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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_1171,Vandalised,life,ring,ring buoy,Dundee,footpath,safety,holder,Scotland,UK,orange,white,flotation,emergency,water,drowning,prevention,vandalism,antisocial,behaviour,public,equipment,rescue,risk,maintenance,community,pavement,missing,waterside,infrastructure,door,entry,inside
Description: Tony Smith image Alamy 3ENMR65 - Vandalised life ring or ring buoy lying on a Dundee footpath instead of being secured in its emergency safety holder, Scotland, UK. The orange-and-white flotation ring has been removed from its normal mounting and left on the ground beside a narrow pedestrian route bounded by stone walls. Life rings are installed beside waterways, harbours and other potentially hazardous waterside locations so that they can be thrown quickly to somebody in danger of drowning. Removing or damaging this equipment can leave an emergency location without an immediately available rescue aid. The photograph is suitable for editorial coverage of vandalism, antisocial behaviour, missing lifesaving equipment, water safety, drowning prevention, public safety, emergency infrastructure, local authority maintenance, community responsibility, risk management and the misuse of safety equipment. The conspicuous orange ring lying on the grey pavement creates a simple but powerful visual representation of essential public equipment being left unavailable for its intended purpose, making the image useful for campaigns and news stories concerning waterways and public safety.
Dundee, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,€110 million,euro,prize,National Lottery,lottery,flutter,sign,advertising,town,centre,County,Ireland,everyday,high street,harms,dangers,ticket,promotion,pavement sign,retailer,chance,based,life changing,sales,orange,temptation,Euro Millions,during financial hardship,household money pressures,awareness,problem,purchase,community exposure to gambling,retail gambling environment,jackpot marketing,tactics,poverty financial vulnerability small town gambling
Description: Tony Smith image Alamy 3F3NDKH - Portable Irish National Lottery pavement sign advertises a potential €110 million jackpot on Main Street in Cahersiveen, County Kerry. The weathered metal display uses large black numerals against a vivid orange panel, making the enormous prize visible to pedestrians passing shops, pubs and other businesses in the town centre. The wording Euro Lotto Jackpot appears beneath National Lottery branding, while a small EuroMillions symbol indicates that the promotion relates to the multinational EuroMillions draw.
The close-up street scene records how lottery gambling is marketed within an ordinary retail environment rather than a casino or betting shop. Adjustable number panels allow the advertised jackpot to rise as draws roll over without a top-prize winner. A sum of €110 million presents the possibility of instant, life-changing wealth, using an exceptional potential reward to encourage attention, ticket purchases and dreams of financial freedom.
For many adults, buying an occasional lottery ticket is a recreational activity. However, prominent jackpot advertising can also contribute to the normalisation of gambling by placing it alongside routine shopping, eating, drinking and other everyday high street activity. Large prize figures may be particularly persuasive during periods of rising living costs, household financial pressure or economic insecurity, when the prospect of escaping money worries through a single winning ticket can appear especially attractive.
The chance of winning the main EuroMillions jackpot remains extremely small, and money spent on repeated entries can accumulate without any return. Irish National Lottery responsible-play guidance advises customers to understand the odds, avoid chasing losses, spend only what they can afford to lose and regard lottery products as entertainment rather than a way of earning money or solving financial problems.
Daylight in the centre of Cahersiveen, a tourism and service town on the Ring of Kerry
Main Street, Cahersiveen, County Kerry, Ireland, V23
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Danish,København,Copenhagen ferry,Harbour,bus,991,Havnebus,route,ferry,river,harbour,passenger,orange,Havn,public,Sluseholmen,Orientkaj,travel,tourism,capital,electric,low emission,green,urban,mobility,waterfront,commuting,people,passengers,on,boat,car,free,cycling,development,Teglholmen Sydkaj,Teglholmen Østkaj
Description: Tony Smith image Alamy 3EBGJFR - Copenhagen Harbour Bus 991 public transport boat is pictured on the water in the Danish capital, with the destination display showing Teglholmen and passengers standing on the open deck under dramatic evening light. The bright orange vessel forms part of Copenhagen's integrated public transport network, where harbour buses operate like ordinary buses but travel along the inner harbour, linking waterfront districts and giving commuters, residents and visitors a practical way to cross or travel through the city by water. Visit Copenhagen describes the harbour buses as part of the public transport system and notes that stock-photo/gotonysmith-Route.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>route 991 runs in the direction of Teglholmen, while route 992 runs towards Orientkaj. The harbour bus service is a distinctive subject for editorial use around Copenhagen tourism, sustainable transport, Nordic urban design, harbour regeneration, waterfront commuting, public transport integration, city ferries and low emission travel. The image shows the experience at passenger level rather than as a distant postcard view, with people, railings, the driver's cabin, the orange ferry structure, water and changing sky all combining to give a documentary travel feel. It is useful for stories about how Copenhagen makes its harbour part of everyday movement, not just scenery, and how former industrial waterfronts such as Teglholmen and Sluseholmen have become connected residential and mixed-use districts. The photograph also suits themes of car-free sightseeing, public transport tickets, boat commuting, urban mobility, Scandinavian lifestyle, city breaks, transport infrastructure and the appeal of seeing Copenhagen from the water without taking a specialist tourist cruise. The soft low sun, blue sky and dark cloud add visual drama, while the passengers on deck give scale and human interest. It is a strong stock image for travel guides, transport features, tourism articles, climate-conscious city planning, harbour bus route explainers and editorial coverage
Copenhagen Harbour Bus 991 public transport boat to Teglholmen with passengers on board in the Danis
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,IMG_5442,Keiller,Dundee,Orange,Marmalade,mural,Scotland,New,Inn,Entry,streetart,heritage,food,advertising,Diane,Selbie,James,Son
Description: Tony Smith image Alamy 3E5TC3A - James Keiller & Son Dundee Orange Marmalade mural in New Inn Entry, Dundee, Scotland, UK. The photograph is a contemporary editorial record of the subject and its surroundings at New Inn Entry, Dundee, Scotland, UK. Visible signage, lettering, architecture, street furniture, transport infrastructure, public art, commercial branding or landscape details are retained where present, giving the image value both as a description of the immediate scene and as a reference for how the place looked at the time of photography. The mural celebrates Dundee's historic association with James Keiller & Son and orange marmalade. Created by artist Diane Selbie and commissioned for New Inn Entry, the colourful work uses vintage-style jars, fruit and lettering to connect contemporary street art with the city's food-manufacturing heritage. The image has wider editorial relevance for local history, heritage, tourism, transport, retail, planning, regeneration, business and social change where those themes apply to the subject. It can support news and feature coverage as well as retrospective comparison if the building, business, artwork, service, route or streetscape is altered, redeveloped, rebranded, closed or otherwise changes in future. The composition also preserves small visual details that are easily lost over time, including materials, signs, logos, road or rail features, shopfront treatment, public-realm design and the relationship of the subject to neighbouring buildings or open space. This makes the photograph useful not only as a straightforward location image but also as a documentary record of everyday urban and cultural life.
New Inn Entry, Dundee, Scotland, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,car,Cisco,MCL38,Chrome,2024,F1 car,Oscar Piastri,papaya,orange,F1 display,cars,Never Drink and Drive,fanzone,responsible,drinking,road safety,message,Jack Daniels,sponsorship,motorsport,exhibition,technology,British motorsport,profile,elite motor racing,alcohol awareness campaign,drink-driving prevention,commercial sports sponsorship,international motorsport,automotive engineering,high-performance,vehicle,racing heritage,corporate partnership,branded exhibition,road safety education,Chrome branding Cisco sponsor Dewalt logo Pirelli tyres
Description: Tony Smith image Alamy 3EE4M68 - A McLaren MCL38 Formula One car displayed at Silverstone during a British Grand Prix event, presented in the team's distinctive papaya orange and black colour scheme. The side view reveals the sculpted aerodynamic bodywork, front and rear wings, halo cockpit protection, Pirelli tyres and prominent sponsor branding including Chrome, Cisco, Dewalt and Jack Daniel's. The display plinth carries the responsible drinking message Never Drink and Drive , while spectators gather around the covered exhibition area beneath a grey, showery summer sky.
McLaren introduced the MCL38 as its challenger for the 2024 FIA Formula One World Championship, with Lando Norris and Oscar Piastri sharing driving duties. The car became one of the most successful McLarens of the modern era, earning six Grand Prix victories and helping the team secure the 2024 Constructors' Championship, its first for 26 years. It scored points at every event and completed the season without a mechanical retirement across the 24 Grands Prix and six Sprint races.
The alcohol-awareness wording reflects Jack Daniel's role as an official McLaren Formula One Team partner and places a clear road-safety message alongside the glamour, speed and commercial sponsorship of elite motorsport. It creates a useful contrast between controlled competition on a closed racing circuit and the dangers of alcohol-impaired driving on public roads.
This editorial image is suitable for themes involving Formula One technology, McLaren racing heritage, British motorsport, responsible drinking campaigns, road safety, alcohol sponsorship, commercial partnerships and fan engagement. The close profile view highlights the MCL38's low stance, exposed wheels and complex aerodynamic surfaces, while the crowd and temporary event setting document the promotional displays surrounding a major international race weekend
Silverstone Circuit, Towcester, Northamptonshire, England, United Kingdom, NN12 8TN
Description
Keywords: budget airline,GoTonySmith,HotpixUK,@Hotpixuk,cabin interior,offer,offers,advertising,promotion,budget,no-frills,European flights,regional airport,short haul,departures,aircraft,Airbus,cabin,inflight,retail,cheap,holiday,flights,two for £9.95 offer,food and drink,affordable regional airport flights,low fare airline travel,European holiday travel,cheap package holiday promotion,onboard bar offer,air travel advertising,aviation retail,drinks offer,airline cabin advertising,short haul European flights,passenger aircraft seating,regional tourism travel,orange,advertising pane,package holidays promotion
Description: Tony Smith image Alamy 3ERK6CN - An easyJet passenger cabin photographed from an economy seat, showing a branded inflight drinks advertisement fitted into the rear of the seat in front. The illuminated panel promotes a 2 for £9.95 bar offer alongside bottles and cans, while a smaller message advertises easyJet holidays for package holidays. A QR code and orange promotional panel encourage passengers to engage with the airline's onboard retail offer during the flight.
The view captures the everyday experience of low-cost European aviation rather than a landmark destination. Grey fabric seats, moulded plastic seat backs, overhead lighting controls, cabin panels and luggage lockers place the scene unmistakably inside a modern short-haul passenger aircraft. Travellers are visible from behind, reinforcing the candid documentary character of a commercial flight.
The photograph illustrates how budget airlines market additional products after the basic fare has been purchased. Food, alcohol, soft drinks, snacks, duty-free goods, seat selection, luggage and package holidays can contribute to ancillary revenue in the low-cost airline business model. Seat-back panels provide captive advertising space throughout boarding and the journey, placing special offers directly in front of passengers.
easyJet serves travellers from London and regional UK airports, connecting them with destinations across Europe and beyond. For passengers outside the capital, regional departures can reduce surface travel time and provide access to city breaks, beach holidays, visiting friends and relatives, and other short-haul journeys.
The image supports editorial themes including cheap flights, affordable travel, airline pricing, inflight consumer spending, onboard hospitality, ancillary charges, travel marketing, regional airport connectivity, mass tourism and passenger experience. The advertised price is the offer visible when photographed and should not be treated as confirmation of a current easyJet menu price.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CH41 6DU,CH41,Merseyside,England,UK,Liverpool waterfront,panorama,pano,from,river,sunny,summer,blue sky,blue skies,3 graces,three graces,Royal Liver Building,Pierhead,Pier Head,the,boat,21m,LOA,FPP,red,orange,working,vessel,High Speed,Craft,2014,British,English,historic,architecture,commerce,holiday
Description: Tony Smith image Alamy 2R64M5X - . NJORD SKUA 2014 passes Liverpool waterfront from Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU. Photographed on 27 May 2023. NJORD SKUA (MMSI: 235103429) is a High Speed Craft that was built in 2014 (9 years ago) and is sailing under the flag of United Kingdom. Her length overall (LOA) is 21 meters and her width is 7 meters. As background, maritime scenes record both movement and infrastructure: ships, ferries, fishing boats, quays and waterfront structures show how ports serve commerce, communities and tourism
The details of a vessel's design, livery and role can also date a photograph precisely. Looking at the subject's development, historic and modern architecture can be read as a record of investment, planning and changing urban functions
Civic, commercial, industrial and residential buildings each contribute to the character of a townscape, particularly where older structures are adapted rather than demolished. Against the 2026 backdrop, ports remain crucial to UK trade, offshore energy, passenger travel and supply chains, while decarbonisation is driving interest in cleaner fuels, shore power and more efficient vessels
Older working-boat and harbour images therefore have both maritime-history and contemporary transport relevance. For the 2026 context, current regeneration policy places growing emphasis on reusing established buildings and strengthening town centres. historic façades, redundant offices and converted commercial properties are especially relevant to debates about conservation, viability and adaptive reuse. From a heritage perspective, harbours and shipping routes have long shaped British coastal and riverside towns
Fishing, cargo handling, ferry services, shipbuilding and port engineering created distinctive working landscapes that increasingly coexist with tourism, leisure craft and waterfront regeneration. Alternative search wording includes maritime industry, working vessel, marine transport, and quayside.
Woodside, Birkenhead, Wirral, Merseyside, England, UK, CH41 6DU
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,L2,18,L2 8TD,orange,signage,Hooters sports bar,pub,pubs,bar,bars,girl,girls,Hooters Girls,Hooter,innuendo,owls,trademark,registered trademark,registered,trademarks,American,style,US,sports,drinks,Hoot
Description: Tony Smith image Alamy 2R6AJ21 - Hooters is the registered trademark used by two American restaurant chains: Hooters, Inc., based in Clearwater, Florida, and Hooters of America, Inc. based in Atlanta, Georgia, and owned by the private investment firm Nord Bay Capital (with TriArtisan Capital Advisor, as its advisor). The Hooters name is a double entendre referring to both a North American slang term for women's breasts and the logo (a bird known for its hooting calls: the owl).
The waiting staff at Hooters restaurants are primarily young women, usually referred to simply as Hooters Girls, whose revealing outfits and sex appeal are played up and are a primary component of the company's image. The company employs men and women as cooks, hosts (at some franchises), busboys, and managers. The menu includes hamburgers and other sandwiches, steaks, seafood entrees, appetizers, and the restaurant's specialty, chicken wings. Almost all Hooters restaurants hold alcoholic beverage licenses to sell beer and wine, and where local permits allow, a full liquor bar. Hooters T-shirts, sweatshirts, and various souvenirs and curios are also sold.
