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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,DP Phones and Vape,Horsemarket Street,phone repair,vape shop,no fix no fee,mobile phone repair,Warrington retailer,DP Phones & Vape,phone,repair,Warrington,mobile,phones,vaping,fix,fee,vape,horsemarket,wa1,1al,shopfront,selling,products,vaping regulation,nicotine retail,e cigarette,vape regulation
Description: Tony Smith image Alamy 3FE94WX - . The yellow DP Phones & Vape frontage combines phone stock-photo/gotonysmith-Repair.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>repairs and accessories with vape retail, a common hybrid business model on modern UK high streets. DP Phones & Vape combines mobile-phone repair and accessories with vaping products, two retail categories that often occupy small high-street units and depend on quick service rather than large floor space. 'No fix no fee' reflects the repair economy around cracked screens, batteries, charging faults and other problems that can extend the life of expensive smartphones. The vaping side of the business sits within a rapidly changing legal environment following the 2025 ban on single-use vapes and tighter 2026 controls on nicotine and vaping sales. The Horsemarket Street frontage therefore links two very contemporary consumer habits: dependence on personal electronics and the rise of specialist nicotine retail. Phone repairs also fit a circular-economy story because replacing a screen or battery can postpone the purchase and disposal of another resource-intensive electronic device. Combining phone repair with vaping is a characteristic small-shop strategy: two specialist, relatively high-margin services share one rent, one counter and the same passing trade. Mobile repairs depend on technical skill and spare parts rather than large showroom stock, while replacing a screen, charging port or battery can keep a device in use for longer and reduce electronic waste. Vaping adds a very different regulatory dimension involving age-restricted nicotine products and changing product rules. At 40 Horsemarket Street, the mixed fascia therefore captures the flexible economics of independent high-street retail, where one unit may combine repair, accessories and regulated consumables to remain viable. The combination also shows how independents diversify when a single specialist line may not generate enough footfall to support town-centre rent and staffing costs.
40 Horsemarket Street, Warrington WA1 1AL, Cheshire, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,ban,banned,phone,calls,speakerphone,loud,music,pub,bars,bar,IMG_4230,heritage,Street,Eccles,Salford,Manchester,Wetherspoon,UK,IMG,4230,Cross,Regent,Picture,House
Description: Tony Smith image Alamy 3FAFD06 - Exterior architectural detail of The Eccles Cross, a Wetherspoon public house occupying the former New Regent Picture House in Eccles, Salford, Greater Manchester. The surviving cinema-style frontage and lettering demonstrate the adaptive reuse of a historic entertainment building for modern hospitality. This image is suitable for editorial coverage of Wetherspoon, British pubs, pub chains, real ale, heritage buildings, former cinemas, adaptive reuse, town-centre regeneration and the changing leisure economy. Across Britain, redundant cinemas, banks and other substantial buildings have often been converted into pubs and restaurants, allowing prominent facades to remain in active use even where the original function has disappeared. In Eccles, the building contributes to a streetscape undergoing wider regeneration and retail change. The photograph records both architectural heritage and contemporary commercial use, making it useful for stories about conservation, licensing, pub culture, high-street property and the economics of maintaining large historic premises. The photograph also has value as a record of everyday life in a North West English town at a time of substantial change to high streets, transport, housing and local services. Familiar signs, shops, pubs, roads and community facilities can become important visual evidence as regeneration projects progress and commercial uses change. The scene can support local-history comparisons as well as contemporary reporting on town-centre investment, household costs, accessibility, sustainability and the survival of traditional amenities. It is an unstaged editorial view, showing the subject in its normal physical and social setting.
The Eccles Cross, Regent Street, Eccles, Salford, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1342v,rail,railway,passengers,Railcard,digital,smartphone,travel,UK,Senior,card,third,off,years,mobile,phone,Railcards,discounts,discount,cost of living,timetables,BR,British Rail,British railways,Plymouth rail timetable,Plymouth railway,railway timetable,printed timetable,historic timetable,vintage railway timetable,rail travel discount,over 60 travel,senior travel,concessionary,app,railcard on smartphone,one third off,age,60,over
Description: Tony Smith image Alamy 3FAFB7P - Digital Senior Railcard displayed on a smartphone laid across an old printed railway timetable featuring Plymouth services, creating a striking contrast between historic and modern ways of planning and paying for rail travel in Britain. The image brings together traditional paper railway information with the contemporary Railcard app and mobile technology now used by passengers on the national rail network. The Senior Railcard is available to people aged 60 and over and provides one third off most Standard and First Class rail fares across Great Britain, including Anytime, Off-Peak and Advance tickets, subject to restrictions. National Rail offers Railcards in digital form for storage on a mobile phone or tablet, reflecting the wider shift from printed timetables, ticket-office transactions and paper tickets towards apps, eTickets and digital journey planning. Plymouth has a long railway history as an important rail gateway for Devon and South West England, with services connecting the city with London, Bristol, Exeter and Cornwall. The juxtaposition provides a visual story about changing generations of railway travel: printed tables of times and routes beneath a modern smartphone carrying a passenger's photographic proof of entitlement to discounted fares. It also illustrates wider themes around the cost of train travel, concessionary fares for older people, retirement and leisure travel, social mobility, public transport accessibility and the increasing digitisation of everyday services. For many older passengers the Senior Railcard can make day trips, holidays, family visits and longer journeys more affordable, while its migration onto smartphones demonstrates how digital identity and mobile ticketing are becoming normal parts of British public transport. The composition combines railway nostalgia and ephemera with debates about rail fares, affordability, digital transformation, inclusion and the future of passenger rail in Britain.
United Kingdom
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Government,mobile,phone,UK,summer,2026,safety,Emergency,Alert,Severe,wildfire warning,wildfire prevention,wildfire risk,August 2026,UK heatwave,summer heatwave,extreme heat,mobile phone alert,government,prevention,dry,drought,climate change,hot,conditions,barbecue,fire risk,civil protection,system,14 August 2026,14/08/2026,preparedness,countryside,danger,extreme heat warning,record summer temperatures hot dry conditions,farms
Description: Tony Smith image Alamy 3FA7WTN - Smartphone displaying the UK Government Severe Alert issued on 14 August 2026 warning of a very high national risk of wildfires during an exceptionally hot and dry British summer. The emergency message advised residents, landowners and visitors to avoid activities capable of starting fires, including disposable barbecues, firepits, garden incinerators and fireworks, and urged people to call 999 immediately on seeing signs of fire.
The warning had a substantial evidence base. England had recorded its driest July on record, receiving only around 10% of its long-term average rainfall, while seven consecutive weeks had brought less than 10mm of rain nationally. By 10 August the UK summer mean temperature was 16.48C, 1.88C above the 1991-2020 average, making a record warm summer increasingly likely. A Met Office Amber Extreme Heat warning then forecast temperatures approaching 38C in places on 13 August. Fire services were already dealing with significant wildfires and the Met Office had explained that dry ground, heat, low humidity and wind can allow fires to spread rapidly.
Against that background, the danger prompting the alert was credible rather than hypothetical. Government guidance also identifies wildfires as the type of life-threatening emergency for which the mobile Emergency Alerts system may be used. Whether such a broad alert was proportionate remained open to debate: wildfire severity varied geographically and emergency warnings risk losing impact if used too readily. However, unusually dry vegetation, repeated heatwaves, active fires and pressure on emergency services gave authorities a strong factual case for urgent prevention messaging. The photograph can illustrate wildfire prevention, climate change, extreme weather, emergency communications, public safety, government warnings, heatwaves, drought, fire-service pressure and debate over the appropriate use of mass mobile alerts. It became a notable test of public acceptance of alerts.
United Kingdom
Description
Keywords: AI,Gotonysmith,HotpixUK,@HotpixUK,apps,smartphone,LLM,large language model,chatbot,assistant,app,download,phone,invent facts,invented,facts,hallucinate,hallucinations,authoritative-sounding,answers,errors,risks,medical symptoms,mental-health concerns,misinformation,privacy,use of personal information,family or relationship problems,lawsuit,theft,publishers,copyright,health advice,dangers,digital safety,believable AI errors,confident wrong answers,artificial intelligence risks,chatbot misinformation,digital safety concerns machine generated misinformation unverified AI responses
Description: Tony Smith image Alamy 3F3F0HP - Close-up of an Apple iPhone displaying the Google Gemini application listing in the Apple App Store. The angled smartphone screen shows the Google Gemini name, its multicoloured logo, Google as developer, a 4.7 rating, 13-plus age classification and Productivity chart position. The handset lies against a textured grey fabric background, creating a contemporary editorial image about the rapid adoption of consumer artificial intelligence apps.
Google Gemini is promoted as a general-purpose AI assistant capable of answering questions, drafting text, summarising information, generating ideas and working with other Google products. The photograph can also illustrate the risks of downloading and relying heavily on conversational AI software without understanding how large language models produce their responses.
Gemini can provide fluent, detailed and convincing answers while still misunderstanding a question, omitting important context or presenting inaccurate information. Such believable errors are commonly described as AI hallucinations. Their polished tone can make them particularly difficult to recognise, especially when users ask about medical symptoms, mental health, money, legal problems, politics or breaking news.
Privacy is another concern because users may enter personal details, confidential documents, workplace information or intimate emotional problems into chatbot services. Human-like responses can also encourage false reassurance, emotional dependency or the mistaken belief that the software genuinely understands and cares about the user.
The image is suitable for stories about Google AI, chatbot misinformation, data privacy, digital literacy, artificial intelligence safety, consumer technology, algorithmic persuasion and the need to verify machine-generated answers using reliable independent sources.
England, United Kingdom
Description
Keywords: AI,Gotonysmith,HotpixUK,@HotpixUK,apps,smartphone,chatbot,assistant,app,download,phone,invent facts,invented,facts,hallucinate,hallucinations,authoritative-sounding,answers,errors,risks,chatbot apps,Apple smartphone,iPhone screen,artificial intelligence apps,generative AI,chatbot dangers,conversational software,mobile applications,believable AI errors,emotional dependency,overreliance on artificial intelligence,false information online,AI mental health risks,unsafe chatbot advice,privacy and data,concerns,app icons,misinformation risks,confident wrong answers,digital literacy
Description: Tony Smith image Alamy 3F3F0N0 - Close-up of an Apple iPhone screen displaying artificial intelligence and chatbot application icons beneath the question Ask me anything . The grid represents the rapid spread of mobile AI assistants that answer questions, generate text, summarise information and imitate natural human conversation. The image illustrates both the convenience of generative AI and the dangers of treating chatbot responses as automatically accurate, impartial or safe.
Large language models can produce fluent and confident answers even when information is incomplete, misunderstood or invented. These believable errors, commonly called hallucinations, may be difficult to recognise because a response can sound calm, detailed and authoritative. The risk grows when people use general-purpose chatbots for medical symptoms, mental health, legal disputes, financial decisions, relationships or other matters requiring professional knowledge and personal context.
Conversational systems can also encourage overreliance. A chatbot that is always available and responds sympathetically may appear to understand the user like a human adviser or friend. In reality, it generates likely language rather than experiencing concern, judgement or empathy. Emotional dependency may reduce contact with real people, reinforce unhealthy beliefs or persuade vulnerable users to disclose intimate information.
Privacy is another concern because prompts may contain health details, workplace documents, family problems, financial information or identifying personal data. Users may not understand how conversations are stored, reviewed or used by a service provider. Children and teenagers can face additional risks from persuasive replies, unsuitable content and AI companions designed to sustain engagement.
This photograph illustrates chatbot hallucinations, misinformation, artificial empathy, privacy, dependency, digital literacy and the need to check AI answers against reliable sources and human advice.
England, United Kingdom
Description
Keywords: AI,Gotonysmith,HotpixUK,@HotpixUK,apps,smartphone,LLM,chatbot,assistant,phone,invented,facts,hallucinate,hallucinations,authoritative-sounding,answers,errors,chatbot dependency,risks,Daniela Amodei,criticism,redundant,jobs,Anthropic AI,smartphone download,artificial intelligence,generative AI,believable AI errors,anthropomorphism,people trusting AI,emotional reliance on chatbots,artificial intelligence risks,AI misinformation,digital companion illusion,machine generated advice,human like conversation,dependency,safety,concerns,online information tool consumer technology synthetic intelligence
Description: Tony Smith image Alamy 3F3F0NT - Close-up of a smartphone displaying the Claude by Anthropic application listing in the Apple App Store. The screen shows the Claude name, Anthropic PBC as developer, a blue Get button and promotional images presenting the software as an AI assistant for life and work. The handset is photographed at an angle against a textured fabric background, creating an editorial technology image about the fast growth of consumer artificial intelligence on everyday mobile devices.
The picture can illustrate both the popularity of generative AI and the risks that arise when users begin to relate to chatbots as if they are real people rather than software systems generating responses from statistical patterns. Because conversational AI is designed to sound natural, calm and helpful, some people may start to imagine they are genuinely talking to an understanding companion, adviser or friend. That can encourage emotional reliance, excessive trust and disclosure of highly personal information.
Claude, like other advanced chatbots, can often produce clear, persuasive and fluent replies. However, it can also generate confident but inaccurate statements, invented facts, misleading summaries or unsuitable advice, sometimes described as hallucinations. The danger is not only obvious nonsense. The greater risk is believable error: a reply that sounds measured, informed and reassuring while still being wrong. In practice that can matter when people ask about health symptoms, emotional problems, legal issues, finances, work decisions or other subjects where a mistaken answer could lead to harm or delay proper human help.
The image therefore works as an illustration of AI safety, chatbot dependence, anthropomorphism, misinformation, digital ethics and the growing public debate about how much trust should be placed in machine-generated conversation. It also highlights the wider concern that app-based AI assistants are becoming normalised in daily life before many users fully understand them
England, United Kingdom
Description
Keywords: AI,Gotonysmith,HotpixUK,@HotpixUK,apps,smartphone,LLM,large language model,chatbot,assistant,app,download,phone,invent facts,invented,facts,hallucinate,authoritative-sounding,answers,errors,chatbot dependency,risks,Apple App Store,screen,generative,chatbot hallucinations,LLM limitations,overreliance on chatbots,accuracy of AI answers,machine generated,misinformation,consumer,safety,potential,digital literacy,verification of information,search assistant risks,public trust,hard questions,human machine interaction technology ethics
Description: Tony Smith image Alamy 3F3F0PE - Close-up of a smartphone displaying the Perplexity application listing in the Apple App Store. The screen shows the Perplexity name, Perplexity AI, Inc. as developer, a blue Get button and promotional panels presenting the service as an AI search and answer tool. The display includes marketing phrases such as Ask, Research, Trusted Answers and Hard questions. Clear answers, with example screenshots showing the app interface. The handset is photographed at an angle against a textured fabric background, creating an editorial technology image about the rapid growth of consumer artificial intelligence on everyday mobile devices.
