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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,history,heritage,Holyrood Palace,Edinburgh,Scotland,royal residence,historic building,sandstone building,blue sky,British heritage,Scottish history,royal history,monarchy,King Charles III,Queen Elizabeth II legacy,cultural heritage,national identity,historic Britain,royal collection,art and culture,museum and gallery,travel Scotland,UK tourism,architecture and history,ceremonial state,tradition and continuity,editorial background,calendar image,Scottish heritage,royal art gallery,palace architecture,historic palace,Edinburgh landmark,Old Town Edinburgh,ceremonial building,British royal family,tourism Scotland
Description: Tony Smith image Alamy 3DGE73C - The King's Gallery at the Palace of Holyroodhouse in Edinburgh, Scotland, is shown under clear blue skies, revealing the scale and architectural detail of the historic royal complex. The gallery forms part of the Palace of Holyroodhouse, the official residence of the British monarch in Scotland, and sits at the end of Edinburgh's historic Royal Mile. Built in warm-toned stone, the structure combines defensive elements, classical proportions and later architectural additions, reflecting centuries of royal occupation and ceremonial use.
The Palace of Holyroodhouse has long been associated with Scottish and British history, serving as a residence for monarchs including Mary, Queen of Scots, and continuing today as a venue for state occasions and royal events. The King's Gallery houses exhibitions from the Royal Collection, linking the site not only to monarchy and governance but also to art, culture and national heritage. The clear light and uncluttered foreground emphasise the solidity and grandeur of the building, while the absence of people allows the focus to remain on architecture and symbolism rather than activity.
Beyond its immediate subject, the image lends itself to a wide range of editorial and commercial uses, including travel features on Edinburgh and Scotland, educational material on royal history, cultural heritage publications, and broader storytelling around monarchy, tradition and continuity in the United Kingdom. The calm setting and balanced composition also make it suitable for calendar use and as a background image illustrating British and Scottish identity, historic architecture and the enduring presence of royal institutions within modern society.
Description
Keywords: HotpixUK,@HotpixUK,GoTonySmith,city,centre,summer,sunny,blue sky,Dundee Art Gallery and Museum,Scottish civic pride,museum and identity,Victorian philanthropy,education and culture,national and local history,public institutions Scotland,heritage preservation,architecture as civic statement,city museums UK,learning and memory,The McManus Albert Square,Dundee DD1 1DA,Dundee Scotland UK,historic civic building,nineteenth century architecture,stone fa??ade,museum steps,city centre Dundee,Scottish history museum,arts and culture Scotland,editorial image,daytime exterior,Exterior of The McManus,Dundees Art Gallery & Museum on Albert Square,Scotland,UK,DD1,DD1 1DA
Description: Tony Smith image Alamy 3DCX6CX - The exterior of The McManus: Dundee's Art Gallery & Museum, photographed on Albert Square in Dundee city centre, Dundee DD1 1DA. The imposing building, constructed in the Victorian Gothic Revival style, features symmetrical stone fa??ades, arched windows, decorative staircases and a central spire, reflecting the civic ambition of nineteenth-century Dundee.
Originally opened in 1867 as a memorial to Prince Albert, the building later became the city's principal museum and art gallery. Today, The McManus houses collections covering fine art, local and national history, archaeology, natural history and decorative arts, making it a key cultural and educational institution in eastern Scotland.
The museum's prominent position facing Albert Square places it at the heart of Dundee's civic life, surrounded by historic buildings, green spaces and pedestrian routes. Its architecture was designed not only to impress but to communicate the importance of public learning, philanthropy and cultural enrichment during a period when Dundee was a rapidly expanding industrial city.
The McManus continues to play a central role in Dundee's cultural identity, linking the city's industrial past with contemporary artistic and historical interpretation. Photographed in daylight under a bright sky, the image highlights the building's architectural detail and formal symmetry, offering strong editorial value for themes including Scottish heritage, museums and education, civic architecture, cultural tourism and the role of public institutions in urban identity.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHW5 - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWA - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWH - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,external,exterior,architecture,buildings,blue skies,Royal Institution,purpose-built,William Brown Library and Museum,William Brown Library,and,Museum,1877,architects,Cornelius Sherlock,H. H. Vale,HH Vale,benefactor,Sir,Andrew Barclay Walker,neo-Classical,style
Description: Tony Smith image Alamy 2R6AHWM - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,exhibition,50 years,still alive in that picture,what makes a good picture,photographs,photograph,documentary,reportage,local,photographer,viewers,people,visitors,visitor,major,exhibitions,All Zones Off Peak,Looking for Love,New Brighton
Description: Tony Smith image Alamy 2R6AHWT - Photie Man: 50 Years of Tom Wood
20 May 2023?07 Jan 2024
A new major photographic exhibition from Tom Wood, showcasing 50 years of the artist's work.
