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Description
Keywords: @HotpixUK,GoTonySmith,HotpixUK,gig,gigs,Manchester,nightlife,PPC,venue,music,Australian,Perth,psych,garage,alternative,prog,progressive rock,27 February 2026,27/02/2026,guitarist,vocalist,frontman,lead singer,front man,guitar,on,stage,fuzz guitar,distorted guitar,touriing,tour,2026,Pogo Rodeo,cultural,scene,live,entertainment,moody lighting
Description: Tony Smith image Alamy 3E91E9P - Live music editorial photograph of Psychedelic Porn Crumpets performing at Albert Hall Manchester on 27 February 2026, showing guitarists on stage under dark concert lighting with drums, microphone stands, cables, pedals and spare electric guitars visible across the performance area. The Australian psychedelic rock band, originally formed in Perth, are strongly associated with colourful, high-energy psych rock, fuzz guitar, garage rock, progressive rock textures and fast, distorted live performances. The right-hand performer appears to be singing or playing lead guitar at the microphone, but the individual should only be named as Jack McEwan if confirmed by the photographer's own notes or venue accreditation, because person identity cannot be verified from this image alone.
The image is suitable for editorial coverage of contemporary Australian rock, UK touring, Manchester concerts, live music photography, independent venues, gig culture and psychedelic music. Albert Hall, a Grade II listed former Wesleyan chapel converted into a major Manchester music venue, gives the performance additional cultural context as part of the city's live music scene. The dark background, spotlight, red stage tones and visible instruments create a strong documentary atmosphere, useful for articles about touring bands, guitar music, alternative music, psych rock revival, music journalism, concert reviews, festival line-ups and the experience of live performance.
Psychedelic Porn Crumpets live at Albert Hall Manchester, Australian psych rock band on stage during
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Southern,Republic,Ireland,religion,Parnell,Sq,square,Abbey,Christian,history,historic,heritage,clock,north,N,Rotunda,taxi,traffic,designed,by,Andrew Heiton,of,Perth,Scotland,decorated,Gothic,building,James Joyce,novels,as,Findlaters,Church,Alexander Findlater
Description: Tony Smith image Alamy 3BR177K - Abbey Presbyterian Church is a church located at Parnell Square, Dublin. Designed by architect Andrew Heiton of Perth, Scotland, it is a decorated Gothic building, with a spire 180 feet (54.9 m) high. The church was erected in 1864 with funding from Alexander Findlater (1797“1873), a Dublin merchant and philanthropist, and is known colloquially as Findlater's church, and it is referred to in two of James Joyce's novels as Findlater's Church.
The Church was built on the north eastern corner of Rutland (now Parnell) Square and North Frederick Street. It was built on the site of Headfort House (sometimes Bective House), which was owned by the Earl of Bective (also the Marquess of Headfort), and named after his family's County Meath estate at Headfort House. The Earl had moved from a house of the same name in Smithfield which had by that time become an unfashionable district.
One of the first preachers was John Hall (1829“1898).
The congregation had previously, from 1667 until 1864, worshipped on Capel Street, on the site of the old St. Mary's Abbey. It was founded by a preacher from Bull Alley, the Rev. William Jacque, who left along with some of its congregation to form the new church. The Capel Street Congregation was sometimes incorrectly referred to as the Scots Church, and confused with the Scots Presbyterian Church, Lower Abbey Street. In 1778 during Rev. McDowell's ministry, the congregation renamed itself Mary's Abbey Congregation (whence the Abbey Presbyterian Church gets its name).
In 1911 Abbey Church, along with other Presbyterian churches, The Scots Church, Ormond Quay church and Union Chapel, founded Lindsay Road National School.
