the term Diggers was coined by contemporaries.
Gerrard Winstanley was born on 19 October 1609 and was baptised in the parish of Wigan, then part of the West Derby hundred of Lancashire. He was the son of an Edward Winstanley, mercer. His mother's identity remains unknown and he could have been born anywhere in the parish of Wigan. The parish of Wigan contained the townships of Abram, Aspull, Billinge-and-Winstanley, Dalton, Haigh, Hindley, Ince-in-Makerfield, Orrell, Pemberton, and Upholland, as well as Wigan itself.
He moved in 1630 to London, where he became an apprentice and ultimately, in 1638, a freeman of the Merchant Tailors' Company or guild. He married Susan King, the daughter of London surgeon William King, in 1639. The English Civil War, however, disrupted his business, and in 1643 he was made bankrupt. His father-in-law helped Winstanley move to Cobham, Surrey, where he initially worked as a cowherd
The Wiend, Wigan town centre, Greater Manchester, England, UK, WN1 1YB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,BT12 5EY,BT12,Sandy Row,Belfast,king billy,good,at,mural depicting the,12th July 1690,welcome,to,Sandy,unionist,Protestant,mural,painting,gable,end,terrace,history,historic,hotpix.org.uk,NI troubles
Description: Tony Smith image Alamy 2PM6290 - . Mural depicting the Prince of Orange,King William III, 12th July 1690, King Billys on the wall, Williamite Forces, at Sandy Row, Belfast, NI, BT12 5EY. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Sandy Row, Belfast, NI, BT12 5EY, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, BT12 5EY, BT12, Sandy Row, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
Sandy Row, Belfast, NI, BT12 5EY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,community,politics,politicians,graffiti,murals,art,street,streetart,MUFC,Manchester United,football,Irish,1946-2005,1946,2005,dribbling,protestant,unionist,BT12 5HU,BT12,green shirt,of,Cregagh,Orange Order,Cregagh Boys Club,Old Trafford,club,Georgie,boy,hotpix.org.uk,NI troubles
Description: Tony Smith image Alamy 2PM6293 - George Best (22 May 1946 “ 25 November 2005) was a Northern Irish professional footballer who played as a winger, spending most of his club career at Manchester United. A highly skilful dribbler, Best is regarded as one of the greatest players in the history of the sport.[2] He was named European Footballer of the Year in 1968 and came fifth in the FIFA Player of the Century vote. Best received plaudits for his playing style, which combined pace, skill, balance, feints, two-footedness, goalscoring and the ability to get past defenders.
Born in Belfast, Best began his club career in England with Manchester United, with the scout who had spotted his talent at the age of 15 sending a telegram to manager Matt Busby which read: I think I've found you a genius. After making his debut aged 17, he scored 179 goals from 470 appearances over 11 years and was the club's top goalscorer in the league for five consecutive seasons.[3] He won two League titles and the European Cup with the club. His style of play on the field captured the public's imagination, and in 1999 he was on the six-man short-list for the BBC's Sports Personality of the Century. He was also an inaugural inductee into the English Football Hall of Fame in 2002.