As of 2016, there were more than 430 Hooters locations and franchises around the world and Hooters of America LLC. owns 160 units. In 2012, there were Hooters locations in 44 US states, the United States Virgin Islands, Guam, and 28 other countries. Hooters also had an airline, Hooters Air, with a normal flight crew and flight attendants and scantily clad Hooters Girls on every flight.
18 Water St, Liverpool , Merseyside, England, UK, L2 8TD
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,London,city,centre,central,historic,E17,Unit 12,Ravenswood Industrial Estate,Shernhall St,Walthamstow,UK,E17 9HQ,neon,orange,signs,cafes,at,The Rolling Scones,Gods,own,Junkyard,the,crown,fun,humour,name,names,electric,lightbulb signs,cold cathode,Hard Rock,café
Description: Tony Smith image Alamy 2R3Y9AN - . Neon sign at The Rolling Scones cafe, at Gods own Junkyard, Unit 12, Ravenswood Industrial Estate, Shernhall St, Walthamstow, London E17 9HQ. Photographed on 21 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Unit 12, Ravenswood Industrial Estate, Shernhall St, Walthamstow, London, E17 9HQ, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include London, central, historic, E17, Unit 12, Ravenswood Industrial Estate, Shernhall St, Walthamstow, E17 9HQ, neon, orange, signs, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. The housing context makes the image suitable for coverage of homes, neighbourhoods, residential estates, social and affordable housing, landlord investment, repairs, regeneration, planning and the lived environment. It can support reporting on housing condition, estate renewal, energy efficiency, building safety, development, tenure and the long-term transformation of residential areas. Prominent wording, signage, posters, logos or other graphic material gives the photograph additional documentary value because it records how an organisation, campaign, business or place communicated with the public at that moment. Text and branding visible in a streetscape can be especially useful for editorial comparison after rebranding, closure, redevelopment or policy change. Industrial subject matter gives the image strong relevance to manufacturing, engineering, energy, utilities, machinery, skilled work and Britain's industrial heritage.
Unit 12, Ravenswood Industrial Estate, Shernhall St, Walthamstow, London, E17 9HQ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,GB,Great Britain,Merseyside,Manchester,and,1903,steamship,steam,powered,ship,boat,boats,dock,on,Liverpools,evening,Liverpool,L3,L3 4AF,evenings,at,the,docks,harbour,Royal Albert Dock,Albert Dock,orange,glow,glows,Hilton,hotels,hotel,Liverpool One
Description: Tony Smith image Alamy 2R1MF8A - . Hilton Hotel and Daniel Adamson 1903 steamship boat, on Liverpool Albert Dock waterfront, evening sunset, Liverpool, England, UK, L3 4AF. Photographed on 12 May 2023, this spring image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Merseyside, Manchester, steamship, steam, powered, ship, boat, boats, dock, Liverpools, evening, Liverpool, providing natural SEO coverage without losing the specific documentary identity of the photograph. Weather and natural light are part of the visual character of the frame, helping define the season, atmosphere, colour and visibility of architectural or landscape detail. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The transport setting gives the image wider relevance to mobility, infrastructure, roads and public transport, travel behaviour, local connectivity, logistics and the relationship between vehicles and the built environment. It can illustrate planning, transport policy, accessibility, congestion, public investment and the changing technologies and services used to move people or goods. The waterside context adds themes of ports, docks, harbours, rivers, canals, ferries, leisure boating, maritime transport and waterfront regeneration.
Albert Dock, Pier Head, Liverpool, Merseyside, England, UK, L3 4AF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,light,lighting,of,a,an,switched,on,switch,orange,red,bright,hope,positive,positivity,pleasant,emotions,content,contentment,to,intense,joy,turn,turned,life,satisfaction,well-being,subjective,inner,flourishing,eudaimonia,tungsten,glow,glowing
Description: Tony Smith image Alamy 2P6JKB4 - . An on-location photograph from the recorded location in 2023, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The principal subject is Filament of an electric lightbulb, reading Happy - pleasant emotions and joy. A broader reading of the photograph includes commercial frontage, archival record, social history, local enterprise, changing land use, everyday life, small business, changing streetscape, independent retail, bricks-and-mortar retail, visual archive, community identity, customer footfall, and specialist shop. Viewed from the mid-2020s, the subject also connects with footfall, store closures and how commercial property costs affect small retailers. The archival value lies partly in recording building condition and alterations around the recorded location before new ownership alters the character of the place. Other useful contextual ideas include street-level business, local character, high-street commerce, contemporary social history, before-and-after reference, shopfront economy, town-centre trading, and specialist retailer. The combination of reading, electric, Happy, Filament, and emotions anchors the frame to a recognisable activity, place or moment. For the recorded location, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The scene further reflects footfall and how commercial property costs affect small retailers without losing the local specificity of the recorded location. Its period value extends to town-centre regeneration and how commercial property costs affect small retailers in a form that can be compared with future views of the recorded location. The location additionally provides evidence of footfall and the resilience of specialist shops in an online retail economy within the real-world context of the recorded location.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Mainz,city,Germany,orange,blue,slide,transparency,negative,35mm,6x6,shop,store,old,heritage,branding,company,display,signs,recognisable,at,photographers,city centre,developer,development,Consumer Imaging division,German,Schillerpl. 18a,55116 Mainz,wedding,weddings,photographer,in,the,wall,side,studio
Description: Tony Smith image Alamy 2RKGH52 - Are you looking for a photographer in Mainz, Wiesbaden or Frankfurt? We are there for you with vivid and emotional pictures!
Photo Rimbach stands for tradition in the fourth generation. Photographers with passion and a lot of experience await you here . We don't have any posed pictures, we put you in the spotlight skillfully and naturally. This is how we capture your most beautiful moments for eternity in unique pictures.
We will photograph you here in our studio, at your home, at your company, at your wedding and anywhere else you might need us. Convince yourself of the quality of our work: You will find photos on a wide variety of topics on our website: e.g. our wedding photos , baby photos , beauty photos , nude photos , business portraits and much more! We are also your first point of contact in Mainz for application photos .
In addition to Mainz and Wiesbaden, our area of ‹‹operation also includes Frankfurt , the Rheingau and the entire Rhine-Main area . For special occasions such as wedding shoots abroad, we also fly with you around the world!
Schillerpl. 18a, 55116 Mainz , Rhineland-Palatinate, Germany
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Warrington,Cheshire,England,UK,red,orange,sky,skies,colourful,Grappenhall,Wrights Green,Thorn,south,WA4,bare,red sky,at night,in the morning,shepherds warning,shepherds delight,Winter sunset,Lumb Brook Rd,showing,branches,branch,bough,boughs,of,tree,trees,WA4 3HN,purple,blue,silhouettes,wood,countryside,pinks
Description: Tony Smith image Alamy 2NCX0JA - . This location-specific image from Wrights Green, Lumb Brook Rd, Appleton, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 3HN in 2023 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The subject captured here is Winter sunset, showing branches of bare trees, Wrights Green, Lumb Brook Rd, Appleton, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 3HN. Other connected aspects include local social venue, period detail, hospitality economy, traditional ale house, visual archive, cask-beer tradition, place identity, licensed trade, real-ale culture, beer-led hospitality, archival record, night-time economy, community identity, and public realm. In present-day coverage, the subject reaches into pub closures and tourism, not least because of the value of historic pubs to tourism and local identity. The archival value lies partly in recording public access and movement around Wrights Green, Lumb Brook Rd, Appleton, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 3HN before different community use alters the character of the place. Further associations within the scene are licensed hospitality, changing streetscape, social history, before-and-after reference, local history, everyday life, pub heritage, and changing land use. Details involving Appleton, Winter, trees, Brook, and branches make the image more specific than a generic view and strengthen its local or historical value. A later view of Wrights Green, Lumb Brook Rd, Appleton, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 3HN may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. The scene captures a trace of local identity before later change alters the scene. The period view preserves a local visual benchmark as a date-specific reference.
Wrights Green, Lumb Brook Rd, Appleton, Appleton Thorn, Warrington, Cheshire, England, UK, WA4 3HN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Yorkshire,orange,The Chocolate Works on Bishopthorpe Road,York,a historic Art Deco building with a famous clock,now redeveloped,historic,Art Deco,building,with,clock,Chocolate,Works,on,Bishopthorpe Road,tourism,tourists,history,image,illustration,graphic,heritage,picture,icon,iconic,tower,towering,tone,tones,tonal,cocoa,Quakers,factories,manufacturing,screenprint,screenprinting
Description: Tony Smith image Alamy 2R59WT4 - . York Terrys Chocolate Factory graphic in red and orange, The Chocolate Works on Bishopthorpe Road, York, a historic Art Deco building with clock. Photographed on 16 October 2022, this autumn image records the subject in its real-world setting and provides a contemporary visual reference for the place, activity, object or organisation shown. The recorded location is Terrys Chocolate Works on Bishopthorpe Road, York, adding precise geographical context for editorial, documentary, travel and local-history searches. Key searchable subjects associated with the scene include Yorkshire, orange, The Chocolate Works on Bishopthorpe Road, York, a historic Art Deco building with a famous clock, now redeveloped, historic, Art Deco, building, clock, Chocolate, Works, providing natural SEO coverage without losing the specific documentary identity of the photograph. The wording and graphic design are important parts of the image, preserving contemporary language, typography, branding or campaigning material that may later disappear or change. Architecturally, the scene records the form, materials, scale and public-facing character of the built environment, making it useful for coverage of design, planning, conservation, development and urban identity. The image has value for architectural and place-based research because buildings and interiors can be refurbished, repurposed, demolished or substantially altered, while streets and public spaces also evolve. The heritage dimension gives the photograph relevance to local history, conservation, collective memory, historic buildings and objects, civic identity and the ways in which earlier generations are represented in today's public realm. As a contemporary record of a historic subject, it can illustrate preservation, interpretation, restoration, tourism and debates about how cultural and industrial heritage is maintained and reused. The photograph is intended as a factual visual record.
Terrys Chocolate Works on Bishopthorpe Road, York,,
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,PennyLane,tour,MDO,N999MDO,at,magical,mystery,black cab,hire,hired,yelow,orange,trip,trips,touring,the,sights,locations,tourism,economy,city,centre,guided,guide,Merseyside,L18,electric,bespoke,Ian Doyle,AKA,Ian,Dear Prudence,knowledge,expert,ride
Description: Tony Smith image Alamy 2K0KDN7 - Penny Lane is a road in the south Liverpool suburb of Mossley Hill. The name also applies to the area surrounding its junction with Smithdown Road and Allerton Road, and to the roundabout at Smithdown Place that was the location for a major bus terminus, originally an important tram junction of Liverpool Corporation Tramways. The roundabout was a frequent stopping place for John Lennon, Paul McCartney and George Harrison during their years as schoolchildren and students. Bus journeys via Penny Lane and the area itself subsequently became familiar elements in the early years of the Lennon“McCartney songwriting partnership. In 2009, McCartney reflected:
Penny Lane was kind of nostalgic, but it was really [about] a place that John and I knew ... I'd get a bus to his house and I'd have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.
Lennon's original lyrics for In My Life had included a reference to Penny Lane. Soon after the Beatles recorded In My Life in October 1965, McCartney mentioned to an interviewer that he wanted to write a song about Penny Lane. A year later, he was spurred to write the song once presented with Lennon's Strawberry Fields Forever. McCartney also cited Dylan Thomas's nostalgic poem Fern Hill as an inspiration for Penny Lane. Lennon co-wrote the lyrics with McCartney. He recalled in a 1970 interview: The bank was there, and that was where the trams sheds were and people waiting and the inspector stood there, the fire engines were down there. It was reliving childhood
Penny Lane, Moseley Hill, South Liverpool, Merseyside, England, UK, L18 1DE
-painted-mural-at-Bloomfield-Road--Blackpool--Lancs--England--UK--FY1-6JJ-2JREBRA.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CBE,DL,statue,mural,art work,art,England,squad,Bloomfield Road,Blackpool,Lancs,UK,FY1 6JJ,FY1,painting,Armfield club,painted,gable end,soccer,Right back,rightback,right-back,English,played,player,national,team,Strip,orange,icon,iconic,footballer,old-school
Description: Tony Smith image Alamy 2JREBRA - James Christopher Armfield, CBE, DL (21 September 1935 “ 22 January 2018) was an English professional football player and manager who latterly worked as a football pundit for BBC Radio Five Live. He played the whole of his Football League career at Blackpool, usually at right back. Between 1954 and 1971 he played 627 games in all competitions, scored six goals, and spent a decade as the club's captain. He also represented the England national team 43 times between 1959 and 1966, and captained them in 15 games. He was a member of England's 1966 World Cup-winning squad. After retiring from playing, Armfield managed Bolton Wanderers and Leeds United
Armfield won 43 caps for England between 1959 and 1966, and captained his country on fifteen occasions. He made his international debut on 13 May 1959, against Brazil in front of over 120,000 fans at the Maracanã Stadium. He played in the 1962 World Cup in Chile, where he was acclaimed as the best right-back in the world. He was also voted best right-back in Europe between 1962 and 1964
In the 1966 World Cup final only the 11 players on the pitch at the end of the 4“2 win over West Germany received medals. Following a Football Association-led campaign to persuade FIFA to award medals to all the winners' squad members, Armfield was presented with his medal by Gordon Brown at a ceremony at 10 Downing Street on 10 June 2009
Bloomfield Road, Blackpool, Lancs, England, UK, FY1 6JJ
-painted-mural-at-Bloomfield-Road--Blackpool--Lancs--England--UK--FY1-6JJ-2JREBW2.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CBE,DL,statue,mural,art work,art,England,squad,Bloomfield Road,Blackpool,Lancs,UK,FY1 6JJ,FY1,painting,Armfield club,painted,gable end,soccer,Right back,rightback,right-back,English,played,player,national,team,Strip,orange,icon,iconic,footballer,old-school,transfer window
Description: Tony Smith image Alamy 2JREBW2 - James Christopher Armfield, CBE, DL (21 September 1935 “ 22 January 2018) was an English professional football player and manager who latterly worked as a football pundit for BBC Radio Five Live. He played the whole of his Football League career at Blackpool, usually at right back. Between 1954 and 1971 he played 627 games in all competitions, scored six goals, and spent a decade as the club's captain. He also represented the England national team 43 times between 1959 and 1966, and captained them in 15 games. He was a member of England's 1966 World Cup-winning squad. After retiring from playing, Armfield managed Bolton Wanderers and Leeds United
Armfield won 43 caps for England between 1959 and 1966, and captained his country on fifteen occasions. He made his international debut on 13 May 1959, against Brazil in front of over 120,000 fans at the Maracanã Stadium. He played in the 1962 World Cup in Chile, where he was acclaimed as the best right-back in the world. He was also voted best right-back in Europe between 1962 and 1964
In the 1966 World Cup final only the 11 players on the pitch at the end of the 4“2 win over West Germany received medals. Following a Football Association-led campaign to persuade FIFA to award medals to all the winners' squad members, Armfield was presented with his medal by Gordon Brown at a ceremony at 10 Downing Street on 10 June 2009
Bloomfield Road, Blackpool, Lancs, England, UK, FY1 6JJ
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,how to interpret,Chopin,conductors,and,conducting,Beethoven,Beethovens,fifth,symphony,Irene Scharrer,Ernest Newman,1920s,antique,the,music,lover,of,edited,by,twenty,weekly,parts,orange,cover,published,George Newnes,publishing,heritage,old,olden,days,past,past times
Description: Tony Smith image Alamy 2JWB56D - . Recorded at United Kingdom in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The scene records The Music Lovers magazine, Portfolio of the Worlds Best Music, edited by Landon Ronald, No3, Published by George Newnes. The image also relates to changing streetscape, public realm, period detail, historical comparison, regional identity, popular culture, tribute venue, local character, community identity, music-themed hospitality, music tourism, contemporary social history, changing land use, and cultural branding. The wider contemporary story combines music tourism, licensing and how popular music is reused in hospitality and tourism branding. Small period details of landscape treatment and surrounding development at United Kingdom may become more significant with time, particularly following new ownership. The location also brings in before-and-after reference, place identity, music-themed venue, song-inspired design, everyday life, documentary photography, local history, and archival record. The combination of edited, George, Published, Newnes, and Landon anchors the frame to a recognisable activity, place or moment. The period setting at United Kingdom helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The location additionally provides evidence of music tourism and the role of music heritage in attracting visitors beyond conventional attractions as part of the longer story of United Kingdom. A further contemporary connection is music tourism and how popular music is reused in hospitality and tourism branding when considered against later change at United Kingdom. The wider significance includes cultural heritage and the role of music heritage in attracting visitors beyond conventional attractions without losing the local specificity of United Kingdom.