The image can illustrate the increasing public use of large language model tools for search, advice, explanations and decision support, but also the risks of placing too much faith in AI generated responses. Services such as Perplexity often produce fluent, confident and highly believable answers, which may encourage people to assume the system is accurate, objective or fully reliable. In practice, AI tools can still misunderstand prompts, omit context, misread sources, present weak information too confidently or generate errors that sound persuasive. The danger is not only obvious nonsense. It is the believable mistake that appears polished and trustworthy.
The photograph is therefore relevant to themes of overreliance on chatbots, digital literacy and public understanding of AI limitations. Users may become dependent on LLM based tools without appreciating that they remain probabilistic systems rather than human experts, and that important information still needs independent checking. That concern is especially relevant when AI is used for health, finance, legal matters, education, news or personal decision making. The picture works as an editorial illustration of AI safety, misinformation risk, technology ethics and the changing relationship between people and machine generated information.
England, United Kingdom
Description
Keywords: AI,Gotonysmith,HotpixUK,@HotpixUK,apps,smartphone,large language model,chatbot,assistant,app,download,phone,invented,facts,hallucinate,authoritative-sounding,answers,errors,mobile,smartphone screen,chatbots,logo,productivity,application,medical advice risks,emotional reliance on AI,mental health chatbot dangers,artificial intelligence safety,AI hallucinations,chatbot dependency,risks,technology,overreliance,delayed professional treatment,false reassurance,crisis response failures,vulnerable users,privacy concerns,sensitive personal data,human machine interaction
Description: Tony Smith image Alamy 3F3F0R8 - Close-up of the Microsoft Copilot application download page displayed in the Apple App Store on an iPhone. The screen shows the Copilot logo, Microsoft Corporation as developer, a blue Get button and promotional panels advertising chat, search, writing and AI image-generation functions. The angled smartphone rests on a textured grey fabric surface.
The image provides an editorial illustration of growing public reliance on general-purpose artificial intelligence assistants for personal questions, including health, medical and emotional problems. Microsoft describes Copilot as an AI companion, but warns that AI-generated content can contain mistakes and should be reviewed before users make decisions or take action. Its terms state that Copilot Health is not intended to diagnose, treat or prevent medical conditions or replace professional medical advice.
Generative chatbots may provide convenient explanations, help users organise questions and offer a sympathetic response at any hour. However, they can invent facts, misunderstand symptoms, overlook urgent warning signs, provide false reassurance or produce advice that is unsuitable for an individual. Reliance on a chatbot could delay contact with a GP, mental-health professional or emergency service.
There are also concerns about people developing emotional dependency on systems designed to sustain conversational engagement. AI companions may repeatedly validate a user, reinforce distorted beliefs or appear more knowledgeable and caring than they are. The World Health Organization has warned about generative AI tools not designed or tested for mental-health support being used in that role, particularly by young people. Privacy is another risk when users disclose symptoms, trauma, medication or intimate personal information.
The photograph represents smartphone AI adoption, online medical misinformation, chatbot safety, emotional reliance, privacy and the need for human professional judgement.
England, United Kingdom
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_1834,Mastercharge,phone,recharge,station,Silverstone Circuit,event,Northamptonshire,England,UK,mobile,charging,visitors,devices,safety,security,app,QR,codes,festival,infrastructure,smartphones,digital,connectivity,portable,power,commercial,services,Silverstone,woodlands
Description: Tony Smith image Alamy 3F0K35H - . Mastercharge phone recharge station at a Silverstone Circuit event in Northamptonshire, England, UK. Photographed on 2 July 2026. The recorded location is Silverstone Circuit, Towcester, Northamptonshire NN12 8TN, England, UK. The mobile charging unit carries large RECHARGE HERE branding and invites visitors to recharge devices for safety and security, with app-store information and QR codes visible on the side. Temporary event structures and visitors can be seen around the unit in bright outdoor conditions. Silverstone Circuit occupies a former Second World War RAF airfield and hosted the first Formula One World Championship race in 1950. It remains the home of the British Grand Prix and one of the UK's most important motorsport venues, combining historic track heritage with continually upgraded spectator, hospitality and safety infrastructure. The historical setting for motorsport engineering is that silverstone occupies a former Second World War RAF airfield and hosted the first Formula One World Championship race in 1950
The circuit evolved from perimeter roads into a purpose-built international motorsport venue with repeatedly altered layouts and spectator facilities. Seen through signalling, the earlier context is that rail transport links engineering history with everyday mobility
The network evolved through private railway companies, grouping, nationalisation, British Rail and later privatisation, leaving successive layers of architecture, liveries, ticketing equipment and operating practice. In the 2026 discussion of motorsport engineering, silverstone continues to be the home of the British Grand Prix and a major year-round motorsport destination, while trackside hotels, hospitality and residential developments show how the circuit economy has expanded beyond race-day grandstands. The wider story encompasses safety, security, app, codes, festival, infrastructure, and smartphones.
Silverstone Circuit, Towcester, Northamptonshire NN12 8TN, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_0165,Hindley Money Station,pawnbrokers,mobile,phone,repair,shop,Hindley,Wigan,Greater,Manchester,England,UK,Market,Street,pawnbroking,cash,gold,currency,exchange,jewellery,laptops,games,tools,second-hand,retail,finance,credit,business,high,cash is king
Description: Tony Smith image Alamy 3EMY4D0 - Hindley Money Station pawnbrokers and mobile phone repair shop at 77 Market Street, Hindley, Wigan, Greater Manchester, England, UK. The corner shop has a vivid red frontage covered with signs advertising pawnbroking, cash for gold, mobile phone repair, currency exchange, jewellery, laptops, games, tools and other second-hand goods and financial services. Pawnbrokers provide secured short-term loans against personal possessions and often combine lending with buying and selling jewellery, electronics and other valuables. The photograph is suitable for editorial coverage of pawnbroking, high-cost credit, second-hand retail, cash for gold, money services, mobile phone repair, local high streets, consumer finance, cost-of-living pressures, independent shops and town-centre businesses. The dense collection of price and service messages across the frontage gives a particularly strong visual illustration of the range of services offered by modern pawnbrokers and money shops in working high streets.
77 Market Street, Hindley, Wigan WN2 3AE, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,station,phone,charging,charger,mobile,iphone,portable,battery,batteries,charging station,battery rental,phone battery,travel technology,station technology,railway station,on the go charging,QR code rental,contactless payment,smartphone charging,low battery,travel convenience,digital payments,public transport technology,station retail,passenger amenities,urban mobility,integrated travel,rail commuters,student travellers,business,city centre,app-based service,railway concourse,vending technology,shared device rental,self-service kiosk,rental kiosk
Description: Tony Smith image Alamy 3EJD084 - Joos rent-a-power-bank kiosk inside Manchester Oxford Road railway station, showing a self-service charging rental machine designed for passengers, commuters, students, tourists and city-centre travellers who need to keep mobile phones powered while on the move. The visible display reads Rent a power bank and Quick Rent , with a QR code, pricing information and multiple power bank slots, making the photograph useful for stories about smartphone dependency, station technology, digital travel, QR-code rental services, contactless payments, portable charging, passenger convenience and the growing role of small digital services in railway environments. Manchester Oxford Road station is listed at Station Approach, Oxford Road, M1 6FU, and serves one of the city's busiest central corridors, close to universities, offices, music venues, theatres, hotels and onward public transport links. Joos describes its service as portable charging through rental stations, where users can scan a QR code, take a charger and charge their device while moving around. This type of kiosk reflects the way modern travellers increasingly rely on phones for e-tickets, journey planning, maps, payments, messaging, work access, emergency contact, live rail updates and onward travel. The image can illustrate mobile-first transport, passenger experience, urban mobility, railway retail, digital infrastructure, shared device rental, low-battery anxiety, travel disruption, smart city services and the wider commercialisation of public transport spaces. The station's timber interior and the branded charging machine together create a useful contrast between Manchester Oxford Road's distinctive older station architecture and newer app-enabled convenience services aimed at contemporary rail users. The scene appears to be photographed indoors in daylight, with a passing passenger partly visible, giving the picture a documentary feel focused on practical travel technology rather than a staged product shot.
Station Approach, Oxford Road, Manchester, Greater Manchester, M1 6FU
Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,mast,mobile,masts,phone,telecom,signals,telecommunications,network,infrastructure,communications,coverage,signal,utility,broadband,connectivity,digital,rural,emergency,planning application,permitted development,street infrastructure,public health debate,radiofrequency electromagnetic fields,RF EMF,electromagnetic fields,EMF exposure,non ionising radiation,ICNIRP guidelines,Ofcom EMF rules,UKHSA mobile base station advice,5G health concerns,5G conspiracy theories,anti 5G protest,misinformation,disinformation,fake health claims,public concern
Description: Tony Smith image Alamy 3E93492 - Cellular telecommunications mast in stock-photo/gotonysmith-Thelwall.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Thelwall, Warrington, photographed against a blue sky, showing a steel lattice tower fitted with multiple antenna panels, transmission equipment and support structures for mobile phone coverage. The image is useful for editorial coverage of 4G and 5G rollout, mobile broadband, digital infrastructure, network coverage, planning applications, telecommunications regulation, public utilities, connectivity, smartphone use, emergency communications and the continuing expansion of wireless data networks. It can also illustrate public concern, risk perception, misinformation and conspiracy theories around mobile phone masts, radiofrequency electromagnetic fields and alleged radiation dangers. Care is needed in captioning: the mast is a source of non-ionising radio waves, not the kind of ionising radiation associated with X-rays or nuclear materials. UKHSA states that international exposure guidelines cover 5G base stations as well as older technologies, and its published 5G measurement work says exposures from 5G base stations are well below ICNIRP guideline levels. Ofcom says it has measured electromagnetic fields near mobile phone masts for many years and that all such measurements have shown public exposure levels well within the ICNIRP guidelines. The World Health Organization states that, provided overall exposure remains below international guidelines, no consequences for public health are anticipated from 5G. This makes the photograph relevant not only to infrastructure and technology stories, but also to fact-checking, science communication, anti-5G claims, online misinformation, planning objections and debates about trust in public health advice. The clear view of antenna arrays and the absence of people make it a flexible stock image for newspapers, planning documents, telecoms features,public health explainers, local news, digital inclusion reports and articles examining how ordinary suburban and village landscapes increasingly
Cellular telecoms mast in Thelwall, Warrington, used for mobile phone coverage amid public debate ov
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Southern,Republic,airports,phone,smartphone,charging,expensive,top up,essential,lockers,at,departures,Ireland,Cork,Charge.it.IE,IE,UV-C,UVC,Apple,Android,Charge-it.ie,Charge-it,quick,fast,Built-in,UV,lights,rental,install,installation,Charge It Management,Irish,locker
Description: Tony Smith image Alamy 3C4CYH7 - This contemporary British and Irish stock photograph captures ChargeIt airport charging station locker at Cork Airport, Ireland - Charge Your Mobile Here , from Charge.it.IE, IE. The row metadata places the subject at Cork Airport, Kinsale Road, Cork, T12P5NF, Ireland. The spreadsheet date indicates 20 July 2025, so the picture can also work as a time-specific archive record. Plainly, the image is useful because it shows Ireland, Irish, airport, Charge It, Here, Charge Your Mobile, Cork Airport, locker, with search-relevant terms including Ireland, Irish, airport, Charge It, Here, Charge Your Mobile, Cork Airport, locker, station, ChargeIt, Southern, Republic, airports, phone. Transport pictures are especially useful because they show the infrastructure and passenger experience behind policy debates about connectivity, reliability and regional investment. Cork Airport is an important regional gateway for southern Ireland. Airport details like baggage, passenger notices, airline rules and mobile charging are useful for stories about travel stress, low-cost aviation, regional connectivity and the changing passenger experience. The detail speaks to modern dependence on smartphones while travelling, with battery life, charging lockers, apps, boarding passes, maps, mobile payments and digital identity now part of the everyday airport and transport experience. It has strong value for publishers needing authentic documentary imagery for news pages, blog articles, council reports, social media graphics, presentations, magazine features and local-history explainers. Historically and socially, this kind of image can help connect past and present: older streets, civic institutions, transport systems, shops, signs, political messages or public services are not frozen museum pieces, but part of how people understand modern life, local identity and economic change.
Cork Airport, Kinsale Road, Cork, T12P5NF, Ireland
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Irish,Ireland,public access,life saving,automated external defibrillator,historic,phone,community emergency equipment,County Kerry,Heart of Killarney,old phone box new purpose,defibrillator in phone booth,saving lives in public places,creative reuse of infrastructure,community cardiac safety,rapid response to cardiac arrest,accessible emergency healthcare,public AED awareness,survival after sudden cardiac arrest,Ireland community resilience,historic streetscape preservation,sustainable adaptive reuse,redundant communications infrastructure,mobile phone era legacy,traditional Irish streetscape,reuse,Irish public health,cardiac arrest response,emergency medical device,heritage conservation,telephone box conversion,town centre safety,24 hour defibrillator,community lifesaving project,Wild Atlantic Way tourism,health and heritage combined,emergency preparedness
Description: Tony Smith image Alamy 3F3NDNN - Former Irish public telephone box has been repurposed as a life-saving automated external defibrillator station on Main Street in the centre of Killarney, County Kerry. The compact concrete kiosk retains its traditional green-painted window frames and the word Defibrillator now occupies the fascia where telephone signage would once have appeared. Positioned beside the Brian James menswear shop, the preserved street structure provides an easily recognised location for emergency medical equipment within a busy retail and tourism area.
The kiosk forms part of the Heart of Killarney network of publicly accessible AEDs. Killarney's first defibrillator telephone box was formally opened in November 2016, helping inspire similar conversions elsewhere in Ireland. The project demonstrates how obsolete communications infrastructure can be adapted for a valuable modern public-health purpose while retaining a familiar feature of the Irish streetscape.
An automated external defibrillator can analyse the heart rhythm of someone experiencing a suspected sudden cardiac arrest and provide spoken or visual instructions to a rescuer. Where appropriate, the device can deliver an electrical shock intended to help restore an effective rhythm. Locating AED equipment in a conspicuous town-centre kiosk allows residents, business staff, visitors and trained first responders to find it quickly during a medical emergency. Public-access installations are intended to complement immediate calls to the emergency services, cardiopulmonary resuscitation and rapid professional treatment.
The photograph also illustrates creative adaptive reuse and the changing role of public telephone infrastructure following the widespread adoption of mobile phones. Rather than removing the redundant kiosk, the community has preserved its distinctive form and transformed it into practical emergency equipment. The green and grey structure contrasts with neighbouring shopfronts and remains highly visible
Public defibrillator telephone kiosk, 9""“10 Main Street, Killarney, County Kerry, Ireland, V93 W2NH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,company,MSCC,Peel Ports,Latchford,Warrington,Cheshire,England,UK,WA4 2BU,WA4,high,level,the,green,sign,warning,depression,suicides,risk,poster,on,bridge,footbridge,path,walkway,help,grey,depressed,suicidal,mental,health,free,call,phone,freephone,prevention,116 123
Description: Tony Smith image Alamy 2PHEKDJ - Talk to Us
The annual awareness campaign is back this July
24 July (24/7) is Samaritans Awareness Day, because we're here to listen 24/7. On this date and throughout July, we'll be running our awareness-raising campaign Talk to Us, to remind people that we're here for anyone who needs someone to listen.
