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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG,Peace,Ukraine,Manchester,Ukrainian,Independence,Day,22,August,2026,solidarity,march,St,Peters,Square,flag,protest,Russia,invasion,banner,diaspora,editorial,documentary,British,Britain,Europe,travel,local,community,signage,architecture,streetscape
Description: Tony Smith image Alamy 3FCG403 - . A handmade 'Peace for Ukraine' banner is carried at the Ukrainian stock-photo/gotonysmith-Independence.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>Independence Day solidarity gathering in St Peter's Square, Manchester, on Saturday 22 August 2026. Ukraine marks independence on 24 August, commemorating the 1991 declaration that followed the collapse of the Soviet Union, and diaspora communities often hold weekend marches and public events close to the date. In 2026 the celebration remained inseparable from Russia's continuing invasion and the human cost of war, so blue-and-yellow flags and peace messages functioned both as national symbols and as political statements of solidarity. Manchester has a substantial Ukrainian community and has hosted repeated rallies, vigils, fundraising events and demonstrations since the full-scale Russian invasion began in February 2022. The photograph records civic protest in a central public square used for political gatherings, remembrance and celebration. It is suitable for editorial coverage of Ukraine, diaspora identity, anti-war activism, European security, refugees, independence commemorations and public support for a country under attack. The picture has additional value for regional coverage because it is rooted in a specific North West setting rather than anonymous stock. Relevant search and editorial concepts include Ukraine, Ukrainian, Manchester, solidarity, independence, blue and yellow, peace, protest, diaspora, Russia invasion, Europe, freedom, public demonstration, civic square. Useful descriptive vocabulary for archive discovery includes Peace, for, Ukraine, Manchester, Ukrainian, Independence, Day, August, solidarity, march, St, Peters, Square, flag, protest, Russia, invasion, peace, banner, diaspora. As a visual record it preserves ordinary details that formal reports often omit, including the condition, presentation and day-to-day setting of the subject at the time of photography. Its value is strongest when used with precise place and date information,
St Peter's Square, Manchester, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,HotpixUK,anti war,protest posters,street art,peace,political posters,war,graffiti wall,campaigning,demonstration,4 years of war,four years,Russian,anti-war,Slava,Ukraini,Ukraine,invasion,flowers,support,hatred,Putin killed Navalny,relations,protest,Vladimir Putin,imperial,colonial,memorial,visible,regime,political,repression,human rights,foreign,policy,border,freedom of expression,diplomacy,2026
Description: Tony Smith image Alamy 3FBX65X - A wide panoramic view of the perimeter of the Embassy of the Russian Federation on Pikk Street in Tallinn Old Town, Estonia, where metal barriers and fencing have become an informal protest wall covered with anti-war posters, photographs, flowers, candles and political messages opposing Russia's full-scale invasion of Ukraine. A prominent display marks 4 years of war , referring to the conflict begun by Russia on 24 February 2022, while another poster declares Putin killed Navalny beside a portrait of Russian opposition leader Alexei Navalny, who died in an Arctic penal colony on 16 February 2024. The embassy has repeatedly been the focus of demonstrations, vigils and memorials by Estonians, Ukrainians, Russians opposed to the war and other supporters of Ukraine. The scene also reflects Estonia's particularly sensitive relationship with Moscow. Independent between the world wars, Estonia was occupied by the Soviet Union in 1940, endured renewed Soviet occupation from 1944 and restored its independence in 1991. That history gives modern Estonian opposition to Russian aggression particular resonance, especially as Estonia shares a land border with Russia and has become one of Ukraine's strongest political and military supporters. Estonia remains linguistically diverse: official Statistics Estonia figures for 2026 show 26.9% of residents have Russian as their mother tongue, while 20.2% identify as ethnically Russian. The posters therefore do not simply represent hostility towards Russian people
anti-war demonstrations outside the embassy have also included Russian citizens and Russian-speaking residents rejecting the Kremlin's invasion. The cobbled medieval street, historic Old Town architecture and improvised protest memorial create a striking contrast between Tallinn's heritage setting and contemporary European conflict, diplomacy, dissent, human rights, political repression and solidarity with Ukraine
Embassy of the Russian Federation, Pikk 19, 10133 Tallinn, Estonia
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,graffiti,on,a,advert,hoarding,IE,Irish,politics,Palestine Action,Palastine,Gaza,peace,agreement,street art,vandalism,corporate advertising,political protest,handwritten graffiti,urban protest,Israel Palestine conflict,boycott message,political statement,anti corporate protest,public space,advertising defacement,urban politics,street activism,political expression,global conflict,consumer brands,Coca Cola advertising,zero sugar branding,contemporary politics,Ireland protest,Middle East conflict reference
Description: Tony Smith image Alamy 3BR17BK - A close-up image of a Coca Cola Zero Sugar advertisement in Dublin, Ireland, defaced with handwritten black graffiti reading Free Palestine . The political message has been painted directly over the brand's red advertising panel, partially obscuring the original corporate marketing text and imagery.
The graffiti reflects wider international protests and expressions of solidarity related to the ongoing Israel“Palestine conflict, which has prompted demonstrations, street messaging, and political statements across cities worldwide. In this case, the use of a globally recognised consumer brand as a backdrop highlights the intersection between political activism, corporate visibility, and public urban space.
Such defacement of advertising hoardings is a long-established form of protest, allowing individuals to insert political commentary into highly visible commercial environments. The image documents contemporary street-level political expression in Ireland, capturing how global geopolitical issues are reflected in local urban landscapes.
This photograph is suitable for editorial use illustrating political protest, street graffiti, public responses to international conflict, urban activism, and the use of corporate advertising spaces as platforms for political messaging.
Dublin, Ireland
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Palestinian,march,Gaza,war,solidarity,flag,flags,ceasefire,peace,peaceful,human rights,public,demonstration,political protest,civic protest,crowd,campaigners,ceasefire campaign,Israel Palestine conflict,Middle East conflict,humanitarian protest,British protest culture,freedom of expression,democratic rights,public order,peace campaign,solidarity march,Palestinian cause,Gaza war,civilian casualties,international law,genocide accusation,apartheid accusation,state terrorism accusation,war crimes debate,university city protest,community relations
Description: Tony Smith image Alamy 3EDKYWT - A peaceful Palestine stock-photo/gotonysmith-Protest.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>protest is shown in Nottingham's Old Market Square, with a large Palestinian flag in the foreground, placards, banners and demonstrators gathered outside the Council House. The wide-angle photograph captures a civic demonstration in the heart of the city, with people assembled in winter clothing, speakers and stewards visible, and the domed Nottingham Council House forming a strong architectural backdrop. The image is commercially useful for stories about pro-Palestinian campaigning, Gaza solidarity, ceasefire calls, human rights protests, anti-war activism, public assembly, civil liberties, policing of demonstrations and the continuing public response in Britain to the Israel-Palestine conflict. The visible banner wording includes calls to condemn genocide, apartheid and state terrorism, giving the image relevance for coverage of protest language, campaign messaging, international law debates and public anger over civilian suffering. It can also illustrate wider themes around freedom of expression, local activism, community relations, grassroots organising, political campaigning, foreign policy, faith and community groups, trade union support, university city protest culture and the use of public squares as democratic spaces. The large flag, small child waving a flag, gathered crowd and civic building combine to show a public demonstration that appears orderly and family-inclusive rather than confrontational. Care should be taken not to state there were no arrests or to make claims about police outcomes unless those details are confirmed by reliable local sources or organisers. As a documentary stock photograph, it records a specific Nottingham protest while also representing a wider pattern of UK demonstrations about Palestine, Gaza and the Middle East, where international events are made visible through marches, placards, speeches and peaceful occupation of civic space.
Peaceful Palestine protest in Nottingham's Old Market Square, with flags, placards and crowd outside
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,city,centre,Nottinghamshire,Gaza protest,solidarity,Palestinian,flag,flags,ceasefire,protest,peace,march,peaceful,human,rights,anti-war,public,demonstration,political,crowd,campaigners,demonstrators,placards,banners,free speech,right to protest,civil liberties,local activism,community protest,protest policing,no arrests,reported,orderly,British protest culture,freedom of expression,democratic rights,war crimes debate
Description: Tony Smith image Alamy 3EDKYWX - A peaceful Palestine march gathers in Nottingham's Old Market Square on 2 stock-photo/gotonysmith-March.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>March 2026, with demonstrators holding Palestinian flags and placards outside the city's Council House. The wide-angle image shows a mixed crowd of people assembled in the civic heart of Nottingham, creating a strong editorial photograph for stories about pro-Palestinian protest, public assembly, human rights campaigning, ceasefire calls, Gaza solidarity, Middle East politics and the continuing public response in Britain to the Israel-Palestine conflict. Nottingham City Council lists the Council House at Old Market Square, NG1 2DT, and the grand civic building, open plaza and surrounding city-centre architecture make the location immediately recognisable as a public demonstration space. The image is commercially useful for coverage of peaceful protest, freedom of expression, civil liberties, policing of demonstrations, local activism, grassroots organising, political campaigning and public concern over war and civilian suffering. The visible flags, placards, winter coats, gathered speakers and orderly crowd convey a calm demonstration rather than disorder, although any claim that there were no arrests should only be made where confirmed by police or event organisers. The photograph can also support wider debate about protest rights, antisemitism concerns, Islamophobia, foreign policy, humanitarian law, university and trade-union activism, community relations and the role of city-centre squares as places of democratic expression. As a documentary stock image, it records a specific local protest in Nottingham while also representing a broader pattern of UK demonstrations around Palestine, Gaza and the Middle East, where international events are brought into public view through marches, speeches, flags and civic-space gatherings.