In 1918 the Union Chapel, on Lower Abbey Street, whose chapel had been damaged during the 1916 Rising, joined the Abbey Presbyterian Church
Parnell Square Dublin, Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,L3,Liverpool,The plaque above,was,unveiled,by,of,Perth,Western,Australia,Great Grand-Daughter,1823-1901,in,during the,1961-65,USA,American,history,Martha Roosevelt,James Bulloch,historic,sign,plaques,signs,on,a,building,agent,agents,civil,war
Description: Tony Smith image Alamy 2P6JH2P - James Dunwoody Bulloch (June 25, 1823 “ January 7, 1901) was the Confederacy's chief foreign agent in Great Britain during the American Civil War. Based in Liverpool, he operated blockade runners and commerce raiders that provided the Confederacy with its only source of hard currency. Bulloch arranged for the purchase by British merchants of Confederate cotton, as well as the dispatch of armaments and other war supplies to the South. He also oversaw the construction and purchase of several ships designed at ruining Northern shipping during the Civil War, including CSS Florida, CSS Alabama, CSS Stonewall, and CSS Shenandoah. Due to him being a Confederate secret agent, Bulloch was not included in the general amnesty that came after the Civil War and therefore decided to stay in Liverpool, becoming the director of the Liverpool Nautical College and the Orphan Boys Asylum.
Bulloch's half-brother Irvine Bulloch was a Confederate naval officer and his half-sister Martha Roosevelt was the mother of U.S. President Theodore Roosevelt and paternal grandmother of First Lady Eleanor Roosevelt
Charleston house, 12 Rumford Place, Liverpool, England, UK, L3 9DG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,building,development,frack,starting,green,belt,brown,field,restarting,newbuild,new build,nimbys,affordable,social,housing,socialhousing,new,buildings,homes,roads,property,banana,central belt,central,Edinburgh,Berwick upon-Tweed,Leith,Fife,Perth,Dundee,St Andrews,Dunbar,Lothian,Lothians
Description: Tony Smith image Alamy 2K1NK99 - . A grounded documentary photograph made at the recorded location in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Scotland, central belt, NIMBY - Not in my back yard, like BANANA - Build absolutely nothing anywhere near anything. The setting additionally reflects community identity, before-and-after reference, historical comparison, visual archive, documentary photography, farm produce, regional identity, adaptive reuse, local history, period architecture, public-realm investment, civic architecture, rural economy, and contemporary social history. The modern context includes continuing discussion of crop yields, agricultural policy and the importance of domestic grain to food and brewing supply chains. For current editorial use, adaptive reuse and heritage conservation provide additional context, especially through how regeneration tries to create reasons to visit traditional town centres. The archival value lies partly in recording public access and movement around the recorded location before changing commercial priorities alters the character of the place. Further associations within the scene are historic townscape, changing streetscape, agricultural landscape, place-making, period detail, summer fieldwork, British agriculture, and cereal crop. Details involving absolutely, anywhere, anything, central, and Scotland make the image more specific than a generic view and strengthen its local or historical value. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another useful connection is crop yields and the relationship between rural landscapes and national food security without losing the local specificity of the recorded location. The photograph keeps a trace of local identity as part of the recorded location's history.
Description
Keywords: GoTonySmith,@HotpixUK,Scot Rail,Scotrail,from,train,seat,inside,carriages,Abelio,seating,brand,branding,rail,book,do,not,remove,do not remove,train from,Perth,Scotland,UK,interior,on seat,on a seat,seat no,seat number,advance,advance train,advance train ticket,yellow,blue,Scot Rail branding,single,tickets,ticket,return,saltire,Buy before you board
Description: Tony Smith image Alamy P69RJG - . Recorded at 1 Leonard St, Perth PH2 8HE in 2018, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The defining feature is Scot Rail reserved journey from Aberdeen to Glasgow Queen Street, train from Perth, Scotland, UK. The broader subject matter reaches into regional identity, conservation architecture, social history, architectural character, documentary photography, cityscape history, place identity, changing streetscape, historic townscape, built heritage, local history, archival record, changing land use, and heritage landmark. The wider contemporary story combines adaptive reuse, heritage conservation and how historic buildings acquire new uses as cities change. Small period details of commercial use and occupation at 1 Leonard St, Perth PH2 8HE may become more significant with time, particularly following replacement signage. A second descriptive layer includes historic streetscape, visual archive, historical comparison, community identity, period architecture, heritage asset, local character, and conservation interest. Elements such as Glasgow, Perth, Scotland, train, and journey add documentary specificity and may become increasingly useful when compared with later records. For 1 Leonard St, Perth PH2 8HE, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The location additionally provides evidence of adaptive reuse and keeping older buildings useful without erasing their distinctive character in a form that can be compared with future views of 1 Leonard St, Perth PH2 8HE. A further contemporary connection is heritage conservation and the value of architectural landmarks to local identity and tourism within the real-world context of 1 Leonard St, Perth PH2 8HE. The image fixes a local visual benchmark for later comparison.