Every year in July, Samaritans branches in the UK and Republic of Ireland hold local events to raise awareness that Samaritans are here to listen to anyone who's struggling to cope, at any time of the day or night.
Whatever you're going through, call us free any time, from any phone, on 116 123
More about the Samaritans at https://www.samaritans.org/
Cantilever bridge, Latchford, Manchester Ship Canal, Warrington, Cheshire, England, UK, WA4 2BU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,England,UK,NW England,WA4,OpenReach,telecom,fibre,connections,contracting,engineer,working,on,street,cab,circuits,domestic,phone,internet,to,the,fix,repair,sit,an,man,wiring,MJ,Quinn,subcontractor,sub-contractor,open,utilities,neat,loom,looms,services
Description: Tony Smith image Alamy 2N482MW - . Recorded at Warrington, Cheshire, NW England, UK, WA4 in 2023, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. At the centre of the view is MJ Quinn OpenReach telecoms contractor engineer, working on open street cabinet, Warrington, Cheshire, NW England, UK, WA4. The subject also carries associations with changing land use, conservation architecture, documentary photography, place identity, changing streetscape, regional identity, historic streetscape, local character, community identity, before-and-after reference, heritage asset, period detail, architectural detailing, and everyday life. Current relevance extends to embodied carbon and planning control, particularly through the balance between conservation and modern commercial use. Future viewers can use this scene from Warrington, Cheshire, NW England, UK, WA4 to compare materials and architectural details with whatever follows after refurbishment. The subject also sits alongside visual archive, adaptive reuse, built heritage, conservation interest, period building, contemporary social history, urban fabric, and local history. The recorded references to Quinn, contractor, working, OpenReach, and telecoms preserve clues about how the subject was presented, used or understood at the time. Around Warrington, Cheshire, NW England, UK, WA4, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for embodied carbon and how historic fabric can support regeneration rather than demolition within the specific setting of Warrington, Cheshire, NW England, UK, WA4. Another useful connection is planning control and how historic fabric can support regeneration rather than demolition as part of the longer story of Warrington, Cheshire, NW England, UK, WA4.
Warrington, Cheshire, NW England, UK, WA4
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,England,UK,old,style,1950s,1940s,GB,British,phone,with,button,buttons,history,communication,telecoms,GPO,BT,British Telecom,OpenReach,old fashioned,1900s,press,to be heard,coins,coin,return,returned,Scotland,Wales,London,phonebox,antique,tech,technology
Description: Tony Smith image Alamy 2K244BY - How to make a phone call from a button A and button B public phone
In order to make a call from a public phone box, you had to have the right coins. This was not too onerous because coins were in everyday use as there were no credit cards. Nevertheless, it was not at all unusual to be stopped in the street and asked if one had change for a phone call. People always tried to oblige each other in this respect, and I never knew of anyone getting mugged when they got out a purse or delved into their pockets for money.
Callers put their coins into the coin slot, dialled the number they wanted and pressed Button A to be heard or Button B to get their money back if no-one answered.
Great Britain
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,England,UK,Post Office,savings,account,save,with,savers,cash,1950,advert,in,a,public,phone,box,kiosk,red,savers campaign,Take them,to,the,bank,NS&I,promoting,GPO,General Post Office,GB,British,post offices,1950s,accounts,National Savings movement,National,Savings movement,National Savings and Investments,nest egg
Description: Tony Smith image Alamy 2K244C1 - Vintage Post Office Savings Bank advertising poster displayed inside a public telephone box kiosk, urging people to Take them to the Post Office Savings Bank and Support the New Savers Campaign . The image shows an aged, weathered public information advert behind glass, with a child's face, a blue money bag marked Savings , halftone printing, fading colours and the worn red metal frame of the kiosk interior. It is a strong documentary image for themes of thrift, personal saving, family finance, children's savings, public service advertising, postal history, telephone box interiors and mid twentieth-century British graphic design. The Post Office Savings Bank was founded in 1861 as a state-backed savings scheme intended to encourage ordinary people to save, and NS&I records this as the beginning of its own history. Later changes separated National Savings from the Post Office, but the poster reflects the earlier period when savings services were heavily associated with Post Office branches and everyday civic infrastructure. The image may be useful for editorial features on household budgeting, post-war savings culture, state-backed savings, children's money habits, public finance, social history, old advertising, GPO heritage, phone boxes, postal services, government campaigns and changing attitudes to thrift. The telephone kiosk setting adds nostalgic value, linking two once-familiar parts of British public life: the red phone box and the local Post Office as a place for saving, communication and public administration. The faded surface and damaged poster give the photograph an archive-like feel, suggesting a surviving remnant of a campaign that promoted prudence, security and responsible saving to families. It can also support stories about the decline of cash-based saving habits, the move from branch services to digital finance, and the way public spaces once carried official messages about money, citizenship and self-reliance.
Vintage Post Office Savings Bank advert in a public phone box kiosk promoting the New Savers Campaig
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,town centre,England,UK,centre,Parking signs,charges from PayByPhoone and ParkingEye,at Cockhedge Shopping & retail park at Warrington Town,WA1,confusing,unfair,parking,signs,signage,charges,charging,paying,problems,problem,difficulty,from,and,charge,tariff,tariffs,pay,by,phone,QR code,how to pay,older,retired,people,drivers,parkers,penalty,penalties
Description: Tony Smith image Alamy 2JTNA6B - . This authentic period view of the recorded location in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The main point of reference is Parking signs,charges from PayByPhoone and ParkingEye, at Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1. A broader reading of the photograph includes period detail, commercial frontage, local history, town-centre economy, shopfront economy, street-level business, built heritage, changing land use, public realm, urban fabric, customer footfall, destination shopping, heritage-led regeneration, and commercial streetscape. Viewed from the mid-2020s, the subject also connects with store closures, online shopping and how physical retail adapts to online competition. The modern context includes continuing discussion of heritage conservation, adaptive reuse and how regeneration tries to create reasons to visit traditional town centres. For later comparison, the photograph preserves transport arrangements and footfall at the recorded location, details that may look very different after different community use. The surrounding story also includes urban regeneration, mixed-use redevelopment, historical comparison, bricks-and-mortar retail, civic architecture, local character, changing streetscape, and commercial redevelopment. Elements such as PayByPhoone, Parking, retail, Centre, and ParkingEye add documentary specificity and may become increasingly useful when compared with later records. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Its period value extends to store closures and how physical retail adapts to online competition without losing the local specificity of the recorded location. It also preserves details of everyday use before later change alters the scene.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,town centre,England,UK,centre,Parking signs,charges from PayByPhoone and ParkingEye,at Cockhedge Shopping & retail park at Warrington Town,WA1,confusing,unfair,parking,signs,signage,charges,charging,paying,problems,problem,difficulty,from,and,charge,tariff,tariffs,pay,by,phone,QR code,how to pay,older,retired,people,consumer rights
Description: Tony Smith image Alamy 2JTNA77 - . This scene at Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1 in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The location is represented through Parking signs,charges from PayByPhoone and ParkingEye, at Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1. The image also relates to customer footfall, commercial redevelopment, urban fabric, historic townscape, place-making, local character, before-and-after reference, public-realm investment, commercial streetscape, changing land use, period architecture, civic architecture, commercial frontage, and heritage-led regeneration. Viewed from the mid-2020s, the subject also connects with business rates, changing footfall and the rapid turnover of shopfronts and trading names. The modern context includes continuing discussion of heritage conservation, housing pressure and how public investment can reshape pedestrian movement and evening activity. Future viewers can use this scene from Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1 to compare transport arrangements and footfall with whatever follows after closure or conversion. The location also brings in town-centre economy, built heritage, documentary photography, independent trading, local history, town-centre renewal, retail property, and mixed-use redevelopment. The combination of signs, retail, Cockhedge, Shopping, and PayByPhoone anchors the frame to a recognisable activity, place or moment. By fixing the subject within Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1, the image preserves more than the headline object or building: it records part of the locality's everyday history. It also preserves a trace of local identity for future local research.
Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,town centre,England,UK,centre,Parking signs,charges from PayByPhoone and ParkingEye,at Cockhedge Shopping & retail park at Warrington Town,WA1,confusing,unfair,parking,signs,signage,charges,charging,paying,problems,problem,difficulty,from,and,charge,tariff,tariffs,QR code,phone,by,pay,how to pay,older,retired,people
Description: Tony Smith image Alamy 2JTNA7D - . This authentic period view of Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1 in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The defining feature is Parking signs,charges from PayByPhoone and ParkingEye, at Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1. The wider scene also brings together civic architecture, public-realm investment, adaptive reuse, local history, contemporary social history, archival record, destination shopping, place identity, changing land use, architectural character, commercial frontage, social history, period architecture, and commercial streetscape. Viewed from the mid-2020s, the subject also connects with brand consolidation, business rates and how physical retail adapts to online competition. The modern context includes continuing discussion of construction costs, planning and how regeneration tries to create reasons to visit traditional town centres. For later comparison, the photograph preserves public access and movement at Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1, details that may look very different after changing commercial priorities. The photograph additionally reflects high-street commerce, street-level business, place-making, mixed-use town centre, urban fabric, community identity, local character, and everyday life. The recorded references to Cockhedge, Shopping, signs, Parking, and Centre preserve clues about how the subject was presented, used or understood at the time. For Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. It also preserves evidence of earlier appearance for later comparison.
Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,8,old,GPO,Abingdon Street. Blackpool,Lancashire,England,UK,FY1 4DH,FY1,K4,box,outside,ex-post,post,office,on,traditional,British,phone,phones,resort,seaside,centre,telephones,BT,OpenReach,telecommunications,before,the,age,of,mobile,mobiles
Description: Tony Smith image Alamy 2JREBJE - . Recorded at Abingdon Street. Blackpool, Lancashire, England, UK, FY1 4DH in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Eight Telephone boxes outside ex-post office on Abingdon Street. Blackpool, Lancashire, England, UK, FY1 4DH. The setting additionally reflects changing streetscape, documentary photography, adaptive reuse, archival record, built heritage, visual archive, place-making, historic townscape, social history, local history, everyday life, before-and-after reference, changing land use, and architectural character. The modern context includes continuing discussion of adaptive reuse, construction costs and how public investment can reshape pedestrian movement and evening activity. As a dated visual record of Abingdon Street. Blackpool, Lancashire, England, UK, FY1 4DH, the frame retains commercial use and occupation, making it especially useful if changed technology subsequently changes the scene. Other useful contextual ideas include place identity, urban fabric, local character, community identity, public-realm investment, period architecture, commercial redevelopment, and mixed-use redevelopment. Elements such as Lancashire, ex-post, outside, Eight, and boxes add documentary specificity and may become increasingly useful when compared with later records. Around Abingdon Street. Blackpool, Lancashire, England, UK, FY1 4DH, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate adaptive reuse and how public investment can reshape pedestrian movement and evening activity within the specific setting of Abingdon Street. Blackpool, Lancashire, England, UK, FY1 4DH. The photograph keeps evidence of earlier appearance for later comparison.
Abingdon Street. Blackpool, Lancashire, England, UK, FY1 4DH
Description
Keywords: HotpixUK,GoTonySmith,@HotpixUK,Dial,rotary telephone dial,emergency calls,for fire,Police,ambulance,rotary,phone,telephone,dial,for,tales,Kent,Unesco,World Heritage Site,city,centre,seven,communication,post office,telephones,GPO,BT,OpenReach,old,fashioned,call,calls,Dial M for murder,heritage,past,antiques,relic,relics,curio,curios
Description: Tony Smith image Alamy 2JP9HT7 - . Photographed at Canterbury, Kent, UK in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The subject captured here is Rotary telephone dial, Emergency Calls, for Fire, Police, Ambulance, Dial 999, Canterbury 7. The subject also carries associations with changing streetscape, philatelic material, historic postage, postal artefact, community identity, period detail, stamp design, everyday life, changing land use, place identity, social history, national postal identity, postal graphic design, and philatelic collecting. In present-day coverage, the subject reaches into digital communication and declining letter volumes, not least because of the continuing collector interest in discontinued states, currencies and postal systems. Small period details of signage and branding at Canterbury, Kent, UK may become more significant with time, particularly following changed technology. The surrounding story also includes public realm, commemorative issue, postal ephemera, historical comparison, local character, used postage stamp, local history, and postal history. Details involving telephone, Police, Ambulance, Emergency, and Canterbury make the image more specific than a generic view and strengthen its local or historical value. A later view of Canterbury, Kent, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The setting also helps illustrate digital communication and how stamps condense politics, art and national identity into a small printed object in a form that can be compared with future views of Canterbury, Kent, UK. The image also provides a reference for digital communication and the usefulness of postmarks and denominations for dating everyday correspondence within the real-world context of Canterbury, Kent, UK.
Canterbury, Kent, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,statue,station,rail,railway,art,artist,romance,affair,affairs,infidelity,adultery,sexual,attraction,kiss,kissing,lovers,international,amorous,romantic,passion,bronze,British,Eurostar terminal,a very good example of the crap out there,Lonely Planet,woman,checks,phone,messages,iphone,glued,to,phones,Paul Day,carriage
Description: Tony Smith image Alamy 2K16ARC - The Meeting Place is a 9-metre-high (30 ft), 20-tonne (20-long-ton) bronze sculpture that stands at the south end of the upper level of St Pancras railway station. Designed by the British artist Paul Day and unveiled in 2007, it is intended to evoke the romance of travel through the depiction of a couple locked in an amorous embrace.
The statue, which stands in the Eurostar terminal, is reported to have cost £1 million and was installed as the centrepiece of the refurbished station. The work, commissioned by London and Continental Railways, is modelled on the sculptor and his wife
The sculpture received a poor critical reception, being cited by Antony Gormley as a very good example of the crap out there, comparing it to other examples of public art in the UK,[4] and later referred to as a terrible, schmaltzy, sentimental piece of kitsch by Tim Marlow of the Royal Academy of Arts. Jeremy Deller dismissed it as barely a work of art. Day commented that lot of people will no doubt detest it because it is not violent or controversial.
Further controversy was caused by Day's 2008 planned addition of a bronze relief frieze around the plinth. Originally depicting a commuter falling into the path of an Underground train driven by the Grim Reaper, Day believed the piece to be a tragi-comic style and was supposed to be a metaphor for the way people's imaginations ran wild but revised the frieze before the final version was installed.