Peaceful Palestine march in Nottingham's Old Market Square on 2 March 2026, with flags and placards
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Scotland,Edinburgh,Scot,Scots,Islam,religion,EH6,36,UK,EH6 5LA,along,religious,Muslim,the,parade,walking,walk,prophet,Muhammad,Islamic,Peace Processions,community,communities,of,exalted,Holy,Prophet,his,martyrdom,teaching,teachings,mission,peace,processions,believers,Muslims,men
Description: Tony Smith image Alamy 2RE0XAT - . Scottish Shia Muslims, annual Imam Hussain Peace Walk, reading Quran through 36 Great Jct Street, Leith, Edinburgh, Scotland, UK, EH6 5LA. Photographed on 23 July 2023. The Annual Peace Processions of Edinburgh and Glasgow. The Shi'a Muslim communities of Scotland unite at these to walk in remembrance of the exalted sacrifice of Imam Hussain, grandson of the Holy Prophet, who was brutally killed in battle, along with his family and friends, for upholding the purest human values and for standing out against corruption and evil. His stance was a stance of divine love and of justice and mercy. a stance of the truth against falsehood. a stance of human awakening. and a stance of freedom against oppression. At this time, millions of Muslims across the world commemorate his martyrdom and remember the teachings he lived and died by. He is the inspiration of our mission. Our thanks extend to the Shi'a communities of Scotland for organising these processions. In relation to community life, historical context shows that community processions and walking days are long-established forms of local public celebration, bringing schools, churches, clubs and families onto streets that normally serve traffic
Photographs preserve both community participation and the appearance of neighbourhoods at a specific date. As of 2026, the position for community life is that inclusive access is a central requirement for public services and events, with greater attention to step-free routes, disabled participation and practical barriers in streets and older buildings. Further editorial search language includes wheelchair access, accessibility, inclusive design, disabled access, public event, step-free access, local tradition, inclusive event, public realm, accessibility planning, multicultural, faith, Scots, Islam, religion, religious, parade, and Muhammad. Relevant synonyms and subject phrases include Islamic.
36 Great Jct Street, Leith, Edinburgh, Scotland, UK, EH6 5LA
Description
Keywords: GoTonySmith,HotpixUK,Scotland,Edinburgh,Scot,Scots,Islam,religion,EH6,36,UK,EH6 5LA,along,religious,Muslim,the,parade,walking,walk,prophet,Muhammad,Islamic,Peace Processions,community,communities,of,exalted,Holy,Prophet,his,martyrdom,teaching,teachings,mission,peace,processions,believers,Muslims,men,Leithers
Description: Tony Smith image Alamy 2RE0XAY - . Scottish Shia Muslims, annual Imam Hussain Peace Walk, reading Quran through 36 Great Jct Street, Leith, Edinburgh, Scotland, UK, EH6 5LA. Photographed on 23 July 2023. The Annual Peace Processions of Edinburgh and Glasgow. The Shi'a Muslim communities of Scotland unite at these to walk in remembrance of the exalted sacrifice of Imam Hussain, grandson of the Holy Prophet, who was brutally killed in battle, along with his family and friends, for upholding the purest human values and for standing out against corruption and evil. His stance was a stance of divine love and of justice and mercy. a stance of the truth against falsehood. a stance of human awakening. and a stance of freedom against oppression. At this time, millions of Muslims across the world commemorate his martyrdom and remember the teachings he lived and died by. He is the inspiration of our mission. Our thanks extend to the Shi'a communities of Scotland for organising these processions. Within the history of public realm, accessibility in public events and buildings has developed from an optional consideration into a core expectation
Ramps, wheelchair participation and step-free routes show how physical access is translated into everyday design and event planning. Against the 2026 backdrop for public realm, community events remain important as opportunities for local organisations and families to share public space, while organisers increasingly plan explicitly for accessibility and safeguarding. Further subject-specific language includes wheelchair access, inclusive design, community procession, walking day, disabled access, community participation, step-free access, local tradition, inclusive event, community life, accessibility planning, multicultural, faith, Scots, Islam, and religion. Additional high-relevance terminology includes religious, parade, walking, Muhammad, and Islamic. The image also relates directly to wheelchair access, inclusive design and community procession.
36 Great Jct Street, Leith, Edinburgh, Scotland, UK, EH6 5LA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,NI,Northern Ireland,UK,centre,peace,process,West Belfast,graffiti,STARS graffiti mural ""“ Striving Towards a Restorative Society,graffiti mural,restorative justice,street art,Belfast,STARS restorative justice,Belfast street art,Northern Ireland murals,community relations,peacebuilding,post conflict society,restorative practices,youth justice,urban art,graffiti wall,painted brick wall,social inclusion,reconciliation,civic messaging,political art,public art Northern Ireland,editorial social issues,outdoor mural,daylight exterior,change,NI troubles
Description: Tony Smith image Alamy 2RFGDEB - A brightly painted graffiti mural displaying the message S.T.A.R.S “ Striving Towards a Restorative Society on a brick wall in Belfast, Northern Ireland. The artwork uses bold lettering, stars, and arrows to convey themes of social justice, restoration, and positive community change.
STARS is associated with restorative justice approaches in Northern Ireland, focusing on reconciliation, conflict resolution, and alternatives to punitive justice systems. Such messaging is strongly rooted in the region's post-conflict context, where community-led initiatives have played a significant role in addressing the legacy of violence and division.
Street art and murals have long been a prominent form of public expression in Belfast, historically used to communicate political identity, memory, and resistance. In more recent decades, murals like this reflect a shift towards themes of peacebuilding, youth engagement, and social inclusion.
Photographed in daylight with grass and open space in the foreground, the image documents contemporary civic messaging expressed through urban art. It is suitable for editorial use relating to restorative justice, community development, social policy, Northern Ireland's peace process, and the evolving role of graffiti in public discourse.
STARS graffiti mural ""“ Striving Towards a Restorative Society, Belfast, Northern Ireland
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,tragedy,72,for the,North,Royal Borough,of,Latimer Road,Kensington,Socialhousing,social,housing,KC,TMO,memorial,2017,W11,enquiry,justice,forever,never forgotten,cladding,scandal,polyethylene-filled aluminium composite panels,building regulations,failure,socialhousing,council,panel,green,strength,peace,North Kensington leisure centre
Description: Tony Smith image Alamy 2JJG0CM - On 14 June 2017, a high-rise fire broke out in the 24-storey Grenfell Tower block of flats in North Kensington, West London, at 00:54 BST. 72 people died, including two who later died in hospital, with more than 70 others being injured and 223 people escaping. It was the deadliest structural fire in the United Kingdom since the 1988 Piper Alpha oil-platform disaster and the worst UK residential fire since World War II.
The fire was started by an electrical fault in a refrigerator on the fourth floor. It spread rapidly up the building's exterior, bringing fire and smoke to all the residential floors. This was due to the building's new cladding and the external insulation, since the air gap between them enabled the stack effect. The fire burned for about 60 hours before finally being extinguished. More than 250 London Fire Brigade firefighters and 70 fire engines from stations across London were involved in efforts to control the fire and rescue residents. More than 100 London Ambulance Service crews on at least 20 ambulances attended the scene, joined by specialist paramedics from the Ambulance Service's Hazardous Area Response Team. The Metropolitan Police and London's Air Ambulance also assisted the rescue effort.
Five years after 72 people lost their lives in the Grenfell Tower fire, which broke out on June 14, 2017, the UK government has announced plans to ban the type of cladding used to cover the external walls of the North Kensington high-rise. These revised building regulations are to be put into effect in December 2022.
The inquiry into the disaster concluded, in its first report in 2019, that this cladding “ polyethylene-filled aluminium composite panels, to be specific “ was responsible for the fire spreading so quickly..
Grenfell Road, Kensington and Chelsea,London,England,UK, W11 1TQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,firing,guns,uniform,white,armour,rose,artist,art,artwork,Runcorn old town,town,WA7 1LR,storm trooper,fires,flower,flowers,peace,StarWars,blaster,gun,Halton,Cheshire,England,UK,black,graffiti,Star Wars,starwars,Banksy Style,stencilled,streetart,on,white wall
Description: Tony Smith image Alamy 2K14187 - . An identifiable period record of Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The frame specifically shows Stormtrooper fires a gun and a red rose comes out, stencil art in Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. Another layer of the photograph includes local history, devotional artwork, sacred architecture, Christian iconography, historical comparison, everyday life, liturgical art, documentary photography, regional identity, historic church fabric, archival record, religious heritage, period detail, and parish church heritage. The modern context includes continuing discussion of historic fabric, church maintenance and how sacred art preserves religious, artistic and community history. The image fixes equipment and working practice within Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR at one identifiable point, providing a benchmark against closure or conversion. The photograph additionally reflects ecclesiastical craftsmanship, church interior, faith heritage, changing streetscape, community identity, contemporary social history, changing land use, and sacred decoration. Details involving comes, Stormtrooper, fires, Church, and Halton make the image more specific than a generic view and strengthen its local or historical value. The wider setting at Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR matters because ordinary visual details often provide the strongest evidence of how a place actually looked and functioned. Another strand within the photograph is historic fabric and the conservation challenge of historic interiors and artwork within the real-world context of Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. The photograph keeps a local visual benchmark before later change alters the scene.
Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Warrington,Cheshire,England,UK,retail,new retail development,VINCI Construction,BroadbentStudio,Broadbent,Studio,art,artwork,IRA,bomb,bombing,town,1996,1993,peace,terror,terrorism,Irish,Northern Ireland,Good Friday,Peace Agreement,tear shaped,water feature,hand prints,handprints,Tim,Jonathan,pedestrianised,Colin Parry,Wendy Parry,WA1,remembrance,NI troubles
Description: Tony Smith image Alamy 2CB00BW - The River of Life project was developed in the aftermath of the 1993 IRA bomb in Warrington, which killed three-year-old Johnathan Ball and 12-year-old Tim Parry, and led to the death of Bronwen Vickers. It injured 54 others and affected many thousands of people. The international outrage was strongly expressed by mothers and in Dublin thousands gathered in downtown Dublin to express sorrow and revulsion over the deaths of the two children.
The new streetscape and integrated water feature entitled ˜The River of Life' was officially opened on 14th November 1996 by HRH The Duchess of Kent.
