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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0004,Wanted A Living Wage,wanted,living,wage,miner,poster,helmet,hard hat,trade,union,workers,rights,pay,labour,protest,campaign,Britain,UK,mining,industrial,relations,politics,graphic,heritage,working,class,fair,illustration,employment,solidarity,socialism,unions,NUM,mineworkers,mine,protests,1970s,1980s,miners,lamp,pit,treated,fairly
Description: Tony Smith image Alamy 3F4BG7B - . Wanted A Living Wage poster showing a miner's face and helmet, photographed in Britain. Photographed on 25 July 2026. The recorded location is Britain, UK. The design evokes labour movement graphics and campaigns for fair pay, decent wages and workers' rights. Suitable for editorial use on trade unions, mining heritage, wage campaigns, industrial relations, labour politics, protest posters and British working-class history. The high-contrast black, white and red design gives the image strong visual impact. Within the history of engineering history, industrial heritage links architecture and machinery with the people who worked in mines, potteries, foundries and factories
As production declined or modernised, many sites were demolished, adapted or preserved as museums and regeneration projects. In relation to workers rights, historical context shows that trade-union shirts, banners and slogans preserve the language of labour disputes and workplace organisation
Dock work in particular was transformed by containerisation, casualisation debates and changing employment structures. For the story of activism, it is useful to note that public campaigning forms part of democratic culture, documenting how people express support, opposition and identity outside formal institutions
Temporary signs and banners are especially useful historical evidence because they often disappear immediately after an election or referendum. Against the 2026 backdrop for engineering history, former industrial sites continue to be repurposed for housing, offices and cultural attractions
Historic machinery and surviving fabric therefore illustrate both deindustrialisation and current debates about adaptive reuse, local identity and heritage-led regeneration. As of 2026, the position for workers rights is that trade unions remain important actors in disputes over pay, restructuring and employment rights, while historic campaigns are revisited as part of local and labour history.
Britain, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0031,Mick Lynch RMT LGBT+ Socialists poster,Mick,Lynch,RMT,LGBT+,Socialists,poster,supporting,rail,workers,Peoples History Museum,Peoples,History,Museum,Manchester,England,UK,union,trade,labour,railway,strike,solidarity,socialist,politics,political,campaign,campaigning,transport,industrial,relations
Description: Tony Smith image Alamy 3F4BGDX - Mick Lynch RMT LGBT+ Socialists poster supporting rail workers, displayed at People's History Museum in Manchester, England, UK. The black, white and pink political graphic features trade union leader Mick Lynch alongside slogans including Victory to the RMT, LGBT+ Socialists and Support the Rail Workers. It represents contemporary trade union campaigning and solidarity around industrial action on Britain's railways, while also linking labour activism with LGBT+ socialist organisation. The RMT, the National Union of Rail, Maritime and Transport Workers, has been highly visible in disputes over pay, jobs, staffing, pensions and working conditions across the rail industry. This museum display provides editorial imagery for modern trade union politics, rail strikes, public transport, workers' rights, socialist campaigning, LGBT+ activism, political posters, solidarity movements, industrial relations, contemporary protest graphics and the continuing place of organised labour in British political debate.
People's History Museum, Left Bank, Spinningfields, Manchester M3 3ER, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0043,Crush Anti-Union Laws,Crush,Anti-Union,Laws,political,trade,union,poster,Peoples History Museum,Manchester,England,UK,workers,rights,labour,law,industrial,relations,campaign,campaigning,protest,activism,politics,workplace,legislation,solidarity,graphic,design,museum,history,democracy,Edward Heath,Tory,Tories,Conservatives,Kemi Badenoch,rightwing,right-wing
Description: Tony Smith image Alamy 3F4BGG9 - Crush Anti-Union Laws political trade union poster displayed at People's History Museum in Manchester, England, UK. The bold graphic shows an arm and clenched fist beneath large red lettering calling for anti-union laws to be crushed, reflecting campaigns against legislation restricting organised labour and collective action. The poster forms part of the visual history of British trade unionism, workplace politics and protest, using direct slogans and striking imagery intended to mobilise supporters. It is useful for editorial coverage of trade union rights, labour law, industrial relations, political campaigning, workers' organisations, protest art, poster design, organised labour, workplace disputes and the history of opposition to restrictions on union activity in Britain. The museum setting places the object within a wider national collection documenting democracy, working-class movements, political activism and campaigns for social and economic change.
People's History Museum, Left Bank, Spinningfields, Manchester M3 3ER, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A0094,Clarion Cafe,Clarion,Cafe,stained-glass,window,socialist,movement,Peoples History Museum,Peoples,History,Museum,Manchester,England,UK,socialism,labour,politics,newspaper,Robert,Blatchford,heritage,historic,radical,glass,display,culture,working-class,campaigning,publishing,clubs,cycling,ILP
Description: Tony Smith image Alamy 3F4BGGY - Clarion Cafe stained-glass window linked to the socialist Clarion movement, displayed at People's History Museum in Manchester, England, UK. The glowing decorative glass carries the word Clarion and recalls the network of clubs, cafés, cycling organisations and social activities that developed around Robert Blatchford's socialist newspaper The Clarion. Manchester's Clarion Cafe opened on Market Street in the early twentieth century and became a meeting place associated with socialist culture, fellowship, discussion and recreation. Surviving decorative material connected with the movement offers a vivid visual link to a period when political newspapers could support extensive social networks as well as campaigning and publishing. This photograph is useful for editorial coverage of British socialism, labour history, radical newspapers, Manchester political heritage, stained glass, social clubs, working-class history, museum displays and the history of political movements using culture and leisure to build communities.
People's History Museum, Left Bank, Spinningfields, Manchester M3 3ER, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,politics,parties,crypto,cryptocurrency,party,web,donation,to,stop,Tory,Kemi,Badenoch,Cons,URL,Conservatives UK,political,UK,audit,untracked,financ e,fund,donor,contribution,contributions,campaign,funds,blue,Thatcher,Kemi Badenoch,money,Stronger Britain,Help us build a Stronger Britain,regulation,transparency,Reform,rivalry
Description: Tony Smith image Alamy 3F4BG0D - The Conservative Party online donations page displayed on a tablet computer, illustrating political fundraising, party finance and the increasing use of digital channels to raise money for British political campaigning. The screen shows the official Conservatives website with a prominent blue panel carrying the slogan HELP US BUILD A STRONGER BRITAIN above an online donation form. Supporters are invited to donate any amount or find out about Conservative donor clubs, with options for one-time or recurring contributions. Preset payment buttons visible on the page include £10, £20, £50, £100, £250, £500, £1,000 and £2,000, together with an option to enter another amount. Political donations are an important source of income for UK parties, helping to finance campaigning, advertising, staffing, events and election activity. The photograph provides a contemporary editorial illustration of money in politics, donor influence, political finance, party fundraising and the relationship between political organisations and their supporters. It also reflects growing competition for financial backing between British political parties, including the Conservatives and Reform UK, particularly among voters and donors on the political right. Online fundraising allows parties to seek both relatively small individual contributions and larger donations through a simple web interface. Political donations in the UK are subject to rules governing the identity and permissibility of donors, with reportable donations disclosed through the Electoral Commission. Cryptocurrency has also become part of the wider debate about political finance, transparency and the traceability of funds. In 2026 the UK Government announced plans for a moratorium on political donations made using cryptoassets, with proposed legislation intended to strengthen safeguards against foreign financial influence. The tightly framed image shows the touchscreen, web browser and donation interface rather than an identifiable
United Kingdom
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,politics,parties,crypto,cryptocurrency,Labour,PM,web,donation,to,stop,ReformUK,website,online,fundraising,campaigns,campaign,fight,Nigel Farage,donor,supporters,donors,supporter,left,far-left,Make a donation today,threat,finance,political,Electoral,Commission donations,political funding,transparency,permissible,investigations,election,Britain,UK
Description: Tony Smith image Alamy 3F4BG1N - The Labour Party website displays an online fundraising appeal headed Make a donation today to stop Reform, shown on a tablet computer as an example of contemporary political campaigning and party finance in Britain. The page asks supporters to contribute money to Labour and directly frames the appeal around financial competition with Reform UK. Text visible on the webpage states that Reform UK raised £19.8 million in 2025 compared with £10.3 million for Labour, and says Reform received a £9 million donation followed months later by another £3 million from the same donor. The appeal argues that Labour needs additional resources to compete politically and links donations with campaigning on issues including the NHS, energy bills, workers' rights and child poverty. An interactive donation panel offers one-time or monthly payments, with suggested amounts including £500, £250, £120, £55, £20 and £10, together with a field for another contribution. The blue Donate and Support button provides the call to action. Political donations are an important source of finance for British political parties and can support campaigning, staff, communications, advertising and election activity. Donations are regulated under UK political finance rules, including requirements governing permissible donors, record keeping and reporting of qualifying contributions to the Electoral Commission. The image shows how parties use websites and digital payments to turn political rivalry into fundraising appeals. The explicit reference to stopping Reform makes the webpage particularly relevant to electoral and financial competition between Labour and Reform UK. Photographed close-up at an angle, the tablet fills the frame, with the Labour logo, headline, explanatory text and donation controls clearly visible. The image provides an editorial illustration of British politics, party funding, online donations, digital campaigning, political competition, donor influence and money in democracy.
United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_1809,Council house,Scottish,Saltire,flags,displayed,windows,front,wall,Scotland,UK,national,identity,patriotism,housing,residential,estate,social,council,home,property,community,politics,nationalism,domestic,satellite,dishes,blue,white,2026,football,World Cup,soccer
Description: Tony Smith image Alamy 3F12DR2 - . Council house with Scottish Saltire flags displayed for 2026 football World Cup in windows and on the front wall in Scotland, UK. Photographed on 29 June 2026. The modest terraced or semi-detached residential property has satellite dishes, rendered walls and everyday domestic features, while the blue and white Scottish national flags dominate the facade. The ordinary residential setting makes the flags particularly noticeable as a personal expression of national identity. The historical setting for professional sport is that british sports venues often have histories extending far beyond their present-day appearance, with rebuilt stands, sponsorship names and safety standards reflecting the professionalisation and commercial growth of spectator sport. Seen through housing supply, the earlier context is that housing photographs document changing ideas about density, tenure, architecture and neighbourhood design
Tower blocks, suburban estates, converted industrial buildings and private apartment schemes each represent different responses to demand for homes in particular periods. For building conservation, the historical context is that buildings are often the most durable evidence of former institutions and businesses
Brickwork, stonework, windows, entrances and signs can survive changes of ownership or use, allowing photography to document architectural style as well as the evolution of a street or district. In the 2026 discussion of professional sport, professional sport continues to be closely tied to broadcast rights, tourism, sponsorship and stadium redevelopment, while supporter experience, policing, ticket prices and transport continue to shape matchday debate. The 2026 relevance of housing supply comes from the fact that debate about housing focuses not only on numbers but also energy performance, building safety, infrastructure and the balance between social, affordable and market homes
Development photographs can illustrate how those.
Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_1437,Newspaper,front,page,about,Brexit,Boris,Johnson,United,Kingdom,politics,political,government,media,history
Description: Tony Smith image Alamy 3F9CW57 - . Newspaper front page about Brexit and Boris Johnson, United Kingdom. Photographed on 20 June 2026. For the story of protest, it is useful to note that political photographs gain meaning over time as candidates, parties and constitutional debates evolution
A routine campaign scene can later become evidence of a turning point, an unsuccessful candidacy or a movement that developed further. The historical setting for stamp is that printed and graphic ephemera are highly effective dating evidence
Tickets, stamps, posters, comics, manuals and vouchers combine wording, typography, colour and branding in forms that are often discarded after use. For present-day protest, 2026 is significant because digital campaigning dominates much modern politics, but physical posters, rallies and street demonstrations remain visually important
Their presence highlights the continuing role of public space in democratic expression. In the 2026 discussion of stamp, much ticketing, advertising and personal communication is digital, making older printed ephemera increasingly distinctive evidence of pre-digital consumer life. Useful alternative terminology includes political campaign, election, campaign sign, public opinion, political history, civic participation, activism, referendum, party politics, local politics, public rally, political communication, graphic design, print history, and consumer culture. Further relevant search phrases include paper artefact, retro design, visual communication, collectable, design history, IMG_1437, government, media, and history. Seen through activism, the earlier context is that election material, protest signs and campaign imagery preserve the language of politics as it was presented to voters at the time
Posters, slogans and public meetings can reveal local issues and political identities more directly than later summaries. Its wider context brings together political campaign, election and campaign sign.
United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_1117,Axe The Bedroom Tax,campaign,poster,benefit,cuts,rent,caps,Britain,UK,housing,social,welfare,reform,tenants,landlords,evictions,benefits,poverty,affordable,homes,politics,protest,arrears,downsizing,policy,Universal,Credit,campaigning,inequality,UC,Universal Credit,DHSS,cap,rents,flyer
Description: Tony Smith image Alamy 3ENMR5N - Axe The Bedroom Tax campaign poster opposing benefit cuts and rent caps in Britain, UK. The stark black, white and red design carries the slogan AXE THE BEDROOM TAX with additional demands including No Evictions, Cap Rents Not Benefits and Homes for Millions, alongside criticism of landlords and public spending choices. The term Bedroom Tax became the widely used political description for the UK government's under-occupancy reduction in Housing Benefit for working-age social housing tenants deemed to have more bedrooms than required. Introduced in 2013, the policy became a major focus for housing campaigners, tenants' organisations, political parties, charities and social landlords concerned about affordability, arrears, downsizing options and poverty. The photograph is suitable for editorial coverage of social housing, welfare reform, Housing Benefit, Universal Credit, tenants, rent policy, benefit cuts, poverty, housing campaigns, eviction fears, affordable housing and UK political protest. The strong typographic layout makes the poster an effective illustrative image for debates about welfare, housing affordability and the continuing legacy of the under-occupancy policy.
United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,campaigning,red wall,Labour Party,Andy For Us,Burnham,Labour,red,redwall,NW,North West,campaign,Ashton in Makerfield,Wigan,Greater Manchester,England,UK politics,political,posters,poster,election,Westminster,PM,prime minister,socialist,socialism,politics,elect,advertising,slogan,voter,appeal,campaign trail,political change,Leftwing,Left wing,red political,social media
Description: Tony Smith image Alamy 3EME6NC - A giant red Vote Andy For Us political campaign banner fixed to the gable end of a residential building off Atherton Road in Hindley Green, Wigan, Greater Manchester, during the Makerfield by-election campaign. The large vertical banner dominates the pebble-dashed wall, using bold white and yellow capital letters and a stylised cartoon portrait to create a highly visible piece of election publicity. The surrounding details, including the small upper window, satellite dish, chimney stacks, TV aerial and plain side wall, place the campaign material in an ordinary northern residential setting rather than a formal political event. The image is useful for editorial coverage of local election campaigning, political advertising, public displays of support, candidate branding, neighbourhood democracy, street-level politics and the visual language of by-election campaigns. The strong red colour of the banner contrasts with the muted wall and pale sky, making the campaign message the clear focus of the frame. It could support articles about the Makerfield by-election, Andy Burnham's campaign presence, Labour-style campaign graphics, political messaging in working-class neighbourhoods, and how houses, walls and everyday streets become part of the wider campaign environment. The image also has value for broader stories about British democracy, voter identity, constituency politics, northern England, Wigan borough, residential campaign signs, public opinion and the use of simple, bold visual design to communicate political support in local communities.