In international football, Best was capped 37 times for Northern Ireland between 1964 and 1977. A combination of the team's performance and his lack of fitness in 1982 meant that he never played in the finals of a major tournament. He considered his international career as being recreational football, with the expectations placed on a smaller nation in Northern Ireland being much less than with his club. He is regarded as one of the greatest players never to have played at a World Cup. The Irish Football Association described him as the greatest player to ever pull on the green shirt of Northern Ireland
Blythe Street, Sandy Row, Belfast, County Antrim, Belfast, Northern Ireland, UK, BT12 5HU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,dedicated,to,for,gable,end,protestant,unionist,royalist,crown,monarchy,royal,The Salvation Army - Care and Share Shop,349-351,Newtownards Rd,Belfast,BT4 1AJ,shop,Salvation Army,Our message is simple,where our music is welcome we will play it loud,Where our music is challenged,we will play it louder
Description: Tony Smith image Alamy 2PM63CR - . Mural, For God, and Ulster, East Belfast Protestant Boys - UDF Gareth Keys 1981-2008, Salvation Army, 349-351 Newtownards Rd, Belfast BT4 1AJ. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 349-351 Newtownards Rd, Belfast BT4 1AJ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, dedicated, gable, end, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
349-351 Newtownards Rd, Belfast BT4 1AJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Belfast,LGBT,LGBTQ,homosexual,activism,NI,Northern Ireland,Love,Your,Queer,kids,kid,Love your queer kids,graffiti,red,spray paint,North Street,love-your-queer-kids,gay kids,gay children,gay son,gay daughter,lesbian,queer,gay,Ireland,DUP,Protestant,limitations,on a wall,on a,love your,trans kids
Description: Tony Smith image Alamy RM1TFJ - . A local-history photograph depicts the setting around Belfast BT1 1LU, in a view made during 2017. The source caption identifies Love your queer kids, graffiti North Street, Belfast, Northern Ireland, UK. The wider setting includes urban fabric, period architecture, heritage streetscape, community expression, architectural character, graphic intervention, public realm art, historic fabric, architectural heritage, creative regeneration, adaptive reuse, and urban conservation. Modern coverage of visual placemaking frequently reaches beyond the immediate scene to questions of regeneration, public-realm investment and art integrated with regeneration. Seen from a 2025-onward perspective, architectural conservation also connects with adaptive reuse, conservation of original fabric and efforts aimed at sensitive refurbishment. The photograph fixes Belfast BT1 1LU at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. The scene also relates to mural culture, conservation architecture, built heritage, art-led regeneration, traditional building, urban graphics. Other local associations include Love Your gay kids, Love Your gay children, Love Your Queer children, Belfast City, public building, love your kids. Its context additionally embraces historic townscape, community art, architectural detail, conservation interest, urban visual culture, local identity, creative streetscape, local landmark, street-level design, and illustrated hoarding. For present-day editorial use, visual placemaking can also illustrate debates about temporary installations and public-realm investment, particularly where these affect recording temporary artwork. That gives this view of Belfast BT1 1LU continuing value for local history, retrospective reporting and visual comparison.
Belfast BT1 1LU
Description
Keywords: Unionist,British,Shankil,rd,painting,artist,fighter,soldier,wall,end,gable end,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,Welcome To The Shankill Rd,Welcome,To,The,Shankill Road,flag,poster,sign,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,protestant,religion,intolerance,prejudice,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HEW11T - . Made at Shankill Road,West Belfast, County Antrim, Northern Ireland, UK in 2016, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The subject captured here is Shankill Road Mural -Welcome To The Shankill Road, West Belfast, Northern Ireland, UK. The surrounding context encompasses public transport information, regional identity, transport accessibility, street-level design, contemporary social history, public realm, changing land use, temporary artwork, visual street culture, mural culture, street-side transport, public-realm art, contemporary mural, and archival record. The modern context includes continuing discussion of temporary works, creative districts and the blurred boundary between commissioned public art and unsanctioned graffiti. For current editorial use, integrated transport and local connectivity provide additional context, especially through the shift toward cleaner buses and integrated ticketing. The archival value lies partly in recording materials and architectural details around Shankill Road,West Belfast, County Antrim, Northern Ireland, UK before changing commercial priorities alters the character of the place. The wider setting retains connections with local bus network, everyday life, community identity, surface public transport, historical comparison, before-and-after reference, local history, and creative placemaking. Elements such as Mural, Ireland, -Welcome, Belfast, and Northern add documentary specificity and may become increasingly useful when compared with later records. For Shankill Road,West Belfast, County Antrim, Northern Ireland, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Image HEW11T also remains a dated record of Shankill Road,West Belfast, County Antrim, Northern Ireland, UK.