United Kingdom
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,UK,England,Soho,London,painting,tree,orange,pubs,bars,signs,Orange Yard Soho,W1D 4JB,Manette St,Night club,night,club,famous,economy,run,entertainments,reason,to,visit,liberal,liberated,area,colourful,street art,street,style,spray,expression,vibrant,community,inclusive,neighbourhood
Description: Tony Smith image Alamy 2JJGARP - . An identifiable period record of Manette St, Soho, London, England, UK, W1D 4JB in 2022, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The scene records Orange Yard W1 club, city of Westminster, Manette St, Soho, London, England, UK, W1D 4JB. The image also relates to city-centre activity, street-level documentary, community identity, local history, gay bar culture, archival record, everyday life, period detail, before-and-after reference, place identity, documentary photography, regional identity, social history, and LGBTQ social history. The wider contemporary story combines commercial rents, venue closures and the importance of dedicated social spaces for LGBTQ communities. Viewed from the mid-2020s, the subject also connects with footfall, public-realm change and how regeneration alters the character of familiar places. As a dated visual record of Manette St, Soho, London, England, UK, W1D 4JB, the frame retains signage and branding, making it especially useful if new ownership subsequently changes the scene. The subject also sits alongside urban change, contemporary city life, changing land use, LGBTQ nightlife, queer London, inclusive hospitality, community safe space, and townscape record. The recorded references to Manette, Westminster, and Orange preserve clues about how the subject was presented, used or understood at the time. The period setting at Manette St, Soho, London, England, UK, W1D 4JB helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate commercial rents and the importance of dedicated social spaces for LGBTQ communities without losing the local specificity of Manette St, Soho, London, England, UK, W1D 4JB. The image fixes a trace of local identity as a date-specific reference.
Manette St, Soho, London, England, UK, W1D 4JB
Description
Keywords: GotonySmith,HotpixUK,@HotpixUK,London,Soho,England,UK,West End,W1F,W1F 8RH,orange,sell,your,&,and,CDs,to,us,store,retail,LP,LPs,singles,12inch,12 inch,limited edition,limited,editions,pressing,pressings,record shop,records shop,independant,record,records,12inchers
Description: Tony Smith image Alamy 2JJPKNT - . This scene at 30 Berwick St, London, England, UK, W1F 8RH in 2022 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Reckless Records Soho LPs & 12inch - 30 Berwick St, London, England, UK, W1F 8RH. The wider scene also brings together town-centre economy, shopfront economy, physical store, local character, high-street commerce, retail chain, before-and-after reference, social history, queer urban culture, local history, shopping district, consumer retail, bricks-and-mortar retail, and LGBTQ social history. From a 2025-onward perspective, brand consolidation and consumer spending are closely linked to this subject, alongside the role of large retailers in town-centre and edge-of-centre economies. The wider contemporary story combines Pride visibility, venue closures and the role of bars and clubs as both businesses and community spaces. The archival value lies partly in recording signage and branding around 30 Berwick St, London, England, UK, W1F 8RH before closure or conversion alters the character of the place. The wider setting retains connections with visual archive, queer London, retail property, archival record, historical comparison, changing land use, gay hospitality, and outdoor retail. The combination of 12inch, Reckless, Records, and Berwick anchors the frame to a recognisable activity, place or moment. The period setting at 30 Berwick St, London, England, UK, W1F 8RH helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is brand consolidation and the role of large retailers in town-centre and edge-of-centre economies when considered against later change at 30 Berwick St, London, England, UK, W1F 8RH. The view records evidence of earlier appearance as part of 30 Berwick St, London, England, UK, W1F 8RH's history.
30 Berwick St, London, England, UK, W1F 8RH
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,2022,GrandPrix,Formula1,GP F1,William of Orange,Dutch,Netherland,Netherlands,the,in,orange,shirts,T-Shirts,tops,top,clothing,clothes,and,wigs,F1,Grand Prix,England,UK,Formula 1,formula1,Max Verstappen,fan,fun,funny,drinking,race,teams,Max,wig,motorsport,orangemen
Description: Tony Smith image Alamy 2JFTMNP - . Made at Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN in 2022, this photograph records a real place and moment, preserving details that may later be altered by redevelopment, rebranding, changing ownership or different public use. The main point of reference is Silverstone Max Verstappen, Red Bull racing fans, in orange tops and wigs , F1 Grand Prix 2022, England, UK. Another layer of the photograph includes local history, social history, family recreation, changing streetscape, informal play space, public realm, summer city life, open-air leisure, public-realm activation, regional identity, interactive public realm, documentary photography, urban gathering place, and city-centre public space. The wider contemporary story combines city-centre footfall, urban cooling and the growing need for shade, water and cooling during hotter summers. As a dated visual record of Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN, the frame retains commercial use and occupation, making it especially useful if different community use subsequently changes the scene. The subject also sits alongside pedestrian square, archival record, period detail, before-and-after reference, local character, historical comparison, contemporary social history, and changing land use. Details involving racing, Verstappen, Grand, Silverstone, and orange make the image more specific than a generic view and strengthen its local or historical value. The period setting at Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The image fixes period character as part of Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN's history.
Silverstone Circuit, Silverstone Village, Towcester, Northamptonshire, England, UK, NN12 8TN
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,redbull,red bull,Team Redbull,in a stand,stand,in a,team,no 1,F1 GP,day,Orange,holland,Netherlands,The Netherlands,racing driver,racing,driver,drivers,supporting,fan,fans,team redbull,watching,waiting,for the,start,of,the,British Grand Prix,Holland,Dutch,orange,top,jersey
Description: Tony Smith image Alamy 2JG5JNG - . Recorded at Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The location is represented through Silverstone, F1 GP, Max Verstapen fans, Team Redbull, in a stand. Further facets of the scene include pedestrian environment, community identity, everyday street life, everyday life, contemporary city life, regional identity, townscape record, before-and-after reference, urban social history, local history, public realm, archival record, social landscape, and urban change. Today's relevance is strengthened by footfall, transport and the continuing question of the documentary importance of recording everyday urban environments. Small period details of local activity and public use at Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL may become more significant with time, particularly following redevelopment. The wider setting retains connections with visual archive, contemporary social history, community life, changing land use, local identity, street-level documentary, local character, and historical comparison. The combination of Redbull, stand, Verstapen, and Silverstone anchors the frame to a recognisable activity, place or moment. For Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. Another useful connection is footfall and the documentary importance of recording everyday urban environments within the specific setting of Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL. Image 2JG5JNG also remains a dated record of Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL.
Silverstone Circuit, Silverstone, Towcester, Northamptonshire, England, UK, NN12 8TL
Description
Keywords: GoTonySmith,@Hotpixuk,Hotpixuk,caviar,Marmite,fish,2,tubes,two,IKEA,Scandinavians,Swede,metal,aluminium,MSC,boy,eating,blond,Codroe,original,product,fishy,love it,hate it,love,hate,salty,savoury,Kalles Kaviar Original,190g,190,grams,pate,creamed,cods,roe,spread,pink,orange
Description: Tony Smith image Alamy 2JDRN4J - . This authentic period view of Sweden in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The image documents Two tubes of Kalles Original , Codroe kaviar, 190g. Another layer of the photograph includes everyday life, documentary photography, local identity, changing land use, local character, archival record, visual archive, contemporary social history, period detail, before-and-after reference, historical comparison, community life, townscape record, and contemporary city life. In present-day coverage, the subject reaches into footfall and local identity, not least because of how ordinary street scenes become valuable records as businesses and infrastructure change. For later comparison, the photograph preserves equipment and working practice at Sweden, details that may look very different after new ownership. The wider setting retains connections with urban social history, pedestrian environment, city-centre activity, local history, public realm, everyday street life, place identity, and changing streetscape. The combination of Kalles, Original, tubes, Codroe, and kaviar anchors the frame to a recognisable activity, place or moment. For Sweden, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The setting also helps illustrate footfall and the documentary importance of recording everyday urban environments as part of the longer story of Sweden. The image also provides a reference for public-realm change and how ordinary street scenes become valuable records as businesses and infrastructure change when considered against later change at Sweden. Another useful connection is public-realm change and how regeneration alters the character of familiar places without losing the local specificity of Sweden.
Sweden
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,2 Heath St,Cheshire,WA4 6LP,WA4,dusk,at,building,architecture,religion,2,Walton road,heritage,sun,sunny,orange,glow,tower,bells,belltower,listed,bell tower,corner,venue,Bridgewater,singer,singers,compact,Methodists,red brick,6LP,clear sky
Description: Tony Smith image Alamy 2JDJ563 - . A grounded documentary photograph made at 2 Heath St, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LP in 2022, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The defining feature is Stockton Heath Methodist Church, at sunset, 2 Heath St, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LP. The wider scene also brings together changing land use, conservation architecture, place identity, city-centre activity, local character, period building, historic townscape, historic streetscape, historical comparison, visual archive, urban social history, social landscape, local landmark, and social history. Today's relevance is strengthened by planning control, heritage conservation and the continuing question of the tension between conservation and redevelopment. From a 2025-onward perspective, regeneration and street safety are closely linked to this subject, alongside the relationship between public space and local social life. For later comparison, the photograph preserves materials and architectural details at 2 Heath St, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LP, details that may look very different after new ownership. The wider setting retains connections with built heritage, archival record, historic frontage, architectural detailing, heritage landmark, community identity, local history, and urban change. Details involving Methodist, Church, sunset, Heath, and Stockton make the image more specific than a generic view and strengthen its local or historical value. For 2 Heath St, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LP, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The period view preserves evidence of earlier appearance as a date-specific reference.
2 Heath St, Stockton Heath, Warrington, Cheshire, England, UK, WA4 6LP
Description
Keywords: GoTonySmith,Hotpixuk,@HotpixUK,WA14 1BA,WA14,Altrincham town centre,England,UK,centre,buses,services,to,via,Hale Barns,in,Hale,minibus,SJ22HKT,the,route,routes,Fiat,Ducato,Bluebird,Orion,orange,livery,vehicle,vehicles,integrated,public,transport,Go Goodwins,Group,low emission,fleet,rural
Description: Tony Smith image Alamy 2JC4116 - More at https://www.littlegem.info/about-us/
Following the deregulation of Greater Manchester's buses in 1996, Little Gem made a name for itself by offering local residents a reliable, friendly service that they could depend on.
25 years on, and our aim is exactly the same. Our team of friendly drivers are here to get you to where you want to go.
Part of the family-run Go Goodwins Group, Little Gem is all about you, our passengers. Our modern fleet of Euro 6, low emission buses will get you from A to B in comfort and style, as well as being gentle on the environment.
Altrincham town centre, Trafford, England, UK, WA14 1BA
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,welsh,Wales,NP4,Blaenafon,Torfaen,Pontypool,South Wales,Cymru,UK,NP4 9XP,switch,control,box,mining,orange,mk,7,equipment,British,coal,capacitor,discharge,exploder,enclosed,in a,robust,Noryl,moulded,case,blasting,in,gassy,underground,coal mines
Description: Tony Smith image Alamy 2JAGDAE - The Beethoven Mk 7 is a 100-shot capacitor discharge exploder, enclosed in a robust 'Noryl' moulded case. It is designed particularly to meet the requirements of blasting in gassy underground coal mines. The Mk 7 has an integral digital ohmmeter which can be used to measure the total circuit series resistance. The d.c voltage required to initiate the detonators is supplied by a hand operated generator which charges a capacitor.