Atherton Road, Hindley, Makerfield constituancy, Greater Manchester
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,campaigning,red wall,Labour Party,Andy For Us,Burnham,Labour,red,redwall,NW,North West,campaign,Ashton in Makerfield,Wigan,Greater Manchester,England,UK politics,political,posters,poster,election,Westminster,PM,prime minister,reset,of,socialist,socialism,politics,elect,current metro mayor for Manchester City Region,advertising,slogan,voter,appeal,campaign trail,political change,Large red Vote Andy For Us signs line a residential
Description: Tony Smith image Alamy 3EME6NG - Vote Andy For Us campaign placards on Atherton Road in Hindley Green during the Makerfield by-election campaign. The nearest sign dominates the right side of the frame, fixed high above a dense green hedge beside a residential property, with another matching poster visible further along the pavement. The design uses bold white and yellow capital lettering and a stylised cartoon portrait, creating a simple, high-impact campaign message that can be read clearly from the road and footpath. The scene includes a typical local street setting with terraced and semi-detached homes, front garden walls, hedges, a lamppost, overhead wires, parked vehicles, a wheeled bin, a pedestrian walking a small dog and a pale cloudy sky. The image is useful for editorial coverage of constituency campaigning, neighbourhood politics, public election displays, campaign graphics, doorstep democracy, voter identity, local political mood and the visual language of British by-elections. The repeated posters show how campaign material can form a visible trail through an ordinary residential area, turning gardens, boundary walls and pavements into part of the political landscape. The picture has strong stock-photo value for stories about the Makerfield by-election, Andy Burnham campaign publicity, Labour-style red campaign branding, political support in northern communities, Wigan borough street scenes, Greater Manchester politics, local democracy, household political expression and the use of bold graphic design to attract attention in everyday places. The hedge, brick garden walls and receding street add useful context, showing the posters not as isolated objects but as part of a lived-in neighbourhood where election messages sit alongside normal daily routines.
Atherton Rd,Hindley, Makerfield constituancy, Greater Manchester
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,campaigning,red wall,Labour Party,Andy For Us,Burnham,Labour,red,redwall,North West,campaign,Ashton in Makerfield,Wigan,Greater Manchester,England,UK politics,political,posters,poster,election,Westminster,PM,prime minister,of,socialist,socialism,politics,current metro mayor for Manchester City Region,slogan,appeal,campaign trail,political change,placards,Josh Simmons,Keir Starmer,King of The North,number 10,left leaning
Description: Tony Smith image Alamy 3EME6P3 - Vote Andy For Us placard stock-photo/gotonysmith-Posters.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>posters on Atherton Road, Hindley, during the Makerfield June 2026 by-election campaign. Clutch of red Vote Andy For Us placard posters on Atherton Road in Hindley, in the Makerfield area, during the June 2026 by-election campaign. Two matching signs are visible, each mounted on timber posts and featuring a cartoon-style portrait of Andy Burnham with bold white and yellow capital lettering on a bright red background. The nearest placard dominates the right side of the frame, while a second sign further down the pavement helps create a repeated campaign trail through the street. The image is set in an everyday residential environment with hedges, brick houses, a pavement, a lamppost, overhead wires and a cloudy sky, giving it a strong sense of neighbourhood politics and street-level campaigning rather than a stage-managed rally or formal political event. The supplied wording identifies the scene as being on Atherton Road, Hindley, in the Makerfield ward, and describes the June 2026 by-election as having been caused by Josh Simmons resigning his seat to give Andy Burnham a shot at Prime Minister Keir Starmer's job. As a stock image, this photograph is useful for editorial themes including local democracy, constituency campaigning, public political display, campaign branding, neighbourhood voter appeal, British election imagery, repeated roadside posters, northern England political street scenes and the visual language of by-election messaging. The simple slogan Vote Andy For Us is central to the image, presenting a direct call to voters in a highly visible and easy-to-read format. The repeated boards, ordinary homes and street setting give the picture added value for stories about how political messaging is embedded in everyday communities and how pavements, hedges and frontages become part of the campaign
Hindley, Makerfield constituancy, Greater Manchester
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,culture war Britain,Im voting Rob Kenyon,poor,bad,polling,betting,odds,storm,stormy,working class voters,right-wing,Nigel Farage,party,populist,populism,politics,Labour Reform contest,Wigan,battleground,northern,Andy Burnham,plumber,local,protest vote,messaging,small business,appeal,tradesman,street-level,campaigning,electoral discontent,national political pressure,right arrow,symbolism,cloudy,turnout,GBnews
Description: Tony Smith image Alamy 3EMY4DF - High roadside Reform UK arrow sign above a Rob Kenyon campaign placard in the Makerfield constituency, Wigan, Greater Manchester, during the 18 June 2026 by-election campaign. The turquoise Reform UK branding, right-pointing arrow and candidate portrait stand out against a grey, stormy sky, overhead wires, parked cars and suburban housing, giving the image a strong visual metaphor for political direction, voter choice and unsettled public mood. The poster reads I'm voting Rob Kenyon and links the candidate to Reform UK's wider pitch to working-class and small business voters in a former Labour heartland. Kenyon, also reported as Robert Kenyon, was Reform UK's candidate against Labour's Andy Burnham, with coverage describing him as a self-employed plumber and army reservist. The image is useful for editorial stories about Reform UK, Nigel Farage's party, right-wing populism, Labour versus Reform contests, protest voting, by-election battlegrounds, northern England politics, working-class electoral appeal, street-level campaigning, political advertising and the use of simple candidate branding in local democracy. The high arrow sign, placed above the poster and slightly out of reach, can also support more interpretive features about political messaging, direction of travel, voter frustration and attempts by Reform UK to mobilise people who feel ignored by Westminster. The stormy weather and cloudy sky add a visual sense of turbulence to a contest that drew national attention because Burnham's attempt to return to Parliament was seen as politically significant beyond Makerfield. Media coverage also brought scrutiny to Kenyon's background, past comments and policy readiness, while Reform presented him as a local working tradesman. As a stock image it has strong use for articles on British elections, populist campaigns, voter realignment, northern political identity, disillusionment with mainstream parties and the visual language of UK by-election campaigning in 2026.
Hindley Green, in Makerfield, Greater Manchester, WN2 4TA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Labour campaign,northern terrace,Labour,PM,Kier Starmer,black and white,selective colour,red poster,2026,King Of The Noth,northern,Burnham,campaign,Vote Andy,residential,street,politics,ordinary,voters,branding,street-level,democracy,post-industrial,working-class,neighbourhood,community,electoral,ReformUK,prime minister,Westminster,number ten,cabinet,Labour Party leader,Manchester mayor,number 10,social care,socialcare
Description: Tony Smith image Alamy 3EMY4DP - Selective colour documentary photograph shows a large red Vote Andy For Us Andy Burnham campaign poster fixed to the gable end of a traditional northern terrace house in the Makerfield constituency, Wigan, Greater Manchester, during the June 2026 by-election campaign. Most of the street scene is rendered in black and white, while the red Labour-style campaign banner remains highlighted, making the political message stand out against the grey wall, cloudy sky, rough ground and parked white van in the foreground. The image captures a striking example of doorstep and neighbourhood election publicity, where national political questions are played out on ordinary residential streets. The bold block lettering, cartoon portrait and oversized gable-end placement give the scene a strong visual identity, useful for editorial coverage of Labour campaigning, Andy Burnham's return-to-Westminster bid, northern England politics, by-election messaging, voter mood, political branding, working-class communities, and the changing political landscape in former Labour heartlands. Makerfield became a nationally watched contest because Greater Manchester mayor Andy Burnham was selected as Labour's candidate, with the by-election expected to test Labour support and Reform UK pressure in the North West. The House of Commons Library also set out the unusual constitutional angle: Burnham could stand for Parliament while serving as mayor, but would lose the mayoralty if elected as an MP. The photograph's monochrome treatment gives the scene a moody, unsettled atmosphere, while the isolated red poster suggests campaign urgency, party identity and a contested electoral moment. It could illustrate stories about Labour's future direction, Greater Manchester devolution, local political loyalties, leadership speculation, campaign communications, political street art, democratic participation, by-election battlegrounds and the visual language of UK elections in 2026.
Hindley Green, Wigan WN2 4TA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bye-election,vote,poll,polling,18th June 2026,18/06/2026,voting,constituency,publicity,banner,banners,British,politics,Kier Starmer,party,contest,town,kingmakers,local,election,MP,Josh Simons,leader,seat,ward,campaign,campaigning,sign,signs,doorstep,slogan,street,UK,garden,anti-abortion,carnage,posts
Description: Tony Smith image Alamy 3EJYKFP - Editorial photograph shows two Reform UK campaign signs in a garden off Bolton Road, Ashton-in-Makerfield, Wigan, Greater Manchester, during the June 2026 Makerfield by-election campaign. The main teal poster reads ˜MAKERFIELD NEEDS REFORM' in large white lettering, while a smaller round Reform UK sign is visible to the left, partly tucked behind the hedge. The scene was photographed in daylight under a bright but slightly overcast sky, with shrubs, trees, a low wall and nearby homes giving the image a stock-photo/gotonysmith-Residential.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>residential doorstep politics feel rather than a formal rally setting. The by-election was due on 18 June 2026 after Josh Simons resigned as Labour MP, with ITV reporting that he stood down so Andy Burnham could seek a return to Westminster. Reform UK selected Robert Kenyon, listed by WhoCanIVoteFor as its 2026 parliamentary by-election candidate and as an elected Wigan councillor in Bryn with Ashton-in-Makerfield North. The contest attracted national attention because Burnham, the Mayor of Greater Manchester, was attempting to move from regional leadership back into Parliament, while Reform UK under Nigel Farage said it would put major effort into the seat. The House of Commons Library also noted that Burnham could stand while mayor, but would be disqualified from the mayoralty if elected as an MP. This image can illustrate Reform UK campaigning, Nigel Farage's party strategy, Labour versus Reform, red wall politics, voter disillusionment, populist messaging, immigration-focused politics, local democracy, tactical voting, garden signs and the changing political map in post-industrial northern constituencies. For stock buyers, the value lies in the double Reform UK signage, the clear Makerfield wording, the Bolton Road location and the ordinary residential backdrop, a compact shorthand for the challenge facing Labour where local identity, national party pressure and anti-establishment campaigning met on the streets of Ashton-in-Makerfield.
88-100 Bolton Rd, Ashton-in-Makerfield, Wigan WN4 8AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bye-election,vote,poll,polling,18th June 2026,18/06/2026,voting,constituency,publicity,banner,banners,British,politics,Kier Starmer,party,contest,town,kingmakers,local,election,MP,Josh Simons,leader,seat,ward,campaign,campaigning,sign,signs,doorstep,slogan,street,Reform,UK,ReformUK,rightwing,candidates comments
Description: Tony Smith image Alamy 3EJYKGC - Documentary editorial photograph shows a blue Reform UK roundel sign mounted on a wooden post in a large garden off Bolton Road, Ashton-in-Makerfield, Wigan, Greater Manchester, during the 2026 Makerfield by-election campaign. The sign uses Reform UK's simple white arrow logo and black lettering against a bright blue background, standing above a green hedge with trees, sky and a glimpse of suburban housing behind it. The image was taken in daylight under a bright, lightly clouded sky, giving the scene a calm residential feel while still carrying a sharp political message. Reform UK grew out of the Brexit Party associated with Nigel Farage, and the party's modern campaign themes have focused heavily on anti-establishment politics, immigration, borders, public services and voter anger with the main parties. In Makerfield, the by-election was due on 18 June 2026 after stock-photo/gotonysmith-Labour.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Labour MP Josh Simons stood down, opening the way for Andy Burnham, the Mayor of Greater Manchester, to contest the seat for Labour. Reform UK selected Robert Kenyon, reported as a local plumber and army reservist, creating a high-profile Labour versus Reform contest in a long-standing Labour heartland. This close-up image is useful for illustrating Reform UK campaigning, right-wing populism, red wall politics, northern voter disillusionment, Labour heartlands, by-elections, political realignment, tactical voting, doorstep politics and the visibility of party support in private gardens. For stock buyers, the value lies in the uncluttered Reform UK branding, the ordinary garden setting and the precise connection to a nationally watched parliamentary contest. It works as a simple but powerful visual shorthand for the attempt by Nigel Farage's party to turn local dissatisfaction in post-industrial Greater Manchester into votes, and for the pressure facing Labour in places where political loyalty can no longer be taken for granted.
88-100 Bolton Rd, Ashton-in-Makerfield, Wigan WN4 8AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bye-election,vote,polling,18th June 2026,18/06/2026,voting,constituency,publicity,banner,banners,British,politics,party,town,kingmakers,local,election,MP,Josh Simons,leader,seat,ward,campaign,campaigning,sign,signs,doorstep,slogan,street,Reform,UK,ReformUK,prime minister,number ten,beating Reform,cabinet,Catholic
Description: Tony Smith image Alamy 3EJYKH0 - Tall vertical version of editorial photograph shows two rival political signs in a front garden setting in Ashton-in-Makerfield, Wigan, Greater Manchester, during the June 2026 Makerfield by-election campaign. In the foreground, a red Labour ˜VOTE ANDY FOR US' poster shows a cartoon likeness of Andy Burnham in his familiar black top and glasses, while a blue Reform UK roundel sign is visible just behind the hedge. The two signs create a compact visual contest between Burnham, the high-profile Mayor of Greater Manchester, and Reform UK candidate Robert Kenyon, reported as a local plumber and army reservist. The image was taken in daylight under a cloudy North West England sky, with terraced and semi-detached houses, a brick wall, hedges and a quiet suburban road giving the scene a strongly local, doorstep politics feel. Burnham is often nicknamed the ˜King of the North' in political and media commentary, reflecting his regional profile since becoming Mayor of Greater Manchester in 2017 and winning further mayoral terms in 2021 and 2024. The Makerfield by-election was due on 18 June 2026 and drew national attention because Burnham's possible return to Westminster was linked with Labour's future direction and speculation about Sir Keir Starmer's leadership. Reform UK's challenge added anstock-photo/gotonysmith-Other.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>other layer, with Kenyon's candidacy attracting scrutiny over past social media posts and debate about the party's appeal in Labour heartlands. This image is useful for stories about Labour campaigning, Reform UK pressure, red wall politics, northern identity, voter choice, by-elections, populism, political branding, tactical voting and the everyday visibility of party loyalty in residential streets. For stock buyers, its strength is the juxtaposition of two competing signs: one personalised around Burnham's recognisable cartoon image, the other using Reform UK's simple directional branding, both bidding for attention before a closely watched parliamentary contest in Makerfield.