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Unionist,British,Shankil,rd,painting,art,artist,martyr,fighter,para,paramilitary,soldier,wall,gable,end,gable end,community,protestant,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,protestant,religion,intolerance,prejudice,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEW127 - . An identifiable period record of Shankill Road,West Belfast, County Antrim, Northern Ireland, UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The image documents Shankill Road Mural -Lest we Forget, West Belfast, Northern Ireland, UK. The broader subject matter reaches into creative placemaking, visual archive, urban graphics, historic commemoration, archival record, urban artwork, graffiti heritage, epitaph, memorial stone, documentary photography, funerary heritage, stencil art, before-and-after reference, and public art. Current relevance extends to public art and temporary works, particularly through the role of murals and stencils in giving creative districts a distinctive identity. In present-day coverage, the subject reaches into genealogy and public commemoration, not least because of the conservation challenge posed by weathered historic stone and lettering. Small period details of building condition and alterations at Shankill Road,West Belfast, County Antrim, Northern Ireland, UK may become more significant with time, particularly following changing commercial priorities. Other useful contextual ideas include public-realm art, contemporary mural, street creativity, community identity, memorial culture, community memory, changing streetscape, and regional identity. The combination of Belfast, -Lest, Shankill, Northern, and Mural anchors the frame to a recognisable activity, place or moment. Around Shankill Road,West Belfast, County Antrim, Northern Ireland, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. A further contemporary connection is public art and the blurred boundary between commissioned public art and unsanctioned graffiti as part of the longer story of Shankill Road,West Belfast, County Antrim, Northern Ireland, UK.
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Unionist,British,Shankil,rd,painting,art,artist,martyr,fighter,para,paramilitary,soldier,wall,gable,end,gable end,community,protestant,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,best,Ulster Freedom Fighters,Battalion,Simply The Best,firewood,Bonfire,tinder,July,marching season,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,protestant,religion,intolerance,prejudice,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HEW13J - . This scene at Shankill Road,West Belfast, County Antrim, Northern Ireland, UK in 2016 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is Shankill Road Mural -2nd Batt UFF UDA Simply The Best, West Belfast, Northern Ireland, UK. The locality and subject together evoke urban graphics, visual street culture, creative placemaking, visual archive, street-level design, surface public transport, public-realm art, local history, urban artwork, contemporary mural, street creativity, passenger transport, bus route infrastructure, and community identity. Viewed from the mid-2020s, the subject also connects with creative districts, graffiti policy and the blurred boundary between commissioned public art and unsanctioned graffiti. The modern context includes continuing discussion of passenger information, local connectivity and how local bus services affect access to work, education and healthcare. The image fixes commercial use and occupation within Shankill Road,West Belfast, County Antrim, Northern Ireland, UK at one identifiable point, providing a benchmark against replacement signage. The photograph additionally reflects roadside transit, local mobility, public transport stop, roadside stop, changing land use, public realm, transport accessibility, and historical comparison. The recorded references to Northern, Ireland, Belfast, Mural, and Simply preserve clues about how the subject was presented, used or understood at the time. A later view of Shankill Road,West Belfast, County Antrim, Northern Ireland, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. It also preserves a trace of local identity within the wider story of Shankill Road,West Belfast, County Antrim, Northern Ireland, UK.
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Unionist,British,Shankil,rd,painting,art,artist,martyr,fighter,para,paramilitary,soldier,wall,gable,end,gable end,community,protestant,Shankill Road Mural,West,West Belfast,NI,Northern Ireland,best,Ulster Freedom Fighters,Battalion,Simply The Best,firewood,Bonfire,tinder,July,marching season,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,unionism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,DUP,democratic Unionist,red hand,of Ulster,Red Hand Of Ulster,Shankill,Rd,road,Shankill Road,streets of Belfast,protestant,religion,intolerance,prejudice,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEW141 - . Photographed at Shankill Road,West Belfast, County Antrim, Northern Ireland, UK in 2016, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The defining feature is Shankill Road Mural -2nd Batt UFF UDA Simply The Best, West Belfast, Northern Ireland, UK. Other connected aspects include documentary photography, graffiti heritage, visual street culture, local mobility, public transport stop, street-level design, before-and-after reference, social history, roadside stop, local character, historical comparison, contemporary social history, roadside transit, and bus infrastructure. For current editorial use, gentrification and regeneration provide additional context, especially through how temporary street art can become an important record of neighbourhood culture. Current relevance extends to accessibility and rural transport, particularly through the importance of bus stops as the physical interface between passengers and public transport. Small period details of landscape treatment and surrounding development at Shankill Road,West Belfast, County Antrim, Northern Ireland, UK may become more significant with time, particularly following new construction. The subject also sits alongside transport accessibility, public art, mural culture, visual archive, public transport information, passenger transport, temporary artwork, and place identity. Details involving Northern, Mural, Belfast, Shankill, and Ireland make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Shankill Road,West Belfast, County Antrim, Northern Ireland, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The record includes period character for later comparison. That local specificity strengthens the long-term documentary value of image HEW141.