Blaenafon, Torfaen, Pontypool, South Wales, Cymru, UK, , NP4 9XP
Description
Keywords: GoTonySmith,Hotpixuk,@Hotpixuk,welsh,Wales,NP4,Blaenafon,Torfaen,South Wales,Cymru,UK,NP4 9XP,orange,black,jackets,logo,coal,mine,surface,hanging,up,at,head,of,worker,job,jobs,working,production,Ponty,surveyors,seam,underground,PAIR,Precautions Against Inrushes,regulations,regulation,safety,hotpix.org.uk
Description: Tony Smith image Alamy 2JAGDAF - . Photographed at Blaenafon, Torfaen, Pontypool, South Wales, Cymru, UK, , NP4 9XP in 2022, this detailed editorial image records the subject within its real surroundings and preserves a specific stage in the life of the location. The subject captured here is NCB national Coal Board Surveyor orange jacket, hanging up at head of a coil mine, colliery, South Wales, UK. A broader reading of the photograph includes period detail, industrial transport, engineering history, contemporary social history, visual archive, public realm, historical comparison, everyday life, regional identity, manufacturing heritage, industrial archaeology, labour history, former production site, and social history. From a 2025-onward perspective, embodied carbon and brownfield redevelopment are closely linked to this subject, alongside the reuse of former industrial land and buildings. For later comparison, the photograph preserves local activity and public use at Blaenafon, Torfaen, Pontypool, South Wales, Cymru, UK, , NP4 9XP, details that may look very different after replacement signage. The photograph additionally reflects archival record, heavy-industry heritage, historic freight equipment, changing land use, changing streetscape, documentary photography, production infrastructure, and manufacturing landscape. Details involving hanging, Board, Wales, orange, and national make the image more specific than a generic view and strengthen its local or historical value. By fixing the subject within Blaenafon, Torfaen, Pontypool, South Wales, Cymru, UK, , NP4 9XP, the image preserves more than the headline object or building: it records part of the locality's everyday history. The setting also helps illustrate embodied carbon and the reuse of former industrial land and buildings within the specific setting of Blaenafon, Torfaen, Pontypool, South Wales, Cymru, UK, , NP4 9XP. Image 2JAGDAF also remains a dated record of Blaenafon, Torfaen, Pontypool, South Wales, Cymru, UK, , NP4 9XP.
Blaenafon, Torfaen, Pontypool, South Wales, Cymru, UK, , NP4 9XP
Description
Keywords: GoTonySmith,@hotpixUK,Hotpixuk,England,UK,Cardiff,Cymru,ale,CF10 1DD,orange,ales,craft,beer,CF10,25 Westgate St,beers,Westgate Street,pub,bar,pubs,bars,independent,breweing,Welsh,tap room,popular,famous,proud,to,be,cloudy,unfiltered,logo,trademark,brand,taps,pumps,handpump,fresh
Description: Tony Smith image Alamy 2JDJ4DE - . Recorded at 25 Westgate St, Cardiff, Cymru,UK, CF10 1DD in 2022, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The main point of reference is Tiny Rebel brewery bar, 25 Westgate St, Cardiff, Cymru,UK, CF10 1DD. Further facets of the scene include social history, changing streetscape, local character, hospitality venue, urban change, leisure spending, city-centre activity, commercial hospitality, local identity, pedestrian environment, everyday street life, urban social history, restaurant culture, and townscape record. Today's relevance is strengthened by tourism, staffing pressure and the continuing question of how changing discretionary spending affects hospitality venues. From a 2025-onward perspective, footfall and local identity are closely linked to this subject, alongside the documentary importance of recording everyday urban environments. As a dated visual record of 25 Westgate St, Cardiff, Cymru,UK, CF10 1DD, the frame retains equipment and working practice, making it especially useful if new construction subsequently changes the scene. The photograph additionally reflects community life, licensed hospitality, street-level documentary, public realm, visitor economy, documentary photography, night-time economy, and place identity. The recorded references to Cardiff, Cymru, Westgate, Rebel, and brewery preserve clues about how the subject was presented, used or understood at the time. The period setting at 25 Westgate St, Cardiff, Cymru,UK, CF10 1DD helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. Another strand within the photograph is tourism and how food and drink help define neighbourhood identity when considered against later change at 25 Westgate St, Cardiff, Cymru,UK, CF10 1DD. The period view preserves evidence of changing use for later comparison.
25 Westgate St, Cardiff, Cymru,UK, CF10 1DD
Description
Keywords: Hotpixuk,England,@Hotpixuk,UK,GB,Great Britain,GoTonySmith,Peel Holdings,sky,Sunset at Latchford Locks,MSCC,Thelwall,Cheshire,disused,London and North Western Railway,Stockport to Warrington,line,rail,railway,transport,Latchford viaduct,WA4,looking west,towards,Runcorn,bridges,bridge,railway bridge,evening,night,dusk,orange,water,waterway,Latchford Railway Viaduct Latchford Viaduct,dramatic,atmospheric
Description: Tony Smith image Alamy 2DCE9NF - Latchford Railway Viaduct
Latchford viaduct was opened on 8 July 1893 to carry the London and North Western Railway's Stockport to Warrington line over the Manchester Ship Canal. The wrought iron viaduct, with a span of 250 feet (76 m), weighed more than 1,200 tonnes. The last passengers service ran in 1962, but the line continued to carry freight. It finally closed to all traffic in July 1985, when it was deemed too expensive to make extensive repairs to keep Latchford viaduct operational.
239 Thelwall New Rd, Grappenhall, Warrington,Cheshire,England,UK, WA4 2XT
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Dec 2019,Virgin Trains,franchise,TOC,train operating company,delays,complaints,WBQ,train,rail,railway,UK,England,British Rail,British,Avanti West Coast,re-brand,rebranded,new brand,Avanti FirstGroup TrenItalia,Warrington,Cheshire,advert,advertisement,publicity,evening,WCP,platform,station,WA1,Keep away from Platform edge,red,orange,West Coast,poor service,cancelled,hotpix.org.uk
Description: Tony Smith image Alamy 2AJRRJE - Avanti West Coast is a train operating company in the United Kingdom owned by FirstGroup (70%) and Trenitalia (30%) that began operating the West Coast Partnership franchise on 8 December 2019. It replaced Virgin Trains, which had operated the franchise since 1997.
In November 2016, the Department for Transport (DfT) announced that the InterCity West Coast franchise would be superseded by the West Coast Partnership (WCP), which would include operating High Speed 2 (HS2) services from 2026.
The DfT required that bidders have experience in high-speed trains and infrastructure, hence all partnered with an existing high-speed operator. In June 2017, the DfT announced that three consortia had been shortlisted to bid for the franchise:
FirstGroup (70%) / Trenitalia (30%)
MTR Corporation (75%) / Guangshen Railway Company (25%)
Stagecoach (50%) / SNCF (30%) / Virgin Group (20%)
In August 2019 the DfT awarded the franchise to the First Trenitalia consortium with Avanti West Coast to commence operations on 8 December 2019. Some uncertainty remains as the Competition and Markets Authority launched a merger inquiry into the award of the franchise following a referral from the European Commission
Avanti West Coast initially operates the same services as Virgin Trains on the West Coast Main Line. When High Speed 2 opens, it will also operate these services.
Warrington Bank Quay, Cheshire, england, UK, WA1 1LW
Description
Keywords: Ansells,England,UK,GB,ale,pub,logo,history,historic,JW Lees,Carlsberg UK,Midlands,orange,brown,mild beer,beer,GotonySmith,HotpixUk,@HotpixUK,beers,ales,trademark,trademarks,brewer,brewery,The Mild,the,Mild,brewed,in,Brum,squirrel,squirrels,Aston,Ansells Mild,Brewed in Birmingham,genuine and familiar,pint of mild
Description: Tony Smith image Alamy 2AEPXDF - However Carsberg, the company through stock-photo/gotonysmith-Which.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>which Ansells Mild is sold, said the ale could still make a comeback if demand was there.
Spokeswoman Joanna Dring said: Although we are not brewing it at the moment, this does not mean we won't ever brew it. On the contrary, if we could ensure enough pubs wanted to stock the beer and could be certain the volume we brew would guarantee quality, we would certainly consider brewing Ansells Mild again.
Drinkers have expressed dismay at the decision to axe the beer, which was first produced at Aston Cross in 1881
Birmingham,England,UK
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,range,Dubliner,authentic,boozer,premises,tourist,D02 N725,tavern,Dubliners,Irish,Est1840,icon,tourism,legendary,47-48 Temple Bar,Whiskey,cultural,trade mark,drinking,beer,venue,Dublin 2,pub,inn,garden,history,heritage,mosaic,floor,at,tiles,orange,St Patricks Day
Description: Tony Smith image Alamy 2M84K2T - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: Republic of Ireland,GoTonySmith,HotpixUK,@HotpixUK,Eire,Ireland,pub,inn,tavern,47-48 Temple Bar,Dublin 2,D02 N725,legendary,venue,tourist,tourism,beer,garden,premises,icon,drinking,history,boozer,Est1840,trade mark,authentic,Irish,cultural,heritage,Dubliner,Dubliners,Whiskey,range,Orange,neon,sign,red,at,St Patricks Day
Description: Tony Smith image Alamy 2M84K2W - Though an earlier license had existed on part of the current site of The Temple Bar, we can directly trace the existing license back to 1835 when enterprising publican, Cornelius O'Meara, Grocer, Tea, Wine, and Spirit Merchant acquired the blossoming location at the corner of Temple Lane and adjacent to Samuel Figgis, Porter Merchant, who ran his thriving brewing business here. The city of Dublin was experiencing something of an economic renaissance at this time and Temple Bar was idyllically laced between the river and the administrative centre of Dublin.
O'Meara was a committed publican intent on spreading his wings. He also ran another pub at No. 1 Wood Quay. This was then at the epicentre of Dublin 19th century rag trade. O'Meara's two nearest neighbours were Christopher McCauley, Hat Manufacturer, and Edward Loman, Hatter.
O'Meara served almost a decade at the Temple Bar Pub before he sold out to James Farley, Grocer and Spirit Merchant in 1844. James Farley knew the business here very well, having made but a short journey from 38 East Essex Street where he had operated as a Provisions dealer. James Farley's reign at this old hostelery was of brief duration.
The Great Famine was raging across the country with unprecedented horror and devastation when William Cranston, a much respected Dublin publican, took the wheel in 1847.
During the middle to late 1850s, a new wave of Provisions, Dealers and Dram Grocers had infiltrated the Temple Bar area. They operated the practise of ˜dram-drinking'. The Dram Grocers allowed customers to buy spirits in an off-sales liquor store capacity and illegally consume them on the premises behind screens and makeshift partitions. This practice created much financial hardship for the authorities and regular or legitimate vintners (wine merchants).
William Cranston was a member of the License Trade delegation who traveled to lobby the British Parliament in Westminster, London, in 1863 to have this practice forbidden
47-48 Temple Bar, Dublin 2, D02 N725, Eire, Ireland
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,flower,flowers,orange,pot,plant,plants,sexy,beautiful,anthers,anther,bloom,blooming,blooms,full,pollen,maturing,open,opening,romantic,vibrant,colourful,colorful,macro,close-up,cheer,cheerful,petal,petals,flowering,eye-catching,Victorian language of flowers,love,beauty,and determination,bulb,bulbous
Description: Tony Smith image Alamy 2AGP31M - Amaryllis is the only genus in the subtribe Amaryllidinae (tribe Amaryllideae). It is a small genus of flowering bulbs, with two species. The better known of the two, Amaryllis belladonna, is a native of the Western Cape region of South Africa, particularly the rocky southwest area between the Olifants River Valley and Knysna.
For many years there was confusion among botanists over the generic names Amaryllis and Hippeastrum, one result of which is that the common name 'amaryllis' is mainly used for cultivars of the genus Hippeastrum, widely sold in the winter months for their ability to bloom indoors.
Plants of the genus Amaryllis are known as belladonna lily, Jersey lily, naked lady, amarillo, Easter lily in Southern Australia or, in South Africa, March lily due to its propensity to flower around March. This is one of numerous genera with the common name 'lily' due to their flower shape and growth habit. However, they are only distantly related to the true lily, Lilium. In the Victorian language of flowers, amaryllis means love, beauty, and determination, and can also represent hope and achievement
England, Great Britain , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Pint,of,Somerset,farm,Cider,cyder,crafted,over,four generations,family,makers,glasses,cheeky,drink,orange,ciders,England,Myrtle Farm,Sandford,North Somerset,UK,BS25 5RA,BS25,Time Stops,oak vats,table,beermat,dripmat,drip,mat,family business,apple,apples,brewing,full glass,pint,pot
Description: Tony Smith image Alamy 2K3XNA1 - The Thatchers company was founded by William Thatcher in 1904. His son Stanley Thatcher, born in 1910, began selling draught cider to pubs in Somerset and the company's presence in the area grew. The company is still family owned and employs around 200 people. In 1992 Martin took over from his father, John Thatcher, as managing director.
It has 500 acres of its own orchard, as well as using apples from other growers in the area. Alongside its bush orchards, Thatchers has pioneered a method of growing its apple trees in a hedgerow style. Trained on wires, this enables easier harvesting and also helps to ensure the fruit has the optimum combination of sunlight and rain. It has also led to the development of a new bespoke harvester. At the height of season, Thatchers can press 500 tonnes of apples per day. Thatchers also maintains an exhibition orchard in which over 458 different varieties of apple tree are grown. Many of the traditional ciders produced at Myrtle Farm are matured in 100-year-old oak vats, which gives the cider a distinctive taste.
In addition to its cider production, Myrtle Farm is the UK's biggest processor of blackcurrants, dealing with 90 per cent of the UK's total crop, which it processes on behalf of Ribena.
Thatchers Cider is available in many sports clubs and events across the South West. They are involved with teams including Winscombe R.F.C., Bath Rugby, Somerset County Cricket Club, Bristol Rugby, Bristol City, Yeovil Town, Gloucestershire County Cricket Club, Bristol Rovers, Plymouth Argyle F.C, Exeter City and Torquay United.
Thatchers are also involved in many local events and festivals including: Glastonbury Festival, Royal Bath and West Show, Bristol International Balloon Fiesta and Cambridge Folk Festival.
Thatcher's lost their ongoing cider sponsorship of the Glastonbury festival in 2019 to Mallets cider
Myrtle Farm, Sandford, North Somerset,England, UK, BS25 5RA
Description
Keywords: Manchester,City Centre,city,NQ,NQ4,Northern Quarter,North West,England,UK,GoTonySmith,HotpixUK,@HotpixUK,buildings,streets,Store St,long mural,art,artwork,New York street artist,New York,street artist,Doodle,on,Matt Peacock,Manchester Artists,wide,long,pano,panorama,Joel,International Arts,Festival,M1 2JQ,M1,North West England,orange,Cookies Doodle,Cookies,Emmaus Mossley,Homelessness Mural
Description: Tony Smith image Alamy RF7M10 - 40 homeless people, a New York street artist and two local creatives create a massive Manchester mural
The Doodle on Ducie Street has been created to launch the inaugural International Arts and Homelessness Summit and Festival
The mural, The Doodle on Ducie Street, has been created to launch the inaugural International Arts and Homelessness Summit and Festival in November which aims to raise awareness of homelessness and support homeless people.