Despite harsh criticism from major figures in the British art world, the statue has become popular with the public and contributed to its perception of St Pancras. In 2011, an edition of The World's Most Romantic Spots by Lonely Planet described the station as one of the most romantic meeting places in the world, citing the statue as a key reason
The Grand Terrace, St Pancras International, London, England, UK, N1C 4QP
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Wigan & Leigh Council,Greater Manchester,England,Lancs,Lancashire,centre,stalls,stall,indoor,inside,Market Hall,Spinning Gate,wn74pg,Markethall,WN7,UK,Leigh covered indoor market hall,covered,interior,market,hall,retail,traders,local,welcome,to,Mobile People,Handsets,fast repairs,unlocking,phone,iphone,Android,shop,trader
Description: Tony Smith image Alamy 2JH06YN - . Recorded at Gas St, Leigh, Lancashire, England, UK, WN7 4PG in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The photograph centres on Welcome to Leigh covered indoor market hall, Gas St, Leigh, Lancashire, England, UK, WN7 4PG. Other connected aspects include archival record, social history, documentary photography, urban change, period detail, outdoor retail, community identity, high-street commerce, before-and-after reference, public realm, place identity, townscape record, retail chain, and customer footfall. The wider contemporary story combines store closures, town-centre regeneration and how physical shops adapt to online competition. Viewed from the mid-2020s, the subject also connects with regeneration, community use and how regeneration alters the character of familiar places. As a dated visual record of Gas St, Leigh, Lancashire, England, UK, WN7 4PG, the frame retains street furniture and boundaries, making it especially useful if changing commercial priorities subsequently changes the scene. The photograph additionally reflects brand-led retail, consumer retail, changing streetscape, historical comparison, physical store, community life, contemporary social history, and shopping district. The combination of Welcome, covered, Lancashire, indoor, and Leigh anchors the frame to a recognisable activity, place or moment. The wider setting at Gas St, Leigh, Lancashire, England, UK, WN7 4PG matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another useful connection is store closures and how physical shops adapt to online competition when considered against later change at Gas St, Leigh, Lancashire, England, UK, WN7 4PG. The image fixes evidence of changing use before later change alters the scene.
Gas St, Leigh, Lancashire, England, UK, WN7 4PG
Description
Keywords: GoTonySmith,HotpixUK,apps,Covid,Covid19,19,Corona,virus,NHS,UK,Coronavirus App,Covid App,mobile,phone,iphone,tablet,track,trace,delays,Corona Virus,NHS Scotland,Pandemic,2020,holding smartphone,NHS Contact tracing app,failed,rollout,technology,contact tracing app,Serco,outsourced,Covid-19,C19,tracing software,Hallett,enquiry,Heather,long covid,longcovid
Description: Tony Smith image Alamy 2C3DGYP - Associated keywords:
Auutomate,automation,Matthew Gould,Bluetooth technology,Bluetooth Signals,personal information,symptoms,risk algorithm,VMware Pivotal Labs,software firm Zuhlke,National Cyber Security Centre,NCSC,user data,devices,Android phones,privacy concerns
How was the NHS Covid-19 app planned to work?
Contact tracing apps aim to automate the human process by using the phone in your pocket. More than 30 countries are building tracing apps and the UK is no different. Its tracing software “ the NHS Covid-19 app “ has been trialled on the Isle of Wight since May 7. The island was picked as a testbed before wider rollout across the UK and more than 50,000 people on the island have downloaded the app.
It's highly unlikely the Covid-19 virus is going to go away, Jonathan Van-Tam, England's deputy chief medical officer, said as details of the app were revealed at the start of May. Testing and contact tracing is going to have to become part of our daily lives in the future.
Matthew Gould, the CEO for NHSX, the technology arm of the NHS, says the logic for creating the app is clear: it can potentially allow cases to be identified earlier and reduce the spread of the coronavirus.
The app works using Bluetooth signals. Bluetooth technology within phones, which has to be turned on at all times, broadcasts an identifier that is unique to that device. The identifier is essentially a random string of numbers that updates on a regular basis and doesn't include any personal information. When your phone is near another Bluetooth device the two will exchange their identifiers. A list of all the devices, in the form of their unique codes, are stored on your phone for 28 days. Nothing else happens unless a user indicates that they are experiencing coronavirus symptoms.
There is very limited functionality within the app. The only thing that users can do is report if they have Covid-19 symptoms. Within the app there is one central question: how are you feeling today?
Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,apps,Covid,Covid19,19,Corona,virus,NHS,UK,Coronavirus App,Covid App,mobile,phone,iphone,tablet,track,trace,failure,delays,Corona Virus,world beating,Pandemic,2020,holding smartphone,NHS Contact tracing app,failed,rollout,England,111,tech,technology,contact tracing app,NHSX,Serco,Covid-19,C19,tracing software,lockdown2020
Description: Tony Smith image Alamy 2C3DH12 - Associated keywords:
Auutomate,automation,Matthew Gould,Bluetooth technology,Bluetooth Signals,personal information,symptoms,risk algorithm,VMware Pivotal Labs,software firm Zuhlke,National Cyber Security Centre,NCSC,user data,devices,Android phones,privacy concerns
How was the NHS Covid-19 app planned to work?
Contact tracing apps aim to automate the human process by using the phone in your pocket. More than 30 countries are building tracing apps and the UK is no different. Its tracing software “ the NHS Covid-19 app “ has been trialled on the Isle of Wight since May 7. The island was picked as a testbed before wider rollout across the UK and more than 50,000 people on the island have downloaded the app.
It's highly unlikely the Covid-19 virus is going to go away, Jonathan Van-Tam, England's deputy chief medical officer, said as details of the app were revealed at the start of May. Testing and contact tracing is going to have to become part of our daily lives in the future.
Matthew Gould, the CEO for NHSX, the technology arm of the NHS, says the logic for creating the app is clear: it can potentially allow cases to be identified earlier and reduce the spread of the coronavirus.
The app works using Bluetooth signals. Bluetooth technology within phones, which has to be turned on at all times, broadcasts an identifier that is unique to that device. The identifier is essentially a random string of numbers that updates on a regular basis and doesn't include any personal information. When your phone is near another Bluetooth device the two will exchange their identifiers. A list of all the devices, in the form of their unique codes, are stored on your phone for 28 days. Nothing else happens unless a user indicates that they are experiencing coronavirus symptoms.
There is very limited functionality within the app. The only thing that users can do is report if they have Covid-19 symptoms. Within the app there is one central question: how are you feeling today?
Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,apps,Covid,Covid19,19,Corona,virus,NHS,UK,Coronavirus App,Covid App,mobile,phone,iphone,tablet,track,trace,failure,delays,Corona Virus,world beating,Pandemic,2020,holding smartphone,NHS Contact tracing app,failed,rollout,England,111,technology,contact tracing app,NHSX,Serco,outsourced,Covid-19,C19,tracing software,lockdown2020
Description: Tony Smith image Alamy 2C3DH16 - Associated keywords:
Auutomate,automation,Matthew Gould,Bluetooth technology,Bluetooth Signals,personal information,symptoms,risk algorithm,VMware Pivotal Labs,software firm Zuhlke,National Cyber Security Centre,NCSC,user data,devices,Android phones,privacy concerns
How was the NHS Covid-19 app planned to work?
Contact tracing apps aim to automate the human process by using the phone in your pocket. More than 30 countries are building tracing apps and the UK is no different. Its tracing software “ the NHS Covid-19 app “ has been trialled on the Isle of Wight since May 7. The island was picked as a testbed before wider rollout across the UK and more than 50,000 people on the island have downloaded the app.
It's highly unlikely the Covid-19 virus is going to go away, Jonathan Van-Tam, England's deputy chief medical officer, said as details of the app were revealed at the start of May. Testing and contact tracing is going to have to become part of our daily lives in the future.
Matthew Gould, the CEO for NHSX, the technology arm of the NHS, says the logic for creating the app is clear: it can potentially allow cases to be identified earlier and reduce the spread of the coronavirus.
The app works using Bluetooth signals. Bluetooth technology within phones, which has to be turned on at all times, broadcasts an identifier that is unique to that device. The identifier is essentially a random string of numbers that updates on a regular basis and doesn't include any personal information. When your phone is near another Bluetooth device the two will exchange their identifiers. A list of all the devices, in the form of their unique codes, are stored on your phone for 28 days. Nothing else happens unless a user indicates that they are experiencing coronavirus symptoms.
There is very limited functionality within the app. The only thing that users can do is report if they have Covid-19 symptoms. Within the app there is one central question: how are you feeling today?
Manchester, England, UK
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,SIP,PCN,sign,charges,tariff,recover parking charges,recover,parking charges,appeal,car park,pay station,Cheshire,WA1,social values,living wage,complaints,complaint,Pay here,cash,coin,card,contactless,parking charge,parking charge notice,fine,penalty,SIP Car Parks Limited,Sip Car parks,pay,by,phone,simple intelligent parking
Description: Tony Smith image Alamy 2AAT36M - . This period scene at Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT in 2019 provides a visual reference to the named subject and the wider commercial, social, cultural or physical environment around it. The defining feature is SipCarparks Arpley Road pay station Warrington, Cheshire, England, UK, WA1 1WT. The wider subject matter also includes online identity, rail corridor, rail modernisation, regional identity, historic context, connected society, historical comparison, digital interface, connected device, public transport network, public realm, smartphone culture, archival record, and mobile internet. Current discussion around this subject increasingly includes fares alongside station investment, with particular attention to reducing congestion and car dependency. From a 2025-onward perspective, the scene also connects with privacy, mobile dependence and the tension between convenience, privacy and digital exclusion. From an archival perspective, the scene keeps a record of the visual character of the locality at the time within the setting of Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT. Further connections include mobile computing, rail transport, rail mobility, visual archive, place identity, consumer electronics, local character, and digital technology. References to station, SipCarparks, Arpley, and Warrington help fix the photograph to its own subject and period rather than reducing it to a generic view. A later view of Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene further reflects fares and reducing congestion and car dependency without losing the local specificity of Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT. The view records evidence of changing use within the wider story of Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT.
Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,UK,England,English,SIP,PCN,sign,charges,tariff,recover parking charges,recover,parking charges,appeal,car park,pay station,Cheshire,WA1,social values,living wage,complaints,complaint,Pay here,cash,coin,card,contactless,parking charge,parking charge notice,fine,penalty,SIP Car Parks Limited,Sip Car parks,pay,by,phone,simple intelligent parking
Description: Tony Smith image Alamy 2AAT36K - . An authentic period view of Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT in 2019, showing a subject whose value extends beyond the immediate scene into local history and changing social context. The subject recorded here is SipCarparks Arpley Road pay station Warrington, Cheshire, England, UK, WA1 1WT. Further facets of the subject include local character, period detail, connected society, historical comparison, visual archive, digital technology, public realm, railway branding, station environment, digital interface, rail mobility, online service, community identity, and transport interchange. The subject remains useful for current coverage of reliability and integrated transport, not least because of reducing congestion and car dependency. Today's wider story includes software change, online identity and the practical question of how phones have become gateways to everyday services. For local-history research, the frame preserves local appearance, occupation, access and public activity at the recorded site in Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT. The photograph additionally reflects contemporary social history, place identity, public transport network, app-based service, railway heritage, smartphone culture, connected device, and changing land use. Elements such as station, Arpley, Warrington, and SipCarparks add documentary specificity and may become more useful when compared with later records. The period setting at Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is reliability and reducing congestion and car dependency within the real-world context of Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT. The period view preserves period character within the wider story of Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT.
Arpley Road, Warrington, Cheshire, England, UK, WA1 1WT
Description
Keywords: GoTonySmith,HotpixUK,Red British Telephone box and Post Office sign,traditional,British,public,and,together,with,post,office,mail,postman,postie,posties,work,GPO,public telephone,telephones,phones,phone,red,signs,kit,equipment,box,boxes,Street,outside,exterior,letters,posting,counter,counters,scandal,payout,payouts,delayed,the,England
Description: Tony Smith image Alamy 2K3XNBC - . An identifiable period record of the recorded location in 2019, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The scene records Red British Telephone box and Post Office sign,. The subject also carries associations with archival record, social history, changing land use, used postage stamp, everyday life, period detail, postal history, commemorative issue, postal graphic design, contemporary social history, historic postage, before-and-after reference, philatelic material, and documentary photography. Today's relevance is strengthened by postal services, declining letter volumes and the continuing question of the usefulness of denominations and postmarks for dating material. The archival value lies partly in recording materials and architectural details around the recorded location before redevelopment alters the character of the place. The subject also sits alongside postal ephemera, community identity, philatelic collecting, mail history, collectable stamp, paper communication, stamp design, and visual archive. The combination of British, Telephone, and Office anchors the frame to a recognisable activity, place or moment. By fixing the subject within the recorded location, the image preserves more than the headline object or building: it records part of the locality's everyday history. A further contemporary connection is postal services and how stamps compress art, politics and national identity into small objects within the specific setting of the recorded location. The wider significance includes digital communication and how stamps compress art, politics and national identity into small objects as part of the longer story of the recorded location. Another strand within the photograph is graphic design and the collector interest created by discontinued currencies, states and designs when considered against later change at the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,Manchester,England,UK,GB,North West England,city centre,Northern Quarter,M4,Oak street,art,crafts,City Centre,fish,poultry,phone,Dea,2752,cafe,M4 5JD,cabin,window,sign,booth,stall,stalls,glass,wholesale,Smithfield,market,old,green,and,white,chicken,seafood,history,historic,fishmongers
Description: Tony Smith image Alamy RPGEKD - . A detailed visual record sets out the physical context of 17 Oak St, Manchester, UK, M4 5JD, in a time-specific record from 2019. The frame is associated with Fish and Poultry office, E. Gibbons, at Manchester Craft Village, Oak street, North West England, UK, M4 5JD. The photograph carries associations with local tourism, urban fabric, food culture, customer service, historic townscape, conservation interest, urban conservation, townscape identity, historic fabric, hospitality trade, historic environment, and architectural detail. For present-day editorial use, older urban fabric can also illustrate debates about planning control and conservation of original fabric, particularly where these affect heritage-led regeneration. Modern coverage of restaurants and hotels frequently reaches beyond the immediate scene to questions of staffing, delivery-platform competition and resilient local hospitality. Over time, this view of 17 Oak St, Manchester, UK, M4 5JD can support local-history and planning research by preserving details of appearance, occupation, signage, public access and everyday use that written records may omit. The scene also relates to heritage streetscape, built heritage, local dining, destination economy, food service, food-and-drink business. Associated details include fishmonger, dea2752, E Gibbons, Fish & poultry, Tib St, NQ4. The location further reflects tourist accommodation, architectural character, leisure venue, visitor economy, hospitality premises, heritage asset, restaurant sector, period property, service economy, and catering trade. In the mid-2020s, older urban fabric is increasingly discussed through planning control and redevelopment pressure, with attention turning to heritage-led regeneration. That gives this view of 17 Oak St, Manchester, UK, M4 5JD continuing value for local history, retrospective reporting and visual comparison. The period detail at 17 Oak St, Manchester, UK, M4 5JD adds another layer of local evidence.