Shankill Road,West Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Northern Ireland,loyalist,mural,Thirty Years of Slaughter,Troubles,political,murals,traditional,houses,derelict,terraced,poor,housing,two up two down,slum,urban,decay,inner city,conflict,memory,memorial,Protestant,area,PUL,community,social history,Victorian,Edwardian,poverty,post conflict,clearance,decline,divide,deprived,neighbourhood,Irish history,urban documentary
Description: Tony Smith image Alamy HEW151 - A row of small red brick two up, two down terraced houses stands boarded and partly derelict beside the 30 Years of Slaughter loyalist mural off the Shankill Road in West Belfast, Northern Ireland. The image combines poor working class housing, urban decay and the visual politics of the Troubles in one street scene. The houses have sealed doors, covered windows, damaged brickwork, weeds growing from the roofline and a general sense of abandonment, making the photograph useful for editorial stories about housing poverty, inner city decline, dereliction, regeneration, poor urban conditions and the long social shadow of conflict. The adjoining mural refers to 30 years of indiscriminate slaughter and is associated with loyalist and Protestant, Unionist, Loyalist community memory around attacks including the Four Step Inn, Balmoral Showrooms, Mountainview Tavern, Bayardo Bar and Frizzell's Fish Shop. It is a highly charged example of Belfast political mural culture, using public wall space to express grief, anger, identity and contested historical memory. The contrast between the memorial mural and the modest brick terrace is especially strong for themes around everyday life beside political symbolism, the overlap of poverty and sectarian history, and the way ordinary streets became carriers of public memory during and after the Northern Ireland Troubles. The photograph can illustrate Belfast mural tours, conflict tourism, dark tourism, post conflict urban landscapes, Shankill Road history, loyalist murals, social housing history, urban renewal, neglected housing stock, community identity and documentary street photography. The scene appears to be photographed in daylight under mixed blue sky and cloud, with direct sun catching the red brickwork while grey cloud adds a sombre mood. The image has strong commercial and editorial relevance for Northern Ireland politics, British and Irish history, architecture, housing deprivation, urban regeneration, working class
Bellevue Street in West Belfast, UK, BT13 2BT
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,purple,poem,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDF00F - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
Description
Keywords: Northern Ireland,Peace,Wall,Cupar way,West Belfast,Belfast,Irish,art,artworks,artwork,Berlin wall,Dalai Lama,Open Your Arms To Change,but dont let go of your values,Open,your,arms,to,change,,but,dont,let,go,of,your,values,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,Catholic,republican,Sinn Fein,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Belfast catholic community,Irelands Berlin wall
Description: Tony Smith image Alamy HDF039 - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023. GoTonySmith
Cupar way,West Belfast,NI,UK
Description
Keywords: Red hand,Ulster,memorial,UFF,Unionist,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,Flute,1980,crest,flag,flags,SPB,Longkesh,USSF,Protestant Boys Flute Band,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Shankill Protestant Boys
Description: Tony Smith image Alamy HDWT25 - SHANKILL PROTESTANT BOYS FLUTE BAND
The Shankill Protestant Boys Flute Band”or as they are more famously known now”The SPB”were formed in the Shankill area in 1980. The reasons for forming the band were much more than simply establishing another flute band”the Shankill had many at that time. The men behind the formation had other ideas. They wanted to promote and express their Protestant culture and also remember the brave Volunteers and Servicemen who had fought and died during two World Wars”in particular during the Somme offensive”and to remember those in more recent times who perished during the conflict in the war against violent Republicanism.
Sadly many of those who served the band since their beginnings 33 years ago are no longer with us”either passed away or in many instances murdered. However of the original founders around ten remain. Some, remarkably are still marching while others retain honorary membership. Gary Lenaghan”The Hunters”Harold Reynolds-The Young's”The Freel's”John McQuade”Derek Mawhinney”The Finlay's were all there at the start and remain heavily involved today.
The SPB were the first flute band to receive and carry the colours of the 1st Battalion of the Ulster Volunteer Force”in 1982”and to this day carry those colours with pride and dignity. It is a commonly known fact that these colours are carried on ALL occasions”at no time are they excluded”and in the past this has caused some difficulties”with both the Police and indeed with certain sections of the Loyal Orders. At one stage during the Eighties the band came into conflict with the Scottish Orange Institution which forced the band off the road because of their refusal to parade without their beloved colours. Since then the SPB have not walked in Scotland with the Orange.