88-100 Bolton Rd, Ashton-in-Makerfield, Wigan WN4 8AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bye-election,vote,poll,polling,18th June 2026,18/06/2026,voting,constituency,publicity,banner,banners,British,politics,Kier Starmer,party,contest,town,kingmakers,local,election,MP,Josh Simons,leader,seat,ward,campaign,campaigning,sign,signs,doorstep,slogan,street,UK,shops,shop,shopping,Nigel Farage
Description: Tony Smith image Alamy 3EJYKJC - Documentary editorial photograph shows a teal Reform UK campaign poster on Bolton Road, Ashton-in-Makerfield, Wigan, Greater Manchester, during the June 2026 Makerfield by-election campaign. The sign reads ˜MAKERFIELD NEEDS REFORM' in large white lettering, with Reform UK's circular arrow logo forming part of the word ˜REFORM'. It is mounted on a wooden post above a hedge, with off licence, convenience store and takeaway signs visible along the street behind it. The picture was taken in daylight under mixed sun and cloud, with dappled shadow across the poster and a local shopping parade giving the scene a direct, everyday campaign feel. The image places Reform UK's national message into a recognisable high street setting, where retail decline, cost of living, immigration, public services and community identity can become part of doorstep political debate. The Makerfield by-election, due on 18 June 2026, drew national attention because stock-photo/gotonysmith-Labour.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Labour selected Andy Burnham, Mayor of Greater Manchester, while Reform UK selected Robert Kenyon, reported as a local plumber and army reservist. Coverage described Kenyon as a prominent challenger and reported controversy over earlier online posts attributed to him, including comments on Brexit, Covid and women. Those claims should be treated as reported allegations unless directly verified from primary material. Burnham's mayoral record is often associated with Greater Manchester's Bee Network, including bus franchising and integrated transport. Reform UK's national politics under Nigel Farage has strongly emphasised immigration and ˜stop the boats' messaging. For stock buyers, this image provides a clear visual shorthand for Reform UK campaigning in a Labour heartland, the contest between local and national political narratives, and the way a by-election can turn an ordinary Ashton-in-Makerfield street into a stage for wider arguments about populism, transport, public services, borders, leadership and voter trust.
88-100 Bolton Rd, Ashton-in-Makerfield, Wigan WN4 8AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bye-election,vote,poll,polling,18/06/2026,voting,constituency,publicity,banner,banners,British,politics,Kier Starmer,party,contest,town,kingmakers,local,election,MP,Josh Simons,leader,seat,ward,campaign,campaigning,sign,signs,doorstep,slogan,street,rightwing,window,ReformUK,18th,June,voter disillusionment
Description: Tony Smith image Alamy 3EJYKKP - Documentary editorial photograph shows a small Reform UK ˜VOTE REFORM UK 18TH JUNE' leaflet displayed discreetly in the front window of a suburban red-brick house in Ashton-in-Makerfield, Wigan, Greater Manchester. The white-framed window, domestic ornaments, reflections, brickwork and overhanging leaves give the image an intimate residential setting, quite different from the larger roadside banners and garden placards seen elsewhere in the Makerfield by-election campaign. The image was taken in daylight under a bright but cloudy sky, and the small blue leaflet is a subtle but clear sign of Reform UK support inside an ordinary home. The Makerfield by-election was confirmed for 18 June 2026 after Labour MP Josh Simons stood down, with Politico and ITV reporting that the move allowed Andy Burnham to seek a return to stock-photo/gotonysmith-Westminster.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Westminster. Burnham is the Mayor of Greater Manchester, first elected in 2017 and re-elected in 2021 and 2024, and is often nicknamed the ˜King of the North' because of his strong regional profile. Reform UK's candidate Robert Kenyon was reported by the Guardian as a local plumber and army reservist, while Nigel Farage said Reform would put major effort into the contest. This image can illustrate Reform UK campaigning, window posters, private voter support, Labour versus Reform, red wall politics, political realignment, populist messaging, local democracy, parliamentary by-elections, tactical voting and the contest for working-class support in a traditional Labour area. It also speaks to the quieter side of election campaigning, where political allegiance is shown not at a rally or hustings but through a modest sign placed behind glass. For stock buyers, the value lies in the small scale of the leaflet, the domestic setting and the link to a nationally watched contest in which Burnham's Westminster ambitions, Kenyon's anti-establishment appeal and Farage's Reform UK strategy all met on Ashton-in-Makerfield streets.
Ashton-In-Makerfield, Wigan, Greater Manchester, England
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bye-election,vote,poll,polling,18th June 2026,18/06/2026,voting,constituency,publicity,banner,banners,British,politics,Kier Starmer,party,contest,town,kingmakers,local,election,MP,Josh Simons,leader,seat,ward,campaign,campaigning,signs,doorstep,slogan,street,Reform,UK,ReformUK,rightwing,terraced house,GBnews
Description: Tony Smith image Alamy 3EJYKM2 - Editorial photograph shows a blue Reform UK roundel sign fixed in a front garden on an ordinary red-brick stock-photo/gotonysmith-Residential.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>residential street in Ashton-in-Makerfield, Wigan, Greater Manchester, during the 2026 Makerfield by-election campaign. The sign uses Reform UK's simple white arrow branding, pointing forward against a blue background, with traditional terraced houses, brick walls, railings, chimney stacks, overhead wires and a cloudy North West England sky behind it. The image has strong street-level political value because it places a national right-wing populist party message into a local working-class housing setting. Reform UK grew out of the Brexit Party, the vehicle associated with Nigel Farage, and Britannica describes Farage as having launched the Brexit Party in 2019 before rebranding it as Reform UK in 2021. The Makerfield by-election was scheduled for 18 June 2026 after Labour MP Josh Simons stood down, creating a nationally watched contest between Andy Burnham for Labour and Robert Kenyon for Reform UK. Kenyon was reported as a local plumber and army reservist, while Burnham is the high-profile Mayor of Greater Manchester. Reform UK's campaign sought to mobilise voters around anti-establishment themes, immigration, borders and public dissatisfaction, while Labour presented Burnham as a recognised regional figure with a record linked to growth, devolution and the Bee Network transport programme. This image can illustrate Reform UK campaigning, Brexit legacy politics, Labour heartlands, red wall constituencies, working-class voter identity, political realignment, populism, immigration messaging, tactical voting, local democracy and public trust in northern England. For stock buyers, the strength lies in the contrast between the crisp campaign roundel and the everyday terrace backdrop, a compact visual shorthand for how the Makerfield contest turned ordinary residential streets into visible markers of national political change.
Ashton-In-Makerfield, Wigan
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,vote,poll,polling,18th June 2026,18/06/2026,constituency,publicity,banner,banners,British,politics,Kier Starmer,party,contest,town,election,MP,Josh Simons,leader,seat,ward,campaign,campaigning,sign,doorstep,slogan,street,Manchester,city,region,andy,burnham,King of The North,prime minister,number ten,social media,devolution
Description: Tony Smith image Alamy 3EJYKNR - Documentary editorial photograph shows a red Labour ˜Vote Andy For Us' campaign poster in Ashton-in-Makerfield, Wigan, Greater Manchester, during the June 2026 Makerfield by-election campaign. The sign uses bold red, white and yellow colours associated with Labour campaign branding and asks local voters to back Andy Burnham, the Mayor of Greater Manchester. Burnham has often been described in media and political commentary as the ˜King of the North', a nickname reflecting his high public profile across Greater Manchester and the wider North of England. Official Greater Manchester sources state that he was first elected mayor in 2017 and then re-elected in 2021 and 2024. The by-election became a nationally watched contest because Burnham's route back to Westminster was linked in reporting with wider speculation about Labour's future direction under Sir Keir Starmer. The Makerfield race was not simply Labour against one challenger. The Green Party selected Sarah Wakefield, raising questions in coverage about whether the progressive or left-leaning vote could be split, while Reform UK selected Robert Kenyon, reported as a local plumber and army reservist, whose campaign attracted scrutiny over past social media posts. Current polling and reporting should be treated cautiously, as by-election campaigns can move quickly, but Survation placed Burnham and Kenyon close at the start of the campaign, with smaller parties also competing for attention. This photograph can illustrate Labour campaigning, Green Party pressure, Reform UK challenge, tactical voting, red wall politics, northern identity, candidate branding, local democracy, parliamentary by-elections and Westminster leadership speculation. For stock buyers, the value is the readable slogan and clear local political context: an ordinary Ashton-in-Makerfield street carrying a high-profile election message at the point where local voter concerns, national party tensions and mayoral politics all meet.
2 Walter St, Ashton-in-Makerfield, Wigan WN4 8TP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bye-election,vote,poll,polling,18th June 2026,18/06/2026,voting,constituency,publicity,banner,banners,British,politics,Kier Starmer,party,contest,election,MP,Josh Simons,leader,seat,ward,campaigning,sign,signs,doorstep,slogan,street,volunteer,members,helpers,volunteers,final,push,prime minister,number ten,cabinet
Description: Tony Smith image Alamy 3EJYKP0 - This documentary editorial photograph shows a large yellow Labour campaign centre banner tied to green metal railings at Stubshaw Cross Community and Sports Club, off Bolton Road in Ashton-in-Makerfield, Wigan, Greater Manchester. The bold red wording reads LABOUR CAMPAIGN CENTRE , making the image a clear record of Labour's visible organisation during Andy Burnham's Makerfield by-election campaign. The picture was taken in daylight under a bright but cloudy sky, with grass, trees and roadside railings placing the banner in an everyday community setting rather than a polished national press backdrop. Burnham is the Mayor of Greater Manchester and Labour's candidate for Makerfield, a constituency that includes Ashton-in-Makerfield and parts of Wigan. The by-election has attracted national attention because it follows Josh Simons standing aside and because Burnham's possible return to Westminster has been linked in reporting with wider debate about Labour's future direction under Sir Keir Starmer. Reform UK is also central to the contest, with Robert Kenyon, reported as a local plumber and army reservist, standing as its candidate. Several outlets have reported controversy over past social media posts linked to Kenyon, including alleged sexist, crude and anti-abortion comments, making the race useful for illustrating scrutiny of candidate conduct as well as the rise of Reform UK in former Labour heartlands. This image can support features on by-elections, Labour campaigning, campaign headquarters, party machines, Reform UK pressure, northern politics, political realignment, working-class voters, local democracy, red wall seats, mayoral politics and Westminster leadership speculation. For stock image buyers, the value lies in the readable sign, precise Wigan location and strong visual connection between an ordinary community club and a nationally watched contest where local voters, party loyalty, populist challenge and Labour's internal tensions all meet.
2 Walter St, Ashton-in-Makerfield, Wigan WN4 8TP
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,election,politics,local,history,identity,voice,civic,culture,democracy,2026,ReformUK,Reform UK,Labour Party,Labour,losses,gains,exhibition,public exhibition,cultural,display,change,post-industrial,town,reults,heartlands,red wall,party,traditional,stronghold,right wing,Nigel Farage,political,working class politics,changing,Makerfield by-election,Makerfield byelection,voter disillusionment
Description: Tony Smith image Alamy 3EENK89 - Wigan's Voice exhibition display inside the Museum of Wigan Life, photographed in 2026, with large red, white and black entrance graphics and Wigan Council branding. The exhibition title has added contemporary resonance after the 2026 Wigan local election results, when Reform UK made major gains across the borough and Labour lost a substantial number of seats, although Labour still remained the largest group on the council. The image can be used carefully to illustrate the idea of Wigan finding or changing its political and cultural voice, but the exhibition itself should not be misrepresented as an election display. It was promoted by Wigan Council as a museum exhibition exploring the borough's heritage, culture and changing landscape, structured around nature's voice, traditional voice and community voice. The graphic panel reads Wigan's Voice and Until 25 July 2026 , placing the photograph within a specific local cultural moment. The image is useful for editorial subjects including Wigan identity, local democracy, public culture, civic history, museum exhibitions, community voice, post-industrial northern towns, Greater Manchester politics, local government change and the role of museums in reflecting place and belonging. The recent election context adds news value, especially where stories examine Labour's weakening grip in parts of its traditional North West heartlands and the rise of Reform UK as a right-wing populist challenger. The scene appears indoors under museum or gallery lighting, with visitors, display areas and exhibition structures visible in the background. The photograph works best as a documentary image about Wigan's public identity and changing civic mood, rather than as direct evidence of any one political cause. It should be captioned with care, distinguishing between the museum's cultural exhibition and the separate 2026 local election result.
Wigan's Voice exhibition at the Museum of Wigan Life in 2026, given added context by major Reform UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,No 10,party,PM,by-election,Wigan,Mayors Chambers,Mayors Chamber,mayor,local government,town hall,council,library street,local,democracy,building,borough,leadership,office,Greater Manchester,politics,devolution,northern,administration,service,democratic,accountability,sign,red brick,architecture,ceremonial,regional,government,political,Makerfield by-election,King of The North,devolved
Description: Tony Smith image Alamy 3EF6C0W - A close documentary view of the Mayor's Chambers sign on the red brick exterior of Wigan Town Hall in Greater Manchester, England. The image focuses on civic stock-photo/gotonysmith-Identity.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>identity, local democracy and municipal government, with the plain grey sign and white lettering set against warm red masonry. Wigan Town Hall is the administrative centre for Wigan Metropolitan Borough Council, with official meeting listings giving the address as Town Hall, Library Street, Wigan, WN1 1YN. The photograph is useful for editorial stories about local councils, mayoralty, town halls, borough governance, public service leadership, ceremonial office, civic buildings and the continuing role of elected local government in English towns. The wording Mayor's Chambers connects the image with the civic mayor of Wigan, mayoral duties, official receptions, community events, council ceremonies and the symbolic side of municipal life. It can also work more broadly for themes around Greater Manchester politics, devolution, civic leadership and public administration, including wider references to the high profile Greater Manchester mayoralty associated with Andy Burnham, although this specific sign relates to Wigan's local civic mayor and town hall setting rather than the devolved regional mayor's office. The tight composition, limited palette and visible brickwork make the image suitable for news, politics, local authority, public sector, heritage and urban documentary uses. The scene appears to be taken in low or subdued light, with no visible sky and a dry building frontage, giving it a serious civic mood. Wigan's town hall and council chamber setting is part of the borough's democratic infrastructure, used for meetings, decisions, civic events and official business, making this a useful stock image for coverage of council accountability, public sector budgets, local elections, mayoral symbolism, regional identity, northern towns and Greater Manchester governance.
Mayor's Chambers sign at rear of Wigan Town Hall, Library Street, Wigan, Greater Manchester, UK - Li
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,255A9131,Wigan Civic,Centre,Wigan,Greater Manchester,England,UK,landscaped,public,space,civic,council,government,local,municipal,offices,administration,services,town-centre,gardens,planning,housing,politics,authority,building,landscape
Description: Tony Smith image Alamy 3EKNXHG - Wigan Civic Centre and landscaped public space in Wigan, Greater Manchester, England, UK. The municipal office building is seen across planted gardens, steps and paved pedestrian areas, with CIVIC lettering displayed prominently on the side of the complex. The photograph is suitable for editorial coverage of Wigan Council, local government, civic offices, public administration, municipal services, town-centre public realm, landscaping, council employment and Greater Manchester politics. The modern building provides a recognisable institutional image for stories about council services, local authority budgets, planning, housing, social care, elections and public-sector decision making. Mature trees and landscaped planting soften the formal architecture and show how the civic complex sits within an accessible public space rather than a purely administrative setting, making the image useful for general coverage of local government and the physical presence of council services in the town centre.