1 Leonard St, Perth PH2 8HE
Description
Keywords: GoTonySmith,carriage,Engine,66746,at,Scotland,luxury,tourist,experience,attraction,UK,GB,Great Britain,rail,railway,platform,on the platform,Perth,train,transport,tourism,hauled,famous,WCML,Scottish,summer day,British,British Rail,heritage,old,tour,maroon,yellow,trainspotting,trainspotter,track,renovated,hotpix.org.uk
Description: Tony Smith image Alamy MGMJT0 - . This location-specific image from 14A St. Leonards Bridge, Perth PH2 0DR, UK in 2018 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The subject captured here is Royal Scot Engine 66746 at Perth Station. The wider scene also brings together regional identity, before-and-after reference, heritage asset, visual archive, documentary photography, local history, historic townscape, cityscape history, historical comparison, period architecture, heritage landmark, archival record, period detail, and built heritage. For current editorial use, embodied carbon and tourism provide additional context, especially through the balance between conservation, retrofit and modern accessibility. The image fixes signage and branding within 14A St. Leonards Bridge, Perth PH2 0DR, UK at one identifiable point, providing a benchmark against new construction. The subject also sits alongside conservation architecture, urban fabric, historic streetscape, changing land use, social history, conservation interest, changing streetscape, and local character. Elements such as Perth, Royal, Engine, 66746, and Station add documentary specificity and may become increasingly useful when compared with later records. A later view of 14A St. Leonards Bridge, Perth PH2 0DR, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes embodied carbon and the balance between conservation, retrofit and modern accessibility within the real-world context of 14A St. Leonards Bridge, Perth PH2 0DR, UK. Another strand within the photograph is embodied carbon and keeping older buildings useful without erasing their distinctive character within the specific setting of 14A St. Leonards Bridge, Perth PH2 0DR, UK. The record includes a trace of local identity for later comparison.
14A St. Leonards Bridge, Perth PH2 0DR, UK
Description
Keywords: early,morning,evening,winter,rail,Scotrail,TOC,train,operating,company,privatised,public,customer,British,BR,waiting,delay,delayed,late,disruption,compensation,Perth,Scotland,UK,Scot,Scotrail,rail,Train Operating Company,British Rail,Passengers casting shadows,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scotland,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H9PM28 - . Recorded at Perth,Scotland,UK in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The image documents Passengers casting shadows on a railway platform, Perth,Scotland,UK. Another layer of the photograph includes built heritage, urban fabric, period detail, local history, historical comparison, archival record, conservation interest, contemporary social history, documentary photography, heritage landmark, historic streetscape, place identity, period architecture, and social history. Current relevance extends to embodied carbon and tourism, particularly through keeping older buildings useful without erasing their distinctive character. Future viewers can use this scene from Perth,Scotland,UK to compare materials and architectural details with whatever follows after refurbishment. Other useful contextual ideas include visual archive, heritage asset, period building, community identity, public realm, adaptive reuse, conservation architecture, and before-and-after reference. Elements such as Scotland, platform, shadows, Passengers, and Perth add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Perth,Scotland,UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate embodied carbon and keeping older buildings useful without erasing their distinctive character within the specific setting of Perth,Scotland,UK. The image also provides a reference for planning control and the value of architectural landmarks to local identity and tourism as part of the longer story of Perth,Scotland,UK. Another useful connection is tourism and the balance between conservation, retrofit and modern accessibility when considered against later change at Perth,Scotland,UK.