17 Oak St, Manchester, UK, M4 5JD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Crewe,Cheshire,Ministry Of Defense,Ministry Of Defence,British,UK,Civil Defence,HackGreen,Protect and Survive,Protect & Survive,MAD,Cold War,cable,plug,old-fashioned,old fashioned,old,original,historic,wires,cables,plugs,wiring,operator,Manual,telephone switchboard,communications,telephone,switchboard,analogue,system,systems,not digital,old phone,phone,red,Old fashioned manual telephone switchboard
Description: Tony Smith image Alamy 2AGPNPM - . An on-location image from French Ln, Nantwich, Cheshire, England, UK, CW5 8BL in 2019, useful both for the specific subject shown and for the evidence it retains about local identity, design, use and everyday life. The image documents Manual telephone switchboard, wires, cables, plugs - old phone systems - vintage - urbex. The wider subject matter also includes local history, mobile internet, documentary photography, independent trading, changing land use, archival record, local character, changing streetscape, mobile computing, social history, online service, app-based service, historical comparison, and digital transformation. The present-day relevance extends to cybersecurity and online identity, while a wider concern is the increasing importance of secure digital identity. Current discussion around this subject increasingly includes changing footfall alongside business rates, with particular attention to how high streets adapt when traditional retail contracts. Looking back from the mid-2020s, the scene fixes small features of identity that written records may overlook in this part of French Ln, Nantwich, Cheshire, England, UK, CW5 8BL. A second layer of the scene includes retail vacancy, bricks-and-mortar retail, period detail, town-centre economy, historic context, high-street commerce, before-and-after reference, and contemporary social history. Elements such as cables, telephone, wires, systems, and plugs add documentary specificity and may become more useful when compared with later records. By fixing the subject within French Ln, Nantwich, Cheshire, England, UK, CW5 8BL, the image preserves more than the headline object or building: it records part of the locality's everyday history. Its period value extends to cybersecurity and the increasing importance of secure digital identity without losing the local specificity of French Ln, Nantwich, Cheshire, England, UK, CW5 8BL.
French Ln, Nantwich, Cheshire, England, UK, CW5 8BL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Crewe,Cheshire,Ministry Of Defense,Ministry Of Defence,British,UK,Civil Defence,HackGreen,Protect and Survive,Protect & Survive,MAD,Cold War,cable,plug,old-fashioned,old fashioned,old,original,historic,wires,cables,plugs,wiring,operator,Manual,telephone switchboard,communications,telephone,switchboard,analogue,system,systems,not digital,old phone,phone,red,Old fashioned manual telephone switchboard
Description: Tony Smith image Alamy 2AGPNPP - . An authentic period view of French Ln, Nantwich, Cheshire, England, UK, CW5 8BL in 2019, showing a subject whose value extends beyond the immediate scene into local history and changing social context. The defining feature is Manual telephone switchboard, wires, cables, plugs - old phone systems - vintage - urbex. The image connects the immediate subject with before-and-after reference, connected device, historic context, place identity, documentary photography, app-based service, contemporary social history, historical comparison, consumer electronics, changing land use, changing streetscape, local history, smartphone culture, and consumer retail. For contemporary context, digital exclusion and artificial intelligence are closely related themes, especially where the issue becomes the tension between convenience, privacy and digital exclusion. Viewed from the mid-2020s, the subject sits within continuing debate about consumer spending, business rates and bringing underused premises back into productive use. For retrospective editorial use, the image captures a particular stage in the life of the location around French Ln, Nantwich, Cheshire, England, UK, CW5 8BL. The surrounding context also covers digital transformation, visual archive, online service, bricks-and-mortar retail, customer footfall, retail property, community identity, and online identity. Details involving vintage, switchboard, systems, wires, and plugs give the scene useful specificity and strengthen its local, cultural or historical identity. The surrounding context at French Ln, Nantwich, Cheshire, England, UK, CW5 8BL matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. A further contemporary connection is digital exclusion and how phones have become gateways to everyday services without losing the local specificity of French Ln, Nantwich, Cheshire, England, UK, CW5 8BL.
French Ln, Nantwich, Cheshire, England, UK, CW5 8BL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Crewe,Cheshire,Ministry Of Defense,Ministry Of Defence,British,UK,Civil Defence,HackGreen,Protect and Survive,Protect & Survive,MAD,Cold War,cable,plug,old-fashioned,old fashioned,old,original,historic,wires,cables,plugs,wiring,operator,Manual,telephone switchboard,communications,telephone,switchboard,analogue,system,systems,not digital,old phone,phone,red,Old fashioned manual telephone switchboard
Description: Tony Smith image Alamy 2AGPNR9 - . This location-based editorial photograph from French Ln, Nantwich, Cheshire, England, UK, CW5 8BL in 2019 preserves a recognisable subject together with clues about how the place was used and presented at the time. The image documents Manual telephone switchboard, wires, cables, plugs - old phone systems - vintage - urbex. The photograph also reflects before-and-after reference, urban commerce, consumer retail, visual archive, retail vacancy, digital transformation, social history, public realm, commercial streetscape, town-centre economy, local history, everyday life, retail property, and local character. Today's wider story includes reliable connectivity, cybersecurity and the practical question of how phones have become gateways to everyday services. For contemporary context, vacant units and online shopping are closely related themes, especially where the issue becomes the rapid turnover of shopfronts and trading names. From an archival perspective, the view leaves evidence of the relationship between the subject and its surroundings at the recorded site in French Ln, Nantwich, Cheshire, England, UK, CW5 8BL. The photograph additionally reflects mobile internet, historic context, connected society, digital access, online identity, contemporary social history, consumer electronics, and archival record. Elements such as systems, switchboard, phone, vintage, and cables add documentary specificity and may become more useful when compared with later records. The period setting at French Ln, Nantwich, Cheshire, England, UK, CW5 8BL helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The wider significance includes reliable connectivity and the increasing importance of secure digital identity when considered against later change at French Ln, Nantwich, Cheshire, England, UK, CW5 8BL. Image 2AGPNR9 also remains a dated record of French Ln, Nantwich, Cheshire, England, UK, CW5 8BL.
French Ln, Nantwich, Cheshire, England, UK, CW5 8BL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,North West England,Phone,information,blue,silver,buttons,Emergency intercom,intercom,BR,rail,railways,British Rail,station,stations,communications,L7,Edge Hill station,Liverpool,Merseyside,L7 6ND,help,assistance,network,clearsonics,manager,call centre,CRM,wired,cabled,commercial,industrial
Description: Tony Smith image Alamy RK9X6W - . A close documentary record depicts the setting around Edge Hill station, Liverpool, Merseyside, England, UK, L7 6ND, in a view made during 2019. Within that setting the photograph concentrates on WayPhone Edge Hill Station Emergency Intercom Phone. Other closely connected aspects of the subject are rail corridor, train travel, passenger railway, sustainable mobility, rail infrastructure, integrated transport, station environment, intercity travel, rail transport, passenger connectivity, rail modernisation, and trackside infrastructure. In the mid-2020s, integrated public transport is increasingly discussed through decarbonisation and public ownership, with attention turning to a simpler passenger experience. Documentary value is strengthened by the precise setting at Edge Hill station, Liverpool, Merseyside, England, UK, L7 6ND, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves. The surrounding story includes rail heritage, commuter transport, railway operations, mass transit, regional rail, public transport network. Other local associations include Railway Station, telephone, press to call, press for information, Way Phone. The same setting also brings together transport interchange, and rail mobility. Current debate around train travel often combines public ownership, town-centre connectivity and the practical challenge of a simpler passenger experience. Taken together, these details make the photograph a useful record of local business activity, the condition of buildings, regional identity, patterns of everyday use, and public-realm details as an authentic period reference. The combination preserved here provides evidence of local character, period design, public activity, the appearance of the built environment, and changes of use at this precise location. It also preserves the area's visual identity as evidence of its time.
Edge Hill station, Liverpool, Merseyside, England, UK, L7 6ND
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,Red Telephone Box,British,phone,box,phone box,Mr Smiths,Bridgefoot,Bridge Foot,Cheshire,England,red,UK,GB,Great Britain,Great British,stamps,K4,1925,Giles Gilbert Scott,WA1,Bridgefoot Warrington,Grade II listing status,English Heritage,Kiosk No4,heritage,historic,preserved,WA1 1WA,coin-operated stamp dispenser,coin operated stamp dispenser,unusual telephone box,North West,rare,object,pillar box,pillarbox
Description: Tony Smith image Alamy 2AF864N - The K4 kiosk was designed by the Engineering Department of the General Post Office. It used the successful design of the K2 kiosk, by Sir Giles Gilbert Scott, expanded to include a post box and stamp machine
it was an automated mini-Post Office. The K4 kiosk was enormous and was half as big again as the K2 kiosk. The K4 was introduced in limited numbers in Britain and production ceased within five years. Only 5 examples remain and are given Grade II listing status by English Heritage.
Design
The K4 kiosk is constructed of cast-iron sections, standing on a concrete base. The footprint of the K4 is rectangular, with one axis half as large again as the other. In form the K4 is a cuboid with a domed roof. Each side has fluted architrave moldings at the outer edge. At the base is a blank rectangular panel with trim molding-surround. Three sides of the kiosk are glazed with six rows of three rectangular panes of glass, edged with reeded moldings
on the longer sides there is an extra panel with trim molding to break up the mass.
Between 1930 and 1935 only 50 examples of the K4 were installed. They remain a very rare sight. There are only 5 (10% of all K4 kiosks) separate listings for the K4 kiosk with English Heritage, and none elsewhere in Britain. These K4s are all outside London, in Bewdley (Worcestershire), Roos (East Yorkshire), Frodsham (Cheshire) and Warrington (Cheshire). Of the eight kiosk types introduced by the General Post Office, the K4 was the six-most populous type introduced, but the joint fourth-most populous type in terms of surviving kiosks. More at http://www.the-telephone-box.co.uk/kiosks/k4/
Bridgefoot Warrington, Cheshire, England, WA1 1WA
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,Red Telephone Box,British,phone,box,phone box,Mr Smiths,Bridgefoot,Bridge Foot,Cheshire,England,red,UK,GB,Great Britain,Great British,stamps,K4,1925,Giles Gilbert Scott,WA1,Bridgefoot Warrington,Grade II listing status,English Heritage,Kiosk No4,heritage,historic,preserved,WA1 1WA,coin-operated stamp dispenser,coin operated stamp dispenser,unusual telephone box,North West,rare,object,pillar box,pillarbox
Description: Tony Smith image Alamy 2AF865F - The K4 kiosk was designed by the Engineering Department of the General Post Office. It used the successful design of the K2 kiosk, by Sir Giles Gilbert Scott, expanded to include a post box and stamp machine
it was an automated mini-Post Office. The K4 kiosk was enormous and was half as big again as the K2 kiosk. The K4 was introduced in limited numbers in Britain and production ceased within five years. Only 5 examples remain and are given Grade II listing status by English Heritage.
Design
The K4 kiosk is constructed of cast-iron sections, standing on a concrete base. The footprint of the K4 is rectangular, with one axis half as large again as the other. In form the K4 is a cuboid with a domed roof. Each side has fluted architrave moldings at the outer edge. At the base is a blank rectangular panel with trim molding-surround. Three sides of the kiosk are glazed with six rows of three rectangular panes of glass, edged with reeded moldings
on the longer sides there is an extra panel with trim molding to break up the mass.
Between 1930 and 1935 only 50 examples of the K4 were installed. They remain a very rare sight. There are only 5 (10% of all K4 kiosks) separate listings for the K4 kiosk with English Heritage, and none elsewhere in Britain. These K4s are all outside London, in Bewdley (Worcestershire), Roos (East Yorkshire), Frodsham (Cheshire) and Warrington (Cheshire). Of the eight kiosk types introduced by the General Post Office, the K4 was the six-most populous type introduced, but the joint fourth-most populous type in terms of surviving kiosks. More at http://www.the-telephone-box.co.uk/kiosks/k4/
Bridgefoot Warrington, Cheshire, England, WA1 1WA
Description
Keywords: HotpixUk,@HotpixUK,GoTonySmith,Red Telephone Box,British,phone,box,phone box,Mr Smiths,Bridgefoot,Bridge Foot,Cheshire,England,red,UK,GB,Great Britain,Great British,stamps,K4,1925,Giles Gilbert Scott,WA1,Bridgefoot Warrington,Grade II listing status,English Heritage,Kiosk No4,heritage,historic,preserved,WA1 1WA,coin-operated stamp dispenser,coin operated stamp dispenser,unusual telephone box,North West,rare,object,pillar box,pillarbox
Description: Tony Smith image Alamy 2AF866H - The K4 kiosk was designed by the Engineering Department of the General Post Office. It used the successful design of the K2 kiosk, by Sir Giles Gilbert Scott, expanded to include a post box and stamp machine
it was an automated mini-Post Office. The K4 kiosk was enormous and was half as big again as the K2 kiosk. The K4 was introduced in limited numbers in Britain and production ceased within five years. Only 5 examples remain and are given Grade II listing status by English Heritage.
Design
The K4 kiosk is constructed of cast-iron sections, standing on a concrete base. The footprint of the K4 is rectangular, with one axis half as large again as the other. In form the K4 is a cuboid with a domed roof. Each side has fluted architrave moldings at the outer edge. At the base is a blank rectangular panel with trim molding-surround. Three sides of the kiosk are glazed with six rows of three rectangular panes of glass, edged with reeded moldings
on the longer sides there is an extra panel with trim molding to break up the mass.
Between 1930 and 1935 only 50 examples of the K4 were installed. They remain a very rare sight. There are only 5 (10% of all K4 kiosks) separate listings for the K4 kiosk with English Heritage, and none elsewhere in Britain. These K4s are all outside London, in Bewdley (Worcestershire), Roos (East Yorkshire), Frodsham (Cheshire) and Warrington (Cheshire). Of the eight kiosk types introduced by the General Post Office, the K4 was the six-most populous type introduced, but the joint fourth-most populous type in terms of surviving kiosks. More at http://www.the-telephone-box.co.uk/kiosks/k4/
Bridgefoot Warrington, Cheshire, England, WA1 1WA
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,NOHO NYC,NYC,New York City,St Marks Place,St Marks Place NYC,New York St Marks Place,street,New York Street,USA,America,City Centre,city,centre,center,city center,East Village,Eastvillage,New York Travel Tourism,feet,shoots,sidewalk,pavement,message,sign,warning,phone,mobile,damage,drop,walking with phone,smartphone,iPhone,Chinatown,NY,stencil,trainers,META,Facebook
Description: Tony Smith image Alamy RBF07D - . An on-location image places on record the character of the recorded location, in a photograph originating in 2018. Within that setting the photograph concentrates on Fuck Your Phone, Keep Your Head Up, stencil on pavement, with feet in Adidas Trainers, Chinatown, New York City, NYC, NY, USA. The location also connects online service, digital transformation, digital interface, digital access, technology adoption, cybersecurity, app-based service, consumer electronics, software platform, connected society, smartphone culture, and online identity. In the mid-2020s, digital access is increasingly discussed through online identity and privacy, with attention turning to greater dependence on mobile platforms. The date and location give the photograph archival strength: future views of the recorded location may show different businesses, branding, services, architecture, traffic patterns or redevelopment, allowing clear before-and-after comparison, specifically in relation to Fuck Your Phone. The resulting scene connects with mobile computing, information technology, networked technology, connected device, digital technology, mobile internet. The scene is further associated with Fuck Your Phone Keep Your Head Up, stenciled, art, on street, on the street. Current debate around consumer technology often combines online identity, reliable connectivity and the practical challenge of more services delivered through phones. The lasting documentary value lies in its record of public-realm details, regional identity, the condition of buildings, local business activity, and patterns of everyday use in a form that can be compared with later photographs. For future comparison, the scene preserves changes of use, public activity, period design, local character, and the appearance of the built environment as an authentic period reference. The view of Fuck Your Phone also preserves another layer of local identity and period change.