Wigan Civic Centre, Wigan, Greater Manchester, England, UK
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,RNLIs,red,warning,danger,saving,lives,at,sea,small boats,illegal,immigrants,immigrant,ReformUK,sea rescue,maritime,rescue,search and rescue,crew,lifeboat,service,volunteer,volunteers,coast,safety,Channel crossings,migrant,boats,English Channel,asylum,seekers,migration,debate,border,politics,humanitarian,people smuggling,trafficking gangs
Description: Tony Smith image Alamy 3E91DFR - RNLI flag stock-photo/gotonysmith-Flying.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>flying beside a red beach warning flag, a symbolic image for sea rescue, beach safety, lifeboat volunteers, coastal risk and the heated UK debate over small boat crossings in the English Channel. The Royal National Lifeboat Institution describes itself as the charity that saves lives at sea, providing lifeboat search and rescue, lifeguards, water safety education and flood rescue. Its position on Channel small boats is that lifeboats are launched when HM Coastguard reports people may be in danger at sea, and that maritime law requires vessels aware of people in distress to take reasonable steps to assist. That mission has drawn criticism from anti-immigration campaigners and some political voices who argue that rescuing asylum seekers may encourage crossings, assist people-smuggling gangs or blur the line between humanitarian rescue and border control. Supporters counter that lifeboat crews are not immigration officers, that people in small overloaded boats are at real risk of drowning, and that the moral and legal duty at sea is to save lives first and leave asylum decisions to the proper authorities later. The controversy therefore sits between public safety, charity neutrality, border enforcement, refugee protection, people-smuggling, national politics and media-driven culture war. The image can illustrate both the practical mission of lifeboat rescue and the wider argument about whether a charity should ever discriminate between casualties based on nationality, immigration status or how they came to be in danger. The red flag adds a clear danger and warning element, strengthening use for stories about unsafe water, beach hazards, drowning prevention, coastal storms, lifeguard advice and the risks of the sea. It is a strong editorial stock image for coverage of the RNLI, small boat crossings, Channel rescues, humanitarian duty, misinformation, anti-migrant protest, public donations, charity values and the difficult business of rescue ethics
RNLI flag and red beach warning flag flying, symbolising sea rescue, beach safety and debate over Ch
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,graffiti,on,a,advert,hoarding,IE,Irish,politics,Palestine Action,Palastine,Gaza,peace,agreement,street art,vandalism,corporate advertising,political protest,handwritten graffiti,urban protest,Israel Palestine conflict,boycott message,political statement,anti corporate protest,public space,advertising defacement,urban politics,street activism,political expression,global conflict,consumer brands,Coca Cola advertising,zero sugar branding,contemporary politics,Ireland protest,Middle East conflict reference
Description: Tony Smith image Alamy 3BR17BK - A close-up image of a Coca Cola Zero Sugar advertisement in Dublin, Ireland, defaced with handwritten black graffiti reading Free Palestine . The political message has been painted directly over the brand's red advertising panel, partially obscuring the original corporate marketing text and imagery.
The graffiti reflects wider international protests and expressions of solidarity related to the ongoing Israel“Palestine conflict, which has prompted demonstrations, street messaging, and political statements across cities worldwide. In this case, the use of a globally recognised consumer brand as a backdrop highlights the intersection between political activism, corporate visibility, and public urban space.
Such defacement of advertising hoardings is a long-established form of protest, allowing individuals to insert political commentary into highly visible commercial environments. The image documents contemporary street-level political expression in Ireland, capturing how global geopolitical issues are reflected in local urban landscapes.
This photograph is suitable for editorial use illustrating political protest, street graffiti, public responses to international conflict, urban activism, and the use of corporate advertising spaces as platforms for political messaging.
Dublin, Ireland
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Richard Tice,DeformUK,Union,flag,Butchers Apron,Jack,neon sign,patriotic slogan,UK,politics,artwork,concept,British,identity,fascism,imperial,populism,right-wing,right wing,Rupert Lowe,anti EU,sentiment,anti-EU,post Brexit,Britain,post-Brexit,national,debate,culture war,nationalism,sovereignty,anti immigration,rhetoric,xenophobia,anti-immigration,divisive,GBnews
Description: Tony Smith image Alamy 3E8PTT9 - Editorial concept image showing the words Hope and Glory in bright neon lighting set against a large Union Jack flag within an ornate gold frame. The composition turns a familiar patriotic phrase into a loaded political symbol, inviting interpretations linked to Brexit, British nationalism, imperial nostalgia, sovereignty politics and the continuing argument about Britain's place in Europe and the wider world. The red, white and blue neon text has the feel of a bold public statement, but the image can also be read ironically, as a commentary on older myths of British greatness, post-imperial identity and the clash between nostalgic patriotism and modern multicultural reality. This makes it especially useful for editorial themes around Reform UK style politics, populism, anti EU sentiment, culture war rhetoric, anti immigration narratives, English nationalism, flag politics and debates about whether appeals to national pride are harmless symbolism or part of something darker and more exclusionary. The visual impact is strong, with the glowing neon letters creating a sense of theatricality and confrontation, while the Union Jack backdrop anchors the subject firmly in British political and cultural discourse. Suitable uses include news features, opinion pieces, magazine essays, blogs and commentary about Brexit Britain, reactionary politics, national identity, patriotic branding, empire memory, right-wing campaigning, xenophobia debate and the tension between civic pride and exclusionary ideas of belonging. The image also works more broadly as a symbol of contested Britishness, where slogans such as Hope and Glory can be understood either as celebration or as critique, depending on the context in which they are used. A visually striking current affairs illustration for stories about political symbolism, national myth-making, contested patriotism and the ongoing reshaping of British identity after Brexit.
Neon Hope and Glory sign over a Union Jack, evoking Brexit, nationalism, imperial nostalgia and divi
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,U-Turns,defeat,change,changing,leader,of,Vote Labour,Party,councilors,sign,election,Sened,Wales,Scotland,front,garden,UK,elections,England,local,PLP,campaign,Holyrood,supporter,supporters,residential,street,suburban,democracy,voting,electioneering,grassroots,doorstep,politics,material,branding,electorate
Description: Tony Smith image Alamy 3EDKYYP - A red Vote stock-photo/gotonysmith-Labour.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Labour campaign banner is displayed in the front garden of a residential property in England, creating a clear editorial image of party political campaigning, voter support and neighbourhood-level election activity. The sign uses the Labour Party's familiar red branding and large white lettering, making it immediately recognisable as a campaign message aimed at passing pedestrians, local residents and voters. The suburban street setting, front garden, fence post, cloudy sky, terraced houses and distant railway bridge give the photograph strong documentary value as an everyday view of politics appearing in ordinary residential streets rather than at a rally, press conference or formal party event. The image is commercially useful for stories about UK elections, local council campaigns, general elections, party canvassing, voter identity, garden posters, political participation, campaign visibility, grassroots support and the way political loyalties are signalled in local communities. It can also illustrate wider themes around British democracy, doorstep politics, constituency campaigning, party branding, swing voters, political persuasion, neighbourhood opinion and the contest for attention during election periods. Because the image shows a campaign sign rather than identifiable campaigners or voters, it works well as a neutral stock photograph for coverage of election season, polling day build-up, political advertising, manifesto debate, local government, parliamentary politics and public engagement. The wet-looking street, overcast sky and ordinary housing backdrop add a recognisably British feel, useful for news, politics, civic life and social commentary. As a documentary stock image, it records a small but visible expression of democratic campaigning, where national party politics is translated into a simple front-garden banner on a local street.
Vote Labour campaign banner in a front garden in England, showing Labour Party election support duri
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,battle,of,Cable Street,Tower Hamlets,mural,brown shirts,fascist,fascists,ReformUK,Restore,Nigel farage,Oswald Moseley,Rupert Lowe,far right,far-right,politics,IMG_7764,London,Tower,Hamlets,East,Cable,Street,UK,IMG,7764,Cabke,Stret,sign,Borough,Oswald Mosley,Oswald,Mosley,Blackshirts,Brownshirts,racial,tension,tensions
Description: Tony Smith image Alamy 3FAFDCA - Close view of a traditional Cable Street E1 street name sign mounted on brickwork in the London Borough of Tower Hamlets. Cable Street runs through the historic East End and is internationally associated with the Battle of Cable Street of 4 October 1936, when local residents and anti-fascist demonstrators opposed a planned march by Oswald Mosley's British Union of Fascists. The simple sign therefore carries strong geographical and historical associations beyond its everyday function as street furniture. This image is suitable for editorial use about Tower Hamlets, Shadwell, East London, postcode geography, London street signs, local identity, urban history, political history, anti-fascism, tourism and the changing East End. The white sign with black lettering and E1 postcode district provides a clear location image, while the surrounding brick wall reinforces the dense urban character of the area. It can also illustrate stories about wayfinding, local authority street furniture and neighbourhood identity. The photograph also provides a contemporary documentary record of surviving East London heritage at a time when property values, development.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>redevelopment and changing commercial uses continue to alter the character of inner-city neighbourhoods. Details in the fabric, signage and surrounding streetscape help locate the subject in its real urban setting rather than presenting it as an isolated landmark. It can therefore support features comparing historic London with twenty-first-century development, tourism and conservation policy, as well as archive-style coverage of places whose appearance may change through restoration, conversion or redevelopment.
Cable Street, Tower Hamlets, London E1, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,battle,of,Cable Street,Tower Hamlets,mural,brown shirts,fascist,fascists,ReformUK,Restore,Nigel farage,Oswald Moseley,Rupert Lowe,far right,far-right,politics,IMG_7766,London,Cable,Street,Shadwell,pub,UK,IMG,7766,232,Meuxs,famous,stout,ales,West
Description: Tony Smith image Alamy 3FAFDCD - Historic former public house frontage at 232 Cable Street in Shadwell, East London, with surviving glazed tiles and brewery advertising associated with Meux's stout and ales. The closed or converted premises retain architectural clues to the period when corner pubs were a prominent feature of densely populated working-class neighbourhoods around the London docks. Decorative tiles, timber doors, old lettering and the street-corner form create a strong record of pub heritage even after the original licensed use has changed. The image is suitable for editorial coverage of lost pubs, brewery history, changing drinking habits, heritage conservation, the decline and reuse of licensed premises, gentrification and the changing commercial streetscape of Tower Hamlets. Cable Street has a particularly rich social and political history, while nearby Shadwell was shaped by docks, shipping, migration and industry. The photograph illustrates how historic commercial facades can survive as physical traces of earlier everyday life in the East End. The photograph also provides a contemporary documentary record of surviving East London heritage at a time when property values, development.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>redevelopment and changing commercial uses continue to alter the character of inner-city neighbourhoods. Details in the fabric, signage and surrounding streetscape help locate the subject in its real urban setting rather than presenting it as an isolated landmark. It can therefore support features comparing historic London with twenty-first-century development, tourism and conservation policy, as well as archive-style coverage of places whose appearance may change through restoration, conversion or redevelopment.
232 Cable Street, Shadwell, London E1, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,battle,of,Cable Street,Tower Hamlets,mural,brown shirts,fascist,fascists,ReformUK,Restore,Nigel farage,Oswald Moseley,Rupert Lowe,far right,far-right,politics,IMG_7770,London,Tower,Hamlets,East,Cable,Street,Mosley,Shadwell,UK,IMG,7770,Moseley,shall,not,pass,October,1936,gable,end,Oswald Mosley,Oswald,Blackshirts,Brownshirts
Description: Tony Smith image Alamy 3FAFDCK - Detail from the Battle of Cable Street mural in Tower Hamlets, East London, including imagery and wording associated with opposition to Oswald Mosley's fascist movement and the anti-fascist slogan 'They Shall Not Pass'. The mural commemorates the events of 4 October 1936, when residents and political activists resisted a planned British Union of Fascists march through the East End. The confrontation involved barricades, mounted police, street fighting and mass mobilisation by communities determined to prevent the march entering predominantly Jewish neighbourhoods. This close view is particularly useful for editorial stories about British fascism, political extremism, antisemitism, protest, community solidarity, the history of the labour movement, policing and civil liberties. It also documents how political memory is represented through permanent public art in contemporary London. The Battle of Cable Street remains a potent reference point in debates about racism, fascism, immigration, tolerance and collective action in Britain. The photograph also provides a contemporary documentary record of surviving East London heritage at a time when property values, development.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>redevelopment and changing commercial uses continue to alter the character of inner-city neighbourhoods. Details in the fabric, signage and surrounding streetscape help locate the subject in its real urban setting rather than presenting it as an isolated landmark. It can therefore support features comparing historic London with twenty-first-century development, tourism and conservation policy, as well as archive-style coverage of places whose appearance may change through restoration, conversion or redevelopment.
Cable Street, Shadwell, London E1, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,battle,of,Cable Street,Tower Hamlets,mural,brown shirts,fascist,fascists,ReformUK,Restore,Nigel farage,Oswald Moseley,Rupert Lowe,far right,far-right,politics,IMG_7772,London,Tower,Hamlets,East,Cable,Street,Mosley,Shadwell,UK,IMG,7772,October,1936,gable,end,Oswald Mosley,Oswald,Blackshirts,Brownshirts
Description: Tony Smith image Alamy 3FAFDCW - View of the Battle of Cable Street mural in Tower Hamlets, East London, a major public artwork commemorating the confrontation of 4 October 1936. The mural depicts the crowded, chaotic resistance to a planned march by Oswald Mosley's British Union of Fascists through the East End, where local people and political activists erected barricades and opposed both the march and police efforts to clear a route. The event became one of Britain's most enduring symbols of popular anti-fascist resistance and is closely associated with the Jewish and working-class communities of the area. The artwork provides strong editorial imagery for subjects including fascism, antisemitism, political extremism, protest, civil disorder, community solidarity, British political history, public art, remembrance and the social history of London's East End. The photograph also records the mural as part of the contemporary Cable Street streetscape, demonstrating how historical memory is maintained within a changing inner-city neighbourhood. The photograph also provides a contemporary documentary record of surviving East London heritage at a time when property values, development.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>redevelopment and changing commercial uses continue to alter the character of inner-city neighbourhoods. Details in the fabric, signage and surrounding streetscape help locate the subject in its real urban setting rather than presenting it as an isolated landmark. It can therefore support features comparing historic London with twenty-first-century development, tourism and conservation policy, as well as archive-style coverage of places whose appearance may change through restoration, conversion or redevelopment.
Cable Street, Shadwell, London E1, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,map,atlas,world,maps,Republicans,president,of,the,USA,America,American,casting,a,model,doll,shadows,right wing,democracy,Stop the Steal,NY,candidate,misogynistic,presidential,election,impeachment,politics,party,Fulton County,Georgia,toy,Capitol Riots,Executive Orders,investigations,Mar-a-Lago,#NoKings,NoKings,National Strike
Description: Tony Smith image Alamy 2RWW5RJ - Donald John Trump (born June 14, 1946) is an American politician, media personality, and businessman who served as the 45th president of the United States from 2017 to 2021.