Walker Art Gallery
'Photie Man' celebrates the internationally-acclaimed Irish artist Tom Wood (b. 1951), showcasing his iconic images of Liverpool and bringing together his work from across all decades, it will be the first major retrospective of Tom's work in Liverpool.
Embraced locally as ?photieman', Wood has dedicated much of his career to the people and places of Liverpool and Merseyside to create an intimate, diverse and knowing portrait of the city and the surrounding area, and his pioneering photographs capture a definitive phase in the social and political history of the region. He is one of the most influential photographers working today.
Highlights include epic and renowned projects such as ?Looking for Love' from the Chelsea Reach nightclub in New Brighton, and Wood's widely-praised Bus Series (?All Zones Off Peak'). Unseen long-term studies of two major local institutions like Cammell Laird Shipyard feature alongside his images taken around the city's football grounds.
The exhibition will also explore Wood's use of found photographs and landscape photography taken in Ireland and North Wales, alongside never-before seen film work from the artist.
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,at,painting,paintings,hung,art,pictorial,interior,inside,hanging,space,British,north west,English,framed,quiet,visitors,Galery,leisure,Northern Powerhouse,Victorian,fine arts
Description: Tony Smith image Alamy 2R6AHX2 - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,exhibition,poster,at,John Moores,Painting Prize,painting,prize,prizes,call,for,entries,artists,entrants,entry,JM,biennial,award,festival,of,visual art,modern art
Description: Tony Smith image Alamy 2R6AHY6 - The John Moores Painting Prize is a biennial award to the best contemporary painting, submission is open to the public. The prize is named for Sir John Moores, noted philanthropist, who established the award in 1957. The winning work and short-listed pieces are exhibited at the Walker Art Gallery as part of the Liverpool Biennial festival of visual art
First winners:
1957 Jack Smith - Creation and Crucifixion
1959 Patrick Heron - Black Painting - Red, Brown and Olive : July 1959
1961 Henry Mundy - Cluster
1963 Roger Hilton - March 1963
1965 Michael Tyzack - Alesso 'B'
1967 David Hockney - Peter Getting Out of Nick's Pool
Recent winners:
2010 Keith Coventry - Spectrum Jesus
2012 Sarah Pickstone - Stevie Smith and the Willow
2014 Rose Wylie - PV Windows and Floorboards
2016 Michael Simpson - Squint (19)
2018 Jacqui Hallum - King and Queen of Wands
2021 Kathryn Maple - The Common
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,statue,at,marble,collected,room,Greek,&,and,Roman,classic,classical,sculpture,sculptures,collection,object,objects,style,exhibits,historic,history
Description: Tony Smith image Alamy 2R6AHYA - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,city,centre,Merseyside,England,UK,sunny,blue sky,the,gallery,tourist,arts,collections,National Museums,L3 8EL,L3,William Brown Street,statue,at,marble,collected,room,Greek,&,and,Roman,classic,classical,sculpture,sculptures,collection,object,objects,style,exhibits,historic,history
Description: Tony Smith image Alamy 2R6AHYE - The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
History of the Gallery
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The gallery is housed in a neo-Classical building located on William Brown Street (the only street in the United Kingdom to consist of nothing other than museums, galleries and libraries).
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints & drawings
Description
Keywords: Hotpixuk,England,@Hotpixuk,UK,GB,Great Britain,GoTonySmith,M50,Salford Quays,Pier,M50 3AZ,Quays,theatre and gallery complex,theatre,gallery,flagship,tourist,architects,James Stirling,Michael Wilford,Associates,architect,Lowry Trust,National Lottery,funding,funded,Buro Happold,arts,closed due to coronavirus,closed due to Covid19,redeveloped,theatres,sunny,blue sky,The Quays,The
Description: Tony Smith image Alamy 2DCE9JH - The Lowry is a theatre and gallery complex at Salford Quays, Salford, Greater Manchester, England. It is named after the early 20th-century painter L. S. Lowry, known for his paintings of industrial scenes in North West England. The complex opened on 28 April 2000 and was officially opened on 12 October 2000 by Queen Elizabeth II
Between 1990 and 1991 a competition was launched and architects James Stirling Michael Wilford Associates was selected. After the death of James Stirling in June 1992 Michael Wilford continued the project. The city council bid for Millennium and other British and European funds and private sector finance to progress the project. Funding was secured in 1996 and The Lowry Trust became responsible for the project which comprised The Lowry Centre, the plaza, a footbridge, a retail outlet shopping mall and Digital World Centre.