Around the same time and with the concept of the Supergrass system being implemented the band became heavily involved with Families For Legal Rights. For ma
Shankill Road, West Belfast, NI, UK
Description
Keywords: Ulster,memorial,UFF,Unionist,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,Ulster,army,1916,poppy,memorials,Somme,association,Helens,War memorial,Helens tower,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT3P - The Ulster Tower is Northern Ireland's national war memorial. It was one of the first Memorials to be erected on the Western Front and commemorates the men of the 36th (Ulster) Division and all those from Ulster who served in the First World War. The memorial was officially opened on 19 November 1921 and is a very close copy of Helen's Tower which stands in the grounds of the Clandeboye Estate, near Bangor, County Down, Northern Ireland. Many of the men of the Ulster Division trained in the estate before moving to England and then France early in 1916.
The Tower (plus a small cafe nearby) is staffed by members of the Somme Association, which is based in Belfast.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,memorial,UFF,Unionist,mural,off,Shankill,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,Ulster,Souvenirs,tourist,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT58 - . This location-specific image from Shankill Road, West Belfast, NI, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The principal subject is Ulster Souvenirs, Shankill Road West Belfast,Northern Ireland,UK. The setting additionally reflects everyday life, public transport stop, archival record, roadside stop, before-and-after reference, place identity, period detail, town-centre economy, local bus network, local history, local trading, small business, bus route infrastructure, and transport accessibility. From a 2025-onward perspective, rural transport and decarbonisation are closely linked to this subject, alongside how local bus services affect access to work, education and healthcare. The wider contemporary story combines commercial rents, store closures and how consumer spending and property costs shape local commercial streets. The archival value lies partly in recording materials and architectural details around Shankill Road, West Belfast, NI, UK before conservation work alters the character of the place. The photograph additionally reflects customer footfall, contemporary social history, local enterprise, bus infrastructure, local mobility, changing streetscape, commercial streetscape, and shopfront economy. Elements such as Souvenirs, Northern, Ulster, Shankill, and Ireland add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Shankill Road, West Belfast, NI, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for rural transport and the shift toward cleaner buses and integrated ticketing without losing the local specificity of Shankill Road, West Belfast, NI, UK. Image HDWT58 also remains a dated record of Shankill Road, West Belfast, NI, UK.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,Ulster,off,rd,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,vols,volunteers,UVF,memorial,Ulster Volunteers,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT62 - . A grounded documentary photograph made at Shankill Road, West Belfast, NI, UK in 2016, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The subject captured here is UFF volunteers Unionist mural, off Shankill Road West Belfast,Northern Ireland,UK. Further facets of the scene include urban graphics, street-level design, social history, regional identity, public-realm art, street creativity, public realm, visual archive, stencil art, changing land use, public transport stop, visual street culture, changing streetscape, and place identity. The wider contemporary story combines regeneration, tourism and how temporary street art can become an important record of neighbourhood culture. Viewed from the mid-2020s, the subject also connects with integrated transport, bus service funding and the challenge of maintaining reliable services outside dense city centres. For later comparison, the photograph preserves landscape treatment and surrounding development at Shankill Road, West Belfast, NI, UK, details that may look very different after changed technology. Further associations within the scene are local bus network, graffiti heritage, urban artwork, roadside stop, local mobility, period detail, temporary artwork, and surface public transport. The combination of Ireland, Northern, mural, Belfast, and volunteers anchors the frame to a recognisable activity, place or moment. A later view of Shankill Road, West Belfast, NI, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. A further contemporary connection is regeneration and how temporary street art can become an important record of neighbourhood culture when considered against later change at Shankill Road, West Belfast, NI, UK. The image fixes evidence of changing use before later change alters the scene.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,UFF,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,school,gate,gates,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT79 - . Recorded at Shankill Road, West Belfast, NI, UK in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is Glenwood Primary school, off Shankill Road West Belfast,Northern Ireland,UK - Entrance. The image also relates to exam practice, assessment material, everyday life, changing streetscape, exam preparation, roadside transit, community identity, local bus network, local history, mathematics education, local mobility, historical comparison, school examination, and archival record. The modern context includes continuing discussion of student attainment, assessment pressure and the pressure placed on students by high-stakes assessment. For current editorial use, accessibility and rural transport provide additional context, especially through the importance of bus stops as the physical interface between passengers and public transport. Small period details of lettering, decoration and surface detail at Shankill Road, West Belfast, NI, UK may become more significant with time, particularly following conservation work. Further associations within the scene are public realm, before-and-after reference, place identity, bus infrastructure, formal assessment, contemporary social history, local character, and revision resource. The combination of Belfast, Ireland, Entrance, Northern, and Shankill anchors the frame to a recognisable activity, place or moment. A later view of Shankill Road, West Belfast, NI, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for student attainment and the role of consistent qualifications in university and employment pathways within the specific setting of Shankill Road, West Belfast, NI, UK. The photograph keeps evidence of earlier appearance for later comparison.