Trump won the 2016 presidential election as the Republican nominee against Democratic nominee Hillary Clinton while losing the popular vote. During the campaign, his political positions were described as populist, protectionist, isolationist, and nationalist. His election and policies sparked numerous protests. He was the first U.S. president with no prior military or government service. The 2017“2019 special counsel investigation established that Russia interfered in the 2016 election to favor his campaign. Trump promoted conspiracy theories and made many false and misleading statements during his campaigns and presidency, to a degree unprecedented in American politics. Many of his comments and actions have been characterized as racially charged or racist and many as misogynistic
Georgia , GA, USA, United States of America
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,lie,dictionary definition and Scrabble letters - political and sales,excuse,&,and,excuses,word,words,spelled,out,letter,square,squares,dictionaries,definition,letters,politics,Labour,sale,sales,salesman,the,grift,grifting,Selfservative,policy,promises,half,inflation,half-inflation,an,stop,making,no,a,few,more
Description: Tony Smith image Alamy 2R59WPR - . Lies, excuse and excuses, dictionary definition and Scrabble letters - political and sales. Photographed on 29 May 2023, this spring image stock-photo/gotonysmith-Record.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. Key searchable subjects associated with the scene include lie, dictionary definition and Scrabble letters - political and sales, excuse, excuses, word, words, spelled, out, letter, square, squares, dictionaries, providing natural SEO coverage without losing the specific documentary identity of the photograph. The political or campaigning content is suitable for neutral editorial coverage of protest, organised labour, elections, public debate, campaigning, civil society and the way political messages are presented in public. Placards, posters, leaflets, slogans and demonstrations are valuable documentary evidence of a particular moment and can support later historical comparison without implying endorsement of the views displayed. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. It is a useful stock image for publishers, researchers and picture editors seeking a clearly identified contemporary record of the subject and location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Surrey,UK,England,GU7,Bridge St,Waverley,GU7 1HY,hall,theatre,hiring,multi,use,gig,tour,tours,and,nights,concert,concerts,film,society,municipal,building,dusk,night,evening,Borough,Council,venues,entertainment,halls,stage,hires,ticket,tickets,local,politics
Description: Tony Smith image Alamy 2PG60X6 - Godalming Borough Hall is a municipal building in Bridge Street in Godalming, England. The building is the meeting place of Godalming Town Council.
Following significant population growth, especially after the London and South Western Railway reached the town in 1849, the area became a municipal borough with the Pepper Pot as its town hall in 1875. In May 1907 tenders were invited from contractors to extend the public hall in Bridge Street to the west to create new municipal buildings for the borough. The extension was built in red brick with stone dressings and the work was completed in 1908. The design of the enlarged structure involved an asymmetrical main frontage with ten bays facing onto Bridge Street
the central section of three bays, which slightly projected forward, featured arcading on the ground floor, three sash windows with stone surrounds on the first floor and a pediment above with an oculus in the tympanum. The left hand section featured, in the central bay, a doorway with a canopy on the ground floor and a panel containing the borough coat of arms on the first floor. The right hand section featured, in the end bay which slightly projected forward, a round headed doorway on the ground floor and a tri-part sash window on the first floor with a pediment above.
The building continued to serve as the meeting place of Godalming Borough Council for much of the 20th century, but ceased to be the local seat of government when Waverley Borough Council was formed with its headquarters in Guildford in 1974. Waverley Council moved to new council offices in The Burys just behind the borough hall in 1980. The borough hall subsequently became the meeting place for Godalming Town Council.
Works of art in the borough hall include a portrait by Godfrey Kneller of the locally-born sailor, Admiral Sir John Balchen, who became governor of the Greenwich Naval Hospital in March 1743
Bridge St, Godalming, Waverley, Surrey, England, UK, GU7 1HY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Tory,office,Warrington,South,Selfservatives,1A,WA4,Selfservative,Andrew John Carter,JP,candidate,2019,work,vote,votes,as,whipped,party,line,PR,Public Relations,political,politics,disaster,Brexit,radio,south,constituency,polls,poll,voting,intention,lost,loss,useless,MP,Member of Parliament
Description: Tony Smith image Alamy 2K967K5 - . This authentic period view of 1A Stafford Road, Cheshire, England, UK, WA4 6RP in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. At the centre of the view is Andy Carter MP, Conservative Office, 1A Stafford Road, Warrington South Constituency Office, Cheshire, England, UK, WA4 6RP. A broader reading of the photograph includes community identity, surface public transport, public realm, bus route infrastructure, passenger transport, local character, passenger information, period detail, historical comparison, social history, changing land use, transport accessibility, everyday life, and public-transport wayfinding. For current editorial use, bus funding and passenger information provide additional context, especially through the role of bus stops as the physical interface between passengers and the network. For later comparison, the photograph preserves street furniture and boundaries at 1A Stafford Road, Cheshire, England, UK, WA4 6RP, details that may look very different after replacement signage. A second descriptive layer includes before-and-after reference, place identity, documentary photography, archival record, local bus network, public transport stop, local history, and street-side transport. Details involving Constituency, Stafford, Office, Carter, and Conservative make the image more specific than a generic view and strengthen its local or historical value. The period setting at 1A Stafford Road, Cheshire, England, UK, WA4 6RP helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The scene further reflects bus funding and the role of bus stops as the physical interface between passengers and the network within the specific setting of 1A Stafford Road, Cheshire, England, UK, WA4 6RP. The record includes details of everyday use for future local research.
1A Stafford Road, Cheshire, England, UK, WA4 6RP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Lancs,Lancashire,England,UK,FY1,venue,club,association,1899,history,historic,facade,façade,windows,window,exterior,outside,liberals,liberal,political,party,Whig,Whigs,Architect,Herbert Wade,Earl Carrington,town,centre,politics,political parties,clubs,social,venues,Ed Davey
Description: Tony Smith image Alamy 2JRG8XD - . Recorded at Victoria street, Blackpool, Lancashire, England, UK, FY1 in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records Blackpool Liberal Club 1899, Victoria street, Blackpool, Lancashire, England, UK, FY1 - Architect Herbert Wade. Another layer of the photograph includes local history, mixed-use redevelopment, historic townscape, architectural character, civic architecture, contemporary social history, regional identity, documentary photography, before-and-after reference, public realm, built heritage, urban fabric, commercial redevelopment, and changing streetscape. The modern context includes continuing discussion of housing pressure, adaptive reuse and how regeneration tries to create reasons to visit traditional town centres. The image fixes materials and architectural details within Victoria street, Blackpool, Lancashire, England, UK, FY1 at one identifiable point, providing a benchmark against replacement signage. Further associations within the scene are place identity, everyday life, local character, period detail, public-realm investment, town-centre renewal, urban regeneration, and place-making. Details involving Architect, Lancashire, Liberal, Blackpool, and Herbert make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Victoria street, Blackpool, Lancashire, England, UK, FY1 matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is housing pressure and how regeneration tries to create reasons to visit traditional town centres when considered against later change at Victoria street, Blackpool, Lancashire, England, UK, FY1. The photograph keeps evidence of earlier appearance for later comparison.
Victoria street, Blackpool, Lancashire, England, UK, FY1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,sign,polished,70 Whitehall,SW1A 2AS,UK,British,parliament,Labour,Keir Starmer,government,department,ministerial,centre of government,civil service,Prime Minister,administration,public,politics,central government,machinery of government,government coordination,government policy,policy,delivery,implementation,reform,mission delivery,public sector reform,joined up government,cross departmental working,departmental silos,government U turns,policy U turns,political,criticism,corridor,ministerial responsibility
Description: Tony Smith image Alamy 2M07A9B - A polished Cabinet Office sign is fixed to the exterior wall at 70 Whitehall, London, SW1A 2AS, placing the image at the heart of UK central government in Westminster. The close-up photograph shows a reflective brass-style plaque on a blue-toned stone frontage, with the simple words Cabinet Office standing for one of the most influential departments in the British state. The Cabinet Office sits at the centre of government, supporting the Prime Minister and Cabinet, coordinating policy across Whitehall, helping manage national security and resilience issues, and driving work on government efficiency, reform and delivery. Its head office is on Whitehall, next door to Downing Street, making the sign useful for editorial coverage of Westminster politics, civil service power, ministerial government, public administration, machinery of government and the practical operation of the UK executive. The image can also illustrate criticism or debate about Whitehall disorganisation, departmental silos, policy U-turns, delivery problems, government reform, cross-government coordination and the performance of the current Labour government. Because the photograph contains no identifiable people, it works well as a generic visual for stories about UK politics, policy announcements, public sector reform, Cabinet committees, official inquiries, Freedom of Information requests, civil service leadership, data protection, government communications and administrative accountability. The reflective surface of the plaque, with buildings faintly mirrored in the metal, adds a useful metaphor for scrutiny, transparency and the sometimes opaque nature of decision-making in Whitehall. The strong blue cast, tight crop and official lettering give the image a stark documentary feel, suitable for political news, opinion pieces, public policy analysis, government spending stories, civil service careers, constitutional discussion and wider debates about how effectively Britain is governed from the c
70 Whitehall, London, England, UK, SW1A 2AS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Labour Party leader,incoming prime minister,UK,political,transition,new,British,Keir Starmer,successor,Labour,leadership,change,transfer of power,headquarters,London,tourist,landmark,City of Westminster,United Kingdom,politics,prime minister designate,governing Labour Party,leadership announcement,Whitehall SW1,central London,British democracy,national government,political power,government change,prime minister office,official residence,First Lord of the Treasury,editorial politics,former,Mayor of Greater Manchester,executive power,social media
Description: Tony Smith image Alamy 2M0MBBC - Downing Street and Whitehall street signs are dramatically illuminated in contrasting warm orange and cool blue light at their famous junction in Westminster, central London, on 17 July 2026. Fixed to ornate Portland stonework, the signs identify the entrance to the highly secured street containing Number 10, the official office and residence associated with the United Kingdom prime minister. The coloured lighting and darkened edges give the familiar political landmark an atmospheric, theatrical appearance, making it suitable for illustrating leadership change, political uncertainty, a transfer of power and a new era in British government.
The image has editorial significance following the confirmation of Andy Burnham as leader of the governing Labour Party on 17 July 2026, replacing Keir Starmer. Burnham was the incoming prime minister and was due formally to take office on Monday 20 July after the constitutional process for appointing a new head of government. The former Mayor of Greater Manchester had returned to the House of Commons and secured the Labour leadership without a contested ballot after becoming the sole eligible candidate.
Downing Street has been closely identified with British executive power for almost three centuries. Number 10 is the official residence of the First Lord of the Treasury, a post normally held by the prime minister, as well as the centre of the Prime Minister's Office. Whitehall is the wider government district running between Trafalgar Square and Parliament Square and contains major ministries and institutions.
The red, white and black lettering, SW1 postal markings, architectural Greek-key decoration and split-toned lighting create distinctive editorial image for coverage of Andy Burnham, the Labour leadership, Keir Starmer's departure, a new prime minister, Westminster politics, government transition, cabinet formation, constitutional change and the symbolic passage of power through the gates of Downing Street.
Downing Street, Whitehall, City of Westminster, London, England, UK, SW1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dec 2019,UK,winter,polls,polling,politics,political,party,election,parliament,map,atlas,letters,letters on map,letters on a map,scrabble letters,GotonySmith,Westminster election,Scrabble letters on a UK map - General Election,elections,party political,leaders,parties,claims,doubts,promises,Labour,Tory,Conservative,LibDem,Brexit,SNP,Plaid Cymru,spelt,spelled,Marginal Seats,ReformUK
Description: Tony Smith image Alamy 2AE34KC - . A dated documentary view of Edinburgh, Lothians, Scotland, UK in 2019, recording the subject as it appeared at that point rather than as a generic stock illustration. The subject recorded here is Marginal Seats spelt in Scrabble letters on a UK map - General Election, elections, party political,leaders,parties,claims,doubts. Further facets of the subject include local character, live music, before-and-after reference, electoral messaging, archival record, political campaigning, contemporary social history, grassroots gig, policy controversy, constituency politics, local history, music subculture, changing streetscape, and regional music scene. Today's wider story includes electoral accountability, healthcare and the practical question of preserving campaign language that can quickly date. For contemporary context, grassroots venues and heritage are closely related themes, especially where the issue becomes the way music contributes to a city's identity. For future researchers, the scene fixes period details that may disappear after redevelopment or refurbishment in the immediate surroundings of Edinburgh, Lothians, Scotland, UK. The setting also brings in place identity, public realm, civic debate, music heritage, performance culture, regional identity, democratic accountability, and nightlife culture. The recorded references to claims, elections, party, political, and parties preserve clues about how the subject was presented, used or understood at the time. A later view of Edinburgh, Lothians, Scotland, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes electoral accountability and preserving campaign language that can quickly date as part of the longer story of Edinburgh, Lothians, Scotland, UK. The record includes period character for later comparison. Image 2AE34KC also remains a dated record of Edinburgh, Lothians, Scotland, UK.
Edinburgh, Lothians, Scotland, UK
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,Westminster,party,polls,Dec 2019,GoTonySmith,December 2019,UK,polling,Westminster election,election,parliament,politics,winter,2019,political,government,scrabble letters,letters,letters on map,map,letters on a map,atlas,Scrabble letters on a UK map - General Election,elections,party political,leaders,parties,claims,doubts,promises,belief,Labour,Tory,Conservative,LibDem,Brexit,SNP,Plaid Cymru
Description: Tony Smith image Alamy 2AE3688 - . Photographed at West Yorkshire, England, UK in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. The location is represented through Get Brexit Done spelt in Scrabble letters on a North of England UK map - General Election, elections, party political,leaders,parties,claims,doubts. The locality and subject together evoke changing streetscape, historical comparison, everyday life, grassroots gig, independent music, civic debate, regional identity, public administration, cultural identity, public realm, party-political communication, before-and-after reference, venue culture, and visual archive. From a 2025-onward perspective, the scene also connects with public spending, government priorities and tracking how priorities change after elections. In the mid-2020s, grassroots venues and rising costs keep the subject current, particularly through the archival value of recording bands and venues before they disappear. For future researchers, the image captures local appearance, occupation, access and public activity as seen at West Yorkshire, England, UK. The wider local story also touches on historic context, concert photography, electoral messaging, democratic accountability, music subculture, local history, contemporary social history, and constituency politics. Elements such as political, Brexit, Election, party, and doubts add documentary specificity and may become more useful when compared with later records. Around West Yorkshire, England, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is public spending and showing how national debate reaches local places within the specific setting of West Yorkshire, England, UK. The scene further reflects heritage and the role of small venues in developing performers as part of the longer story of West Yorkshire, England, UK.
West Yorkshire, England, UK
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,Westminster,party,polls,Dec 2019,GoTonySmith,December 2019,UK,polling,Westminster election,election,parliament,politics,winter,2019,political,scrabble letters,letters,letters on map,map,letters on a map,atlas,Scrabble letters on a UK map - General Election,elections,party political,leaders,parties,claims,doubts,promises,belief,Labour,Tory,Conservative,LibDem,Brexit,SNP,Plaid Cymru,regional
Description: Tony Smith image Alamy 2AE36G9 - . Photographed at Scotland, UK in 2019, this is a specific real-world record of the subject, its setting and the period details surrounding it. At the centre of the frame is SNP seats spelled in Scrabble letters on a UK map - General Election, elections, party political,leaders,parties,claims,doubts. The setting also relates to changing streetscape, visual archive, constituency representation, historic context, civic debate, everyday life, place identity, nightlife culture, political communication, archival record, performance culture, concert photography, community identity, and popular-music history. The present-day relevance extends to infrastructure and public spending, while a wider concern is tracking how priorities change after elections. Current discussion around this subject increasingly includes independent promotion alongside audience behaviour, with particular attention to the way music contributes to a city's identity. As a dated visual record, the scene keeps a record of the relationship between the subject and its surroundings around Scotland, UK. The wider local story also touches on democratic accountability, contemporary social history, documentary photography, grassroots gig, public realm, public administration, electoral messaging, and before-and-after reference. Details involving political, seats, spelled, Election, and parties give the scene useful specificity and strengthen its local, cultural or historical identity. Around Scotland, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Its period value extends to infrastructure and comparing earlier political promises with later policy when considered against later change at Scotland, UK. The location additionally provides evidence of audience behaviour and the way music contributes to a city's identity without losing the local specificity of Scotland, UK.