The complex was designed by Michael Wilford with structural engineer Buro Happold and constructed by Bovis Construction.
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Port Sunlight Museum
Description: Tony Smith image Alamy P72CW2 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72D32 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72D96 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Eurovision,2023
Description: Tony Smith image Alamy P72D9N - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,greenwashing
Description: Tony Smith image Alamy P72DBP - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,greenwashing
Description: Tony Smith image Alamy P72DH2 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72DHA - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72DPR - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72E72 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Antinous,Antinous Statue,Statue
Description: Tony Smith image Alamy P72ED0 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Antinous,Statue,Antinous Statue
Description: Tony Smith image Alamy P72ED6 - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,Antinous,Statue,Antinous Statue
Description: Tony Smith image Alamy P72EDC - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery,bust,busts,stone,carved
Description: Tony Smith image Alamy P72EMC - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: street,stone doric columns gothic greek style building Edinburgh,Scotland,UK,Scots,tourist,tourism,attraction,in,the,evening,located,on,The,Mound,in,central,neoclassical,building,designed,by,William,Henry,looking,up,Scottish National gallery,GoTonySmith,Tour,tourism,tourist,Capital,City,Scots,icon,iconic,@Hotpixuk,HotpixUk,Tourist Attraction,city Centre,greenwashing
Description: Tony Smith image Alamy ED4MP2 - The Scottish National Gallery is the national art gallery of Scotland.
It is located on The Mound in central Edinburgh, in a neoclassical building designed by William Henry Playfair, and first opened to the public in 1859
Description
Keywords: UK,GB,great,Britain,grass,hillock,grassed,lawn,oldtown,wide,angle,shot,museum,on,the,artificial,drained,Nor,Loch,which,forms,todays,Princes,Street,Gardens,construction,of,the,Earthen,summer,2013,sunny,National,Gallery,of,the,Royal,Scottish,Academy,spires,gotonysmith,New,College,General,Assembly,Hall,of,the,Church,of,Churchofscotland,iconic,Scottish,independence,independent,indapendance,cloudy,sky,skies,dark,contrast,contrasty,oldtown,Tour,tourist,tourism,tourist,attraction,Capital,City,Scots,Scottish,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,old town
Description: Tony Smith image Alamy DDXJ8H - The Mound is an artificial hill in central Edinburgh, Scotland, which connects Edinburgh's New Town and Old Town. It was formed by dumping around 1,501,000 cartloads of earth excavated from the foundations of the New Town into the drained Nor Loch which forms today's Princes Street Gardens.
The construction of the Earthen Mound, as it was originally called, was begun in 1781 and it was extended over the years until by 1830 it was macadamised and landscaped so that it appeared more or less complete. When the Edinburgh and Glasgow Railway was extended to Waverley in 1846, tunnels were driven under The Mound to allow access to the west. The Bank of Scotland headquarters on the Mound
Some of Edinburgh's most notable buildings and institutions have their premises on The Mound, including the National Gallery of Scotland, the Royal Scottish Academy, the spires of New College, the General Assembly Hall of the Church of Scotland, the elegant domed Headquarters of the Bank of Scotland, and its museum, Museum on the Mound.
Today The Mound is a busy, if fairly steep, thoroughfare taking traffic to and from Princes Street and the Royal Mile in the Old Town. Due to its raised elevation, the Mound commands expansive views over Princes Street and the New Town of Edinburgh and towards Calton Hill.
Description
Keywords: UK,GB,great,Britain,grass,hillock,grassed,lawn,oldtown,wide,angle,shot,museum,on,the,artificial,drained,Nor,Loch,which,forms,todays,Princes,Street,Gardens,construction,of,the,Earthen,summer,2013,sunny,National,Gallery,of,the,Royal,Scottish,Academy,spires,gotonysmith,New,College,General,Assembly,Hall,of,the,Church,of,Churchofscotland,iconic,Scottish,independence,independent,indapendance,cloudy,sky,skies,dark,contrast,contrasty,oldtown,Tour,tourist,tourism,tourist,attraction,Capital,City,Scots,Scottish,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXJ9D - The Mound is an artificial hill in central Edinburgh, Scotland, which connects Edinburgh's New Town and Old Town. It was formed by dumping around 1,501,000 cartloads of earth excavated from the foundations of the New Town into the drained Nor Loch which forms today's Princes Street Gardens.