Colin and Wendy Parry were thrust into the public gaze and together with the NSPCC established a peace centre in Warrington. The Foundation for Peace and NSPCC joined forces to raise funds for the £3million Centre opened on 20th March 2000...the 7th anniversary of the IRA bomb.
http://www.thepeacecentre.org.uk
https://broadbent.studio/river-of-life
Two bombs exploded on Bridge Street in Warrington about 100 yards apart on 20 March at about 12:25. The blasts happened within a minute of each other with the area crowded with shoppers on the Saturday before Mothering Sunday. Witnesses spoke of shoppers fleeing from the first explosion into the path of the second. It was later found that the bombs had been placed inside cast iron bins causing large amounts of shrapnel. It was a very personal attack on the people of Warrington - and the town needed to respond to it.
The City council asked to meet with me to discuss what form a memorial could take. It became clear that there were contrasting schools of thought with some looking to put it firmly in the past particularly as at the time the economic viability of the town was being threatened, and others who could imagine what I worried as being an overly personal memorial, which may not easily stand the test of time.
My feeling was that the street was not just physically broken but spiritually
31 Bridge St, Warrington,Cheshire,England,UK, WA1 2EX
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,Warrington,Cheshire,England,UK,retail,new retail development,VINCI Construction,BroadbentStudio,Broadbent,Studio,art,artwork,IRA,bomb,bombing,town,1996,1993,peace,terror,terrorism,Irish,Northern Ireland,Good Friday,Peace Agreement,tear shaped,water feature,bronze channel,hand prints,handprints,Tim,Jonathan,pedestrianised,Colin Parry,Wendy Parry,WA1,Red Action
Description: Tony Smith image Alamy 2CB00C0 - The River of Life project was developed in the aftermath of the 1993 IRA bomb in Warrington, which killed three-year-old Johnathan Ball and 12-year-old Tim Parry, and led to the death of Bronwen Vickers. It injured 54 others and affected many thousands of people. The international outrage was strongly expressed by mothers and in Dublin thousands gathered in downtown Dublin to express sorrow and revulsion over the deaths of the two children.
The new streetscape and integrated water feature entitled ˜The River of Life' was officially opened on 14th November 1996 by HRH The Duchess of Kent.
Colin and Wendy Parry were thrust into the public gaze and together with the NSPCC established a peace centre in Warrington. The Foundation for Peace and NSPCC joined forces to raise funds for the £3million Centre opened on 20th March 2000...the 7th anniversary of the IRA bomb.
http://www.thepeacecentre.org.uk
https://broadbent.studio/river-of-life
Two bombs exploded on Bridge Street in Warrington about 100 yards apart on 20 March at about 12:25. The blasts happened within a minute of each other with the area crowded with shoppers on the Saturday before Mothering Sunday. Witnesses spoke of shoppers fleeing from the first explosion into the path of the second. It was later found that the bombs had been placed inside cast iron bins causing large amounts of shrapnel. It was a very personal attack on the people of Warrington - and the town needed to respond to it.
The City council asked to meet with me to discuss what form a memorial could take. It became clear that there were contrasting schools of thought with some looking to put it firmly in the past particularly as at the time the economic viability of the town was being threatened, and others who could imagine what I worried as being an overly personal memorial, which may not easily stand the test of time.
My feeling was that the street was not just physically broken but spiritually
31 Bridge St, Warrington,Cheshire,England,UK, WA1 2EX
Description
Keywords: HotpixUK,GoTonySmith,Ball Parry,Tim Parry Jonathan Ball,terrorism,terrorist,peace,pano,panorama,wide,wideshot,The River of Life memorial,Bridge St,Warrington,Cheshire,North West England,UK,Bridge Street,Plaque,waterfall,water feature,1993,1993 bombing,Tear shaped,tear shaped water feature,Good Friday agreement,comemeration,commemoration,Warrington Borough Council,Stephen Broadbent,Broadbent,artist,design,designer,Broadbent Studio,Fatal IRA bomb attack,public art installation,public art,Shopping street,NI troubles
Description: Tony Smith image Alamy PEHG65 - The River of Life project was developed in the aftermath of the 1993 IRA bomb in Warrington, which killed two boys - Tim Parry and Jonathan Ball - and injured dozens of people in Warrington City Centre.
The desire was to bring hope, freshness and new life to Bridge Street and the community. A streetscape concept emerged, incorporating every aspect of the urban landscape and its elements including paving, seating units and lighting columns.
CONCEPT
Central to the design is a tear shaped water feature. Water emerges from a broken glacial boulder, flows along a bronze channel, whose sides tell the story of creation, in low relief detail, and cascades onto a bronze dome, which bears the imprints of the hands of local school children. The dome is circled by a disk of etched copper that pictures the faces of several children, including Tim and Jonathan. Inspiration for the River of Life came from the powerful description of waters and the leaves of the trees - for the healing of the nations - described in the biblical book of Revelation. Symbols of brokeness, healing, new life and the passage of time can be seen and discovered throughout this unique artwork.
A symbolic water source is re-created over the full length of the pedestrianised section of Bridge Street. Using natural stone and granite sets, the floor design detail accurately mirrors the meandering course of the River Mersey as it passes through the borough of Warrington. Set into this meandering path are 12 bronze discs, that are part of the Leaves of the Trees project and involved twelve primary schools from the Borough.
Bridge Street, Warrington, UK
Description
Keywords: HotpixUK,GoTonySmith,Ball Parry,Tim Parry Jonathan Ball,terrorism,terrorist,peace,pano,panorama,wide,wideshot,The River of Life memorial,Bridge St,Warrington,Cheshire,North West England,UK,Bridge Street,Plaque,waterfall,water feature,1993,1993 bombing,Tear shaped,tear shaped water feature,Good Friday agreement,comemeration,commemoration,WBC,Warrington Borough Council,Stephen Broadbent,Broadbent,artist,design,designer,Broadbent Studio,Fatal IRA bomb attack,public art installation,Shopping street,remembrance
Description: Tony Smith image Alamy PEHG7C - The River of Life project was developed in the aftermath of the 1993 IRA bomb in Warrington, which killed two boys - Tim Parry and Jonathan Ball - and injured dozens of people in Warrington City Centre.
The desire was to bring hope, freshness and new life to Bridge Street and the community. A streetscape concept emerged, incorporating every aspect of the urban landscape and its elements including paving, seating units and lighting columns.
CONCEPT
Central to the design is a tear shaped water feature. Water emerges from a broken glacial boulder, flows along a bronze channel, whose sides tell the story of creation, in low relief detail, and cascades onto a bronze dome, which bears the imprints of the hands of local school children. The dome is circled by a disk of etched copper that pictures the faces of several children, including Tim and Jonathan. Inspiration for the River of Life came from the powerful description of waters and the leaves of the trees - for the healing of the nations - described in the biblical book of Revelation. Symbols of brokeness, healing, new life and the passage of time can be seen and discovered throughout this unique artwork.
A symbolic water source is re-created over the full length of the pedestrianised section of Bridge Street. Using natural stone and granite sets, the floor design detail accurately mirrors the meandering course of the River Mersey as it passes through the borough of Warrington. Set into this meandering path are 12 bronze discs, that are part of the Leaves of the Trees project and involved twelve primary schools from the Borough.
Bridge Street, Warrington, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,life,nightlife,County Antrim,at,BT1,city,centre,Antrim,Northern Ireland,UK,illuminated,lit,up,Windsor Framework,Good Friday Agreement,peace,tourist,building,architecture,colonial,civic,hall,Grade A,listed,GradeA,corner,Sir Alfred Brumwell Thomas,in,the,Baroque Revival,style,Durban,South Africa,Irish
Description: Tony Smith image Alamy 2PM7TEH - . Belfast City Hall at night, Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS. Photographed on 19 August 2017, this summer image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include life, nightlife, County Antrim, BT1, Antrim, Northern Ireland, illuminated, lit, Windsor Framework, Good Friday Agreement, peace, tourist, providing natural SEO coverage without losing the specific documentary identity of the photograph. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The frame provides a detailed documentary record of the subject as it appeared at the time of photography, preserving the surrounding context as well as the principal feature. Its value is both descriptive and editorial, allowing the scene to illustrate news, features, local history, travel, social change and retrospective comparison. Visible or contextual elements such as architecture, signage, branding, public realm, transport infrastructure, street furniture and everyday activity help establish a strong sense of place where they form part of the scene. Additional relevant search concepts include building, architecture, colonial, civic, hall, Grade A, broadening discoverability while remaining tied to the supplied subject information.
Donegall Square North, Belfast, Antrim, Northern Ireland, UK, BT1 5GS
Description
Keywords: Belfast,Northern,Irish,hotels,city,centre,BT2,most,building,architecture,GoTonySmith,@HotpixUK,HotpixUK,NI,hospitality,the,tourist,tourists,historic,GB,Great,Britain,United,Kingdom,good friday agreement,peace,tower,block,Hastings Group,Hastings,accommodation,entrance,outside,Europe,in,rooms,Ulster
Description: Tony Smith image Alamy HDEYMA - The Europa Hotel is a four-star hotel in Great Victoria Street, Belfast, Northern Ireland. It has hosted presidents, prime ministers and celebrities.
It is known as the most bombed hotel in Europe and the most bombed hotel in the world after having suffered 36 bomb attacks during the Troubles.
The hotel, designed by architects Sydney Kaye, Eric Firkin & Partners, opened in July 1971. It was built on the site of the former Great Northern Railway station and stands 51 metres high.
During The Troubles, the hotel, where most journalists covering the Troubles stayed, was known as Europe's most bombed hotel, earning the name the Hardboard Hotel. The hotel was blown up by the Provisional IRA in 1993 and damaged so badly that it sold for only £4.4m.
The Europa Hotel became part of the Hastings Hotels group on 3 August 1993, whereupon it was announced that it would close for the first time in its 22-year history to allow for major refurbishment. Following an £8m investment, the hotel reopened in February 1994. Its first official event was the Flax Trust Ball, a gala evening for 500 local and international dignitaries. President Clinton and First Lady Hillary Clinton stayed in the hotel in November 1995
the suite used by the Clintons was subsequently renamed the Clinton Suite. The presidential entourage booked 110 rooms at the hotel.