Scotland, UK
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,Westminster,party,polls,Dec 2019,GoTonySmith,December 2019,UK,polling,Westminster election,election,parliament,politics,winter,2019,political,scrabble letters,letters,letters on map,map,letters on a map,atlas,Scrabble letters on a UK map - General Election,elections,party political,leaders,parties,claims,doubts,promises,belief,Labour,Tory,Conservative,LibDem,Brexit,SNP,Plaid Cymru,regional
Description: Tony Smith image Alamy 2AE36GN - . Made at Scotland, UK in 2019, this photograph records a real place and subject in context, allowing later viewers to compare what has survived, changed, closed, moved or been replaced. The location is represented through SNP seats spelled in Scrabble letters on a UK map - General Election, elections, party political,leaders,parties,claims,doubts. A broader reading of the scene brings in changing streetscape, constituency politics, regional music scene, live music, civic debate, changing land use, policy controversy, documentary photography, historical comparison, local history, community identity, nightlife culture, public policy, and concert photography. Viewed from the mid-2020s, the subject sits within continuing debate about public spending, infrastructure and tracking how priorities change after elections. The present-day relevance extends to venue closures and music tourism, while a wider concern is the fragility of local music scenes. As a dated visual record, the scene fixes the way the place functioned before later physical or commercial change in the immediate surroundings of Scotland, UK. The surrounding context also covers archival record, before-and-after reference, everyday life, place identity, performance culture, contemporary social history, music heritage, and regional identity. Elements such as General, Scrabble, letters, political, and doubts add documentary specificity and may become more useful when compared with later records. A later view of Scotland, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The location additionally provides evidence of public spending and tracking how priorities change after elections within the real-world context of Scotland, UK. A further contemporary connection is independent promotion and the role of small venues in developing performers within the specific setting of Scotland, UK.
Scotland, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,red,Cheshire,England,UK,MP Office,Office,Re-Elect,reelect,2019,Labour Candidate,Labour,Candidate,Faizal Rashid Labour,remain,For The Many,Not The few,ForTheMany,NotTheFew,WA1,WA1 1PG,marginal,seat,politician,politics,labour party,outside,exterior,of office,Warrington,WBC,Warrington Borough Council,North West,for the many,candidate,not the few,poster,banner
Description: Tony Smith image Alamy 2ADR2FR - . An on-location image from 1 Wilson Patten St, Warrington, Cheshire, England, UK, WA1 1PG in 2019, useful both for the specific subject shown and for the evidence it retains about local identity, design, use and everyday life. The subject recorded here is Warrington South MP Office, Re-Elect Faizal Rashid Labour Candidate General Election 2019, Cheshire, England, UK - 1 Wilson Patten St, WA1 1PG. Another layer of the scene includes customer footfall, town-centre economy, public realm, period detail, changing streetscape, before-and-after reference, high-street commerce, democratic accountability, community identity, public policy, civic debate, commercial frontage, changing land use, and public administration. For contemporary context, healthcare and public spending are closely related themes, especially where the issue becomes showing how national debate reaches local places. Viewed from the mid-2020s, the subject sits within continuing debate about online shopping, town-centre regeneration and the rapid turnover of shopfronts and trading names. For place-based research, the view leaves evidence of evidence of how the subject fitted into ordinary life at 1 Wilson Patten St, Warrington, Cheshire, England, UK, WA1 1PG. Further connections include contemporary social history, local history, party-political communication, government priorities, urban commerce, retail vacancy, regional identity, and political campaigning. The recorded references to Wilson, Faizal, Office, Labour, and Re-Elect preserve clues about how the subject was presented, used or understood at the time. A later view of 1 Wilson Patten St, Warrington, Cheshire, England, UK, WA1 1PG may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image fixes period character for future local research. It also preserves a trace of local identity before later change alters the scene.
1 Wilson Patten St, Warrington, Cheshire, England, UK, WA1 1PG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,marxism,from,the,political,politics,Saoradh,Irish,Bobby Sands,Wolfe Tone,Wolf Tone,revolution,Shamus Connolly,James Connolly,hammer,sickle,IRA,Republican,workers,dont tolerate abuse,or,exploitation,Together we are strong,divided,we beg,green,Nuacht,activists,Sinn Féin,Sinn Fein,Junior McDaid House.,group,unity,referendum,border poll,future
Description: Tony Smith image Alamy 2M84J72 - Saoradh
Saoradh are a Revolutionary Republican Party, organised across Ireland. Founded on the 24th September 2016 following a significant collective of Irish Republican activists, who for a number of years acted autonomously, after a number of years of debate, consultation and organisation, constituted and launched a Revolutionary Irish Republican Party.
Saoradh seek the establishment of a 32 County Socialist Republic free from British rule.
Saoradh aim to build campaigns to fight back against imperialism and capitalism to empower the Irish people in the ongoing struggle to regain our national sovereignty, end partition and build a new fair society.
Saoradh believes that Ireland should be governed by the Irish People with the wealth and wealth producing mechanisms in the ownership of the Irish people. This can not happen while British imperialism undemocratically retains control of Irish destinies and partitions our nation. This cannot happen while a neo-colonial elite in a subservient supposed indigenous administration sells the nations labour and natural resources to international capital.
Saoradh does not believe that British imperialism or capitalist exploitation can be confronted in the structures they have created to consolidate their undemocratic control of the Irish nation. As such Saoradh believe any assembly claiming to speak for the Irish people without being elected by the united people of the Irish nation to be illegal.
Saoradh will seek to organise and work with the Irish people rather than be consumed and usurped by the structures of Ireland's enemies, standing on a long and proud revolutionary Irish Republican history of resistance
inspired by the actions and words of Tone of Connolly, of Mellows, of Costello and of Sands .
Dublin city, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,Eire,Ireland,communication,FeckNazis,far-right,anti-nazi,label,on,a,lamp,post,Dublin City Centre,city,centre,fuck nazis,day,daytime,EU,opposition,minority,racist,racists,anti,anti-,social,issue,politics,extremists,Identity Ireland,Gary Allen,Peter OLoughlin,Alan Tighe,immigration,right wing,extremist,smash,ReformUK
Description: Tony Smith image Alamy 2M84JDN - Identity Ireland is a minor political party in Ireland. A right-wing to far-right party, it has no representation at local or national level. It was launched in Dublin on 22 July 2015. Its founders are Gary Allen, Peter O'Loughlin and Alan Tighe. O'Loughlin, the party's national spokesperson, contested the 2016 Irish general election and 2019 European Parliament election
Identity Ireland states that it favours Irish sovereignty by leaving the European Union and a return to the Irish pound. The party supports a controlled border policy in order to curtail the immigration that, it says, is putting strain on the Irish welfare system. It also supports more careful vetting of incoming asylum seekers. It supports the Irish branch of Pegida, and has joined the Fortress Europe coalition. It advocates the introduction of a two strike law for serious offences, as well as the re-introduction of penal labour. It supports keeping Ireland's neutrality. It also advocated in favour of Brexit
Identity Ireland has been accused of being racist. Some of its press conferences and meetings, and its launch, have been disrupted by protesters
Dublin , Eire, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Station,Liverpool,Liverpool City Council,city centre,lion mark,lion standard mark,British eggs,Liverpools first woman freeman,first woman freeman,first,woman freeman,Bessie Braddock statue,Tryweryn reservoir,Jack and Bessie Braddock,commemoration,commemorative,heritage,Mersey,Scouse,city,centre,tourist,tourism,attraction,statues,statue,Bessie,Braddock,reform,reformer,politics,Labour,party,Elizabeth Margaret Braddock,softboiled,soft boiled,salmonella
Description: Tony Smith image Alamy 2DA91GD - Elizabeth Margaret Braddock (née Bamber
24 September 1899 “ 13 November 1970) was a British Labour Party politician who served as Member of Parliament (MP) for the Liverpool Exchange division from 1945 to 1970. She was a member of Liverpool County Borough Council from 1930 to 1961. Although she never held office in government, she won a national reputation for her forthright campaigns in connection with housing, public health and other social issues.
Braddock inherited much of her campaigning spirit from her mother, Mary Bamber, an early socialist and trade union activist. After some years in the Independent Labour Party (ILP), Braddock joined the Communist Party of Great Britain (CPGB) on its foundation in 1920, but quickly became disillusioned with the party's dictatorial tendencies. She left the CPGB in 1924 and later joined the Labour Party. Before the Second World War, alongside her husband Jack Braddock she established a reputation as a crusading left-wing councillor, frequently at odds with her party while pursuing an agenda of social reform. During the war she worked in Liverpool's ambulance service, before winning the Exchange division for Labour in the 1945 general election.
Lime street ,Liverpool,Merseyside,England,UK
Description
Keywords: @Hotpixuk,GoTonySmith,Brexit,fudged brexit,sweet shop,Great Britain,Great Britain Brexit,UK,United Kingdom,Brexit from Europe,A50,Article 50,Silverstone,England,double decker,bus,fudged,symbol,icon,iconic,EU,Brexit fudge,politics,Tory,Brexiters,Brexit transitional period,transitional period,Theresa May,negotiation,negotiations,leaving,leave,post-Brexit,trade,relationship,hard border,Connor Burns,Northern Ireland Protocol,NIP,Liz Truss
Description: Tony Smith image Alamy P87C1N - . Made at the recorded location in 2018, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The location is represented through The Great British Fudge Company red bus sweet shop, Silverstone, England, UK. The image also relates to specialist retailer, period detail, local character, local history, social history, retail property, surface public transport, street-side transport, roadside stop, bricks-and-mortar retail, archival record, contemporary social history, street-level business, and public transport stop. Current relevance extends to accessibility and reliability, particularly through the shift toward cleaner buses and integrated ticketing. In present-day coverage, the subject reaches into store closures and footfall, not least because of how consumer spending and property costs shape local commercial streets. As a dated visual record of the recorded location, the frame retains lettering, decoration and surface detail, making it especially useful if conservation work subsequently changes the scene. The location also brings in visual archive, community identity, independent retail, changing land use, place identity, roadside transit, changing streetscape, and historical comparison. Elements such as sweet, Silverstone, Company, Fudge, and British add documentary specificity and may become increasingly useful when compared with later records. A later view of the recorded location may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for accessibility and the challenge of maintaining reliable services outside dense city centres as part of the longer story of the recorded location. The frame retains evidence of changing use for later comparison. Image P87C1N also remains a dated record of the recorded location.
Description
Keywords: @Hotpixuk,GoTonySmith,Brexit,fudged brexit,sweet shop,Great Britain,Great Britain Brexit,UK,United Kingdom,Brexit from Europe,A50,Article 50,Silverstone,England,double decker,bus,fudged,symbol,icon,iconic,EU,Brexit fudge,politics,Tory,Brexiters,Brexit transitional period,transitional period,Theresa May,negotiation,negotiations,leaving,leave,post-Brexit,trade,relationship,hard border,Northern Ireland Protocol,NIP,Liz Truss,Connor Burns
Description: Tony Smith image Alamy P87C5J - . This dated editorial view of the recorded location in 2018 captures more than the immediate subject, retaining clues about local use, design, activity and change. The location is represented through The Great British Fudge Company red bus sweet shop, Silverstone, England, UK. The wider scene also brings together period detail, public transport information, commercial frontage, commercial streetscape, high-street commerce, archival record, historical comparison, bus route infrastructure, contemporary social history, visual archive, public realm, transport accessibility, changing streetscape, and place identity. Current relevance extends to integrated transport and decarbonisation, particularly through the challenge of maintaining reliable services outside dense city centres. In present-day coverage, the subject reaches into commercial rents and online shopping, not least because of the resilience of independent shops in an online retail economy. The archival value lies partly in recording equipment and working practice around the recorded location before changing commercial priorities alters the character of the place. The surrounding story also includes shopfront economy, street-level business, local history, local trading, local enterprise, specialist retailer, documentary photography, and street-side transport. References to Silverstone, Company, Fudge, British, and sweet give the picture a strong period identity and tie it closely to its named subject. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another useful connection is integrated transport and the shift toward cleaner buses and integrated ticketing in a form that can be compared with future views of the recorded location. The frame retains period character as a date-specific reference. The scene captures a trace of local identity for later comparison.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT1,Belfast,Antrim,Northern Ireland,BT1 5GS,Donegall Square,city hall,city,centre,color,coloured,colour,windows,window,not as,but as,nationalist,unionist,together,blue,moving,forward,progress,in,prosperity
Description: Tony Smith image Alamy 2PM628K - . Belfast Workers standing together window, at Belfast City Hall, Donegall Square North, Belfast, stock-photo/gotonysmith-Antrim.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Antrim, Northern Ireland, UK, BT1 5GS. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, BT1, Belfast, Antrim, Northern Ireland, BT1 5GS, Donegall Square, city hall, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. It is a useful stock image for publishers, researchers and picture editors seeking a clearly identified contemporary record of the subject and location.
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT1,Belfast,Antrim,Northern Ireland,BT1 5GS,Donegall Square,city hall,city,centre,color,coloured,colour,windows,window,&,ingenuity,H&W,shipbuilding,ship,ships,history,stained glass,fish,fishing
Description: Tony Smith image Alamy 2PM628W - . Titanic & Ulster ingenuity, maritime stained glass at Belfast City Hall, Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, BT1, Belfast, Antrim, Northern Ireland, BT1 5GS, Donegall Square, city hall, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The religious or ecclesiastical setting gives the photograph relevance to faith, worship, sacred architecture, stained glass, church heritage, tourism and the conservation of historic interiors and buildings. It can illustrate the continuing cultural role of churches and cathedrals as places of worship, community activity, music, remembrance and architectural interest. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,the Testes on the Westes,A12 Westlink,landmark,white,balls,art work,artwork,located,at,Roundabout,two,spherical,metal structures,Wolfgang Buttress,city,council,representation of a,BT12 6JA,BT12,spheres,2,blue,sky,summer
Description: Tony Smith image Alamy 2PM62AX - RISE is the official name given to the public art sculpture located at Broadway Roundabout in Belfast, Northern Ireland. However, it has been given unofficial, colloquial titles such as the Balls of the Falls, the Testes on the Westes and the Westicles. These names have been derived by both the sculptures location on Broadway Junction (located above the A12 Westlink and in close proximity to the Falls Road) and in reference to its shape made from two, spherical, metal structures.
The RISE sculpture was designed by Wolfgang Buttress and consists of a geodesic sphere suspended inside a larger, 30 m (98 ft) diameter sphere and stands at an overall height of 37.5 m (123 ft). Geodesic refers to the shortest path between two points on a curve so that in the case of the RISE sculpture, adjacent connections on each of the spheres are connected using straight bars, thereby minimising the distance between two points. At 30m wide and 37.5m tall, RISE is the biggest public art sculpture in Belfast.