Perth,Scotland,UK
Description
Keywords: early,morning,evening,winter,rail,Scotrail,TOC,train,operating,company,privatised,public,customer,British,BR,waiting,delay,delayed,late,disruption,compensation,Perth,Scotland,UK,Scot,Scotrail,rail,Train Operating Company,British Rail,Passengers casting shadows,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scotland,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H9PM2A - . This authentic period view of Perth,Scotland,UK in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The subject captured here is Passengers casting shadows on a railway platform, Perth,Scotland,UK. The locality and subject together evoke changing land use, historical comparison, period building, urban fabric, period detail, public realm, heritage landmark, social history, regional identity, conservation interest, cityscape history, community identity, archival record, and changing streetscape. In present-day coverage, the subject reaches into heritage conservation and energy retrofit, not least because of keeping older buildings useful without erasing their distinctive character. Future viewers can use this scene from Perth,Scotland,UK to compare commercial use and occupation with whatever follows after changing commercial priorities. Further associations within the scene are heritage asset, adaptive reuse, place identity, period architecture, local history, visual archive, local character, and everyday life. References to casting, railway, Perth, Passengers, and shadows give the picture a strong period identity and tie it closely to its named subject. The wider setting at Perth,Scotland,UK matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. The wider significance includes heritage conservation and the balance between conservation, retrofit and modern accessibility when considered against later change at Perth,Scotland,UK. Another strand within the photograph is tourism and the value of architectural landmarks to local identity and tourism without losing the local specificity of Perth,Scotland,UK. The setting also helps illustrate maintenance and keeping older buildings useful without erasing their distinctive character in a form that can be compared with future views of Perth,Scotland,UK.
Perth,Scotland,UK
Description
Keywords: early,morning,evening,winter,rail,Scotrail,TOC,train,operating,company,privatised,public,customer,British,BR,waiting,delay,delayed,late,disruption,compensation,Perth,Scotland,UK,Scot,Scotrail,rail,Train Operating Company,British Rail,Passengers casting shadows,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scotland,delay,delays,delayed.late,later,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy H9PM2C - . Photographed at Perth,Scotland,UK in 2016, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The subject captured here is Passengers casting shadows on a railway platform, Perth,Scotland,UK. The frame also records themes of urban fabric, conservation interest, social history, architectural detail, period architecture, regional identity, historic townscape, documentary photography, community identity, contemporary social history, built heritage, adaptive reuse, local character, and changing streetscape. In present-day coverage, the subject reaches into embodied carbon and adaptive reuse, not least because of the balance between conservation, retrofit and modern accessibility. The image fixes materials and architectural details within Perth,Scotland,UK at one identifiable point, providing a benchmark against conservation work. Other useful contextual ideas include heritage asset, period building, historic streetscape, architectural character, changing land use, place identity, before-and-after reference, and conservation architecture. Elements such as shadows, Perth, platform, Scotland, and railway add documentary specificity and may become increasingly useful when compared with later records. A later view of Perth,Scotland,UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The wider significance includes embodied carbon and the value of architectural landmarks to local identity and tourism without losing the local specificity of Perth,Scotland,UK. Another strand within the photograph is energy retrofit and how historic buildings acquire new uses as cities change in a form that can be compared with future views of Perth,Scotland,UK. The scene captures a point of historical comparison for later comparison. Image H9PM2C also remains a dated record of Perth,Scotland,UK.