Shankill Road, West Belfast, NI, UK
Description
Keywords: metal,Belfast Museum,new,ship,building,builder,builders,metal,H&W,SS Titanic,tourist,tourism,Northern Ireland,UK,Ireland,tour,BT3 9EP,BT3,9EP,RMS Titanic,RMS,White Star Line,historic,shipyard,yard,visitor,attraction,Harland & Wolff,Harland,Wolff,H&W,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,tribute,employer,protestant,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Harland and Wolff,exterior,outside,outdoor,outdoors,Harcourt,Developments,regeneration,Signature,Project,Northern Ireland Executive,Titanic Belfast,Foundation,Tourist Board,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CE - Titanic Belfast is a visitor attraction and a monument to Belfast's maritime heritage on the site of the former Harland & Wolff shipyard in the city's Titanic Quarter where the RMS Titanic was built. It tells the stories of the ill-fated Titanic, which hit an iceberg and sank during her maiden voyage in 1912, and her sister ships RMS Olympic and HMHS Britannic. The building contains more than 12,000 square metres (130,000 sq ft) of floor space, most of which is occupied by a series of galleries, plus private function rooms and community facilities.
1 Olympic Way, Queens Road, Titanic Quarter, Belfast, Northern Ireland,UK BT3 9EP
Description
Keywords: titanium,metal,Belfast Museum,new,ship,building,builder,builders,metal,metallic,SS Titanic,tourist,destination,UK,Ireland,tour,BT3 9EP,BT3,9EP,RMS,historic,yard,visitor,attraction,Harland & Wolff,Harland,Wolff,H&W,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,tribute,employer,protestant,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Harland and Wolff,exterior,outside,outdoor,outdoors,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CH - Titanic Belfast is a visitor attraction and a monument to Belfast's maritime heritage on the site of the former Harland & Wolff shipyard in the city's Titanic Quarter where the RMS Titanic was built. It tells the stories of the ill-fated Titanic, which hit an iceberg and sank during her maiden voyage in 1912, and her sister ships RMS Olympic and HMHS Britannic. The building contains more than 12,000 square metres (130,000 sq ft) of floor space, most of which is occupied by a series of galleries, plus private function rooms and community facilities.
1 Olympic Way, Queens Road, Titanic Quarter, Belfast, Northern Ireland,UK BT3 9EP
Description
Keywords: Knocks,edn,Edinburgh,Scotland,UK,IM,MA,IMMA,museum,place,to,visit,tourist,tourism,Jon,Knoxs,knoxs,historic,history,Protestant,reformer,Warriston,Close,plaque,national,Museums,and,Art,Galleries,gallery,gotonysmith,oldtown,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History
Description: Tony Smith image Alamy DED1B1 - . Crest from John Knox House High St Royal Mile Edinburgh Scotland UK. The photograph was taken on 26 August 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Crest, John, Knox, High, Royal, Mile, Edin, Knocks, edn and Edinburgh, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph gives particular emphasis to signage, lettering, public information, branding or graphic communication in a real-world setting. It can support editorial features about wayfinding, advertising, local identity, warnings, public information, business branding, typography, street design and the visual language of towns and cities. Words, symbols, colours, materials and the physical setting of the sign provide useful documentary detail for researchers interested in how information was presented at the time. Because signs and branding are frequently replaced, repainted or removed, the image also has useful archive and social-history value. Search themes include signs, lettering, typography, advertising, wayfinding, public information, warnings, branding, street graphics and local identity. Because signs are frequently replaced or repainted, a clear dated photograph of wording or graphics can acquire strong archive and social-history value. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
John Knox House High St Royal Mile Edinburgh Scotland UK
Description
Keywords: Ornate,wood,wooden,gold,pulpit,crucifix,history,historic,in,the,inside,interior,marble,Berlin Cathedral,Berliner Dom,built,building,in,1905,by,King Frederick,William IV,protestant,architecture,baroque,basilica,berlin,berliner,capital,cathedral,church,city,cross,dom,dome,europe,european,GoTonySmith,evangelical,facade,german,germany,gold,interior,island,lutheran,mitte,museum,ornate,pulpit,religion,religious,spree,tourism,travel,Colln,Cölln,western,marbled,Luther,Luthur,Evangelical,Church,Supreme,Parish,Collegiate,Deutsche,Deutschland,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy F0G7EN - Berlin Cathedral (German: Berliner Dom) is the short name for the Evangelical (i.e. Protestant) Supreme Parish and Collegiate Church (German: Oberpfarr- und Domkirche) in Berlin, Germany. It is located on Museum Island in the Mitte borough. The current building was finished in 1905 and is a main work of Historicist architecture of the Kaiserzeit.