The construction of the Earthen Mound, as it was originally called, was begun in 1781 and it was extended over the years until by 1830 it was macadamised and landscaped so that it appeared more or less complete. When the Edinburgh and Glasgow Railway was extended to Waverley in 1846, tunnels were driven under The Mound to allow access to the west. The Bank of Scotland headquarters on the Mound
Some of Edinburgh's most notable buildings and institutions have their premises on The Mound, including the National Gallery of Scotland, the Royal Scottish Academy, the spires of New College, the General Assembly Hall of the Church of Scotland, the elegant domed Headquarters of the Bank of Scotland, and its museum, Museum on the Mound.
Today The Mound is a busy, if fairly steep, thoroughfare taking traffic to and from Princes Street and the Royal Mile in the Old Town. Due to its raised elevation, the Mound commands expansive views over Princes Street and the New Town of Edinburgh and towards Calton Hill.
Description
Keywords: UK,GB,great,Britain,grass,hillock,grassed,lawn,oldtown,wide,angle,shot,museum,on,the,artificial,drained,Nor,Loch,which,forms,todays,Princes,Street,Gardens,construction,of,the,Earthen,summer,2013,sunny,National,Gallery,of,the,Royal,Scottish,Academy,spires,gotonysmith,New,College,General,Assembly,Hall,of,the,Church,of,Churchofscotland,iconic,Scottish,independence,independent,indapendance,cloudy,sky,skies,dark,contrast,contrasty,Tour,tourist,tourism,tourist,attraction,Capital,City,Scots,Scottish,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of
Description: Tony Smith image Alamy DDXJAD - The Mound is an artificial hill in central Edinburgh, Scotland, which connects Edinburgh's New Town and Old Town. It was formed by dumping around 1,501,000 cartloads of earth excavated from the foundations of the New Town into the drained Nor Loch which forms today's Princes Street Gardens.
The construction of the Earthen Mound, as it was originally called, was begun in 1781 and it was extended over the years until by 1830 it was macadamised and landscaped so that it appeared more or less complete. When the Edinburgh and Glasgow Railway was extended to Waverley in 1846, tunnels were driven under The Mound to allow access to the west. The Bank of Scotland headquarters on the Mound
Some of Edinburgh's most notable buildings and institutions have their premises on The Mound, including the National Gallery of Scotland, the Royal Scottish Academy, the spires of New College, the General Assembly Hall of the Church of Scotland, the elegant domed Headquarters of the Bank of Scotland, and its museum, Museum on the Mound.
Today The Mound is a busy, if fairly steep, thoroughfare taking traffic to and from Princes Street and the Royal Mile in the Old Town. Due to its raised elevation, the Mound commands expansive views over Princes Street and the New Town of Edinburgh and towards Calton Hill.
Description
Keywords: Knocks,edn,Edinburgh,Scotland,UK,IM,MA,IMMA,museum,place,to,visit,tourist,tourism,Jon,Knoxs,knoxs,historic,history,Protestant,reformer,Warriston,Close,plaque,national,Museums,and,Art,Galleries,gallery,gotonysmith,oldtown,Buy Pictures of,Buy Images Of,Scotlands History,Scotlands History
Description: Tony Smith image Alamy DED1B1 -
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,UK,GB,London,city,centre,South East England,capital,gallery,galleried London,The George Inn Yard,SE1 1NH,SE1,city centre,Courtyard,NT,National Trust,London Bridge,timbered,George and Dragon,inn,inns,taverns,listed building,timber framed,timber,frame,Charles Dickens,historic,pub,CAMRA,Greene King,medieval
Description: Tony Smith image Alamy RM9AW0 - The George or George Inn is a public house established in the medieval period on Borough High Street in Southwark, London, owned and leased by the National Trust. It is located about 250 metres (820 ft) from the south side of the River Thames near London Bridge and is the only surviving galleried London coaching inn.
The first map of Southwark (Duchy of Lancaster ca1543) clearly shows it marked as 'Gorge'. It was formerly known as the George and Dragon, named after the legend of Saint George and the Dragon. There were many such inns in this part of London. Probably the most famous was The Tabard where, in 1388, Chaucer began The Canterbury Tales. In 1677 the George was rebuilt after a serious fire that destroyed most of medieval Southwark. The Tabard was also rebuilt after the same fire, but was demolished in the late nineteenth century.