Started in early 2008, an extension to the hotel increased the height of a rear wing by seven floors, to twelve floors, and increased bedrooms from 240 to 272. The extension was designed by Robinson McIlwaine Architects and was completed late in 2008
Great Victoria St, Belfast, Northern Ireland, BT2 7AP
Description
Keywords: Europa,Hotel,hotels,city,centre,BT2,Great Victoria St,Ireland,road,street,st,bombed,most,4star,four,star,Hasting,Ulster,Northern Ireland,Belfast City,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYME - The Europa Hotel is a four-star hotel in Great Victoria Street, Belfast, Northern Ireland. It has hosted presidents, prime ministers and celebrities.
It is known as the most bombed hotel in Europe and the most bombed hotel in the world after having suffered 36 bomb attacks during the Troubles.
The hotel, designed by architects Sydney Kaye, Eric Firkin & Partners, opened in July 1971. It was built on the site of the former Great Northern Railway station and stands 51 metres high.
During The Troubles, the hotel, where most journalists covering the Troubles stayed, was known as Europe's most bombed hotel, earning the name the Hardboard Hotel. The hotel was blown up by the Provisional IRA in 1993 and damaged so badly that it sold for only £4.4m.
The Europa Hotel became part of the Hastings Hotels group on 3 August 1993, whereupon it was announced that it would close for the first time in its 22-year history to allow for major refurbishment. Following an £8m investment, the hotel reopened in February 1994. Its first official event was the Flax Trust Ball, a gala evening for 500 local and international dignitaries. President Clinton and First Lady Hillary Clinton stayed in the hotel in November 1995
the suite used by the Clintons was subsequently renamed the Clinton Suite. The presidential entourage booked 110 rooms at the hotel.
Started in early 2008, an extension to the hotel increased the height of a rear wing by seven floors, to twelve floors, and increased bedrooms from 240 to 272. The extension was designed by Robinson McIlwaine Architects and was completed late in 2008
Great Victoria St, Belfast BT2 7AP
Description
Keywords: Love,Peace and Happiness,on,terrace,house,flat,CCTV,camera,31,Belfast,BT9,UK,University Road,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,tourists,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYMF - . This location-specific image from 31 University Rd, Belfast BT9, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The location is represented through Love, Peace and Happiness,Is this possible in Belfast? Discuss. The setting additionally reflects roadside stop, bus route infrastructure, regional identity, visual archive, changing streetscape, contemporary social history, period detail, transport accessibility, local history, community identity, archival record, street-side transport, roadside transit, and social history. From a 2025-onward perspective, reliability and passenger information are closely linked to this subject, alongside the shift toward cleaner buses and integrated ticketing. Small period details of period objects and surrounding context at 31 University Rd, Belfast BT9, UK may become more significant with time, particularly following replacement signage. The location also brings in changing land use, public transport stop, local bus network, documentary photography, before-and-after reference, passenger transport, surface public transport, and bus infrastructure. References to Happiness, possible, Belfast, Peace, and Discuss give the picture a strong period identity and tie it closely to its named subject. For 31 University Rd, Belfast BT9, UK, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Its period value extends to reliability and the challenge of maintaining reliable services outside dense city centres when considered against later change at 31 University Rd, Belfast BT9, UK. The location additionally provides evidence of rural transport and the challenge of maintaining reliable services outside dense city centres without losing the local specificity of 31 University Rd, Belfast BT9, UK.
31 University Rd, Belfast BT9, UK
Description
Keywords: International Peace Wall,Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Civil Order mural,Civil Order,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYMK - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,SA,ANC,Africa,SF,Sinn Fein,flag,In,my,country,we,go,to,prison,first,and,then,become,president,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYMN - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth). GoTonySmith
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,face,It,is,not,those,who,can,inflict,the,most,but,those,that,can,suffer,the,most,who,will,conquer,It is not those who can inflict the most,but those that can suffer the most who will conquer,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HDEYP1 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,creativity,Belfast,Inventiveness,yellow,orange,metal,steel,iron,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWA - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Let go of the past,Its your choice,fight for a better future,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWC - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth). @GoTonySmith
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,Let go of the past,Its your choice,fight for a better future,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWD - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth). @GoTonySmith
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWE - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWF - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWG - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,the,troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWJ - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYWP - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Cupar Way,West Belfast,Northern Ireland,UK,International,Peace,Wall,Cupar,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYX2 - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
Description
Keywords: Road,painting,graffiti,resistance,IRA,peace,Northern Ireland,NI,UK,St,street,Eire,Irish,Republic,Irish Republic,conflict,Irish Republican Army,Political Change,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDM1B5 - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: William Beattie,Springfield Road,&,Wilton Street,plaque,fell,at,No Pasaran,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,occupation,good,Friday,agreement,peace,reconciliation,IRA,terror,terrorists,genocide,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,republican cause
Description: Tony Smith image Alamy HDM1GK - Murals in Northern Ireland have become symbols of Northern Ireland, depicting the region's past and present political and religious divisions.
Belfast and Derry contain arguably the most famous political murals in Europe. It is believed that almost 2,000 murals have been documented since the 1970s. In 2014, the book, The Belfast Mural Guide estimated that, in Belfast, there were approximately 300 quality murals on display, with many more in varying degrees of age and decay. Murals commemorate, communicate and display aspects of culture and history. The themes of murals often reflect what is important to a particular community. A mural therefore exists to express an idea or message and could generally be seen as reflecting values held dear to that community.
In Irish republican areas the themes of murals can range from the 1981 Irish hunger strike, with particular emphasis on strike leader Bobby Sands
murals of international solidarity with revolutionary groups are equally common, as are those which highlight a particular issue, for example the Ballymurphy Massacre or the McGurk's Bar bombing. In working class unionist communities, murals are used to promote Ulster loyalist paramilitary groups such as the Ulster Defence Association and Ulster Volunteer Force and commemorate their deceased members. However traditional themes such as William III of England and the Battle of the Boyne, the Battle of the Somme and the 36th Ulster Division are equally common
Falls Rd, Belfast, Northern Ireland, UK
Description
Keywords: Road,rd,Garden,of,members,deceased,ex-prisoners,West,Belfast,NI,UK,Society,In,memory,of,those,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Catholic,community,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Catholic Community
Description: Tony Smith image Alamy HDPM8K - Memorial Title:
Garden of Remembrance (Falls Road)
Commemorating:
IRA members killed during the conflict also civilians killed
also deceased ex-prisoners.
Information about person(s) commemorated
Date of Incident:
January
Description:
Medium sized garden
series of monuments and plaques. Large number of names listed on the plaques.
Inscription(s):
Numerous inscriptions on panels around the garden and on the central memorial wall.
Just a line
Location Address:
Falls Road, Falls, Belfast West,
County Antrim, Northern Ireland.
BT12 ??
Location Guide:
Close to, and opposite to, the junction of Falls Road and Conway Street.
Map Grid Ref:
IJ325742
X,Y Co-ordinates:
X: 332543, Y: 374213
Previous Location:
Just a line
Nature:
Paramilitary, Republican, IRA
Physical Type:
Memorial Garden
Physical Materials:
Stone Granite, Plants, Hard Landscaping
Setting:
Garden
Access:
Private Unrestricted (gate usually open)
Post Unveiling:
Commissioned By:
Falls Cultural Society
Junction Falls Road / Conway Street,West Belfast, Northern Ireland,UK
Description
Keywords: Bayardo,memorial,UFF,Unionist,mural,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,murder,pub,pubs,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWRXP - . An on-location photograph from Shankill Road, West Belfast, NI, UK in 2016, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The frame specifically shows Bayardo Bar mural, off Shankill Road West Belfast,Northern Ireland,UK. The subject also carries associations with graffiti heritage, urban artwork, community identity, urban graphics, public realm, public art, changing streetscape, public monument, memorial stone, local character, archival record, documentary photography, historic commemoration, and before-and-after reference. In present-day coverage, the subject reaches into heritage conservation and genealogy, not least because of the value of memorials for genealogy and local history. Today's relevance is strengthened by tourism, public art and the continuing question of the role of murals and stencils in giving creative districts a distinctive identity. The archival value lies partly in recording local activity and public use around Shankill Road, West Belfast, NI, UK before closure or conversion alters the character of the place. Other useful contextual ideas include stencil art, local remembrance, contemporary social history, creative placemaking, historical comparison, contemporary mural, mortality symbolism, and street-level design. Elements such as Shankill, Belfast, mural, Bayardo, and Northern add documentary specificity and may become increasingly useful when compared with later records. Around Shankill Road, West Belfast, NI, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The scene further reflects heritage conservation and the value of memorials for genealogy and local history without losing the local specificity of Shankill Road, West Belfast, NI, UK. The scene captures evidence of changing use for future local research.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,memorial,UFF,Unionist,mural,off,Shankill,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,Ulster,Souvenirs,tourist,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HDWT58 - . This location-specific image from Shankill Road, West Belfast, NI, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The principal subject is Ulster Souvenirs, Shankill Road West Belfast,Northern Ireland,UK. The setting additionally reflects everyday life, public transport stop, archival record, roadside stop, before-and-after reference, place identity, period detail, town-centre economy, local bus network, local history, local trading, small business, bus route infrastructure, and transport accessibility. From a 2025-onward perspective, rural transport and decarbonisation are closely linked to this subject, alongside how local bus services affect access to work, education and healthcare. The wider contemporary story combines commercial rents, store closures and how consumer spending and property costs shape local commercial streets. The archival value lies partly in recording materials and architectural details around Shankill Road, West Belfast, NI, UK before conservation work alters the character of the place. The photograph additionally reflects customer footfall, contemporary social history, local enterprise, bus infrastructure, local mobility, changing streetscape, commercial streetscape, and shopfront economy. Elements such as Souvenirs, Northern, Ulster, Shankill, and Ireland add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Shankill Road, West Belfast, NI, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The image also provides a reference for rural transport and the shift toward cleaner buses and integrated ticketing without losing the local specificity of Shankill Road, West Belfast, NI, UK. Image HDWT58 also remains a dated record of Shankill Road, West Belfast, NI, UK.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Red hand,Ulster,memorial,UFF,mural,off,rd,Road,Northern Ireland,UK,Ireland,fighter,fighting,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDWT6K - . Photographed at Cupar Way / Shankill Road, West Belfast, NI, UK in 2016, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The scene records International Peace Wall, off Shankill Road/Cupar Way, West Belfast,Northern Ireland,UK. The subject also carries associations with public realm, local history, local character, changing streetscape, roadside transit, social history, before-and-after reference, historical comparison, street-side transport, changing land use, regional identity, transport accessibility, everyday life, and public transport stop. For current editorial use, passenger information and reliability provide additional context, especially through the importance of bus stops as the physical interface between passengers and public transport. The archival value lies partly in recording equipment and working practice around Cupar Way / Shankill Road, West Belfast, NI, UK before redevelopment alters the character of the place. Other useful contextual ideas include local bus network, documentary photography, surface public transport, bus route infrastructure, public transport information, visual archive, bus infrastructure, and passenger transport. The combination of Ireland, Peace, Shankill, Cupar, and Northern anchors the frame to a recognisable activity, place or moment. A later view of Cupar Way / Shankill Road, West Belfast, NI, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. Another useful connection is passenger information and the challenge of maintaining reliable services outside dense city centres as part of the longer story of Cupar Way / Shankill Road, West Belfast, NI, UK. The record includes part of the area's social history within the wider story of Cupar Way / Shankill Road, West Belfast, NI, UK.