RISE was commissioned by Belfast City Council and built in 2011 as part of a multimillion-pound road improvement programme. It now sits atop of the A12 Westlink Underpass (a grade-separated junction) where, according to a 2009 NI assembly report, sees approximately 80,000 cars on average flow past it each day.
Concept and Construction
RISE during construction
The globe-shaped, white and silver steel sculpture is a representation of a new sun rising to celebrate a new chapter in the history of Belfast. The inner sphere represents the sun rising over the bogs and the outer sphere represents the sun's halo, while the angled, steel supports are to represent the reeds of the bog meadows that extended more widely across the area before it was developed. Due to the Belfast's history of conflict and the location of the Westlink separating some of Belfast's unionist and nationalist communities, the sculpturer noted that it was important to design a sculpture that could be viewed in
Broadway Roundabout, A12 Westlink, Belfast, Co Antrim, Northern Ireland, UK, BT12 6JA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,England,rule,she would rule you through her bankers,landlords and Stormont,BT11,533,Falls Rd,Andersonstown,Belfast,Northern Ireland,BT11 9AA,IRSP,English,Free Marian Price,Marian Price,poster,wall,lettering,stencil
Description: Tony Smith image Alamy 2PM62D2 - . IRSP graffiti - England will still rule you, she would rule you through her bankers, landlords and Stormont, Irish Republican Socialist Party. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is 533, Falls Rd, Andersonstown, Belfast , Northern Ireland, UK, BT11 9AA, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, rule, she would rule you through her bankers, landlords and Stormont, providing natural SEO coverage without losing the specific documentary identity of the photograph. The housing context makes the image suitable for coverage of homes, neighbourhoods, residential estates, social and affordable housing, landlord investment, repairs, regeneration, planning and the lived environment. It can support reporting on housing condition, estate renewal, energy efficiency, building safety, development, tenure and the long-term transformation of residential areas. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison.
533, Falls Rd, Andersonstown, Belfast , Northern Ireland, UK, BT11 9AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT17,BT17 0NG,Divis,black mountain,NT,hill,hills,open heath,and,blanket bog,rural,countryside,above,walk,walking,route,routes,at,the,black ridge,overlooks,overlooking,stone,stones,ring
Description: Tony Smith image Alamy 2PM62KD - Black Mountain is a large hill which overlooks the city of Belfast, Northern Ireland. With a height of 1,275 ft (389 m), it towers over most of west Belfast and is part of the Belfast Hills. Its name is probably derived from the adjoining mountain called Divis (from Irish Dubhais 'black ridge'), and they may have been seen as one mountain in the past. Black Mountain transmitting station is on the summit.
Black Mountain is composed of basalt with limestone underneath, as is Cavehill further north. There have been flint finds in the area, which also contains raths, deserted farms and overgrown paths joining the fields and homesteads and trails scattered over the mountain.
For many years people have lobbied for the preservation of the Belfast Hills, hoping to bring an end to many years of quarrying. The quarry is steep and deeply excavated and the basalt from it is used mostly for road stone. The hill is under National Trust guardianship
Divis black mountain / Dubhais - basalt viewpoint, Belfast, Northern Ireland, UK, BT17 0NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,politics,politicians,murals,art,street,streetart,Newtownards road,girl,mural,Dundonald,Belfast,BT16 1RQ,Northern Ireland,CSLewis,female,woman,hippy,teenager,lady,hope,hoping,hopes,rural,feel,feeling,optimism,Upper Newtownards Rd
Description: Tony Smith image Alamy 2PM63N1 - . Newtownards road, country girl mural, protestant/unionist section of 919 Upper Newtownards Rd, Dundonald, Belfast , NI, UK, BT16 1RQ. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Upper Newtownards Rd, Dundonald, Belfast , NI, UK, BT16 1RQ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, politics, politicians, murals, art, streetart, Newtownards road, girl, mural, Dundonald, Belfast, providing natural SEO coverage without losing the specific documentary identity of the photograph. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed.
Upper Newtownards Rd, Dundonald, Belfast , NI, UK, BT16 1RQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,BT4,402 Newtownards Road,Belfast,Northern Ireland,BT4 1HH,square,East Side,Visitor,hamster,mouse,bronze,The Lion,the Witch & the Wardrobe,CSLewis,sculpture,sculptures,statue,statues,garden,gardens,character,animal,animals,creature,creatures,anthropomorphic otters,author birthplace heritage EastSide arts trail,family friendly Belfast
Description: Tony Smith image Alamy 2PM643B - Bronze statues of Mr and Mrs Beaver stand together in the landscaped grounds of C S Lewis Square beside the EastSide Visitor Centre on Newtownards Road in east Belfast. The two upright animal figures are shown holding hands, with Mrs Beaver wearing a long dress and Mr Beaver extending his free paw. Their expressive faces, textured fur and playful poses bring characters from The Lion, the Witch and the Wardrobe into a real urban setting.
The sculptures form part of seven bronze artworks inspired by characters and scenes from C S Lewis's Chronicles of Narnia. Other figures within the square include Aslan, the White Witch, Mr Tumnus, Maugrim, the Robin and the Stone Table. Created by Irish sculptor Maurice Harron, the installation celebrates the Belfast-born author and provides a permanent literary attraction within the part of the city where he spent his early life.
Pine trees and landscaped planting surround the beavers, reinforcing the woodland atmosphere associated with Narnia. The bronze surfaces show detailed modelling around the faces, paws, clothing and fur, while the natural setting contrasts with nearby brick buildings and colourful public artwork. The square combines sculpture, interpretation and public space, allowing families, readers and visitors to encounter Lewis's fictional world outside a conventional museum.
C S Lewis Square opened in 2016 as part of the wider Connswater Community Greenway regeneration programme. It stands beside the EastSide Visitor Centre, which provides information about east Belfast, local culture, famous residents and visitor trails. The site has become a distinctive destination for literary tourism, public art and family visits.
The photograph is suitable for editorial coverage of C S Lewis, The Chronicles of Narnia, Mr and Mrs Beaver, Belfast tourism, bronze sculpture, children's literature, public realm regeneration, cultural heritage, family attractions and literary landmarks in Northern Ireland.
402 Newtownards Road, Belfast, Northern Ireland, UK, BT4 1HH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,Great Britain,British,NI,Ireland,Ulster,community,politics,politicians,graffiti,murals,art,street,streetart,UYM,HW,Newtownards,road,rd,shipbuilding,company,yellow,crane,Harland and Wolff,BT4 1AB,BT4,1974,flag,flags,union,paramilitary,group,groups
Description: Tony Smith image Alamy 2PM64TF - . Ulster Young Militants Freedom Corner,Tomorrow Belongs To Us,HW, Harland & Wolff Shipbuilding company yellow crane in background, Belfast, NI, BT4 1AB. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Newtownards Rd, Belfast, Northern Ireland, UK, BT4 1AB, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Ireland, Ulster, community, politics, politicians, graffiti, murals, art, streetart, UYM, Newtownards, shipbuilding, providing natural SEO coverage without losing the specific documentary identity of the photograph. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. The photograph can also support future before-and-after use if the building, business, service, streetscape, transport operation or public space is later altered, redeveloped, rebranded or closed. For search and editorial use, the image is relevant to the named location, local identity, contemporary Britain, regional tourism, urban life, community activity and the changing appearance of towns and cities. Additional relevant search concepts include company, yellow, crane, Harland and Wolff, BT4 1AB, BT4, broadening discoverability while remaining tied to the supplied subject information.
Newtownards Rd, Belfast, Northern Ireland, UK, BT4 1AB
Description
Keywords: England,UK,LDN,sign,Tube,sign,mother,of,all,big,ben,politics,political,iconic,icon,London Icon,Tube Sign,Big Ben,GoTonySmith,@HotpixUK,Tony,UK,GB,Great,Britain,United,Kingdom,English,British,England,problem,with,Buy Pictures of,Images of,Stock Images,Tony Smith,United Kingdom
Description: Tony Smith image Alamy HGC83C - . An identifiable period record of Westminster, London, England,UK in 2016, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The scene records Westminster, icons of London, The Underground and Houses of parliament, England,UK. The subject also carries associations with street furniture, public-facing notice, visual archive, route marker, regional identity, wayfinding marker, period detail, before-and-after reference, public information signage, instructional sign, navigation aid, community noticeboard, local history, and local information board. Current relevance extends to transport information and local identity, particularly through how signs record changing road names, destinations and administrative responsibility. The image fixes public access and movement within Westminster, London, England,UK at one identifiable point, providing a benchmark against refurbishment. The photograph additionally reflects archival record, social history, documentary photography, everyday life, orientation signage, contemporary social history, changing land use, and local character. The combination of Underground, London, icons, parliament, and Houses anchors the frame to a recognisable activity, place or moment. The wider setting at Westminster, London, England,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is transport information and how signs record changing road names, destinations and administrative responsibility without losing the local specificity of Westminster, London, England,UK. The scene further reflects transport information and the need for accessible information that works without digital technology in a form that can be compared with future views of Westminster, London, England,UK. Image HGC83C also remains a dated record of Westminster, London, England,UK.
Westminster, London, England,UK
Description
Keywords: liberal,labour,cleg,kingmaker,dave,david,cameron,cameroon,nick,nicholas,party,politics,westminster,tory,conservative,gordon,brown,labor,election,2010,england,scotland,wales,northern,ireland,dulux,paint,job,red,yellow,blue,MixItYerSelf,B&Q,Northwich,Cheshire,UK,GB,great,britain,10,Downing,ten,st,street,london,sex,sexy,edinbrugh,hotpix!
Description: Tony Smith image Flickr 4599800320 - 'We have all been there.
With new friends moving in its always difficult decorating a new place. Dave prefers more conservative celestrial blue while Nickolas has more a leaning for a yellow golden fern. Its looking like whatever happens it will take at least three coats of magnolia to paint over Gordons old choice of Fire cracker red. when we are finished blue and yellow will mix into a nice deep green. Probably a fitting reminder that Britain elected its first green MP in Brighton only last week.
Under the UK parliamentary system of government, a hung parliament (also known as a minority parliament, a balanced parliament or no overall control) is a legislature in which no political party has an absolute majority of seats.
This situation is normal in many legislatures with proportional representation such as the parliaments of Germany and Ireland, or in legislatures with strong regional parties
in such legislatures the term 'hung parliament' is rarely used since this is the typical outcome of an election.
However in nations in which the first-past-the-post voting system in single member districts is used to elect parliament, such as the United Kingdom and Canada, a coalition government or 'hung parliament' tends to be less common, as in these circumstances one party will usually hold enough seats to form a majority, often without a plurality of votes on a national basis. To resolve a hung parliament will usually result in either a coalition government, a minority government \u2013 or even a dissolution of parliament and a fresh election. It is these who will be choosing the paint tonight, in one of Londons most iconic addresses.
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08&
s=int\'>interesting shots from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC ',
Description
Keywords: UK,elections,election,2010,may,6th,06/05/2010,liberal,democrat,c UK,conservative,tory,local,politic,politics,rosette,yellow,blue,standing,people,person,faces,face,vote,voting,station,poll,polling,Ty,Field,Tyrone,sex,sexy,HOT PIX,tony smith photography,tdktony,tdk,tony,tdktonysmith
Description: Tony Smith image Flickr 4601751233 - 'Well you do expect to see the odd parliamentary election doorstep canvasser, but I did look at this trio and joked that they made an unlikely alliance, before I trailed off to do my civic duty!
What a difference five days make eh?
A lot of people mistakenly regard the Liberals as the new kids on the block these days, while in reality at core they were the old guard with the Tories back in the late victorian era. When the left wing Labour party arrived, quite soon ping pong between Tory and Labour administrations have ensued.
While many councils are liberal led, however the first past the post system is an unfortunate barrier to seeing a majority liberal party prime minister at Westminster. One which the two main parties may be reluctant to dismantle if a hung parliament results tonight and Nick Clegg assumes his role as 'Kingmaker'.
A view from inside the ballot booth: www.flickr.com/photos/hotpixuk/4608926442/
NB: Like all the images on this stream, full size prints up to 30x20inches are available, Check my profile for how to contact me.
Checkout more w=33062170@N08&
m=tags\'>Interesting Stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: george,osbourne,chancellor,shadow,opposition,manchester,UK,tatton,knutsford,tory,candidate,conservative,sign,general,election,2010,may,6th,true,blue,majority,cheshire,electorial,parliament,westminster,government,britain,british,politition,politicion,politic,politics,rich,wealthy,Chelford,ozzy,ozzi,peover,toft,legh,high,alderley,edge,handforth,mobberley,wilmslow,orwell,George Orwell,1984,newworldorderahead,new,world,order,ahead,damage,dissobedience,civil,vote,voting,voter,poll,polling,GB,booth,station,Labour,Liberal,Democrats,Green,Party,libdems,lib,dems,highway,road
Description: Tony Smith image Flickr 4526465145 - 'I passed this poster on the way home tonight in a very rural location. It had a lot of strange stickers all over it
George Orwell 1984 (one of my favourite books), Keep Britain safe (slightly union jack and fascist), danger Child Vaccine (toxic Waste) over his eye.
I notice that George has a tie on here, as Chumbawamba once wrote, 'just cos you have a tie on doesn't make you important'. I notice that you rarely see Mr C in a tie, most likely a white shirt opened at the first button. Thats what the courses tell you to do in order to reach out to the shell suit clasees. I would guess George (or Gideon as he was christened) could drop this informality for Tatton.
George is heir to the Osborne baronetcy (of Ballentaylor in the County of Waterford, Ireland). This makes him a part of what is known in Ireland as the Ascendancy, the old Anglo-Irish aristocracy. His father, Sir Peter Osborne, 17th Baronet, is co-founder of the fabric and wallpapers designers, Osborne &
Little. Osborne's wealth is estimated at \u00a34.3m by the New Statesman www.newstatesman.com/uk-politics/2009/10/oxford-universit... . He is also reported to be next in line to inherit a substantial share of Osborne &
Little, his father's luxury wall\u00adpaper company, which is thought to be worth over \u00a31 billion. so he would fit well in one of Britains safest Tory seats here in Tatton. Hopefully he would look to the needs of his constituents lower down the social ladder, customers of Cheshire Peaks &
Plains Housing Trust, Contour Homes or Great Places Housing Group as well as the more affluent.
After achieving an upper 2nd class degree at Magdalen College at Oxford University and being a member of the Bullingdon Club, a private dining club of Oxford University students (which was 'infamous for riotous behaviour' and was open only to sons of aristocratic families and the wealthy. Osborne's friends David Cameron and Nat Rothschild were also members of the club), he tried to persue a career as a journalist, but then moved to a vacent position at Conservative Central Office. he cut his teeth on the Prime Minister's Questions team for the various Conservative incumbent leaders Hague, Howard and cameron. Indeed, Osbourne and Cameron are godfathers to each other's children, so this may make his position safer.