We had almost 40 artists working on this and we came together just one week ago, said street artist and activist Joel.
It's been an intense week. We got together and asked what we could create that would represent everyone and what message or story we wanted to tell. Everyone made sketches and we made a composition, then each day we came out and worked on it.
Now the wall is a wondrous array of colour, inspired by Joel's signature style, designed to encourage conversation “ perfect for the upcoming festival.
The unique creative team was organised with the help of With One Voice, an organisation which sets out to tackle homelessness in a creative way.
Everyone came together and decided what was important to them. We came up with this concept of the guy on the mural, he's flying through the air from challenges in his life to a brighter future, said With One Voice director, Matt Peacock.
It's been an amazing experience, says Matt. We were really conscious that we were putting this piece of public art in the centre of Manchester, where homelessness has been on the rise. For many years people would rightly say, ˜why art?'
And the reasons for that, which I hope you can see, are so many things “ it's about personal and societal regeneration, it's about telling a different story about homelessness, and giving a voice to people who are and have been homeless to say what they want to say to the public.
The artists have found the experience a boost to their confidence.
I wanted to get involved with the mural because I
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,deliver,post,postal,Royal Mail Postman,with mail trolley,wearing orange jacket,delivering,in,Grappenhall,Warrington,Cheshire,England,UK,Postman,mail,cart,trolley,wearing,red,Hi-Vis,orange,jacket,ER Post Office,Post Office,deliveries,parcel,letter,British,postman,postmen,post man,postal worker,English,village,carrying,letters,International Distributions Services plc
Description: Tony Smith image Alamy R9GT8H - . This contextual photograph preserves the everyday reality of the recorded location, in this period view from 2018. The defining subject in the supplied record is Royal Mail Postman, with mail trolley wearing orange jacket, delivering in Grappenhall, Warrington, Cheshire, England, UK. Further features of the subject include place and memory, social landscape, local character, local identity, everyday Britain, social context, cultural landscape, changing Britain, urban and rural change, modern history, everyday infrastructure, and documentary photography. Modern coverage of everyday local life frequently reaches beyond the immediate scene to questions of business turnover, shifts in local identity and a clearer record of local change. Documentary value is strengthened by the precise setting at the recorded location, where even ordinary details of frontage, equipment, signs, traffic or public activity may disappear as the area evolves, specifically in relation to Royal Mail Postman. The surrounding context also touches on regional identity, visual record, documentary record, public realm, community environment, place-based history. The scene is further associated with hiVis, delivery man, postie, postal service, Royalmail, British Postman. For present-day editorial use, community change can also illustrate debates about redevelopment and business turnover, particularly where these affect a clearer record of local change. The lasting documentary value lies in its record of public access, neighbourhood identity, transport patterns, architecture and streetscape, and ownership or occupation as an authentic period reference. For future comparison, the scene preserves local business activity, public-realm details, regional identity, the condition of buildings, and patterns of everyday use at this precise location. The view of Royal Mail Postman also preserves another layer of local identity and period change.
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Flame,flames,grate,lit,guard,fire behind,winter time,Flames,burn,burning,real fire,cast iron grate,wintertime,Fireplace,orange,warming,smell of a real fire,coal,fire,coal fire,huddle,by a fire,fireplace,carbon fuels,smoke,fireplace smoke,ventilation,childhood memories,fire guard,open fires,wood burning,well-tended,wood,wood smoke,carcinogen,cozy fire,kitchen
Description: Tony Smith image Alamy R9GT2F - . An on-location image preserves the working environment around the recorded location, in a scene preserved from 2018. The principal recorded subject is Flames from a real fire, in a cast iron grate, winter time, lovely orange warm glow. The scene also brings together local character, social landscape, documentary photography, community life, changing Britain, modern history, urban and rural change, community environment, cultural landscape, social context, visual record, and place and memory. In the mid-2020s, everyday local life is increasingly discussed through new technology and redevelopment, with attention turning to preservation of everyday detail. Because this is a time-specific record of the recorded location, later comparison can reveal changes in signage, ownership, land use, transport, street furniture, building condition and the way the public uses the surrounding space, specifically in relation to Flames from a real fire. The scene also relates to regional identity, contemporary social history, local identity, place-based history, public realm, everyday Britain. The scene is further associated with fire behind a guard, vigorous flames, smell of a fire, fireguard, pleasure of a real fire. Further aspects present in the subject include everyday infrastructure, and documentary record. Current debate around place and memory often combines the passage of time, altered public space and the practical challenge of preservation of everyday detail. In historical comparison, the image can help trace movement through the area, everyday services, planning and redevelopment, historic fabric, and social change within the surrounding area. The lasting documentary value lies in its record of architecture and streetscape, ownership or occupation, neighbourhood identity, transport patterns, and public access as part of the area's longer social history. The dated view captures the surrounding streetscape as part of the area's social history.
Description
Keywords: pumpkin,pumpkins,shop,halloween,orange,farm shop,cheshire,UK,England,Hollies,The Hollies
Description: Tony Smith image Flickr 4575478451 - 'If you are on Twitter, do add a follow there and I will follow back in return mobile.twitter.com/HotpixUK
Have a look at my archived photography, from ten years back at www.flickr.com/photos/hotpixuk/
All images (c) Tony Smith - @HotpixUK - No images to be used without express permission',
Description
Keywords: GoTonySmith,@HotpixUK,Hotpixuk,Allhallows,All Hallows,October,31st,Halloween Retail shopping,Orange Pumpkins,Retail,shop,shopping,Orange,Pumpkins,shelves,retail,tradition,traditions,carving,lantern,trick,or,treating,guising,commercial,secular,celebration,festival,Allhallowtide,Pumpkinhead,Pumpkin head,squash plant,squash,plant,Orange Squash,Cucurbita pepo,Cucurbita,pepo,UK,patch
Description: Tony Smith image Alamy PYX9BA - Halloween or Hallowe'en (a contraction of Hallows' Even or Hallows' Evening), also known as Allhalloween, All Hallows' Eve, or All Saints' Eve, is a celebration observed in a number of countries on 31 October, the eve of the Western Christian feast of All Hallows' Day. It begins the three-day observance of Allhallowtide, the time in the liturgical year dedicated to remembering the dead, including saints (hallows), martyrs, and all the faithful departed.
It is widely believed that many Halloween traditions originated from ancient Celtic harvest festivals, particularly the Gaelic festival Samhain
that such festivals may have had pagan roots
and that Samhain itself was Christianized as Halloween by the early Church. Some believe, however, that Halloween began solely as a Christian holiday, separate from ancient festivals like Samhain.
Halloween activities include trick-or-treating (or the related guising), attending Halloween costume parties, carving pumpkins into jack-o'-lanterns, lighting bonfires, apple bobbing, divination games, playing pranks, visiting haunted attractions, telling scary stories, and watching horror films. In many parts of the world, the Christian religious observances of All Hallows' Eve, including attending church services and lighting candles on the graves of the dead, remain popular, although elsewhere it is a more commercial and secular celebration. Some Christians historically abstained from meat on All Hallows' Eve, a tradition reflected in the eating of certain vegetarian foods on this vigil day, including apples, potato pancakes, and soul cakes.
Northwich,Cheshire, England, UK
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,boxing,neon sign,red,orange,window,culture,exercise,ring work,9 BLEECKER STREET,NEW YORK,NY 10012,9 Bleecker St,private training,Overthrow Boxing,gritty,downtown,headquarters,eastside,lower manhattan,gym,sport,boxing sport,boxing clubs,local boxing gym,boxing gym,boxing brand
Description: Tony Smith image Alamy 2AFK6NA - Take a Look Inside Overthrow Boxing, Where Celebs Like Usher and J-Lo Train
There is a crowd gathering outside the door of 9 Bleecker Street, the gritty downtown headquarters of Overthrow Boxing.
Passersby slow their pace and turn their heads towards the pulsating hip-hop that blares out Overthrow's doors and onto the sidewalk. Through its ground floor windows, and past an aggressive neon red sign, a few dozen young women chat excitedly as they wrap their hands before squeezing into boxing gloves.
Further back another class is still in session, with the participants jabbing ferociously at shared punching bags as an instructor screams down from a ring set alongside an exposed brick wall.
On any given night, a peek through these same steamed-up windows could result in a story-worthy sighting of Nina Agdal, Usher, Martha Hunt, Jennifer Lopez, the Fat Jewish or Will Smith.
This is exactly what Overthrow founder Joey Goodwin had in mind when he started the gym two years ago. I wanted to create an atmosphere that drew you in, he says. Everyone on the outside is trying to get a better look, wishing they were a part of the action.
Atisha Paulson
The phenomenon was one that Goodwin observed while on the iconic West 4th basketball courts, where he started balling at the age of 10.
There he was introduced to the sport of boxing through a fellow player.
I think he saw me run my mouth and get beaten up too many times, remembers Goodwin, leaning back in his office on the gym's second floor. He took me to East River Park and taught me a few moves. I was hooked immediately.
Enrolling in a local boxing gym, the street-wise Goodwin immediately spotted an opportunity for growth. The room was filled CEOs, models, editors and entrepreneurs, he says. I began to see the potential that could come with creating a real boxing brand, done in the style of SoulCycle or Barry's Bootcamp.
9 BLEECKER STREET NEW YORK, NY 10012, USA
Description
Keywords: HotpixUK,@HotpixUk,GoTonySmith,NYC,NY,New York,Manhattan,USA,city,city centre,US,boxing,neon sign,red,orange,window,culture,exercise,ring work,9 BLEECKER STREET,NEW YORK,NY 10012,9 Bleecker St,private training,Overthrow Boxing,gritty,downtown,headquarters,eastside,lower manhattan,gym,sport,boxing sport,boxing clubs,local boxing gym,boxing gym,boxing brand
Description: Tony Smith image Alamy 2AFK6NC - Take a Look Inside Overthrow Boxing, Where Celebs Like Usher and J-Lo Train
There is a crowd gathering outside the door of 9 Bleecker Street, the gritty downtown headquarters of Overthrow Boxing.
Passersby slow their pace and turn their heads towards the pulsating hip-hop that blares out Overthrow's doors and onto the sidewalk. Through its ground floor windows, and past an aggressive neon red sign, a few dozen young women chat excitedly as they wrap their hands before squeezing into boxing gloves.
Further back another class is still in session, with the participants jabbing ferociously at shared punching bags as an instructor screams down from a ring set alongside an exposed brick wall.
On any given night, a peek through these same steamed-up windows could result in a story-worthy sighting of Nina Agdal, Usher, Martha Hunt, Jennifer Lopez, the Fat Jewish or Will Smith.
This is exactly what Overthrow founder Joey Goodwin had in mind when he started the gym two years ago. I wanted to create an atmosphere that drew you in, he says. Everyone on the outside is trying to get a better look, wishing they were a part of the action.
Atisha Paulson
The phenomenon was one that Goodwin observed while on the iconic West 4th basketball courts, where he started balling at the age of 10.
There he was introduced to the sport of boxing through a fellow player.
I think he saw me run my mouth and get beaten up too many times, remembers Goodwin, leaning back in his office on the gym's second floor. He took me to East River Park and taught me a few moves. I was hooked immediately.
Enrolling in a local boxing gym, the street-wise Goodwin immediately spotted an opportunity for growth. The room was filled CEOs, models, editors and entrepreneurs, he says. I began to see the potential that could come with creating a real boxing brand, done in the style of SoulCycle or Barry's Bootcamp.
9 BLEECKER STREET NEW YORK, NY 10012, USA
Description
Keywords: GoTonySmith,@HotpixUK,Peel Ports,Bridge,sunset,orange,locks,South Warrington,MSCC,Cheshire,North West England,UK,water,British,GB,Great Britain,Knutsford Road,Swing Bridge,Swingbridge,Latchford Village,Village,clouds,dusk,dawn,disused Latchford railway viaduct,railway viaduct,Latchford railway viaduct,Latchford railway bridge,Victorian,engineering,Victorian Engineering,dramatic,WBC,Warrington Borough,Warrington Borough Council,L&NWR,Stockport-Warrington line,Latchford Viaduct,Arrol,wrought iron
Description: Tony Smith image Alamy PCTAGW - Latchford is a suburb and electoral ward of Warrington, Cheshire, England. It is around one mile south-east of Warrington town centre and has a total resident population of 7,856. Latchford is a predominantly residential area, Latchford lies between the River Mersey and the Manchester Ship Canal, and broadly consists of 19th century terraced housing and some open space. The canal is crossed here by a swing bridge, a high level road bridge and the now disused Latchford railway viaduct. Its name came from Anglo-Saxon Læccford = Boggy-stream ford.
Knutsford Road, Warrington, UK
Description
Keywords: GoTonySmith,@HotpixUK,Helianthus,orange,yellow,flower against a blue sky with clouds,blue sky with clouds,blue sky clouds,annuus,sun,forb,seed,crop,farm,farming,edible fruits,oils,vegetable oils,vegan,vegetarian,vegetarianism,flower head,inflorescence,floret,sunflower leaves,leaves,Vogel,Mathematical model of floret arrangement,cultivation,sunflower cultivation,sunflower halva,sunflower fourth sister,phytoremediation,extract toxic ingredients,extract toxic ingredients from soil,soil toxic ingredients,sunflower cultivar
Description: Tony Smith image Alamy PBRY40 - Helianthus annuus, the common sunflower, is a large annual forb of the genus Helianthus grown as a crop for its edible oil and edible fruits. This sunflower species is also used as wild bird food, as livestock forage (as a meal or a silage plant), in some industrial applications, and as an ornamental in domestic gardens. The plant was first domesticated in the Americas. Wild Helianthus annuus is a widely branched annual plant with many flower heads. The domestic sunflower, however, often possesses only a single large inflorescence (flower head) atop an unbranched stem. The name sunflower may derive from the flower's head's shape, which resembles the sun, or from the impression that the blooming plant appears to slowly turn its flower towards the sun as the latter moves across the sky on a daily basis.
Sunflower seeds were brought to Europe from the Americas in the 16th century, where, along with sunflower oil, they became a widespread cooking ingredient.