The Dom is the parish church of the congregation Gemeinde der Oberpfarr- und Domkirche zu Berlin, a member of the umbrella organisation Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia. The Berlin Cathedral has never been a cathedral in the actual sense of that term since it has never been the seat of a bishop. The bishop of the Evangelical Church in Berlin-Brandenburg (under this name 1945“2003) is based at St. Mary's Church and Kaiser Wilhelm Memorial Church in Berlin.
Am Lustgarten, 10178 Berlin, Germany
Description
Keywords: Orange,white,grey,colour,Orangemen,Orange men,Unionists,Ulster unionists,political,politics,Ulster Volunteers,September,28/12/1912,guard,Violence,clothing,museum,object,community,Shankill,rd,road,City Hall Guard,The Ulster Volunteers,City Hall Guard,Protestant Community,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Union,Unionism,British,Protestant,Prods,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,day,Ulster,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History,Ulster Day
Description: Tony Smith image Alamy HE7KX0 - The Home Rule Crisis was a political and military crisis in the United Kingdom of Great Britain and Ireland that followed the introduction of the Third Home Rule Bill in the House of Commons of the United Kingdom in 1912.
Ulster unionists, determined to prevent any measure of home rule for Ireland, formed a paramilitary force, the Ulster Volunteers, which threatened to resist by physical force the implementation of the Act and the authority of any Dublin Parliament by force of arms. Irish nationalists responded by setting up the Irish Volunteers to secure the rights and liberties common to all the people of Ireland. Both sides then began importing weapons and ammunition from Germany, in the Larne gun-running and Howth gun-running incidents. The UK government's ability to face down unionist defiance was thrown into question by the Curragh incident, when dozens of British Army officers tendered their resignation rather than secure arms against Ulster loyalist seizure, forcing a climb-down by the government. The crisis was temporarily averted by the outbreak of World War I. The Home Rule Bill was enacted, but its implementation was suspended for the duration of the war.