Cupar Way / Shankill Road, West Belfast, NI, UK
Description
Keywords: QE,QEII,Queen,Elizabeth,water,front,Northern Ireland,UK,city,centre,flood,defense,defences,defence,flood defense,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CB - . Recorded at Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK in 2016, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The image documents Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK. The setting additionally reflects community identity, archival record, public realm, visual archive, built heritage, social history, adaptive reuse, historic townscape, conservation architecture, period building, before-and-after reference, documentary photography, cityscape history, and heritage landmark. The wider contemporary story combines redevelopment pressure, energy retrofit and the value of architectural landmarks to local identity and tourism. Small period details of street furniture and boundaries at Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK may become more significant with time, particularly following new construction. The photograph additionally reflects period architecture, regional identity, historical comparison, changing land use, local character, place identity, everyday life, and changing streetscape. Details involving Waterside, Bridge, Northern, Elizabeth, and Ireland make the image more specific than a generic view and strengthen its local or historical value. Around Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The wider significance includes redevelopment pressure and the balance between conservation, retrofit and modern accessibility within the real-world context of Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK. The image fixes details of everyday use for future local research. It also preserves evidence of changing use before later change alters the scene.
Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK
Description
Keywords: QE,QEII,Queen,Elizabeth,Bridge,water,front,Northern Ireland,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Peace,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,maritime,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CD - . This location-specific image from Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK in 2016 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The location is represented through Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK. The frame also records themes of before-and-after reference, community identity, contemporary social history, everyday life, period building, social history, local character, architectural detail, architectural character, adaptive reuse, changing land use, conservation architecture, visual archive, and heritage asset. In present-day coverage, the subject reaches into energy retrofit and redevelopment pressure, not least because of how historic buildings acquire new uses as cities change. The archival value lies partly in recording materials and architectural details around Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK before replacement signage alters the character of the place. A second descriptive layer includes period architecture, archival record, public realm, local history, conservation interest, documentary photography, historic streetscape, and regional identity. Details involving Bridge, Belfast, Elizabeth, Northern, and Lagan make the image more specific than a generic view and strengthen its local or historical value. The period setting at Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of energy retrofit and how historic buildings acquire new uses as cities change when considered against later change at Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK. The scene captures a trace of local identity before later change alters the scene.
Queen Elizabeth Bridge,Lagan Waterside,Belfast,Northern Ireland, UK
Description
Keywords: Historic,pub,public house,public,house,inside,interior,CAMRA,campaign,for,Inn,Albion Inn,great,war,Mike Mercer,classic,tourist,tourism,drink,drinking,drinking,food,inside,interior,area,bar area,2,two,two drinkers,GoTonySmith,City Centre,City,Centre,Pubs of Cheshire,Pubs,of,in,Cheshire,peace,dating
Description: Tony Smith image Alamy ECW4F8 - Albion, translated to present-day terms, means ˜white' and is often associated with all things English. The present day ambience of the Albion's interior reflects this translation and has firm connections with the Great War going far beyond the modern ˜concept' pub of today.
Mike Mercer has run the Albion Inn for over 37 years and has created and captured the essence of the Great War 1914-18 in this last remaining classic Victorian corner street pub within the City Walls of Chester.
Albion Street, and the adjoining Volunteer Street both lead to the former Drill Hall, which was a recruiting centre during the First World War.
Many a young lad would have spent his King's Shilling in the bar of the Albion before going to face the horrors of the Western Front.
Park St, Chester,England,UK, CH1 1RN
Description
Keywords: Beautiful,Dorchester,On,Thames,building,interior,of,St,Peter,&,St,Paul,HDR,oxen,oxford,oxfordshire,ancient,monument,view,from,the,window,Gotonysmith monuments NT,Buy Pictures of,Buy Images Of,peace,Christian,Dorchester-On-Thames,river,inside,Oxfordshire,England,UK,OX11
Description: Tony Smith image Alamy DA8AG5 - Dorchester Abbey is a Church of England parish church in Dorchester on Thames, Oxfordshire, about 8 miles (13 km) southeast of Oxford. It was formerly a Norman abbey church and was built on the site of a Saxon cathedral.
It has many classic features, tiles and carvings.
High St, Dorchester-on-Thames, Oxen, England UK OX11
Description
Keywords: Red hand,Ulster,UFF,Unionist,mural,off,Shankill,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army
Description: Tony Smith image Alamy HE7KXC - . This scene at Shankill Road, West Belfast, NI, UK in 2011 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The principal subject is UFF Unionist mural, off Shankill Road West Belfast,Northern Ireland,UK - UDA / UFF. The setting additionally reflects local character, public-realm art, regional identity, visual street culture, street-level design, changing land use, transport accessibility, public realm, urban graphics, local bus network, documentary photography, roadside stop, everyday life, and public art. From a 2025-onward perspective, temporary works and creative districts are closely linked to this subject, alongside the role of murals and stencils in giving creative districts a distinctive identity. The wider contemporary story combines local connectivity, reliability and the importance of bus stops as the physical interface between passengers and public transport. As a dated visual record of Shankill Road, West Belfast, NI, UK, the frame retains equipment and working practice, making it especially useful if new ownership subsequently changes the scene. The photograph additionally reflects temporary artwork, contemporary social history, historical comparison, passenger transport, changing streetscape, urban artwork, local history, and community identity. Details involving Shankill, Unionist, Northern, Ireland, and mural make the image more specific than a generic view and strengthen its local or historical value. The period setting at Shankill Road, West Belfast, NI, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate temporary works and the role of murals and stencils in giving creative districts a distinctive identity without losing the local specificity of Shankill Road, West Belfast, NI, UK.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Ulster,off,rd,Road,West Belfast,Northern Ireland,UK,Ireland,fighter,fighting,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Shankill,Rd,Road,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,Shankill Road
Description: Tony Smith image Alamy HE7KXN - . This authentic period view of Shankill Road, West Belfast, NI, UK in 2011 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The photograph centres on UFF Unionist mural, off Shankill Road West Belfast,Northern Ireland,UK. The subject also carries associations with community identity, regional identity, passenger transport, local history, creative placemaking, temporary artwork, surface public transport, public transport information, street-side transport, changing streetscape, street-level design, bus infrastructure, historical comparison, and mural culture. In present-day coverage, the subject reaches into gentrification and graffiti policy, not least because of how temporary street art can become an important record of neighbourhood culture. Today's relevance is strengthened by local connectivity, rural transport and the continuing question of the challenge of maintaining reliable services outside dense city centres. The image fixes street furniture and boundaries within Shankill Road, West Belfast, NI, UK at one identifiable point, providing a benchmark against replacement signage. The subject also sits alongside local mobility, changing land use, stencil art, graffiti heritage, public transport stop, period detail, transport accessibility, and local bus network. The combination of Northern, Belfast, Ireland, Unionist, and Shankill anchors the frame to a recognisable activity, place or moment. The period setting at Shankill Road, West Belfast, NI, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another useful connection is gentrification and how temporary street art can become an important record of neighbourhood culture within the specific setting of Shankill Road, West Belfast, NI, UK. The scene captures a trace of local identity for future local research.
Shankill Road, West Belfast, NI, UK
Description
Keywords: Sandy Row,Belfast,Northern Ireland,UK,SandyRow,Sandy,Row,Protestant,Community,Royalist,British,Citizen,citizens,street,st,streets,south,residential,residents,UDA,Orange,order,South Belfast,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Rangers,freedomfighters,Carrs,Row,brigade,gun,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,South Belfast,orange Order,Freedom Fighters,Boyne Bridge,Saltwater Bridge,Orange Hall,Carrs Row,loyalist community,UDA South Belfast Brigade
Description: Tony Smith image Alamy HE7KXY - Sandy Row is a street in south Belfast, Northern Ireland. It lends its name to the surrounding residential community, which is predominantly Protestant working-class. The Sandy Row area had a population of 2,153 in 2001.[1][2] It is a staunchly loyalist area of Belfast, being a traditional heartland for affiliation with the paramilitary Ulster Defence Association (UDA) and the Orange Order.