50 St Annes Ave, Warrington WA4 2PL, UK
Description
Keywords: @HotpixUK,GoTonySmith,Yorkshire,England,Donny,Doncaster Yorkshire,town,town centre,shop,shops,retail,Danum,Roman Danum,DN1,DN1 Postcode,orange,cash machine,ATM,south Yorkshire,Bakery,International Food,Fruit Veg,Grocery,Pay point,8 Wood St,DN1 3LH,Doncaster Convenience Store,Fruit,Veg,late shop,typical independent supermarket,independent supermarket,Nisa,-Spar,OneStop,One Stop,Mini-Market,Mini Market
Description: Tony Smith image Alamy P8KEYW - . This location-led image records the physical context of 8 Wood St, Doncaster, Yorkshire, England, UK, DN1 3LH, as it appeared in 2018. The supplied image information identifies Doncaster Convenience Store and Off-Licence, DCS, Bakery, International Food, Fruit Veg, Grocery, Pay point, 8 Wood St, Doncaster, Yorkshire, DN1 3LH. The location also connects customer service, city-centre economy, retail vacancy, restaurant sector, urban commerce, independent retail, commercial streetscape, high-street commerce, food service, shopping district, hospitality trade, and hospitality premises. The wider contemporary story of consumer spending now includes vacant premises alongside online shopping, while policy and investment increasingly consider bringing empty units back into use. Current debate around visitor-economy venues often combines commercial rents, staffing and the practical challenge of sustainable tourism. Small period details preserved at 8 Wood St, Doncaster, Yorkshire, England, UK, DN1 3LH may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The surrounding story includes consumer retail, hospitality employment, food culture, chain-store economy, shopping habits, local trading. Other local associations include Wood Street, South Yorkshire, Doncaster Town Centre, supermarket, International Food shop, PayPoint. The scene also carries the language of catering trade, leisure venue, customer footfall, visitor destination, retail decline and renewal, shopfront economy, visitor economy, retail property, commercial frontage, and destination economy. Seen from a 2025-onward perspective, retail streets also connects with vacant premises, shifts in leisure spending and efforts aimed at adaptable commercial space. This period image preserves the area's visual identity for visual before-and-after study.
8 Wood St, Doncaster, Yorkshire, England, UK, DN1 3LH
Description
Keywords: GoTonySmith,@HotpixUK,subway,railway,city centre,train,transport,passenger,passengers,orange,rolling stock,Metro Cammell,Glasgow District Subway,narrow guage,Outer Circle,Inner Circle,integrated,electric,branding,corporate identity,adult,allday,all-day,smartcard,system,ticket,card,inside,carriage,station,held,fingers,holding,holding a smartcard,economic,travel,SPT Smart,ticket to ride
Description: Tony Smith image Alamy P53BW1 - The Glasgow Subway is an underground metro line in Glasgow, Scotland. Opened on 14 December 1896, it is the third-oldest underground metro system in the world after the London Underground and the Budapest Metro. It is the only heavy rail underground metro system in the United Kingdom outside London, and also the only one in the United Kingdom which operates completely underground. It is also one of the very few railways in the world with a track running gauge of 4 ft (1,219 mm). Formerly a cable railway, the Subway was later electrified, but its twin circular lines were never expanded. The line was originally known as the Glasgow District Subway, but was later renamed Glasgow Subway Railway. It was so called when taken over by the Glasgow Corporation who renamed it the Glasgow Underground in 1936. Despite this rebranding, many Glaswegians continued to refer to the network as the Subway. In 2003 the name Subway was officially readopted by its operator, the Strathclyde Partnership for Transport (SPT). A £40,000 study examining the feasibility of an expansion into the city's south side is in progress.
The system is not the oldest underground railway in Glasgow
that distinction belongs to a 3.1 mi (5.0 km) section of the Glasgow City and District Railway opened in 1863, now part of the North Clyde Line of the suburban railway network, which runs in a sub-surface tunnel under the city centre between High Street and west of Charing Cross. Another major section of underground suburban railway line in Glasgow is the Argyle Line, which was formerly part of the Glasgow Central Railway.
The Subway runs from 06:30 to 23:40 Monday to Saturday and 10:00 to 18:12 on Sunday.
Glasgow, UK
Description
Keywords: @HotpixUK,Gotonysmith,City,centre,City Games,Manchester City Games,Manchester CityGames,Deansgate,closure,closed,city centre,Road,issues,laying,track,laying track,surface,platform,workers,working,preparation,prepare,event,event set up,event setup,fencing,fenced off,cage,Waste of money,city event,crane,building,assembling,industrial crane,heavy crane,orange,orange crane,crane lifting into place
Description: Tony Smith image Alamy MNFTCJ - . An identifiable period record of the recorded location in 2018, retaining the practical detail and local context that distinguish a documentary photograph from a generic illustration. The frame specifically shows Set up for the great CityGames Manchester, May 2018, Lancashire, England, UK. The locality and subject together evoke changing streetscape, historical comparison, roadside stop, bus route infrastructure, surface public transport, bus infrastructure, archival record, documentary photography, public transport stop, before-and-after reference, public transport information, contemporary social history, public realm, and period detail. Current relevance extends to integrated transport and local connectivity, particularly through the importance of bus stops as the physical interface between passengers and public transport. As a dated visual record of the recorded location, the frame retains local activity and public use, making it especially useful if refurbishment subsequently changes the scene. The wider setting retains connections with place identity, local mobility, roadside transit, changing land use, everyday life, local history, regional identity, and transport accessibility. Details involving Lancashire, Manchester, and CityGames make the image more specific than a generic view and strengthen its local or historical value. Around the recorded location, apparently routine details can become historically useful once businesses close, buildings change use or familiar features disappear. Another strand within the photograph is integrated transport and the importance of bus stops as the physical interface between passengers and public transport in a form that can be compared with future views of the recorded location. The setting also helps illustrate bus service funding and the challenge of maintaining reliable services outside dense city centres within the real-world context of the recorded location.
Description
Keywords: United Kingdom,GB,British,Great,Britain,Pie,England,English,Buy,on,sale,large,pastry,bake,off,BakeOff,dusk,night,evening,blue,orange,illuminated,Barnaby,Sikes,Sykes,crust,upper,factory,British Pie,This way,On Sale,Bake Off,Barnaby Sykes,Upper Crust,Pie factory,GoTonySmith,amusements,food,fast,fastfood,mash,blue,sky,Buy Pictures of,Buy Images Of,Fast Food,Pie and mash,blue sky
Description: Tony Smith image Alamy EYH1XC - . A grounded documentary photograph made at Silverstone, Northamptonshire,England, UK in 2015, combining the immediate subject with evidence of the surrounding streetscape, public realm, business activity or local character. The image documents Handmade Artisan Pies on sale at a festival, England, UK. The broader subject matter reaches into British food tradition, historical comparison, visual archive, archival record, popular cuisine, traditional ale house, hospitality economy, before-and-after reference, pub heritage, hospitality food service, social history, night-time economy, changing land use, and traditional pub. The wider contemporary story combines food inflation, tourism and the pressure of food and energy prices on small hospitality businesses. Viewed from the mid-2020s, the subject also connects with consumer spending, business rates and pressure on hospitality margins in the mid-2020s. Small period details of street furniture and boundaries at Silverstone, Northamptonshire,England, UK may become more significant with time, particularly following new ownership. Further associations within the scene are local social venue, local history, street food culture, food heritage, changing streetscape, cask-beer tradition, licensed hospitality, and food-and-drink heritage. The combination of Handmade, festival, and Artisan anchors the frame to a recognisable activity, place or moment. By fixing the subject within Silverstone, Northamptonshire,England, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The wider significance includes food inflation and the pressure of food and energy prices on small hospitality businesses without losing the local specificity of Silverstone, Northamptonshire,England, UK. The image fixes evidence of earlier appearance for future local research. It also preserves period character before later change alters the scene.
Silverstone, Northamptonshire,England, UK
Description
Keywords: United Kingdom,GB,British,Great,Britain,Pie,England,English,Buy,on,sale,large,pastry,bake,off,BakeOff,dusk,night,evening,blue,orange,illuminated,Barnaby,Sikes,Sykes,crust,upper,factory,fair,ground,fairground,British Pie,This way,On Sale,Bake Off,Barnaby Sykes,Upper Crust,Pie factory,GoTonySmith,amusements,food,fast,fastfood,mash,Buy Pictures of,Buy Images Of,Fast Food,Pie and mash
Description: Tony Smith image Alamy EYH1XM - . This scene at Silverstone, Northamptonshire,England, UK in 2015 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The principal subject is Handmade Artisan Pies on sale at a festival, England, UK. The broader subject matter reaches into public realm, food heritage, changing land use, everyday life, period detail, historical comparison, local character, local dining tradition, regional identity, popular cuisine, food-and-drink heritage, traditional takeaway, comfort food, and changing streetscape. From a 2025-onward perspective, tourism and nutrition are closely linked to this subject, alongside how familiar dishes remain cultural shorthand for British food. The archival value lies partly in recording lettering, decoration and surface detail around Silverstone, Northamptonshire,England, UK before altered transport patterns alters the character of the place. A second descriptive layer includes local history, archival record, contemporary social history, social history, everyday cuisine, visual archive, street food culture, and before-and-after reference. The recorded references to festival, Handmade, and Artisan preserve clues about how the subject was presented, used or understood at the time. The period setting at Silverstone, Northamptonshire,England, UK helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. A further contemporary connection is tourism and how food signs and shopfronts become part of urban cultural identity in a form that can be compared with future views of Silverstone, Northamptonshire,England, UK. The wider significance includes food inflation and how familiar dishes remain cultural shorthand for British food within the real-world context of Silverstone, Northamptonshire,England, UK.
Silverstone, Northamptonshire,England, UK
Description
Keywords: United Kingdom,GB,British,Great,Britain,Pie,England,English,Buy,on,sale,large,pastry,bake,off,BakeOff,dusk,night,evening,blue,orange,illuminated,Barnaby,Sikes,Sykes,crust,upper,factory,British Pie,This way,On Sale,Bake Off,Barnaby Sykes,Upper Crust,Pie factory,GoTonySmith,amusements,food,fast,fastfood,mash,blue,sky,Buy Pictures of,Buy Images Of,big sign,Fast Food,Pie and mash,blue sky
Description: Tony Smith image Alamy EYH1YP - . Photographed at Silverstone, Northamptonshire,England, UK in 2015, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The location is represented through Handmade Artisan Pies on sale at a festival, England, UK. The surrounding context encompasses food-and-drink heritage, comfort food, traditional takeaway, changing land use, contemporary social history, documentary photography, food heritage, place identity, period detail, changing streetscape, British food tradition, popular cuisine, before-and-after reference, and community identity. In present-day coverage, the subject reaches into changing diets and local business, not least because of how food signs and shopfronts become part of urban cultural identity. Small period details of signage and branding at Silverstone, Northamptonshire,England, UK may become more significant with time, particularly following refurbishment. The surrounding story also includes classic British meal, street food culture, archival record, local character, everyday cuisine, historical comparison, regional food culture, and visual archive. References to festival, Handmade, and Artisan give the picture a strong period identity and tie it closely to its named subject. A later view of Silverstone, Northamptonshire,England, UK may show a very different setting, increasing the value of this precise record of its earlier appearance and activity. A further contemporary connection is changing diets and how food signs and shopfronts become part of urban cultural identity when considered against later change at Silverstone, Northamptonshire,England, UK. The wider significance includes tourism and how familiar dishes remain cultural shorthand for British food without losing the local specificity of Silverstone, Northamptonshire,England, UK. Image EYH1YP also remains a dated record of Silverstone, Northamptonshire,England, UK.
Silverstone, Northamptonshire,England, UK
Description
Keywords: Beer,ale,pils,pilsner,advert,advertise,advertisement,German,Germany,brew,capital,city,break,tourist,tourism,travel,culture,euro,europe,european,germans,serving,signage,pub,Silverstone,Woodlands,trip,journey,vacation,holiday,weisse,Berlinar,letters,orange,tungsten,lighting,berliner pilsner,GoTonySmith,blue,sky,AreYouBerliner,Buy Pictures of,Buy Images Of,Are You Berliner,Are You Berliner?
Description: Tony Smith image Alamy F0XCGH - . This scene at the recorded location in 2015 forms part of the visual history of the locality, documenting the named subject together with aspects of how the area looked and functioned at the time. The photograph centres on Berliner sign in lights with sky behind, bar serving bier. The broader subject matter reaches into period detail, local character, licensed trade, urban typography, cask-beer tradition, community drinking venue, visitor hospitality, social history, changing land use, before-and-after reference, community identity, real-ale culture, visual communication, and contemporary social history. For current editorial use, tourism and consumer spending provide additional context, especially through the value of historic pubs to tourism and local identity. Current relevance extends to visual identity and local history, particularly through how signs can document commercial, social or regulatory change. Future viewers can use this scene from the recorded location to compare materials and architectural details with whatever follows after replacement signage. The surrounding story also includes hospitality economy, local social venue, night-time economy, archival record, wayfinding detail, traditional ale house, beer-led hospitality, and traditional pub. The recorded references to lights, serving, behind, and Berliner preserve clues about how the subject was presented, used or understood at the time. The photograph from the recorded location links the broader issue back to a specific real place. The wider significance includes tourism and the value of historic pubs to tourism and local identity as part of the longer story of the recorded location. Another strand within the photograph is commercial branding and the way lettering and materials contribute to local visual identity when considered against later change at the recorded location. Image F0XCGH also preserves another period-specific detail for later comparison.
Description
Keywords: Mushrooms,plate,of,food,British,Scottish,England,pork,eat,fat,fatty,unhealthy,appetite,Bacon,Toast,Mushroom,black,pudding,grease,greasy,spoon,obese,overweight,unhealthy,grilled,protein,portion,rasher,smoked,streaky,meat,meaty,coffee,GB,Black Pudding,Greasy Spoon,Fried Bread,GoTonySmith,tea,sugar,orange,juice,peppermill,on,poached,tomato,Buy Pictures of,Buy Images Of,Orange juice,Poached egg
Description: Tony Smith image Alamy F0XCGJ - . This location-specific image from GreatBritain, UK in 2015 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The photograph centres on Traditional Full English Breakfast,Egg,Sausage,Bacon,Black Pudding,Toast,Mushroom. The broader subject matter reaches into documentary photography, food-and-drink heritage, local character, everyday cuisine, comfort food, everyday life, changing streetscape, changing land use, place identity, social history, archival record, public realm, regional food culture, and traditional takeaway. In present-day coverage, the subject reaches into takeaway culture and changing diets, not least because of how familiar dishes remain cultural shorthand for British food. For later comparison, the photograph preserves transport arrangements and footfall at GreatBritain, UK, details that may look very different after new ownership. Further associations within the scene are visual archive, local dining tradition, local history, hospitality food service, regional identity, street food culture, food heritage, and classic British meal. The recorded references to Toast, English, Black, Mushroom, and Traditional preserve clues about how the subject was presented, used or understood at the time. By fixing the subject within GreatBritain, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. The location additionally provides evidence of takeaway culture and how familiar dishes remain cultural shorthand for British food as part of the longer story of GreatBritain, UK. A further contemporary connection is local business and how familiar dishes remain cultural shorthand for British food when considered against later change at GreatBritain, UK. The scene captures a trace of local identity for later comparison. Image F0XCGJ also remains a dated record of GreatBritain, UK.