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Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,Alba,Scotland,debating chamber,interior,Scottish,Building,debating,chamber,inside,wood,architecture,building,EH99,nation,seats,awards,award winning,government,MSP,seat,seating,SNP,Scot,democracy,empty,legislation,legislature,Debating Chamber,debates,politics,Section 35 order,devolved,matter,matters,veto,Scottish Assembly
Description: Tony Smith image Alamy 2BE34EK - The Scottish Parliament Building (Scottish Gaelic: PÃ rlamaid na h-Alba, Scots: Scots Pairlament Biggin) is the home of the Scottish Parliament at Holyrood, within the UNESCO World Heritage Site in central Edinburgh. Construction of the building commenced in June 1999 and the Members of the Scottish Parliament (MSPs) held their first debate in the new building on 7 September 2004. The formal opening by Queen Elizabeth II took place on 9 October 2004. Enric Miralles, the Spanish architect who designed the building, died before its completion.
From 1999 until the opening of the new building in 2004, committee rooms and the debating chamber of the Scottish Parliament were housed in the General Assembly Hall of the Church of Scotland located on The Mound in Edinburgh. Office and administrative accommodation in support of the Parliament were provided in buildings leased from the City of Edinburgh Council. The new Scottish Parliament Building brought together these different elements into one purpose-built parliamentary complex, housing 129 MSPs and more than 1,000 staff and civil servants.
From the outset, the building and its construction have been controversial. The choices of location, architect, design, and construction company were all criticised by politicians, the media and the Scottish public. Scheduled to open in 2001, it did so in 2004, more than three years late with an estimated final cost of £414 million, many times higher than initial estimates of between £10m and £40m. A major public inquiry into the handling of the construction, chaired by the former Lord Advocate, Lord Fraser of Carmyllie, was established in 2003. The inquiry concluded in September 2004 and criticised the management of the whole project from the realisation of cost increases down to the way in which major design changes were implemented. Despite these criticisms and a mixed public reaction, the building was welcomed by architectural academics and critics.
Holyrood, Edinburgh, Scotland, UK, EH99 1SP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bye-election,vote,poll,polling,18th June 2026,18/06/2026,voting,constituency,publicity,banners,British,politics,Kier Starmer,party,contest,town,kingmakers,local,election,MP,Josh Simons,leader,seat,ward,campaign,campaigning,sign,signs,doorstep,slogan,street,Reform,Nigel Farage,terrace,terraced houses,suburban,Tory
Description: Tony Smith image Alamy 3EJYKKR - Blue Reform UK roundel sign fixed in a front garden on an ordinary red-brick stock-photo/gotonysmith-Residential.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>residential street in Ashton-in-Makerfield, Wigan, Greater Manchester, during the 2026 Makerfield by-election campaign. The sign uses Reform UK's simple white arrow branding, pointing forward against a blue background, with traditional terraced houses, brick walls, railings, chimney stacks, overhead wires and a cloudy North West England sky behind it. The image has strong street-level political value because it places a national right-wing populist party message into a local working-class housing setting. Reform UK grew out of the Brexit Party, the vehicle associated with Nigel Farage, and Britannica describes Farage as having launched the Brexit Party in 2019 before rebranding it as Reform UK in 2021. The Makerfield by-election was scheduled for 18 June 2026 after Labour MP Josh Simons stood down, creating a nationally watched contest between Andy Burnham for Labour and Robert Kenyon for Reform UK. Kenyon was reported as a local plumber and army reservist, while Burnham is the high-profile Mayor of Greater Manchester. Reform UK's campaign sought to mobilise voters around anti-establishment themes, immigration, borders and public dissatisfaction, while Labour presented Burnham as a recognised regional figure with a record linked to growth, devolution and the Bee Network transport programme. This image can illustrate Reform UK campaigning, Brexit legacy politics, Labour heartlands, red wall constituencies, working-class voter identity, political realignment, populism, immigration messaging, tactical voting, local democracy and public trust in northern England. For stock buyers, the strength lies in the contrast between the crisp campaign roundel and the everyday terrace backdrop, a compact visual shorthand for how the Makerfield contest turned ordinary residential streets into visible markers of national political change.
Ashton-In-Makerfield, Wigan
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,campaigning,red wall,Labour Party,Andy For Us,Burnham,Labour,red,redwall,NW,North West,campaign,Ashton in Makerfield,Wigan,Greater Manchester,UK politics,political,posters,poster,election,Westminster,PM,prime minister,reset,of,socialist,socialism,politics,elect,current metro mayor for Manchester City Region,advertising,slogan,voter,appeal,campaign trail,political change,white van man,Everton FC
Description: Tony Smith image Alamy 3EME6NA - Giant red Vote Andy For Us Andy Burnham campaign banner fixed to the gable end of a traditional northern terrace house in the Makerfield constituency, Wigan, Greater Manchester, during the June 2026 by-election campaign. A white van is parked in the foreground, adding a strong white van voter and working-class street politics element to the image, while the rough ground, plain gable wall, small window, satellite dish, chimney stacks and domestic setting root the picture firmly in an ordinary residential neighbourhood. The large banner uses bold white and yellow block lettering with a stylised cartoon portrait of Burnham, making the house itself part of the campaign landscape. The image is useful for editorial coverage of Labour campaigning, Andy Burnham's attempted return to Westminster, northern England politics, by-election strategy, working-class voters, Greater Manchester devolution, political branding, candidate publicity and the changing electoral map in former Labour heartlands. Makerfield attracted national attention because Burnham, then Mayor of Greater Manchester, was standing for Labour in a seat where Reform UK had become a serious challenger. The House of Commons Library noted that Burnham could stand while serving as mayor, but would be disqualified from the mayoralty if elected as an MP, giving the contest wider constitutional and political significance. The presence of the white van, the oversized gable-end poster and the modest housing backdrop make the photograph especially relevant for stories about Labour trying to reconnect with working-class communities, voter identity, public displays of party support, doorstep democracy and the visual language of UK by-elections. The image could also support features on campaign communication, northern town politics, populist pressure on Labour, Wigan borough communities and the use of homes, gardens and street furniture as informal election advertising space.
Hindley, Makerfield constituancy, Greater Manchester
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bye-election,vote,poll,polling,18th June 2026,18/06/2026,voting,constituency,publicity,banner,banners,British,politics,Kier Starmer,party,contest,town,kingmakers,local,election,MP,Josh Simons,leader,seat,ward,campaign,campaigning,sign,signs,doorstep,slogan,street,UK,garden,Brexit,racism,far-right
Description: Tony Smith image Alamy 3EJYKFT - Photograph shows a teal Reform UK ˜MAKERFIELD NEEDS REFORM' poster fixed to a wooden stake in a large garden off Bolton Road, Ashton-in-Makerfield, Wigan, Greater Manchester, during the June 2026 Makerfield by-election campaign. The sign is framed by hedges, trees and daylight, with the pale lettering and Reform UK arrow branding standing out against a green residential backdrop. The image asks a direct political question in visual form: does Makerfield need Reform, or will voters stick with stock-photo/gotonysmith-Labour.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Labour in a long-standing northern heartland? The key figures in the contest are Andy Burnham for Labour, the high-profile Mayor of Greater Manchester, Robert Kenyon for Reform UK, reported as a plumber and councillor, and Sarah Wakefield for the Green Party, a Manchester city councillor and charity director. The by-election was due on 18 June 2026 after Josh Simons stood down, and Westminster coverage treated it as nationally significant because Burnham's possible return to Parliament was linked with wider debate about Labour's direction under Sir Keir Starmer. Reform UK under Nigel Farage has made immigration and ˜stop the boats' messaging central to its appeal, while Kenyon's campaign attracted scrutiny over reported past social media and online forum posts. The Green campaign added further complexity, with debate about whether a left or progressive vote split could help Reform. This image can illustrate Reform UK campaigning, right-wing populism, Labour versus Reform, red wall politics, northern voter disillusionment, tactical voting, by-election pressure, party branding, immigration politics, local democracy and the contest for working-class support in Greater Manchester. For stock buyers, its value lies in the readable slogan, the garden setting and the clear connection between a local Ashton-in-Makerfield street and a national argument about Labour, Reform UK, the Greens, voter trust and the future direction of British politics.
88-100 Bolton Rd, Ashton-in-Makerfield, Wigan WN4 8AD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bye-election,vote,poll,polling,18th June 2026,18/06/2026,voting,constituency,publicity,banner,banners,British,politics,Kier Starmer,party,town,local,election,MP,Josh Simons,leader,seat,ward,campaign,campaigning,sign,signs,doorstep,slogan,street,Labour campaign centre,redwall,red wall,volunteer,members,King of The North,AndyBurnham
Description: Tony Smith image Alamy 3EJYKNW - This documentary editorial photograph shows a large yellow Labour campaign centre banner tied to green metal railings outside the campaign base at 2 Walter Street, Ashton-in-Makerfield, Wigan, Greater Manchester. The bold red wording reads LABOUR CAMPAIGN CENTRE , creating a clear, readable image of party organisation during the high-profile Makerfield by-election campaign. The location is associated with Stubshaw Cross Labour Club and the wider Ashton-in-Makerfield area, placing the image firmly in a traditional Labour constituency in the North West of England. The picture was taken in soft daylight under an overcast sky, with the banner, railings and roadside setting giving it the feel of a practical local campaign operation rather than a national media set piece. The by-election was triggered after Labour MP Josh Simons said he would stand down to allow Andy Burnham to contest the seat and seek a return to Westminster. Burnham is the Mayor of Greater Manchester, not Manchester city mayor, and national coverage has framed his Westminster return as potentially significant for Labour's future direction and possible leadership speculation around Sir Keir Starmer, although that should be described carefully as political speculation rather than a proven outcome. The image is useful for stories on by-elections, Labour campaigning, constituency politics, political realignment, northern Labour heartlands, doorstep canvassing, party organisation, campaign headquarters, candidate selection and the pressure on established parties from challengers such as Reform UK. For picture buyers, the value lies in the direct, uncluttered campaign signage, precise Wigan location, and connection to a nationally watched local contest where Westminster ambition, local loyalties and wider Labour Party tensions intersect.
2 Walter St, Ashton-in-Makerfield, Wigan WN4 8TP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Bye-election,vote,poll,polling,18th June 2026,18/06/2026,voting,constituency,publicity,banner,British,politics,Kier Starmer,party,contest,town,kingmakers,local,election,MP,Josh Simons,seat,ward,campaign,campaigning,sign,signs,doorstep,slogan,street,Reform,UK,ReformUK,garden,Labour campaign centre,Everton FC,EFC
Description: Tony Smith image Alamy 3EJYKGY - Two tribes editorial photograph shows two rival political signs in a front garden setting in Ashton-in-Makerfield, Wigan, Greater Manchester, during the June 2026 Makerfield by-election campaign. In the foreground, a red Labour ˜VOTE ANDY FOR US' poster shows a cartoon likeness of Andy Burnham in his familiar black top and glasses, while a blue Reform UK roundel sign is visible just behind the hedge. The two signs create a compact visual contest between Burnham, the high-profile Mayor of Greater Manchester, and Reform UK candidate Robert Kenyon, reported as a local plumber and army reservist. The image was taken in daylight under a cloudy North West England sky, with terraced and semi-detached houses, a brick wall, hedges and a quiet suburban road giving the scene a strongly local, doorstep politics feel. Burnham is often nicknamed the ˜King of the North' in political and media commentary, reflecting his regional profile since becoming Mayor of Greater Manchester in 2017 and winning further mayoral terms in 2021 and 2024. The Makerfield by-election was due on 18 June 2026 and drew national attention because Burnham's possible return to Westminster was linked with Labour's future direction and speculation about Sir Keir Starmer's leadership. Reform UK's challenge added anstock-photo/gotonysmith-Other.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>other layer, with Kenyon's candidacy attracting scrutiny over past social media posts and debate about the party's appeal in Labour heartlands. This image is useful for stories about Labour campaigning, Reform UK pressure, red wall politics, northern identity, voter choice, by-elections, populism, political branding, tactical voting and the everyday visibility of party loyalty in residential streets. For stock buyers, its strength is the juxtaposition of two competing signs: one personalised around Burnham's recognisable cartoon image, the other using Reform UK's simple directional branding, both bidding for attention before a closely watched parliamentary contest in Makerfield.
88-100 Bolton Rd, Ashton-in-Makerfield, Wigan WN4 8AD
Description
Keywords: SLC,night,shot,night,time,nighttime,Hamilton,ML3,0AA,lights,on,SNP,councilors,councilor,building,architecture,buildings,party,politics,unitary,authorities,authority,Glasgow,suburb,suburbs,ward,leader,election,elected,South Lanarkshire Council,ML3 0AA,lights on,Council Wards,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,Scots,Scotch,British,Scotland,problem,with,problem with,issue with,local,gov,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HK3H36 - . This scene at Almada St, Hamilton, Scotland, UK ML3 0AA in 2017 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. At the centre of the view is South Lanarkshire Council HQ at dusk,Almada St, Hamilton ML3 0AA. Another layer of the photograph includes period detail, changing land use, local character, changing streetscape, public realm, regional identity, architectural detail, contemporary social history, community identity, place identity, adaptive reuse, cityscape history, documentary photography, and visual archive. In present-day coverage, the subject reaches into tourism and adaptive reuse, not least because of how historic buildings acquire new uses as cities change. The archival value lies partly in recording equipment and working practice around Almada St, Hamilton, Scotland, UK ML3 0AA before different community use alters the character of the place. The wider setting retains connections with conservation architecture, period building, architectural character, period architecture, heritage asset, historic streetscape, historic townscape, and built heritage. References to Lanarkshire, Hamilton, Almada, and Council give the picture a strong period identity and tie it closely to its named subject. The wider setting at Almada St, Hamilton, Scotland, UK ML3 0AA matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is tourism and the value of architectural landmarks to local identity and tourism in a form that can be compared with future views of Almada St, Hamilton, Scotland, UK ML3 0AA. The wider significance includes energy retrofit and keeping older buildings useful without erasing their distinctive character within the real-world context of Almada St, Hamilton, Scotland, UK ML3 0AA.
Almada St, Hamilton, Scotland, UK ML3 0AA
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,UK,spell,atlas,GB,United Kingdom,slogan,word,spelled out in Scrabble letters on a map,leveling,up,northern,England,Britain,North West,Yorkshire,North east,Tory,party,politics,political,visible,signs,Liz Truss,Boris Johnson,commit,to,undermine,undermining,the,idea,of,Bozzer,empty,slogans
Description: Tony Smith image Alamy 2JKGJED - . An on-location photograph from North East England, UK in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The location is represented through Levelling Up, Tory slogan,spelled out in Scrabble letters on a map. A broader reading of the photograph includes visitor guidance, visual archive, documentary photography, instructional sign, transport stop marker, changing streetscape, public realm, public information signage, public-facing notice, directional sign, before-and-after reference, community noticeboard, community identity, and contemporary social history. In present-day coverage, the subject reaches into navigation and local identity, not least because of how small pieces of street furniture become recognisable parts of local identity. The image fixes transport arrangements and footfall within North East England, UK at one identifiable point, providing a benchmark against changing commercial priorities. The location also brings in regional identity, local information board, everyday life, period detail, changing land use, route marker, historical comparison, and orientation signage. Elements such as spelled, slogan, Levelling, letters, and Scrabble add documentary specificity and may become increasingly useful when compared with later records. The period setting at North East England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is navigation and how small pieces of street furniture become recognisable parts of local identity in a form that can be compared with future views of North East England, UK. The setting also helps illustrate accessibility and the need for accessible information that works without digital technology within the real-world context of North East England, UK.
North East England, UK