Description
Keywords: GoTonySmith,HotpixUK,Hotpix,Tony Smith,HousingITguy,365,Project365,2nd 365,HotpixUK365,phone,phonebox,hatton,Warrington,village,Hatton Village
Description: Tony Smith image Flickr 4398526817 - 'Lovely to see an old red telephone box, in Hatton village, being used as a mix of community lending library and defibrillator.
If you are on Twitter, do add a follow there and I will follow back in return mobile.twitter.com/HotpixUK
Have a look at my archived photography, from ten years back at www.flickr.com/photos/hotpixuk/
Checkout the rest of this 365 set at www.flickr.com/photos/167831053@N02/albums/72157703214420874
All images (c) Tony Smith - @HotpixUK - No images to be used without express permission',
Description
Keywords: @HotpixUK,GoTonySmith,Silverstone,racing circuit,F1,GP,Formula One,Grand Prix,GrandPrix,Silverstone Woodlands,2018,Lockers,mobile,mobile phone,charger,charging,phone,event,Lockers & Phone Charging,essential,event services,secure phone charging,exhibitions,The Big Locker Hire Co,festival,people buying charge,Phone Charging Lockers,Phone,Charging Lockers,iphone,smartphone,out,of,charge,flat,batteries,battery
Description: Tony Smith image Alamy P8DCT1 - . An on-location photograph from Silverstone Woodlands , Northamptonshire, England, UK in 2018, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The subject captured here is The Big Locker Hire Co, Lockers & Phone Charging, essential , festival,event services, people buying charge. The locality and subject together evoke historic streetscape, urban fabric, built heritage, cityscape story.htm Target=_Blank>history, everyday life, visual archive, changing land use, architectural character, documentary photography, conservation architecture, regional identity, before-and-after reference, public realm, and changing streetscape. From a 2025-onward perspective, planning control and tourism are closely linked to this subject, alongside the value of architectural landmarks to local identity and tourism. As a dated visual record of Silverstone Woodlands , Northamptonshire, England, UK, the frame retains transport arrangements and footfall, making it especially useful if conservation work subsequently changes the scene. Further associations within the scene are local character, period architecture, historical comparison, historic townscape, local history, period detail, architectural detail, and community identity. Elements such as Lockers, buying, people, event, and Phone add documentary specificity and may become increasingly useful when compared with later records. A later view of Silverstone Woodlands , Northamptonshire, England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another strand within the photograph is planning control and the value of architectural landmarks to local identity and tourism as part of the longer story of Silverstone Woodlands , Northamptonshire, England, UK. The view records evidence of changing use as part of Silverstone Woodlands , Northamptonshire, England, UK's history.
Silverstone Woodlands , Northamptonshire, England, UK
Description
Keywords: dial,code,old,fashioned,fashioned,ivory,BT,British,Telecom,British Telecom,phone,zero,for,operator,999,technology,emergency,comms,communication,operator,homephone,home,work,vintage,Great Britain,UK,GoTonySmith,Buy Pictures of,Buy Images Of,history,historic,issue,01 dial code,01,dial code
Description: Tony Smith image Alamy F7DCTT - . Recorded at Great Britain in 2015, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. At the centre of the view is Cream GPO telephone type 746 with 01 London number on rotary dial, UK. The broader subject matter reaches into London visitor economy, community identity, everyday life, documentary photography, place identity, heritage tourism, archival record, iconic London transport, metropolitan identity, historical comparison, historic London streetscape, before-and-after reference, public realm, and visual archive. The modern context includes continuing discussion of visitor economy, tourism and how familiar London symbols function as global shorthand for Britain. For later comparison, the photograph preserves local activity and public use at Great Britain, details that may look very different after new ownership. A second descriptive layer includes social history, local character, capital landmark imagery, Westminster landmark, contemporary social history, local history, changing streetscape, and regional identity. The combination of Cream, number, rotary, and telephone anchors the frame to a recognisable activity, place or moment. Around Great Britain, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate visitor economy and how familiar London symbols function as global shorthand for Britain when considered against later change at Great Britain. The image also provides a reference for public transport and how familiar London symbols function as global shorthand for Britain without losing the local specificity of Great Britain. Another useful connection is public transport and how familiar London symbols function as global shorthand for Britain in a form that can be compared with future views of Great Britain.
Great Britain
Description
Keywords: ClearChannel bus shelter ad,Grappenhall,Warrington,Cheshire,England,UK,scan,QR,reader,code,use,your,phone,to,interact,smart,smartphone,tech,technology,emerging,advertising,advertise,tap,radio,target,(acting,like,a,credential),NFC initiator (as a reader) and NFC peer to interact,GoTonySmith,blue,black,proximity,card,technology,Channels,Mobile,Platform,brings,Metro,Channels,busstop,stop,mobile,enabled,mobile-enabled,mobileenabled,informationlink,point,scan,scanner,street,shopping,link,linked,linking
Description: Tony Smith image Alamy ED8PR7 - On tapping or scanning their smartphone over the QR code or NFC tag to the right of the poster, a unique url will open in their phone's browser. If the campaign is mobile-platform enabled, this will lead straight to the advertiser's website or content
if not, they will be taken to a standard Clear Channel landing page. On a scroller or digital panel (where multiple advertisers are involved), on scanning or tapping, the consumer will be presented with a list of advertisers whose campaigns are mobile platform enabled for them to select from.
Near field communication (NFC) is a set of ideas and technologies that enable smartphones and other devices to establish radio communication with each other by touching them together or bringing them into proximity, typically a distance of 10 cm (3.9 in) or less. Each full NFC device can work in 3 modes: NFC target (acting like a credential), NFC initiator (as a reader) and NFC peer to peer. Most of the first business models like advertisement tags or other industrial applications have not been successful, always overtaken by another technology (3D barcodes, UHF tags, ...)
The main advantage of NFC is that NFC devices are often cloud connected. Connected credentials can be provisioned over the air unlike a standard card (Hotel or visitor applications). All connected NFC enabled smartphones can be provisioned with dedicated apps, which gives any application hundreds of millions of potential dedicated readers in opposition of the traditional dedicated infrastructure of ticket, access control or payment readers. All NFC peers can connect a third party NFC device with a server for any action or reconfiguration.
Knutsford Rd, Grappenhall, Warrington, Cheshire, England, UK
Description
Keywords: 48,4,8,forty,eight,fortyeight,integer,integers,number,numbers,square,hipsta,hipstamatic,cell,phone,iphone,cellphone,tonysmith,sequence,series,EJ60WFV,White,Corsa
Description: Tony Smith image Flickr 1156677326 - 'View this whole set here. If you do Twitter add me here.
48 is a double factorial of 6, a highly composite number. Like all other multiples of 6, it is a semiperfect number. 48 is the second 17-gonal number. 48 is the smallest number with exactly ten divisors.
Its the atomic number of cadmium. Siddhartha Gautama, the founder of Buddhism, sat under a bodhi tree for 48 days attempting to understand the nature of reality and Universe. Buddhism was the result.
48 is the code for international direct dial phone calls to Poland. The number 48 in ASCII is what you add to any single digit integer to convert to its ASCII value.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 44,forty,four,fortyfour,square,number,numbers,integer,integers,cell,phone,cellphone,iphone,hipstamatic,bilston,market,markets,Wolverhampton,West,Midlands,UK,WV14,0DN,WV140DN
Description: Tony Smith image Flickr 1074135067 - 'View this whole set here. If you do Twitter add me here.
Forty-Four 44 is a tribonacci number, an octahedral number and the number of derangements of 5 items. Its the code for international direct dial phone calls to the United Kingdom. You can travel from Texas to Missouri on interstate 44.
In the song 44 fours by Jay Z, who I believe is a closet maths addict, he rhymes the words four, for and fore 44 times. This song is a follow up from the song 22 two's. 44 is the number of candles in a box of Hanukkah candles.
In Bilston, West Midlands, stall 44 is the one for misshapen biscuits, Monday, Thursday, Friday and Saturday. See you there!
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 41,fortyone,forty1,number,integer,sequence,nos,mine,craft,minecraft,iphone,cell,phone,fone,cellfone,itouch,child,creation,hipsamatic,series,numbers,Number41
Description: Tony Smith image Flickr 9860166196 - 'View this whole set here. If you do Twitter add me here.
Forty-one is the 13th smallest prime number. The next is forty-three, with which it comprises a twin prime. It is also the sum of the first six prime numbers (2 + 3 + 5 + 7 + 11 + 13), and the sum of three primes (11 + 13 + 17).
41 is the smallest integer whose reciprocal has a 5-digit repetend. That is a consequence of the fact that 41 is a factor of 99999.
41 is the atomic number of the element niobium. Its a number frequently referred to in Arthur C. Clarke's series of books known as the Rama Cycle. Also, 2012 Documentary on the life of the 41st President of the United States George H. W. Bush.
In the film The Matrix, Morpheus is aggressively questioned in the 41st floor of the government building, in reference to the murder of Amadou Diallo.
This 41 was fashioned with the help of my 10 year old helper, Matthew in Mine Craft, a tablet based computer game.
Designed here from burning netherrack. (Whatever the AF that is!).
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: National Trust NT,Altrincham,Cheshire,England,UK,wood,number,numbers,interesting,history,phone,historic,old,GoTonySmith,comms,communication,Buy Pictures of,Buy Images Of,old telephone,old phone,national Trust,antique,Edwardian,telecoms,telecom,elementary,tech,home,technology,analogue,black,wooden,Bakelite,phones
Description: Tony Smith image Alamy DHGY17 - . Old fashioned Edwardian telephone, Dunham Massey NT, Altrincham, Cheshire, England , UK. Photographed at Dunham Massey NT, Altrincham, Manchester, England, UK. The photograph was taken on 15 September 2013. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. Signage, lettering, logos, numbers or other visible information form an important part of the record, helping identify the subject and capture contemporary branding or public messaging. The scene is closely associated with Old fashioned Edwardian telephone, Dunham Massey, wallmounted, wall, mounted, handset, intercom, telephone, Victorian and National Trust NT, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The photograph is relevant to homes, residential streets, domestic architecture and the everyday details that shape the appearance of British housing. It can support editorial features about housing, addresses, front doors, neighbourhood identity, home ownership, renting, property condition, postal delivery, security and suburban or urban streets. Doors, windows, numbers, letterboxes, gardens, walls and other domestic details can provide a recognisable visual shorthand for home and residence without relying on a staged interior. As a dated record, the image can also be useful for local history and later comparison as properties are altered, refurbished or redeveloped. Search themes include housing, homes, front doors, addresses, letterboxes, house numbers, residential streets, property, neighbourhoods, renting and home ownership. Small domestic details can become useful archive evidence when properties are refurbished, altered, renumbered or redeveloped. This particular view is catalogued under Alamy image reference DHGY17, distinguishing it from other photographs of the same or related subject.
Dunham Massey NT, Altrincham, Manchester, England, UK
Description
Keywords: 55,fifty,five,fiftyfive,plate,number,no,integer,car,UK,GB,united,Kingdom,great,Britain,automobile,cars,automobiles,square,hipstamatic,iphone,cell,phone,pic,tonysmith
Description: Tony Smith image Flickr 1253025243 - 'View this whole set here. If you do Twitter add me here.
Fifty-five is the 10th Fibonacci number and a triangular number (the sum of the numbers 1 to 10), it is the largest Fibonacci number to also be a triangular number.
It is a square pyramidal number (the sum of the squares of the integers 1 to 5) as well as a heptagonal number, and a centered nonagonal number.
In base 10, it is a Kaprekar number.
55 is a semiprime, being the product of 5 and 11 and it is the 2nd member of the (5.q) semiprime family. 55 is one of only two integers with an aliquot sum of 17 (the other being 39). 55 has an aliquot sequence of 4 members: (55, 17, 1, 0).
55 is the atomic number of caesium. It was the highest speed limit allowed in the United States between 1974 and 1986 per the National Maximum Speed Law. You will remember those movies name-checking smoky bear etc.
55 is the UK number plate, denoting a late 2005 car registration. This one is part of one used as a personalised plate. From around \u00a3300 you can have your name on your plate. It is considerably cheaper to deed pole your name to DK55 PTU or similar.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Waddesdon,Gardeners,ale,beer,36,thirty,six,thirtysix,thirty6,number,numbers,drink,series,integer,integers,hipstamatic,iphone,cell,phone,cellphone,mobile,fone,photography,set,tony,smith,tonysmith,alamy,gotonysmith,F16Toe
Description: Tony Smith image Flickr 9475620066 - 'View this whole set here. If you do Twitter add me here.
36 is both the square of 6 and a triangular number, making it a square triangular number. It is the smallest square triangular number other than 1, and it is also the only triangular number other than 1 whose square root is also a triangular number.
It is also a 13-gonal number.
It is the smallest number n with exactly 8 solutions to the equation \u03c6(x) = n. Being the smallest number with exactly 9 divisors, 36 is a highly composite number. Adding up some subsets of its divisors (e.g., 6, 12 and 18) gives 36, hence 36 is a semiperfect number.
This number is the sum of a twin prime (17 + 19), the sum of the cubes of the first three integers, and the product of the squares of the first three integers.
36 is the number of degrees in the interior angle of each tip of a regular pentagram.
The thirty-six officers problem is a mathematical puzzle.
The number of possible outcomes (not summed) in the roll of two distinct dice.
36 is the largest numeric base that some computer systems support because it exhausts the numerals, 0-9, and the letters, A-Z. See Base 36.
The truncated cube and the truncated octahedron are Archimedean solids with 36 edges.
In base 10, it is a Harshad number, its the atomic number of krypton. In one M\u0101ori legend, concerning the creation of mankind by the god T\u0101ne, 36 gods took active part in assembling the various parts of the first human before T\u0101ne breathed life into her.