Shankill Road, Belfast, Northern Ireland, UK
Description
Keywords: Ulster,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Shankill,Rd,Road,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Shankill Road
Description: Tony Smith image Alamy HE7KXN - . This authentic period view of Shankill Road, West Belfast, NI, UK in 2011 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The photograph centres on UFF Unionist mural, off Shankill Road West Belfast,Northern Ireland,UK. The subject also carries associations with community identity, regional identity, passenger transport, local history, creative placemaking, temporary artwork, surface public transport, public transport information, street-side transport, changing streetscape, street-level design, bus infrastructure, historical comparison, and mural culture. In present-day coverage, the subject reaches into gentrification and graffiti policy, not least because of how temporary street art can become an important record of neighbourhood culture. Today's relevance is strengthened by local connectivity, rural transport and the continuing question of the challenge of maintaining reliable services outside dense city centres. The image fixes street furniture and boundaries within Shankill Road, West Belfast, NI, UK at one identifiable point, providing a benchmark against replacement signage. The subject also sits alongside local mobility, changing land use, stencil art, graffiti heritage, public transport stop, period detail, transport accessibility, and local bus network. The combination of Northern, Belfast, Ireland, Unionist, and Shankill anchors the frame to a recognisable activity, place or moment. The period setting at Shankill Road, West Belfast, NI, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is gentrification and how temporary street art can become an important record of neighbourhood culture within the specific setting of Shankill Road, West Belfast, NI, UK. The scene captures a trace of local identity for future local research.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Sandy Row,Belfast,Northern Ireland,UK,SandyRow,Sandy,Row,Protestant,Community,Royalist,British,Citizen,citizens,street,st,streets,south,residential,residents,UDA,Orange,order,South Belfast,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Rangers,freedomfighters,Carrs,Row,brigade,gun,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,South Belfast,orange Order,Freedom Fighters,Boyne Bridge,Saltwater Bridge,Orange Hall,Carrs Row,loyalist community,UDA South Belfast Brigade
Description: Tony Smith image Alamy HE7KXY - Sandy Row is a street in south Belfast, Northern Ireland. It lends its name to the surrounding residential community, which is predominantly Protestant working-class. The Sandy Row area had a population of 2,153 in 2001.[1][2] It is a staunchly loyalist area of Belfast, being a traditional heartland for affiliation with the paramilitary Ulster Defence Association (UDA) and the Orange Order.
Sandy row, South Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MAA - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,saint,Annes,The,assoc,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7MAC - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,stone,arch,Belfast Cathedral,saint,Annes,panorama,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG7N - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
-Movement--1609-1676-2MKF859.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan,Greater Manchester,Lancashire,England,UK,WN1 1BH,town,centre,in,Believe Square,to,born,and,bred,Diggers,founder,1609,1676,17c,Levellers,movement,socialism,Winstanley,English,Protestant,religious,reformer,common land,enclosed,enclosure,opposing,the,New Law of Righteousness
Description: Tony Smith image Alamy 2MKF859 - Gerrard Winstanley (19 October 1609 “ 10 September 1676) was an English Protestant religious reformer, political philosopher, and activist during the period of the Commonwealth of England. Winstanley was the leader and one of the founders of the English group known as the True Levellers or Diggers. The group occupied formerly common land that had been privatised by enclosures and dug them over, pulling down hedges and filling in ditches, to plant crops. True Levellers was the name they used to describe themselves, whereas the term Diggers was coined by contemporaries.
Early life
Gerrard Winstanley was born on 19 October 1609, the son of Edward Winstanley, mercer, and was baptised in the parish of Wigan, then part of the West Derby hundred of Lancashire. His mother's identity remains unknown and he could have been born anywhere in the parish of Wigan. The parish of Wigan contained the townships of Abram, Aspull, Billinge-and-Winstanley, Dalton, Haigh, Hindley, Ince-in-Makerfield, Orrell, Pemberton, and Upholland, as well as Wigan itself.
In 1630, Winstanley migrated to the City of London, where he became an apprentice to a Merchant Tailor. In 1638, he was admitted as a freeman of the Merchant Tailors' Company, a trade guild. In 1639, he married Susan King, the daughter of William King, a London surgeon.
English Civil Wars
The First English Civil War disrupted Winstanley's business, and in 1643 he was made bankrupt. His father-in-law helped him to move to Cobham, Surrey, where he initially worked as a cowherd
Winstanley published a pamphlet called The New Law of Righteousness. The basis of this work came from the Book of Acts, chapter two, verses 44 and 45: And all that believed were together, and had all things common
And sold their possessions and goods, and parted them to all men, as every man had need.
Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,English,England,Merseyside,tourist,tourism,attraction,attractions,UK,L1 7AZ,L1,Independents,Biennial,glowing,West Door,message,of,love,art,artist,Tracy,Emin,light,glass,in,interior,inside,embellishment,Giles Gilbert Scott,colours,colourful,expressive,impressive,tall,tallest,protestant,windows
Description: Tony Smith image Alamy 2PK2AKJ - . Tracey Emin - I felt you and I know you loved me , in pink neon, Liverpool Anglican Cathedral, St James' Mount, Liverpool, England, UK, L1 7AZ. Photographed on 1 April 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, tourist, tourism, attraction, attractions, L1 7AZ, Independents, Biennial, glowing, West Door, message, love, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature.
St James' Mount, Liverpool, Merseyside, England, UK, L1 7AZ