Sandy row, South Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Sandy Row,Belfast,Northern Ireland,UK,SandyRow,Sandy,Row,Protestant,Community,Royalist,British,Citizen,citizens,street,st,streets,south,residential,residents,UDA,Orange,order,South Belfast,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,Unionist,unionism,Protestant,community,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,UVF,DUP,British,GB,Empire,Rangers,freedomfighters,Carrs,Row,brigade,for,god,and,Ulster,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Belfast protestant community,Peoples army,South Belfast,orange Order,Freedom Fighters,Boyne Bridge,Saltwater Bridge,Orange Hall,Carrs Row,loyalist community,UDA South Belfast Brigade
Description: Tony Smith image Alamy HE7KY4 - Sandy Row is a street in south Belfast, Northern Ireland. It lends its name to the surrounding residential community, which is predominantly Protestant working-class. The Sandy Row area had a population of 2,153 in 2001.[1][2] It is a staunchly loyalist area of Belfast, being a traditional heartland for affiliation with the paramilitary Ulster Defence Association (UDA) and the Orange Order.
Sandy row, South Belfast, County Antrim, Northern Ireland, UK
Description
Keywords: Crumlin,Road,Gaol,local,investor,Barry,Gilligan,dilapidated,building,architecture,victorian,UK,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7M57 - The Crumlin Road Courthouse was designed by the architect Charles Lanyon and completed in 1850. It is situated across the road from the Crumlin Road Jail and the two are linked by an underground passage.
The courthouse closed in June 1998. It was sold to local investor Barry Gilligan in September 2003 for £1. His plans for the courthouse include redeveloping it as a tourist attraction and a hotel.
On Thursday 12 March 2009, the courthouse suffered significant damage in a fire and a series of further fires in August 2009 caused further massive damage to the structure, prompting questions into the cause and leaving the future of the building in question.
Crumlin Road, Belfast, Northern Ireland, UK
Description
Keywords: BT1,bars,pubs,duke,of,york,alley,off,street,drinks,drinking,classic,ale,beer,bers,ales,half,bap,area,art,painting,painting,artwork,artworks,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M9F - Nestled along a narrow cobbled alleyway in the historic Half Bap area, the Duke offers a traditional Belfast welcome of craic, music and humour in contrast to the modern fashionable establishments currently blowing into the surrounding streets. Hosting regular traditional sessions there is no better place to sample the real taste of our city “ simply step in and drink an Irish whiskey washed down with a pint of creamy stout.
Imagine Belfast with only five streets. Protected by earth ramparts and the city walls, the area where the Dark Horse now stands was convenient to the old iron foundry, the pottery, the whiskey merchants and the brown linen hall. Appreciate the superb décor and special atmosphere with beautiful antique mirrors, Belfast furniture and artefacts from some of the city's most famous hotels and buildings from bygone times “ providing a rather rare and unique glimpse of Belfast's historical past. Just call in and you will enjoy a huge warm welcome from a truly Belfast institution with a huge heart.
Duke of York, 7-11 Commercial Court, Belfast, Northern Ireland, BT1 2NB Duke of York 02890 241062
7-11 Commercial Ct, Belfast, Northern Ireland,UK BT1 2NB
Description
Keywords: BT1,bars,pubs,duke,of,york,alley,off,Donegall St,street,drinks,drinking,classic,ale,beer,bers,ales,half,bap,area,craic,murals,art,painting,painting,artwork,artworks,sign,extra,stout,famous beer,quality,bottling,symbol,Cathedral Quarter,Half Bap,Ulstersymbol,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M9H - Nestled along a narrow cobbled alleyway in the historic Half Bap area, the Duke offers a traditional Belfast welcome of craic, music and humour in contrast to the modern fashionable establishments currently blowing into the surrounding streets. Hosting regular traditional sessions there is no better place to sample the real taste of our city “ simply step in and drink an Irish whiskey washed down with a pint of creamy stout.
Imagine Belfast with only five streets. Protected by earth ramparts and the city walls, the area where the Dark Horse now stands was convenient to the old iron foundry, the pottery, the whiskey merchants and the brown linen hall. Appreciate the superb décor and special atmosphere with beautiful antique mirrors, Belfast furniture and artefacts from some of the city's most famous hotels and buildings from bygone times “ providing a rather rare and unique glimpse of Belfast's historical past. Just call in and you will enjoy a huge warm welcome from a truly Belfast institution with a huge heart.
Duke of York, 7-11 Commercial Court, Belfast, Northern Ireland, BT1 2NB Duke of York 02890 241062
7-11 Commercial Ct, Belfast, Northern Ireland,UK BT1 2NB
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,Glass,Window,We will remember them,with,British Flag,union flag,union jack,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M9R - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,saint,Annes,Window,We,will,remember,them,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M9T - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,Jesus,taken,down,from,the,cross,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M9X - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MAA - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,saint,Annes,The,assoc,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7MAC - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Montgomery,St,Belfast,Northern Ireland,UK,inscription,Chichester,St,street,saying,A,Nation,That,keeps,an,eye,on,the,past,is,wise,A,nation,that,keeps,two,eyes,on,the,past,is,blind,A,nation,that,keeps,2,eyes,on,the,past,is,blind,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7MAF - . Recorded at 29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK in 2011, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records The Garrick bar,A Nation That keeps an eye on the past is wise.. Montgomery St,Belfast,Northern Ireland,UK. The subject also carries associations with changing streetscape, local history, funerary heritage, everyday life, place identity, local remembrance, changing land use, historic commemoration, public realm, mortality symbolism, local character, community memory, before-and-after reference, and regional identity. The wider contemporary story combines historic inscriptions, heritage conservation and how inscriptions preserve humour, beliefs and attitudes toward death. Future viewers can use this scene from 29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK to compare lettering, decoration and surface detail with whatever follows after refurbishment. The surrounding story also includes archival record, historical comparison, contemporary social history, community identity, documentary photography, memorial stone, visual archive, and epitaph. References to keeps, Montgomery, Garrick, Nation, and Belfast give the picture a strong period identity and tie it closely to its named subject. Around 29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. The setting also helps illustrate historic inscriptions and how inscriptions preserve humour, beliefs and attitudes toward death in a form that can be compared with future views of 29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK. The image also provides a reference for cemetery maintenance and the value of memorials for genealogy and local history within the real-world context of 29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK.
29 Chichester St, Belfast BT1 4JB ,Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,Members,of,stationary,printing,&,allied,trades,who,served,in,the,Marshal,Foch,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MAG - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: Inside,architecture,building,stone,arch,holy,St Annes,Belfast Cathedral,saint,Annes,To,the,glory,of,God,this,pavement,was,given,in,rememberance,of,Elise,Milne,Barbour,A devoted mother and a dearly loved wife,Patterson NJ USA 1873,Conway Dunmurry,1910,religion,protestant,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Quarter,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HEEG8X - St Anne's Cathedral, also known as Belfast Cathedral, is a cathedral of the Church of Ireland in Donegall Street, Belfast, Northern Ireland. It is unusual in serving two separate dioceses (Connor and Down and Dromore), yet being the seat of neither (it is geographically in the Diocese of Connor), it is therefore not a cathedral in the truest sense of the word, a cathedral being a church housing the seat of a bishop.[1] It is, however, titled as such. It is the focal point of the Cathedral Quarter, Belfast.
The first architect was Sir Thomas Drew, the foundation stone being laid on 6 September 1899 by the Countess of Shaftesbury. The old parish church of St Anne by Francis Hiorne of 1776 had continued in use, up until 31 December 1903, while the new cathedral was constructed around it
the old church was then demolished. The Good Samaritan window, to be seen in the sanctuary, is the only feature of the old church to be retained in the cathedral. Initially, only the nave of the cathedral was built, and this was consecrated on 2 June 1904.
In 1924 it was decided to build the west front of the cathedral as a memorial to the Ulstermen and women who had served and died in World War I. The foundation stone for this was laid by Governor of Northern Ireland, the Duke of Abercorn on 2 June 1925 and the completed facade, to an amended design by the architect Sir Charles Archibald Nicholson, was dedicated in June 1927.
In the meantime, the central crossing, in which the choir sits, was built between 1922 and 1924. The Baptistery, to plans drawn up by the late W H Lynn, who had assisted Sir Thomas Drew, was dedicated in 1928, and the Chapel of the Holy Spirit, with its beautiful mosaics depicting Saint Patrick, was dedicated on 5 July 1932, the 1500th anniversary of the arrival of St Patrick in Ireland.
InscripTo the glory of God this pavement was given in rememberance of Elise Milne Barbour,A devoted mother and a dearly loved wife, Patterson NJ USA 1873,Conway Dunmurry,1910
Donegall Street, Belfast, Northern Ireland,UK
Description
Keywords: from,Great,Victoria,St,building,town,bar,NI,street,hotel,bus,buscentre,travel,visitor,tourist,travel,tourism,council,local,authority,evening,IRA,real,provisional,the,troubles,sectarian,sectarianism,titanic,famous,peace,process,gotonysmith railway station,gotonysmith,Buy Pictures of,Buy Images Of,view,across
Description: Tony Smith image Alamy D8HF33 - . A view across Belfast City, Northern Ireland, UK from Great Victoria St. Photographed on 4 May 2011. The recorded location is Great Victoria St, Belfast, Northern Ireland, UK. The historical context is that seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. Historically, architecture records the priorities of the period in which a building was designed: materials, ornament, scale and planning can reveal changing technologies, social status and commercial use
Later alterations and changes of tenant add further layers, so a single façade can embody several phases of local history. The subject remains topical in 2026 because current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent. In 2026, the reuse of existing buildings is increasingly discussed alongside conservation, embodied carbon and town-centre regeneration
Images of older façades and converted premises can therefore illustrate both architectural heritage and the practical pressures of adapting buildings for new uses. Historically, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a particular moment
Repeated views can later become valuable evidence of development, environmental change and shifting patterns of use. In historical terms, panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can offer clues to the changing form of a town or coastline. Other strongly related concepts include panorama, scenic view, and night photography.