Some of us will remember the IBM System/36, a minicomputer from some decades ago.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 43,forty,three,fortythree,number,numbers,no,nos,number43,integers,integer,series,button,buttons,lift,hipstamatic,hipsta,square,cell,phone,cellphone,iphone,app,apps,tonysmith,tony,smith,hotpix
Description: Tony Smith image Flickr 1022337089 - 'View this whole set here. If you do Twitter add me here.
Forty-Three 43 is the fourth term of Sylvester's sequence, one more than the product of the previous terms (2 \u00d7 3 \u00d7 7).
Its a centered heptagonal number. 43 is a Heegner number also a repdigit in base 6 (111).
In my local takeaway 43 does not come with rice or chips as it is a dish already with noodles in it.
The chemical element with the atomic number 43 is technetium. It has the lowest atomic number of any element that does not possess stable isotopes. George W. Bush, another unstable isotope, was 43rd President of the United States. Following his father he earned the nickname 'Shrub'.
Cuarenta y tres is a tasty Spanish liqueur, reputedly distilled with 43 different herbs and spices.
In a film by Pixar called Cars, the champion racecar in the film, Strip 'The King' Wheathers is racecar number 43 based on Richard Petty's car. Petty also provides the voice of 'The King' in the film.Interstate 43 is a freeway in Wisconsin.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 31,thirty,one,thirtyone,number,no,integer,wang,numberwang,scrabble,board,game,games,boardgames,tony,smith,tonysmith,numbers,@hotpixuk,square,hipstamatic,iphone,cell,phone,mobile,shot,shots
Description: Tony Smith image Flickr 8881937904 - 'Thirty One is the atomic number of gallium.
The numbers 31, 331, 3331, 33331, 333331, 3333331, and 33333331 are all prime. For a time it was thought that every number of the form 3w1 would be prime
View this whole set here. If you do Twitter add me here.
31 is the number of days in the months January, March, May, July, August, October and December. Its the code for international direct-dial phone calls to the Netherlands
31 is also a card game (see Thirty-one (game)) &
a type of game played on a backgammon board.
The number of flavors of Baskin-Robbins ice cream and the shops are called 31 Ice Cream in Japan.You may have also enjoyed the Nick Hornby book 31 Songs.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 51,fifty,one,fiftyone,cup,integer,number,numbers,integers,catcher,rye,mug,tony,smith,tonysmith,hotpix,square,hipstamatic,phone,pic,photo,series
Description: Tony Smith image Flickr 1157340502 - 'View this whole set here. If you do Twitter add me here.
Fifty-one is the 14th discrete biprime and the 5th in the {3.q} semiprime family having the prime factors (3.17). The aliquot sum of 51 is 21, itself a discrete biprime. 51 is the 4th member of the 11-aliquot tree with the sequence (51, 21, 11, 1, 0).
51 is a pentagonal number as well as a centered pentagonal number (one of the few numbers to be both) and an 18-gonal number and a Perrin number. It is also the 6th Motzkin number, telling the number of ways to draw non-intersecting chords between any six points on a circle's boundary, no matter where the points may be located on the boundary.
In a cricket year that is not England's, as of 2013, the highest number of international test cricket centuries scored by an individual is 51. It is the world record, held by India's fantastic Sachin Ramesh Tendulkar.
For international calls 51 is the code for direct dial phone calls to Peru. Also, atomic number of antimony.
Pastis 51, often just called '51', is a brand of French aniseed liquor owned by Pernod Ricard. It is similar to Raki or Ouzo from Turkey and Greece. Its evil mixed with blackcurrant and cider, sometimes called a 'red witch' or a 'black rock'. It was fatal in my youth, before the invention of WKD and similar alco-pops.
Sometimes the UK has been described as the '51st state of the USA'. One such reference is from Matt Johnson's 'The The' track Heartland - Play it here www.youtube.com/watch?v=txrILqlaUlE - even more relevant in 2014 than back in 1986 in my humble opinion. The track was from the 1986 album Infected. Johnson was augmented by session musicians and featured friends such as Orange Juice drummer/singer Zeke Manyika and Rip Rig + Panic singer Neneh Cherry.
'Infected: The Movie' is worth checking out, it was shot on locations in Bolivia, Peru and New York. Different songs were directed by different directors, mainly Tim Pope and Peter 'Sleazy' Christopherson (of Throbbing Gristle). Throughout 1986-1987 Johnson toured the world extensively with Infected: The Movie, showing the film in cinemas in place of performing live concerts. The film was also shown twice in its entirety on Channel 4 in the UK and on MTV's 120 Minutes in the US.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 40,forty,numbers,series,set,tin,can,WD40,WD,smart,straw,square,hipstamatic,cycle,cellphone,ifone,iphone,mobile,phone,tonysmith,hotpix
Description: Tony Smith image Flickr 9725067157 - 'View this whole set here. If you do Twitter add me here.
Despite being related to the word 'four' (4), 40 is spelled 'forty', and not 'fourty'. The reason is that etymologically (also in accents without the horse\u2013hoarse merger), the words have different vowels, 'forty' containing a contraction in the same way that 'fifty' contains a contraction of 'five'. This makes it the only number which, when spelled out in full, has its letters in alphabetical order.
Forty is an octagonal number, and as the sum of the first four pentagonal numbers, it is a pentagonal pyramidal number. Adding up some subsets of its divisors (e.g., 1, 4, 5, 10 and 20) gives 40, hence 40 is a semiperfect number.
Messier object M40, a magnitude 9.0 double star in the constellation Ursa Major. Arabic proverb states that 'To understand a people, you must live among them for 40 days'.
Its the highest number ever counted to on Sesame Street.
WD-40 is the trademark name of a lubricant, penetrating oil and water-displacing spray. It was developed in 1953 by Norm Larsen, founder of the Rocket Chemical Company, in San Diego, California. WD-40, abbreviated from the phrase 'Water Displacement, 40th formula,' was originally designed to repel water and prevent corrosion, and later was found to have numerous household uses.
Larsen was attempting to create a formula to prevent corrosion in nuclear missiles, by displacing the standing water that causes it. He claims he arrived at a successful formula on his 40th attempt. WD-40 is primarily composed of various hydrocarbons.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: numbers,number,numero,19,nineteen,umber19,numbernineteen,tarot,card,cards,playing,hipstamatic,square,tony,smith,tonysmiththathousingitguy,housingtechnology,spain,spanish,espana,espaniol,frame,phone,iphone
Description: Tony Smith image Flickr 7514251572 - 'View this whole set here. If you do Twitter add me here.
19 is the 8th smallest prime number. The sequence continues 23, 29, 31, 37...
19 is the seventh Mersenne prime exponent.
19 is the aliquot sum of two odd discrete semiprimes, 65 and 77 and is the base of the 19-aliquot tree.
19 is a centered triangular number, centered hexagonal number and a Heegner number.
In Islam its the number of angels guarding Hell ('Hellfire') according to the Qur'an: 'Over it is nineteen' (74:30). 19 is the debut album from English soul and jazz singer Adele, the 21st century Alison Moyet. In golf the '19th hole' is the clubhouse bar (where you would find me, golf ruining a good walk!).
The Sun, is the 19th Tarot card. The Sun is a card that indicates the universe is conspiring in your favor. Consider this as more than a simple victory
this is a mastery of much of what is before you. Perhaps you are starting over. This is a card that indicates that your good choices are adding up to create a great life.
Dominating the illustration is the sun itself. The face on the sun is an illustration of your higher mind. This is the concept of blending a built-in knowledge of your purpose in life with your intuition on how to maximize this purpose. The serene face of the sun in this card reflects the peace you are at when you know yourself. Or so gipsy Rose says......
T
Enjoy this fine track from The Rolling Stones.
Also it was the average age of the US Vietnam combat soldier.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: wheelie,bin,wheeliebin,warrington,borough,council,bradshaw,lane,thelwall,grappenhall,south,england,english,British,UK,number,14,fourteen,number14,numberfourteen,numbers,no,nos,no14,rubbish,waste,hipsta,hipstamatic,iphone,app,mobile,phone,Obviously this is rubbish,grey
Description: Tony Smith image Flickr 7351498024 - 'View this whole set here. If you do Twitter add me here.
14 is the 3rd discrete semiprime ( 2 . 7 ) and the 3rd member of the (2.q) discrete semiprime family. The number following 14\u201415 is itself a discrete semiprime and this is the first such pair of discrete semiprimes. The next example is the pair commencing 21.
The aliquot sum \u03c3(n) of 14 is 10, also a discrete semiprime and this is again the first example of a discrete semiprime having an aliquot sum in the same form. 14 has an aliquot sequence of 6 members ( 14,10,8,7,1,0) 14 is the third composite number in the 7-aliquot tree.
Fourteen is itself the Aliquot sum of two numbers
the discrete semiprime 22, and the square number 196.
It is the base of the tetradecimal notation.
In base fifteen and higher bases (such as hexadecimal), fourteen is represented as E.
14 is the atomic number of silicon, its also the number of Stations of the Cross and number of Infalliables (Masoomeen) in Shia Ithna-Asheri Islam.
Its the minimum age limit to drive a 50cc motorbike in Italy.
Checkout teenage riot here..
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 11,eleven,no11,number11,numbereleven,bus,station,busstation,terminus,Warrington,Cheshire,NW,Northwest,north,west,england,UK,door,number,interchange,transport,square,hipstamatic,series,iphone,cellphone,cell,phone,frame,set
Description: Tony Smith image Flickr 7281430938 - 'View this whole set here. If you do Twitter add me here.
Eleven is the first number which cannot be counted with a human's ten fingers. In English, it is the smallest positive integer requiring three syllables and the largest prime number with a single-morpheme name. Its etymology originates from a Germanic compound ainlif meaning 'one left'.
If a number is divisible by 11, reversing its digits will result in another multiple of 11. As long as no two adjacent digits of a number added together exceed 9, then multiplying the number by 11, reversing the digits of the product, and dividing that new number by 11, will yield a number that is the reverse of the original number. (For example: 142,312 x 11 = 1,565,432. 2,345,651 / 11 = 213,241.)
Because it has a reciprocal of unique period length among primes, 11 is the second unique prime. 11 goes into 99 exactly 9 times, so vulgar fractions with 11 in the denominator have two digit repeating sequences in their decimal expansions. Multiples of eleven by one-digit numbers all have matching double digits: 00 (=0), 11, 22, 33, 44, etc. Bob Dorough, in his Schoolhouse Rock song 'The Good Eleven', called them 'Double-digit doogies' (soft g). Eleven is the Aliquot sum of one number, the discrete semiprime 21 and is the base of the 11-aliquot tree.
Eleven is the atomic number of sodium. After Judas Iscariot was disgraced, the remaining apostles of Jesus were sometimes described as 'the Eleven'
this occurred even after Matthias was added to bring the number to twelve, as in Acts 2:14.
Computers of the PDP-11 series from Digital Equipment Corporation were informally referred to as 'elevens'. The number 11 bus is a low-cost way of sightseeing in London. It goes from Liverpool St to Fulham Broadway via the West End.
Checkout Eleven O Clock Tick Tock here.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: number,no,no21,number21,twentyone,square,series,numbers,red,cup,keep,calm,keepcalm,tonysmith,tony,smith,hipstamatic,iphone,image,pic,phone,gift shop,down,calmdown,cheshire,england,english,uk,gb,great,britain
Description: Tony Smith image Flickr 7598095806 - 'View this whole set here. If you do Twitter add me here.
Twenty-one is the fifth discrete Semiprime and the second in the (3.q) family. With 22 it forms the second discrete Semiprime pair. As it is a semiprime with both its prime factors being Gaussian primes, 21 is then a Blum integer.
Twenty-one is a Fibonacci number, a Harshad number, a Motzkin number, a triangular number and an octagonal number, as well as a composite number, its proper divisors being 1, 3 and 7.
21 is the sum of the first six natural numbers (1+2+3+4+5+6=21).
21 has an aliquot sum of 11 though it is the second composite number found in the 11-aliquot tree with the abundant square prime 18 being the first such member. Twenty-one is the first number to be the aliquot sum of three numbers 18, 51, 91.
21 appears in the Padovan sequence, preceded by the terms 9, 12, 16 (it is the sum of the first two of these).
British soul singer Adele's second album was called 21, it was named after the age of the singer during its production.
In several countries 21 is the age of majority. In most USA states 21 is the drinking age, where in the UK it is 18.
Pier 21 was, from 1928 to 1971, the place where immigrants entered Canada. It was called the 'Gateway to Canada.'
The might remember this track from The Cramberries. If you have had a worse day you might on the other hand appreciate this.
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: numbers,one,1,number,tony,smith,tonysmith,hotpix,thatithousingguy,tonysmiththat,tonysmiththathousingIT,square,hipstmastic,set,iphone,app,ifone,uk,england,GB,series,British,things,telephone,box,boxes,tel,phone,\\mathrm{I}.
Description: Tony Smith image Flickr 6964111352 - 'View this whole set here. If you do Twitter add me here.
One is a number, a numeral, and the name of the glyph representing that number. It represents a single entity, the unit of counting or measurement. For example, a line segment of 'unit length' is a line segment of length 1.
Any number multiplied by one is the number, as one is the identity for multiplication. As a result, one is its own factorial, its own square, its own cube, and so on. One is also the empty product, as any number multiplied by one is itself, which produces the same result as multiplying by no numbers at all. So pretty unique.
The glyph used today in the Western world to represent the number 1, a vertical line, often with a serif at the top and sometimes a short horizontal line at the bottom, traces its roots back to the Indians, who wrote 1 as a horizontal line, much like the Chinese character. The Gupta wrote it as a curved line, and the Nagari sometimes added a small circle on the left (rotated a quarter turn to the right, this 9-look-alike became the present day numeral 1 in the Gujarati and Punjabi scripts).
The Nepali also rotated it to the right but kept the circle small. This eventually became the top serif in the modern numeral, but the occasional short horizontal line at the bottom probably originates from similarity with the Roman numeral \\mathrm{I}.
In some European countries (e.g., Germany), the little serif at the top is sometimes extended into a long upstroke, sometimes as long as the vertical line, which can lead to confusion with the glyph for seven in other countries. Where the 1 is written with a long upstroke, the number 7 has a horizontal stroke through the vertical line.
One is the atomic number of the element hydrogen, the General Lee from The Dukes of Hazzard is numbered 01 and a one can be found on every traditional British red telephone box. Where I found this shot with my iphone Hipstamatic app.
One is used in binary code along with 0. As they say there are only 10 types of people in this world. Those who understand binary and those who do not.