Perth,Scotland,UK
Description
Keywords: Scotrail,TOC,train,operating,company,public,customer,British,waiting,delay,delayed,disruption,compensation,Perth,Scotland,UK,Scot,Scotrail,rail,Train Operating Company,Passengers casting shadows,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Scottish,British,Scotland,delay,delays,delayed.late,Images of,Tony Smith,Great Britain,workers,strike,RMT union
Description: Tony Smith image Alamy H9PM2D - . This authentic period view of Perth,Scotland,UK in 2016 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Passengers casting shadows on a railway platform, Perth,Scotland,UK. The wider scene also brings together visual archive, changing land use, conservation architecture, local character, social history, adaptive reuse, community identity, conservation interest, historical comparison, heritage asset, built heritage, before-and-after reference, public realm, and local history. In present-day coverage, the subject reaches into embodied carbon and energy retrofit, not least because of the value of architectural landmarks to local identity and tourism. The image fixes period objects and surrounding context within Perth,Scotland,UK at one identifiable point, providing a benchmark against changing commercial priorities. Further associations within the scene are cityscape history, heritage landmark, historic streetscape, everyday life, documentary photography, regional identity, contemporary social history, and changing streetscape. The recorded references to shadows, Passengers, Scotland, railway, and platform preserve clues about how the subject was presented, used or understood at the time. Around Perth,Scotland,UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The image also provides a reference for embodied carbon and the balance between conservation, retrofit and modern accessibility when considered against later change at Perth,Scotland,UK. Another useful connection is planning control and the value of architectural landmarks to local identity and tourism without losing the local specificity of Perth,Scotland,UK. The scene captures a trace of local identity for future local research.
Perth,Scotland,UK
Description
Keywords: Loch,Earn,Sunset,Scotland,Perth,UK,lake,water,sky,dusk,clouds,blue,rocks,rock,reflection,reflections,Schotland,l'Ecosse,Ecosse,Schottland,\u03a3\u03ba\u03c9\u03c4\u03af\u03b1,la,Scozia,\u30b9\u30b3\u30c3\u30c8\u30e9\u30f3\u30c9,\uc2a4\ucf54\ud2c0\ub780\ub4dc,\u0428\u043e\u0442\u043b\u0430\u043d\u0434\u0438\u044f,Escocia,this photo rocks,tonysmith,tony,smith,noche,nuit,edinbrugh,hotpix!,#tonysmithhotpix
Description: Tony Smith image Flickr 3827213159 - 'Another landscape from Skye here www.flickr.com/photos/hotpixuk/3834522311/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: GoTonySmith,@HotpixUK,stylist,lady at beauty salon,woman at beauty salon,Lady at hair salon,woman at hairdressers,woman outside hairdressers,perm,colouring,colouring treatment,in hair,hair,Cooking,Perth,hair cooking,drinking tea,drinking coffee,mug,teacup,coffee cup,cape,Scotland,UK,beauty treatment,Female,colouring treatments,Smile,smiling,happy,blond,assisted,assisted blond,Assisted blonds,vanity,Roots,colouring roots,folicles,Colour treated hair
Description: Tony Smith image Alamy PGH9K8 - . A close documentary record sets out the working environment around 281 High St, Perth PH1 5QN, UK, in documentary coverage dating from 2018. The supplied image information identifies Woman having hair coloured, outside hair salon, Perth, Scotland, UK. The scene also brings together everyday Britain, documentary photography, documentary record, changing Britain, place and memory, place-based history, everyday infrastructure, contemporary social history, local identity, modern history, community environment, and social landscape. In the mid-2020s, social history is increasingly discussed through new technology and altered public space, with attention turning to a clearer record of local change. The photograph fixes 281 High St, Perth PH1 5QN, UK at one identifiable stage in its history, providing a reference against which later refurbishment, closure, demolition, conversion, new ownership or altered public use can be assessed. The view also records themes involving local character, social context, regional identity, cultural landscape, community life, urban and rural change. Associated details include lady, beauty salon, hairdressers, having hair colored, colouring treatment in hair, Colouring treatment. The location further reflects visual record, and public realm. Current debate around social history often combines business turnover, new technology and the practical challenge of a clearer record of local change. The lasting documentary value lies in its record of neighbourhood identity, architecture and streetscape, public access, ownership or occupation, and transport patterns without relying on a generic or reconstructed view. For future comparison, the scene preserves local business activity, the condition of buildings, regional identity, patterns of everyday use, and public-realm details in a form that can be compared with later photographs. The view of 281 High St, Perth PH1 5QN, UK also preserves another layer of local identity and period change.
281 High St, Perth PH1 5QN, UK