Great Victoria St, Belfast, Northern Ireland, UK
Description
Keywords: Belfast Water Works,Cast Iron,Manhole Grid,man,hole,cover,Manhole Cover,Northern Ireland,UK,grid,in,road,street,Water works,access,access cover,sewer,man,hole,cast,iron,access,iron,cast iron,metal,steel,@HotpixUK,road,street,grid,in,road,street,Water works,access,access cover,sewer,manhole,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18CM - . This dated editorial view of Belfast City,Northern Ireland,UK in 2011 captures more than the immediate subject, retaining clues about local use, design, activity and change. The defining feature is Belfast Water Works Cast Iron Manhole Grid, Northern Ireland, UK. The surrounding context encompasses place identity, community identity, historical comparison, local history, roadside transit, transport accessibility, archival record, documentary photography, public realm, social history, bus infrastructure, visual archive, local mobility, and local character. The modern context includes continuing discussion of decarbonisation, accessibility and the challenge of maintaining reliable services outside dense city centres. The image fixes lettering, decoration and surface detail within Belfast City,Northern Ireland,UK at one identifiable point, providing a benchmark against new construction. The surrounding story also includes changing land use, public transport information, bus route infrastructure, roadside stop, everyday life, local bus network, surface public transport, and public transport stop. The combination of Northern, Manhole, Ireland, Works, and Belfast anchors the frame to a recognisable activity, place or moment. The period setting at Belfast City,Northern Ireland,UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image also provides a reference for decarbonisation and how local bus services affect access to work, education and healthcare without losing the local specificity of Belfast City,Northern Ireland,UK. Another useful connection is rural transport and the importance of bus stops as the physical interface between passengers and public transport in a form that can be compared with future views of Belfast City,Northern Ireland,UK. The photograph keeps a trace of local identity within the wider story of Belfast City,Northern Ireland,UK.
Belfast City,Northern Ireland,UK
Description
Keywords: Great,social,socialhousing,Northern,Irish,Housing,Executive,Belfast,UK,public,body,authority,orders,city,centre,fair,fairness,civil,rights,Catholic,Injustice,RTB,Northern Ireland,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,policy,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Right To Buy
Description: Tony Smith image Alamy HE18CR - The Northern Ireland Housing Executive is the public housing authority for Northern Ireland. It is the enforcing authority for those parts of housing orders that involve houses with multiple occupants, houses that are unfit, and housing conditions.
The Housing Executive was established in 1971 by the Housing Executive Act (Northern Ireland).
The creation of the Housing Executive is linked to the civil disturbances in Northern Ireland throughout the 1960s.[citation needed] Prior to 1971, the allocation of public housing was the responsibility of local councils in Northern Ireland and the Northern Ireland Housing Trust. In June 1968, Dungannon Rural District Council was accused of discriminating against a Catholic family when it allocated a new council house in the Caledon area to a young single Protestant woman with links to a local Unionist politician. This incident proved to be the catalyst for the ensuing civil rights marches in Dungannon and Derry that ultimately led to widespread civil disturbance.
In his Parliamentary report on the following disturbances, Lord Cameron concluded that there was:
A rising sense of continuing injustice and grievance among large sections of the Catholic population in Northern Ireland, in particular in Derry and Dungannon, in respect of (i) inadequacy of housing provision by certain local authorities (ii) unfair methods of allocation of houses built and let by such authorities, in particular
refusals and omissions to adopt a 'points' system in determining priorities and making allocations (iii) misuse in certain cases of discretionary powers of allocation of houses in order to perpetuate Unionist control of the local authority.
A single all-purpose housing authority for Northern Ireland had been advocated as early as 1964 by the Northern Ireland Labour Party but it was not until the British Home Secretary, James Callaghan, visited the Stormont Government in the wake of the Belfast Riots of August 1969 it was created
Great Victoria St, Belfast, NI, UK
Description
Keywords: art,painting,mural,collar,worker,manager,&,and,blue shirt,blue,shirt,working,artwork,Belfast,Northern Ireland,UK,Marine,Sales,Manager,titanic,shipyard,construction,builders,builder,shipbuilder,shipbuilders,jacket,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE18D5 - . Made at Belfast Titanic Quarter, Northern Ireland,UK in 2011, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The image documents Harland & Wolff blue shirt, Billy McCracken - Marine Sales Manager artwork, Belfast, Northern Ireland, UK. The locality and subject together evoke community identity, visual archive, street-level design, stencil art, mural culture, public art, period detail, public realm, street creativity, urban graphics, documentary photography, public-realm art, regional identity, and changing streetscape. Current relevance extends to gentrification and tourism, particularly through the role of murals and stencils in giving creative districts a distinctive identity. The archival value lies partly in recording materials and architectural details around Belfast Titanic Quarter, Northern Ireland,UK before altered transport patterns alters the character of the place. Other useful contextual ideas include creative placemaking, graffiti heritage, visual street culture, historical comparison, community art, contemporary mural, changing land use, and local character. Elements such as Marine, Harland, Belfast, shirt, and Wolff add documentary specificity and may become increasingly useful when compared with later records. A later view of Belfast Titanic Quarter, Northern Ireland,UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The image also provides a reference for gentrification and the role of murals and stencils in giving creative districts a distinctive identity without losing the local specificity of Belfast Titanic Quarter, Northern Ireland,UK. The frame retains evidence of changing use for later comparison. The scene captures evidence of earlier appearance within the wider story of Belfast Titanic Quarter, Northern Ireland,UK.
Belfast Titanic Quarter, Northern Ireland,UK
Description
Keywords: Church House,Conference Centre,UK,Northern,Ireland,tower,old,clock,clock tower,Presbyterian,business,conf,HQ,headquarters,Fisherwick Place,Great Victoria Street,Howard Street,Grosvenor Road,Presbyterian Church,Church House,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE18EG - Church House in Belfast, Northern Ireland is the headquarters of the Presbyterian Church in Ireland. Although there was a decision taken to move to a new location the General Assembly, in 2005, voted to overturn the decision. Since the refurbishment, in 1992, Church House is now open for functions as a commercial conference centre.
The building is located near the centre of Belfast at the junction of Fisherwick Place, Great Victoria Street, Howard Street and Grosvenor Road. It was built in 1905, in the Gothic style, and opened by the Duke of Argyll. Church House is dominated by a 40m high clock tower, which contains Belfast's only peal of 12 bells.
Church House is home to the General Assembly of the Presbyterian Church in Ireland. The Assembly Hall is oval shaped with gallery, it can seat 1,300 people. The hall is illuminated by a glass skylight, which is now illuminated artificially.
Great Victoria Street,Belfast, Northern Ireland, UK
Description
Keywords: Street,Northern,Ireland,UK,Northern Ireland,Grand,Opera,House,theatre architecture,BT2 7HR,BT2,Great,Victoria,Sreet,Cirque,city,centre,city centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,City,Centre,Actor,play,Art,Artists,the,troubles,The Troubles,Peace,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Grand Opera House Trust
Description: Tony Smith image Alamy HE18EK - The Grand Opera House is a theatre in Belfast, Northern Ireland, designed by the most prolific theatre architect of the period, Frank Matcham. It opened on 23 December 1895.
According to the Theatres Trust, the magnificent auditorium is probably the best surviving example in the United Kingdom of the oriental style applied to theatre architecture.
The building has been damaged by bombs on several occasions, usually when the nearby Europa Hotel had been targeted. It was badly damaged by bomb blasts in 1991 and 1993. The theatre continued, however, to host musicals, plays, pantomimes and live music.
2-4 Great Victoria St, Belfast, Northern Ireland, UK BT2 7HR
Description
Keywords: Street,Northern,Ireland,UK,Northern Ireland,Grand,Opera,House,theatre architecture,BT2 7HR,BT2,Great,Victoria,Sreet,Cirque,city,centre,city centre,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,City,Centre,Actor,play,Art,Artists,the,troubles,The Troubles,Peace,Beal,feirste,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Grand Opera House Trust,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE18ER - The Grand Opera House is a theatre in Belfast, Northern Ireland, designed by the most prolific theatre architect of the period, Frank Matcham. It opened on 23 December 1895.
According to the Theatres Trust, the magnificent auditorium is probably the best surviving example in the United Kingdom of the oriental style applied to theatre architecture.
The building has been damaged by bombs on several occasions, usually when the nearby Europa Hotel had been targeted. It was badly damaged by bomb blasts in 1991 and 1993. The theatre continued, however, to host musicals, plays, pantomimes and live music.
2-4 Great Victoria St, Belfast, Northern Ireland, UK BT2 7HR
Description
Keywords: news,media,regional,newspaper,time,irish,Belfast Telegraph,estd 1870,clock,Belfast Telegraph House,33 Clarendon,rd,Road,Belfast,Northern Ireland,UK,red,brick,building,architecture,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles,Irish History,Ireland History,Northern Ireland History
Description: Tony Smith image Alamy HE7MCB - The Belfast Telegraph is a daily newspaper published in Belfast, Northern Ireland, by Independent News & Media.
It was first published as the Belfast Evening Telegraph on 1 September 1870 by brothers William and George Baird. Its first edition cost half a penny and ran to four pages covering the Franco-Prussian war and local news.
The evening edition of the newspaper was originally called the Sixth Late, and Sixth Late Tele was a familiar cry made by vendors in Belfast City Centre in the past.
Its competitors are The News Letter and The Irish News but the local editions of the London-based red tops are also competitors, selling at a cheaper price than the 'Tele'.
The Belfast Telegraph was entirely broadsheet until 19 February 2005, when the Saturday morning edition was introduced and all Saturday editions were converted to compact. The weekday morning Compact Edition, launched on 22 March 2005, struggled to replicate the evening newspaper's success. Its editorial content has been much more tabloid, with a greater entertainment story count than the evening paper. Much prominence is given to English-based sport, and some general features and columns are shared with The Independent and Irish Independent.
The paper now publishes two editions daily, Belfast Telegraph final edition and the North West Telegraph which is distributed in Derry.
Belfast Telegraph House,33 Clarendon Road,Belfast, Northern Ireland,UK
Description
Keywords: bar,spirits,liqueurs,red,music,traditional,Fibber Magee,General Merchant,Northern Ireland,UK,door,doorway,Irish,music bar,Irish music bar,Irish Pub,craic,Blackstaff,Square,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7MCN - Fibber Magees, Traditional Irish Music Bar based in Belfast. Nestled in the corner of Blackstaff Square, is the city's hidden gem
Fibber Magee's is the genuine article
a good old spit and sawdust bar, packed to the rafters with little bits of history and steeped in Irish tradition.