GreatBritain, UK
Description
Keywords: Mushrooms,plate,of,food,British,Scottish,England,pork,cafe,eat,fat,fatty,unhealthy,appetite,Toast,Mushroom,greasy,spoon,obese,overweight,united,kingdom,unhealthy,grilled,protein,portion,rasher,smoked,streaky,meat,meaty,coffee,GB,Black Pudding,Greasy Spoon,Fried Bread,GoTonySmith,tea,sugar,orange,juice,pepper,mill,peppermill,on,a,table,poached,tomato,Buy Pictures of,Buy Images Of,Orange juice,Poached egg
Description: Tony Smith image Alamy F0XDA5 - . Recorded at GreatBritain, UK in 2015, the image fixes a recognisable subject and its environment at one point in time, giving later viewers a reliable basis for comparison. The frame specifically shows Traditional Full English Breakfast,Egg,Sausage,Bacon,Black Pudding,Toast,Mushroom from a greasy spoon cafe - British cooked breakfast. The surrounding context encompasses comfort food, documentary photography, traditional takeaway, historical comparison, local dining tradition, local history, community identity, classic British meal, food-and-drink heritage, archival record, everyday cuisine, food heritage, public realm, and period detail. The modern context includes continuing discussion of hospitality costs, local business and the enduring appeal of traditional takeaway meals. Small period details of building condition and alterations at GreatBritain, UK may become more significant with time, particularly following new ownership. The surrounding story also includes regional food culture, regional identity, contemporary social history, before-and-after reference, popular cuisine, everyday life, street food culture, and changing land use. Elements such as spoon, Mushroom, Black, Traditional, and greasy add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within GreatBritain, UK, the image preserves more than the headline object or building: it records part of the locality's everyday history. Another strand within the photograph is hospitality costs and the enduring appeal of traditional takeaway meals as part of the longer story of GreatBritain, UK. The setting also helps illustrate changing diets and the pressure of food and energy prices on small hospitality businesses when considered against later change at GreatBritain, UK. The photograph keeps evidence of changing use before later change alters the scene.
GreatBritain, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,Barbara Hepworth Museum,seaside,resort,fishing,port,sunset,chapel,on the,Porhmeor,beach,graveyard,cemetery,Porthmeor,Barnoon,harbour,trawlers,contemplative,mood,beautiful,nightshot,night,dusk,gravestones,seascape,glow,Atlantic,grave,Celtic,stones,cornwall,South,sky,orange,Penwith
Description: Tony Smith image Alamy 2K5J0DC - . An identifiable period record of the recorded location in 2014, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The subject captured here is St Ives Barnoon, chapel & cemetery, on the Porthmeor beach, seaside, Cornwall, England, UK, TR26 1AB. A broader reading of the photograph includes place identity, local social venue, church interior, parish history, religious heritage, period detail, local history, traditional ale house, contemporary social history, licensed hospitality, traditional pub, changing streetscape, faith community, and community drinking venue. Today's relevance is strengthened by maintenance costs, heritage conservation and the continuing question of the importance of church buildings to genealogy and local identity. From a 2025-onward perspective, changing drinking habits and beer duty are closely linked to this subject, alongside the survival of pubs as both businesses and informal community spaces. The image fixes lettering, decoration and surface detail within the recorded location at one identifiable point, providing a benchmark against changing commercial priorities. The surrounding story also includes public realm, beer-led hospitality, ecclesiastical art, night-time economy, visual archive, historical comparison, everyday life, and local character. Elements such as beach, chapel, Porthmeor, seaside, and cemetery add documentary specificity and may become increasingly useful when compared with later records. The period setting at the recorded location helps place the main subject within real social and physical surroundings rather than isolating it as an abstract object. The setting also helps illustrate maintenance costs and how churches combine active worship with heritage and community roles as part of the longer story of the recorded location. The period view preserves evidence of changing use before later change alters the scene.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,14th,Nov,live,on,stage,tour,venue,England,UK,gig,performing,at,the,Splinter,M13 9PR,M13,poses,posed,pose,leg,UK Leg,band,set,album,lighting,smoke,show,vocals,keyboards,keyboard,blue,vocal,Alesis,synth,synthesiser,orange
Description: Tony Smith image Alamy 2R64PGA - . Gary Numan, Splinter Tour UK Leg gig, performing at the Manchester Academy 20131114, Oxford Road, England, UK, M13 9PR. Photographed on 14 November 2013. The recorded location is Manchester Academy 1, University of Manchester, Oxford Road, Manchester, England , UK, M13 9PR. The Calling. Down in the Park. Pure. Lost. For live entertainment, the historical context is that concert culture changed with amplification, arena touring, festivals and digital promotion, yet the basic relationship between performer, venue and audience remains central
Older gig photographs can gain significance as bands, buildings and local scenes evolution. For live entertainment, the 2026 context is that live music remains culturally important but venues face pressure from operating costs, redevelopment and evolving audience habits
England's dedicated 15% business-rates relief for eligible live-music venues during 2026/27 reflects concern about their economic sustainability. Useful related concepts include musician, stage, music history, fan culture, popular music, music heritage, concert photography, 14/11/2013, 14th, poses, posed, pose, set, album, lighting, smoke, and show. Looking at concert photography, the longer history is that live-music photographs preserve performances that are otherwise transient, recording musicians, venues, stage lighting and audiences at a particular point in a career
Tickets, posters and venue exteriors add another layer of music-industry history. The background to gig is that british popular music has been closely tied to particular cities, independent labels and venues
Manchester and Liverpool in particular developed internationally recognised scenes whose clubs, rehearsal rooms and concert halls became cultural landmarks. The subject also connects musician, stage and music history within the same editorial theme. Its wider context brings together stage, music history and fan culture.
Manchester Academy 1, University of Manchester, Oxford Road, Manchester, England , UK, M13 9PR
Description
Keywords: Warrington,Cheshire,England,UK,one,of,five,a,day,FiveAday,dirty,veg,vegetable,vegetables,top,tops,orange,healthy,food,vegetarian,ingredient,ingredients,carrot,root,rootveg,domestic,taproot,wild,Daucus,carota,food,gotonysmith,Buy Pictures of,Buy Images Of,veggies
Description: Tony Smith image Alamy DDXMH8 - The carrot (Daucus carota subsp. sativus
is a root vegetable, usually orange in colour, though purple, red, white, and yellow varieties exist. It has a crisp texture when fresh. The most commonly eaten part of a carrot is a taproot, although the greens are sometimes eaten as well. It is a domesticated form of the wild carrot Daucus carota, native to Europe and southwestern Asia.
The domestic carrot has been selectively bred for its greatly enlarged and more palatable, less woody-textured edible taproot. The Food and Agriculture Organization of the United Nations (FAO) reports that world production of carrots and turnips (these plants are combined by the FAO for reporting purposes) for calendar year 2011 was almost 35.658 million tonnes. Almost half were grown in China. Carrots are widely used in many cuisines, especially in the preparation of salads, and carrot salads are a tradition in many regional cuisines.
Warrington, Cheshire, England, UK
Description
Keywords: L3,4AA,L34AA,England,ship,shop,travel,beatles,beatle,beatlecity,city,history,historic,grade,II,gradeII,waterfront,water,front,buildings,architecture,blue,hour,bluehour,complex,warehouse,sugar,tate,gallery,time,nighttime,reflect,reflectio,gotonysmith,reflection,reflections,reflecting,in,water,orange,wheel,pumphouse,pump,house,mersey,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXKRW - The Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world.
At the time of its construction the Albert Dock was considered a revolutionary docking system because ships were loaded and unloaded directly from/to the warehouses. Two years after it opened it was modified to feature the world's first hydraulic cranes. Due to its open yet secure design, the Albert Dock became a popular store for valuable cargoes such as brandy, cotton, tea, silk, tobacco, ivory and sugar. However, despite the Albert Dock's advanced design, the rapid development of shipping technology meant that within 50 years, larger, more open docks were required, although it remained a valuable store for cargo.
During the Second World War, the Albert Dock was requisitioned by the Admiralty serving as a base for boats of the British Atlantic Fleet. The complex was damaged during air raids on Liverpool, notably during the May Blitz of 1941. In the aftermath of the war, the financial problems of the owners and the general decline of docking in the city meant that the future of the Albert Dock was uncertain. Numerous plans were developed for the re-use of the buildings but none came to fruition and in 1972 the dock was finally closed. Having lain derelict for nearly ten years, the redevelopment of the dock began in 1981, when the Merseyside Development Corporation was set up, with the Albert Dock being officially re-opened in 1984.
Today the Albert Dock is a major tourist attraction in the city and the most visited multi-use attraction in the United Kingdom, outside of London. It is a vital component of Liverpool's UNESCO designated World Heritage Maritime Mercantile City and the docking complex and warehouses also com
Albert Dock Liverpool , Merseyside , England , UK L3 4AA
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,London,city,centre,South East England,capital,Coloured,colored,medicine,bottle,cill,blue,color,colour,colourful,yellow,orange,shades,glass,tint,tinted,windows,window,light,daylight,medicines,bottles,bottled,on,a,shelf,shelves
Description: Tony Smith image Alamy RM9AW1 - This close-up documentary stock photograph shows Coloured Victorian medicine bottles on a shelf, blue, orange, yellow glass. The coloured glass bottles, shelf display and historic pharmacy character make the image useful for editorial features on Victorian medicine, chemists, patent remedies, public health, medical history, apothecaries, museum collections and the visual culture of old remedies. Blue, amber and yellow glass were widely used to store and identify medicines, chemicals and household preparations, so the photograph can help illustrate how health care was once presented through bottles, labels, dosage habits and the authority of the chemist's shop. The subject has strong stock-photo value because it connects health history with colour, texture and recognisable objects rather than a modern clinical setting. It can support stories about the development of pharmacy, early consumer healthcare, dangerous cures, poison bottles, drug regulation, self-medication, historic packaging, glass collecting, museum interpretation and nostalgia for old high street chemists. The image is also relevant to wider themes around access to medicine, trust in professional advice, changing public attitudes to treatment and the long path from unregulated remedies to modern medicines safety. For SEO and Alamy search, useful composite phrases include Victorian medicine bottles, antique pharmacy display, coloured apothecary glass, historic chemist shop, medical museum object, traditional healthcare packaging and pharmaceutical history image. The documentary style gives the picture flexibility for heritage, education, health, publishing, museum, local history, design, retail, science and consumer affairs use. Buyers could place it beside articles about nineteenth century medicine, household cures, pharmacy branding, historic interiors, public health campaigns or the risks of romanticising old treatments.
England, Great Britain , UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,also known as,the,CH8 9RD,Wales,Talacre Village,paranormal,activity,owner,James McAllister,Trust of the Major,private,property,home,Dee,and the,Mersey,Estuary,dusk,evening,sunset,Welsh,lighthouses,light,beacon,Talacre bay,bay,sun,sunny,silhouette,silhouettes,outline,orange,north Wales coast,history,historic,seashore,shoreline
Description: Tony Smith image Alamy 2K43R0M - The Point of Ayr Lighthouse, also known as the Talacre Lighthouse, is a Grade II listed building situated on the north coast of Wales, on the Point of Ayr, near the village of Talacre.
It was built in 1776 by a Trust of the Major, Recorder and Aldermen of Chester to warn ships entering between the Dee and the Mersey Estuary. It was replaced by a pile light and was decommissioned in 1844. It is now a privately owned property.
The lighthouse was listed on the property market in November 2011 by then owner James McAllister, along with two acres of land, for £100,000. It was eventually sold in April 2012 for £90,000 to a private couple who continue to own the property.
Paranormal activity - Two alleged incidents have been reported by Wales Online
Talacre , north coast of Wales, UK, CH8 9RD
Description
Keywords: frame,punk,punkx,punx,stockport,brinnington,cheshire,england,UK,GB,britain,british,red,orange,hair,surgical,supplies,canon,50D,5D,mark,II,tony,smith,camera,dslr,screen,this photo rocks,Tatuaje,\u0442\u0430\u0442\u0443\u0438\u0440\u043e\u0432\u043a\u0430,T\u00e4towierung,tatouage,tatoegering,\u7d0b\u8eab\u82b1\u523a,tatoo,cool,person,people,portrait,image,Tatuada,tat2,tatto,tats,tattoo,ink,bodyart,body,art,dark,disturbia,interesting,persons,persona,interesante,hotpicks,hotpix!,@hotpixuk
Description: Tony Smith image Flickr 4331017264 - 'A photoshoot in Stockport with Chad and Cheryl Channon in low light.
Cheryl wears a red rinse with mouth and nose piercings and Chad sports orange mohawk spiky hair (a la 1976, those were the days). Taken outside Robert Bailey Surgical Dressings factory.
Another shot of my dear sister, enjoying a toke on a ciggie at home www.flickr.com/photos/hotpixuk/3804964709/
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: Snowy,winter,Cheshire,power,lines,Sunset,winter,cold,very,icy,ice,sunrise,gotonysmith,receeding,sun,in,sky,tree,december,november,january,high,voltage,power,lines,powerlines,orange,red,horizon,best,interesting,Snowy winter Cheshire power lines Sunset,gotonysmith,Buy Pictures of,Buy Images Of,supply,fuel,generation
Description: Tony Smith image Alamy CF223B - . Snowy winter Cheshire power lines at sunset. Photographed on 9 January 2010. The recorded location is Antrobus / Great Budworth, Cheshire, England, United Kingdom. Snowy winter Cheshire power lines Sunset . A snowy winter sunset / sunrise behind receding electrical high voltage power lines in North West England , United Kingdom UK. Looking at the subject's development, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a specific moment
Repeated views can later become valuable evidence of development, environmental change and shifting patterns of use. For the 2026 context, landscape imagery is increasingly used alongside discussion of climate, resilience, tourism and development
Older panoramas can show how skylines, waterfronts and vegetation have changed over a comparatively short period. The wider historical story is that panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. Historically, seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. In historical terms, landscape photographs record more than scenery: buildings, vegetation, weather, transport and land use combine to show how a place appeared at a particular moment
Repeated views can later become valuable evidence of development, environmental change and shifting patterns of use. In 2026, current interest in climate and place-making gives atmospheric landscape photographs added documentary value, particularly where weather, coastlines or urban development are prominent.