Drift away with Lene Lovich, one of the Stiff Allstars - feature=fvst\' rel=\'nofollow\'>www.youtube.com/watch?v=B3JEmBFeD5A&
feature=fvst
These are my 2008-2015 images, view my most recent images at @HotpixUK-2019 - www.flickr.com/people/167831053@N02/ including my second 365 one a day project
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: 16,sixteen,number,number16,numbersixteen,size,size16,plus,shop,retail,shopping,edinburgh,victoria,victoriastreet,tony,smith,tonysmith,hotpix,tonysmiththat,tonysmiththathousing,tonysmiththathousingIT,tonysmiththathousingITguy,square,hipstamatic,iphone,cell,mobile,phone,image
Description: Tony Smith image Flickr 7166307917 - 'View this whole set here. If you do Twitter add me here.
Sixteen is the fourth power of two. For this reason, 16 was used in weighing light objects in several cultures.
The British have 16 ounces in one pound
the Chinese used to have 16 liangs in one jin. In old days, weighing was done with a beam balance to make equal splits. It would be easier to split a heap of grains into sixteen equal parts through successive divisions than to split into ten parts.
Chinese Taoists did finger computation on the trigrams and hexagrams by counting the finger tips and joints of the fingers with the tip of the thumb. Each hand can count up to 16 in such manner.
The Chinese abacus uses two upper beads to represent the 5s and 5 lower beads to represent the 1s, the 7 beads can represent from a hexadecimal digit from 0 to 15 in each column.
Sixteen is the minimum age to get married with parental consent in many countries and without parental consent in Scotland. Its the legal drinking age in Germany, Belgium, Switzerland, Austria, Italy, the Netherlands and Portugal. Many bank card numbers are 16 digits long.
16+ shops are taking over Britain and mailorder bigger sizes from JD Williams and others are all the rage. They are everywhere, its all the rage - wardrobeflair.blogspot.co.uk/2011/07/sexy-size-16.html
Feel Sixteen Again..
(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Bell,Telephone,Manufacturing,Company,co,phone,black,white,old,1920,1930,dial,rotary,Antwerp,belgian,Belgium,Alcatel,Lucent,selective,colour,color,toned,sepia,mono,monochrome,stuff,selectivo,couleur,s\u00e9lective,vorgew\u00e4hlte,Farbe,hotpix!
Description: Tony Smith image Flickr 4390394677 - 'An old black telephone from franco-belgium approx 1930's in an old contracts office.
The Bell Telephone Manufacturing Company, was a former company in Antwerp (Belgium), now part of Alcatel-Lucent. This one is still in working order remarkably, although obviously misses the modern function ssuch as redial and pager etc.
RTT was the Belgian state telephone provider, who had a monopoly.
Another mono sepia shot here www.flickr.com/photos/hotpixuk/3813002518/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Audience,men,women,fan,fans,and,&,at,an,event,group,reaching,photographing,accessibility,arms outstretched,arms raised,arts & entertainment,audience,background people,bonding,camera,cell,phone,mobile,moby,cellphone,enjoyment,entertainment,enthusiasm,excitement,exuberance,fan,festival,GoTonySmith,videoing,viewing,vitality,watching,weekend activities,wireless technology,woman,young adult,young men,young women,youth culture,friendship,performance,festival,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy EYH1YH - . This scene at the recorded location in 2015 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The subject captured here is Crowd of people all with cameras,phones & tablets at an event. The surrounding context encompasses place identity, before-and-after reference, bricks-and-mortar retail, period detail, specialist shop, shopfront economy, social history, historical comparison, everyday life, community identity, regional identity, small business, customer footfall, and local enterprise. Viewed from the mid-2020s, the subject also connects with store closures, commercial rents and the resilience of specialist shops in an online retail economy. The image fixes materials and architectural details within the recorded location at one identifiable point, providing a benchmark against replacement signage. The surrounding story also includes commercial frontage, high-street commerce, changing streetscape, town-centre trading, street-level business, public realm, local history, and changing land use. Details involving phones, Crowd, event, tablets, and cameras make the image more specific than a generic view and strengthen its local or historical value. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The wider significance includes store closures and how shopfronts become short-lived records of changing businesses in a form that can be compared with future views of the recorded location. Another strand within the photograph is footfall and the contribution of independents to distinctive high streets within the real-world context of the recorded location. The setting also helps illustrate commercial rents and how commercial property costs affect small retailers within the specific setting of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Cheshire,town centre,England,UK,centre,Parking signs,charges from PayByPhoone and ParkingEye,at Cockhedge Shopping & retail park at Warrington Town,WA1,confusing,unfair,parking,signs,signage,charges,charging,paying,problems,problem,difficulty,from,and,charge,tariff,tariffs,QR code,phone,by,pay,how to pay,older,retired,people
Description: Tony Smith image Alamy 2JTNA64 - . This dated editorial view of Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1 in 2022 captures more than the immediate subject, retaining clues about local use, design, activity and change. The principal subject is Parking signs,charges from PayByPhoone and ParkingEye, at Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1. Another layer of the photograph includes town-centre renewal, local history, period detail, social history, town-centre economy, community identity, contemporary social history, consumer retail, commercial streetscape, public realm, historical comparison, everyday life, place-making, and public-realm investment. The wider contemporary story combines store closures, brand consolidation and the rapid turnover of shopfronts and trading names. Viewed from the mid-2020s, the subject also connects with commercial viability, public-realm investment and how public investment can reshape pedestrian movement and evening activity. For later comparison, the photograph preserves period objects and surrounding context at Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1, details that may look very different after new ownership. The wider setting retains connections with destination shopping, high-street commerce, local enterprise, street-level business, archival record, urban fabric, urban regeneration, and independent trading. Details involving PayByPhoone, retail, Centre, ParkingEye, and charges make the image more specific than a generic view and strengthen its local or historical value. A later view of Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1 may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image fixes a local visual benchmark for future local research. It also preserves a point of historical comparison before later change alters the scene.
Cockhedge Shopping & retail park at Warrington Town Centre,Cheshire,UK, WA1
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,customer,service,problems,profit,post,royal mail,royalmail,and,blue,pink,packaging,packing,for,someone,very,special,UK,flag,technical,issues,lack,of,phone,support,email,ignored,mail,app,store,disruption,disruptor,apology,API,Political donations,Nick Jenkins,Guernsey,Tax haven
Description: Tony Smith image Alamy 2JTR49B - Moonpig is an internet-based business whose head offices are situated in London and Guernsey. The company's business model is mainly selling personalised greeting cards, flowers and gifts. It is listed on the London Stock Exchange and is a constituent of the FTSE 250 Index.
According to founder Nick Jenkins, Moonpig was his nickname at school in Newport, Shropshire, hence the name of the brand.
The original launch of Moonpig in 2000 coincided with the collapse of the dot-com bubble, which made progress difficult at first, but Jenkins raised further investment from private investors and venture capital, and the advent of broadband and digital cameras together with news spreading by word-of-mouth meant sales steadily increased, with the first profits being made in 2005. A television advertising campaign began in the United Kingdom in November 2006. 2 years and 4 months later, Moonpig received more internet traffic than other flower and gift companies in the UK
August 2013, a private developer discovered a vulnerability in the Moonpig API that made it possible for outsiders to retrieve the personal information of all three million of its users (names, birthdays, postal addresses, email addresses, phone numbers, the last four digits of credit card numbers, and credit card expiry dates), and informed Moonpig. Moonpig did nothing about it until the developer publicly announced the problem in January 2015, whereupon Moonpig disabled the API and its mobile apps pending an investigation. Moonpig issued a statement saying that all password and payment information is and has always been safe
England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,south,Cheshire,England,UK,WA4 2SJ,WA4,village,BT,cherry picker,access,platform,engineer,on,phone,line,telephone,lines,broadband,up,a,telegraph,pole,rural,rollout,wait here,sign,infrastructure,boom lift,powered,wooden,PPE,van,vehicles
Description: Tony Smith image Alamy 2MAEY78 - . Photographed at Grappenhall, Warrington, Cheshire, England, UK in 2023, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The image documents Openreach Telecom engineers, working on domestic phone line / broadband internet copper wire, up a telephone / telegraph pole rural village. Other connected aspects include commercial signage, visual archive, before-and-after reference, period advertising, everyday life, regional identity, archival record, historic signage, local character, public realm, social history, contemporary social history, public information notice, and documentary photography. Viewed from the mid-2020s, the subject also connects with retail change, public safety and the historical value of ordinary advertising material. Small period details of equipment and working practice at Grappenhall, Warrington, Cheshire, England, UK may become more significant with time, particularly following different community use. The photograph additionally reflects retail graphics, local history, changing streetscape, community identity, street-level marketing, visual merchandising, place identity, and brand communication. The combination of internet, village, broadband, copper, and Telecom anchors the frame to a recognisable activity, place or moment. By fixing the subject within Grappenhall, Warrington, Cheshire, England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. A further contemporary connection is retail change and how public-facing messages shape behaviour and purchasing within the real-world context of Grappenhall, Warrington, Cheshire, England, UK. The wider significance includes advertising regulation and the historical value of ordinary advertising material within the specific setting of Grappenhall, Warrington, Cheshire, England, UK.
Grappenhall, Warrington, Cheshire, England, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,mobiles,mobile,dickpic,dickpics,dick pics,naked,pics,photos,Apple,iPhone,a,cop,image,to,nearby,near,by,stranger,phones,phone,random,sharing,an,using,something,wirelessly,between,delete,danger,dangers,of,adjacent,different,strangers,unknown,harassment
Description: Tony Smith image Alamy 2R0MM6C - . Dangers of sharing an image using AirDrop transfer in a public place, like an airport, to nearby strangers phones. Photographed on 1 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. Key searchable subjects associated with the scene include mobiles, mobile, dickpic, dickpics, dick pics, naked, pics, photos, Apple, iPhone, cop, nearby, providing natural SEO coverage without losing the specific documentary identity of the photograph. The transport setting gives the image wider relevance to mobility, infrastructure, roads and public transport, travel behaviour, local connectivity, logistics and the relationship between vehicles and the built environment. It can illustrate planning, transport policy, accessibility, congestion, public investment and the changing technologies and services used to move people or goods. The digital or smartphone element makes the image suitable for coverage of mobile technology, apps, online services, privacy, communications, cyber security, consumer behaviour and the way everyday tasks increasingly move onto handheld devices. Screens and interfaces also provide a dated record of contemporary technology, useful for later comparison as software, services, security warnings and mobile user experiences change. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,customer,service,problems,profit,post,royal mail,royalmail,tracked,24,and,gift,blue,pink,packaging,packing,for,someone,very,special,UK,flag,technical,issues,lack,of,phone,support,email,ignored,mail,app,store,disruption,disruptor,apology,API,Political donations
Description: Tony Smith image Alamy 2JTR49D - Moonpig is an internet-based business whose head offices are situated in London and Guernsey. The company's business model is mainly selling personalised greeting cards, flowers and gifts. It is listed on the London Stock Exchange and is a constituent of the FTSE 250 Index.
According to founder Nick Jenkins, Moonpig was his nickname at school in Newport, Shropshire, hence the name of the brand.
The original launch of Moonpig in 2000 coincided with the collapse of the dot-com bubble, which made progress difficult at first, but Jenkins raised further investment from private investors and venture capital, and the advent of broadband and digital cameras together with news spreading by word-of-mouth meant sales steadily increased, with the first profits being made in 2005. A television advertising campaign began in the United Kingdom in November 2006. 2 years and 4 months later, Moonpig received more internet traffic than other flower and gift companies in the UK
August 2013, a private developer discovered a vulnerability in the Moonpig API that made it possible for outsiders to retrieve the personal information of all three million of its users (names, birthdays, postal addresses, email addresses, phone numbers, the last four digits of credit card numbers, and credit card expiry dates), and informed Moonpig. Moonpig did nothing about it until the developer publicly announced the problem in January 2015, whereupon Moonpig disabled the API and its mobile apps pending an investigation. Moonpig issued a statement saying that all password and payment information is and has always been safe
England, UK
Description
Keywords: office,crossed,legs,apple,ifone,4,4s,5,iphone5,iphone4,hand,skirt,selective,colour,color,apps,women,holding,an,cell,phone,cellphone,gold,expensive,blingy,sex,sexy,cover,gotonysmith,Buy Pictures of,Buy Images Of,work
Description: Tony Smith image Alamy D8HD4T - . Bling iPhone golden diamond encrusted. Photographed on 1 January 2010. The recorded location is England, UK. Mobile phone cover, with selective colour. The historical context is that smartphones compressed the functions of camera, telephone, music player, map, diary and internet terminal into a single personal device, transforming everyday communication during the 2000s and 2010s
Luxury cases, metallic finishes and decorative customisation also turned technology into fashion and a visible status object. Looking at the subject's development, everyday technology provides a compact history of design and changing behaviour
Rotary dials, thermionic valves, mechanical keypads, film cameras and early televisions were once ordinary equipment but now illustrate obsolete standards, manufacturing methods and patterns of work or communication. The subject remains topical in 2026 because smartphones are mature everyday infrastructure, with attention shifting towards artificial intelligence, privacy, repairability, camera capability and the environmental cost of frequent upgrades
Earlier customised phones provide a useful contrast with today's premium devices and increasingly long software-support cycles. For the 2026 context, technology is dominated by connected devices, cloud services and rapid product cycles
Historic hardware therefore provides a valuable counterpoint to contemporary debates about electronic waste, right-to-repair, data dependence and the speed with which once-common devices become obsolete. Historically, consumer electronics date quickly because models, finishes and accessories evolution at high speed
An older iPhone or decorated handset can therefore document both the evolution of mobile technology and the way personal devices became fashion accessories as well as communications tools. Related search language includes luxury phone, customised handset, digital lifestyle, personal technology, status symbol, and mobile communications.
England, UK
Description
Keywords: road,side,green,roadside,box,failing,to,fix,old,fashioned,technology,in,the,street,telephone,box,UK,England,Walsall,town,centre,repair,fibre,network,networks,GB,great,Britain,infinity,BTinfinity,network,upgrade,BB,exchange,to,superfast,cabinet,low,high,fast,home,phone,homephone,gotonysmith,rural,instead,of,HS2,man,with,back,to,us,working,on,work,works,fix,fixing,problem,talktalk,virgin,grade,grades,telecom,fixer,on,the,tools,working,in,Walsall,Buy Pictures of,Buy Images Of,on the tools
Description: Tony Smith image Alamy DHGXX7 - BT Openreach telecoms engineer ,fixing fault, in green roadside cabinet box, Walsall, West Midlands, England, UK works as a grounded stock photograph because the subject is specific, legible and connected to wider social, economic or cultural themes. A BT Openreach engineer working at a green roadside cabinet shows the physical, skilled labour behind broadband and telephone services that are often talked about as invisible digital utilities. The subject is useful for coverage of fibre rollout, telecoms faults, digital exclusion, street works, infrastructure maintenance, home working and the dependence of households and businesses on reliable connectivity. The location detail, Walsall, strengthens searches for regional features, travel pages, local-history pieces and news use where a named place matters. The scene has practical value for features needing authentic British or international street-level evidence, especially where policy, culture, business, tourism or social change is easier to explain through one clear example.
England, UK