Open fire and enjoy the tunes of traditional musicians, every night of the week. With fiddles, pipes and the bodhráns
the craic is guaranteed.
Blackstaff Square,Belfast,Northern Ireland , UK
Description
Keywords: Conflict,Resolution,Counciller,Warrington,Peace,Centre,UK,employment,people,work,working,class,room,classroom,whiteboard,white,board,african,IRA,irish,bombing,building,bridge,st,street,bomb,terrorist,atrocity,positive,images,black,men,ethnic,hotpix!
Description: Tony Smith image Flickr 3812467275 - 'A counciller at work in meeting room at Warrington Peace Centre, Cheshire UK.
On 20 March 1993, the Provisional Irish Republican Army (IRA) detonated two bombs in Warrington town centre. The blasts killed two children: three year old Jonathan Ball died instantly, and twelve year old Tim Parry died five days later in hospital. Around 56 other people were injured - 4 seriously. Their deaths provoked widespread condemnation of the organisation responsible. The blast followed a failed bomb attack a few weeks earlier on a gas storage plant in Warrington.
Tim Parry's father Colin Parry founded The Peace Centre (formerly the Tim Parry Jonathan Ball Peace Centre) as part of a campaign to reconcile communities in conflict. The centre opened on the seventh anniversary of the bombing in 2000.
He and his family still live in Warrington.
Another type of work not often seen, more a vocation www.flickr.com/photos/hotpixuk/4306593793/
(c) Hotpix Tony Smith - Hotpix.freeserve.co.uk WDCC',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,tragedy,72,for the,North,Royal Borough,of,Latimer Road,Kensington,Socialhousing,social,housing,KC,TMO,memorial,2017,W11,enquiry,justice,forever,never forgotten,cladding,scandal,polyethylene-filled aluminium composite panels,building regulations,failure,socialhousing,council,panel,green,strength,peace,North Kensington leisure centre
Description: Tony Smith image Alamy 2JJG0CC - Green for Grenfell remembrance tree in North Kensington, London, decorated with handmade green hearts carrying words including strength, love, peace and grace. The image records a public act of community memory connected with the Grenfell Tower fire of 14 June 2017, when 72 people died in one of Britain's most significant modern housing and building safety tragedies. Green hearts became a powerful symbol of Grenfell solidarity, love, dignity and remembrance, appearing on trees, murals, marches and community displays around the area. This photograph has strong editorial relevance for the ninth anniversary in June 2026, as survivors, bereaved families, campaigners, housing professionals and residents continue to call for justice, accountability and safer homes. The tree is wrapped in bright green material, with heart shaped messages hanging among summer leaves against an urban leisure centre or community building backdrop. The visible handwritten words make the scene especially suitable for coverage of memorial events, grief, resilience, neighbourhood activism, social housing safety, cladding reform, public inquiry findings, community trauma and the continuing legacy of Grenfell. The picture also works as a visual metaphor for hope after disaster, grassroots remembrance, resident voice, public mourning and the long fight for truth in the built environment. It can illustrate articles about tower block safety, fire regulation, landlord responsibility, construction product failures, social inequality, London communities, disaster memorials and anniversary campaigning. The natural green canopy and homemade decorations give the photograph a human, local and compassionate tone, contrasting sharply with the scale of the tragedy it commemorates. No people are visible, allowing the memorial objects, words and colour symbolism to carry the emotional weight of the image while preserving a respectful documentary focus.
Green for Grenfell remembrance tree with hearts for strength, love and peace, marking the 2026 ninth
Description
Keywords: BT1,bars,pubs,duke,of,york,alley,off,Donegall St,street,drinks,drinking,classic,ale,beer,bers,ales,half,bap,area,craic,murals,art,painting,painting,artwork,artworks,guinness,Cathedral Quarter,Half Bap,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HE7M56 - Nestled along a narrow cobbled alleyway in the historic Half Bap area, the Duke offers a traditional Belfast welcome of craic, music and humour in contrast to the modern fashionable establishments currently blowing into the surrounding streets. Hosting regular traditional sessions there is no better place to sample the real taste of our city “ simply step in and drink an Irish whiskey washed down with a pint of creamy stout.
Imagine Belfast with only five streets. Protected by earth ramparts and the city walls, the area where the Dark Horse now stands was convenient to the old iron foundry, the pottery, the whiskey merchants and the brown linen hall. Appreciate the superb décor and special atmosphere with beautiful antique mirrors, Belfast furniture and artefacts from some of the city's most famous hotels and buildings from bygone times “ providing a rather rare and unique glimpse of Belfast's historical past. Just call in and you will enjoy a huge warm welcome from a truly Belfast institution with a huge heart.
Duke of York, 7-11 Commercial Court, Belfast, Northern Ireland, BT1 2NB Duke of York 02890 241062
7-11 Commercial Ct, Belfast, Northern Ireland,UK BT1 2NB
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,firing,guns,uniform,white,armour,rose,artist,art,artwork,Runcorn old town,town,WA7 1LR,storm trooper,fires,flower,flowers,peace,StarWars,blaster,gun,Halton,Cheshire,England,UK,black,graffiti,Star Wars,starwars,Banksy Style,stencilled,streetart,on,white wall
Description: Tony Smith image Alamy 2K1418W - . This location-specific image from Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The defining feature is Stormtrooper fires a gun and a red rose comes out, stencil art in Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. The wider scene also brings together parish church heritage, place identity, historic church fabric, changing land use, local history, sacred decoration, devotional artwork, liturgical art, ecclesiastical craftsmanship, Christian iconography, social history, visual archive, church interior, and everyday life. In present-day coverage, the subject reaches into heritage conservation and cultural heritage, not least because of the role of parish churches in local identity and genealogy. Small period details of signage and branding at Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR may become more significant with time, particularly following new ownership. The subject also sits alongside archival record, faith heritage, changing streetscape, ecclesiastical art, sacred architecture, before-and-after reference, public realm, and local character. The combination of stencil, Church, Halton, comes, and fires anchors the frame to a recognisable activity, place or moment. For Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects heritage conservation and how places of worship combine active faith use with heritage and tourism within the real-world context of Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR. The scene captures evidence of earlier appearance before later change alters the scene.
Church Street, Runcorn, Halton, Cheshire, England, UK, WA7 1LR
Description
Keywords: International Peace Wall,UK,International,Peace,Wall,Cupar,hands,hand,in,cuffs,handcuffs,Free,Tony,Taylor,End,Internment,black,red,GoTonySmith,@HotpixUK,Tony,Smith,UK,GB,Great,Britain,United,Kingdom,Irish,British,Ireland,problem,with,problem with,issue with,NI,Northern,Northern Ireland,Belfast,City,Centre,Art,Artists,the,troubles,The Troubles,Good Friday Agreement,Peace,honour,painting,wall,walls,tribute,republicanism,Fight,Justice,West,Beal,feirste,martyrs,social,tour,tourism,tourists,urban,six,counties,6,backdrop,county,Antrim,Buy Pictures of,Buy Images Of,Images of,Stock Images,Tony Smith,United Kingdom,Great Britain,British Isles
Description: Tony Smith image Alamy HDEYMM - Since the onset of the Troubles in 1971, Nationalist and Loyalist communities throughout Northern Ireland have been divided by Peace Walls. These large stone and steel constructions were designed to protect neighbourhoods from sporadic attacks and retain a sense of peace and protection.
Of the city's 17 walls, West Belfast's sections are the most visited. Once in the area it's easy to determine which side of the divide you're on: red, white and blue kerbstones, Loyalist murals and Union Jacks indicate you're on the Shankill. If the kerbs are green, white and gold, the flag is Irish and the murals are Republican, you're on the Falls.
You can cross from one side to the other via access roads at Lanark Way and Northumberland Street. These roads close in times of heightened tension, which may well be the case during the marching season (see The Twelfth).
Cupar Way,West Belfast, Northern Ireland, UK
-HDM14K.jpg)
Description
Keywords: GoTonySmith,not,gone,away,terrorists,Ulster,Belfast,Northern,Ireland,Irish,dove,doves,peace,increased,threat,level,of,violence,Unionist,Unionists,danger,to,the,chaos,UFF,UDA,terrorism,Joe Biden,paramilitary,organisations,raised,Rishi Sunak,severe,MI5,terror threat,EU,Eire,trade,light touch,instability
Description: Tony Smith image Alamy HDM14K - The peace lines or peace walls are a series of border barriers in Northern Ireland that separate Catholic and Protestant neighbourhoods. They have been built at urban interface areas in Belfast, Derry, Portadown and elsewhere. The stated purpose of the peace lines is to minimise inter-communal violence between Catholics (most of whom are nationalists who self-identify as Irish) and Protestants (most of whom are unionists who self-identify as British).
The peace lines range in length from a few hundred yards to over three miles (5 km). They may be made of iron, brick, and/or steel and are up to 25 feet (7.6 m) high. Some have gates in them (sometimes staffed by police) that allow passage during daylight but are closed at night.
The most prominent peace lines in the past few years separate the nationalist Falls Road and unionist Shankill Road areas of West Belfast
the Catholic Short Strand from the Protestant Cluan Place areas of East Belfast
and the Protestant Fountain estate and Catholic Bishop Street area of Derry.
In 2008, a public discussion began about how and when the peace lines could be removed. While, on 1 September 2011, Belfast City Council agreed to develop a strategy regarding the removal of peace walls, a study was released in 2012 indicating that 69% of residents believe that the peace walls are still necessary because of potential violence. At the end of 2011, several local community initiatives resulted in the opening of a number of interface structures for a trial period.
In January 2012, the International Fund for Ireland launched a Peace Walls funding programme to support local communities who want to work towards beginning to remove the peace walls. In May 2013, the Northern Ireland Executive committed to the removal of all peace lines by mutual consent by 2023.
Cupar way,West Belfast,NI,UK