It is known that galleried inns were used for Elizabethan theatrical productions (Inn-yard theatre).
Later, the Great Northern Railway used the George as a depot and pulled down two of its fronts to build warehousing. Now just the south face remains.
The George was one of the many famous coaching inns in the days of Charles Dickens. Dickens in fact visited the George and referred to it in Little Dorrit.
The building is partly . The ground floor is divided into a number of connected bars. The Parliament Bar used to be a waiting room for passengers on coaches. The Middle Bar was the Coffee Room, which was frequented by Charles Dickens. The bedrooms, now a restaurant, were upstairs in the galleried part of the building.
It is one of only two coaching inns to survive in Greater London, and is the only galleried example. The White Hart is immediately to the north, and the site of The Tabard immediately to the south (now Talbot Yard). The building is Grade I listed, and is listed in CAMRA's National Inventory of Historic Pub Interiors
Description
Keywords: Edinburgh,Princes,St,traffic,Dusk.,A,night,shot,showing,city,car,trails,tram,scotland,capital,UK,red,stream,tony,smith,gotonysmith,car,trails,tram,line,lines,national,gallery,night,long,exposure,nightshot,rushing,traffic,middle,of,road,busy,lightstream,light,stream,speeding,cars,trams,speed,fast,red,scottish,scots,escotia,ecosse,rue,waverley,national,gallery,scottish,independance,independence,home,rule,devolution,parliament,SNP,national,party,@Hotpixuk,Government,trams,capital,Scotlands,scottish,Scots,2014,gotonysmith,Tour,tourist,tourism,tourist,attraction,Scotland,Capital,City,Scots,Scottish,icon,iconic,@Hotpixuk,HotpixUk,Buy Pictures of,Buy Images Of,Tourist Attraction,city Centre
Description: Tony Smith image Alamy CEMX0G - Traffic rushing down Edinburgh's Princes St at dusk.
A night shot showing city car trails down the planned tram lines in Scotlands capital. the tail lights make a red stream.
Description
Keywords: HotpixUK,GoTonySmith,Lever,Bros,Brothers,Lady Lever,Cheshire,England,UK,North West England,building,listed,architecture,classic,CH62 5EQ,CH62,room,rooms,paintings,National Museums Liverpool,National Museums,Liverpool,William and Segar Owen,Segar Owen,Beaux-Arts style,Beaux Arts style,BeauxArts,Art Collection,Art Gallery,Elizabeth Hulme,Sunlight Soap brand,Sunlight Soap,brand,factory,galleries,gallery
Description: Tony Smith image Alamy P72E1B - The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five Period Rooms recreating typical period interiors from large houses.
The Building was commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style. The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 part of the museum was closed for building works, with little of the ceramics collections on display, but most of the other collections. A touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a ?œ2.8 million restoration project in 2016. The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,National Gallery of Scotland,The Mound Edinburgh,Edinburgh cityscape,Edinburgh landmark,Scottish art gallery,Edinburgh Old Town,Scotland capital city,dusk Edinburgh,blue hour,tourism,travel,culture,heritage,art and culture,museums,galleries,architecture,European capitals,editorial travel,seasonal weather,night photography,low light photography,urban atmosphere,public art,UNESCO city,Edinburgh,Scotland,United Kingdom,UK capital,art gallery exterior,museum building,classical columns,stone architecture,iron railings,city steps,pedestrian steps,winter snow
Description: Tony Smith image Alamy CF7D6R - A winter dusk view of the National Gallery of Scotland, part of the Edinburgh National Galleries, photographed from the Playfair Steps on The Mound in central Edinburgh. The neoclassical gallery building is illuminated against a deep blue evening sky, while snow covers the steps and surrounding pavements, reflecting the warm glow of street lamps and gallery lighting.
Blurred figures moving across the steps suggest pedestrian activity captured using a longer exposure, adding a sense of motion and life to the cold winter scene. Black iron railings frame the foreground, while the elevated position on The Mound provides a strong architectural perspective across this key cultural site linking Edinburgh's Old Town and New Town.
The National Gallery of Scotland houses one of the country's most important art collections and sits at the heart of Edinburgh's cultural and civic landscape. The image conveys themes of winter weather, urban atmosphere, culture, and tourism in Scotland's capital city, making it suitable for editorial use relating to travel, arts coverage, museums, seasonal city life, and European capital destinations, as well as commercial design projects seeking an atmospheric winter city image.