Antrobus / Great Budworth, Cheshire, England, United Kingdom
Description
Keywords: grappenhall,st,annes,avenue,ave,stannes,Warrington,snow,ice,fall,snowfall,snowing,snowy,cheshire,england,UK,A50,Kuntsford,Road,A56,chester,January,2010,jan,winter,GB,cars,houses,gardens,blue,orange,dusk,magic,hour,hotpix,hotpixuk,tonysmith,tony,smith,wa4,2pl,wa42pl,car\u00e1mbano,del,hielo,helado,this photo rocks,HDR,high dynamic range,Hotpicks,hotpics,hot,pics,pix,picks,hotpix.freeserve.co.uk,noche,nuit,hotpix.rocketmail.com,hotpixuk.rocketmail.com,contact.tony.smith.gmail.com,tony.smith.gmail.com,tonys@miscs.com,tony.smith@mis-ams.com
Description: Tony Smith image Flickr 4276835821 - 'The morning of the start of the big freeze in Grappenhall, Warrington, Cheshire, UK, 5th January 2010 (06/01/2010).
The attempted escape from suburbia to the M6 25 minutes later can be seen here www.flickr.com/photos/hotpixuk/4274897544/
(2010 week 1)
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899',
Description
Keywords: luxury,South,homes,and,houses,in,a,Cheshire,set,gated,community,England,UK.,At,sunset,snow,ice,winter,gotonysmith,school,walled,garden,orange,pink,Astor,drive,Witherwin,Ave,Avenue,Lumb Brook Road rd,Dashwood Close,gotonysmith,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy CEMX56 - . The Grappenhall Heys Gates, luxury, South Warrington homes and houses in a Cheshire set gated community, England UK. At sunset. Photographed on 20 December 2009. The recorded location is Lumb Brook Road, Grappenhall Heys, South Warrington, Cheshire UK. The gates at Grappenhall Heys, taken in winter at sunset with ice and snow on the ground. Looking at the subject's development, panoramic and atmospheric views place individual landmarks within their wider setting
Light, season and weather affect how architecture and landscape are perceived, while distant development can provide clues to the changing form of a town or coastline. From a heritage perspective, images of homes and residential development can become important evidence of regeneration, demolition and tenure change, particularly where large estates or industrial buildings are later substantially altered. For the 2026 context, landscape imagery is increasingly used alongside discussion of climate, resilience, tourism and development
Older panoramas can show how skylines, waterfronts and vegetation have changed over a comparatively short period. As of 2026, the pressure to build more homes, particularly social and affordable housing, makes contrasting residential forms especially relevant to debate about density, planning and tenure
They can illustrate density, planning, neighbourhood change, regeneration and contrasting forms of tenure. The wider historical story is that seasonal and low-light photography can emphasise the relationship between natural conditions and the built environment
Dusk, snow, mist or dramatic cloud often reveal lighting, silhouettes and reflective surfaces that are less apparent in ordinary daylight. In the present 2026 context, landscape imagery is increasingly used alongside discussion of climate, resilience, tourism and development
Older panoramas can show how skylines, waterfronts and vegetation have changed over a comparatively short period.
Lumb Brook Road, Grappenhall Heys, South Warrington, Cheshire UK
Description
Keywords: st,john,johns,church,evangelist,sandiway,sandyway,cheshire,A556,UK,England,village,villages,autumn,trees,tree,leaves,brown,orange,green,clock,tower,HotpixOrgUK,365days,www.thewdcc.org.uk,thewdcc.org.uk,wdcc.org.uk,Warrington,society,District,Camera,club,photographic,photography,SLR,DSLR,group,GYCA,Bellhouse,bellhouse Club,hotpix!
Description: Tony Smith image Flickr 4084252638 - 'Autumn in the graveyard at St Johns.
Nice browns and oranges in the trees.
(c) Hotpix / HotpixUK Tony Smith - Warrington Hotpix.freeserve.co.uk WDCC',
Description
Keywords: Pumpkin,punpkin,halloween,sparkler,cut,faces,face,yellow,orange,party,celebration,sparks,glow,ambiant,low,light,fire,work,firework,HotpixOrgUK,head,365days,festival,fetes,dark,disturbia,hotpix!,Quotidiae,tony smith photography,tdktony,tdk,tony,tdktonysmith,Jack,o,lantern,jack-o-lantern,Lanten
Description: Tony Smith image Flickr 4083459935 - 'A carved orange pumpkin (Squash) ready for use at the festival of Halloween as a lantern. Lighting provided by a sparker to produce yellow hair.
Pumpkins are commonly carved into decorative lanterns called jack-o'-lanterns for the Halloween season in North America. Throughout Britain and Ireland, there is a long tradition of carving lanterns from vegetables, particularly the turnip, mangelwurzel, or swede.
Not until 1837, however, does jack-o'-lantern appear as a term for a carved vegetable lantern, and the carved lantern does not become associated specifically with Halloween until 1866.
Although every modern chronicle of the holiday repeats the claim that vegetable lanterns were a time-honored component of Halloween celebrations in the British Isles, none gives any primary documentation. In fact, none of the major nineteenth-century chronicles of British holidays and folk customs makes any mention whatsoever of carved lanterns in connection with Halloween. Neither do any of the standard works of the early twentieth century.
In the US, the carved pumpkin was first associated with the harvest season in general, long before it became an emblem of Halloween
Another use of a sparkler here www.flickr.com/photos/hotpixuk/4059561024/
More festival things in my photostream-
w=33062170@N08&
m=tags\'>www.flickr.com/search/?q=festival&
w=33062170@N08&
m=tags .
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899 ',
Description
Keywords: Mr,Smiths,mrsmiths,Warrington,cheshire,night,dusk,shot,UK,hit,man,hitman,her,tony,smith,tonysmith,hotpix,tonysmithhotpix,old,pete,peter,Waterman,Strachan,Michaela,Eric,Baskind's,Ultimate,Response,group,Jason,Orange,Jimmy,Constable,Wayne,Stokes,Clive,Simon,Dawbarn,TV,show,TVShow,ritz,ABC,The Ritz,blue,hour,neon,abstract,radioactive,madastoast,mad,toast
Description: Tony Smith image Flickr 5945807857 - 'A track for everyone here:
Trampps 'Disco Inferno' - Play this track here.
The Fall 'Hit The North' - Play this track here.
The Smiths 'Death Of A Disco Dancer ' - Play this track here.
Three tracks that all get 'heavy rotation' on my iPod.
Unfortunately the old 'Mr Smiths' has now seen better days. Closed now in its last incarnation as Halo, most people might remember it as the start point of the TV show 'Hitman and Her'.
It was a British television dance music show hosted by (record producer &
keen keen railway enthusiast) Pete Waterman and (Vegetarian Childrens TV star) Michaela Strachan. It ran almost continuously for over four years and three months September 1988 until December 1992.
Mr Smiths was quite a good club, visible from anyone crossing Bridge St into town. Tuesdays was usually a lively night. It was pound a pint in town and all Chinese takeaways were closed that night, hence in Mr Smiths it was often referred to as 'Triad Night', due to all young Chinese things partying.
If you have a memory of the old Mr Smiths, please leave a comment.
One comment I spotted on a blog was this:
Tommy G // Dec 17, 2008 at 1:42 pm
club is a state, if ure a chav and u like a good scrap, and a floor that your feet stick to, get yourself in their! MAd as toast!
...so there!
\u00bfWhats this iPod Shuffle set all about? Read about it here
Checkout more w=33062170@N08\' target=\'_blank\'>local stuff from my photostream.
Keep in touch, add me as a contact www.flickr.com/relationship.gne?id=33062170@N08 so I can follow all your new uploads.
\u00bfWhats this iPod Shuffle set all about? Read about it here
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC
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Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Mainz,city,Germany,orange,blue,slide,transparency,negative,35mm,6x6,shop,store,old,heritage,branding,company,display,signs,recognisable,at,photographers,city centre,developer,development,Consumer Imaging division,German,Schillerpl. 18a,55116 Mainz,wedding,weddings,photographer,in,the,wall,side,studio
Description: Tony Smith image Alamy 2RKGH54 - Are you looking for a photographer in Mainz, Wiesbaden or Frankfurt? We are there for you with vivid and emotional pictures!
Photo Rimbach stands for tradition in the fourth generation. Photographers with passion and a lot of experience await you here . We don't have any posed pictures, we put you in the spotlight skillfully and naturally. This is how we capture your most beautiful moments for eternity in unique pictures.
We will photograph you here in our studio, at your home, at your company, at your wedding and anywhere else you might need us. Convince yourself of the quality of our work: You will find photos on a wide variety of topics on our website: e.g. our wedding photos , baby photos , beauty photos , nude photos , business portraits and much more! We are also your first point of contact in Mainz for application photos .
In addition to Mainz and Wiesbaden, our area of ‹‹operation also includes Frankfurt , the Rheingau and the entire Rhine-Main area . For special occasions such as wedding shoots abroad, we also fly with you around the world!
Schillerpl. 18a, 55116 Mainz , Rhineland-Palatinate, Germany
Description
Keywords: @HotpixUK,HotpixUK,GoTonySmith,England,UK,lights,night,dusk,advert,advertising,bright,lighting,South East England,City Centre,City,tourist,tourism,travel,neon sign,neon signs,evening,night time,Music legend,band member,frontman,Manchester Music Legend,Front Man,star,music,record,vinyl,green,orange,lit,circle,disk,shop window
Description: Tony Smith image Alamy RMJ3BN - . This descriptive scene documents the physical context of Soho, London, UK, as photographed in 2018. The image record centres upon Neon sign, at a record shop, vinyl disks, SoHo, London, South East England, UK. The photograph carries associations with city-centre economy, commercial streetscape, retail vacancy, storefront culture, consumer retail, retail property, shopping district, shopfront economy, commercial frontage, town-centre trading, high-street commerce, and consumer spending. For present-day editorial use, physical shops can also illustrate debates about hybrid working and operating costs, particularly where these affect adaptable commercial space. Small period details preserved at Soho, London, UK may become historically important as commercial occupants, public services, infrastructure and the built environment change, making the image useful for retrospective editorial coverage. The view also records themes involving chain-store economy, bricks-and-mortar retail, local trading, retail decline and renewal, independent retail, urban commerce. The scene is further associated with green orange neon, records sign, lighted, neon lights, vinyl shop. Other relevant facets include shopping habits, and customer footfall. In the mid-2020s, retail streets is increasingly discussed through brand consolidation and vacant premises, with attention turning to mixed-use town centres. For future comparison, the scene preserves regional identity, the condition of buildings, public-realm details, patterns of everyday use, and local business activity as an authentic period reference. Viewed retrospectively, the photograph can reveal public activity, period design, changes of use, the appearance of the built environment, and local character at this precise location. That gives this view of Soho, London, UK continuing value for local history, retrospective reporting and visual comparison.
Soho, London, UK
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,WA2,Delph Ln,Newton Rd,Winwick,Warrington,Cheshire,England,UK,WA2 8RD,store,retail,out of town,parking,town,product,entrance,products,logo,big,out,shopping,Block & Quayle,DIY,material,tools,hardware,building,home improvement,profit,loss,heating,plumbing,garden,centre,orange
Description: Tony Smith image Alamy 2MG4657 - B&Q (short for Block & Quayle after the company's two founders) is a British multinational DIY and home improvement retailing company, headquartered in Eastleigh, England. It is a wholly owned subsidiary of Kingfisher plc. It was founded in March, 1969 by Richard Block and David Quayle.
History
1969 to 1979: Early growth
B&Q was founded in March 1969 in Southampton, England, by Richard Block and David Quayle, following the purchase and fitting out of a former furniture warehouse in the Southampton suburb of Portswood. Originally called Block & Quayle, the duo soon shortened the brand to B&Q as stock delivery notes and invoices were already unofficially abbreviating the name.
B&Q were reported to have a customer base of seven million in July 2016, of which it was estimated 75% use the retailer's website to research their desired products, prior to purchasing in shop. B&Q have customer loyalty schemes, such as the Diamond Club scheme which entitles members over the age of 60 to a 10% discount on Wednesdays on many garden products. However, no new customers are able to join the scheme, after changes were announced on 2 August 2018
The retail chain offers over 40,000 products across their three hundred shops and through their online presence. Reports in May 2007 suggested it was the second largest in Europe, and the fourth largest in the world (behind the Home Depot, Lowe's and OBI)
Delph Ln, Newton Rd, Winwick, Warrington, Cheshire, England, UK, WA2 8RD
-painted-mural-at-Bloomfield-Road--Blackpool--Lancs--England--UK--FY1-6JJ-2JREBRF.jpg)
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CBE,DL,statue,mural,art work,art,England,squad,Bloomfield Road,Blackpool,Lancs,UK,FY1 6JJ,FY1,painting,Armfield club,painted,gable end,soccer,Right back,rightback,right-back,English,played,player,national,team,Strip,orange,icon,iconic,footballer,old-school
Description: Tony Smith image Alamy 2JREBRF - James Christopher Armfield, CBE, DL (21 September 1935 “ 22 January 2018) was an English professional football player and manager who latterly worked as a football pundit for BBC Radio Five Live. He played the whole of his Football League career at Blackpool, usually at right back. Between 1954 and 1971 he played 627 games in all competitions, scored six goals, and spent a decade as the club's captain. He also represented the England national team 43 times between 1959 and 1966, and captained them in 15 games. He was a member of England's 1966 World Cup-winning squad. After retiring from playing, Armfield managed Bolton Wanderers and Leeds United
Armfield won 43 caps for England between 1959 and 1966, and captained his country on fifteen occasions. He made his international debut on 13 May 1959, against Brazil in front of over 120,000 fans at the Maracanã Stadium. He played in the 1962 World Cup in Chile, where he was acclaimed as the best right-back in the world. He was also voted best right-back in Europe between 1962 and 1964
In the 1966 World Cup final only the 11 players on the pitch at the end of the 4“2 win over West Germany received medals. Following a Football Association-led campaign to persuade FIFA to award medals to all the winners' squad members, Armfield was presented with his medal by Gordon Brown at a ceremony at 10 Downing Street on 10 June 2009
Bloomfield Road, Blackpool, Lancs, England, UK, FY1 6JJ
